#it's not like he didn't sing his feelings out in the actual episode

[earlycuntsets]

------------------------------------------------------------------------------ Episode Title: Three Cheers For Warped's Little Darlings! Synopsis: From almost getting shot to fear of karaoke, My Chem comes clean. Cast: Gerard, Franky, Mikey and Jenna. [Photos by L. La Mer] Air Date: Warped Tour/Summer 2004 ------------------------------------------------------------------------------

Other than being able to sit down for interviews with wonderful people like us, what does being on the Warped Tour mean to you? Frank: Oh wow! Personally, ever since I was in bands at thirteen I tried to do battle of the bands... play Warped Tour and things like that. I never actually won any of the battle of the bands but it's a dream come true to be on Warped. It really is! It's unlike any other tour we've been on and you can't prepare for it in any way. But it's definitely a dream come true to play with some of my favorite bands of all time.

Seeing as though it's Warped's ten year anniversary, give us some insight as to the kind of kid you were when you were ten. Frank: Asshole. I was such an asshole! Uhhh Delinquent. I was told I was too intelligent for my own good but I don't know about that. I didn't like authority and this was at ten! Gerard: Tell me what has changed? Frank: She just said ten, she didn't say now! But I could give you the same answer; you never know! Gerard: I didn't want to say anything. Frank: I was pretty much like I am today but I wish I knew now what I knew then. Does that make sense? Gerard: I liked Star Wars when I was ten.

There's a rumor circulating around that My Chemical Romance is the love child of the Warped tour... Gerard, Mikey and Frank in unison: Whoa! Wow!

Gerard: We are loved. Frank: But what does that mean, that the Warped Tour and another tour got together and had... Gerard: Yeah like Ozzfest and Demolition Derby got together and... but yeah, I feel it. We are extremely accepted and supported and loved so... Frank: But I almost got shot the other night though. [He says this almost nonchalantly as if it's a frequent occurence.]

Shot? As in shot, shot? Frank: Pellet gun shot.

Why would someone want to shoot you? Frank: Oh, I wasn't allowed in a certain VIP barbecue that I wanted in to. Mikey: Chris was like, "just go up and tell them my name and you'll get in" and the guy was like, "who?" Frank: And he was like "I'll shoot you." [Forms a gun with his hand and points it at me.] But as far as a lot of the bands on this tour, they really respect us and it's great because we really respect the bands. They come to watch us all the time and it's been amazing. Gerard: We're very lucky. We feel lucky everyday when some of our favorite bands make time out of their day to come and watch us. And they do that everyday. Frank: The other day, well not yesterday but the day before, we closed and it was really late like 8:10 to 8:40 and we didn't think anybody was going to come to watch us. But it was all of our favorite bands, like the Souls (Bouncing Souls) came out, Anti-Flag came out... It's a beautiful tour! Gerard: It made me proud.

Kinda like what happened today? Frank: Oh yeah! That was amazing!

What happened anyway? Frank: All the power went out; the generator exploded. Gerard: It just went out yeah. Frank: It has never happened to us, ever.

The response was incredible. Frank: We traded a great set for a great experience. Gerard: Exactly!

*Note: Earlier that day in mid-performance, My Chem lost all sound just as they began to play their hit song "I'm Not Okay." Instead of walking off and calling it a day, the band and the crowd began to sing the song accapela. It was quite impressive to watch the dedication and love that their fans have towards them.

Three Cheers for Sweet Revenge is a very strong title. Whose concept was it and is the band afraid of karma? Gerard: Is the band afraid of karma? Uh...wow! Frank: See here's the thing... [Turns to Gerard] Before you say anything... think about what you were going to say because I want to say something about karma. Mikey: I think the album is a product of good karma. I think we've done good things for people and I think that what occurs from the album can only be good. We've never done anything wrong to anybody. Revenge is meant in a different sense, not in the literal sense. You know? Frank: Here's the thing about karma. 'Oh if you don't do this,' something bad is going to happen but who's the one striking down on people? Somebody needs to do that. So if we're the ones to serve the revenge that's fine by me. Maybe we're just the angels of death? Gerard: Now it feels like when we play, we have a purpose. There hasn't been a moment... once in a while you get a little depressed, caught up in something else, but we feel like we have purpose every time we play to do some kind of damage. Not really to ourselves or to the equipment or anything but to what's generally accepted as okay. Like chewing up and spitting up the same bullshit, sounding like everybody else, being homophobic, all these things that are very accepted in punk rock that are amazingly still alive and well. It's fucking shocking... Frank: People never cease to amaze us. Gerard: ...and it doesn't feel like a threat to those bands you know. Really close friends of ours have said that and it's probably the best compliment that I've ever gotten for the band, that we were a threat. Ever since hearing that, I take it to heart everytime we get on stage.

In 'To The End', why does the elevator only go up to ten and would you feel okay getting off on the thirteen floor? Gerard: Well, I felt that picking a lower number would be like 'I can't get high enough' so I had to pick somewhere around ten. I felt like I just needed to get higher; like the top just isn't good enough. I think that's kind of a metaphor in how we feel and how we operate as a band, that the top isn't good enough since that's not what we're after. It's not good enough for us because we want to make a difference and actually change things. We don't just want things thrown at us. But I've gotten off on thirteenth floors. They make them right?

I know someone that lives on the thirteenth floor. Gerard: You do?

I truly do. Frank: It's good luck.

I think so. Frank: I think it's good luck. Gerard: I'm superstitious though.

When you listen to a CD you need something to reference it to. When I listen to MCR, your sound changes from one song to the next and I hear a whole slew of things. Was this done deliberately? Gerard: We can't really write songs that sound alike. We like to capture moods and you can definitely pinpoint those moods. You can say this is the same kind of mood or feel. We like to explore themes and moods but style is something we can't live with ourselves doing over and over. And if that means we run out of material eventually then that's fine because you'll never get something twice from us.

Yeah in like an hour. Frank: I don't know. Gerard: Let's say the whole band died, we'd just get back together and start playing again! [everyone laughs]

You'd find each other. Gerard: Yeah, I think that's what we'd do because this feels like our purpose. You know, it seems like our cause. Frank: We're definitely not done yet! Gerard: Yeah, if we died I feel like we would find each other and just start over.

Do you think writing in the first person makes you more vulnerable? Gerard: Umm... sometimes. I was always worried it was going to make me an egomaniac. I was more worried about that, but then I realized that the way I ended up writing is just more I, I, I, instead of a you and a we. When I say "I" I usually mean the band. I usually mean it in a way that I think that these guys are feeling it at the same time without saying we. [turns to Frank and Mikey] Don't you feel that way? Like when we're on stage and they're singing with me, I feel like they mean it the same way. Frank: It's a more definite thing, more urgent. Gerard: Yeah.

You're in a karaoke bar and you've had too much sake. What song... [Frank turns to Gerard] I know what you're going to say!

...do you sing and do you totally rock it or do you totally kill it? Frank: He rocks the shit out of it! Totally Bon Jovi! Gerard: Bon Jovi... 'Living On A Prayer.' It's funny because a lot of people give me shit when we go to karaoke because I won't do it.

Really? Gerard: Yeah. I'm terrified of karaoke unless I'm wasted! That's the only way I can do karaoke.

You can go on stage and perform for a whole bunch of people... [Gerard shrugs as if to say that he doesn't understand it either] Frank: It's funny because it's rare that we would be out and not wasted. Gerard: Yeah, yeah, that's true. [to Frank] What would you sing? Frank: I have been known to do 'I Got You Babe' with a friend of mine, Greg Southside and we do the shit out it! We've been kicked out of bars because we did it so well. But Ray would like to sing probably 'Only The Good Die Young'. Gerard: By Billy Joel.

In 'You Know What They Do To Guys Like Us In Prison' the main character is made to do pushups in drag. If you were forced to so something in drag, what would you choose to do? Gerard: Karate. [everyone breaks out in laughter] Frank: I liked the "if you were forced, what would you choose to do." Gerard: It's like the drag fairy comes by and says "what would you like to do?" Ahhmm yeah, karate. Frank: Really? Gerard: No. Really, I would do what I did when I dressed in drag this one time before. I went to school in drag, in art school and my day was completely different because everybody thought I was a chick. Frank: He looked like Christina Ricci. Gerard: You should see me as a chick. So I went as a girl, as like an experiment and it worked really well and everyone was really nice to me but I couldn't talk obviously... You know train conductors were really cool to me on my commute... Frank: I would date Gerard. Gerard: HA! I looked hot as a chick.

Which of your band mates is most likely to accidentally stick a fork in a toaster... Frank: Mikey.

You are offered something for free. Which do you choose? Sky diving lessons, a custom tattoo, a lap dance from an exotic dancer or 50 free sun tanning sessions? Gerard: Oh the lap dance! Frank: The tattoo. Mikey: What were they again? [Everyone helps little Mikey out] Mikey: I guess the tattoo. Frank: I knew it! Which is funny because you don't have any. Gerard: You would see what you could get and trade it for money.

Seeing as this is an electoral year, which person on the Warped Tour would you choose to run the country and why would they get your vote? Gerard: Fat Mike. Frank: #2 from Anti-Flag. That kid can rally. Gerard: Can they run together? Frank: Sure.

The Velvet Bag of Doom: First up is Frank who pulls fill in the blanks from the bag.

Caution! Do not put _____ anywhere close to me! Frank: Our drummer.

Oh no! I didn't pack _________ Frank: Enough underwear.

If I was ever to miss the bus, I would ________ Frank: Stay home.

Mikey's up next and he pulls word association. First thing that comes to mind.

Video games Mikey: Mario

Birthday Mikey: September

Jack Daniels Mikey: Uh. Coca Cola

Spanking Mikey: I don't know! Gerard: Not even a bare ass? Mikey: No.

Gerard pulls 'name the band associated to the lyric'

"And you will tell all your friends you've got your gun to my head" Gerard: We can do another one because I've sang that one with Taking Back Sunday on stage.

Okay then, round two is a word association again... First thing that comes to mind.

Warped Tour Gerard: Hot

Buses Gerard: Nice

Marijuana Gerard: Stinky

Plastic Surgery Gerard: Awful

Why should the world give a damn about My Chemical Romance? Gerard: Because we give a damn about it. Frank: Save your life. Gerard: Yeah. Good enough for me. And there are so few people that actually do give a damn about the world. Frank: Yeah.

Very true. Gerard: I have a nihilistic attitude so it's like, the new gay...it's popular. You know what I mean? Frank: Popsicle is the new black. Gerard: What did I say? Oh yeah. Screaming is the new gay, everybody's doing it. Frank: I wish it were Popsicle. Gerard: Popsicles? Frank: Popsicles should be the new black and then everyone would have one.

I swear this interview contains 80% of our lore

[lxvvie]

On today's episode of Simps-R-Us: A Drunken Mind Speaks Sober Thoughts, or how your faves show their love after a night out.

cw: alcohol/alcohol consumption.

Capt. John Price - Will gently hold the sides of your face, bring your foreheads together, and peer into your eyes with his own hazy ones. Price tells you how happy you've made an old man like him, that he loves you, and that YOU and only YOU can wear his hat. Solidifies this by actually putting his hat on your head, scooping you up in his arms, and holding you close. And yes, you'll be sleeping like this with your face smothered in his chesticles.

Gaz - Walks into your shared place pretty much blabbering about how you just... "get him". You get his choices in horror films, you get his thinking process, you get his love language (pranking), you just GET HIM. And he doesn't want anyone else to get him and he'll fall out of another helicopter again before he lets someone else get him. ...How did he wind up under the living room table, though?

Alex Keller - The one who's leaning against the bedroom doorway just looking all dreamily and shit at you with his hair all kinds of messed up. Keller is practically crooning 'Boss' at you so you can look at him and he can blow you a kiss. Alex, please get the fuck in bed. He chuckles and shakes his head no 'cause he's too busy enjoying the view and doesn't wanna miss a thing. KELLER, PLEASE—

Soap - (Based on this ask. Thanks for the inspiration, @cas-backwards-tie!) Soap loves you SOOOO much, so, so, so much, goddamnit, that he learned to say it. He learned the say the thing. Yeah... he didn't. It didn't even sound remotely like the thing but you can't tell him shit. Now give him a kiss for being a good boy. His kiss was nowhere near your lips, either. That'll do, Soap. That'll do.

Ghost - Is the clingiest koala bear on the fucking planet and it's adorable. How clingy, might you ask? Well, his arms are wrapped around you, he has your head tucked under his chin, and he's intertwined his legs with yours. You feel the throaty rumble of "Love you" from Simon's chest and it lulls you to sleep. And then you realize he still has his clothes on. Try to move and see how he tightens his grip ever so slightly. You chuckle and let him know he has to undress and to that, you hear and feel the soft grumble of his "Noooooo...." because don't go. Not when he just got you. This shit is one for the storybooks, though. Simon fucking Riley... WHINING?!

Alejandro - His hair is also mussed. Isn't as stern-looking. Actually has the goofiest, boyish grin on his face. Alejandro pretty much strokes your cheek and tells you verbatim that you make him a better man. Then he proceeds to cover your face in kisses, all while relishing in your giggles.

Rudy - The one who tripped over his own two feet trying to get to you, also missed the mark when trying to kiss you, and fell off the bed. Also falls asleep mid-sentence when trying to tell you he loves you.

König - You actually woke up to hearing König profess his love. Has a tendency to really enunciate Schatz in a somewhat singsong voice. Sings a lullaby in his native German. He tells you he loves you, and over and over again he confesses his love. Then you look up and see him actually cuddling the pillow tightly. Oh. Okay. How cute. You just sit and watch the entire thing. You know like hell König will be mortified when you tell him this story.

Horangi - He'd already come home and settled down for the night. Then, as if he had an epiphany, Horangi sat up from his side of the bed, got all up in your face, and told you how he'd go through hell as a gambler over and over again just to be with you over and over and OVER again. That's so sweet, Horangi, now back to bed you go.

Graves - The one who'll serenade you (Graves can sing?), call out for his Darlin' repeatedly, burp, and tell you he loves you all while in the bathroom taking the longest piss known to man. Good to know, Graves.

Valeria - Actually came home a little pissed because some stupid fuck thought he could talk about how attractive he found you in front of her. Hopefully the broken jaw sent a clear message because she couldn't be bothered to do anything else. She ends her story with a "You're mine!" and plants a big, fat one on your lips. Oh, Valeria.

Roach - He's the one blowing your phone up with text messages and emojis showing his love. Then he reveals that he got lost and could you please come find him? Except he's already in the house. You find him in the dark, grinning like an idiot at the messages he sent you on his phone, and he's so happy that you found him!

Keegan - Is the one staring into your soul after he kissed your forehead so sweetly. You okay, Keegan? "Yes. No. ...Maybe? Baby, jus' let me love you."

[daffodils-and-viscera]

i've seen a lot of posts comparing mastermind to truth seekers but hear me out: ozzie's

SO this may be long buckle in. these episodes kinda have the same plot?

blitzø has found himself in a bit of a sitch, as it were...

our beloved dramatic gay owl is at home watching gabriela pine over alejandro, when suddenly... blitzy is in trouble! omg let's get cunty and go save the day!!

however, despite showing up and saving lives (he may have literally saved blitzø's life in mastermind but that outfit from ozzie's changed all our lives forever soo...) blitzø isn't necessarily ((outwardly)) happy to see stolas (((we all know he does not mind stolas' ass in his face but stay with me here)))

stolas' privilege allows him to be immediately heard and not punished by the people who would never listen to blitzø's side of things, and stolas gets to be his dramatic lil bitch self and we love to see it

in ozzie's, blitzø has his past come back to haunt him in so many ways, he is put in the spotlight and he is decidedly not comfortable there, being called out for all the shit he's done to fizz and verosika and even m&m - HOWEVER! as we all now know, all of those people actually care about blitzø and he was just being his lil destructive self. he is given the chance to defend himself but it's overwhelming and he kinda freezes up

in mastermind, blitzø is being outright blamed for things he didn't do but like.. he actually didn't do any of that ! and yet he can't defend himself because nobody would listen to him even if he wasn't gagged.

the difference between these 2 episodes is in stolas' behaviour when HE is put in the spotlight- at ozzie's he is freshly separated from stella and probably hasn’t done anything social for a long ass time and he’s not used to being in public. and here’s this thing that he thinks is gonna be fun and will help blitzø but he is not able to express himself so he hides and the result of that is blitzø pushing him away, literally doesn’t want to touch him

in MASTERMIND our birdy babe is singing his lil heart out with no regard for what anyone else thinks of him or what might happen to him, which is so beautiful (but also stolas pls try not to inhale the water).... when he doesn't hide his feelings from blitzø we see how perfect it could be when their inner worlds merge and they are finally on the same page, and blitzø does the furthest thing possible from pushing stolas away !!!

(he did however still neglect to consider octavia's feelings when he decided to drop everything for blitzø... with devastating implications in mastermind) sorry to bring the mood down but this needs to be pointed out

in ozzie's, stolas tries to invite blitzø to his place (and we all remember how well that went)........ blitzø goes home alone and loona is not there, he is all alone and sad curled up on the couch on his phone looking at all the people he believes he's let down and it's heartbreaking

when stolas goes to blitzø's place in mastermind, stolas gets all the love and support blitzø has to offer and loona is there too and blitzø curls up on the couch on his phone looking at all these people who love and support him!!! and then he makes the couch all comfy for stolas and he’s not alone?? like they’re both so not alone that it hurts my heart to think about. these 2 have so much love for each other and yeah there's gonna be tough times ahead but they are not alone! !!!!

basically both eps end the same? but also everything is better now? because blitz was loved before he just couldn’t see it through all his nonsense

and stolas is still in a messed up situation and he's still kinda problematic and he couldn’t see it before through all his nonsense but now he’s more self aware?

the real difference is they have each other now! they are so not alone it makes them look stupid!!

anyway this is the longest post i've ever made sorry if it's rambly i have adhd and a lot of feelings about these two

[thefandomthings]

Okay HEAR ME OUT BUTTTT what about zuko betrayal part 2 with the prompt “you own my heart” 👀

Betrayal

Fluff Prompt #30: "You own my heart."

Pairing: Zuko x F/Gn!reader

Warnings: Angst, Fluff, Terrible writing, happy ending? ¡¡SPOILERS!!, Takes place in Book 3. Ep. 11. It doesn't follow the script in the episode.

Notes: I'm so sorry I haven't been writing, I work in agriculture and summer and fall are my busiest times of the year and I lost motivation in the process 😭. But, hopefully I'm back. Thank you for your patience.

Part 1 Part 2 Prompt Event

Who knew betrayal could hurt so much. Chest heavy, heart heavier. Why did he do it? Does he think everything will be okay once he got back? Maybe Azula manipulated him? No. He did it willingly.

It's been weeks since the incident, a few months actually. You dont know what to do with yourself. Everything has been so emotionally hard. The long term depression grasping you in a chokehold.

The gaang has been there for you. Aang suffering from his own mid childhood crisis, the weight of the world literally on his shoulders. Katara tires to help as much as she could, but she is also dealing with things of her own. Sokka....was just Sokka.

