#it's the consequences of your actions

[sleepyowlet]

For all my confused non-German-speaking followers:

Basically, our Kanzler fired the minister of finances and womp-womped him. It went something like this (paraphrased):

C. Lindner (the minister): "Yeah, I'm blocking yet another suggestion." (because I don't wanna lose my standing with my political party. <- that's the quiet part he didn't say out loud)

O. Scholz: "Well, in that case, since you've been pulling this shit for the entire term, I don't want you to be part of my cabinet of ministers any more. You're fired."

O. Scholz (a moment later): "...doof." aka "womp womp."

[destielmemenews]

source 1

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[salparadiselost]

Every couple years or so, the Bats are required to take a group photo to update the JL website (idk why, they are required to take a vigilante group picture), and Jason consistently refuses to show up. So this year, Tim just draws the lines of the Red Hood helmet on a bright red balloon and then floats it between him and Nightwing. They absolutely refuse to acknowledge that it isn't Jason. They put it up on a billboard instead.

Jason finds out about it when he drives back into Gotham and the highway going into the city has a 'Keeping Gotham Safe' billboard and it's a picture of the Bats looking extremely serious with the Red Hood Balloon floating behind them.

[phantom-shell]

I think it's super interesting how Jimmy's fear of Anya and the baby manifests in his mind as the Pony Express mascot.

Unlike every other character, Anya ISN'T in Jimmy's guilt/regret hallucinations near the end. He sees Daisuke walk towards the dark, he sees Swansea chase him through a cemetery, he sees Curly on fire in front of him but ANYA? Anya isn't given that kind of treatment. No, instead, we see a hallucination of the baby, a tiny horse in a womb that has no face attached to it (Anya's face specifically, all he sees is the womb), turning into a deformed monster that hunts him down the moment it's born.

Polle (the baby) is seen as a danger in Jimmy's head in the beginning of the game too, after he walks out of the cockpit. The more he walks, the louder the baby noises get and the more deformed Polle looks when he runs into it!

Jimmy doesn't give a damn about Anya, nor does he regret anything he did to her, but he is scared of that baby and what it means. The living proof of what he did to Anya, manifesting as a monster that hunts him down throughout the game.

[lastoneout]

the whole guilt-tripping language in posts about important topics paired with how I'm still getting bitches in my notes talking about why it's actually good to tell "bad" people to kill themselves continues to prove to me that a lot of people have absolutely no concept of social justice or activism outside of assuming the worst of and then viciously attacking strangers on the internet

[nidbaesenpai]

I'm always sad whenever I think about the implications of Loop having no mouth.

[tedrailmi]

Hannibal S01E08 "Fromage"

Bonus:

Will trying to get a closer look at Hannibal's wounds and pretending he wasn't looking when Hannibal turns to him

[gxldencity]

Maybe we'll have better luck with our next weapon of incomprehensible destruction.

[thestobingirlie]

[headspace-hotel]

GOOD! I hope Democrats are scared shitless! You work for us, motherfuckers, and we are PISSED OFF!

[sapphicsparkles]

okay I had to do another one

[ryssbelle]

Made this for the lu prompt, a joke that's a little late but nonetheless funny to me XD also the features are flipped cuz I worked on this mirrored and forgor until I was finished lmao

[wilcze-kudly]

I am definetly in the minority here, but I was always so deeply touched by Mai's confession during that scene.

There's just something about Mai's confession that makes me feel so unbearably sad. I think the first thing that hits me is just how... empty she seems in this situation compared to the rest of the Firesome Foursome. Zuko is angry™️ and lashing out, Ty Lee is sad and concerned and Azula is posturing. But Mai is just so devoid of even sadness around her chidlhood trauma.

It's sort of like she shut down emotionally to some extent, (even more than usual) especially after her fight with Zuko.

This is quite a common reaction to arguments from someone who was raised to be obedient and non-confrontational, so I'm not surprised she was acting like this.

Analysing Mai's behaviour on the beach is interesting.

She seems to try to reach out to Zuko in her own, tepid little way by greeting him, but clams back up when he asks her where "her new boyfriend" was. This leads to her smacking his hand away when he tries to reach out to her by asking if she's cold. They're both trying to mend the bridge, but end up escalating the conflict further.

She remains silent for a good while, but does speak up in order to defend Ty Lee from Zuko lashing out. Despite this, when Zuko persists, Mai doesn't push the issue, perhaps due to her upbringing to be placid.

