#its abt how much u actually PAY ATTENTION

[pigeonxp]

if u say ur a fan of 911 and u call buck "evan" i can with full confidence say that youre dumb as rocks

[opens-up-4-nobody]

...

[moonstandardtime]

writing the isat botw au and its. a little revealing. that i just know the entirety of the great plateau by heart.

[phagodyke]

I still can't believe they're charging THAT much for the shadow of the erdtree dlc... for like 2/3 of the base game price there fucking better be 100+ hours of content in there 🤨

[staraxiaa]

+ extra lines bc i ran out of tag space .

If you cross the river (will the fighting end?)

Contrary to what granny once said, Kita thinks he won't ever truly know who you are. You are the one who waits by the river, watching as he scrubs dirt from fresh carrots and dirty shovels. You are the one whose presence lingers like mist over his skin when you part. You are the one whose eyes he always feels, at every moment—the eyes granny reminds him of when they wipe the floor or prepare a meal together.

You are the one who knows that it does not matter, that he would still perform his rituals and hold unwavering conviction even if you were not there. Because he is Kita; he is Shin-chan—repetition, perseverance, and diligence is how he lives...because it simply feels good.

You are the same, committed to your duty to watch him from the moment you were pulled from the glory of a summit. And he is committed to being watched by you.

shinsuke kita x GN reader character study for shin, reader is a river/rain spirit, themes of disaster, mentions of dying/minor character death, fluff and angst, slow burn (i think), slight spoilers for haikyuu!! timeskip 20.4k words | oneshot, complete

notes: This fic is set around the premise that Kita's gran lives in the mountains of eastern Hyogo, just above Osaka. I have his parents living in the city while Kita is cared for by granny until it's time for him to start school, around 6 years old. He goes to Osaka during the school year and no longer spends time in the mtns. Since canon doesn't offer a whole lot of information, I took liberties with the setting and backstory to fit the plot of my fic. I hope this can help negate any potential confusion! + (It's another fic spanning childhood to adulthood. With a magical reader. I am unfortunately not able to escape my own tropes.) + shoutout to this fic for inspiration

ao3 option

One moment you are a carefree being, gleefully running along a series of falls wedged along the mountain summit. The sun is setting and you are soaking in the glory of the day: with swaying leaves and shimmering droplets, and the last bit of light streaming through pockets of trees.

The next you are falling, rolling, bumping your way through the water. A current sweeps you away without warning, your vision goes dark, and you have left your place above the sun to land in the depths of a looming valley. You have to carry onwards, knowing there is no going back, so you search for the one who brought you here.

There is a dim light beyond the bank. It seeps from the open screen of a traditional-style house, illuminating the wooden beams and eaves from behind. It's a bedroom, with a small boy dutifully putting his futon down for the night, smoothing out the bumps and lining the base to be in its exact spot. He has salt and pepper hair and you think he is the youngest old person you will ever see. He never looks your way, but you sense that he knows you are watching.

So you watch, now that you're here.

"Granny, who's that?"

He is a toddler, carried along the path next to the river by his grandmother, a thin arm clutching him tightly against her hip. Her eyes slowly move from his face to his finger pointing towards the water. She can't see what he sees: another child, waist deep in the gentle rapids, mysteriously faded—like a mist lingering instead of wafting to the sky. She smiles gently when she understands, bringing a hand to pat his hair softly.

"You'll learn when the time is right, Shin-chan."

She knows how this story will go.

Someone is always watching, Shin-chan.

Kita's life is built upon the small things he does everyday, and the end results are no more than a byproduct of that.

Someone is watching over you.

Rain streams down the mountain gullies and pools in the river at the center of the valley.

The sun rises. Over and over and over again.

Childhood

The morning light streams through open screens, crawling up the veranda and into the adjacent interior. It’s the beginning of June—cleaning day, the tatami mats moved aside for inspection and rotation while Kita and granny scrub the wooden floors together. Foam bubbles from the rag when he wrings it out, excess water trickling into the bucket. He wipes it across the floor of their living room, watching carefully as the wood darkens slightly, but not too much, leaving shiny streaks and stray bubbles behind. He smiles to himself gently.

A grin tugs at granny as she watches from the opposite side of the room. It was Shin-chan’s own decision to clean with her today. He gave her no reason as he simply said, “I’ll help,” when she grabbed her bucket and rags. He already started pulling the mats aside, then struggled to move the table in the center by himself. Granny chuckles to herself at the recollection before returning her attention to the floor, her section a little lighter than Kita's.

He looks to her side and the faintest crease appears between his brows, a slight purse of his lips. When he wrings out his towel again, he pulls the ends a little tighter before bringing it back to the floor with a new gentleness. The result brings the twitch of a smile to his mouth. It makes him feel good.

From outside, he hears the rustling of leaves, creaking as bamboo sways in a light breeze, and the scrapes of shrubs against the house. The morning is cool, bringing in air that will hopefully linger as the day drags on. The only chatter comes from the birds, quick raps of storks in the river and singing sparrows in the trees. Kita feels a warmth, one from inside, as he listens. Focuses.

He thinks it could be praise, from the spirits that are watching.

It’s still morning when they finish, the mats brushed and switched with the ones in the closet. After they return the table to the center of the room, granny quietly thanks Kita for his help. He only nods in return. Quiet Shin-chan. He thinks he’ll read until lunch, or maybe help some more if granny plans to work in the garden.

She interrupts his thoughts. “Let’s go for a walk, to Fujiwara-san’s.”

Kita's brow furrows ever so slightly, but he nods. Granny sometimes likes to visit the neighbors, though without any clear pattern or schedule. He thinks she might be doing it for him, so he can talk with other kids his age, especially with his sister always gone to a friend’s and his baby brother in the city. He would rather read, but agrees regardless since it’s granny asking.

They slip their feet into sandals and start down the path along the river, towards the right. Kita reaches for granny’s hand and she smiles down at the top of his hair. They walk slowly along pebbles and dirt, accompanied by the sound of water rushing next to them. Eventually they approach a bridge, granny having to grasp the railing as she walks up the steps. When she reaches the center of the river she pauses, a ritual, to watch the water run by.

“Fujiwara-san said he has exciting news,” granny offers in a delayed explanation. Kita doesn’t respond. 

Granny takes another minute to step down on the other end of the bridge and continue walking. They go left, towards the house that sits opposite of theirs. It takes slightly longer with the incline, but it’s quaint and Kita feels no hurry.

The house is open when they arrive, doors aside to let the last cool minutes waft through. There’s nobody home, however, and Kita looks up to granny curiously after they step onto the exterior veranda.

She only offers a smile as they wait a few moments. His attention is diverted when he hears the thumping of footsteps, small and quick, getting closer. They’re followed by Fujiwara’s muffled voice, worried. Kita's hand tightens in granny’s as he watches closely.

Out runs a child, his age, tracking dark footprints along the tatami mats from the back entrance. Not just with dirt, but smudges of mud, smearing on the woven grass. His chest tightens at the sight and he has the urge to scold, to clean the mess, but then he feels eyes on him and—

That watchful gaze he remembers clearly, despite only seeing it once, years ago. A gaze he still feels everyday, most intently at night. You are grown, but only as much as he is. And you’re…real. With a weight and embodiment, a person instead of a misty image on the river’s surface. You’re also brighter, both in appearance and spirit, as you put a small handful of grapes (fat and crisp and green) into your mouth (skin and seeds included) and chew quickly before swallowing and smiling widely at him. 

Again, Kita wants to protest the sight, tell you the skin is dirty and you can’t eat seeds, but the words are trapped. Something is tugging at his chest—something other than his apprehension, something that makes him want to physically step forward.

But then Fujiwara-san is rushing in, though not very quickly. He’s another old-timer in the village, with crinkly eyes and little hair remaining on his head, paired with a thin physique and hunch in his back. In one hand he carries a woven basket, filled with more bunches of grapes, shiny and wet. In the other is a wooden cane, pale with a reddish tint—Kita thinks maple. The old man never needed one before, and Kita wonders what’s changed.

He looks back to you, the one change he’s aware of.

“Shinsuke-kun,” his thoughts are interrupted by the call of his name. He hasn’t been listening, he realizes, and he turns his attention to the grandpa. “This is one of my grandchildren. My daughter has been busier with work lately.”

Kita, for a third time, wants to protest. He’s met all of Fujiwara-san’s grandchildren before, and if he hadn’t, granny would have certainly told him about another five year old. He doesn’t know how to respond, can’t, and so he watches blankly. You are smiling at him the entire time, with a joy he doesn’t understand—at least, not entirely.

(There is a tightness in his chest at the sight of you, like it wants to expand beyond its capability. He’s not sure what that means.)

“Have some grapes!” you exclaim in a soft voice, thrusting the bunch towards him. Two fall from the force of your sharp movements, and he watches as they roll on the ground, leaving another stain. He doesn’t accept them, just continues to stare at the mess.

Granny fights a smile as she encourages him. “Let’s try some Shin-chan.”

He wants to say that he’s already had them before. He knows they will be delicious and crunchy and refreshing, especially now that the heat is rising with the sun. He knows that Fujiwara’s grapes are the best, and now two have been wasted and splattered on the tatami. Instead of reprimanding you, he reaches his arm out to take the bundle. Since granny asked.

His eyes widen when you then crouch to pick up the fallen fruit from the floor and eat them (skin and seeds included) without so much as wiping them off.

Who are you?

The faintest tug on his hand makes him turn to granny, who’s pulling one off the bundle he’s holding to give it a taste. “They’re delicious as always,” she says. “I’m surprised it’s such an early harvest.”

Fujiwara smiles, eyes crinkling further. “Snow came early this winter,” he reminds her.

She hums thoughtfully. “Ah, yes. The weather has been quite unusual this year.”

Unusual, Kita wonders to himself. Because of you.

You smile at him again and that inexplicable tightness arises in his chest once more. He frowns, the first genuine frown of displeasure today. His mind tells him to ask granny if he can go home, but he doesn’t want to. He doesn’t understand how that could be possible, to want and not want something at the same time. His frown deepens.

Kita thinks his time at Fujiwara-san’s is excruciating. Kita is also hesitant to leave when granny says it’s time to go. He misses a knowing smile that rests on her face as she tugs him gently, watching as he glances back during their walk home.

You are nosy. Kita was already aware, given he could feel you watching him at every moment, even when he can’t see you. But you are nosy when you are physically near him. And you are around him often now, nearly every day for the past week. Whether you simply show up at random or granny is pulling him along to Fujiwara’s, Kita learns that being around you is inescapable, inevitable. 

At the very least you aren’t noisy, just curious. At granny’s you quietly hover whenever Kita switches tasks or activities, a ghost floating over his shoulder. Once you’ve fulfilled whatever interest you have, you keep to yourself in your own part of the room. You’re helpful in the garden, for some reason, but you make him grimace when you pull a carrot directly from the ground and take a bite, dirt and all. You don’t help him wash the harvest, just crouch next to him by the river water and watch his hands diligently scrub.

You are, however, incredibly messy. It’s as if you don’t even register what a mess is, mud and leaves and water following you everywhere. Always. Trekking through the door with bare feet, smudges of grime trailing behind, sometimes with dripping hair—undried hair—that leaves dark circles and puddles on the mats and wood.

Every time it happens his chest flares with irritation, that urge to scold you. But granny is near, so he says nothing and instead looks at her intently. Granny only ever smiles back, sometimes handing him a towel and reminding him that he can help, if he wants. He doesn’t want to. He’s not sure why the adults haven’t explained it to you, surely Fujiwara-san can’t keep up with the cleaning he must have to do to house you. If Kita and granny always have to scrub your mess after you visit, Fujiwara must be mopping every hour. Sometimes they clean when you’re here, while you just sit and watch, only to dirty the floor again the following day.

After a week of this passes and you show up again, uninvited and with your bare feet leaving mud on the veranda, he caves.

“Don’ come around here if yer jus’ gonna make a mess,” he says firmly—but also quietly, wary of granny’s proximity. Why do you always enter through the veranda anyways—not the genkan, where the mess would be easier to contain?

You don’t appear deterred, smiling as you hold up a basket. “I brought you grapes, Shin-chan.”

He blinks. “That’s kind,” he admits, “but I don’ want ‘em.”

“Well I do,” Granny’s sweet voice says from behind him. Kita tenses when he hears it, turns to look at her guiltily. Her calm, smiling face makes him uneasy.

He starts to protest, those disagreements he felt a week ago, since the moment she wanted to go to Fujiwara’s, bubble up together. “But gran—”

“Shin-chan,” she cuts him off. Her voice is gentle and soft, but holds a different kind of firmness that Kita can’t deliver. One that makes him listen, because he has to.

“It’s okay,” you say, interrupting the conversation that would have followed. You’re still smiling, unfazed. It flames Kita's annoyance, while calming his nerves. Again, he doesn’t understand these feelings. “I’ll go home if Shin-chan wants me to.”

The boy’s eyes widen at that, heart plummeting as if he’s done something wrong. Why do I care? he immediately wonders. Maybe because granny is watching over his shoulder, or because Fujiwara-san seemed so happy to have his not-actually-grandkid (Kita is still certain) around his house. He doesn’t know what home you’re referring to, Fujiwara’s or the city or…somewhere else. Regardless, it would be easier if you went back and let them rest, granny especially, since she must be tired from the extra chores. He still hasn’t answered, caught between wanting to agree, waiting to disagree. He’s not sure which part of him wants what.

Instead of caving to his irritation for a second time today, he sighs and says, “It’s fine…jus’ wash yer feet.” He realizes he’s resolved to clean up after you so granny doesn’t have to. What is he doing?

“Okay,” you say easily, smiling. That relief fills him once again, and he can only stare at you, as if explanations for that feeling in his chest will surface if he looks hard enough. They don’t.

“Here are the grapes,” you assert, raising them in front of you. He hesitates, staring at them in accusation after he finally grasps the handle of the basket. Then you say: “Okay, bye now!” and run off the veranda, your bare feet landing in the dirt and carrying you along the trail and across the bridge.

Kita watches you with a pained face, and he realizes his free hand lifted slightly, as if reaching for you. He scowls and forces it down. Then he turns to granny. She’s smiling at him, he can sense it’s with amusement. He wants to ask why you left, if you really are going home, wherever that is. But he can’t, not when granny is giving him such a look.

“Stop cleanin’ up after others,” he tells her instead. Granny blinks, wondering why she’s being scolded now, too. “I’ll do it. Jus’…jus’ rest.”

She smiles warmly. “You’re a good kid, Shin-chan.”

Kita doesn’t think so. Not right now, with the way you ran away.

“Some people need time to learn the ways we live,” she continues vaguely. “Not everyone comes from the same place.”

He wonders why someone from the city would run around without shoes, through mud.

That inexplicable relief returns when you stand in the outdoor veranda the next day. He still doesn’t understand why he would want to see you, maybe for the confirmation that his words did not actually send you away—that granny and Fujiwara-san can continue to enjoy your presence. Regardless, he stares pointedly at your feet, the dirt clinging to them.

“Sorry,” you say, with the tact to at least look sheepish this time. “I washed them at Jii-chan’s, but they got dirty again.”

Kita is too stunned to react. Do people from the city not understand how shoes work? Or water? Dirt? He sighs, attempting to find his patience, as he tells you to stay put while he leaves. He grabs two pairs of sandals from the genkan and re-enters the veranda. He slips on one pair, then ushers you to follow him down the steps to the spigot.

“Rinse your feet,” he instructs. You do, poorly, but he supposes he can only ask for so much. He puts the second pair of sandals on the ground and tells you to step your feet in after you rinse. It’s an arduous process, but finally you are mostly clean and in the sandals. He then walks you to the entrance of the genkan and tells you, “Enter here. Wear those shoes when ya visit and put ‘em—” he points to a cubby, “there when ya come in.”

You are smiling, always smiling, when you reply. “Thanks Shin-chan!” Then you kick off your sandals and toss them into the cubby. Kita's chest flares again with displeasure at your haphazard treatment of his things. Suddenly you grab his hand and pull him inside, and all he can think is that your skin is cold. He can’t find it in himself to comment, heart racing as he stumbles and tries to slip off his slides before you tug him to the main room. He watches as your undried feet leave dark prints in the tatami in front of him—he thinks of the mold that has probably started growing under them since your first visit.

He passes granny as you pull him through the rooms. He gives her a wide-eyed look, one that tries to ask for help. She only smiles.

Kita feels a little bad for his outburst, once a few days pass and he understands that you aren’t intentionally helpless. You enter through the genkan, with relatively clean feet. You’re careful when you eat after he points out that you tend to make a mess. You help clean, when he asks you to. You still leave crumbs around and wet patches, you scrub too hard sometimes and other times not enough, but you try. And Kita finds that he doesn’t mind so much anymore.

You just don’t know things.

The more he ruminates on your…unfamiliarity with the world, the less sense your story makes—the city story that Fujiwara-san told him and granny. It’s obviously not true, but it also has to be, if everyone believes it. Someone from the city wouldn’t look so surprised that their feet collect dirt. He recalls that evening a few years ago when he was only two, when he could see you in the river. He thinks about the never-ending feeling of being watched. You’re from here, from him.

It becomes apparent why you’re here, why you hang around him at home and linger in his presence. One night he wakes up hours before sunrise. He struggles to re-enter his slumber and curiously opens the screen facing the river, to gauge the time. The mountains loom behind the image of a small figure on Fujiwara’s veranda. You, offering a little wave.

He doesn’t react, just watches as you swing your feet. The moon sits high between you, illuminating the river below, the mist that lingers on its surface. He wonders if you’ve always been there, why he never saw you until a couple weeks ago.

The spirits are all around us, in every living thing. Granny’s voice calls from his memory.

As he watches you, the river, he wonders what defines a “living thing”— if it’s breath or blood or growth. Something else entirely. He thinks the river breathes; it absorbs the air when it bubbles over rocks. Its blood is the water itself. It grows in its own way, banks expanding and collapsing, body winding and pooling, collecting life, collecting stories and history. He’s curious about your story, why it’s part of his.

He closes the screen and goes back to bed.

Shinsuke is not the kind of person to ask unnecessary questions. Even as a child, he keeps those curiosities within, assuming they’ll be answered eventually. Like granny said, You’ll learn when the time is right.

So he doesn’t ask, instead infers. Analyzes and assumes. You aren’t the same. Throughout the summer, as you spend time together, you are always asking. Asking and smiling. Sometimes they’re necessary questions: how to properly wash a dish, or where to set a gift of vegetables. Most of the time they’re unnecessary, asking how Kita is feeling, what he thinks of the weather. Sometimes they’re downright invasive.

“Where are your parents?” you ask him one hot July day, laying in the main room. Kita is fanning himself and wondering why you aren’t sweating.

“Osaka,” he says curtly. He hasn’t seen them in a while, hasn’t thought about them either.

“Do you miss them?” You ask, nosiness unsatisfied.

He shakes his head, no unnecessary response. He likes it with granny, always misses her the few times he’s gone to the city.

You hum, like you heard his unspoken answer. He thinks that’ll be the end of it. It isn’t.

“Your hair must be a mix of theirs,” you say plainly. “Whose is grey?”

He shakes his head, “Neither.” They both have black hair, the same with his sister who’s never home and his baby brother in the city with a nanny.

You’re surprised. “Oh. Do you know whose it is?”

He shrugs, uncaring.

But you smile for some reason, with genuinely joyful eyes. “Maybe it’s your gran’s,” you say happily. It makes him blink in surprise, mystified. He inhales, chest lighter. “It’s cool how that sort of stuff happens.”

He can’t look away from you, your smile that pierces right through him.

That night after his bath, he looks at himself in the mirror, intense, searching in a way he’s never done before. He sees the traces of his mom in his eyes and his lips, his dad in his nose. Both of them at the tips of his hair, that lower section by his neck. He continues to stare, looking for granny. He sees the way she influenced the nose he got from dad. He sees the way she claimed his hair, cradling his head and framing his eyes and cheeks. He wonders what it means, to be chosen by the traits from a generation before.

When granny says goodnight, Kita puts his arms up for a hug. She’s warm, always is. His head nestles into her neck, his threads of grey and black hair tangling with her sea of silver. He doesn’t know what it means; he is a five year old without the vocabulary to articulate the tightness in his chest, something akin to longing and fear. He is a five year old incapable of grasping what it means to be alive.

Only a couple days later, Kita catches a new perspective of you. 

You are barefoot in the genkan and Kita is ready to scold you, this one he knows is deserved after all he’s taught you. Before he can, you speak.

“Come with me today.”

Your hand is outstretched and inviting, but Kita is apprehensive, not sure what you mean. Before he can ask, granny speaks from behind him. “Go on, Shin-chan.”

He frowns and looks at her. Neither of them know what you’re talking about, where you even want to go. But granny looks calm and assured, without a worry in the world.

You don’t wait for an answer, grasping his hand when he’s still turned away and giving it a tug. He feels that same chilliness on your skin, one that makes him think you might be sick. He manages to protest long enough to step into his slides before you pull him out the door. 

It’s a beautiful day. The sun still hangs to the side, the heat of July not yet settled in the valley. The sky is a bright blue, populated with innocent fluffy clouds, white and rolling in the breeze. A group of sparrows sing in a shrub you two pass, and a toad leaps off the path to get out of your way. Kita inhales deeply, the air humid but clean.

“Where’r we goin’?” he manages to ask, quickening his pace to match yours. Your hand has loosened its grip, but he doesn’t let go.

“The forest!” you cheer easily.

His eyes widen. The forest? He’s been to the forest before, to pick bamboo shoots and tea leaves with granny, but he’s not supposed to go without an adult. Does granny know? Why would she let them go by themselves? These are necessary questions, he thinks, and yet he swallows them down and lets you take him without protest.

You are fast despite being barefoot, rocks and sticks seemingly unnoticed as you dart along the path. Kita follows along diligently, stumbling only a few times. He wishes he wore his athletic shoes instead of the sandals. He glances back to the house, studies the way it shrinks from the distance. The two of you are still on the southern side of the river, not yet crossed to the northern mountains, where granny takes him.

Kita decides that he likes running like this, despite the heat and his shoes. It’s a gentle jog, with a destination in mind, his hand in yours as you lead the way.

He doesn’t know how much time passes, just follows you up and along the path until the two of you reach its end. It’s the first time Kita has seen it, the way it stops before a rock face that climbs up a mountain west from his house. He looks down the path, into the valley from the incline.