After the invasion, you retreated to the western air temple. It was definitely a sight for sore eyes. The architecture was incredible. The Air Nation really outdid themselves.

"Y/n? Why don't you come eat dinner with us?" Katara leaned against the door frame of the room you are currently residing in. You look over at her gave her a small smile, one that didn't quite reach your eyes.

Katara didn't exactly like Zuko, having felt being betrayed as well. She has a lot of not nice things to say about the young prince, but for the sake of your ears she kept them to herself.

She grabs your arm pulling you up from your bed. You reluctantly follow her, head resting on her shoulder.

Today was a rough day. It Started out with a dream of you and him dancing in the temple. Oh so in love. Hands intertwined with each others. Whispering small nothings, butterflies occupying your chest and tummy. You woke up as if it was a nightmare, your brain toying with you like a yoyo.

Katara holds you gently, her hand laying on your head as if you were a child. At this moment you felt as if you were. Needing someone to comfort your aching heart.

"What are you doing here?!"

"Please just hear me out..." You immediately recognize that voice. It was him.

Zuko.

"Why should we? Huh?!" Sokka crosses his arms defensively. Katara flicks the lid on the water pouch on her hip, bending the water out.

You heart is hammering against your chest. His eyes immediately are drawn towards you. Zuko feels himself choke up. The sight of you made his chest hurt. The dullness you held in your eyes was unbearable to look at.

"Y/n...."

"She doesn't want to talk to you." Katara says, she moved to stand in front of you. Her body is blocking his sight of you. Zuko wants to reach for you, to grovel at your feet, to beg for forgiveness. Even if it hurts his pride, or his reputation. Which wasn't much good anyway. He had to make it right with you.

You are his everything.

"It's okay Katara." You give her a reassuring smile, it wasn't very convincing to anyone who knew you.

"What're you doing here?" You inquire and step next to Katara. Your eyes boring into his, he looked...Sad. Regret swimming in his honey irises.

"I've changed-" You feel yourself moving on its own. You hold your hand up, and he stopped talking.

"That's what you said under Ba Sing Se, then you left. Betraying everyone who cared about you. Especially Uncle Iroh."

That struck a nerve, his face hardens and he looks away slightly, eyebrows furrowed. His tongue darts out and wets his dry and cracked lips, his golden eyes looking back up at you. He steps closer, his hands clenching and unclenching by his side.

Zuko wants to hold you...Needs to feel you against him. To kiss you, to be with you. He needs you like he needs air, without you he's nothing, just a shell of the man he was before he lost you.

"Y/n, please...I'm sorry, I'm so sorry." Zukos voice cracks slightly.

You purse your lips together tightly.

It's so very tempting to close the gap between the two of you, forgiving him just felt right. Maybe it was just the your heart talking over logic. Your headspace is messed up severely, the wound is still fresh in your brain and heart.

"Zuko-"

Katara stops you, stepping in front of you.

"Leave. You've done enough, you are not welcome here."

"Y/n...please." It was strange seeing him so weak for once, pleading you. Practically on his knees for forgiveness.

"You own my heart."

It hurt you to watch him get treated so badly. He deserved it, mostly. Everyone has the right to be angry with him. Chasing Aang across the globe, trying to kill you then after everything at Ba sing se. It was almost unforgivable. Almost.

•°•°•°•

Taglist: @etherjen @xlatinaaxx @youngladysakura @m4rlvky @kitt38 @monysakura @kenqki @rdpiano @mikemakesartt @thigh-o-saur @chi-ara @kookiegirl444 @snixx2088 @zacatecanaaaa

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.) EDIT: This is the fic here, guys. I recommend reading it. (https://archiveofourown.org/works/48091627/chapters/121266283)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.

[tealvenetianmask]

How Blitz and Stolas figure out how they feel: external vs. internal processing

I've been in therapy a ton (feeling like I'm not alone in that in this fandom), and one of the things I've learned from it is that I like to process my thoughts and feelings externally- by talking about them. It turns out not everyone is like that. I'm like Blitz in this way.

I first got on this topic when I was thinking about how Blitz flip flops in Apology Tour. When he goes to see Stolas at the beginning of the episode, he goes in with an idea he's trying out- a narrative he's committed to FOR NOW, insisting that he's there to reinstate the full moon deal with TONS of undue and shaky confidence.

Is this plan something he's actually confident in? Absolutely not. But he's going to commit to it damnit and see how it plays out. Does he believe it? I think he does in the moment. He's convinced himself anyway, and when Stolas wears him down and he understands that he's not doing himself any favors . . .

He starts processing the real shit aloud.

I don't think Blitz has ever admitted this to himself, at least not this articulately and accurately. He needs to say it aloud in order for it to be real. Oops too real.

He's SCARED because he didn't even KNOW he felt this way, but things are becoming very clear and dangerously close to the heart of the matter . . . so he pivots again back into comfortable territory (conflict).

By the end of the conversation, he arrives at a new mission, one that's sort of an equilibrium between his realizations about his honest feelings and his need to have a mission he feels confident in. He's not all confident or all honest- he's still in flux.

There are SO many more examples of Blitz realizing how he feels BY TALKING (later in Apology Tour when he's talking to Stolas, and then when he's talking to Verosika . . . but then also back in Oops, etc.), but I'm going to leave it at one for brevity here. What's important is that we NEVER see Blitz processing alone. Even in his part of the duet (more on songs in a sec), when he's technically singing to himself, he's consoling himself with a narrative rather than really processing the things that need to be processed.

Blitz needs a person to process with.

But Stolas is an internal processor. We know this already because he made the plan to give Blitz the Asmodean crystal and sat on it for literal months, procuring the crystal, ironing out what he would say, trying to initiate conversations with Blitz, but never explaining how he felt to anyone before it was time- and absolutely NEVER in a way that was half baked.

The way Stolas sings his feelings actually gives us a really clear and beautiful picture of how he processes and figures things out. I forget who said it, but someone on the Helluva creative team referenced a broadway truism that in a musical, characters sing what they can't speak. I think for Stolas it's often what he can't YET speak because he's still processing. He has full honest conversations with himself (Stolas Sings, Just Look My Way), and then when he's face to face with Blitz, he knows exactly what he wants to say. His feelings and beliefs actually progress from song to song- he expresses his awareness of a problem in Stolas Sings and gets more precise about how he feels and what he needs to do about it in Just Look My Way.

By The Full Moon, for better or worse (kind of both), Stolas knows exactly what he wants to say to Blitz and how he wants to say it.

Even when he's upset, angry, and then drunk, when Stolas speaks about his feelings, he's consistent. He's decided. He loves Blitz. He wants a real relationship. From his point of view, he doesn't care about social class, so he can't understand why Blitz is so stuck on it.

But he's missing something key (it's the social class thing- it's definitely the social class thing), and internally, he's cooking, and we see that (again) when he sings.

This is the rawest and most in flux stage of his thought process that we've seen. Because this is how he figures out what he thinks and feels- with himself, in song.

Okay- so interesting psychoanalysis- why does this matter to the story?

Well, I think that Stolas doesn't understand that when Blitz speaks in these super emotional, fraught conversations, he doesn't go in knowing what he thinks and feels. He's figuring it out on the fly. He's figuring it out BY talking, and needs to be allowed to do that. Should he do this with a therapist instead of with the person most likely to be hurt by the ideas he flies through on his way to his true feelings? For sure, but this is Blitz.

In turn, Blitz doesn't understand that when Stolas acts absolutely certain and doesn't seem to take in the things Blitz is saying, he's not talking to a brick wall. He's talking to a moveable person who, once he's alone (or singing) is going over and over everything and breaking his thoughts down and reformulating until he arrives at something new.

So . . . it might be a little much to ask these two to understand each other's different processing styles- but they're coming along in their own ways. And I'm looking forward to them understanding each other. Someday. Maybe. Fucking sit down and talk. Slowly. AGH.

[byers-bowlcut]

I've seen people say El likes the IDEA of having a boyfriend more than she actually likes her own boyfriend, and jfc it's so true 😭 Like it's all over the show:

Season 1

She's initially attached to Mike because he's the first person to give her shelter, food, genuine human care and just,, not calling CPS immediately. Her feelings for him was born from trauma and dependency in season 1. And throughout the rest of the 3 seasons, we don't see it grow past that.

Also I think it's noticeable in S1 that:

She was uninterested when Mike tried to share his hobbies with her

She also did not seem to mind AT ALL when she questioned if Mike could be her brother. He voice is neutral and curious here, not the least bit repulsed by the thought of being siblings with Mike, like girl does not care 😭

Season 2

This season has zero onscreen moments of Mike and El actually getting to know each other further. They were separated nearly the whole season.

What we DO see:

El's attachment and dependency on Mike that was developed from S1

We also find out how El spent a year of her life watching melodramatic romance films. Many other middle schoolers might identify that relationships in real life don't work like those films. But El is fresh out of lab life, she's literally learning the world through this TV, and has now become obsessed with the IDEA of having a boyfriend/relationship just like that.

Season 3

Again, no onscreen moments of El showing interest in who Mike is as a person.

The very first scene we see of them, she's trying to get him to stop singing along to the song they're listening to. She seems to like kissing Mike. But isn't shown enjoying anything actually characteristic about him, like sharing interests with him such as music.

Hopper indicates that they don't do anything meaningful together either. We see here that before hanging out with Max, El had little sense of her own style, her hobbies, her interests- meaning spending time with Mike for months probably didn't involve many talking points did it?

Also in season 3, El dumps Mike with ZERO hesitation. Then she has the time of her life with Max. The most acknowledgment we get that she's oh so heartbroken is a small frown to Max that her and Mike aren't on best terms. And even that doesn't seem so paramount cause 1 episode later she totally dismisses Mike after he explains how Hopper threatened him. She just tells him maybe Hopper was right 😭😭

It's literally ONLY once she starts becoming in danger that she starts clinging onto him again. I feel like we've seen this film before hm.

Like where are any signs that she likes Mike as an individual, and is falling for who he really is, rather than simply being attached due to trauma, and liking the concept of doing romantic things (ie: kissing, dancing at the ball, etc.)

Season 4

This is the season it becomes the MOST OBVIOUS: El loves the concept of a happy relationship and being loved, but not really loving Mike for who he is. And bringing in Will's feelings just emphasizes this point.

To start, El continues doing all these relationship-y things that she did in the start of S3. She has Mike's name and pictures plastered all over her room. She makes a "Mike box" with his pictures decorated all over it. But the thing is: this is all sort of a façade at this point. We know she's BEEN unhappy with him for months ("From Mike! From Mike! From Mike!"). But with all these items, she's basically trying to convince herself that she's in this happy, fantasy, movie-like relationship, like she probably watched in hopper's cabin in season 2.

And then, there's the sheer difference between her and WILL in their feelings for Mike. We see it right off the bat when Mike comes to the airport: Will and El both have plans to give Mike something.

Will plans to give him a painting he worked extremely hard on. The painting is a connection of what they BOTH love: DnD, and it includes their friends who also play the game. It's very personal and immediately touches Mike. What's more is, the painting illustrates the exact qualities about Mike that Will loves: his leadership, his bravery, his guidance. This painting literally spells out to us that Will truly loves Mike for WHO HE IS.

Meanwhile, El plans on giving Mike a fun reunion date. She has the whole day planned out. And immediately: we see that what she wants to do doesn't actually takes Mike's interests and personality into consideration. You can see and hear the strain in his voice when he talks about "burritos for breakfast" 😬

You can see how he's not that relaxed at rinkomania, and nervous about skating, saying he's clumsy. He probably would've much preferred movies and playing a board game, over skating. But El has her own ideas. When she brings Mike to rinkomania, she tries to act really cool about it. She wants to impress him, wants to seem like she fits in and belongs.

Her present was never actually ABOUT Mike, and about loving Mike that she would plan this huge date for him. Her present was about her desperately wanting to have this cool date like every other normal teen girl might, with a normal boyfriend, and make it seem like they have a happy perfect relationship.

And then finally we reach their S4 fight. I find it extremely interesting how Hopper's cabin is framed in the background during their whole fight. It's almost like an indication that her desperate need to be loved by Mike stems from her trying to cope with losing Hopper and the hole left by him, that clearly did not exist when she happily dumped Mike in S3.

In their fight, when the topic of bullying comes up, Mike says he understands her, but El is quick to say he doesn't. She thinks Mike doesn't understand her, but this is just as much her not understanding HIM as well.

She doesn't get the extent of Mike's insecurities (definitely partially a result of bullying), something that Mike later divulges to WILL and not her. If the writers wanted to show us how much El understands Mike and loves him for who he is, her and Mike would work through his insecurities in their rs together, NOT through a middle man.

Overall it's pretty striking that we've never once heard El actually compliment Mike, or articulate, or even show what exactly she loves about him through four whole seasons. I mean...

Attachment to him due to trauma or grief =/= loving him for who he is.

Wanting to BE loved =/= loving him for who he is.

So really in terms of a relationship, what El ACTUALLY wants is the concept/idea of a regular boyfriend, and a happy easy relationship, all in an attempt to feel normal. And that's why we see them fall apart the way they do in season 4, and why Will is currently so involved. Because Will DOES see and love Mike for exactly who he is.

[absolutebl]

This Week in BL - Getting hot under the collar and in the kitchen and on the pool table and...

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 3

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 3-4 of 12 - one of the things I'm enjoying about this show is the fact that the introverted super shy uke is having hot fantasies, and the extroverted seme is having the sweet fantasies. It's another way this show is highlighting God being the world's greenest flagged seme BL has ever produced. (And he's being given stiff competition this year - trend alert.)

Anygay: God is so cute and so not cool and so in love and all the consent asking word salad coming out of this boy. I LOVE him. 

Diew: It’s ep 4 so I’ve decided we can talk face-to-face.  God: So how many children do you want? 

The teaching him to play basketball bit, where God politely asks to hold his hand, is so freaking adorable I can’t.

I'm thinking of calling this show the anti-Mame pill.

Blue pill? Red pill? GREEN pill!

My Love Mix-Up Th (Fri YT) ep 11 of 12 - We gotta talk. I do like this version, but it’s starting to feel lackluster. Perhaps it always was by comparison to the bright sparkle uniqueness of the original. Perhaps I didn't notice because I was distracted by G4. But now I gotta say it's become a bit disappointing and even my love for G4 can’t seem to bind me to this. Frankly, this show is making me want to watch either the Japanese version, or My School President. It’s never a good sign when a currently airing BL makes me want to stop that and go rewatch an old one I’ve already seen.

NO SINGING.

Meanwhile, the "locked on the rooftop" trope! I haven’t seen that one in years. Cool. Also cute kisses. They learning. 

This Love Doesn't Have Long Beans (Fri iQIYI) ep 7 of 8 - I can’t believe this is ending next week. But also I can. And I have thoughts.

I really love SailubPon. They might be one of my favorite newer pairs on the scene right now. But I just don’t believe in these characters or this couple. I don’t feel like they are going to have a lasting relationship. It feels like they’re just using each other for sex and distraction, and that’s how the script to set it up, and as a result they’re never gonna make it as a couple. As soon as the sexual fire between them burns out, what do they have to build a relationship on? Frankly? That would be fine if this were a modern love drama, and not a BL. But this IS a BL.

Putting the health code violators aside, I really do believe in the secondary pair, but they haven’t been given enough bandwidth to develop as a couple. There’s no way they’re going to adequately resolve Methas and JJ in the final episode.

At this juncture, I’m mostly finding this show annoying. Which in itself is annoying, because I wanted to love it.

Why is it that Thailand, the land of the best food in the world, king of BLs, struggles so hard to produce the restaurant set BL of my dreams? I’m really pissed about this.

That said, the Methas & JJ stuff is killer. Loved JJ running away. So good. Plus the age old decision - love or money? 

Battle of the Writers (Sun YT) ep 2-3 of 12 - The issue was me and I've managed to get hold of this show again. The story within the story is so ridiculously badly written I'm going spare. I’m not sure if the outside show is not ALSO badly written. That said, I do love how the 3 writer friends are all shipping our leads. It’s VERY silly. Meanwhile, cohabitation trope is a go. 

I like the side couple too. Stern Daddy + lost puppy is a very cute dynamic, I hope we get more than just crumbs. I actually am enjoying this show now. Ep 3 kinda derailed into this weird chimera novel that they’re all writing together and I’m finding that bit the least interesting, but I adore the domestic components which I think may turn out to be TutorYim's strength (if they're allowed to lean into it). 

Addicted Heroin (Thai Tues WeTV) ep 1 of 10 - Man I hope this gets some kind of distribution at some point. It was a pain to find and watch. But I enjoyed it. The focus is more on the seme in Thailand’s version. Which I don’t mind since that's rare in BL, and it’s more August on my screen. It’s all round softer than China’s version but still feels very familiar. I know some fans are struggling with it, but not me.

Sunset X Vibes (Sat iQIYI) ep 10 of 12 - I like that Sam’s crafty business espionage has paid off. Them teasing Sam & Yo really had me belly laughing. It was so funny.

Legitimate question. Would one put perfume on one’s cheeks in Thailand, as one does on wrist or sternum? Because of the sniff cheek thing? Scented face powders?

I do feel like with MosBank & SailubPon scorching up our screens, we’re being spoiled by some of Thailand‘s best high heat pairs at the moment.

I Saw You in My Dream (Weds Gaga) ep 5 of 12 - It remains kind of sweet and cute. It's also calm and slow moving. Oddly it reminds me of La Cuisine in its style and execution (if not content). I’m enjoying it more than I thought I would.

The Trainee (Sun YouTube) ep 7 of 12 - I don’t know. I’m getting bored.

Love Sea (Sun iQIYI) ep 10fin - Fort’s acting during the break-up was truly great. But I feel for Rak. It’s rough to learn that someone else is playing a long game with feelings while you were playing a short game with d**k.

Ultimately this is probably a solid 8/10 show but I’m mad I wasn’t madder at it, and I'm mad I was so bored throughout. So it gets a 7/10 and let us not speak of this again. I’d like to simply forget about it. Trash watch.

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 1-2 of 10 - OMG a uni student who looks young and a... COP! GAH. The subversion and kink of it all. I had to go grey to get it and I hate everything about what I had to do. But ya know what? Fucking worth every single repeated crash-causing advertisement.

I love it. The grumpy lonely little student cook and the cheerful mature police officer. What a fabulous dynamic. Is the cook looking for a boyfriend or a Daddy, and do we care if it has the same result? It is filmed VERY manga style camp. I’m a little nervous about that, but this means it’s also very fluffy and so damn sweet. It made me squeak with the cute. I’m gutted this didn’t get distribution.

Ironic that Tawada Hideya is in a new BL while Sunspot is re-airing.

Cosmetic Playlover (Japan Tues Gaga) eps 3-4 of 8 - Ah, the gays are doubting the bisexual again. How familiar. I like how this one is paced and moving through time, even if the relationship seems to be going comparatively slowly by contrast. I love the way Sahashi is always looking at Natsume, even when they’re in conversation with someone else. Ah yearning. I think the conflict was kind of inevitable, given the two personalities of the protagonists, and I like that. (No manufactured angst here.) But I still hope they can repair the breach and I’m still interested. Frankly this is so classically Japan - I don’t know what story beats it’s following and I’m not entirely sure where it’s going, but I kinda like that unpredictability. Makes me think it could go into "must you, Japan?" territory but fingers crossed.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 9 of 10 - I'm enjoying it very much. I could do without the girl character. I know she’s more interesting than most (this is Japan after all), but she’s not really for me. It’s the complexity of the connection between the leads (and why they like each other) that’s being executed so brilliantly in this show (and in the manga, FYI). Both actors are so on point with their roles and the nuanced emotions required of these characters that every time it’s only them interacting I'm riveted. I could do without the rest of the cast tho.

Seoul Blues (Korea Fri? YouTube) ep 1 of 8 - I have a confession to make, I’ve been watching this whole series as it goes along. But this is the pair I absolutely like the most. I’m not sure I would necessarily recommend any of the installments, and I’m not sure how this one is going to go, but I’m VERY invested in this particular couple. They are so pretty!!!! This is a true friends-to-lovers struggle. I like that a lot. (Reminds me of I Cannot Reach You but a different dynamic.) Did I mention how pretty they are? And we already know they gonna kiss well. I bet the uncut version is stellar.

Meet You at the Blossom (China) - It's no one's funeral, turns out! Reports are in - not only are there kisses but it ends happily with wedding plans. So I'm eating crow, binging the fucker, and live blogging. I'm enjoying it. Ya'll know I adored Chinese BL before censorship. It has a certain unhinged quality I very much apreciate (and is the reason I'm so tolerant of the Thai pulps) that I think will marry well with Wuxia's effervescent and ever-present tropes. Watch me suffer here.

First Note Of Love (Taiwan Mon Gaga) eps 1-2 of 12 - About a singer with stage fright and his timid fan starring Charles (H4 the puppy one) and Michael Chang (the youngster in My Tooth Your Love), plus side couple featuring a Thai actor Jame (Koh in Gen Y) and Liu Min Ting (of Guardian fame). What a damn team. With their powers combined they are...

fine.

This is a fine BL. The fight scene was fun and I like the meet cute. I’m not sure about the chemistry of the leads, but I think they’ll probably do okay. I admit I’m struggling a bit with a singing and the music. Are you surprised? I think I like it enough, but I’m not wowed.

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 7 of 10 - Oh! Out of the blue attack kiss. What IS this show? I don’t get it at all. Bah. I guess they’re dating now. It’s… so odd...

It's airing but...

4 Minutes (Thai Netflix/Grey) - A rich boy at uni suddenly gains the supernatural power to see four minutes into the future. I have a source, but I've decided to hold off and binge if it ends okay, since it's only 8 eps. I depend upon y'all to tell me if it's safe.

8/16 The Last Time (Thai Fri YT) ? eps - Convoluted story of loss and possible reincarnation or something. Again delayed? Not sure what's going on with this one but the continued push-backs do not bode well.

In case you missed it

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming This Month!

8/22 The On1y One (Taiwan Thurs Gaga) 12 eps - announced in 2023 this one has a high school set stepbrothers trope and is reputed to be high heat. From Taiwan! It's made for me. Based on a novel Mou Mou from the Your Name Engraved Herein folks, so it could go dark. Still, I'm very excited.

8/22 The Paradise of Thorns (Thai movie) theater release - Jeff Satur is back but this does not look like a BL (the gay lover's death is the inciting event). More in Goodbye Mother vein. Looks dark and dramatic. He opposite and extremely well known actor Toey Pongsakorn who has never done gay before.

THIS WEEK’S BEST MOMENTS

WHY IS HE SO FINE?

I truly belly laughed. Sam & Yo did not go in the direction I expected, but this scene alone made me not mind that they curtailed the suffering Sam was rightfully due. (SunsetXVibes)

Tall boyfriend armpit, anyone? (Monster Next Door)

The two extremes of BL in one show (Long Beans indeed).

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[lurkingshan]

10 Things I Love About Triage

I am extraordinarily late to this party but I am here to scream about Triage, a show which I started on a whim after a stray comment from @incandescentflower and subsequently finished in two sittings. This drama has been on my list forever (I didn't watch it live because the distribution was wacky) and then it just kept getting overlooked as I fought to keep up with the deluge of Thai BL coming at us at all times. But I am very glad I finally hunted it down and made the time and I would like to tell you why!

Hello Again, Dr. Sammon

I am on record as a Sammon fan. She is one of the best writers working in Thai BL and she has a knack for mystery and suspense. Her narratives are always really well constructed with tight plotting and smart character work, and Triage is no exception. This story feels confident, steady, and complete in a way few Thai BLs do.

The time travel rules are blessedly consistent

Part of what makes the story sing is it's a time travel plot that actually gets the particulars right. In a time loop, the details are everything, and this show understands that. The series of events are consistent, the rules of the time travel mechanics are clearly explained, and when our protagonists learn something new, it always lines up with something we'd gotten hints about before or gives us new context for old information. There are no loose threads in this show.

My boy Tin is going through it

Tin is a fantastic protagonist. He starts the show disillusioned with his work and hilariously grumpy about this time loop situation--he is a busy ER doctor and he does not have time for this--but as he starts to piece together how the loop works he gets more methodical in his approach, and eventually becomes emotionally invested in his mission to save Tol. Tin felt really well-calibrated in that he was smart and he tried all the things you would be shouting at the screen for him to try, but he's still a human being with flaws and insecurities and so he makes mistakes, learns, and has to try again. The show really successfully put us in the frustration with him.

Tol makes for an interesting damsel

Because he's kind of an asshole! Tol is rude and disrespectful when he first meets Tin, he hangs around with some truly awful bullies, he treats Rit like garbage, and he's all around an arrogant dick. Until he isn't. I like the choice to make the focus of our mission such a difficult character, not only because it makes Tin's challenge that much harder, but also because it invites us to consider the reasons why someone might be behaving the way he is and whether they can be redeemed.

This show has everything: action, romance, and agony

It's truly an emotional rollercoaster all the way through, and you can't relax for a moment. The pacing is relentless through most of the show, and even as a bond develops between Tin and Tol and they begin a tentative romance, danger is lurking around every corner. As soon as these boys started making out in episode 9 I knew something awful was coming for me and IT SURE DID.

Jinta, the ultimate frenemy

On that note let's talk about Jinta, my nemesis!! Jinta is some kind of unspecified deity/whimsical god and the one who appears to be responsible for putting Tin and Tol in this loop. Is he trying to help them? Is he trying to torture them? I definitely think it's both! He seems to delight in showing up to taunt Tin as he struggles to figure out how to get through to Tol, and when it's Tol's turn on the merry-go-round he sends him to the darkest timeline for his high stakes final attempt to save Tin just because he can. I love/hate you, sir!

Sing and Gap and the darkest timeline

Speaking of which, can we talk about how appropriate it is that Sing and Gap are a couple only in the darkest timeline? I don't know if people were shipping this for real during the live watch, but I definitely was not and so I started cackling when we got to the worst possible timeline and Sing was suddenly calling Gap his boyfriend. Sammon, you are hilarious and I salute you.

Fantastic side characters

Let's talk about the sides I did love. First of all, aside from his weird aggressive flirting/not flirting thing with Gap, I actually did like Sing's friendship with Tin a lot. I also loved the hospital gang who were around to alternately tease and help Tin, most especially Toy and Fang. Toy is a sweetheart and a gossip who never misses a trick, and Fang is an actual badass who first cracked the case with that evil doctor and saved Tin's life. They are fabulous. Rit was also an excellent character with a lot of complexity and he added some much needed depth to the school storyline (does anyone else think he was basically the proto-DFF Non?). And while Mai and Heart were not my favorite people, I did appreciate that the show gave them a sympathetic portrayal instead of making them evil villains (we had the organ harvesters for that).

That beautiful clocktower

I must give a shoutout to this gorgeous clocktower featured in several important scenes. I got so excited every time it showed up. Fun fact: in the first clocktower scene I was like oh hey I recognize that from gifs, but it can't be that scene because it's too early for a kis--TIN WHAT ARE YOU DOING! (I was right, it was too early for a kiss and Tol was Big Mad but bless you for going for it anyway, Tin).

The romance is balanced and rootable

And on that note, let me give a shoutout to the romance part of this story for actually feeling balanced. This is not an epic swoony love affair, but more a story of two people putting in the time to understand and empathize with each other. Sometimes in these kind of time loop stories the romance can end up feeling very one-sided because one character is holding all the knowledge and all the cards. But in this show we have the neat trick of Tol taking over the loop to try to save Tin in the final arc, which means he got to go through a similar process of getting to know the darkest version of his lover and figuring out how to get through to him. I was delighted by all the events of the long loop playing out again, but this time with Tin being the obstinate one. Tol got a taste of his own medicine and it left me feeling like they were both equally invested in this relationship.

TL;DR: If you haven't watched this yet, you really should! It's a fast binge and a great time with some Thai BL favorites. It's unfortunately still not available for international streaming, but it's very easy to find grey now and it's worth the effort. Go forth!

[tumb1rprincess]

Okay, I just binged the rest of the Hazbin Hotel episodes.

Carmilla and Zestial are hot. And Carmilla is so interesting. I loved her and Vaggie's song. I actually didn't expect them to reveal who killed the angel so quickly. But I love how they're showing that even some of the top overlords in Hell care. The only question now is what Alastor is going to do with this information.

I love Vox. He has a great voice and his rivalry with Alastor is hilarious.

Sir Pentious is such a fucking loser and I adore him.

Nifty almost reminds me of Little My from the Moomins with her little gremlin energy. I don't know if we'll get any serious moments with her like we have with the other characters, but I guess we'll see.

I love how Alastor's room is a literal bayou/swamp. And him eating the whole fucking deer was hilarious.

I didn't expect for some of the others to find out about Angel and Val's toxic relationship so quickly, but I did like how it showed an uncommon angle: how trying to save someone from an abusive relationship can make things worse for the victim. I can't think of any other media off the top of my head that shows that kind of thing. But with Charlie and Husker knowing about this (and Cherri Bomb if we're counting Addict as canon), how long before everyone else finds out? And what are their reactions going to be?

I haven't been the biggest Angel/Husker shipper, but holy hell, am I on board now. Husker once being an overlord and pretty much implying that he sold his soul to Alastor much like how Angel did with Val was a development I didn't expect, as well as drawing parallels between his addiction to gambling and Angel's addiction to drugs. Hell, I really didn't except this angle they took with Husker. We only saw his bitter attitude in the pilot, and we still get plenty of that here, but I didn't expect him to also be a good people reader and being able to see how the other characters really are and what they're hiding. He's almost empathetic in a way.

All of the songs are fucking bangers, Poison especially. I listened to it once before the show and I liked it okay, but seeing it in context, it hits you ten times harder. I almost cried.

The show is so good at making the viewer feel so uncomfortable with how Val treats Angel, it's almost too hard to watch. I've seen shows tackle abuse before and they've done it well, but this was very raw and in your face and it makes your insides twist. And I love it.

Looking at the show's cast, Vivzi got so many people with Broadway experience and I love that. I feel like a lot of popular media nowadays just like to cast popular actors regardless of whether they can actually sing or not (I'm looking at you live action Disney remakes). But every actor who's sung so far is fucking good at it and it shows.

So far, I am in love, love, love with this show. I remember first watching the pilot when it was causing some controversy and I fell in love with it immediately. It almost became a comfort thing for me for a while. I was watching it over and over during 2020 when Covid was running rampant and everything was shit. I'm so proud of Vivzie and everyone else for their hard work and dedication and love. This show is so different from everything else out there. I hope now that it's out, even more people can fall in love with it.

[buddiebeginz]

Okay everyone listen to me Tim posting a B/T video (if he even did because his FB is private and people are saying he posted it but took it down) does not mean he’s saying Buddie is a no go and T*mmy is Buck’s endgame.

First of all let’s remember that Tim wanted to do Buck’s bi storyline years ago particularly back in season 4 and this was likely going to lead to Buddie (look at how the shooting arc was handled).

Second so much of this season has been geared towards Buddie. We had a lot of joint interviews with Ryan and Oliver (more than ever before). We’ve had Buddie talked about in pretty much every interview Oliver and Ryan have done both together and separately this season. This is not something that happened (to this extent) previously, it’s clear Fox did not really want them talking about Buddie. Also remember that if Buddie wasn’t happening and if Tim and ABC didn’t want them talking about Buddie they wouldn’t be allowing these kinds of questions over and over again. They would answer the Buddie question once or twice and that would be the end of it. Everyone knows how much people ship Buddie especially Tim. I'm positive he knows it would be really stupid to keep bringing it up if he wanted the subject to die down.

More importantly let’s look at how this season has gone we’ve had Buck and Eddie together more than ever. Tim even explicitly stated he was trying to put Buddie scenes in almost every episode. Look at how he answered that person about the karaoke scene. Tim basically said he was a Buddie shipper too.

Also think about this Tim knew he was going to have Buck come out and naturally it stands to reason that when it happened people were going to speculate more than ever about Buddie. If Tim has no intention of making Buddie happen and if his long term goal has been to put Buck with T*mmy as Buck's forever love interest (Like Bathena and Madney) wouldn't he have handled this season differently?

I'm not saying Buck and Eddie wouldn't have scenes together if the plan is never for them to be a couple, obviously not they're best friends but I do think Tim would have been extra careful with this being the first season Buck is out as as a bi character. Yet like I said we've had Buddie together more than ever. We've had them talking about sexual tension, dressing in couples costumes (when the actual pair that is dating didn't), singing karaoke together (even if most of it got cut), Buck talking about Eddie's cologne, Buck being a parental figure to Chris, Buck coming out to Eddie in a private quiet scene (when he only had two coming out talks this season), a buddie hug when we haven't had one for years, Buck talking about how he wished he could help Eddie when Eddie was talking about being sexually frustrated.

Most importantly though and what really seals the deal for me on why I think Buddie is happening is that Buck's entire bi awakening episode was focused very heavily on Eddie. Buck was NOT jealous that Eddie was getting to spend time with T*mmy in that episode (i.e. jealous because he wanted to spend time with T*mmy) he was jealous because Eddie was spending so much time and sharing parts of himself with someone else. He was jealous of T*mmy getting to spend time with Eddie and felt like he was being replaced. He thought him and Eddie had something special but then he sees the connection Eddie so easily formed with T*mmy and it hurt him.

We just haven't (as of yet) seen Buck really be willing to dig deeper to understand what he was truly feeling during all of that. How it was all about Eddie and not T*mmy. At this point all Buck knows is that T*mmy kissed him and Buck realized oh I like guys and he's reveling in the newness of all of that. At some point though he's going to realize none of this was ever about T*mmy and that even the main things drawing him to T*mmy were because of his similarities to Eddie. (I wrote a whole post about this episode btw)

But back to my point and that's why would Tim make a whole episode about how Buck obviously has feelings for Eddie and make it in the same episode where the audience (especially the general audience) realizes that Buck isn't straight? Why do that if Buddie isn't in the plans? If Tim's goal is B/T he still could have had something with Buck being jealous. What if T*mmy was hanging out with Chim and the rest of the 118 and he started being friends with all of them. They could have had it where Buck felt threatened kind of like he did in season 2 with Eddie but what it really was about was that Buck liked T*mmy and didn't know how to express that. What I'm saying is that Tim wasn't backed into a corner with this bi Buck storyline and T*mmy there were so many different ways he could have told it. He chose to tell it where it revolved very heavily around Eddie. Buck was even talking about Eddie right before and after he kissed T*mmy what exactly are we supposed to take away from that?

I know B/T stans like to say we just see what we want to see but decisions like having Eddie feature so heavily in Buck's coming out ep aren't made on a whim these are very deliberate especially when the powers that be know how much people ship these characters. Very specific choices have been made to tell a story with Buck and Eddie this season that is leading them towards the same goal and that's eventually together. If you're not seeing that it's because you don't want to.

There's also the fact that if B/T is the ship we're supposed to be rooting for if it's the ship that's going to be as big to 911 as Bathena and Madney (at least according to B/T fans) why has there been so little focus on them? I know some people might say it's a shorter season and they already have so much to fit. Or that they're trying to go slow with B/T's story but here's the thing they rushed into having Buck come out to the audience in one episode and then rushed into having him come out to all the other characters a couple of episodes after that. If Tim wanted more focus on B/T there would be. They also wouldn't even have to do much with them. We've barely even seen them have an actual conversation and the few times we have most of it has been when there has been some kind of uncomfortableness or annoyance between them. Like when Buck was full of anxiety during the date (and then T*mmy made that closet joke) or when Buck was upset about T*mmy not dressing up and T*mmy seemed annoyed.

I don't know I've watched a ton of different shows and to me this doesn't feel like how you build a ship you want the audience to root for. And I'm not saying that you can't have two people at odds and then have them get together. I love a good enemies to lovers thing but that's not what this is. To me the show is trying to tell us that Buck and T*mmy have an attraction but they really aren't on the same wavelength in other areas. Plus the show is always having Buck either talking about Eddie or having Eddie show up. Like when Buck came out to Maddie and was more concerned about lying to Eddie than his date going bad. We had Maddie literally Telling Buck if he had something to tell Eddie he'd tell him in his own time. What am I supposed to think about a line like that? Or when you had Eddie there during the whole scene with B/T at the karaoke bar or how the scene immediately cut from the B/T hospital kiss to Eddie. Plus we haven't even had a mention of T*mmy since 7x06 and now we're going into the finale. You'd think that they would have at least had Buck mention T*mmy during that date night scene where Buck was watching Chris for Eddie but no instead we had Buck being rather flirty with Eddie talking about his cologne and throwing popcorn into his mouth.

Now let's look at this video. There’s a high probability Tim didn’t even watch it. It’s long and not good in my opinion (I saw it before today). B/T stans call us delusional but they’re yelling about how Tim must believe in this bs invisible string theory they came up with and because it’s mentioned in that video. But here’s what the cover looks like

And this is why I think Tim posted it (if he even did) because it’s not about what’s in the video it’s about the title.

Has 911 found Buck’s perfect match?

This is what Tim wants us thinking about going into the finale. Is T*mmy the perfect match for Buck? Some like to think so but we know there is someone better and Buck is going to realize that.

No matter what happens with Buck and T*mmy at the end of this season and even if they're still together going into season 8 I 100% don't believe that T*mmy is meant to be Buck's endgame. Buck is for all intents and purposes the shows main character. We were basically introduced to the show through him we've watched him have the most growth, tim is not going to give him some lackluster love story.