Due to this, I find it intriguing when Mai mocks Ty Lee for attention seeking, since she had attempted to defend Ty Lee from Zuko's ridicule. But perhaps its due to jealousy or frustration by Ty Lee's freely expressed sorrow and trauma that made Mai lash out in her own way.

Or it's just because the writers didn't know how to jump from Ty Lee's traumadump to Mai's lol

This is where we get into the meat and potatoes of Mai's confession.

Ty Lee bites back at Mai and parrots Zuko's opinion of Mai being "a big blah" as he said.

Ty Lee : Well, what's your excuse, Mai? You were an only child for fifteen years, but even with all that attention, your aura is this dingy, pasty, gray ... Mai : I don't believe in auras. Zuko: Yeah, you don't believe in anything. Mai : Oh, well, I'm sorry I can't be as high-strung and crazy as the rest of you. Zuko: I'm sorry, too. I wish you would be high-strung and crazy for once instead of keeping all your feelings bottled up inside. She just called your aura dingy. Are you gonna take that?

I think what's interesting here is that while Ty Lee saw Mai as recieving the attention Ty Lee had craved, Mai seemed to receive less loving, parental attention, and more scrutiny. Mai's parents also seem to be actually rather neglectful emotionally towards Mai and them just leaving Tom Tom unsupervised behind a screen in Omashu leaves me questioning if they actually cared that much.

Mai deflects, not adressing Ty Lee's question, but rather focusing on the nebulous concept of auras instead. When Zuko butts in, trying to rile her up, Mai gives a sarcastic apology. I find it very interesting that she sets hereself so aside from the others in terms of her not being "high strung and crazy", because it really shows the difference in Mai's upbringing and that of her companions. Azula and Zuko were raised to be leaders and fighters, and their "firebender instincts" were encouraged, while Ty Lee persumably had to compete for attention with her siblings. While Mai was raised with the :be seen and not heard" mentality.

Now is also a good time to mention that I think Mai has almost comically obvious signs of depression, which wouldn't be a stretch.

Zuko calling Mai out for not getting angry over Ty Lee insulting her aura leads me to my next point. Persumably, being a child raised by parents like Michi and Ukano, Mai wasn't allowed to voice her discomfort, offence or upset. Hell we see this in Omashu when Mai complains about being bored and Michi basically shuts her down and tells her to enjoy it.

I mean look at the expression Michi gives Mai when she starts complaining about being bored, a very normal teenager thing to do.

And when Mai finally does speak her mind, it is no less heartwrenching.

Mai : What do you want from me? You want a teary confession about how hard my childhood was? Well, it wasn't. I was a rich only child who got anything I wanted... as long as I behaved and sat still, and didn't speak unless spoken to. My mother said I had to keep out of trouble. We had my dad's political career to think about.

The first thing that jumps out at us is how Mai presents her trauma. She doesn't explicitly express any pain or sadness, despite it being rather obvious to us. This is in stark contrast to the rest of the group. Ty Lee and Zuko are both very open about their negative emotions, hell, even Azula admits that Ursa's actions hurt her.

But Mai? Mai kneecaps her complaint. This can also be seen as an effect of her upbringing. No complaining, no making herself inconvenient for mom and dad.

We also see the theme of conditional love, an implied idea that Michi and Ukano would only give Mai affection or gifts if she acted the way they wanted her to. Now conditional love from people who are meant to raise you will fuck you up.

The comics also add that Michi actively told Mai scary stories about the Kemurimage to keep her in line. Now, telling kids stories about magical beings to get them to behave isn't anything new, but it appears to be so bad that Mai had nightmares over it. Also we're in a world where spirits actually exist, evil chidnapper spirits don't seem too far out the realm of possibility.

Also as someone who got raised by a heavily Catholic mother who made me believe I would burn in hell for an eternity if I even mildly displeased her, I do sympathise

Azula: Well, that's it, then. You have a controlling mother who had certain expectations, and if you strayed from them, you were shut down. That's why you're afraid to care about anything, and why you can't express yourself. Mai : You want me to express myself? [Stands up and yells.] Leave me alone! Zuko: I like it when you express yourself. [Approaching, attempting to put a hand on her shoulder.] Mai : Don't touch me! I'm still mad at you. Zuko: My life hasn't been that easy either, Mai. Mai: Whatever. That doesn't excuse the way you've been acting.

I love when Mai yells at Azula for frying to psychoanalyse her. Like Azula was right, but it understandably upset Mai, and it's a good thing she expressed that. It means she's growing.

I also do adore that Mai does not let Zuko get away with acting out, particularly towards her. I like that the writer's didn't just have Mai give Zuko a free pass because he had a shitty life and she actively called him out on his actions. It's probably my favourite part of their relationship. And Mai expressing so much anger and upset is a perfect crescendo to her little scene.

I don't know why but Mai confession scene just holds so much weight and emotion for me, I can't help but feel something whenever I watch it.

Also, side note, I find it an interesting detail that Azula's confession only came after the fire was extinguished. Perhaps it wasn't intentional but it kinda feels like its symbolising that the light "went out" for Azula (at least narrativewise) and that while Zuko, Ty Lee and Mai would be able to get out of their shitty situations and from under the Fire Nation's influence, she would not.

[pigeon-noises]

"Drown." This moment...! Handwriting graciously provided by @pafutan

[theonceandfuturequeenoftarts]

Tom catches Evans trying to sneak into the Restricted Section for the third time that week a couple days later.

He knocks on the door frame – the element of surprise did him no favours last time – and leans against it casually. “Hard at work, Evans?”

Evans looks up at him with a glare that could strip paint, before turning the glare back to his book.

“It must be serious, to demand so much of your focus.”

No response.

“Perhaps I can help you with your research,” he offers. “I’m quite good at it.”

“What do you want, Riddle.” From the frustrated tone to the tense body language, it’s clear this is not really a question. More of a muggle sirens-and-lights warning.

“Why are you so convinced that I want something from you?” 

“You’re a Slytherin, of course you want something.”

Tom doesn’t bother to point out that Evans is also a Slytherin; he gets the sense it’s a sore spot.

“And yet you don’t exhibit such scorn for either Malfoy or Black. What makes me so deserving of your suspicion?”

Evans snorts. “Those two couldn’t disguise what they’re really after if their lives depended on it. And neither of them is trying to get into my pants.”

“Well, more fool them.”

Evans sputters, flushing up to his ears.

“Piss off, Riddle!” The boy stands up, flinging the book closed (time magic, Tom notes – something to consider later) and almost falling over in his rush to leave as he gets tangled in his chair.

Tom darts a hand out and grabs onto Evans’ wrist before he can escape.

He narrows his eyes and considers the evidence. It’s a disproportionate reaction to an innocuously flirtatious comment. Tonight's efforts to take Evans to bed (or the table, or against the wall – he’s not picky) might be a wash, but perhaps he can learn something to improve his chances in the future.

“What’s wrong?”

“What’s wrong?” Evans scoffs, looking increasingly distraught. “Everything’s wrong! And you being weird doesn’t help.”

“Weird?” Tom says, a little offended. “If my advances are unwanted, just say the word, but there’s nothing weird–”

“Stop playing with me!”

“Why do you think I’m playing with you?”

Evans snorts derisively. “As if someone like you would be interested in someone like me.”

That brings Tom up short. Is something so trivial the only obstacle?

“Do you think so little of yourself?”

“My self-esteem is neither here nor there,” Evans says irritably. “And jesus, how big is your ego – I don’t want you, so there must be something wrong with me?”

“I didn’t say that. What did you mean by ‘someone like you’ and ‘someone like me,’ then?”

“I’m a nobody, Riddle,” Evans says after a brief pause. “No fortune to speak of, no connections in high places, no real future prospects. There’s nothing exceptional about me. And you,” he hesitates, weighing his words. “You are exceptional – you would accept nothing less for or from yourself. People expect great things from you, and I have no doubt you could achieve them.”

The boy looks straight into his eyes. “But I do doubt your ability to tell the difference between ‘great’ and ‘terrible.’” 

Tom feels a shiver slide down his spine, his breath catching in his throat. He wants to peel Evans open and find out what he knows, why he thinks that, who the hell he thinks he is to say such a thing to him. At the same time, Tom wants to get as far away from the suddenly strange boy, and that’s far more manageable at the moment.

He casts a quick obliviate and returns to his dorm. Sleep is long in coming to Tom that night.

(Tom Riddle’s Guide to Repeatedly Failing to Get Laid in the Restricted Section)

[daily-odile]

pov: eon tries to explain why eating a star was a good idea, [eon design by @the-bitter-ocean]

bonus: