#its a compelling case

[cas---2y5]

the girls are fightinggggg flirtinggggg

that last gif is particularly sexually charged like oh you wanna fuck nasty nasty i see

[crabussy]

"humans are inherently evil" "humanity deserves to go extinct" okay. if that's the case why are we such a community based species. why have we seen evidence of careful amputations in ancient humans that allowed them to live longer, fuller lives. why do we have thousands of years of evidence of toys made for children by their guardians. why do we consistently find burial sites where the deceased has been buried with items of significance because the people in their life cared about them even after they were gone. why do strangers help strangers without any reward. why are most of the people you meet each day not cruel. we have ALWAYS been kind. I know it is so so easy to get swept up in all the horrible happenings in the world. these things can be extremely important to know about. but please, please please know that there are so many kind people in the world. you are one of them!

I BLOCK DEBBIE DOWNERS ON SIGHT. REEVALUATE YOUR WORLDVIEW OR SCROLL PAST AND HAVE A LOVELY DAY ALSO READ MY TAGS

[xxplastic-cubexx]

🧙‍♀️🐈‍⬛

[hyacinthsdiamonds]

You know, in movies where they get a character to essentially glow up to seduce someone, but then they're really, really bad at flirting? That's Charles, seemingly being assigned by the GPDA to swear, and him essentially becoming a wide-eyed country girl in the big city for the first time during this mission* lmao. He tried so hard to make it look casual, but he practically tripped over himself to bring Max and his penalty up at every opportunity in preparation of dropping the swear bomb and possibly joining him in community service 😭✋️.

[tennessoui]

im sure this has been done soooo many times but gffa au where anakin goes to the jedi council and fesses up to being married and they immediately think he means to obi-wan and he thinks they understood that it's to padmé

("how old were you when you got married?" "Nineteen, just after I became a Jedi Knight. I wasn't a padawan anymore!"

"Consensual, was it? Feel pressured, did you?"

"Not at all! I had to do the convincing. I really begged, for like. an embarrassingly long amount of time. I wanted this marriage more than anything in the entire galaxy."

"Has this marriage affected your reasoning during the war?"

"no way! We have the same principles, fight for the same things. Now I'm just fighting to come home as well so we can be together again.")

and anakin doesn't realize this until obi-wan gets back from a mission, does his debrief with the council, and comes to anakin's quarters with the strangest look on his face. "padawan, why did six members of the Jedi Council just wish me congratulations on my nuptials? to. my. former. padawan."

and anakin is gobsmacked and goes about trying to set the record straight, but now no one believes that he isn't married to obi-wan. they think padmé has agreed to be the cover-up because obi-wan got pissy that anakin told the council before he felt ready.

and to top it all off, now anakin can't stop thinking about actually being married to his master. he hadn't realized that was an option?? but everyone's making some pretty strong cases for it......

[oneday-yourside]

Harry's world/Bad end

Inspired by Christina's world by Andrew Wyeth

[sieglinde-freud]

let it be known that i love prince inigo with my whole soul. however sometimes it is SO much fun to think about owain and his two most loyal-est knights you ever seen: worst guy in the world #1 and worst guy in the world #2. i love retainer inigo and severa so much. retainers who bully you and make fun of you and trash on you but they’d leave behind everyone and everything they ever knew to follow you and protect you in a whole new universe. they love you so much that they’d swear allegiance to total strangers but that loyalty pales in comparison to what they’d do for you. and they were all lovers!!!!!!!

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[crehador]

me: idk man the second season of kamonohashi ron has just not been that compelling to me. the premise of the latest case is more intriguing, but some of the hints feel way too obvious and slapdash unless they turn out to be red herrings. i don't think i'll drop it but might not continue with a third season unless—

ron's idiot blond father: *is voiced by suwabe*

me: oh fuck off

[silverskye13]

Trying to analyze the tropes in my own fics to see if I think they're successful as component pieces and getting so confused I give myself psychic damage send help

[fictionadventurer]

"If the structure of your world ever evaporates, I will still be here."

I think The Q might contain one of the greatest declarations of friendship/love ever.

[tubbytarchia]

Seeing some more lean towards toxic FH, but as in, Jimmy being the toxic one for not leaning into the ship, etc, and that's a little bit upsetting but 99% funny. They hate to see my son act of his own accord and winning!!

[foursaints]

until ur blog i think i genuinely forgot barty crouch (jr❗️) was in the hp series- when u first started posting abt him i though "classic marauders character w only one line"- but no, he has lore?!?? like genuinely a whole ass backstory i forgot abt?!? and it's lowkey kinda deep too- just w his relationship w his father and his relationship w the de etc etc

i think the most interesting characters are always the really forgettable ones that jkr slapped with the "evil" label & then never bothered to flesh out... they have these tiny little nuances & contradictions that only serve to Further The Plot that are intended to mean basically nothing. but i like to make myself insane about them

[murdockmeta]

A Human Fly: The Importance of Daredevils Before Daredevil

I've recently watched a video on "human flies", a social phenomenon that peaked in the 1920s-30s, where people would go out and do death-defying tricks literally just because they wanted to. (At first. Money became involved later, of course.) They were called human flies (sometimes human spiders, human lizards, etc.) for their ability to climb up the walls of buildings so easily. They weren't just called human flies, though. They were also called daredevils.

The video I watched talked about how this phenomenon was so popular because of the role it played in displaying masculinity. Most of these daredevils were men, and at the time being seen doing these death-defying stunts was the height of manliness. And suddenly, while learning all this new information, all I could wonder is if that at all was related to Stan Lee's motivation behind the creation of Matt Murdock. Anyway, here we go.

Okay, so, gender roles and how they functioned in society around the first half of the 20th century are similar but also different from what they are now. There were stiffly set rules to what it meant to be a man that was entirely unrelated to genitals. These same standards are echoed in the modern day. I don't think it's a coincidence that Matt falls outside of those rules.

Obviously, Matt's blind. Disabled. And, as a fictional character, that had really heavy (negative) implications before the disability rights movement became more popular. You even see that reflected in the comics themselves. There's the implication that Matt is expected to live out his life unhappy, unmarried (which extends to not having children), and is helpless to such a fate. That is the complete opposite of what being a man in US American culture was in the 1950s and 60s. Matt exemplified what it was to not be a man.

Stan Lee, when co-creating this character, takes these concepts that absolutely oppose one another and he smashes them together. It feels like spitting in the face of standards and expectations. He says, "Oh, look, a blind man. A man that can't be a man. I'm going to take him and I'm going to turn him into something that is undeniably manly." Lee does this through this phenomenon that links back to human flies.

Being a human fly was about proving to the people around you that you were a man among men. That you were capable of physical feats that others only could wish to accomplish. And Lee grew up in a time when he was surrounded by these types of people as a child. Most of these people would travel to New York City, where Lee grew up, just to perform these stunts.

How masculinity was defined in that age was rigid. You had to be strong, you had to be capable, you had to have the ability to provide for your family. There were certain elements that also took away from your masculinity. You couldn't be too smart or bookish, you couldn't be too skinny, you couldn't be disabled. And being able to fit into these standards wasn't just about pride, it was about social status.

These human flies were often referred to as daredevils by newspapers. It doesn't seem like much of a reach for me to think that they could've possibly related to Lee's creation of Daredevil.

This strip is from the second issue of volume one.

It was revolutionary* (asterisk), to an extent, what Lee was implying with his creation of Matt's character. That you could be disabled and still be fully capable of accomplishing what society has deemed impossible for you or deemed you unworthy of. That you could represent the peak of masculinity (meaning you could be perceived as an equal to those around you) while having supposed qualities that strike you from it.

I'm not saying that that's a goal that every disabled/blind person has or should have. In fact, under a modern lens, I think it's very counterproductive. But, I think the social and cultural context surrounding the character's creation is important to understand. I think it's important to know why implying those things at the time was important to disabled representation.

Many people don't like or struggle to read older comics due to them aging badly. While I don't blame them, I think there would be less resistance if people stopped trying to interpret those comics through a modern lens.

Context is important. History is important.

(asterisk) *This is in relation to the time-specific era of disabled representation. This is not to ignore the problems with the representation of Matt as a blind man. I'm not saying or implying that there's nothing wrong with the original comics, in fact, they are incredibly ableist. I am simply focusing on the importance of that representation at the time of the issues being published.

Thanks for reading.

[deconstructivesurgery]

controversial post but i think i'm just too much of an actual adult to be into hlvrai shipping. none of them are kissing on the mouth. none of em.

especially not gordon and benrey. they are however the world's worst roommate. worsties, if you will. gordon gets a notification every time he looks at that uncanny shitass gamer and it says "newsflash: the worst person you know is hysterically funny sometimes" and the funny aspect is just endearing enough that it prevents him from going entirely looney tunes insane

likewise benrey looks at him through the lens of like "man my new friend I found at the end of the world alien event is fucking mean to me sometimes for no reason. this surely has nothing to do with me, benrey, because I am normal and excellent at making friends on PSN." but also he mutually just finds him fun enough that he's genuinely distraught when it turns out gordon actually fucking hates him and isn't picking up on any of his (incomprehensible) bullshit about not wanting to be an antagonist

literally tldr: why would you ever want to make their relationship into anything else when the "wow everyone else here is so strange (mildly lovingly and also with a fair amount of dread and frustration). glad I'm the only normal person here" dynamic is there and 10x funnier than any possible outcome in which neurotic gordon freeman makes out with low res security guard

and also there are literally 3 other deranged individuals ripe for you people's enjoyment. go get them.