He looks back at you, waiting for an explanation for what to do next. You don’t offer one, walking to the bank of the river. To get in the river, he realizes, and for the first time since leaving granny’s he tries to pull away.

You turn back to him, smiling softly. “Trust me, Shin-chan,” you say.

He’s not sure why he should, why he did, to let you take him all the way out here in the first place. Because of granny’s encouragement, he thinks. Go on, she said. Did that mean all the way? To the ends of wherever you wanted him?

You have turned and continued down the bank. Kita does not try to escape your grasp, letting you pull him along.

The water of the river rushes over his feet, cool and surprising. It runs up his ankles, his shins, his knees, and finally his thighs. You are leading him forwards, upstream and past the rock face that marks the end of the trail. His toes bump rocks covered in algae, slipping and wavering as he wades slowly. You, however, are sturdy, never faltering with your sure steps.

You approach a pile of rocks, scrambling over them to bring yourself back onto land. You help hoist Kita after you. He pauses when he steps onto the forest floor, the softness catching him off guard. He looks down to see reddish-brown piles of pine needles coating the ground, dotted with lush bundles of ferns and patches of vibrant moss. The land rolls gently, small and soft hills of fallen pine covering rocks and dirt and life. A mist lingers from the proximity of the water, the sun pulling the moisture into the air. The scenery is dark, quiet from the hazy canopy above. Kita inhales deeply in attempt to regulate his exhausted panting, the essence of wood and mint taking over him. He is in awe, not used to being swaddled in pine. The forests here are mostly a mix of leafy trees, oaks and maples and chestnuts, with pockets of bamboo. Not secret havens of sweetness and tang.

You tug him along, bouncing through the fluff of the soft ground. He follows, eyes wide and soaking in the scenery, wanting to memorize every moment. You show him your enchanted forest, its mysterious darkness splattered with occasional sun that manages to seep through. He spots a white hare leaping away, watches birds flutter from the trees. At one point you guide him to cross the river on a fallen tree, green with moss and bundles of young sedge. Behind your skipping form he walks carefully, arms outstretched for balance.

His heart freezes when he steps down onto the other side, catching sight of a grey wolf waiting its turn. He clutches your hand as the creature steps forwards, two smaller ones following. They look at him blankly before leaping onto the natural bridge, continuing their own journey without looking back.

When he turns to you, you are smiling, and tug him forwards once more. The sun starts to stream in, brightening as pines transition to those oak and maple and chestnut trees. The ground is no longer soft, but firm dirt and clumps of rocks, leading to one larger slab of jagged earth that juts out from the mountain entirely.

You step out into the sun and he follows, taking in the view in front of him.

He is not at the peak of the mountain, maybe halfway there, but the outlook forces him to understand the vastness of the valley. He can see the large span of the mountains as they roll and crawl in the distance, his house a small square along others. The river is more apparent, winding intensely down the mountain and softening into a gentle curve next to the village. He can see crop fields and the road that has taken him to Osaka before.

You speak, the first time since bringing him into the water, “Some people climb mountains to look from above. I like when I still feel inside of it, can still see what’s happening.”

Kita thinks he understands, remembers the way the mountains from his house are like a promising wall, a guardian. How the depth of the valley cradles him. He thinks of the hare and the birds, the wolves, the journey here striking wonder and awe into his heart. He recalls that feeling of being watched, your gaze always near.

The sun approaches its peak in the sky, nearly noon. It illuminates the valley, brings light into the forest behind them. Kita watches it light up your face, already bright from your joyful expressions.

“Happy birthday, Shin-chan,” you tell him, taking him by surprise. He forgot, in the excitement of the past hours with you. Granny gave him some books this morning as a gift. You’re giving him the forest. His smile is small and reserved, but it’s the first time he offers one back to you.

He thinks he understands now: what you meant when you said home.

The sight of your back with a hand pulling him along defines the next year. After you show Kita the forest, he trusts you wholly, no doubt that you will look after him. He is happily tugged again and again into that realm of magic. He encounters more animals—badgers and pigs, bears and herons. In the winter he sees foxes and macaques. The river freezes and snow becomes the new carpet of the forest. You don’t shiver either, he learns.

You take him to the summit once, so he can see the view. The pine transitions to a highland, bald of trees and instead coated in grass and shrubs. It’s beautiful, a clear day when the entirety of the valley is visible and he can spot granny’s home, how it sits across from Fujiwara-san’s. When he looks up, there is only the blue of the sky, not a single speck of cloud coverage. They stay until dark and watch the Milky Way span across the blackness of night, its subtle hues of pinks and blues, the way meteors shower down in flashes.

He watches life rise from the ground when the weather warms once again, as seedlings sprout and newborn animals wander through the land. Flowers bloom, coating pockets of earth in the full spectrum of light. He is witness to deer learning to walk, stumbling awkwardly over roots and rocks. He sees the other clumsy ways animals go about the world, how a sparrow drops its worm, how a duck trips and rolls into the river behind its mother. He collects these moments in his memory, happy to observe, solely to understand.

And you observe him, because Kita knows that is what you are meant to do. He still doesn’t know who you are, or why him, but he feels your eyes constantly. He doesn’t admit it, but they are comforting.

On the days you two are not parading in the mountain, you are still usually in each other’s presence. Kita no longer reads while you look over his shoulder or sit on the other side of the room. He reads to you, the books granny rents him from the library. You like to lay on the veranda while he sits and swings his feet, paying close attention to pronouncing the words. He still cleans up after you, since you never fully get the hang of doing things yourself. It’s only crumbs and small puddles, untidy blankets or cushions, an untucked chair at the table after dinner. He finds himself volunteering to take granny’s extra harvest of leeks to Fujiwara-san’s, under the pretense that he wants her to rest.

He walks there briskly, and stays for an additional hour. You have a lot to say, your nosiness still strong even after nearly a year.

“Jii-chan told me you’re starting school soon,” you say, eating one of the leeks. He watches you chew the entirety of it, uncooked. Some water squeezes out and dribbles onto the floor.

“In April,” he replies. April is two weeks away. It’s when he’ll go to Osaka. He’s supposed to stay there for the week leading up to school to prepare. He gets the sense that you’re leaving too.

You don’t look sad, and his shoulders feel tense when he notices. He’s not sure why.

Kita doesn’t ever ask unnecessary questions, but right now he is compelled to ask you many things. Sometimes it seems like you understand what he’s thinking, but you never respond unless he says it outright. As a result, he never gets to know.

He surprises both himself and you when he asks, “Are ya goin’ to school, too?” He already knows you aren’t.

You shake your head. He wants to ask why, wants to ask if you’re going somewhere else. He wants to know if you’ll be here when he comes back during break. He wants to figure out why you came in the first place.

Another question: “Are ya goin’ home?”

You nod your head this time. He watches you, thinking you’ll return to the pine forest. You shake your head when he thinks it, and give him the reprieve of elaborating. “The river.”

He frowns, confused. The river? You were always in the forest, guiding him along its greenery. He thinks about how he has to wade upstream to enter the forest in the west. He recalls the memory from years ago, a child in the water watching him. 

“I came from the forest,” you try to explain, “but the water’s my home now.”

Kita is reminded that he was born in Osaka, but would always rather be at granny’s house in the northern mountains.

It’s hard for him to leave granny’s, more than any time before. When the driver comes to get him and he squeezes in the back with granny, he looks out the window towards Fujiwara’s house. You sit on the veranda, waving while your legs swing. This time the sun is high in the sky and the river releases a blinding reflection. When the car drives away and he can no longer see you, his chest hurts.

Osaka does not make it easier. His mother coos at how big he’s grown while his father watches disinterested. Kita is shown his baby brother, now a toddler awkwardly walking around and speaking. Kita doesn’t know how to talk to him, but he tries. He says hello to his sister—who he hasn’t seen since she decided to stay in the city—when she finally makes an appearance at dinner. Granny stays for the meal and the night, and then leaves in the morning.

That night, the second one in Osaka, he cries while laying in bed. He isn’t sure why, the feelings simply overwhelming and in need of release. The squishy mattress in a raised bed frame doesn’t comfort him. He thinks about you, about granny. The mountains and the forest. The river. When he looks outside his window—a square of glass punched through plaster walls—he only sees pavement and blocks of concrete. Other homes, maybe with other children crying for reasons they can’t explain. There is no mountain in the distance or river running along the ground. The sky is hazy, no stars in sight. The only twinkling comes from his own eyes, his teary squinting blurring streetlights and windows with every blink. Each time his eyes close, for a moment he thinks he can see you.

If Shinsuke is one thing, he is malleable. He can fit himself into environments, his adherence to routine giving him a means of finding comfort no matter where he is placed. Responsibility grounds him, distracts him. He can redirect his energy to doing well in school, looking after his brother. These things feel good to him, to simply do them well.

Even though you are not with him, he can feel your eyes at all times. He is reminded of being at granny’s, her washing the floor as she tells him that the spirits are everywhere, always watching. He finds himself cleaning up after his brother, thinking of you. He wonders what you think, if you’re reminded of the same.

School is as alien as Osaka, with its concrete exterior and plastered walls. They are painted white and lined with large sheets of glass. They slide open, but only for students to shout at their friends outside, not to let the morning air in. 

In class, he sits quietly at his desk and listens to the teacher. He doesn't talk with other students or pass notes under the desk. He doesn’t even wonder about you, the feeling of your eyes always on him. He watches the teacher closely, diligently records the lessons. He watches other students, gathering first impressions and additional observations. He notices the way some of them doze off or scribble in their books. He sees the meaningful glances some make to each other, usually girls as they eye each other and specific boys in the class.

When he studies for his first exam, he thinks that he can feel you in the room with him. First looking over his shoulder—a cool breeze wafting from behind him, and then laying on his bed—the sheets oddly chilly when he goes to sleep. He remembers how you sat by him while he read aloud just a few weeks ago. He murmurs to himself as he reviews information, wondering if you can hear him.

Kita scores at the top of his class. He doesn’t feel anything when teachers congratulate him and other students whine. There is no pride in his chest or sense of satisfaction at the results. He thinks back to his nights studying, your presence lingering over him. It just feels good, he thinks, to do things well. The process of trying and dedicating himself to something.

He makes a routine out of it, delegating time after school to review material. It falls easily into his schedule, after dinner and before he readies for bed. He still has time to play with his brother, usually reading or offering him toys. His sister is always gone, either busy with club activities or friends. His parents get home late too, but they usually manage to have a full family dinner.

They’re eating quietly, having debriefed their days as they reach the end of their meal. Kita glances at his family, realizing that they’re different from the people at school. He’s known them for his whole life, people without first impressions and instead ingrained understandings. He looks at them intently, notices the way they eat, listens to the way they speak. He knows them intuitively, no running list in his mind to keep track of information. He is reminded of the time you asked about his hair, and he stares at his mom, then his dad. His mom’s hair is long and brown, artificially lightened from its original dark color. His dad’s is black with a sprinkling of silver from age. Kita wonders if his will do the opposite when he grows old.

There’s another exam the following week, this one for his science class. Kita is the first one in the classroom, watching students filter in. The boy who sits next to him—Daiki, tall and skinny—plops down with a sigh just a few minutes before the teacher is supposed to arrive.

“Gahh, I’m so nervous,” he says to Kita, laying his head on the desk. When Kita doesn’t respond, he asks, “Are you?”

Kita shakes his head at that, not sure why he would be. He studied. 

When the results come back after a few days Daiki whines that Kita is a goody-goody, trying his hardest to get the teacher’s attention. Kita looks at his full marks and once again feels nothing. He thinks it is the natural result of his efforts. He wonders what you would say, if he could talk to you. He thinks you would ask nosey questions about his siblings. It makes his chest feel hollow.

Some kids try to be his friend, or at least try to talk to him. But he’s quiet, not very eloquent or forgiving with his words, and so they eventually leave him alone. He thinks about how you diligently stood by him, how you smiled when he scolded you.

When he gets home and returns to his room, it is exactly as he left it. There are no crumbs to sweep or puddles to wipe. His brother is out with the nanny, but he feels restless, the need to do something. He thinks he can get started on his homework early, pulling out his notebooks and folders. He can’t focus on the words, eyes skimming the pages without understanding. He knows that studying now is futile, and decides to continue later. He settles on bathing early instead.

His bath draws on, longer than usual. He finds himself pausing, getting lost in thought—though more lost in feeling, since his mind drifts blankly. He’s still restless by the time he finishes, but slightly relaxed. He stands to wrap himself with the towel and steps carefully onto the bath rug. Once he’s dried and his towel is secure around his waist, he leans over to pull the plug and let the water drain. Just as he grasps it, there’s a lurch of water that spills out and onto the floor. His eyes widen in disbelief and his chest flares with annoyance knowing he will have to clean the mess. He looks at the floor incredulously before turning back to the bath and—

His eyes widen further, mouth opening slightly at the sight of you—a misty figure over the water. You’re wearing a sheepish expression as you lean over the edge to assess the mess.

“Sorry,” you say quietly. Kita's disbelief increases at the sound of your voice. “I’m still getting the hang of it.”

Kita slams the plug back down and stands to face you clearly. He feels the water pooled at his feet, but all irritation has fled his body. Instead he is filled with a warmth, a contrast to the coolness wafting from you.

“You made a mess,” he tells you, unnecessarily. You know that already.

“Yeah,” you say. You apologize again.

“Don’ do it again,” he tries to scold. His body wants to step forward, to reach you. He’s not sure why, and he frowns with skepticism.

You nod, then lift your leg experimentally. When it’s pulled above the water, there are no droplets falling. Instead, you appear airy, like the water sits around your body. You step out and onto the bathroom floor, successfully avoiding increasing the mess. You smile brightly at your success. Kita continues to watch, wondering if you’ll disappear, evaporate at any moment. You look at the water on the floor and then meet his eyes, smile turning sheepish again.

“I should mop,” you tell him, breaking him from his quiet spell.

“I’ll do it,” he says immediately. “Jus’...jus’ don’ go anywhere.”

You nod.

Mopping helps him calm down, perhaps needing a task to manage his agitation. You watch, and then follow him to his room once he’s finished. He dresses while you distractedly rummage through his things, then walks over to you at his desk. He feels a wetness under his foot and looks down, seeing footprints scattered along the floor. They’re light and clearly yours, and he ignores them, continuing over to you.

“You can go back to studying,” you tell him.

He can’t bring himself to look away. He’s not sure why, chest tight with anticipation.

There’s a knock at the door, mom’s sign that dinner is ready. The noise startles you and there is a poof, the sound of you evaporating into mist, wafting up to the ceiling. Gone. The only traces of you are those faint, damp footprints and few misplaced items on his desk.

For the first time in a long time, Kita feels a sinking disappointment.

Adolescence

Contrary to what he expected, Kita doesn’t leave Osaka during break. His parents think it would be good for him to have a consistent lifestyle. Kita doesn’t protest, but he can feel a heaviness in his stomach. He asks about granny, if he’ll see her soon. They tell him she will visit some time, and she does, though rarely. He thinks about the forest and the mountains, when he’ll see them again.

On the first day of fourth grade, Kita wakes up on time. He uses the toilet, washes his face, brushes his teeth, and changes his clothes at his usual pace. As he splashes cool water along his forehead and cheeks, he is reminded of your touch and wonders if he will see you this morning. He often finds himself waiting, without realizing until a significant amount of time has already passed. You are irregular and unpredictable. It puts him on edge, that you might disrupt his perfectly crafted routine.

He is the first to sit down for breakfast and the first one to finish, everyone else but his mother just having started. He stands to put his dishes away and gather his school things when she rushes into the room. She’s fumbling with her shoe, trying to get it in place while collecting her things to fill her purse. Her face brightens when she sees him and asks about his first day, if he’s excited or nervous.

Kita shakes his head, neither. He’s been going to school nearly everyday for years now, what reason would he have to be nervous? What’s to be excited for?

He turns to leave, but she calls for him. She asks if he’s planning to join a club.

He shakes his head again, not sure why he should.

But his mother protests, “I think it’d be good for you to do a sport. You don’t exercise much, with all the studying.”

His father hums in agreement from the table and his sister stands to excuse herself. His brother knocks his bowl over, spoon clattering to the ground. Without hesitation, Kita walks over to return it.

“Just try one, okay?” his mom asks. Kita nods in response before finally leaving. 

In his room, he gathers his books and school supplies into his backpack, double checking that everything is there. He slips it over his shoulders and then turns to the window. It’s translucent with a sheen of moisture from inside. He wipes it away and glances at the sky. It’ll probably rain, he gauges. As he steps away from the window to leave, he catches a glimpse of you in the reflection.

His first day of school is like any other, spent seated at his desk near the center of the room, watching the teacher, observing his classmates. He diligently helps clean at the end of the day: sweeping duty, not missing a single spot. Once finished, he changes his shoes and makes for the exit. Some students say goodbye, and he nods in return. He can hear the soft pattering of rain as he approaches the door, and pops open his umbrella before stepping outside.

The walk home is quiet, with occasional groups of students chattering by. Kita walks at his typical pace, unrushed. He hears his shoes tap against the pavement with each step, the plopping of raindrops above his head. The occasional car rushes by, veering aside to avoid splashing him. He runs through a mental list of what he needs to do for school, but it’s short given it being the first day.

When he’s only a few minutes from home, he hears splashing behind him, as if someone is running through a puddle. You, calling his name.

He doesn’t turn to look, but his steps slow while his heart speeds, giving you time to catch up. Within a few seconds you are by his side, your now-usual misty and translucent figure at his side. You smile when he glances at you, but he appears unfazed. You’re unbothered as you walk with him, light on your feet.

When he reaches the door of his home and unlocks it, you let yourself in first. He closes his umbrella and gives it a shake before setting it on the rack. While he removes his shoes in the genkan, he eyes the light trail of footprints you left on your way to his room. He leaves them, knowing they’ll evaporate before anyone else comes home. He stops by the kitchen, dumping a bag of carrots onto a small plate, and then he briskly enters his room and closes the door behind him.

He sees you laying on his bed and he feels an itch of annoyance, knowing the sheets will be damp. But he doesn’t say anything, instead setting the plate on his desk and sliding his bag onto the floor. You smile and ask how his day was.

This has become part of Kita's routine, your irregular visits. He walks through life with an anxious anticipation, waiting for you to come. He is relieved when you appear, but he is never entirely pleased. There’s a warmth in his chest regardless, one that reminds him of granny.

He wonders if maybe that’s why he accepts the interruption so easily, because it momentarily brings him home, his life in the mountains, granny’s voice telling him that someone is watching over him. He knows that someone is you. He wonders if granny knows about your visits, if you ever tell her about him.

His answers are short, per usual. But he talks about his classes, his classmates, how mom wants him to join a club. He knows that you know all this, but he says it anyways, gives into you.

“Do you know what club you’ll join?” you ask.

He shrugs. “A sport, since I should exercise.”

You nod at that, “It’s too bad the forest is so far away. Exploring is good exercise.”

Kita thinks about the forest often, seeping into his spare time when he’s not caught up in classes or the growing responsibilities of life. He’s heard from mom about wildfires in Hyogo, ones that spring at random in the dryness of summertime. Luckily nothing near home, but still within the province. He recounts those memories of rabbits and monkeys, remembers the flowers that are blooming right about now. He's curious if it’s raining, how visible the stars are tonight. These questions bring a pain to his chest, one he can’t explain, one that doesn’t make sense. Sometimes he calls granny and the pain goes away. Sometimes it gets worse.

When you’re in his room with him like this, he thinks it’s a different pain entirely.

Eventually your questions lull and Kita knows that this is his queue to start his schoolwork. He doesn’t have much to do, though. Instead he wants to ask a question of his own. You can tell, and you wait.

He doesn’t know how to phrase it, so he never asks. As a result, you never answer.

A week later the school allows them to pick clubs. Kita looks at the other hopeful kids as they play rock-paper-scissors for a spot for the popular sports: basketball, football, baseball. He eyes the groups that are smaller, have less interest. The running club looks crowded, so he makes his way over. He still has to do a round of rock-paper-scissors, and he’s one of the three who have to find another option. To his right is another small group, and he asks to join without knowing what they are. Volleyball, apparently. He’s not sure if he’ll be any good, but he figures it’s only for the year and he can try something different in fifth grade.

Volleyball, it turns out, is difficult. He learns how to receive a ball, but it flies in the opposite direction of where he wants it to go. He watches the other players, trying to understand how to improve himself.

Volleyball, it turns out, is technical and requires a lot of practice to sharpen his skills. He diligently attends practice, two days a week for fourth-graders. The coaches appreciate his efforts, how he runs his full laps and takes every suggestion seriously. Kita finds that he just enjoys the process of training, improving his abilities and caring for his body. His legs feel tired at the end of the day and it reminds him of running through the forest. It reminds him of his efforts, makes him feel good.

Volleyball, it turns out, is the perfect distraction. From you.

It becomes part of his routine, filling in the gaps of time that he normally finds himself waffling in, waiting for you. He learns to walk through everyday as if it’s the same, just himself, but allows it to shuffle when you make an appearance. 

Volleyball helps as he enters middle school and your visits lose frequency. Your lack of presence, however, makes the feeling of your gaze on him even stronger. He feels it every time he’s on the court—though he only ever plays games in practice. He in turn watches his teammates, their ticks and habits. He watches his opponents, offers notes to his team about patterns and flaws in their styles. He’s not a powerhouse like the standout players, doesn’t have any exceptional talent, and so despite his hard work and consistent practice, he doesn’t play a single game, doesn’t even receive a jersey.

You ask him about it one evening, on break before high school starts.

“Are you going to join the volleyball club?” you ask, to which he nods. It makes you hum as you sit on his bed. He can see the wall behind you, how it darkens slightly from the moisture of your form leaning against it. 

“I hope you get the chance to play more,” you tell him honestly. “I don’t know why they don’t let you.”

But it means nothing to him, that sort of attention and recognition. He just plays to play the game, do the drills, learn the mechanics—to take care of himself. You know this, but you like watching him, the way he watches the game, moves with it, into it.

He doesn’t say anything in response, knowing that you know what he thinks.

Instead of pushing further, you change the subject. “I’m not going to be able to visit very often,” you tell him. You sound regretful, and his chest is agitated. He thinks of the fires, happening at random across the country.

