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far-off-flower-fields · 4 years ago

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Weird Questions that say a lot

1. coffee mugs, teacups, wine glasses, water bottles, or soda cans? Teacups!

2. chocolate bars or lollipops? Lollipops

3. bubblegum or cotton candy? Cotton candy

4. how did your elementary school teachers describe you? We call elementary school primary school. It depended which teachers you asked, my favourites always said I was “conscientious, kind, and a pleasure to have in class”.

5. do you prefer to drink soda from soda cans, soda bottles, plastic cups or glass cups? Glass cups or bottles.

6. pastel, boho, tomboy, preppy, goth, grunge, formal or sportswear? I have like 4 looks, pastel, boho, and goth/witchy/grunge, also vintage-inspired which wasn’t mentioned but I love it.

7. earbuds or headphones? Depends on the shape, I love my Razr headset because it doesn’t squash my ears, and I like galaxy bud shaped earbuds, the ones with the little rubber doo-dads that fit actually in your ear. Apple or a lot of older flat earbuds cause me a lot of pain.

8. movies or tv shows? TV shows. Movies are getting longer and longer and my focus is getting shorter and shorter

9. favorite smell in the summer? Rainy days!

10. game you were best at in p.e.? The game of queue-ducking (where you go to the back of the queue to avoid your turn), or dance, or the less strength intensive parts of gymnastics. Or crying, always been great at that xD

11. what you have for breakfast on an average day? Muesli, or nothing.

12. name of your favorite playlist? I prefer to listen to full albums rather than playlists, but I have a few favourites on Spotify. Born to Run 150BPM, Infinite Indie Folk, Irish Folk: Jigs and Reels, All Out 80s/90s/00s. I also love scene/pop-punk playlists.

13. lanyard or key ring? Key Ring

14. favorite non-chocolate candy? Message Hearts (or anything with that texture), the red pack of starbursts (the UK version is vegan). Does Turkish Delight count because if so then that is my fave. I also like gummies if they’re vegan.

15. favorite book you read as a school assignment? To Kill a Mockingbird (high school), or The Bloody Chamber (uni), or Hamlet (uni)

16. most comfortable position to sit in? One foot under me, the other foot out to the other side, but both in the same position (if the surface is flat), or knees up.

17. most frequently worn pair of shoes? I own a lot of shoes so there isn’t really a single pair I wear the most. Recently my Air Force 1s, I’m trying to wear them in because the previous owner didn’t so the cause blisters.

18. ideal weather? Cold, overcast, rainy, still. Or without the rain. or snow (as long as I’m not going in the car and I can go crunch my shoes in it xD

19. sleeping position? Either side, but my body is kinda rotated towards the bed so it’s like half way between on my stomach and on my side.

20. preferred place to write (i.e., in a note book, on your laptop, sketchpad, post-it notes, etc.)? Notebooks

21. obsession from childhood? Animals, dinosaurs, goddesses, magic, crystals, neopets, sims. I still love all of these things, I am a rotating door of obsessions, usually a bunch of the same obsessions on repeat.

22. role model? I don’t have one particular role model, I do have tons of people that I love and respect.

23. strange habits? I have so many strange habits that I have become one myself. Nothing actually stands out though because 99% of it is because of my brain.

24. favorite crystal? rose quartz or moonstone.

25. first song you remember hearing? Maybe Dancing Queen by ABBA, definitely the first I remember dancing to, but my dad loves music so I grew up with a constant stream of it.

26. favorite activity to do in warm weather? Suffer xD when I’m able to do so comfortably I’d love to go out looking for pretty stones, and nice sticks with my fiance, also would like to go on picnics with him, or a friend if I had one.

27. favorite activity to do in cold weather? Baking, drawing, crafts, standing in the rain. Everything.

28. five songs to describe you? 6/10 - Dodie Robert Frost - Mal Blum Caught in the Middle - Paramore Side Effects - Jade Bird Snitches Get Stitches - Onsind Bonus track: The Seed - Aurora I wish I still had the playlist I made of songs I relate to, several of these were on it though.

29. best way to bond with you? Oversharing, or telling me about things you’re into.

30. places that you find sacred? Nature. My favourite spots are little creeks/rivers in wooded areas, but just like, all of it is special and should be treated as such. Also bedrooms.

31. what outfit do you wear to kick ass and take names? I think maybe I’m not gutsy or whatever enough, but also unpredictable. I wear whatever I like, and I’m just as likely to cry in all of them as I am to accidentally get in a fight.

32. top favorite vines? I feel so basic because I never really did the vine thing. There was one that nearly killed me because I literally started to choke that was in some kind of office and the bit like can you run this past me again, and they just fucking legged it past them holding a folder up, Saw it once, never saw it again. Road work ahead. Why you can’t lift a house (might be a tok?) Brass dad and oven kid Look at this graaaaph Never learned how to read I can’t sit I have hemorrhoids The one with the people in blankets bobbing the nana nanana song Fr esh avo ca do Look at all these chickens

33. most used phrase in your phone? I love you - if I had to guess

34. advertisements you have stuck in your head? right now, nothing. I often get the old Super Liquor jingle lodged in there though.

35. average time you fall asleep? 6am?

36. what is the first meme you remember ever seeing? Charlie the unicorn or that one Noodles video by Cyanide and Happiness. Are those even memes?

37. suitcase or duffel bag? Depends. I mostly use a bag though since I never go anywhere for long.

38. lemonade or tea? Tea? Usually if you ask for lemonade here you get Sprite which is not lemonade.

39. lemon cake or lemon meringue pie? I had a vegan lemon meringue pie once, so good. Cake is easier to make though, and I can eat more in one sitting without getting sick xD

40. weirdest thing to ever happen at your school? Um, the principal in my last year of school got caught for being a peeping tom a few years after I left.

41. last person you texted? My Fiance.

42. jacket pockets or pants pockets? Jacket pockets

43. hoodie, leather jacket, cardigan, jean jacket or bomber jacket? Depends on the rest of the outfit and the weather. I wear Jean jackets most though.

44. favorite scent for soap? I love lavender, or vanilla/candy/fruity/baked goods type scents. I still have a bottle of Sugar Fairy spray from lush from a year ago and I love the smell of that.

45. which genre: sci-fi, fantasy or superhero? Fantasy I think.

46. most comfortable outfit to sleep in? Nekkid?

47. favorite type of cheese? As a kid it was feta. Now I only eat vegan cheese. I was never a huge cheese fan tbh.

48. if you were a fruit, what kind would you be? Rotten xD um probably a cranberry or something because I’m small, and I’m not a fan of cranberry.

49. what saying or quote do you live by? An it harm none do what you will. Or treat others as you wish to be treated.

50. what made you laugh the hardest you ever have? Probably one of the vines I listed above, either “run it past” or “can’t lift a house” because both of those resulted in crying and choking.

51. current stresses? My cat has been throwing up and having diarrhoea the past week or so, she’s been to the vet, it got better for a bit, but tonight suddenly got worse. Living with my parents who I have a very toxic relationship with. Living in a single very overfilled room. Trying to not spend money so that I can save up to move next year. Nightmares about my trauma. Either the house is haunted or there’s a build up of negative energy (probably that).

52. favorite font? I always liked the look of all of the script style fonts (freestyle, french, lucida, lucida calligraphy, Edwardian, Palace) but they’re not accessible so for anything people will actually see (which is literally nothing) I always go with arial.

53. what is the current state of your hands? Slight rash on one finger because I’m sensitive to what is in a lot of hand washing products apparently (never an issue until the pandemic), one broken finger nail that is a bit shorter than the rest. Not painted nails because energy. I always wear my engagement ring, usually I wear several other rings but with how my skin is being I thought I’d better not for a while.

54. what did you learn from your first job? Bakeries are hell, my circadian rhythm will not adjust to anything besides its natural state for longer than a couple of days at a time no matter how long or hard I try. I can absolutely fall asleep standing up.

