#its 2 characters ive never drawn before and its not just a sketch

[professional-termite]

hi guys my drawing tablet is almost dead but im almost done with 3/4 of my daily drawings for the weekend so i think im gonna finish!! just taking a break while it charges before i get it done

[meruz]

once again i am answering asks in a big compilation post. included is... gotham, patrick stump, tips about drawing backgrounds, tips about drawing in general, links to my faq, and infinity train

like.... the tv series? No... I’ve drawn dc comics fanart before, though. But it’s been years since I’ve been really into it. I like jumped ship like 10 years ago when the New 52 happened LOL.

AFJHDSLKGH I’m sorry I (probably) won’t do it again??

Actually full disclosure I have a truly cringe amount of p stump drawings/photo studies in my sketchbook right now LOL. He’s just fun to draw... hats, glasses, guitar, a good shape... but I don’t think I’ll rly post those until I can hide them in another big sketchbook pdf.. probably Jan 2022. Stay tuned........ (ominous) 

(ominous preview)

These are all sort of related to backgrounds/painting so I grouped them together even though they’re pretty much entirely separate questions.... ANYWAYS

a) How is it working as a BG artist? Is it hard? What show are you drawing for?

I think you’re the first person to ever ask me about my job! Being a background artist is great. It’s definitely labor intensive but I think that could describe pretty much any art job (If something were rote or easy to automate, you wouldn’t hire an artist to do it) and I hesitate to say whether its harder or easier than any other role in the animation pipeline. Plus, so much of what truly makes a job difficult varies from one production to the next, schedule, working environment, co-workers etc. But I will say that I think while BGs are generally a lot of work on the upfront, I think they’re subject to less scrutiny/revisions than something like character/props/effects design and you don’t have to pitch them to a room like boards. So I guess it’s good if you don’t like to talk to people? LOL

A lot of my previous projects + the show I’ve worked on the longest aren’t public yet so I can’t talk about em (but I assure you if/when the news does break I won’t shut up about it). But I’m currently working on Archer Season 12 LOL. I’m like 90% sure I’m allowed to say that.

b) ~~~THANK YOU!! ~~~

c) What exactly do you like to draw most [in a background]?

@kaitomiury​ Lots of stuff! I really like to draw clutter! Because it’s a great opportunity for environmental storytelling and also you can be kind of messy with it because the sheer mass will supersede any details LOL. 

I like to draw clouds... I like to draw grass but not trees lol,,, I like to draw anything that sells perspective really easily like tiled floors and ceilings, shelves, lamp posts on a street etc.

d) Do you have any tips on how to paint (observational)?

god there’s so much to say. painting is really a whole ass discipline like someone can paint their whole life and still discover new things about it. I guess if you’re really just starting out my best advice is that habit is more important than product. especially with traditional plein air painting, I find that the procedure of going outside and setting up your paints is almost harder than the actual painting. There’s a lot of artists who say “I want to do plein air sometime!!” and then never actually get around to doing it. A lot of people just end up working from google streetview or photos on their computer.

But going outside to paint is a really good challenge because it forces you to make and commit to lighting and composition decisions really quickly. And to work through your mistakes instead of against them via undo button.

My last tip is to check out James Gurney’s youtube channel because hes probably the best and most consistent resource on observational painting out there rn. There’s lots other artists doing the same thing (off the top of my head I know a lot of the Warrior Painters group has people regularly posting plein air stuff and lightbox expo had a Jesse Schmidt lecture abt it last year) but Gurney’s probably the most prolific poster and one of the best at explaining the more technical stuff - his books are great too.

e) Do you have tips for drawing cleanly on heavypaint?

@marigoldfool​ UMM LOL I LIKE ONLY USE THE FILL TOOL so maybe use the fill tool? Fill and rectangle are good for edge control as opposed to the rest of the heavy paint tools which can get sort of muddles. And also I use a stylus so maybe if you’re using your finger, find a stylus that works with your device instead. That’s all I’ve got, frankly I don’t think my drawings are particularly clean lol.

f) Tips on improving backgrounds/scenes making them more dynamic practicing etc?

Ive given some tips about backgrounds/scenes before so I’m not gonna re-tread those but here’s another thing that might be helpful...

I think a good way to approach backgrounds is to think of the specific story or even mood you want to convey with the background first. Thinking “I just need to put something behind this character” is going to lead you to drawing like... a green screen tourist photo backdrop. But if you think “I need this bg to make the characters feel small” or “I need this bg to make the world feel colorful” then it gives you requirements and cues to work off of.

If I know a character needs to feel overwhelmed and small, then I know I need to create environment elements that will cage them in and corner them. If a character needs to feel triumphant/on top of the world then I know I need to let the environment open up around them. etc. If I know my focal point/ where I want to draw attention, I can build the background around that.

Also, backgrounds like figure compositions will have focal points of their own and you can draw attention to it/ the relationship the characters have with the bg element via scale or directionality or color, any number of cues. I think of it almost as a second/third character in a scene.

Not every composition is gonna have something so obvious like this but it helps me to think about these because then the characters feel connected and integrated with the environment.

Some more general art questions

a) Do you have any process/tips to start drawing character/bodies/heads?

I tried to kind of draw something to answer this but honestly this is difficult for me to answer because I don’t think I’m that great at drawing characters LOL. Ok, I think I have two tips.

1) flip your canvas often. A lot about what makes human bodies look correct and believable is symmetry and balance. Even if someone has asymmetrical features, the body will often pull and push in a way to counterbalance it. we often have inherent biases to one side or another like dominant hands dominant eyes etc. you know how right-handed artists will often favor drawing characters facing 45 degrees facing (the artist’s) left? that’s part of it. so viewing your drawing flipped even just to evaluate it helps compensate for that bias and makes you more aware of balance.

2) draw the whole figure often. I feel like a lot of beginner artists (myself included for a long time) defer to just drawing headshots or busts because it’s easier, you dont have to think about posing limbs etc. But drawing a full body allows you to better gauge proportion, perspective, body language, everything that makes a character look believable and grounded.

Like if you (me) have that issue where you draw the head too big and then have to resize it to fit the proportions of the rest of the body, it’s probably because you (I) drew the head first and are treating the body as an afterthought/attachment. Sketching out the whole figure first or even just quick drawing guides for it will help you think of it more holistically. I learned this figure drawing in charcoal at art school LOL.

oh. third mini tip - try to draw people from life often! its the best study. if you can get into a figure drawing/nude drawing class EVEN BETTER and if you have a local college/art space/museum that hosts those for free TREASURE IT AND TAKE ADVANTAGE OF IT, that’s a huge boon that a lot of artists (me again) wish they had. though if youre not so lucky and youre sitting in a park trying to creeper draw people and they keep moving.. don’t let that stop you! that’s good practice because it’s forcing you to work fast to get the important stuff down LOL. its a challenge!

b) I’ve been pretty out of energy and have had no inspiration to draw but I have the desire to. Any advice?

Dude, take a walk or something.... Or a nap? Low energy is going to effect everything else so you gotta hit that problem at its source.

If you’re looking for inspiration though, I’d recommend stuff like watching a movie, reading a book, playing video games etc. Fill up your idea bank with content and then give yourself time/space to gestate it into new concepts. Sometimes looking at other art works but sometimes it can work against you because it’s too close. 

Also something that helps me is remembering that art doesn’t always have to be groundbreaking... like it’s okay to make something shitty and stupid that you don’t post online and only show to your friend. That’s all part of the process imo. If you want to hit a home run you gotta warm up first, right? Sports.

