#it's the brainrot sry

[bisaster-energy]

how long was i gone too damn long how long was i gone too damn long how long was i gone too damn long how long was i gone too damn long how long was i

[leafyduckwebs]

Being a traveler multishipper is so fun because there's always something for any trope you want no matter what mood you're in.

Xiaother/Xiaolumi? They're so soft. Canonically they're very close friends who care for each other a lot. Xiao's pain lessens in the traveler's presence. He wants to protect them and tells them to call his name whenever they're in danger. He's so shy and afraid of hurting people, but attends events because of the traveler. He was ready to die to save them. They got him to write poetry. They're both old and hurting and in need of a break and so many hugs.

Scaraether/Scaralumi? He tried to kill them when they first met. He destroyed their friend's clan. He mocked Teppei's death and likely would've killed them if Miko didn't trade the gnosis. The traveler had to fight him 168 times before they were able to defeat him for real. They then became allies and held hands. When he erased himself, they freaked out and went out of their way to bring him back. They're still not friends, but they aren't as hostile to each other as before. The part of my brain that craves enemies-to-lovers eats this ship up.

Albether/Albelumi? When the traveler met Albedo, he instantly wanted to study them, and they let him. At the end of his story quest he makes it clear that he wants to rely on them (If one day, I lose control… destroy Mondstadt… destroy everything..Can I rely on you to stop me?) They looked at him and memorized his appearance enough to notice that susbedo was missing the gold star marking, and they didn't judge him for being a homunculus. They're so sweet to each other when they meet during events. He probably studies them off screen. I like to think that he made a bunch of portraits of them, too. He literally says that he's interested in them in his teapot voicelines. This ship opened my eyes to scientist x test subject.

[johnslittlespoon]

gooood morning! on this fine saturday i am thinking about flight school clegan needing to study for some sorta test, and gale decides the best way to ensure his best friend passes the test so they can continue ascending the ranks together is to motivate him with rewards...

namely, study sessions consisting of the two of them sitting side by side on the bottom bunk in their shared room with gale's hand down john's pants, jerking him off while he asks john questions that'll be on the test, slowing his hand when he gets answers wrong and speeding up when he recites them correctly, only letting him come once he can run through the whole list without messing up.

coincidentally, john ends up with one of the highest test scores out of their whole class :-)

[cyberghouleo]

Any Tim content pls pls 🙏🙏

Maybe a sweet innocent reader 🫶🫶🫶

Would make jokes and innuendos that you don’t understand, he likes watching you stare back at him puzzled as you try to put it together.

SUPER protective over you. He knows others will see your kindness as a weakness and knows he has to be on guard when the two of you are around the others, proving that you are off limits. 

Will wrap an arm around your shoulder and bring you close to him while around others. Also will occasionally press a quick kiss into your hair when others aren’t looking, that’s as much pda as he’s willing to do. 

If you try to hold hands together around others, at first he moves his hand away. He thinks it’s too vulnerable and the other guys won’t take him as seriously as a leader. But if you are persistent with it, he will slowly start allowing it to happen and won’t inch away, wrapping his hand around yours. Then it turns into his hand slowly inching over to yours first, trying to subtly hold hands under a table. 

While your kindness is a big contrast from his brashness, he actually likes how kind you are. It reminds him of a part of his old self, the type of person he was before the Operator got involved with his life.

Deep down he wishes he could protect you from the life and job he has, but he knows he can’t. He’s too far under the Operator’s control to do so, and he finds himself resenting it when he watches you sleep peacefully next to him. You make him realize just how fragile normal life is, and he wishes he could have met you under different circumstances, before he lost his former life. 

NSFW

To him, it’s a turn on how innocent you are. He’s into corruption so it’s his goal to turn you from innocent into his personal whore. Also gives him an advantage in power over you, something he won’t complain about. At first you are shy, covering yourself up with your hands and hiding your face while he’s deep inside you. But slowly you start opening up to him, to the point you are laying down and spreading your legs wide open for him. He’s going to make you a complete slut for him sooner or later. 

He loves making you tell him what you want while he’s fucking you, stopping his thrusts until you tell him how badly you want him to fuck you. He’s obsessed with how sweet and innocent you are to everyone else and how pathetic you get as you beg him to fuck you senselessly. 

“Tell me exactly what you want” He will say as he bottoms out inside you, completely stopping his thrusting.

“I want you to fuck me,” you say sheepishly, hiding your face behind your hands.

He grabs your wrist, pinning them down to the bed before speaking. “Say it the way I taught you, baby”

If you're inexperienced it makes him fall ten times harder, he loves the idea of being the only one to have you and his dick being the only one you know. He will make you grind down onto his fingers, enjoying how embarrassed you are and how clumsy your movements are. He finds it hot to be able to teach you exactly how to touch yourself and watching you try to stuff all of him into your mouth. 

Uses your innocence and sweetness against you while degrading you, using fake pity against you whenever you act embarrassed. “Aw, can the poor baby not take it? Don’t tell me you’re fucked out already, hmm?”

[brewstersbru]

Hey folks have some huskerdust !! 🕷️♥️

“I know, I know Legs. I just need to ask you something.” Angel’s eyes scrunch closed and the rest of his expression crumples as he whines out, short and low. Husk hovers his hands over the mottling of bruises and cuts that litter his torso, some still sluggishly bleeding. He itches to bandage them up, but stays himself with the sobering thought that Angel is used to guys touching him when he’s unconscious.

“Angel.” He tries again. Angel shakes his head minutely. “-on’t wanna.” He whines.

“Look at me please? I just want to check that it’s okay that I touch you. You know it’s important to me.”

Angel, with a long, juddering sigh, pulls himself from the cusp of sleep and blinks his eyes open. He frowns, glaring a little as he yawns into his hand. Husk waits patiently at his side, knees beginning to ache with being pressed against the hard wooden floor for so long.

“I told ya I don’t care what you do when I come back doped out like this, Whiskers. Not like I’ll remember it. Hah!” His laugh comes out rough, like it hurts to push from his lips. Husk shakes his head.

“And I told you it doesn’t matter if you’ll remember it or not. I’m not going to be another man who takes advantage of you.” He says, carefully enunciating each word so the message gets through.

Angel curses and flops over onto his side which draws his face infinitely closer to Husk’s own. He meets his eyes with a burning, lidded gaze. Husk keeps his posture relaxed, but his tail puffs at the sudden movement.

“Yer a softie, Husk. I don’t think ya could take advantage of me if you wanted to.” The words are coupled with a rickety, slapped on grin. Husk desperately wants to just shake him until he gets it through his big thick head that that’s not the point. It doesn’t matter what he thinks, it matters what he wants. Does he want Husk touching him after an abusive, grueling shoot? That’s what Husk’s asking, not if he ‘trusts’ him. He sighs.

“You didn’t answer my question. Can I touch you? Just give me an answer and then you can go back to sleep. God knows you’ll be needing it.” And it’s true. Who knows what Val has in store for him tomorrow? He’s better off getting all the rest he can get, while he can.

Angel appraises him with a long, considering look. There’s a lot going on behind his eyes and though Husk is aware of the fact of it, he can’t begin to try to fathom what exactly his thoughts are in this moment. He simply sits back on his heels and awaits his verdict. Every so often his eyes are drawn down to the mess of Angel’s torso. It’s not an intentional thing, but he can feel his hackles rising with the need to Fix It. Husk crushes the feeling down.

Finally, after what feels like an eternity but in reality couldn’t have been longer than five minutes, Angel closes his eyes.

“Yeah. Yeah Husk, you can.” He says, voice as small as Husk thinks he’s ever heard it. It’s strange to hear him so soft when usually he overtakes rooms with booming confidence; he even looks small, now, tucked into himself and using all of his arms to hug himself close as he hunches over.

He doesn’t- maybe he can’t- look at Husk when he speaks. Husk takes the words for the olive branch that they are and nods.

“Okay. Thank you, Angel. S’ all I needed.”

Angel just nods, curling further into himself for a moment before abruptly turning onto his back and feigning sleep. They both know he’s awake- he’s not snoring as loudly or as endearingly as he would if he truly was asleep- but Husk doesn’t call him on it, just reaches down to the first aid kit he’d dragged over in his initial protective rage and starts unpacking the necessary materials. Alcohol (not the fun kind), gauze, tape, and Angel’s preferred- though he’d never tell you it- heart-patterned bandages.

Another glance at Angel’s stiffly unmoving form reminds him that he hadn’t even had time to remove his makeup before passing out from exhaustion. Smears of glittery pink decorate his eye sockets, smudged from what Husk can only assume were punishing bouts of sweat and exercise. Husk pushes down the surge of indignation this thought elicits and smooths Angel’s hair back, thumbing for a moment near his hairline, before standing.

“Be back in a sec. Forgot something.” He keeps his voice low, tries for soothing but probably achieves something more like a dying wood chipper. Angel- who had up until that point been tightly coiled, as if expecting a blow- eases into the cushions at the sound. He hums, “Mmk. Thanks.”

Husk doesn’t respond lest Angel figure out from the cadence of his voice that Husk doesn’t need to be thanked. That he wants to do this. That he likes it.

It’s just- Angel always looks so at peace in these moments. The usual tension in his body melts away leaving nothing but the rawest and purest version of him. Husk loves that version of him, and he loves that Angel trusts him enough to show him it.

Husk returns after a minute or two with a pack of makeup wipes, Angel’s preferred brand, that he’d bought not too long ago precisely for moments like this. Angel was always complaining about glitter getting into his eyes when he forgot to take his makeup off and Husk saw an opportunity to Fix It. There’s not a lot in Angel’s life that Husk is able to help with, but this is something. And he jumped at the chance.

Angel is snoring lightly, right back at the cusp of oblivion that Husk had so heartlessly torn him from before. He sniffs and turns toward Husk when he settles back at his side, curling slightly into his warmth. Husk can’t help the smile that infects his features at the movement.

With careful, callused fingers, Husk begins to dab at the cuts on Angel’s torso. He’s not sure how to feel about the fact that Angel only flinches at the initial sting, not the rest of the painful swipes. It speaks to a depth of experience with this kind of thing that Husk vehemently dislikes the thought of Angel having to go through. Sure, in theory he knows Angel’s been subjected to this bullshit for decades, but to see it spelt out like this? So clearly and heartbreakingly? Husk has to take a moment between cleaning and bandaging the wounds to collect himself.

Angel whines when he takes his hands away.

“Easy. Easy, Legs.” He wants to call him ‘baby’ but isn’t convinced enough of Angel’s unconsciousness to chance it. Angel huffs.

The rest of the bandages go on easily enough, with minimal protests from Angel- which, somehow only seem to occur when Husk pulls away- and Husk smooths a healthy amount of bruise cream on each of Angel’s visible bruises. He’s almost certain there are more hidden beneath the- admittedly skimpy- clothing Angel is wearing, but is unwilling to undress him like this.

Pulling the surprisingly fluffy throw blanket from the back of the couch, Husk drapes it over Angel’s form, smoothing the sides down and tucking his arms beneath its warmth so he doesn’t wake up cold.

Husk is methodical in his cleanup of the first aid supplies, drawing each movement out so that he has more of a reason to stay in the room. To look at the rare smooth openness of Angel’s expression.

Once finished, he sets the kit to the side and picks up the makeup wipes, pulling one from the pack and pinching it between his pointer and thumb as he leans over Angel’s face. He moves one hand to cup his cheek, and the other to begin swiping lightly across Angel’s left eyelid.

Angel flinches a little at the unexpected contact, eyelids fluttering as his expression scrunches, disrupting the smooth peace Husk had so adored. It strikes something sore within Husk to watch.

“Hey. Hey, you’re okay, Baby. I’m not gonna hurt you. Go back to sleep.” The ‘baby’ slips out, Husk just can’t filter his words as carefully when Angel is so close, and so clearly hurting.

Angel’s expression smooths at the sound of his voice, at first fractionally, then all at once. It’s a gift to witness.

He leans his cheek further into Husk’s hand and Husk, unable to curb the small chuckle that bursts from his chest at the sight, smooths his thumb underneath Angel’s newly cleaned eye.

This is perfect. If life was fair and they were free this could be their normal, their everyday intimacies, indulged in unrestrained bliss. Husk allows himself to live in the thought for a moment before moving to clean Angel’s other eye.

He doesn’t flinch this time, simply sinks into Husk’s hand as it cradles his face and tips his right side towards him. Husk lets his fingertips linger against smooth, cool skin as he works. Swiping tenderly with each pass, as if Angel were something worth treating carefully.

Husk finishes his work without fanfare and, with an indulgent, lingering press of his lips to Angel’s warm forehead, he stands.

Only to nearly keel over when he meets Angel’s own, lidded- but OPEN- eyes.

“FUCK!”

Angel laughs, but it’s small and syrupy. Real.

“Thanks, Babycakes.” He offers, reaching his arms above his head in a stretch before settling back, deeper under the covers. “You sure know how to treat a guy. Careful what you offer, though, okay? Might end up with a junkie on your ass if it's too sweet.”

Husk understands what he’s really trying to say and shakes his head.

“Any time, Angel.”

[saccharinosis]

One of if not my favourite Makima panels. And as a light inspiration for Lovel, how could I not redraw?

[lotus-pear]

have you ever drawn ango? i feel like he would be so beautiful in your style

I HAVE NOT i will be adding that to characters i need to get around to drawing

[lostxmelody]

au

[dazaiconfused]

Back stage after Cities in the Park 4th of August 1991, at Heaton Park, Manchester

[yaboisnelf]

i hate them i hate them i hate them i hate them i hope they explode

johnny cage and kenshi sketches from mk1

[catscidr]

im sorry i know i should be writing reqs but i just can’t stop thinking about slightly creepy office au coworker dottore...... im horn

you have a boring 9-5 job, trying to find joy in the mundane, else you go crazy. waking up to birds chirping outside of your bedroom window, the tasty to-go coffee and breakfast sandwich you always get in the morning, and your coworker greeting your still-sleepy self when you step into the office. always one to gossip, she’d motion for you to hurry up and sit at your cubicle so she can gush about whatever rumor was currently roaming the building. 

“have you seen zandik lately? his temper is worse than usual! think he just got broken up with or something? honestly, i see why his partner would call things off, it seems like he’s always prioritizing work over people...” you take a long sip of your coffee, relishing in the newfound energy that flooded your system. it takes you a minute to process your coworker’s claim. 

