#its been a while since i've done a work sketch

[reds-skull]

Back with a sketch of this idiot (+how he looks in Rev AU's Limbo)

[xannerz]

i miss making art

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[auroblaze]

Sonic Frontiers DLC dropped and since then I've been consumed and obsessed to put it lightly, that on spare times at work I stopped to doodle down what I thought The End could've been like 👀👉👈

More thoughts in depth about the final boss after the cut:

Okay so here's the thing, I went into the final battle expecting it to be like the one from the base game but with, more ( like most of us did I assume). The fact is, while technically it was like that, I found myself missing some details I liked from the original one, such as obviously The End's speech and the overall vibe... heck I made a three pages comic about it, so SOMETHING was done right there, otherwise it wouldn't have me inspired at all.

The new final battle was still a great spectacle to me, mind you! It genuinely hyped me through the whole run! I simply was expecting The End to eventually reveal it's...not even true form I guess, because it says to have multiple incarnations and I think that kind of makes sense. But A different form from the gigantic moon would've been pretty dope to see nontheless. From the trailer I was sure that the "seven arms possessed Supreme" was gonna take the place of regular Supreme. I didn't quite get why The End would use Supreme again since the first time clearly didn't work..? I mean the battle was still amazing but frankly there are many choices in the story I didn't understand djfhgdg... I hope the next title puts some more effort on the story too because they are really *so close*!

I started to think that, since the game proposes you as island/level bosses the Titans... as something different (as it usually works for the final battles in sonic games) it could have worked that The End was gonna fight Sonic at his level, almost his size. I mean the game is clearly full of anime references so this wouldn't have been that much weird to see lmao.

The last picture in this post was actually the first bunch of sketches I did before the release of the DLC. At first I imagined The End as like, an alien death's-head hawkmoth (Acherontia atropos if u prefer) that could shapeshift in different adversaries based on Sonic's memories, right because of its speech to him about "seeing into his mind" and all his past challenges. I wanted also to add another anime influence on his appearence by making it kind of like the Anti-Spiral boss from Tengen Toppa Gurren Lagann.

The sketches AFTER the DLC are also various other ideas from the brainrot sjghdf, it's mostly The End picking the Ancients' technology design as mockery, and Sonic going all-out continues to be a thing because that genuinely slapped👀👀👀

[deadbeat-motel]

ᑕᕼEᖇᖇIᗷOᗰᗷ ᗩᑎᗪ ᔕIᖇᑭEᑎTIOᑌᔕ ᖇEᗪEᔕIGᑎ

The last two designs for the main cast. With these two done, I can finally work on miscellaneous characters that I've been eyeing the most.

Again, thoughts below the cut:

My issues with their Original designs:

Sir Pentious:

I thought I would only have one thing to say about him (the unnecessary eyes) since he was my favorite in the entire original cast but having taken a closer look at him for this, I saw a lot of things that bothers me.

Too many eyes. specifically the lower half of his body has too many eyes and it seems detrimental to him. It's kind of painful to think about it since I do not think we ever see those eyes close. Is he just slithering on the ground with those exposed eyes? That's got to be irritating at best and damaged at worst as he continuously slithers on them.

There are eyes on the bowtie and the hat? There are already 4 extra eyes on his hood, so why have even more? I get that the original Pentious design was basically a monsterous amalgamation of eyes but the eye thing could have been scrapped altogether.

While his palette was the least red out of the cast (More so composed of yellows), it still blends in with the rest of the reds.

The claws are an unnecessary repeating design trait (Alastor and Vox notably have them too). I don't think it would've been too big of a difference to just keep his fingers fully black.

The stripes on his suit are too thick. It's called pinstripes for a reason.

I don't like how the hat is shaped to fit the head, It's awkward.

not a point, but I just wanted to say how the blue color palette works really well with him in that last episode.

CherriBomb:

She's not that bad of a design (She's sort of bland in my opinion) but it's the little small details about her that makes her so simple and also so complicated at the same time. There are so many batches of freckles scattered everywhere, little explosion lines on her skirt as well as the X on her chest, the tattoos are a jamble of random loops and bombs, and her tattering doesn't have an easy shape to consistently draw.

The thought process for these two:

Mx. Pentious:

Pentious goes by both Sir/Miss/Mx. but uses she/they pronouns.

Minimized the actual amount of eyes on her, I kept it only to her actual eyes and those on her hood.

Gave her a butterfly-shaped hood. It's nothing deep since it stems from the fact the notches in Sir Pentious' hood almost looked like one to my bad eyesight. I decided to play more into that idea.

I read some posts where people talk about how Sir Pentious should have a snout and while I understand why and fully support people giving him one, I really didn't want to add the snout to this design. It drove me crazy since I'm not a big fan of it. I tried a compromise where her head was shaped more like Phineas.

Kept the tophat but removed its eye and mouth. If I remember correctly, Viv took that from one of her co-workers from the pilot. I decided to just have it as a regular tophat.

It doesn't have all the colors, but her design does have the Neptunic flag.

I'm not sure if this even is a real snake but I based Mx. Pentious' design on this:

CherriBomb:

Scraped most of her features in exchange for a sukeban theme. I personally have zero knowledge about the punk scene in Australia.

A majority of the suggestions I received for her rough draft had something to do with the skirt. I elongated it and gave it a slit in which the magenta from the inside is able to pop out.

Thought it would be a cute detail to have her hair explode if she's angry.

----

Apologies this took too long to be posted, Life got in the way as well as the fact I was feeling shitty about Pentious' first draft. Her skin was an awkward and ugly shade of green and seeing some posts critical of Pentious' design got me to think a little bit more about what direction I'd like to move her redesign.

You could see this in the earlier rough sketches but this was how Pentious' first redesign looked like

[fablekitty]

Help please. :(

Im going in this week for a bunch of extensive dental work. Like. . .alot of work. And im not sure of how expensive it will be and may need a little bit of help.

