#its actually a large part of his character
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Pavlovian Love - an analysis and prediction of Sar/Bien
This analysis has spoilers and assumes you've read BreadAVOTA until the latest update I1-5-RD, including the Further Reading sections and BienAVOTA.
Bien and Sar are interesting in their mandated un-interestingness: Bien is a character who is designated the antagonist instead of being the antagonist (which clearly mirrors Bread's cosmic role, although that's for a different post altogether). Sar, on the other hand, is a guy who just pops up with no context, no warning and no justification - though this reflects the "measure" he is tied to.
Being the most recently introduced character, Sar and Bien haven't had as much interactions compared to the other Nightmare Duo of BreadAVOTA, but the few chapters that do dwell on them have a vivid inspiration: Pavlov and his dogs.
"Fall in love, won't you now?"
The inspiration is no secret - Sar and Bien's introduction is blatantly labelled Pavlovian Love. What BreadAVOTA does interestingly is that it goes past the layman's knowledge of Pavlov and instead parallels the darker reality of Pavlov's experiments.
Let's start with the surface level interpretation, though. Sar "adopts" Bien and immediately starts conditioning him for his own ulterior motives. The "kindness" of all his interactions, from the superficially polite tone of his unreasonable request ("fall in love, won't you now?"), the constant preparation of food and the "leniency" for Bien's incompetence are all thin veneers over the character who is clearly the "actual" villain of the story.
With Bien being highly coded as a neurodivergent character, showing traits of both autism, schizoid personality disorder and schizotypal personality disorder (or even schizophrenia), Sar constantly talking to him like an ABA therapist would is hard to miss.
Sar's first encounter with Bien which immediately ends in Bien's "punishment" for attacking Sar, the very simple statement of "You don't tell me what I "should" be - I tell you", and all the lovebombing that comes afterward all points to his superficiality. He's nice to Bien as a form of conditioning him, and there's an underlying threat that if Bien goes out of line he'll get punished for it.
Yet Bien, despite being aware of this, can't help but feel a sense of flattery over Sar's exaggerated kindness, having been so deprived of kindness his entire life, like the dog that associates the bell with food even when it knows the sound won't satiate its hunger.
Food and the bell
Food is a common reward that Sar offers Bien in all their interactions, and we see Sar feed Bien in every update since they start living together: "Good [ Results and Discussion ]", "Christmas Cookies" and in Bien's personal blog entry, "(Call For) Help". In all three chapters, they also talk about music, with Sar playing a piano song before every dinner.
The food and the music have their own significance in the larger BreadAVOTA universe. The "food", which later turns out to be made of "Mindstuff", is said to be how Sar "satiates" Bien, although what it actually does is a little vague. We know Media sent Bon and Bien food supposedly made of the same stuff, with Media telling Bon in a letter that he sends stuff Bien needs to be "healthy" (complete with the air quotes), and it's largely implied the rest of the Living also eat MargiFood™ that Media insists is basically no different from "real" food... you know, for the Living.
Bien is (probably) part-Marginal, and the Marginals as a species are subtly implied to feel insatiable hunger, so the implication that Bien needs to eat "Mindstuff" might not be too surprising.
As for the music, for Bien, it's a way for him to connect to his father. And for the rest of the world, music seems to be one of the ways that magic is performed with: the Annotations seem to be preceded with a song, Sar says that songs are one of the linguistic presentations magic can take, and Ava describes Reality as a song, with the Wires of Reality making sounds and the Voice of Reality being the "chorus" of it.
Sar promises to teach Bien the piano, and with this in mind, Sar might be banking on using music as a way for Bien to rewrite Reality (supposedly because Ava's plans of making him a writer instead are going nowhere).
All that said, the constant association Sar makes with food and music evokes the imagery of the "classical" Pavlovian experiment: a dog is fed food while ringing a bell, and eventually it'll salivate when a bell rings even without the food.
Except for one thing...
There is no bell.
"I'm trying - and will now shred ████ without mercy"
Warning for animal abuse
Sar's shelf in I1-5-RD lets "you" (Bien) read excerpts from some of his books, and one of them contains a research paper about Pavlov's experiments (interestingly, with all mentions of Pavlov and dogs blocked out).
Although Pavlov's experiments are commonly taught to the general public and first-year psychology students to have used a bell, in reality his experiments were more complex (and often more brutal), using different stimuli like metronomes and electric shocks.
In Pavlov's studies of digestion, as the excerpt says, he would cut out a dog's esophagus and create a fistula. No matter how much a dog would eat, the food would fall out of its throat and never reach the stomach, meanwhile Pavlov and his fellow scientists would collect the secretions to study.
In "(Call For) Help", Bien complains about feeling the need to vomit, and Sar tells him that's impossible because there's nothing in him to vomit.
We see in I1-4 that Bien's body is completely hollow, and while it's never been completely explained there's implications here and there that because Demon's don't naturally have Bodies, their Bodies might only superficially resemble "Real" Bodies. What's interesting is that Sar spends all his time feeding Bien - for him to comment that there can be nothing inside of Bien to vomit implies Sar must have certain expectations of where exactly that food is going.
Bien does have one thing inside of him: blood... or something like blood. If he's meant to closely parallel Pavlov's experiment that could make for some interesting theories.
The feeding experiments aren't the only things Pavlov did to his dogs though, and Sar's actions parallel some of his other experiments. The "spinal cord surgery" (and the foreboding implication that it wasn't really "just" a spinal cord surgery but a full on vivisection, based on how Sar describes it) is similar to Pavlov's own experiments where dogs where vivisected to study their digestive systems, and Bien's current living conditions resemble the "laboratory for central nervous system research":
The Towers of Silence
Bien's point of view is never shown post-surgery: we're only ever shown Sar, who looks at "you" as if you were Bien and does all the talking. If Bien "says" anything we can only hear it from Sar repeating and implying it, but never from Bien actually being given the chance to speak.
It signifies Sar's dominance over him, both as a character and in the meta-textual context of the narrative. But besides that, Bien's perpetual silence is an interesting parallel to the Towers of Silence experiment.
The "Towers" were soundproof buildings where experiments were performed on dogs specifically to try and break them down into madness: random stimuli were paired together to see how the dogs would react, like electric shocks coupled with force-feeding. "(Call For) Help" shows this the most blatantly. Where Bien ate on his own (if reluctantly) in the previous chapters, in "(Call For) Help" it seems that Sar is actively force-feeding him, with the last lines being Sar telling Bien to stop fidgeting.
Ava, at one point in Bien's blog, compares herself to Bien, saying that Bien's neuroses over his isolation (at this time, when he was alone in the military bunker) reminded Ava of her own experience in the "Recursive Panopticon" - with I1-3's Further Reading section showing to us that the Recursive Panopticon seems to be something vague, surreal and maddening.
There's another very obvious parallel here in regards to being an experiment for brutal psychological experiments, of course...
Like Father, Like Son
Bien's not the first Demonic teenager subject to inscrutable experiments. That crown goes to his father, Bon, whose experiments under the Maldevaran Centre of Supranatural Research and Development were similarly vague and highly traumatic.
Here are excerpts about Milord and Postrel, two of the dogs the Towers of Silence, taken from the Kingdom of dogs exhibit (where the book on Sar's shelf is referenced from)
Milord - Markedly more placid and peaceful than POSTREL. Expected his experimentally induced breakdown to reflect inborn character difference. Hypothesis confirmed — M has broken in the direction of ‘inhibition’.* Previously established conditional reflexes disappeared. Stopped salivating to most ALL positive stimuli as shock was increased. Attempts to cure Milord with bromide solutions and rest unsuccessful. He has been retired. Phlegmatic character. Balanced, calm, consistent, not easily aroused. *Results later rejected in their entirety Postrel - We are combining shocks with food to test if breakdown can be experimentally induced, and if direction of break reflects inborn character — choleric in Postrel’s case. Hypothesis confirmed — Postrel has broken in the direction of ‘excitation’.* Previously established conditional reflexes are now erratic. Salivation in response to ANY stimuli excessive and undifferentiated. The animal’s reflexes are shattered. ‘Will now observe therapeutic effects of bromide salts. and rest. Choleric character. Lively, sociable, extremely excitable. *Results later rejected in their entirety.
Bon and Bien are really similar to the dog of Pavlov's experiment: the more "placid" Bon, who is better at controlling their Demonic "instincts" compared to the more "choleric" Bien, who was far more impulsive and violent. Bon breaking down and becoming more subdued seems to reflect Milord's results - we haven't seen what will happen to Bien yet, but if this parallel means anything then it looks like he's going to become far more erratic under Sar's care.
Going by how Bien reacted to his time with Ava in the bunker, this is likely to be the case - Bien already seems predisposed to neuroticism, constantly freaking out and fluctuating between childish excitement to detached and even cruel apathy in his appearances.
"Your presence (here) is of utmost value to the recipe..."
So Sar is an evil mad scientist and Bien is the schizoautistic kid he's bullying to the death. Alright, we can leave it there, I guess? Sar is nice to Bien because he's gaslighting and manipulating him, case closed.
Well, I recommend reading the paper that Sar's shelf has in full. The paper itself claims that its intention isn't merely to "damn Pavlov in retrospect" but to focus on the lives of the animals that were experimented on and to dispel the illusion that they were completely passive in the experiments.
As Todes noted, this set-up facilitated a relationship in some ways akin to 'pet and master'; it resembles what we might today call a companion species bond. That said, on the experimenter stand it was a relationship often defined by a shared tedium. The hours would often drag for both – experiments were monotonous and wearisome, involving little more than pressing a button to trigger a stimulus, measuring saliva, proffering small amounts of food at strictly regulated intervals. And then waiting. Apparently, a key challenge was staying awake – either animal falling asleep at the 'wrong' time was potentially ruinous for the experimental procedure. However, it also meant human and canine co-workers got to know each other to an unprecedented extent compared to Pavlov's early career.
Sar's and Bien's time together, despite their shared goal being something larger-than-life and implied to be urgent, is remarkably mundane. The contrast between the Protagonist Half being a disjointed mess of lulrandomxD events to the repetitive, maddening tedium of Bien's life is notable. Bien reads and writes and codes and reads and writes and codes, and when he moves to Anselir with Sar, Sar makes him do all those things again, enforcing a strict schedule on him as a way to keep time stable in the disjointed reality of Anselir.
The presentation of Sar and Bien's time makes it foreboding. Sar's constant dominance of the conversations, his creepy attitude, the visuals from Bien's point of view being a contrast of a dark background with neon text and highly pixellated and distorted graphics, and Bien's increasing incoherence and borderline-psychotic episodes, these are all different elements that make Bien's portions of BreadAVOTA notably more disturbing than Bread's half of the narrative.
And yet, when you look at it literally, nothing ever actually happens. Bien embodies the "measure" he is stuck in, as the Eye of Space.
Like the Towers of Silence, Bien's stuck in an inescapable torture (especially with the unspoken but horrifying implication that the spinal cord surgery "tethers" him to Anselir so that he can't ever leave), but it's not the type of violence we see happening in the Time measures (where violence, it seems, is rendered meaningless because it undoes itself).
Bien's torture is more psychological in nature. From his life at home, his time at the War, his time in the bunker to his present day in Anselir, Bien's lived a life of being constantly trapped, in a situation where no matter what changes it stays the fucking same.
...and more importantly, to me"
And the interesting parallel he has with Sar is that Sar is stuck in the same situation.
The obvious interpretation is that Sar is nice to Bien because he needs Bien for whatever bullshit experiment he's trying to run, and that he doesn't really care about Bien to any meaningful degree. And maybe that's true now, but my personal theory is that over the course of them being stuck together in Anselir, a place where it's confirmed that even short periods of time feel like forever, Sar's going to develop a genuine attachment Bien.
Sar's an enigmatic character whose motives are hard to guess, and a major factor to that is that we already met Anthony, and even though Sar is Anthony... well, he's really not like Anthony.
We don't know why exactly Sar is so different, but the author does say that being alone for so long drove him "mildly insane." Anthony's antisocial and seems to hate everyone to the point of considering hate as a more important emotion than love, so seeing Sar being so polite (no matter how fake) is a jarring change in character.
In I1-5, there's one detail I noticed. When Bien asks about the MargiBirds, Sar says that he adopted Media's mannerisms so that the Birds would listen to him. And Sar is... vaguely Media-like, in that Media himself is a person who is superficially polite just to get what he wants. But Media and Sar don't exactly act 100% alike, although it's hard to pinpoint in what way they differ. I guess in a way Sar has a more uncanny quality to him, even though Media's the one who's literally an alien computer ghost.
The last line here is pretty interesting. I think that in the absence of any "Living" company, Anthony gradually grew more miserable in Anselir, and his weird personality was a way to try and get the birds to interact with him more just so he'd have someone to talk to. And man, Sar talks a lot.
I can't help but feel that although Sar likely has his own secret goals that take priority, he does feel genuinely relieved that Bien is there with him to spend the tedium of eternity with, even if it might be less about Bien as an individual and more about just having an actual person in Anselir.
Results and Discussion (And Conclusion)
BreadAVOTA as a whole strongly delves on themes of isolation and alienation, and the (often terrible) results that come from having it imposed on others without them having the power to do anything about it.
The decision to make such a unique fictional world with a supposed focus on "worldbuilding" and yet to only ever show Maldevaran life in passing, and the tendency to focus on characters who are mostly unlikable and difficult to understand are risky decisions from a writing standpoint, and it's a little arguable whether rolypolyphonic actually does them well, but I recognize that there's a specific question being asked in choosing to make the story be about what it is. It's a question Ava herself asks Bien when she criticizes Bien's shitty fanfictions:
Why should anybody in the audience care about these unsympathetic characters?
Bien's reply is framed as "stupid", but it touches on one of BreadAVOTA's themes: "why do i need to write down why people need to "sympathise" with mieszko? it should be obvious. you should simply feel bad for anybody ever."
Bien being apathetic and violent usually would be in poor taste considering how he's so coded to be autistic/schizophrenic, but BreadAVOTA's worldbuilding helps toe around the fact by making physical "death" something more trivial and by focusing on the more existential aspects of Maldevaran philosophy, which touches upon the real experiences of people with "bad" mental illnesses: schizophrenia, personality disorders and and "conduct disorders".
The idea of people who become "villainous" as a result of poor upbringing isn't new to fiction, but BreadAVOTA does put an interesting focus on the "poor upbringing" not necessarily being explicit abuse or trauma but a more silent yet perpetual feeling of alienation and disconnect, fitting for the story's overarching theme being an "allegory for schizotypy".
The Kingdom of Dogs leaves us with this compelling message, which feels relevant to Sar and Bien and BreadAVOTA's themes as a whole.
It is an understatement to say that we rarely get to hear about these aspects of Pavlov's work today, a forgetting which extends to the majority of scholarship on Pavlov, where dogs appear only in passing as experimental objects, never as subjects about which we should express care or concern.
BreadAVOTA doesn't necesarily asks its audience to "like" or "care" about its characters, and as the breadposters (all three of us) have noted there's a tendency to make the characters hard to like or care about. But it's not a story that tries to convince you to like the characters. It's just taking the opportunity to express these uncommon perspectives from the first person point of view.
Paraphrased from the author's own words, "there's always the risk of offending people with my portrayal of being schizoid, so you can go and read books that say nothing bad about being schizoid by virtue of never saying anything about it at all."
I doubt that Sar and Bien's relationship will stop as something so one-sided and passive, where Sar tells Bien what to do and what to say, but that eventually it's going to be complicated by the effects that both of them faced being isolated growing up (Bien in his Exile, Anthony/Sar as the youngest Judge), the way they were pathologized for it, and the unhealthy concept of relationships they formed as a result.
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I love that Bob's Burgers depicts a family that works literally everyday and is still on the brink of losing everything. It's a true depiction of the American experience.
#bob's burgers#anti capitalism#it also addresses bobs fear surrounding this#its actually a large part of his character#that hes afraid of not only loosing his dream restaurant#but of not being able to support his family#txt#i dunno just thinking#while im about to head into my 12 hour shift
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tbh my latest biggest theory for why HoO and onwards is such a dramatic drop in quality and consistency is just. Rick stopped making teaching guides.
Like, the Lightning Thief teacher's guide is SUPER in-depth with even stuff like sources about middle grade child psychology and exact specifications of where he's applying that, explaining what different character's goals/motivations are, their dynamics with each other and their environments, etc etc. Even specifying which specific myths certain plot elements are supposed to reference or be about.
That stuff just doesn't exist for later books. There's activity guides and smaller, significantly more simple teacher guides for later books but they don't go into anywhere NEAR the same level of depth. The TLT one is a full lesson plan that breaks down the book at every level and explains what's going on and more or less why Rick did that. The others are all basically just glossaries of terminology and some simple question guides.
And they didn't even use the TLT teacher's guide for the Disney+ show because they clearly aren't adhering to any of what's discussed in that breakdown of the book.
By creating a teaching guide alongside writing the actual book, that's forcing you to document what you're doing, why, your sources, and information about your characters and the story they're in. It's like an even more in-depth version of a series bible. But that's lacking for later books (and etc) and it shows because that level of thought and depth and attention just isn't there anymore.
