#its been a while since ive used my pen to draw

[itsutatanelol]

working on tamari fanart !! this is the rough so far :)

[insufferablemod]

should maybe take the 'my lines r shaky cus my hand is injured so I'm drawing with my left hand atm' from my pinned post cus they arent really shaky anymore lol

[mintyvoid]

I just checked out the new hobonichi line up for 2024 and damn. I only started getting into getting one last year. Got the green weeks and the yuka hiiragi clear case for said weeks planner. Honestly a really good combo.

Theres a seahorse design aaaaaa, i liked the embroidery designs from last year but felt they were kinda meh in some ways. The bunnies one felt too dark, like the colours used werent contrast-y enough tho i cant say how it looked in person. And while i loveeed the cafe one i wish it had only sweets on it instead lf various cafe foods.

But if i get the seahorse one for next year..i suppose i could just not use a case. Or maybe get the normal clear one... i dont really like the colours they chose for the plain ones. Or wait i could do navy. Thatd make the case i have really pop.

Choices choices...

[ghostpajamas]

DUUUUUUUUUUDE your alcohol marker works r SO sick i saw that sequence of process pics u had and my mind was just Blown . can you elaborate more on ur process ?!?!? /nf

hello ! thank you for your kind words. i apologize for taking a while to answer this. the process of coloring the drawing i did as an example was rocky, and ive been busy with school.

i'll preface this by saying that i have a few posts with process pictures on twitter (i treat it as a wip dump when i remember to post). heres one of the few where the pics are all together, but my media tab has a fair amount scattered around.

this is going to be long, so i'm putting the 'read more' here.

step 0 : sketch. i start with blue erasable pencil, lighten it, and do my lineart with a mechanical pencil.

step 1 : base color. half frivolously chosen as a neutral color to set it off from the white of the paper, half "whats the color of the light / the lightest color being reflected by the material its cast on"

im going to stop numbering the steps. i immediately went too dark with the hair and failed to consider the strength of the light in the setting / how reflective hair is. also i colored the basic color of the eyes and the rough shadow under the jaw. dont get attached to any of this.

broke out the "ph. martin's bleed proof white paint" my mom gave me a jar of years ago. it does well enough at bringing back light, but the texture youre left with is not ideal. lightly shaded the face skin with a similar color. i also blocked in the rough color for the suit jacket and tie here. the marker doesnt have to be evenly applied because you'll be going back over in enough layers that it'll even out.

i wish i stopped here.

things start to go off the rails. painted over his eyes because "why did i give him double eyelids" tried to paint over just the eyelids. didnt go well. scorched earth. reshaded the hair, deepened shading on the face and neck, started on the shirt, and applied a cursory pass of shadow on the jacket. the light angle does not remain consistent with this.

redrew the eyes. the angle feels uncanny. i wish he was still looking at his phone but the paint is not taking ink well and i doubt another layer would make it better. at some point i applied rough shadow to the hands. dont worry about the inconsistent lighting.

darkened the eyes so they were less creepy. didnt work. i assume the ink bled (alcohol ink soaks into paper, but since this is now on top of white paint, it just sits on top and pools out), so i embellished with posca marker to cover it up.

realized that with the length of the shadow the brow ridge was casting, the hair should cast a shadow too. light source starting to be established.

im really sorry. i didnt realize there was such a drastic jump between this one and the prior photo. basically, i started defining edges and areas of deepest shadow. fine edge definition was done with the cheapest ballpoint pen i own. dark marker blends fairly well, but only put it where you WANT it to be that dark, and blend outward from there to darken surrounding areas. many, many layers of grey and light blue, brown and darker brown for the jacket. now that i had a vague idea of the light source, i just had to place the shadows and follow the folds. hitting the points of shadow with brown (base color but darker + warm tinge to suit base color) and blue (reflected light).

this also wouldve been a fine stopping point.

used posca to outline the edge of the face + sharpen edges. added more pupil-spots. messed up the mouth some more. whatever. calling it done here because the jacket looks good and the face is freaking me out.

overall, i treat alcohol marker like watercolor. a big wash of color, rough base colors. roughly block in shadows, gradually add washes of deeper shadow. define edges. etc.

its harder to blend colors directly than with watercolor but thats nothing more layering cant fix. and then white paint if layering doesnt work. and then more layering.

[devynconstance]

How to Get Straight Stitches when Sewing

The first thing you should look at when it comes to getting straight lines while sewing is your seam allowance. This is the distance between the edge of the fabric and where the thread sews the two pieces of fabric together. For commercial patterns (store bought patterns) the most common seam allowance to have is 5/8" which has to do with the guide plate on most sewing machines.

This is the guide plate.

And this is the 5/8" guide line that those sewing patterns what you to follow

So for example, when your sewing, you want the edge of the fabric to stay against this line as evenly as possible to keep the seam straight which would look like this.

This can be hard for beginners, especially when going around a curve so some people prefer the help of a sewing guide. The most common one ive seen is a magnet that will sticks directly to the guide plate and looks like this.

If you are using indie patterns (digital downloads from independent pattern makers) the seam allowance might be different. If such a seam allowance is smaller than 5/8" the pressure foot has notches as additional guides.

They're also good for making multiple lines in a row without having to remeasure every time (for example if you were doing something like shiring which is the stretchy back panel on this dress).

It's also an option to use the edge of the pressure foot as a guide which is my prefered method when making my own patterns.

Another option for getting straight sewing lines is to mark the sewing line directly onto your fabric. I prefer a heat erasable pen such as this one. (Please remember to test this on scrap fabric first not all erasable pens actually work)

But there are many other options to pick from such as tailors chalk or a tailors pencil just to name a few.

Use a ruler to measure in from the edge of the fabric and mark the seam allowance and connect the dots to get a solid easily seen line to follow. Now when it's under the machine the needle should follow this line and you won't have to worry about keeping track of which guide line you were supposed to be following.

I also recommend drawing the line directly onto the fabric if you are hand stitching the seam instead of using a machine since there is no machine guides to follow in that instance.

Further tips from my friend thats learning right now

- it's almost easier to keep the fabric straight when sewing at a medium speed. Too fast or slow and the fabric wants to move around a lot under the machine.

- It's best to keep in mind that certain fabrics (such as anything silky or stretchy) are a lot harder to sew then say a cotton, linen, or flannel becuase they move around a lot more or they stretch out funny while you're sewing. Doesn't mean to avoid them, just know that it will require more patience and learning.

- Iron your seams. If your seams still aren't coming out right, it might not be that they're uneven, it might just be that they're unironed. It makes a huge difference even if it sucks sometimes.

- don't push the fabric under the sewing machine, there's feeders that will pull the fabric in for you so all you have to worry about is keeping the fabric lined up and straight while sewing.

- use matching thread (or a light grey thread, seams to blend in with most colors). A little wobble in the seam is not a big deal and most of the time won't be noticed if using a thread color that matches the material. The only time an uneven seam might be really noticeable is if you have multiple lines close together like you would see on a corset with boning channels where the lines are a visual staple of the garment.

Other than that it really comes down to practice and time. If anyone has any further tips they want to add please feel free and if anyone has any questions or wants anything further explained please let me know. Its been a few years since i was a beginner so i could be forgetting something and I know it's a lot of information all at once.

Happy sewing everyone!

[tpher]

how do you make your oc screencap edits?? i also have a td oc and i dont really know where to start 😭

ok so!!! i use firealpaca which is just my usual drawing program. so i'll keep using it as a reference for my steps but of course im sure whatever similar program u use should have similar features

i'll be long winded for funsies as usual 💕

FINDING YOUR SCREENSHOTS

the key to decent td edits is to flat out trace screenshots whenever possible. stock pics will do, but of course itll be a lot more fun and less obvious if u use a screenshot from the show and put it into your new context

in terms of making your ocs, you will likely have to do what someone once called "frankensteining" your pics. this is where you use pics of other characters for their specific features and put them together since your oc doesnt have official screenshots to trace. this also absolutely comes in handy w canon characters! maybe you have a pose but u need them to be sitting. so try to stitch together two different pics to get what u need

it will look very scary but just trust the process. here is a random example i made using a dawn screenshot (where i removed the background), gwens eyes and eyebrows, and kittys hair

the sketching part is semi-optional. if you think you can freehand the lineart then go ahead but i assume your oc wont be a complete copy of something found in canon and therefore you will have to draw the newer/different features (such as the hair or the outfit) at least a little bit. and sometimes when i frankenstein the pics, my brain gets all overwhelmed so sketching makes me feel better jfbdjdnd

(in terms of my own oc, i screwed myself over bc his body type is so unique i gotta freehand it like all the time 😭

you can see i traced his head from his render (ALWAYS DO THIS BTW!!! TRACE CONSTANTLY), but then the body was freehanded using a canon pic as reference because tracing the pic wouldve been inaccurate)

THE LINEART

yes the iconic td thick, sharp, flat lineart. i achieve this by using a normal pen tool, turning off the pen pressure, and then turning up my pen stability to 40-60 (very high). you could use a curve tool if that works for you! but i would suggest against that for ALL of it bc the tool just wont respond well to rly drastic curves and such

the pen size varies on the pic. if the characters are close-up, itll likely be a bigger one. and then the characters' little details and facial features are usually a slightly but definitely noticeable smaller size. for the most part, ive had the bigger pen size at 13 while the details are around 9. or big size 10 and smaller size 7.

heres my technique:

as u can see, all of my lines go a bit too far. this is so that when im done drawing them, i can go back in and slowly erase where they meet and get them all sharp and pointy. this is just how i personally do it lmao. when it comes to facial features and other stuff that doesnt connect to anything, just get a close look at your reference to see how thick or how thin the edges get and do ur best to erase the edges to the point where they should be