55. favorite fairy tale? Ugly Duckling

56. favorite tradition? I don’t have anyway... Yet? Hopefully when I move this can become a thing.

57. the three biggest struggles you’ve overcome? I’m interpretting overcome loosely here, meaning “I have not died from this” - Suicide of my first love - Bullying - 3 different jobs that all nearly killed me

58. four talents you’re proud of having? Literally can’t think of one. I’m not talented. I’m passable at a couple of things, but I worked for those things and I’m still not good enough for anyone to confuse me for being talented xD Those things I care about that I’ve worked on a lot are singing, art, languages, crafts? I still struggled to come up with 4. My bad.

59. if you were a video game character, what would your catchphrase be? Aw jeez xD

60. if you were a character in an anime, what kind of anime would you want it to be? Magical Girl! This is an easy one, give me the powers and the clothes yessss.

61. favorite line you heard from a book/movie/tv show/etc.? Literally sitting here drawing a blank, so instead of favourite here is the first one that came into my head “eyes are the genitals of the head” (may have that wrong, I’m watching the Office for the first time rn)

62. seven characters you relate to? Clementine from Eternal Sunshine of the Spotless Mind Amelie from Amelie Matilda from Matilda Quasimodo from the Hunchback of Notredame (also my favourite plush as a kid) Iris - The Holiday Jess - New Girl Amelia Shepherd - Grey’s Anatomy Struggled with this because suddenly I drew a blank and also couldn’t remember who my Fiance was talking about every time he’s watched a character and said “that’s you” repeatedly.

63. five songs that would play in your club? Starlight - Superman Lovers Pump It - Black Eyed Peas I Bet that You Look Good on the Dancefloor - Arctic Monkeys All the Things She Said - tATu Doctor Jones - Aqua Bonus: Push Up - Freestylers These are ones I have memories of dancing to when I was younger so that’s how I picked, but I’d absolutely be a themed night club with different music on different nights.

64. favorite website from your childhood? Neopets, which I still play daily. The first I played was MaMaMedia, then Bubblegum Club.

65. any permanent scars? That’s a SORE subject heh get it heh

66. favorite flower(s)? Lavender, rose, peony

67. good luck charms? I usually carry gemstones if I’m needing to be particularly lucky, or sigils.

68. worst flavor of any food or drink you’ve ever tried? I hate anything spicy. I had rootbeer candy that tasted like literal dirt. I can’t eat banana stuff without gagging and getting a headache. I hate anything that is artificial blackberry or blackcurrant, tastes like shitty cough syrup.

69. a fun fact that you don’t know how you learned? Sea Monkeys breathe through their feet, but I remember where I learned that.

70. left or right handed? right

71. least favorite pattern? depends entirely on the colours, I like patterns. but certain stripes do make my eyes feel funny.

72. worst subject? If PE counts, then that. If not, math.

73. favorite weird flavor combo? I love pineapple on pizza but that’s not weird. Iused to eat cheese and jam sandwiches as a kid though.

74. at what pain level out of ten (1 through 10) do you have to be at before you take an advil or ibuprofen? I operate on how long it has lasted instead of how bad it is, essentially I get so desperate so I’ll try it even though it probably won’t help. I have the resistance of a rhino to most meds.

75. when did you lose your first tooth? No idea, like 4 I think? I did keep them in a weird little box for no reason though because they never got taken away from under my pillow.

76. what’s your favorite potato food (i.e. tater tots, baked potatoes, fries, chips, etc.)? I’m a fan of a good mash if it has lots of flavour (like gravy). Otherwise, crisps or fries.

77. best plant to grow on a windowsill? I grew a radish once! Something cat safe though these days, also maybe something heavy, and hard to knock over?

78. coffee from a gas station or sushi from a grocery store? Grocery Store sushi, if it’s just veg.

79. which looks better, your school id photo or your driver’s license photo? My only ID is my passport, and it is BAD.

80. earth tones or jewel tones? Both.

81. fireflies or lightning bugs? Fireflies (ten million of them to be precise)

82. pc or console? Grew up with PC. Now play my switch mostly.

83. writing or drawing? Both. Wrote more as a kid, draw more now.

84. podcasts or talk radio? Podcasts.

84. barbie or polly pocket? Both. But I prefered pollies as a kid

85. fairy tales or mythology? mythology

86. cookies or cupcakes? cupcakes

87. your greatest fear? Based on my nightmares, stairs.

88. your greatest wish? To live in a comfy house, in the country, with my Fiance, I have travelled the world, we have pets, I can function, we are free.

89. who would you put before everyone else? My Fiance and out animals.

90. luckiest mistake? Can’t think of any, most of my mistakes have been more like bad choices, also never turned out well for me.

91. boxes or bags? Depends what it’s for?

92. lamps, overhead lights, sunlight or fairy lights? lamps, or fairy lights. Unless I’m particularly anxious, then overheads.

93. nicknames? None.

94. favorite season? Winter

95. favorite app on your phone? LINE, it has my fiance, and animated stickers.

96. desktop background? Little Twin Stars

97. how many phone numbers do you have memorized? My own.

I never get asks and needed to distract myself so I’m going to just answer these anyway, like a survey or something. Original post by tr33-g1rl

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grimelords · 6 years ago

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Two days after I said I’d upload it tonight, here it is! My October playlist is finished and it’s chock a block full of good music and also bad music that I love. From John Mellencamp to drone metal, from Katy B to Cassius, it’s all here and more. Deadmau5 also is here and for that I apologise.

Small Town (Acoustic) - John Mellencamp: Guess who had a legit emotional reaction to a John Mellencamp song this month, thinking deeply about what it means to be from a small town and how much this song gets right and wrong about identity and freedom in a small town versus living in a big town? This guy. I think this song works a lot better stripped down acoustically than it does in the album version. It gives the lyrics a lot more space, and really lays out just how simple the sentiment of the song is. It sets the tone of this month's playlist pretty well now that I think about it. I've been feeling like a real pea-brain hayseed this month and big chunks of this playlist really reflect that.

Katy On A Mission - Katy B: It feels like this and Hold It Against Me by Britney Spears (which was also 2011) is the moment that big american style dubstep completely crossed over into the mainstream, Scary Monsters And Nice Sprites was about six months ago and from there it was a tidal wave until oversaturation and complete death. But Katy On A Mission is different because it's at least got the credentials of dubstep pioneer Benga producing it and it doesn't go all-out on the super dirty bass, or even particularly have a big drop at all - it just uses it textually all the way through and it's better off for it.

I Only Have Eyes For You - The Flamingos: The way this song is recorded is insane. It literally sounds like they're at the bottom of a well. And it's mixed in that good early stereo hard-panned style so the lead is in the right channel and the whole harmony is in the left channel and absolutely soaked in reverb in a way that just sounds incongruous with the rest of the song. It sounds like a dream. My favourite moment is at about 2:30 when the harmony vocals get so large on the high note that they clip out and distort in a way that just sounds very, very cool.

Horses In The Sky (Live Version) - The Sound Of Animals Fighting: The Sound Of Animals Fighting was a post-hardcore prog supergroup where they were all anonymous (it was just the entirety of RX Bandits plus Anthony Green from Circa Survive) and I really wish they'd done more like this after their first album - because they still wrote very very good songs but they got lost in the mire of studio ambient interludes and being avant-garde for the sake of it which sometimes worked and most times just bored you which thankfully they only succumb in the end section of this version. Compare this to the studio version if you want to know what I mean, halfway through the guitar solo it just starts playing in reverse.

