#its different for each person and its so interesting to me that such a universal thing can be so deeply personal

[4sh-n4]

Bruce Wayne, who can't cook to save his life but can bake better than even Alfred. The catch? He can only do it in the night after being awoken by nightmares. No one knows about his extraordinary skills other than Alfred and Dick, because everyone assumes that the baked goods in the kitchen are made by Alfred. Dick knows because when he was younger and couldn't sleep because of nightmares, he used to join Bruce in the kitchen and watch him work.

Dick Grayson, who is an absolute disaster in the kitchen because he keeps getting distracted, but give him a microwave and a dream and he'll prepare a solid three course meal that actually tastes decent. He's also an excellent cocktail maker, which is funny since he prefers to have his alcohol straight without any mixers (he still puts the little umbrellas in his glass though, don't be mistaken)

Jason Todd, who is an ACE in the kitchen because he refused to ever be helpless with food again after getting off the streets. He was going to eat, and he was going to eat WELL. Especially since he finally had the resources to be able to actually experiment with what he likes and what he can do with different foods, instead of just what's cheapest or most easily found. The one thing he can't do? Crack an egg with only his hands without getting any of the eggshell pieces in the food. He needs to use one of those little egg cracking tools. The thing that pissed him off the most about this is that the one thing Dick can do brilliantly in the kitchen, is crack eggs with one (1!!!) hand only.

Tim Drake, who is definitely not michelin star level (the Drakes had a cook for Tim's entire childhood so he never had to learn), but has learnt to sustain himself with instant meals and those little ramen packets. He somehow always makes them taste good though, adding toppings and making sure they are some form of nourishing, even if that just means adding a fried egg on top and calling it a day. He also knows the difference between all the different little types of tea that alfred likes to drink just by taste, and is the only other person in the house that can make a perfect cup (that is Alfred approved). It always shocks everyone else, because Tim is notorious for hating the taste of tea.

Cass Cain, who has no culinary abilities and does not want them either. Her skills in the kitchen start and end with making sandwiches. But whenever she goes out to eat, she always goes to a chinese restaurant and gets something that she hasn't tried before, because she was never introduced to any foods of her culture and wants to taste them all now. Oh, and she can do super complicated tricks with the knives, her and Dick have constant competitions about who can do the coolest thing.

Steph Brown, who lives off of takeaway for most meals, but can make better breakfast foods than most people in the house. Waffles, pancakes, bacon, eggs, toast, you name it and she can make it. Only if it is traditionally eaten before noon though. She also worked as a barista part time for a while, so she knows all the fancy coffee recipes.

Damian Al Ghul Wayne, who doesn't care to cook other cuisines, but taught himself how to make almost every middle eastern and south asian dish he could get his hands on, because it helped him feel closer to his home and his mother when he first moved in with his father. His fondest memories of his mother are of her feeding him his cultural foods and telling him about their origins. It was the only time they did not speak of work, or his training, but instead about what his father was like as a person, about the things his mother has seen on her travels over the years, about his maternal grandmother, about his interest in animals.

Duke Thomas, who can cook enough for a 15 year old but doesn't touch the kitchen of Wayne manor very often, not unless he's just sitting on the counter watching others or helping minorly. His memories are still fresh enough to bleed when touched and all his memories of him cooking in the kitchen have his parents happily dancing in the background on Sundays with loud music blaring through the walls as they teach him how to chop onions without crying or knead dough.

Alfred Pennyworth, who only had the most basic culinary skills when he began working for the Waynes, just enough to keep him alive when he was in the military, but was forced to learn how to cook when he was unexpectedly given custody of an 8 year old. He can cook better than most professional chefs in the world now, but he still hoards Thomas Wayne's old cookbooks like they're the only tangible part left of the man who once filled the halls of the manor, even though he knows that's not true. He'll pass them down to his grandchildren one day...just not today. Today, they're still his.

[malewifehenrycooldown]

yeah yeah i got recommended that Henry Cooldown analysis video whatever. i am still not over people comparing Henry to a medieval knight, NOT even taking the time to unpack that said mental image of a knight is 'mostly' associated with the British Monarchy*, an extension of its Empire that *checks notes* did a long list of atrocities like imperialism and colonialism, and also (multiple) genocides.

Henry is NOT British, he is Irish. Although considering the history of Ireland and how poorly the British Empire has treated them (amongst SO MANY OTHER COUNTRIES AND DIASPORAS), yeah it's NOT surprising that an Irish man like Henry is essentially forced to adopt quote on quote 'British sensibilities' to 'survive'. <- intentional imagery or not, the implications are not lost on me.

Like okay, calling out the comparison is cool but it sure would be nice if people went further to unpack what that means and implies in the long term. you know, like ACTUAL CRITICAL ANALYSIS?!

[thefirstknife]

also to add on to your "destiny dying long live destiny"

its the Monday after a holiday weekend for the states. people are exhausted and probably going back to work or trying to down tune

also also its the holiday week where a new mainline Pokemon game just released. regardless of your opinions/the quality of it its still a brand new Pokemon game. thats gonna pull ppl from anywhere.

Yep! It's really interesting how November without an expansion in Destiny has been low two years in a row. And incidentally, both Novembers, there's been a Pokemon and Call of Duty release (on top of other major releases).

I know Aztecross said "don't tell me it's because it's Monday, it's Monday for other games too and there's 34 games above Destiny by player count." But it does matter. Those other games also probably have fewer players than they do when it's not post-holiday Monday.

And ofc, not all games are tied to seasonal cycles. People know there's nothing left to wrap up in Destiny so they moved to other games that they may have been neglecting during the Destiny pinnacle grind. I've neglected other games for Destiny this season and I've been catching up with them now that Destiny's season is ending and I have nothing left to do. If I have to choose what to play on a Monday before the new season, it won't be Destiny. Cringefail confession, but I spent this Monday catching up with levelling my battlepass in Overwatch. Yeah it's Monday, but I have things left to do in Overwatch and none in Destiny.

If Destiny is someone's primary game, they'll prioritise it in the first two months because of the pinnacle grind. I have to get my power level up so I can do GMs. I always prioritise Destiny first. So when I'm done, last month of the season, I play less because I have to go back and do stuff I neglected in other games. It's really simple. The fact that it's the final week of the season is crucial context.

And it's really hypocritical of these content creators to do this after they spent months farming negative attention and bad press for the game. Maybe fewer people are playing because you convinced them that the game is shit? They never seem to like taking credit for the negative, just the positive. You influence people's opinions! When you post the newest god tier build, everyone and their grandma copies it. When you shittalk the game for months, your fans listen to you. I don't know why that's difficult to understand.

There's obviously legitimate reasons for everyone to personally dislike the game! I have my gripes too, everyone does. I think we could have really important convos and feedback with Bungie about the issues we have. But this specific way of doing it? Constructing outrage by using "numbers" stripped of all context to "prove" that the game is objectively bad? It's sleazy. And it helps no one. Worst of all, it results in really awful online behaviour under the guise of anonymity and perceived justification: "bad devs ruin the game, we have the right to complain!"

Bungie knows the numbers better than any of us. If they're concerned, they will deal with it. And ofc, we'll see the numbers skyrocket in December. And then drop in January. And then skyrocket in February. And so on.

[cy-cyborg]

Tips for writing and drawing Wheelchair using characters: Your character's wheelchair can tell us a lot about them

When you first start learning character design, you'll often be told something to the effect of "use your character's outfit to tell us more about them" - and this same principles can be applied to a disabled character's mobility aids.

Mobility aids like wheelchairs, to many disabled people, are a part of us. They can be an extension to a person's body and chances are, if you're going to be using this piece of equipment every day for the foreseeable future (or at least for a good amount of time for the foreseeable future), it's going to start reflecting some aspects of your personality, your interests, your passions, especially when you remember, a lot of people get their wheelchairs custom built for them.

You can use your character's wheelchair to tell us a lot about them without ever needing to show/describe them directly.

Let me show you two examples:

Take a look at these two wheelchairs. they're similar in shape and build, but still pretty different to each other. Can you make some guesses about their users based only on what's shown here?

intended answers below:

Please note, the following points are all generalisations and the real world is rarely this simple. This is to demonstrate how to use disability aids to contribute to your character's design, not how to make assumptions about real people in real life.

So here are some similarities between the chairs:

Both wheelchairs have ridged frames, this means the wheelchair can't be folded in any way. These kinds of chairs can imply a few different things depending on the person. They are typically lighter, sturdier and more durable, and indicate the person probably will be using the wheelchair for a long time and/or has the money to get something built to last (or lives in a place where cost not an issue due to universal/subsidised access to healthcare). They are also typically better to travel with when flying, as they are less likely to be broken by airport security/staff.

Both wheelchairs also lack anti-tip wheels, which are a third set of wheels that extend from the back of the chair. Them not being present could indicate the person is likely pretty confident in their ability to use the chair without worrying about tipping out. It could also indicate they are in an environment where the anti-tips could be more of a hazard than a help, such as on rough terrain.

So lets look at some specifics for the green wheelchair:

Take a look at the wheels. The front wheels are pretty small and appear to be solid, while the back wheels appear to be quite narrow (compared to the orange chair anyway). This indicates the user likely lives somewhere with decent accessibility like a (well funded) city where they are unlikely to encounter unpaved/dirt roads/grass. Small front wheels and thin back wheels are good for manoeuvrability and a smooth ride over even terrain, but they will get stuck as soon as bumps appear, so this probably isn't an issue for this person.

While its a bit hard to tell unless you have seen other similar wheelchairs, this wheelchair is very long in the front, meaning the footplate and front wheels are further away from the seat than most. There could be a few reasons for this. One either indicates the person has very long legs, or a lack of motion in their knees, making it harder to bend their legs. This is moves the chair's centre of gravity forward by a decent amount, making it harder to tip back, which could indicate the person's legs are very light. You tend to see this most often in the wheelchairs of bilateral leg amputees, who are at a greater risk of tipping backwards due to a lack of weight at the front of the chair (even if they wear their prosthetics).

The colour of the chair is bright. This could simply be the character's favourite colour, or maybe this colour has some significance to them?

There are stickers on the side of the chair relating to the Paralympics. This could indicate the person is a fan, or perhaps had some involvement in the games?

The wheelchair has handles on the back, but they are able to be folded down. This is a popular feature for people who are independent enough to go out on their own, but still want to have the option for some help. folding down the handles also deters random strangers from grabbing at you (an unfortunately common experience for wheelchair users).

There is some mild paint scratching to the front of the wheelchair, but nothing too noticable. This is typical of older chairs and people who are a little rough on their chairs. Maybe they've had a few stacks and falls throughout the years, probably going a decent speed.

Ok, now let's look at the orange chair

This wheelchair has very large, inflatable front wheels, and very thick back wheels. This will make the chair slower and less manoeuvrable on flat/even surfaces, but much, much easier to push on rough terrain. This is supported by the amount of mud on the wheelchair.

The seat on this wheelchair tilts upwards slightly. This is called a bucket (or according to an old basketball teammate of mine, a dump-truck lol). This is a feature you typically see in wheelchairs made for people with spinal injuries who are unable to move their legs and engage their lower bodies or core to help keep them stable.

The back of this chair is very low, indicating that if this wheelchair user has a spinal injury, it's probably pretty low on their spine, likely fairly close to the hips, making the person a low-level paraplegic. Higher-level paraplegics and quadriplegics usually need a higher back to help support them and keep them from flopping over, since all the muscles below their place where their spine broke either doesn't work, or is significantly weaker. Higher backs though can get in the way of pushing and reduce mobility, so people who need less support will likely opt for a lower back rest.

This wheelchair has no handles, which indicates the user is probably very independent and doesn't need a lot of help getting around.

The paint on this wheelchair is very scratched up, showing the person is very tough on their wheelchair and doesn't care to get the paint touched up.

This wheelchair has no breaks. This is very common on chairs with larger tiers as they don't tend to be as effective, but also on many outdoor wheelchairs, for two reasons. One is because they are made for rough terrain, so chances are, you aren't going to go far without a big push to get you moving. The second reason is that to get over large bumps and obsticals in a wheelchair, it can be helpful to do very large pushes using the top and front of the wheel. When pushing a normal chair, most people will only use the top section of the wheel to push since it's closest, but these big pushes that use the front of the wheel make it easier to push, since you can benefit from downwards momentum. However, this is also where the breaks are located on most wheelchairs, which can create a hazard. I've lost entire fingernails by them getting snagged on the breaks when pushing this way. So if you live somewhere where the breaks are not going to be helpful to you often, it makes sense to not get them.

And here are the characters who own these wheelchairs

The owner of the green wheelchair is an amalgamation of a few people I knew from when I played wheelchair basketball. They're a bilateral leg amputee, and judging by their outfit (The Official National Wheelchair Basketball uniform for Australia), they're an elite athlete. This wheelchair is not the one they play sport in, but it still needs to be durable enough to withstand the rough treatment of airport staff when traveling, as well as heavy day-to-day use that comes with being an active person. While it needs to be rough, the person also seemed to want to prioritise speed and manoeuvrability, and likely doesn't need to worry about rough terrain too much, so they probably live in a major city.