THE COLORING

not much to it! the bucket tool is the best way to go. again just get a good look at your references just in case any parts have the lineart also colored in

THE BACKGROUND

you can find some generic td background pics on google or u could get them from the show and try to erase any character in the way lmao. if ur recreating something like, say, a dunc/ney scene w a different ship, then its very tedious but youll have to do your best to erase the canon characters and piece the background back together.

i like using the smudge tool a lot for this!!! just kinda pulling whats already there towards the characters. to save time, put your drawing visible on a top layer as you do this so that you dont have to edit the ENTIRE background, just what you need

THE RENDERING

ok so heres a big one imo. after youre done, youre gonna have to fuck up the quality at least a little. well not that u HAVE to but like..... to match the standard quality of a td screenshot? ive never seen a td screenshot in perfect hd quality outside of stock art. so u could blur ur drawing just a little bit. maybe add in the teeniest bit of chromatic aberration (just set it to 1 or -1). not ALL of them together but u do whatever u gotta do

my personal favorite is blurring just a little and then saving it as a jpeg (around 65-80%) so that its pretty crunchy and looks all the more real

obviously not a NECESSARY step but just something to point out. especially if ur background isnt the best quality so the characters have to match it

this one from yesterday i didnt even redraw topher bc i was lazy and he looks fine enough. i just put danny onto the pic to cover the other character. so i blurred danny a little bit and then saved it in a pretty low quality so that they match one another. look at those pixels. that crunch.

SO THE TLDR IS just trace and copy your references as close as possible. if you cant find a reference for your character, try finding another character w something close enough

[yuyuneekii]

So like I’m gonna assume you may have an idea on this but like how do you like get line weight on digital art? I’ve always struggled with digital and honestly I’m not sure why. It’s just something about the canvas feels off, how many brushes there are.

Like it feels… almost inauthentic? But I really want to learn how to draw like Japanese fanartists, and also WLOP style really intrigues me. Maybe its my ipad being really small…? I’m not sure.

Okay back away from that rant. How does… line weight work on digital? What I mean is how do you get your lines to vary in thick/thinness without having to manually edit it because manually editing just makes it look choppy, much unlike traditional.

In the meantime, I’m having fun with 20 min pen sketches because they’re really nice to loosen up with. Pen honestly just makes everything feel nice, because you learn to accept the mistakes, you get to see the shading, the form, yet you also leave the form to the mind to fill in, which nearly negates the mistakes. Plus, I think the looseness just… makes art more enjoyable? I stopped for a while just because art felt stressful. Pen kind of made it more fun for me hahah.

So here, take some art from a month ago.

What do you use?

When i do line work i usually rely on pressure sensitivity but ive always had either a drawing tablet (like wacom or xp pen currently) or an apple pencil to work with.

One thing you can try to do is manually go over parts of the line you want to be thicker (or more in shadow)

Like this maybe?? (I dont think i showed it well since i usually use pretty heavy lines sorry)

Ive tried to find examples in my older artwork where i do it

I dont know how much of a difference this makes but its just something i do

I should get back into doing pen doodles since ive been finding myself frustrated whenever i draw and i end up scribbling all over it whether its digital or not snjs

Thank you for reminding me about pen doodling!!

Also that drawing is so good!! You’ve improved so much!!

[astranauticus]

post mortem for my orv animatic bc i have lots of thoughts and yall are gonna hear all of them (that is a threat)

first is the obligatory special thanks/plagiarism declaration section but a lot of the shots in this are inspired by the original changgwi lyric video which like. please watch it there's a reason this song is a classic animatic song on bilibili like the music is good but the video definitely helped. also speaking of bilibili, special shoutout to this arknights chongyue animatic that introduced me to the song that will haunt the next 8 months of my life!

the original inspiration was the thought that the verse of the spirit telling the story of its own death felt very yjh coded but it took like another week of stewing on it to have the idea of using the final chorus for the dkos arc which was the moment i decided i have to actually make this thing

going strictly by when i started putting pen to paper (pencil to ipad screen? whatever) this took almost exactly 5 months since i created the first drafts in february but the first 3 months ish from february until may were also my school semester so. most of the progress (id say about >60%) was done in the last two months of me working on this every moment i wasnt at work (or playing project sekai, for some reason)

also! funny little detail but counting the drafts and some discarded frames my procreate stack for this thing has exactly 49 artworks in it! neat little easter egg i guess (yeah 51 wouldve been more fitting but whatever)

this fully slipped by both me (at 2am) and my friend whom i sent the finished version to (fighting the flu) but in the final edit i didn't actually include the second half of the last lyric?? it's 'i will take you to the mountain god' i apparently just wrote 'i will take you' and never finished the rest LMAO