I should probably compile everytime i give tips on stuff like this but that’s getting dangerously close to being a social media artist who makes stupid boiled down art tutorials for clout which is the last thing i want to be... the thing I want to stress is that art is a whole visual language and there are widely agreed upon rules and customs but they exist in large part to be broken. Like there's an infinite number of ways to reach an infinite number of solutions and that’s actually what makes it really cool and personal for both the artist and the viewer. So when you make work you like or you find someone else’s work you like, take a step back and ask yourself what about it speaks for you, what about it works for you, what makes it effective, how to recreate that effect and how to break that effect completely, etc. And have a good time with it or else what’s the point.

for the first 2, I direct you to my FAQ

For the last one, I don’t actually believe I’ve ever addressed artwork as insp for stories/rp but I’ll say here and now yeah go ahead! As long as you’re not making profit or taking credit for my work then I’m normally ok with it. Especially anything thats private and purely recreational, that’s generally 100% green light go. I only ask that if you post it anywhere public that you please credit me.

(and I reserve the right to ask you to take it down if I see it and don’t approve of it’s use but I think that case is pretty rare.)

a) @lemuelzero101 Thank you!!! I haven’t played Life is Strange but actually  that series’ vis dev artist Edouard Caplain is one of my bigger art inspirations lately so that’s a really high compliment lol. And yeah I hope we get 5-8 too...!

b) Thank you for sticking around! I’ve been thinking about Digimon and Infinity Train in tandem lately, actually. They’re a little similar? Enter a dangerous alternate world and have wacky adventures with monsters/inanimate objects that have weird powers... there’s like weird engineers and mechanisms behind the scenes... also frontier literally starts with them getting on a train. Anyways if anyone else followed me for digimon... maybe you’d like Infinity Train? LOL

c) @king-wens-king I’M GLAD MY ART JUST HAS PINOY VIBES LOL I hope you are having a good day too :^)

a, b, c, d) yessss my Watch Infinity Train agenda is working....

e) aw thank you!! i think you should watch infinity train :)

[smutav]

Behind the scenes

Part ( 1 - 2 - 3 - here )

oh boy the characters!! Part 4!! the final one for the good at being bad collab assets We’re mostly going to focus on the building of the vagabond since with his hair he just has more bits to him ((if youve seen my character building streams this might be familiar))

so this is the buildup of the base sketches ((his face is still there the facepaint is on the overlay layer so it blocks it out mostly))

also here’s his shirt design w the original sketch without anything blocking it

there still tends to be slight differences when the build gets finished

granted I cant go in depth on all his bits since theres a lot

but since his bangs are chunky i had to build him an actual hairlins which is the first time i did this

((ignore that he got crooked I wound up playing while thinking of what i should focus on))

so normally i have hair layers on top of the base head but since its a tight bound ponytail I just have the back of the hair and then the green cuts out of the skull oh!! and its controlled by deformers

so the bottom moves where the hairline is and the top one can adjust the zone thats cut

now i’ve done a few jackets, mad kings whole upper body toppings are wild I dont even know if i fully get how it works anymore like here let me show you a spoiler of a thing im working on currently ((08/16/2020)) 

he going to be holding things this is VERY rough. so you see that arm?? thats half detached??

thats because of this motherfucker “oh tav why is it red?” well you see its disabled “well why would you do that is that the problem” oh ho ho,,,

if its on HE DONT HAVE AN UPPER ARM now why,,, why would that be?? well the collar cuts the sleeve right?? i guess?? i dont know why??

so this whole thing ((even tho most of it isnt visible)) is cutting the sleeve but verily!! we just need to make it so then it cuts from AFTER the collar is being cut

so thats the entire jacket,,, 

ah yes progress. honestly i’ll probably have some solution for this specific scenario and have this animation posted by the time this part comes out which is why i included the date.

so we’ve got a bunch of confusing cutters and such in the jackets and back to vagabond

his jacket is split left and right, the collar is a separate piece but they can both be effected by the same deformer ((which is something i learned from the fish

so the collar moves with the jacket woo!! an incredible win!!and if the top one stays straight normally it doesnt mess with lining up with the back collar too bad

this is our full lineup though

((yeah vagabonds posed from me playing shush)) now GAVINS arms i think are a bit long?? but its hard to tell because THE BOY DONT GOT LEGS

also i tried a similar collar trick, this cutter cuts the shirt but also can move the collar

with mixed results ((really i think if i add some deformers specifically for the tips of the collar but gavin will only deserve touch ups like this when he gets legs

also under the hood he has the same hairline cutter

and his bangs are in three parts for floof control also he’s the first character i rigged with an actual nose

and his shirt is very lumpy but its separate because its supposed to be tucked into his pants and those’ll be able to sit over. I set him up with like the intention of if need be i can give him legs

now Rimmy tim is very interesting since,,, ive rigged him before

there are some differences right off the back like colours and uh, fahc rimmy tims sunglasses are gradiented side to side?? I straight up forgot how to fix that and now i remember so maybe it’ll be added to the fix list