#pjo#riordanverse#rick riordan#rr crit#< i suppose#imo one of the most damning parts of the drop of quality in the later books is you can tell exactly what parts of what books#Rick had planned in advance and which are just filler to get from point a to point b#because characters will jump in and out of consistent behaviors - particularly in HoO - and those lapses where they act weird#are almost always super disconnected from the rest of the plot or storyline or whatever arc that character is on#or are just so clearly sped through because they aren't important#Leo is a great character imo to look at to figure out if it's a filler scene or not lmao#if he's clearly masking being somber by putting on a silly act but dropping it quickly or otherwise largely acting serious/somber#then it's probably a more considered scene and actually paying attention to his overall character arc#or just remembering how the characters are supposed to act (in Leo's case - quiet/thoughtful/somber but masking it with humor/etc)#if he's 100% silly goofy depression arc nowhere in sight then its probably mostly a filler scene or at least his part in it is filler#anyways i highly recommend reading the tlt teaching guide its really interesting actually
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how is sex work perceived and treated - spiritually, legally, morally - in broad areas relevant to the white calf core cast? imperial wardi, the hills etc
Sex work is EXTREMELY stigmatized in Imperial Wardin, yet generally regarded as an element of society and a necessary function, not one to be eliminated. You'll occasionally find fringe groups decrying the presence of brothels as polluting elements upon cities, but they are minority figures- sex work is legal, generally accepted, and very common.
There are some exceptions- in most of the city-states, only sex work out of registered brothels is considered fully legal (independent sex workers are breaking the law in most city-states, though how much these laws are enforced varies heavily). All legally operating brothels must be officially registered, and are heavily taxed.
Prostitution of children is illegal, and this is one of VERY few protections for sex workers that is strongly enforced. But it should be clear that the societal definition of a child here does not match the contemporary- a person is generally considered an adult woman upon menarche (which is later on average due to poorer nutrition, but is still going to include a lot of like, 14 year olds). Boys are considered adults at the age of 16.
Forced prostitution is also illegal on paper, but this is poorly enforced. Even when not Outright forced, many sex workers are working as indentured laborers, or under prohibitive conditions where they have very little freedom of movement or legal ability to leave during the duration of their contracts.
Sex workers are an incredibly vulnerable, stigmatized social minority that have very few protections and are often subject to abuse.
The stigma against sex work surrounds the sex workers themselves. This is culturally justified and partly rooted in aspects of broader body taboo- receiving penetration = metaphysical vulnerability = openness to spiritual pollution, and they are considered to be heavily polluted by their line of work (regardless of whether or not a given person actually is receiving penetration on a regular basis- male sex workers who primarily have women as clients receive much the same treatment, the stigma here is fundamentally a form of bigotry, not something with a consistent internal logic).
In addition to concerns around penetration, the act of '''selling''' the body itself is seen as a polluting devaluation of the sacred body and using it to extreme excess. Sexuality and libido is societally valued, but in a framework of moderation- sex workers are seen as wildly out of moderation and are often ascribed qualities of an excessive libido by virtue of their line of work.
Sex workers are prohibited from entering most temples and participating in many public rites, justified in their ‘polluted’ status, under the assumption that it will de-purify the place and sully most rites. This serves to keep them isolated from key facets of social life and culture, and can leave many spiritually ostracized (most sex workers from within this cultural sphere are also going to believe in notions that they are spiritually polluted, with limited outlets to cleanse themselves).
There is one folk tradition that has developed to assuage some of these fears and the sense of isolation- an epithet to the Face Ganmache that translates literally to 'Mother of Whores' (a rather strong name that reclaims degrading slang in the original language as well), which watches over sex workers and their labors. This is wholly a folk tradition and not part of core dogma, and priests are self-appointed, mostly elderly former sex workers. They provide rites of purification and blessings for those denied access to temples, sometimes train themselves as midwives to assist in births (or abortions), and will help ensure deceased workers get proper funeral rites.
Generally, the concept of something being spiritually polluted translates to full avoidance of the person/place/thing involved, but these concerns are rarely applied to the Hiring of sex workers (ie they are spiritually polluted and highly impure and shouldn't enter temples but you, the client, are not affected by contact). While some people will try to provide logical explanations for why hiring a sex worker is not polluting, this does not have any true underlying logic and is a product of a society that both reviles sex workers and desires their labor.
They are generally expected to visually identify themselves as sex workers at all times- the exact details vary by city-state, but wearing hair unbraided and an uncovered head in public is most common (particularly in the west of the region).
Male sex workers are denied certain rights otherwise available by default to men (self-legal representation, ability to own land that is not gifted, etc). Female sex workers do not have these rights to begin with, and have even more difficulty than other women in finding legal representation, given that they situationally rarely have fathers/husbands/male family members willing to support them.
Because of their inability to represent themselves in court and the difficulty in finding representation, they often have little to no recourse against abuse or violations of their contracts. There are some lawyers who specialize in representing sex workers (fewer still who do this entirely out of benevolence for a vulnerable social class), but they are few and far between.
The majority of sex work is marketed towards male clients, and the majority of sex workers are women. Male sex workers are mostly young men who serve male clients, and will usually keep themselves beardless and not overtly masculine (while not distinctly effeminate either) to remain desirable targets for the sexual outlet of most men. (There is no concept of sexuality in this culture- if you are a man, you are a penetrative partner in sex and the gender of the receiving partner is of little concern. Younger men beneath you in social stature (in practice, these are almost always sex workers) are considered appropriate targets of male desire, and as such you have some men who would be considered heterosexual by contemporary standards having sex with other men). Male workers who primarily serve female clients tend to vary more in age and have less social restrictions on their appearance or masculine presentation.
Eunuch sex workers usually serve male clients, and are regarded as appropriate targets of male attraction regardless of their age (largely as they are seen as entirely incapable of performing penetrative roles, and conceptualized as de-gendered). Akoshos (those designated male who perform women's gender roles) sex workers are seen as uniquely predisposed to serve both male and female clients, as their gendered space is broadly conceptualized as dual-gendered (being physically capable of performing 'male' penetrative roles while living under women's social roles)
Hiring of sex workers is not considered infidelity and is entirely permissible to do while married, though women are often heavily discouraged from doing so (largely out of concerns of pregnancy, partly out of patriarchal control over women's sexual behavior). A woman who pays for sex work receives more scrutiny than is applied to men. It is not outright inappropriate, but can be considered indicative of an excessive libido or overmasculinization. Women are imagined as having naturally lower libidos than men, so behaviors that challenge this notion tend to be be noted.
The only circumstances in which hiring sex workers as a man attracts scrutiny is when it is deemed excessive, symptomatic of an uncontrolled libido. Men who hire male sex workers closer to their age and/or bearded will also attract scrutiny- while not outright Condemned, it's suspiciously out of the acceptable range for male desire (though will most often similarly be interpreted as an excessive, uncontrolled libido, ie you'll just fuck anything with a hole). Receiving penetration from a sex worker as a man is wholly condemned, as is seen as UNIQUELY violating, not only a severe deviance from male social roles, but at the hands of a stigmatized, polluted figure that is at the absolute bottom of the social ladder. This usually happens in secret and often involves paying the worker off for their silence.
The one major exception to stigma against sex workers is in the lemna courtesan tradition. Lemna are mostly unmarried women and/or akoshos who are very skilled trained performers who work as entertainers for wealthy clients. Their services are not sexual in nature, rather they sing, dance, act, play music, and recite poetry, and are skilled conversationalists that provide company for clients. Lemna usually operate out of elite brothels, but as separate services to the sex workers, and are in theory never available for sex work. Lemna providing sex work sometimes (though not frequently) occurs in practice, but it is always be presented as something they have not been Paid to do- their payment was for entertainment, and they will present it as a (almost always purely fantastical) situation that they have grown attracted to their client and are engaging in a romantic tryst.
Lemna courtesanship is long-established and a valued part of this culture's art and theater traditions, and they do not face the same stigma as sex workers, rather being seen as an elite class of performers. They do not exactly have a High place in society either (as unmarried civilian women and/or akoshos, they are notably lacking in social power), but the regard towards them is overall positive. The exemption to this stigma partially lies within the framework of body taboo (they do not explicitly 'sell' their bodies or directly engage in sex work), but is largely rooted in the esteem of their tradition rather than any coherent logic.
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Sex work has a much less significant, less complicated, and less intensely stigmatized place in the highlands, mostly due to its reduced presence. Most people are living in relatively small agricultural villages, or transiently as herders, so there are fewer opportunities for sex workers to operate on regular and official levels. The only places you can reliably find sex workers within the highlands are in small quasi-towns that crop up around land trade routes, or occasionally as traveling traders (usually offering material goods in addition to sex work services).
There’s also no intra-highlands currency system, so sex workers will usually be paid in goods, which in turn influences the cultural lens on sex work. Goods have direct, immediate utilitarian value that currency does not, and paying goods for service is most pragmatically done as a means of material practicality- forming alliances, acquiring farmhands, receiving the defensive or offensive service of warriors, etc, not for temporary gratification.
The fact that this cultural sphere is fairly egalitarian in terms of gender (though it has strongly enforced, separate gender roles for married men and women) also contributes to the comparative lack of stigma- part of the Imperial Wardi stigma against sex work is interwoven with misogyny (with women sex workers being the most degraded extent of femininity, and male sex workers taking on inappropriate, degraded feminine roles in providing sexual services). Women have equal overall societal power to men in the Hill Tribes cultural sphere, and things associated with femininity are not Themselves degrading (men seen as feminine are not shamed for femininity itself, rather in their specific failure to perform male gender roles- the distinction can be subtle but is very significant to how gender roles are approached).
Casual sex between unmarried men and women is fully accepted, somewhat seen as a hallmark of youth. However, married couples are expected to remain exclusively faithful to one another. This also goes a ways to discourage hiring of sex workers, which would be accepted grounds for a divorce and a mark of shame on the person who strayed.
While not excessively stigmatized, the views on sex work here is nowhere near Enlightened And Supportive either, it’s still seen as a highly degrading, unfortunate line of work. Sex workers are usually going to be unmarried women of marriageable age who could not (or would not) acquire a husband for one reason or another. They are women who failed in expected roles of marriage and becoming the manager of a family’s home and property, and have not even taken an esteemed, productive role for spinsters (usually physical labor in herding, farming, raiding) in favor of one that is considered ‘selling’ one’s body to provide useless, base services to desperate men. It's something that will usually be looked at as sad and unfortunate at best, or an absurd dereliction of duty at worst.
Male sex workers are virtually unheard of (within the highlands at least, there's cultural stereotypes of Wardi men being effeminate and predisposed to sex with men, so of course THEY'VE got male sex workers all over the fucking place), and the concept of a man operating as a sex worker would just seem absurd to most.
But the levels of social shame surrounding sex work are actually higher for the client in this cultural context- it’s suggestive that you either cannot afford to get a wife/do not have the requisite masculine skillset to be a husband, or otherwise that you’re so utterly incapable of getting laid that you have to go to great effort and barter for sex, a petty expense of valuable goods. It's both a foolish waste and in many ways a failure of expected male gender roles. Most men who hire the services of sex workers will keep it on the down low, or (if living near the borders) commute to Wardi towns or tradeways for access. It’s seen as an act of desperation, foolish, emasculating, and will generally be mocked and shamed.
I actually have a framework of a folktale that kind of demonstrates the cultural lens pre-established (no names for the characters or clans involved, it's supposed to be of the far northern Bict-Braíghnnas tribe). I'll put it under the cut:
One of the folktales describes a young woman who was strikingly beautiful and exceedingly clever. She was of the Bict-Braíghnnas, the lone daughter of a very small, very poor clan, consisting only of her immediate family and a few cousins. Her father had died young, and her younger brothers and cousins were malnourished and inexperienced, and could do little to protect or grow their meager herd of horses (they certainly could not afford cattle). She had to take on the role of the provider for herself and remained unmarried long past marriageable age, living day by day doing whatever she could to scrape by and keep her family afloat.
She became aware that the patriarch of her ruling clan had an eye for her, and he began approaching her in hopes of soliciting sex. At first, she always brushed him off. She found him repulsive, as he was foolish and greedy and rather ugly. But she started to see an opportunity in all this. It was a humiliating opportunity, but one she was willing to take.
The next time he approached, she pretended to consider his advances, but only if he should provide payment in turn- if she was as beautiful as he kept saying, and he was as wealthy as he kept bragging, wouldn't it be worth the price? He first offered her a sack of barley, but she laughed him off. He then offered her fine clothes, but she feigned insult, was she not already beautiful even in poor, worn rags? He then offered her a breeding pair of pheasants, and she pushed aside her shawl to expose her breasts, and sweetly asked if he Really could not do better, wealthy in cattle as he was. The man was now, quite clearly, hard in his trousers.
He finally relented to an obscene payment- he would go under his wife (the owner of his cattle)'s nose and give her an adult cow, in payment for having sex with him just once. This is a high price to pay, but she was gorgeous and he was rich in cattle and could afford to lose one (or two. or five. Maybe more.). She accepted his offer and had sex with him, and came away with her very first cow.
(Some tellings of this story go on a tangent here where she sneaks the cow right back into the man's fields under cover of darkness, to breed it with one of his bulls and begin forming her own herd)
Over the next several months, he started regularly approaching her for sex in exchange for cattle, until he had to start coming up with explanations to his wife as to where the missing cattle had gone- he first claimed they were given as gifts, then that some were stolen, inventing wild stories of great raids and declaring open conflict with the greatest rival to his clan, all as means of masking his dalliances. This skirmishing came at great cost to his own clan, but he was too foolish and weak-willed to stop.
The woman was meanwhile using her newfound and growing wealth in cattle to make connections and political moves, slowly establishing herself as a powerful figure and having many in her debt. Her brothers and cousins, finally well fed, grew tall and healthy and began to take on roles as herders, protectors, and raiders, with the assistance of more young men gained in alliance. All the while, she dutifully continued her paid trysts with the patriarch whenever he summoned her.
Eventually, the man had given her so many cattle (which had been bred in the meantime, and more had been acquired in trade and raids) that she had three times as many as he did. One day, she did not appear as expected. She had amassed great wealth for herself and her clan, and had been courting the unwed son of the patriarch’s rival clan. The son paid a hefty bride price for her, and they were wed on that day.
Now the wealthiest in cattle and the most powerful clan in the valley, the woman and her new husband ousted the weakened and disgraced former patriarch, becoming the new ruling clan of the Bict-Braíghnnas. The couple were wise and wealthy rulers, and their clan remains in power and rich in cattle to this day.
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The cultural outlook on sex work (among other things) is fairly well encapsulated here- the sex work itself is degrading, but this fits into common motifs of this cultural sphere’s folktales where the hero figure overcomes difficult and often degrading situations with wit and social skill, and ultimately rises above it. Note that as a (non-comedic) hero of this tale, she uses her sex work very intentionally and pragmatically for material gain and alongside many other measures to increase her standing. Also note that, when unmarried, she's specified as taking up practical labor roles, and ultimately acquires a husband and ends the story in the expected position as a wife.
The actions of the man who hired her are distinctly shameful. He is performing his role as a husband TERRIBLY- being unfaithful, completely mismanaging his wife’s herds and ultimately driving his clan out of power all in pursuit of petty lust. He is in part an exaggerated, cartoonish embodiment of the cultural perception of the clients of sex workers- desperate, foolishly lustful, and an overall failure as a man. Most hearing this story would find his role highly comedic, a powerful but stupid foe for the clever and pragmatic hero to overcome.
(Very minor side note: the detail of him being enthralled by her breasts is also meant to be comedic- breasts are not sexualized in this culture (women's hips/thighs/buttocks are what is typically seen as sexually attractive), and many women will be out topless on hot days without note being made of it (toplessness is culturally acceptable, exposing genitalia/buttocks is not). The notion of a man being out of his mind horny over the sight of a bare tit would register to listeners as excessively lustful in a humorous capacity)
While the focus of the story is ultimately more on the contrast of thrifty and foolish behaviors, it also functions as a discouragement of hiring sex workers, casting the loss of assets in trade for sex as a similarly foolish venture, degrading to the worker and humiliating to the client.
#VERY long post. Enjoy#The only main characters who have hired sex workers are Janeys and Brakul#Janeys exclusively goes for 'appropriate' targets (mostly being women or young beardless men). Which he is not actually attracted to.#And is a fucking terrible rude as shit client with his only redeeming quality being that he pays VERY well (largely with the#implication of keeping quiet about whatever he inevitably did to embarrass himself)#Brakul only does it occasionally and on the downlow and goes for people he actually IS attracted to (men closer to his age- which#generally will be workers who normally serve female clients). He is VERY ashamed that he does it to begin with but is at least#polite and businesslike about it. He fucks off the second its over. Sometimes he's like 'actually never mind' and pays and leaves#midway through. Literally just pulls out and sets down some money and dips. They'll never see him again.#Palo has never hired a sex worker but has kind of a unique relationship with the community. Growing up in a mercantile family#in a district with a lot of brothels- sex workers were kind of just part of the community. He still ascribes to most cultural beliefs#surrounding sex work and isn't like Enlightened about it but is much more inclined to treat sex workers like peers and with a degree#of respect normally afforded to any stranger.#One of the akoshos in his community (that he spent his childhood fascinated with) was a priestess to the Mother of Whores and a#genuinely kind (though VERY stern) old woman. Had a very cold hard gaze and rugged look and he was kind of scared of her#but one time when he was 12 he got bitten by a street dog and she gave him a blessing then and there so he wouldn't have to walk#all the way to a temple. Their blessings are not considered legit under standard practice (given they are not considered a legitimate#priesthood) but he felt a lot better afterwords.