“I know,” he tells you. He could sense it, recognized the increasing infrequency of your presence. He wants to ask why, but he can’t get the words out, for whatever reason.

You look at him closely and say, “I’ll be around though.”

He nods at that. He knows.

Inarizaki is a prestigious school, known for academics and athletics alike. Kita makes it in easily with his grades, and joins the volleyball club despite knowing he will likely never play in a match. The coaches note that Kita is inexperienced in competition, but they know an asset when they see one. His skills are too sturdy, too well-practiced for Inarizaki to not take advantage of him.

During his first year, he hardly plays. Even so, he is the first at practice, one of the last ones to leave, and the most diligent athlete on the team. He runs the entire length of the track, finishes every rep during weight training, and completes every drill and penalty without complaint. The coaches find that he does not have star power—he is unassuming and ordinary—but he is exceptional in his efforts, and his efforts meet returns when it counts, when they need him on the court as his usual Kita-san.

Some of the older players tease him for his diligence, others admire him because of it. Everyone realizes that he pays no mind to what they think, only ever doing what he wants, what fits his values. He respects his elders even when he disagrees with them, but he is blunt with his fellow first years, unafraid to call out their behavior, especially if it contradicts something they’ve said before. Some say it’s rich coming from him, someone who only warms the bench.

Aran is the one who talks to him, one day in the locker room. A tense conversation between Michinari and Shinsuke unraveled earlier when Kita commented on how the libero attempted too many unpracticed receives in-game, that he should have stuck to underhand until he perfected his overhand off the court. Michi has a temper, and his frustration was pushed by the spiker’s comment. He shouted that Kita wouldn’t understand, that he hasn’t been put in a game, hasn’t had the opportunity to feel the pressures of expectation.

Aran lingered when the others filed out of the locker room—partially to make sure Kita was okay, and partially to suggest he cool it with the critique.

“Don’t take it to heart,” he offers. “Akagi-san gets bad nerves. He knows what he needs to do.”

“I don’t understand the point of being nervous,” Kita responds.

A machine, Aran thinks. This guy is a machine. He says as much, and thinks there’s truth to Michi’s comments, that Kita must not understand because he’s never played in a match that counted.

But Kita explains—that it doesn’t make sense if you’ve practiced the skills and know your capabilities. That it’s the same with eating, shitting even. He thinks Michi’s underhand receives are enough, that they have saved the ball from Inarizaki’s own powerhouses in practice. Why would he need to try anything else?

Aran’s eyes widen as Kita speaks, starting to understand his perspective. It becomes apparent that his criticism towards Michi was more of a poorly delivered compliment: that their first-year libero is enough as he is, that he could save them with the tools he knows—he doesn’t need miracles. This glimpse into Kita puts Aran’s teammate in a new light, recontextualizes his diligent attitude towards their training and the criticism he gives his peers. He trusts the process, knows that the results will follow suit.

Aran begins to notice how Kita fades to the back, his presence unassuming on its own. Kita does not play for recognition or adulation, he simply does what needs to be done. His diligence to get every ball in the air goes unnoticed when the flashy ace pulls an impressive cross against three blockers—a move that would not have been possible without Kita, committed behind him. But Kita doesn’t care, doesn’t ask for attention. 

Aran already held immense respect for his teammate, for his repetition, diligence, and perseverance. But now he feels a special type of awe when he watches him more closely.

Kita does not make a fuss of convincing others of his praiseworthy traits, but Aran takes it upon himself to point them out to his team, to give new context to Kita's seemingly harsh words. Slowly but surely, they will understand, too.

What Aran doesn’t know is that Kita feels like he has already been noticed and recognized, always has been and always will be, at every moment—by you.

(Your eyes continue to bore into him no matter where he is. They feel stronger the longer he goes without seeing you. Your visits are few and far between, but he has his routine, knows to follow it independently and let it shape around your irregularity.)

The following season, a handful of talented first years join, including a freakishly synchronized twin duo and a sly middle blocker. They fight with each other. Some of them cut corners. One particularly troublesome one likes to work himself through illness, inspiring misguided awe in other first years. Kita as a second year has no qualms scolding his teammates, now sometimes including his upperclassmen. The underclassmen pout and grumble while the elders know the intent resting behind his abrasion. 

You only visit him twice during the school year, both times at the hotel for nationals. The first is during the Interhigh National Tournament; he is sitting in the tub at the end of the day, running through his observations of other teams he saw, considering what would be useful to share with the others, to exploit. His head is resting on the ledge of the tub, staring at the blank ceiling as a canvas for him to visualize what he saw: bad crosses, a fragile ego, delayed timing for a back attack. He thinks about the team they’re playing tomorrow, the most imperative information to note. He thinks he should finish bathing so he can write it down.

When he straightens his head to look forward, he jolts in surprise, water splashing out and onto the bathroom floor.

You’re there, sitting on the other end of the bath in your misty form. Your eyes are wide, head turning to look at the puddles on the tile. Kita can’t even consider the mess, body tense at your proximity. He’s never been flustered around you before, never felt strange about his nakedness if you appeared after a bath. It’s been a long time since you’ve come from a bath. And this—this is a closeness and intimacy he has never imagined. You, sharing the water, right beside him. He is frozen when your eyes move back to his face.

“I’m sorry I scared you,” you whisper, and he recalls another variable to add to the situation: Aran, likely still in their shared room.

Kita shakes his head, not knowing what to say. “You—” he stutters, unlike him. “What’re ya doin’.” Ever since middle school you only appeared in the rain. He didn’t know bathtubs were even still a…vessel of transportation.

You smile. “Good luck tomorrow.”

Kita blinks, torn between the urge to scold you, the urge to reach for you, and the urge to make you leave before Aran learns of your presence. He finds it exhausting, the way you pit these conflicting pieces of him against each other.

Instead he tells you, “I probably won’ play.”

You shake your head, still smiling. “You’re doing it right now.” The analysis of his opponents, you mean.

A sound at the door makes you jolt, the water softly rippling around you. It’s Aran, asking if things are okay. He doesn’t comment further, but he swears he hears the murmuring of voices.

Kita calls back that he’s fine, just about to get out and be done for the night. He gives you a look afterwards, a sign that you can’t stay. He wishes you could.

You surprise him by leaning forwards, reaching for him. He is suddenly swept into your chilly embrace, arms wrapping around his shoulders. His body is tense, on edge from the intimacy, but he only feels your body above the water, arms and chest and head as it settles into his neck. Despite your cold temperature, Kita's body heats at the contact.

“I’ll see you,” you say, and then you are mist, dispersing into the air.

When Kita exits the bathroom, Aran thinks for the first time that he looks amused—a mirth settled in his eyes and his lips slightly quirked.

A few months later during the Spring High Nationals, you appear in his room, again shared with Aran. Luckily the spiker is out for the moment, allowing Kita the freedom to speak with you. He’s getting dressed from the bath while you flop onto his bed. When he finishes he stands over you, inquiring why you came.

“To wish you luck again.”

Where you’re laying on the bed, his hand hangs by his hip only inches from your face. He is called to reach for it, hold it gently. He’s not sure why but this visit makes him uneasy, like it could be the last. He wonders if these are nerves.

The sound of the key opening the door interrupts his thinking. You have already faded into the air by the time Aran enters, followed by the twins barreling their way past him.

Atsumu (the obnoxious) immediately makes for Kita's bed. He flops down onto it, not unlike how you did minutes before, but immediately tenses and shrieks. He rolls himself off, pushing Kita back from where he was standing, all while shouting, “Kitaaa! Why’s it wet—”

Kita thinks he should thank you, next time you visit.

You don’t visit again.

Rather, Kita goes home to you. He decides to leave for break instead of sticking around for club practice, a choice he’s never made since he started volleyball. Something in him calls to visit granny. So at the end of March he boards the train headed towards the north station, and then hails a ride to the village. Granny is home when he arrives, and she marvels at how tall he is, not having seen him since she visited in middle school.

He towers over her small figure, awkwardly hunching in a hug. Granny says that he’ll be a big help with his height, and over the next day she sets him to dust the high shelves and put away dishes. She comments that he can move the table in the main room all on his own, no longer small, five year old Shin-chan.

The ease Kita feels in himself when he is here, with granny in the mountains, is undeniably because this is his home. He is malleable, shapeable to the life he’s lived in Osaka, but this is where he should be. He knows that when he enters this final year of high school, he will be given a sheet that asks for his three career plans. With his grades and diligent work ethic, he knows that he can put himself on any path and make it work. But in this moment, in granny’s embrace, the warmth of a home lined with screens and tatami, Kita knows that he wants to be here, no matter what.

That night he lays out his futon, smoothing out the creases and carefully lining it to be perpendicular with the wall. He smiles, this routine of preparing his bed one of many things he missed in the city. Before he lays down, he is overcome by the feeling of being watched. He turns to the screens that lead outside, towards the river. He walks over and opens them, looking into the darkness of the night.

The moon hangs low in the sky—a crescent, a smile. It shines softly on the water, Fujiwara-san’s house behind it, and the form of the mountains beyond. You aren’t there, but the river is misty, a bluish haze settling thickly on its surface.

In the morning he decides to go for a run, an attempt to maintain conditioning while he’s gone from practice. He goes left—west—towards your mountain.

The jog is peaceful, with March air cool and crisp against his skin. He is calmed by the sound of the water rushing next to him, running the opposite way. There are birds singing when he passes and a small hare jets by his feet. Running feels like a trip through his memory, recounting the times he tried to keep up with your pace, the adventures you went on together. He is running through the blue of wanderlust, along the breathing water and between the distant mountains, under the bright sky above him. He is running through the green of nostalgia, the lush vegetation, stalks of bamboo and solid trees, mostly oak and maple and chestnut, but occasionally the mysterious pine.

He is running to you.

It isn’t apparent until he reaches the end of the path, to that rock face at the foot of the mountain, and you are there—in the flesh—waiting in the river. The water is cold during spring, and yet you smile warmly, unfazed by the temperature. When he takes your hand to let you guide him through the water, through soft pine and hazy light, your touch is cool and refreshing against his—hot from exertion.His heart lurches at the contact, an inexplicable mix of tightness and lightness blooming in his chest. He can’t tell if it’s hollowing him out or overfilling him. It feels like hello and farewell all at once. There is a knot in his stomach, one that feels like nerves. It is exhilarating, magnetizing, like falling into you completely. He lets himself. He has no other option.

You come back with him to granny’s and have breakfast together. She doesn’t say anything, only calls you “dear” and thanks you for your help cleaning up. She does not mention Fujiwara and neither do you. Kita feels whole, sitting on the floor at this table.

At night you sit and watch as he prepares his futon. He looks at you and asks, “D’ya need one?”

You shake your head, smiling. “Don’t sleep.”

He nods before getting up to turn off the light. He opens the soft blanket and lays down. He turns to you, hesitating. He wants to know if you’re staying, if you’ll be here all night. Part of him wants to invite you to lay next to him.

He doesn’t say anything, just looks at you curiously.

You are smiling over him, as always. One of your hands reaches to smooth back his hair and he softens. Even with your skin always cold, his body will forever warm at your touch.

These days continue and Kita feels light, enjoying time with you, as a person. His questions fade after he succumbs to focusing on soaking in your presence. It feels good, not unlike the satisfaction of completing his daily rituals.

He looks at you closely, the way you’ve grown with him. You are still smiling, still diligent in ways that he initially failed to see as a five year old. Watchful, joyful. He doesn’t feel the smile on his face, a small one that granny notices. You are smiling too, as you take dishes he’s finished washing and run a rag across their surface. You miss some spots, little droplets sticking to the ceramic. Some fly off and land on the floor and counter.

Kita is entirely at ease. It is quaint, quiet, content.

After a few moments, you suddenly pause your drying and turn thoughtfully, towards the river. Kita watches as the faintest furrow appears between your brows, your face both pensive and concerned. You drop the rag on the counter and step away. He stares curiously, still scrubbing a plate.

“I’ll be back in a second,” you say. Nothing else, no unnecessary information. 

Fear germinates in his chest, his heartbeat picking up speed. Granny smiles at him, reassured. He wonders how she retains her calm demeanor.

When nearly ten minutes pass and you don't return, Kita tells granny he’s going to check on you. She nods in understanding as he slips on his sandals and exits through the genkan. He spots you immediately, standing between the house and the river. You’re facing the northern mountains with a frown on your face. Kita realizes this is the first time he’s seen you anything but joyful.

You answer his silent question when he stands beside you, “There’s something wrong.”

“In the forest?” he clarifies. You nod, looking onwards. He watches you for a silent minute, the way you study the sky over the ridge. 

“I think…” you start. Pause. “You should leave, with your gran. And everyone else.”

Kita's brow furrows as he looks at you skeptically. You turn to him, eyes unwavering. You never look this serious. Always nosy, unnecessary questions. Lighthearted. Messes on the floor.

“Shinsuke,” you say firmly. He startles at the sound of his full name. “Tell everyone there’s a fire—in the northern mountains. I’ll try to keep it at bay, but it’s spreading. By the time they see it, it’ll be too late. If you can evacuate the houses on the other side of the river before it’s visible, things should be okay.”

He feels a strike in his lungs, like he’s gasping for breath. He wants to ask for details, but you’ve made it clear there’s no time. You are grabbing him, your cool hand holding his wrist, as you start towards the bridge in a run. He is momentarily brought back to his sixth birthday, running behind you as you guide him along the path to the base of a mountain—your mountain. He remembers thinking that running behind you was fun.

This time you are serious, almost panicked, bringing him across the river and pointing at the houses, which ones he should evacuate first. The ones with the oldest people. Fujiwara-san is one of them. You let go of his hand and run, sprint towards the base of the mountain. He feels panicked, wondering how long it’ll take for you to come back. What it means for you to keep the fire at bay. You fade away, the blue of distance settling between you two, mistiness.

The next moments are a blur. He knocks on doors and is greeted by elders he hasn’t seen in years, ready to exclaim at how he’s grown. Their coos are interrupted by his apologies, an explanation that he got news of a wildfire and wants to make sure people have time to evacuate. He suggests that they get into their cars and head east near the highway, and to wait for official advice for next steps. He says the words, but they don’t fully register when his mind is still occupied with the memory of you sprinting to the danger. The families look at him skeptically, but they get a move on when they remember this is Shin-chan, the quiet and good-natured village boy.

He makes his way down the homes to relay the news. He asks neighbors to tell the others, and to call emergency services. There are 26 homes on this side of the river, and by the time he knocks on half the doors, smoke hangs over the mountains. No fire is in sight, but the signs are there. It makes the next conversations much quicker, and he is relieved as he watches cars pile out towards the highway.

Suddenly an alarm starts blaring. The emergency intercoms spaced along the neighborhood release a sharp and repeating warning sound. A deep voice calls out between the noise, commanding evacuation. Kita's breath is labored from the exertion of running between houses, but his chest feels lighter knowing that his responsibility has been lifted.

By the time he crosses the bridge back to granny’s home, the sky has darkened significantly, black smog blowing along and spewing upwards. There’s the slight lick of a flame creeping over the ridge and he feels his heart begin to gallop. His stomach clenches roughly when his mind flashes with images of the western mountain forest, deer and wolves and rabbits and birds. Flowers and pine and ferns. He glances that way and sees that it’s still untouched, for now.

He runs inside granny’s, calling for her to get in a neighbor’s car, since she doesn’t own one herself. She stands slowly, at her elderly pace, and Kita is restless as he helps her exit the house as quickly as she can. He takes another glance at the mountains and his heart plummets at the sight. The fire has crept over the ridge, and he can hear the distant crackling as it runs forward. Kita's eyes trail down to a figure by the bank on the opposite end of the river and recognizes you. His chest constricts with relief and concern at the sight. He tells granny to walk down to the next door neighbor, to see if she can evacuate with them. He has to lower his head to her ear so he can be heard over the sounds of the sirens and the voice on the intercom.

He starts jogging towards the bridge, to cross it, but you yell his name. It’s loud and fierce, a demand to stay put. It has a firmness that forces him to listen.

His feet stop, now directly across from you. He can see your face, the intensity in your glare. You’ve never looked at him this way.

“Don’t come!” you yell, voice almost lost over the commotion.

Kita is frowning, brow furrowed and mouth open in disbelief. He doesn’t have time to yell back before you continue.

“You have to go, Shin!” You shout. Kitas chest is heavy, and his shoulders are rigid. The flames are growing closer, rolling down the mountain. There’s a gust of wind and it blows the smoke towards the village. He can feel the heat of the burning forest.

Suddenly there are popping sounds, loud like fireworks squealing and shooting through the air. He doesn’t understand where they’re coming from, what they mean. They don’t stop, ringing through the valley and compounding with the blaring alarms, the warning voice on the speakers.

Kita doesn’t want to leave. When he looks at you, the despaired expression on your face and the many layers of hurt—layers he doesn’t understand, has never understood because he never asked—he knows that he can’t leave you. He has to do something, he is restless, like a child waiting for something that has no regular pattern, no rhyme or reason to be there in the first place. You, visiting him in Osaka.

But you won’t have any of it. “GO, SHIN!” you yell, voice booming—akin to a clap of thunder. The popping and splintering noises grow louder, and it strikes him that they are from the bamboo at the base of the mountain, the moisture in their chambers expanding enough to turn into deadly explosives. He sees a flock of birds lift from the forest behind you and fly east.

He tastes salt—tears, rolling down his cheeks and through his open lips. His voice is choked as he yells back in a desperate attempt for you to leave with him.

“I’m yer burden,” he reminds you, face scrunched in pain. His voice isn’t as loud as it should be, for you to hear him across the river. But he knows you can anyways, knows that you know he means don’t leave me, I’m the one you’re supposed to look after.

You smile sadly. He can’t tell if you’re crying too, but he can feel the same pain on your end. Your voice is equally too quiet to be heard when you respond, but it rings clearly in his mind.

“But I’m not yours.”

Your gaze is looking behind him, beyond him. He turns and his eyes widen, spotting granny slowly making her way down the path. His stomach churns—she didn’t catch the neighbor driving away. She’s coughing, unable to walk at the same time. With the smoke blowing over and granny’s old lungs, she can’t carry onwards alone. Kita hears himself curse and he rushes to her side, no hesitation as he lifts her frail body against his chest. Her head lands against his neck—her hair soft against his—and she coughs another long fit. He knows he has to leave. 

He takes one last glance at you, then at the fire crawling towards the now-emptied homes on your side of the river. The heat is increasing, blowing towards him with more smoke and ash. Five deer appear from the woods behind you and run across the bridge. You are staring at him, urging him to follow their example. He knows that he has to take care of granny, but he thinks this is the most pain he’s ever felt, buried deep in his chest. It’s the kind of pain that comes from hollowness, recognition that something vital is missing and yet somehow life is forcing him onwards regardless. He doesn’t know why this tension is there, when there’s a clear job for him to do, to do well. His face pinches, another round of tears welling before he blinks and turns to run down the path.

In this moment, he summons that unwavering confidence he has in himself. Not one of arrogance, but from the knowledge of what he is capable of, what he does everyday without failure. He runs east along the river, clutching his grandmother close. He tells himself this is any normal day of training, running to improve his endurance for volleyball. He is running besides Suna-san, who’s looking for a shortcut. He is running behind you, on your way to explore the enchanted section of pine in the mountain.

He is a toddler, carried along the path next to the river by his grandmother, seeing a mysterious child his age standing in the water. He asks who it is, pointing to a figure that granny can’t see. She tells him that he’ll learn one day, when the time is right.

He is sprinting down the same path, through smoke billowing over the valley erupting from a fire to his left, separated only by a river. Separated by you.

The honk of a car sounds behind him, a noise he barely catches with the sirens and the voices and the explosions pounding around him. He turns and sees the car of another neighbor, ushering him to get in. He veers to his left, letting the vehicle pull up beside him, and he yanks the door open, climbing inside with granny still against his chest. They lurch forwards as the driver steps on the gas and Kita guides granny to the seat beside him, reaching over to buckle her in. The interior blasts cool air and Kita is handed a water bottle.

“The fire department’s tellin’ people to evacuate to the next city,” the neighbor says. Kita nods numbly in response, unscrewing the bottle and helping granny take a few sips. She still coughs, but they’re smaller, less frequent.

With granny somewhat stable, Kita looks out the window to his left, facing the burning mountains. The car nears the ramp to the highway, starting up a mountain east of the fire. It gives him a clear view of homes being swallowed, Fujiwara-san’s one of the first.

Kita is breathless at the sight, reminded of everything these people will lose. He recalls what is already lost: the forest, the animals, the delicate combination of life that dwells in this valley. He thinks your mountain will be lost too, watching as the fire creeps west.

The popping sounds are dwindling, with the fire moving past the burnt bamboo sections and the car speeding away from the scene of destruction. But it is not quiet. There is a sudden clap of thunder that rumbles, long and gritty and deep. Kita watches as winds blow ferociously. Untouched trees sway while burning ones topple from the force. The sky is dark, a mix of smoke and storm clouds, though Kita isn’t sure when the storm began to form. He can see the water falling from the sky, blown at a sharp angle from the strength of the wind. It pelts over the mess of heat, releasing bouts of swirling steam into the air, to condense back into rain clouds.

As the car climbs higher up the mountain and the road, Kita watches the battle unfold before him. The power of rain as it fights the flames of red and gold eating the landscape. He watches the mist rising at the contact between elements, the water evaporating on impact.

He sees you in his room, that first time in Osaka when you were startled by a knock on the door. The way you went poof and disappeared.

They house granny in Osaka, taking over Kita's sister's room since she's at university in Tokyo. Kita is the one who looks after granny most carefully. It reminds him of caring for his brother when he first came to the city. He learns that granny’s house wasn’t caught in the fire. The river was an effective barrier and the rain came in time to manage any embers that had gotten blown over. The reports on the event stated that it was a miraculous storm, one that came from nowhere, completely unpredicted. It was an eventual downpour, enough to contain the fire within minutes and smother it completely in less than a half-hour. Footage from a helicopter shows the water rushing down the gullies and pouring into the river. With it carried embers, soot, ash, all piling together and flowing downstream. The next town down the river reported black water filled with sediment. A truck came in to deliver hundreds of cases of bottled water.

Aerial images reveal that nearly every house on the northern bank was claimed, only a few saved towards the east. He sees photos of the destruction. Your forest didn’t manage to escape in time, the fire stealing your enchanted pine. He wonders if you could have saved it if you didn’t prioritize his home.

There was one death: a backpacker, the person everyone believes is responsible for the disaster. Her body was completely charred, things almost entirely unidentifiable. Emergency services only picked out the metal of a stove—the decided perpetrator.

Kita has no time to grieve, with only a week before school starts again. After he helping granny get situated in the house, he immediately went to practice as a distraction. His teammates are appalled at the news, offering pats on the back and words of condolences, sighs of relief that he was lucky to leave in time.

But they don’t know what he lost. Not just the forest and the mountains, or the ability to visit his real home for months at the earliest. Even with the fire out there may be coals smoldering underground, or dangerous air wafting in the sky. The mountains won’t be green for at least a year, needing time for seeds to take root and sprout, needing seasons to accumulate rich dirt again. There’s no telling how long it will take for animals to return, birds to nestle back into shrubs or rodents to burrow again. The wolves and the deer are surely gone, evacuated to the next viable plot of land.

These aren’t the worst of his losses. What grasps his heart tightly, enough that sometimes he struggles to breathe, is the sight of you running into that smothering roll of flames. The loss of your eyes watching over him.

He dreams of fire, of heat and searing pain. His mind flashes with streaks of red and orange, billowing greys behind it. He hears the crackling of a burning forest and the popping of erupting bamboo. He wakes up panicked some nights, coated in sweat from the searing sensations he conjures in his sleep. In these moments he thinks it would help if he could be with you, your body always cool and damp, the sort of comfort that eases him, that could put out the fires of fear that grasp him.

A week later during practice, coach hands out jerseys. Kita is called first, given the number 1—captain. He blinks in surprise, having expected it to go to Aran. Nonetheless he takes the jersey and the title, and sits on the gym floor. He doesn’t register that he’s crying until he sees the teardrops fall onto the fabric, little spots of grey appearing where it was originally white.

He can hear Suna’s comment about the unfeeling robot showing emotion. He doesn’t care. He sniffles. There is a warmth in his heart that he hasn’t felt the past two weeks. He doesn’t understand where it comes from, why this of all things brings him comfort.

He tries to explain while walking home with Aran.

“I tend to agree with the adults…that the journey is more important than the destination.” His words remind him of granny at home, the way her hair skipped over his dad and went straight to him. The ace turns to him curiously, not sure what he’s getting at.

“I am built upon the small things I do everyday, and the end results are no more than a byproduct of that.”

He’s not good enough to go pro or make a living off volleyball. He just does what needs to be done, what fits into his routine—taking care of his body, cleaning up after himself, being courteous, and…volleyball. He holds up this jersey, looks at how it’s branded with 1, the captain’s number.

“Maybe this is just another result of the things I do.”

Aran blinks, stutters for a moment when he realizes what Kita is implying. “Don’t just—don’t sweat the small stuff! You don’t have to have some sort of logic behind your feelings!! If you’re happy, then you’re happy…that’s it!”

They hold eye contact after Aran’s outburst, and then Kita erupts into laughter. The ace watches his captain skeptically, not intending for his heartfelt advice to be amusing. His shoulders slump when he realizes this is the hardest he’s seen Kita laugh, ever.

Kita is reminded of all those times he couldn’t understand what he was feeling, why he was being drawn to do something he knew he logically didn’t want. All the moments he saw you and felt skeptical of the questions he wanted to ask, the embrace he wanted to pull you in, the warmth he felt in your presence—the way his brain and his logic denied him something he wanted, because there was no explicable reason for it. He thinks of the way you left, the way it hurt like no injury he’s ever lived through. He thinks of the lack of your gaze following him since just two weeks ago, the way he misses it but refuses to admit to it.

“You’re right,” he tells Aran.

By the time school is ending and he plays his final match, you are still not watching him. He feels the eyes of his granny and the eyes of his school on his back. The brooding eyes of Karasuno are on him when he is subbed for Aran in the second set. But yours are still missing.

He, however, has his eyes on his team the entire game, picking out their mistakes and what he knows is the misguided thinking behind them: Gin’s impatience, Atsumu and Osamu’s carelessness, Suna’s laziness. He stands behind them, the defense specialist who will receive the ball, and the one who’s eyes linger on their backs. He is watching them. He is like the lingering mist that wafts behind them, telling them that someone will see, whether they work hard until the very end, or let themselves succumb to their impulses. 

Kita has lived his entire life under your careful gaze. To cope with its absence, he has learned to become the omnipresent eyes backing up his team.

Adulthood

Granny always told him that someone was watching, and your gaze was proof. But at some point he realized that he wasn’t doing it for the spirits, that it didn’t matter either way. His work ethic would be the same even if you never saw him. This realization holds more weight when it is carried out in practice, Kita living his life with the same repetition, perseverance, and diligence in your absence. It makes him feel good, eases the emptiness. So he does it well, and he does it everyday.

He graduates at the top of his class, with grades that could get him into any university, launch him into any career he could imagine. And yet when the year passes and granny says she wants to return to the valley, Kita knows where he will go.

When he pulls into the neighborhood, his eyes are glued to the mountain. There are still trees and bamboo standing, though they are charred corpses. Debris of coals and fallen leaves litter the ground, coating the forest in brown and black. A light layer of green sits atop the earthy tones, sprigs of saplings and shrubs breaking the surface. Kita’s chest expands at the sight, a glimmer of hope.

There are only a few other neighbors who have returned, most still with family in the city. Kita speaks with some of them and gathers that they figure it’s a sign to leave the countryside—to better opportunities and a more convenient life. He wonders what will happen to this village if everyone decides to flee, who will take the land. Maybe the government will turn it into a Hyogo heritage site, a place people will flock to as a sort of pilgrimage. To see the brittle remains of homes and the earth’s attempt at recovery.

Kita knows that he wants to stay here, that granny does too. He’s not sure how it’ll work, but he can’t imagine himself anywhere else. His parents are skeptical, figuring that he’ll make an attempt only to eventually fold for a city job, but they forget that one of Kita’s life pillars is perseverance. He will find a way.

The way opens itself to him the following day. The April air is cool when he goes for a midday walk, crossing the bridge to the burned edge of the river. He trails along the slight incline towards the skeleton of Fujiwara’s home. There is only the charred foundation and a couple ragged beams standing upright, the rest collapsed into rubble. For a moment he can imagine you, running from the back door and into the front room with a bundle of grapes. He hears the distant whispers of Fujiwara’s protests as he follows slowly.

Kita walks to the once-veranda, experimentally standing on the elevated foundation. The charred wood creaks beneath him, but feels sturdy enough to hold. He carefully ambles along the collapsed room, scanning the damage. He manages to cross the house and reach the back exit, and he pauses at the sight.

The ground outside is similarly littered with earthy debris, patchy with occasional new grasses and saplings. Fujiwara’s garden is gone, no more grape trellises or rows of starches. But there is a small square, less than a tsubo, dug into the dirt. Kita knows what this sort of sunken patch means, has seen them in some of the neighbors’ backyards growing up, flooded and filled with lines of grassy crop. He steps carefully from the foundation of the house and curiously stands over the square, imagining the rice that would be planted at the end of the month.

He hears footsteps from near the house and turns to see Mayumi-san, the one who drove Kita and granny out of the valley during the fire. She looks healthy despite being in her seventies, carrying a shovel and a hoe as she makes her way over.

“Ah, Shin-chan,” she greets him. “S’been a while, good to see ya again. What’re ya doin’ out here?”

He bows slightly as he greets her and explains that he was exploring the neighborhood, since he only just returned. He asks about the rice garden.

“I was testin��� to see how it’d grow, since the ash can help sometimes,” she explains. “I came back early after the fire, n’Fujiwara said I could use his yard since he’s probably stayin’ in the city with his daughter.”

An excitement sparks in Kita’s chest, like something clicked into place. He’s not sure what it is exactly, but he presses her. “How’d it do?”

Mayumi smiles, one that looks devilish and would be frightening if he wasn’t accustomed to seeing it. “Shit’s the best yield I’ve ever had. M’gonna try to dig a few more plots, maybe sell ‘em at the city markets.”

This is his way, he realizes. He sees the shovel in her right hand and hoe in the left and speaks before he can register the words. “Y’want any help?”

The rest of April is spent preparing the land with Mayumi and pouring over books on agriculture. He soaks in his elder’s expertise on the subject, in the abstract and the field. When the end of the month rolls around and the two of them begin sowing seeds, Kita thinks that for the first time since your absence that he feels whole. He is here in the valley, between your two homes, dedicating himself to the land that you led him through as a child. He thinks he can feel your presence while working, your hands misting over his, transplanting seedlings with him. The rains that come in are well timed, bringing rushing water down the mountain to flood the few squares of crops.

The days pass with granny, some quick and others slow. She does well in the village, with other people her age, though the company is sparse. Kita can sense that it’s hard for her sometimes, but like himself she is malleable to her environment, can make do as long as she has her routines. Her lungs aren’t as strong as they used to be, but she enjoys her walks and can maintain the chores—the ones Kita lets her.

When September comes in, Kita and Mayumi spend one sunny day harvesting. Kita wields his scythe carefully, the movement unpracticed. He grasps the dry stalks and runs the blade across the taut stems, bundling them on the ground to be collected. They gather the clumps and carry them to the house next to Mayumi’s—another neighbor who hasn’t returned since evacuation. 

Mayumi prepares a sheet across the main room for them to work on. Then they thresh the harvest, grabbing the bundles and smacking them against the floor, pelts of rice springing off the stems. Kita is reminded of water, of rain splashing against the surface of the river. When all the stalks have been emptied, they spread the seeds of gold with their hands, like smoothing the creases of a futon. The day’s work is over, now waiting for the crop to dry. They exit, leaving a few of the screens open to let new waves of dry air flow through.

Kita finds these processes fulfilling, like his own daily routine. It’s another series of tasks that can be learned and done well. The result is his own sustenance, something he can live off of and share with others. It tastes better, he thinks, once he’s experienced the entire journey.

He tells his old teammates that he’ll be in Osaka next month for the markets. They only have a few dozen bags to sell, but he wants to get his friends’ opinions.

The markets are energetic and amiable. Kita shares with curious shoppers the story of the valley, how the burned houses and their backyards left ash that the rice took to. People find the narrative compelling, and they buy the rice despite the hefty price tag. Other vendors are interested, some make purchases to try in their food. Kita enjoys the atmosphere, the way these people and their businesses are connected. He and Mayumi manage to sell all the rice they brought. It’s hardly a profit, but it’s promising.

The next day Kita is in the Miya’s home with the additional company of Suna and Gin. They talk about life, preparation for nationals, what they’re thinking of doing when school ends. Atsumu is going pro, taking volleyball as far as he can. Osamu is ending it here, contemplating career options. He says he’s looking for restaurant jobs; he wants to be a chef.

“Yer gonna be a farmer, huh?” Atsumu asks, laying back on the couch. “It suits ya, that simple life.”

Kita nods. “Knew I needed to take care of granny, that I was gonna be in the valley anyways. One of the neighbors was growing some an’ I asked to help—wanted to see what it was like. S’gonna take time, but we’re gonna try to get the land from the neighbors, see if we can apply for subsidies ‘cause of the fire. Then we’ll try t’upscale. The market yesterday was good.”

Gin sighs, “Ever the considerate and diligent Shin-chan.”

“The rice is good,” Osamu interjects. “It’d be good for onigiri.”

It is, it turns out. After three years, Osamu decides to leave the restaurant he started working for out of highschool and open his own onigiri store. Kita is their main rice supplier, and a customer who never has to pay. They have classic flavors in the beginning: tuna mayo, pickled plum, ikura. When Kita comes with his next delivery, Osamu sits him in the dining room and has him try new options. The former captain takes his job as taste-tester seriously, his diligence appreciated by the former setter. They decide that the shrimp and beef flavors are ready to be sold, but the chicken needs reworking.

Kita gets into his truck that evening and drives home. The sun sets by the time he enters the valley, winding through roads in the black darkness. When he arrives at granny’s and exits the car, he sees that the sky is beautifully clear. The Milky Way spreads itself over the northern mountains, where life is still recovering, slowly but surely. He takes in the view for a few minutes, enjoying the quiet noise of the night—soft rushing water from the river, chirping insects, occasional wind.

He notices the blinking lights that cross the expanse of stars: planes and satellites. He sighs, remembering a time when he could sit on the top of the mountain and witness an unobscured view of the sky, taking up the entirety of his visual landscape.

Suddenly there is a shooting star, the most intense he’s ever seen. It’s a bright flash of light, he thinks for a moment white and orange and pink, that darts from the east and disappears as it curves west. Its trajectory gives the illusion that if it touched the ground, it would land on your mountain, that special enchanted forest.

After a few more minutes of watching, of relishing the awe, he makes his way inside. Granny is asleep, so he heads straight to bed.

When he wakes the next morning, for the first time in years—since that fire crawled along an entire mountain and you left to put an end to it—he feels the prickly sensation that he’s being watched.

Life doesn’t change with you watching him. Life didn’t change when you stopped. It’s something he knew, something you knew. He carries onwards, his routine of life, one that he does well and does everyday. He and Mayumi expand the fields again, creeping their business along the length of the river. Kita slowly takes on more farm responsibility, knowing enough to work independently when Mayumi needs to rest with increasing frequency. Granny is similar—she likes to help sometimes, with the easier work, but her lungs still struggle, never fully recovered.

It’s a beautiful morning, with cool air entering the house and light diffusing through the shoji. He can hear the birds and the rustling of leaves outside when he wakes, blinking away the lingering visions of orange and red from his dreamscape. He opens the screen towards the river while he puts away his futon and prepares for the day.

Granny isn’t in the main room as per usual. Kita pays it no mind, assuming she’ll be in soon. He makes breakfast and waits for her. She doesn’t come in on time. Kita stands to search, thinking she may have missed the time.

He enters her room and sees she’s still sleeping. He crouches over her to gently rock her awake, but there is no response. At that moment he realizes she is not breathing, not making a sound. He freezes, feels his heart plummet. He carefully lifts her hand from under the blankets—still warm—and checks to see if there’s a pulse. It’s quiet, flat.

He moves slowly, processing, sitting back on his heels next to her. His throat is tight and his chest—it’s hard to breathe. He shakily inhales through his nose and holds her hand in both of his. There’s a stinging behind his eyes and suddenly he is crying, weeping openly as he holds onto her. Death is the logical consequence of living, one of the only certainties of life; knowing this does not make Kita’s loss any less painful. While the hurt sits heavily in his chest, there is a growing spark of gratitude for her, that they were able to spend the beginning of his life and the end of her’s together.

Granny’s passing brings her closer to Kita, in a way. He feels that there are now two pairs of eyes on him, watching over him. When he looks in the mirror and sees his grey hair, granny’s hair, he thinks that he will always be a piece of her living on, that it’s his duty to live earnestly for her. He makes a shrine for her in one of the rooms of the house, placing her urn in the center. It is a beautiful grey clay, narrow and unglazed. A black thread ties the lid to the body.

She becomes another part of his routine, sitting before her remains and her images with his hands clasped and eyes closed.

Life goes on.

A month later he is in the field, tending to his crop. It’s late in the day, when the sun is near setting. The pink of the sky reflects onto the flooded beds, interrupted by sprigs of green. He inhales, appreciating the scenery, before exhaling and continuing his work. When he looks up a moment later, he is frozen by the sight.

There’s a wolf, large and grey, like the first one he saw as a child in the pine forest. He is not afraid, but in awe. A wolf returning means there’s prey: rabbits and deer. It means the forest is recovering, that creatures are finding their way back. He takes in the strong figure of the predator in front of him, sturdy and confident. A movement flashes in his peripheral, three pups catching up. Shin notices that one is nearly white, standing out from the others. He thinks of himself in Osaka, with his relatives.

When the pups catch up, the mother turns away and carries on.

Kita finishes his work before the sun fully sets. A light rain begins, clouds absorbing the vivid hues of sunfall, and he hurries to collect his tools before crossing the bridge home. The drizzling turns into solid pelting by the time he makes it to the empty house. He turns back briefly, squinting through the water collecting in his eyelashes, to see how long the downpour will last.

There’s a figure, at the other side, and his eyes widen in shock. He drops his tools and takes a few hurried steps closer, searching for confirmation.

Through the rain he can see you, standing at the other bank. You are smiling, he can tell, with your shoulders pulled upwards as if embarrassed. He thinks he is dreaming, that this is impossible. You, in flesh and bones, standing in front of the remnants of Fujiwara’s once home. He does not realize that he is smiling back, eyes crinkling and collecting water—his own tears as they spill—and grin spanning impossibly wide. His chest feels like it’s lifting, floating him in the air, to you on the other side.

Suddenly you are running forwards, not towards the bridge, but down the bank, to cross the water. Kita’s face flashes with concern and he starts down his own side, slipping through the mud. By the time he reaches the shore you have swum halfway across, long confident strokes despite the speed of the current. Kita marches forward, water touching his waist when he finally reaches you. He grabs your outstretched hand and tugs you into him, engulfing you in his chest and arms. You are as cold as the water surrounding him, but his body explodes with warmth at the contact, at finally being with you.

His heart races as he clutches you close, in an iron grip that refuses to relent. He thinks he hears you laugh against him, and he chokes out some strangled mixture of a laugh and sob. The water makes it hard for him to stand steady, so he brings one arm beneath you to lift you from the sediment and carry you to the bank. There he sets you down and grabs your waist firmly, staring at you with disbelief. You are smiling with all the glee in the world, eyes nearly closed by the force of it.

“I made it, Shin-chan.”

He doesn’t know what that means, but he thinks of the shooting star and the wolf, the rice fields filling easily without additional irrigation.

You lean forwards and wrap your arms over his shoulders, clutching him close. His arms come around your waist and he thinks he can recognize his feelings: relief and homecoming. There is a fullness, one that is close to painful, a pain he had been living with for years in your absence. He pulls you up the bank, to bring you into the house. He leaves his tools out, to be dealt with tomorrow, and goes straight for the genkan. 

You try to protest when he passes the spigot, “Shin, the mud—”

But he doesn’t care, kicking off his boots to be cleaned later. The mixture of river water and mud splatter on the tile of the genkan, leaving brown puddles and smears. Kita removes his socks and drops them behind him, letting his clean feet be the barrier between himself and the floor. He carries you to the bathroom, to deal with the mess together.

At night you are in his room, watching him set up the futon. He looks at you to ask, “D’ya need one?”

You shake your head, smiling. “Let’s share.”

His heart pounds loudly in his ears. He nods quickly and pushes the blanket aside for the two of you. He clutches you close under the soft comforter, your head slotting snugly in the space of his neck. It sends a shiver down his spine, the chilliness, but it coats him in warmth. He can feel his heart still racing, never fully calmed since seeing you. He feels those questions and thoughts bubbling up, words he always found unnecessary to say. Something about this moment lets him release them, lets him be curious about you.

“Didn’t know if I’d ever see ya again,” he says quietly, into your hair.

You nestle your head further into his neck. He can feel your lips against his throat as you speak. “It took a lot from me, the fire. Always need time to recover.”

His hand comes up to cradle your head, smoothing through your hair.  The image of the rainstorm flashes before him, the way the clouds swarmed from a previously blue sky to pour everything it had—everything you had—to put out the fire. He remembers the awe he felt, the sublimity of the view from a car fleeing the scene.

He doesn’t dream that night, his mind like an empty gulley, letting the soothing rainwater rush through him.

He cleans up after himself in the morning, retrieving his tools and mopping the genkan. It takes a while, though, interrupting his work several times to check that you are still in his room. You haven’t risen by the time he finishes making breakfast. A panic sits in his chest as he enters to wake you. You are still asleep, and he relaxes when he sees the steady rise and fall of your chest beneath the covers.

He sits on his knees beside you and gives your body a gentle rock. Your eyes peel open after a moment of stirring, and you are already smiling. Kita thinks it brightens the room more than the sun streaming in, that life is breathed into him from you.

You notice the granny’s shrine at breakfast. After assisting with cleanup, you ask if the small urn is all the ashes he has of her. He shakes his head and shows you the drawer in the display, where a box lays with the majority of her cremated remains.

“I wasn’ sure where t’put her,” he tells you.

You have an idea.

Only a few minutes later the two of you are exiting through the genkan, dressed for a day in the woods. Kita has a backpack on, the box from the shrine tucked safely inside. He lets you take the lead, turning left down the path and towards the western mountain. He is reminded of his sixth birthday, running to the end of the dirt road for the first time, panting to keep up with you. This time you are calmly walking hand in hand, in no hurry. Kita squeezes yours tightly, a necessary action to express the feeling in his heart.

You smile at him, and bring his hand to your mouth, kissing the back of it. Kita inhales in surprise and you watch his ears turn red, giggling at the sight.

When you two reach the end of the road, the rock face is still standing sturdy. He can see burned trees standing at the base, your mountain not untouched by the disaster. However, like the other forests, it is recovering, hope sprouting in the form of ferns and saplings. He sees a rabbit scurry away and a soft smile crosses his face.

You head first down the bank and into the water as usual, him following with his hand in yours. The cool water creeps up, only up to his knees now that he is grown. The water is easier to navigate in his adult body, and he effortlessly steps up the rocks to the forest floor, ones he used to scramble over on his hands and feet. The ground crunches beneath him. There is a patchy layer of pine needles—short ones—spreading along. The ground is not fluffy from decades of accumulation, but it’s a start. Small saplings bring bursts of fresh green, prickly when he brushes against them. The ferns hide beneath them, avoiding the scorching sun.

History repeats itself as you pull him forwards, along the river and through the early rebirth of the enchanted pine forest. The fallen tree that once served as a bridge is miraculously intact, though the top is scorched and he feels unsteady walking to the other side.

Wandering through the forest is another type of home. He hadn’t taken it upon himself to explore since returning, not wanting to disrupt the delicate healing of the ecosystem. He trusts you, though, and the path you’ll lead him to experience the land without damaging it further.

He notices that you are taking him to a section that he hasn’t been often, not a regular spot during your times together as kids. But it makes sense when you arrive at the small clearing and he sees the massive pine from his memory. It is thick with twisting branches, sturdy. Some of them are blackened from the fire, but others are coated in fresh needles, long and green, waving gently in the wind. He is surprised he hasn’t seen this miracle before, from the house. Maybe the distance obscured the view.

Kita walks slowly to the base of the tree and looks up towards its canopy. He can see the contrast of the charred and ashy sections of trunk against the rich brown of its healthy, resilient branches. The green shines brightly against the black and grey, proud of its revival.

He shrugs his backpack from his shoulders, understanding that this is where granny should be. He lowers to his knees before he unzips the bag and carefully removes the box. It’s a light wood, with tan streaks running along the grain. Pine, he thinks to himself in disbelief.

He slowly unlatches the box and sets it on the bed of brown needles near the trunk. There’s a plastic bag inside, tied with a simple overhand knot. He undoes it gently, slowly unfurling it to roll open and over the edge of the box. It’s the first time he’s looking at her remains, he realizes, and he notices that they are grey, grey ash with clumps of small black coals.

You watch as he moves slowly, cupping soft remains in his calloused hands.

“It’s like your hair,” you say.

He cries, letting out soft, ragged breaths between quick inhales. His weeping lasts the entirety of the time it takes him to spread the ashes at the base of the tree, where it meets the ground. When he finishes you crouch behind him and wrap your arms around his torso. He continues to cry. You feel it, his chest heaving with grief and mourn, love and gratitude. He brings his palms to his eyes to wipe the tears, but they continue to fall, splatter the earth beneath him with feeling.

You listen quietly as his sobs fill the space between rustling leaves and distant cooing birds. Eventually you take one hand from his torso to rub his back slowly, soothingly. 

His noises eventually lull, quieting to the occasional sniffle. He gently pushes the bag into the pine box and then slowly closes the lid and does the clasp. He returns it to the backpack with careful, practiced motions. Your arms release him when you sense he wants to stand. He turns around to face you, you and the valley below.

He watches you closely, runs his eyes over your face, eyes and nose and lips. He wants to memorize your soft smile, the way it warms him like the sun.

You bring your hands to his cheeks, their coolness refreshing after crying so heavily. He leans into your touch and closes his eyes, soaking in the contradicting ways you make him feel—this tug between heat and cold. He feels you press a kiss on his temple, then the other. They’re smeared with the grey ash and black coals, transferring the dust onto your lips. He sighs, in peace, and brings his hands to cover yours. 

When he opens his eyes once more, he looks behind you through the space between the trees, to the valley below him, spanning wide. He is reminded of the thousands of years it took these mountains to form, the thousands of years it took for the forest to grow on top of it. He knows that the fire he witnessed was not the first to rage across the land, and it certainly won’t be the last. He takes in the growth and change that has developed in the past few years, sparkles of hope in a collapse of despair. He recognizes that the destruction is an opportunity for something new, for him to be part of building the next beautiful forest that will rise.

He has lived for what feels like forever, and yet an entire life lays ahead of him. A life with the forest and the mountains and the river. A life with granny’s spirit watching over him, her hair and remains guiding him forwards. A life of working the land and growing something for himself, for others.

A life of unnecessary questions, ones he struggles to ask. A life of inexplicable feelings, ones he’s learning to let in.

A life with you. Here.

i know i said minor character death and then killed granny,, she's a minor character in haikyuu!! but she is a main character in my heart

anyways here's the afterword

[midnightwriter21]

demon slayer hcs: motherly hashira!reader x the hashira pt 2

characters: fem!reader x muichiro, sanemi, mitsuri, obanai

AN: this is a pt 2 for the request from @danielle-marie

READ THE FIRST PART HERE

MUICHIRO

I LOVE THIS BABY SM U DONT UNDERSTAND

he's the hashira that ur most comfortable around

he was a hashira before u

but u get promoted and its an instinct

child.

must protect.

at first he probably gets annoyed by you

he's not used to someone caring for him the way that u do

but then one day ur sent on a long mission

maybe a few weeks long

and he finds himself missing something

of course he has no idea what it is that he's missing something

he completely forgot about u

but when you get back to the butterfly estate and he sees u

it clicks

he remembers

he missed you

he missed your overprotective nature

he missed your soft caring voice

he missed the way that you brush and style his hair

he REALLY missed that ^

walks up to u, grabs ur hand and tugs u away

doesn't care if you were talking to someone

and doesn't say a word

brings you to his favorite cloud watching spot with a tight grip on your hand

makes you sit down

and lays his head in ur lap

stop im squealing and kicking my feet from the cuteness

SANEMI

my guyyyyyy

have i ever told yall that i love him?

only in every single thing i post

anyways

he HATES you at first

lmfao rip u

your shy and quiet nature reminds him of giyuu

and if theres one person sanemi can't stand

its giyuu

therefore he don't fw u

and doesn't pay u much attention

UNTILLLLL

he witnesses u pulling genya by the ear to the infirmary after a mission

and telling genya tf off for pulling som stupid shit during the mission

+100 respect right there

not only are u actually talking

but ur screaming??

at his brother??

and taking care of him at the same time?????

my guy is lucky if he doesn't pop a boner right there lmfaooo

starts paying more attention to u after that

and is noticeably a lot nicer and calmer around you

will blush beet red and deny tf out of it if the other hashira comment abt his change of heart

but def develops a soft spot for u

MITSURI

SWEETEST HUMAN BEING TO EVER EXIST EVER

she loves u

ofc she does she's the love hashira

but in mitsuri's mind how could she not absolutely ADORE u

not only are you breathtakingly beautiful in her eyes

but she sees the way u interact with the younger slayers

how u genuinely care for everyone's wellbeing

if she wasn't looking for a husband she would wife u tf UP

she still might lol

mitsuri is gonna go out of her way to become friends with you

she's inviting u to her estate for girl's night with shinobu

she's dragging u along to her favorite restaurant for lunch

she's inviting u to join her at the hot springs to relax

she really enjoys ur presence

even if ur shy she thinks ur very soothing to be around

she loves when you do her hair!!

and when u cook for her??

mitsuri alrdy eats a lot

but if u made the food for her??

girl is not letting a CRUMB go to waste

loves the way u take care of everyone

especially when u take care of her

10/10 would recommend a mitsuri

OBANAI

someone pls love this man

he needs it so bad

so dude had SHIT parents

like bad bad

so when he sees ur interactions with the younger slayers he's prob a lil put off at first

like ma'am?

this is the demon slayer corps??

we don't have time for all ur mothering and coddling

but then he's injured on a mission

and waiting in the infirmary for shinobu to show up and patch him up

and then u bust through the doors???

confused asf

shinobu is on a mission and you've been helping out in the infirmary

so looks like ur the one taking care of him today

and turns out his injury is bad enough to land him an extended stay in his lil hospital bed

and after a few days of u taking care of him

with ur red face and soft stuttered words

he learns that you're not so bad

and he actually enjoys being around you

and being taken care of

won't voice this tho

but when Aoi comes in to give him his meds one day he gives himself away by accident

with a

"where's y/n?"

he's a blushing grumbling mess after that lol

after he discharged best believe the next time he gets injured he's not even going to the infirmary

he's hunting u tf down

nobody else gets to take care of him except YOU

and thats period.

[cannibalizedlove]

jus stumbled on ur acc and IM IN LOVE I jus read the stalker!donnie fic and was wondering if there's a scenario where reader actually knew the entire time and is equally obsessed (basically self inserting LOL). but anyway idk if u write smut so maybe reader teases him abt it when they're having a lil makeout sesh in the couch and readers all like "its kinda hot" and says some crazy shit that makes donnie. whos as deep in the pool of obsession as you gets hellaaaa flustered EEEK I'm going crazy I fucking love donnie

Thank you for the request!! I think this is such a good idea, mutual obsession is just.. chef kiss. I hope you enjoy <3

The feelings mutual.

Information and warnings — smut!*, part twoish of “watching you”, male reader, donnie and reader being horny messes, donnie’s first time so you ruin him :((, reader being a kinky freak which is perfect for him, heavy corruption kink, donnie being a loser bottom bitch (affectionate). this is so long, i apologize ahh, i just love him so much.

You had been going with Donnie for about three months now, and you were infatuated with everything about him.

You loved hearing him talk about whatever new conspiracy theory he bought into, and you were always there to help him during his hallucinations.

Donnie was completely and utterly obsessed with you, he did everything for you. Even though you were perfectly capable of doing your homework, Donnie would always snatch it from your backpack and do it for you, he never let you lift a finger. It was crystal clear that you had him whipped.

Before the two of you got together, Donnie was just as obsessed with you. The huge perv was constantly watching you through your windows, following you home, and of course, stealing your underwear. What Donnie didn’t know is that you were completely aware of his stalking, and how you were completely turned on by it.

The two of you were sitting on his couch in the living room, his parents and siblings were out to dinner while Donnie was supposed to be at his therapy session with Dr. Thurman, but skipping it one time wouldn’t hurt, right? Seeing how you were like his medication, except you actually worked and didn’t just make him drowsy.

The two of you were watching a corny horror movie, you had already connected the dots and figured out who the killer was, though, it didn’t matter anyways because neither of you were paying attention. You were leaned against his warm body while Donnie was squeezing and touching every inch of you that he could grab.

You let out quiet moans as he began to kiss behind your ears and onto your collar bone, reaching up and softly running your hands through his short hair. The two of you had never gone farther than this before, and it was slowly killing Donnie.

He needed you more than he needed air, you were the most angelic thing he had ever seen, he wanted nothing more than to ruin your pure image.

“Donnie, I know a lot about you.” You softly spoke, your words interrupted by little moans and laughs when his lips would tickle your neck.

“Yeah? Like what, angel?” Donnie smiled against your skin, drawing invisible circles on your exposed skin.

“I know that you have extensive knowledge on time travel.. and that your favorite cartoon is The Smurfs..” You chuckled at the last part, earning a playful eye roll from the boy and a gentle push; “..and I also know that you like to steal my underwear.” You finished your sentence by grabbing his jaw.

Donnie instantly froze and his heart sank into his stomach. His eyes were wide and he swallowed thickly before coming up with a lie on the spot.

“I don’t know what you mean, I wouldn’t do that.. That’s a total invasion of your privacy!” He began to breathe heavily, he felt like an animal caught in a cage with no way out.

“Oh, and you would never invade my privacy, right? You would never follow me home.. or sit by my window and watch me?” You had moved positions from laying on him to now straddling him sitting on his lap. You drew out your words softly into his ear, feeling him shake from anxiety.

Donnie knew he couldn’t lie his way out of this, he knew he was caught, and he was terrified. Was this the end? Were you completely disgusted with him and you were just stringing him along to hurt him? He couldn’t believe that, you were too sweet, too perfect, he didn’t want to lose you over his uncontrolled attraction to you.

“Do you.. hate me.. for it?” Donnie looked up at you with glossy eyes, trying to swallow his fear but failing miserably.

You couldn’t keep playing with him like this, you didn’t want to hurt his feelings, but you couldn’t help but find him attractive with his quivering voice and worried eyes.

“Oh, Donnie.. I could never hate you.” You lifted his chin to hold eye contact with him, and ran your free hand through his hair. “If anything,” You paused, letting his jaw go, and leaning forward, leaving your lips just an inch away from his.

“It’s kinda hot.” You finished your sentence, pushing your lips into his with a hard kiss, leaving Donnie completely surprised.

He couldn’t believe it, he was afraid of you being horrified of him, yet here you were making out with him because of it. Donnie knew he wouldn’t be able to hide the tent that was growing in his pants.

The kisses were only broken by the loud moans that left both of your mouths, the two of you couldn’t get enough of each other. You began to grind down on his crotch, pulling on his hair. Donnie bit down on your lip, resulting in a sharp moan from you. He latched onto your neck, attacking it with bites and wet kisses. You were in complete bliss, the only things you could think about were Donnie’s teeth pulling on your skin and his hand creeping up to your throat.

Donnie pulled away, placing his hand on your throat harshly. Both of your lips were swollen, and Donnie’s face was completely flushed, he smiled as he watched you pant like a dog, and he began to palm you through your jeans that had become 2 sizes to small, enjoying every moan that you cried out.

You looked incredible like this, he thought, your eyelashes wet from the tears that welled up from Donnie’s painful bites, your hair completely unruly, falling perfectly infront of your face, every bit of your sight was driving him crazy. It honestly amazed him how he was able to keep himself from ripping every bit of fabric off of you and making you cry, but Donnie didn’t wanna scare you off; so he kept his composure, at least this time he would.

You began to roll your hips into his hand that had a tight grip on your painfully hard bulge, moaning loudly into his open mouth, holding onto his wrist of the hand that was on your throat, causing him to squeeze ever so slightly harder. You felt amazing, but it wasn’t enough, you needed to feel him.

“Please.. Donnie.” You said breathlessly with your eyes screwed shut. Donnie didn’t know if this was real or a hallucination, he had thought about this moment every time he masturbated with your stolen underwear, but now that it was actually happening, he felt wildly intimidated.

“I’ve never.. I’ve never done this before.” Donnie halted his movements, hanging his head low in embarrassment, worrying that the fact he was still a virgin would turn you off; only to find out that it made you want him ten times more, if that was even possible.

“That’s okay.. I can teach you, I promise.” You grabbed his chin, lifting it back up to your gaze, watching his already red face turn brighter.

Donnie nodded wildly, biting the inside of his cheek as he watched you stand up in front of him, taking your jeans off. He swore that if you looked hard enough, you could see a pool of drool forming at the corner of his mouth. When you had finally gotten your jeans off, which felt like years to the poor horny mess, you sat back down on his lap, kissing his forehead gently.

You gestured to Donnie to lift his arms up, and he instantly followed the command, lifting his arms up and swallowing thickly as you took his shirt off. Your lips ghosted over his as you ran your hands down his chest, taking note of how he bucked his hips subconsciously when you ran a finger over his nipple.

“We can start off simple, is that okay?” You smiled sweetly as you wrapped your arms around his neck, watching his every movement to make sure you didn’t cause him any discomfort. “Yeah.. yeah that’s okay.” Donnie said, completely out of breath, his hard on becoming increasingly more painful.

You brought his hand down to your bulge once again, giving him a soft kiss as he circled your tip through your boxers. “You can take them off — please, take them off.” That simple command was all it took for him to completely rip off your plaid boxers, exposing your dripping cock to the cold air of the boys house. Donnie gripped you instantly, running his thumb over your slit with a half swallowed moan escaping his mouth.

“Fuck, Donnie..” Your face was buried in the nape of his neck, kissing it every once in a while to try and stifle your increasingly louder groans. Donnie had his free hand on the back of your head, holding you close to the sweet spot behind his ear you kept attacking. “You’re so fucking pretty..” He cried while continuing to work your length, he could feel his own pre completely soaking through his underwear. You began to roll your hips once again, feeling like you were on cloud nine, but just before you could come undone in his hand, he pulled away, holding your waist tightly.

“Can I.. you know…” Donnie whined, despite the fact that he had the nerve to stalk you, and break into your home, he couldn’t bring himself to utter the words ‘fuck you’, it was pathetically adorable.

You chuckled and nodded your head, kissing his cheek before sitting on your knees and helping Donnie remove his jeans. Something about you doing everything for him, and teaching him how to fuck you was deliciously exciting to him. He loved the idea of him being completely tainted by you, even if he had originally dreamed of the roles being reversed. With his jeans now removed, you kissed him one final time before curling a finger in his waistband, pulling his boxers down to his ankles.

Donnie looked away bashfully, his length twitching quickly, leaking pre like a hose. You bit your lip, taking a mental photo for use later. You hovered over him, holding his hard cock tightly as you lined it up with your hole.

“Are you okay?” You asked softly, kissing the top of his head, making sure that he was ready to be taken like this. Donnie whined out in frustration, he was never good with patience and it was on full display here. You laughed at his needy response, and slowly began to sink down onto his dripping length. Donnie instantly threw his head back, grabbing your waist and digging his short nails into your skin. Your mouth hung open, sinful noises filled the room from the both of you as you bottomed out onto him.

Donnie’s eyes began to water from the sheer pleasure, and he held you like his life depended on it. It took you a second to adjust to his size, but you started slowly moving up and down, making Donnie completely loose it. His quiet demeanor was totally lost at this point, nothing but whines, cried out moans, and loud “fucks”, and “please’s” left his mouth. Nothing filled his mind except the feeling of you wrapped around him, and your pretty facial expressions. The poor boy was totally overwhelmed, fat tears began to fall from his eyes as he got closer to his climax.

The sight was enough to push you over the edge, he looked completely wrecked, and it was a gorgeous sight. You pushed yourself forward, latching onto his lips and grabbing his face tightly, his tears transferring onto your cheeks as you kissed. You became undone onto both of your chests, thick ropes covering Donnie’s frail body. Donnie broke the kiss with a loud cry, hitting his climax and losing himself inside of you. He held you tightly to his body as he pumped you full.

After a few moments of silence, that let both of you gain your composure, you let out a breathy laugh, kissing your fucked out boyfriend all over his face. You watched as his chest heaved up and down as he blinked tightly, trying to regain all of his senses. Donnie kissed your lips softly, wrapping his arms around you in a gentle hug.

“Hey.. how did you know all that stuff? Have you like.. done this before?” Donnie said, a thick sense of jealousy flowing through every word.

“No, I just watch a lot of porn.” You chuckled, a devilish smile running across your face.

Donnie let out a breathless moan as he flipped you onto your back, just the idea making him ready for a round two.

[kaisfruit]

Hiiii loved your first first about kai!

Could I request a one shot or headcanon about each of the ninja and how they would pleasure a fem!reader pls?

How they pleasure you | All ninja x fem!reader headcanons

a/n: omg tysm for my first ask <3 this is like,,one of the few times ive ever written nsfw so!! i hope its okay :3 also im gonna leave out lloyd cuz ik technically he's an adult but idk it's still a bit weird imo warnings: nsfw under the cut (duh),cunnilingus (cole, zane, nya) , slight size kink mention in cole's part, degradation in kai's part, inappropriate usage of elemental ability (jay), umm thats all i can think of im srry if i missed anything ^^

Cole

Ugh idec he's a big guy. is that a collective hc that the whole fandom can agree on? i think so

def uses that size to his advantage when y'all are alone together

I'm talking like MANHANDLING

only if u ask tho cuz cmon we all know he is such a caring guy he would always take your wants and boundaries into account

okay, my horrible down bad size kink out of the way-

mans has a big appetite (wink wink)

goes down on you like no other. like, he treats your pussy like it's breakfast, lunch, dinner, AND DESSERT babes

there would be no breaks with him. i cant say this enough, but he is eating you out like a man starved

overstimulation bound to happen srry i dont make the rules

he would NOT ask for anything in return

this man is the biggest giver when it comes to sex oh my lorddd

you're in charge but like he is if you know what i mean?

like he does what he knows you love, but on his own terms

ur in the bed and he's just instantly pinning you down yk using that strength of his, spreading your legs as far as the can go, and boom diving in head first

srry i could fill up like 3 posts of just cole eating you out im that passionate abt this topic

Kai

Plays with your pleasure like it's a damn toy

This man is the biggest tease ever

Though, his teasing does lean a bit towards minor body worshipping bc he's just everywhere

Marking you up with hickeys wherever he can get his damn mouth

Hands? can barely keep track of their movements. One second they're playing with your tits the next he's two fingers deep in your pussy

Let's just say he's taking his time here just to make the actual sex feel absolutely amazing on your end

But rlly it gets him going seeing you all whiny beneath him at his never ending touches

it's a win-win if you think about it

THAT DAMN MOUTH.

kai is not the guy for u if ur not down for a bit of degradation because DAMN

he has to come second place to jay in the yapping awards bc he's always saying smthn during the act

he pays attention though. listens or feels your reactions to every filthy thing he whispers to you.

absolutely ruins u for anyone else. gl w this man yall <3

Zane

He is so damn PRECISE??

Like, how does he know exactly how to touch you in that spot in order to get that reaction?

LOVES i mean like absolutely LOVES fingering you

being able to watch you come undone on just his fingers? god it is everything to him

will also add his tongue into the mix bc even tho hes a robot he cannot get enough of ur taste

just so calculated w every movement

bro made sex into a science 😭😭

tells you how good you're doing for him, how perfect you look, etc.

loves praising you bc it's the honest truth of how he feels about you

tbh 50% of the pleasure he gives u is from the pure love u can feel with every slight touch, every kiss, everything

soft dom vibes iykwim

REFUSES to even try to get himself off if he hasnt attended to you first

also an extreme giver like

he would get rid of entire body parts if it meant making u feel even better during sex

okay thats hyperbole but like

this nindroid has so much love in his robot heart for u and he needs u to KNOWWWW

Nya

A GIRL'S GIRL U ALREADY KNOW WHAT IT IS

she has all of these boys BEAT when it comes to pleasuring u bc of her same gender advantage

her head will stay in between your legs until you are absolutely SCREAMING her name

that fact fills her with immense amounts of pride btw

i see her as giving u a good mix of gentle and rough touches that like come together to make the most intense feeling ever??? if that makes sense

she's so good w her mouth like,,,everywhere

her favorite place to have her mouth is on ur pussy ofc, but she could also give a vampire a run for their money with how attached to ur neck she is

marks litter your neck

she's so good at finding that one little sweet spot that makes your body squirm

tends to multitask as well

like if she's currently a knuckle deep in your hole then you can also probably find her mouth licking and sucking at one of your nipples

everything she does to you is just so confusing in the best way possible

Jay

everything with him is just so fast-paced

he barely gives you any time to catch your breath in between anything

just one thing after another with jay

it mostly comes from his overzealous nature

your body makes him feel like a kid in a candy store im not even gonna lie. there's so much he could be doing he doesn't even know where to start

constantly talking. what did you expect from the motormouth himself?

half of it's mumbles of how gorgeous or how breathtaking you are and the other half is just downright filthy

honestly that second part would be such a turn on cuz u wouldn't have expected it from jay

the first time he used his element on you it was an accident

he didn't even realized it happened at first. he felt you jolt at the sensation and his first instinct was to apologize instantly, but he never even had a chance as he felt how you clenched down on his fingers and the moan u let out would forever be ingrained in his brain

from that point on, he's constantly looking for the best opportunity to let the smallest current just give a little tingle to your skin

jay really knows how to keep things interesting <3

[sensitive-neuvi-enthusiast]

can you prettyyyy please write a little piece abt best friends older brother choso n sucking him off n fucking him till ur both overstimulated :(( 💔💔

Oh boy can I, sucking him off and overstimulation are one of my two favorite things ♡

Sucking and fucking your best friends older brother until you're both overstimulated. NSFW. gn!reader.