And tiny tim has the same style of jacket as mad king ((see that was a totally relevant tangent)) and big rims got the same style as vagabond

there used to be some fixes i needed to do with tiny tims hat but I actually went through a lot of my notes before moving because i had to start fresh with my stickies

the main issue is since tiny tim’s got just *the smallest* legs his boots cut into bending his leg too far and thats why im not sure i can use him as much its very limited mobility altho aesthetically those booooots *sob*

Thanks for reading this through though, its been fun to break down my processes and if you’d like to see more I could probably do breakdowns on some other projects/rigs in the future so let me know!!

now here’s the bonus i teased in the props part, originally i was intending to release this as a bonus context but i never got past the sketch stage

I had trouble figuring out a style for fahc since i hadnt drawn them much before so i doodled up a jeremy and rimmy tim filling the duffelbags im going to toss it under the cut because its slightly nsfw

yeah they got bags of dildos ((well over the legal limit)) it was needed for the plan of course this is a fahc heist after all

[leviathiane]

SHOW US YOUR WROR RAW UNPROCESSED WHOLE GRAIN ORGANIC NOTES

this is going to be a long-ass post i am so sorry to Everyone! i take a lot of notes.

So, as You specifically know (as well as all of my lovely Soggers) I take a LOT of notes. Obsessively. I write fucking everything bc i have very little memory and very much paranoia. This results in literal Piles of notes. Raw planning, on paper, on my phone– doodles of scenes im brainstorming, bulletpoints, entire SCRIPTS– it’s all there but scattered (I’ve got scenes planned in the margins of my goddamn anthropology notes and deciphering it was a NIGHTMARE) 

I won’t even upload all the photos of my writing notebook, because itd be like 50 pages of illegible nonesense. but heres a couple of planning phase pages. (may be hard to read, I dropped this notebook both into some tidepools, into a creek on campus, and accidentally leaked my waterbottle onto it in my backpack :/) 

if you can’t tell already, yes they all look exactly like this. Some are even more illegible, because I wrote them with the notebook half under my actual class notes. Because i wrote most of them in class. During lectures. And pretending very badly that i was not doing exactly that. (pay attention in class please i got away with this bc i was filling up elective units) 

I’m also flat out MISSING a large portion of my notes bc some of it? isnt even in the damn notebook. its on a sheet of binder paper, or on the empty back of an assignment. I’ve now lost most of those notes, but the ones i do still have are just as (even more, actually) indecipherable chicken scratch: 

Wow, how clean and tidy and easy to follow! i am in hell. 

and this doesnt mention the PAGES and PAGES of outlines that are on my laptop, and the pages of outlined scenes that are on the notes app of my phone. if i put them all, you would have entire chapter spoilers up to the very end of the story so i cant post a lot of them– and also theres just a goddamn lot of them. currently i have 16 pages of outlining. There are no spacing breaks. It is a solid 16 page block of text. Looking at it gives me a migraine. 

some assorted notes which i have dredged up from the deleted parts of the main draft google doc go all the way back to when i started Wror in June and they are Barely more readable than my handwriting on sheer account of: articulation is not my strength. These include: 

