#it's not even like takes about them being enemies is widespread the most I see is that they aren't instantly bffs when they reunite 😭 Tumblr posts

[fromtheseventhhell]

"It's normal for siblings to fight" Okay well it's not normal to be extremely classist and look down on your sister for being non-conforming. Or to go to the woman who ordered the death of your pet to tell her about your father's plans, when he specifically warned you against doing so, because you want to marry the boy you saw attack your sister and her friend (contributing partially to said father's death and your sister being unable to escape on the ship he chartered). Or to think of your sibling as unsatisfactory in comparison to another when you believe her to be dead. I notice that none of the "Sansa and Arya are going to reunite and instantly have no issues" crowd ever acknowledge any of this, which makes it seem like they don't actually believe what they say about their relationship being normal and easily reconciled. People wanting them to have no issues simply because they're siblings is another example of how fandom likes to flatten complex characters and relationships. They get reduced to being bickering siblings when their conflict runs deeper than that. If the author is telling you that they have "deep issues" to work out [X], I don't understand being so adamant about ignoring said issues. I also get the sense it's about ignoring the capacity for a certain character to be flawed, but that isn't going to change the fact that her "slip of the tongue" is very likely to be revealed and a source of further conflict 🤷🏾‍♀️

[amaltheas-garden]

What's your take on Dany being a misunderstood villain in the books? How much likely is it that she won't be the Mad Queen and will not get dark dany?

To answer your second question, dark Dany is almost a guarantee for the books. One of the most unique aspects of Dany's characters is that she is a woman fulfilling the role of an almost exclusively male archetype: the corrupted hero turned villain. She begins the story as an underdog we want to root for, she comes from a great noble bloodline and her family has been terribly wronged (from her pov), and she decides to use the power she does gain to do good. Her character arc could end right there and she'd go down as one of the best written heroes in the fantasy genre. However, her story does continue, and we see her grow increasingly frustrated by her own lack of abilities in enacting the change she wishes to see. We watch Dany make compromise after compromise until she's had enough and decides to embrace her fire and blood side if it means gaining enough power to exert control over her society and mold it how she sees fit. Even if her intentions began noble, the endless pursuit of greater and greater power, represented by the growing size and danger of her dragons, will be what corrupts her. It's impossible to think that grrm, the guy who's favorite thing to write about is the corrupting nature of violence and the negative impact the exertion of unrestrained power has on the perpetrator, would write a series about how thee most powerful character was actually justified in her pursuit because... she wants to do good? My interpretation of Dany's "fatal flaw" has always been a need to control her surroundings, stemming from the horrific abuse she endured as a child and later wife, and why I think she does have genuine compassion for the enslaved people of Essos; what could be a worse fate than not controlling your own life? And this is where her love of fire and dragons comes from. Dany describes fire as a cleansing force that makes her feel powerful and new, and the dragons are manifestations of her desire for ultimate freedom. While her dragons are quite small and Dany is still coming into her power as queen, we see more restraint in how she fights her battles, how she negotiates, and how she governs, all while wishing her goals of widespread societal change could happen right then. Now that her dragons have grown large and powerful and restless, we will likely see a Dany with far fewer qualms about using them to get what she wants. And after this goes well for her, her restraint will begin to dwindle. After all, if she can use dragon power to instantaneously get what she wants and change things for the better, why should she approach conflicts any other way? But as we've seen with Cersei, fire is a wild, uncontrollable substance that spells destruction wherever it touches. Dany's enemies have all been one note cartoon villains in how evil they are, and every time one gets taken down, it only bolsters our (and Dany's) belief in her righteousness. I think this is very intentional on grrm's part, as part of his whole gimmick and why people like his writing is his incredible ability to add a level of nuance and even empathy to the most minor and despicable characters. I see no reason why that quality should be so utterly lacking in the characters of Essos if not for the fact that grrm very much wants us to cheer Dany on as she crushes her enemies, only to pull the carpet out from under us when suddenly she is face to face with Westerosi characters we know very well, and would prefer not to see die by dragonfire. Season 8 might have been shit, but Tyrion's speech was on point. In short, Dany's desire to exert control via an uncontrollable power will be her downfall.

As for the first question, by "misunderstood villain" I'm assuming we're talking audience perception, in which case... yes and no. I think Dany is a perfectly understandable misunderstood villain because grrm makes a point to show every step of her character's evolution in the transition from frightened girl to possible savior, and finally a tragic villain. Some readers reject the "villain" characterization altogether, and there's really no way to validate one interpretation over the other until TWoW comes out (lol). I will say, I do think most hero-Dany analyses have tunnel vision when it comes to her and an unwillingness to see the writing on the walls, for what a lot of us see as a very slow, well thought out, and GRADUAL corruption arc.

[tangibletechnomancy]

Neural Nets, Walled Gardens, and Positive Vibes Only

the crystal spire at the center of the techno-utopian walled garden

Anyone who knows or even just follows me knows that as much as I love neural nets, I'm far from being a fan of AI as a corporate fad. Despite this, I am willing to use big-name fad-chasing tools...sometimes, particularly on a free basis. My reasons for this are twofold:

Many people don't realize this, but these tools are more expensive for the companies to operate than they earn from increased interest in the technology. Using many of these free tools can, in fact, be the opposite of "support" at this time. Corporate AI is dying, use it to kill it faster!

You can't give a full, educated critique of something's flaws and failings without engaging with it yourself, and I fully intend to rip Dall-E 3, or more accurately the companies behind it, a whole new asshole - so I want it to be a fair, nuanced, and most importantly personally informed new asshole.

Now, much has already been said about the biases inherent to current AI models. This isn't a problem exclusive to closed-source corporate models; any model is only as good as its dataset, and it turns out that people across the whole wide internet are...pretty biased. Most major models right now, trained primarily on the English-language internet, present a very western point of view - treating young conventionally attractive white people as a default at best, and presenting blatantly misinformative stereotypes at worst. While awareness of the issue can turn it into a valuable tool to study those biases and how they intertwine, the marketing and hype around AI combined with the popular idea that computers can't possibly be biased tends to make it so they're likely to perpetuate them instead.

This problem only gets magnified when introduced to my mortal enemy-

If I never see this FUCKING dog again it will be too soon-

Content filters.

Theoretically, content filters exist to prevent some of the worst-faith uses of AI - deepfakes, true plagiarism and forgery, sexual exploitation, and more. In practice, many of them block anything that can be remotely construed as potentially sexual, violent, or even negative in any way. Frequently banned subjects include artistic nudity or even partial nudity, fight scenes, anything even remotely adjacent to horror, and still more.

The problems with this expand fractally.

While the belief that AI is capable of supplanting all other art forms, let alone should do so, is...far less widespread among its users than the more reactionary subset of its critics seem to believe (and in fact arguably less common among AI users than non-users in the first place; see again: you cannot give a full, educated critique of something's failings without engaging with it yourself), it's not nonexistent - and the business majors who have rarely if ever engaged with other forms of art, who make up a good percentage of the executives of these companies, often do fall on that side, or at least claim to in order to make more sales (but let's keep the lid on that can of worms for now).