I will be opening up for simple pinup-y, pose practice type commissions.

$10 for a single character full body cleaned up sketch +$5 per additional character

$20 for a single character flat colored cleaned up sketch +$10 per additional character.

Things im best at drawing: Sun and Moon style characters and ocs. Undertale styled skeletons. Some furries.

I can only take payment up front via paypal. Only inquire if you are interested and don't mind waiting a bit after my proceedure to feel well enough to work on them or don't mind me taking my time on these. I'll try to get some done before then, otherwise it'll be afterward. ^^;

Its been a while since I've done commissions, be gentle.

Send me a message if interested.

Thank you! <3

[randoimago]

Day 9. Finding Dammon's Sketchbook Filled w Sketches of Reader

Note(s): Larian has already done so much, so I don't want to sound ungrateful, but romanceable non-party members would have been fun

requested by anon

A sigh leaves Dammon's lips as he looks at the new order that he's received. But he doesn't complain. This forge is a lot better than the other two he's been at.

He turns to look for his notebook that he keeps small details and tricks he's learned for forging, only to pause as he feels arms wrap around him from behind. A smile finds its way onto his face as a chuckle escapes him.

"Haven't I told you it's dangerous to distract me when I'm working?" He teases and turns to face you, doing his best to keep his tail from wagging like a happy animal at seeing you.

"Please, it looked like you were rummaging through your things instead," you reply, and he smiles at the banter before shaking his head and raising the notebook up so you can see it.

"Looking for this. Got a new order, I guess the watch wants some new weapons since a lot of the old ones are, well, old," Dammon explains and sets the notebook down, turning to check on the forge and making sure the heat is right.

He doesn't pay much mind as you pick up his notebook, that is, until he hears a "huh" fall from your lips. He glances up and gives a curious smile.

"I know my handwriting is chicken scratch, I am a blacksmith not a poet," he jokes but you seem distracted by whatever is in his notebook. Dammon raises an eyebrow before he realizes something. "Aw hells."

Dammon didn't have too much money to his name when he reached Baldur's Gate. A lot of it went to finding a place to stay before he managed to land a job at the forge. With his leftover coin, he bought two journals. One to replace the older journal he had for blacksmithing, and the other to sketch. He really should've spent the extra coin to get different looking journals.

"So how does drawings of me help you with making swords?" You ask after a moment and he sighs loudly as he reaches to take the journal, only to make a face when you step away to keep viewing it.

"Your sharp wit is good inspiration," Dammon sarcastically replies. He can feel his skin heat up from his embarrassment and wishes he was a redder-toned tiefling so his blush wouldn't be as noticeable. "I sketch to keep my hands busy when I'm not working the forge. And like you said, it's been a while since I've seen you."

"So, you missed me?" There's a smile on your face and he's relieved that you don't think he's a creep.

Dammon holds his hand out for his sketchbook, and you reluctantly hand it over, still waiting for his reply. "Of course I miss you, moonbeam. But I promise I don't spend all day sulking over you."

"Oh, you're so in love with me."

"Whatever you say."

You both laugh a bit at the banter, and he shakes his head, checking the forge before putting the sketchbook up and grabbing his actual notebook. "This is what I meant to grab," he explains and shows you the actual notes inside with occasional sketching of sword hilts or various blade styles.

"You should've been an artist. You're quite good." Dammon has to stop his tail from wagging at the compliment.

"Yes, and still be starving and on the streets. Smithing makes me more money," he points out before thinking a bit and giving you a sly smile. "Of course, you could commission me for a sketch or two."

You laugh at that, and he feels smiles wider. "Why would I when you draw me for free?" Dammon shakes his head at that and glances at the forge.

"Let's meet up later and have dinner together," Dammon suggests, and you smile at him. "I do have to work, and I don't want you getting burned. Stay safe, love."

The smile you give him as you wave, and leave makes his heartbeat faster. He'll have to draw it later.

[thefaiao]

seeing your clowns made me go feral since my fixation is cringe and clown flavored

Who let you cook like that who let you cook AUTHHFFH UR ART IS SO COOL IM BEING DRAGGED AWAY

You’re hatching is so fucking inspiring since it’s soMETHING I try to do in my own work I LOVE UR ART

would it be fine to ask what brushes you use? I love ur values also, you’re so so good at shapes and form WAAAA I LOVE UR STUFF. I did dig up an old ask you made iirc, but I’m not sure if it’s changed

Hey! Thank you very much. I'll go through the brushes I use for each program: Drawpile

From what I understand most of these are MyPaint brushes... but I only know them as drawpile brushes because that's what I use. Main ones I've used lately is Irregular Ink and a default brush for coloring

I don't really change the size of irregular ink much and the pressure doesn't matter that much. It has high stabilization which I haven't changed, but I'm sure you could get away with lowering it. For the other brush I'm pretty sure it's a default one that I slightly tweaked (drawpile is a bit bad about communicating what brush exactly you are using to you.) I quite like it because it feels like playing with clay, makes it easy to map out the volume. I use it for those lineless pieces I do from time to time too. I change its size a lot while drawing. I've also used these two, one of the pencil brushes and a second one I stole from Jokioro that I have no idea what is called

I used the first one for the D'arce I did a while ago and the recent VTMB piece. It's great at emulating sketchy graphite pencils, I like layering it to do multi-colored hatching rendering. The second one I don't know how to use super well yet but it's probably my fourth most used as of late. It works very weirdly so if you wanna figure out how to make it work I recommend looking at how Jokioro draws. Clip Studio I bounce around a lot with all the brushes, but I use a loooot of stuff from the Frenden pack. Mainly Meeko Leako for lining and even coloring, it has a great texture to it, very fun

