#it's such a complicated situation and we have to look at it realistically

[fly-chicken]

Listen I’m with you; vet care is absolutely insane rn and it’s ridiculous what it costs. It should not be a wealth thing to have companionship, period.

My clinic does a lot to reduce fees where necessary and even work with rescues to provide cheap if not free care in situations where we can; to do this we also have to be realistic with estimates when you’re considering something that will take time and at least 3-5 staff to accomplish safely.

We estimate high, plan for anything that may possibly happen and run lower so that it’s a pleasant surprise what it costs. A neuter of a healthy pup who is younger and has no history of complications will probably run you 600-900$ depending on pet size and time under anaesthetic (again which is why we recommend people to foster to adopt pups from rescues to limit the costs to yourself if you aren’t prepared to pay for a medical operation).

This person (without getting too specific) was looking for additional services under anaesthetic such as a dental cleaning, lump removal or ultrasound of the heart while wanting to run blood work day of instead of in advanced as recommended (and therefore cheaper) for a dog breed that has an increased risk of bleeding out so we have the extra fees built in to account for not taking the recommended timeline.

So in summary: yeah that’s high, it’s meant to be to deter people from being unsafe about timing their pets care (the fee would have been reduced about 300$ if they had gotten recommended bloodwork the week prior or even 600$ if they had gone with the doctors plan six months prior when they noticed the initial concerns about the other requests under anaesthesia that like three different people explained to this person)

direct action 😂😂😂

[alicentflorent]

I feel like Alicent “realizing she’s in a patriarchy” council scene isn’t bad like you’re saying. Alicent knows she’s in a patriarchy, yes, but like Rhaenys said in s1- Alicent is trying to carve out a small window in her prison, she frankly doesn’t have much of an opportunity to break out of her prison, but if she had never put Aegon on the throne then life under Rhaenyra’s rule WITH her friendship would have put Alicent in a better position. Alicent knows it’s a patriarchy, but she realized that small window she made (when she ruled in Viserys’ place, when her sons listened to her) is now completely closed.

"I sent an ask about Alicent and the patriarchy and I want to add that I don’t think it’s alicent’s fault that Rhaenyra got supplanted, alicent’s support might not have mattered much since they were scheming against Rhaenyra without her, but Alicent herself probably feels like if she had at least not aided in her own destruction it would be better. But bc Alicent herself supported Aegon, she now sees that she has no place anywhere with no one listening to her, I mean Aegon would listen to her but she has grown distant from him for many reasons"

I think the idea that Alicent would have a better life under Rhaenyra's rule with her friendship isn't as likely as we would like to think. She might be trying to carve a window in her prison but unfortunately this is a reality for most westerosi women. All they can do is hope that they are able to make their lives better, hope that their fathers. husbands and sons allow them a certain level of privilege and power which they can just as easily take away and this is what happened to Alicent. Rhaenys herself spent her life only having power because of her Targaryen blood and because Corlys allowed her to have a voice.

Alicent is in a very complicated position. She could have stayed loyal to Rhaenyra but what happens if they have a falling out again? Alicent can't lose Rhaenyra's loyalty because she would need Rhaenyra to protect her children. Otto wasn't wrong when he told her she could remain loyal to Rhaenyra and beg for her to have mercy on her children when/if the time comes. Is that really a better life? Alicent would still fear for her children's lives and have to always stay on Rhaenyra's good side. Rhaenyra also had no bond with her half siblings even before Alicent turned on her.

This is how I think it likely would have went: Alicent stays loyal to Rhaenyra for the duration of the ten year time jump then the whispers of Rhaenyra's childre's parentage get louder. They are protected by Viserys and Rhaenyra of course but this gives people who plan to overthrow Rhaenyra another reason why Aegon is the better choice. Westeros would never accept a bastard being passed off as legitimate on the throne. Rebellions throughout history break out over the littlest things so it would be easy for rebels to push the misogynistic idea that Rhaenyra is unfit as woman and that she is a whore who bore bastards while Viserys has three legitimate sons. What if Aemond, for example still wanted the throne? Sure he may have turned out differently but Viserys had no interest in preparing him for any kind of future and if he had bonded with any other men who put ideas into his head he could end up rebelling. Then there is the issue of Daemon - he was always the real threat to Alicent's children because he hates them and Alicent, Rhaenyra marrying Daemon after Laenor's mysterious death might also cause a rift between them because Alicent might fear what daemon will do. The best scenario might have been sending Aemond and Aegon to the wall and Daeron to be a Septon or Maester but that doesn't protect them from scheming politicians or rebels who will push their claims regardless. If not during Rhaenyra's reign, it could happen during Jace's.

Basically, there was no good outcome in Alicent's situation and in an ideal world as someone who shipped young rhaenicent I would like to them presenting as united front as a family but unfortunately that isn't how life in Westeros works. In every scenario, Viserys dies leaving a succession crisis in his wake because he decided to remarry and have more children without considering the potential problems all because he was weak and attracted to a teenager. There was no stopping the Dance, All Alicent could do was try to make the best of an impossible situation. She was thrown into the lions den by Otto, and birthed four children who were a threat to Rhaenyra simply by existing. .

[cherry-treelane]

everytime i feel bad and stressed about my life i remember that i might be in a troubling situation and having a bad time but im not season 4 fiona gallagher in the clink after leaving crack on the counter which my 3 year old baby brother happened to ingest resulting in a fatal near-death experience thats wracked me with never-ending guilt and forever altered my life

[moe-broey]

Also @ my it takes Sharena to break free from the "Gustav was a good man/Father" Askr family unreliable narrator hivemind. That the Main Reason she can't/doesn't is because it's the One Thing that's protecting her. That's stopping her from having a catastrophic world/life fucking breakdown about it. Heavily influenced by her brother and mother's feelings about it.

There's something else, I think Sharena is specifically protecting herself from too. She was Triandra's sister, too.

[starpros-sunshine]

You know. I'm part of the fraction "to each their own and let people handle their lives however they see best fit". But I do feel the need to say that I have seldom seen such an idiotic assumption as that breaking up with someone four days before someone's birthday when you also want that someone to do something for their birthday even though you know you and your soon-to-be-ex will both have to be there won't end with that person just not doing anything with anyone for their birthday. Partially because nobody wants that kind of awkwardness after a fresh breakup and also because the soon-to-be-ex has the lovely habit of wallowing in self pity and making everything about how they have it so bad. You know I just think in such cases you should've waited a week with the breakup. I don't care how much you want to fuck that other guy but I really think you should've waited a week.

[thehmn]

I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

[copperbadge]

https://www.wired.com/story/therapy-broken-mental-health-challenges/

I came across this (old) article and it made me think of what you shared about your therapy experience. Would you say your therapy experience worked? It almost feels like you were telling us about how you were A/B testing your way through it.

Yeah, I remember reading that article at some point either before therapy or early on. I don't remember what I thought overall but I do remember being astonished that people expected therapy to help them in six sessions, and that most people report improvement in only 15-20. Not because I think either of those things are unrealistic based on any kind of evidence, but because that's not the expectation I was ever handed when I was in therapy. I was in therapy for nine years as a kid, until I turned eighteen and could legally refuse to go. Not for anything I did, like it wasn't a court order, I was simply put into therapy and wasn't allowed to leave by the adults in my life.

The thing is, because it was mandatory, because at least one of those therapists broke ethical constraints, and because across nine years and three separate therapists nobody caught my ADHD, I have a more complicated relationship to therapy than a lot of people. I still catch myself thinking of things I can't tell my therapist because then she'll have leverage on me. Which is absurd, but it took me a long time to start saying those things to her. I am difficult and private and smart enough to make that a real problem, so it's been a slow process for me.

I also think that article is complicated, because it makes a lot of good points but it also seems at times to confuse therapy itself with the abusive nature of the American healthcare system. So while it's a useful article particularly when it speaks to marginalized peoples' experiences, it may discourage people who could benefit from therapy from doing the work to find a therapist. It's a good article to learn from, but I wouldn't advise people to decide for or against therapy based on it.

(My thoughts on my own therapy under the cut)

I'm still in therapy. It's difficult to measure results. I think I handle interpersonal stress better than I used to, but I haven't been able to find much to help with some of the emotional volatility I experience, and while I've set some good boundaries with family, the process of doing that was and continues to be stressful and upsetting, in some ways harder than simply not having them, so I'm still assessing that. Part of the problem for me is that I don't find cognitive-behavioral therapy useful for what I need, and while I understand there are differences, like 90% of all therapeutic systems boil back down to those techniques. Reality checking, visualizing, physical stimulus responses, mindfulness, as I said once to Therapist, "It's CBT all the way down." I don't respond to many of them and others I was already doing, so *shrug emoji*

At that point, when I realized there was no system that was going to help with my specific problems -- in part because the problems are ADHD related in a way that you can't train your way out of -- we also agreed it was time to try medication. Which felt like a failure, but I know that realistically I looked at the situation as it is, assessed my options, and made an appropriate choice, which is after all what therapy is often about.

So I've been on Clonidine for a couple of weeks. And it's doing fuck-all so far, but it's the lowest dose and there are other options too, so it's an ongoing process.

Outside of frustration with trying to fix problems that I honestly don't think anything but medication will fix, therapy's ok. If nothing else the expectation of it helps me identify actual problems in my life. And like most people I enjoy talking about myself but I also have a lot of struggle around asking for that kind of indulgence from friends, so doing that for an hour in a structured transactional kind of way is easier for me.

Ultimately, there's no real one-size solution that's called "Therapy", so whether or not I have found it useful isn't really material to whether someone else would. Some people use it as maintenance stress-relief, some people need to do deep emotional work, some people are in crisis and need an objective commentator. Sometimes you move from one need to another. Right now I'm in a liminal space because we're trying something new, so it's tough to say. But I'm finding it worth the cost in time, energy, and money, so I'll keep on until I don't anymore.

[judesmoonbeauty]

Black Wedding: The True Vow For A Jet-Black Bride - Jude Jazza

This is a repost. Due to the original being deleted, CGs will not be uploaded per my announcement. This is a fan translation only, so please expect grammatical errors and lack of nuance. While I appreciate your support and welcome re-blogs, please do not repost my translations elsewhere. Thank you for you support! ☾.

Jude: ….A woman with bad taste.

Flash of light

As I was taking deep breaths, I suddenly remembered the dream I had this morning.

(I dreamed that someone with a grudge against Jude came to my wedding….)

It seemed terribly realistic because he was always incurring grudges wherever he went.

(The only reason I think it might really happen is because of this situation….)

Standing in the deserted hallway, I exhale again and remember how it all began.

It was only a week ago that he suddenly decided to hold a wedding ceremony.

Flashback -

Jude: Oi, We’re gettin’ hitched.

Kate: What?

Jude: A weddin’. Want one dontcha.

Kate: We’re having……a wedding?!

I can’t help but raise my voice in at the unexpected statement.

(I had always dreamed of a wedding, but I thought Jude wouldn’t like it.)

Jude: What, don’t want it?

Kate: …….If I could, I would like to.

He raised his finger as he spoke.

Jude: In a week, no attendees, ‘n I bought a few dresses, so pick whatever ya like.

Kate: …..In a week?!

Flashback Ends -

(I know it’s nighttime and he said no attendees, but Crown wasn’t even present…..)

(I wonder why he suddenly said he was going to have a ceremony.)

I open the heavy door with my hands.

Kate: Ah…..

Through the veil I see him in an unusual outfit.

Jude’s eyes widened when he saw me.

Jude: Suits ya.

He takes my hand and the corners of his mouth soften slightly.

Kate: Um, Jude…..you look good too.

Old Pastor: Then we will begin the ceremony.

As the pastor was speaking, Jude muttered under his breath.

Jude: You’re goin’ to hell, too.

I was elated to see the somewhat complicated expression on his face.

Kate: Bring it on.

Jude: …..Ha.

Old Pastor: Now let’s exchange the rings…

I feel a sense of tension as I look at two boxes held out in front of me.

(As it goes, I put the ring onto Jude’s finger first…..)

The shiny silver was small but had a strong presence, and seemed to speak to the weight of the promise.

Jude: What a nervous look. Ya scared now?

Kate: You’re wrong! It just, feels very heavy and….

With trembling fingertips, I put the vow on his left ring finger, and for some reason Ellis appeared….

Kate: Huh?

Jude: Enough, just take him with ya.

Ellis: Kate, your dress is lovely. I was just telling everyone how nice it looks on you.

Jude: ….Don’t say anythin' unnecessary ‘n just go.

He walked out of the church with the pastor, who was confused as to what was happening.

Kate: Is everyone…..from Crown here!?

I instinctively grabbed him by the arm, and he gave me a nasty look.

Jude: …..They’re guardin' the venue.

Kate: Why is there security at the venue?

Suddenly remembering this morning’s dream, I choked on my words.

(Maybe they’re standing guard to ensure no one tries to attack Jude?)

Jude: ……Heard ya told Ellis ya wanted a weddin’ ceremony.

Kate: How did you know that….

I didn’t think that my honest feelings I’d blurted out would reach him.

Jude: Seems like ya didn’t say anything ‘bout it ‘cuz you thought I wasn’t interested, but that doesn’t mean I’m not interested.

Jude: I just didn’t do it ‘cuz I knew those idiots would sniff out the ceremony and cause trouble.

Kate: …..My wish, you made it come true.

He burst out laughing, took a piece of paper from his pocket and placed it on the altar.

Jude: I’m sure ya understand, this kind of thing happens everyday.

Jude: I can’t have a normal life, and I can’t have the married life you’re thinkin’ of.

Jude: If ya wanna turn back - do it now.

On the altar, was an open box and a quill.

— And one contract.

Jude: If the pastor was here then we couldn’t do this.

Kate: 1) I don’t object to this marriage. 2) Infidelity is strictly forbidden. 3) The transfer of money…

Kate: Did you make this, Jude?

Jude: Got complaints?

Kate: It’s not like that…..

(A contract for an occasion like this is so typical of you, Jude.)

I already know that he will not break his promise.

(And how much this marriage means to Jude.)

He was probably the person who tried to bring me back to my normal world the most when I came to Crown.

(He’s got a foul mouth, but he’s kind and compassionate…….)

(That’s the kind of person I fell in love with.)

He was taken aback when I signed it so easily.

Jude: …..Don’tcha want time to think about it’?

Kate: No. Isn’t this for you Jude?

Jude: ….hopeless.

The signed contract was placed from the altar into his pocket.

Jude: It’s lifetime employment.

Jude: Even if you cry or runaway, I’ll never let you go.

What awaits us ahead will be thorny, the destination to the deepest hell.

(But you’d laugh if I told you that my joy outweighed that.)

Kate: Even if hell awaits me, I won’t run away.

Kate: Even if I go to the end of the sky……as long as you’re there, that’s all I need.

He bit my finger sweetly and laughed as my nose grew stuffy and I felt like I was about to cry.

Kate: What are you doing….?

His expression was somewhat tender, and tears of joy flowed from my eyes.

Jude: Whatta ya mean, if ya look you’ll see. I put a curse on your ring finger.

Jude: Ha, whatcha cry even when you’re happy? I learned somethin’ good.

When the veil was lifted and I closed my eyes to his approaching lips, I thought I heard gentle laughter and tears started flowing again.

I’m sure that when the last day of my life comes, I will be happy that the curse on my ring finger was not broken.

[Master List] Dividers: @.natimiles

[starry-nights-garden]

K ✧ Too Tall

✧ &Team K x gn!reader ✧ words: ~900 ✧ genre: fluff, humor (reader is a bit shy, reader is significantly shorter than him) ✧ warnings: none

Desc.: You're mad at your boyfriend for being too tall to give him surprise kisses.

"You're too tall."

"Huh?" Your boyfriend, caught completely off guard by your comment, turns around to give you a highly confused look. And then as soon as he sees your offended expression, a soft laugh escapes him. With a jerk of his eyebrow he walks over to you from the other side of the living room, fists placed on his sides, and as he puffs out his chest he asks, "Why? Cause you can't reach me?"

"Yeah..." you grumble a response, slightly annoyed with his demeanor, but when he shows you a boyish grin next second, you just don't find it in you to stay upset.

"That's too bad..." Yudai says, now capturing his own chin between his thumb and index finger of one hand, as if he was seriously pondering on the matter. You know he's not. You know he's messing with you like he so often does, and you know it's no more than playful banter. Still, as you glance up at his face that's just out of reach, you feel frustrated again.

"Forget it..." you mutter eventually, turning on your heels in order to walk away. "This is stupid anyway."

"What is?" Your boyfriend is quick to respond, and when you've taken a few steps in the opposite direction you bite your lip, deciding to gather the courage to say it anyway.

"Just... you're tall so it's... complicated..."

"What?" you hear Yudai snort behind you, not quite following you.

"Your height!" 

"I got that, yeah."

"Like..." You turn back around, the flustered expression on your face making him raise his eyebrows. It's clear he can't accurately estimate the seriousness of the situation, and as he tenses up slightly, straightening his back you remind yourself to relax. "Like... you know... when you just steal a kiss from me or stuff like that..."

"Yeah?" Another short laugh escapes him, and he raises the corners of his mouth into a lopsided grin.

"I can't do that to you whenever I want... and that's..."

"Too bad?" he finishes your sentence.

"Annoying," you correct him. 

"...that's it?" he then asks. "That's what you got so worked up over?"

"Yeah..." you quietly respond, avoiding to look him in the eye because you find that you are highly embarrassed over being upset because of such an insignificant thing after all. However, Yudai walks over to you, and when he's standing right in front of you he leans down so he's now on eye level with you. Hands in the pockets of his jeans, he starts talking again.

"Then we're just gonna have to make up some sort of signal for when you need me to lean in real quick so you can kiss me." Your face heating up at his ridiculous suggestion, you stutter an answer,

"Th-that's stupid!" And while keeping your voice down, you add, somewhat shyly, "Also it's not gonna be a surprise like that..."

"I'll act surprised?" he retorts.

"That's not the same!"

"Try it! I can make it seem very realistic - I'm a good actor!" Yudai insists.

"But-"

"Are you trying to tell me you're questioning my acting skills?"

"It's not satisfying if you're acting! Forget it..."

"Y/N..." he calls out your name as he's standing up straight again. "I think you're failing to consider one option here..."

"Wh-what?" you stammer, your embarrassment about to take you out right then and there. "Can we just end this already? I know it's stupid..."

"It's not stupid... come here." You watch as your boyfriends pulls over one of the chairs by the dinner table, patting it once to signal to you what he wants. Slightly confused, you take a step towards him, and with him holding your hand for support, he assists you in stepping up onto the chair. Once you're in position, now significantly taller than your boyfriend, he places his other hand onto your waist so as to steady you.

"So...?" you ask, still not being able to connect the dots and figure out what the point of all this is. And then, catching you completely off guard, Yudai lets go of your hand, grabbing you by the collar of your shirt instead and pulling you down towards him, his lips smashing against yours somewhat ungently. Your heart skips a beat at his action, and you grab onto his wrist instinctively as he kisses you. Quite in contrast to the initial impact, his lips are moving against yours at a slow pace. There's the faint taste of vanilla from the chapstick he uses these days, mixed in with the sweetness of his warm kiss, and when he finally releases you, you both have to catch your breath for a few moments.

"This," he says, barely an inch apart from you. "You can always do that when you wanna surprise me with a kiss."

"Right..." You words are merely coming out as a whisper. "I didn't... think of that..."

"And besides..." your boyfriend adds, "that's gonna make my heart race like crazy." You nod, telling yourself to remember that piece of information properly, but when he closes the distance between you two again your train of thought is cut off instantly. His lips melting against yours leaves you unable to think, and so you simply wrap your arms around his shoulders, fingers of one hand combing through the short hair at the back of his neck as he continues kissing you.

[ceasarslegion]

By the wishes of a few people, here's my advice post about living alone. Keep in mind I'm speaking from the perspective of a canadian urbanite, so this will not apply to absolutely everybody in every kind of culture, economy, living situation, those in rural areas, etc. This also is not assuming wealth disparities are a matter of personal attitude, i KNOW it's complicated. Get back with that shit right now, you know damn well this advice assumes you are able to achieve the financial means to live on your own and is not disparaging anyone who legitimately can't.

Let's cover the basics first.

Source of income:

This seems rather obvious, but your income should be regular and reliably the same or similar on a monthly basis. The most obvious way to achieve this is with a job, and I'm sorry but minimum wage is not going to cut it on your own anymore, which means you're going to have to swallow your pride and accept that you'll likely have to work for some industry or corporation with a dodgy moral record. Get used to it. There is no point in self-flagellation, the world is complicated, just take the 50-60k a year office job, no one actually expects you not to and nobody will hold it against you when the "moral" option is soul-crushing retail. The real world really doesn't give a shit what you have to do to afford a comfortable lifestyle as long as you do what good you can within your abilities, no one in the real world expects you to sacrifice your own wellbeing for a cause.

Salaried positions are your most reliable because you'll always pull the same amount, while hourly pay comes with the ability to pull overtime pay in exchange for more shifts, but if you run out of sick days you'll have to spend the rest of the year taking unpaid time off when you need to call in. Whichever one you choose depends on what's available to you and what's right for you physically and mentally, I can't make that call for you.

You also need a credit card. That is non-negotiable. If you don't have a credit score, you can't sign a lease. Bad credit is better than no credit. We can argue until the cows come home whether or not credit scores are good or bad, but it's just reality that you're going to need one. The good news is it's fairly easy to build credit from no credit: you just have to pay off your credit card in full on time every time. The bad news is it's equally as easy to tank your credit score, you just have to miss one or pay it too late, and it's very hard to build good credit back from bad credit. So don't see it as free money, only spend as much as you can pay back, and if you don't have credit right now, start with small things like lunch and little treats that you immediately pay off.

Looking for a place to live:

Once you have your regular and reliable source of income, you can start looking for your place. There's a few things you should keep in mind:

-Draw up a budget for how much you can spend on rent and bills. That includes all basic living expenses: rent, utilities, food, internet, phone, hygiene. Compare how much you make per month to what you can spend. 1/3 to 1/2 of your salary is a bit more realistic to expect to spend on rent alone nowadays, so work within that range when you apartment hunt. Think of everything when you're budgeting, like how much do you spend on haircuts per month? You probably didn't think of that, because I didn't either at first.

-Apartment buildings with some/all utilities included often have higher base rents. You have to keep in mind that this is so the landlord can balance out the utility bills of the whole building, which are unpredictable expenses and on them to pay every month. If you don't know how to budget yet or don't know how to do so with unpredictable bills, I highly recommend trying to find a place with utilities included so you know EXACTLY how much you'll need to pay every month and can plan in advance

-Older buildings tend to be both cheaper and more likely to have centralized utility systems, which means they have to include it in the price of rent because there's no way to tell who used how much of something. If it's your first place alone, you'll probably be tempted to get the brand new, expensive building down the road, but it won't actually make much of a difference when you move in. You will love it regardless.

-Never ever sign a lease until you've either seen THE unit you're considering, or one of the show units that is exactly the same layout. The last thing you want is to go off online photos only to move in and find out the building has a mold problem. You can arrange personal tours by contacting the building manager or the landlord directly. Phone calls are the best way to do this.

-If you want the unit after seeing it, you know you can afford it, there's nothing funny about the place, apply IMMEDIATELY. Places are usually on the market for a few days before they're snapped up by a new tenant, you have to strike while the iron's hot.

-If you've decided on the place you want and had your application accepted, read the lease carefully before you sign. Many places require tenant insurance that meet specific policy requirements, have registration rules about long-term guests, outline how the parking works, quiet hours, smoking rules, mail, laundry, all the way down to what kind of barbecues are allowed on your deck in the case of mine (I am in a wildfire danger zone, so any types that produce embers are strictly prohibited for fire safety reasons). Ask any question that comes to mind about the lease. Not everything in a lease is some human rights violation just because you don't like landlords, keep in mind you're living in the same building as dozens of other people, so there has to be ground rules established for everyone's sanity.

-Internet is often not considered a utility so you'll have a hard time finding any place that includes it. You can arrange to have your wifi set up in advance of a moving date on a specific time and date, do this right after you sign a lease so you don't forget. They won't charge you until you're actually hooked up to the network.

-If your utilities are NOT included, get those set up in advance too. The main ones are HVAC, water, and electricity. The companies that do this vary depending on where you live and what's available, so shop around online once you've signed your lease and sign up as soon as possible. The last thing you want is to forget this and then move into a dark freezing apartment with no water.

Budgeting:

After your living expenses are covered, you should have a comfortable amount of financial wiggle room leftover. If you wouldn't, the place you're looking at is either too expensive, or you're being overcharged elsewhere. It's completely normal for living expenses to take up most of your budget these days, you're doing just fine in the same boat as everybody else if that's the case, so don't panic yet. If you have absolutely NOTHING leftover though, then you're out of your price range.

You also need to set money aside for fun and saving. Do not forego fun money, your brain will try to kill you with hammers and knives if you never get or do things for yourself. And if you're on your own, you're the only one providing that for yourself now. And a solid building base of savings will only help you in the future, whether you lose your job, have an emergency, or even need a down payment on a house later in life. Don't be a doomer about your circumstances or the socioeconomic and generational cards that were dealt to you, chip away at it a little at a time. And don't fall for social media's insistence that anybody with anything at all is some bourgeois degenerate or that being fortunate enough to be able to have upward mobility makes you some ultra wealthy shithead, working towards a comfortable standard of living for yourself does not make you a rich elite or a bad person. You're working towards the standard we should all live as, not exploiting the poor or being a class traitor. I feel the need to add that last part since we're on the website of "struggling art students in NYC are bourgeois that are just bad with money and having a gaming computer makes you upper middle class." Don't listen to a word any of those people say, I know it comes from a place of very real hurt and pain for them but that doesn't make it grounded in absolute reality for absolutely everybody.

Social needs:

If you're by yourself, there's gonna be a lot more work you have to put in for your social and entertainment needs. I can not stress enough how important it is to give this the time and work it needs, do not neglect this.

Lots of libraries have clubs you can join that will get you out of the house and meeting new people regularly. They're either free or very inexpensive. This is a great place to start.

Take advantage of technology we have now. Hop on discord calls more frequently, make sure you're talking to your friends on the regular and try to make plans as much as you can.

Also, I advise finding lots of things you can do by yourself. You will be spending way more time alone than you ever have before, so find single-person hobbies. Go thrifting, get into knitting, go explore the city, read lots of books, do puzzles, just don't lock yourself inside all day in your free time. Even if you're doing it alone, going out and seeing that the world is bigger than your apartment and your workplace is very good for you.

Misc advice:

You don't need a conventional coffee pot maker. Single serving will suit you just fine.

Cleaning is easier when you have a routine. It doesn't all have to be done on the same day of the week, but having a regular schedule of what gets cleaned when for non-daily chores will help you keep on top of it. And please, god, don't neglect your cleaning and hygiene just because no one lives with you to see it. On that note, spray bottle all purpose cleaners are your best friend for daily spot cleaning and you should deep clean your washroom around every 2 weeks in my experience since that's where you'll be doing most of your personal hygiene. Also make your damn bed, yes you'll just get back into it at the end of the day but having a major part of your space neat and tidy will do wonders for your mental health.

Don't buy the cheap garbage bags. Some things you really do want the expensive shit for.

If you don't have a car, delivery service/rideshare subscriptions ARE worth it and legitimately economical in the long run. I do wanna circle back to square one and say that yes, most of them like prime and uber do have dodgy moral records, but sometimes you just gotta swallow your pride and accept that. Once again, no one in the real world expects you to spend your entire day on public transit looking for toilet paper that isnt 30 dollars a pack or lugging 50 pounds of groceries back on a bus just for a cause. It's not the fault of someone who needs these services for their quality of life that they do the things they do, don't put that responsibility on your or other's shoulders when the fault lies at the top of the corporate ladder.

When you're budgeting for living expenses, expect your income to be at the lowest and your expenses to be at the highest. I expect 2 call ins per month and to need to spend the max amount i have on groceries every time, that way I never fall short and never have to cut into my savings that I've dubbed my "oh shit, I'm broke" money. Your emergency reserve may look tempting to you, but as someone who has been in a position where they had to drain it to nothing in the past because of an unforeseen financial emergency, you REALLY are gonna want that untouched if and when shit hits the fan. Life is unpredictable, prepare to roll with the punches so they don't knock you out.

A few people wanted to be tagged in this, so here you go @lilsnatch and @kisstheashes <3

[novlr]

okay, this is complicated, but I'm trying to write a scene that features two characters that have the same gender but neither of their names are revealed yet. so it's getting really weird. do you have any advice on how to possibly do this?

There are definitely ways to describe unrevealed characters (or a character without the use of their names). You’ll find it among classic literature, poetry, and even shorter fiction–all dependent on the author.

What makes your character notable?

When thinking about how to describe and/or narrate your character without using their name, ask yourself what makes them stand out the most. This isn’t just asking “who” your character is; this is asking what makes them who they are. And there are multiple ways to do this.

Personality

To start, maybe your character has a very distinctive personality. Are they extra grumpy or happy? Usually, that’s one of the first things we notice when interacting with other people. We notice first if our family member seems grouchy one particular morning or if a friend looks like they’re about to share the best news of the world during lunch hour.

When telling a story, narrating about a woman being mean to another can be as simple as dubbing her “the mean woman” or “the mean lady.” That’s just as we would start describing someone in real life without knowing who they are. The same can be said about “a nice man” who enters the story and tries to calmly interact with the mean woman who’s making a fuss.

Narrate a character without using their name, but use their personality, mannerisms, or even mood. And this works with using different pronouns, genders, and/or identities; as well as whether the POV of your character (or narrator) knows the other character in question or not.

Appearance

Something else we notice as people while first interacting with others is their appearance. And this involves more than simply what they’re wearing. Again, it must be notable enough as a feature.

Rather than writing a laundry list of what a character is wearing in prose, focus on what pieces of their attire make them stand out in a scene or situation. Take, for example, someone wearing winter layers in the middle of summer and vice versa. Or someone with neon pink hair. Or a really tall person among the crowd.

If you have two characters speaking with each other, such as two women, it can be as simple as a difference in hair color. “The blonde spoke to the brunette.” Yet there are ways to be more creative with your descriptors. Maybe one of them is “the lady in pink” (or “pink lady” for easier word flow) because their entire outfit is pink from head to toe. Sit down and truly consider all attributes of your character(s).

Utilizing appearance and personality to form monikers also works in a setting where all characters dress the same. In The Red Badge of Courage by Stephen Crane, the story takes place during the U.S. Civil War and follows the main character on his journey of being a soldier. Therefore, he and the other characters are all in uniform. Per Crane’s writing style, their names are only utilized in dialogue.

Henry, the main character, is dubbed as “the youth.” Then, other characters are further named as the tall soldier, the loud soldier, the blatant soldier, the sergeant, and even the fat soldier.

Profession/Activity

Consider what your character does, or is currently doing, in your scene. Addressing them as part of their profession is another option for creating a moniker.

Here's an example for a more realistic setting: You have a character walking inside a big corporate building for a job interview–maybe the CEO themself. If the CEO’s name isn’t revealed yet for any reason, or you prefer not to use their name in narrative at a particular moment, referring to the person as “the CEO” is still a way to give them a moniker in narrative.

Or, perhaps you have a character meeting an artist, such as a painter, to collect a piece for their home. In this case, “the painter” or “the artist” also works in prose.

Use other senses

You may have noticed that we discussed a lot of visual attributes of a character that would make great monikers in narration. But don’t forget about the other senses! It is just as efficient to come across a smelly boy or a loud girl and dub them as such. For touch, perhaps a character emerged from a sewer covered in grime, and they feel extra slimy!

Once again, think about how you notice and interact with others during day-to-day life. We may first notice things about other people like “messy hair,” “dressed formally,” or “weirdest outfit ever,” but all your senses are put to work when you are present in any situation. A girl sings off-key in the distance, or the new date your character meets smells like they haven’t showered in a week. These are all great descriptors to use in creating monikers!

Consider point of view and narrator

By now, you should have ideas on how to tackle narrating your characters without using their names, but I do want to add a final note! Keep in mind your character’s POV (or narrator) when writing about another character. Does your character/narrator know this person? Monikers like “the stranger” work just as well in prose, and even add some mystery or tension to the mix!

First person can make it simple with prose like, “I stared at the tall stranger. I never met him before, but this is now the second time he’s shown up. Just who is he? Will I ever find out?”

Third person could be, “The figure standing before the boy turned to face him, a complete stranger. Yet the boy did notice the colors on the figure’s uniform–a captain. He stiffened to attention.”

This accomplishes a fun way to introduce characters, where the reader is meeting a new character at the same time the character POV/narrator is. This also allows you to control the pace of bringing in new characters to your story too, versus dumping a list of names and descriptions all at once to overwhelm your reader. From a total stranger in one chapter to realizing a military uniform in another, and eventually learning the new character’s name via dialogue later.

You can read the full post with additional examples at the link below!

[bubbipond]

OK but why am I seeing on Twitter and Tumblr people saying that Tonkla did not love Korn as much as Korn loved him?? Did we watch the same show? Let’s not act like Korn was boyfriend of the year. Tonkla didn’t just wake up one morning and decided to be a murderer. He also didn’t force Korn to also cheat on him??? Korn was choosing his family and the life he lived his whole life over love the entire time. You can argue that love wasn’t more important than revenge to Kla but you can’t argue that he didn’t love and care about Korn or vice versa.

He literally took a bullet for him. He did not have to do that. He knew his time was running out. You don’t do things that Tonkla did in this show and expect to live happily ever after. In my opinion, they had the most realistic end to a dark series. You can love someone and want to be with them, but fate not be in your corner. They were both in retrospect too deep into their individual lives to not die and I find that extremely heartbreaking. To be honest if two people deserve a happy ending it was probably them because their issues were not entirely made by them. Their situations were directly influenced by other people (technically so was Greats but he ended up happy so).

But I feel like deducing everything between Korn and Kla to just a revenge plot is a lack of critical thinking. I know that’s a buzz word and I’m not just saying that because throughout the airing of the series I have been like, “I support Kla’s wrongs and his rights”. But instead, I am saying this because he and Korn are not their actions. They are who they are because of other peoples actions. Kla couldn’t move on with his life after his brother died because there was no justice. He definitely needed therapy and he should not have been going around murdering people or attempting to. But that was a direct Issue stemming from his brother’s death. Korn didn’t want to be the head of the family. He didn’t want to be a crappy brother or a crappy boyfriend. He didn’t want to marry that girl whose name escapes me.

And at the end of it, they were both willing to look at each other and be like you know what!? We are Thelma and Louise, we are Bonnie and Clyde. In the most tragic ways possible. I think that’s the reason they kind of stole the last episode. All of their shit was out there. Neither one of them were cowards and neither one of them were good people. Maybe they were at one time but life and the choices they made changed that. I think their end was perfect because they both succeeded and failed at their motives at the end of the day. Neither one was where they were in the beginning at the end of it all.

Marrying that woman wasn’t going to miraculously make Korns life easier. In the end, she cut her losses anyway. The marriage didn’t help her at that point. So where did he have to go? The revelation that Kla was the one to shoot Great and that Great was part of his brother’s murder didn’t diminish how they felt about each other. It just complicated everything. Attempting to murder the people responsible for his brother’s death didn’t bring Kla solace. It didn’t bring his brother back and if anything it just made life shittier. At the end of the day, there was no out for either of them. They would both still have to pay for things they did and did not do. So even though their story ended, they still had a better ending. They still love each other despite the tough situation they were in.

My favorite part of that last scene is Bas’ facial expressions when he hears everything from Kla. He’s not heartbroken, or angry, he’s not bewildered, Or jealous. He’s all of the above and you can see it written on his face so perfectly. Bas really knows how to show emotion on his face and I love him for that; especially the mix of feelings between the revelation and him pointing that gun. He wasn’t questioning whether or not Kla loved him because what did Kla have to gain from keeping him around at the point of him running? This man was exhausted. He was tired of everything and everyone he was tired of the cards that they all have been dealt up until that point. He knew pointing that gun was a bad idea. But their backs were against the wall and there was nothing left to lose. Until there was. He had to watch the love of his life take a bullet for him. So I will not sit here and let people act like Kla was this master manipulator who only wanted revenge.

Because the saddest part about all of this is, it was just a very unfortunate circumstance that intertwined Great and Dome.

[yetanothergreyjedi]

Left and Returned: Definitely Nothing Wrong

Ao3

Danny Phantom x Supernatural Crossover

Chapter 2

Dean orders the largest burger on the menu, Bobby orders something with potatoes that will absolutely have him commenting that he could make a better one himself. Sam orders a salad. Danny orders chocolate chip pancakes off the breakfast menu and Dean looses any reservations he had about refering to the young man as 'kid'. Realistically he's probably not much younger than Sam, but if he has a problem with it he can start acting like an adult.

No. Dean isn't huffy about the handstand thing. Why do you ask?

"So it's following you, but you haven't seen it. Like haven't seen it like, invisible or like being watched from afar or what?" Then again, the kid was asking good questions.

"Like its invisible, but can't hide its presence, realizes its making a mess then pisses off."

"Because its afraid of being noticed or because it doesn't want to do harm?"

"How am I supposed to know?"

"Vibes."

"Gut instinct," Sam adds, which makes more sense than 'vibes'.

"It shattered every window in the place. I don't think its scared."

"Fair."

"I know a psychic, a couple hours from here. Something this big, maybe she's heard the other side talking." Bobby suggested.

"Hell, yeah. Its worth a shot."

"A psychic..." Danny tapped the table, "Okay, sure. Why not?"

---

"What the hell is this?"

"An ipod jack... It's been my car for a year, Dean."

And what could he say to that? Instead Dean points sout the part that is far worse than douching up his car with modern niceties. "Its pink."

"Yeah... well, it's not mine, it's Jazz's. She left it in here and if I move it I'll forget to bring it back to her."

"Huh," Dean had no idea what he expected. Maybe some comment about how pink wasn't that bad? He turned the key and some girly romance song filled the compartment. "Really?"

Sam smiled a little at the song, and Dean hit pause on the device instead of throwing it into the back seat.

"Soo, she your girlfriend or what"

"That's complicated."

"Of course it is, the hunting making things weird?"

"No, actually. Her family hunts."

"But not her?"

"Only when necessary, she's in medical school."

"I'm, uh, noticing some parallels, Sammy."

Sam laughs. "Thats part of why its complicated."

"Just part, huh?"

"Yeah,"

"What about Ruby? She still around?"

"Probably. She shows up when she thinks she can make a case for wanting the greater good or whatever... there was a whole thing. When I was still convinced I could bring you back..." Sam trails off, clearly deciding how much to say. Sam had tried to bring him back?And failed? Did Bobby know about any of this? "That's done now.”

"Huh...You been using your freaky E.S.P. stuff?"

"Every time I think its behind me something weird happens."

"What?"

"It shows up at weird times, stressful situations. Afterwards its hard to tell if it was real or not."

"Sam..."

"I know, look, one thing at a time okay? We worry about this for now."

---

"I am curious... why aren't you doing this yourself?" Pamela asks Danny.

"You're a psychic?" Bobby asks.

"...I guess I could count? I tend to only talk to the dead when they're right in front of me."

This, of course, meant Pamela forgot she had been flirting in favor of talking shop with Danny. Which meant he didn't get a chance to chat with the lovely lady, instead got to listen to her quiz him on ‘'energies'' and 'conduits' and other psychic mumbo-jumbo. Like really, he just got outta jail, why can’t he enjoy it? It's probably for the best though, the kid, in his own words, "knew enough to do some incredibly stupid things." So, Dean figured letting Pamela explain the basics of a safe seance was probably saving someone a whole mess.

Not that he thought Danny would intentionally be stupid about it. They'd have done this four hours ago in the back of the kid's van, if he'd thought he could, and who knows how that would've ended.

He's less willing to accept it when Pam decides Danny should be the one touching Dean's shoulder.

"Jesus, kid! You been holding ice cubes?!"

"Don't judge my hobbies." Kid quips, settling his hand back over the handprint. "Just poor circulation, chillax."

Dean immediately regrets glancing at his brother. At least Sammy has the decency to stifle his smirk, but really, taking your not-actually-brother-in-law-because-its-complicated's side over your own flesh and blood: Rude! Just rude.

"Okay." Pam begins, her tone both sharp and comforting. The unspoken command is heard and they somber, close their eyes.

"I invoke, conjure, and command you, appear unto me before this circle." She begins, her voice clear and authoritative.

"I invoke, conjure, and command you, appear unto me before this circle." She repeats, energy runs between their circle linked hands. Dean couldn't let go even if he tried. What was this?

"I invoke, conjure, and command you, appear unto me before this circle." Something turns on, a television or a radio, Dean doesn't know. He's a link in a chain meant to bind, every sense is dull except the feeling of clasping hands and the brand on his shoulders. Accept the single sound that rings in perfect clarity.

"I invoke, conjure, and command... Castiel? No. Sorry, Castiel, I don't scare easy."

"Castiel?" Dean repeats, how he says it, he isn't quite sure, chainlinks don't have mouths.

"Its name. It's whispering to me, warning me to turn back."

"Warning, not threatening." Gasps the link that connects Pamela to this link. The static grows, the space beneath them shakes. The world itself wants to tear the links free from the chain, but they hold. Power runs freely between them, they are as much a conduit as they are a chain. They will not break, they cannot break, keeping hands linked is effortless.

"I conjure and command you, show me your face." Pamela chants. The cacophony around them grows louder and more hazy, her voice is clear through each repetition.

Another link says something. This link does not hear it.

"I almost got it. I command you, show me your face! Show me your face n—"

"No," The link between them breathes.

The link in the chain is a body. The body is Dean. The burn on Dean's shoulder ache's with the absence of a relieving cold removed.

Dean crashes backwards. The impact of his back on the floor knocks the wind from his lungs. Sound returns. Breaking glass and splintering furniture, someone is screaming. He gasps. Three, four, five breaths before he's aware of the broken chair beneath him. He grabs a leg of it, and holds it like a weapon as he scrambles to his feet.

Bobby has already gotten to Pamela, she's covering her face and muttering about sight. Dean catches a glimpse and turns to Danny as Bobby shouts to call 9-1-1.

He can hear Sam stumble over scattered items in the direction of the phone. He kneels in front of his brother's friend.

Danny's eyes are closed, but he has eyelids, so Dean thinks that's a good sign for now. Blood is gushing from the kid's nose.

"He's beautiful." The kid whispers, clearly dazed.

"You okay, kid?"

" 'm not'a kid, 'm 24, plus all that time that didn't happen, so I'm even older than I am."

"Right, Sammy's calling the 9-1-1, you're gonna be—"

Danny jerked away like someone had soaked their hands in ice water before grabbing his shoulder. "No hospitals."

Dean remembered that the kid was also a hunter, but a lot more vivid than that, was the image of Pam's eyes seared out. "Okay, okay, let me see your eyes, then we'll decide what to do."

Danny obeyed. He blinked his eyes open, and while bright green irises' surrounded with angry red lines, they were like, normal levels of bloodshot and not 'stared into eye gouging power' bloodshot. So that was good, better than Dean had hoped. "Okay, you come with us while Bobby handles the EMT's."

"Promise?"

"Yeah, promise."

Danny nods. "He's beautiful, Dean. Like something past hoping, like the things that live in the silver."

"Um." Dean regretted his choices.

"Neverborn and Neverdead for sure. But not the embodiment of a concept I dont think. Maybe something like a wisp? If wisps liked to burn your corneas off."

"I don't think it was a wisp, buddy."

"No, Castiel isn't a wisp name. Wisps have names like:" Danny whistled a few notes.

"Are you sure you don't need a hospital?"

He wiped his nose with his sleeve. This succeeded only in smearing the blood around his face and getting his sleeve dirty. . "Yeah'm sure. Don't ask me to do anything with depth perception though."

"Danny, I don't think—"

"You promised." And Dean had promised.

---

"What'd Bobby say?"

"Pam's stable. And out of I.C.U." Sam returned to their table.

"And blind, because of us."

"No, it looked a lot worse than it is, she should retain some eyesight, but we still have no clue who we're dealing with."

"We're dealing with Castiel." Danny muttered from where he was hiding his face from the "oppressive concept of LED lights". Dean was pretty sure the lights in here were normal, but he wasn't gonna argue with the kid who might be concussed about if the diner lights were a reasonable brightness.

"That doesn't exactly help us, though."

"Sure it does, With the right mumbo-jumbo we could summon him, bring him right to us."

"You're crazy. Absolutely not."

"We'll work him over. I mean, after what he did?"

"Pam took a peek at him and her eyes burned out of her skull, Danny's..." Sam looks at Danny, who may as well be a sweatshirt artfully arranged on the table. "You want to have a face to face?"

"You got a better idea?"

"Yeah, as a matter of fact I do. I looked, there are signs of Demons in town."

"Okay." Dean doesn't like where this is going, but he's aware of how strongly he doesn't want this to be a demonic plot, so he keeps his mouth shut.

"So, we go find them. Someone's gotta know something about something."

Dean opens his mouth, then shuts it again as the waitress approaches. Ah the awkward silence of 'don't freak out the locals.' They didn't have that in Hell, he doesn't miss it.

Three plates, each with a perfect slice of pie, makes their way to the table. They didn't have this in Hell either, this, Dean missed a lot. The sweatshirt on the table must agree, because it revives into a human person and pulls his plate to himself. It's the first thing the kid did since the seance that doesn't make Dean regret letting him skip the hospital.

Then, before Dean can dig into his own slice with the same intense focus, their waitress joins them at the table.

"You angling for a tip?"

"I'm sorry. Thought you were looking for us." She smiles as her eyes go absent of light. Then the man behind her does the same, then the cook in the kitchen. The front door locks with a resounding click.

"Oh, you will not." Danny hisses. And Dean tenses, for a moment, just a silly, ridiculous moment, he thought the kid was going to throw himself across the table, attack the demon with tooth and claw. Dean tenses, ready to drag the kid off the demon, because not even it deserves his full wrath. But Danny doesn't move, because that would be insane. The kid is not that insane, Dean has seen 0 behavior that would make him expect such a ridiculous action.

The demon locks eyes with the kid, several seconds pass, then moment is gone, and only Danny's half-given threat hangs in the air. The kid goes back to his pie. The demon turns to Dean as if nothing had happened.

"Dean. To hell and back. Aren't you a lucky duck." She tries to play it cool, to pretend that she wasn't just as rattled by... whatever Danny had done— and rest assured Dean will find out what that was— but she was rattled, and the threat of her backup did nothing to help her regain control.

She tells him nothing they didn't already know. Dean tells her nothing she didn't already know. Dean doesn't bluff, because for some reason they don't need to bluff. They finish their pie, pay and leave.

A block down the road, when the feeling of being watched by a predator fades, he turns to the kid.

"What. Was. That?"

"Uh... the demons? I thought you guys dealt with those semi-regularly?"

"No. What you did."

"Ate pie?" Dean pushes the kid against the wall.

"Dean, what's going on?"

"You're telling me you didn't feel that, Sammy?!"

"Feel what?"

Dean searched his brother's face, it was pure worry not a trace that he was hiding something. Danny however, held not a trace of concern, not even the slightest fear that Dean might hit him. Cold blue eyes watch him with morbid detachment.

"Dean, what is it?"

"Nothing." Dean lies. Releasing the kid as his brother tried to pry answers out of him.

There is something wrong with Danny, and Dean is going to figure out what.

---

Dean's plans for investigation are stalled slightly. Because Danny's plan, apparently, was to sleep in the back of his van. As the kid still looked like a walking corpse, and his nose had started bleeding again, Sam had taken pity and insisted he stay in the motel with them.

Dean, now half convinced Danny was in league with the demons from earlier, (yeah the theory didn't make sense but Dean didn't have a better idea at the moment. It had been a long day.) was not thrilled with this plan. Did he have an argument that would stop Sam from being protective of his girlfriend's little brother? No. No, he did not. And to be fair, the kid did pass out the instant his head hit the pillow, so he probably wasn't an immediate threat.

Dean took the other bed so Sam would have to live with the consequences of his actions. He falls asleep thinking of jokes to make for either sleeping arrangement his brother chooses.

---

Dean is shaken awake. He swings the moment he realizes the dark figure is too short to be Sam.

Danny blocks him easily. He grabs Dean's arm to pin him for exactly the time it takes to look him in the eyes and say. "He's here. Castiel's here."

Then he lets him go, but Dean is still frozen, still pinned by the younger man's gaze. Green eyes almost glow in the beam of an outside streetlamp. It is not the same as a shapeshifter's ‘lazer-eyes'

but it is something.

But there's no time to think about it, the television flicks on with familiar static and the radio follows. There is too much glass in here. Between windows and mirrors and why on earth did they choose a motel with a mirror on the ceiling when the thing chasing them shattered glass? He shouts a warning and barely has enough time to throw the comforter over them both before the world explodes.

They huddle between the beds in a haphazard blanket fort that does nothing to stop the whistling scream. It feels too thin to be real protection against the glass either, but it holds, and the kid's eyes are definitely glowing but it's the least of his concerns.

It's not so different from hell. The noise, the danger, the cramping in his muscles as he tries in vain to protect himself. He can't tell the difference between a few seconds and a few centuries. But he's breathing, so he counts his breaths and loses count twice.

Neither of them move the blanket when things seem to calm. Another century that is actually six breaths, and Bobby is rushing through the door, shouting for them.

The glass heavy blanket is pulled away and then they're both being checked over.

"Where's Sam?" Dean demands.

"I don't know, he wasn't here when I woke." Its probably stupid, but Dean believes him.

They have no new cuts or bruises, though Danny's ears are bleeding a little.

They have the hospital argument again, Danny is feeling better(or worse) than before, because he threatens to spit on all of their socks. When that doesn't work, he threatens to not tell them what Castiel said. That does work.

"He says to meet him at the church on south street. He didn't give a time, but he promised he'd be in a form we can handle."

Bobby and Dean share a look, yeah, they're not doing that.

But the idea that it could be a trap seems foreign to the younger hunter. Danny argues that the spirit might be offended and that "A summoning might cause him to lose concrete form, then we'll just repeat the glass nightmare."

Well that was a good point: building with no windows it was then.

Needless to say Danny loses this argument.

---

So Sam is lying to him, they're in some old building marking it up with every religion known to man and Danny's claimed a whole section of wall for the doodles not known to man. Bobby gets sidetracked by it every fifteen minutes, but Danny must have credible sources for the marks because Bobby tells the kid to copy them down for later study.

Dean really needs to decide what to do about the kid. He's been helpful so far... but that was how things started with Ruby.

"This is still a bad idea." Bobby tells him. They're ready.

"I second!" Danny shouts from where he's copying his symbols into Bobby's notebook.

"Yeah, Bobby, I heard you the first ten times. What do you say we ring the dinner bell?"

Bobby sighs, but begins.

---

Castiel tries to knock the kid out, just like he already did to Bobby. It takes everything in Dean to not panic.

"Yeah, no. Not doing that." Danny deadpans to the man-shaped thing.

"I need to talk to Dean. Alone."

"Well, you could've just asked. Going all sleepy magic on a guy is kinda rude. Dean? Want me to sit in the car?"

"Are you nuts?!" He checked Bobby's pulse.

"Your friend's alive." Bobby's pulse is even and strong.

"Who are you?"

"Castiel." "He's Castiel." Both human shaped things say. This conversation was going to be painful.

"Obviously, I mean what are you?"

"I'm an Angel of the Lord."

"Which Lord?" Danny asks before Dean can say something dumb like 'nun-uh.' Danny's question definitely offends Castiel more than any denial Dean could've come up with. The guy actually staggers a bit.

"The One True God."

"You realize like 40% of the gods I've met say that, right?" What? And with that the kid has rendered the angel speechless with indignation, Dean's not gonna lie, he's kinda impressed.

"Quit pulling our legs, angel's aren't real."

"Dean, this is your problem, you have no faith."

Dean's not sure how to describe the fact that he was suddenly aware of Castiel's wings. Not that he saw them exactly, or felt, or heard them, he just suddenly knew where they were, how they unfurled from Castiel's body and were held out in proud display. Then the moment passed and they were gone.

Danny clapped politely. It ruined the rising feel of awe inspired dread and Dean hated how much he was starting to like this kid.

"You burned out that poor woman's eyes." Dean started. He wasn't letting this guy off the hook so easy.

[tytoowl]

Controversial opinion: I'd don't think The latest episode of Sherlock and Co. was as bad as people think it is.

I think we're traumatised and all just waiting for the show to disappoint us and we have found one negative thing and it has thrown us into a reactive state.

Spoilers below cut

Was it an excellent depiction of DID? No. Could it have been a bit more nuanced... Yes. But I think it was a somewhat compassionate depiction with Watson's reaction to it. As soon as the Alter emerges John clocks it, understands immediately what is going on. He addresses the alter by their name, empathises with them trying to talk to them in a way that makes sense to them, tell them they are worried about the way they are hurting Zara and themselves and then trying to get them focused on Veil Con and things that they care about. An excellent response to that reveal, considering before that reveal Watson was very sickened by the situation. But as soon as he realises that it is because Des is a System he shows compassion.

Every one else freaks out cause they don't know what's happening they are scared cause they don't what is going on. Zara doesn't know about the alter and she is screaming and crying because she doesn't know what is happening to her husband. This was hmmm... I guess realistic if your husband was holding a knife to your neck and acting like a different person and you had no idea that he had DID. But. We do not need more demonizing of DID, cause most people that have it are not like that at all.

I think it was a good depiction of what a combination of untreated DID, anxiety to hide the alter, and a psychotic break can result in. But it didn't really make sense. The DID complicated things, it could have just been a douchey step dad scamming money from his step son. I don't see how making him have DID was a 'better' plot decision. The motive of the alter didn't really make sense. Were we supposed to come to the conclusion that to cope with the fact that he was cat fishing his step son, he developed an alter to dissociate too? Or was there an existing alter the whole time that took up the mantel of Angel?

I think a bit more of explanation about what the purpose of 'ANGEL' was or John explaining to the listeners what DID is and explaining Systems are usually not harmful and educating listeners on how to help others and themselves in that situation, would have been a good way to make it a better depiction, but they didn't do that. And I will admit that is disappointing.

But again... Considering other atrocities in other media's depictions of DID, and of Sherlock. It is far from the worst. And I look forward to the next episode.

[hysteriaww]

would kai have saved bonnie if damon left her ?

The simple answer imo is yes - the complicated answer would be his *reasons* for saving her.

I feel like if Kai saved Bonnie in 6x22, it would be VERY different from when he saved her in 6x13 on her bday. In 6x13, saving Bonnie was a huge sacrifice Kai made bc of his newfound guilt and other growing feelings about her. But if Kai saved her in 6x22, that man would do it out of SPITE lmfao. Like sure, maybe a *tiny* fragment of leftover post-merge Kai would save her bc he believed she deserved better, but at the mental state that he was in by 6x22, i think a larger part of him would actually be looking to save her out of this petty urge to make bonnie suffer, bc dying would be too easy for her according to his thought process 💀

In canon, remember how Kai got annoyed by damon seemingly deciding to let bonnie die and choosing elena over her super quickly? He complains, saying smthg like "This decision was supposed to torture him," bc he wanted damon to agonize over the bonnie vs elena choice for a long time. Similarly, i think bonnie dying just like that would eliminate a lot of the angst, pain and tension of the situation, so Kai would save her life *just* so bonnie and damon would be forced to live with the uncomfortable reality of damon choosing elena over her and deal with the emotional fallout of that instead of pretending they have the world's best friendship, as they'd been doing for all of S6 (bc Kai would enjoy watching that mess).

Ofc, that would probably result in Bonnie aiming a lot of her resentment towards Kai for forcing her to face those hard truths, but maybe, after an initial explosion (and a lil nudging from Kai), she might realize that targeting kai is just shooting the messenger rather than addressing the root problem (her toxic friends). If it hadn't been kai, then somebody else would've made bonnie see the truth but either way, that's something she needed to see.

Realistically, even after this realization, i don't think bonnie would've suddenly warmed up to kai, but i think it might've pushed her to ditch damon instead of sticking around Mystic Falls to help him all the time (which would've consequently made Kai suddenly lose interest in Mystic Falls too xD). If Damon then chose to seek her out to beg her (read: force her) to defeat the town's new villains-of-the-week, or if he found her w his humanity off and tried to kill her to get elena back, i think kai might've surprised them all by appearing out of nowhere to get damon off bonnie's case (bc kai being kai was prob keeping tabs on bonnie's whereabouts as soon as she skipped town).

And maybe Kai's sudden appearance would've led to a bonkai confrontation with Kai realizing he may have saved her out of spite in 6x22, but there is no explanation for why he saved her from damon this time besides.. *wanting* bonnie to get her life away from her friends. And maybe that would've also led him to unsubtly point out that an elena-free existence had actually made bonnie's life better, thanks to kai.

Bon would probably kick his ass halfway across the world after a comment like that but i think it would stick with her, making its way under her skin as it sinks in that the horrific thing Kai did really did end up working out for her in the long run. Bc as we know, even at his lowest, there was always some part of Kai that begrudgingly wanted bonnie's attention and validation and rly resented her friends getting that from her while walking all over her. It would take a long time, but slowly and surely, i think Bonnie's intuition would eventually pick up on that tiny part of Kai that saved her life to show her that she deserved better. It would be very uncomfortable for her to realize that Big Bad Kai could no longer be an easy scapegoat for all her problems, but that might be just what she needs to finally see Kai as a person, rather than a monster. And from there? Well, looots of opportunities and potential would open up from there 😏