When this ties to existing online censorship issues, such as a billionaire manchild taking over Twitter to "help humanity" (read: boost US far-right voices and promote and/or redefine hate speech), or arcane algorithms on TikTok determining what to boost and deboost leading to proliferation of neologisms to soften and obfuscate "sensitive" subjects (of which "unalive" is frequently considered emblematic), including such horrible, traumatizing things as...the existence of fat people, disabled people, and queer people (where the censorship is claimed to be for their benefit, no less!), the potential impact is apparent: while the end goal is impossible, in part because AI is not, in fact, capable of supplanting all other forms of art, what we're seeing is yet another part of a continuing, ever more aggressive push for sanitizing what kinds of ideas people can express at all, with the law looking to only make it worse rather than better through bills such as KOSA (which you can sign a petition against here).

And just like the other forms of censorship before and alongside it, AI content filtering targets the most vulnerable in society far more readily than it targets those looking to harm them. The filters have no idea what makes something an expression of a marginalized identity vs. what makes it a derogatory statement against that group, or an attempt at creating superficially safe-for-work fetish art - so, they frequently err on the side of removing anything uncertain. Boys in skirts and dresses are frequently blocked, presumably because they're taken for fetish art. Results of prompts about sadness or loneliness are frequently blocked, presumably because they may promote self harm, somehow. In my (admittedly limited) experiment, attempts at generating dark-skinned characters were blocked more frequently than attempts at generating light-skinned ones, presumably because the filter decided that it was racist to [checks notes] ...acknowledge that a character has a different skin tone than the default white characters it wanted to give me. Facial and limb differences are often either erased from results, or blocked presumably on suspicion of "violent content".

But note that I say "presumably" - the error message doesn't say on what grounds the detected images are "unsafe". Users are left only to speculate on what grounds we're being warned.

But what makes censorship of AI generated work even more alarming, in the context of the executive belief that it can render all other art forms obsolete, is that other forms of censorship only target where a person can say such earth-shaking, controversial things as "I am disabled and I like existing" or "I am happy being queer" or "mental health is important" or "I survived a violent crime" - you can be prevented from posting it on TikTok, but not from saying it to a friend next to you, let alone your therapist. AI content filtering, on the other hand, aims to prevent you from expressing it at all.

This becomes particularly alarming when you recall one of the most valuable use cases for AI generation: enabling disabled people to express themselves more clearly, or in new forms. Most people can find other workarounds in the form of more conventional, manual modes of expression, sure, but no amount of desperation can reverse hand paralysis that prevents a person from holding a pen, nor a traumatic brain injury or mental disability that blocks them from speaking or writing in a way that's easy to understand. And who is one of the most frequently censored groups? Disabled people.

So, my question to Bing and OpenAI is this: in what FUCKING universe is banning me from expressing my very existence "protecting" me?

Bad dog! Stop breaking my shit and get the FUCK out of my way!

Generated as a gift for a friend who was even more frustrated with that FUCKING dog than I was

All images - except the FUCKING dog - generated with Dall-E 3 via Bing Image Creator, under the Code of Ethics of Are We Art Yet?

[torchwood-99]

From your Thematic Headcanon ask game:

hc + 😡 for a headcanon about something that makes them angry

I totally LOVE stuff to get angry about! And I’m having a chaotic day, so it feels fitting!

Oh yes here we go!!!!

Eomer

People who abuse women. His love for Eowyn and his inability to save his mother instilled him early on with a fierce hatred of people who mistreat women. A hatred that goes beyond rationality sometimes, if he sees someone treat their wife or daughter harshly he will act first, think later, barging in on the situation without considering the ramifications of his actions, and how his interference could cause harm. That said, in the aftermath, once his rage has cooled, he always tries to help in a constructive way as well. This results in several laws for the protection of wives, daughters and other female kin being passed in his day.

People making fun of his beard. Stealing this headcanon, @konartiste, because of his Numenorean blood, it took Eomer longer to grow a beard than his peers, and even after it grows in it's not so naturally lustrous as theirs. He spends hours trimming it and brushing it to give it volume, and he can't grow it too long because it comes in patchy.

People who mistreat horses. Needs no further elaboration.

Eowyn

Feeling boxed in, confined, mollycoddled, overlooked, underrated, left out, overworked, exploited or generally done shit by because of her sex. Not a headcanon just canon but it's such a pressure point (rightfully so) it has to be said.

Being sick. She hates being sick. Her relationship with her body is fraught, because on the one hand she has suffered from being relegated to certain roles because of her gender, with the onset of puberty in particular hailing a stronger enforcement of gender roles in her life, but through training and effort she has been able to give her body a great deal of strength and skill, and so any feeling of "weakness" causes her to feel like her body is betraying her. Her periods are actually quite irregular, but when they come they can be truly painful, and this she hates above all else. Working as a healer makes her more forgiving of her own weakness, and her marriage to Faramir, who never treats her as less because she is a woman, (and introduces her to a lot of fun stuff her body can do and feel) makes her more at peace with her sex, but her monthlies still cause her a fair bit of frustration, as it really does dredge up the worst feelings she has about sex and weakness. Her first period itself was pretty traumatic, without a mother or female relative to help her through it. With her mother and aunts all dead, and her entry into womanhood being marked with blood and pain, womanhood seems interconnected with suffering and death, and it takes her a long time to put that all into perspective.

Impractical shoes. She hates shoes that pinch or have high heels. She hates any female specific fashion that significantly impedes movement or comfort. If it's inflicted on men and women alike, she can stomach it (like high collars on formal occasions) but anything that singles women out for discomfort/lack of mobility is her sworn enemy.

Also, side-saddles. Absolutely detests them. Side-saddles at the end of the third age, beginning of the fourth age, are the ones that have women sit entirely facing the side, and give women riders significantly less control over their horse than front facing saddles. Lothiriel's time as queen sees the development of more practical side saddles, that allow women decent control over their horses, which Eowyn grudgingly accepts, but still holds in dislike. She actively fights against Rohan adopting them for widespread use, because the reasons for women riding side-saddle (to protect their chastity) is an attitude she rightfully sees as harmful to women. As a result of her influence, the side-saddle comes to be seen as a fashion accessory, to show off a lady's gown on formal or ceremonial occasions, and women for the most part ride astride for sport and day to day use.

Faramir

Intellectual debates. He says he's always up for an intellectual debate, he says he loves discussing ancient texts and laws and poetry, but in truth he can't stomach people having different ideas to him, whether it be philosophy, history, art etc... He tries to play it cool, and when someone says something wrong, he is happy to explain to them why they are wrong. But if they insist on being wrong, it sends him into a cold, hard fury. He maintains decorum in front of them, but then rants for hours to Eowyn about it afterwards. The thing is, he usually is right, and usually the people disagreeing with him are wrong and wilfully so, but nonetheless, it makes him a little tiresome. When he actually is wrong, and it's explained to him, he takes it on board with good grace. It's just most of the time, he's in the right, so it makes him come across as intolerant of other people's views.

People underestimating his wife. He knows that under Eowyn's proud veneer, she suffers from self-esteem issues, and he gets very angry at people dismissing her or overlooking her, because he knows it causes these issues to flame up. Also, he thinks she's absolutely amazing, and as we've established, he struggles with people having different opinions

He can camp out in absolutely filthy conditions, and put up with dirt and blood and grime as part of being a soldier, but at home and in court life, he likes things neat an orderly. He's actually a bit precious about his fine clothes, and if there's a smudge or a stain, it bothers him like an itch until it's sorted out. Eowyn sometimes teases him by wearing her coronet at an angle, and watching him resist the urge to straighten it for her. (She likes it when he does, because he's very gentle when he does it, and takes the opportunity to run his fingers through her hair.)