This has been my most used brush for years. It's great for super straight lines and produces a great difference in value between quick lines and thick lines. I haven't used it as much since I picked up drawpile more recently, but it's amazing! Other than that I use the default G-pen when I just want simple lines without much texture

It's a bit ugly at a glance but I think if you lock in it's great for super clean lines, just trying to get the point across without much noise. I also like coloring with it at times, when I'm going lineless. SAI Binary pen. Use the binary pen. It's the best brush ever made

It just feels super right to draw with it, it's so simple but it makes your lines look super slick, and it's just a binary pen. I guess they just got the behavior down perfect for it. But yeah, love this brush. IRL I've always used these archival ink pens in different sizes for basically everything I've done traditionally, and of course just a simple number 2 pencil for sketching and such. I've used a bit of charcoal recently, and been wanting to deep into darker pencils for detail, but this is still the default. I also will probably try out dip pens sometime

That's all I can think of immediately, but I always like to mess around to try and find another great brush, and you should do the same even if you end up using these a lot.

[sleepyghostuwu]

The Artist and the Gem (Part 2, rewrite)

Synopsis: You start brainstorming about your mysterious client's request and begin working on it. Unfortunately, that means finding a way to get your unconventional art subject to cooperate with you, whether or not he knows about it.

Notes: (Edit: I wasn't too happy with how it turned out and it was bugging me a fair bit, so I had to redo it for my own peace of mind.)

Fem! Reader POV will be used in this series as it is what I'm most comfy writing in ^^ Also it's really lengthy lmao (I got too excited writing this) so get ready-

Previously: Part 1

It has been a good number of months since you've received the mysterious client's commission.

You've been finding yourself becoming increasingly productive in both your white collar and artistic jobs, presumably from wanting to rid yourself of as much work as you could to work on Aventurine's portrait. It has gotten to the point you even managed to send out most of your commissions to your other clients, even the impatient one who had been living on your nerves for what felt like an eternity. What made you want to get his portrait done and over with so badly? That was a question you were too afraid to find answers to.

Speaking of Aventurine, you have a slight problem: while you knew how he looks like very well, you had no clue how to draw him that well. The fact that the both of you work in different departments and hence very rarely see each other made your task of observing his appearance better all the more difficult.

With all possible odds pitted against you, only two solutions remain: you could either spy on Aventurine during your lunch and tea breaks and sketch him in secret, or directly ask him to pose for you for a few minutes. Given your current ranking in the IPC, you have a slightly better chance at the former. As the clock strikes at lunchtime, you quickly grab your tablet and head for the first place you can think of: the lounge.

-------

"...Don't worry, I'll be sure to send you the updates as soon as I get them," Aventurine's carefree voice echoes like a chime as he and the other Stonehearts leave the meeting room for their break. Your breath hitches and you quickly crouch behind the nearest potted plant you spotted in the vicinity, peeking through its leaves cautiously.

"This is the worst idea I've ever thought of..." you curse under your breath as you stabilised yourself against the wall. You have passed by Aventurine during work before on several occasions, and rarely ever get to briefly speak to him about work-related matters, so seeing the man himself with your eyes was not something unfamiliar to you. However, what left you the slightest bit horrified was the next thought that entered your mind.

Aventurine is stunningly handsome.

His sandy hair, which was slightly tucked behind his left ear, flowed down his neck like sand in an hourglass, and his eyes were as vibrant as stained glass windows in the sun. The deep green and gold coattails trailing behind him reminded you of a brightly coloured bird as he strode across the hallway, always seeming like he had people to show off to in every corner.

(Y/n)! Focus! You frantically shake your thoughts out of your hand and ready your tablet. It's your only chance at this, so don't mess this up! Propping yourself against the wall as you continue crouching behind the potted plant, you whip out your stylus and begin drawing furiously.

The first few attempts you made were a little sloppy (by your standards, at least), but in a short while, you manage to fill the better half of your drawing spread with surprisingly good sketches. The fact that Aventurine was perfectly still as you drew each pose made your success feel too good to be true. As you watch Aventurine leave the vicinity with a few cups of coffee in hand, you heave a sigh of relief and stood up, propping yourself against the wall as you wait for your legs to recover from crouching on the ground for so long.

And it's still lunch hour, too! You smile to yourself as you turn to leave for the office cafe. Everything went according to plan. Surely nothing could possibly go wrong after this-

"Oh, (y/n)? I didn't expect to see you here."

A chill runs down your spine as you slowly come face-to-face with none other than Aventurine himself.

-------

"H-hello, sir," you squeak, clutching your tablet in a tight embrace as you desperately tried to hide its contents. Clearing your throat, you add, "I was just going to the lounge to...well, take a rest."

"Hmm..." Aventurine stares intently at you before checking his watch. Then, he looks up at you again and chuckles. "Really? With that tablet of yours, too?" He raises an eyebrow at the tablet in your arms. "I'm pretty sure doing extra work isn't something a person would be doing to take a break."

Damn, he's catching onto me. Embarrassment and fear kicking in, you avert your eyes from his. Aventurine tilts his head to the side in feigned curiosity. "What are you doing here anyway? Are you...hiding something from me?" His eyes shift to the tablet in your hands.

"No..." You cling to your tablet tighter as the voices in your head scream for you to run before he does the last thing you want him to do. However, Aventurine swiftly swipes the tablet (which, much to your dismay, was still switched on) from your hands before you can physically react.

"Well, well, what do we have here- oh?" Aventurine's smirk gives way to a more surprised expression as he gapes at the canvas of digital sketches of him. "Oh my. Is that- is that me?"

You feel the heat rising in your cheeks as your worst possible outcome unfolds before you. Frantically, you attempt to snatch your tablet back, only to have your hands flail in vain as he kept moving it out of reach, only relenting and returns the tablet to you after a good few minutes.

"Oh, relax, (y/n). I didn't mean anything negative by that. Those sketches of yours are quite majestic, really. I'm just...pleasantly surprised, hehehe~ Though, I have to ask..." He leans slightly closer to you, his iconic sly grin now back on his face.

"What exactly are they for?"

[yaekiss]

Congratulations on the 400! If I'm not too late, may I send a #mailroom open letter to a yan!Albedo? Any gender neutral or feminine nickname would work and, if it so pleases you, a nsfw reply would be lovely.

__________________________

To my lovely Albedo,

How are you, love? Are you taking care of yourself while I'm away? As I sit here, working away in Inazuma City while I enjoy a sweet dessert, I cannot help but think of you... and your tendency to get swallowed up by your research when I'm not there to reel you back.

I was hoping that my business here would be done far faster than this. I suppose it isn't all bad, though. I can't say that I've ever been a social person, but people have been nothing but kind to me thus far. I may have even made a friend. But still, my heart belongs to you- and as such, no matter how I may enjoy my time, I can only eagerly await the moment I am able to return home.

I miss you dearly, my prince. I'll make sure to work even harder so that our time apart may be shortened by even a little bit. I can't to have you in my arms again, to feel the warmth of your embrace and know that everything is right with the world.

We both know that I could go on with the sweet words for pages and pages, so it's probably best that I stop here. Stay safe and take care of yourself, alright? I love you so, so much.

May my affections cross what feels like an eternity apart,

Your Wistful Lover

(Alongside the letter are various, shockingly well-preserved Inazuman sweets including Sakura Mochi and Dango milk, as well as a small pouch containing a handful of carefully-chosen Sakura Blooms. Lastly is an intricately designed silken blindfold, with its own little note attached that reads, "I had this custom made for you. I wanted to make one myself, but I couldn't find the time. Hopefully you like it anyway!")

꩜ Letter Content: Dom! GN! Reader x Yan! Sub! Albedo, no gendered terms for reader, Albedo calls you "my constant", mentions of blindfolds and a vibrator used on Albedo, unhealthy and obsessive relationship from Albedo, lmk if I missed anything ! ꩜ Delivery Notes: Albedo sure is a busy man to track down... I had to look for him all over Mondstadt since he was gathering quite a collection of alchemy ingredients. It was quite the staggering assortment too... I never understand what he's planning. ꩜ Wanna write a love letter yourself? Check out it out here!

Placed at your hotel doorstep is an innocuous package. It's decently sized, the box a lovely shade of pale indigo and shifting it slightly under the light shows an underlying iridescence hidden in the pigment.

Undoing the sturdy rope securing the lid down, you gain access to the contents within the box. You first retrieve a wondrous blooming bouquet of cecilias, wrapped in a sheer gauzy yellow fabric and tied with a teal satin ribbon. The petals are soft under your caress and for a moment, you reminisce about the first cecilia Albedo gifted to you after showcasing his alchemy.

Next, you fish out a cloth drawstring pouch. Peering into it, there's an assortment of all your favourite Mondstadt candies, enough to last you weeks. A little tag is attached to one of the strings, it reads: “In case you miss your usual sweet treats and need a boost of energy. ♡”

Unwrapping one, you pop it into your mouth before you pull out an envelope. The paper is smooth under your fingers and an impressive sketch of Dragonspine decorates the front. Flipping the envelope over, there's a wax seal, a cursive letter “A”, with flecks of gold dotted in it.

Carefully, you open it and obtain the parchment inside. His handwriting is a sight you've missed, from days spent watching him jot down his hypothesis and findings in his laboratory. Albedo's response to you reads:

“Replying to: My beloved constant.

Thank you for writing to me, my constant, I was growing somewhat nervous with your prolonged silence and I feared something unsavoury might have happened to you. As such, I am writing back to you to assure you that I've been doing alright as well. Though, I'm sure I would do a lot better with you by my side.

Next, I must thank you for the gifts you sent me. I shared the sweets with Klee and she has been pleading nonstop with me for more. Also, the sakura blooms were of high quality and proved immensely useful in my research. If you're willing, I can share my findings with you when you return, my constant.

Now, I can't help but ask what went through your mind, gifting me such a sly gift as a blindfold. What scene did you picture in your head? Was I blindfolded and tied up on your bed while begging for you to please touch me? Or perhaps I'm laid on my laboratory table, my sight obscured with the silk, pliant and willing as you drag a vibrator across my skin in an attempt to find my erogenous zones? Did you fantasise about muffling my moans with a kiss as you toyed with me? You should reenact it with me as soon as you get back, my constant, I feel as if I'm about to burst with how much I long for your embrace.

Ahem, getting back on track, I too have been working hard. (Fret not, I have not been overworking myself. I do not wish to worry you after all.) And I've made discoveries of my own and uncovered intriguing new possibilities whilst ruminating alone in my laboratory. I heard of the Inazuman archon's dedication to eternity.

Eternity... goes against natural orders, but lately, I have been finding myself relating to her obsession with such a concept. You might think it strange, my constant. However, I can understand how fearing the loss of someone close to you can affect your decisions, despite the morality of said actions.

You are golden in my eyes, unforgettable, and the time I spend with you feels like I'm the closest to unravelling the truth and meaning of this world. Is it my greed talking when I say that I want more time to uncover all of you, to understand the very fibre of your being, to see what has irreversibly drawn me to you and what makes you stay by my side? Maybe it is, but that is a question best saved for another day, my constant.

I shall end my letter here. I sincerely hope that the rest of your stay in Inazuma goes smoothly and safely, and that your return will be swift. I cannot wait to have you by my side once more, my constant. I love you so, so much as well.

Ever and eternally yours,

- Albedo -”

You fold the parchment and place it back into the envelope. One last item rests in the box. It's a handpainted painting of you, framed in an intricate wooden frame. Albedo captures your smile in the sunlight, the background featuring one of the picnics the both of you went on recently before you left for Inazuma.