The owner of the orange chair was inspired by a family friend of mine. They live on a farm, and need a chair that can handle life in those conditions, rough terrain and all. This comes at the cost of speed and manoeuvrability on smoother terrain, but honestly, anyone who's lived in the country knows you won't find many of those around there anyway, so that's not too big of a sacrifice. They are paraplegic, are very confident in their ability to use their wheelchair, and probably doesn't need help too often, but still benefit from some extra stability support from the raised seat on their chair.

Conclusion

Once again, these are generalisations, and in real life there are always exceptions, but I hope this helped demonstrate what I meant when I said you can use your character's wheelchair to tell us more info about them if you're smart about it.

I originally planned to do a whole series of these, showing a wider variety of wheelchairs and the people who they belong to, but I guess I kind of forgot because they've been sitting, abandoned on my hard drive for the last 2 years 😅. If that's something you folks would be interested in seeing though, let me know, I'd happily revive the series lol.

[gnomewithalaptop]

I'm still too distracted to write so here have a list of YJ-cast centric fics that make me froth at the mouth

Kon-centric recs:

I Want It That Way (1990s Tim/Kon) by WynterSky / @wynterstars -- A revamped, 90s-style Superboy origin story with added Lex Luthor AND a lil bit of 90s Robin for spice and flavor. Honestly, this whole series is so elite -- goes hard with the Superboy mythos + angst PLUS the third fic leans hard into the secret identity shenanigans in a way that'd make Miraculous Ladybug jealous. The first fic splits its attention between Tim and Kon, but the latter two are solidly Kon-centric

one plus one (easy math) by connerdrakewayne / @comphetkoncass -- Cassandra Cain and Kon go to a gala together. I'm always a sucker for a good Cass + Kon friendship. This one's very short and sweet, and it gets the job done -- 10/10 would read again

a timeline can be a haunted house by connerdrakewayne -- post-universal reset Kon angst + terrible coping mechanisms! This one goes so hard I read it three times. Tbh this author has an excellent handle on Kon as a character in general, so I honestly recommend just checking out their whole fic stash

Tim-centric recs:

Top 10 Secret Identity Fails by @havendance -- Tim's new English teacher is his on-again-off-again superhero teamup Helena Bertinelli (aka the Huntress). This one's just fun, okay -- the whole thing reads like it could be straight out of Tim's 1993 solo run, plus I love the dynamic between him and Helena. Overall just a very cool vibe

only the dead stay 17 forever by Sky_Dust (couldn't find their tumblr sorry) -- Listen, I've really been restraining myself here, because I realize my love for time-travel bullshit is not universal, but I genuinely couldn't not include this one. This bad boy is a Tim-centric time-loop featuring a seriously unhinged Tim -- definitely a darker tone, but I can't stop rereading it

Bart-centric recs:

reflections on respawning: a gamer's uncertainty by merils / @mamawasatesttube -- Bart has a hard conversation about his death and subsequent resurrection (feat. Kon) man, I just vibe with this one so hard. It's such a thoughtful take on Bart's more contemplative side, while still managing to keep his personality intact

the backlash to the backlash to the thing that's just begun by @kermit-coded -- trans/gnc impulse my beloved <3 also we get some funky Max & Bart bonding, made much rawer and more real by the fact that it's the 90s and nobody knows what they're doing. Again, feels like it's straight out of Bart's solo series

Cassie-centric recs:

you and I, we are more than just this armor by @suzukiblu -- KonCassie bonding + gender feels. They're both so trans in this, and the author does a great job of really digging deep into their complicated feelings (both about gender and about each other)

(also PLEASE somebody give me more Cassie-centric fic recs I'm literally begging you)

Team recs

I'm all yours but you're all mine by suzukiblu -- Poly Core 4 Soulmates AU! Essentially, everybody gets their 'soulmark'/soulmate-identifier (not really, but the best word) right when Kon wakes up in his pod, and because Superboy hasn't really made his big splash yet, they misidentify their soulmate as Superman; this is an issue mainly because 1) they're all 14-15 and Superman is roughly 30-ish, and 2) by the time this fic takes place, Superman is pretty verifiably dead. Currently in-progress, but this is such an interesting and fun take on the usual soulmates trope. I pinky promise you won't regret reading it

Love, Not Loved series by @popsunner -- hoooomygod this series makes me cry literally every time I read it, it's genuinely one of the most realistic representations of grief I've seen on AO3. Basically explores the general fucked-up-edness of pretty much the whole YJ Core 4 Squad dying one by one, with each fic focusing on a different funeral (complete with survivor's guilt, regular guilt, and just plain old complicated feelings). We get Cassie feels, we get Tim feels, we get Bart + Kon feels -- it's the whole shebang. Don't worry -- there's a happy ending eventually, but you def gotta work for it. This series beat me up and stole my lunch money and I'd happily do it all over again

Lost the Last Piece of Me by InsaneTrollLogic / @last01standing -- YJ Core 4 Animorphs AU! I'm sad to say I've never read the original Animorphs series, but every single Animorphs AU I've ever read has been such high quality. Unsurprisingly (I love this author, okay), this fic is no exception to that rule. Solid alien-invasion plot, character driven, and the world-building is explained well enough that even a newbie like me can understand (feat. some TimKon, but it's not the main focus)

Ikonoclast by anantipodean (couldn't find a tumblr) -- Tim and Kon get sent to an alternate reality that's almost (but not quite) like their own. This one's just fun for me -- I love the TimBart buildup and the worldbuilding on the other Earth is a funky time. Also, the other universe's Tim is goth and absolutely cannot stand mainstream-reality Tim, and I find that extremely funny for some reason

[laikabu]

saw someone who hc kabru as aromantic bisexual. thats actually kinda good. i dont necessarily subscribe to it but i could see it. not fully aro but in the spectrum i guess

im now just going to ramble about how i think this would work in my head. also labru bc this is my page

he sees flirting more as a game n marriage as something convenient than something he aspires to achieve w the one he loves

flirting n dating is more of a tool to make friends. he isn’t interested in getting serious so that usually turns them off, so he gets labeled as a ‘player’

he doesn’t return rin’s feelings even though he finds her physically attractive, because he genuinely values her friendship and the way he views romance is incompatible with hers and would just break her heart

ok labru territory turn away now sorry im pulling shit out of my ass atp

laios would fit right in with his preferences, because their relationship would be boiled down to “best friends who have sex” like, the easiest way for them to explain their thing

even if they go on dates, they’d be more interested in talking about a current topic or something they need to do, than super sappy stuff. they still do it! but kabru would kinda get uncomfortable with saying sappy stuff, it’s different from flirting. once laios recognizes this, he tells him he doesnt have to do that

it works out because while laios is kinda sentimental, he isn’t really a romantic person. when they were still figuring stuff out, laios just goes “x is mad at me because they think not doing y makes me a bad partner” but really, kabru doesn’t care whether he does it or not

if laios is saying this about a different partner, kabru would chastise him, but since it’s him, he’s totally fine with none of that happening

when it comes to them becoming spouses, they would rather forgo a real wedding and just do the paperwork to make it happen. marcille takes offense to this n thinks its an “affront to romance” esp since kabru wants to plan HER wedding, but neither of them think it’s a big deal

laios has a very hard time distinguishing his platonic feelings to his romantic feelings. he’s just very happy kabru that wouldn’t leave him or get bored of him. getting to kiss him and have sex with him is just a nice bonus.

kissing and cuddling is more of an emotional recharge or comfort etc for kabru than a romantic activity. his friends don’t get it at all.

even in my stupid baby universe its just “kabru wants to have a baby with me for the kingdom? he’s such a nice guy. he told me he wants utaya to live on too… thats so thoughtful.” their relationship is ‘blunt’ and ‘convenient’. the marriage was just to legitimize the heir and otherwise it was just a regular wednesday.

they love each other, but kabru expresses it to the extent that he could, and that works out for laios.

tl;dr basically someone who views romance as a performance than something ingrained w him x someone who struggles w romance. its totally fine if you dont see kabru on the aromantic spectrum, i don’t necessarily see it that way either! i just want to think about how it would work in my fanworks. what do u think. i should add more but im just going off at the top of my head LOL

[thewertsearch]

EB: i would like to be culturally sensitive, but i wish it didn't have to be like that for you. […] AG: Well, thanks John. That's nice of you to say. 8ut let's face it, it doesn't fucking matter anymore, since our whole race was wiped out! […] AG: […] we'll never actually get to come of age and enter troll society, and see if we got what it takes. AG: 8ut that doesn't mean we stop growing up! AG: I think the game knows it's always gonna 8e played 8y kids, and it always rigs it so they enter right around the cusp of sexual maturity, whatever the race is. AG: Which kinda makes sense, since if they succeed, they've got their whole lives ahead of them to do whatever the hell they're going to do in their universe, like start repopul8ing and whatnot.

Vriska thinks that Sburb Players are always kids, because the game wants to give them more time to live in their universe. I'm a little skeptical, and not just because it de-canonizes my Homestucksona.

With the scale of what we’ve seen so far in the game, I didn’t expect a paltry concern like human lifespan to matter. With access to cloning, time travel and brain duplication, rejuvenating one's body would be trivial for a non-ascended Sburb Player, let alone a god of Life or Time.

AG: I really think how successfully they mature is tied to success in the game. It challenges the players in all the ways they need to 8e challenged to grow, which is different for every individual, and veeeeeeeery different for every race.

If Sburb absorbs the cultural standards of its Players, then I’m very happy we didn’t see the Quests that the game tailor-made for the Alternian Empire.

That would explain why we’ve never seen any troll Consorts, though. It's because they were conquered.

AG: I don't think we were so hot at that aspect of the game. In fact, I'm sure we were quite awful. Hell, even I wasn't that gr8 at it! I actually just kinda fell ass 8ackwards into the god tier, to 8e honest.

I wouldn't put too much stock into Sburb's idea of 'growth'. Its primary purpose is to propagate reality, and it's probably designed to mold you into someone well-suited to that task, regardless of your own desires. Your happiness and personal fulfillment is a secondary concern, at best.

Listen to what Sburb has to say, if you want - but take it with a huge pinch of salt. I doubt it has your best interests at heart.

AG: 8ut what really gets me is this didn't even occur to me until just now, while I was sitting around thinking a8out it. […] AG: That was why the game split us up into two teams. AG: It knew as we came of age, we'd pro8a8ly start killing each other. AG: So it just provided the stage. Red team vs. 8lue. It was so simple! All we had to do was what we were naturally inclined to. It might have worked out 8etter for us.

I don't agree with this take on the teams, either.

My interpretation is pretty much the opposite of Vriska's. I’ve always believed that the game pretended to split the trolls into teams, in order to trick them into joining one single cooperative group. If we assume propagation is Sburb's primary goal, then it must have concluded that this arrangement increased their chances of victory. In other words, the trolls are better together.

Plus, Sburb has never even hinted that the game can or should be played competitively. I think Vriska's just searching for reasons why everything's gone so wrong, and she's fallen back on Alternian conditioning again. Successful trolls kill, so her team must have failed because there weren't enough killings.

[specialagentartemis]

Friend Like Me: Murderbot's Relationships With Other AIs throughout The Murderbot Diaries

It’s important to me that the thematic core of The Murderbot Diaries is not only about determining what it means to be a robot person in a human world, but about showcasing so many ways to be a robot person in a human world.  And about building relationships with other robot persons to support that self-actualization as both a robot and a person.

So often, in science fiction about robot personhood, the robot character is the only robot in the cast.  Not only that, so often the robot character is the only robot they know.*

When media thinks about AI personhood, or Ais as characters in society, the AI character is often alone.  Alone, and different.  It’s a potent allegory for what it feels like to be an outsider, to be “other,” to feel “off” from the people around you.  Whether a sympathetic friend or a scary unknowable villain, a lot of people can relate to feeling like that.

The Murderbot Diaries is doing something interesting, then, by showing us our protagonist Murderbot, the prototypical robot-among-humans, the robot as a parallel for queer and neurodivergent and outsider-cultural experiences in a world of expected norms, the robot with human friends, the one robot member of an otherwise all-human team… and it can’t live like that.  So it leaves.

So far, the series feels split into two halves: the first four books, about Murderbot learning different ways to be a robot in relationships with humans, and the next three** about Murderbot learning different ways to be a robot in relationships with other robots, and a robot in a mixed society.

In All Systems Red, Murderbot starts off painfully alone. It repeatedly sees other SecUnits as enemies, and believes that SecUnits can't trust each other because they're all under control of humans. It has a very low opinion of SecUnits, including itself.  Murderbot hates being used by humans for violence or for petty reasons, and admits that it wants to half-ass its job.

In Artificial Condition, Murderbot meets ART, a university research ship who loves its crew and loves its function.  It is also free to be a snarky asshole, as Murderbot repeatedly notes (and assigns in its very name).  This relationship to humans—genuinely caring for its crew, genuinely wanting to participate in its research and teaching function—is a very different relationship than Murderbot has had, though ART still needs to keep its intelligence and personality hidden from most humans for its own safety.  Conversely, this is the book where Murderbot meets a ComfortUnit that is blatantly being abused and misused by its human owner, and it hates her.  The contrast between ART and the ComfortUnit displays very different ways of Ais relating to their human “owners”—and what it means for them to get what they want out of life.

In Rogue Protocol, Murderbot confronts this theme most directly, with the bot Miki.  Unlike the implications of secrecy we get from ART, Miki is not hidden from anybody; unlike with the ComfortUnit, Miki is a respected and equal member of its team.  Murderbot has a very hard time believing that Miki is anything but a patronized “pet bot” to these humans, despite the evidence that the humans genuinely consider it a friend and teammate.  Miki has never been abused, and never had to hide.  Murderbot has a hard time accepting that this is a way bots and humans can relate to each other.

But Miki is still, in the classical sci-fi robot-on-a-human-team way, unique; it expresses to Murderbot, “I have human friends, but I never had a friend like me.”

This is a much better way of being a robot among humans than Murderbot has seen before, but it’s still not the ideal Murderbot wants, either.

Exit Strategy brings the theme full-circle and the quartet to a close.  Murderbot faces off against a Combat SecUnit (or CombatUnit; Wells seems to change her mind about this).  The Combat SecUnit represents everything Murderbot has rejected being, everything it has overcome on its journey of self-actualization.  During their fight, the CSU rejects Murderbot’s offers of freedom, money, a fake ID, the opportunity to get out of its situation the way Murderbot has; it ignores the offer.  Murderbot asks the CSU what it wants.  The CSU replies, “I want to kill you.”  The CSU represents the kind of SecUnit Murderbot does not want to be, the kind of robot it used to think it would inevitably be but has now seen so many other ways it can be.  Murderbot says in the same scene, “I’m not sure it [the offer of freedom] would have worked on me, before my mass murder incident.  I didn’t know what I wanted (I still didn’t know what I wanted)…”  But at the same time, the confrontation makes it clear: Murderbot knows some things it doesn’t want, and the CSU is embracing everything Murderbot doesn’t want about being a SecUnit.

If this quartet is about what it means to be a robot, and to be a robot among humans, then the next set of books (Network Effect, Fugitive Telemetry, and System Collapse) is about being a robot among other robots, and a robot in a society that supports both humans and robots.

Fugitive Telemetry makes this most obvious, with its plotline about the free bot community on Preservation.  Murderbot is uncomfortable around them in a similar way that it was uncomfortable around Miki.  The Preservation bots are happy, fulfilled, responsible, mutually supportive, and have a meaningful community with both humans and each other that does not match Murderbot’s experiences of what being a bot, or being a bot among humans, means.

Network Effect brings Murderbot back into contact with ART, and introduces a new SecUnit, Three.  Murderbot navigating its relationship with ART as a free agent and after a perceived betrayal is a huge part of the book.  Murderbot’s disembodied-software-fork Murderbot 2.0, freed from much of Murderbot’s organic anxiety, shows itself much more willing to be social with other bots and constructs.  System Collapse follows, bringing further depth and complexity to Murderbot’s relationship with ART and expanding its interactions with Three, and furthers Murderbot’s integration into the casual bot-human community that is ART’s crew.  It also shows that Murderbot’s willingness to trust and even form tentative friendships with other AIs and systems, like AdaCol2, has expanded.  The way it extends the governor module hack to the opposing SecUnits is informed a lot more strongly by Murderbot 2.0’s interactions with Three than its own previous clumsy attempts to reach out to the CSU in Exit Strategy, or abrupt dumping of the hack on the ComfortUnit in Artificial Condition.  All of these plotlines emphasize Murderbot maturing into not just being a person among humans, but a person recognizing its place and obligations within society that includes both people like and unlike it.

The models of the many ways to be a robot person, and significant relationships and interactions with other robot persons, were and are crucial to Murderbot’s development, sense of self, articulation of its desires, and sense of belonging in the world.  Murderbot isn’t alone, and it’s not the only person like itself that it knows.  When offered a place in society, it is not the only person like itself in that society.  Meeting other AIs, forming relationships with them, was crucial in helping it articulate what it wants in its life.  Its human friends are incredibly important to it!  That doesn’t stop being true.  But so are its AI friends, and the other AIs it passed through the lives of.

This feels like one of the most honest and affirming depictions of what it’s like to feel “other”—that being around only majority people unlike-you, even the ones you like, even your friends, even the ones who mean the best for you and ask you what you need and do everything they can to provide it, can still be exhausting and alienating.  Meeting other people like you—even if they’re like you in unlike ways, and have different ways of moving through the world—shows you the many ways to relate to the rest of the world, to be in the world.  The many ways to relate to other people and to yourself.  The Murderbot Diaries opens up a world where that can be true of bot/construct/AI characters, when so often in sci-fi, their loneliness and alienation is where the metaphor stops.

- - -

*Lt. Data from Star Trek: The Next Generation is probably the most famous example; the only positronic android like himself in existence, barring his evil twin who mostly just needs to be stopped.  Others coming to mind include Becky Chambers's A Closed and Common Orbit, in which the AI character is trying to understand who she is in the context of being surrounded by humans; Alien, the secret android crewmate among humans is a threat, and in the sequel Aliens, the android crewmate is earnestly trying to prove he's not; Space Sweepers has a ragtag crew of several humans and a robot; most of the stories in Isaac Asimov's I, Robot are about a singular robot in a human facility.  The setup "Human crew with their ship AI" is fairly common in sci-fi, from 2001: A Space Odyssey with its tragically antagonistic HAL9000 operating on a logic that would never occur to humans, to Wolf 359 and The Long Way to a Small Angry Planet where the ship AIs are struggling to determine and articulate how they want to relate to their human friends.  Even in Ancillary Justice, Breq is alone and having to pass undercover as human cut adrift from her previous life as a ship's AI. (I know this changes later but I have not actually read the rest of the trilogy)

**as of System Collapse

[maniacwatchestheworld]

We Need To Talk About Danny's Power Level.

I was hesitant to make this post, but the more I think about it and the more I see... We really HAVE to discuss this. Generally speaking, I really don't want to be seen as someone who is trying to ruin people's fun within this fandom. I want to inform, and while I have issues with some of the very prevalent ideas in this fandom, I don't want to tell people what they should or should not be making! I want people to follow what they find fun to create! But this power level thing...? I think that it has some rather concerning implications to it that need to be examined and discussed! This is an actual, decently serious problem, and after considering it for a time, it occurs to me that I may be one of the few people in this community that recognizes this issue as an actual issue and has the authority to speak on it...

You NEED to stop making Danny so incredibly overpowered in the DPxDC space.

Now please don't misunderstand me. I understand the value of a good fun power fantasy and making Danny more powerful than God can be fun and cathartic if you have a negative history with the Christian faith. But this insistence on the Ghost Zone being The Most Important Thing Ever and Danny being The Most Powerful Entity Within It is actually actively warping how people interpret and think about DC canon as well as certain characters within its canon to the point of unrecognizability as well as robbing characters of what makes them interesting, the point of their stories, and their agency within it. But most importantly of all, all of this is just... Generally, genuinely dismissive and shitty towards most religions, cultures, beliefs, and faiths that people practice, ESPECIALLY the faiths of POC and other minorities. And this is specifically an issue that DC does not have and that people within this space are making an issue by refusing to let the Ghost Zone and Danny have some limitations.

So that you understand where I'm coming from, please understand that I'm a person of color (I'm half Filipino) and that I'm Buddhist (a religion that I decided to convert to and embrace after a lot of thought and soul-searching, even if I'm not very good at practicing it). It also needs to be stated that in the DC universe, all religions and faiths are true and real at the same time, and they all have more or less equal footing as any other faith or religion or mythology explored in this multiverse. Christian heaven and hell are real. Reincarnation is canonical to the DCU. The Greek Pantheon is real and they are just as real and powerful as the Norse Pantheon. (By the by, just to let you know, yes, people in the real life modern day do actually actively worship both of these pantheons today.) Different alien planets have different faiths, and there is precedent for them being real as well. (Hey! Fun fact! Kryptonians are polytheistic!) It does seem that some form of animism is real within the DCU (within concepts of The Red and The Green)! And there is even representation for indigenous African faiths and beliefs within this shared universe! One of the genuinely wonderful things about the DC universe is that all of these faiths are real, they're all valid, and they are all more or less on equal footing to one another! If all the religions and afterlives and gods of each pantheon went to war with one another, it would genuinely be difficult to know who would win, or who would even stand a chance of coming out of this conflict alive!

In fact, a lot of characters and storylines within the DC universe are actually DEPENDENT on all of these faiths existing and being equally valid at the same time. Do you know where Billy Batson gets his powers from? The phrase "SHAZAM," if you didn't know, is actually an acronym for the names of the gods and heroes that he derives his powers from. (Solomon, Heracles, Atlas, Zeus, Achilles, and Mercury.) And it's implied that each person with SHAZAM powers has different heroes and gods that they derive their power from! (Black Adam derives all of his powers from the Egyptian Pantheon. Mary Marvel derives all of her powers from female gods and heroic figures.) Many of Wonder Woman's stories involve her interacting with various different pantheons. Xanthe Zhou gets their powers from traditional Chinese folk ancestor-worshiping practices. Ragman is a Jewish character whose suit is a powerful Jewish artifact- a suit made out of the souls of sinners that was created to protect the Jewish community. Sun Wukong is an actual character in the DCU and he is JUST as overpowered and immortal ×500 as he should be! And there are like... At least 3 entirely different characters that either are iterations of, claim to be, or pull their powers/inspiration from Anansi! DC celebrates a lot of faiths and religions and are bringing in more beliefs and faiths into their universe all the time! TONS of characters derive their powers from their religions, faiths, and beliefs! And DC celebrates them all as being real and valid to all who practice them! ... And you want them all to be forced to be under the same umbrella and less important and powerful as Danny and the Ghost Zone...

Bringing up ideas of ghosts and afterlives are always going to be loaded subjects because they often inherently rub up against actual living people's practiced religions and beliefs. But a belief in ghosts and dimensions better suited for them is also a valid belief that real life people have. And there is precedent for these beliefs also being real within DC canon. But DC only manages to get away with crossing over as many faiths as it does by saying that they are all real, valid, and while you might see less of some pantheons and more of others, they all exist and are doing their own thing just like they do in real life, just off panel... Are you beginning to see what the problem is...?

In the DPxDC fandom's eagerness to incorporate Danny into the DC universe and to make him powerful enough to go toe to toe with the likes of Superman, it seems that most people immediately overcompensated and that no one has really thought to slow down, stop, and actually think about what they are implying. Because the most common headcanons that I have seen regarding the Ghost Zone and other afterlives and religions? It's that they are all parts of the Ghost Zone, but are all ultimately subordinate to it. And since Danny is the Most Powerful and Important Person in the Ghost Zone... This implies that all religions, faiths and beliefs are less important and are indeed subordinate to the Almighty Danny. That all deities and the people following them should just bow down to Danny's might. This is something that DC, in spite of all of its flaws, has managed to avoid. These religions are REAL religions! Actual faiths practiced by actual people! We are NOT talking about dead, irrelevant pantheons that no one alive worship anymore! We are talking about living, active faiths and religions, some of which colonizers have tried to eradicate from the world! Some of these faiths have been suppressed! Some of the people who practice these beliefs have faced genocide for them! And so saying that the Ghost Zone is bigger, better, and that Danny is more important than any single other faith and afterlife...? THAT'S A SHITTY THING TO DO! You are literally doing the shitty Christian missionary thing, but with a fictional afterlife that consists of fictional characters that you know are not actual religious beliefs! You're landing on the sandy polytheistic shores of the DCU and declaring that the Ghost Zone is actually vaster than every faith already in the DCU and that Danny is more powerful and has authority over your gods! That your beliefs and faith and religion should just take a backseat to the Danny power fantasy! That your real, lived religion is not more important nor should it be respected when Danny is in the room! Of course the Buddha should bow down to Danny! Of course the Jewish people should renounce their faith and worship Danny instead because he's better and more powerful than the Jewish God! Why should people pray to their ancestors when Danny ultimately gets to decide what happens to everyone's ancestors!? If they want good things to happen to their ancestors in the afterlife, they should pray to Danny instead! Not like any form of prayer works or matters in this universe anyway because Danny is Almighty! And he doesn't hear the prayers! By making all faiths subordinate to Danny within these stories, you are saying that anyone who practices these beliefs and faiths within these stories are not valid in their beliefs. The only belief that matters and is real in this universe is the Ghost Zone and whatever will appease Danny the most. And while the characters in these stories are not real, the religions, beliefs, and practices they engage in ARE. And so you are implying that real people's faiths and religions don't matter. You are just dismissing real faiths and beliefs as not something worth thinking about or respecting within your works! You are saying that this fictional American white teenage boy and his goopy green land is more important to you than just being respectful of real people's faiths, beliefs, and religions. That your power fantasy is more important than saying that a person is valid for holding on to their beliefs. That when it comes down to it, that you would rather people choose your Danny power fantasy over their religion being portrayed as important and valid. That is honestly insulting. And really alls that you've done is impose monotheism onto the DC universe. You're just enforcing monotheism on people with extra steps. But instead of it being the Christian God, you've put Danny in that position. THIS IS A SHITTY THING TO DO! THIS SHOULD NOT BE THE DEFAULT HEADCANON THAT PEOPLE HAVE IN THIS FANDOM! PLEASE STOP!

Please understand. I know that you didn't do this on purpose or mean to imply this intentionally. I know that you didn't realize that you were insulting and undermining actual faiths and religions by pushing these ideas on the fandom. If one or two people had these thoughts and headcanons and didn't think very much about what they are implying, this would not be a problem. But for this to be the default is VERY disconcerting! As a Buddhist, it does feel genuinely shitty and insulting to imply that Danny has authority over the Buddha and that he outranks and is more powerful than Sun Wukong. It's not fun to think that my beliefs matter to you less than continuing to play with your Danny power fantasy. That you don't think that the pursuit for enlightenment and inner peace is real or worthwhile. That you would find my pursuit of compassion over everything else to be silly, stupid, and laughable when stood next to Danny. I know that you don't mean it. I know that's not what you meant to imply. But it is what you imply by making every faith subordinate to the Ghost Zone. And as someone who has a faith that is so often seen as subordinate to others and just a silly little play fantasy that doesn't matter and isn't real, it's depressing and uncomfortable to see this community as a whole unknowingly echo these sentiments. People in real life don't think that my faith is valid. People don't believe me when I say that I'm Buddhist. And as someone who is Filipino on top of that, I can't help but to think about the utter tragedy of my ancestors being forced to convert to Christianity or die. To forget their beliefs, pretend they never mattered, and embrace Jesus. To be forced to believe that their indigenous beliefs didn't matter. And so many of those indigenous beliefs are now lost and forgotten to their living ancestors (including myself) for it because to the Christians, their belief in Jesus was ultimately more important to them than just letting the Filipino beliefs and religions peacefully exist as they were. It's uncomfortable to me that you would rather I just embrace this view of Danny and let him be more important than and be an authority over my religion. That I should just be comfortable in Danny being more important and better than every religion that people actually practice in real life. That I should just forget the insult to my and any other religion that you make by placing Danny as more important than, and to "just have fun." But I can't. And these ideas are everywhere in this fandom. Even in stories where it shouldn't matter or doesn't need to be present, it's there. This reminder that you don't take my faith seriously- these ideas that Danny is more important than my faith are ubiquitous to this community. An issue that wasn't present in either of the original source materials. Because they thought about it and so went out of their way to not imply it. But here, people are just not willing to make that courtesy for even a second.

But it doesn't have to be this way. You can do better! I know that you can do better. And it isn't even difficult to do! All that you need to do better is to simply... Just... Think about it. When you imply or say "all afterlives are part of the Ghost Zone" actually think about ALL afterlives! Christian and Atheist and Greek ones, yes. But also Asian and Native American and African and South American ones too! Is that kind of thought fair towards Native American faiths, Buddhists, Jews, Hindus, Palestinians, Hellenists, Animists, and every other person and group that practices a faith? Or does this have majorly fucked up implications towards some or all of these people? If the answer is yes, you can proceed, but you need to be mindful of that fact and just think about it, even if only a little. Even if it's just a small acknowledgement that you don't know what you're talking about or that you are choosing to ignore some of the fucked up implications you're making here for the sake of the story in the tags. I just want you to take a moment and think through the implications of what you are making, and to make a choice on whether you should proceed or reconsider things. If you choose to proceed with the fucked up implications, that's fine. It means that you can do so with other mindsets in mind and can possibly use these ideas in interesting ways! At least you made a stance to possibly be shitty towards some people for the sake of your fun. At least you made the choice to say that some people's beliefs just don't matter to your story. This is a neutral statement. Some works of art are just not made for some kinds of people. And that's fine. But it is always better to knowingly acknowledge and make that choice than to pretend that it isn't there. And if you didn't realize that's what you were doing? If you reconsider and choose to turn back on this idea? At least you made that choice and didn't just passively follow the rest of the crowd to get here. Hopefully, thinking about it will make you more mindful about your art in the future and therefore make it better! The only thing to do about it is to acknowledge that you weren't thinking about the implications, but that you changed your mind, and move forwards with your life.

Now just to be entirely clear, I'm not telling you that I want you to feel guilty about being inconsiderate towards other faiths. That doesn't really do anyone any good. I won't get any satisfaction from you feeling guilty about it or internally punishing yourself for it. Just actually give what you might be implying more thought in terms of religion next time and do better. It's alright to make mistakes. We are all just human and we all make mistakes. Sometimes we don't even realize when we've made a mistake. Just strive to do better next time, be more willing to let go of these ideas that you're so attached to, allow yourself to see things from another perspective, and move on. Sometimes, it's better to just leave things alone. Sometimes you shouldn't meddle and try to rework ideas that were perfectly good on their own to begin with. Sometimes nothing that you personally can add will be a positive contribution. Sometimes the only thing that interfering will do is over-complicate things and rob the idea of what made it so interesting and powerful in the first place. But it's okay to leave it alone. It's going to be okay. I'm not angry. Just disappointed and a little frustrated. But it's better if you are able to just drop these things and move forwards with mindfulness in the future.

As an alternative, I think that it would generally be better for the Ghost Zone to just be its own thing separate from the other afterlives. Equal to other afterlives and not all-encompassing of them. It can be connected or related to other afterlives, but being greater than them as a whole is just a very uncomfortable and cruel implication. You don't need the Ghost Zone to be the most important thing in the multiverse. And Danny does not need to be the most powerful thing in existence. Please. It's okay to have power fantasies. But the invincible overpowered stronger than all Gods Danny should not be the overwhelming norm here to the detriment of everything else. It's only when you let go of Danny NEEDING to be the MOST important thing in the multiverse can you start to really dive into some of the more interesting sides of characters on their own terms and not on yours! Like... Did you know that there is one ghost character in DC called The Spectre and that he's the literal personification of the wrath of God? Did you know that Xanthe Zhou as a spirit envoy is actually half dead and half alive? Did you know that The Wizard Shazam is actually, secretly an aboriginal god? Did you know that in the DC universe that Judas Iscariot still walks the Earth to this day, doing vigilante work to atone for his betrayal of Jesus? Did you know that Ra's Al Ghul's mom has met and hung out with some of the demons that Sun Wukong fought against in Journey to the West? Hell, did you know that Damian is Buddhist!? Imagine that. Danny coming in and telling Damian that he's more important and more powerful than Damian's entire religion. That the Buddha is just a lackey of his and that he rules over all afterlives, including nirvana and cycles of reincarnation. I'm certain that Damian would take that very well and accept it wholeheartedly! Don't you agree with me?!!?!???!

I personally think that all of this is better and more interesting if characters, their religions, and ideas in general are able to interact with Danny's world on their own terms without being forced to fit within Danny's box! You don't need to try to force everything within DC's universe to fit inside Danny's. DC wouldn't ask for Danny's universe to conform to theirs! They would just add everything that Danny's universe has to offer on top of everything else they already have! And trying to fit the entire DC multiverse within the scope of Danny's universe... It's too small a box for too large of a universe! Sometimes you can just let things not be deeply connected. And sometimes things don't need a complicated explanation and it can literally just be magic. There's nothing wrong with trying to tie everything together in a neat and succinct way. But sometimes you need to pull your view out a little and look at what you're doing and genuinely ask yourself if what you're doing actually adds depth, or if it does more harm than good and makes everything worse, make less sense, and more complicated or not. It's okay to fall down the rabbit hole sometimes. I completely understand that happening and do it all the time! Just remember to be mindful about it!

Either way, if you're going to insist on desperately clinging onto these ideas of Danny being the Most Important and Powerful Thing in the Multiverse to the detriment of literally everything else, that's fine. But just be honest with what you're doing and why. This isn't a Ghost King Danny AU. Kingdoms don't have unequivocal power over other and all kingdoms. It's a God Emperor over all Gods Danny AU. Nothing wrong with that concept in of itself. Just tag it properly as something like "God King Danny" so that I don't have to deal with it and the implications you're making about my religion with it. That would be enough! I would be happy with that! Just make your choice. Think about what you're doing, why you're doing it and choose. If you choose to keep going, that's fine! All the more power to you! Have fun! But be honest about what you're making. I may not like it and think that it's an overdone, overplayed idea at this point, but you're free to do it! So go forwards and make what will bring you joy! But now that you've thought about it a little, hopefully you'll continue with a little more knowledge and foresight. And hopefully that will make your work even more interesting and better for it! And if you decide to change course, I'm glad that I was able to sway you and get you to see things from my perspective and come to my side on this. At the very least, hopefully this will help to vary up ideas within the fandom a bit and you won't just take ideas that are happening in this space entirely for granted and as givens! I have so many ideas on interesting ways that these intersections can go and characters that you can use, and ways to look at this community that offer so so SO many interesting story directions! I'm so happy that you've decided to come with me on this journey! You're going to make something great, I'm certain of it! So let's make something wonderful together! I believe in you! There's a lot of fun to be had! ^.^

[wosobrainiac]

Shelter

Pairing: Alessia x Leah x Pet!reader

With most of Arsenal rescuing pets, Leah and Alessia get talked into saving a traumatized pet from a shelter.

Warnings: This work includes Pet!play, and has themes of trauma and trafficking though nothing is explicitly stated. There will also be no sexual activities between the pets and the non-pets. Theres also nothing sexual in this fic. Its kinda cute if i do say so myself.

The univese is based on the Widow au universe found here

This is a side blog because I'm too nervous to post this on my actual blog. Please enjoy and let me know if you have more requests for this universe.

Alessia and Leah had never really considered getting a pet (human or otherwise) until their teammates started rescuing them. 

First was Steph and her partner, who rescued a former pleasure kitten, Bella. She was surrendered when her CEO owner upgraded to one of the newer HFeline models with upgraded sexual proclivity when he lost interest in her. 

Now she got to spend her days in a far too expensive cat tree, sunning herself and eating exotic treats from around the world. 

Next were Viv and Beth who saved an adorable pup named Lady from being a bait dog in a dog fighting ring. Caitlin and Katie soon followed with a hulking retired HK9 named Jax, who begged for scraps at every meal and was a sucker for belly rubs. Kim rescued a bunny, Peaches, from a cosmetic company and Lotte had gotten a pup of her own, Brownie, who was also a pleasurehound for a major network, rejected when he no longer drew high ratings. 

Arsenal was slowly becoming a zoo, filled with barks and purrs. Their team group chat had turned into a pet helpline filled with adorable pictures of the shenanigans 

And while Leah and Alessia had come to love the new additions to their team, the pair still had… reservations. 

Sure, the practice was widespread, and hardly considered controversial. And yes, some people willingly signed up to be pets when they turned 18. But many were surrendered due to debt, chose it over jail or were kidnapped and forced. 

It didn’t sit right with them. 

Not until they saw how their friends' pets were thriving after being treated properly. Not until they saw that they could offer the ability for pets to choose. The ability to show preference and desires and to have them honored. 

Plus, Beth and Viv had made a fair point. Rescuing a pup was different than ordering one from one of the many Labs, Tech Companies or suppliers. It meant taking someone who had been in a crappy situation and offering them a new beginning. One that would be a vast improvement. 

They could show them love, and give them dignity, something that was blatantly lacking from the pet trade. 

That’s how they ended up at a pet shelter on one of their few Saturdays days of trailing after two attendants, Kara and Lexa, as they introduced them to each pet and gave them a short description of their personalities. 

It was a nice way to do it, she thought.

It made each of the pets seem like more than just… objects. It made sure that they found the pet that fit them best. One they would click with. 

She also realized it let Kara and Lexa make sure that her and Leah would be good owners. 

Kara’s questions were subtle, asking about their jobs, the amount of time they could devote to a pet, what kind of home they lived in and what traits they valued. Lexa was more direct, point blank questioning them about what their plans were, and making sure that both of them agreed that many of the practices in both the pleasure and security sectors were despicable and not to be replicated. 

“And who is this?” Alessia asked as they moved on to the next kennel, her fingers trailing along the tall black bars that made up the space. 

Kara smiled widely, flipping the lock on the cage door and easing it open. “This is Missy,” 

She reached up to scratch behind the kitten's dark hair, as Leah followed her. 

“Hello Missy,” The blonde defender said, also reaching to pet the kitten, even as Alessia hovered by the door. 

The kitten batted at her hand, trying to catch it, earning a fond smile from the defender. “You’re a spicy one, aren’t you?”

“Missy is quite playful, and absolutely loves attention,” Kara hummed, scratching the kitten under her chin. “And cooking shows, or anything with fish on the screen really,”

“She does prefer elevated spaces,” Lexa added, gesturing toward the tower of platforms the kitten was laying on. “And will get depressed if she has to stay at ground level,” 

Alessia made a low noise, as Leah scratched gently behind the kitten’s ear, her eyes wandering down the line of kennels. It wasn’t that she didn’t like the kitten or any of the other pets they had seen, but she hadn’t felt that connection yet. 

Still, there were so many kennels left. 

It was heartbreaking how many of them were full. How many had little faces pressing against the black bars, trying to attract a potential owner? 

All except one down at the very end of the hall. 

She tilted back, trying to get a better look at what lay behind the bars, but all she could make out was a blue lump in the corner. 

She couldn’t deny the pull she felt towards the cage. 

“What about the one down there?” She asked, already stepping towards the dark metal bars at the very end of the hallway. 

A pained look crossed Kara’s face as she followed Alessia’s gaze. “She’s one of our newer arrivals,”

“Why is she all alone?” Alessia asked as they passed empty kennels on either side of the ones leading up to the one at the end of the hallway. 

“She’s having a hard time adjusting,” Kara explained, as Lexa walked in front of them. Leah trailed after them, looking much less enthusiastic. 

The tattooed handler grimaced as they got closer to the cage. “Given her circumstances, she might not be the best fit for first-time owners,”

Leah silently agreed based on the giant orange sign taped to the black bars of your area that read: 

Possibly aggressive

Two handlers are required during feeding 

“Less, what about Missy? We don’t want-” Leah suggested, catching the forward's arm. Alessia glared over her shoulder, effectively killing any further protests on her tongue. 

“The sign is just precautionary,” Kara said as they got closer, pausing at the door of the kennel. “She hasn’t been very interactive since she arrived, and we don’t have a good idea of her temperament yet,”

 “And she hasn’t seemed interested in food, or treats, so we require two handlers in case there’s a trigger there we don’t know about yet,” Lexa continued, unhooking her keys from her waistband and with a jingle. 

You pressed yourself into the far corner of the kennel at the sound, curling into a tight ball against the white bricks, and hiding your face from the group under a small blue blanket. 

Alessia couldn’t stop the coo that left her lips at the sight of your nose just barely peeking out from underneath the small blanket. 

“What’s her name?” She asked, shifting closer to the now open door, keeping her voice very soft. 

“We don’t know. Her previous owner only identified her by a number, and she hasn’t responded to any that we’ve tried,” Kara explained, her voice going very soft. “The only thing she’s liked since she got here is the blanket,”

As if you understood that they were talking about the thin fabric covering you, your fingers wound tightly on the edge like you thought they would take it away. 

All the movement did was shift the blanket to reveal more of your skin, littered with thick lines and yellowing bruises. 

“We suspect she was training to be a fighting dog and failed during one of the final checks,” Kara explained softly at their collective intake of breath. “She was in rough shape when they brought her in,”

Leah made a low noise of agreement, her eyes trailing the thick line of gauze that peeked out from the small flannel blanket you had tucked around yourself. It spanned from your too-skinny side, across your ribs, and to your back, where Leah was sure she could count each of your vertebrae.

It made her sick that someone could do this to another creature. “Final checks?”

“They put them with a bait dog to test their prey drive,” Lexa explained, easing the door to your cage open. You made no move to greet them. “From their records and the amount of titanium modifications they made, they thought she would be very… lethal,”

Leah made a low sound in the back of her throat. 

She knew about… modifications that people made to pets. The inhumane surgeries were considered upgrades. 

It made her sick that not only had you been physically abused, but you had also been surgically altered for someone else’s purposes. 

“Viv and Beth’s pup was a bait dog. She's such a tiny thing,” She murmured, thinking of how your scars mirrored those Lady bore. 

“They’re purposefully kept weak so the fighting dogs can beat them and gain confidence,” Kara said, stepping just inside the kennel and to the side so they had a clear view of you. 

Leah’s nose scrunched, thinking about how sweet and tiny Lady was, always rubbing up against legs and asking for pets and scritches. “Nasty stuff,”

“Indeed,” Kara agreed, crouching and leaning against the bars. You just curled tighter into yourself, shifting the blanket to cover more of your back. It slipped higher, revealing the thick scars on your legs just above your ankles. 

The place where your tendons had been cut to prevent you from standing on 2 legs. 

Alessia frowned, crouching next to Kara in the kennel entrance. “But she didn’t pass?”

“No. Their notes said her prey drive was too low, and unfortunately, that’s all the information we have besides the condition she was in when their compound was raided,” Lexa sighed, rubbing her forehead. “It appears that they were trying to enhance her hunting instincts with bearings and starvation,” 

Alessia hummed, stepping into the cage beside Kara and squatting so she didn’t intimidate you. 

“Hey pretty girl,” She said gently. 

You peeked up at her, blinking slowly, most of your face still hidden, meeting her blue eyes. She could see the terror in them, masked only by the deepest sense of anguish. 

She made a cooing sound. “It must be scary in here, huh?” 

A low whimper left your lips, and you shifted towards the door, and Alessia, dragging the blanket with you. 

The three women behind Alessia froze, and Lexa and Kara shared a look. 

“I think that’s the most I’ve ever seen her move,” Kara murmured, reaching into the fanny pack around her waist and pulling a small slice of sausage out. At the same time, Lexa put one hand on the spray at her hip, and gestured for Leah to get low like Alessia and Kara were with the other. 

They didn’t think you would snap, but it was better to be safe than sorry.

She followed Lexa’s instructions, kneeling and placing a gentle hand on Alessia’s shoulder. 

“Try this,” The blonde kennel attendant kept her voice low as she passed the piece to Alessia, neither of their eyes leaving your timid form. “We haven’t had much luck getting her to eat, but maybe you can,” 

She held the sausage out to you with a flat palm, and all four women held their breath as you scooted forward, and stopped, watching them with wide, terrified eyes. 

“It’s ok, sweet one,” Alessia said, her voice soft, reassuring. “You can take it,” 

You glanced from the treat to Alessia’s face and back, your nostrils going wide as you sniffed in the new scents, sliding just a bit closer to them. 

You didn’t reach for the treat, instead you ducked your head and very gently raised it to touch the back of Alessia’s hand. 

She moved slowly, taking the treat with her free hand and flipping her palm over to gently scratch your head. 

You practically melted, pressing more of your head into her hand. Her nails ran over your scalp, and a sound that was cross between a purr and a growl fell from your lips. 

Leah couldn’t hold in her little awe.

“She’s adorable,” She mumbled, inching towards you and extending a hand to join Alessia’s. She picked a spot just behind your ear, gently stroking the place where your skin and hair met. 

You paused as you registered the new sensation, your body contorting like it didn’t know if it wanted to lean in closer or pull away. 

“It’s ok. It’s just Leah. She won’t hurt you,” Alessia murmured, though she could tell you didn’t quite believe her. 

She gently nudged Leah with her free arm, a silent order to say something that wouldn’t break the tenuous truce you had developed. 

“You’re ok,” Leah murmured, gently scratching behind your ear. “Less is right, you are quite cute,”

You made a groaning sound in the back of your throat that was a mix between a grumble and a purr. 

It pulled a smile from her lips. “You don’t like being called cute?”

You made the grumbling sound again, shrugging to displace Leah’s hand behind your ear. 

The defender chuckled. “I see how it is,” 

Alessia dragged her nails more deeply against your scalp, turning your grumble purr into a straight up purr, a wide smile pulled across her lips. “I want her,”

Leah hummed in agreement. 

You were clearly attached to Alessia, and she trusted that - despite the large orange sign on your door- that you wouldn’t hurt the forward. 

You were just scared and hurt, and you deserved a chance. 

“Kara can get you set up in a room so we can fill out some paperwork and go over some of our suggestions, and I’ll get this one set up with a nice new collar and a muzzle,” Lexa said, pushing herself to her feet. 

You flinched at the movement, causing the blanket to fall from your back. 

“Shh pretty girl,” Alessia soothed you gently. “You’re ok,” 

Leah frowned, gesturing towards where you were practically melting at Alessia’s touch. “Why does she need a muzzle? She hasn’t been aggressive,”

A pained expression crossed Kara’s features as she also pushed herself to her feet, more slowly than Lexa had. “The muzzle is just precautionary. We’ve had her isolated since she’s been here, and we don’t want an incident if she gets overwhelmed,” 

Leah sighed, she had to agree. 

The last thing she wanted was for you to lash out because you got frightened. 

“I don’t want to leave her,” Alessia murmured, and you nuzzled deeper into her hand. 

She took that as you saying you didn’t want her to leave either, but she knew she had to. 

“They’ll only be a few minutes,” Kara promised. 

“And I’ll take good care of your pretty girl,” Lexa added, smiling genuinely at them. 

Alessia’s fingers dragged through your hair one more time, as she released a long breath. 

“I’ll see you in a few minutes alright?” She said, giving your one last scratch before she pulled away.

You pouted as she stood, making a low, upset sound.

“I know,” She repeated. “Just a few minutes, and you get to come home with me and Lee,” 

You huffed, turning away from them, grabbing your blanket between your teeth and heading for your little corner.  

Alessia frowned, but didn’t stop you. 

She knew it would take a lot to earn your trust. 

“It’ll be alright,” Lexa said as she closed the door of the kennel. “We’ll come find you guys as soon as I got her all set up,”

OoOoOoO

“She’s had all of her shots, and her medical paperwork is in the file. The first issue we should discuss is her temperament,” Kara began, sliding a stack of papers across the table for them to read, pointing to the first page that listed dietary suggestions. “I would suggest hand feeding. It’ll help her learn to trust you,” 

“You said she hasn’t been interested in food,” Leah said, looking down at the page. 

Next to likes and dislikes almost nothing was checked. There were no notes. 

All except a little star next to the line that read Peanutbutter. 

“No,” Kara agreed quickly. “But that could all be down to stress. Variety will be your best friend in the beginning. Stick with finding foods she’ll enjoy first, and then we can worry about meeting her required macros later,”

Alessia nodded, her mind already working through the foods they had in the cabinet and the ones they would need to buy. 

The Arsenal meal team had done well to provide the growing zoo within the team with foods that fit their preferences. If they could grill Jax a T-bone steak for lunch every day, then surely they could grill whatever food you latched on to. 

It would just be at home they would need to worry about. 

“I’m also going to suggest obedience classes,” Kara continued, flipping the packet of papers to show them a flier. “We offer one three times a week that I think would help both of you and your new pup,” 

“This is the one Lotte takes Brownie to,” Alessia noted, taking the flier. 

Leah hummed. “Beth and Viv took Lady last week too,”

“Friends in class are good,” Kara nodded. “It will help her to be around the same pets, and she should feel more comfortable,” 

Alessia and Leah shared a look. 

Making you comfortable was their number one priority. 

“We’ll be there,” Alessia said, only looking away from her girlfriend when a light knock sounded G the door, and it slowly swung open. 

Lexa peeked her head in, before she looked behind her. “Alessia and Leah are in here, don’t you want to say hello?”

They waited another long second, before your face very hesitantly appeared beside Lexa’s leg in the doorway. 

“Hey pretty girl, you’re ok,” Alessia said, breaking into a smile. 

You perked up considerably at her voice, looking up at Lexa as though you were asking for permission to actually enter the room. 

“Go ahead,” Lexa smiled down at you, reaching down to unclip the leash from your collar. “I think they’re excited to see you too,”

You waited a long second before you eased your way into the room, your blue blanket tied around your collar so it fell around your back like a cape. 

“Come here sweetheart,” Alessia cooed, drawing your wary eyes away from Lexa and Kara towards her and Leah. 

It took you another long second to make your way over to her, gently nudging her leg with your head. 

She reached down to scratch the sensitive spot just behind your ear, over where the straps of the leather muzzle landed. 

“Are you sure she needs that?” Leah asked, watching you carefully paw the material that covered your mouth. 

“It’s just precautionary,” Lexa repeated, taking the seat beside Kara. “She’s not aggressive, but fear can provoke a reaction bite. I would suggest she wear it when you’re going to be around people and other pets, just until she’s socialized and loses that fear response,” 

Leah and Alessia shared a hum, though Alessia didn’t look thrilled with the suggestion. 

They understood, yes, but it felt… dehumanizing. You were a person after all, despite what you had been conditioned to believe. 

At the same time, they both knew they couldn’t risk you biting someone, even out of fear. 

“We just need a name for her to complete the paperwork,”  Kara said, flipping the packet to the last page. “You can use pretty girl if you like,”

Leah and Alessia shared another look. 

While pretty girl was a nice nickname for you, they had something different in mind for your actual name. 

“Let’s go with Y/n,” Leah said, looking back towards Kara and Lexa. 

You hummed contentedly at the name, leaning into Alessia’s fingers. 

“I think she likes that name,” Alessia cooed, digger her nails under the straps of the muzzle, making sure none of your hair tangled in it. 

You made another sound of contentment as Kara finished filling out the papers and slid them to Leah and Alessia. 

“Just sign on the dotted line, and she’s all yours,” 

It only took them a second to scrawl their signatures on the indicated lines, and then Alex’s was passing them your leash. 

“Enjoy your new super pup,” Lexa said, winking at you. “And treat her well,”

“We will,” Leah promised. 

They would take care of you, and fix the damage that had been done if it was the last thing they ever did. 

OoOoOoO

Getting you back to their apartment had been… interesting. 

You had not been thrilled about the chest harness they strapped you into, but you hadn’t minded the car ride, even enjoying it when Alessia opened the back window for you. 

It was fine until they pulled up alongside a car that also had a pup in the back. You had pulled away from the window immediately, nearly jumping into the boot of Leah’s jeep before he started barking.

By the time the light changed and Leah eased the car forward, you were shaking like a leaf. It struck both of them as slightly off considering you had been trained to be a fighting dog. 

You had been very hesitant as they got you out of the car, your eyes swiveling around as they led you into their apartment and showed you around. 

Since then you had been curled up on the soft pet bed they had stationed in the living room, not even letting them close enough to you to remove the muzzle. 

They knew it would take time for you to settle. Their friends had all warned them of that already, so they let you be, flipping through channels until they got to a shark documentary that seemed to catch your attention. 

Alessia was thankful that the kitchen was connected to the living room so she didn’t have to leave you as she made dinner. Not that she didn’t trust Leah to watch you, but she didn’t want you to think she had disappeared. 

The first step to building trust was to show you that they were there, and you were safe. 

She stuck with simple foods, chicken and rice, partially because Leah didn’t like anything remotely adventurous and partially because she didn’t know what you would enjoy. 

She and Leah ate first, sharing worried looks when you didn’t even patter over at the smell of food.

After their meal was cleaned up, they turned their attention to you. 

They started by sitting on the floor in front of their couch, a good distance from your pet bed, with your food bowl. 

“Hey pretty girl, are you hungry?” Alessia asked gently, holding the bowl out for you to sniff. “If you come a little closer I can take your muzzle off and you can eat,”

You didn’t lift your head off of hand, or make any move to approach them. 

Your nostrils didn’t even flare out to smell the bowl. 

It sent red flags spinning in their brains. 

They shared a look before Alessia passed the bowl to Leah and scooted closer to you, to the edge of your bed. “Ok pretty girl, will you let me take the muzzle off?”

Your eyes flickered away from shark show and towards the blonde briefly, before your head tilted minutely. 

She took that as the ok to reach for the buckle on the leather contraption attached to your face, carefully easing it open and sliding it off of your head. 

You yawned wide as soon as it was removed, scrunching your nose adorably. 

Alessia passed the leather contraption she never intended to use again back to Leah, and the defender passed her the bowl. 

She reached into the bowl and pulled out a piece of chicken, carefully holding it out to you with a flat palm. “Eat for me, pretty girl,”

You huffed. 

“Please,” Alessia said, her voice edging on pleading as she offered you the piece again. 

You sighed, clearly unhappy, but you leaned forward and took the piece of chicken from her gently, chewing and swallowing. 

“Good girl, Y/n,” The forward hummed, reaching into the bowl and pulling out another piece. 

You let her feed you a few more bites before you buried your face in your bed, clearly signaling that you were finished with your meal. 

Alessia sighed again, looking back at Leah who could only shrug. 

She turned back to you and slowly extended her hand, scratching behind your ear. “You can be done,”

You made a groaning noise that sounded like relief. 

Leah snorted, pushing herself to her feet and grabbing the half-filled bowl of food from Alessia. “I don’t think I ever per a pet who was happy dinner was over,”

“Y/n is one of a kind,” Alessia agreed, her nails dragging pleasantly against your scalp. 

OoOoOoO

Bedtime was relatively easy. 

Alessia and Leah went about their normal routines, only adding brushing your teeth and showing you where there was a second bed for you at the base of their bed. 

This one had a fluffy red blanket and a stuffed dragon. 

You had been… hesitant at first to get into it, looking at the door for the blue bed that existed in the living room. 

You chose to sit just in front of it, curling in a little ball that didn’t look comfortable, and draping your favorite blue blanket around you. (Alessia longed to fix it since it was bunched and only covered half of your body). 

Again, Leah and Alessia let you be. 

Lights were turned off as a stupid show played on the television as all three of you wound down, and before you knew it, a silence had settled over the room. It was broken only by the sounds of breathing and the occasional shift on the bed.

It was… uncomfortable. 

You weren’t used to it being so… quiet. 

You were used to the sounds of barks, and chain link shifting lulling you to sleep. You were used to a corner you could curl up in. 

You weren’t used to a bed, and you wanted to lay in it but you were sure it was a… trap. 

Just like you had thought the chicken Alessia tried to feed you was a trap. 

It had always been a trap before. 

You huffed, shifting next to the pet bed. 

Maybe if you slept in it, but woke up before the two women who had adopted you, you would be safe. 

It was soft, and you would be warm. 

You shifted again, freezing at the sound of someone moving from on the bed permeated the room. 

You had woken them up, and now the other shoe would finally fall. 

You curled tighter into yourself and waited for the pain that never came. 

Instead, there were only soft footsteps. 

“Trouble sleeping?” 

Your eyes blinked open at Leah’s soft question, meeting her blue eyes in the low light of the television. 

You nodded hesitantly. 

“Me neither,” Leah agreed. “Let’s go get a midnight snack,”

You padded after the defender as she headed towards the kitchen, stopping by the island near the stove as she headed for the cabinet by the fridge. 

She grabbed a brown jar with a teal lid, setting it on the counter before rummaging around in the drawer below. 

“Ah ha,” She cheered, holding up a spoon victoriously, grabbing the Jar, and turning to face you. 

Your head tilted to the side at the object. 

“I think you’ll like this,” She said, unscrewing the top and dipping in the spoon. 

When she pulled it out, the most delicious-smelling substance you had ever encountered coated it. 

You watched with rapt attention as the spoon disappeared into her mouth and came out clean.

Your mouth watered. 

“Peanut butter?” Leah asked, tilting the jar your way. 

Your head tilted, and you just barely leaned forward on your knuckles as your nose flared, trying to catch more of the scent. 

Leah’s lips tilted up at how adorable you looked, as she dipped the spoon back in the jar and then held it out for you. It was just out of your reach, closer to her than you had ventured yet. 

You had an immediate connection with Alessia but were still incredibly wary of her for some reason, she tried not to let it bother her.

You were hesitant to take the step forward. 

But it smelled so good. 

Your tummy rumbled, and your tongue darted across your lips. 

Leah stayed perfectly still, watching you with bated breath. She knew this was the only way to build trust with you. To show you that they wouldn’t hurt you. 

You very slowly took a step, tilting your head towards the offered treat, your eyes moving rapidly between her and the spoon. 

Your tongue carefully made its way between your lips and licked the spoon. 

Your eyes went very wide at the taste, and you quickly leaned closer to take the spoon into your mouth. 

“Good right?” Leah asked with a chuckle as the spoon came out of your mouth, completely free of peanut butter. 

You woofed softly, using your nose to nudge the now empty spoon back towards Leah, eyeing the jar on the counter.

She followed your eyes, shaking her head. “How about we try something else?” 

Alessia would kill her if she found out all you had eaten was Peanut Butter when you hadn’t been interested at all in dinner. She would point out that you needed carbs and protein to help you get to a healthy weight while being healthy. Neither of them liked how… skeletal you were, and any food was good really, but so was balance to give you the most sustainable energy they could. 

Leah searched the counter, looking for something to pair with the only food you seemed to like. 

“What about some banana?” She asked, grabbing for the fruit. 

She opened it and broke off a piece, offering it to you. 

You leaned forward to sniff it and pulled back in disgust. 

“What about if we add some Peanut butter?” She asked, digging the spoon back into the peanut butter and sticking the pale yellow slice on top. 

You stared at her skeptically, sure that the fruit would ruin the delicious brown treat underneath. 

“It’s good, trust me,” Leah promised when your eyes flickered back up to her. 

You huffed, scrunching your nose up at it, and then flinching away when you realized what you had done. 

“No pretty girl, you’re ok,” Leah said, dropping her voice and immediately sinking down so she was on the same level as you. She didn’t want to frighten you. “You’re allowed to not like things,” 

You curled into yourself, tucking your body as close as you could to the island. 

Leah wondered idly if Alessia would have elicited the same reaction from you. You seemed to trust the forward more for whatever reason. 

She gently pulled the banana bit off of the spoon, popping it into her mouth and offering the peanut butter to you once again. 

You sniffed, barely peeking out at her. 

She understood now why peanut butter was the only food on your list at the shelter. 

It was the only thing besides Alessia (and maybe your blue blanket) that you would risk coming out of your shell for. 

“You can have it,” Leah assured you, keeping her voice soothing and calm, ignoring the soft sound of padding feet coming down the hallway from their bedroom. “You’re ok,” 

You sniffed again, wishing you had brought your blanket with you on this excursion. Bad things always happened when you forgot it. 

You wanted to trust Leah, and the peanut butter did smell amazing. 

Very slowly, you leaned forward towards the spoon, making eye contact with Leah before you took it back into your mouth. 

She kept still as you licked it clean with a satisfied sigh, and pulled away. 

“Let’s go to bed,” She said, slowly pushing herself to stand, placing the spoon in the sink to be dealt with in the morning, and putting the jar of Skippy back into the cabinet. 

You woofed again softly, padding after her once she was done. 

Maybe things would be good here.

[perfectlyoongi]

LONG-DISTANCE!TAEHYUNG who didn’t believe in long-distance relationships until he met you. how was it possible to maintain a loving relationship when kilometers separated you? how could you show love and devotion if you were separated by screens? it was impossible to love someone you had never been with. it was impossible to love someone without really knowing them. so how were people falling into this trap and deluding themselves with fake love? how co— wait. but you… you were different, weren’t you? you managed to attract Taehyung. you managed to make Taehyung question his entire sense of reality. but you weren’t there. you were in another world. but still… in a way, you. “tell me what spell you cast on me. i want to get rid of this curse and talk to you again without thinking about how much i need to be with you.”

LONG-DISTANCE!TAEHYUNG who always has a virtual date planned for you every month. Taehyung was a romantic by nature and, with you two being worlds apart, he had to find another way to express all his love and devotion to you. thank god there are several museums with online visits; thank god there were chat rooms with different games for you; thank god we lived in a time where the internet was the answer to all our prayers. once a month, Taehyung would take you to see and experience the world without leaving the comfort of your home, always guaranteeing and promising that one day all those experiences of yours would be lived in person next to him. “today we see this museum through our screens, but there will be a day when i will be able to take a photo of you next to your favorite piece of art just so you can see which of you is truly a masterpiece.”

LONG-DISTANCE!TAEHYUNG who writes down all the dreams he has about you in a notebook. Taehyung’s mind was in constant motion when he slept, taking him on complex adventures and strange expeditions. and, in so many wild dreams, it was almost a certainty that you would pay Taehyung one or two visits; and it was these adventures that Taehyung remember the most, sharing some of the happiness he had felt in the dream in real life. but the dreams were so many and quite confusing that before telling you, Taehyung needed to write down each moment of the dream in a notebook, making sure that nothing was missed and that everything was perfectly clarified. “this dream is going to be a little confusing, so pay attention. you were at the top of one of egypt’s pyramids, but instead of sand there was only water. so, i showed up there in a little hot air balloon and…”

LONG-DISTANCE!TAEHYUNG who becomes desperate with the distance between you. Taehyung swore he would start banging his head against the walls just to ease the pain he felt in his chest. why were you so far away? what cruelty did Taehyung do in a past life to be suffering immensely in this reality? would the gods be upset that Taehyung loved you more than they loved their immortality? were the stars jealous of all the memories you shared from past lives? would the universe itself be resentful because your and Taehyung’s love was purer than any of its creations? how could Taehyung live every day if you were so far away from him? he just wanted to hug you, kiss you, hold you in his arms, make you happy and make you feel loved and important. and he only wanted you. there. beside him. in this life. was this too much to ask for? “i swear to you that i’m this close to getting on a plane to go see you. i don’t care about my work and i don’t care about my friends. i just want you, i just need you. urgently.”