[thatweirdtranny]

responding to your recent #transandrophobia post: yeah. it’s almost like radfems have been invading the community since the 1970s and before and the only way trans women can feel safe to discuss transmisogyny is to assimilate into the radfem status quo. transmascs do it too when they talk about afab socialization. all trying to paint cis women as the most oppressed gender and trans people’s oppression as just a fraction of what cis women experience. where trans women get the social consequences of womanhood and trans men get the biological consequences. this is wrong. really the narrow definition of womanhood and manhood is equally the problem as sexism is, so radical feminism and its adjacent movements will never completely and respectfully define trans experiences. arguably, transandrophobia is so much less terfy and more accurate of a term than afab socialization but gets more backlash because of radical feminism. trans women see transmascs trying to assimilate into radfeminism and approximate themselves to cis women and that rightfully upsets them, so they try to assimilate into radfeminism even harder too. both artificially constructed “sides” would be better off abandoning radical feminism completely. doesn’t mean people can’t hate men on a personal level, but making that your politics will always have consequence.

my take is basically: we need to root out all forms of radical feminism (whether exclusive or inclusive of different groups of trans people) from our communities and spaces and i definitely think there are plenty of trans people of all genders falling hook line and sinker for radical feminism, but that the creation of terms like transandrophobia and transmisogyny and exorsexism are critical to combating all forms of radical feminism and transphobia

i think hating men is a core part of being a radfem, and it’s the easiest radfem dog whistle to spot. it’s a huge component of transmisogyny AND transandrophobia. therefore, hating men and the bs justification for hating all men needs to be stamped out. make there be social consequences for it. you can’t claim to want gender based liberation if you paint all men as inherently enemies and all women as perpetual victims.

most of all though my take is we need widespread solidarity between all groups of trans people. it frustrates me to no end that a vocal group of trans people (of all genders!) have such a problem with transmascs creating terminology for our oppression and discussing our experiences, instead of leaning into solidarity. we could all be united but instead we have the current climate of discourse that seems to repeat itself every couple years. that’s why i like the term transunity — it reframes the discussion to be around radical solidarity and discourages infighting between different groups of trans people.

[dontmeantobepoliticalbut]

By Chauncey Devega

Donald Trump is a dictator in waiting. Like other dictators, he is threatening to put his "enemies" in prison – and to do even worse things to them. These are not idle threats or empty acts of ideation: Donald Trump is a violent man who is a proven enemy of democracy and freedom.

These threats of violence against his enemies are part of a much larger pattern of violent and dangerous behavior that is only growing worse as he faces criminal trials and the possibility of going to prison for hundreds of years.

In the most recent example, Donald Trump told Glenn Beck during an interview last week that he is going to put President Biden and other "enemies" in prison when he takes by the White House in 2025.

In a Sunday evening post on his Truth Social disinformation social media platform, Trump was even more explicit with his threats of violence and harm, threatening that he would treat Biden and the other "enemies" like they do in "banana republics":

“The Crooked Joe Biden Campaign has thrown so many Indictments and lawsuits against me that Republicans are already thinking about what we are going to do to Biden and the Communists when it's our turn. They have started a whole new Banana Republic way of thinking about political campaigns. So cheap and dirty, but that's where America is right now. Be careful what you wish for!”

In "banana republics" the enemies of the leader and the regime are usually imprisoned, tortured, executed, and face death squads and mass executions. Trump himself has publicly expressed his admiration for murderous dictators and autocrats such as Vladimir Putin and N. Korean dictator Kim Jong Un.

The corporate news media — with MSNBC being a notable exception — as is their policy, mostly ignored Trump's most recent threats to kill and imprison President Joe Biden and the other "enemies" of the MAGA movement. Ignoring the danger will not make it disappear or otherwise go away; moreover, to ignore Trumpism and neofascism is to normalize them.

During an interview Saturday on MSNBC, Miles Taylor, who was a senior member of Trump's administration and author of the New York Times' "Anonymous" op-ed, warned that the ex-president's desires to imprison his "enemies" are not new:

“A number of folks who worked in the Trump administration with me and have since spoken out against the ex-president, we joke darkly about the fact that in a second term, a number of us will be in orange jumpsuits in Guantanamo Bay. I say that the comment is half facetious because Donald Trump actually did have a vision while I was in the administration to go use the terrorist prison at Guantanamo Bay to house political prisoners. And in that case what he wanted to do is use it to move people from the southern border to send a message and put them in the same place where people like Khalid Sheikh Mohammed, the mastermind behind the 9/11 attacks, sits behind bars, and send a message. The only reason Donald Trump didn't start sending people to Gitmo is because he was convinced it would be too expensive, and the facility couldn't house the number of people he wanted to send there. That was the mindset of the man when he was President of the United States. You have seen him since double down on his intention to again use the justice system for political purposes, and specifically admitting that he would do so to go after his enemies. I think that's very chilling.”

In a recent conversation here at Salon, Taylor also issued this warning:

“If I were to bet on who is going to be the next president of the United States, I would put my money on Donald Trump. Obviously, that is the last thing I want to see happen. But if I had to make a bet today, despite the impeachments and the indictments, and the widespread opposition to him, I think he's likely to be the next President of the United States. That should be a five-alarm fire for our democracy. Our democracy right now is at very grave risk of going through a period of destruction, and in many ways it already has. … As the saying goes, 'Stalin was bad, but the little Stalins were a hell of a lot worse.' And that is what we would be seeing in a second Trump term. As bad as Donald Trump will be if he wins a second term, his lieutenants will likely be people who are even more evil than he is. That is going to be true of Trump's successors too because they will be following his authoritarian playbook to win the MAGA base.”

During a fake interview with former Fox News host Tucker Carlson two weeks ago, Trump engaged in obvious acts of mental projection and fantasy as he shared his fears of being assassinated by "the left", the Democrats, the "deep state" and other imagined enemies.

These lies are part of a right-wing disinformation campaign in service to the Big Lie that Trump won the 2020 presidential election and that it was stolen from him by Biden and the Democrats. No evidence exists to support such claims.

The reality: Law enforcement and other experts have repeatedly warned (and documented) that the greatest threat to the country's domestic safety is from right-wing extremism. One such right-wing terrorist, a neo-Nazi terrorist, murdered three black people at a Dollar General Store in Jacksonville, Florida two Saturdays ago.

The "enemies" that Trump and his next regime want to put in prison or worse, include not just President Biden, the Democratic Party's leadership, and the members of law enforcement who are prosecuting Trump for his crimes, but all people who he and the Republican fascists and MAGA movement deem to be "the enemy" and "un-American".

Here are some specific examples.

If you do not support Donald Trump and the Republican fascists and the MAGA movement (or are deemed insufficiently loyal) you will face prison or worse.

The American right-wing wing has been trained for decades by their news media and other political leaders and influentials to believe that Democrats, liberals, progressives, feminists and others who are not "real Americans" are to be eliminated and subjected to other genocidal violence.

If you are a black or brown person, a Muslim, Jewish, an atheist, not a White Christian, a members of the LGBTQIA+ community, believe in women's reproductive rights and freedoms, are deemed to be "Woke" or tainted by the "Critical Race Theory Mind Virus" or otherwise deemed to be the Other you will also be targeted by Trump's next regime and movement.

Dictators and other authoritarians expand the category of "the enemy" in response to political necessity and the whims, grievances, and others mercurial needs and impulses of the leader(s). This dynamic is even more powerful in a political personality cult such as Trumpism.

Even more so in personality cult such as Trumpism. No American, not even Trump's MAGA supporters and other Republican voters, will be safe from being put in prison or targeted for violence by the next Trump regime.

Trump and his advisers are actively creating the infrastructure for him to follow through on his plans to be a dictator when/if he retakes the White House in 2025. Trump's Agenda 47 is a plan to radically remake the presidency and American government (and American society) in service to his neo-fascist vision that includes such goals as ending birthright citizenship, criminalizing migrants and refugees, putting homeless people in camps, instituting national stop and frisk laws, restricting freedom of the press, ending academic freedom at the country's universities, colleges and other institutions of higher education, replacing quality public education that teaches critical thinking and the country's real history with a form of fascist "patriotic" indoctrination, ending environmental regulations, more gangster capitalism and power for the richest Americans and corporations, reversing the progress of the civil rights movement and the Black Freedom Struggle, taking away the rights of gays and lesbians and other queer people, further restricting women's civil and human rights, and ending US support for Ukraine.

Project 2025 is a strategy that has been developed by right-wing think tanks and interest groups such as the Heritage Foundation. The main focus of Project 2025 is to launch a blitzkrieg assault on the American government by ending career civil service and replacing it with Trump loyalists with the goal of eliminating any internal opposition to the Trump dictatorship. In essence, these Trump loyalists will place his vision above the Constitution and the rule of law.

Salon's Areeba Shah explains more:

“A network of conservative groups is gearing up for the potential reelection of Donald Trump, actively enlisting an "army" of Americans to come to Washington with a mission to disassemble the federal government and substitute it with a vision that aligns more closely with their own beliefs and ideas, according to The Associated Press.

Organized by the Heritage Foundation, the sweeping new initiative called Project 2025, offers a policy agenda, transition plan, a playbook for the first 180 days and a personnel database for the next GOP president to access from the very beginning to take control, reform, and eliminate what Republicans criticize as the "deep state" bureaucracy. Their plan includes the possibility of firing as many as 50,000 federal employees.

Democracy experts view Project 2025 as an authoritarian attempt to seize power by filling the federal government, including the Department of Justice and the FBI, with unwavering Trump supporters, which could potentially erode the country's system of checks and balances.

"The irony of course is that in the name of 'draining the swamp', it creates opportunities to make the federal government actually quite corrupt and turn the country into a more authoritarian kind of government," Matt Dallek, a professor at George Washington's Graduate School of Political Management, who studies the American right, told Salon.”

Those who remain in denial about the realities of Trump's plans to become a dictator and the country's worsening democracy crisis, would likely object to these warnings with foolish deflections such as Trump is just making "empty threats" and that he is "disorganized and not disciplined" and "the law would stop him" because "of American Exceptionalism" and "the institutions and the guardrails of democracy…"

Such voices have learned little, which seven years later is a choice, from the Age of Trump, the horrors it unleashed, and the system's failures that vomited it out.

By definition, fascists and other authoritarians such as Donald Trump and his fake populist MAGA movement do not care about the law or "institutions". The cry "that's illegal!" is one of the final things that many people in societies around the world have said when an authoritarian and their forces take power.

In addition, the last seven years have also highlighted how vulnerable and weak America's governing social and political institutions are to neofascism and other forms of authoritarianism and illiberalism. A second Trump regime, and the Republican Party and "conservative movement" more generally, have gained great experience with exploiting these vulnerabilities and are now trying to fully explode them – from both inside and outside the country's governing institutions.

The most foolish and dangerous example of wish-casting is the argument that "Trump can't win anyway" or that he will be in prison or disqualified under the 14th Amendment. Trump is a symbol and leader of a movement. The decades-long neofascist campaign to end multiracial pluralistic democracy will continue without him and will likely become even more effective and dangerous if a committed and disciplined ideologue in the mold of Ron DeSantis were to become its leader.

Or perhaps those members of the news media, political class, and among the general public who want to ignore or downplay Trump's escalating dictatorial threats would heed the warnings of former Republicans, the same people who helped to create the circumstances for Trump and the MAGA movement's rise to power?

As a group those Never-Trumpers and other pro-democracy voices from the "conservative" movement are sounding the alarm, almost screaming, that Donald Trump means everything that he says about becoming a dictator for life and getting revenge on those people who dare(d) to oppose him. Those same people are also warning, repeatedly, that Trump's chances of winning the 2024 Election are much higher than the mainstream news media and pundit class want to admit.

If Donald Trump was a private citizen and he was threatening his neighbors with violence and other harm, he would likely be put in jail or otherwise removed from society. But Donald Trump is not a regular person. He is a former president who commands the loyalty of tens of millions of people. When a person tells you who they are believe them. That wisdom and warning most certainly applies to Trump and his MAGAites and the other neofascists and members of the white right. Denial will not save you no matter how much you wish it would.

[writerben01]

Oh goody, anon hate.

So, if you send these kinds of messages dumping your bad fandom take and don’t even sign your own name, it’s clear you’re not looking to give any feedback to a writer. This is selfish and doesn’t deserve my attention. It’s deleted from AO3, so I hope you enjoyed shouting into the void.

But I’ve got a few moments, so let me tear this comment apart bit by bit.

The absolute delusion of [A young Nara complimenting Sakura].

So, context matters. This is a flash from the future, somewhere 10-20 years after canon wrapped up. A lot can happen in that time. It is being said by an Academy student, who has limited information, in response to a Hyuuga student thrashing Sakura and needing to make sure that the Hyuuga shuts up and gives Sakura some respect before she starts thrashing the entire room.

It is also a literary device called foreshadowing. Because until then Sakura in present time has been relatively weak compared to her teammates, and at the end of the chapter she gets a massive power boost (Mokuton) that would let her rival and surpass Naruto/Sakura. This boasting from the Nara is supposed to mystify and intrigue.

In no alternate universe whatsoever could Sakura EVER be considered the strongest of her team. I can’t believe anyone could say that without laughing.

I pity your lack of imagination.

Sasuke with Perfect Susanoo alone is impenetrable. We’ve seen what happens when Tsunade at full strength tried to break it. It took her AND the Raikage to make any progress at it.

Sakura in canon needed about two years to get to Tsunade’s level, and did it without a tailed beast or bloodline helping her. Is it so hard to believe that she could be stronger than Tsunade and the Raikage combined if she had another 10-20 years?

Sasuke has Amaterasu. Good luck healing from her torso being covered in that fire. She’d have to start removing flesh but if he covered her with enough flames, there’s no healing from that.

Okay. So? If Sasuke killed her with a kunai, she would not be able to heal herself from death either. You’re making the assumption that Sasuke can land his attack on her. That she is unable to shield herself. That she would even let Sasuke get as far as using that attack on her. At least Sakura can heal herself. If Sasuke gets hit, he’ll have to deal with the damage. In a battle of endurance, Sakura actually has more chance.

Do you really think Sakura could beat 6 Paths Naruto?