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i want to put link in isat. im sure hed do fine. the heros spirit endures
#my post#i was gonna say like. 'probably not the worst thing the heros spirit has endured.' but actually#man. idk. ppl like to say majoras mask is super dark. i think bc ur constantly faced with tragedy in a very direct way#zelda is usually slightly less in your face abt that stuff. mm crosses the line for that juust enough for it to be Particularly Notable#loz generally isnt afraid to address the Horrors. or at least acknowledge them#i dont mean this in a 'mm is darkest zelda' or whatever kind of way. (see jacob gellers video 'every zelda is the dsrkest zelda')#i mean it as like. mm is just louder about it#yknow. but is mm is speaking loudly then. if u put isat next to loz then it would drown mm out quite easily#in large part bc the story is just told differently#the characters are much more expressive in every way. bc the story is being told through expression#whereas loz tells stories specifically via player action#if that makes sense?#loz focuses on the journey. isat focuses on how the journey feels#not to mention links permanent 😶. which definitely influences this#honestly link as a general character (tho especially botw link) is very similar to siffrin. im not gonna try to put that into words rn but#maybe another time#anyways. if isat were told more like a zelda game i think it would be along mm and botw#i say those 2 specifically bc time loop and death and loss. lol#if the reverse were true. if loz ganes were told more like isat. then god dude i dunno#i might go through the plots of each and measure out how much i think the bitch(link) is Going Through It sometime#not rn. but sometime#initial gut thoughts tho. i think probably oot sksw la andd. possibly ww. wojld have similar emotional impact#sksw especially. have you seen his face when he sees zelda in the crystal thing. god#id say botw too but tbh. i kind of think its emotional impact is best as is.#it leaves itself a lot of room to breathe. you can rlly like. think abt it.#man these tags are off topic from the original post. eh its my post who care
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In case it's hard to read/understand: "If I had a nickel for every time I had a story with a blonde girl named after a plant, who has a German father and a French mother but absolutely hates said mom, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice."
weird, extremely-specific tropes in my stories: pt 1
#oc liveblogging#ughhhhhhh i really CANNOT afford to be procrastinating rn but i know this happens when im extremelyyyyyy fucking stressed.#creative/art related classes always get me for this reason bc ill use 'wait but i need to find inspiration!' as an excuse to procrastinate.#fuckkkkkkkkkk. UGH IM NOT EVEN WRITING SOMETHING FROM SCRATCH ITS JUST A FINAL REVISION BUT IM CONVINCED IT SUCKS#the worst part is hkjhkjGHKJ I HAVE TO PRESENT SOME OF THIS SHIT AT AN. INTERNATIONAL FUCKING CONFERENCE GUYS. GUYSYSSSS#anyways this post is sadly not related to that. nothing im presenting is related to my ocs [un]fortunately lmao#ive just been thinking rotating various oc stories around in my head again ourgghhhh.#and i realized this LMAO. i mean maybe technically not 2 separate stories anymore because im recycling a lot from one for the other?#one of these was already established lowkey and the other was something i made for an assignment for a class like 2 years ago#i actually don't know if petunie will be blonde in her final incarnation?? ive always imagined her as silvery blonde ig but idk#if ill keep that. she doesnt have proper colors like colin but at least colin has his design set more straight somewhat.#and all the recent petunie development is lowkey really fucking funny to think abt. i girlbossed with her character development so#hard that she really replaced lucian as a protagonist HAHAJSDHKGJ. ok well not 100% kamille's story is a shoot-off#of lucian's technically? i guess? it started becoming that and now its solidified as that lowkey bc same town same place time period people#but man if im not careful i might accidentally make kamille/petunie's arc THE default one and lucian's main one the offshoot instead#a lot remains to be seen. but also yeah the other one who's story is mostly getting recycled (myrtille) actually ALSO HAD HER MOM#COME FROM THIS SAME FUCKING PLACE BASICALLY. a few decades later but still bruh given developments for lucian's story too its just like#at this point im noticing a pattern man wtf is wrong w/ women who come from this town specifically lol. 😔🥴#this town in general is just fucking cursed though i think ahkjshkg. i mean that jokingly and literally lolololl i gotta. work on it. but y#I HATE IT HERE WHY ARE WEIRD LITTLE FUCKING TOWNS WHERE BAD SHIT HAPPENS ALWAYS A CONSISTENT TROPE IN MY STORIES /silly#I DONT EVEN COME FROM A WEIRD LITTLE TOWN MY HOMETOWN IS LIKE. AVERAGE NORMALISH NOT SUPER LARGE??? IDFK?????#haaaaaaa fuck i need to finish this by the end of TODAY I S2G!!! SO I CAN MOVE ON TO ALL THE OTHER SHIT I OWE FUCKKKK
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not to be dramatic, but I think Josh Barnett singlehandedly saved the fandoms perception of Race
#like maybe some of it is just the way a fandom matures as time goes on#and it's no longer a fandom consisting mainly of 12-15 year olds who watched the live version on Netflix#and woobified race just because he was played by ben cook who was considered very attractive and was the goofy side character#and im saying that as someone who was one of those young teenagers#but race has a complexity now that he didn't really have in the fandom then#he's interpreted as meaner and more cynical beyond just a soft facade and I Love It#And obviously a large part has to do with how Josh plays him and how his portrayal is only shared by word of mouth of the people who actuall#could go see the uk version since theres no professional recording of any kind#but even still#the beginnings of a crueler character are there in Ben cooks performance in the exact dialogue i just think josh took that to the next level#idk its nice#racetrack higgins#i love the kind of amalgamation of 92sies livsies and uksies race that has emerged
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the probably most defining thing that shrike 1 did that made shrike 2 the thing that it was when that character started getting made was the fight where shrike 1 - a person who does not have or fight with a mech, and instead largely uses his own body & a few short range tools like knives - jumped up onto one of the mechs the group was facing off against and started breaking the mech apart with his hands and claws to get to and kill the person inside of it. very central moment for thanatos (shrike 2), the giantkiller
#i use the shrike 1/2 shorthand and not much else to talk about these characters & nobody outside of nc & lulav would have any idea#who either of them are. ummm#shrike 1 is shrike & the ground bled (his real name) - a former soldier who was part of a weird supersoldier program & who#works as a mercenary/assassin after being discharged 4 an injury. no real moral stances beyond#violence is the solution to most problems/flesh is inferior to metal/my allegiance is always for sale#& hes frommm a. 2018-19 technoir game#shrike 2 is from a 21-22ish beam saber game#its technical professional callsign is thanatos#but is called informally both shrike and butcher for its. well. tendency to tear both mechs and people apart#its a giantkiller & is very actually opposed to both mechs and war & sees violence and aggression as largely just a necessary tool#but before it cares about that moral it cares about loyalty. & the people its loyal to are#its superior officer & former team who are very involved in the war.#neither of them really think about themselves as people#but shrike 1 considers himself like. an intelligent machine more than anything else#& like. a wolf.#shrike 2 very firmly believes itself to be a tool & an attack dog. the purpose is to be subservient & be wielded#theyre fun theyre more different iterations on similar concepts than a linear improvement or w/e i just use 1/2 bc of chronologh#personal
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(still a wip)
"im just gonna paint something quick and rough to try and get my feel for drawing back-"
...........spent two hours already rendering just his feathers even though hes so dark its probably not gonna be visible in the end anyway ..
(wip)
attempting to paint the characters tm
(Shargon and Zaphira)
#ganondoodles#art#wip#original art#painting#.......woah it shows so much more than on my tablet screen#maybe i gotta turn down the contrast actually....#part of what i like about shargons new design is that his face is so dark you really only see his eyes and teeth if he shows them#which is imo a really cool way to make him seem more dangerous#especially for such a silent character- shargon only talks when absolutely necessary#together with his more animalistic behavoir than other demons it makes for a really neat mix ...#(also plays into him having grown up largely alone due to the others disdain and abuse of him)#... also its almost 1:30 am ........ why do i always do this when i need to get up early
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Sigh. Nikola why must you be one of the more interesting oni characters. I don't wanna think abt you with your stupid spiky blond hair and your unethical science that mostly just serves to make Jackie more shitty by proxy. But I do. Because you're kind of orbo blorbo. Fuck you Nikola I hope you explode again
#rat rambles#oni posting#hes just extremely fascinating in the scientist crowd because he has a weirdly large presence in the like. actual meat of the lore.#like he has an actual arc that relates to the quote unquote plot of oni#he made the field around earth he made the neural vaculators (presumably) he contributed to the teleporters and was also involved with#some of the other projects in the bioengineering department and is one of the two scientists that we know for sure knew abt and worked with#duplicants and all of that and almost every instant of nikola being relevant hes only seen second hand#the One thing that we have that is Maybe directly from him is an email that hes the most likely canidate for#and I mean it Im pretty sure outside of that hes only ever either mentioned second hand or doesnt talk in the case of that one ellie email#even the one time we see proper dialogue from him it isnt even a recording its a second hand retelling from ruby#its soooo fascinating I dont even know if this was on purpose but I love it regardless#now tbf theres other characters who are also mostly if not only mentioned second hand but none that have as much of a lore presence as him#nails was close but then 'a seed is planted' dropped and they became a part of the troubling second hand nikola info club#watch them finally add ashkan dialogue and its just him talking abt nikola being involved in the puppy ai incident too or smth#the thing is that isnt even that out there nikola Did work on the teleporters and worked on somw gravitas time travel shit too so who knows#Im trying to think of theres anyone else whos mentioned in the logs but doesnt actually talk and I know there's steve and ada but hmmm#this isnt counting artifact or news artical specific mentions tbc we're talking within character dialogue#sorry meep mae and pei#WAIT cant believe I forgot abt devon rip bestie my sincerest apologies#I think thats it tho everyone else whos mentioned in dialogue has dialogue Im pretty sure#well direct dialogue I mean#oh tbc ashkan is also in that club#hes probably in second place on the weirdness of his lack of dialogue due to his striking presence in several log list#now tbf hes mentioned like 3 times I think? not counting artifacts ofc. so he's not talked abt That frequently#but one of those is in a paradox and the others are in story traits so its still interesting#I had already loved ashkan before doing my full lore dive so finding out this mysterious dr.ali was my boy ashkan was a delight#now ofc technically ashkan could have secret dialogue that we just dont know is him since we dont know his work id but still#we dont know nikolas either but nikola is likely in engineering and ashkan is likely in robotics so theyre both not likely to be them#they Could be as they do likely work with the bioengineering department but nikola is fully crossed out as the fossil guy at least#ashkan Could be the fossil guy but its not likely imo as theyre also the guy in the husbandry log implying theyre fully a biologist
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CRIMINAL ! ... halloween special
pairing. jeon jungkook x fem!reader
your boyfriend ends up loving your costume idea for the two of you more than he initially lets on.
word count. 5.4k words warnings. jk and oc have matching costumes. vmin being the kings of halloween parties. slight crack. smut. roleplay dynamics. light bondage (handcuffs). oral (fem!receiving). handjob. unprotected sex (be safe girlies). switch!jungkook. switch!reader.
ana's notes. happy (late) halloween !!! this was originally supposed to be posted on the 30th but it wasnt finished .. so i was going to post it on actual halloween day but i got busy LMFAO IM A MESS !!! initially i wanted to do a kinktober but my ass couldnt even keep up with this so AINT NO WAYYY LMFAO IDK HOW YALL DO IT. BUT DONT FEAR ITS HERE NOW !! i had sm fun writing this, hope you love it as much as i do !! keep your comments positive or say nothing at all xx
For the past three years, Jimin and Taehyung have hosted their annual Halloween party. It's the one event they take seriously, spending hours planning the perfect invite list, décor, and food. Friends and acquaintances eagerly anticipate the night, knowing it'll be full of unforgettable moments, laughter, and chaos. Jimin and Taehyung always go all out, making their Halloween gathering the event of the season.
You and Jungkook have a tradition of matching costumes. The first year, you went as Harley Quinn, and Jungkook went as the Joker. That one's still one of your favorites — especially with Jungkook's green hair and tatted up face. He looked so good that night. The second year, you went for something bloodier: you, a sexy victim, and Jungkook as Ghostface. It was thrilling, especially when he made the night even better by fucking you with the mask still on. By the third year, you went classic as Mr. and Mrs. Smith, and Jungkook couldn't take his eyes off your tits spilling out of your corset. This year, you decided to skip the fictional characters and go with something a little simpler — but still hot. You were dressed as a cop, or rather, a slutty cop, and Jungkook was the prisoner.
"Don't you think this is a little basic?"
“Do you know how many people I’ve seen at these parties dressed as vampires and cats?” you retort, adjusting your costume and checking yourself out in the mirror. “Trust me, baby, no one cares.”
Jungkook, clad in an orange jumpsuit, glares at you through the mirror. "I just hate orange," he says monotonously.
You turn around and face him, giving him a smirk. "You'll survive. Besides, you make anything look good."
He smirks, leaning down to capture your lips in a heated kiss. Your arms snake around his neck, fingers threading through the hair at his nape. His hands roam from your waist to your ass, squeezing the soft flesh in his large palms, pulling you closer. But just as things start to heat up, you push him back with a playful grin.
"Not now," you say, breathlessly. "We have to be there in a few."
Jungkook huffs in frustration, but doesn't argue. And even though he's not thrilled about his costume, the way his gaze darkens tells you he's already imagining what's to come later tonight. He knows he'll get you out of that outfit later.
When you and Jungkook walk into the party, it’s all familiar faces. Laughter and cheers erupt the moment they spot you two, with Jungkook’s arms handcuffed behind his back, the bright orange of his jumpsuit standing out in the crowd. You guide him confidently by gripping his arm, playing the role of the stern cop escorting her prisoner.
Jungkook looks equal parts annoyed and amused, his usual cocky attitude momentarily restrained by the handcuffs, though the way his lips twitch hints at his playful frustration. The room seems to buzz with energy as people start teasing him the moment you step through the door.
“No fucking way you agreed to this!” Jimin exclaims, eyes wide in disbelief as he takes in the sight of Jungkook in handcuffs. Without missing a beat, he grabs the camera hanging around his neck, the polaroid already set and ready to capture every costume of the night. “Oh, I have to take a picture of this. Tae, hold my drink!”
Without waiting for a response, Jimin thrusts his red solo cup into Taehyung’s chest, some of the liquid sloshing out and soaking into Taehyung’s blazer. Tae rolls his eyes but doesn’t complain, knowing this is typical Jimin behavior.
Jimin hurriedly pushes his sunglasses up into his hair and pulls out the polaroid camera, eyes gleaming with excitement as he positions himself in front of you. You smirk, grabbing your belt, keeping your expression serious like a true cop on duty. Jungkook plays along, tilting his head to the side with a playful pout, his lips pursed like he’s posing for a dramatic mugshot.
With a click, the camera flashes, capturing the moment perfectly. A second later, the familiar buzz of the camera sounds as the polaroid slowly rises from the slot at the top. Jimin pulls the photo out, shaking it lightly as the image begins to develop.
“Had no choice,” Jungkook grumbles. “Whatever girlfriend wants, girlfriend gets.”
Taehyung laughs, shaking his head. “Bro, you’re so fucking whipped,” he teases.
“Fuck off,” Jungkook mutters, though he can’t hide the small smile tugging at his lips. “What are you two supposed to be, anyway?”
Jimin looks genuinely offended at the question, pulling his sunglasses back down over his eyes as if that alone should make it obvious. “Hello? Men in Black!”
He points his plastic gun at Jungkook. Beside him, Taehyung pulls out a shiny MIB card.
“Aw, I was really hoping you two would take my advice and go as Dumb and Dumber,” you pout, crossing your arms dramatically.
Jimin and Taehyung exchange offended looks, grimacing at your suggestion.
Jimin puts his plastic gun back in its holster with a flourish, shaking his head. “Respectfully, fuck you,” he replies, a teasing glint in his eyes.
You playfully lift a hand as if to strike him, your expression mock serious. Just then, more people start to stream into the home, their laughter and chatter filling the air.
“Well, since we are so extremely popular, we’ll meet back up with you guys soon.” Jimin says, turning to Taehyung, “We’ve got more people to greet.”
“Don’t get freaky in any of the bedrooms! I swear on my life I will kill you both,” Taehyung exclaims, shooting a warning glance over his shoulder as he follows Jimin into the crowd.
You roll your eyes, amusement dancing in your gaze.
"Alright, baby, can you take the handcuffs off now, please?" Jungkook whines, eyebrows knitting in genuine discomfort. "My arms are starting to hurt in this position."
"Keep begging like that, maybe I will," you tease, enjoying the playful power dynamic between you two.
Jungkook smirks, leaning in closer to amp up the charm. "Oh, please, officer? I promise I'll be such a good boy,"
You scrunch your nose in exaggerated disapproval. "Never do that again," you reply, trying to sound serious but unable to suppress the smile tugging at your lips.
He chuckles, the sound warm and inviting, as you turn him around, your fingers brushing against his wrists. The thrill of the moment sends a rush through you as you unlock the cuffs with the small key, the metal clinking softly as you release him.
He turns around, his hands sneaking around your waist and pulling you closer, the warmth of his body igniting a spark of electricity between you. You smile up at him, feeling a thrill at the proximity.
“Shouldn’t have done that,” he says, his voice low and playful. “Now who knows what kind of crimes I’m gonna commit again?” He looks down at you, a mischievous smirk playing on his lips, his eyes glinting with mischief.
“Careful, prisoner,” you warn, narrowing your eyes playfully. “Don’t forget, I’m watching you tonight.”
He holds his hands up in mock defense, a grin spreading across his face. “I promise to behave… for now,” he replies, the challenge in his tone clear as he leans in just a little closer.
You can feel the heat radiating off him, and despite your attempt to keep things light, the air feels charged with unspoken tension. “You’d better,” you say, trying to maintain an authoritative tone but failing as a smile breaks through. “I don’t take kindly to rule breakers.”
“Oh, I know,” he replies, lowering his voice in a conspiratorial tone. “But I can’t help it if I’m naturally inclined to break the rules when I’m around you.” With that, he leans in, brushing his lips against your ear as he whispers, “What if I promised to make it worth your while?”
A shiver runs down your spine at his words, and you step back slightly to meet his gaze, your heart racing. “You’re incorrigible,” you say, shaking your head, but your smile betrays your amusement.
“Only for you,” he quips, and the way he looks at you… you just know this Halloween night was going to be wild.
You stood corrected.
A few drinks into Jungkook's system, and any pretense of annoyance about the costume was long gone. His hands seemed to find your waist every chance they got, fingers tracing the curves of your hips with a needy grip. His lips, once teasing, were now constantly seeking yours, trailing kisses from your neck to your lips whenever you were within arm's reach.
Even in a crowded room, Jungkook's attention was locked on you, his dark gaze following your every movement. And each time you caught him staring, he'd flash you a cheeky grin before pulling you into another heated kiss, making it clear just how much he was enjoying your costume — and the power it had over him.
Getting a drunk Jungkook home was a damn task. The moment you got him in the car, he was all over you. As you navigated through the quiet streets, his fingers slid up your thigh, kneading it with a firm grip that sent sparks of heat racing through you. Each touch made focusing on the road harder, especially when he leaned over the console, his lips grazing your neck in a series of lazy, warm kisses.
"Jungkook, you need to calm down," you warned, trying to keep your focus on the road as his kisses sent shivers down your spine.
He huffed, not wanting to stop but eventually relented, throwing himself back into his seat dramatically. He crossed his arms like a child who'd been denied his favorite toy, his lips forming a deep pout.
You glanced over at him, biting back a smile as he sulked in his seat. "Aw, I’m sorry baby. Almost home, then you can do whatever you want," you teased, knowing full well that his patience would snap the second you both stepped through the front door.
Like a bunny, his ears seemed to perk up at your words, his pout disappearing instantly. He sat back in his seat with a huge grin plastered on his face, the sudden shift in his mood almost comical. It was as if he'd forgotten all about sulking, now fully focused on the promise you'd made.
Surprisingly, Jungkook behaved as you both got out of the car and made your way to your apartment floor. He walked beside you quietly, though the anticipation was clear in the way he kept glancing at you, his grin never fully fading. His restraint was impressive, given how wild he'd been earlier, but you could feel the tension radiating off him, like a predator waiting for the perfect moment.
The second you unlocked the door, though, all that restraint snapped. Jungkook practically pounced, pushing the door closed behind you as he pressed you against it, his lips finding yours in a hungry kiss. His hands were everywhere at once — grabbing your waist, pulling you closer, one hand sliding up your back while the other dipped dangerously low.
Your sloppy kisses didn't break for a second as you stumbled through the apartment, laughter and heated breaths filling the air until you reached the bedroom. The second you got to the edge of the bed, Jungkook gave you a playful shove, making you fall back onto the mattress with a grin tugging at his lips. His eyes never left yours as he hovered above you, reconnecting your lips in a feverish kiss, his hunger for you palpable.
His mouth began its slow descent, trailing kisses down the curve of your neck, leaving a warm, tingling path in its wake. When he reached your cleavage, he paused, his lips lingering there as his fingers found the zipper of your bodysuit. With a swift motion, he unzipped it, freeing your breasts from the fabric. His eyes darkened with desire as he took in the sight of you, a low groan escaping his throat.
Without hesitation, he leaned down, capturing one of your nipples in his mouth, swirling his tongue around it in slow, deliberate circles. The sensation sent a shudder through your body, a sharp gasp leaving your lips as your back arched in response. Your hand instinctively found its way into his hair, gripping the soft strands, guiding him as he lavished attention on you.
Jungkook's mouth left your bud with a soft pop, his lips slightly swollen as he looked at you with a mix of desire and admiration. Without wasting a second, he pushed the rest of the bodysuit down your frame, his hands quick and eager as he stripped you of the remaining fabric.
“You seduce all the officers like this?” you tease, your voice light but laced with a hint of challenge as you looked down at him at the foot of the bed.
Jungkook paused for a second, momentarily confused by the question. But then it clicked, and when he realized you were still playing into the roleplay from earlier, his expression shifted. His lips curled into a mischievous smirk, eyes narrowing slightly as he fully embraced the dynamic again.
“Only the ones I can’t resist,” Jungkook murmured, his voice dripping with playful seduction.
His teasing words sent a shiver down your spine, the tension between you both thickening with every passing second. His hands moved with skilled precision as he unzipped your boots, tugging them off one by one. The boots were discarded carelessly, the clatter of them hitting the floor barely registering as Jungkook’s focus remained fixed on you, eyes dark and full of hunger.
With a firm grip, Jungkook tugged at the bodysuit, sliding it off your frame in one fluid motion, the fabric slipping away as easily as the last remnants of his restraint. He didn’t stop there — your fishnets followed quickly, leaving you in nothing but your panties. His gaze devoured you, his eyes darkening with each lingering second on your bare skin. He bit into his bottom lip, his excitement almost palpable as his eyes traced every curve of your body like he was committing each inch to memory.
Grabbing your ankle, he lifted your leg gently, a smirk playing on his lips as he began a slow, deliberate trail of kisses from your ankle up toward your inner thigh. Each kiss sent a jolt of heat through your body, his touch maddeningly slow, teasing you with every lingering press of his lips.
“If you’ll let me,” he murmured against your skin, his voice husky and full of promise, before kissing your thigh once more. “I did promise to make it worth your while.”
“Show me what you got, criminal,” you smirk, your voice laced with challenge and desire.
Jungkook’s smirk matched yours, his eyes darkening with intent as he hooked his fingers into the waistband of your panties. In one swift, fluid motion, he pulled them down, the fabric sliding easily over your legs. The second they left your skin, his gaze fixed on the damp spot left behind, a low moan escaping his lips as his hunger for you deepened.
“Look at that,” he murmured, his voice thick with desire. His fingers traced the wetness left on the cloth before lifting his eyes to meet yours, his smirk widening. “Already so wet for me, officer.”
The playful teasing from earlier had melted away completely, replaced with raw, undeniable need. Without hesitation, Jungkook lowered himself between your legs, his breath hot against your inner thighs. His lips hovered just above your core, his eyes flicking up to meet yours one last time before he leaned in, determined to show you exactly what he had in store. His tongue made the first slow, deliberate pass over your slick folds, sending a jolt of pleasure straight through your body.
Your body reacted instinctively to the sensation, arching your back slightly as a soft moan escaped your lips. You melted into the bed, fingers gripping the sheets tightly as waves of pleasure rippled through you, the intensity of it all leaving you breathless.
It was when he latched his mouth onto your clit, the cool metal of his lip piercing sending shockwaves through your body, that you felt a fresh wave of ecstasy wash over you. Your body shook involuntarily, a reaction to the exquisite pleasure he was delivering.
“So good, baby,” you moaned, your voice breathy and filled with longing as you looked down at the man between your legs. Jungkook’s eyes flickered up to meet yours, dark and smoldering, the corner of his mouth twitching into a playful smirk as he enjoyed your reaction to his ministrations.
"Yeah?" he mumbled, his lips brushing against your slick heat, sending a shiver up your spine. "Am I a good criminal, officer?"
Though it had started as playful banter back at Jimin and Taehyung’s house, the way Jungkook was slipping into this submissive role now felt different — kind of sexy. The intensity in his voice, the way he was looking up at you, it was doing things to you that you hadn’t quite expected.
You bit your lip, nodding as you reached down, finding his hand and intertwining your fingers with his. "Mhm, so good for me," you whispered, the words coming out more breathless than you intended. The shift in the dynamic added a new layer to the tension between you both, and you couldn’t deny how much you liked it.
He hummed in satisfaction against your skin, his tongue working skillfully, each stroke more deliberate than the last, as if determined to draw every last sound of pleasure from your lips. You could feel the tension building within you, and with every flick and suck, he pushed you further into a state of bliss. The warmth of his mouth, combined with the gentle squeeze of his hand in yours, only heightened the sensations coursing through your body. You could feel yourself unraveling, bit by bit, under his expert touch.
You lift your other hand, your fingers tangling in his soft, raven hair, pushing it back to reveal his forehead. The sight of his knitted eyebrows makes your stomach flip — he always does that when he’s savoring something, and right now, that something is you. Your grip tightens in his hair, pulling him closer, pushing his face deeper into you. His nose brushes against your clit with each motion, and you can't help but buck your hips slightly, your body moving instinctively as you practically ride his face.
Your moans become louder, filling the room with the raw sound of pleasure, almost pornographic in intensity. The way his mouth moves against you, his tongue expertly flicking and teasing, drives you wild. You feel his moans vibrate against your sopping pussy, sending shockwaves through your entire body. The more you push him into you, the more he responds, his hands gripping your thighs as he devours you, thoroughly enjoying every second of it. You’re lost in the heat of the moment, each wave of pleasure building to something inevitable, your body teetering on the edge of bliss.
With one final buck of your hips, his nose pressing firmly against your clit, the pleasure overwhelms you. Your release crashes over you like a tidal wave, your body trembling as you cum against his face. A loud, raw moan tears from your throat, your back arching off the bed as the intensity of your orgasm takes over. Your thighs instinctively begin to close around Jungkook’s head, but he doesn’t mind in the slightest — if anything, it only drives him further.
He stays right there, nestled between your legs, his tongue continuing to lap up every drop of your release. If he had it his way, he'd happily stay there forever. His hand gently caresses your thighs, soothing you through the aftershocks as your body relaxes, your breathing still ragged as you come down from the high.
Jungkook removes his hand from yours gently, rising up from the floor. Fully clothed, he crawls up the bed, hovering above you with a smirk that sends a thrill down your spine. His mouth glistens with a mix of his saliva and your slick, a tantalizing reminder of what just transpired.
Without warning, he leans down, capturing your lips in a heated kiss. The taste of yourself lingers on his tongue, and you can’t help but moan into his mouth, the intimacy of the moment amplifying the heat between you. You feel him grinding his hips into your heat, seeking relief for the ache in his cock, and it drives you wild. The friction ignites another wave of desire, your body responding eagerly to his every movement.
He leans back down, reconnecting your lips, unable to get enough of you. The urgency in his movements tells you he's craving more, needing the connection as much as you do. Without breaking the kiss, you smoothly shift positions, pushing him back onto the bed. His body sinks into the mattress, and now it's your turn to be on top, looking down at him with a teasing smile. You sit up, fingers working the buttons of his jumpsuit as he watches you, his eyes dark with desire.
"Do good prisoners get anything in return?" he asks, his voice low, teasing.
"Yeah," you say with a smirk. "Freedom."
Your giggle fills the room as Jungkook kisses his teeth in mock annoyance, rolling his eyes at your cheeky response. Still, a smile tugs at the corners of his lips, showing he's just as amused as you are.
"I'm sure there's other officers that'll give you something," you tease, your fingers still working on the jumpsuit.
"What if I want someone in particular?" he responds, his tone more serious, the heat in his gaze intensifying.
"I'm sure that can be arranged," you murmur.
With a smirk, Jungkook sits up swiftly, his hands making quick work of pulling the jumpsuit off his frame. The fabric falls away, revealing his toned, broad chest — the very sight that always makes your breath hitch. You can't help but admire him for a moment, your eyes roaming over every inch of him, from his sculpted chest to the way his abs tense under your gaze.
He catches the look in your eyes, his grin widening as he notices how you're practically staring. "Like what you see, officer?" he teases.
Ugh, slut.
"You know I do," you reply, your fingers tracing over the tattoos decorating his skin before you press your lips against his again, losing yourself in the kiss as your bodies draw closer.
Your kisses travel south, lips brushing over the warm skin of his neck, chest, and abs, leaving a trail of heat in their wake. When you kneel between his legs, you can't help but notice how hard he is. A wet spot glistens where he’d been grinding against you earlier, evidence of the friction that’s left you both desperate for more.
"Baby, hurry up," Jungkook whines, his voice thick with impatience, the need evident in his tone.
You raise an eyebrow, biting back a smirk. "Refer to me correctly," you command, wanting to tease him just a little longer.
He chuckles softly. "Officer, please hurry up," he says, playing along, his words dripping with need.
“Good boy,” you coo with a smile.
Your fingers hook under the waistband of his jumpsuit and boxers simultaneously, yanking them down in one swift motion. His cock springs free, hard and eager, the pink tip glistening with precum. It’s begging to be touched, twitching slightly under your gaze as you admire him, and you can feel the heat radiating off him.
You let your hand glide slowly up his thigh, teasing him with featherlight touches, savoring the way his muscles tense under your fingers. Jungkook's head falls back against the mattress, a low, desperate moan slipping from his lips as he exhales, his chest rising and falling with the anticipation building between you.
You giggle softly, enjoying how easily you’re driving him wild. Finally, you wrap your hand around his thick, hard cock, your fingers squeezing his length gently but firmly. His reaction is immediate — his hips buck slightly as he lets out a deep, shaky moan.
"Oh, fuck yeah," he groans, his voice low and husky, the sound making you smile even wider.
You start to stroke him slowly, enjoying the feeling of him pulsing in your hand. His hands grip the sheets, knuckles turning white, and his eyes squeeze shut in bliss. The way he reacts to every little movement you make has you feeling powerful, completely in control.
"My pussy turn you on this much?" you tease, your voice dripping with playfulness, a smirk tugging at your lips as you continue to stroke him slowly, deliberately.
Jungkook's moan deepens, his hips bucking slightly into your hand, completely at your mercy.
"Always," he groans, his voice breathless. "Can never get enough of it."
Such a sweet boy. You reward him by quickening your strokes, picking up the pace and driving him wild. His response is immediate — his body tenses, and a low, guttural moan escapes his lips.
Jungkook's hand darts to yours, gripping the one resting on his thigh, his fingers intertwining with yours tightly. His touch is needy, desperate, as if holding on to you will keep him grounded while the pleasure you’re giving him threatens to overwhelm him.
His breath becomes ragged as you continue working him expertly. He bites his lip, trying to hold himself together under your touch. You can tell he’s getting closer, every stroke pushing him toward the edge.
“W- wanna cum in your pussy, please,” Jungkook whines, his voice trembling with need.
You smirk, teasing him further. “Do you?”
He hums in response, the sound more like a moan, his desperation palpable.
“Okay,” you say, your voice soft but commanding. “Since you’ve been so good for me.”
You pull away from his cock, climbing on top of him, the hunger in his eyes unmistakable. Leaning down, you capture his lips with yours, and he responds eagerly, his hands sliding down the arch of your back, gripping your ass tightly, kneading it in his large palms.
Then, without warning, a sudden surge of dominance overtakes him. In one swift move, Jungkook flips you both over, hovering above you with a glint in his eye. He gives you a teasing peck on the lips, but before you can react, he flips you onto your stomach, effortlessly manhandling you as though you weigh nothing.
With your back turned to him, the sound of rustling heightens your anticipation. You can’t see what Jungkook is doing, but the moment you feel his grip on your arm, your heart races. The cold, familiar touch of metal against your wrist makes it clear — he's handcuffing you.
A soft gasp escapes your lips as he tightens the cuffs around your other wrist, pulling your arms behind your back. You’re completely at his mercy now, and the vulnerability only fuels the fire between your legs.
“Am I still a good boy?” he teases, his voice dripping with playful mischief.
“Bad boy,” you manage to reply, though the excitement surging through you betrays your words. The restriction, the control — it all makes your pussy throb with need.
The sound of the slap reverberates through the room, sending a sharp sting of pleasure coursing through your body. You jolt forward, moaning in response, your skin tingling from the impact. Jungkook grabs the chain of the handcuffs, pulling on it slightly, adding a thrilling sense of restraint to the moment.
His other hand grabs his cock, and you feel the deliberate tease as he slaps it against your pussy, spreading your slickness over his length. It’s torturous — how long he’s making you wait. But finally, after what feels like an eternity, he slowly pushes himself inside you.
You gasp, your walls stretching to accommodate him, while Jungkook releases a low, guttural groan, his breath catching at the sensation of being enveloped by your heat. He pauses for a moment, savoring the feeling, his fingers still gripping the handcuffs. The tension in the air is palpable, each movement sending shivers down your spine as he begins to move, his hips rocking into you with slow, deliberate thrusts.
Your breath comes out in heavy gasps, your face buried in the mattress as his pace quickens, his hips slamming into you with a steady rhythm. The sensation of being filled so completely has you whimpering, your body melting into the bed as you push back against him, craving more with every stroke. Each thrust is more intense than the last, the bed creaking beneath you as the slick sound of his cock sliding in and out of your wet pussy echoes through the room.
Jungkook’s grip tightens on the handcuff chain, yanking you back harder onto his cock. “All your other prisoners fuck you this good?” he growls.
A smirk curls your lips. He’s still milking this roleplay. He doesn’t voice it out, but he feels your pussy clench around him. You like this.
“Only you,” you moan, your voice breathy.
“That’s right,” he groans, his tone low and possessive.