speaking of the lyrics i dont speak korean and im not a huge fan of most english translations of this song that exists so on multiple occasions i was so tempted to just use the chinese cover someone on bilibili did because then i'd at least be confident i know where the fucking line breaks were (there's one line at the end where im pretty sure i didn't edit on the line breaks correctly but that was more of an intentional compromise because the timings would've been off otherwise. anyway) tbh the only reason i didnt do that is the atmosphere and delivery of the original song is. really unbeatable like the cover's also pretty good but it doesn't quite achieve the same effect

also speaking of things i fucked up im aware i drew sys in the wrong outfit for the dkos fight but like. ok full disclosure my orv reference folder is a complete mess (theres like 400+ images in there. for some reason) so on net ive gotten character outfits wrong while working on this thing like at least 3 times bc id just grab a random webtoon screenshot from my folder and go w it. it's just that by the time i realised i fucked up i'd already finished drawing all of sys's frames and i was too lazy to go back and change all of them LMAO

anyway yeah some other random things i wanted to whinge about:

there's a lot of effects i wanted to do that didn't quite come across due to. lack of skill/time/patience/all of the above but the one im really annoyed about is the yhk postchorus bit with the 3 circles bc. first off i think i drew those while halfway dozing off on the train to school once because uh. yeah

anyway poor drawing aside id really wanted to recreate the sort of. drawn-in effect on the circles and lines that the original lyric video had but i could NOT for the life of me figure out a way to execute that in capcut so. here we are (also you cant put transitions on overlays in capcut so that's why those also looked so bad. youre welcome)

honestly my timeline for this in capcut looks pretty ridiculous bc if you want to do word by word animations/effects you need to pay for the pro version so my workaround was just to have like five thousand text layers with 1-2 words on it each (do not recommend btw)

speaking of the text im a moron so i kinda forgot to account for the text when drawing frames and wow you can tell. yeah next time im just hand writing the text fuck this

and i have some more thoughts that are. mild to moderate webtoon spoilers so past this will be the spoiler warning line

__________________________________________________________

actually my original plan was to upload this the day dkos dies in the webtoon but a. i genuinely did think it was gonna be yesterday like i dont pay for the early access episodes so i was just kinda going off orvtwt LMAO b. i could feel myself burning out on this like the last few frames i drew for this were fucking dogshit so i figured either i finish it soon or i wont finish it at all

i will probably still draw something for dkos' death day though for those who celebrate (basically when i was thumbnailing for one of the frames in this i ended up with one that didnt fit the video aspect ratio at all but still looks pretty good so im promoting it to a full drawing. so look forward to that)

like for an idea of how fucking sick of this shit i was by like. last week pretty much like for the last few frames of the dkos fight i straight up forgot to draw dkos' wings and had to add them in halfway through editing last night. like that's how fucking out of it i was by then lmaoo

looking back its actually kinda funny cuz the whole put this up when dkos dies thing was my plan since february but i had literally no way of knowing when that would be especially since the webtoon stopped going with the novel chapter numbers exactly (i could.. guesstimate but my original estimation was in june so yknow. real useful) but like i can find evidence of me panicking about that deadline since may. why did i do that

given that deadline i knew i cant really include stuff from the novel past the dkos arc but man. the amount of times i wanted to use something from later (ESPECIALLY 1863 arc). i actually have another idea i want to test out thats like full epilogue spoilers partially because working on this for so long made me realise i really want to make more epilogue content <- what

yknow how i mentioned discarded frames yeah i had to draw dkos' death 3 times because the first two compositions just never quite panned out. i mean the current one is also pretty unreadable with the colour scheme but trust me the previous ones were way worse christ alive

[torchstelechos]

i realize how nothingish this question is regards to like answerability but like how do you get.... ideas...? or. i dont really ever have any kind of bigger things i want to draw its always like small stuff.... or... idk.... i want to make things that are like.. more... i want to make stuff that like... means something makes you think something... most of my stuff is just tiny little things with nothing behind it just something to get it down but i like want to make things that are interesting to look at.... idk..... okay wait ill share a self portrait i did.

^ im really hapoy with this stuff theres color theres studf going on! an eclipse! right like its. its neat theres things theres associations being made theres questions theres something there this is the only thing ive made where i actually feel like ive expressed something that was in me and i just dont know how to do that again i want to make more things like that i want to get more out of my art than just putting stuff down thatll be forgotten the second its down i want what i make to be meaningful to me and idk how... uhhhh anyway thanks for reading thisif you do i just needed to get thoughts out or smth frustrated with this. doing this for six years and its just. ive managed like a handful of things id want to show people everything else is just things made because i just have to do this urghhh sorry about all this

Howdy! I had to take a bit to think of an answer for this question. I didn’t want to fall back on the statement everyone gets when they ask about art (practice), especially since you specified ideas rather than art appearance/style. So! Lets get into that! (gonna be kind of long oops)

First I want to say that I enjoy your self portrait, its very colourful and I LOVE colour. The choices in colour also complement each other very well, as yellow, orange, and blues go well together. Not only that, but the saturation of each colour help bounce off each other and bring it all together. Now, I assume the materials are a blue pen, and crayons? It might be markers, but the way the orange moves across the yellow makes me think of crayons. I adore it! I love crayons and haven’t been able to use them in a while, so it’s nice to see them being used. 