“Ch 8 plan: sabo gets trained specially, awakens his armament haki, beats ace in a bunch of spars and proves himself to be anything but vulnerable. The boys are like “we fucking recognize that technique ryu taught you before us!!” and goad ryu into finally starting them both on basic haki training, just to awaken it, since sabo already has. Also this is the chapter that ace finally confronts ryu for his devil fruit after ryu confirms that some devil fruit users can’t be hurt without haki and ace immediately catches onto that and tries to slam his pipe through ryus head. It doesn’t work, ryu catches the weapon with a haki covered hand, to avoid turning to flame with hit and ace just gets frustrated and accuses ryu of hiding his devil fruit, because he remembers what he saw in grey terminal and that now that he has seen haki he can distinguish it from what he saw and he’s sure no one could do what ryu did. He calls ryu a hypocrite for coddling them even after telling them to stop coddling sabo and ryu has to sit them down and explain that yes he does have powers and he has been hdiing it and explains his reasoning. However instead of understanding th eboys just get fired up and say they don’t wnt to be scared of fire, especially not when it means ryu isn’t taking them seriously in a spar. Ryu finally agrees to start them on desensitization training for fire trauma. Fire desensitization training happens on the beach, so that they have water nearby in case things get out of hand. At some point ace gives ryu a considering look and is just like “if you have a devil fruit that means you can’t swim either right?” and ryu is basically just like “lmao yeah” and then ace immediately attempts to drown him. Lots of murder attempts in ace’s department toget his older brother to be less of an idiot with little success lol(extra: ace tried to attack ryu earlier both to confirm that ryu has a devil fruit that would force him to use haki to hide it, and because he now knows that he CAN’T hurt ryu without haki and as thus can’t beat him and make him admit he’s awake without being good at haki.)” [chapter 8] 

“Small sabo lost his hat and goggles in the incident and while he doesn’t remember having them future sabo notices he looks uncomfortable and keeps touching his hair and head. Ace yells at him for it thinking he bandaging are bothering him and that he can’t touch them but little sabo just comments that something about it feels wrong. Luffy blurts our that he had a hat, like luffy does, But he doesn’t now ace begrudgingly mentions that they can’t get a new one in town. Future sabo doesn’t even hesitate and just plops his own hat onto his younger selves head. It clearly too big for him, and almost falls over his eyes but he grins up at future sabo and is like “wow!! Thank you! I’ll take care of it till I have one of my own” and creates a paradox like Luffys own hat. The footsteps younger sabo has yet to fill. This HAS to happen AFTER the talk where they explain that future and past sabo are both the same person, to give little sabo that pressure.” [chapter 9]

“(Right after this older sabo takes them down to the ocean so that they can play a little and desensitize themselves and immediately fucks himself over when he goes weak in the water bc he somehow fucking forgot his own devil fruit again and now even younger sabo is on his case about not letting him near the fucking ocean that little goddamn HYPOCRITE—) )” [for chapter 9]

“Ch 9 plan: they finally leave dawn island. Starts with the boys getting a haircut after training and luffy mentions how long it’s been since they’ve last needed a haircut, giving sabo and ace time to point out that it’s been 2 months now since ryu joined them, and that sabo was completely healed by now. The boys are now aware of the basics of haki, and while luffy hasnt awakened either yet ace and sabo both have a little bit of weak armament haki. (sabo won’t awaken observational haki until he gets his memories back) ryu tries to sneak off into the city to steal a boat but his brothers refuse to leave him behind and keep sneaking out after him, not wanting him to go alone and saying that since he’s been training them they’re clearly stronger and he needs to let them do this. Ryu eventually just lets it go because why the fuck not it’s a dream and they make him feel better. They get the boat out on open ocean and finally fucking sail out, cheering loudly, ryu struggling to make them all calm down but also not really trying. He’s happy as shit, and they’re all so excited and happy and sabo dips a hand into the waves and then smiles so fucking wide and tackles ryu so violently they both nearly tip into the water and it’s just very very good. “ [also for ch 9] 

** I flat out dont Have any outlining from before chapter 6, because i only started actually outling chapters after that. i tend to just sit down and Write up until i hit a plot point or writers block and then am forced to actually think it through and plan rather than letting it come naturally. thats also why the quality and editing is better in later chapters despite everything being written within the same time frame. 

besides entire chapter outlines, there are the scene specific phone notes like:

“(ADDED) Right after they leave dawn, when sabo is sure they’ve gotten enough of a head start, he calls Garp. He doesn’t say who he is, but that all of the boys are safe and happy with him and has them all talk into the phone to assure him that they’re fine. Garp is honestly just pissed off he doesn’t know who’s calling and when he asks sabo just laughs and says a disobedient brat before hanging up. “

“(ADDED) TO EXPAND ON CH 3: sabo gets offered the chance to go with dragon, and he hesitates on the offer to go through with his previous life with the family he’s made in the revolutionary again. He almost agrees, because the bought of losing them in this lifetime is near excruciating but reminds himself swiftly that it’s no place for his brothers and not what they’d really want, and he wants selfishly to be with them as long as he Can until he “inevitably” wakes up. The boys are visibly relieved by this, especially ace. (Sabo gets asked who he is by dragon, who wants to know more about the stranger with his son, but dragon has always been quicker to make connections no one guessed and he just smiled knowingly at sabo and tells him he’s sure the other will have no trouble finding them if he’s in need. Sabo in turn warns him to keep Kuma close, and to look for a slave girl named koala.)”

I have…. many of these. I have Many of Everything. 

finally, i have scene doodles. if i hit a bad writers block it usually helps me to sketch scenes or the character designs to regain my grip on what the hell is happening in the plot– Breach of Intention has character design sketches, pakcbond has MANY scene sketches, even some of my nsfw has some sketches. my wror skecthes arent Good of course, I am an art teacher for children and that means i am more often explaining the color wheel and brush techniques over drawing perfect human replicas– and i just dont really make a lot of fanart? ive never drawn sabo before but i sure have a bunch now. i wont include close ups because they genuinely suck but heres an example pic 

So… yeah thats about everything. this is a VERY long post and yet i only included like maybe ¼ or 1/5 of all the notes i have dbskhjgfkjadns lmk if anyone wants more (or notes for my Other stories, which contain NO WHERE the same absurd amount of shit that wror does.)

[owainsphere]

“why did you draw so much compared to last year where you posted like once?”

i sketched out 31+ over things as a countdown to my birthday on may 6th for several reasons (posted daily on my instagram and twitter)

1) i used to sketch daily because it was a good way to put ideas somewhere

2) i wanted to practice and get better at the places i felt i was weak in

3) i wanted to draw characters ive never drawn before as i felt like i just drew the same characters over and over again that were in my comfort zone

4) this is petty and salty but i am t i r e d of people complaining that their art doesn’t look good and its almost always because they don’t practice at all. they expect to get big numbers and get popular by kissing ass or pandering. i want to show how important it is to practice.

honestly im glad i did this my faces have improved in how they look and i’m learning how to pose and draw bodies better

[piedrawsthings]

Hey, so I saw a thing before where you said you use copics, and I have a friend who just got some copics and doesn't know how to use them, and I was wondering if you could explain so I could tell her? (We're both having issues finding info online about how to use them)

Aaa thanks for asking!!Ive been using copics for three or four years now, and they are all I use to color (and some white gel pens). They certainly have a steep learning curve, but they are really amazing and it made me super happy that your friend is using them!!!First off, they take practise. And lots of markers. When youre normally shading something, you would press harder (pencils) or select a different shade (digital). But with copic, you shade with an entirely different marker.Also, never blend with the colorless blender unless you want your art to be super splotchy. This is how I blend:1. Base color of the lightest tone I will use. (For most skin, I use E000 or E50.) 2. Hard shadows, semi-cell shaded (E13, E33, E53; depends on the character)3. Add some pinks and purples in. Purple in skin? Yeah, I use it for the deepest shadows, it makes them look more real. Pinks go in the cheeks, knees, ears, etc. (R20, E93, Bv31)4. Get your original base color out and use it to blend everything together. Work in small circles. Copics blend by the lighter color pushing the darker color through the paper, so don’t worry if your paper seems wet. It will dry when the alcohol evaporates.

The numbers on the copics work like this:1. Each color group has its own letter, R (red), B(blue), etc. Two letters means its a combination. Bv stands for blue violet, Yr is yellow red, etc. Greys work a little differently, since theres different grey families. W is warm grey, which has more yellow in it, C is cool grey, which has more blue, And N is neutral grey, which is somewhere down the middle. I think theres also T for toner grey, which you would use for manga, but ive never seen those markers in person.2. The numbers by the letter are separate, E15 isn’t a fifteen, its a one five. The first number is the group, and the second number is how dark it is in that group. Every set of tens, the shade resets, which is why B93 is much lighter then B29. Additionally, the higher the first number, the more drawn out the colors will be. B18 is a very very bright deep blue, but B95 is more of a slate grey. If the marker has a third number (Y00, E000, etc) it just means that its a very pale marker. Some of them are so pale they barely show up, but they are some of the most useful pens I have.

3. Blacks work differently. There are two black copics, 100 and 110. (Named black and special black respectively). Special black is just a little bit more blue in my opinion. I use it more because my black needs refilled and I haven’t gotten the refill yet lol ^^“

Feel free to ask me more questions!! I know this is kinda long but I looooove talking about copics!! Ill add some links too, to a couple sites I find helpful. The first is the blog of the amazing Marianne Walker, who taught me how to use copics in the first place and gave me my first marker. (Plus she named her kids AnnaMay and Luke Sky which is totally awesome)http://ilikemarkers.blogspot.com/?m=1

And this link is to a manga that imagination international thhemselves made about their products (the parent company of copic). Ive met the girls who illustrated it, and they are really cool!! The first "book” of it is more about copics and the second one is more of the other products, from what I remember. There might be a third by now? Idk.https://imaginationinternationalinc.com/iii-academy/Also, a tip on buying markers!! Sketch and Ciao are the same, but ciao is cheaper and holds less ink. Classic dont have flicky tips, and wide are super wide and hard.I buy my markers at hobby lobby and Michaels, I get one pen a week at hobby lobby and use the 40% off coupon which puts them down to $4.79 a marker. Sometimes Michaels will have 50% off coupons that work on the markers, and they have marker sets as well!! The sets can get spendy, but its way cheaper then getting each marker individually.I really hope this helps!!!! Send in another ask if you need more info!! :)

[groundramon]

17, 30, 36!

17: Favorite singer?GHAHH I’m so bad at singers/bands, I basically only listen to the same thing for like a week straight and then never listen to it or the artist again BUT I have a very nostalgic connection to Sabrina Carpenter and her voice is nice so I guess her.  (I’m not mainstream trash but I’m lower than that, like I have no standards and whatever doesn’t hurt my ears is a-okay with me)

30: Meaning behind your urlTeam Capumon was actually an old story of mine!  Pokemon is such a big part of my life that it’s essentially a personality trait of mine at this point, but two subsets of Pokemon that I’ve always been huge into are PMD and the “beta” behind-the-scenes stuff.  Barring Porygon2 because I love Porygon2, Kurusu (the beta starter from the original demo of GS) is my favorite Pokemon and would easily beat out my current favorite first-stage starters and may even beat out my favorite starter line of all (Charmander’s) depending on its evolutions.  BUT Team Capumon went back further than that, to designs that were used before Pokemon was even known as “Pokemon” - back when it was called “Capsule Monsters”.  There’s more information on that here.  The characters were based on Original Nidorino (which fuck bulbapedia, he’s clearly a totodile line-inspiring design.  I refuse to believe that his color pallet isn’t blue with a yellow underside and red horns tbh) and Dragon4 from this bulbapedia page.  The characters were named Scales and Shard respectively.  I drew Scales a LOT as a kid, and my first drawing of him (or rather, what would become his character) was one of the first drawings I was truly proud of.  I could actually draw him pretty decently on a regular basis, although I unfortunately cant say that about him anymore xD I had a hard time drawing Shard though so I didnt draw him as often.  I actually have some art of Scales on my computer (no finished art of Shard though, unfortunately - or none that I can find anyways) so at the bottom of this post I’ll attach my most recently finished drawing of him!  It wont go under the answer for this question for some fuckin reason so I cant put it here :UBut anyways, Team Capumon was my main project back when I joined a site that was all too powerful in determining the direction of my life from that point on - Animal Jam.  I couldn’t think of a good username for my account, but then I thought of my story, and I used that name - because then I wouldn’t have to put a number after my user and SCREW NUMBERS (idk ive always had a weird thing about not using numbers in usernames unless its for a specific aesthetic).  Animal Jam launched my existence on the internet first onto Scratch and then onto DeviantArt (both caused by the same three people, who I’m still in contact with to this day!) so it just felt logical to use TeamCapumon for everything after Animal Jam, plus it had a nice ring to it that I really liked.  (Fun fact: those same three people who convinced me to get a Scratch and then dA are the same three people who gave me my nickname “Stormy”!) Another two fun facts about Scales in particular: 1. I have a plushie of him, made by myself!  Unfortunately it’s falling apart, but oh well xD I also made a plushie of Kurusu very recently (who, ironically enough, I’m planning to make into a PMD character from my CURRENT PMD project, a group on dA.  We allow [certain] beta Pokemon there because I’m biased.)  The Pioneers Guild in said PMD group is also founded by a Feraligator and a Charizard possibly named after and loosely based on Scales and Shard!  And 2. Speaking of characters based on Scales, Scales has a character/evolution line inspired by his design in Oneiromon!  Scalesdramon from Oneiromon, Mich’s adult form, is based on Scales.

36: Favorite food?OH FUCK THIS IS HARD vvvv man my dad’s french toast is the bomb, but I cant say french toast is one of my favorite foods or even very high up my list because most people would say my dad makes french toast wrong bUT ITS ALL OF YOU WHO MAKE IT WRONG.  THE WORLD IS WRONG AND MY FAMILY (except my mom bc she likes regular french toast better) IS RIGHT, SCREW YOU.  But basically to get an idea of what I mean, my dad’s french toast is less sweet with syrup on it.  You eat it plain, and putting syrup on it is a disgrace (//glares at my mom)But idk if thats ABSOLUTELY my favorite and my favorite probably just depends on the day.  Other things I really like include popcorn shrimp, blackberry frozen yogurt, pirate’s booty, and probably brown sugar cinnamon poptarts but i havent had those in years bc i ate them too much as a kid.  Like they became such a staple of my life that I cant call them my favorite anymore.  Also fruitloops are like the thing I eat literally every single day (unless we’re out or i randomly decide to eat lucky charms instead - heaven forbid the day we’re out of both bc ill just starve for breakfast i guess) but they’re far from my favorite.

Picture of Scales:

This picture is fairly recent btw, I was NOT drawing that well when I was 12 xD this drawing is from mid 2016, so I was 15 at the time.  Also this was traditionally drawn with pastels!  Idk where my pastels went but I really enjoyed pastels and how they made my art look, so I should go looking for them again…(then again lately my hands have been really dry and i can hardly sketch let alone use pastels bc sensory overload and I hate how paper feels against anything dry, OTL)

[mmm-donut-seeds]

Staring at my sketchbook because i just finished a drawing and i like the way it turned out

and i want the page finished, with another character on the other side and some cute border nonsense in the opposite corner because i think itll look really nice

but i dont actually

have the motivation to do it

nor do i know which oc i want

because its valorn on one side, so i could draw dhioni, or lyrica, or draxus (his red flirts)

though honestly i need to go over the designs for any of them again bc dhioni’s is old, i recycled some aspects of lyrica’s for fleine, and draxus’ is just... weak

i could also draw kentlr (black quad) buuut ive never drawn a picture of kentlr that ive liked??

Or sigurd (mortal enemy) who ive never tried drawing at all

Or Daxton (pale crush) who I HAVE drawn half a dozen times before- and daxton doesn’t come as easily as like. Hobbes or khamir. or even valorn. bc 1 dude and 2 my preference isn’t drawing tall lean bodies so somehow i always wind up dis-satisfied?? Like it still needs. tweaking.

honestly, i think im gonna wind up drawing dhioni- ill just probs do a sketch in the back of my notebook first, to make sure i have her design down the way i want