“how do you know he was even in a relationship in the first place?” you ask, scoffing in amusement at how fast her brain seemed to work; it was almost impressive, really. “well, he’s handsome, for one. and he’s loaded! i don’t understand how he can afford such a nice car with a salary like ours,” she sulks as she finishes her rambling. you take the opportunity to finish your food, setting your half-empty cup down to start prepping your workspace. 

“inheritance? or he’s crazy good at managing money,” you suggest. just as you thought your coworker was about to drop the topic, she perks up and slams her hand on her desk a tad bit too loudly. “oh! or maybe he works a second job? y’know, the cost of living is getting pretty high, so maybe he has a 5-9 on top of working here!” 

someone shoots her a look that says “it’s still early, lower your voice”, and she grins at them awkwardly before turning to look at you with a smile that rivals someone that just uncovered the cure to a deadly disease. 

you pause your typing, fingertips resting idly on the mechanical keyboard. “why do you care about what he’s up to, anyways? usually you avoid talking about zandik or any of the higher-ups because you know they’ll probably get us in trouble,” you point out, your shoulder getting hit as soon as the words leave your mouth. giggling lightly at how dramatic her reaction was, you turn your attention from your computer to your coworker. you’re met with a petrified expression and uncomfortable body language along with the lack of natural light behind you. 

“and why, pray tell, are we gossiping about my foul mood?” someone says from behind you, though you could recognize its owner anywhere. your blood runs cold— the warmth from your morning coffee having vanished from your body, not a single trace left in the presence of the office’s most intimidating employee (arguably). your coworker flashes him a wide, albeit shaky smile, and shakes her head a bit too quickly for it to be considered normal. 

“n-not gossiping! we’re just concerned for your health! right?” she says your name, nudging your foot from underneath the desk. you don’t have time to decide whether you want to detach yourself from your predicament or to go along with her bullshit because zandik bends down to your level, flashing a smile that doesn’t quite reach his dull eyes as he speaks for you. “then avoid spreading rumors about my personal life, it gives me a headache,” he murmurs quietly.  

you’d catch the unspoken threat in his voice if you weren’t so flustered. he was so close you could smell his cologne— musky sandalwood that made your head spin, losing whatever train of thought you had just seconds ago. “s-sorry,” you’re the one that apologizes since your coworker was frozen in fear, looking more like a deer facing headlights than an office worker. 

zandik’s lips stretch wider, vermillion eyes narrowing at her before flickering over to you. you immediately look away, suddenly now noticing the sheer lack of space between you two. if what you were doing before was unprofessional, then this was beating it by a landslide. although you couldn't help but wish that he bent down to your level more often. though, at the same time, he looked good looking down at you…

he stays like this for a few more uncomfortable seconds before straightening his back and walking away, no words spoken between the three of you. your coworker exhales a breath she had been holding in, and turns to face her desk in silence. 

you're left with a rapidly beating heart and the need to take a bathroom break even though you just clocked in not even ten minutes ago.

[johnslittlespoon]

all the actor/celebrity au posts lately combined with troye bringing ross on stage last night for one of your girls has got me thinking...

a musician x musician au where gale is a troye sivan–esque ultra–famous queer pop star, and john's the singer of a well known indie rock band, and he gets asked by gale's team to star in a music video similar to one of your girls...

to everyone who doesn't know him personally, gale feels like this untouchable pop star. he's been in the industry for years, one of those classic 'i used to make music in my bedroom in my small town' stories, working his ass off before finally a song of his blows up and gets traction and then it's such a fast rise to stardom that he doesn't have time to wrap his head around it.

he never gets used to it, but he doesn't get an ego from it; he still hangs out with the same group of friends he's had since high school, and his team does most of his social media posting for him, because it freaks him out having all that attention, as grateful as he is. he's not shy by any means, not like he was when he started out, but he's not the biggest fan of all the fanfare and interviews and being put on a pedestal and all that. he keeps himself pretty distant online, and that coupled with the diva/superstar energy in his music/projects gives him this air of being on another level– a rare type of star all around.

john has a similar story, the whole growing up on the internet thing, making music in his basement in high school with the friends he's now in a pretty popular indie rock band with, working tirelessly to make a name for him and his friends. but that's kinda where their similarities end.

because john is known for being an absolute shit–poster, a little fiend online, a running joke in his fandom that 'john doesn't know that he's famous', 'should someone remind him this isn't a finsta?' type of vibe. he feels so accessible and down to earth, and while he's just as level headed and humble about his celebrity status as gale is, he displays it by being more present and trying to show the human side of it all, vs gale trying to create distance between gale cleven and the gale persona the world knows.

the band is first and foremost john's thing, but as he's grown in popularity, he's of course gotten offers for other avenues here and there, and at the insistence of his manager he decides to agree to try out a modelling shoot one day. he's not naive; he's more than aware of all the comments going on about his looks, stumbles across more tiktok thirst trap edits of him sweaty and shirtless on stage than he can count, isn't all too sfw in some of his band's songs, either.