Now, your question, I feel needs some context from my side of things before I can properly answer it. I have been doing art for about 15 years now, and I have done multiple mediums including painting (water colour, oil, and acrylic), drawing (crayons, pens, markers, pencils, etc.), fiber arts (knitting, sewing, crocheting), baking/cooking (i think the presentation counts and how its a medium that takes combing lots of things to make a singular outcome), and a few I wont share right now. I’ve had official art classes that made me do things very specifically, one that taught me art history and how different genres of art were introduced, another on creativity and how to help flourish ideas, and some others on how to use different mediums and styles. I also watch speedpaints, animatics, and animation progress videos to learn some quick shortcuts in digital art since I was never taught officially on digital art. Including all of these, I also have done LOTS of practice in art. Having said this, lets get into some of my own thought processes. 

When I make art, the first things I tend to ask myself is “what do I want” and “what do I think would be interesting”? These aren't mutually exclusive, but they can be answered very differently depending on how I want to do something. For the Siffrin during the Mal du Pays fight piece, I actually started it by seeing a cat picture and thinking, “I want a discord reaction with Siffrin face down on the floor” which went into drawing Siffrin as the cat and then asking myself, “Wait, why is Siffrin face down?” which went into Oh! It’d be funny if it was Mal du Pays! So, doing that I decided to make it in the king's room which meant I had to draw a background. Eventually that transformed into “Okay but it doesnt look right, why?” the answer was that it didnt look like the game so I had to add some texture details and ta-da! Siffrin face down! 

But this also comes from years of practice in knowing what I want and knowing how to draw it, some of my art pieces were, “I think it would be cool if I drew a character looking down at me in front of a skyscraper” but um,, I didnt know how to draw that ;-; so I had to just let my hands kind of try and finish the piece even if I didnt like it. At that point, I realized I needed to practice the character and my style more until I COULD draw what I wanted. Which led into my drawing, a LOT of things I couldn’t and didnt like. 

As for symbolism in art, and how I got ideas for it, a lot of it comes down to knowing the character and how you want to translate your thoughts of the character into art. One of the ways I started doing this was adding flowers to the characters art, or learning what flower I considered “theirs” that way I could add hints to  it in the drawings. Some of it also came from animals, others came from art genres and their historical significance, and some come down to theories (such as colour theory in art). 

Finally, it really does come down to practice. As much as I hate to say it, a lot of the art pieces I do and share tend to lean towards “practice” or concept doodles so that I can better understand HOW I want to add it to a bigger piece. Most of my Siffrin and Loop drawings tend more to that as I need to better understand how their shapes and lines communicate to an art piece (Loop being a fucking star gets me so much) before i can add symbolism and make a bigger art piece. Even then, sometimes it doesnt work and the bigger art piece needs to be put to a back burner before i can communicate my thoughts on the characters as I wish to. 

(Here’s also a neat little trick I do, write out what you want to draw and then draw thumbnails so you can figure out the composition of the piece you want. It helps you know where something goes and how you want it to appear without keeping it in our brain for a long period of time. Some of the things I share are concept doodles but I’ve shared pictures of me doing this before! It can be annoying but trust me, it helps when you can’t figure out the draft at all.) 

Also, heres some of my REAL old art for reference when I say I’ve practiced a lot and didn’t always know how to do big art pieces ;;;;

Hope that helped answer some of my thought process on ideas and how that translates to art? I could go into more detail if you need me to discuss something further

[creatively-cosmic]

make a bad comic... take a bad picture of it..... the starry brain experience simulator 9000

readable(???) stuff below

ever since moving, its been hard to parse any of my thoughts and feelings.

id been wanting to draw my way thru it for a while now but never felt able to.

today why did we cross that out

uh idk

this morning we saw a comic on tumblr that DEMANDED you draw a bad comic [fully blacked out writing] oh it IS a thing my bad!!

to which i said internally

"ON GOD?"

draw bad on purpose

so i thought this would b fun 2 try!!!!

ive been tired of not being able to draw. to create. to work. to think straight. to do anything im "supposed" to. which is stupid

dont say that thats mean!! X(

given no expectations are on me now

Aren't there some expectations?

why can't we live without feeling like we need to do something?

Brother i think it's the trauma

GUYS WE'RE GETTING DERAILED

well this is about whatevers on our mind so :/

SO what im doing is grabbing random pencils or pens out of my Cowboy Bebop™ Ein™ and family Pencil Bag™ (stop writing TM its not funny (FUCK U)) and writing whatever thots we think on here n drawing about it YIPIEE!!

(this is JIMMY)

also we aren't allowed to erase anything

(wanna bet?) (THAT'S NOT THE POOOINT)

THIS IS SUCH A BAD IDEA WE LOOK SO FAKE WHAT ARE YOU DOING

idk who said that lalalala

I HATE YOU AND EVERYONE ELSE HERE

lalala im drawing u dead on the ground with a big ass and writing ur thoughts lalalala

oh i hate this pen

the chisel tip :(((

anyways i don't have anywhere im rly going with this,,,

i just hope this'll b a nice outlet 4 us after our life changed fundamentally however messy it might get

ik i had fun w this one! :3

(goD this pen sucks)

[self-indulgence-of-shame]

i finished drew a humanized(?) version of Hey Riddle Riddle’s logo on my sketchbook, and now i have finished digitalizing and coloring the drawing!!

the og sketch

and the finished drawing

this is Old Man Puzzles with a planet for a head so not sure how human this can be

with this drawing i tried something different from my usual process, i tried to follow Sam Does Art’s advice of ‘use less layers’ which is good for my phone storage methinks LOL

i also use a different pen than the kind that i usually use

before i used just the default dip pen on ibis paint x, but this time i customized it a little with the jitter function! i like the way it turned out, tho it is a little bit wonky in some parts but with more practice i’ll get better using it

its been a while since ive drawn at all, so even if this sucked i’d still be happy to have made anything at all LOL

im thinking of humanizing (personifying??) more podcast logos, esp Welcome To Night Vale’s logo (and the Desert Bluffs logo)

but thats a project for the future, for now im gonna go sleep!!

[bandaidfingers]

Siona Atreides time ✨

[citrispace]

how long have you done digital stuff! very envious of your skillz

Hi, thank you so much!!! I got my first (and still current LMAO) drawing tablet back in 2014 and I've done digital art pretty steadily since then!

[ink-the-artist]

Hi! i was curious about your process for scanning/editing traditional stuff/specifically colored pencil is? I always fight with getting traditional stuff to look right/ not have scanner glare etc. If you don't feel like answering/don't have time that is absolutely cool! Hope you have a good day! Love seeing ur stuff on my dash! ty for reading

I have a post here where I explain (with pictures) how I go about photographing art when I can't scan it and a post here that talks more about editing it. When I get glare I try to edit it away using the burn tool in photoshop and trying out the different burn tool settings (highlights, midtones, and shadows) highlights and midtones settings are usually especially good for fixing glare since the glare tends to be lighter than the artwork and those settings will target that.

tbh I don't tend to have problems with scanner glare with colored pencil art, only when the drawing is a bit old bc for whatever reason the colored pencil drawings develop this foggy shiny glare on their surface after a while, but that's easy to get rid of by just rubbing the drawing with my hand as it rubs the weird surface glare right off. It might have something to do with the type of colored pencil you're using maybe? I would say it could be that you're pressing hard and really layering the colored pencil on thick, which tends to make the surface shiny, but I do that too and glare is only really a problem for me when I'm photographing the art, not when scanning it. otherwise I mostly get scanner glare from ballpoint pen or graphite art.

Ive been trying to use my scanner more lately and figuring ways to scan stuff even if its in a sketchbook, like by having just the one page sticking out and pressed to the scanners surface by heavy books. it definitely works better than photographing since the lighting and color is more accurate and there's no issues with warped perspective, and there tends to be a lot less of that glare with a scanner than with photographing it. so you're already on the right track in actually using scanner instead of photographing your art like I often do lol

[jupitercl0uds-art]

2023 art summary: the squeaquel

july - december below the cut :)

thursday 27th july: sonic boom doodles

pretty sure july was exclusively doodles, schoolwork (which i cant show yet) and my shadow the hedgehog nice cock painting lol

also i think by this point my tablet was completely broken and unable to be used :(

saturday 5th august - snapcube 06 doodles

despite the fact i posted them months apart, all of these were drawn on the same day. these pens are such a delight to use!!! i lost them for months and now ive found them!!! well, i used 3 different brands but im talking about the tombow abt watercolour markers here. the other pens i used were poscas and uni pin fineliners (istg i have so many uni products its not even funny)

sunday 13th september - the sega siblings

NOOOOO!!! PAST ME NOOOOO!!! DONT SET YOUR CANVAS TO 720p!!! NOOOOOOOOO!!!! im still so proud of these little doodles its a shame i didnt finish them :( for anyone who hasnt already seen them, on top of this version, there's a version where they're all nightopians and i planned on doing vocaloid/mobian versions too, but i forgot. maybe in 2024 who knows.

thursday 19th october - crossing the road.

as always, my camera quality isnt the greatest, but you can tell whats going on. i wanted to try out lineless watercolour for a change. i then realised thats really hard to do with only very basic shading and an awful lot of white to draw. oh well.

friday 27th november - blue the knuckles fan

im pretty sure i started this in september??? but that doesnt matter. it was an incomplete sketch for a few months. november was actually such a great month for my art, although i havent really been truly happy since september and this was my absolutely lowest point.

17th december - silver goes shoplifting

this piece was made while listening to casino park on loop. for like. the whole process. i was so upset that i used no purple that i decided to make the background and shading mostly be purple. also NEON!!!! NEON!!!!! WOOHOO!!!!!

and thats it for this year!!! i think this is the first year my art has actually been moderately successful online. its also the first year ive actually tagged my work so ig it was kinda expected lmao. i also think i improved vastly!!! i kinda had a stagnant period from mid-late 2021 wayyyy up until may of this year, so its fun seeing how different my art has been :)

anyway im excited for next year!!! please for the love of god ash finish your pieces once youve done art gcse 🙏🙏🙏

art summary 2023!!!

i wanted to give slight commentary instead of just 12 random pngs so here you go

tuesday 3rd january - blah blah blah!

this was meant to be the first frame of an animation. then flipaclip decided not to work. anyway theres a lot of incomplete stuff from this year and this is (sort of) one of them. idk how to explain why theres 4 of me and what's going on, it makes sense (sort of) if you read the thing its based on.

monday 20th february - waluigi doodle page

i literally cannot stress enough this is the only thing i can be certain was definitely drawn in february. i would have picked a different thing otherwise, i swear. i was on a gc late at night asking who i should draw with waluigi and they gave me yoshi koopas and birdette. istg.

tuesday 21st march - tails and tbh (discord pfp)

FINALLY!!! SOMETHING ACTUALLY GOOD FOR COMPARING!!!

its funny how on one hand i dont draw tails like that AT ALL anymore, but at the same time, literally all my headcanons are there, like his fangs coming out when hes really happy, his fluffy ears, etc. the onky thing missing really is drawing fluffy arms and legs lol. as for the rest of the drawing, i think its ok. theres a few errors, particularly with the stroke, and i needed to fix the fill bucket around tbh's eyes, but this is nearly a year old now so im not fixing it. sorry.

friday 21st april - gently holding tails

ah, tails plushie, how i love thee. where the hell are you girl i havent seen you in months. i have waluigi now. i miss you :(

tuesday 9th may - waluigi sketch with alcohol markers

i hate alcohol markers. they dry too quickly. so it surprised me when one day, while forcing myself to like them, i drew something i actually liked. i still love this btw!!! this is the basis for how i currently draw waluigi rn, and my art as a whole!!!

also fun fact: i drew this the day before i started reading sonic idw :)

saturday 24th june - transmasc luigi watercolour stuff

once again, weird mario fanart i made while talking to a friend late at night. the initial shirtless luigi was drawn as a joke because of a really quick shirtless waluigi my friend drew at summer school in 2022 as a joke, which is what the weird one who craves death is based on. weird as this art may be, this was such a happy time in the year for me and i miss it greatly :)

ill have to do july - december in a follow up post because i reached the image limit lol

[demifiendrsa]

Stranger of Paradise: Final Fantasy Origin | Announcement Teaser Trailer

Japanese version

It’ll launch for PlayStation 5, Xbox Series X|S, PlayStation 4, Xbox One, and PC in 2022.

A demo—Stranger of Paradise: Final Fantasy Origin Trial Version—-will launch for PlayStation 5 today and be available through June 24, 2021 at 7:59 p.m. PT / 10:59 p.m. ET. A survey will follow from June 13, 2021 through June 30, 2021, accessible from the menu screen of the demo.

Logos

Key visual

Character renders

Overview and Developer comments

About the Game

Final Fantasy VII Remake veterans Tetsuya Nomura and Kazushige Nojima join forces with Team Ninja from KOei Tecmo Games to deliver a bold new vision for Final Fantasy. Get your first look at Stranger of Paradise: Final Fantasy Origin . Coming to PlayStation 5, PlayStation 4, Xbox Series X|S, Xbox One, and PC in 2022.

With the memory of their struggle buried deep in their hearts…

Jack and his allies, Ash and Jed, burn with resolve to defeat Chaos as they throw open the gates to the Chaos Shrine. Yet doubts remain—are they truly the Warriors of Light the prophecy foretold?

Step into a world of dark fantasy and revel in the exhilarating, action-packed battles!

Trial version available on PlayStation 5 until June 24th, 2021.

Developer Comments

Tetsuya Nomura – Creative Producer

The initial concept for Stranger of Paradise: Final Fantasy Origin came up around the time following the release of Dissidia 012[duodecim] Final Fantasy. I was thinking to myself about making my next game into one that featured action elements in which locations are conquered, rather than the kind with battles against characters. Some time passed without anything coming of it, but separately I was also thinking to myself about another plan for a new series of Final Fantasy titles revolving around “the story of an angry man”. Even more time passed, at which point I received a request for a new plan, so I combined these two ideas to come up with this.

While it is Final Fantasy, it feels different—but there’s no doubt that the blood ofFinal Fantasy runs through its veins.

We’ve undertaken the challenge of finding this difficult middle ground for this mature and stylish title.

We need a little time until we’re able to complete it, and while the battle system is a bloody one, it does links to the story, so I hope you’ll use this opportunity to give it a try.

Kazushige Nojima – Story and Scenario

“It’s not a hope or a dream. It’s like a hunger. A thirst.”

When I wrote this line, I felt like the story had been brought to life.

What drives them to want to defeat Chaos as much as they do? What, then, are their hopes and dreams?

It was in this moment that what used to be fragments and pieces of story came together in a powerful way. The story that I wrote—in what seemed like a single breath after penning that line—is Stranger of Paradise: Final Fantasy Origin. I think it turned out to be quite a memorable story that accompanies a game which prominently features brutal imagery.

Please enjoy!

Jin Fujiwara – Producer (Square Enix)

True to its label as “a bold new vision,” this title is full of new undertakings that draw a clear distinction between it and previous Final Fantasy series titles. I can’t divulge too many details at this stage, but we prepared a glimpse of these ambitions within the trial version, including the title’s direction and overall image, so please enjoy.

I believe that the feedback we receive from all of you around the world is very important as we improve upon the title even further. Please send us your thoughts through the trial version survey or through social media.

I’m already looking forward to the day I’ll be able to play this title with you.

Daisuke Inoue – Director (Square Enix)

This is a title that has been developed with the goal of bringing something new to sit alongside the many Final Fantasy titles in the series. I think it could be considered a side story in terms of how it is positioned.

There may be some people who were disappointed that this announcement was not a new, numbered title in the series, but this game contains ambitions within that even a mainline title may not have been able to achieve.

Grounded and challenging action created by Team Ninja. Our protagonist, sprayed with blood as he literally rips apart, throws, and pulverizing his enemies. The way he looks is almost as if—

Well, we have prepared this trial version with hopes of having players experience this new flavor that the title brings with it, even if just a little bit. As we are still in development, I think there may be some areas that are not perfect and may be that way for a while to come, but I hope you’ll enjoy the trial version regardless.

Additionally, please let us know your thoughts on the game, whether it be positives or negative that you noticed—we will make great use of this feedback as we continue development.

Fumihiko Yasuda – Head of Team Ninja, Producer (Koei Tecmo Games)

Playing Final Fantasy IV 30 years ago is what made me aspire towards a career in the gaming industry, so I always hoped that someday I could be involved in the Final Fantasy series. When Team Ninja was working on Dissidia Final Fantasy, I was in charge of a different section, which meant that every night I filled my pillow with tears. I’m truly happy to be involved with a new Final Fantasy, and a title connected to its Origin at that.

Using the feedback that the players provide after playing the trial version, all of us at Team NINJA will work to make this a title that meets the expectations of not only action game fans, but also Final Fantasy series fans around the world!

Hiroya Usuda – Director (Koei Tecmo Games)

I grew up playing Final Fantasy since I was very young, so it is a great honor to have the opportunity to be involved with this title. Furthermore, I’m truly excited that Team NINJA is able to deliver the first full-on action game in the Final Fantasy series to the world.

In this trial version, we’ve made specific demo-oriented adjustments so that players of all styles will be able to enjoy it—we have incorporated elements such as multiple jobs and weapon types, adjustable difficulty levels, and great replayability. Please let us know your thoughts and feedback once you have given it a try!

Nobumichi Kumabe – Director (Koei Tecmo Games)

I’m glad we were able to announce this new Final Fantasy game—an action game in which Jack, a Warrior of Light(?), lays waste to monsters while being bathed in the spray of their blood. I’m a huge fan of the Final Fantasy series myself, so I’m going to work hard towards release so that this blood-stained Jack can become a hero!

This is a title developed with the characteristic Team Ninja level of difficulty in mind, but once you start getting the hang of it, you’ll be able to defeat enemies in an exhilarating and satisfying way. I hope you will replay the trial version many times and try out the various weapons and abilities available.

The difficulty level can be changed as well, so one recommendation I have is to start playing on an easier difficulty and gradually raise it higher for a challenge!

Demo overview

The Stranger of Paradise: Final Fantasy Origin Trial Version was also announced during the showcase, which gives players the opportunity to experience a taste of the full game centering on Jack and his allies—Ash and Jed—as they throw open the gates to the Chaos Shrine. Burning with the resolve to defeat Chaos, and with the memories of their struggle buried deep in their hearts, are they the foretold Warriors of Light?

Players of the Stranger of Paradise: Final Fantasy Origin Trial Version can explore this dark fantasy world as they battle an array of iconic monsters from the Final Fantasy series, using powerful spells and abilities from a sample of jobs including warrior, dragoon and black mage.