A/N: I kinda went ham and its...long.

You and your best friend had been friends since you started college. Sharing a dorm but soon transitioned into sharing an apartment. There were lots of things you loved about your best friend. Cleanliness, kindness, humor; but most importantly? The brother. Choso. He was a sweetheart, cute. Would always blush and stutter when you were around.

You didn't see him too often, only when he paid your best friend a visit. And today just happened to be one of those days. You admit. You'd liked him for a while and have had you fair share of..wet dreams about him. And you were pretty certain he thought about you too. His eyes would always linger a little bit longer than they should. And yet you two continued to dance around it, but not anymore. You were changing all of that today.

"Hey, we're out flour. And I need it to make the cake for later." You said, nonchalant. Hoping your best friend would offer to run to the store and grab some. "I...can get it." Choso said quietly.

"Actually, I needed your opinion on something, so I'd like you to stay here." He seemed confused but agreed, your best friend leaving the two of you alone.

"What did you ne-ah!" He yelped, just now noticing how close you'd gotten. Your hands messed with the ends of his shirt. "What I need, is your big dick inside me. Do you have any objections?" You opted to go the more direct route. Leaving no room for confusion. Choso immediately sucked in a breath, feeling his dick harden in his pants. Was this real? He would've pinched himself but the feel of your nails dragging along his stomach was all he needed. He nodded. "No..objections."

"Good." You gave him a smile before undoing his pants. Sliding them down his thighs, along with yourself, until you were eye level with his thick cock. You licked your lips, eyeing the beads of precum that already formed at the tip. "U-Um," he started but immediately hissed when he felt you kitten-lick his tip. Collecting what sticky liquid leaked out and pulled it back into your mouth. "Fuck-" he breathed, tentatively resting his hand in your hair. You hummed in approval before slowly slipping the tip into your mouth. Suckling as the sticky liquid glued itself to your tongue.

"Oh-oh fuck, keep doing that." He spoke softly, smoothing out your hair. And so you did, suckling on his tip until eventually he started to push more of himself in your mouth. Your tongue wrapped around his length, paying special attention to the veins that lined the underside of his cock. "God-your mouth is so warm, so wet." Choso grunted, his fingers now threading into your hair as he guided you. Moving you up and down his length, groaning low in his throat the further down you went. Until, eventually, you bottomed out. Your nose pressed flush against his pelvis, buried in the tufts of black hair.

"Mmm-fuck, give me a minute-i just-fuck." He held you there, breathing harshly through his nose as he tried his best not to cum. His body shook, his hips itching to thrust himself forward.

Your throat bobbed, contracting around his length and making him hiss. With one more breath, he finally let go. Giving you free rein to suck his cock like you wanted. And you did.

Obscene sucking noises filled the room, your chokes and gags mixing along with it. "Fuck-fuck-your mouth, God. It's better than I imagined." His hands framed your face, keeping your hair out of the way so he could watch his dick disappear past your lips. It was erotic. It was too much and he found himself stilling his hips, shooting ropes of his sticky seed down your throat. Eyes closed and head tilted back as he road out the orgasm. But you didn't stop, your mouth still sucking him in.

"W-Wait...that's, I just came-i can't, oh fuck-" hot searing pleasure shot through his veins, eyes crossing as he thrusted his limp-now hardening, dick into your mouth. But your goal wasn't to suck him off again. So when he was hard once more, you pulled off with a pop. Ignoring the confusion on his face as you dragged him to the couch, pushing him to sit. Climbing immediately on his lap before you seated yourself on him.

"What are y-oh my God, oh-s'tight...fuuck." he groaned, pulling your body flush against his as he tried to breathe. The stimulation already too much for his poor cock. But you didn't give him that time. Immediately angling yourself to bounce up and down on his cock. His arms tightened around you as he whined. Mumbling 's'too much' and 'please keep going' over and over. His thick cock reaching deep inside you, pressing all the right spots to have you shake, stilling as you came all over him and yourself. "Squeezing me s'tight, gonna make me-" He choked, his dick spilling yet another load inside you. And it still wasn't enough.

You gathered up strength and started to bounce on his poor, limp dick. Fresh tears formed in his eyes as he told you it was too sensitive. That he couldn't cum again.

"Can't...can't cum anymore, please you-oh god, fuck me. Squeezing me like that-" He held tight to your body, thrusting up into you as his mind soon entered a fuzzy aroused state. Where his body tingled from the overstimulation but it felt good. "Gonna cum...yes yes, m'gonna cum. With me, please. Cum with m-" He broke off into a sob, shooting barely any cum inside you, his balls already being drained. His broken whining and sobbing had you cuming moments later, your body falling limp against him.

"One more," you mumbled, hips shifting slowly.

You didn't care that your best friend could be home any minute. Could possibly catch you riding Choso like a damned monster. All you could think about was taking all his cum. Milkin him for all he's worth.

[hearts-4-vicky]

ugh this girl shes so cute like… im actually so down BAD its not even funny

Hi my loves🫶🏼 this was supposed to be longer n come quicker but i forgot to save my draft n i was so fucking done UGHHHH.. I just wanted to put something out for you guys as a thank you for all the support my last post got❤️❤️❤️ I never thought id be postin on here but 😛

anyway, tall! bodyguard! fem reader x wonyoung has been taking over my mind lately yall dont even understand 😭🙏 (this isnt proofread cuz im so done, so sorry my loves if theres something wrong😔)

lets say ur a bit older than Yujin (like by a couple months) n ur first official job as a bodyguard is to make sure Ive makes it to a pop up event safely😝 Starship hired so many of u guys because sasaengs have been appearing more frequently than before. So here comes you and like nearly 3 dozen more guards though you stand out due to how tall u r���😍😍(like taller than 6’4 cuz babygirl wony is already tall asf😔🙏) n your build (muscular women r so fine UGHHHH)

You and the rest of the squad were walking to the girls big ass dressing room, though you felt many eyes on you. Its something you’re used to, always being the tallest in the room (cant relate😭) Arriving at the dressing room door gets you a bit nervous since you know how big ive is as a group and how stunning they are😍😍😍 Once you guys were given the green light to enter, you need to lean down to fit through the door. seeing this, one of your colleagues snickers, making you roll your eyes.

Ive’s manager introduces you and the rest of your crew to the members, short n sweet. As their manager was just giving a brief run down abt whats gonna happen once you guys arrive, Wonyoung notices you. You were much taller than her and stronger too from what she can see😍 baby girl would be so shocked since most girls shes met have never been taller than her🥺 She was so focused on you that she didnt notice how one of her members eyes were also glued to you😛

ur bitch ass was zoning the fuck out but still kinda listening to the manager but you noticed how drop dead gorgeous the members were (same) though you were always drawn to the tallest member. Her beauty had you practically fawning over her that you didnt even notice the rest of the squad (ayeee pull up wit da gang😝😝😝😝 im so sorry) left to go to the vans you all arrived in😭 Flustered at this, you jog to the door to catch up, hitting your head on the doorframe in the process 🥺🥺🥺 You hear giggles after, but failing to notice how Wonyoung’s eyes were full with concern. Whimpering at the slight sting, you hold your head while still trying to catch up with the rest.🥺🥺🥺

Wonyoung watches as you disappear into the distance, pouting as she hears her members talk about how cute you were🙏 she starts paying attention after hearing yujin ask if they was a chance you were single😭 “Maybe, but not after im done talking with her..” Gaeul says proudly, though its short lived as Wonyoung hears Rei respond “Unnie, she’d have to go her her knees to kiss yo-“YAH!” The room fills with laughter as the eldest sulks in her spot, mumbling how unfair life is. Wonyoung’s mind goes back to you, not wanting to hear her members talk about how they want to get to know you more😜

timeskip to the event cuz im SICK AND TIRED OF THIS APP.

You and the other bodyguards line up behind each side of the rope safety barriers (is that what its called…) You were near entrance of the building and could already seen waves of people try to get a glimpse of the idols that were soon to arrive

As the van pulls up you can hear the crowd getting louder by the second. They only get louder as the girls start to come out, first with Yujin, then Gaeul, Rei, Wonyoung, Liz, and lastly Leeseo. Camera flashes and screams fill the air as the girls walk to the entrance of the building. They do their best to get there in a short amount of time while also interacting with fans

It was going smoothly, with the three eldest already at the door, waiting for the other members. Wonyoung was just a couple steps away from them before a man grips her wrist and pulls her closer to him. She tries to fight back but he is much stronger, tightening his already harsh grip. You act quickly, making the man let go and shoving him as hard as you can. He has a pissed off look on his face but it soon turns to fear as he sees you towering over him. The man nearly shits his pants after you bend your knees to be at eye level with him, hearing you call him the harshest words that come to mind.

After that, you let another bodyguard deal with the man as you turn your body to face the shaking girl. (babygirl was a bit scared cuz u seemed so pissed🥺🥺🥺) Your eyes soften at her state, shes frozen in her spot with widen eyes. Wonyoung focuses on you as you lean down to quietly talk to her. Her eyes are pretty is the first thing that comes to Wonyoung’s mind. She gazes upon your features for what feels like years, her admiration soon turning into attraction for you as she holds her now red wrist. You notice this, cursing the man in your head as you take a closer look at her wrist. holy fuck that shit is red, you meet her eyes once more, taking note on how hers seem to shine in the sunlight. “Are you feeling alright, Miss Jang?” you say in a sweet, soft tone. Wonyoung feels her heart start to race at how soft you are with her, a big contrast to how you acted to the man (duh)

“Oh-Yes! I’m okay, just a bit shaken up..” Wonyoung didnt respond right away since your warm aura made her start to relax. You nod, “Do you want me to escort you to the door?” She starts to nod, but is interrupted by her members rushing to her side asking her if shes okay. You step back, giving them their time but also waiting for her answer. After Wonyoung reassures them that shes fine she turn to you, nodding to your question from before. You failed to notice how her cheeks flushed a light pink as you walked behind her to the door🥺🥺🥺

time skip cuz its literally 1:30 am rn….

You didnt just walk her to the door but instead everywhere. You would only leave her side if she needed to take photos or use the restroom (though you were right outside the door just in case) You were following her around like a velcro puppy (clingy dog) 🥺🥺 Wonyoung thought you were so cuteee😭 she thought you were like a newfoundland puppy cuz ur so big UGH🥺 She watched as your eyes practically sparkled whenever you say something you liked or if someone brought up a topic you were interested in❤️❤️❤️ Babygirl was falling for you so hard rn

As the event was coming to an end, she wanted to go to the restroom before they left (it was an excuse to get you alone with her🫶🏼) She stopped right in front of the ladies door, making you confused. Wonyoung turns to you, leans toward you while slipping a piece of paper in your hand. She ran away shortly after to go to the rest of her members. It all happened so fast you were slow to comprehend what just happened. Reliving the moment for a few seconds you realizing she had kissed you on the cheek.

You place your empty hand over the cheek, now adored with a lipstick mark, as you smile like a dumbass😭 you hear your name being called to leave as well but before going over there, you read the note.

“Yn, I just wanted to thank you for making me feel safe and for getting to know me. I hope we meet again, as friends or maybe more?

XXX-XXX-XXXX

-Wonyoung <3”

You nearly fainted reading that last part.

OH MY GOD THIS TOOK SO LONG💀

guys if u ever write on this app MAKE SURE YOU SAVE PLEASE…. (my asks r open if u want this to be continued or if u wanna request something❤️)

kk love you guys🫶🏼 be safe, and have a good day❤️

[desire-mona]

things abt dps i feel like we dont address enough (photos attached will be shit quality, i took screenshots from yt clips LMAO)

heavily ib @pencileraser1's post abt stuff he noticed n such

the fucking KIDS at welton. the CHILDREN. maybe its just me but i always find myself forgetting that welton isnt a highschool + there are in fact a lot more students than the ones we're focusing on. thats what makes welton so like. evil? to me? they start pushing these kids into a box EARLY.

related, i wouldve LOVED to see how(/if?) keating taught these kids, or rly any other class! he has other classes!!! i think!

ok. of course. neil is a smoker, we've touched on that. but charlie is too?? and he's the one who provides the cigs???? obviously the easy explanation is that he does it to be rebellious and stuff but also Is There Something Else. much to think abt. also wondering where he gets his cigs but thats not rly anything i dont think.

this ones just funny but when mr perry tells the boys they can take a seat and todd simply does not. i KNOW he wasnt sitting before and he needs to unpack and stuff but ITS STILL FUNNY.

"take your seats boys"

"🧍"

also my guilty pleasure is the dps but its todd being anxious video bc man usually crack videos arent my jam but unfortunately i find it so funny

also!!! neil calling his dad sir. obviously its something so glaringly obvious that we dont need to have a discussion abt how theres a disconnect between them. like wow rly thanks mona i didnt know. but come on!!! it makes me sad!!! also they shake hands later in this scene and its the most affectionate/ friendly we see these two get. and its a handshake. and i think what makes it worse is that neil is a SUPER physically affectionate person with his friends. if u watch the movie and pay attention to how often he's touching someone else then ur gonna be like man. he rly was jumping at every opportunity huh.

something about the way neil and the boys act around mr perry makes me view him as more of a drill sargent than anything. everyone immediately stands upon him entering the room. they dont sit until given permission. it rly puts the whole military school thing into perspective but NOT ENOUGH TO SATISFY ME. as much as i hate mr perry, i wanna know what his life was like growing up. this man lived thru the great depression AND wwii, theres stories.

cam's stupid fucking face when keatings behind him larping ghosts. i will never stop talking about how sassy this kid is. the dps redheads go criminally unacknowledged in terms of comedy because OH MY GOD. CAM AND MEEKS WERE SO FUCKING FUNNY??? they both pulled the most dastardly judgemental looks and they make me cackle. a bit earlier in this scene meeks goes full 🙄🤨 on sniffles (tissue kid. i call him sniffles) and it is, without exaggeration, my fav part of the movie.

the fact that i totally thought knox was gonna fall off his bike and eat shit in this scene. it would be so out of place since dps isn't exactly full of physical comedy but GOD i still fully anticipated it. either that or him getting attacked by a bird. theres totally symbolism surrounding birds in this movie btw and idk what to make of it. if any of u lovely ppl have a theory then lmk immediately.

keating so accurately calling cam out being like "is this right is this right. am i walking right." BC YESSS. i will eventually make a fully fledged cam post but to briefly touch on it, i find cam to be very confused on what is right, usually in terms of morals. a whole situation of confusing your personal values with the rules, thinking theyre one in the same, and completely abandoning what u actually believe. unfortunately i think neils death rly amplified that nd is what led him to tattle. cuz cam is still willing to break the rules in the beginning of the movie!! he's outwardly judgemental but he still does it!! much to discuss, i promise i will eventually.

keatings face after todd yawps!!! theres not much to say here he is just so proud!!! sweet little moment!!!! keatpostin!!!!!!!!

YOOOOOOOOOOOOOO

u guys know im an avid knox hater but this made me giggle. rip knox overstreet u wouldve loved twitch streaming.

THE SPECIFICS OF THIS SHOT. i was gonna make a post a while ago being like "idk i find it funny that the main focus of this shot isnt even one of the poets" and then i realised that WAITTTTTTT THATS THE POINT!!!! keating reached kids besides the poets!!! u didnt have to be in the dead poets society to be affected by the way he taught his classes!!! u just had to be his student!!!!! also i love the fact that the kids who stayed seated r ASHAMED. EMBARRASSED.

the ending shot. oihghgghgg. it was SUCH a choice to set it up this way and honestly i adore peter for making it. this shot is SOOOO UNCOMFORTABLE TO LOOK AT and i love it. when i first watched this i was like "uhm ok interesting choice putting todd between this kids legs but I GET IT. one of the biggest things i remember from the film classes i took is that the way u set up shots is sooo important narratively, and one way to rly push the narrative is the space around a character in a shot. for example! if u have a character on screen surrounded by a TON of negative space then it rly emphasises how alone/ isolated they are. on the other end of the spectrum (the todd spectrum), if you surround a character in a shot with other objects or obstructions, like todd and this kids legs, then it rly emphasises how trapped and confined they are. looking at this makes me feel like. claustrophobic almost, like it's genuinely a bit harder to breathe looking at it. TODD IS STILL TRAPPED IN THAT SCHOOL. YES HE STOOD ON THE DESK AND YES HE NOW HAS THE MOTIVATION TO BE MORE CONFIDENT BC OF NEIL BUT HE! IS STILL! TRAPPED THERE!

more on todd since im on a roll here.

i was also gonna add that we dont rly talk about todd personality wise outside of poetry and anxiety but then i realised, what else is there? we dont really see much about him as a person outside of that, and i think thats the point! todd is constantly overshadowed by his brother, we know that, but i dont think we realise HOW MUCH that ties in with his entire character. quite honestly, outside of poetry and anxiety, ALL we have surrounding todd is his brother and his achievements. and of course! that makes sense! his parents want him to be just like his brother, they dont care about who he is as a person. UGH.

the desk set scene rly is the most insight we'll get into todds actual personality and desires imo, and thats what kills me. he wants a car!!!! get this boy a car!!!!!!!!! we rly see him start to open up before neils death and i wouldve LOVED to get to know todd when he's actually in a place to be himself!! but of course we never got that! sobs.

anywho. thats all i have for now. PLEASE share ur thoughts if u have any pls pls pls. encouraging discussion!! i love love love hearing about the specifics nd stuff, theres soooo much to pick apart abt this movie so i wanna hear everyones thoughts.

[sushiwriterhere]

new rules

summary: "Don’t pick up the phone, he’s only calling because he’s drunk and alone. Don’t let him in, you’ll have to kick him out again. Don’t be his friend, you know he’s going to wake up in your bed in the morning. If you’re under him, you’re sure as hell not getting over him."  rating: explicit (18+ mdni) pairing: bradley 'rooster' bradshaw x f!reader word count: 8.5k (this got away from me sorry y'all) warnings: angst (lack of communication!), idiots pining, PiV (unprotected), oral (f receiving), hangman x phoenix (blink and u will miss it), no use of y/n.  notes: thank you to @waklman for letting me bounce ideas off you! im very nervous abt this one, i feel like its dif from my other stuff so pls pls let me know what u think! my other works are here

Friends with benefits is maybe an inaccurate way to describe what’s going on between you and Bradley. Friends? Sure, since he asked you if you were using that bench at the beach and then he’d introduced himself. With benefits? You’re not sure if they really could be classified that way.

Bradley’s almost always a perfect gentleman. 

He doesn’t ignore you in the daylight, but the two of you never talk about the way he finds himself in your bed most nights rather than not, drunk or sober. 

It had started one night when you’d turned down an invitation to go to the Hard Deck, instead choosing to do a night of self care. You’d spent too long doing your eyebrows and managed to get a sheet mask to fully cover your face for once. You lost count of how much time you spent in the shower as an indulgence, and threw on the comfiest clothing you owned. Then, you sat yourself down in front of your TV to numb your mind with some perfectly trashy reality television.

Around 11:30, your phone had rang. Picking it up and squinting at the brightness, you saw Bradley’s face grinning back at you, the picture from one of your many beach days since you’d met. 

Despite your best instincts you’d picked up. What if he was stranded? What if something had happened? You’d steeled yourself for the worst. 

Instead, Bradley had just opened with a simple, “Hey.”

“Bradley? Is everything okay?” You could hear the noise of the Hard Deck in the background, but it had been yelling and there weren’t any sirens. 

“Yeah,” His sigh had come over extra loud through the speakers, “Just uh, was just thinking about you.”

“Okay,” What the hell? You remember mouthing the words to yourself as someone on screen had thrown a drink in someone else’s face. “Are you sure you’re okay?”

He hadn’t responded to your question, instead he’d just said, “Are you at your apartment?”

“Yeah, I’m here. Bradley is everything–”

“I’ll see you soon.” And with that, he’d hung up with a definitive click. 

You’d stared at the dimming screen of your phone for probably almost five minutes. Surely he couldn’t have been that drunk–god, was he planning on driving? Calling him during that was probably a bad idea.

Great, leave it to Bradley to stress you the fuck out on a Friday evening when you’d been aiming for peace. You’d tried to refocus on your show, but you weren’t even paying attention to the words. 

No more than five minutes later, there had been a knock at your door. You’d stood slowly, not sure that this was actually happening. 

You’d opened the door to a Bradley with flushed cheeks and a glint in his eye, leaning against the railing outside your apartment. It was only after a moment of silence that you realized you were wearing an old Navy shirt of his, loaned to you at the beach a few weeks ago. You could feel the way his eyes started at your legs and dragged up your frame, taking everything in.

“Bradley?”

He’d pushed off the railing and backed you into your apartment, letting the door swing shut behind the two of you. You’d backed into the living room til your back hit a wall, your heart in your throat. You couldn’t look away from him, not with the way he’d been crowding into your space, leaning into you.

“Hi, sweetheart.” His voice was a tone he’d never used on you before, and you remember the way your heart had hammered in your chest. 

He’d been so warm and so close, setting all of your nerve endings on fire. It wasn’t that you hadn’t realized that Bradley was attractive–the man’s whole job was to stay in shape and be clean cut. He was beautiful. But you’d kept that to yourself, afraid of crossing that line, afraid that you’d ruin something that was turning out to be one of the strongest friendships you’d had in years. 

You still feel that fear, despite all the lines that have been crossed since that moment.

The way he’d kissed you had wiped every thought from your head. His hands had slid up your thighs to grip at your waist under his shirt hanging loosely on you. His mouth had moved smoothly against yours, making you sigh and wrap your arms around his shoulders. 

By the time the two of you had made your way into your bedroom, he’d lost every piece of clothing but his briefs and his dog tags. They’d dug into your sternum as you’d pressed yourself against him, the cool metal warming quickly between the two of you. 

The way your blood had been rushing in your ears from adrenaline had drowned out the way he’d murmured to himself as he’d kissed down your body. He never did pull his shirt off you. He’d simply maintained his grip on your hips, lifting your thighs over his shoulders as he’d pulled your panties down and licked desperately into you.

Your hands had gone to his hair out of reflex. He had been rocking you steadily and you think you’ll always remember how you felt when you’d realized it was because he was grinding his hips against the bedframe, so turned on from getting his mouth on you. 

He’d eaten you out like a man starved, his nose bumping into your clit as his tongue fucked you. It had been messy and loud but you hadn’t cared about the neighbors or your dignity, not with the way his fingers had finally curled into you. 

“Bradley,” You’d gasped when you finally came, back arching and fingers tightening in his hair to the point where your knuckles ached.

He’d held you through it, had let you rock your hips against his face and not complained at all. In fact, he’d seemed delighted by the way you’d let yourself just feel, pleasure wracking your body and consuming your mind in a haze.

Kissing his way up your body, he’d slid his hands under the shirt and groped you gently. You remember the way your mind had stayed cloudy and you’d floated, tethered only to the real world by the way his thumbs flicked gently at your nipples.

“I’m here, I’m here,” He’d panted into your mouth as you whined when he’d sat back slightly to kick off his briefs and hitch your thighs over his waist, “I’ve got you.”

The first time Bradley had ever slid his cock into you, you knew you’d never be the same, that you’d never be able to go back. Not when he’d kept himself hovering over you just barely, propped up on his elbow, with his lips still brushing yours and his dog tags catching in the sheen of sweat along your sternum. Not when he rocked into you inch by inch, making the world around you blur into nothingness. 

You’d let yourself fall apart under him, let yourself sink into the mattress and just take whatever he was willing to give you. He’d fucked you deeper and more gently than anyone before–to this day, you’re not even sure you can classify it as ‘fucking’, that always felt too vulgar for the way he’d brushed his lips over your cheekbones and murmured sweet nothings. 

But saying Bradley had, and still does, made love to you means trying to find something from nothing, means discerning some sort of level of connection he’s never made clear. You’re not trying to break your own heart more than you already are.

In spite of that, you can’t forget the way he’d held you like you were precious, like you were everything to him. He’d cum inside you with a guttural moan, a punched out gasp at the way you’d clenched around him. It had made you realize that was all you’d ever wanted, Bradley warm around you and inside you, him making you feel complete in a way you hadn’t known you weren’t whole before. 

He’d been a perfect gentleman when you’d both come down, easing out of you so he could clean up. He’d massaged your thighs and hips where you were sure you would’ve been aching the next morning if he hadn’t, had apologized under his breath at the fingerprints now dotying your hips. He’d thumbed at the collar of the Navy shirt where it had stayed on your frame the entire time, looking pensive but never saying anything.

You’d woken up alone the next morning, a sticky note on the bedside table reading–Had to run for work. Thanks for having me over. A messy heart and a hastily scrawled Bradley closing off the message. 

And so it went. So it goes. 

During the day, you and Bradley are the paragon of good friendship–he’ll send you memes when he gets access to his phone in between flights and lessons, you’ll pick him up after work to go to the beach. The two of you don’t talk about it–because what is there to talk about? 

No words are ever exchanged about the way that Bradley clears out a drawer for you at his place, you just find a few of the things you’d left at his place in there one day. You never give back his Navy shirt, not when you find yourself wearing it more often than not. Nothing is said about how you start picking up his favorite flavors of ice cream and his preferred brand of coffee creamer, you just make a habit of throwing them into your cart when you go to the store.

And everything is fine. It really is. You disregard the side glances from Phoenix and Bob as they see you leave with Bradley on Friday and Saturday nights, you ignore the way Hangman wiggles his eyebrows at you when Bradley insists on paying for your drinks. Just friends, is all. Just friends.

They can make their assumptions, whisper while you’re out of ear shot, but they don’t see the quiet, comfortable domesticity that you and Bradley engage in when the two of you are alone. You go back to his after beach afternoons since it’s closer to your favorite spot, and the two of you will shower (separately) and make dinner together. Sometimes you’ll sleep over if you’re working remote the next day, sometimes you’ll go home.

On weekends, Bradley picks you up in the morning, trunk holding a cooler full of drinks and snacks, and you two will go to the beach again or go on a hike. Sometimes Phoenix or Bob or the whole crew will come along, sometimes they won’t. 

Just friends. And it’s fine.

Until everything isn’t fine. 

Bradley and you have been at this for a few months now, and you can feel yourself cracking. You’re reaching out to kiss him when you do wake up together, before your brain is awake enough to stop you, reminding you that that’s not what you two do. On an outing to a boardwalk teeming with life and populated by those games you can win stuffed animals at, you resist the urge to press him against the railing of the pier and lick the taste of your shared gelato cone out of his mouth. 

When the dam finally breaks, it begins like any other night. You have a margarita and a half in you, some concoction that Phoenix insisted you try that’s actually good. Bradley’s already done a rendition of My Way at Penny’s request, but for now the jukebox is blaring some 80s hit Hangman picked out.

You can feel yourself swaying to the beat, just letting the warmth of the moment sink in as you’re surrounded by your friends, the people you love. 

“Hi,” Bradley breathes into your ear as he sidles up next to you, his arms coming to settle around your waist. You can feel his warmth through the flimsy fabric of the dress you’ve got on.

“Hi Brad,” He hates it when people call him that–lets you get away with it though. “What’cha doin’?”

“Waitin’ for you.” He leans his entire body weight against you, making you slump against the table you’re standing next to.

“Ah! Bradley, stop it.” You try to stand, but the way he’s laughing makes it hard to shake yourself from his grip, “What do you mean you’re waiting for me? I’m waiting for you.”

The grin he shoots you is electric, and for a moment you think he’s going to kiss you, right here in the middle of the Hard Deck, with all your friends around and in Penny and Mav’s line of sight. That thought makes your heart skip a beat.

“Come home with me?” He whispers, just barely letting his voice rise above the background noise, and when you don’t respond immediately, “Or let me take you home?”

That’s all it takes, really, for you to agree. The way he’s so willing, so malleable, for you. You’re leading him out by the hand without responding to his questions, making your way to the Bronco that’s parked in the back corner of the lot. 

Bradley keeps the foolish grin on his face the entire time he drives back to your apartment. The warmth radiating from him doesn’t abate when he licks into your mouth once the two of you are inside. One of his palms rests against your heart, the other working its way up your thigh and inside your panties that are already damp. 

“You’re so good to me,” He murmurs, dipping his fingers below your waistband and brushing through your curls, feeling just how slick you are. 

All you can do is whine as he picks you up and makes his way to your bedroom. For once, he doesn’t trip or stub his toe on anything, and it somehow heightens the intensity. Normally, you and Bradley seek comedic relief of some sort, something to cut the tension and keep it from making your chest tighten in a way that feels like a warning. This time, you aren’t granted any such reprieve.

He undresses you slowly and deliberately, letting his fingertips drag lightly up your sides and over your shoulders. He shrugs his Hawaiian shirt off easily, and lets you yank his wife beater over his head without complaint. 

Then, the two of you are just staring at each other, both panting lightly. You’re propped up on your elbows, staring up at him only in your panties. Bradley’s got one hand about to pop the button of his jeans, but he’s frozen. You feel like you can’t move but also like something might be changing. 

You don’t want it to change, you don’t want to lose Bradley in more ways than one. If this is what he’s willing to give you, you don’t want this to change. 

He nearly falls over when his foot gets stuck in his jeans, and even that doesn’t break the tension. Once he’s climbing over you, enveloping you, kissing up your stomach and neck, you forget all about decorum and keeping up appearances.

The whine that echoes around the room is pathetic and high pitched, but it’s the only way you think to communicate to Bradley how bad you need him in that moment. His hips are rocking gently against yours and you want the layers gone, you need to feel him. 

“I know, sweetheart, I know,” And his hands are around your hips, dragging your underwear off you unceremoniously. 

Although he makes a good attempt at going down on you, you don’t let him. You dig your fingers into his shoulder and yank at his hair to keep his face level with yours and kiss him desperately.

“I want to eat you out, please?” The depth of his voice sends a shiver through you.

Normally he wouldn’t even have to ask, but you don’t want that right now. You just want to feel him inside you. 

“Need you in me, please,” You take a heaving breath before the pleading spills out of you, “Pleasepleasepleaseplease–”

He shushes you as you scrunch your face up, not knowing how else to convey your desires in that moment, “Okay. I’ve got you, it’s okay.”

You almost wail in protest when his fingers slide into you. You can’t figure out why you feel like you’re burning up from the inside out, why you feel so fucking needy. 

“Sweetheart you gotta let me prep you somehow, just–” 

You feel like the embarrassment might kill you when you keen at the feeling of his fingers inside you. The way you’re trying to be good, you really are, because he does have a point. Plus, you have to be fair to Bradley, this isn’t just about you. 

So you hold still, let him work his fingers in and out of you as you pant and clutch at his shoulders like a lifeline. His mouth presses against yours, works its way over your cheeks and down your throat. He sucks a mark gently into your collarbone, and you ignore the way your brain reminds you about having to cover that up for work. 

He doesn’t shut up the entire time, just keeps telling you how good you’re doing for him, how good you feel, how he’s been thinking about this all night. The world seems to go right-side up again when he pushes into you. 

You whimper at the way he rocks his hips ever so gently before pulling out. He kisses you again and again, only letting his lips leave yours so he can kiss your forehead or cheeks. The motion of his hips is a steady tempo, he keeps time with your breaths that turn into moans when you start feeling that telltale coil in your stomach. 

He runs his tongue along your teeth and you’re done for. You clench down on him and dig your nails into his skin, bucking your hips up as your orgasm washes over you like a tidal wave. 

Bradley fucks you through it like every other time, yes, but this time there’s something about the way he stutters out a moan and his hips match the faltering rhythm as he finishes right after you. The shallow rocking of his hips continues and you try to ignore the prickling of tears at the corners of your eyes. 

Something tells you that this time, you shouldn’t have let Bradley take you home. When he pulls his face back from yours and he rolls the two of you onto your sides without pulling out, he’s got this look on his face that screams unspoken words. He cups your face and strokes your cheekbone with his thumb without saying anything. 

The two of you are quiet as he cleans you up, as you dress yourself in another one of his shirts.

When you wake up the next morning, Bradley isn’t there. It doesn’t shock you necessarily, sometimes he stays, sometimes he has to leave to be on time for work.

What does send a terrible feeling trickling down your throat and into your stomach is the post-it, all four square inches covered in sloppy hearts. Bradley had signed his name in the bottom left corner, characteristic chicken scratch labeling it as him even if the name wasn’t enough.

This has to end.

Don’t pick up the phone, he’s only calling because he’s drunk and alone.

You last about three rings before you cave in, waiting for the sound of his voice to echo around the apartment. You’re holding your breath.

“I knocked.” Is all he says before you’re on your feet, making your way to the door.

There he is, and although you know he isn’t really drunk, you know he’s got a beer or two in him from the way he doesn’t try to hide how he looks at you. You hate the way you’re weak for him.

You’ve been caving to him more than once a week since that first night, since Bradley had knocked your world off kilter. Though you’re in bed together almost every night, whether at his place or yours, you don’t have sex nearly every time. Part of you thinks that might make it worse. It really had been fine at first, but the first morning you’d cried at the sight of that sticky note covered in hearts, you’d known you had to try and put an end to this.

“We’ve got to stop meeting like this,” He tries, a crooked grin splitting his face as he walks toward you, but you know he doesn’t mean his words at all. 

“Bradshaw, have you been drinking?” You want to not want this, want to not want the way his gaze pins you down, the way the length of his body against yours just feel so right.

Let him being drunk and you being sober be the excuse, you beg silently. You can’t manage to force out that maybe he should go home, sleep this off in his own bed. You can’t find it in yourself to tell him to leave, to reject his advances. Watching as if outside your own body, he shuts the door behind him and walks up to you. 

Your chest aches with unconfessed feelings when he takes your face in his hands and lets his forehead rest against yours. His lips are soft and warm against yours, his mustache tickling you lightly when it brushes against your face. The whine you let out matches his soft groan, and the two of you stand there making out for a few minutes, almost as if you’re both content to just drink each other in without further motives. 

“I’ve got you sweetheart, I’ve got you,” And he’s picking you up.

You yelp at the way you’re suddenly lifted from the ground and you bury your face in his neck. You hate heights, your feet off the ground anything more than a few inches sends you spiraling in short order. But it’s Bradley who’s holding you, and some part of you knows he’d never let you fall, never let you crash into the ground. 

The way you two fall into your bed is too natural, it makes your stomach churn. His fingers find their place on your hips, around your thighs. It’s all too easy. You wish it would be a bit more awkward, that the chemistry could be imagined or false–instead you’re confronted by the way your bodies flow with one another’s all too easily. 

Again, somehow, you’re in nothing but his Navy shirt. 

Maybe I should give it back, the thought flits through your mind and you feel guilty immediately. Bradley always seems to take a special sort of pleasure from fucking you in his shirt, and you selfishly want to keep that bargaining chip, to have something that tethers him to you. If he won’t come back to press you into your sheets, then maybe he’ll come back one last time to get his shirt when this inevitably unravels. 

“Sweetheart,” He groans softly when his fingers reach the way you’re embarrassingly wet between your legs. 

It takes everything in you not to jerk back from his touch–you still don’t know how to confront the way you’re so responsive to his touch. His mere presence.

“I missed you.”

It slips out before you can stop yourself, your lips part and you breathe the words before you can do anything about it. He chooses that exact moment to dip a fingertip into your fluttering, but empty, hole, and you arch your back and moan. Instead of responding, he kisses you hungrily, all pretense gone. 

This isn’t something entirely tender, not anymore. He’s searching for something, a certain reaction, with the way he adds and then curls his fingers inside of you. He finds it when you jerk underneath him at the way he pets at that spot inside you you can never seem to reach on your own. 

He mumbles against your lips, “There you go,” As you squirm under him, the press of his fingers inside you relentless.

He works his fingers in and out of you, not taking anything in return. It’s all you can do to hold on to him and whine pitifully. Every sensation feels amplified, feels electric because it’s him. 

The two of you settle into a familiar rhythm for as long as it takes for Bradley to make you cum the first time. You’re rocking against him through the aftershocks and you can feel the way he’s hard against you through his clothes.

He’s still dressed. The realization sends a bolt of shame through you, but it doesn’t linger long. 

He’s shoving his jeans down his legs, not bothering with wiping his hand clean and you shiver at the thought that he’ll have to put them on again, you streaked across them. He makes quick work of his boxers too, and it occurs to you that he must’ve lost his shirt somewhere along the way when he presses his bare chest against your still clothed one.

“Bradley, Bradley,” You chant, “Take off my shirt.”

It’s the most demanding you’ve probably ever been with him, but he laughs at you anyways. There’s a glint in his eye as he sits up, his hard cock bobbing between his thighs. The sight of his naked form between your spread legs makes you swallow hard and your mouth water. 

“I like you in my shirt.” There’s something unsaid there, something about claims and ownership that isn’t truly possession, but a reminder of who belongs to whom regardless.

You pull it off your head in protest, and grab his wrist to drag him back down to you. You let yourself indulge in trailing a hand down the firm planes of his body down to where he’s smearing precum against your thigh. He’s heavy and pulsing in your hand and a light hiss rushes through his clenched teeth when you grip him tightly and twist with your wrist. 

“Fuck, fuck, not gonna last if you–” Bradley cuts himself off with a groan as you swipe your thumb over his head. 

It’s your turn to laugh, “You just got here.”

“Well, have you ever had sex with yourself? It’s tough out here–give a guy a break.”

The both of you dissolve into giggles at that, as you try to imagine how you would look sprawled under yourself. You can’t picture it, but the image of Bradley under or over you makes you think you might understand. 

He lines his hips up with yours once you’re both done making fools of yourself at the thought of you having sex with yourself (it reminds you of a drunk hypothetical you’d spent thirty minutes on with Hangman once–would you have sex with a clone of yourself?). 

The first push of him inside you cuts through the lighthearted mood immediately. It always shocks you how perfectly he fits inside you despite his size, how incredibly full you feel when his hips meet yours. The gentle friction of the neat curls at the base of his cock against your clit always provides a stimulation that makes your brain go fuzzy. 

The snap of his hips against yours is more intense this time, a sort of rhythm that makes you briefly think about the way the headboard might start knocking against the wall. But all thoughts, really, fly out of your head when Bradley brings a hand up to your nipples, the steady stroke of his fingers over the swell of your breasts as practiced and knowing as everything else he’s doing to you. 

All you can do is run your hands down his back, scratch your nails against his skin ever so often when he brushes against something so sweet and perfect inside you. You clench around him just to see the reaction it’ll get, and you’re rewarded with a broken groan.

“You’re not fighting fair,” He gasps, and he hitches one of your thighs up so he can press more insistently into you. 

You have a clever comeback somewhere in you–something about how you weren’t aware that the two of you were fighting, but it’s swallowed as he presses his lips into yours again. He seems absolutely intent on showing you exactly how you make him feel because the sensations of pleasure become overwhelming. 

“Fuck sweetheart, you feel perfect, god you’re so wet for me,” He’s rambling mindlessly, but you let it happen, clinging to any expression of emotion, any sliver of dedication in his tone that you can hold on to til the next time you find yourself in this position. 

You know he’s close when his grip on your thigh tightens forcefully and the strokes go from long and deep to slightly shorter and stunted. He’s grunting and gasping, but it’s all the best thing you’ve ever heard. 

“Come for me Bradley, I want to feel you,” And at that, he follows your orders, listens to you for once in his life. 

Everything is hazy as he keeps himself hovering over you and continues to rock his hips. You start to try and tell him he can pull out before his fingers find your clit and he dives back in to kiss you passionately. 

Bradley is a perfectionist at heart, an overachiever. You suppose it isn’t entirely ridiculous that that extends to his performance in the bedroom–he’s insistent you finish every time, and always more than him. Feeling the way he’s still warm and heavy inside you, his lips firm against yours, brings you over the edge more quickly than you’d like to admit. 

Still, you heave a shuddering gasp and let the pleasure wash over you. It’s overwhelming and all consuming, but he’s there through all of it til you feel yourself come back into your own body. 

You think he might be writing something on your skin, the way his finger loops and dips softly over your hip bone as he kisses you gently. He’s softening inside you and you can feel the mess the two of you made under your hips, except he isn’t moving, not yet at least, to rectify that situation. 

For once, you don’t push him to go clean up or scold him for another set of ruined sheets, you just let yourself bask in the moment as you imagine a world where the two of you will talk about this in the morning. You think of a timeline where this is where you end up because it’s where you’re meant to be, not because it’s something you’re choosing despite how it hurts you every time. You think of a place where Bradley is yours and you are his, wholly and completely.

Don’t let him in, you’ll have to kick him out again. 

“Didn’t you have a date tonight?” You breathe into his mouth.

Bradley just hums in response, brushing his lips over yours, down your jawline and your throat. His breath comes in warm puffs over your collarbones before he pulls back.

Hands pinned above your head, you squirm under his gaze. There’s something so intense about the way he’s looking at you, but you can’t bring yourself to squeeze your eyes shut to avoid it. Both of you lost your clothes somewhere on your way to the bedroom, and you’re thinking about how to persuade him to be the one to pick it all up when this is inevitably over. 

He smells like expensive cologne, and he’s got some product in his hair that made it difficult for you to brush your hands through it earlier. Plus, Phoenix had been dropping unsubtle hints earlier in the week (Hangman had affectionately called her out, a little sigh following— “You’re being such a shit stirrer.”)

“Bradley,” You try again, this time with a slight whine.

Did he seriously ditch some girl that’s probably been waiting on their date all week for this?

He responds by whispering your name back to you, the same tone undercutting the way he says it, “That doesn’t matter, I’m here now.”

The urge to keep complaining rises in you but he preempts your worries by licking into your mouth when you open it. 

He presses you into the mattress, weighing you down as he kisses you languidly, as if he’s trying to taste every part of you, as if he’s trying to memorize the sounds that escape you when he does. The warmth of his body makes your mind fog, and for the time being, everything else but this goes quiet. 

Distantly, you know that in the morning, he’ll have to leave. At the very least, he’ll have to go back to his to grab his stuff for the beach, a change of clothes. It isn’t kicking him out, but watching him leave again and again has started to build this pit at the bottom of your stomach. 

It would be different, you think, if the two of you were together. Because then, him leaving wouldn’t mean much where there would be an implicit promise and understanding that he was going to come back. Every time he closed the door behind him, you swallowed the fear that that would be your final memory of him. 

You’re selfish though. And you want to focus on the feeling of his touch instead of thinking about how you may never get to have this again. 

He makes it easy. Bradley pulls his shirt off and his dog tags make a gentle clinking sound as they hit each other and then finally come to rest on his chest. He looks like a god, backlit by the setting sun coming through your windows. 

This is how you want to remember him. Smiling down at you as he dives back in to kiss you breathless, twitching when you skim your fingertips up his sides because he’s ticklish. 

He makes short work of your shirt and sleep shorts, then his jeans are discarded. He stops briefly when his fingers reach the waistband of your underwear, a silent question that you answer by lifting your hips and letting him pull them off you. 

Every time he’s between your legs, he has this reverent look on his face, and it makes your chest twist at the fact that this time is no different. He holds your thighs open gently but firmly, and he presses his face into your pussy. Then, his tongue is darting out and licking up your core, flat and wide. 

You’d asked him once, if he likes going down on you. With a gleam in his eye, Bradley had said it was second only to being inside of you. You think of that as he eats you out enthusiastically, as you bury your hands in his hair and pull. 

He slides his tongue in and out of you, curls it around your clit and sucks in a way that makes your back arch and your thighs clenched around his head. Then, he’s slipping a finger inside and fucking you slowly with it. It makes you shiver as you realize how close you are. 

“Sweetheart, fuck, you taste incredible,” He murmurs, more to himself than anything else, pulling back briefly to make eye contact and you feel the way your breath quickens at the intensity of his gaze.

It only takes a few more minutes of him licking into you, tonguing at your clit, and adding another finger before you feel that familiar swooping in your stomach, before you’re choking out his name. Your back arches so much it aches, but it’s all you can do as the pleasure is all consuming. Bradley works you through it like every other time, holding you and letting you take what you need from him.

Then, he’s on you in an instant, kissing you furiously and sliding his hardness up and down you, covering himself in your slick. It’s filthy and sloppy but neither of you seem to mind. He lets himself rut against you til you’re hooking your legs around him and digging one of your heels into his back.

“Alright, alright,” He’s trying to sound nonchalant, but you know he’s more affected than his light tone lets on. 

The first push into you is always the most intense, but you suck in a deep breath that you force out through your teeth.

“I know, I know,” He croons, pressing little kisses all over your face as you adjust to him.

Bradley inches into you slowly, inch by inch. The initial stretch subsides til it’s replaced by the sweetest feeling of fullness, the way you can feel all of him. 

If there’s one thing the Navy’s good for, it’s the sheer strength Bradley possesses and has to maintain. You feel it in the way he fucks you, his back muscles rippling as you hold on for dear life. You feel it in the way his hips press into yours, shunting you slightly up the mattress.

For a while, the only sounds in the room are his hips meeting yours and the slick between the two of you. Momentarily, he pulls away from kissing you to look down to where he’s disappearing inside of you, that ring of you collecting at the base of his cock. His groan is guttural and broken. 

“Fuck, Bradley, it feels so good.”

He leans down again to kiss you sloppily, and the simple action of him burying a hand in your hair and twisting his wrist makes your heart skip a beat. He always knows exactly what you need when you need it. 

“C’mon, come for me, sweetheart, let me feel you.”

And because you’ve never been able to deny him anything, there you are, hurtling over the edge again. He’s everywhere around you, inside you, and his tongue in your mouth is the last thing you need to feel that wave crest inside of you. Bradley’s moan is deep as he feels you bare down on him and he follows you shortly after.

The moments after, when the glow is still settling and your mind is still hazy, are your favorite. Your mind is too foggy to focus on the fact that you know he’ll be leaving, but present enough to feel the way he doesn’t stop pressing kisses to your lips. You’re cognizant of how he cleans you up tenderly and presses his fingers into the skin of your thighs and hips just to watch it dimple. 

In those precious few minutes, that’s all that exists to you.

Don’t be his friend, you know he’s going to wake up in your bed in the morning. If you’re under him, you’re sure as hell not getting over him. 

You’re trying to ignore him, you really are. You start going to the beach an hour earlier than you usually do, hoping that he’s maintaining his schedule. Every tall brunette jogging across the sand sends your heart into overdrive. 

You still see Bradley when you go to the Hard Deck for a drink, but you keep a respectable distance between the two of you. If Phoenix mentions a round of pool, you jump at the chance, while asking Bob and Payback if they’d like to be the opposing team. You ignore the way your heart jumps into your throat when you can feel his eyes on you. 

Every note of Great Big Balls of Fire feels like a stab in the chest, and you hold back tears of frustration when you see some girl wrap her arms around his neck and rock along with him as he belts out the lyrics. You’re a fool. 

You’ve been ignoring his calls about Saturday morning beach runs and the memes he sends during the day go unanswered except for the little reactions iPhones let you send. You suppose it’s only fair that he gets to ignore you a little bit too.

Your little charade doesn’t last long, not truly in the grand scheme of things. Bradley doesn’t put up with you skirting his advances for long–he knows what he wants and he’ll be relentless til he gets it. And right now, he’s trying to corner you. 

And you’re weak for him. You should’ve known from the start that you wouldn’t be able to resist him. You can’t even now, even when you’re only getting him in pieces.

It’s not exactly your bravest moment to be hiding slightly behind Phoenix so he can’t see you (if you can’t see him, he can’t see you, right?) while she stares at you with an endlessly amused expression in her eyes. She doesn’t move to expose you, though.

“What’cha doin’?” Her tone is light, but you can tell she means business. 

The two of you are friends yes, but she’s known Bradley for a million times longer. There’s some girl-girl solidarity, but if you were in her shoes, you might have a few bones to pick about potentially throwing Bradley to the wolves on this one. You wonder for a moment if he’s been talking to her about all this, but again, is there even anything to talk about?

“Just uh, trying to see where Hangman’s at?” You sound like you’re asking her a question, and she quirks an eyebrow. 

She stretches the syllables of her next word out, letting it hang in the air, “Right. Even I don’t look at Hangman with that sort of intensity.”

That’s not entirely true, but you don’t really feel like getting into a competition with Phoenix of all people, over who’s looking at whom how. 

“Sweetheart? Can we talk?” 

You’d let Phoenix distract you for just a split second, and there he is, in all his glory. Bradley is beautiful, yes, but he looks tired. His sunny’s are hanging haphazardly from a floral button down that looks like it’s maybe seen better days, and he’s got dark circles marring the perfect tone of his tanned skin. 

This time, Phoenix just side-steps you and lets Bradley into your space. 

His presence is just as affecting there, in the middle of the Hard Deck, as it was the first time you saw him on the beach. Even with how tired he looks, he’s still glowing just slightly in the evening sun.

“Hi, Bradley,” You breathe, not daring to speak louder, as if that would make the moment real. 

You can feel Phoenix’s eyes on you, the way that Bob and Payback are starting to let their attention drift to from the game of pool. This, you don’t want anyone else to be witness to. This is something between just the two of you. You don’t really need the whole world to witness your imminent heartbreak. 

“I don’t want to do this here, is my place okay?” He looks so nervous, as if you’re going to push him away. It’s funny really, what you know is about to happen, and yet he still looks like this is about to break him entirely. 

Nodding, you let him lead you out of the bar. It feels like deja vu, how however many weeks ago you were tracing these exact steps but making your way towards a very different fate. 

The two of you are silent in the Bronco, and Bradley doesn’t bother turning the radio up to belt along to the 80s classic on the radio. Everything feels like you’re underwater, like the world is out of focus. You think you might start crying, but you try and swallow it down, be an adult. 

Pulling into the driveway, it’s silent in the car when he turns the engine off. Neither of you go to get out, but you know you can’t sit here forever. This had to happen at some point, had to come to a close. That doesn’t make getting out of the car and waiting for Bradley to unlock the door any easier, though. 

You toe off your shoes and let him get you a glass of water. Then, you’re standing on opposite sides of his kitchen, the pristine shine of the countertops and appliances making him feel a thousand miles away. You two are usually tumbling in, mouths locked together, or walking in with groceries, prepared to spend a comfortable evening cooking and watching a movie. This is everything coming apart at the seams. 

“Bradley,” You start, not really knowing where you’re going, but just wanting to break the silence.

He looks distraught and your stomach drops with guilt. 

This is your fault. 

He says your name once as he settles back against a countertop, and it hangs in the air between the two of you, til he starts speaking again, “I’ve been trying to figure out where I went wrong, what lines I crossed, and I guess at some point I realized it was all of them. I shouldn't have pushed you, I shouldn’t have–”

“I thought that that was all I could have of you, so I was selfish and I took it.” You say, the words tumbling out of you before you can stop yourself from interrupting him, but still unable to tear your eyes away from him, “But I was hurting you. I still am, and god, Bradley, I’ll make it up to you somehow, I’m so sorry.”

It’s almost funny, really, the way you’ll look back on this moment a year from now and laugh at the way the two of you are talking past each other, unwilling to acknowledge that your deepest desires could be attainable. But for now, all you can feel is the guilt in your veins, your heartbeat pounding your chest. 

“What?” He’d looked at the floor for a moment, but when you finish speaking he’s looking at you intently. “What did you say?”

Taking a deep breath, you steel yourself and start from the beginning, “I thought that you coming to me, like that, was the only way I could have you. And, and maybe it was me taking advantage because you were sometimes not super sober, but I would never–”

“I was always sober. Every time. I would never do that to you. What do you mean that was the only way you thought you could have me?” Bradley’s standing fully now, not leaning. 

“I thought you drank before, to, y’know, make it tolerable.” You regret the words as soon as you say them, “Sorry, that’s–you’re not that kind of person.”

He smiles ruefully, “I’m still focused on the part about that being the only way you could have me.”

Here it is. 

“I love you, Bradley. And not just as a friend, but more. But I didn’t want to push that on you, and so I thought–”

“You love me?”

A beat.

“Yes.”

Then, he’s laughing in that hysterical way when people are so overcome, the only way it’ll escape them is if they double over in giggles. But he’s trying to compose himself as quickly as he started. 

“I tried to tell you so many times how I felt, I left you all those post-it notes, god, I thought you were seeing them and just didn’t feel the same.”

“I-I don’t understand.”

“The hearts. That’s how I,” He heaves a shuddering breath, his voice thick with unshed tears, “That’s how I told my parents I loved them before I could really write. I was saying it to you every time I left.”

“You love me?” You’re crying now, and he squeezes his eyes shut til tears run down his cheeks too. 

His laugh is bitter but you know that’s not directed at you, “Was the sticky note covered in hearts not clear enough?”

You feel the way your cheeks warm and your stomach churns as you try and defend yourself, “You were thanking me for letting you sleep over?”

At that, he laughs, genuine this time, breaking the sadness that has been building in the air. Finally, he makes his way across the room to you and crowds into your space, wrapping you in his arms and pressing his forehead to yours. His eyes are closed. 

“Sweetheart.” It’s a warning, a plea, and a prayer all in one. “I meant every heart, every I love you, from the very first one I left.”

“I kept them all. In my bedside table.”

Then his lips are on yours. The kiss is salty, reminding you of all the emotion that’s been building for the past few months, every moment you didn’t confess, every moment you assumed the worst, it’s all there. But you don’t want to dwell on that now, now that you’ve heard him say something plucked from your wildest dreams.

“Say it again,” You whisper when his lips leave yours ever so briefly as the two of you are stumbling to the bedroom.

And he does. As he’s undressing you, he says it. He mumbles it against your lips and into your mouth. 

He says it against your bare skin as he presses you into his bed, the sheets smelling like him before he puts on cologne. It’s muffled momentarily by the way he takes one of your nipples into his mouth, but you feel the way his jaw works anyways as you cup his face. You let your legs fall open around him and feel the way he slides his fingers into you.

When he’s pressing into you, he’s saying it. I love you, I love you, I love you.

In those moments between start and finish, when the world falls away and all you know is the warmth of his body against yours, the slight slick of sweat on your skin, that’s when you think you realize that he means it. The motion of his hips is deep and insistent, as if to try and leave a permanent reminder that he was there. 

You’re crying, you realize. And he’s kissing the tears away like it’s the most natural thing in the world, pressing his forehead to yours as his lips keep forming the words. At some point, you’ve started saying them back to him too, choking them out despite everything so that you know that he knows that you love him.

When you finish, it feels like a supernova exploding inside of you. It starts in the center of your body and pushes its way to your fingertips til you’re gasping for air and he fucks you through it. Bradley cums moments later, filling you with his warmth in a way that’s both familiar and still thrilling. 

He rolls gently off you, and you hiss as he slips out. That’ll be a mess to clean up. 

But he’s looking at you, brushing your sweaty hair from your face, and his eyes are shining so brightly that it feels like looking at the sun. You want to look away, but you think that losing your vision in return for staring at the way his eyes crinkle in genuine happiness is well worth the price. 

I love you, he mouths. And you believe him. 

You whisper it back.

tagging: @sebsxphia @roosterbruiser @bradshawburner @gretagerwigsmuse @sometimesanalice @joaquinwhorres @roosterbruiser @roosterforme @bradshawsbitch @seresinsweetie @notroosterbradshaw @genius2050 @peachystenbrough @rhettabbotts @theharddeck @wkndwlff - tagging ppl either by request or whom i feel like are horny for bradley soooo pls let me know if you'd like to be added/removed

[dollcherray]

Hello cutie patootie süße!! I wanted to ask for fpe with a fem(or gn reader if that's more comfortable fy) reader who belly dances and even sometimes has little get together to teach others how to belly dance?

I've been learning to belly dance for a few years and my therapist also went to a belly dancing class a year back haha

Can this be us? You're such a cutie und du hast einer der beste Persönlichkeiten die ich je in jemand gesehen habe und ich hoffe das es dir gut geht🎀

ㅤㅤㅤ ۶ৎ ROSA QUE LINDA ERES ۶ৎ

₊⊹ FPE WITH A FEM READER WHO'S A BELLY DANCER

⋆.˚ Note: fun fact i actually want to learn how to belly dance myself!! thank you for the request and of course this can be us !!! >w< sorry if i do fucky ducky, my acknowledge abt belly dancing isn't one of the greatest :C (você é literalmente uma das pessoas mais gentis que eu já vi <3) i did a bit of the students and miss circle since i dont know which characters you wanted and also did this if reader was close to them >: sorry for the wait! IM ABSOLUTELY SLEEPING ON MY KEYBOARD ITS 0:43 AND IM GIVING MY ALL TO WRITE THIS IM SORRY IF ITS BAD MOOT 😞😞😞

✧₊⁺ Characters: Miss circle, Engel and Edward.

𓏲 ๋࣭  ࣪ ˖ Type: Fluff, Headcanons, Romantic/platonic

꩜.ᐟ Song: Alibi

ENGEL ⊹˚. ♡

♡ Since we all know Engel's the type to be supportive of everything you do, this time isn't going to be different.

♡ When you first show it to him, he'll be all happy and impressed, cheerfully hyping you up as you did your little dancin' dance, he thinks its pretty impressive since he knows belly dancing not only takes time but a lot of skill too like any other dance.

♡ Engel enjoys learning with you, every time you do your little get together with the others, he'll almost ALWAYS be there too, and also being one of the most interested to learn! Engel is the type of person to pay attention to any interests you show or tell him, let it to the kind student to not miss any details about his close ones hobbies.

♡ If you wear those fancy and shiny clothing full of jewelry when you go to dance, he'll be 10x more amazed, probably would be distracted with the clothing and jewelry but he'll actually be fond of it too! Engel thinks it adds up to the performance.

♡ But yeah, he's pretty supportive of your little hobby, not only because he thinks it's a unique dance but also because he just likes seeing you happy; so, whatever keeps your boat floating!

♡ Honestly- there's really nothing much to say about Engel other than the fact that he's totally cheerful about it.

MISS CIRCLE ۶ৎ

♡ This woman is SMITTEN.

♡ First things first; she finds it very cool, very mindful and demure, but honestly i don't think she'd really express it in a friendly way??? if anything she would express her opinion about it in a weird way; and when i say weird i mean just her being sarcastic in general.

♡ Whenever you show her your little tricks and whatnot, Miss circle's just like "you go diva" while doing some little hype ups here and there, nothing much.

♡ Kinda likes when you teach it? depends on her mood, sometimes she'll be interested in your little get together, sometimes she won't, it's Miss circle so it's kind of expected coming from her., but you sometimes see her amongst the people who want to learn with u.

♡ Okay but she LOVES the outfits (if u wear it) she'll be actually stunned by it although her outside reaction looks different than what she's actually feeling, Miss circle likes it, she finds it very pretty and shiny, says it fits you.

♡ Kind of supportive, just won't really show it that much, enjoy your performances and just like Engel, anything that floats your boat ig??? as long as you're living.

EDWARD ₊⊹

♡ ZOO WEE MAMA!! 😻😻😻

♡ Aw man, he's not only amazed because of your skill, but also because of how good you look while doing it, seriously; Edward's REALLY down for it when you first show him.

♡ To be honest i don't really think he would be invested in learning, but you'd still see him watching your little meetings to teach others when you can so he just can see you dance.

♡ If he's already obsessed with it, be prepared if you wear fancy clothing while doing it, he'll just be staring at you non-stop, not only that but be totally complementing you after you're done, he thinks it's so pretty.

♡ Be the generic type to "brag" about you, thinking that you're so cool and stuff, going left and right saying "yo, look at my friend, she's a professional dancer!!" to his other friends and etc.

♡ I think sometimes he would just jokingly flirt with you in some of your choreography, i mean just to tease a little bit, but ill let it up to you if you'd think it'd be jokingly or not 🤷🏼‍♀️🤷🏼‍♀️

♡ Supportive in his own way X3

[couch-house]

2023 baybeeeee. havent done an art summary in a while since i basically stopped drawing early 2020 and didn't get back on the horse until mid-2022 (i wonder... what could have caused that!) i dont feel like my art has really changed this year, only in the ways that I draw specific sonic characters (looking through my archive is fun bc i can see the progression of the diseases known as Giving Them Big Eyebrows and Drawing The Monoeye) and--more exciting 4 me--my practice with paneling comics! :)

i think the progression is much more noticeably when you line it up with last year's sonic art... i can see all the Milestones.. more talking abt that under the cut

May: couch gets into sonic. June: Yucky Sonic 1.0. this was also the month when i Heard Of fleetway super. July: couch comes back from brazil, having read stc. this is also when i start dong actual short comics. compare may -> june -> july. (also please forgive whatever tf i was doing with skintones. i needed some practice)

august: merger au takes shape. dog invented. also i just really like that speed racer sonic mspaint picture. its fun :) september: deep in the fleet mines. october: i lose a lot of steam and mostly just doodle. another comic comparison for those three months:

november: frontiers comes out. i go crazy mode and make that sonic + knuckles comic with the pretty backgrounds and LOTS OF TINY TEXT. december: winter break AND im tired. january 2023 i come back insane crazy mode and write some fanfiction?? still havent finished that LOL. made some nice cover art :) february: i shift into knuckles mode fora month. make another comic. this one is much better i think :) november -> february

march: i shift into transfem metal sonic mode. also just stick to a lot of doodling. also write more fanfiction. crazy. april: transitory period as i shift back into stc/exit: sonic mode. may: more fanfiction. more comics. i really like how both of these turned out :) while the last two were definitely taking a lot more notes from stc, i think around here i start paying attention to and trying to learn from more creative panelling from artists i admire. like @/superemeralds THOAM and @/starrjoy's pandora au.

june: i play sa2 and it's good. july: i play unleashed and it is both miserable and good. i get in kind of an artistic frustration zone and wiggle my way out. august: idk i think im just chillin. super react dot jpeg happens. it's not even named that, it's named after the other image on the canvas, which was maria holding baby shadow. more comics.

september: i burn out for a bit. get real tired. eventually get back up and make more comics. the goal here and last month has become "try to make more interesting panel shapes. I've noticed other artists don't just use rectangles--try playing with irregular polygons and see where it gets you." well it gets you mixed results as you learn :) also i think after that pause i accept the monoeye into my life. sigh...

october: oc showdown starts and @/neurotypical-sonic asks me to make some halloweeny art :) feels like i dont do much this month bc i focus on those. november: A LOT OF ART?? INSANE. more oc showdown stuff. i play shadow the hedgehog (2005). it's good and i love it. i draw a ton of shit on one canvas for it. Fucking Dember: i have shifted back into stc/EXIT mode. motivation's a little weird bc work's a little weird. doing commissions also makes it weird. well im having fun and being myself :) a final handful of comics from this month:

idk maybe ill do something sicko crazy b4 the end of the year. mayb i'll follow exit sonic's example and #GetWorse. who knows :) well this is fun i love looking at my art and seeing and noticing things. thank u all for your support and I hope we all have a great 2024!

[blueiight]

#12

What were your favorite moments of season one? 

so the thing that actually sold the show on me my first watch around was the very beginning scene of episode 3, when lestat & louis are sitting down on that bench in jackson square.

LESTAT: There's a column in here about the history of this lovely square. It says that the man who designed it did so after the Place de Vosges in Paris.

LOUIS [ a native to New Orleans ]: I can see that.

LESTAT: Used to be called the Place d'Armes. I prefer that. Don't you?

LOUIS: Mm-hmm.

LESTAT: The Louisiana Purchase was signed here. Penny wise, franc foolish.

LOUIS: Say anything about how they used to take runaway slaves, cut their heads off, and pike 'em on the iron gates as a warning?

u can really see thru lestat’s character how the show takes a critical approach to anne rice’s fetishization of new orleans, and how louis responds to lestat is indicative of the native new orleanian, deeply fed up with& cynical toward the tourist fixations. jackson square up until 1856 was used as an execution site for runaway slaves, with maroon leader jean st. malo being one of the most well known executions in similar fashion as louis described. it is also foreshadowing for what louis will do to the alderman at the end of the episode.. ive talked abt that scene way too much but its when i sat up straight & started to pay attention fr. honestly the entire conversation honestly is such a character defining moment for lestat & louis and their relationship as a whole. louis has always been a character that struggled with his reason for existing, and lestat has always been someone eager to provide something (be that ‘reason’ for one: see the ‘i put you on this earth’ part of this conversation) and pilfer the ‘savage garden’ all he wants.

theres so many great moments on this show, im thinking of louis & paul on the roof, louis & jonah in e3, louis & claudia on the boat, the three of them going to the funeral home buying claudia’s coffin, claudia killing that man on the train tracks (happy jan 5!), claudia& charlie’s date, her e4 monologue, all of e5-7 to me, etc etc…but this scene truly let me know that this show was not generic ahistorical fetish of new orleans & understood the characters. i know some people complain that ‘lestat said the evildoers 1!1’ line, but lestat killed children & etc in the books and overall never is an existential internally driven sort of character the way louis is. anyways e5-7 is the prologue to the second season to me <3

[007-nightfire-yakuza-agent]

Listening to ocean ambience and thought hey maybe this is how it sounds for yakuza! I’m also a Spotify hater tbh. I’d much rather have a small music library that grows slowly than every song ever ⚡️ what kind of music do you like? Is there something in particular you listen to while working?

good morning new trench caot :) this is what it usually sounds like for me:

the constant hum of machinery along with the creaking and groaning of the hull. its quite soothing honestly. you don't think about it unless you pay attention. the sounds of the ocean are more often the sounds of the coast- waves don't tend to break out in the open ocean, so you don't get the roar of the waves, its usually gentler and different in a way thats hard to describe. of course thats assuming calm conditions. if the sea is stirred up by a storm then its deafening.

i like so many different kinds of music... its hard to choose. i get told a lot of the songs i send tend to be cute acoustic guitar songs n its true thats a lot of what i listen to, like sun kil moon and jessica pratt and hope sadoval... but idk i like things ranging from industrial noise to opera and everything you can imagine inbetween. sry to be so vague. its like asking me what food i like; all of it, as long as its good. theres beauty to be found in any kind of musical expression. genres are blinds that keep u from developing eclectic taste... but it used to be, before starlink, that before i went to sea id download all my songs on soulseek and keep them on an mp3 player and when i had a song i wanted to listen to but didnt have downloaded id write it down, collect a little list, and then in port frantically download them all. idk where my mp3 player is rn!!! i may have left it in brazil... that would have been a real gd exploration of my music taste, cause its the shit i think of regularly.

anyway to actually give a proper answer (sry for the long winded essay lmao) some songs i listen to a lot at work rn include;

message in a bottle (the police)

the drum (car seat headrest)

witches (alice pheobe lou) <- you should listen to this one, it reminds me of ur vibe

heartbeats (the knife)

the bomb! (bucketheads)

loba (shakira)

idk if that tells you anythin abt my music taste other than that the ECR is rockin out when im on watch 😌