Split Wide Open - Cannibal Corpse: Here's what I mean about feeling like a pea-brain this month. Cannibal Corpse is proper troglodyte moron man music. It makes me feel dumb as fuck like a real stupid guy. There's something interesting about Cannibal Corpse's enduring ability to shock people, and that a band making such extreme music are at least a name that people know. They were in Ace Ventura: Pet Detective for god's sake. Before Marilyn Manson and that wave of cabaret shock-rock really got into the popular consciousness Cannibal Corpse were making shocking, violent music without any of the glamour and I think it's served them well in the long run. Songs like 'Hammer Smashed Face' or 'I Cum Blood', are shocking in title, artwork and content to this day are still musically shocking to the vast majority, far more than Marilyn Manson's spooky androgyny and wearing like a top hat and having fangs or whatever that's aged like milk and become just another boring cliche. The idea of the devil being charming and sly, disguised in charisma is so much more boring than the devil just tearing you apart like mince meat and eating you. Anyway I'm here to say Cannibal Corpse is good music for dum-dums like me.

Funeraloplis - Electric Wizard: Someone's edited it now but it's still in the footnote links, but the best ever piece of writing on wikipedia was the quote on Electric Wizard's page where they were explaining the origin of their name because it said "Is the name Electric Wizard made out of two Black Sabbath song titles? [smokes a big bud of weed through a can] Hahahaha, yeah it is!" which is so good and sort of all you need to know about them.

I <3 U So - Cassius: Looking back through this list it seems I'm having a real 2011 moment for some reason. I don't think I *get* Cassius. From everything I read about them they seem to be french dance royalty but they literally have two good songs and they're both in this playlist. These two songs are very good though so maybe it's just that. Anyway it's a shame what Kanye did this to song on Watch The Throne but I don't blame him, it feels like this song is just impossible to work with. It's at a weird tempo, it's incredible loose, it basically has one section. I imagine this song would have frustrated a lot of DJs when it was popular cause I really don't know how you would mix in or out of it, but fuck it while it's on it's a great song!

Youth, Speed, Trouble, Cigarettes - Cassius: This is the other good Cassius song. I'm pitching it as the theme song for when they eventually reboot Skins. I really appreciate that this song has 1 idea and basically just does every variation it can with it before bringing it to a climax. When your idea is this simple and this good that's all you need. Also the big toms that kick in after the 'just one more' but are heaven sent.

It Took The Night To Believe - Sun 0))): Sun 0))) are such morons and it's so funny that you can be so dumb and so serious about this sort of music at the same time. On this song Greg Anderson is credited as Mystik Fogg Invokator and Stephen O'Malely is credited as Taoiseach, which is the name for the Irish prime minister. Whenever I listen to Sun 0))) for the first two minutes I'm like 'lol this sucks' but then suddenly the guy is like 'cry yourself to ash' and I'm feeling the pull of the void quite heavily. Basically it's just like that meme.

Seven Angels - Earth: I remember ages ago some guy posted Earth 2: Special High Frequency edition and it was just this whole album with a high pass filter on it which is a funny joke. Anyway it interesting to think of this album in the context of when it came out. Two years after Nevermind, six months before In Utero - grunge at the absolute height of its power, stoner metal like Kyuss and Sleep huge when suddenly this guy comes out of nowhere and distills guitar music down to its essence: slower, louder, heavier than anything else by an order of magnitude.

Mutual Slump - DJ Shadow: I finally saw Xanadu this month and now I can finally relate to the weird smiling breathing out your nose noise that she makes after she says 'I'd never hailed a cab before' in this song.

Walkin' On The Sidewalks - Queens Of The Stone Age: Queens Of The Stone Age's first album is 20 years old this year and I've been thinking a lot about how it was a two person operation. Josh Homme played and sang everything on this album except the drums and it's funny to think about writing this sort of music all by yourself outside of a jam structure. He really sat down with a pad and paper and wrote down 'outro: bass riff x400' and then recorded it just like that.

Witch - Maps & Atlases: I wake up with this song in my head so often it's insane. I think a triplet groove in 4/4 like this is such a good and underused feeling and this song really deploys is perfectly. I want more of this, the good kind of math rock where it's not just guys doing midwest emo tappy riffs that all sound the same.

Down 2 Hang - Kirin J Callinan: This is what meeting up with people from the internet feels like. It's kind of a shame that this album got completely overshadowed by the Jimmy Barnes screaming meme, and that it's the first and last a lot of americans will ever hear of Jimmy Barnes but in reality it's exactly what Kirin J Callinan wanted to good for him I suppose.

Fast In My Car - Paramore: If you can't tell already I'm having an extremely basic bitch moron man month and that included listening to this Paramore album a lot and telling my girlfriend about how isn't it so interesting that the guitarist Taylor York just took over drum duties for this album after their longtime drummer quit and did such a good job playing drums AND guitar and her rightly not caring at all. I'm always impressed by songs that keep the same chords through the verse and chorus, it seems impossible but it works great here.

Don't Stop The Dance (feat. Delafleur) - Breakbot: I'm clapping my hands to stress each syllable when I tell you that Disco Will Never Die.

Oqiton - Jeremy Dutcher: I'm so glad this album won the Polaris Prize because I feel like I would never have heard of it otherwise. I absolutely love it, and I think what I love so much about it is that it doesn't fall into the trap of similar projects like this in the past of smoothing out all the jagged edges and turning it into plastic pretty music from the untouched ancient peoples - it's a real and alive reinterpretation of old music that looks toward the future and past in equal measure. Including the actual original recordings in each track is such a smart move, it gives you the context you need so this album isn't about liner notes and extra sources and it lets those old recordings seamlessly fold into these new reorchestrations.

I Remember - Deadmau5 & Kaskade: Anyway moron month continues here with the only worthwhile contribution to the planet earth that Deadmau5 ever made, I suspect by letting Kaskade do most of the work. It sounds sadistic but I really appreciate how this song is nearly ten minutes long, I'm a big fan of any song with that much confidence that actually pulls it off.

Overtime - Jessie Ware: Fucking Jessie Ware is back and she’s got Bicep producing! I think I added this song to my playlist before it was even a minute in, I just heard the bassline and my brain stem said yes.

Body - Julie Jacklin: I really think Julia Jacklin might be the best songwriter around right now and I cannot wait for her new album. I guess this keeps with the moron man theme by telling it from the other side. I keep listening to this song and then getting into a real mood for about an hour afterwards so I can't imagine the damage the album is going to do to me.

Can't Tell Me Nothing - Kanye West: Throughout the whole ongoing Kanye drama I've been thinking of this song. " I feel the pressure, under more scrutiny, and what I do? Act more stupidly" "I'm on TV talking like it's just you and me". Anyway he's had is money right for a long time but it's becoming increasingly apparent that you really really can't tell him nothing. I think it's interesting that the thing that seems to have spurred him into clarifying his beliefs and finally backtracking on anything is that Candace Owens tried to credit him for the shitty Blexit thing and it turns out the one thing you can't do to Kanye West is manipulate him into putting his name on something he doesn't believe in or didn't create. It's insane that John Legend and Mos Def and Talib Kweli reaching out didn't change anything but Candace Owens taking one too many liberties absolutely did.

Like Wolves On The Fold - Colin Stetson: I've said it one million times but I love Colin Stetson. I love how straightforward this is for a Colin Stetson song. You can sing along to it! So much writing about him focuses on the intricasies of his technique rather than his resulting very human, very primal music. I feel like his music is not very far from beating on your chest and yelling a lot of the time (especially toward the second half of this song) and the saxophone element just makes it a lot more socially acceptable.

Sack 'Em Up, Pt. I / Sack 'Em Up, Pt. II - Gwenifer Raymond: Bandcamp had a really good article about American Primitive the other day https://daily.bandcamp.com/2018/10/10/american-primitive-list/ and I found this album in it and fell completely in love instantly. I listened to it five times in a row. It's just incredible and I'm so glad that the music I love is finally being rescued from the mire of New Acoustic youtube men with their slapping and tapping and harp guitars and moving forward in new ways with artists like Sarah Louise, Marisa Anderson and Gwenifer Raymond. Women are finally allowed to play guitar now and thank fuck. One of the things I really appreciate about this album is just how written it feels. Every part, even the very swirly Part One of this song feels very purposeful, and if not totally written at least improvised in a tight framework before moving into the completely written second half. There's nothing wrong with improv but in a genre like this that's almost overrun with guys putting out hour long improv records it's refreshing to hear someone with such a clear vision execute it so expertly.

Bleeding Finger Blues - Gwenifer Raymond: Also, get a fucking load of this. An absolute powerhouse performance from a master. There's not enough solo banjo music around and it's a shame because I don't know if there's a better argument for banjo as a solo instrument than this song. The other thing I like about this album is there’s three banjo songs on it, which works well for breaking up the sequencing and making each song really distinct in a genre where albums can really blend together.

4:30 - Danger: It's a shame that Danger never really fulfilled his potential. With songs as good as this as 19:11 he seemed set. But then he took about a decade off before his debut album and I guess he lost something along the way. Anyway, doesn't matter because when you've got a song as good as this it's all you need. Also here's a good video where someone just put this song over the bar scene from Terminator which really accentuates the vibe in my opinion. https://www.youtube.com/watch?v=z37R39-mff8

Crybaby - Abra: I love love love the production on this. A friend sent it to me because he said it reminded him of the Call Me Mr Telephone song I was raving about and he’s absolutely right. I love how formless it is, it goes through about three different verse ideas before finally getting to the chorus at about a minute and a half in and it’s only stronger for it. I’m so glad a new generation of darkwave adjacent people are discovering freestyle because this is great.

OMG!!! - Yelle: This song is probably best experienced with the music video. https://www.youtube.com/watch?v=eoWK4rV3INY It’s fantastic on its own, especially the “oh my god!” sample and the whole chorus section, but the video - titties out, covered in glitter, very very good dance move for the rising 'ooo' part, a hamster is there. Really accentuates it.

Copacabana (At The Copa) - Barry Manilow: Was thinking about this song the other day. Woke up with it in my head actually which was strange. I feel like this song and the Pina Colada song definitely take place in the same cinematic universe.

King Of The Dead - Cirith Ungol: I've been rereading Lord Of The Rings and also a very dodgy 70s sci-fi series called Dray Prescot and so divine fate has drawn me to discover Cirith Ungol. The good kind of metal where all the album covers could also be fantasy novel covers and all the songs are about how cool it would be to slay an ancient demon with a sword. I love this song because it feels impossible to sing it without doing some very dramatic face acting and also his voice is completely insane. I feel like this is maybe just how he talks.

Sugaree 10/21/1978 - Grateful Dead: Grateful Dead are good and ever since I came to terms with that I've felt like I'm always on the precipice of buying a box of tapes, covering my car in confusing stickers and dropping completely out of society. The problem with a big chunk of live Dead recordings that I've heard is that while the playing is always on point, the vocals can vary wildly - especially when they try any kind of harmony, but this recording is just great. Fantastic vocals with a lot of feeling, ample crowd noise so it doesn't feel like just a sterile soundboard recording, and of course an incredible extended jam.

Ring De Bell - Brother Resistance: I don't fully understand what rapso music is yet, I don't have enough understanding of the culture or surrounding genres. I basically just found this Best Of compilation and have been listening to it a LOT. As I understand it it's 70s Trinidadian calypso music that got very political, which is very cool. I'm a big fan of this sort of lyric where it feels like you could just go on and on for days about all the places you should ring the bell.

Kojack - David Rudder: The crown jewel of this compilation is of course this song I've posted about before and absolutely love to death. A protest song about them taking Kojack off the TV because it's too violent when shows like Dallas and Dynasty, which are far worse, remain on the air. Miami Vice! Before youtube comments and online petitions you had to make extremely good songs about this kind of thing, and its a huge shame that we've allowed this to die.

The Power Of Love - Celine Dion: I love Celine Dion because all her songs sound like they were recorded across 5 countries and 8 different studios and cost two million dollars. They always sound too expensive for casual listening to me, like I should have an emergency mink coat on me at all times just in case The Power Of Love starts playing in a supermarket.

Airworks - J Dilla: I've been listening to Donuts a bunch this month and really thinking about what makes him so good and the vast legion of Dilla imitators on soundcloud bad and I think this song is a good example. The main sample sounds straight up ugly, it's backwards and twisted to hell, the main strings part keeps folding over itself, it's just chaos but completely controlled chaos. Every imitator is so afraid to make a total mess like he does and is too focused on the underpinning laid-backness of the beat, where Dila somehow makes the relaxed feeling easily as a result of a million clashing elements.

Anti-American Graffiti - J Dilla: I also found a playlist on Spotify where someone had put together Donuts with all of the the original tracks it sampled (or at least the ones that are available on Spotify) and it's such an illuminating new way to listen to this album. https://open.spotify.com/user/keatonkreps/playlist/1TPeWt38uceWXD1Vhyf7wx?si=NJ_jHrYqQpCt18q-W9nrag

Marvel - Solillaquists Of Sound: Every genre has good music in it. Even rappity rap conscious hip hop has good songs like this one. There’s another song on this album called Popcorn that’s basically the It’s Media picture converted to a .wav but this song is good. Especially her vocals when they come in halfway through sounding like an astrology zine except good.

Rock Island Line - Johnny Cash: Johnny Cash has around one million songs about trains, including ‘Blue Train’, ��Train Of Love’ and a song called ‘I’ve Got A Thing About Trains’ but this is the best one because it’s about train-related fraud and doing perhaps the most outlaw country manoeuvre ever and telling the toll man that you’re carrying livestock when you are in fact carrying pig iron.

I <3 U So (Skream's Made Zdar Feel Like He Was 20 Again Remix) - Cassius: Also as a kind of coda, here's Skream's version of I <3 U So, where he's completely ironed it out and turned it into a pulsing dnb thing which is always impressive to me when people completely reverse the feel of a song in a remix.

Worms Of The Senses / Faculties Of The Skull - Refused: Stereogum had a really good article about The Shape Of Punk To Come on its 20th anniversary and whether it really did turn out to be the shape of punk to come. They asked a bunch of people whether the title seemed arrogant and the vocalist from La Dispute had a really good answer where he said "But it’s like calling your shot and then fuckin’ hitting a home run. If it was arrogant, it was justifiably so." which is so great. https://www.stereogum.com/2020358/refused-shape-of-punk-to-come-turns-20/franchises/sounding-board/

listen here

#playlists

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deadcactuswalking · 4 years ago

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REVIEWING THE CHARTS: 14/11/2020 (Ariana Grande, Little Mix)

We’re in a similar situation to last week where despite two massive albums – Little Mix’s Confetti even debuting at #2 on the album chart behind Kylie Minogue’s Disco (which was unprecedented but completely understandable since Kylie is massive here) – are both released, but there’s a very muted impact on the chart, mostly because of silly UK Singles Chart rules. In fact, you could argue there’s more impact from smaller releases from Giggs and The Kid LAROI, but that’s just how streaming goes. Since this chart doesn’t include radio, hip-hop has more of a chance in many ways to debut on the chart than the type of pop Kylie makes but its longevity is seriously impaired. Also, ageism doesn’t exist on the albums chart but on here it is in full effect. Regardless, we have 12 new arrivals, mostly from the aforementioned artists, so let’s start. Ariana Grande’s “positions” is still #1 – you can chalk that up to lack of competition – and welcome to REVIEWING THE CHARTS.

Dropouts & Returning Entries

Before we get to the songs debuting on the UK Top 75 proper this week, let’s have our brief little musical rundown, starting with the drop-outs as there were a fair few, namely “Go Crazy” by Chris Brown and Young Thug (a pretty damn big hit for the both of them), “West Ten” by AJ Tracey and Mabel (again, a very big hit, one of the biggest of the year making its exit), “Only You Freestyle” by Headie One and Drake lasting longer than I expected or it probably should have, “Loose” by S1mba and KSI leaving perhaps prematurely, “808” by Da Beatfreakz, Dutchavelli, DigDat and B Young, “5AM” by M Huncho and Nafe Smallz (Thank God) and a couple of our high debuts and returns from last week, like “motive” by Ariana Grande featuring Doja Cat – but we will see more of Ariana today – and the charity single “Four Notes – Paul’s Tune” by Paul Harvey and the BBC Philharmonic, as well as all three of the returning Halloween tracks, including “Thriller” by Michael Jackson. Oh, yeah, and as anyone could safely predict, all of the Bring Me the Horizon songs are gone, even “Teardrops”, which means we officially have 100% less metalcore on the chart, and I’m surprised to say I’m genuinely disappointed. In terms of returning entries, we have “Before You Go” by Lewis Capaldi making a return to #71, “All I Want for Christmas is You” by Mariah Carey re-appearing for the first time this year and remarkably early to #60 and some returns from album boosts, those being “Magic” by Kylie Minogue peaking at #53 and “Happiness” by Little Mix doing the same at #43. The biggest fall this week was “Ain’t it Different” by Headie One featuring AJ Tracey and Stormzy dropping out of the top 10 to #31, probably because it had its streaming numbers cut as many songs do after they’ve reached more than 10 weeks in the top 40. The biggest gain however was for “SO DONE” by The Kid LAROI just missing out on the top 40 at #44. I can honestly see this becoming huge. Oh, and “Whoopty” by CJ is now in the top 40 at #39. Joy... Let’s just get straight to these new songs.

NEW ARRIVALS

#75 – “WITHOUT YOU” – The Kid LAROI

Produced by Blake Slatkin and Omar Fedi

So this kid LAROI released an EP that attaches to a mixtape he released earlier this year, Frick Love, which has been reissued as a sort of deluxe edition, without there even being a debut studio album to reissue, just a mixtape. Either way, this new hybrid deluxe version, repackaged as Frick Love (Savage), has been considerably more successful than the original mixtape so far, probably off of the back of that “SO DONE” single. Awful cover art aside; I did not listen to this project because I am not interested at all in some Australian emo-rapper’s EP, especially if it’s going to Marshmello, Machine Gun Kelly and YoungBoy Never Broke Again on it. This kid LAROI said that this is his favourite song off of the release because, and I quote verbatim: “I just like it, I don’t know, it’s kind of, dude, I don’t know, it’s a little different, it’s like a little, uh, acoustic vibe, uh, I just like it.” It’s nice to see this new generation of musicians be so articulate. Well, this is a pretty trite song with rote acoustic guitar strumming that is pretty conventional of softer emo-pop, but this song doesn’t come with infectious choruses, emotional bloodletting or even more than a single verse. Instead, it’s just absolute garbage with a guitar riff I swear I’ve heard before. There’s no development to this increasingly exhausting ballad other than this kid LAROI crooning and moaning in a pathetic Auto-Tune falsetto some clearly misogynist lyrics that he only picked up from Juice and other rappers. This kid shouldn’t care about making wives out of hoes, he should be studying. I’m almost offended by this on a personal level, or at least the principle that this kid at seventeen years old could go on about heartbreak that probably didn’t happen and use it to excuse and disguise clearly lazy, sexist lyrics. At least with other emo-rap it feels genuine and angsty. This is just disposable garbage that his audience will eat up like fast food, and it comes from such an insincere place that I can’t excuse it.

#66 – “ALWAYS DO” – The Kid LAROI

Produced by Omar Fedi, Khaled Rohaim, Donn Robb and Haan

Just like that, he’s back, folks. Okay, well, he starts off this song by saying he’s drinking again, which he can’t do for another year according to Australian law. I’ll take that as a complete lie he’s hogged from his mentor Juice WRLD and clearly not understood why that led to his downfall and death; the glamorisation of drugs in Juice’s music was unintentional and misconstrued that way by record label yes-men and some of his fans, who ate up the music and maybe didn’t grasp the message Juice was clearly advocating for. So, you’re just going to blindly lie to your fans – ALL of which are children – about substance abuse with very little commentary around it other than how it affects this fake relationship for the sake of making “relatable” hits that ultimately go against everything Juice would have wanted? Delightful. When other rappers talk about a bitch, they have a casual, disposable tone that suggests they’re groupies and whilst this is such an accepted form of misogyny in music, which also annoys me for the record even if music I adore expresses as such, it at least shows that the rappers don’t care or use the women as a line-filler or flex. When this douche says the word “bitch”, he means it. It comes with such vile, toxic bitterness that I’m convinced the Kid LAROI just hates women. Not even specific women, just the concept of “woman”. Sigh... can someone take this disrespectful toad off the charts – and quick?

#64 – “Buff Baddies” – Giggs

Produced by Trooh Hippi

Speaking on not respecting women, British rapper Giggs is here with his second mixtape. He’s got a couple more tracks on the chart, this is the first and it’s all about “buff baddies”. “WAP” has led to men thinking they can be extra horny as well and I’m not going to shame any kind of sex positivity but when Giggs talks almost exclusively what the women are doing for him and doesn’t have a lick of personality to it, it feels less absurd and over-the-top than it does just gross. It doesn’t help that his delivery is almost comically blunt and completely charmless over this non-existent cloudy trap beat, and there’s no hook or chorus to speak of, so this is just completely worthless. This reminds me of Dean Blunt’s Babyfather projects, you know, the mixtapes where he actively makes fun of this type of rap and even then is miles more interesting and charismatic? God, what an awful track.

#63 – “I’ll Call You Back” – dutchavelli

Produced by Big Zeeko

Oh, and dutchavelli released an album too called Dutch from the 5th, so we have more to come from him as well. Look, I’m tired, I’m fed up, I just want this episode to be done with and maybe I’m not in the right mood to listen to snooze-worthy generic hacks in modern hip hop all have their own mini-album bombs. Just maybe. I’m not sure if that excuses the clear lack of quality and effort in any of this, or the fact that the billion-dollar company I use to listen to the product of billion-dollar companies apparently can’t have an app that works and allows me to listen to said product. To be fair to dutch, this is a more introspective track with melancholy piano loops and pretty basic trap-drill percussion, but I do like some of the lyrical content here, where he talks about how even though he feels distant from his loved ones as a big star, he really wants to keep in contact and he details some of his struggles in a really heartfelt way. His delivery is emotive and even when it’s heavily Auto-Tuned, you can tell he’s pretty frustrated with the conflict between his newfound popularity and keeping up to standards with his personal relationships. He’s not always perfectly on beat and honestly the song kind of goes nowhere, but I like the lyrics about his childhood and his mother, and I especially think his breathless, stiff cadence when he pleads with his girlfriend is pretty effective. As a song though, I don’t think I’ll be going back to this at all, which is a shame.

#59 – “Get Out My Head” – Shane Codd

Produced by Shane Codd

Shane Codd is an Irish producer, singer and DJ from Dublin who amassed a following from his playlist showcasing classic trance and house hits from the 1990s and 2000s, which he became infatuated with as a child, explaining why his first and only song is already on the chart, albeit just at #59. That “Trance Anthems 90s-00s” playlist does have some bangers (I’m not going to complain about Alice Deejay, Moby or Zombie Nation), so does Codd follow in the footsteps of these classic trance acts? Well, no. No, he doesn’t. This is a house-pop song if anything, but it’s not like I know all the ins and outs of this stuff. I have a friend that does know a lot about trance; I don’t even think she’d like this. It’s pretty lazy, bizarrely-mixed house with a lot of focus on those classic 90s pianos that do sound straight out of that diva house and Eurodance era (in fact, this is practically a Eurodance song), but without much character to speak of. For a first song, it is impressively professional but not to the extent that the percussion sounds any less cheap or tinny, or that the chopped-up vocals, from some generic female singer as always, are charming. This is exactly what I think would happen if you fed a robot tropical house music, a couple FL Studio plug-ins and a “Trance Anthems 90s-00s” playlist, and told it to produce some kind of cohesive result in return. It’s telling that this soulless dreck charted, but hey, if he’s got the following and any kind of budget, he could improve considerably and this isn’t that bad on principle. It’s just wearing influences not on the sleeve but as make-up, to cover up the lack of artistic dignity or progression the guy has, not that I expect him to (it is only his first song after all). Next.

