#it's so good i run out of ways to say it

[yashley]

Say something true!

[moeblob]

What if I straight up didn't explain myself? What if I just said trust me on this? Would you?

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.

[hell0mega]

underrated doctor donna scene

[expensivemistake]

The thing about Chip Zdarsky's daredevil run is that it takes inspiration from the Netflix show and forces that into the comic continuity, but it doesn't even lean into the elements I personally love about Netflix Matt?

He's not perfect, but NMCU Matt at his best is shown to be deeply compassionate and has such a rather warm demeanour to him. When he's happy (especially in college-aged flashbacks) he's really expressive. Women like him because he comes across as thoughtful, rather than being a womaniser. And there's no question as to whether he loves Elektra or not, considering he spends most of the Defenders trying to get through to her.

Not to mention that his Catholicism is deeply personal and certainly not devout. He's a person who grew up around religion and is uniquely attuned to the suffering around him, trying to work out his place in being a man of the people.

None of these traits are inherently better than 616 comic Matt, or even drastically different (although I do think they're fundamentally different characters who I like for different reasons).

But I guess my point is that... it feels like Zdarsky's Matt is based mostly off the "he's an emo Catholic who dresses like a devil to let out his anger and also sleeps with loads of women" jokes based on people's perceptions of Netflix Matt, without adapting a lot of the likeability and nuance that made me like him in the first place.

[transingthoseformers]

Still obsessing over Megs wanting to carry sparklings. I can imagine some bots thinking it's just a weird joke/phase he has and just laughing about it. Meanwhile Megs gets upset and sad when he gets denied any attempt to get knocked up or hear anyone says things about how he'd be a terrible mother. Some bots make comments about how "his body wouldn't be fit to carry" even tho he's got them thick thighs and birthing hips-

Anyway this probably makes no sense fbndnd just really thinking about angsty Megs who rlly wants to be a mommy

I can see this and in this scenario i can see Megatron going on and on about how they shouldn't restrict the right to carry post war, I'm really feeling a "g1ish megop develops post war" thing here as I've seen a fic of that and it was great

Or

Tfp megasound where they got sidetracked from their quest

Or

Mtmte megarod, post good ending

[5hrignold]

reminder

[dykedvonte]

An independent Courier would actually hate being in charge or enforcing standards in New Vegas. At least in my mind.

They made Vegas independent but I feel like that playthrough/style so clearly makes it apparent it isn't for them. They are making Vegas a place where people can live freely, like how House genuinely didn't care what people did but without the behind-the-scenes Big Brother surveillance he did. Having every family, faction, and other influence group or person comes to them about alliances or rules would be draining, and boring, one note.

In an independent Vegas, The Courier is also Independent. They like getting rid of lines and borders that impede freedom, they like to help give people the tool but I don't believe they want to be the one to shape it.

[right-there-ride-on]

Gyjo in the fandom

cw: light discussion of ableism

Gyjo… what am I thinking about gyjo…

I like them. I like them a lot, actually. They have paralleled narrative arcs, they complement each other nicely, the romantic subtext is incredibly obvious to the point that even the most homophobic fan you know will admit they understand why people ship it… so why do I also have a problem with it?

There’s a lot of good fanart. Hell, I’ve reblogged plenty. Maybe it’s just something that’s more pronounced in fic.

I’m trying to word this correctly. My issue with gyjo has nothing to do with the text itself. I think my problem is just how people portray it in the fandom.

Maybe it’s because it’s so popular, or maybe it’s the sheer prominence of applying ‘Character A’ and ‘Character B’ dynamics without considerable regard for the characters involved, but I feel gyjo is very prone to flanderization. I believe the intersection with how ableist people are toward Johnny (intentionally or not, subtly or not) and the old tropes these two get shoved into makes it so I have trouble enjoying fics in the fandom.

I’m not saying it’s bad to enjoy certain tropes. I’m not saying headcanons are bad either. What I am saying is that writing is hard, but if you’re going to write fanfiction please have consideration for the characters you’re writing. The arcs of these two are complex and multilayered, which is why I think they have such staying power, but I also think they also provide a good opportunity for us as writers and artists to examine our biases when it comes to the portrayal of certain groups, personality types, mental illnesses, queerness, disability, etc. and maybe come out better people for it.

[galedekkarios]

"how could anyone ship bloodweave they make no sense at all" did you think about their stories, their motives, their ailments, their shared hobbies, the subtle progression of their relationship throughout the acts, and how very similar they can be despite being different. i know that you didn't but if you had then perhaps you would understand why some people might ship them, especially since a) you can successfully romance them in an origin run thus making it possible, b) astarion already tries flirting with gale unprompted in act 1, and c) you can romance astarion with a good-aligned pc and romance gale with an evil-aligned pc. so, like. what's not clicking

[tricoufamily]

yeah hugo Never liked being around jacques as a kid even before his mom died and before he even really knew why. always hated it when he had to hug him, wanted him to stay longer on his business trips, bristled and got angry every time he heard jacques's childhood nickname for him that he hated ("bush baby"). his mom just kinda didn't register any of this and thought everything is fine hugo is just very very clingy and the nickname is cute surely he's not actually upset over it and

[introspectivememories]

walki with me... tommy kinard calling buck "baby"..... tommy kinard kissing buck..... tommy kinard gently holding buck's waist.... tommy kinard making buck laugh.... tommy kinard listening to buck ramble with stars in his eyes.... tommy kinard peppering kisses all over buck's face as buck blushes..... tommy kinard letting buck set the pace for their relationship..... tommy kinard calling buck "evan".... buck learning to love his own name because how can he not when tommy says it so gently..... buck sitting in tommy kinard's lap..... buck getting hurt on a call and tommy is there right away taking care of him.... buck waking up in the morning with his head pillowed on tommy kinard's chest as the sunlight streams in through the window and casts tommy in a sort of halo and his breath catches and buck is so happy he made it through his twenties and the tsunami and truck falling on him and the embolism and the lightning strike and any of other myriad of ways the universe has had it out for him because he gets to wake up to tommy motherfucking kinard in his bed as the sunlight gently cradles them in her embrace

("baby," tommy says, eyes still closed, less than two seconds later, hand brushing along buck's spine to card his fingers through buck's hair, "you're thinking too loud. go back to sleep."

buck honest to god flushes at the endearment. because that's what he is, tommy's baby. he's tommy's baby. jesus fucking christ, he feels like combusting. burying his head in his boyfriend's (boyfriend!!!) chest, buck tries not to whine.

"don't wanna," he whispers, peeking up at tommy, "wanna look at you."

tommy's other arm comes up to settle along his waist and buck wants to, fuckin', purr or whatever with how right it feels. tommy cracks open his eyelids to peer down at him.

"evan," his boyfriend (boyfriend!!!) says fondly.

and that's another thing he never knew about himself until he started dating tommy. he loves his name. not his nickname or his last name or buckaroo or any variant of that but his first name. he fuckin' loves the name "evan" or maybe he just likes the way tommy says it. and tommy has so many ways he says buck's name.

there's a soft, whispered "evan" in the mornings, and fond "evan" in the afternoons. there's an "evan" that tommy says like he's holding 3 tons of solid gold in his hands. there's an "evan" that he can barely get out through his laughs when buck bursts out with a fun fact at a wrong time. there's a choked-off, bitten, "ev-" when they're in bed at night and tommy can't believe buck is under him, gorgeous and panting. and there's the panicked "EVAN!" on a call gone wrong and there's an angry "evan" when buck doesn't take care of himself and there's a worried, two-syllable "ev-an" when he comes home with more bruises than he left with and there's-,

well the point is that there's a lot of different "evan"s that tommy says these day. he's going to catalogue them all one day. like his very own personal auditory archive. something to pull out on his off days.

"evan," tommy says fondly, "i'm not goin' anywhere sweetheart. i'll be here when you wake up. so go back to sleep, i'll be right where you left me."

and well-, buck forgets sometimes that this is a two-way street. that he may be tommy's baby but tommy's his boyfriend too. that tommy's practically required by law to be here when he wakes up. (oh by law?, he can almost hear his boyfriend snark. buck's bites the inside if his cheek to stop himself from giggling.) and more than some vague, ephemeral, Boyfriend Laws™️, tommy wants to be here when he wakes up. this is something tommy is actively choosing to do.

so when tommy says, "go back to sleep sweetheart" and "i'm not going anywhere, evan", well, who is buck to question that? he burrows deeper into the warm cocoon tommy has made, and let's his boyfriend's heartbeat lull him back to sleep.)

[ichthyorelationships]

an idea i invite anyone else to write about / run with lol....

the premise that The Change gets all messed up for alberto, say it's something that can happen from stress, &/or happens rarely and you just have to wait for it to resolve itself....used as some parallel to struggling through some emotional turbulence / upheaval / questioning / Realizing Things, etc etc

[cerealbishh]

"You're pretty new at this whole relationship thing, huh?"

"... Yeah."

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn