#its important that you exist

[yakityyaku]

very funny (irritating) to me that everyone whined and yelled about stupid rainbow capitalism and how performative wokeness/allyship is a net bad we should all refuse to support and now like.

tumblr is doing nothing for pride and target isn't selling much (if any) of their pride collection offline except at certain stores (in democratic areas, basically) and build a bear has a much tinier collection than normal and all the actual pride stuff is on their "adult" website (not sure if it's in stores, but pride = adult is a hell of a message)

there are genuinely good criticisms for performative allyship in all its applications. it shouldn't be the only thing we expect from people and companies. but if all the shit I see being called performative stopped tomorrow then in terms of the LGBTQ+ community especially we just. wouldn't talk about queerness or queer issues or celebrate pride or do anything.

open your fucking eyes. we are very close politically to having gay marriage rolled back. now companies are basically being let off the hook to even make a miniscule effort (which matters to the people who don't have access to any other kind of support in their communities! which normalizes the community in public spaces!) because the only reaction they have gotten over the last few years are negative ones from BOTH sides.

we are so entrenched in discourse at all times for the sake of our OWN performance of who is the wokest and who is REALLY an ally or a good community member that we have basically handed over all the work of activists of the last several decades to the other side because we'd rather scream at each other over fucking chicken restaurants and shit than the real life backsliding that's happening.

and this goes for other shit too. feminism, poc rights, all of it.

also. trans rights aren't discourse and aren't just culture war arguments. in case any terfs think they can spin this to be antitrans.

[twopercentboy]

I'm a firm believer that Edwin does NOT have internalized homophobia ☝️ repressed his sexuality? sure, obviously. but internalized hatred for himself? NO!!!

My man immediately confessed his love to Charles once he realized what his feelings were. He was going to even earlier but literally got dragged to Hell in the middle of it !!! He did not question the validity of his feelings and he definitely didn't question whether he was allowed to feel them !!!

Edwin has a lot of complexities when it comes to dealing with and acknowledging his emotions, but this is not one of them. Charles is not one of them.

[dangoulains-devotion]

to catch a falling star

[haunted-xander]

Respectfully, anyone who believes that Roxas shouldn't have come back in kh3 is wrong and also doesn't know how to make a satisfying end to a characters narrative.

I could maybe forgive thinking Naminé or Xion shouldn't have returned, as they at least got to make the informed decision to return to their counterparts themselves. It would still be wrong but I can at least forgive it.

But Roxas? His entire story is about being allowed to be yourself regardless of what anyone else around you says you should be. It doesn't/shouldn't matter if he comes from Sora, because he is someone else entirely. It's his life, not Sora or anyone elses. Having a story like that end with him being violently forced to return to Sora when he doesn't even know anything about what's going on is flat out bad writing.

Did he accept that he had to die for Sora? Well, sure, but only after getting to beat him within an inch of his life. Only reason he accepts it is because he literally has no other choice but to. He can't keep clinging to the anger and misery at his circumstances forever.

And, you know, it probably helps that the person this was all for also fucking hates it. In no way is Sora happy about what happened to Roxas. Of course he'd bring him back, it's Sora. The situation is so unfair and tragic that having it end with him just staying in Sora forever would literally go against the essence of the entire series.

Kingdom Hearts is, at it's core, a series about bonds. Roxas was established basically immediately as having very important bonds! His best friend literally died for him! He has friends that don't even know it because it was another version of them, but they still feel that bond to him anyway! You really think they should've just thrown away a character whose bonds transcended the boundaries between data and reality just like that? Get real.

[charmac]

How are you feeling about S17? I'm getting reaaal worried that it's going to be terrible. No Glenn in the writers room? A crossover episode?? Rob's gradual transformation into pondslime??? Help

Pondslime 😭Lmfao

I'm feeling more than fine about 17, really truly. I don't think anyone should be worried at all.

I think sometimes my interactions with Glenn come off a little more serious or abrasive than they really happened in real life (because we have to shout due to how loud it is in the bars), and my immediate transcription is just to get people *information*, which really doesn't convey tone.

For example, reporting that Glenn said "you don't want to know" in response to me asking for any teasers (as to plots this season) was met with a lot of "oh so this season is gonna suck" on Twitter, and that could not be further than the truth (sorry to the people I split-react blocked for saying that lol). In hindsight I get the reaction, because written out it's a response that can be easily misinterpreted and reads as potentially concerning, but know that when Glenn said "you don't want to know" he looked like this:

And when I was genuinely just asking for script information (regarding writers of individual scripts after he mentioned they had broken already) and mentioned Nina (Inflates) and Ross (DTAMHD), he gushed about both of them and then said, transcribed word for word, "It's been a good room, I'll say this it's been a great room. It's been an all-star room, it's been...like, breaking the stories this year has been really fun. [Me: Yeah?] Yeah. [That's great, that is great to hear.] It's been really fun."

So the idea of "no Glenn in the writers room" is really much more akin to Season 16 than 13/14. He was there to break stories (meaning he was in the room when they were brainstorming plot ideas and when they settled on which plots would be turned into scripts) but Rob and Charlie are taking the brunt of writing their (RCG's) scripts because of Sirens. This is the same thing that happened with The Gang Goes Bowling. Glenn's name is on the script, but Rob and Charlie wrote the majority of it while Glenn was shooting Blackberry. (I remember originally being convinced it was a mistake Glenn was listed as a writer for Bowling, lmfao). And Glenn is definitely still contributing, will be on revisions for the non-RCG scripts, and will classically change or improv whatever he thinks is best for Dennis when he's on set (see: the Risk E. Rats script).

Also, I know the crossover is concerning to a lot of people just given the nature of it, but as of what we know right now it's only on Abbott, so it's really just as if this season's The Gang Cracks the Liberty Bell or The Janitor Always Mops Twice took place on a different show instead of ours...

I promise promise promise Glenn was clearly holding his tongue for good things coming up, and Friday night very much restored my confidence that Season 17 will be good. (But..if you don't think Glenn has good contributions to Sunny or understands the agenda, then sorry this response probably sucks lmfao)

[crtvirus]

sorry to get into discourse topics here but its so fucking easy to just not care about what people wanna call themselves and continue on with your life. like its so so easy

[powermove102]

if I had a nickel for every time Sawyer had intense beef with a wild animal in the jungle that just does what the animal does but it shakes Sawyer to the very core of his being that it consumes his life and he can't do anything else but wildly trudge into the jungle to look for it

I'd have 2 nickels, which isn't a lot but it's weird that it's happened twice

[dorkydiaz]

i made a short post here referring to my own experiences and wanted to expand on it, you can reblog both of these posts btw. I am only writing this all down because the way some of you have spoken about chris and his decision very much bothers me. trust when i tell you i do not want to completely lay out my trauma on the internet for all of you to read, but if it makes one of you understand why this works, why it is important, then it will have been worth it to me.

When I was 12 my father was diagnosed with frontal temporal dementia. the adults in my family and his doctors decided that it was best for him to be moved to a a full time care facility. The next year, and after hearing, seeing, and understanding my father's condition and where it would go, I, at thirteen years old, made the decision to say goodbye to him, that I did not want to hear about what levels of deterioration he had reached. I wanted to remember him as he was when he remembered me, and all the adventures and fun things we did together.

I made that decision. I made it because it was easier than watching him deteriorate, forget who his sister, his brother, my brother, my mother, and me. And I knew that at twelve and thirteen. It was never a decision I ever thought I would have to make, it wasn't a decision I should've had to make.

Now, the important part, over the next few years my decision was questioned and ignored by the adults in my life and even my brother, some of the questioning I can understand now that I am older, but it should have never reached the level it did. My aunt and uncle would openly discuss his condition over dinner when he came to visit, and I would run away to the restaurant bathroom and cry my eyes out until my mom came to get me. I was forced into visiting him in his care home, which ended with it causing far more harm than good. Only then was my decision somewhat respected, it took me being retraumatized for it to be taken seriously.