Most primetime shows have a couple that the audience can root for. A couple where the audience isn't sure if they're going to get together but everything happening with them makes you want to see it happen so it keeps the audience tuning in waiting for the day it finally does. 911 had that for a long time with Madney before they got together and then later when they broke up and got back together. But now that they and all the main couples are happily married and rather settled 911 has no main couple like that not one that will garner media and audience attention, except oh wait they do it's Buddie. If B/T were going to be the couple they were betting on we would have had at least one Oliver and Lou on screen interview by now talking about them and we haven't. We definitely would have had more press promoting the couple but we haven't. The focus like I said before is on Buddie. The focus in the episodes is towards Buddie, the focus in the media, it's all a bright neon flashing sign that says BUDDIE. Nothing is pointing towards B/T in actuality I think Buck and Taylor may have even had more press than B/T has gotten so do with that information what you will.

I know a lot of you will hear about Tim posting this and think that's it Buddie is dead in the water but it's just not true. We are closer than ever to Buddie happening I promise you. We just have to be patient and let the story play out. Please don't pay attention to all the negativity coming from that other ship in fandom. Block as much as you need to so you can keep your peace. The best thing you can do right now is to show your love for Buddie as much as possible. Make sure you're tweeting about Buddie, leaving comments about Buddie on 911's official accounts (on ig YT tiktok etc), making new posts and graphics about Buddie on tumblr. We need to continue to be a loud (respectful) presence online and to remind everyone that we won't give up on Buddie.

Sending love to all of you ❤️

And remember:

[thelastofhyde]

you cut your hair, and take some space (2)

pairing. narcos!javier peña x fem!reader

synopsis. an anthology of events that precede and procede the termination of you and your father's best friend's sexual relationship. this is part 2 of 3! (part 1)

warnings. no use of y/n! all spanish text is followed by immediate translation ( please note that i am fluent in castilian spanish, therefore some words/phrases may differ from that of other hispanic countries ), age gap , student!reader, dbf!javi, post-s3!javi, policeofficer!javi bc i said so, break up au, mutual pining, forbidden lovers kind of vibes, reader has a healthy relationship with her parents, violence, nondescript depictions of sa ( not javi ), pedro-ception aka there's a small cameo of another pedro boy, vomiting, mentions of pregnancy, reader is described to have hair and celebrates christmas ( but no mention of the reader's religious beliefs )! smut ( creampie, breeding kink through the roof, domesticity kink?? javi just wants to love and be loved and start a family, dacryphilia, indecent use of a credit card, spanking, dirty talk, prostitution kink?? i feel like i'm making these up at this point, + a hell of a lot more ) this fic is based on bsc by maisie peters except this has a happy ending bc im a sucker for mr. peña :( not all warnings listed here appear in this part, these are warnings for the fic as a whole !

word count. 14.3k

hyde’s input. hey... hey... how y'all doin'?🧍remember when i said part 2 would be posted a few weeks after part 1? yeah, that was a fucking lie. and, remember when i said it would be 2 parts in total? that was also a lie! the universe is praying on my downfall ( i had a fun mental health episode and fell into a black hole for a few months <3 ) unfortunately, i am very much still alive and kicking, so this is me trying to get the ball rolling again when it comes to posting fics. as the fic has surpassed 40k words, meaning it would likely crash the tumblr site for anyone trying to read it + tumblr will not allow me to post it as a whole due to it's paragaph-count limit, i've decided to post it in three parts. the fic will be posted in full on ao3 once all three parts are available on tumblr!

if you see any typos, no you didn't 🫣

“...wouldn’t have to be serious,” he’s speaking, finishing off a sentence you don’t quite catch the start of. “huh?” “this. us. it could be casual, y’know?”

Golden boy, you dropped the ball I am Annie fucking Hall

The year moves too fast.

It’s like you blink, and suddenly it’s Thanksgiving.

Leaves turn brown. Pumpkins are carved only to rot upon front porches. A gathering of friends, young adults getting their first taste at hosting a thanksgiving meal.

You’re put on dessert duty, which culminates in stressful tears and your mother’s hand rubbing soothing circles into your back, reassuring you that it’s okay, everyone burns their first pie.

No one at the party needs to know the pumpkin pie you brought was a product of your mother’s gentle care.

Then there is actual Thanksgiving, which you celebrate, as always, at your aunt's.

The highlight is, and forever has been, the road-trip out of state, your father making it his mission to deafen you and your mother with his horrific singing.

As they drop you back at your apartment, your father has no qualms leaning out the car window and calling after you.

“I expect to see you cheering me on at the Thanksgiving Touchdown event!”

Which brings you here, to said event, sweater sleeves tugged over cold fingers and a wandering pair of eyes who refuse to comply with your wants.

You want to focus on the ongoing football match- Fire Department vs Police.

Your eyes prefer to follow him, striding up the field, his hair soaked in sweat and his t-shirt long removed.

You’ve no valid reason to roll your eyes at the other women who seem to prefer spectating the sport of Javier Peña. You’re no better than them.

Yet, as one of them let’s out a joyous shriek as he takes a pass at the ball, your eyes roll.

"He’s a show-off, that boy.”

At least you have company. An older gentleman, who you caught struggling to pick his wallet up from the floor. He’d smiled as you returned it, and conversation had flowed easily from there.

As the whistle blew, commencing the final match of the local community services’ football league- or, Thanksgiving Touchdown, as your father so aptly named it-, he’d patted the empty seat next to him.

“Hmm?”

He points, and you follow the direction, realising he’s speaking about Javi.

“Him,” he says it with a teasing tone to his voice. It’s like he’s mocking the agent. “Think’s he’s God’s gift, takin’ his top off like that.”

The more you sit with the older gentleman, the more you enjoy his company.

On the field, your dad bellows something at Javi. He replies with a curt salute, and shoots off down the length of it.

He’s fast, agile, stealthy.

A force to be reckoned with, keeping pace with rookies half his age.

The vision of him, gun strapped to his leg and a tact vest on his chest, speeding down streets in the columbian heat conjures in your mind.

You wonder how it felt to know him then, if worry kept his companions awake.

It had certainly kept you awake in recent months, and that was with him safe, in Laredo, cooped up in some bachelor pad.

“Surprised he’s not thrown his top to the crowd of screaming ladies!” The gentleman continues his mocking, and it rouses laughter out of both of you.

A whistle is blown, your eyes return to the field and, though he’s quick to look away, you catch the tail end of Javier’s eyes on you.

Fifteen minutes pass, in which you do your best to not stare at him.

You’ve made worse attempts in the past.

Eventually, the man next to you coaxes you into getting him a lemonade from the food truck.

You oblige, of course, and deny his attempts to hand you cash, insist it’s on you.

He’s kept you smiling on a rather gloomy day.

You tell him you’ll be right back, smile, and realise you don’t know his name.

“Chucho,” he tells you, and waves you off.

You join the queue, keep your head down, ignore the gossiping women three spots ahead of you, claiming to have each shared an encounter with Javi.

You don’t need to know what he’s been up to.

You don’t want to know who he’s been up to it with.

It happens when you’re finally being served.

There’s no longer a queue, just you, smiling as sweetly as possible. The service industry is rough enough, nevermind on holidays.

You order successfully, both Chucho’s lemonade and a hot chocolate for yourself.

The guy working the truck- young enough, a bit too traditionally good-looking, with coiffed hair and a shaven face- he’s talkative.

Friendly.

Too friendly.

Till it crosses the border into flirty.

You’re not interested.

At all.

But it’s flattering, to feel wanted.

Even more so after a something that means nothing yet everything ends out of the blue and you’re left reeling over whether or not some part of you is to blame.

So you let him shoot you his dashing smile, and throw in unnecessary pet-names that just feel forced into every sentence he speaks to you, and write his number on the paper cup of your hot chocolate.

“Here you go, pumpkin,” he winks. The pet-name feels a little too on the nose for the season. Couldn’t he have called you sweetheart instead? “A sweet treat for that sweet smile.”

You wonder if he’s allowed to gift the free donut he slides your way.

Your stomach growls and begs for sugary release before you can fully bring yourself to care.

An awkward thanks. Hands reach up to grab the to-go cups, three fingers curling up the bagged donut. 

He helps you get a grip on the beverages, placing them in your hands.

His touch lingers, more than necessary, fingertips brushing over your knuckles as if trapped in slow-motion.

“So, a pretty girl like you got a boyfriend, or are you gonna let me take you out to-”

Gasps fill the air.

Half the crowd boos.

Your father screams one name, loud and clear, down the pitch.

“Peña, get your head out your fucking ass and pick up the ball!”

Turning on your heal, the scene unfolds.

The ball, abandoned on the ground.

The players, scrambling to grab it before one another.

Javier, frozen in place, face an unreadable maze of emotions, eyes staring right at you.

They follow you all the way back to your seat, even as the game picks up again.

Even as you congratulate your dad on another victory for the police department, now the four-time consecutive champions of the Thanksgiving Touchdown.

Even as you head off to your father’s car.

Even when you’re home, curled under a blanket and watching a televised copy of Annie Hall, you feel his eyes on you.

The look of betrayal on Javier Peña haunts you even once you fall asleep.

If you don’t love me, What was April?

You’ve always been organised.

Everything has it’s place, from the books that line your bedside table to the memories inside your mind.

You compartmentalise.

Tucked deep into the right side of your brain, there’s a box.

It’s contents, memories you’ve yet to process.

Moments you know that, if you wish to move on, you’ll have to relive.

Caution tape holds the lid shut.

Fragile stickers cover every corner.

And, scribbled in bold red marker, April ‘99.

A late night.

You, wide awake, laying on your back and mapping out stars in his ceiling.

Javier fell asleep hours ago and now snores softly against your neck, muscled arm curled around your waist as his legs entangle your own.

The agent is a fiend for cuddling, and so often wraps himself around you like a vine.

You find yourself nestling your hand in his hair, and take note of the sharp breath he intakes.

Go still.

Worry you’ve woken him.

Relax when you feel him snore and press himself even deeper against your naked skin.

He’s tired. Exhausted.

Work was getting to him as of late.

He hadn’t told you that, but he didn’t need to.

You know him. You can read him.

Can tell in the way he moved slower against you.

In the way he let you take the lead, resting back against the couch to watch how your hips wound down on him.

In the way he got even clingier than usual, dragging you into the shower with him just to have you near, holding you from behind as you washed up the plates he’d used to serve you dinner (a trade-off he’d reluctantly agreed to months ago: he cooks, you clean), laying his head on your lap as you curled up to watch some cheesy horror movie- one you’re bound to fall asleep during and he’s counting on it, glancing up till he spots you slumped over and eyes closed, granting him the perfect excuse to carry you to his bed and nestle himself in beside you.

Unlike other nights, you’re trapped awake.

Something feels off, makes you queasy.

There’s something nagging at your mind.

It’s like you’ve forgotten something, misplaced something, and can’t even figure out what it is.

You just know its absence is wrong.

Javi mumbles something, dreaming away, and you feel the subtle press of his lips against your skin.

Fingers curl tightly into the fabric of your (his) shirt.

He can’t get you close enough, it seems.

Playing against his wants, you pull back, slowly, trying to catch a glimpse of his face.

There’s a pinch between his brows, furrowed in worry.

It’s not fair, you think.

Sleep is usually where you see him at his calmest.

It’s a selfish act, born purely from your own desire, but you find yourself pressing a kiss against his forehead.

His grip loosens, though slightly.

It gives you enough time to feel a stir between your thighs, a calling coming from your bladder.

So you do your best to slip out his hold.

It’s a struggle that leaves you topless and feeling a pinch of cruelty, standing over the bed as you watch his hand grabbing at the vacant spot you once occupied, your scent and shirt the only traces you leave behind.

You don’t bother turning on a light, make your way to his bathroom with practiced ease.

Pad your way across the cold linoleum floor, sink down onto the porcelain seat- he’d stopped leaving it up when your overnight visits became more frequent. You hadn’t asked- didn’t need to ask-, he’d simply done it.

Closing the door over, yet not enough for the hinges to squeak and the handle to lock, you pray the wood muffles noise of the flushing toilet.

When it stops, you wait a few seconds, until you’re sure there’s no rustling coming from his bedroom.

Then, you open the tap.

The water is barely a trickle, yet you tell yourself its enough.

Lather your hands in soap, sit them under the constant drip of cold water till you feel the suds wash down the drain.

It’s hard to stop yourself from sneaking a glance at the mirror, just as it’s hard to recognise the version of yourself you see.

Your hair frames your face, though messy.

Your eyes are bloodshot, yet carry less bags.

Your cheeks are rounder, fuller.

You look different.

You feel it too.

Yhen come the thoughts of Javier, and how he sees you.

Has he noticed a change?

Is he the reason for it?

Does he feel different, too?

Your stomach flips.

He’s not said anything. Or done anything, to make you notice a change.

But, then, Maybe it’s been subtle, slow, dragged out long enough it’s not drastic enough for either of you to take note of.

You eye the spare toothbrush he keeps in his bathroom, and try to remember when it became yours.

You don’t remember.

One moment, his toothbrush sat alone. And, the next, you were standing side by side, laughing as you raced to see who could make a foamier mess of the toothpaste.

Corazón, you look like a rabid animal, he’d called you once, laughing through tears as he wiped away the white suds dripping off your chin. You’re lucky that you’re just so cute.

You can recall, even now, how quickly his mouth had found yours that night, with no ulterior motive other than to bask in the minty taste of one another.

The stir in your stomach becomes more intense.

Eyes refocusing, you find yourself in the mirror again.

Only, sweat lines your forehead and your face seems drained of colour.

You make it only two steps back before you’re hurtling across the bathroom floor.

Your knees crash down first, harsh and unforgiving against the tiles.

The first wretch burns, has you coughing over your own gag.

In the dark, it’s hard to see what exactly comes out of you, but you know where it came from.

Your stomach.

Another wave of nausea hits, this one harder, and you’re gripping at the sides of the bowl, spewing into the water below.

A splash meets your cheek, but you’re too out of it to care, wave after wave of nausea leaving you a coughing, gagging, crying mess.

You feel lightheaded, only managing a moment to catch your breath before another wave hits.

It feels like you’re suffocating.

It’s in your throat, in your mouth, in your nose, in your hair.

It feels like it’s never stopping and you’re doomed to spend the rest of your days submitting to the horrors of throwing-

“Shh, shh, it’s okay,” warmth, against your naked back.

It’s a nice warmth, not like the one that has you covered in a cold sweat.

There’s a soothing motion over your skin.

Up, down, up, down.

You try to follow it, match your breathing to the tactile comfort.

“That’s it, baby,” cool air meets your neck, the hairs that stuck to your skin now pulled up and pushed back. “I’m right here, I got you.”

Eventually, all that’s left is the burning of bile at the back of your throat and the dull ache of eyes gone raw with tears.

You’re pulled into a solid mass, naked chest pressed to naked chest as you go slack upon the bathroom floor.

You’re exhausted, and covered in your own sweat, tears and vomit.

Javier doesn’t care, pulling you tighter against him and whispering sweet words you don’t quite pay attention to.

“Woke up and you weren’t there, corazón. Don’t do that again,” even in his attempts to chastise, he’s gentle, brushing the remaining strands of sweat-slicked hair off your face. You must be an awful sight, yet his expressions don’t give way. “You wake up, you wake me up too. ‘Specially if you’re gonna hurl, okay?”

You glance at him, swallow back a lump and deal with the realisation that dawned upon you ten minutes earlier, as you sat hunched over the toilet’s bowl.

“Javi,” he smiles at the way you call his name.

You feel sick all over again at the thought of that changing, everything changing, as you build the courage to speak.

He calls your own name back to you.

“I’m late.”

You await the sharp inhale.

And the unwinding of arms.

You imagine he’ll stand up, pace the floor.

Run his hands through his hair, rant over every thought he has.

Ways to get rid of it, the dangers of your dad finding out.

Then he’ll turn the blame to you.

That’s what men do, right?

He’ll ask why you weren’t safer, why you forgot to take that morning-after pill, why you played so fast-and-loose with your body.

None of it arrives.

He stands, yes, but only to pull you up with him, tired limbs leaning into his strong build as he drags you both under the heat of a warm shower.

You watch the remnants of your own vomit wash down the drain, and question how he can stand there, not disgusted with you.

He dries you off, delicate drags over your skin.

He’s rougher with himself, scarcely drying properly before he’s carrying you back to his bed, a replay of hours earlier as he lays you down, crawls in behind you and tucks you both under the soft comfort of his worn-out sheets.

Only, this time you’re wide awake.

He so easily nestles himself behind you, dragging you back against him and committing himself to the role of big-spoon.

His hands have always felt large, their touch always electrifying, but nothing compares to the feeling of him splaying one across your lower stomach, a subtle press into where part of him could be growing within you.

“Javi,” you whine, fighting off the sleep your overwhelmed body so badly needs. “I’m sorry.”

You say it because you feel obligated, like it’s your place to be apologetic.

After all, the blame is yours, surely.

“No seas boba (Don’t be silly),” there’s a fresh set of tears already sliding down your cheeks by the time he replies. “Don’t need to be sorry, baby.”

“But I-”

“But, nothing,” his tone feels final, one that tells you you’ll get nowhere arguing against him. “You’ve done nothing wrong, corazón.”

You fall asleep, eventually, soothed by his gentle breathing and the repeated motion of his thumb stroking over your belly.

Yhe next time you awake, there’s a crack of sunlight creeping through his blinds.

Javi’s still in bed, only he’s propped up on his elbow and staring down at you.

His smile stretches a little wider when he spots your open eyes.

Lips press against your own, soft and subtle.

A quiet greeting, a wordless goodmorning.

“I gotta go, corazón,” is met with a protest from you, rolling over to curl into his solid chest.

Expecting it, he wraps you up tighter in his arms, presses an array of chaste kisses to your head.

You don’t want him to leave this bed.

Or this apartment.

You don’t want him out, in the real world, where the hours you’ve spent cooped up together become more scandalous than the peaceful nature of them.

“I know, I know. Don’t wanna go either, baby,” you wonder if you spoke your thoughts aloud, or if Javi simply knows you so well.

Eventually, he peels himself away from you.

You watch him dress.

Tell him which tie to wear.

Help him tie it, the comforter pooled around your naked waist as you sit criss-cross-apple-sauce and Javi’s at the side of the bed, legs bent at the knee.

He thanks you with a kiss, then asks you to pass him his cologne.

It’s on the other side of the bed- his side of the bed- and you lean over to grab it.

You don’t bother handing him it, spraying it directly onto your own wrist and dabbing it into the skin of his tanned neck.

He lets you, a gentle smile on his face and eyes that pull you in for a hug, burrowing himself between your naked breasts.

He presses a kiss between them, hums in enjoyment.

“You’re gonna smell like me all day, cariño (darling),” he tells you.

“Good,” you reply.

Another hum, this time of approval, and a squeeze to your hip.

When he pulls back, he looks even more reluctant to leave.

Reality rears it’s ugly head, but he pushes it out your mind with the pressing of his hand against your stomach, the same spot he’d held onto all night.

Leans down, brushes his lips against it.

Your hands instinctually curl in his hair, and you like to think you leave it a little messy, enough to ward off any of the women he works along side, hopeful eyes hoping to get a taste of the handsome, unmarried cop.

“Stay,” he mumbles against your skin, as if you’re the one who’s about to leave. “Don’t go, ok? I’ll call around lunch.”

He keeps his word.

Calls you, a few minutes past two, interrupting whatever daytime TV you were pretending to watch.

Answering leaves you feeling lightheaded, like you're trapped in a daydream.

Listening to him croon down the line while your finger anxiously tangles in the phone’s wire as you stand in his apartment, it feels domestic, like you’re waiting for him to come back home, a place you share together.

The thought has you pressing a hand against your womb.

“How bout you, corazón?” He knows how to make you melt, picturing him smiling at his desk. “Have you ate yet?”

With a grimace, you admit you haven’t.

“You need to eat, baby,” you don’t like the fact he uses that pet-name, not right now. “There’s plenty in the fridge. Could make yourself a sandwich, or some toast. Might even have some of that pasta left over. You know, that one you said you liked? Oh, wait, maybe don’t eat that, don’t think uncooked salmon is good for pregn-”

You don’t want him to say the P word, so you cut him off.

“I’ll probably just have toast.”

He says ok, then you hear him take a bite of whatever his lunch is.

The call goes on a little longer.

It’s mostly him talking.

He tells you a quick story, something about one of the younger guys accidentally stapling his tie to an arrest warrant.

That rouses a laugh out of you, makes you forget all about the massive P word he almost said.

“I’ll be home soon, okay?”

That sounds nice coming from Javi.

Home.

Not his home, just home.

A place he feels his soul at rest.

A place he’d begged you to stay this morning, safe and tucked away.

“Was thinking we could drive out to the clinic, find out for sure if we’re pr-” he cuts himself off this time, like he knows you’re not ready to hear that word. “Then we’ll take things from there, okay? Whatever you decide you wanna do, corazón, you call the shots.”

He keeps his word, again.

Comes home barely three hours later.

He walks through the door and welcomes the way you coil yourself around him, humming in delight as he peppers a few kisses over your face.

“Still smell like me,” he says it with approval, takes a purposeful whiff at you as he pulls you tighter against him.

You still smell his cologne on him too, buried beneath a few layers of sweat and cigarette smoke.

Near clinging to one another, it’s a miracle you two make it out his apartment and down the elevator.

An arm around your waist, he guides you over to his car.

Pulls the door open for you, stops you from bumping your head on the way in.

He practically runs round the car’s hood, jumping into the driver’s seat and thrumming the engine to life with the turn of a key.

“You remember to eat?” He asks as he pulls out onto the street.

You nod, then audibly reply.

Tell him you did in fact eat toast, leave out the part where you spewed your guts again twenty minutes later.

The drive is quiet.

Not uncomfortable, just relaxed, with the radio playing gently and his window rolled down enough to let in some air.

At some point, his hand slides over the console and rests against your thigh.

You welcome it, covering it with your own.

As you watch out the window how he drives past the turning for the local hospital, he must catch your questioning gaze.

“They, uh,” he clears his throat, rings his hand over the steering wheel. A small stain of sweat marks it. “Know your dad pretty well in there. And me. Figure you’d rather he not find out about us like that.”

He’s right.

So you relax back into your seat, accept the fact you’re both driving out of town together.

At some point, the beginning notes of your favourite song play through the stereo.

You instantly perk up, sitting up straighter in your seat and tap your foot a little to the beat.

Javi says nothing, simply peels his hand off you to turn the volume dial up.

Seconds later, he turns his head and throws you a look just asking if he’s done good.

You smile, and thread your fingers between his own.

A soft squeeze before he pulls them up to his lips, eyes back on the road.

The clinic is bright.

And squeaky, each step you take making you a little more nervous than the last.

Javier, by all accounts, is solid as a rock, signing you both in, picking up a few pamphlets, buying you a can of soda, all while you curl up in some plastic chair and just focus on not spewing your guts out.

You only relax once he’s sat beside you, helping you get a sip of the sugary drink and wrapping a protective arm around you.

You don’t mean to but you fall victim to sleep, the past 24 hours getting the best of you.

You come-to likely not much later, but to the sound of a childish giggle.

Cracking one eye open, just slightly, you notice you’re slumped into Javier, head on his shoulder.

There’s a giggling little girl in front of you both, in purple overalls and with two pigtails to hold her curly hair.

One of her hands is on Javi’s knees, using him to keep herself standing.

“First time?” You snap your eyes shut as a stranger’s voice fills the quiet bustle of the clinic.

A confused sound leaves Javier.

“Yeah, could tell from the look on your lady’s face,” the man continues. “Same one my own wife had during our first visit.”

You want to pay attention to Javi’s response, but you’re a bit busy dealing with the fact he’s not correcting the man, telling him you’re not his lady nor his wife.

His thumb soothes over your hip, and you wonder at what rate you’ll melt away into a pile of nothing thanks to his soft touches.

“You hoping for a boy or a girl?”

You tell yourself to try harder, to actually pay attention.

You succeed, catch as Javi replies, “a girl.”

“Yeah?” the stranger seems genuinely invested, it almost makes you want to open your eyes, see him for yourself.

But you don’t want to ruin the moment.

“Wanted a boy, myself,” that same little girl giggles again and you can’t fight the temptation to peek once more, catch as she crawls into her faceless-father’s lap. “Doc told us it was gonna be a boy, too. Then this one came along and, wouldn’t ya know, not a boy.”

“Surprise!” the little girl squeals, and you feel Javi’s shoulder shake under your head.

God, you want to look at him, see if he’s looking at her with the same adoration that’s festering in your heart.

“Yeah, baby, you’re my little Sarah-Surprise,” the man coos and, despite his rough accent, it suits him. Like he was only ever meant to speak with gentle words and a soft heart, all for his precious daughter. “It’ll get easier, on your lady, just so ya know. Less scary, more exciting. ‘Bout to welcome our second one, and I’ve never seen my wife so happy.”

Javi’s still not correcting him.

It makes you nauseous for a whole new reason.

“Mr. Miller?” A voice calls out.

A nurse, you imagine.

A chair squeaks as pressure is taken off it, the stranger standing.

You peak your eye open in time to see him picking his daughter up, her little legs dangling off his hip.

He takes a few steps, till Javi interrupts him.

“What,” he clears his throat, and you wonder if it’s of emotion. “What are you hoping for this time?”

“A girl.”

Eventually, it’s your turn.

You’d pretended to wake up to Javier’s coaxing.

Shuffled into some room, reluctantly separating from Javi.

A smiley nurse handed you a cup, talked you through what you needed to do for your tests.

Took your blood pressure, complimented your earrings, and stepped out the room to give you privacy.

A short while and a reunion with Javi later, you sat in a doctor’s office, both a nervous wreck as you clasped each other’s hand.

“Mrs. peña,” again, Javier does not correct the doctor. And you realise it’s because he filled out the forms, he signed you in. He wrote you down as Peña. “You and your husband are not pregnant.”

What should have followed was a sigh of relief, from both of you.

But all you felt was led drop in your stomach and Javier’s grip tighten on your hand.

“You are, however, displaying symptoms of acute food poisoning, likely salmonella.”

The doctor continues on, detailing a prescription you’re being given.

But it falls on deaf ears, the world around you gone blank as you wrestle with conflicting emotions.

You’re not pregnant.

You should be elated. Jumping, and cheering, and dancing all over the place. Instead, you’re silent, letting yourself be guided back into the car by Javi.

This time, the drive is silent.

Not quiet.

Silent.

You watch him drive past the turning into your street.

He doesn’t explain that he’s taking you back to his place.

Getting you back in his bed, switching off the lights, he curls himself in behind you and splays his hand over your stomach.

Over your empty womb.

For some reason, you find yourself sobbing into your pillow, unaware of the tears from him that stain your neck as he tries to hush you.

“Shh, shh, it’s okay,” the irony of him repeating those very same words last night is not lost on you.

It’s hard to move on, when every month there’s a stabbing pain in your abdomen and a trickle of blood staining your underwear to remind you of April.

And so you keep it locked in it’s box, slapping another caution tape over it’s lid as you groan and roll out your own bed, trudging your way into your bathroom to check if the wetness between your thighs is your monthly visitor.

You played a game But I run the table

You’re avoiding your dad’s calls.

It’s not because he’s done anything to warrant your rejection, but, rather, it’s the forthcoming actions he’ll be guilty of.

See, you know why he’s calling.

Your mom let it slip, over brunch and a few too many glasses of wine.

He’s hosting another poker night.

He wants you there, as always.

Some baseless theory of you being his good luck charm.

Or, at least, that’s what you were until the last poker night he’d hosted, way back in March.

He slips away, phoned by your tipsy mother and obligated to drive three towns over to go pick her up because she misses him.

“Fill in for me, will ya, kiddo?”

It was less a suggestion, more of a pleading, his hands already scraping the seat back and awaiting you to plop yourself down.

He leaves you with his hand, his winnings so-far, and a kiss to the top of your head.

“Watch out for Peña,” he whispered, as if you hadn’t been keeping an eye on the agent all evening, clouded by his own cigarette smoke and sitting looser each sip of his whiskey, no ice. “His poker face is dangerous.”

He turns out to be no threat.

None of the officer’s are, really.

Rounds end and rounds start, and you father’s pile of winnings grow more and more.

It’s an ego boost, taking money from these cocky men who look at you as though surely you have no clue what cards you’re holding.

But, taking from Javi?

That’s something else, entirely.

Each time you win, he gets more agitated.

Flinging down cards, muttering curses, shoving his cash across the table.

All whilst glaring, at you, eyes black with ire.

And intoxication.

And something else.

Something you know all too well on Javier.

Lust.

Nearly an hour’s past since your father left, someone else leaves the table.

Says he needs the toilet, you point him in the direction of it.

You all call for a break, and then you graciously offer a refill on drinks.

It’s what your dad would’ve done, kept them all drinking and lowering their inhibitions, their focus disappearing alongside it.

“I’ll help!” One of the officers exclaims.

He’s on the younger side.

Practically a rookie, it’s only the second poker night he’s attended.

He’s sweet, with his large-framed glasses and his nervous smile.

You both make your way out of the basement- refurbished to be your dad’s man-cave- and head towards the kitchen.

You open the fridge, grab however many bottles of beer you need.

He heads to the liquor cabinet, pulls out a bottle bourbon.

You beat him at grabbing the whiskey, an unvoiced need to be the one who refills Javi’s glass.

Maybe, he’ll offer you a sip.

Conversation flows naturally between you, in spite of him being a near stranger.

He asks about college.

You ask about working with your dad.

You both agree on the fact he’s a pain in the ass.

He tells you about a new bar, downtown.

You tell him where to go to get the best club sandwich.

It’s light, it’s easy, it’s friendly.

You’re enjoying his company.

nNeither of you can tell who causes it, but one of you mispronounces a word and you both wind up in a pile of giggles, falling over yourselves and banging into counters.

His hands grip his sides.

You’re clutching your chest.

Through wheezes, he repeats the phrase that left you both in this state.

You laugh harder, louder, warn him to stop before you lose control of your bladder.

Something thuds in the hallway, your eyes shoot up to the kitchen entry and you swear you see Javi’s retreating figure.

Blink a few times, realise there’s no one there.

You both gather some decorum.

He grabs as many of the beer bottles he can manage, and looks at your empty hands in question.

You tell him to head back without you, that you just need to go to the toilet.

Parting ways, you find the both the downstairs and upstairs bathrooms occupied.

Sigh in frustration, only to remember your parents en suite.

It’s empty, because of course it is. No one would feel comfortable enough invading the privacy of your parents' bedroom.

You do your business, wash your hands, fix yourself in the mirror.

Decide your lipstick needs a little touch-up, your clothes need straightening out.

And, when you’re done and ready to head back down to the poker table, you hear a thud.

Pull open the bathroom door, expect to find your father struggling to put a tipsy, giggly, clumsy version of your mother into bed.

Instead, there is only a brooding look and disapproving grunt.

A firm grip, on your arm, dragging you right back into the bathroom.

The door slams shut, a little harsher than you’d like, the sound of it surely reaching the ears of those regrouping for the next dealing of the cards.

He doesn’t pounce, like he so usually does when he’s wearing that look of frustration.

He’s simmering in it, teetering on the edge of boiling anger as he smooths a hand over his chin, visibly clenching his jaw, swallowing back whatever it is he wants to say to you.

He takes one step forward, and you go one back.

Then two steps, which you also match.

Your hip smacks into the sink’s counter on your fifth step backwards and it’s enough to finally put his hands on you.

He tugs you right into his chest, one hand soothing over where you’d banged your hip.

It’s alarmingly gentle for his stoic features.

When he speaks, you nearly melt into a puddle, the heat of him invading your space, face inching close to your own, enough to have you questioning the sanctity of your parents en suite.

“What’s going on with you, huh?”

“Could ask you the same thing, officer,” you make the fatal mistake of giggling, but you’ll blame it on the fruity cider you’d helped yourself to.

He clearly finds no humour, not even as you fiddle with the top button of his shirt and shoot him your best look of innocence.

“Think you’re real fucking funny, don’t you?” His hand, warm and imposing, grips a hold of your face.

It’s almost painful, but you like it, squirming a little at the blunt stab of his nails and the way he smooshes your cheeks, forcing a pout onto your lips.

You try shake your head, his grip won’t let you.

“Sitting in a room full of men, making yourself the centre of attention,” he huffs a breath out of his nose, and you can’t help but compare him to an angry dragon.

He’s worked up, frustrated, angry.

And it’s hot. A turn-on.

“What’s the matter, Javi? Jealous you’re not the centre of all those men’s attention?” You’re poking the dragon, teasing him, and it’s an act that may leave you burned and scarred.

Or, as you’re hoping, it’ll win you the ride of a lifetime.

He doesn’t even grace you with a verbal response.

No, he scoffs, as though he’s in physical disbelief at the words you’re saying.

Spins you around, pins you to the sink’s counter, tugs your hair till you’re forced to stare at your reflection.

He’s right behind you, seething in anger, fire in his eyes.

His head dips between you neck and shoulder, brushing his lips against your pulse point.

“Not all of us are attention whores like you,” it’s fleeting, and he’ll deny it if you dare mention it, but he smiles.

Just a second, but you feel it, see it even though he tries so hard to turn his face into your neck.

It’s what lets you know he’s playing, teasing, egging you on to push him over the edge.

“I’ve been with real whores, corazón,” he confesses a sin you already know, eaves-dropping one too many times on your dad fishing stories of Colombia out of him. “Fucked them so often they started doing their nails in colours they knew I wanted to see wrapped around my cock.”

Involuntarily, your back arches, brushing your ass against him and providing him the perfect access to wind his hand up between your heaving breasts, all the way up till his fingers curl round the base of your throat.

In the mirror, the image is one of ownership, of Javi seizing your bodily autonomy. A whore and her gentleman caller.

It’s arousing to think about, Javi and his whores.

You wonder what positions he put them in.

How many rounds he lasted with them.

How often he made them cum.

“And not one of them took half the money you’ve taken from me tonight.”

Oh.

So that’s what this is, his pretty ego, bruised at the hands of you?

Poor Mr. Javier Peña, humiliated in front of all his peers round after round, hundred bill after hundred bill.

You almost taunt him for giving into the temptations of the fragile male ego, but you’re stopped in your tracks.

By him, hands squeezing at you a little tighter as he grinds the unmistakable outline of his hardened cock against you.

That single action changes the game, entirely.

Because this isn’t about you stealing his money and his ego.

No, this is something far filthier, that has your panties growing wetter beneath the skirt of your dress.

“I’m worth every dime though, aren’t I, officer?.”

The grip tightens.

He shoves you harder into the counter, so hard a tub of your mother’s moisturiser topples off.

The hard outline of him is still there, ever-present.

“‘S that what you like, huh, taking my money? Wanna be Javi’s personal little whore?”

Every ounce of feminism evaporates within you.

Who could deny such a tentative offer?

Certainly not you, reflection mimicking the way you eagerly nod, teeth biting down on your bottom lip in a failed attempt to hold back a grin.

Javi notices- of course he notices- and takes his victory, hips rocking even deeper into you.

There’s too many layers between you, a feat on which you both agree, yet neither of you do anything about.

You just savour the friction, instead, pushing and pulling one another to the axis of pleasure.

Your panties, soaked.

His jeans, tight.

“What’s it gonna cost me to get you bent over and stuffed full of my cum, corazón?” One hand leaves your body. The mirror snitches on him, exposing how he’s reaching into his back pocket. “This?”

He smacks something down, into the bowl of the sink.

It’s his wallet, and you watch the worn leather of it shine with the residue of water on the linoleum.

The hand at your throat pulses a squeeze, his knee nudges you from behind.

“C’mon, don’t be shy.”

His mouth, right by your ear, lips tickling you with the subtlest of brushes against it.

His hand guides your own, down into the sink, flipping the wallet open and putting it’s belongings on display.

Bills, some placed neatly, others stuffed in forcefully, edges spilling out the pockets. There’s less in there than when he arrived, courtesy of you.

There’s a few miscellaneous cards. A library card, an ID slip you’re sure he uses for something in the sheriff's station, a loyalty card to some record store.

The picture of his mother sits centre stage, radiant smile and loving eyes grabbing the attention of any who dare open it.

He has his mother’s eyes, you notice.

And then you notice something else, peeking out from behind his mother’s picture.

You dive into temptation, dart your nosy fingers over to tug at the object, till you realise it’s another picture.

A picture of Javi, and you.

Taken on a polaroid you found under a box of his belongings, you remember the day clear as ever.

The two of you had messed around, captured your sins on film with the promise of destroying it after. It would be too risky a thing, to allow image evidence of the intimate ways in which you knew each other’s bodies.

Javi’s fingers on your skin, your nipple in his mouth, his cock’s outline bulging within your lower abdomen.

There was no point risking your father ever finding it.

But this picture, this one you do not remember.

Fully dressed, eyes fixed on his television, your head lays in his laps while his fingers card through your hair.

It’s captured from above, as if Javi’s own eyes had made a permanent record of his view.

The sweetness of this living on, of Javi taking something sacred for himself to keep hidden in his wallet distracts you for a moment.

He does good to bring you back into the room.

“Take how much you think you’re worth, corazón,” whispered into your ear, as he rips a few of the notes out his wallet.

They sit in the sink, growing wet.

And you are too, frozen on the spot.

You glance down, count over the different bills.

Five dollars.

Twenty dollars.

Hundred dollars.

With each bill you count, your internal price shooting up within your head, you try picture his reaction.

In the mirror, he’s watching.

Not the sink bowl, no.

You, your face, looking at your expressions in a way that reminds you it’s his job to read people.

You decide to be bold, dig into his wallet and, even though your insides twist in anxious turmoil, hold up your hand to present him with your answer.

Resting neatly, between your fore and middle finger, a shiny credit card.

The gleam in Javi’s eyes just about match it, blackened and blown out with lust.

The card is plucked out your hand.

The hand on your neck leaves, in search of your waist.

The fabric of your dress bunches, wrinkling and creasing as his fabric-straining grip inches it’s hem higher and higher.

You feel sexy like this, face heated and breathing heavy.

It’s an effect he has on you, has had on you, forcing you to look at yourself in new lights, in new angles, admiring every out-of-line trace of you for what you are.

Desirable.

And attractive.

And pretty.

And smart.

And every other word under the sun that Javi whispers into your skin with innocence as his body commits sins within you.

At the bottom of the mirror, you watch as the white cotton of your panties comes into view.

Wet, as you both expected, the thin fabric now turned almost sheer, exposing the delectable view of your cunt hugged cutely by the cotton’s tight seams.

Javi hisses, muttering something to himself.

There’s a strain to his voice, one that would have you worried he’s in pain if it weren’t for the way you’re watching as his face contorts with lust.

His eyes are dark and you study them like he studies his card, contemplating something.

A few seconds pass. 

Tension is puffed out his chest with one exhale, through the nose.

You feel the air tickle your skin.

He nods curtly, to himself, and flickers his gaze back to meet your own in the mirror.

It’s unwavering, even as he brings the black plastic down and smacks it against your mound.

You squeal, he hushes, and you both know he doesn’t mean it at all.

He likes when you gift him noise, a private aria only he has tickets to.

Just as easily as the first time, he snaps the card against you again, a jolt of pleasure shooting straight through your clit.

Just as loudly as the first time, you squeal, a jolt back into his warm, steady, hard embrace.

“What’re you running from, hmm?” His face turns, burrowing itself in the tresses of your hair.

A shallow sniff, and you wonder if he notices the smell of his shampoo on you.

There’s a pressing of lips, against your scalp, and it’s far too gentle of a juxtapose to the imagery of his fingers pulling your panties to the side, exposing your pussy to the bathroom’s cold air and the two pairs of hungry eyes in the mirror.

“You say that this is what you’re worth, and then you don’t want to take it?”

The third spank of the card against your bundle of nerves is harder, louder, echos in the confined space. A moan, minuscule and muffled, slips past tightly shut lips, a look of fear flashing through wide eyes.

Javi’s quick with his reassurance, gentle with his comfort, a hand stroking over your collarbone.

“Don’t worry, no one’s gonna hear you. You just be as loud as you need, hermosa, they’re too busy encouraging that boy-cop to ask you to dinner.”

There’s a tint of jealousy to the way he says boy, and you’re reminded of the image of him in the kitchen doorway.

Smack!

The card strikes down, once more, this time eliciting an open-mouthed gasp. 

He doesn’t let up, repeating the action twice more.

It hurts, in a way that makes your core throb and your toes curl, squirming aimlessly in a grasp he knows you don’t truly want to escape.

But he mocks you, with a hushing noise in your ear and gentle it’s okay, corazón, Javi’s got yous against your neck. His thumb swipes through your folds, coating it in your wetness and dragging itself up to your clit, soaking it in soothing rubs.

His gentle nature lasts mere seconds, his wrist flicking back only to smack the credit card down again. This time, it’s a pattern of three, repeatedly crashing down on your sensitive nerves one after the other.

In the mirror, you watch him observe as he twiddles the card between deft fingers, contemplation on his mind.

The room’s quiet, apart from your shortened breaths and his deep inhales.

You hear a cheer.

From the basement.

It must have been a loud cheer, for you to hear them all the way up here.

And, suddenly, the stakes feel higher than when you were sat at the poker table, counting Javi’s coins with every passing round.

If you can hear them, they could hear you.

This doesn’t seem to cross Javier’s mind, who merely twists your head away from the bathroom door and back to the mirror, to where his hungry eyes await.

All contemplation is gone, he’s decided in what he’s going to do, and so you watch as he takes the card and swipes it through your cunt.

It’s not a pleasurable act, in itself.

In fact, it’s rather uncomfortable, the solid plastic hard on your delicate skin.

It’s the arousal of him doing it that gets you weak in the knees, to have him perform such a mundane act- the swiping of his credit card- in such a crass, dirty, wrong way.

Like he’s paying for you, committing a physical transaction in exchange for your body.

It doesn’t matter that he could have you for free, has had you for free.

He wants to pay, wants to reward you in a way that aligns with the capitalistic world.

“Javi…” You whimper, softly, head lulling back against his shoulder as he swipes the card again.

Your eyes, slowly slipping shut, shoot right back open as you feel the rounded corner of the card prod at your opening, as if trying to notch itself within you.

“Think she could take it, corazón?” Javi bites at your ear, teeth clamping down and pulling at it’s lobe. The card sinks in, not even an inch. You nudge back into, your cry circling the room around you both. “I know, baby, I know. It’d be a wide stretch, but ain’t that all pretty whores like you are good for, hmm?”

It’s automatic, the way you bend to his every whim, head nodding without direct orders from your brain, every part of you, conscious or not, ready and willing to prove you could fit his card inside of you.

For him, you can do it.

“Fitting big things in your little pussies?”

Surprisingly, the hand between your thighs retracts and you watch as he brings the card up to your mouth, glistening with your arousal.

“Open,” the directions are unnecessary, your mouth already dropping open for him in an act of muscle memory.

He hums approvingly, yet his eyes are still fury filled as he slots the card between your lips, lathering your tongue in your own taste. 

“You’ll take anything I give you, won’t you, corazón?”

The statement rings true, both ways: as much as you’ll take anything, he’ll give anything.

You don’t tell him that, though, finding it much easier to rest your palms on the countertop, backing your sopping core into him, enticing him with the wiggle of your hips and whines from your lips to take you already.

“Shh, shh, don’t you worry that pretty head. Javi’s gonna feed this greedy little cunt, ok?”

The unbuckling of a belt.

The unzipping of teeth.

The shucking down of-

Something smashes, in the basement, and it’s enough to have you flinching.

Javi’s touch soothes you, a hand running over the curve of your shoulder as he presses yet another kiss into your neck.

“S’okay, probably just a beer bottle.”

He doesn’t move another inch, not till he sees you nod, melting back into him.

You hear, more than you see, the way he tugs his trousers down, just enough to free his hardened cock from its jean-clad confine. The risky business of a quickie in your parents’ en suite calls for clothing moved aside, and not removed.

Much to your annoyance, his all-encompassing warmth drifts away as he moves back, hands clamping down on your hips. 

He tilts them to the angle he wants, the angle he knows gets him brushing all your sweet-spots.

He tugs the skirt of your dress up, and then readjusts your soiled underwear.

You hear him draw a deep breath and watch his eyes in the mirror, glued to that spot between your legs, entranced.

The drag of his cock over your folds is familiar, the way he smacks the head of it against your clit is welcomed.

He spears you no gentle coaxing, no stretching around his fingers first, coming undone just for him to fill you right back up, this time with his cock.

No, this is a vengeful touch, the kind that’s meant to display his irritation, his fury, for reasons you’ve yet to confirm yet you’re more than willing to accept.

A man like him, so unfairly selfless, taking something in this world for himself, how he wants to and how he likes to.

You’ll be his vice, so long as he grants you his virtues.

Javi fills you with a single thrust, grunting low into your ear as you feel the way the air is physically knocked out both for your lungs.

He’s still, head buried in the crook of your neck as he works on steadying his breathing, giving you time to adjust to the delicious stretch.

You whine out some version of his name, feel yourself pulse around him.

A hand, reaching up to cup your cheek.

A kiss, gentle and longing against your mouth.

He’s making you wait for it, you think, torturing you with an impending paradise.

He’s savouring the feel of you, he thinks, taking advantage of the few moments alone he wins with you.

"Javi,” he barely lets you part from him to speak, chasing a trail of kisses down your jaw. “This isn’t the time to develop patience.”

The snide remark earns you a bite, his teeth nibbling on the sensitive skin of your earlobe. You squeal, try remind yourself to be quiet, only to squeal louder when his hands tickle at your waist.

“I’m a very patient man, corazón.”

You scoff.

“Just not when it comes to you.”

His hips roll back, slowly, but it’s better than nothing, better than when he wasn’t moving at all.

Still, he makes you squirm a little longer, moan his name a little louder.

Only then does his fake resolve snap and he’s fucking into you at a brain melting pace in the blink of an eye.

Javier does his best to keep quiet, at first, biting down on his lip and your neck just to contain all those melodies he usually makes.

You can’t say the same for yourself as, despite your efforts, broken moan after broken moan tumbles out your mouth and into the sink, filling and filling and filling it in sync with how Javi your cunt.

You wonder how long till it all spills over the edge.

“Joder (Fuck),” he groans as you unconsciously squeeze him tighter, pulling him deeper into your walls. serves him right, for the teasing and the torturing. “Tienes el coño más lindo en todo el mundo. (You have the prettiest cunt in the whole world.)”

You feel lightheaded.

Warm, sweaty, covered in the fingerprints of a lover you shouldn’t be with.

The bathroom fills with an array of sounds. The slapping of skin against skin, the broken cries of an agent’s name, the mindless rambling of a man drunk on pleasure.

“So good to me, baby. Always so fucking good to me.”

“Gonna stay here forever, fuck. That sound good to you, corazón, hmm? Full of my cock always?”

“Look at yourself… Pura belleza (Pure beauty).”

He consumes you, mind, body and soul.

There’s no worrying about the happenings around the poker table, no listening out for your father’s car pulling in the driveway, no worrying about your tousled hair or sweating skin.

There’s just Javi.

Beautiful, gorgeous, deserving Javi.

“Please, please, Javi-“ The words all melt together, pleads becoming his name, his name becoming pleads.

You’re not sure what you’re begging for.

It’s okay though, Javi always knows what you need.

“I know, amor (love), I know,” he murmurs into your skin, butterfly kisses so gentle you wonder how they come from the same man that’s pistoning his hips into you like it’s the last chance he’ll ever get. “Let go, c’mon. Show me how much you love this cock, how much you love-”

He’s cut off by his own groan, you cunt fluttering around him as you inch closer and closer to the edge of euphoria.

Hands hurry off your waist, slipping between your thighs. 

It brings a welcomed cushioning, shielding you from repeatedly bumping against the marble of the countertop.

Your legs part further, eagerly, an easy pathway for his yearning fingers to seek out the wonders of the female body as they brush over your clit.

The gentle tactile that he strokes over your bundle of nerves, partnered with the repeated brushing of his cock against that spot that makes you weak in the knees, drool out your mouth, it’s becoming too much.

Eyes glancing in the mirror, you wonder if yours is the same image of the whores who’d warmed his Colombian nights: sweat soaked skin, hooded eyes, messed up hair, wrinkled clothing.

He tilts your hips, a deeper angle to fuck into you that has you perching up onto the tips of your toes, fighting with the chance of losing balance.

He’d catch you, if you fell.

Wrap you up in an embrace that’s more familiar than your own.

“I’m gonna- Fuck! Corazón, need you to cum. Now, please. Please. Need to feel you-”

He’s babbling, losing composure and revealing the side of him you pray he never showed those other women: the side that needs, the side that longs, the side that begs to see you cum before he allows himself to, before he’s able to.

“Javi,” it’s a struggle to speak, but you endure, fighting off your orgasm and holding back tears. There’s something you need from him too. “Cum with me. Wanna be full of you, all of you-”

“¿Sí? (Yeah?)” He pleads back, thrusts already getting a little sloppier, hands a little shakier in the way they touch you. Much like his poker face, you know how to read the face he wears moments before he falls apart. “¿Eso es lo que quiere mi corazón? (Is that what my sweetheart wants?) Want me to cum in you, hm?”

“Yes, oh god yes! So bad, Javi, I want it so bad!”

“Ay, bebesita, no llores. (Aw, baby girl, don't cry.)” He coos, a condescending lilt to his words that has you falling into a bigger mess. “Shh, don’t worry, baby. Gonna fill you right up, so my cum’s dripping down your thighs when that poor kid asks you for your number. Thinks he’s got a shot with you cause he made you laugh, poor boy wouldn’t know how to deal with all the noises I get out of you.”

Javi divulges into a spine-tingling rant of burning hot jealousy, the kind that leaves your cheeks burning and your heart scorching, lit under a flame of your desire for more of him. To have him, equal parts physical and emotional.

You try warn him of the bubble that’s about to burst, the feeling in your loins building and building till it’s seconds way from toppling over. 

“That’s it, baby, squeeze my cock. Lemme feel it,” He urges, heart pounding out his chest against your back, hands tightening their grip on your hips. “Need to feel you cum, ‘s all I want.”

You both crash and burn, together.

You fall first, a chaos of unfinished words, crying out for Javi.

He follows close behind, body pressed against your own like he’s willing you to fuse together, to become to entangled in one another that all possibilities of separation become void.

“Take it, cora-” He’s in your ears, in your head, in your heart. Inside of you, consuming you, as eagerly as he’s willing to be consumed by you, fingerprints on hips and teeth-marks in necks. “Take it, take it, take it.”

Arms envelop you from behind, crossing over your chest to pin you back against him.

He’s nearly stagnant, nothing but the twitch of his cock and the shallow thrusts he fucks you deeper with, filling you with another, another, another pump of his cum.

“So good,” Javi’s voice persists, teeth gritting as he bites back the need to be loud, to be heard, to lay a claim on you so blatant no one could deny hearing it. Your relationship with your father is the only thing that holds him back. “Good to me, baby. Always… Good… Díos. (God.)”

Craning your neck to the side, you manage to pull him in for a kiss.

It’s something he accepts easily, lips parting and melting into a dance against your own.

One of his hands falls over your jaw, twisting your face even closer to him.

The kiss dies slowly, with each of you refusing to truly part, pecks being splattered messily against the other’s mouth.

“Was I,” Javi interrupts you with another kiss, his free hand smoothing up and down your side, his hips still slowly rocking into yours, a delicious sting of overstimulation biting at your core. “Am I worth it?”

He pulls back, tired gaze warm as it takes in your messed features.

With the smile that stretches over his lips, however, one would think you were the prettiest creature in all the world.

He calls your name, calmly, slowly, like he’s trying to memorise the shape of it on his tongue. “You’re worth everything I could give, and more.”

There’s something behind the ways he says it that makes you believe him.

With little will to do so, you peel apart from each other, his hands moving quick to adjust your underwear as his cum starts to leak out onto your folds.

He exits the bathroom first, a final kiss placed on your cheek before your left alone, forced to confront the wrecked version of you that will never see your parent’s en suite in the same light.

Your dad arrives back just in time to see you slipping back down to sit at the poker table, no seat left for him to take but the one between his sweet daughter and his loyal best friend.

If only he knew he was placing you both where you most wanted to be when he suggested Javi give you a ride home, waving you both off through the car window with no idea Javi's cum sat dripping out your cunt, staining the car seat.

Your phone buzzes to life in your hand, slipping you out of your memories.

Your father’s contact name reads clearly on the screen.

Hitting decline one more time, you roll over and try ignore the gathering slick between your thighs.

Damn Javi and all the memories he haunts you with.

Mr, I don’t want a label You made me a little miss unstable (And it)

Days grow colder.

Nights grow longer.

You change your bedsheets, stuff a comforter back inside.

Pick out a tree, synthetic, and lump the box up the countless stairs to your apartment.

Try not to think of how he would’ve insisted on helping, refused to let you carry it.

Even if it culminated in him doubled over in pain, clutching his lower back.

Lights, baubles, action.

The tree’s smaller than you expect, barely reaching your hip, but it’s green, tree-shaped and festive. It’s enough.

Your decorations are minimal, a few inconsequential things you picked out your parents’ stash. There’s a Santa hat, frayed with time. A few cracked baubles, with string so thin you suspect they’ll snap off. A gingerbread man ornament, a glass snow-flake. A crooked star, missing one of its points, tops the tree.

A homemade snowman, one you’d gifted your parents after a busy day in nursery. Neither of them had the heart to tell you you’d made its nose a rather phallic shape.

And then there's the red phone-box, nestled somewhere in the middle, an etching of LONDON brandishing it as a reminder of your trip.

You’d picked it up in a tiny bookstore, right next door to The Distillery Club.

The winter season has never felt so lonesome, tucked away in your grown-up apartment. 

There’s no fireplace to warm your hands, no hot cocoa boiling on the stove. No cheesy hallmark movies to laugh at with your mother, no racing past your father to grab the last slice of dessert.

It’s just you, alone, with only your wandering mind as company.

Sometimes, more often than not, it wanders to him. To if he’s alone.

To if he’s filling his heart as easily as he fills his bed.

To if he’s finally bought a second seat for his dingy balcony.

“Is this some tactic of yours?”

He hums, brows furrowing, lips pouting, smoke dragging into his lungs.

The cigarette sits perched between two fingers of the hand resting on your knee, his other curled around your waist.

“Some what?”

“Tactic,” you repeat. Watch him blow a puff a smoke, taste his ash at the back of your throat. “Only having one chair, so pretty girls have no choice but to sit in your lap.”

He lets his gaze wander away from the streets below and up to you, sitting pretty in his lap. Like a cat, draped over his thighs.

Nothing but his own rumpled, inside-out shirt to cover your skin.

Bare legs, messed hair, smudged lipstick.

Fingerprint bruises littering your hips, bitemarks etched into your collarbone.

“I gave you a choice,” he speaks with a reservation he didn’t have before, when he’d offered you a ride home from the bar. There’s an etching of something that’s diluting his expressions, sinking him deeper and deeper into his own pensive mind. “You were the one who insisted on sitting on me.”

“You weren’t complaining earlier.”

Nails pinch at your thigh, causing a squeal out of you.

A few birds fly off a nearby wire, a head or two turn in the street below.

They don’t see you, or Javi, or the lack of clothing that sits between you.

“Neither were you. In fact, you were a little busy fucking my fac-”

“Stop!” Your sudden modesty feels unearned, yet that does nothing to stop you from placing your hand over his mouth.

He licks at it, you grimace, he licks again.

Then takes another breath of nicotine, as you wipe the remnants of his spit onto his naked thigh.

When he offers the cigarette your way, you hesitate.

Picture your father, disappointed to see you smoke.

The whiff of Javi’s post-sex smell- muted cologne, matted sweat, burnt ash- steals your senses, reminds you you’ve already done enough to disappoint your father, a cigarette can’t do much damage.

So you let him hold it up to your mouth and inhale it’s poison.

You and Javi were never meant to happen.

Sure, the line had already been crossed weeks ago.

But that was supposed to stay in Vermont, tucked between snowy slopes and wooden cabins. Existing in a timeline separate from your reality, where you are your father’s precious daughter and Javi is his trustworthy colleague and friend, that is where it should have stayed.

And it had, for two weeks. Sixteen days, specifically. 

You’d returned to classes, to sharing lunch breaks with your father in his office, to slowly moving more of your things out the family home and into your new apartment.

And Javi, from what you heard, had returned to keeping civilians safe, to sharing a drink or two with your father at the end of the work week, to flirting with every secretary within a mile radius.

Neither of your crossed paths and, when you nearly did, the other made the effort to turn a corner, shut a door, hide behind a wall.

Until tonight.

Until you ditched your mediocre date, some lame excuse of having a last-minute paper due.

Until you’d gone to console yourself over your failing love life, unknowingly sliding into a bar stool right next to the most desired cop in town.

Until he’d turned to you, tilted his head, and asked “d’you wanna get out of here?”

He’d offered to take you home.