#56 – “Say Something” – Kylie Minogue

Produced by Jon Green and Richard “Biff” Stannard

I'm not a big Kylie Minogue fan but I can admit like anyone who's not too far up their own ass that she has a lot of classics, a lot of bops and most importantly to this show in particular, a lot of bonafide smash hits to her belt. My personal favourite is "The Loco-Motion" but her 2014 album Kiss Me Once was a big factor into my appreciation of this type of inoffensive dance-pop (that indirectly made me eventually start this series), especially the lead single "Into the Blue". Speaking of lead singles, this was the lead for her 2020 effort, Disco, but it didn't actually chart until this week interestingly. Well, with that said, there must be a reason the big lead single from July didn’t chart until November, and the second single, “Magic”, did, so I’m not expecting prime Kylie here, and I’m not expecting myself to write positively about it either because I had to restart Spotify like five times before being able to actually play the song so I’m pretty annoyed with these billion-dollar companies right now... and, yeah, okay, with the synthesized choir and the staccato synth bass, I can understand how this feels less alive than other songs she’s made, particularly because this feels like a rather dumbed-down revision of 1980s pop with some really awkward vocal mixing and a chorus that never really hits. Kylie doesn’t sound great here at all either, and the guitars are just kind of garish, especially in the first verse. It doesn’t help that this is a messy song structure-wise, and that the title drop in the chorus is neither cathartic nor worth waiting for. There’s also a bridge-outro that never leads back into a chorus, so the song just floats away sadly into nowhere. Yeah, it’s safe to say this is a disappointment, especially from a lead single but it does make sense that at this point in her career Kylie and her team may be artistically stagnating. It’s been more than three decades; I’m just impressed she’s still putting out music.

#54 – “Plugged in Freestyle” – A92 and Fumez the Engineer

Produced by Charlie Mockler

It’s not often that the engineer gets lead billing, let alone an engineer whose stage name is entirely based on the fact that he is an engineer, and didn’t even produce the track. Anyway, it’s not actually unusual for YouTube and radio freestyles to chart, in fact the GRM Daily Duppy freestyles have charted before for both J Hus and Aitch. It is unusual for viral Irish drill tracks to chart however, but this did get traction as a viral video as well as the absurdity of Irish drill, which is now a rising phenomenon. A92 is an Irish drill group and all of the four members present here get three verses each, leading up to either 12 verses overall or just one big collaborative verse depending on how you count these things. You may notice at this point that I’m stalling, mostly because the Spotify app still refuses to function correctly once again. It’s not like I’m missing much in terms of unique bars or even cadence. I expected a delivery or flow that was more energetic from the Irish, just saying. There’s a lot of pointless censorship when it’s pretty clear what they’re saying, and the guys are obviously lipsyncing in the video so it’s not like this is some impressive off-the-cuff freestyle. I do like the incredibly deep voice Dbo has but it’s not interesting enough to carry his uninteresting flow and this really minimal, basic drill beat that works for its intended purpose to carry the bars but it does not make an impression further than that and by the end of the track, it’s just dull. I do admit to really liking the fourth guy Offica’s verses here because he has a lot more energy and intriguing flows than the rest of them; if any of this group get a solo career off the back of this I’d expect it to be him, or at least I’d hope so. Overall, though, I’m not a big fan although I don’t think this is bad, just unremarkable. If I thought it was bad, I think this episode would end up being posted posthumously anyway.

#52 – “Zero Zero” – dutchavelli

Produced by The Fanatix

Oh, hey, look! It’s more of the same. I imagine if you follow the US charts, you’d soon get tired of the trap garbage that somehow ends up on there in the lower reaches of the chart when it could be given to more promising mainstream-adjacent acts that end up just popping up on the Bubbling Under. Whilst I don’t really have the same problem with this chart, I am growing tired of UK drill music at this point and its indignant refusal to be interesting. It’s not like I have an issue with the music itself because I can usually ignore it, but does all of it really HAVE to chart? When it was new and relatively interesting I welcomed it but the sparse drum patterns, badly mixed 808s and “menacing” pianos are all very much getting on my nerves at this point in the year, especially when the chart is flooded with this stuff. For every weekly pathetic house-pop tune we get, we also get at least three drill “bangers”. Maybe the charts have just made me cynical. I should probably maybe rest before trying to continue this episode – I’ve given a notice on Twitter that grants me more time so I suppose I’ll get back to you when I’m not mindlessly ranting about drill music.

Alright, so I haven’t slept but Spotify has decided to function for now, and I guess I might as well use this opportunity to write about the last few arrivals. We all have our “off” days, and this was one of mine so I apologise if this episode isn’t up to scratch – even if admittedly, I’m telling myself that more than anyone else. Oh, and this song is actually kind of fun, with his really elegant strings that are backed up by some hard-hitting drill percussion that actually makes for a pretty hard beat here, especially with those extra sound effects. Seriously, props to the Fanatix for this, and dutchavelli actually brings a lot more energy than I expected, even on the ad-libs on the chorus, though of course, the content isn’t anything new. He is finding new and funny ways to talk about crack cocaine trafficking though, so I commend that. The skit is kind of pointless but I’m sure it makes sense in the album. That was quick! In fact, I’m going to try and be quick before I fall asleep.

#49 – “Spin this Coupe” – Abra Cadabra

Produced by H1K and Zenith

I’ve restarted Spotify so many times and I’ve restarted my computer at least thrice. This desktop app still refuses to function and this is a recent but bloody persistent problem. Maybe I should just re-download the Spotify app, but it does aggravate me that it does this when I’m supposed to be, you know, REVIEWING THE CHARTS. It’s not like it’s down for other people either, it just likes to freeze on me for no reason other than my own suffering. There’s a Dave song coming so I’ve kind of been raring to get to that but just to keep myself in check and on routine I suppose I need to listen to this garbage. I didn’t mind Abra Cadabra on the “BLM” song from a few weeks ago and I do like the semi-introspective tone he has lyrically here, showing some kind of self-awareness about the gang violence he discusses in his music. Lyrics like that are few and far between however and more often than not it’s just uninspired gunplay and some flexing over some drill type beat. I swear I’ve heard that exact same hi-hat sound and pattern so many times, and other than some overly-energetic ad-libs that make this shoddily-mixed track even uglier sounding, Abra Cadabra is not selling any of this, even when he does a more rapid-pace, energetic yelling flow. He’s not saying anything memorable and he’s only vaguely on beat. I mean, it’s fine but I’m sick of this already. There’s a preview of another song on the YouTube video for this song and I thought it was just another verse. Come on, lads, think of something else.

#35 – “Straight Murder (Giggs & David)” – Giggs featuring Dave

Produced by KeyzMusic

What an odd title. It’s like if I called this show REVIEWING THE CHARTS (Cactus), like we know your names, guys. Is this how they want to credit Dave as a co-lead artist or something? I’ve got no idea but this is our second and final track from Giggs’ Now or Never and thank God, it features Dave, a British rapper I really enjoy. His album PSYCHODRAMA was one of the best records I heard last year and I’ve consistently liked most of his stuff, specifically his brand of cool, relaxed flows and blunt, admittedly corny punchlines with a lot of conscious influence and cleverness that most of these drill guys wouldn’t dare to try and implement in their singles. He and J Hus form a crossroad between the mainstream British rap scene and more underground or alternative acts; he strikes me very much as a more accessible male Little Simz, a sharp lyricist with a lot of unique charm who knows how to have fun. In fact, the one thing I don’t think Dave can do convincingly is rap on a drill beat, or at least one like “Paper Cuts” where he just sounded sloppy. He also had a feature on a D-Block Europe song that was just comical, so I can’t say his recent efforts have been as good but that performance of “Black” at the BRITs really cemented him as one of the best British musicians in the charts right now for me and a lot of other people, so this acts as kind of a comeback single for him, even if it is just a throwaway feature track – there’s a reason this debuted so high. I do think this could stick around as well since Dave does have longevity. I still bump “Funky Friday” more than two years later, although to be fair that did hit #1. This won’t, but is it good? Yeah, this appeals to the part of me that just wants bars over a pretty solid, atmospheric trap beat, and Dave does sound checked-out at times but that’s always been a part of his casual, sliding delivery. There is a lot of empty space in his verse but it’s always played out for comedic effect I feel and while this is a flow he’s definitely used before, the sheer length of this verse means it would be difficult for him to have more hits and misses and yeah, his delivery makes nearly all of these lines hit. Compare the amount of Genius annotations on his verse to how many are on Giggs and you can see why I like this guy a lot more. He may be blunt but it has layers and layers of charm to it, and some of these bars are more than they look to be on the surface. Even his opening line about taking orders can be explained in various different ways: he knows about taking orders but he “doesn’t know” about taking orders, suggesting he doesn’t like taking orders, but what are these orders? They could be taking orders from a boss and now he’s a boss but they could also be about drug trafficking or sending out hits, and then he really “doesn’t know” about taking orders, if you catch my drift. Other than that, he uses his “Streatham” flow to mostly flex but there’s tons of wordplay and I appreciate that more than the boring matter-of-fact structure of verses that half of these other UK rappers have. He’s just effortlessly spitting here and I’ll take that any week but especially this week. Welcome back, Dave, I’m excited to see what you’ve got in store for your next album. Oh, and Giggs is here but who gives a –

#23 – “Confetti” – Little Mix

Produced by TM5

Surprisingly, no Little Mix songs penetrated the top 20, or at least no new ones. In fact, this is our only new song from the girls thanks to silly UK chart rules, and, really, it’s just here because it’s the title track. I can’t say much about Little Mix because I feel there’s nothing to discuss. The new album is something I have not bothered to listen to out of pure disinterest, and this title track... doesn’t seem like a title track. You’d think a title track would be a bit flashier than some dated DJ Mustard hyphy-like beat with pretty pitiful trap percussion and plastic vocal production that makes the girls sound admittedly less inhuman than usual. In fact, they sound more human here than ever, maybe because they’re surrounded by one of the stiffest R&B instrumentals I’ve ever heard, and partly because some of the background vocal melodies are actually pretty catchy, even if the chorus makes it clear that none of it matters since the non-existent pay-off is not worth any of the similarly void build-up. This is a fine, rather understated song where the girls mostly just flex – which is pretty unheard of for a dance-pop track – so I have no issue with it but this could have actually been good... and was once again watered down by manufactured factory-sealed production. Speaking of talented women being let down by production...

#22 – “pov” – Ariana Grande

Produced by Oliver Frid, TBHits and Mr. Franks

So we got the obviously planned pop smashes out of the way from Positions so now it’s time to see what the fans are really gravitating to and to my surprise, it’s the closer. This is the fan favourite from the record and is just now charting because “motive” dropped out and it’s clear why this one is the preferred track. It takes somewhat of an introspective outlook but very much through an immature, lovestruck tone running through the track and its really sweet lyrical content, where she just expresses how much her partner loves her to the point of her even feeling some bizarre envy in the chorus, as she wants to reach a level of self-love comparable to how her partner feels about her. She wants to see why her partner loves her this much despite what she perceives as tragic flaws. By the bridge, she reaches a conclusion that there isn’t any emotional baggage coming with this relationship anymore, a natural book-end to her “leaving her baggage at the door” in the opener of the album. I love the vocal melodies here, with her multi-tracked cooing really shining beautifully amongst the flourishes of strings and more subtle pianos, with trap-adjacent snapping percussion that is actually well implemented and adds a sense of casualness to the song that would otherwise perhaps seem too melodramatic for Ariana. Also, the last line in the chorus is admirable and it works as a perfect closer to the record.

Conclusion

So there is a single good song here, and that is “pov” by Ariana Grande which snags Best of the Week, and, sure, while I like Dave on “Straight Murder (Giggs & David)”, Giggs royally screws up so it can only get the Honourable Mention. For Worst of the Week it’s going to The Kid LAROI just in general for both “WITHOUT YOU” and “ALWAYS DO”, with the latter only being slightly more tolerable. I guess I can give the Dishonourable Mention to Giggs as well for whatever “Buff Baddies” is. Sigh... here’s this terrible week’s top 10.

Thank you for reading my uncharacteristically cynical and just mean ramblings on pop music this week. You can follow me @cactusinthebank on Twitter, I promise I’m not as angry on there. See you next week for hopefully something better than this.

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valdiis · 8 years ago

Note

Ask the mun about their writing: 1-20.

1. As a writer, who is your biggest inspiration?

Answered here.

2. Besides writing, what other creative outlets do you have?

Answered here.

3. Does anyone in real life know about your RPing hobby and what, if anything, have they said about it?

My husband knows, of course. My mother sometimes likes to listen to me tell stories about what I’m writing. For the most part, I don’t otherwise mention it.

4. Have you always liked to write and at what age did you start?

I started writing around age 13 or so. Before that, I loved to read, but writing something myself didn’t much factor into my ideas.

5. Have you considered writing professionally or do you have plans to?

Oddly enough, one of my aunts is a several-times-published fantasy and sci-fi author. We’re estranged now, but when I was 15, she gave me several bits of writing advice I still use to this day. I don’t think I’d ever want to do it professionally, though.

6. How do you find inspiration to write when you can seem to find your muse?

Most of the time, if I’m not feeling it, I don’t push it very much. It tends to make things worse. If it’s just a minor block though, I’ll re-read old things in that character’s ‘voice,’ listen to a playlist I made for the character (I make one for every character), or dig through writing prompts and questions.

7. How do you handle the toxicity sometimes found in the roleplaying community, particularly in fandoms?

Answered here.

8. How has roleplaying, specifically, impacted your life?

Answered here.

9. How has writing improved your life and do you see yourself sticking with it?

Answered here.

10. How many muses do you have and which do you relate to most? Why?

Answered here.

11. How much time a day would you say is devoted to your writing?

Hm, this is a difficult one because it can vary so widely from “I don’t want to talk to anyone, don’t write at me” to “Everyone is writing all at once ogod what do.” Choosing a very loose average, I’d say I spend about four hours of the day writing - in between browsing Tumblr and playing with art crap and trying to do quests in WoW.

12. Is there a quote from a piece of literature that holds great value to you? What is it and why is it important to you?

So, this is going to be an odd little two-parter. The first and immediate answer is actually a song lyric: “You won’t be young forever. It’s only a fraction to the sun.” It’s from a Crüxshadows song called Birthday which is an exhortation to live your life in a meaningful way. I’ve actually strongly considered - for years - getting ‘Only a fraction to the sun’ tattooed on my skin somewhere.

Buuuut that’s not literature. This is going to sound very simplistic and non-erudite, but there’s a quote from Anne Bishop’s Daughter of the Blood which constantly resonates its tone (not just its literal meaning) through my writing: “Everything has a price.” If you haven’t read the books, it doesn’t have quite the same tonal impact, but I keep it close because it reminds me that actions have consequences, choices have meaning, anything worth doing will cost you something.

13. What advice can you give to someone who has just begun RPing on tumblr?

Do not base your worth on likes and reblogs. Don’t. DO NOT. It will eat you from within like swallowing acid.

Don’t be afraid to reblog yourself. It’s your blog. Do what you like.

Support your fellow writers with comments, reblogs, and likes. It’ll come back to you. Now, if you’re not basing your worth on those things yourself, you’ll find every one of these is a happy boost instead of a hit of heroin.

14. What are your fears when it comes to writing online?

I was regularly called a ‘gifted’ student in school. Always the smart kid. Always the one several grades ahead in everything but math. And then I dropped out of high school. Even though I’ve ‘recovered’ since then and now have a bachelor’s degree from a prestigious university, I have a constant fear that I will come across in my writing as unintelligent, dull, and uninspiring. I don’t hit my readers over the head with a thesaurus...but what if I should be? I don’t format my posts any differently than I would a novel...but what if I should be? I don’t write deep, crushing sadness...but what if I should be?

My greatest fear in writing is being stupid and dull and a chore to read.

15. What do you typically look for in a roleplay partner?

PATIENCE.

I struggle a great deal with focus and motivation in my writing because of some chemical problems in my brain. Anyone who writes with me will have a far better time if they can be patient with my fallow days. I treasure partners who aren’t prone to jealousy. I adore partners who can visualize things happening between characters ‘off-screen’ when we can’t be writing every moment together. I look for partners with a good grasp of language and a nice turn of phrase - but they don’t have to have perfect grammar or use twenty-dollar words. (Contrastingly, the purpler your prose, the less likely I’ll try hard to write with you. Just because you can use the words doesn’t always mean you should.)

16. What inspired you to start writing?

The very first thing? I think it was reading a fantasy novel - I can’t even recall which - and thinking to myself what fun it would be to write a story where the girl saved the day and the boy was her sidekick, and they didn’t end up lovers by the end. (Incidentally, in my story writing just that, he became her familiar because he got turned into a cat.) So basically, I wanted to rewrite a story my way. Fanfic at its purest.

17. What is your favorite genre to write?

Urban fantasy. I get to write so little of it, but oh my sweet starfishes, when I can... I wrote some collaborative RP-style stuff with @insipid-drivel for a while and was positively riveted for some 80 pages of single-spaced 10-point writing. It was a thrill and an honor to write with her, and to get some time to romp in my favorite genre. I write about 99% high fantasy right now, but throw me in the urban/modern pond and I’m a happy, happy fishie.

18. What made you want to join the roleplaying community?

For WoW, at least, it was about raid drama. I’d been a serious raider through TBC and the first half of Wrath, but the bickering over loot and behavior and raid choices just wore me down and drove me nuts. I wandered over to an RP server simply to have a ‘vacation character.’ When I came along, there were so many cool outfits and people writing things as if their pixels were characters... I just fell in love.

19. What one piece of literature has been most inspirational/life changing for you? Why?

When I read Good Omens at the tender age of eleven and learned that a story could be funny and still be compelling, could be silly and still teach a lesson... That’s when I started to think maybe I could write too. Otherwise, the answer is the entire lyrics of Birthday by the Crüxshadows.

20. Who are your top three favorite fictional characters and why?

Answered here.

#ask meme #personal

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ghostlystore · 7 years ago

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Talking Vinyl Care with AM's Jacob Moesgaard

A great record collection begins and ends with its health. Copenhagen-based company AM knew this in 1971, and they've delivered 'clean sound' ever since. The heritage brand just relaunched their line of high quality products — which eliminate dust, dirt and static build-up — reviving its original design concept of clean lines and minimal Danish styling. Find AM's record cleaner set at the The Ghostly Store, and some considered answers from the founder's son and current CEO, Jacob Moesgaard, below.

AM and your family have been keeping records clean since 1971. What has it been like growing up with the business?

My father started AM back in ’71. It's easy to argue that since then, technology's force has been pretty disruptive – vinyl had it’s heyday, then it was cassettes and CDs, until MP3s came along and threw the industry into a whole new dimension.

Adapting to these innovations, the importance of good design has always been really central to AM. This background definitely informed my “no bullshit” kind of approach to design when I started my old headphone company, AIAIAI. Our vision back then was to first create something that looked good, and then to figure out how the design was going to deliver in terms of sound quality.

Being brought up in a Danish design tradition, it’s always been about stripping away unnecessary ornament and identifying what’s important. Since leaving AIAIAI, together with my brother, we’ve founded a creative design agency, Thank You For Clapping, based in Copenhagen. Working collaboratively with AM, TYFC occupies the intersection of design, culture and technology to build physical and digital products. It’s hard to say what the future holds, but I can definitely see some music and technology driven projects on the horizon. From the beginning AM products have looked just as sharp as they are effective. Define the approach or guiding principles behind the product design and branding. Starting in the 50s with design legends like Arne Jacobsen and Jacob Jensen, Scandinavian, and in particular Danish design, has become synonymous with this idea of a timeless aesthetic.

We’ve always tried to reflect this side of our Danish heritage in our product design.

Combining minimalism and the importance of clean lined functionality, 45 years of focused product development, has today brought us back full circle to some of our original designs from the 70s.

There's a great quote on an AM poster: "Machines may not have feelings but they do a pretty good job of making us feel." How would you relate it to AM's philosophy?

Music technology has always been at the heart of what we do. Which is cool because few industries are as dynamic. The everything-at-our-fingertips era is very obviously changing the way we listen to music. Back in the day, we’d have turned on the radio to discover new songs. Today, machine-learning algorithms can power discovery and recommendation tools to help users figure out what they want to listen to on these huge, open-ended music platforms. We’ve got machines with more control than original artists over the narrative of our musical experience, generating playlists specifically geared towards making us feel a certain way. When it comes to cleaning and maintenance, what are some basic tips for any person who owns a record player? I think the best advice is probably don’t let it get it dirty in the first place. Maintaining a healthy record collection is all about prevention: store your vinyl vertically without over-crowding and then when you want to play a record, take it out of its sleeve and give it a quick brush with a carbon fibre or velvet brush to dislodge any loose particles or dust. Before playing new or second-hand records for the first time, I’d also recommend a deeper clean with a lint-free cloth and some record cleaner solution – this way you can really work those grooves and remove any oily, sticky or greasy residues that might have built up under somebody else’s watch.

Something else that can also be very damaging to your vinyl, are the increasingly popular faux-retro entry-level turntables that have hit the market. These turntables use ceramic cartridges that track at around 4.5 grams; that’s about three times the weight of a decent quality magnetic cartridge by Ortofon. To give some idea as to just how heavy that is, cartridges on DJ turntables track at around 3 grams to allow for scratching and better tracking in an environment where you’re going to experience a lot of vibration.

These turntable are especially being targeted towards young people who are just getting into vinyl – kids who don’t really know anything about record player technology – they’re the ones being duped into buying record players that will carve up their brand new record collections. It’s therefore really important to look what stylus is sitting on your turntable because these kinds of cartridges, although cheap, will result in you paying more than they’re worth when you have to rebuy your favourite records over and over again. AM goes beyond records now, into the world of computer screens and gadgets. What inspired the expansion, and can you hint at any plans up ahead? Our expansion into touch screen tech felt pretty natural; our phones, tablets and computers have become important formats, not only in the music industry, but in our every day lives. When Apple launched the iPod and kick-started the digital era of music, we had to adapt. Most of our competitors didn’t weather the storm, but we saw the digitisation of music as a great opportunity to leverage our heritage, and experience and create cleaning products for today’s devices. We’ve been continually adapting to new and different medias for 45 years, so the move to screens just feels like a natural step.

We also really enjoy teaming up with other creatives when we do new projects. It’s a great way to be inspired, generate attention and create exciting content. With our screen cleaning range we worked with both Geoff McFetridge and Todd St. John to create some fun and relevant content, and we’re currently exploring potential collaborations in the music and sound engineering industry, again with our sister creative agency, Thank You For Clapping, to work in show pieces such as crates, speakers and a record player.

-- The AM record cleaner set is available at The Ghostly Store.

#ghostly #ghostly international #the ghostly store #clean sound am #interview #vinyl care #scandinavian design #danish design

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