Despite all of that, I do not regret that decision.

I can't know how I would be different if none of that happened. But at this point in my live, eleven years and some therapy later, I am fairly certain I would be less traumatized, carry less resentment and anger, if maybe my mom had spoken up at those dinners and made arrangements to get updates without me next to her trying to enjoy my pizza. Had I not had to see my own father forget my name and then have some sort of mini medical emergency. Had my brother heard me in a way only a sibling could.

So, yes, Christopher at thirteen made a indefinite and truly most likely temporary decision to remove himself from an environment where he doesn't fully trust his sole and primary caregiver. He knows his dad loves him, Eddie made that so clear. And it could really be 5 minutes, 5 days, 5 weeks, and so on and so forth until Christopher is ready to come home. And him knowing that Eddie respected his decision and loves him no matter what is what is going to make that time shorter. If he had walked out with his father begging him to stay, to forgive him before he was ready, the chances of him coming back would in my opinion would be far slimmer than the circumstances under which he did leave.

with that i leave you this, "yeah people go away. and it's sad. and it hurts. but you know, not everyone goes away forever. sometimes they come back. and as much as we miss them, that's how happy we are to see them again."

[ninicaise]

i love kings rising its the total opposite of a tragedy pacat really said the love was there and it changed everything love is not just a feeling love is a choice love is action love has real life consequences love CAN save you

[scarycranegame]

thinking about. transfems. and trans girls. and how cool they are.. literally if you're a tgirl or girl-adjacent transgender person i want you to know that. you are so wonderful and beautiful and kind and talented.. we need you on this site now more than ever, and im so sorry about literally everything that's happened here. none of you deserve to be treated like this; you deserve so much better, and i'm sincerely hoping that other people (especially people with power to instate significant change that affects a lot of people) will understand this and work towards making this a safer platform for all of you. please don't let anything that's happening right now on this literal hellsite make you think that you're any less than amazing; i love all of you so so so much <333 please stay safe out there!!!

[sasukeless]

just found your blog and having a blast scrolling through it thank you for sharing your very correct opinions with the world, very satisfying. now i'm curious (and sorry if you've talked about it before) what do you think of shisui?

basically

[megamindsupremacy]

Stewjon is Space Scotland: Names and Naming Conventions

For context, I designed an entire naming system for my Stewjon is Space Scotland AU. I'm still trying to work out the cultural logistics of it, but the actual practical logistics I have down.

To break everything down:

Stewjon is a clan-centric society, with clans and clan names having a hugely important role in the culture. I therefore had clan names feature in both the first and last name of Stewjonis.

-The last name (Kenobi) is the family/clan name, and is passed down the family paternally. This is both because I'm from a western culture with a paternal naming tradition, and also because I liked how his parents names sounded when the last names transferred paternally but not maternally. "Ken" would translate to "Clan" (I don't know if this is accurate to Scots English or Scots Gaelic, but I'm working from canon Star Wars names and trying to worldbuild from nothing so work with me here), and then the clan name "Obi" is attached, so "Kenobi" translates to "Clan Obi" or "of Clan Obi"

-The given name (-Wan, but we'll get to "Wan" in a second) is one to two syllables. All of these names are (according to Wikipedia) actual Scottish names, which I picked from the list mostly based on how well they'd sound next to the clan name.

-The prefix clan name (Obi-) is the interesting part. All children are given the father's clan name as both their first and last clan name. Therefore, Obi-Wan Kenobi, son of Ito-Benneit Kenobi, has "Obi" in both his first and last name. However, upon marriage, the couple swaps their prefix clan names to signify the tie between their clans. Therefore his mother Ito-Ceit Kenito and his father Obi-Benneit Kenobi became Obi-Ceit Kenito and Ito-Benneit Kenobi upon their marriage.

-Originally I was going to do something with the fact that "Obi" means belt in Japanese, such as making the clan names signify professions in the same way "Miller" or "Smith" would in English surnames, but I gave up because Japanese is so different of a language from what I understand that I would have just made myself very confused and everyone who understands Japanese language and culture very mad. So I just went with a vowel-consonant-vowel pattern for all the clan names and called it a day.