Depending on the setting, easily. Naruto is weak to genjutsu. Boom. Threat neutralised.

There is a limit to what Sakura can do with her small chakra reserves. Even with the best control and techniques in the world.

So she gets bigger chakra reserves. Problem solved. Why do you keep arguing about the state of canon compared to what we’ve chosen to do in a fanfic? Is there no part of you that can imagine maybe, just maybe, some people would like to see Sakura as a strong ninja and will make whatever changes are needed from canon to get that result?

Just pretend she could get even close to high reserves. Do you really think Sakura could pose a threat to a village with a widespread attack? Sasuke and [Naruto] can destroy cities in a single attack. Sakura has nothing.

This is a nice pivot that I’d like to point to. Until now most arguments have been about whether Sakura would be able to defeat Naruto and Sasuke in battle. And they’re largely irrelevant because the three of them are fighting together against enemies. It’s hard in general to look at the three of them separately (in my fanfic) because of how much they work together.

Their strength would in fact be measured in how destructive they could be against enemies. Naruto can manifest a Kyuubi mode, make copies of himself and be a real force to be reckoned with. Sasuke can deal massive natural disasters. But Sakura? She can use her mokuton to create custom flowers that blow poisoned pollen into the air. Mokuton, in this version of fandom, is basically free to use because creating life generates more chakra than it takes. She can use this boost in chakra together with some channelling plants and use genjutsu to put entire villages to sleep. She assassinates anyone who could pose a threat, with zero casualties.

It's a different kind of frightening. A different kind of strength. And anyone who thinks she’s weak enough to attack (to break the genjutsu) gets their asses kicked.

Sasuke and Naruto are strong in a traditional sense, but Sakura is the one with options. She can deploy poisons that weaken enemies that even Sasuke and Naruto couldn’t fight. She has genjutsu that’s more subtle and versatile than always needing eye-contact. And on top of that she has surpassed the strength of Tsunade which was capable of tussling with Kage.7

The delusion of this statement is so unreal. I hate Sakura simping so much. It ruins fics.

If your fragile male ego can’t handle a competent woman, don’t read fanfics with the BAMF!Sakura tag. Don’t know what else to tell you. I’ve written a story about an overpowered Team 7, and since canon keeps insisting Sakura is the weakest, it’s most satisfying when she is raised up higher. She gets a bad deal from canon, so I feel it’s fandom’s job to make it up to her.

You don’t have to agree. Just be sure to tag your misogyny in your own fics so I know to avoid them. Thanks 😊

[theamityelf]

Aw man, PROXY (the combat training droid) really would fit so well with the DRverse. Like his introduction scene has him randomly ambush Starkiller while using the Obi-Wan training program (complete with hologram/hard-light tech to make him appear as Obi-Wan did during the Clone Wars). And they just playfully banter like "Huh, didn't even know you still had that program, PROXY", "Oh, I thought if I surprised you with an old one, I might finally kill you master". To which Stakiller's like "Lol, better luck next time buddy". The whole relationship just seems exactly like what you'd get with Nagito having a robot as his only friend.

The fact that Vader had it fitted with an Obi-Wan program (as well as a Darth Maul program that's revealed later on) is both logical and weirdly hilarious to me. Like of course he'd want to prepare his Secret Apprentice to know how to fight his old master's lightsaber style, since he's still out there at this point in time. But it's just so hilariously obsessive. Actually PROXY later takes Vader off-guard by using it on him in a heroic sacrifice to save Starkiller (he's revealed to have been rebuilt in the sequel though).

Oh! And speaking of lightsaber styles...what do you think the DR cast members would pick as their main one if they were a Jedi, Sith, or some other lightsaber wielder? I'm not sure how much you know about those, so here's a rundown just in case. The whole made-up martial arts thing is part of the lore I find so endearingly stupid in an awesome way.

Form I/Shii-Cho is the beginner's form. Pretty much every Jedi is required to learn this one first, since it's the foundation for all the others. It was made in a time when they were transitioning from metal swords to lightsabers, and so it focuses a lot on non-lethal disarmament. As well as combatting multiple opponents. It's considered a bit clumsy and unrefined compared to its successors. But a handful of specialists of the form like Kit Fisto, were known for being very fluid and hard to predict.

Form II/Makashi is the most dueling-centric. With a focus on elegant, focused, and precise strikes. It was developed in response to the need for a lightsaber-to-lightsaber form when Dark Jedi became more prevalent. And as a result it fell out of widespread use when the Sith were thought extinct. With Jedi actually having to ask permission for training in it. It's two major flaws though are that's not ideal for multiple opponents, or against loads of blasters. Count Dooku is considered to be perhaps the greatest Makashi specialist, and managed to partly iron out of its weaknesses.

Form III/Soresu opts for a "stone wall" strategy. Being developed to combat massive numbers of blaster-wielding opponents. And allow the user to deflect dozens of bolts per second. And against other lightsaber-wielding opponents, the strategy is to tire them out with an unbreakable defense and then finish things with a decisive blow. It's polarizing among the Sith, as many view it as a weakling's form. Though the smarter ones like Darth Bane had a respect for it, seeing that there were some clear advantages. Obi-Wan is the most famous specialist, and that factored into the decision to send him after General Grievous.

Form IV/Ataru is kind of like the "fragile speedster" style. Since it heavily focuses on acrobatics for quick leaping strikes. Pretty good at quickly taking down single opponents, but not so much in prolonged fights, or while fighting in enclosed spaces. Not great against blasters either. Yoda and Ahsoka are the most notable specialists for it. Qui-Gon and Obi-Wan were too, though the latter switched to Soresu after finding Ataru didn't work so well for him against Darth Maul.

Form V/Shien is sort of like a more aggressive branch of Soresu. With the focus going from deflecting blaster bolts to redirecting them back at the enemy. It also has a more advanced dueling-centric variant called Djem So, which was made as an answer to Makashi. Requiring a lot of physical power from the user, the aim of it is to defend and then unleash a massive counter-attack of overwhelming strikes. Although they both had expertise in all forms, it was Anakin and Luke's preferred one. With Anakin actually going all in on transitioning from Shien to Djem So after losing to Dooku the first time. Other known specialists include Plo Koon, Aayla Secura, Darth Bane, and the legendary Ulic Qel-Droma.

Form VI/Niman was created as an all-rounder form. The idea being to take all the elements from the previous 5 and merge them into a single balanced form. In practice this ultimately led to most practitioners being just average in all fields, with no real strengths. It tended to be favored by Jedi who were more devoted to diplomacy and study. HOWEVER, mastered Niman is another story entirely. As its few specialists (who dedicated at least 10 years of determined study to it) had a style that was great in all fields, and had no weaknesses. With excellent skill at combining Force-based attacks into the style. Those specialists being legendary duelists like Exar Kun, Darth Krayt, and possibly Revan.

Form VII/Juyo is the last and most controversial of them. For its extreme viciousness and the intentional use of a wielder's emotions to fuel attacks. A highly aggressive that's like a more wild and untamed Makashi. Obviously it was the style most heavily favored by the Sith, and was the primary style of Darth Maul and Starkiller (who interestingly were both voiced by Sam Witner). Among the Jedi it was borderline taboo, and sanctioned to the point that only very disciplined masters were given permission to study it. Juyo also had a special variant developed by Mace Windu called Vaapad. Which channeled both his own inner darkness and his opponent's fury through himself, and convert those into attacks. This special technique might have factored into him managing to overpower Palpatine.

And of course there's Jar'Kai, which just means dual-wielding. Technically a lot of characters have used it, though only a handful do so regularly. Those beings ones like Ahsoka, Asajj Ventress, Starkiller's clone, Revan, and Darth Krayt. Tends to overlap a bit with Niman and Ataru.

...Lol, got a bit carried away with that explanation. Anyway, I personally reckon Izuru would be a dual-wielding Niman king. As well as being one of the few people to master Vaapad. Makoto I would see as a Soresu guy. And I'd probably leans towards Hajime favoring Djem So.

Wow, yeah, I think, if we're speaking comparatively, I know nothing about Star Wars. 🤣 This is all very fascinating! And yes, Soresu definitely seems to be compatible with Makoto's whole deal. And the fighting styles for Izuru and Hajime also seem really apt.

[amemoire]

Vale Can't Shut Up About Scara Pt. 1

I just want to talk about my boy and you all are the unfortunate bystanders.

Whether its in main verse or aus, I think Scara has a lot of skills and talents. It comes as no surprise in main seeing as he's had centuries to pick up and perfect any number of skills, so naturally he'll have the most there. But a lot of things will end up carrying over, so I'll try to talk about these across however many posts I make on the matter. This one is mostly going to address things related to COMBAT.

No surprise he's good a fighting— he was a Harbinger. But more than that, he was specifically given the title of Scaramouche, " little skirmisher ". We know that these titles are only given to those found suitable of them. When there is no one alive that fits the title, the seat will be left empty indefinitely. As the one found worthy of essentially being called THE skirmisher, Scara is highly skilled when it comes to combat. This is something that would have been widespread knowledge pre-Irminsul erasure. It struck immense fear into other Fatui operatives as well as the general public of Snezhnaya. People knew of the Balladeer— they knew him as someone you didn't want to cross paths with, but more on his previous reputation another time. He excels in hand-to-hand combat and actually prefers when things are PERSONAL this way. He doesn't mind using a weapon, but there's a special delight to be had when his body itself is the weapon. There's also a twisted satisfaction in dealing both death and injury with his own hands.

Apart from this, he is well-trained with just about anything under the sun, but does have his preference of the sword and polearm over all the rest. ( Totally didn't mean to match him with Ei like that ). The sword was the first weapon he received any training with and he's honed this skill his whole life, largely practicing iaido but familiar with other forms as well. Meanwhile the polearm is the next option that allows him to maintain both SPEED and MOBILITY. These two things are essential to his fighting style as he doesn't like to drag matters out for too long— centering his techniques around a quick and clean defeat. The bow is likely his least used weapon given how impersonal it is as a primarily long-ranged weapon.

As far as catalysts go, he doesn't actually use one. Similar to how realistically both Heizou and Wriothesley also wouldn't have one. ( Honestly, I feel like this could be the case for many if not all catalyst users because they appear to wield elements in raw form rather than infusing it into something else ). Apart from how we don't see a catalyst in cutscenes compared to other characters that wield swords, bows, polearms, etc. it just doesn't suit the way he fights. He harnesses the wind to literally tear his opponents apart and throws his whole body into it. It's violent and fast and outside of gameplay, we see that he is still very much getting physical throughout. He's utilizing his surroundings, using his own body for a shield, getting in close, taking the weapons of his opponents, and even grabbing and throwing them from high altitudes. Simply put, there's NO ROOM for a catalyst to actually be there.

He doesn't typically ' play with his food ' and is more about packing a lot of strength into a few exchanges or finding an opening for a single decisive strike. As I stated earlier, he aims for the quick and clean. The only time he'll make things messy and wicked is when he's in a particular mood. ( And THOSE are the fights that he was known for in the Fatui ). These instances were known to be bloody with death coming before one could even blink. All hands and uncontrolled electricity ripping through those unfortunate enough to be labelled an enemy.

Another important thing of note is how he's also one of the few characters we know to have journeyed into and returned from the Abyss. And he didn't go just once or twice, it was several times over the span of an undisclosed amount of time. All that we know at present is that he was gone for a LONG while. So putting that into perspective— this means he went up against monsters that were strong enough to render him in need of repairs and enhancements, came back for that, then went back to the Abyss only to encounter even stronger opponents, thus falling into this loop until he completed the expedition. We can infer that he was able to improve and refine his skill rather quickly this way. It may not be Ei's 500 year long battle against herself, but by no means was it any less dire. If he couldn't continually improve then he would've been destroyed. And I do headcanon that the time he spent in the Abyss was equivalent to SEVERAL years.

I do think he has fun when he's fighting. Not in the same way that Childe does, but I do think they have a few things in common. He's just about always needing to hold back but finds that fighting is a good way to let off a little steam. He'll indulge in some of his violent tendencies and laugh at those who actually thought they stood a chance against him— because they NEVER did.

[multi-fandom-veteran-writer]

The long awaited preview of the next part of my series.

Surprise! Bet you thought I had given up on the series, huh? Far from it! This series is far from over and will continue far into the future. For those who have sent in requests, I will be able to get to them, so keep a look out for those!

How could something dangerous be so beautiful? Sackboy had been trudging along with his jester guide and taking in the environment all the while. The sky and surrounding air seemed to be comprised of purple haze with scattered pieces from around Craftworld itself. There were even what appeared to be streamers with a red and blue zigzag pattern, seeming to come from the lord of the Uproar's outfit. 

As they walked, the pathway materialized below them, colored blue and green. He was trying his best to take it all in, the young child's home away from home. Trying to listen to what his father figure way saying and pointing out to him.

Vex felt an immense joy, the happiest he had been in a long time. Vex was showing his home to someone who could be classified as his enemy and was now his greatest creation, an individual that the jester had taken great pride in shaping in his image. The Uproar had changed very little since he had tried to conquer Craftworld, then again it was just as he liked it; chaotic and despair-filled, with just a touch of terror. 

Noticing the young child looking around in interest and awe filled him with amusement, the jester had been the same way when he had set out on his own,  ready to exact revenge on all those who would dare oppose him. Coming to a stop at what appeared to be the beginning of the Uproar, the bright light showed that they had indeed reached the end of the tour.

"Seems you enjoyed that Sackers. I hope I was able to fill your curiosity about where I came from and what Craftworld will look like once I'm done with it. If you have any questions, now is the time before my patience runs dry and I completely regret my decision of keeping you around. Fortunately for you, I have grown rather fond of you becoming my successor however it doesn't mean I will go easy on you. Just because you are a child doesn't mean I will exempt you from even the most rigorous training, it is life and death, once I'm done with you, our enemies will be sorry they ever crossed us."

Being used to similar training from his mentor's knitted knight trails and saving the Imagasphere from near godly beings, but Vex was a different story all together... Not only was he deadly but cunning and had lived long enough to learn from his mistakes should he learn any. That coupled with his deadly intelligence made him a truly terrifying individual; experiencing anything and everything and living to tell the tale, made him the deadliest enemy yet.

The young child's family even subject him to harsh treatments of their own, trying to toughen him up no matter how cruel it may have been. The young knight then realized he would rather take Vex's training, seeing how he already knew what the jester was capable of, whereas everyone else was unpredictable. Nodding his head with agreement, he suddenly felt an unexplained pain. Not wanting to worry or anger the other, the child simply brushed it off.

Feeling satisfied with himself and his success, Vex knew they would have to make their way back to the waking world. Surprisingly feeling well rested, he simply chalked it up to being in his nightmare scape for a longer amount of time. It was more than that; the Uproar being even more widespread and the young sack practically being a walking Uproar energy source, filled him with a power he never thought possible. Yes, he may have been a being made of chaos and despair but that was before he had reached his full potential and that had all changed when an unfortunate circumstance had befallen him. Not wanting to dwell on it any longer, he made sure the young sack was situated and closing his eyes, willed them to the waking world.

The first thing he noticed when waking up was they were still in the grassy field, sitting cross-legged with the child on his lap. The sun was rising, casting its pinkish golden hues across the landscape, effectively dying it an array of colors. The air was chilly, seeming to nip at your skin slightly like there were ice particles scratching. Whereas it had only been him and the young sack, there was now a visitor, looking up eagerly at its master. It was a small minion, body the shape of a strawberry, little arms with gloved hands, green tuff of air on its head, and small beady eyes was none other than a grunty. It was nothing but a baby, seeming lost without a parental figure. Nuzzling its master's leg, not wanting to be alone.

[youngpettyqueen]

unpopular opinions ask ds9 edition: black heart and broken heart

I forgot about the emoji asks I reblogged for a second and was sitting here going "I dont remember an episode called black heart and broken heart I need to go look it up for my hot take on it" and then I. remembered. good morning I promise im awake

YES good questions lets see...

🖤: Which character is not as morally good as everyone else seems to think?

DS9 is one of those ones where I feel like most people get that literally everybody has moral nuance and everybody either lives in or dips into grey areas. that said, there is sometimes a tendency to over-babify Julian and act like he's done nothing wrong ever in his life, when that is very much not the case. I love him, he's my favourite, he's rewired my brain, but like. while Julian does staunchly stick by his own moral code as much as he can, he does show a willingness to do some fucked up shit. see Extreme Measures- Sloan is horrible, yes, but what Julian does to him in that episode is fucked up! see also his suspect behaviour towards women at times. and Chrysalis, where he pursues a relationship with Sarina- I know this one's hotly debated, but at the end of the day, Sarina is his patient and it is wrong to pursue a relationship with her. granted, on that one, Star Trek did love to do doctor/patient relationships in the 90s regardless of whether or not it would be in character for said doctors to pursue said patients, but still. it happened, I will acknowledge and include it here as an example that Julian isn't perfectly morally good

I feel like this take on him stems a lot from how its a widespread headcanon that he's autistic- a headcanon I share- because people tend to infantilize autistic characters which is. incredibly frustrating. I dont see it super often, but it tends to run in circles where people treat Julian like he's an insecure sad child and therefore could do no wrong. I could do a whole rant about that lol

💔: If you had to remove one major character from the series, who would you choose?

YOU CANT DO THIS TO ME I LOVE THEM ALLLLLLL. I genuinely dont know who I would remove. removing any one of them is devastating to me personally I love themmmmm but also removing any one of them would lead to some major differences in the series which I think could be fascinating to explore? some examples-

removing Odo would, in my opinion, have a massive impact on how the crew of DS9 interacts with the Changelings and the Dominion War. I do wonder how not having Odo around would affect how they approached the engineered disease against the Changelings- it was easier to protest it and try to find a cure when their friend was suffering, but if it was only the enemy? I wonder how that would've shaken up

removing Kira could be a big shake up with Federation/Bajoran relations in a scenario where instead of having a Bajoran as his secondhand, the Federation assigns Sisko a Starfleet First Officer. even with several Bajorans onboard both as Bajoran Militia and as civilians, I think without a Bajoran as his secondhand, even with his status as the Emissary, Sisko and by proxy the Federation's dynamic with Bajor would've been a lot more tense and maybe even hostile. beyond just being a Bajoran though, Kira specifically is so fiery and passionate and willing to butt heads with and go against Sisko, that taking her out and having somebody less fierce, less angry in her place would've also massively shifted the dynamic

I dont know if Garak necessarily counts as a major character but im counting him- I would be fascinated to see how the crew navigates some of those more morally dark scenarios without the convenience of handing it off to Garak or getting his help. In The Pale Moonlight without Garak would be a VERY different episode. it'd be interesting to see just how far people would be willing to go, without the convenience of someone like Garak around who's more than willing to do the dirty work

removing Ezri from the last season would be an interesting change in how everybody handles Jadzia's death. with Ezri there, there's this space that's filled, if only in the physical sense of another body filling that gap because, of course, Ezri isn't Jadzia and it isn't the same. it would've been interesting to really feel that absence through the last season- its desperate times and maybe nobody new can be brought in, and the crew just has to deal with this gap in their lives now. always one empty chair, one empty space, the absence of a laugh, a witty remark. I wonder how this would've affected the way everybody grieved, how things would've progressed differently, if Ezri wasn't there to help things along

just a few examples there, I honestly cant settle on a character I would remove, but I think removing any of them makes for a fascinating change in the series and how things progress. the one character I would say you absolutely cant remove is Sisko- you NEED Sisko in DS9, you cant take him out. anybody else you could take out and it could be interesting, but Sisko is a necessity he has to stay

[polarizationvision]

Fallout: New Vegas. The best video game ever created.

Fallout: New Vegas is a post-apocalyptic role-playing video game that takes place in the Mojave Wasteland. The game is set in an alternate version of history where in which the United States entered into a cold war with China over resources and eventually used nuclear weapons to "resolve" the conflict. The resulting fallout and radiation have caused widespread mutations in both humans and animals, creating a unique and dangerous environment. These creatures have evolved to survive in a world ravaged by nuclear war, and they play a critical role in shaping the ecosystem of the wasteland.

As you may remember from a previous blogpost, my all black kitten is named after one of the most common irradiated creatures in the wasteland; the radroach. These mutated cockroaches have grown to massive sizes due to exposure to radiation, and are a constant nuisance for those who roam the wasteland. Despite not being particularly tough enemies, they can swarm you when you least expect it to deal a good amount of damage.

Recently, I got a tattoo of a radscorpion holding a bottle cap, which is the currency in this game, tattooed on my leg. Radscorpions are mutated scorpions that, similar to the radroach, have grown to monstrous sizes due to exposure to radiation. They are much larger than their real life counterparts, sometimes as big as a shetland pony! They have developed an exoskeleton that provides them with formidable protection against damage. Their exoskeleton is incredibly tough, and even bullets have a tough time penetrating it. If you see one while patrolling the Mojave wasteland, it is sometimes better to run the opposite direction rather than waste your limited supply of bullets on them.

Not every animal in the wasteland is trying to kill you, however. Brahmin are a type of mutated cow that can be found anywhere where there are people. These massive, two-headed creatures are a common sight since they serve as a source of food, labor, and transportation for many of the survivors. You see a group of wandering traders? They are likely using a brahmin to lug around their goods. You go to a restaurant? If human meat isn't on the menu, brahmin definitely is! You want to use a common drug that mimics the effects of methamphetamine? You're inhaling fumes from brahmin feces. Yum!