The drive was quiet, tense, until his hand drifted over the gearstick and you dragged it down onto your thigh.

He squeezed.

You inched it further up, till the tips of his fingers brushed at the edge of your dress.

He took the invitation, took a turning towards his own place.

Brought you into his apartment, drowned you in his fountain of kisses, begged you to sit upon his face. He’d made you see stars beneath a roofed sky, eyes rolling so far back they threatened to get stuck there.

With barely a moments recovery from a third blinding orgasm, he dragged you down the expanse of his body, sat you down on his cock and refused to help your overstimulated, puddle-brained self ride him, grinning cunningly with his back pressed against the mattress as you struggled through shaky legs.

Eventually, he tired and launched himself, arms tangling behind your back, feet planted flat behind you, hips fucking up into your battered cunt until you both came to a haltering crescendo.

He’d layed you down to rest, cleaned you of any mess, and then wandered out to his balcony, inviting you to join him when the feeling returned to your legs.

Which brings you here, fifteen minutes later.

“...wouldn’t have to be serious,” he’s speaking, finishing off a sentence you don’t quite catch the start of.

“Huh?”

“This. Us. It could be casual, y’know?” Another puff of smoke slips right through his lips. “If that’s what you’re worrying about… your dad, and all that other stuff. I don’t need a label, not if it means I get to have… We could keep it casual, if that’s what you want.”

It takes a few moments for you to fully register his words, and then a few more to formulate a response.

“Is that what you want?”

He shrugs.

Pulls in another breath of his cigarette.

Stubs it out on the arm of the chair.

And says nothing.

You assume it’s a yes.

Because what else could Javier Peña, notorious womaniser, want with you if not a casual, no-strings-attached permit to sleep with you, as many times as he sees fit, without the risk of losing his job or, worse, his best friend?

Silence falls upon you both.

You twist in his lap.

He tightens his hold.

Within a half’s hour, he’s got your hands white knuckling as they grip the metal bannister of his balcony, his own hands busy pulling your hips back to meet each of his desperate thrusts, not even the cool air of the night enough to soothe the flaming desire that burns between you.

Your stomach twists, your mouth dries, your eyes water at the thought of him out on that balcony now.

Somebody else, some new body sat in your spot, upon his lap as they exchange smoke rings and warm mouths.

Broke me big time It’s funny and I’m laughing baby You think i’m alright

The Laredo sheriff’s department is known best for three things: its lack of parking, its swoon-worthy ex-DEA agent, and its office holiday parties.

Each year, it’s the same.

The station, decked out in decorations.

A Christmas wreath, mistletoe hanging from every doorway, egg-nog and mulled wine.

It’s not just Christmas.

It’s menorahs, and ficus trees, and a statues of different gods.

Each piece of culture, tradition, holiday that makes up the people that inhabit the station, day in and day out, behind desks and in cop cars, filing paperwork and fetching coffees, represented in some way, celebrated.

Each member of staff is encouraged to bring their friends, their family.

Their spouse, their mothers.

Anyone, and everyone, is welcome.

Then there’s the gift exchange, a Secret Santa system, optional for each member of staff.

It’s the part you look forward to most.

Crowding your dad the minute he gets home on the first of December, poking and prodding till he lets it spill who he’s got.

Fishing out a pen, some paper.

Drawing up a list, made of details and anecdotes your father remembers of his target.

Dragging your shop-avoidant father down to the mall, for a day of gift hunting and sweet-tooth indulging.

Getting to watch your father’s coworker open their gift, eyes lighting up as you once again knock the ball out the park and gift them something perfectly tailored to them, winning your dad the spot of top gift-giver year after year.

This year, there was none of that.

No list of pros and cons for each gift option.

No trying to crack just what exactly your dad should gift his person.

No waiting with baited breath to watch them open it, heart racing with that little fear of them not liking it, of you failing.

No, the moment that name fell from your father’s mouth, you knew what he needed to get.

Hinted at it, slightly.

Claimed you’d smelt it on a friend, thought it would be a good idea.

Sipping on some wine and picking at the buffet, you watch him pick up his gift.

Hold it up to his ear, shake it.

Look down at the box, confused, then tear into the wrapping paper.

The whole room stops.

Not really, but it feels like it does, as somewhere across the room Javier Peña holds up a bottle of that damn cologne.

And, when his eyes instinctively find yours, it feels like everything else fades away.

Fades to grey.

It’s just him, and you. The only two within the room, holding a secret too heavy on the tongue to ever speak it aloud.

He knows.

Of course he knows.

Knows you’d watched him spray it on his skin, day in, and day out.

Knows you’d worn it on your own, sunk it deep into your pores after intertwining your souls upon wrinkled sheets.

Knows you’d watch its contents decrease over time, time you’d spent with him.

That bottle of cologne reminiscent of a timer on you both, that morning before the hospital trip becoming the last few sprays he got out of it.

Colour returns to the world that surrounds you as your dad steps into view.

He’s hugging Javi, pathetically tipsy and ignorant to the lipstick stain on his cheek, no doubt ingrained to his skin with how hell-bent he is on having your mother kiss him beneath each mistletoe.

They’re exchanging words you don’t hear, slapping one another on the back.

You turn on your heel, insides twisting as nausea overcomes you at the scene.

The next time you see Javi is hours later.

You’re trying to leave, tempted to take the good old Irish exit and just slip out a back door.

But your parents- ne, your father- are so busy show-ponying you around the room, that you fail to take a single step that goes unnoticed.

“There she is!” Your father calls out, somewhere behind you, as you slip your hand into the arm of your coat. This act sparks outrage, a frown birthing onto his face. “Don’t tell me you’re leaving too.”

You say you’re tired.

He boos, loudly, like he’s not the chief of police and a whole grown adult.

Grabs at you, lovingly, trying to pry the coat out of your hands.

The effort is minimum, and you know he’s only messing around.

You can leave, if you want to, even if he’d rather you stay.

“It’s not even midnight and you two buzzkills are leaving!” He wails, all the while he’s reaching around and helping you slip your other arm into the coat.

That’s when Javi’s face comes into view, over the arch of your dad’s shoulder, sporting a smile and a pair of keys dangling off one finger.

You try your best to counter his smile with your own, though your throat feels dry and your cheeks feel tight.

“I can’t believe I’m being betrayed like this by two of my favourite people!” The smile slips before you can catch it, eyes widening at your father’s words.

Words you’d spent months agonising over the thought of hearing. Picturing the circumstances in which he’d find out. Imagining the horrendous fallout, a red slash over Javier’s reputation. Swearing you’d quit it, quit him, and then winding up tangled in his sheets again, head pressed to his chest, eyes closed in the soundest of sleeps.

Javi plays it cool.

Nudges your dad’s shoulder, shakes his head and tells him to “quit the dramatics, viejo (old man).”

“I gotta head out to my pop’s first thing in the morning, he’s wanting me to help him rewire some of the fences.” Comes out as his excuse, one your dad can’t really argue against.

He knows better than anyone that Javi drops everything for his dad.

Well, better than anyone but you.

Your excuse, however, falls a little short, a consequence of the last minute conjuring of the lie.

“I’ve, uh, got an early class. Don’t wanna flunk out in my last year, right?”

Your dad stares at you.

Your mum stares at you.

Javi stares at you.

And that’s how you know you’re screwed.

“Class? I thought you were on winter break.”

Javi takes the momentary distraction to shrug his coat on, over those broad shoulders.

Shoulders that twist with the rest of him, as he makes space for you in the doorway, nodding you over. Here, he’s saying without really speaking, escape with me.

So you do, tiptoeing past your parents as though, the slower and quieter you move, the less they’ll notice your approach to the exit.

“Oh! Yeah, I- Sorry, I meant that I-”

“The library, it’s still open for the graduate students,” Javi swoops in effortlessly, dragging the spotlight off you.

He takes hold of your jacket, too, slipping the zip into place and dragging it up the length of your torso, over your chest, till it rests snuggly at your sternum.

A little too snug, making each new inhale deeper, harder, practically heaving the air into your lungs.

At least that’s the reason you give yourself.

You don’t get to dwell on it too long, fortunately, for your mother lets out a gasp.

She points, eyes a little widened by excitement, at the both of you and nudges at your father.

“Look!” She tells him, and you watch in confusion as he displays her same reaction, eyes wide and mouth agape.

Then comes the laughter, straight out the depths of your dad’s belly and right to your weak heart, a melody that reminds you so much of easy Sundays and curling up next to him on the sofa, watching kids’ shows that seemed to entertain him more than you.

“Oh that’s just,” he takes a laugh break, doubling over slightly, his own finger joined in pointing at you two, beneath the doorway. “Too perfect!”

Before you can inquire on either of your parents bizarre reactions, Javi’s eyes are staring into your own and pointing upwards.

Wrapped with a red bow and barely hanging onto the door frame with a single strip of tape, a mistletoe stares down at you, two white berries like mini eyes.

When you glance at the agent once more, it’s hard to read what he’s thinking.

His shoulders are tense, his lips are pursed, his brows are furrowed. But, his eyes.

His eyes burn you with an unspoken intensity, a look he should never possess in front of your parents.

“Well, what are you waiting for?” You mom, camera in hand, urges you both, a wide grin cast upon her face.

You dad is in no better state, rushing forward to squeeze you both closer, one hand clasped over the back of Javi’s head.

When the once-agent exhales a nerve-striken breath, the warmth of it, of him, hits your neck.

“Dad, c’mon, stop-” you’ve never imagined yourself stuck like this, your mother and father both urging you to kiss a man you spent months tossing and turning in bedsheets with behind their back.

The creatively deviant part of your brain tells you this is how it could be, maybe, in some other life.

Some other life, where Javi’s not a cop, you’re new in town, and you both bump into each other at the grocery store.

Both of you reaching out for the same apple, or box of cereal, or bottle of milk.

Your hands, brushing.

Your eyes, meeting.

He’d charm you, easily as he always has.

Get your number and then, the next day, a date.

One date leading to two, three, four, more dates.

Till you bring him home to meet your parents at last, squeezing his hand tighter when he tries to pry it away as the door opens to your father’s stern face.

It would take a while, you reckon, for your dad to see past the difference in years.

Your mother wouldn’t care, wouldn’t spare a second thought to it, not when she notices how much he makes you laugh and how he can’t keep his eyes off of you in any room you occupy.

This could be your first Christmas together, your parents begging for one sweet photo of you under the mistletoe, before you both head off to spend the rest of the holiday season with Javi’s father.

But it isn’t, and you’re not.

“C’mon, it’s bad luck not to!” Back in the present, in reality, your dad’s found his way over to your mother’s side. “Peña, just kiss the girl on the cheek for Christ sake, I ain’t gonna bite your head off for it this one time!”

His lips brush your cheek like an autumn breeze.

Gentle, a hint of warmth, a tickle from the wisps of his well-groomed moustache.

“Get a bit closer, you’re not fully in frame!”

The flash goes off on your mother’s camera, and the two give a little cheer, and Javi wraps an arm around your back, squeezing you a little closer.

When all is said and done, your mother’s forcing you both to stare at the camera screen, a perfect picture of the most doomed couple to ever grace this Earth.

Such dramatics in your thoughts reminds you of the copious glasses of prosecco you’d downed throughout the night, and of your intentions to get yourself home before you done something stupid.

Like stand under the mistletoe with your former casual lover, the very same man your father calls for golf matches and March Madness debriefs.

Javi offers you a ride home, an idea your father approves of.

“I’m heading that way anyway, gotta pick up a few things before I drive out to the ranch.”

A part of you thinks he’s lying, wanting any excuse for a moment alone with you, but then that’s the kind of delusions you shouldn’t be feeding into.

You and Javi don’t spend time alone anymore.

You and Javi do not exist together anymore.

Maybe you never did.

“It’s okay, I already called a cab.”

You part ways at the door, your father watching you from inside.

Javi calls your name, before you can take more than a few steps.

For a second, he just looks at you.

Then his arms are pulling you in, and he’s got you right against his steady chest, and he’s resting his head atop your own, arms squeezing tightly at your sides.

“Get home safe.”

He walks away before you can tell him to do the same, the door slamming to his car the last thing you hear as you pull out your phone and call a cab.

It takes twenty minutes for it to appear, in which the rain starts and your clothes get soaked, but all that and the fifteen dollar fare are a cheaper price to pay than the torture of letting Javier Peña drive you home.

Crawl up the stairs, unlock the apartment door, drop your clothes onto the floor.

You find sanctuary under the shower, soap suds and boiling water, a dynamic duo that scrub off any remnants of his skin against yours.

Even as you step out, fully cleaned and towel wrapped around yourself, you catch a hint of his cologne, the very same one you’d made sure your dad picked out for him.

And as you pick your coat off the ground, a distant voice that sounds much like your mother scolding you for leaving such a mess, you notice it.

First, just a little extra weight.

Then, scratchy paper as your hand dives into the left pocket.

The wrapping is haphazard, with an uneven bow tied atop it, but that’s not what matters.

You tear away at it, let the paper fall to the floor at your feet.

Then you’re met with a small box, which you tear open too. 

And find it sitting neatly among balls of yarn, the prettiest, most delicate looking glass bauble.

It’s ribbon a deep green, and it’s centre an image of mountain slopes, backed by a green forest and a valley full of wooden lodges.

It shakes in your grasp, and you spy the snowglobe-esque white foam that dances around within it.

In it’s centre, in bold, italic and green, Vermont.

One more glance in the box.

There’s a note, tucked at the bottom.

You fish it out in one breath, hold it up to read what it says.

Corazón, For your tree. I hope there’s still space.

[zephyr-rat]

Arcane Season 2 Act 2 Thoughts: Shockingly Cheap

The more I think about Arcane season 2, act 2, the more cracks I see in the story. To me, it's definitely the weakest of the 5 acts of Arcane we have seen. I do have my complaints with the general canon and direction, but I don't believe such criticisms are that helpful. I'll make another post concerning what canon Green Giant Saga ends up following (My Zac/Twitch fanfic series) that will have those complaints.

Instead, I'll just focus on my biggest problems with act 2

Characters Exist as Plot Devices for other Characters

There just seems to be a lot of characters that just act as props. Isha, a small non-verbal child with death flags everywhere, just exists to force Jinx to turn a new leaf. Warwick just exists to provide a potential happy ending for the Warwick/Vi/Jinx family so that the writers can take it away in emotional gut punches. Orianna (I think), a dead kid in a capsule, just exists to make Singed more sympathetic. That whole warden squad with Maddie, fish-guy, and big-guy? Maddie just exists to be Caitlyn's conscious for a scene and Big-guy just exists to show how much Vi deteriorates after the events of Act 1.

This in of itself doesn't need to be a bad thing. If you want to look at it in a very utilitarian, doylist perspective, all characters exist to tell a cohesive story with a clear theme. Not all characters will get the spotlight and must simply exist to support other characters, especially in a story with only 9 episodes, but it's getting very annoying how seemingly important these characters are to the plot when they're given little depth.

Isha and Warwick, to me, are the worse offenders. Isha who plays a significant role in redeeming Jinx, is a non-verbal kid with little backstory and interiority other than she wants Jinx to be Zaun's hero. She just exists to be so innocent and cute that even Jinx sympathizes with her, but with so little depth, she might as well just be a teddy bear. (I'd also point out that this does a disservice to Sevika who should've been more in Jinx's corner but just disappears from act 2 after episode 4... ugh..)

Warwick feels more like they revived Vander's corpse for more tragedy points. They really hammer home how much Vander wanted to take care of Jinx and Vi as kids with 2 big music video sequences. Vi even thinks about living in Viktor's cult town as a happy family, a happy scenario that exists so that the writers can gut punch us with the tragedy that's about to come. Season 1 had the sappy dad too, but what made it work for me was that it's combined with his reluctance to advocate for change in the undercity and his struggles of being a parent in grimdark capitalism as he tries to guide Vi to be a better leader. But now, with all of his rank and the context stripped down from him, he's just the sad dad character that gives the character fake hope.

So when Isha goes to blow Warwick and the attacking Noxians up with an overloaded gun, destroying the hopes of the main characters, I didn't feel emotional or sad or anything, because ultimately they just felt more like props to me instead of actual characters, and this is a big issue for act 2. If act 1 belongs to Caitlyn, then act 2 belongs to the Jinx/Vi/Warwick family and those 2 characters are extremely important to that plotline. Them being props, flattens the impact dramatically and makes it cheap.

If you felt very emotional during that scene, good for you! I'm happy you were able to be that invested. I'm just not one of you.

Less Political Intrigue

Part of what made Arcane really cool was that it highlighted the politics of Piltover-Zaun in a way that made the setting one of the main characters. You totally understand why Zaun acts the way they do and why Piltover acts the way they do and seeing the characters get entangled by that setting is deeply fascinating. It's part of the reason why Arcane is a great introduction to the Piltover-Zaun region. I'm also just a big fan of the setting and the political discussions you can have with it. (Green Giant Saga ends up doing this a lot)

And season 2 does continue that with act 1 and even episode 4. Ambessa making Caitlyn a dictator by exploiting her grief? Great! Mel trying desperately to do political damage control to avoid a war? Cool! Making Jinx a political figure to unite Zaun around even if she doesn't feel comfortable with it? Awesome!

But then with episode 5 and episode 6, the role of the setting diminishes. We start focusing more on the Warwick problem separate from the setting. Most of episode 5 takes place in a mine and most of episode 6 takes place in Viktor's cult town in the sumps, an isolated bubble away from Piltover-Zaun. Mel, the main figure leading that political aspect, got teleported away by the Black Rose. There are specs of it there like Singed agreeing to track down Warwick and make weapons for Noxus, but it doesn't play as large of a role like in previous acts, and it just can't. Not when we need to bring Warwick in since the act belongs to him. However, I already mentioned why he felt cheap, and the lack of integration with the setting, especially compared to previous acts, makes it feel all the more cheaper.

Now I will still say, Arcane season 2, act 2 is still good. It never bored me and it did keep me hooked on the screen. I just wouldn't call it great like I did the others acts of Arcane and the more I look at act 2, the more cheap it feels.

[icarusredwings]

"Shh... shh It's alright.."

Logan's eyes flutter open, hearing the raspy voice. Like he's been crying. Sitting up, he watches as his husband was once again in the corner of their bedroom, rocking and patting his babydoll, sitting next to her wooden crib that Shop Class had made for him, Fordge's great niece Cherri to be exact. Sweet kid. Wade ruffled up her ears every morning, despite her groans to stop, she would giggle and become upset if he didn't.

God those kids loved him.. but it seemed recently this specifc kid, Their plastic kid at that- had his attention most evening's.

"Wade..?" He whispers, but he's ignored. This isn't uncommon. Usually, during these episodes, it was best to let him go. To let him rock the baby until she 'stopped crying' or until HE stopped crying.

"Yeah, I know sometimes things might not always make sense to you right now. But hey, what daddy always tell you? Straighten up, little soldier. Stiffen up that upper lip. What’chu crying about? You got me.. daddy won't let no one hurt'cha... Promise" He whispers, giving their daughter a small kiss on the scalp, holding her so gently and yet so firm, afraid of hurting her by squeezing and or dropping her.