he finds it all funny, but he also is someone who will always jump on new opportunities/experiences, and he ends up having a good time modelling, and picks up more gigs as time goes on. this is how gale becomes aware of him, somewhat because gale does occasional modelling too, but mostly because he's worked with a lot of big fashion names for tours and videos, so his and john's circles occasionally crossover, though they never actually meet in person.

so then comes this music video shoot, one that gale's been agonizing over for months, planning every little detail and making sure everything is perfect. it's something that drives his manager (marge? <3 gotta include the angel in every au obvs) insane because gale's got so much on his plate as is, but he likes to be so hands on with his projects, and she knows by now there's no talking him out of that. and everything is going great, until the person who's meant to be starring opposite gale has to pull out last minute due to a scheduling conflict or personal emergency or something.

and the usually very collected and put together gale is freaking out. it's the day before the shoot, everyone involved has already travelled to be on location, choreography is set in stone– this is his nightmare scenario, never doing well in situations where he has a lack of control. it's half of what scares him so much about being as famous as he is, is that he doesn't have a lot of autonomy or control over his own image or how he's perceived in the public eye (and digging deeper into backstory, probably stems from wanting to take back control after a childhood filled with being controlled by family.)

but it's situations like these where he's reminded why marge is his manager and he isn't, because she leaps into action the moment they find out about the cancellation, calming gale down so they can put their heads together to find a replacement. they reach out to a few of the names they have connections to, but it's too short notice for all of them, so maybe marge even just resorts to going through the people gale follows on instagram, and stumbles across john's page. he's got a good rep in industry and has worked on less 'conventional' projects before, so marge shuts down gale's fretting over "would he be comfortable with something like this?" by telling him there's only one way to find out, and contacting john's manager.

john agrees before he even hears the full pitch, and he's just as keen afterwards (albeit a bit nervous because by no means is he a professional dancer), knowing it'll be good publicity, and curious to explore a more artsy/out there gig, but also curious about the illusive gale, who he'd been surprised to receive a follow from a few weeks back.

john is flown out that night to the city of the shoot location, barely having a few minutes to change and head to the rehearsal space, where he meets a very frazzled but very thankful gale for the first time.

maybe they both have some preconceived notions about each other, despite having mutual respect and no actual interactions; john probably expects gale to be a bit stand–offish or conceited given his high celebrity status, but finds gale's actually bashful and quiet and easygoing when the cameras are off (when they're on, it's like he flips a switch, slipping into this persona, exuding confidence and sexuality and it honestly blows john's mind to witness in person).

gale probably expects to john to be loud and abrasive based off his well known social media posts, maybe even a little uncomfortable around gale, who is openly queer, whereas john isn't– maybe john hasn't ever stated his sexuality, has never given much thought to it, it doesn't matter much to him. instead he finds john's actually a little shy, much less bravado than he'd anticipated, but very enthusiastic and eager to learn and get the choreo and everything else right, assuring gale repeatedly that he's down to do whatever is needed.

so the two of them rehearse till the early hours of the morning, john taking it as seriously as though it's his own project he's invested months into, and gale gains such admiration for his commitment and willingness to stick his neck out for a borderline stranger (even though he's obviously aware this is a big boost for john's career). john gains a newfound appreciation for gale's work ethic and how much effort goes into every little thing for a huge artist like him.

and inevitably... there is sexual tension during the rehearsals. they're both overtired and sweaty and it's such a strange situation to meet for like five minutes and then jump right into dancing together so intimately, having to shed any inhibitions and self consciousness, but it's a blessing in the sense that they have to get comfortable around each other so quickly. there's no room for modesty or shyness, and john is genuinely speechless at how gale puts business first, and after double checking that john isn't uncomfortable, how he has no qualms about physically directing john, moving him how he wants him.

it's hot to john, the way gale knows exactly what he wants and is so passionate about his vision, and he'd be lying if he said the combination of being starstruck and being lowkey manhandled isn't getting to his head a bit. which is a whole other thing to unpack, because aside from vague acknowledgement of some men being attractive/beautiful, he's never actually found himself flustered by one like this, and it catches him off guard. he stays professional, but he still can't help but let his naturally flirtatious/joking personality slip out as the night drags on; he's like that with everyone he works with or hangs out with, and he thinks it would be weirder if he wasn't like that with gale, like everyone else would somehow notice.

meanwhile gale is fighting his own demons because he's got a very sought–after, very hot, very straight man dropping everything for him and letting him puppeteer him, on top of being so stubborn that even though gale can tell he's exhausted, john's refusing to call it a night until gale does, and THEN as if all that's not enough, john's effortlessly witty and complimentary and flirty. and gale's not one to mix business and pleasure, so he's not even entertaining these emotions, but he can't help but feel flattered by it all, while also reminding himself that john probably doesn't swing that way.

basically they both are discovering they have competence kinks lmao, like objectively they both find the other attractive, but it's not like they aren't constantly surrounded by beautiful humans in their lines of work, so it's more so the emotional side/work ethic that gets them both flustered, coupled with the inherent sexuality of dancing with very little clothing, hands on sweaty skin and toned muscles. but neither of them act on it, too tired by the time they call it a night even if they'd wanted to, and then it's back to their respective hotels to get a few hours of sleep before the shoot.

john isn't called to be on location until mid afternoon, and when he wakes up to his phone ringing and glances at the time, he freaks out, thinking he's slept through the shoot or something because he'd expected to be called early in the morning. he's told that he didn't sleep through it, but he's disoriented until he shows up, when he's told that gale had moved things around, filming as many scenes as he could without him before john was needed for his part, so that john could get more rest. (john swoons. just a little.)

he gets swept up in the capable hands of hair and makeup and wardrobe in his own trailer, and he doesn't see gale until it's time to film, and when he does, he almost doesn't believe it's gale. the glam makeup, the long blonde wig, the form–fitting sheer black dress and heels– gale's pretty as is, but with his features accentuated like that, john doesn't even know what to do with himself, feels like he's going through a midlife crisis at the ripe age of 25. he'd known gale would be in some sort of getup for their choreo, but nothing could've prepared him for this.

it makes it even more endearing that gale seems so awkward about it when he greets john, clearly out of his comfort zone in the ensemble, but john knows there's no way gale doesn't know how stunning he is, it's not a lack of confidence that's making him awkward. john keeps it together, reminds himself to be professional. tells gale it was really sweet that he let him sleep in, that he didn't have to do that, to which gale waves him off like it's no big deal. and he compliments gale too as they walk onto set, tells him, "you look great, wow," tame as he can be, and gale tells him "could say the same for you," and john snorts, gesturing to his simple jeans and boots and lack of shirt, says "feeling a bit underdressed, actually," and it gets a laugh out of gale.

when the cameras are rolling, any of that visible discomfort or awkwardness in gale disappears like someone's snapped their fingers and rid him of it, movements fluid like water, not an ounce of anything other than confidence and power and sensuality seeping through as he commands the camera with his energy. despite his aching body, john's grateful they ran the routine into the ground last night to the point that it's nearly muscle memory, because it's hard to concentrate when gale's looking down at him through long faux–lashes and gloss–plumped lips, caressing his jaw, playing with his hair, the sway of his hips and roll of his waist beneath john's hands so mesmerizing, john's half convinced he's being serenaded by a siren.

the tension would be insane, but equally confusing because neither of them would be able to discern what's an act and what's not, or if it's all just an act, pushing and pulling at an invisible line but never quite stepping over it even once the shoot wraps, both for the sake of professionalism but also for fear of rejection.

maybe after it all, john's on his flight back home and realizes in the whirlwind of everything, he never got gale's number (has a moment of 'why would i need it? this was just a gig' lol okay yearner). john's not even sure at that point what/how he's feeling about gale, the conflicting emotions of feeling attraction to him while in borderline drag doing nothing to help the confusion, especially because he can't excuse the attraction as just that when he was feeling things during rehearsal in casual clothes too.

he knows he could easily ask his manager to reach out to gale's manager for his number, but then he gets in his head convincing himself that if gale had wanted to talk further, surely he would've asked for john's number, since gale has way more reason to be selective with his own with his status.

he doesn't realize that on the other end of things, gale's realizing he also never got john's number, only he's talking himself out of reaching out because he doesn't want to read into john's friendliness as something flirtatious when as far as he knows, john is straight, and this was likely just a job for john, as well as they seemed to get along.

cue miscommunication when one of them actually works up the courage to dm the other on instagram since they're mutuals– either john dms gale something simple, a 'thanks again for the opportunity', and because gale is never on his socials and gale's team doesn't check messages much, it's weeks before anyone clocks john's message, during which john becomes sure he's nothing more than a coworker to gale, which he understands but is sad about. or, gale dms john, but from a private account with an innocuous username that he has just for friends and family, and john never even opens it because the lack of profile picture and generic user blends in with all the other message requests he gets a day.

they only end up reconnecting when the music video actually drops, because obviously it breaks the internet, and john happens to be doing promo interviews and radio shows at the time for his band's new album and tour, so an interviewer of course asks him what the experience was like working on a set like that and working with gale. john gives a glowing review, goes out of his way to praise gale– "the nicest guy you'll ever meet, and the craziest work ethic i've ever witnessed firsthand in hollywood."

when the interviewer asks if john would ever consider working with him again, y'know, the classic question an interviewer has to ask so they can drum up clicks with a 'john egan hints at possible future project with gale cleven!' title, john lays it on thick the way he always does with a wink at the camera and a "he can call me up anytime," but then adds a serious "no, really, i would love to work with him again, he was great."

predictably, the people who are already losing their shit over the music video and making edits and fan theories about the two of them go even crazier, spam–tagging gale and his team in the comments of this interview post, which leads to it eventually making its way to gale, and gale then realizes that john hasn't been uninterested; he must've just not seen his message since surely he would've replied if he had (marge looks at him with so much disappointment when gale mentions his attempt to reach out– "gale, no one with that kind of following is going through dm requests from faceless, private instagram pages, you of all people should know this").

gale hasn't told marge about his possible feelings, but marge isn't dumb; she didn't stand on set for nearly 24 hours with her eagle–eyes and not notice the way gale had been looking at john. to anyone else, it might've just seemed like he was leaning into his persona, but marge has known gale for a long time, and she could tell it wasn't all him playing it up for the cameras.

so marge puts her manager–brain and best friend–brain together and decides that with all the hype surrounding the new song and video, the two of them being seen together in public and making a few posts together would be a great boost for both of them. but she knows gale will never go for it if she voices this to him, because he'd see it as using john for popularity; she reasons that if he doesn't know, it can't be using. so she reaches out to john's manager and figures out when they'll both be back in the same city, and relays her plan as if it's just business, asking for john's manager to let john know that gale will be in town the next week if he wants to set something up, and she gives the manager gale's number for john to contact.

when gale wakes up one morning to a 'hi, this is john! my manager passed on your number to me, hope that's okay. i was told you're in town next week? :)' and then 'egan. btw. lots of johns out there.' and then 'the music video guy.' (john, absolutely panicking on his end, worrying that gale might not even remember his name, not knowing gale's been stalking his socials and confusion–pining just as much as john has been doing the same.)

and then more miscommunication after they arrange to hang out, because john assumes this is just for publicity based on what his manager told him, and he understands, as much as he wishes they're hanging out properly. but gale assumes this is a genuine hangout, because john never says otherwise, until the end of the evening, when gale has to leave for a dinner event and john says "we better take those pics for the 'gram before we say goodbye, or the big guns'll have a fit."

and either gale masks his surprise and then disappointment and goes along with it, thinking maybe he missed a memo or misread things, and this conflict and miscommunication is dragged out even longer, or gale doesn't hide his confusion in time, and john is then equally confused, says "your manager didn't...?" and gale says "sorry, i didn't know; i guess i misread your texts," feeling stupid that he's been thinking the hangout is anything other than a pr stunt. and then there's the awkward "no! no– well, yeah, i was told that this was to promote the video, so i thought– i mean, i would've liked to hang anyway, i just didn't think you wanted to?" from john.

gale is slowly connecting the dots in his head and he's so embarrassed, but also relieved that he hasn't misread things and made a fool of himself. john looks on the verge jumping out of his skin as gale sits quietly, so gale puts him out of his misery, smiles and pushes his irritation about the incident down and says "i do want to, john. i think marge– it doesn't matter. it was a miscommunication, i guess." and all the tension evaporates out of john's body, and he lets out a laugh, and a "oh, thank god. fuck. i was about to walk into the street," and gale lets himself relax too, scoffing at john.

so they decide to have a redo the next week, since they both do feel obligated to take their stupid pictures now to please their teams (and the internet), and thus a tentative friendship is born, the two of them dancing around each other and around feelings because everything is confusing as is, let alone with the way their careers affect every aspect of their lives. so much slowburn, lots of john trying to figure his attraction out and gale keeping his walls up because the thought of literally becoming the person he's singing about in his music video is laughable, he doesn't wanna be strung around or used as an experiment for john.

and john respects this unspoken boundary and also appreciates that they can get to know each other as friends while he tries to stop freaking out every time he pictures him and gale doing less than platonic things. probably a whole lot of chaos on john's end with the absolute tornado that he is, ie: '4am 'am i gay' quizzes taken in the dark of his bunk on a tour bus, asking an openly queer friend from his band if his feelings toward gale are normal, rumours started by a fan that they saw john in a gay club after a show, etc.

because john doesn't do anything halfway– he's ready to literally go out and kiss men and explore his newfound feelings, not just to prove himself to gale, but to figure himself out, because he's terrified of hurting gale since john doesn't have the best track record with relationships. overthinks the shit out of everything and doesn't realize it's not that deep, that liking gale doesn't mean he's suddenly attracted to all men, that all gale wants is for john to be confident in himself and his feelings for him before pursuing anything.

there's a lot of back and forth and messiness and emotions stacked on top of their already crazy hectic schedules and lives, the theorizing and prying from fans and paparazzi, caution from management, but when they eventually have their point of no return moment and cross that line from friends to more, the chemistry is so intense that both of them feel stupid for dragging things out for so long.

when the initial new relationship shyness wears off, the sex is also insane, all the exploration and playfulness (and inevitability of the whole feminization thing coming back into play since that's what starts everything in the first place lol). they're barely able to keep their hands off each other, almost always spending the night at each other's places, stealing as much time as they can to make up for the time apart when there are tours or other events separating them.

they try to keep things private for a while, but with how active john is online, he slips up a good few times– tiktoks where a hat or something of gale's is accidentally left in the background, story posts where john's wearing one of gale's hoodies unthinkingly, mirror selfies where there's a mystery hand or leg in the background. the internet is torn, some convinced it's coincidence, some certain it's all a pr stunt to get people talking, some adamant that they're in a secret relationship. gale's never upset about it; they both just know how much things will change if they go public.

months are spent sneaking around, rarely going on public dates, the odd paparazzi shots still leaking out until it finally gets to the point that there's no point hiding things anymore, it's obvious that they're not just friends. they never actually announce it or make some relationship launch post; they just stop caring, and it's freeing and neither of them expect to be so affected by being able to publicly show affection for each other, but it's such a sweet thing and makes things feel so much more real.

john goes to gale's sold out arena shows and stares up at him in awe and can't believe that gale chooses him every day, and gale goes to john's band's high energy festival sets and watches his golden boy light up with joy every time he glances at him side stage and can't believe john chooses him too.

:-)

lol this post was meant to just be the two lines above the cut but then i got to thinking about origin stories and whoops new au drabble because i'm a master at getting carried away!!

[hiraganasakura]

Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.

Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol

I put it under the read more for easier scrolling due to how long this post got!

I immediately noticed smth in the very first lines of the interaction:

Raven: "Hello, brother." Qrow: "...Raven."

You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)

On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name

It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting

Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."

Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment

Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind

Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."

Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board

Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point

Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"

A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:

Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."

And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite

Bcus they have different definitions of family

Another thing to pin (I promise this will all become clear soon)

Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."

Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!

Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!

Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"

Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)

Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow

A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him

And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving

We've finally reached the end of the conversation. Now what does all of this tell us?

And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently

Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem

Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her

I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely

As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?

Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth

As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho

And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay

This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did

Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.

And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways

I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks

But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.

In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies

[atlaskrr]

HOLY SHIT I WAS FINALLY ABLE TO SEE THE NEW SPIDERVERSE MOVIE TODAY AND GAH DAMN

Here's a penny for my thoughts:

The animation team continues to impress me with the animation and in this movie more so than the first cause of how they made each universe feel

THAT OPENING (love me ambiguous openings where you slowly piece it as it continues)

Spot = traumatized silly guy turned into very dangerous traumatized guy

We all thought pavitr would be ✨TRAUMATIZED✨ but I'm so glad miles was able to help him save both (maybe he is traumatized if his universe is destroyed but let's hope not since he's so blorbo)

Love his silliness with his whole introduction introduction the romantic tension comments and "Oh he doesn't know about hobie" like a whole romantic drama is about to play out

I thought I was gonna hate hobie with how much police he was talking but I grew to be amused and fond of him (the true mvp)

Idk if this is controversial or not but even though miguel o'hara is traumatized I still don't like him (if it's not clear I hate it when people try to be "the system". Looking at you light yagami)

THE COLOR THEORY ON THIS 👏✨🙌

Like the color shifts in gwen's universe and the inverted colors on the scenes of earth 42 and gwen's universe is another on point moment

There is so much more that I can't possibly mention of the top of my head at the moment but all the visual symbolism (not just in color) is *muah*

PARALLELS (that's all I have to say)

MAYDAY 💞 is. so. ADORABLE AND CHAOTIC.

I love peter b. parker having a child cause he liked the idea of raising his child to be like miles... cause he's a good person

Also peter b. parker is SUCH a father figure towards miles

Speaking of miles THEY REALLY CANT LEAVE THE POOR BOY ALONE WTF (give him a break man)

The humour in this movie. PEAK. (Idgaf what you say)

I love all the cameos and references of the many spiders and will deffo pick apart every scene once I can get my hands on the full length movie on my pc

They make every spiderperson's attack feel unique and get creative with techniques and styles

I love the 2d-3d look it has as always

I love miles' parents and its nice to see gwen reconcile with her dad

GOOD OLD PARKER TRAUMA

EARTH 42. ITS ALL CONNECTED. THAT REVEAL WOAA.

I'm glad they brought back the old spiders that miles first met into the squad

GOD DAMN THE CLIFFHANGER

i LOVE all the details in this movie

I also love the theme and characterization

[nectar-cellar]

Gonna wish we never met on the day I leave I brought you down to your knees 'Cause they say that misery loves company

i wrote amir lore under the cut 🤕🤒

this is a birthday card that amir wrote to dani one year 🥺

i wanted to write a bday card from dani to amir as well but i was having a hard time with the character's voice so for now it shall remain unwritten...

----

Dear Princess Dani, 

Happy Birthday to the sweetest, most beautiful girl in all the land. With you in my heart, I could conquer any battle, slay any dragon, and weather any storm. 

Life feels like a fairy tale when I’m with you. I can’t wait for the day I get to take you to a kingdom far, far away from here, where we’ll live happily ever after. 

I hope you know that you can always come to me for anything. When your burdens are heavy, let me carry them for you. When you’re feeling down, I’ll be here to lift you up. All you have to do is reach for my hand. I promise I’ll never be far. 

I love you.  

Your Knight, 

Amir

[xant-tdype]

Izana: Go fuck yourself.

Ran, smugly: Sure, but only if you watch