However, you notice that one of the corners is a little wrinkled. Removing the backing of the frame to fix it, you discover another layer of canvas material behind that first painting. Gingerly, you peel it back to reveal a haunting portrait of the both of you. 

In dim lighting, you're seated on his laboratory table whilst he's knelt at your feet, his head resting on your lap. You almost don't recognise yourself. You're familiar with his art style but in this, you're ethereal to an eldritch degree... almost devoid of humanity. It's unnerving, to say the least. 

Perhaps Albedo's research has veered into more forbidden territories, challenging the principals of nature, all in the name of love. You muster one more look at the portrait.

A matching star rests delicately on your neck. In the bottom corner, he titles it “New birth.”

Thanks for reading! Consider supporting me on kofi if you enjoyed this or check out my other works hehe ♡

[mufos-photo-album]

Aghh, inspiration always strikes at the worst times.

Lately I noticed that the art I post to this blog are largely character-focused pieces, but not many standalone illustrations (that is, stuff one could probably enjoy without knowing who Mufotsuki and Piripu are). This fact doesn't really make me feel bad, however I do feel the itch to make more standalone stuff. It mainly comes from wanting to stretch my artistic muscles. When I upload my Mufopiri sketches I don't really stretch my skills that much, and as a result I think my skills have dulled over some time. This isn't something exclusive to my Mufopiri era since I don't think I've made that many full-scene illustrations in a while. It's mostly just character art the deeper you dig.

I say all of this because maybe this week or the next I wanna commit to making 1 nice, complete illustration again. I'm also excited because this time around I'll try thumbnailing the colors instead of just coloring things raw and adjusting the colors from there. I'm pretty sure this is a method I've done before, but I haven't used it since the day I thought to do it.

The art at the top is one such piece where I thumbnailed the colors first before getting more refined with things (so I drew this a while ago, not right now). I'm pretty confident that I won't be finishing the project this piece is attached to, so I'm more comfortable sharing it (and maybe I'll show off the other pieces later...) I'm still quite fond of how this came out even if its been months since I worked on it.

Edit: And for anyone wondering what this next piece will be about, it will be Moth-tsuki (specifically Mufotsuki right after falling out of the sky). Pending title is "Child of the Wasteland". Maybe there will be more parts? I shouldn't get ahead of myself.

[firespirited]

It's always funny to me how a company says "we own everything an employee makes even on their own time" when the employee can just...

not tell them. Sit on it until they're unemployed.

well... about that... Carter Bryant waited until his contract was over before pitching the full Bratz concept while trying to get work elsewhere.

When Bratz made it big, someone at Mattel did manage to remember he had at some point vaguely tried to pitch a teen doll line and it'd been rejected and they went digging. In court, they used the fact that he'd done some sketches on the free notepads they hand to their designers as evidence it probably wasn't done on company time but on company "property".

For a while there Mattel owned Bratz until the decision was reversed. And you might be thinking like I did, ah good the property reverted to its original owner.

Nope, Bryant gets nothing. MGAe are using the work he did in the early 2000s on the repros and he gets nothing. Both big doll companies won't employ him. Same for Garrett Sander: he sells artwork of "teen monsters" and does conventions.

It was part of their job to keep coming up with ideas and pitch as many as possible but it's also part of their job that they're disposable as designers... but if they pitch old ideas there's a chance it could result in litigation. I can't be certain but I think Sanders is hamstrung by having worked extensively on the (non cartoon) She-Ra: he couldn't pitch a warrior princess, magical girl or superhero line to any company without Mattel saying they own it or some design elements like a cape and sword combo, look they have these files in their vaults!

This, from companies that copy liberally from each other, from celebs and from fashion. The whole thing is absurd. These two designers have less ownership over their work than your local painter.

So a doll designer can't sit on anything unless they keep their ideas in their head and it's literally their job to be not just spitballing but sketching ideas all day and the company will only produce a few (but own them all).

I don't know many many industries this spans but it's wild: imagine Disney suing Taika Waititi for a new film he wrote the super basic outline for while he was bored on a plane for a press conference for Thor 4 because he used a company rental tablet to rehearse for questions and send himself an email, what if it had jokes he pitched in a writers' room at some point not knowing someone was keeping minutes?

Steven Sumners currently works for MGAe but I've been following on flickr since the 2010s and he's worked at Spinmaster, Mattel and Hasbro. They're expected to bounce around the industry as doll lines come and go but somehow keep the ideas flowing but also locked in their heads? Also no royalties, no copyright. Baffling.

[landsel]

Sketch dump~ and tiny update!💙

hi hi hi hi hi~! wow it's been awhile since I've posted on here!! And unlike last time, this time its a good reason!! (I wasnt in the hospital this time yay!) I've been super busy with my new job, some contract freelance work, as well as a huge project that is going to drop soon!! (teaser this weekend) AND the next ch of quick sketch is nearly done!! (also dropping this weekend!!)

Because of how some big life changes have lined up, this next year is going to be super fun! I hope you'll all enjoy what I have in store! 👀

(All of the sketches above were done while I was at work, I have to wear a uniform so I was inspired to draw business appropriate outfits! Leo in slacks is definitely something I will be returning to)

💙🐢💙

[crescencestudio]

๋࣭⭑ Devlog #39 | 3.27.24 ๋࣭⭑

Happy March!!

This devlog is going to be a bit shorter, but...... it's for Exciting Reasons that I will share later in the post. heh.....heh.....HEH.....

Let's jump in ^^

This month, writing was mostly dedicated to Etza's route! We have officially entered the Developmental Editing part of Etza's route, which is super exciting!!!

There were parts of Etza's route I wasn't completely satisfied with, so I spent a lot of this month tinkering, adding, fleshing out, editing, etc. for their route. I'm happier with it now compared to where it was when we entered this month, and especially with Wudgey's help, I'm excited for Etza to get the love they deserve!

I had a small, optional goal for myself to start Kuna'a's route, but honestly, I felt like between work with the Enhanced Demo, Etza's edits, and just generally feeling a bit tired after being Super Productive in January and February, I decided to give myself a break. That being said, I'm relatively confident I'll be getting started with Kuna'a's route next month, and I'm excited to dive into their route (and the Fae routes in general, teehee!).

Vui is on the very last of the BGs I need from him..... So I am in mourning.......

Kidding but not kidding. Vui has done an amazing job of putting the backgrounds for Alaris together! They're absolutely stunning, and by the time we get to the next devlog, he will have finished ALL of the BGs for Alaris! It's been about a year and a half in the making, which is kinda crazy to think we have been together for this long (and working on the full game for this long), but it's definitely A Moment.

In celebration of him reaching this milestone, I wanted to highlight some of the BGs he's made for the game! The theme is early morning; some of these BGs are in the demo, and some are in the full game hehe. You'll have to guess the context of the mysterious full game BGs :')

Sneak Peek: BG Showcase, morning strolls around the world of Alaris

I also thought it's been a while since I showcased a CG here. While I don't play on showcasing many of the full game CGs on public devlogs (I do show them on my Patreon!), I wanted to show a little snippet of this specific CG.

Why, you ask? Well, for the OGs, you might remember I showed a sketch of the CG during the Alaris Kickstarter---whenever the hell THAT THING happened.

I finished rendering it now that I got the BG for it, so I wanted to show a peek of that sketch that I showed oh-so-many-years ago.

Sneak Peek: Kayn Full Route CG I want to lick him

Generally for art progress, I've been working on CGs as well as some promotional materials, which I'll be getting to in the next section \o/

Now for the Exciting News!!!!

I have two bits of exciting news. The first is...

Sneak Peek: Selection Screen for Alpha/Beta Access (OUUUUGGGGGHHHHH)

I STARTED CODING KAYN'S ROUTE!!!! The first act is already "done" and ready for beta access. And I'm hoping to finish the other two acts within the next couple of weeks. It is crazy to finally be able to code some of the full game routes. Even if they're not at the "final version" or early access stage, it is Extremely Rewarding to finally experience the scripts I've been writing in the game!!! With the CGs.... Extended Screens..... Just seeing the script with visual assets and not just a Google Doc is SOOOOO FSEIKLFJSEILE

Sneak Peek: Chapter Character Cards (AAAAAAAAAAAAAAAAAAAAAAA)

The second piece of Exciting News is that I have a release date for the Enhanced Demo. YEEEEAAAAAA. It's finally happening!!! Please stay tuned over the next couple of days...... An Exciting Announcement is on its way...................................

I didn't do much market research this month. If I'm being honest, I actually struggled a little bit this month with like...... burnout and workaholism guilt. I wanted to take a break after getting the demo ready for public release, but I just couldn't bring myself to fully rest. It felt like there was so much to do (not just with Alaris, but also with real world/work obligations) and all these looming deadlines was starting to get to me.

I'm hoping next month because I'll actually be Releasing the demo (oops, sneak peek of general release date teehee!), I'll be able to feel like I can take a break. But it also sucks a bit that I feel like I have to Earn It. I think with Alaris being a Kickstarter project, I want to get the game in your hands as soon as possible, but of course it's not to anyone's benefit if I burn myself out in the process and end up with either a worser project or taking even longer to finish it.

I did...... start Stardew Valley again since it is the ultimate dissociation/break game for me. So far it's been working! But we'll see how it continues <3

LOOK AT MY FARM!!!

Should I marry Sebastian or Elliot.

Anyways, hope you all have a great rest of your month, and I'll talk to you Very Soon with an Exciting Announcement! <3

[alister312]

The Origins of "DeLorne": An Update, A New Mystery, and Fandom History

So I've had this little thing among my pinned posts for a while, but basically, I've been curious where "DeLorne" (Christophe's almost universally agreed upon last name in the fandom) comes from. Previously, the earliest instance I'd found was on a dA art post in 2006, but I've since done more research and uncovered incredible pieces of fandom history, as well as a mystery! It's a pretty long story, but if you're interested in South Park fandom history at all (especially pertaining to Gregory and Christophe), I think you'll find it all fascinating. Let me rope you into the journey I've found myself on.

While I've been curious about "DeLorne" for a while, this particular phase of my research initiated from another pet project of mine— that being to read and archive all Gregstophe fics on FFN should the site go down someday. The oldest Gregstophe fic you can find just using filters was published in August 2005 and is called There's Always Tomorrow by Bagatelle. While this is the only Gregstophe fic on their FFN account, I've come to learn through sources I'll mention later that Bagatelle was a prolific Gregstophe author.

Anyway, the important thing to know for now is that I thought There's Always Tomorrow might actually be the true originator of "DeLorne" for a bit, as it uses it for Christophe's last name.

The author's intro of the first chapter cites two fics as inspiration for their own: Fierte Dedans (supposedly by KyleBroflovskiFan) and Parable of a Boy Named Gregory (supposedly by someone named either Oyaji or Zidane 2003). They also refer to Qindarka, aka the author of the famous Creek fic Aisle 10, as "my love" which is just an extra fun piece of fandom history to me.

With these other fics serving as a reference to There's Always Tomorrow, I figured they might also have "DeLorne". I went looking and discovered Fierte Dedans, which turned out to have been published in May 2005 by Saboteuse (their deviantArt name was KyleBroflovskiFan which is likely why they were called as such earlier). It's an unfinished fic, only getting two chapters and one sect of the love quadrangle(?) in (the fic was set to be a Gregstophe/Tophlovski/Style fic). In the first chapter, however, during a role call scene, it used "DeLorne" as Christophe's last name.

This was very exciting— I'd found a new origin point!

The author hadn't uploaded a fic since early 2014, but I decided "fuck it" and sent them a PM on FFN, asking if they were the first to use "DeLorne" or if they'd gotten it from somewhere. Miraculously, I got a message back!

So, not an origin, but at least it was a definitive answer! It also raised a new question, that being about Gregory's old fanon last name "Thorne". The aforementioned fic There's Always Tomorrow also uses "Thorne" as Gregory's last name and mentioned taking it directly from one of their inspirations— Parable of a Boy Named Gregory. I mentioned this to Saboteuse, who said that fic was definitely what they associate "Thorne" with but they weren't sure if it was the originator or simply popularized it.

Naturally, I had to find what I could about this Parable fic. Google was mostly a dead end though, only giving me its shoutout in There's Always Tomorrow and a mention of it in the Tropedia article on Celebrity Paradox. I learned it was a Pip/Gregory fic, that it was "of epic length", and there was a plot point involving a North Korean invasion. Put a pin in Parable, we'll circle back around to it.

Back on the trail of the origins of "DeLorne", thanks to @/stankvle's help, there seemed to be a new potential origin point:

February 2005 was now the earliest Christophe had been given the last name "DeLorne". This made me curious and I searched "christophe delorne" on deviantArt. This sketch was the earliest published thing in the search results, but I decided to check out other works and came to a fic from Jan 2006 called Brimstone by BassistArtistLoser. In the description, I found this:

This to me seemed to imply that "Twitch" could've been the first to use the name and everyone else copied them. I had to find Twitch.

Among the comments was a user named "twitchablewiz", who I assumed to be the same Twitch. Their deviantArt was mostly empty, seemingly wiped clean, save for a few posts including a poll asking what their final fic they published to FFN should be. I went searching and found one of those fics mentioned in the poll. I didn't care about that fic; instead I was more interested in another fic on their profile: a Tophlovski fic from December 2005. I had hoped to find "DeLorne" there, concrete evidence that they indeed used that last name.

Sadly, this fic with almost completely gutted because it was a smut fic and FFN was apparently cracking down on those back then. Twitch claimed they would reupload the fic on "FOSFF dot net" aka Freedom of Speech Fan Fiction Archive but apparently that entire site was wiped clean in 2013.

The interesting takeaway, however, was this bit:

There was another mention of Oyaji, the supposed author of Parable of a Boy Named Gregory, aka the possible origin of "Thorne"! I had tried searching "Oyaji" and "Zidane 2003" before to no avail, but now I had a new name to try. With this, I was able to find Oyaji's deviantArt. In scrolling through their past posts, I discovered this:

So here we have it: the reason why Parable was impossible to find before was because Oyaji intended on publishing it! This fic that might be the origin of "Thorne", Gregory's old fanon last name, might have been turned into a real novel. Oyaji says nothing in any of their other posts about whether or not they were actually able to publish. What they did provide though, as you can see, is their email.

So I emailed them, asking about Parable— if it got published, if I could read the original, if it truly was the origin of "Thorne". And, since Gregory and Christophe have been intrinsically linked to one another since their inception in 1999, I also asked if Oyaji might know anything about the origin of "DeLorne". I had hoped that I could get a response like I had when I messaged Saboteuse but, sadly... it seems that email account has been deleted.

As of March 12th, 2023, this is where the story ends. I feel like I'm so close to solving this fandom mystery, but there's still so many questions remaining. Is me-ladie the one who originated "DeLorne" as Christophe's last name, or was it Twitchy, or was it someone else entirely? Is there even an origin at all, or was it just collectively agreed upon by all the Christophe fans back in the early 2000s as Saboteuse supposes? Does "Thorne" come from Parable of a Boy Named Gregory, and did it actually get reworked and published as an original novel? Does anyone out there have a copy, or is it lost to time forever? I still don't know, and may never, but I wanted to get what I have thus far out there.

In looking for the origins "DeLorne", I came across this: the very first fic to tag Christophe on FFN.

It was published in October 2003, less than five years after Bigger, Longer, and Uncut premiered. It's mindblowing to me that people were loving Christophe and writing about him all the way back then! And yet... this is only the idea of history, since the author gutted the fic. I appreciate it remaining up in a way, though I wish there was a way to find and read this honestly historic fic.

So much of fandom history is forever lost to time as the web and vibe of the fandom evolves, especially something as little as popular fanon last names of one-off characters from South Park. Even if some of it isn't relevant anymore ("Thorne" hasn't been popular for Gregory in years), to let it be lost or pretend current fandom is all that matters feels sad to me. Even if what we have now might be better, I think it's important to appreciate or at least take the time to really understand where what we have came from.

[randomfoggytiger]

Once again, you have done a wonderful analysis. I was the person who asked about the status of their relationship in Dreamland and Arcadia. 👏 great work!

I don't know if you have been asked this before, but I am going to ask anyway.

If you were to teach a class on the Xfiles for critical thinking and analysis, how would you want to structure the course? What episodes would be your "go-to" and what aspect of analysis would be your focus? Where would be a good starting point for the uninitiated?

You offer enough evidence that the show can be used for film analysis, writing, critical thinking, argumentation, creative writing, etc., so it is very plausible to use the XFiles as a medium to get students, or just the everyday person, motivated to think in ways that they may not normally practice.

I am inspired by your analysis of the asks that you share with your audience.

I think this my answer is both simple and complex, depending on which angle you want to tackle.

Simply: The X-Files is a masterclass in failure; and I mean that quite neutrally. There were cracks embedded in the foundation since Season 1-- a lack of show bible, a lack of narrative cohesion, a lack of attention to important detail, a lack of conclusive vision despite the aspirational visions-- that deepened with each new mystery box, each new twist, each new "the truth is out there, but it's not the truth we said it was a week ago, this time it's different" bend. Even more simply put, it is a deeply broken, deeply flawed series because its premise-- a shadowy conspiracy that cloaked alien interference and abductions-- was probably never intended to be more than that. But each new idea was more tantalizing than the last; and the more the show explored new territory, the more it sketched out an inescapable map. And soon, there was no new place to run.

Complexly: The X-Files is a masterclass in failure because despite all its faults, its flaws, its frailties, its downright ham-fisted or shocking plot points, the crew's talent was insane.

Not just David and Gillian-- though their chemistry's the stuff of legends-- but Mitch Pileggi, Nic Lea, the returning and supporting actors, the writers, the directors, the costume designers, the behind the scenes people, everyone poured their heart and soul and best into this series (until Season 7, which drained everyone, on and off set, of their investment.) It could, should have been so much worse-- it could have been canceled after its first season, it could have been canceled after the first few episodes, it could have been canceled after the ending in Season 1. Yet, in spite of DD and GA's green acting, and the more fixed direction, and the odd angle or odd script moment or odd lighting choice, there was talent-- sheer undeniable talent-- that was thrown in... maybe not everyday, but most days. And even more complexly, Chris Carter-- for all the faults that can be levied at his later work or behavior towards long-time friend Gillian-- fostered that talent. He was a generous executive producer; and once he formed loyalties, he stuck to them. In all the past interviews I've read, his writers and actors and crew admired his work ethic and trusted his judgment. And, while it wasn't the best judgment to guide the juggernaut of this immense series, he handled immense, buckling pressure so well that, by and large, he passed himself and his writing off as the stuff of legends... until, of course, it inevitably blew apart and plunged downward. But that's a risk he took; and the show did incredibly well while it soared.

Putting the two together: if I were to use this show as a teaching tool, I'd divide it into segments: the MOTW and the mytharc. The MOTW is where the show shines brightest, and what it's most remembered for by the vast majority of its viewers (and the populace.) Here, I could prove what incredible talent and dedication and drive can do: what generosity and fostering of ability, what openness to ideas, what creativity pushed to its max would inspire. How Squeeze-Tooms succeeded but Pusher-Kitsunegari failed; how to handle a skeptic-believer dynamic believably; how one show contained a multitude of tones, and played with them expertly (from drama to horror to sci-fic to comic to romantic to adventure to etc.); how to sensitively (or try to) push forward an idea that needs to be solved, in our world, without choking the audience with moralistic spoon-feeding. How and why (and when) a show can do all these things in one breath and utterly embarrass itself in another (looking at you, Fight Club.) That would then lead me into my second point: what the consequences of that would look like-- scripts written the night before (perhaps even the day of) filming; actors and crew pushed to their exhausted limit; one man creating more and more and more shows-- because he doesn't trust his first one will go on forever-- instead of focusing that incredible drive and effort to cleanly outline his pet project. Lastly, I'd shift into the perfect demonstration of The X-Files's rises and falls: its mytharc How the MOTW idea existed, in its infancy, in the Pilot; that the convoluted, ever-evolving plot didn't take shape and fly until the scope of ideas grew greater and greater; how that spawned an incredible mythos (or the potential of an incredible mythos); and how that mythos, for the most part, carefully danced a line that could have enraged many different factions of society and many different points. An elegant, slimmed conspiracy, at first, that took time to highlight important issues-- government overreach, abuse of power, coercive or vindictive control-- until it devolved into trite statements, repetition instead of invention, without firmer substance. Until the writers didn't have any land left to explore, turned around, and realized they'd flown into a corner. Then they threw a smokescreen-- a new tragedy or drama onscreen-- and hoped the audience would be blinded to the trick, once again. And, ultimately, how that lack of trust in the audience was a greater sin than their ability to finish the show satisfactorily.

If I were to step back, though, I think The X-Files could prove any point you want to prove: the struggle of the artistic vs. the executive, the reality of expectation vs. creative vision, the high of a meeting of minds between an ideas man and his audience, the impropriety of expecting fan loyalty yet shoveling them slop, the deevolution of a beloved franchise through disengaged interest and floundering quality, the importance (the sheer, indisputable importance) of writing well if nothing else, etc. etc. etc. I don't think I'd get into the Chris Carter issue, though. That area of drama is locked away from all but the most interested (in my case, over-invested); and it wouldn't be productive to bring into a classroom, seminar, or what have you. Unless, of course, I were teaching psychology. ;))))

Personally, I would divide the show into its sequential leaps forward: the time Chris Carter insisted on casting David and Gillian for their chemistry; the time Morgan and Wong pitched the show's first creature episode; the time Rob Bowman insisted on trying something different while directing; the time DD started writing, then directing, under the show's tutelage; the time GA wrote out her own script and directed it; the time Kim Manners or Rob Bowman or Vince Gilligan (or Spotnitz) pushed for overtly romantic moments between Mulder and Scully; the time 1013 and the show's theme and the UFO poster and the smoking man became international iconography, etc. All of these elements echo back to Chris Carter as a competent helmsman, and showcase him (and the show) at his best. Then, I'd pivot to the creative toll: the time crunch, the stress, the media speculation, the lack of privacy or a life, the ever divided attention-- that the most glamorized years of the show were also the most brutalizing (FTF and Season 5 filmed consecutively; and back to back with Season 4.) Finally, I'd focus on the sudden tone shift, pivot, and recovery of Season 6, 7, 8, and some parts of 9; and how each of the last three seasons suffered from the same fate: fresh new mysteries, failed follow-through, and catastrophic fatalities until the writers hit the emergency "Reset" button again. And that that pattern continued, irrevocably, for a movie and another two years.

But most importantly: I'd use any scene, any episode, any season to prove that all this profound effort-- time, blood, sweat, and tears-- can create giants... and can tear them back down when the foundations crack and give way. Until, in short, the writing, the one aspect holding everything together, falls apart. And without the writing, there is no final act, there is no happy landing-- there is only a man caught in the act, reprimanding you for looking behind the curtain.

Hope this helps! :DDDDD