The way he sat cross legged and stared at their daughter, Logan could almost see his cogs turning.

Was that so hard for his own father to do? To protect him? Not hurt him? Love him?

"Shhh... shhh..Now, hush little baby don’t you cry everythings gonna be alright. Stiffen that upper lip up little lady I told ya, Daddy’s here to hold ya through the night."

Was that... Eminem??...

Of course Wade of all people would since Eminem to his infant...

He whispers, rocking back and forth with closed eyes, holding her tightly, patting her as he went on.

"I know mommy’s not here right now, and we don’t know why. We feel how we feel inside. I might seem a little crazy, pretty baby, but I promise mama's gon' be alright."

Look- Logan was old. But he wasn't that old. Wade had changed the lyrics. Just slightly enough to still match beat, but it meant so much, telling the baby doll that her 'feelings' mattered even if irrational, telling her that he was insane, and promising her everything was going to be alright.

You may not think so, but this was progress. Moments like these were looked down upon, and while people might not realize it, this sort of play IS a form of regression and was just as good as a coping mechanism as him playing with horses was, the only difference was he was playing with dolls. By comforting Evelyn, he was sootheing himself. It was much easier to tell someone else it was okay rather then yourself.

He was tricking his brain. Subconsciously forcing himself to believe things would be fine. The only part that he wasn't sure of was 'Evelyn's' need for a mommy. Was this Wade missing his own mother.. or was this missing Vanessa and what they could have had? V was still around. They saw her once a week at the very least. Still went on dates, Still hung out afterward (if you get my drift) The only thing really different was that the 'baby machine' was no longer in business. Having shut down a while ago. She had (at least- if Logan understood correctly) Had a partial hysterectomy so her painful periods would stop.

"And daddy’s gonna buy you a mocking bird. Imma give you the world, I’ma buy a diamond ring for you. Imma sing for you, I’ll do anything for you to see you smile." He sang quietly, giving her sweet hugs, soft kisses, and the patting became lighter, more off beat and calm.

It wasn't that Wade would be a "Bad" father but he could barley take care of himself. Anyone who knew him- actually knew him- knows Wade wouldn't ever be able to hurt a baby. Not on purpose anyway, but with how his mind was, it wasn't a good idea. Kids? Sure. A baby? No.. And it's not like Ness didn't talk to him about it beforehand, letting him know that she was keeping her eggs but they would never be able to have a baby unless someone agreed to be a surrogate. He wasn't mad. No, not at all. He understood perfectly.... a bit too perfectly.

Logan, being the person who he is though, could smell him crying in the shower later that day. He couldn't imagine being in those shoes.. to be told the person you were planning on having little kits with- Er I mean kids with- wouldn't be able to carry them anymore.

"And if that mockingbird don’t sing and the ring don’t shine, Imma break that birdies neck! I’ll go back to the jeweler who sold it to ya and make him eat every karat, dont fuck with dad.. hah....you like that? Yeah?... Daddy's little psycho.." He smiles, seeming to have finally 'calmed' Evelyn enough for her to stop 'crying'.

Deep down, Evelyn scared him. Wade behaved as if she truly was telling him things at times. At first, he thought it was just his own voices playing tricks on him. And then he thought it was lingering elements of a bad dream, a random little girls voice running through a nightmare.

Wade went into detail about each dream, talking about it for days afterward, describing how his darling girl was reaching out for him, calling for her daddy with open arms. From the sounds of it, she wasn't an infant, though. Fluxuating ages but the ones where she begs him not to leave well... leaves him like this. In shambles, crying on the floor at 2 in the morning.

"You comin' to bed, papa bear?" He teases.

Glancing up, Wade sighs, the kind of relief in which he could finally lay Eve back in her cradle, giving it a good push before coming to crawl under the sheets. "Comin' mama bear."

[demon-country]

I am genuinely very confused as to why so many people think All 2 U is a song that's attacking Blitz, or is somehow mean. Yes, Stolas calls Blitz a motherfucker, but it should be noted that that's not what he was originally going to say, it's what Verosika (and Vortex) interjected with. And also, him calling Blitz a motherfucker with a defeated tone of voice, in a show where Blitz and several others come up with some very creative, graphic insults, and characters like Verosika, Fizz, and Barbie have talked to Blitz with seething anger and resentment, is pretty damn tame.

But aside from that, Stolas doesn't actually have anything negative to say about Blitz. He puts all of the blame for things going wrong on himself, and doesn't find fault in Blitz for not returning his feelings or even for hurting him. He does not paint Blitz as malicious or manipulative or cruel, nor does he even imply that Blitz's supposed apathy towards him is something negative about Blitz.

Like, okay, here are the lyrics, with duplicate lines removed to keep it from being any longer than it needs to be, and with interjected commentary:

"I let you get too close, I let it go too far" both of these statements show he knows that he is the one responsible for his feelings, not Blitz. Like he admits in Stolas Sings, he let himself get caught up in a fantasy of romance that didn't actually exist, and that's on him, not Blitz.

"Now I know, now I know, now I know exactly what you are" it's unclear what he was about to say here, but regardless of what it was going to be, he's cut off by his backup singers saying ->

"Na, na, na, na, na, na! A motherfucker!" Pretty unsurprising given that Verosika is still extremely bitter, and Stolas agreeing later in the song makes sense too, because Blitz did self-destruct in truly spectacular fashion earlier in the episode and make an ass out of himself for a large portion of it. And again, Stolas doesn't even say it in an angry or bitter tone.

"I don't think you meant to hurt me, 'cause I don't think it meant a thing at all," is said in a pretty neutral tone, edging towards mournful, and not like he's blaming Blitz for seemingly not caring the way he wants Blitz to care. It perhaps seems unfair to say, since from an outside perspective we know that Blitz does care, but Stolas unfortunately does not have the insight and context that we as the audience do.

"I let it go too long, I let you go too deep" once again he places himself at fault.

"Now I know, now I know, now I know there's one thing I can't keep." As he has said in The Full Moon, he knows that he cannot force Blitz to care about him and should not force Blitz to stay with him if he doesn't wish it. He does not imply any blame on Blitz's part here; if Blitz doesn't want to stay and can't give Stolas the reciprocated feelings he yearns for, that's just how things are, no matter how much he wishes otherwise.

"But I, I keep on waiting! Waiting to want you less than I do! And I do, oh I do, yes I still do want you" self explanatory. No matter how badly things went, he has not stopped loving him and wanting him in his life.

"But maybe it's all on me! For missing every sign and every glance and every turn!" Blame is explicitly and solely put on himself here. He does not find Blitz at fault for things going wrong, he has majorly fucked up in a number of ways throughout the course of their relationship, and he knows it.

"No, no, no he's a motherfucker!" Thanks guys, for trying to shut down his introspection. Very helpful. Luckily, Stolas seems to just ignore them lol.

"Maybe there's something here for us to glean, for you to teach and me to try and learn" Again the blame is placed on himself. He recognizes that he's been ignorant of many things, and that Blitz, rather than being the cause of things going badly, is the one who opened up Stolas' eyes on several occasions that his behavior was demeaning. Blitz is placed in a very positive light here, put into the role of a teacher and someone whose opinions are highly valued by Stolas.

"'Cause I am not a thief, but you were mine to earn" Stolas again shows his awareness of the fact Blitz's feelings are not things he can take by force, and his autonomy is something he should not take by force. He recognizes that he had the chance to show Blitz he cared and might have even had a chance to make things real between them, but fumbled the ball.

"What if I came on too strong? What if I read this all wrong?! What if we just don't belong?" Again, the blame is explicitly and solely placed on himself. He fucked up, not Blitz.

"All this what if, what if, what if, what if, what if, what if, why, why, why, why, why, why makes me burn!" He's confused about a lot of things, and hurting, but he's still not blaming Blitz nor is he expressing any anger or bitterness.

So yeah. This is definitely not the Blitz bashing song people seem to think it is, for whatever reason. Even Blitz doesn't think it is. Look at his expressions during the song. Yes, Blitz is hurting during it, but he's hurt for the same reason he was hurt seeing Stolas cry: because he feels sick with guilt. He made Stolas feel like he didn't care about him at all, when in fact he loves that stupid owl so much it physically pains him. And worse, he doesn't even blame Blitz for it the way that all those other exes did. Sometime between the garden scene and the party, Stolas clearly reflected on what Blitz had been telling him and came to the conclusion that it's solely his own fault for the relationship combusting, while Blitz is convinced that he's the one who ruined things. And that hurts Blitz so much to see someone he loves blame themselves for something he thinks he alone did.

It also hurts Blitz because he spent so long pushing Stolas away and convincing himself that Stolas didn't actually care about him as a person, writing any evidence to the contrary off as fake, but this song is proof he can't deny that Stolas was being genuine about his feelings during the crystal exchange. Stolas was being goaded into bashing Blitz and did not, despite not knowing Blitz was there listening in. He could have, if he was pettier, if he cared less, if he was feeling more angry than hurt. But he didn't. Instead he sang about how he was the one who ultimately caused his own heartbreak.

Because yeah, Blitz seemingly didn't care about Stolas, but that was never what Blitz signed up for. On paper, their relationship was just a monthly transaction. Yes, they both eventually caught feelings, but the simple fact of the matter is that Blitz did not go into it with romance in mind, nor was he obligated to. It was a job, not them dating. If Blitz had never developed feelings for Stolas, that still would have been fine, because that's not what their relationship was about. Stolas knows that. He no longer thinks Blitz cares about him, and that hurts, but it's also something he's been prepared for since Ozzie's.

As Stolas said twice in Apology Tour, Blitz doesn't owe it to him to reciprocate his feelings, and though Stolas hoped he did, it's very clear from everything in season 2 that Stolas didn't actually expect him to. He expected rejection, it was just the way in which Blitz seemingly rejected him that he wasn't expecting (as it was accidentally very traumatizing for him, both the mock roleplay bit and the yelling, because Stella), and he also didn't expect Blitz to keep inadvertently rubbing salt into that wound, which is why he was so snappish and petulant in the garden scene. But somewhere between then and the party, Stolas had enough time and space to come to the correct conclusion that everything Blitz said that morning and the night before wasn't done out of maliciousness. He just didn't realize that it wasn't done out of apathy either, it was done out of fear due to unresolved abandonment trauma.

[burningcheese-merchant]

burningcheese evidence part 2 because yes

I'm kind of foaming at the mouth right now, I'm not really going to be 100% coherent in this post, episode 6 has melted my brain and I need to cool off (also I have actual work to finish irl lololol)

Spoilers under the cut, don't want to be That Asshole

Also for the 1,000th time, it is perfectly okay and understandable if you do not like this ship, I'm not holding a fucking gun to anyone's head, I know it's not really canon or anything, just let me have my dark hero/villain relationship in peace

"Hey where's Golden Cheese? Is Golden Cheese awake yet? Can she wake up now? No? Why isn't she awake? I want her to wake up already, why won't she wake up already? It's implied that I've asked this question multiple times, when will someone give me the answer I want? I want her here, I want her attention, I want her to wake up already-"

He thinks so highly of her in his Joker-esque way. She's so strongggg. He knows she's strong. Why wasn't she strong before? This isn't like her, he knows that. He knows her. He knows she's strong. He wanted to see her be strong. What happened?

Wanting to straight up get high with her. Wanting to watch her let loose. Calling her a combination of "little thief" and "little bird", two pet names the BurningCheese community (spearheaded by yours truly) has had Burning Spice assign to Golden Cheese

"I KNEW SHE WOULDN'T DISAPPOINT ME" bro thinks the whole damn world of her and had faith she wouldn't let him down, look how fucking happy he is she broke out of prison. She's just like him right now fr fr

She's giving him precisely what he desired, which is a struggle. Which is a chase. Which is a hunt. Which is a FIGHT. Which is HER. HE WANTS TO HAVE FUN WITH HER.

Bro is literally SMELLING her everywhere dude. He's attuned to her. To her presence.

"Hey bring her back to me, I miss her. But I swear to God, if y'all hurt her, if y'all ruffle a single one of her feathers, I will KILL YOU, YOU GOT THAT? SHE'S MINE! ALL MINE! BRING HER TO ME ALIVE AND THAT'S IT! YOU GOT IT?!?!?!"

God the cute sing-song voice I can't right now. Jesus Christ, my guy. Calling to her like that, really??

Sniffing her out again because he's fucking deranged and obsessed with her. He's got her whole essence on lock. Tracking her down like a fucking bloodhound. He's hungry for her, he's STARVING, he's BARKING MAD THAT ANYONE IS TRYING TO GET IN HIS WAY

Little bird? Little bird?? Little bird??? LITTLE BIRD??????????

THE NAME I HAD HIM GIVE HER IN MY FIRST BURNINGCHEESE FIC, WHICH I WROTE DAYS BEFORE THIS FUCKER EVEN RELEASED? THE NAME ALL THE OTHER SHIPPERS HAVE HAD HIM CALL HER TOO? YOU CANONIZED THAT? YOU MADE IT REAL? YOU MADE THE PET NAME HE HAS FOR HER REAL??? I CAN READ THIS IN A DIALOGUE BUBBLE FOR REAL? THIS IS IN THE GAME FOR REAL? ARE YOU FUCKING WITH ME RIGHT NOW???

"How good it is to see you in one piece" SMILING AND LAUGHING BECAUSE HE'S GLAD SHE'S OK? TELLING HER SO TO HER FACE? MY GUY

Every step she takes that is wrong to others is right to him. Bust out of jail? Yes good I like that, I want it, I knew she wouldn't disappoint me. Lead him on, make him chase her, have them play hide-and-seek? Yes good, this is fun, I love the thrill of a chase, I KNOW WHERE YOU ARE I CAN FUCKING SMELL YOU I CAN FEEL YOUR FUCKING SOUL YOU CAN'T HIDE FROM ME LITTLE BIRD. Not taking his own goddamn power back? What kind of fool would make such a stupid, regrettable decisi- JK HE'S GLAD HE MADE THIS DECISION, THAT MEANS SHE CAN BE HERSELF AND KICK HIS ASS STILL, THIS IS WHAT HE WANTED, THIS IS EVERYTHING HE WANTED, SHE IS EVERYTHING HE WANTED! YES! (Also, one Freudian slip of several where he says it's HER Soul Jam and not HIS. He's already handing it over to her in his mind. Why? Why tho? Didn't he want it back? Guess not, huh? Guess having the pretty cheese lady beat his ass was too much of a turn-on, huh???)

ARE YOU FUCKING KIDDING ME RIGHT NOW? ARE YOU FOR FUCKING REAL? HE SAYS THIS TO HER? WITH THAT FACE? WITH THAT TONE OF VOICE? SAYING SHE'S LOVELY? THAT WHAT SHE'S DOING IS LOVELY? CALLING WHAT THEY'RE DOING A "DANCE"? TELLING HER TO KEEP IT UP? TELLING HER HE'S THOROUGHLY ENJOYING THIS?

HE KEEPS TRYING TO REASON WITH HER. HE KEEPS TRYING TO TALK TO HER, TO GET THROUGH TO HER, TO GET IT INTO HER PRETTY LITTLE BIRD SKULL THAT HE'S RIGHT. THAT DESTRUCTION IS THE ONLY WAY. Why go to that trouble? Why does he give a single, solitary fuck what she thinks or feels? Why even bother speaking on the matter at all, if it's a fundamental truth in his eyes already? WHY KEEP TELLING HER TO FIGHT, TO KEEP PUSHING, UNTIL SHE UNDERSTANDS HIM? WHY DOES HE WANT HER TO UNDERSTAND HIM? WHO GIVES A FLYING FUCK? And what's this about "and see the day"? Didn't you want to kill her, Burning Spice? Didn't you want to crush her, break her to pieces? Was that another Freudian slip there? Did your mask fall off for a second? DO YOU NOT ACTUALLY WANT HER TO DIE? DO YOU WANT HER TO LIVE, TO STAND UP AND FIGHT, JUST SO SHE'S FORCED TO RECKON WITH THE TRUTH OF YOUR PHILOSOPHY? WHY DO YOU CARE, MOTHERFUCKER? HUH? WHY???

"Stop teasing me" my brother in the Witches we ALL know you don't mean that. You've been BEGGING her to tease you the past two fucking chapters. Stop lying you dumb fuck, your face is giving it all away anyway

He's still clamoring for them to get fucking high together, honestly wtf is wrong with him? Drug-fueled combat, is that his kink? Also boy he sure has a vested interest in her enjoying their battle, doesn't he

She wants more? She wants more of him? She wants more of what he's got? She wants more fun? She wants him to strike a pose that clearly shows off his arms and chest more? YOU GOT IT BABYGIRL-

"You would destroy everything you have, just to get to me?"

"FUCK YES!!!"

My guy. My man. My cookie. My bro. My dude. Your mask fell off. Your mask fell off, my guy. You just told her point-blank that you'll kill people to get her. You'll blow up your own house to get her. You'll trash everything you ever owned to get her. You even have excuses ready to go to justify it. "Oh, it's all garbage, if you want it go ahead. This place ugly as fuck, I hate it, I wanted it gone anyway." Burning Spice. Burning Spice Cookie. You just admitted out loud that you are so obsessed with her that you will tear down your entire life for her. You just told her that to her fucking face, with a big, dumb grin. You've got the "happy" sprite equipped, buddy. You're HAPPY to tell her in no uncertain terms that all that matters to you is going after her. Fighting her. Getting to her. HER. ALL THAT MATTERS TO YOU IS HER!!!!!!!!! YOU JUST FUCKING SAID THAT SHIT OUT LOUD!!!! CAUGHT IN 4K AND YOU'RE NOT EVEN MAD!!!!! YOU'RE NOT EVEN DENYING THE ALLEGATIONS!!!! THIS CAN BE USED AGAINST YOU IN COURT, BURNING SIMP COOKIE!!!!!!

If he doesn't compliment her in some way, even indirectly, at least once per conversation, he will spontaneously combust. Pointing out how different and interesting she is, how she breaks the mold, how she defies the cycle of change and history even after it's already chewed her up and spat her out. Just say you want to put your dick inside of her, dude, please this is fucking embarrassing-

Ok nvm bro is straight up having the biggest, hottest orgasm of his entire fucking life right now, he's straight up speechless, he says like 3 coherent words to her after she awakens and then he's just looking like THIS and smiling so hard his damn is about to be split open by that ecstatic grin. Laughing his stupid, horny, obsessed, creepy ass off. Bro looks like he's CHEERING FOR HER in this shot, are you fucking kidding me? He's HAPPY she got back up, he's HAPPY she got a power boost, he's HAPPY she's kicking his ass, JUST LOOK AT THAT BEAUTIFUL SMILE, HE'S SO IN LOVE IT HURTS

And last, but not least:

Was this really necessary lol

BurningCheese is canon, Burning Simp Cookie is down terminal, we can all fuck off home and die now, I will now be ascending to Heaven (for 5 seconds before God smacks me back down to Hell, because no way I deserve paradise for all of my bullshit lol), thank you goodbye