Jungkook's pace quickens, the slap of his hips against your ass echoing through the room, his thrusts relentless. The headboard bangs rhythmically against the wall. He yanks the chain of the handcuffs harder, pulling your body back onto him in sync with every deep, punishing thrust.
Your body trembles beneath him, your moans now uncontrollable as the pressure builds to an almost unbearable height. Every drive of his cock inside you sends a jolt of pleasure through your body, his roughness pushing you to the brink. His deep groans mix with your cries, the heat between you reaching its peak, and you can feel yourself getting closer, your climax just within reach.
“You’re gonna cum for me, aren’t you?” he teases, his voice rough and low, dripping with lust. The heat in his tone sends another wave of pleasure coursing through you, and you can only nod, your voice caught in your throat as a moan escapes your lips, barely coherent.
His cock drags against your walls, hitting that perfect spot over and over, each thrust igniting a fire within you. Your body is a live wire, every nerve ending alight with sensation as the pressure coils tighter and tighter inside you, building towards a breaking point.
“Come on then, baby,” he growls, pulling you back hard against him, his grip firm and possessive. “Be a good officer and cum. I deserve it, don’t I?”
“Yes! Yes! You deserve it so much!” you manage to reply, the words spilling from your lips like a prayer.
“I’m such a good boy for you, huh?” he presses, his breath hot against your ear, his hips driving deeper.
“Such a good boy, my baby,” you affirm, your voice trembling with need.
With a few more final, deep thrusts, your body shudders as the last waves of your sweet release ripple through you, your pussy clenching tightly around him. That tightness pushes Jungkook over the edge, and with a loud, needy moan, he releases into you, his hips faltering as he shoots his load deep inside. His groan fills the room as his cock throbs within you, emptying himself completely, the warmth of his cum spreading through you.
For a moment, the only sound is both of your heavy breathing, the heat of the moment still lingering in the air as your bodies stay connected.
Jungkook carefully unlocks the handcuffs, freeing your wrists from the restraints. He tosses them aside, his concern immediately turning to you as he notices the redness on your skin. Gently, he takes your wrists in his hands, massaging them softly, his brows furrowed with worry.
“I wasn’t too rough, was I?” he asks, his voice tender and full of concern.
“No, baby,” you reassure him, leaning in to kiss his lips softly, easing the tension he’s holding onto. You give him a few more sweet pecks, including one on his cheek, his boyish charm making you smile.
After cleaning up and peeing to avoid an infection, he helps you settle into bed, pulling you into his arms. His warmth envelops you, his face nestled against your neck, and you feel the soft brush of his breath against your skin. Your arms wrap around him instinctively, holding him close as the moment quiets. The heat from your bodies mingles with the gentle stillness of the room, creating a cocoon of intimacy and comfort that lulls you both toward sleep.
As your eyes grow heavy, his voice breaks the silence, low and a little playful. "I think I enjoyed that costume more than I thought," he murmurs against your neck.
© voyter 2024, all rights reserved.
#jungkook#jeon jungkook#jungkook smut#jungkook x reader#jeon jungkook smut#jeon jungkook x reader#jungkook fanfic#jeon jungkook fanfic#jungkook imagine#jeon jungkook imagine
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❝time will tell.❞
[credits to the original artist of the photo!! can't seem to find their @ anywhere. title is taken from jane austen's persuasion, as was the first part.]
summary. ❝you are loved. and harry thinks there is no better description that that.❞
pairing/s. poly!mauraders + lily x reader.
word count. 9.5k.
tags. reader is referred to mum, with she/her pronouns[!], canon-typical violence [!], canon-typical deaths mentioned[!], very brief marauders as soldiers of the order[!], creepy old men being creepy[!], child abuse[!], pureblood arranged marriages, a minor character expresses wanting to die[!], Depressed and Traumatized Slytherins, the capital is important[!], themes of misogyny [!], teen boys fuck around and find out there are consequences to their actions, THERE IS ACTUALLY A LOT OF FLUFF, I PROMISE YOU, angst, children lose their baby teeth up until the age of twelve!! google said so!! not proofread we die like dobby the free elf
note. damn, i cried, you cried, we all crode. tbh, the first part was only intended as a oneshot, sdfkhdf, but when i re-read it, i thought that i could have expanded on more details,, so now here we are!! i love it more than the first part ueueue. thank you all so so so much for the kind comments :((( please please enjoy the second part to this installment!! part one
HARRY JAMES POTTER was only a few months old when you died at the hands of Voldemort — or as strangers have told him every time they ravaged his personal space and ogled at his scar. They said it was a quick death, better than what had happened to Alice and Frank Longbottom. But that was all they’ve ever said about your death. Unfortunate; caught in the wrong place at the wrong time, entirely different from the pedestal James and Lily have been put on by the wizarding society.
At first, Harry had wondered if it was due to your blood relations, being the daughter of a renowned Death-Eater, heiress to the fortune of a pureblood House. Harry can’t even count the amount of conspiracy theories he’s read or heard to his face that it must have been you who betrayed James and Lily, and not Sirius Black.
Even Hermione’s shared to him a theory that your death was faked to surrender your loyalty completely to Voldemort — of course, Hermione was eleven at the time, head full of books and her favorite theories, and Harry’s already forgiven her. But there’s a part of him that despises the way he’s never known the full truth about his parents, just bits of information dangled in front of him like bait for people [read: the Dursleys] to get him to do what they want, to act like the way they want. Until Remus and Sirius, you were a stranger to him, really.
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1976; CURRENTLY, IN THE PAST.)
IT IS RATHER UNFORTUNATE that Madam Pince has already taken her position as the unbearable librarian at this point in time. The woman gives Harry and you a pointed look as you slam the large book onto one of the tables — to Harry’s surprise, you glare right back at her. You’re awfully flushed, however, blushing cheeks betraying the fire in your eyes; it must have been from when Remus escorted the two of you to the library; he had tried to brush your hand with his pinky, to which you had responded with a startled hiss — Remus only smiled and chuckled at you, and Harry swears he’d like to forget that entire interaction because he saw literal stars in Remus’s eyes.
Jumping back in time and potentially causing chaos? Fun.
Meeting your parents? Definitely fun, in the strangest of ways.
But watching them pine and fall for each other? Not so fun.
Nonetheless, he hesitantly takes the seat across yours and watches you flip through the pages until you land on a chapter with the large, bold letters: THE CURIOUS CASE OF ELOISE MINTUMBLE — Time-Travel and Its Many Dangers. He meets your gaze with a sheepish grin, mustering a look of innocence; except the puppy dog eyes only worked when he was nine — you are not amused.
You slide the book towards him, scarily resembling Molly Weasley when she’s miffed with the twins. “You are aware, right, that just by existing here you’ve changed the future? Your future? And, that’s not even the worst thing that could happen.”
Harry sulks. “Yes, mum.” He prefers not to think about it, actually, it makes his head hurt.
“Don’t call me that in public!” You whisper heatedly, looking over your shoulder to check if anyone had heard him — to your luck, the library was empty, save for a Hufflepuff that was passed out on top of his books. “The less people that know about this, the better. It’s bad enough we told Potter about you. Do you even know what you’re going to do?”
“Considering I was thrown here against my will, no.” Harry shrugs. “And to be honest, I was just going to obliviate the people who asked too many questions.”
You reach over to smack his head, scowling.
“Ow! That hurt!” Harry rubs the sore spot as he grumbles petulantly. “This is technically child abuse, did you know that?”
You roll your eyes. “Do you at least have a plan to get home?”
“Of course I do,” Harry retorts with a scoff, “Her name is Hermione Granger.”
“Hopeless.” You groan exasperatedly. “Absolutely hopeless.”
Harry only grins in response. For a brief moment, he forgets about the present — his reality where the skies are bleak and home is where he knows the feeling of loss more than the warmth of his own parents’ embrace. He lets himself forget, and pretends he isn’t the Boy Who Lived. Just some random boy who’s pestering his mother — even if she likes to deny the inevitability of being romanced by the Marauders, (except for Wormtail because Harry would eat troll slime before he ever lets that happen.)
“Right then,” You say after your tangent — which Harry tuned out when he hears the words, be responsible. “If I’m going to help you get back home—”
Harry’s heart drops to his stomach; as selfishly as it sounds, he didn’t want to go home just yet — not to where people just took and took from him. He’s exhausted. Still, he puts up a front of being excited to be returned to his timeline. It’s for the greater good, of course, because his existence — present or past — is always somehow a threat to the wizarding society.
“—you need to answer this one question for me.” Your voice drops lower as you stare at him intently, lips pressed firmly.
Harry nods slowly. “As long as it’s within reason, yeah.”
You inhale sharply. “Do I outlive Dolores Umbridge?”
The wince escapes Harry before he can even stop it.
That’s all the answer you need, apparently. Your mouth hangs open in disbelief, eyes nearly bulging out of your head as you slam your hands down onto the table surface, shrieking.
“That slimy bitch!”
Needless to say, the two of you are kicked out of the library.
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1970; ORIGINAL TIMELINE.)
YOU ARE ELEVEN when your father introduces you to Ferguson, commonly known as Fergus, Bulstrode. He smiles at you with a leer, eyes hungrily dipping to the neckline of your dress. You grit your teeth as you hold out your hand for him to take — you almost shudder at the feel of his lips on your cheek. You eagerly take a step back away from him, hoping your father won’t notice the way you shy from Ferguson’s touch. You’re not dull, you fully understand the implications of this introduction and the way Ferguson is complaining to you about his third wife’s passing — as if you were the solution to his loneliness. Bile rises to your throat, and you shove it down with a forced laugh at your father’s jokes about Mudbloods. From across the room, Allegra Greengrass stares at you in sympathy, and you send her a glare — you do not need anyone’s pity.
The corset your mother laced on too tight is suffocating you; this whole Yule extravaganza made for elitist purebloods is suffocating you; and yet, you smile and greet every red-lipped witch your mother introduces you to. For hours, you pretend, and you pretend. By the time the guests have left, you wonder if you have any more of yourself to give.
You manage to convince your mother to let you slip away for the night. Without missing a beat, you rush outside and into the garden labyrinth, lest old Ferguson snatches you up for a dance and let his gaze wander elsewhere. For the first time since the sun had set, your aching feet finally find some relief. You drop onto the edge of the stone fountain as you toss your heels to the side. You begin working your fingers through your hair, ripping the glittery ribbons from your head. It’s not until you’re unclasping your necklace that you realize you are crying. Tears fall from your eyes, and they sink deep into the fabric of your dress.
You barely hold back your sobs. Your chest heaves as you hiccup; your vision goes blurry as your fingers grow numb. There’s nothing you can do but cry.
You’ve used up all your smiles for tonight.
But then, the sadness turns into resentment and then turns into indignation. Harshly, you wipe the tears from your eyes as you rip a violent scream from your throat.
You sink to the ground, perfectly polished nails digging into the soil as you gather patches of grass and tear them from the roots. You throw a handful of mud at the marble statues. You grab another fistful of mud, scream, then bash your head against the garden floor. You let out another cry, whimpering as you curl into yourself; shivering as a gust of wind brushes against your skin. Surprisingly enough, this is the most human you’ve ever felt. This is the most you have ever felt — period.
When hiccups regress into soft sniffles, you lay on your back, watching the stars float above. As the last of your tears slide down your cheek, you lift a shaky hand to trace the constellation in the sky. It’s not a familiar one to you, but then—
“That’s Sirius.”
You sit upright in a snap, wiping away the wetness from your eyes as you muster a mean glare at the newcomer.
Sirius Black.
“Oh, none of that,” He tells you when you move to stand. There’s barely any emotion on his face and it irks you that you can’t figure out what he’s planning. What you don’t expect is for him to sit beside you, thereby ruining his expensively tailored suit.
“You’ll get creases,” You scold him instinctively, nose scrunched — but your voice is hoarse; too tired to put up any pretences. “Your mother will be cross with you.”
Sirius scoffs, laying his head on the dirt, making sure to smear his sleeves with grass stains. “Walburga can go fall in a ditch and die for all I care.”
You gasp. “That’s horrible!”
Sirius gives you a look. “You don’t believe that.”
You really don’t, but you don’t have the courage to admit it either.
After a few moments of silence, Sirius asks, raising a brow, “So who was that?”
“Who was who?” You stare at him with knitted brows, toying with your fingers. You still can’t wrap your head around how weird this is — sitting with Sirius Black in the middle of your mother’s hedge maze, your once bright blue dress now sullied at the ruffles, eyes bloodshot and your hair a frizzy mess. (Sirius thinks you look cute, though; especially with your missing front tooth that peeks out every time you talk to him.)
“Bald guy, older than Merlin himself.” Sirius makes a face. “Looks like a troll. Smells like one, too.”
A giggle flutters past your lips, and your hands fly to your mouth. You really shouldn’t be bad-mouthing your guests, but Sirius was right — Ferguson really did act like an ugly troll. You sigh, letting your arms fall to your side. “My betrothed.”
Sirius nods in understanding. “My mother tried to set me up with my own cousin once.”
You grimace. “Which cousin?”
He sits on his knees to face you, and with a very solemn face, he says, “Bellatrix.”
This time, you laugh freely, throwing your head back as Sirius pouts at your amusement. “O-Oh, that’s golden.”
“No, it’s not,” says Sirius, lips twitching as he watches you snort like a pig through your giggles. “It’s horrible. A literal nightmare. You should feel awful for me.” He pokes your stomach, and it just makes you laugh harder, eyes disappearing into your smile. “Oi. I said feel awful, not take the piss out of me.”
“S-Sorry.” You wheeze, batting away his hand pulling at your cheek. “I just can’t imagine Bellatrix in a white wedding dress and saying her vows to you.”
“That’s disgusting.” Sirius gags. “You’re horrible, I hope you know that.”
When you finally calm down and Sirius tickles your bare feet until you cry in surrender, the two of you lay on the grass as he points out each constellation to you. Later, he fishes a small box of sugar mice from his pocket and offers it to you, opening one for himself. “Here’s to shitty parents and the one day we get to decide our own future.”
You bump your squeaky candy mice against his. “Cheers, Black.”
“Will you go to Hogwarts next year?” He asks you once he’s bitten off the tail of his mice.
You nod.
Sirius shifts on his side, holding his pinky out to you. “We’ll be friends when school starts?”
Again, you nod, wrapping your pinky around his. “Friends.”
The next September comes, Sirius finds a compartment and one James Potter in it. You sit with Allegra Greengrass and Endora Lestrange on the way to Hogwarts. You are sorted into Slytherin, and Sirius finds freedom and a home in Gryffindor. You play the role created just for you; you lift your nose at those beneath you, adorn yourself in custom-made silk clothing, and carry yourself with the etiquette of a pure-blooded lady. Perfect grades, perfect hair, perfect clothes, always picture perfect.
You pretend that Allegra doesn’t throw up in the evenings from the fear of getting married to a man twice her age. You pretend that you don’t notice Endora sleep-walking and begging for her mother to save her from her father. You pretend that under your blankets, in the Slytherin dungeon, you are safe.
You pretend that it doesn’t hurt when Sirius looks at you in disappointment when you shove a Hufflepuff student to the ground for getting a higher score than you in Charms.
They call you an ice-princess behind your back, and you overhear some of the fifth-years calling you foul words as well, and no one steps in to stop them; there’s no defending a Slytherin, after all. But you are keeping your head above treacherous waters, and you suppose that is all that matters.)
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1976; CURRENTLY, IN THE PAST.)
“SO ACCORDING TO THIS, Eloise was stuck in 1402 for five days until she was retrieved to the present, which means we only have four days left to figure out a way for you to get back home.”
Harry sinks into his chair, arms crossed over his chest. The two of you had found an empty classroom to discuss your plans away from inquisitive ears. “What’s the rush?” It’s unfair, he’d only just met you, and now he’s losing time with you.
You sigh. “Harry, Eloise Mintumble spent five days in the past and when she came back, her body aged five centuries, and she died in St. Mungos. It’s not just about altering the whole timeline, you could actually die.”
When you are met only with silence, you close the book, frowning. “Harry? What’s wrong?”
Harry swallows the lump in his throat, looking out the window to avoid your gaze. “What do you know about the Mirror of Erised?”
Your head tilts in confusion. “That it shows our heart’s deepest desire.”
“Yeah,” says Harry, nodding. “I was eleven when I found it.”
“Oh, Harry. . .”
It’s almost pathetic how quickly his eyes water. “Did you know, before today, I hadn’t known at all what your voice sounded like?”
You stay quiet, and Harry sucks in a shaky breath.
“When I looked into the mirror, I saw my parents—all of you. There I was, in the middle. You were behind me—happy.” Harry swipes a tear from his eye. “I wanted to stay in that room, stare at that mirror forever.”
“It’s—”
“Dangerous, I know.” He laughs bitterly. “Just like finally being able to meet you all here.”
“Harry, you aren’t supposed to be here in the first place,” You say quietly, eyes drooping sadly.
“I know that!” He exclaims desperately. “But is it so selfish to just want some time? I don’t want an illusion, I want the real thing. A real family. Why can’t I have that? Bloody Malfoy gets everything he wants, and what do I have?”
“Your friends,” You tell him firmly. “Your friends who must be worried sick that you’re gone and must be going great lengths to bring you back.”
“I know.” Harry wilts. He’s got Remus at home, too, who probably needs him more than ever after Sirius’s death. “I know. But can’t I just have this one thing?”
You purse your lips for a moment, brows furrowed in thought. Then, you break the silence with: “Do you want to hear a story?”
“What?” Harry croaks, peering at you through wet lashes.
Shrugging, you say, “Stories to remember us by. I’ve got six years worth of stories and then some. I know it’s not much, and you’ve probably heard some of these already from the others in the future, but it’s better than nothing, right?” You lean against the back of your chair, glancing at the wall clock before grinning at Harry. “We’ve got time to spare, anyway.”
Harry manages a smile, setting down his glasses before rubbing his stinging eyes with the handkerchief you offer him. He figures this is what Remus means when you’re the gentlest creature he’s ever known — just not gentle in what the world expects you to be.
“What do you say, Harry? I give you tidbits of the past, and you tell me if you know anything about the next Triwizard champion, so I can place my bets in advance.”
Harry snickers. “Not a chance, mum.”
“Worth a try.” And the smile you give him is nearly blinding.
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1977; ORIGINAL TIMELINE.)
YOU DON’T UNDERSTAND what it is about Gryffindors and their hobby of invading others’ personal space.
A year into dating and James likes to shove his head under your shirt, claiming he loves the sound of your heartbeat — but you know really what he wants to nestle his head in between. The amount of cashmere blouses he’s ruined is absurd! Sirius has a hobby of tracing runes on the plane of your stomach. Lily prefers it when you sit in front of her, just within reach where she can wrap her arms around you and rest her head on your shoulder. Remus tends to lag behind the group when he notices you walking slower due to your leg flaring up. He kisses the side of your head and promises to chase the pain away — sappy poetic that he is. And in the moments where all five of you are together, tucked under a wide alcove, you can best believe there is no escaping what they like to call, a cuddle pile. Limbs are tangled, kisses are shared, and confessions of love are whispered.
Before them, you hadn’t really known the different ways to love and be loved.
Onto the pressing matters at hand, you discover that the brazen show of affection extends to their parents as well. Particularly, the Potters. After a year, you finally caved into James’s requests for you to spend the holidays at their manor, since the others have already made a space for themselves there, and James had said it would be an honor for you to feel at home with his parents, too. Honestly, you spoil them too much — one look into his bright, wide eyes and you gave in. James didn’t even care that you brought two luggages for clothes alone; he lifted each bag with delight and with ease.
(Remus had the audacity to laugh when he caught you and Sirius staring at James’s flexed muscles, mouth wide open.
“As I have said, Remus Lupin, I do not drool!”
“Sure, dove, whatever you say.”)
But now, you really aren’t so sure of your decision.
“Oh, she’s beautiful, Jamie!” Euphemia encases you in a bear hug the moment you step inside the manor. You’re engulfed in the scent of cinnamon and burnt sugar. You stiffen as she cradles your face in between her palms, smiling ever so fondly at you, cooing about how precious you look, much like a mother would — and how your mother never did. You wonder if this is what you’ve been missing all along — the thought stabs you right in the heart. “Please excuse the mess, dear, we haven’t had the chance to clean up yet, Monty and I are excited to try the recipe Lily owled to us the other day, you see.”
“I-It’s okay,” You rasp, struggling to hold back the tears.
“Oh, what a darling you are!” Euphemia smiles and ushers you further inside. “Come, come. The others are right upstairs. You must be tired from the train ride. It is so lovely to finally meet you. Make yourself at home, dear heart — James Fleamont Potter! Give your mama a kiss this instant! Don’t think introducing your girlfriend will distract me from the fact you didn’t owl me letters for two months straight!”
James whines as he hides behind you. “Mum, I’m seventeen, stop embarrassing me.”
Euphemia scoffs, hands snapping to her hips. “You’re going to be my baby boy forever, now come here.”
With a shy smile, you step away to surrender James to his mother — you don’t understand which part of this is embarrassing; you wish for a mum who’d welcome you home like that, with unconditional love and kind eyes. James squawks and calls you a traitor, just before his mum attacks him with loud, exaggerated kisses to his cheek, leaving lipstick stains all over his face. You hide a laugh behind your palm, ignoring the way your heart pangs at the sight of their unrestrained smiles. Euphemia lets her son go after a few more seconds, cackling at the masterpiece she’s created on a grumbling James, who’s rubbing his skin to erase his mother’s affections. She hugs you once more before setting you off, telling you to meet Fleamont after you’ve unpacked.
Just as you reach the foot of the stairs, you hear a girlish squeal, then the sound of rapid footfall against each wooden step. Lily greets the two of you by jumping off the last step and wrapping each arm around yours and James’s neck. “Welcome home, Jamie!” She captures his lips with her own before doing the same to you, cupping your cheek lovingly, “So happy you made it, princess! How was the ride here?”
You were never a fan of traveling by Floo; it made you nauseous after, and left you with a pounding headache for hours. Without hesitation, the others offered to accompany you on the train, but you insisted they Floo ahead to Godric’s Hollow — it took a lot of convincing, but they finally agreed, (they’re not the only ones spoiled; they couldn’t refuse you, too.) With the exception of James, who wanted to be there when you saw his home for the first time. You nearly cried when you saw how well-loved their manor was; rose shrubs dipped in snow, Sirius’s motorcycle parked outside, a mailbox with poorly painted shapes, the fences covered in Christmas lights, and the amount of shoes by the door. From outside, you could hear the laughter and warm conversations.
“It was fine,” You say in a daze.
Lily sees right through you — and frowns sadly. “You alright?”
Were you?
You catch sight of the moving photographs of James and you finally reach your breaking point. There’s a swell in your throat that you can’t seem to push down. There’s a photo of James, Lily, Remus and Sirius; James is in his Quidditch jersey, raising the Golden Snitch high up in the air, Remus is twirling Lily, his arms around her waist, and Sirius is holding up a charmed banner that says: Gryffindor Rules! Slytherin Sucks! Except For My Darling Angel Love Of My Life Most Beautiful And Gorgeous Perfect Brilliant Girlfriend!
There are hints of life all around the manor. Remus’s textbooks and scarf are laid by the coffee table. Lily’s O.W.L. marks are framed on the wall, along with Dumbledore’s letters to James and Lily awarding them the position of Head Girl and Head Boy, as well as McGonagall’s previous letter to Remus that came with his Prefect badge years ago. There’s a spot dedicated to Peter, filled with a photograph of him awkwardly holding his Herbology test, one that he scored a hundred and twelve percent on. It’s a wall dedicated to them, you realize.
Then, you find it.
Right there, up above James’s spot, and beside Sirius’s display of beyond perfect Transfiguration exam marks, and a picture of him and Remus kissing each side of your face.
It’s a space on that wall just for you.
James follows your gaze and rubs the back of his head, ears tinged with a shade of deep pink. “Mum left a space when I first told her about you. I-It’s yours, you can put anything you want there.”
“I can’t,” You whisper, lips quivering as your heart cracks into a million pieces. It’s too much.
James blinks. “Can’t? It’s yours, I promise. Mum won’t mind. You can even hang your dumb Montrose Magpies poster and I won’t tear it down — Marauders’ honor. I can help you if you want. I-I’m not good as decorating as Lily, but I paid attention to your boring explanation of color theory and I know that you hate this shade of—”
“James, I can’t do this.”
That’s all you say before you run out of the door.
(And you’re absolutely delusional if you think James won’t follow you out that door and into the brewing snowstorm.)
You hear James call out to you, but you opt to ignore him and clutch your winter coat tighter around your body, shivering in the blowing wind, trudging through the deep snow through your heeled boots — designer couldn’t help you now even if you tried. You sniff, the salty taste of your tears dripping to your lips, chest tightening with a foreign kind of pain, and the frost nipping at your fingers. You give up after a few minutes, falling to the ground with an anguished cry, hand clutching the front of your chest as you struggle to breathe.
James reaches you in a matter of minutes, draping his jacket over you, barely flinching as the cold welts his bare skin. Frantically, he wipes the tears from your eyes, a pained expression on his face as he sees you cry helplessly. “Come on, dove, it’s not safe out here. Let’s go back home, yeah? I’m sorry for upsetting you. I’m sorry, I’m sorry, I’m sorry — I’m so sorry, dove, please don’t cry, it’s killing me to s–see you like this.” Tears fall from his eyes, and he begins stuttering from the cold, but you can’t go back to the manor. “What did I do? Please tell me so I can fix it. I love you—I’m sorry.”
You bat his chest. “G–Go home, Jamie. I’ll just take the train back to the castle.”
“What?” He shakes his head, grabbing onto your hands. “Y–You can’t. Not in this weather. You’ll get sick if you try to walk back to the station.”
You withdraw from his hold as you back away from James, slipping into the ice-cold mask you know so well.
James rises in an instant, reaching for you. “No, no, no, no, no. You don’t get to do that. Not now. Not with me. Please, just come home and I-I’ll fix it.”
“Goodbye, James,” You tell him firmly, clenching your jaw as you look him straight in the eyes.
He grimaces. “That won’t work on me, princess, and you know it. Don’t push me away—please.”
“Go home, James!” You yell bitterly, pivoting on your heel as you march through the thick inches of snow, hearing Remus and Lily’s voice grow louder in the distance. “Just go!”
He grits his teeth, nails digging deep into the palms of his hand. “You’re a coward if you walk away from here—from us—right now!” James shouts through chattering teeth and stray tears. “And I hate cowards more than anything!”
You don’t look back.
(Later that night, James stares blankly at the fireplace, tossing twigs now and then. He’s all out of tears. Remus crosses his legs as he sits beside James and offers him a steaming mug of hot chocolate.
“Don’t want one,” He mutters, words coarse from earlier, head turning away from Remus’s gift. “Just want her.”
Remus sets the beverage on the ground before pulling James’s head down to his chest, gently wiping the tears from his eyes as he wraps the blanket around both of them. He presses a soft kiss to James’s hair.
“I said I hated her,” James says weakly. “I don’t—I never will. I just hate that she’s out there spending Christmas all alone. She could be here—with us. I hate not knowing that she’s safe, or that she thinks I don’t love her anymore—that’s a bloody lie, Moony. I adore her. If anything, I don’t deserve her.”
James finds out that he does have more tears left in him. “I miss her. Bring her back, Rem, please.”
“You’ll cry yourself sick, love.” Remus wipes each tear away. “Let’s go to bed, yeah? Mornings do have a way of bringing miracles to us.” Because after a night of excruciating pain under the moon’s command, he wakes up to sunlight, and there you all are — smiling down at him like he is deserving of love; and maybe Remus can’t fault you for running away.
You’d kiss him gently and tell him how proud you are of him for coming back to you.
Remus only hopes you come back to them, too.)
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1976; CURRENTLY, IN THE PAST.)
“AND THAT, dear Harry, is how I humiliated Lucius Malfoy in fifth-year.” Your eyes gleam wickedly as you rest your arms on the school desk. “If he ever bothers you in your time, just mention my name—oh, I wish I could see the look on his face when he realizes I’m haunting him from my grave. Tell him, okay?”
Harry nods excitedly. “Definitely.”
“Got anymore stories?” He asks.
You cackle menacingly. “Boy, do I ever. Let me tell you about the one time Beckett McLaggen took me out on a date to Madam Puddifoot’s!”
Harry grimaces. “Do I even want to hear about this?”
“Oh, pish-posh.” You dismiss him with a wave. “You do, this story is hilarious. Now that I look back on it, Sirius was quite cross with him for the rest of the day—how strange. I wonder why.”
Harry stares at you in disbelief. “You’re joking.”
“I most certainly am not, Harry Potter.”
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1974; ORIGINAL TIMELINE.)
AN EAR-PIERCING scream wakes you up in the middle of the night. You snatch your wand from under your pillow, heart thudding against your chest in fear — last year, the Prewett twins decided it was funny to break into the girls’ quarters at midnight; you get a month worth of detention for hitting Gideon with the Expulso curse and suspension from class for two weeks, while the twins get away with a slap on the wrist and have the time of their lives spreading rumors of you being a Death-Eater.
Endora shoots up to her feet as well, staring at you in panic — then the girl screams again, and you realize it’s Allegra.
You sigh in relief, lowering your wand before saying to Endora, “I-It’s alright. I’ll handle it.”
“Are you sure?” Endora asks timidly, gnawing at her lip and wincing when Allegra wails once more.
“Certain,” You respond, yawning.
As Endora climbs back into her bed, you slip into Allegra’s side, holding her head to your chest, brushing your fingers through her hair and untangling the knots. Like most of the Greengrass women, she was of ethereal beauty — silky blonde hair, smooth and fair skin, deep blue eyes that enchant wizards and witches alike. But her cheeks have gone sallow from exhaustion, eyes devoid of any emotion, and her skin now sunken into her bones.
“I don’t want to marry him—I can’t! He’s old enough to be my father!” Allegra sobs violently, desperate for anyone to hear her, but no one really ever hears their cries from the dungeon. “They said they’d wait until I graduated—they promised! I’m supposed to marry him this summer!”
Your heart breaks for your friend — there’s nothing you can do but hold her until she’s cried every bit of her soul out.
“I hate them,” Allegra whispers to you; she had been shedding tears for hours, trembling in your arms until morning finally came.
“I know,” You say defeatedly.
“I wish I was dead,” She replies lifelessly. “He can’t marry a dead bride.”
“Don’t say that,” You beg as you hug her tight; afraid to lose her to the world that has worn her down. “Please.”
Allegra sinks into her pillows, and you follow in suit, hesitantly laying your head beside hers. She stares at the ceiling dully. “The world is so, so cruel to us daughters sometimes. And it’ll be cruel to our daughters, and their daughters. When will it end?”
“I don’t know,” You say honestly.
Allegra hums, neither disappointed nor surprised, and turns away to lay on her side. “Pansy,” She mumbles.
“What?”
“If we lived in a better world and I married for love, I’d want to name my daughter Pansy — like the flower.”
(Later that day, you are given detention for beating Evan Rosier to a pulp. He makes a joke about dirty blood, and you snap — you are tired of laughing and pandering to the arrogant men in your life. This is the first time you publicly defy your parents, and it felt good — more than good, it was liberating. It’s like breathing fresh air for the first time. Then, you earn a second detention for storming up to the Gryffindor common room and punching Fabian Prewett in the face — because fourth-year boys had no business sneaking into the girls’ dorm in the middle of the night for some stupid prank — and you threaten him by pointing the tip of your wand deep into his neck, demanding they apologize to you, Allegra, and Endora.
You get what you want, naturally — as princesses do. You decide then that you’re going to create a world where girls like Allegra don’t cry anymore.)
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1976; CURRENTLY, IN THE PAST.)
HARRY TWINGES WHEN he hears the end of your fourth or fifth story of the afternoon — no wonder you had been so angered by his being in your room. “I-I’m sorry—”
“Yesterday was hardly your fault,” You interrupt him. “There’s no controlling where magic brings you, not in your case. You didn’t know, but now you know. I don’t hold it against them — anymore. Fifteen-year-old boys can be stupid, and at least they’ve learned from their mistakes. You should have seen your mother — erm, Lily — she looked like she was ready to kill them after finding out what they had done. Even Molly was cross with the twins, and you know how loyal Molly is to her family.”
Oh, Harry knows.
And Hermione knows it all too well.
“Others call us evil, conniving and cruel, Harry,” You tell him grimly, “But I will protect my own, no matter what I have to do.”
At that moment, Harry thinks he understands why some people come to fear Slytherin.
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1978; ORIGINAL TIMELINE.)
“LOOK, LILY-PAD, the princess is drooling again.”
You open your eyes to glare at Sirius. “I don’t drool, idiot.”
Lily chortles as she presses a kiss to your shoulder. “Of course you don’t, princess.”
Currently, you’re lying on a shabby loveseat that is too small to hold the three of you; it’s the only furniture in the new cottage you call home, where Potter Manor was right across the street. (Euphemia was ecstatic to have you all nearby — the lovely woman was sprite for her age, but you notice the way she stops to sit and catch her breath, Sirius and James hovering over her attentively; you’re good at pretending, so you pretend that the Potters will be around forever.) Some rooms are dusty with cobwebs, walls unfinished, with the floors creak under your feet, and there’s no other place you’d rather call home.
You’re in between Sirius and Lily; your lips swollen from their kisses, cheeks flushed and the column of your throat graced with love marks. It’s the most beautiful set of jewelry you’ve ever worn, not even burmese rubies could compare. Lily’s hand rests under your jumper, Sirius’s thigh wedged between your own. While peace blankets the three of you, James and Remus have yet to come home from their task given by the Order.
“You need a haircut, my love,” You mumble drowsily, pulling at one of the dark ringlets — it’s gone past his shoulders now. He captures your hand and leaves a delicate kiss on your fingertips.
Lily buries her nose in your hair. “She’s right, Siri.”
“I’m always right.” You pout.
Sirius, love-sick fool that he is, smiles as he tilts your chin with his finger and ensnares you in a kiss that leaves you breathless. “Course you are — our girl’s bloody brilliant, isn’t she, Lily-pad?”
“Without a doubt.”
You roll your eyes at their antics, rolling around so that your back is pressed to Sirius’s chest — they’re not fooled, however; Lily sees the way your eyes flicker in amusement and the way your lips threaten to curve up into a smile. She traces the swell of your lips with her thumb, to the dip of your nose, and to the apples of your cheek. Sea-green eyes beam at you.
“I love you,” says Lily, committing every inch of you to her memory as she wears a melancholic smile. “I don’t know who told you that you don’t deserve to be loved, but they were wrong. You are so precious to us, dove, you don’t even know how much. This right here is real — and nothing could ever change that.”
As it turns out, you did have more smiles to give — only the happy ones; not the fake, courteous smiles that you had given to your mother’s friends in the past. You come to intertwine your hand with Lily’s, the one that had been resting on your cheek, tenderly wiping the tears that pooled within your eyes. Your heart could burst from your chest. They had a habit of wringing every emotion out of you; of making love feel real, not just a myth from a Muggle storybook. And you find, that you didn’t mind this particular habit of theirs. In the comforts of the place you call home, where you irrefutably belong, you are free to seek their arms and fall into their love, and the best part is where you get to love them right back.
How lucky you are.
“Let’s get married,” You blurt out, holding your breath, feeling Sirius’s hand on your waist stiffen.
“What?” Lily gasps breathlessly.
You smile up at Lily. “Let’s get married. All of us. I don’t care where, o–or about the rings, let’s just get married. With the war going on, we deserve s–something good.”
Lily sobs as she nods excitedly. “Yes. Oh my Gods—we’re getting married!”
Sirius stares at you in wonder. “Bloody hell, dove, give a guy some warning, would you?”
You grin. “Is that a yes?”
“It’s a yes — forever.” Sirius dives in to kiss you senseless. “Couldn’t get rid of us now even if you tried.”
“I don’t think I’d want to, anyway.”
Right then, the rickety door slams open, and you hear the loves of your life calling out for the three of you. Followed by the heavy thud of Dragonhide boots plunking down onto the floor
“We’re home!” James announces in the entryway.
Lily wastes no time in shooting up from the sofa and welcoming them home with quite a unique greeting:
“We’re all getting married!”
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1976; CURRENTLY, IN THE PAST.)
“That ring is an heirloom passed down to the children in our family,” You tell Harry, pointing to the band around his finger. “It’s meant to symbolize our loyalty and duty to our House. My mother said I would have earned it only when I became a wife to Ferguson Bulstrode.” You chuckle at Harry’s perturbed grimace. “No, I didn’t marry him — thankfully. After Allegra. . . I—I. . . I couldn’t bear it. If I was going to marry, it would be on my own terms, and it would be for love, nothing less. Then, if my child wanted it, I’d give them this ring. I want to leave behind a legacy that I created. When I was younger, I’d resigned to a fate that was forcefully carved by someone else’s hand.”
You shake your head. “I want to die being remembered by those who loved me. Otherwise, I was never truly alive.”
Harry won’t let that happen, he won’t ever let your name be forgotten. He’ll share of your kindness to his friends, of your bravery and loyalty. Hermione will love your fondness of Muggle musicals and how you stood up to Lily’s defense in a world that ostracized her for being different. He’ll remind Remus of your love for him, that he had brought you hope in times of despair. Harry is going to make sure the world knows you had been so full of life with endless love to give. You are going to be remembered in the way Voldemort never will.
“What do the words mean?” He stares at the writing: Tempus Edax Rerum.
You smile. “Time, devourer of all things.”
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1978; ORIGINAL TIMELINE.)
“REMUS—THE MUGGLES ARE stuck in the telly again!”
Remus snickers as he takes the vacant space beside you on the loveseat, now sewn up with care and spattered with knitted quilts and throw pillows — still too small to carry three people but hasn’t given out yet, anyway. He takes Lily’s legs over his lap, swiftly stealing a kiss from your lips. “It’s a film, dove, they’re acting.”
You purse your lips. “They’re trapped inside, then?”
Lily snorts into her tub of chocolate fudge ice cream. “Not quite, princess, it’s recorded. Movies are like moving photographs — but they’re an hour long with sounds.”
“Oh.” You turn your attention back to the screen, back to the film Lily had been watching. You had to admit — the story of Sandy and Danny was an interesting one. “Lily-pad, she’s singing — again.”
Sirius hushes you from where he was cuddling James on the other couch. “She’s supposed to sing, dove, it’s a musical.”
“Well, yes,” You begin, and James groans into Sirius’s chest, “But they should just talk instead of singing all the time — Sandy’s got a lovely voice, though. I just don’t understand why Danny’s treating her like that! Truthfully, I don’t like any of Sandy’s new friends, other than Frenchy — she’s harmless. If I was Sandy I’d move on from Danny — but then again, that hair and those muscles, and his leather jacket! I can’t blame her.”
Sirius glowers at you. “You like his leather jacket?”
“His hair?” James exclaims in horror.
Remus chuckles as he tucks you in his side, kissing your temple. “If I were you, dove, I’d be quiet and just watch the film.”
“Oh, no, no.” Sirius barely glances at the television as he pauses the film and stands up to point an accusatory finger at you. “Since when were you into leather jackets? Do you think those are cool? Since when? Jamie, should I get one? Let’s unpack this, right now. And his muscles, really?”
Your eyes roll to the back of your head. “Play the film, Black, I want to see the end of their love story.”
“I’m telling Euphemia on you!”
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1976; CURRENTLY, IN THE PAST.)
“—and then we realized that we accidentally locked Hermione in with the troll.” Harry’s arms flail about as he shares some of his adventures with you — it had only been fair. He felt like a young boy again, entering Hogwarts for the first time as he watched you listen to him intently, gasping at tale of the vanishing glass and scolding him when he says he and Ron had decided to go searching for Hermione, and by extension, the troll.
Your eyes grow wide. “A troll? In Hogwarts? They can’t have, not unless—”
“Someone let it in—I know!” Harry grins. “You’re not going to believe who let the troll in the castle.”
You snap your fingers, “Malfoy, the older one. I know that lump’s got something to do with this. Can’t have been Snape or Quirrell.”
“Just you wait.” Harry’s eyes twinkle with mischief. “—and so, Professor McGonagall finds us, and can you believe it? She awards us for dumb luck! Then. . .”
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1979; ORIGINAL TIMELINE.)
IT HAD COME AS A surprise when you volunteered to join the Order of the Phoenix. You wanted to scoff at their shocked faces — was it so surprising that you wanted to protect your family? They let Severus Snape join their ranks, and you’re fairly certain that you’re a better fighter and survivalist than him — not the better liar, however, he can have that one. The week before, you and the others had an argument that lasted for the whole day. They did not want you in harm’s way, and you would rather die than stay at home, waiting idly for them to return, when you could be out there alongside them.
(“It’s not some game out there!” Remus runs through his hair in frustration — he had always been so careful to never raise his voice at you, but this one time, he needed you to back down. “Every time you step into a raid, there’s a possibility of you dying, don’t you understand that? And even if you survive — you’ll have blood on your hands, and it does not wash away no matter how many times you try, trust me, we know.”
“So what?” You throw your hands up in the air, equally aggravated. “I just stay here like some. . . some pet waiting for their owners to come home?”
“Yes!” Lily angrily replies. “That is the whole point of us joining the Order — so you get to live another day. So we all have a chance at this new world without a war. Let us protect you!”
You grind down on your jaw. “You have got another thing coming, if you think I’m not going to fight tooth and nail for my future.”
James slams a fist onto the kitchen counter. “There are horrors out there you can’t even imagine. I-It’s worse than we thought. It’s our every nightmare come to life.”
You raise your chin defiantly. “Then we face it together.”)
Each day, you survive, and each day the five of you return home — scarred and bruised, but safe within the arms of one another. When you collapse and crumble, it is only for the walls of your home to witness.
Now a month into autumn, you are on your first task without Sirius, James, Lily or even Remus. Instead, you are assigned by Dumbledore to Knockturn Alley along with Peter Pettigrew and Gideon Prewett. How strange time was, years ago you’d never associate with the proud Gryffindors, and now you had to trust them to guard your back. Everyone had to grow up quickly during war, even pranksters.
The alley was quiet — too quiet for your liking. You had been on alert since the moment you apparated into the area, wand at your ready. The back of your neck prickled with goosebumps as you kept an ear out for any sign of movement.
Peter shivers and you glance at him — he’s become far too skinny, constantly shrinking into himself out of fear. And while you want to comfort him, you keep your eyes up ahead. Still, there's a nagging feeling that you can’t quite make out. It’s different from all the other times you’ve been asked to search and rescue.
“Don’t you feel like there’s something wrong?” You ask Gideon, eyes snapping to the flock of crows flying overhead.
“Dunno, kid,” Gideon says, nudging your shoulder with pressed lips. “Everything about this is freaking me out. The place is too empty.”
“I get what you mean,” You reply, swallowing your own nervousness. Without waiting for the rest, you speed up your pace. “I’ll scout ahead, who knows what’s been here before us. I don’t want to risk any of our lives, so let’s be careful. Gideon, ward the area while I check for any cursed objects, last time you almost got your arm cut off by a newspaper of all things. And Peter, could you. . . Peter?”
When you turn to check behind you, it all happens so fast.
“Avada Kedavra!”
You scream as Gideon’s deathly pale body falls to the floor.
“No!”
You aren’t given a moment to rush to his side — someone digs their wand in the side of your neck, and you stiffen in their hold. It’s not until they hiss in your ear that you recognize the voice.
“Rosier.” You spit, biting down on your lip when he presses the tip of his wand further into your flesh.
“Stupid witch,” He taunts, eyes dilating with vengeance. “Where are your lovers now?”
“Jealous?” You claw at his arms, chest heaving up and down. “We don’t have room for one more, sorry.”
“Shut up!” He pushes you to the ground in blind rage, and that’s all the opening you need.
“Expulso!”
Each curse you send his way lands on his cloaked body, sending him staggering backwards. With ease, you deflect each spell he counters with. You’re winning, he is growing tired, and perhaps that is why you let your guard down.
“Accio wand!”
The magic fizzles out, and the spell dies on your lips. As you swivel your head to find out who’s stolen your wand, you expect to find another Death Eater — except it’s Peter. Just Peter Pettigrew, quivering in his boots with tears and snot dripping down his face, your wand in his free hand. You furrow your brows — it doesn’t make sense.
“Peter?” You call out.
“Crucio!”
The curse finds its home in your body — and it sinks deep into your flesh, grinding your bones until you slump to the ground, wriggling as you draw blood from your lips, refusing to let them hear an ounce of your pain. Blood trickles down your nose as you hear Evan Rosier dancing around you in glee. You know this curse well; the sound of your father condemning you gleefully echo in your head. You crawl over to Gideon — hand desperately reaching for his shirt.
“Crucio!” Rosier grabs you by the hair and howls with laughter. “Scream for me again—Crucio!”
It’s as though someone had begun to rip you in half. Your bones shift and crack with every uttered curse. The veins in your eyes have popped and through bloody vision, you see Peter cowering away from you.
“You—fucking—traitor,” You gurgle, throat welling up with blood that’s risen from your stomach. “They’ll—never—forgive you—never.”
“Crucio! Crucio! Crucio! Come on, witch — SCREAM! Look at her go, Pettigrew, crawling like some pathetic worm.”
You lay in your owl pool of blood, wearing a body that is marred and lacerated. But you see something in Gideon’s hand. I’m sorry, you want to tell him. I’ll get you home to Molly, you promise, please lend me your magic this once. With every last bit of your strength, just as Rosier directs another curse at you — one you know you won’t survive — you snatch the wand from Gideon’s hand and tear the last of your magic from your throat.
“Defodio!”
You wait with a bated breath as silence fills the alley; lucky to have remembered Professor Flitwick’s quick remark as to how the slight difference in pronouncing a charm could alter its effect. Rosier stands on shaky legs, a stream of blood leaking from the corner of his mouth. You watch as he looks down to his chest, where a gaping hole now lies instead of where his ribcage and heart should be. As Gideon had done before him, Evan Rosier crashes to the ground.
That just leaves one more problem.
Peter scurries to your side the moment Rosier can hurt him no longer. “I-I’m sorry—I’m sorry. I had to. . . T–They killed my mum, they killed M–Mary, and t–they said I would die too if I d–didn’t do this. I’m sorry. Y–Your father was there, too. He said he would take you in, let you l–live if you joined us. W–We can live, t–there’s still a chance for us to survive.”
Your fingers are bent at unsightly angles, the remnants of the Torture Curse still flowing through your veins, but your face contorts in anger as you let your hand curl around his neck. He sobs louder, and though your grip is weakening — you make sure he looks into your eyes, that he feels your touch.
“I’d rather—die.” You say through gritted teeth, nails drawing blood from his grimy skin. “You’ll die too—you’ll feel my blood on your skin—everywhere you go, Peter.”
Peter shakes his head, now clumsily pushing his wand down to the center of your chest. “Y–You were the only o–one who d–didn’t laugh at me. N–Not like the others.”
“When they find out—you’re dead, Pettigrew.” You laugh darkly as more blood exits your body through your lips. “There’s nowhere you can hide—you’re a dead man.”
“P-Please die,” Peter cries out, each killing spell coming out as a garbled whisper. “Please die, s–so I can live. I c–can’t fight anymore, I’m tired.”
Your vision goes a hazy shade of white, Peter’s silhouette fading away to the familiar scenery of your cottage in Godric’s Hollow.
Oh.
Dying is less painful than you had expected it to be. It’s like coming home after a day’s work.
You just wanted to rest now.
The world caves in on you, and you barely hear Peter’s next words.
“Avada Kedavra.”
(It’s past midnight when Peter Pettigrew arrives at Grimmauld Place, where it’s been altered to host the members of the Order, Lily sobs in relief and gathers him in her arms.
You’ll feel my blood on your skin.
You’re a dead man.
Dead, dead, dead, dead, dead, dead.
“Oh, I’m so glad you’re home safe — welcome home — thank the Gods you’re alive,” Lily blabbers through her tears, checking his face for any major injuries. “Merlin, what happened? There’s too much blood on you. It’s on your shirt and your face.”
“It’s not mine,” says Peter hoarsely.
Sirius’s gaze darkens, arms crossed over his jacket as he leaned against the wall. “Where is she?”
Lily nods, standing on her tiptoes to search for any sign of you. “Peter? I–Is she alright? Has something happened to her?”
Peter stays silent for a moment too long, and he finds himself slammed against the wall behind him, Sirius snarling in his face as he seizes the front of Peter’s soiled shirt. “Where the fuck is she, Pettigrew?”
Peter begins to weep. “I–It was an ambush. None of us saw it coming. Gideon r–ran. She was taking on two Death-Eaters at once and I–I was too far away.”
Lily collapses to the ground with a heart-wrenching scream.
Sirius growls as he drives his fist to the wall, inches away from Peter’s face. “Where is her body?”
“It was a disintegration spell.” With Severus Snape — brought to the Malfoy Manor to be made as an example of what happens to blood-traitors.
James pushes Sirius out of the way and grabs a hold of Peter, knocking his head against the concrete. “It should have been you—” James snaps at Peter. “If it came down to you or her—you should have saved her!”
“W-What?” Peter stammers, eyes wide. “She chose to save m–me.”
James sneers at him. “You should have just died.”)
. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .
(1996; CURRENTLY, IN THE PRESENT.)
ST. JEROME’S GRAVEYARD had exactly one visitor. Remus Lupin sits in between James and Lily’s graves, a bottle of firewhiskey in his hand — four empty at his side. He must be going crazy. There’s no funeral for Sirius as there’s no body to actually bury, Harry is presumed missing after an attack in Diagon Alley, and your name stares back at him mockingly. He tries not to dwell on your passing — there have been too many holes, too many details left unsaid; and he knows just the rat who has all the answers. Unfortunately, Wormtail won’t come out of whatever hole he’s crawled into. Either him, or Severus.
He sighs, rubbing the temples of his head to ease the growing pains.
You are the first to be buried of the five. Like Sirius, there had been no recovered body to lay to rest, but they asked for a compromise instead. Your name is engraved under Euphemia’s in her tombstone, and Remus figures it’s the fitting place to leave you be — with your mother, welcoming you home with open arms. He hopes you’re at peace, wherever you are. (Because, honestly, at this point, he might just fucking follow you.)
Remus takes another swig of his alcohol, laughing bitterly to himself. He glances at James’s headstone and raises his bottle to him. “Not even in death, huh?”
He downs the last of the drink, rising to his tremulous legs. Remus gathers the flower bouquets he had bought earlier this morning; lilies-of-the-valley for Lily, white carnations for Euphemia, forget-me-nots for you, and for James — Remus leaves a moving photograph of him and Sirius; it’s a snapshot taken by Lily during the wedding as James dips his head low to kiss Sirius. Remus thinks it’s a wonderful memory to remember them by.
“Take care of them for me, Jamie.”
And that is all the goodbyes Remus has the strength for.
end note. i think i was crying the whole time i was writing this part, LMAO. i should be able to wrap things up in the next one. important!! there is actually a scene i was hesitant to include, but i ended up writing anyway. it's the whole part where allegra greengrass breaks down, and it was difficult for me to decide because i knew the implications; that i had a strong underlying message in that part, and i don't want it to be misconstrued or anything. pls pls tell me if it comes off as offensive, i definitely don't want to hurt anyone. nevertheless, thank you again so so so much for reading!! if you spot a plot hole, no you didnt!! i hope the time-jumps weren't too confusing! again, thank you so so much for reading!!
#hp angst#hp fluff#hp imagine#hp x reader#james potter x reader#lily evans x reader#marauders angst#marauders fluff#marauders imagine#marauders x reader#sirius black x reader#poly!marauders x reader#poly!marauders fluff#remus lupin x reader#sunny's hp fics
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I’m in control
Cooper Adams x fem reader
Working at an arena definitely had its benefits. Getting free concert tickets and discounts for family members. Your employers prepare you for the arrival of the famous serial killer the Butcher but you have no idea how close he actually is.
Warnings! Light thigh riding! Fingering! Finger sucking! Age gap! Reader is mid twenties and he’s in his mid forties! Requested by anon! W.C 1.3k
Yall I saw this movie and I’m obsessed with him. Sorry not sorry. Be gentle this is my first fic with him and I think maybe the first one with this character.
“Don’t forget I won’t be able to take you home until everyone is gone and everything is cleaned up!” You call after your younger sister. Her recent graduation of high school rewarded her a up close and personal experience at this concert. She waves off your reminder as you roll your eyes and stand around the VIP area.
You didn’t mention to her that today was supposed to be the arrest of the serial killer The Butcher. It gave you shivers to hear about his crimes during your staff meetings. Preparation for any sort of confrontation brought tension to your shoulders all day as you worked. This job supported you in nursing school and gave you access to concerts. It was a win win.
You sighed and watched people walk by. Every male was to be stopped and questioned by the police. It was dull if you were being honest. It was going to be a while before you were able to leave so you decided to kill some time in a private room.
You blinked in surprise when you opened the door to see a man already in there. He was tall, really tall and muscular. Wearing a sweater, yellow jacket and jeans. You had seen him briefly earlier with a teenage girl, assuming it was his daughter. He was roughly in his forties you guessed. Handsome. Very handsome. Enough to give you awkward pause before you cleared your throat.
“Excuse me, sir. This is for employees only. Can I help you with something?” You tried to keep your voice steady as he loosened a huff of laughter.
“Ah, I’m sorry I know I’m not allowed to be back here. But I have to be honest. The police are making me nervous. My daughter she was really looking forward to this concert and I’m just worried for her safety.”
His tone seemed genuine but there was a darkness in his brown eyes that made you feel alert. You nodded slowly as he took a step forward with a gentle smile. “So…have they caught him yet?”
Your pulse quickens and you part your lips to answer but the stranger chuckles again.
“Don’t tell me you don’t know what’s going on, sugar. I know they’ve given every employee the rundown of the big scary Butcher. And I can tell you’re just…aching to tell someone what you know.” When he said the word, “aching.” He glanced down at your legs.
“Sir, I-i really don’t-“ He clicked his tongue, resting both hands on either side of your head, you could smell his cologne from his close proximity as he pressed you against the door.
“No need for formalities, sweetheart. I just want you to answer one question.”
You were afraid and…aroused as he leaned down and whispered in your ear. “How can I avoid the police?”
Your body trembled when he brushed his lips against the shell of your ear. What the fuck was happening? You gasped as the stranger’s large hand moved down and cupped your waist.
“I-I don’t know-you can’t avoid them-“ You stutter as he shakes his head, nudging his thick thigh in between your legs. His size was massive as he was holding you up.
“I don’t think that’s true. The tension in your body tells me you’re lying. I’m good at spotting liars, baby.” You whimper as he encourages you to rub your covered cunt on his knee.
“Really, sir I don’t know. I’m not a manager or anything. I’m just a normal worker and we were told to just be careful and use the code word.” You pleaded as he sets both hands on your hips, guiding them to move harder and higher on his thigh. “No, no, there’s nothing normal about you. You know something. You’re smart and you’re going to tell me.” His voice indicated no room for argument and you were too distracted by the coiling in your stomach to argue.
“You’d have to be with the singer. She has to-“You moaned as he finally slipped his hand inside your pants, pushing aside your underwear with a nod. His fingers grazed your clit and you whined as he gave your pussy a smack.
“She has to what? Use your words, baby doll. I know you can do it.”
All common sense left your brain as he worked in two fingers inside you, curling them deep as you panted and leaned your head back. You had no idea what was happening, who this guy was or why he wanted to know. But you lost yourself and whined.
“She has to tell them you’re with her. She has her own security so-you’ll be clear-oh god.” You squealed as he gripped your chin, continuing to fuck you with his fingers as he forced you to look him in the eye.
“Very good. I’ve had…a long day. And I just can’t waste any more time with the fucking police.” He whispered, hovering over your mouth.
Your climax was nearing as he shoved his fingers impossibly deeper, almost painfully but he balanced it by massaging your clit with his thumb. Your eyes watered as he wrapped the hand holding your chin around your throat.
That sent you over the edge as you came all over his fingers. Your entire body heated as you moaned and dug into his shoulders as he fingered you through it.
Slowly, you came down from your high and breathed heavily as he slowly pulled out his hand. The stranger brought his soaked fingers to your mouth, shoving them in as he forced you to suck them clean. Your eyes were wide and teary as you stared at his dark smile.
“Thank you so much for your help. It’s nice to see employees taking their job seriously.” He smoothed his hair back as you shook. He removed his fingers and gently side stepped you.
He opened the door and you inhaled while blinking away any left over shock. “Wait! You didn’t even tell me your name!”
The man stopped and turned around. Horror chilled your blood as he gave you a wink and started walking away. You knew in that moment exactly who you just helped.
The Butcher.
Dividers by @cafekitsune
Tagging @xxbimbobunnyxx @redhead1180 @nemesyaaa @oceandriveab @gothcsz @sararuno @horrorpiggy @lovalova444
#Cooper Adam’s#Cooper Adams#cooper x reader#cooper Adams smut#josh hartnett#Josh hartnett smut#Josh Hartnett character smut#trap#trap movie#trap movie 2024#m night shyamalan#Trap movie smut#trap 2024 smut#Gorey writes#Slasher#slasher smut#horror#horror movie#horror smut#slasher fucking
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I hope you don’t mind but I need to ramble this to someone, neglected Wayne reader right? The fam would forget to bring them to social events and whatnot right? So there would be very few pictures, articles and interviews or even facts about them, meaning that reader Wayne is a rarity. Still following me? Reader Wayne with a small but devout fanbase.
I’m talking they are trading the latest pictures and sharing links to the rare interview with reader in it, following any social media they have that isn’t private, they are just fascinated by this micro celebrity that seems to always be forgotten. Okay but also imagine one of the heroes developing a para-social attachment to reader. My money is on Conner Kent, mainly bc he can project his own issues with his dads onto reader and he can Dolores ~Encanto~ reader with his super hearing and develop a even bigger parasocial obsession with them
I hope you enjoyed this ramble, I will leave you be now, see ya later alligator! 🐊
omg another one of my asks that actually predicted a major plot point... this ask ties well with the last part written here. i'm thinking about having the reader get a love interest/s but i have already written an outline but one thing is for sure—
you have more than just your family interested in taking you.
major spoilers below the cut. — an excerpt from chapter xx
(name) wayne may have been a name forcefully deleted off of the face of the internet, but that doesn't mean it doesn't have its conspiracies of its own. nobody knows who you are beyond the blurry, unsolicited pictures of you. it may have been a photograph of your back, or articles published in unknown websites and buried at the far end about a kid entering through the fancy gates of the wayne manor.
you are a product of a one-night-stand.
but they don't know who the mother is, don't know your age, or where you come from, and what business bruce has with the woman to guarantee your adoption at the instance she had disappeared without warning.
your existence was a mystery most would like to solve. after all, it was your picture that was plastered all over the newspapers and articles, it was your name that journalists whisper and it was a silhouette of your face that the underground knows by heart. every known information about you was shared discretely yet efficiently like some sort of virus.
you were a target for interest, a large sum of money if they will. and alfred had taken it in his hands to make sure there would never be a repeat of what had happened before.
it was a clumsy mistake, one that cost you your memories, and one he swears on his life he'll never make again.
the first course of action he needs to arrange, which may seem difficult for most; he needs to confront bruce.
after all, your freedom is your doom.
maybe this is out of the picture, but id' like to imagine you and connor having a therapy session where one comes out absolutely obsessed with the other, and it's not you.
connor's character for me is so, so good for an angst potential. it's like his personal struggles is a way for him to show you how absolutely you two are meant to be. and he may have met you through bumping into you (false) or maybe... he has seen you stalking through the shadows back when he visits the manor. using his superhearing, he can hear your voice from the kitchen begging alfred to relay a message to bruce, sounding so absolutely desperate. it's the way you tell alfred how you wished your father actually spends time with you, or how nobody seems to notice you— that he kind of just makes a silent promise that he will talk to you soon, he needs to know why this family seems so keen on ignoring and how hypocritical tim is for literally doing the same thing to you when he's aware of kon's past.
if he (or anyone else) should be a love interest (though he is a minor character in the series unless you guys want him to be a major one), i can already imagine the absolute hell you have to suffer not only from your family but from your own lover. just imagine the stockholm syndrome or the delusions you convince yourself with because you're finally loved by someone but that love restricts you from the very freedom you tried to build.
the batfamily would be so conflicted because why are you choosing some stranger over them...? then you slap them in the face with, "well, this "stranger" wants to kidnap me and lock me up, sure! but at least they actually looked at me for more than five seconds!" and you can watch how the color drains off their face, their conflict giving you the perfect opportunity to run away from both your ex-family and your soon-to-be-kidnapper-lover who thinks your comeback is a funny way for you to propose.
#🍨... yael's talking#🌷... yael's works#series: again & again#yandere dc#yandere batfam#yandere batboys#yandere connor kent#yandere alfred pennyworth#yandere#yandere x reader#yandere x gn reader#yandere x male reader#yandere x you#yandere x y/n#platonic yandere#yandere conner kent
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Romance Clichés With: Idia Shroud
Cliché: The Dramatic Save
Others: Leona ; Vil ; Azul ; Kalim ; Jamil ; Riddle
The thing about Idia is that he’s very used to lurking in the background. Life is much simpler that way. But ever since you’d started spending more time with him, he’d found himself in the wildest, most "otome game" situations imaginable. And today? Today topped them all.
You’d been standing together in the courtyard, him telling you about his latest game finds, hands shoved into his pockets as he tried not to fidget too much. It was rare he got to hang out with someone he, uh, actually wanted to hang out with, so his nerves were pinging off the charts.
That’s when it happened.
With zero warning, a large, heavy textbook teetered off the edge of a windowsill above and began its rapid descent towards Idia’s head. He didn’t notice; he was too busy stammering about his latest high score. But you did.
In one swift move, you threw yourself across the space between you and practically flew through the air, hands outstretched like some overdramatic action hero.
You managed to get between him and the descending missile (okay, just a textbook, but in the moment, it was deadly), and though the impact wasn’t as dramatic as you’d pictured, you still managed to shield him with your entire being, shoving him safely aside.
By the time he realized what was going on, you were already fussing over him. “Oh my gosh, are you okay?! Did it hit you anywhere?”
He blinked, processing what just happened as you started checking his head for bumps, squinting at his shocked face. “Uh… w-what?” he stammered, brain catching up about three seconds too late. “Did… did you just… jump in front of me?” The look of awe on his face was equal parts adorable and ridiculous.
“Well, obviously!” You laughed, still fussing, hands on his shoulders. “Are you alright?”
Idia’s mouth opened and closed as he tried to process the sheer amount of romance that just smacked him in the face. You, his crush, his dream come to life, had gone full protagonist, for him. It was like the best tropes had all collided in his brain at once, and it was overwhelming in the best way possible.
“N-No one’s ever done something like that… f-for me…” he mumbled, cheeks reddening as he stared at you with this helpless, smitten look.
You tilted your head, a soft smile crossing your face. “Well, I’d do it again if it meant keeping you safe, Idia.”
Somewhere in his brain, the confetti cannons were going off. The “love meter” hit max. The screen flashed “TRUE ENDING” in bold, sparkly letters. He knew it was all real, but a tiny part of him felt like he’d accidentally triggered some hidden route with a secret character, and that character was you.
And before he could stop himself, the words tumbled out of his mouth in a rush. “I think I’m in love with you. Like, maybe have been for a while. You’re like, the one or something, and—oh my god, why am I saying this out loud—”
He clamped a hand over his mouth, wide-eyed, as if he could just take it back if he tried hard enough. But instead, he saw you looking at him, your smile widening as you took his hand, gently pulling it down.
“You mean it?” you asked, a bit of awe creeping into your voice.
He couldn’t look at you, his eyes darting everywhere except your face as he mumbled, “Y-Yeah, I mean, yeah, I do. I can’t believe you’re real, honestly, this feels like a fever dream, but—”
Before he could talk himself out of it, you leaned in and pressed a soft kiss to his lips, quick and sweet. It was enough to short-circuit his brain, and when you pulled back, he just blinked, stunned, frozen like his internal processing unit had just maxed out.
“Does that answer your question?” you teased, unable to hold back a little laugh at his flustered expression.
“Uh-huh,” he finally managed, a dopey smile creeping onto his face as his brain rebooted. “Y-Yeah… yes.” He cleared his throat, trying to seem cooler, but the blush on his cheeks was a dead giveaway.
And as you both stood there, your hands still linked, he felt like the luckiest player in the world—like he’d stumbled upon the rarest, sweetest route of them all, and he wasn’t letting go anytime soon.
Masterlist
#twst x reader#twisted wonderland x reader#twst#twisted wonderland#idia x reader#idia shroud x reader#idia shroud x you#idia shroud#twst idia#idia
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Hey guys, we need to talk. Because a certain little something in TMAGP 8 is causing what is genuinely the most toxic part of the Magpod fandom at large to once again rear its ugly head. So let's talk about podcast character appearance head canons, shall we?
I'm tagging this with the Magnus Archives, TMA and Magpod tags because I am absolutely calling all of you out, but if you don't want spoilers for The Magnus Protocol episode 8 then stop reading right now.
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. Okay, so, Gerry exists in the TMAGP universe. He's happy (or at least acts cheerful). And some people have headcanoned this to mean that he is no longer goth, or at the very least isn't dying his hair black with bad box color. And other people have decided to get seriously agro over this. I have literally seen with my very own eyeballs someone call "un-gothing" Gerry a "hate crime" and calling the person they were talking to "gothphobic."
Let me make this absolutely clear for all of you: podcasts are a purely audio medium and unless a physical trait of theirs is explicitely stated, everyone's headcanon for how a character appears is valid. Goth TMAGP Gerry is valid. But also
Rainbow Goth TMAGP Gerry is valid. Pastel Goth TMAGP Gerry is valid.
Not Goth At All TMAGP Gerry is valid.
Bald Gerry who has actually gotten his brain cancer diagnosed in time and is getting treated for it is valid. Somebody's headcanon of a character that has no canonical description to them, or whose headcanon matches the few crumbs of canonical description we have but otherwise doesn't look the way you imagine them to, is not going to take away from your own headcanon of what a character looks like. If someone imagining or drawing a character looking a different way from how you imagine them looking somehow takes away from your enjoyment of the fandom or otherwise makes you feel like you need to barge in and tell them that they're Wrong and need to conform to your headcanon or else, that is a reflection on you, not them.
And this problem way predates TMAGP, let alone TMAGP 8. The only description we have of John is that he is in his early 30's and has prematurely greying hair.
If someone thinks he looks like the pastiest motherfucker to ever dwell in a basement, an extra-in-the-Adam's Family or Tim Burtan protagonist of a man, let them.
What's that? You want to tell them that John is BROWN and if they don't headcanon him looking that way they're WRONG and RACIST? Back away from the keyboard and go outside.
(Ironically, as someone who started getting grey hairs in my hair in my 20's myself, I'm pretty sure everyone's headcanon of John, with tiny little whisps of grey in his hair, is wrong, because if he was so grey that people were surprised to learn he was "a child of the 90's," he was probably full on salt-and-pepper when he was in his 20's.)
The only description we have for Martin is that he (man who canonically has the self esteem of a used doormat) describes himself as "not the smallest guy", Not-Sasha called him "roomy", Melanie is skinner than him, and Jonny said he imagined him as a "bigger guy" who would beat Alex in a physical fight. If someone decides to take this information and conclude that it means he's tall, broad and has muscle, rather than that he's overweight, fucking let them. If your first instinct to this is to run to your keyboard and call them "fatphobic" or otherwise bash them for it, I once again urge you to back away from your keyboard and go outside.
Someone headcanons Basira not wearing a headscarf? We have exactly 0 canonical physical description of her and the people who headcanon her as having one are basing that purely off of her name alone. Fucking let them. Someone headcanons Melanie and/ or Georgie as a skin color you don't agree with or a hairstyle you don't like? Fucking let them. As long as someone's headcanon of a character's description doesn't contradict the few canonical descriptions we have of a character, why do you care? Them having a different headcanon from you doesn't take away your right to imagine the characters looking however you like, anymore than it should take away their right to do the same. Someone headcanoning John as white (or Black, or Asian, or Mixed, or whatever) isn't going to make all of the fanart of John as brown with long hair suddenly disappear, nor the fanfiction describing him as such (although I do often wonder if the opposite is not true; is the fact that John looks the same in so much of the fanart I see on here really because of fandom "consensus", or is it because people are absolutely awful to anyone who draws him Different?). Someone headcanoning Martin as not fat isn't going to make the mountains of fanart of him as a fluffy little marshmallow vanish into the void (although I do remember hearing about someone getting bullied off the internet for daring to draw Martin as not fat). And someone headcanoning Gerry in TMAGP as not being goth isn't going to take away your preciouse goth TMAGP Gerry headcanon. That should be part of the fun of it, shouldn't it? Seeing what different images people have conjured in their heads of these characters we only get to experience with our ears, and celebrating the differences as well as the similarities? Why are we bullying people into conforming to one appearance of a character when no actual canonical appearance of them exists?
#the magnus archives#tma#the magnus protocol#the magnus protocol spoilers#tmp#tmp spoilers#tmapg#tmagp spoilers#magpod
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