-Remember how I said we would come back to "Wan"? Obi-Wan wasn't born Obi-Wan Kenobi. He was born Obi-Owen (Owen is a whole 'nother thing and I decided to just give myself a freebie on it), and his name was anglicized (basic-icized?) upon being brought to the Jedi temple. Not on purpose, but it did happen. So technically the chart above should have him listed as Obi-Owen Kenobi, but I already took the screenshot so this is what we're working with.

-Culturally, it's respectful to refer to someone by their full name (Obi-Owen Kenobi). The full name stands until two people are fairly close to each other, platonically or romantically. The informal, friendly version would be their full first name (Obi-Owen). So you wouldn't call your new friend "Obi-Owen" until you're quite close, even if you're social equals. Technically you could refer to someone by their given name only (Owen), but it's awkward and Stewjonis don't really see a reason for it. All of this highlights the cultural emphasis placed on clans and clan ties in Stewjoni society.

The Family Tree

THE KIDS

Starting from the bottom, we have the four Kenobi siblings. Obi-Conn is the oldest, and he marries Yana-Eóin Kenyana, becoming Yana-Conn Kenobi. None of this happens in the story but I wrote it in the chart anyways. Obi-Eóin is nonbinary, which is why their square is white instead of blue or pink.

Obi-Mór and Obi-Pál are twins and approximately four years younger than Yana-Conn. Obi-Mór is ambiguously disabled (she has some form of muscular disability, but the specifics weren't relevant to the story). Obi-Pál is just some guy and I love him for that.

Obi-Owen is the baby of the family. He's twelve years younger than the twins (16 years younger than Yana-Conn) and was definitely an oopsie-baby. I don't need to say anything else because he is also one of the major characters of the Star Wars franchise. You know him.

THE PARENTS

Obi-Ceit Kenito and Ito-Benneit Kenobi are the Kenobi siblings' parents. I don't have much to say here other than that Ito-Benneit shortens his name to Ito-Ben, to avoid the repeated "eet" sound in his full first name. I'm sure that doesn't affect Obi-Owen's future nicknames in any way!

It is Ito-Benneit fault, by the way, that I made clan prefixes instead of surnames to be switched upon marriage. Culturally, it would have made more sense for the more commonly used first name to hold your birth clan and your less commonly used surname to indicate your linked-by-marriage clan, but I needed Obi-Benneit to marry into the name Ito-Benneit so that I could shorten it to Ben. Goddammit.

THE GRANDPARENTS

Ito-Ben's parents are entirely irrelevant so they don't exist. Sad!

Technically I didn't have to name Ito-Lili Kenuna, but I felt bad having her up there as an unnamed person. Una-Owen Kenito, as you may suspect, is where Obi-Wan's name comes from. I really wanted to highlight his Stewjoni heritage in this fic, so giving him family ties through his whole name was important to me. Obi-Ceit names Obi-Owen for her father because Una-Owen was a strong fighter, and she wants to pass that resilience to her son. Which, uh. Well he sure is resilient to things trying to kill him!

Feel free to come yell at me in the askbox about Stewjon's worldbuilding!

[fazgoo-connoiseur-1987]

Henry's whole deal to me is that he is selfish in his inaction, his self preservation, his desire for closure. His self hatred is all consuming in such a way that it harms those around him but he is so consumed by his own misery he does not recognise their suffering. His anger at himself, William and the world animates him but also gnaws at every inch of his being like a virus. Spreds from him into the world. Seeps and harms and burns the way Will's actions burned him.

[zvaigzdelasas]

I think marxist materialism can be summarized as "a denial of the existence of unembodied universals"

[genderkoolaid]

tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.

while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.

thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."

[ganondoodle]

i am being so brave trying so hard to hold back writing a rant about that 'minimizing narrative noise' comment on totk sage concept art bc its actively flying around in my head like the worlds most annoying fly