LONG-DISTANCE!TAEHYUNG who never says goodbye to you. it was a small habit of Taehyung’s, a small detail that always weighed on your mind: why did he never say goodbye to you when you finished talking? when you realized this little curiosity, you went to talk to Taehyung, a little interested in the possible answer he could give you. but, out of so many scenarios you created in your mind, none of them matched the reality of the facts. it was with a serious and expressionless look, completely offended by your question, that Taehyung answered you, giving a little clarity to your heart. “our story is not over yet. why should i say goodbye to it?”

LONG-DISTANCE!TAEHYUNG who offers you a stuffed bear and a bottle of his perfume. when the distance was crueler and there was a need to feel close to each other, Taehyung would ask you to spray the stuffed bear he offered you with his perfume. in a way, that idea of Taehyung managed to deceive your poor heart; when you hugged that bear with Taehyung’s scent, your heart fell into the illusion that you were next to Taehyung and, for small seconds, everything was okay. “i know i’m far away, that’s why i offer you this bear. it may not be very big, but when you spray my perfume, it becomes part of me.”

LONG-DISTANCE!TAEHYUNG who bought you a weekend in your dream city to meet you for the first time. when Taehyung showed you your flight tickets for the same day and the same city, you didn’t understand his idea; it took Taehyung to say that he would wait for you for you to understand that small gesture from him. he had remembered that city you so wanted to visit. not only that, but he also remembered the dates of your vacation. and booked a short stay in that city on your vacations. a stay with Taehyung. you were going to be together for the first time in that city that called you so much. your dream was about to begin. “just a few more weeks, my love, and then we can be infinite.”

[novafire-is-thinking]

I’ve been scrutinizing the badges and medical symbols (or lack thereof) of the medics of IDW, and speculating about what these might say about each of them.

Out of all the medics, Flatline’s badge(less) arrangement stood out to me, so it’s time to make this way deeper than the writers and artists intended.

To wear a badge, or not to wear a badge…

Thanks to Alex Milne, the Autobots got their own medical cross:

This is worn by Pharma and First Aid, and by Ratchet before the war and during the earliest days of the conflict. He later removes the cross, but switches between a couple of different symbols and no symbol throughout the course of the war—his time spent on Earth having a lot to do with that, I suspect. Even so, after the war, he chooses not to wear any indication of his status as a medic—only an Autobot badge.

Meanwhile, the Decepticons have no universally recognized symbol for their medics. Instead, they each have their own unique symbol, or none at all. Glit has a vaguely medical-looking cross that differs from the Autobot medical cross, and Flatline has a symbol resembling the pulse of a spark:

…which I can only assume is meant to be the Cybertronian version of the following, but with a circle for the spark instead of a heart:

Meanwhile, Spinister and Nickel have nothing. Just their Decepticon badges.

Now, to combine these with faction badges:

Badge + medical symbol: Pharma, First Aid

Badge + no medical symbol: Ratchet, Fixit, Velocity, Spinister, Nickel

No badge + medical symbol: Flatline, Glit

No badge + no medical symbol: Ambulon

There are three medics who don’t wear badges; all of them are or were Decepticons. This is interesting on its own, but I’m more interested in how this may correlate to their attitudes towards treating Autobots:

Even though Glit’s KP version is willing to treat people regardless of faction, this is never confirmed for his IDW version. There isn’t enough evidence to infer how he feels about Autobots, or treating them. Yes, he was at Grindcore, but that says nothing about how he treated Autobot prisoners behind the scenes.

As for Ambulon, he switched sides and underwent the Act of Affiliation, but—evidently—not the Rite of the Autobrand. I could speculate all day about why, but that’s not important because, whatever the case, he treats patients of both factions without hesitation. Because he’s been on both sides, he has an externally observable reason to do so.

This leaves Flatline as the only badgeless—and only Decepticon—medic who’s proven to uphold a moral value of treating people regardless of faction. Unlike Ambulon, he has no externally obvious reason to do so, but he does it anyway because it’s personally important to him.

The following roams into headcanon territory, but based on what can be inferred from Flatline’s few appearances, I like to think his choice to not wear a Decepticon badge serves two purposes:

It’s his way of signaling to potential patients: “I don’t see you through the lenses of your faction and ideology, but as a person.”

It’s a personal reminder for himself of his commitment to being blind to factions when treating people; it’s a way of reminding himself he’s committed to the preservation of life first—not to any group or “order” of medical personnel.

This is not to say medics who do wear badges and belong to an order of medics don’t also treat patients based on similar values—as we see First Aid and Ratchet treating people of the opposing faction.

This is just me playing around with the possibility of inferring something deeper about Flatline’s character—what he values, how he sees himself and the world, what sets him apart from others “like him,” etc.

And besides, Autobot medics are expected to uphold their medical oaths. Decepticon medics—perhaps unfairly—are assumed to be lax in that area, so it means more to have a Decepticon medic who holds to their personal moral values despite the general attitude towards the enemy seen in many of their comrades.

On that note, I would love to know how Tarn sees Flatline…

A Decepticon who refused the Rite of the Deceptibrand.

A Decepticon who refused to cut into his spark casing to signify his commitment to the Cause.

A Decepticon who values commitment to his personal morals above adhering to any external ideology.

[thankskenpenders]

Sonic Prime: "Season 2"

Eight more episodes of Sonic Prime are out! They're labeled as "season 2" despite just being the next eight episodes of the first (and presumably only) season, allowing Netflix to market it as multiple seasons without having to give the cast and crew raises. They love doing that shit to their original cartoons. Ugh.

Anyway! Last time, I gave the show some leeway because it was still finding its legs. This time, though? We're now two thirds of the way through the series, and sadly, I think it's time to accept the truth:

While there are parts I like, a lot of this show... kinda sucks?

This multiverse sucks and Rouge was robbed

Previously, I noted the pattern of each universe spotlighting a different friend of Sonic's (Tails in New Yolk City, Amy in the jungle world, Knuckles in the pirate world) and predicted that, hopefully, Rouge would get her time to shine next. And with 16 episodes left, surely there's time to explore new worlds that are more interesting than the jungle and pirate worlds. Those were just the warm up act. Right?

...Right?

Nope! That's it! There are no more worlds.

This multiverse show where anything is possible really is just about another Eggman-controlled dystopia world, a jungle world, and a pirate world. That's all they came up with! Just those three, and two dead worlds that don't really count - one a featureless wasteland, the other a ghostly echo of the original Green Hill dubbed "Ghost Hill." (Sonic's friends appear here as holograms stuck repeating a single line each. It gets old immediately.)

The jungle and pirate worlds and their inhabitants being so overwhelmingly generic becomes unforgivable the moment you realize this is all we're gonna get. It just leaves me wishing they'd thrown this whole concept out and finally made a normal Sonic cartoon with no twist in its premise. A few of the new takes here are good, particularly Nine as a darker riff on Tails, but so many of them don't feel anything like the fun characters they're supposed to be. They're stock cartoon characters wearing the Sonic casts' skins.

I'll admit my bias is showing, but god, Rouge is REALLY done dirty by this setup. The normal Rouge we see in the first episode is so fun for how briefly she appears, but then in all the other worlds she's reduced to a generic action girl with zero personality. What's her purpose, exactly, when every AU version of Amy is ALSO a straightforward action girl? It drives me absolutely insane that they gave us a PIRATE ROUGE and she doesn't care about treasure. They do nothing with this! How!!!!!!!! She's just never gonna get her turn. It's so obvious that Rouge is only in this show so that they can have another girl, but you could swap her out with another character like Blaze and it'd make no difference.

Speaking of the pirates, though...

The way things play out in the pirate world is so stupid

Previously, with the Paradox Prism shard within reach, Captain Dread Knux was regressing into his old obsessive personality. I'm fine with this. Sonic and Dread both want the shard, they're gonna fight over it. Obvious stuff. But the actual impact it has on the story is maybe the stupidest bit of writing in this entire show so far.

Basically, while fighting a couple of the Eggmen and their robots at sea, Sonic has to briefly run over to the enemy ship to fight them and grab the Paradox Prism shard while Dread and his crew remain back on their ship. Dread goes "Oh my god, look! Sonic's abandoning us! Traitor!" While Sonic is... like 200 feet away. Still in clear view. Fighting the guys who are trying to kill them. Retrieving Dread's beloved treasure for him.

And yet, Dread's crew buys this! And when Sonic runs right back over with the shard in hand, they're all like "HOW DARE YOU BETRAY US" and turn on him.

It's just. What?!

This isn't a huge part of the "season," but I highlight it as maybe the worst moment of the show's character writing. I'm reminded of Thorn Rose's backstory from last time, where she was depicted as suddenly snapping one day when she saw her friends pick one too many berries in the jungle. Sometimes a character just needs to pivot for the story to work, and they aren't really interested in getting there smoothly.

The Chaos Council fucking sucks

I tried so hard to like these guys, but they drag the show down so much.

The choice to have a team of five different Eggmen really just means that Eggman has been split into five one-note characters. Four of them revolve entirely around the most trite, predictable, boomer-ass jokes based on their ages. The teenage one is whiny and just wants to play video games. The young adult one is a vegan hipster who does yoga. The old one is cranky about all the whippersnappers and has a bad back. The baby is a baby. These are jokes that would've been tired if this show aired 20 years ago.

The odd man out is Mister Doctor Eggman, the middle-aged one with a toupee who's the stand-in for regular Eggman. But even he kinda sucks. The other four all being one-note joke characters means that he has to be the straight man of the group, so he's just very dry and serious and plot-focused without any of Eggman's fun eccentricities. He's neither particularly funny nor particularly sinister, which is just about the worst place for an Eggman to be.

He doesn't even have any incompetent robot lackeys to bounce off of, because the unfunny alternate age Eggmen fill the quota for bumbling secondary villains. But also, like... Orbot and Cubot are in this show! They were in the first episode! Where are they? God, I never thought I'd miss them so much...

But, okay. It's not ALL bad.

The highlights

There's a recurring theme here, which is that the best episodes are the ones where Sonic is pitted against a foe who can match his speed and they just let the animation carry it.

The first of the new episodes is mostly about Sonic fighting Shadow, and BOY is their fight fun to watch. Said fight happens because Shadow blames Sonic for shattering the universe and doesn't trust him to fix things. Shadow wants to restore their world, but he refuses to see the various AU counterparts as the same people Sonic once knew, and he doesn't really care what happens to them. Ultimately, though, he begrudgingly accepts that Sonic really is the only one who can hop between dimensions for Plot Reasons, and therefore lets him go try to do things the nice way. He sadly spends most of his time waiting around in the void between worlds, but in the last episode of the batch he and Sonic get to team up against the Chaos Council's forces and it's very cool.

As far as recent interpretations of Shadow go, this is a good one. He's a great foil for Sonic, which just makes me wish he could travel with Sonic to the different worlds. He's cynical and overly pragmatic in his approach, but his points aren't entirely wrong. His anger feels justified. They even let him have some snark! And Ian Hanlin is really great in the role - definitely a contender for Shadow's best voice ever. He just sounds so natural.

The other speedster Sonic fights is Chaos Sonic, the Chaos Council's take on Metal.

He can talk! Deven is basically doing a Jaleel impersonation for him? People are very mixed on this.

The idea behind Chaos Sonic is to turn Sonic's obnoxious smack talk and zingers back around on him, and I don't hate this idea, even if a lot of fans find him annoying compared to Metal Sonic. (Some comparisons have been made to Archie's Shard, but I assume this is a coincidence.) Like the rest of the script, his dialogue certainly isn't anything to write home about, but the fights he gets into with Sonic and co. are so damn fun and dynamic that I have to like him. I also like how expressive his eyes are on his dome screen face, and the animators have a ton of fun with the fact that his torso and head can rotate 360 degrees.

Unfortunately, he's destroyed at the end of his debut episode. I'm praying he gets rebuilt, because this show desperately needs better villains than the Chaos Council.

Again, the animation in Prime is maybe the best animation in any official Sonic media, period. I just wished I liked the characters and worlds enough to be invested in more of the fights. It's hard to care about the dozenth group battle against the generic Eggforcer bots and the baby in his Fisher-Price mech.

The note we end on

After fighting a giant glowing replica of the normal Eggman for... some reason? Episode 16 ends with Sonic and Nine getting into an argument over what to do with the Paradox Prism shards. Sonic wants to restore his original world, but Nine still wants to create a new, better world out of the one that's just an empty wasteland, believing he doesn't belong anywhere else. Nine angrily runs off with the shards, and Sonic is distraught as he realizes that Shadow was seemingly right about how he shouldn't trust Nine.

I kind of like this conflict, mostly because Nine is the standout character of this show. But my main problem is that we don't know what will happen when everything is fixed.

The logical assumption is that the alternate worlds will just... stop existing, right? That must be the idea if Sonic and Nine are treating restoring the original world and creating a new one in the Shatterverse as mutually exclusive options, right? If the Shatterverse disappears, will Nine and the rest all stop existing, too? The show seems unwilling to discuss this possibility, so I'm left not really knowing what the stakes are in this conflict. Nine becomes a whole lot more sympathetic and Sonic becomes a whole lot more monstrous if restoring the world will erase most of this show's cast from existence, but the thought that this could even happen doesn't seem to have crossed Sonic's mind. Sonic seems to want to take his AU friends back to the regular Green Hill - he at least wants to introduce Nine to his normal friends - but like... he can't really do that, can he? They're not gonna have four Tailses running around.

I don't really know what direction this is all headed in. I guess we just have to keep watching, even if I'm past the point of accepting that this show is mostly very mid.

It's just frustrating that everyone else working on this show is clearly giving it their all while the writers at Man of Action phone it in for so much of its runtime. The scripts drag this show down so, so hard. There are moments and episodes I like, but you have to slog through so much mediocrity to get there.

[helpimstuckposting]

TMAGP 30 Speculation

Now that it’s season finale time, I’ve got a LOT to say and a lot of ideas so I will ramble them here and either I’m horribly wrong or horribly right but unfortunately we have to wait to find that out

First, I can’t believe Alice had two mysterious talks with her friends saying they have something super important to say with a horrified quiver to their voices and she didn’t have time to listen to EITHER of them. Teddy and Colin are high high high on the list for ‘died off mic and we only find out next season’

Since Gwen was promoted (idiot) and Sam is… mmm… missing, it looks like the OIAR will need to fill at least one position, and I think it would be fun if Teddy came back to take his place as a main character. It’s possible that what he had to say was “This new job… it’s not exactly [working out]” and he was simply looking for a new one, and it’s no more ominous than that. If that’s the case, I can absolutely see him taking his position back next season. Colin’s probably dead, though, I’ll be shocked if he’s not tbh

Speaking of Colin, he called the system Freddy while talking to Alice. You know, the same guy that said “Don’t give it a personality. We shouldn’t even be calling it Freddy.” So the change up here is really blatant to me.

I’m still really attached to the idea that Jon and Martin (and Jonah’s) voices were stolen and they’re not actually trapped in the computers. However, I *do* think the voices are sentient, I just don’t think we’re right about who’s behind them. I think Freddy, the program itself, may be using the voices to push its own agenda and manipulate the decisions each OIAR employee is making. Alice gets a lot of JMJ errors, and is specifically the only person on staff who actively tunes the cases out and does not read into them.

OR, if it does turn out to be our guys, then I think it’s possible they’re working counter productively to Freddy, and the JMJ errors are a result of that — like they’re actively trying to work against Freddy. This could also be why Colin said he messed up, like maybe his attempts to deal with the JMJ errors made Freddy more powerful.

Either way, it seems the OIAR is in a huge bind going into season two. Colin probably did something buck wild and pissed the computer off, he’s probably dead, Sam is missing and they’ll need a new hire, Lena is gone (the only person who presumably knew anything that was going on) and Gwen just got promoted to boss despite having 1) absolutely no idea what’s going on with anything at all, 2) an inability to handle the externals and several panic attacks, and 3) no clue what Lena’s job even was, with no direction from the man who promoted her. It seems like even the PM has no real clue what the OIAR does, how it functions, or who it employs (“I’m sorry, do you hire a lot of murderers for contract and consultancy work?” - the answer is Yes, actually, several!)

Picturing the team next season as Alice, Teddy, Celia, and their boss Gwen is… a comedy of errors (or comedy of [ERROR]s? … Sorry) like that absolutely cannot go well. Although, we are pretty used to people being hired as a boss while they have no qualifications of the sort (also did not go well)

As for Sam, the Archivist, and Hilltop Road, I have a few questions about what could possibly happen. First, if the crack in reality was specifically calling for and tugging Celia toward it, we can probably assume that it’s the TMA universe on the other side, right? Which means Sam and the Archivist are now in our original beloved universe. I’m curious to see if Sam is just going to be MIA for the entirety of season two, or if we’ll get tape recordings of him at the same time as our TMagP friends, and we’ll have updates between both universes. I could see that being very interesting if some voice actors appear as two different people in the same episode (their TMA part, and their TMagP counterpart) but that would probably be really complicated to pull off in an audio format.

Also, we know the TMA fears cannot be separated, and that they’re possibly just one entity and have been one entity the whole time. That’s why they couldn’t start the apocalypse without all of them participating, and that’s why when Annabelle opened the crack in reality they all left the TMA universe. “Any attempt to separate the fears is doomed,” is what she said. She also said, “I would either travel with them, or I would die. I do not know which... Most would simply lose whatever power they have been gifted.”

So, if an archivist travels back through the crack in reality, what would happen to them? They’d be cut off from the entity that gave them power, right? So either the archivist will die, or maybe we’ll find out who Beth Eyre (the voice of [ERROR])’s character really is? Who they were before they became an archivist?

I don’t think they’d introduce [ERROR] and then just get rid of them without any resolution, which leads me to believe we will eventually find out what happened to Sam. I don’t think Sam’s just going to be dead or missing and never come back, I don’t see how there’d be any point to that. He is still the only person we know of who’s survived telling their whole statement, and even though he had a headache I feel like that must be significant. The janitor turned into a rock, I really don’t think a normal person would just walk away with a headache. Like, for all intents and purposes, Sam probably should have had his skin ripped off if we’re following the pattern of [ERROR] related deaths.

I hope next season focuses on Hilltop Road, because the lore in this episode was amazing. First of all, it was hard not to notice how each shop had a different danger. The custodian mentioned the drunk man walking into the newsagent and then he “ignored the smell of burnt hair and charred meat”. Then there was the shop that turned a woman into a mannequin, and Sam and Celia walked past the appliance shop where doors kept opening and closing, and the dentist that wanted peoples teeth. There was also the antique shop from episode 7 that almost buried the manager alive, plus the institute also used one of the units. I could be reading too much into it, but it feels like each fear from TMA has uhhhh… set up shop?

It’s also interesting to me that Annabelle said every owner on Hilltop Road in TMA was marked by the Spider, and died a grizzly death.

“So many schemers and spiders and full-throated monsters. Twisting manipulators and furtive liars. Each meeting a violent, grotesque end.” (TMA 196)

And the owner of Hilltop Center was no different.

“I found the owner dead in his office, with every blood vessel stripped from his body and strung around the room in a grim cat’s cradle.”

Not only did he die a violent and mysterious death, but his blood vessels were strung up ‘in a cats cradle’, which is pretty web-like if you ask me.

Anyway, I’m really really hoping to learn more about Hilltop Center next season, that’s the ONE thing I’m super latched on to post-finale

[phospadparadscha]

Church dance + Gems au = accidental near-fusion???

And now, for the main event: Black Opal, the fusion of an Orange Pearl (Kim Kitsuragi) and mystery gem (Harry Du Bois). Below is a reference I made:

Black Opal, the fusion of Harry and Kim as part of my Disco Elysium / Steven Universe crossover AU. I really wanted to lean into the nostalgia and adrenaline junkie aspects of both characters. The conclusion I came to was a 70s biker. I think every time I've seen a picture of someone's american dad back when they were younger, it was a guy with insane facial hair and a homoerotic biker fit, which lead me to this as the aesthetic for a fusion of these two. These are black opals, for reference:

As a fusion, they both struggle to speak as a singular being. They are not a very stable fusion, mostly due to Harry's damaged gem and how quickly they both can diverge from each other in action and personality. When they do agree however and can maintain Black Opal, its the aspect of themselves that brings out the daring qualities of the other; the one that says "hold on!" and presses their foot on the accelerator, the one that revs their engine, the one that brings a boombox to a boat ride. After a while Black Opal is able to assimilate both aspects of Kim and Harry, as seen in the last panel where his enthusiastic and showboating personality (which both Harry and Kim posses individually in different ways) becomes more like a singular being, like other fusions in the show.

I arranged their limbs and eyes according to where I think they diverge in terms of personality and what they try to accomplish as a fusion / where their interests conflict. This seems to be the case for fusions in Steven Universe as well, where the less harmonious a fusion is, the less proportional the limbs and eyes are to a human body. Harry and Kim have divergences in their eyes and in their forearms. While physically they follow each other in a common goal, Harry and Kim have different ways of handling the world and diverge in their sense of interfacing. Kim has a delicate touch generally, while Harry tends to brute force his way through obstacles. They also have divergent eyes; They both see the world very differently and have different reactions to the same stimulus. Besides these two divergences, they are a fairly harmonious fusion physically.

This is Kim's first fusion, meanwhile Harry has fused before with multiple people from Precinct 41 and his ex, but due to his amnesia he doesn't remember that he has.

Harry and Kim are both basically in historical cosplay throughout the entire game, and I liked the idea of them both being a fusion that dresses in an outdated and charming way as well, like a person out of time. Black Opal as a gemstone I chose because the rainbow coloration of Harry's pale damage on his gem would intermingle with Kim's orange pearl, while the orange and green of the two of them mixed as colors would be a darker muddy color. Thus, this would equate to a dark gem with rainbow coloration inside. Opals tend to be porous as well, which I found fitting for Harry's eroded gemstone.

I love how Harry and Kim have whack-ass facial hair in game and I wanted to give them both an insane facial hair combo. The leather jacket is basically a combination of Harry's green disco blazer and Kim's orange bomber jacket. Kim's gloves become biker's gloves, the "tie" from Harry is the bandana they both wear around their mullet with buzzed sides. They're wearing these big biker's boots, which are drawn largely from Kim's boots in game. Kim has a ton of little compartments to his clothes, so I liked the idea of there being a bunch of zippers everywhere. I'd have put even more and drawn on some patches but my hand was starting to fall off from drawing so for now this is it.

I'll definitely be drawing more of this fusion and for this AU in the future but if you guys have suggestions, ideas, art requests for the crossover let me know. The tag for posts about this au is "disco universe".

Below are some of the clothing and aesthetics I referenced while drawing Black Opal:

[zorlovinghue]

Hiii just discovered your blog (because of TCF/LCF) and just had to ask - where is your profile pic from? And do you have any other recs like ‘The Malicious Member is Back’ because I started reading it after seeing it in your posts and am loving it so far :D

Hallooo! My profile picture is Do Seojoon from [I Became the Youngest Member of Top Idol]/[My Comeback as the Youngest Member]! He is the older brother of the MC, Do SeohanXD

If you're interested with this one, get ready to face how strikingly different the novel and manhwa is, but overall it's all good!

Other recommendations you might want to give a try to:

In This Life, The Greatest Star In The Universe

I'm a Genius Idol But My Passive is a Sunfish

Debut or Die

The Trashy PD has to Survive as an Idol

You might already know Debut or Die since it is the biggest in fandom too, plot-wise all of these have more progression while not very heavy to follow. With [I'm a Genius Idol but My Passive is a Sunfish] and [I Became the Youngest Member of Top Idol] being the lighter ones. I love all of them. Very much. If you're looking for a character with typical krs!Cale or Cale!krs morally grey tendency, then Seo Hoyun from [The Trashy PD has to Survive as an Idol] will be a good start to familiarize yourself. (personal feeling but this one actually got the best of me from how similarly coded he is, even the 'blackmailing'/'scamming' and 'taking advantage of someone but actually cares for them along the way' is strikingly more pronounced:D)

Surprisingly, [Debut or Die], [The Malicious Member is Back], [I Became The Youngest Member of Top Idol] are the three where the group is build up through Idol competition. While the others are making a comeback after trouble or more agency-focus debut-trainee if you did not want to go through another musings for who would likely debut in the end. Which is, fun and engaging either way!

[Debut or Die]'s Park Moondae is literally Kim Rok Soo in some unique ways.... But, hmm, maybe more of a reliable narrator in comparison? As reliable as it can be with his personality.

If you want different characterization, as in cute and adorable MC instead of the genius and cynical characters, [I Became the Youngest Member of Top Idol]'s Do Seohan and [I'm a Genius Idol but My Passive is a Sunfish]'s Han Baekya are remarkably some refreshing change! Where as [In This Life, The Greatest Star In The Universe]'s MC Sun Woo-Joo is more heartwarming. I think these three are actually the most mentally sounds and healthy out of others, which is sparsely seen these days.

Each of these recommendations is refreshing and is impactful in their approaches. And I personally eager to tell you that all of them are worth reading for!

[Debut or Die], [I Became the Youngest Member of Top Idol], and [In This Life, The Greatest Star in the Universe] already got manhwa adaptation, so if you need more visuals feel free to give it a long shot to go!

It's most likely that I'll missed many points considering it's been a while since I catch up, I strongly advised to take my words with a grain of salt and take a look yourself for a better judgement<3

p.s. If you want to have the Coughing Up Blood shenanigans, [The Trashy PD has to Survive as an Idol] and [I'm a Genius Idol but My Passive is a Sunfish] will give you exactly that! I'm not sure about the latter since I haven't read much but the probability is high! >///< if you want a character who's constantly in the danger of death then [Debut or Die] took it seriously with its premise lmaooo