Animals aren't the only ones affected by the radiation from the Great War. Some humans have also absorbed high levels of radiation and suffered the consequences. Their skin has decayed and their lifespans to increase significantly, some living hundreds of years past their natural lifespan. The more radiation they absorb, the more "feral" they become. A fully feral ghoul is more similar to a zombie than a human, ravenous and aggressive. Those that have not become fully feral have the mental capacity of normal humans, but retain their ghastly features. They are a group that is often discriminated against for their appearance.

These are just a few of the creatures you can encounter in the Mojave wasteland, but they are some of my favorite. I have not been able to stop thinking about this game recently, so please forgive me for this abrupt change in topic.

[fragmented-king]

How about some hcs for the tree Vs with a overlord s/o? Their s/o isn't all that powerful but nobody dares attack them because they own all the factories and stores in hell. So like if someone threatens them they can go like "ok so no more (required item/items) for you".

I made them seperate since you didn’t say if you wanted them poly.

~~~

-Valentino-

Valentino may be powerful but his pyramid was constrained mostly to the porn industry. Now this was never a problem for him before, but after seeing your own widespread empire he was feeling a little jealous.

But once you start flooding him with expensive gifts and money he’s smitten all over again.

Super into being a total sugar baby for once, a man of power like him is often the giver and never the receiver.

This man’s love language is nearly everything under the sun. Though his favourites are definitely gifts and touch.

And since Val is Val, you two are getting freaky with each other very frequently. The overlord always making a show of it as he lavishes his s/o the only way he knows how, also his tongue is super long and flexible.

The workers know exactly who you are, since all their equipment from their clothes to the sets they use are all sourced from you. So they never got on your bad side.

Speaking of, when it came to raw power you were certainly lacking in that department, as your skills were more control and blackmail then throwing fireballs and fists.

And apparently this meant you were an easy target, a weak link that could be exploited.

Val doesn’t even interfere anymore, happily watching the show as you tear this poor schmuck apart with mere words and threats.

His favourite memory though is watching the life drain from some succubus bitches face as you simply declare that you’re shutting down her favourite alcohol for good.

She obviously didn’t know that you owned the every single freaking business in the pride ring, and she was crawling on her hands and knees to beg for you to reverse the decision only a few weeks later.

He found that super hot, how you asserted your superiority and absolute authority while barely even lifting a finger.

You could hold all of Pride hostage if you so wanted, because nearly every industry bends their knee to you.

Val can and will kiss your fucking shoes if you tell him too, just say the word and it’ll be done, the thrill of submission definitely spurring him on.

Though don’t tease him too much, he is a switch after all and will absolutely ravish you on the spot if wound too tightly.

Definitely happy to be a sugar baby to the most influential Overlord in hell.

-Vox-

This man knew your connections and how far your power spread, and he was impressed. Not that he’d ever admit it to your face.

That fact you control so much and work so little is awesome to him, what else could you do if you actually put real effort into it?

At first was disappointed you weren’t all that powerful, but when he found out his competitors suddenly were in debt and he had all sorts of deal with companies to boost his own network, he wasn’t disappointed in the slightest.

Definitely spends time with you inside lounging around being lazy, either watching him stream or hanging out with the other two V’s.

Constantly gets free shit because he’s your s/o, he doesn’t even really need half the stuff he gets, he just does it to flex on people and boast about being with you.

Though in doing that he often forgets to show you some affection back, but if your patient then he’ll get that really cute guilty look on his face as he either does nothing but spend the day with you or gift you something you already own.

Just take it and give him a kiss, he’ll be over the moon and back to his cocky self in no time.

Because of who he is, he often has self proclaimed enemies, though Alastor is the worst of all. The old timey prick.

Eventually you’d get bored of their scuffles and step in one day, off handedly mentioning that while he is the Radio Demon, you could most certainly recall those precious boxes of his and have them all shit down.

Vox has never seen the red coloured overlord more flustered and panicked then now, watching him quickly and very eagerly make a deal with you before disappearing.

Often wonders how you haven’t been killed yet, especially about threats of demolishing a specific line of product to make someone fall in line.

Just say that you know he’d never let anyone hurt you, put on the sultry smile, flaunt your body and little and suddenly Vox is a ego filled television with delusions of grandeur about saving you from the clutches of death.

With Vox watching your back, and your far reaching influence, you two are by far one of the most dangerous couples hell has seen in years.

-Velvet-

Velvet abuses your power at every available opportunity, knowing what you own and what you don’t.

She definitely helps you conquer new businesses and swathes of land, watching your empire grow is like ecstasy to her and she is all for it.

Drags you out shopping to get all the free benefits, trying on dresses and lingerie all for you to see and judge.

Definitely having a quickie in the dressing room, she’s gonna be as load as she can, you own the place so nobody’s gonna confront her.

Also has regulars shipments of sweets. From chocolates to wraps, sour strips to cakes, she’s ordering anything she can at no expense.

Velvet doesn’t give a single fuck if you aren’t all powerful like her, Val or Vox, you’re a special kind of sinner all on your own.

Though she does find it sweet how cool how you can control someone with mere words and threats, all by owning massive amounts of literally everything.

So many posts on Voxtagram about you, most lovey dovey couple stuff, a few promotions thanks to you and some threatening her would be enemies.

She’s been following your example of threatening people by way of taking their entire livelihood out from under them.

Velvet never had to act on them before, since being associated with you was often a good enough ward, but some just didn’t get the message.

Either they threaten her, which was stupid, or try and make a move on her, which was downright idiotic.

What ever way, once you either see the post or Velvet tells you about the encounter, they are suddenly and very politely apologising to the girl.

Honestly with Velvet, it might be a 50/50 on if she kills them regardless, but she’ll always cover you in kisses and bone breaking hugs anyway for being so sweet and thoughtful about her.

[saurexhas]

Love is Blind - Part 1

So I’ve been hanging out with @studionovella​ and the team for @nightmare-castle​, and the sheer talent in their discord server is so amazing. It led me to be inspired, and while I’m typically more of a Sanscest writer, I figured that it’d be fun to try something new considering the source of my inspiration! So have some Nightmare x MC (Nightmare x Reader).

Be warned, this story handles blindness and... probably some other sensitive topics considering it’s me. So just watch the tags for any relevant triggers!

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You didn’t think that it was possible, but somehow you had fallen for Nightmare. On the surface he was cold, cruel, and calculating, using everyone he could to advance his goals. But if you could tolerate the coldness, get past his clinical treatment of those he believed were beneath him, then there was so much more to him. Nightmare was a scholar, a brilliant mind with a vision for a world all his own. He appreciated the arts, often enjoying his downtime with a good book and a calming cup of tea. And believe it or not, there was a small part of him that genuinely cared for the skeletons under his charge. You’ve seen that side of him more than most, managing to open even his eye to what was hidden beneath the centuries of anger and hatred.

Even if negativity was still a large part of who he was, you found yourself able to accept that darkness, because it only made the small lights within him shine brighter. Just like the stars the two of you were gazing at. Though as your gaze shifted to the skeleton currently dominating your thoughts, you found that piercing cyan eye of his locked onto you instead of the sky. If there was ever any doubt in your mind that your feelings were reciprocated, one look at his gaze would sweep it all away. There was a tenderness to him, reserved only for you as he would say. It was only in these moments where the two of you were alone that he would let his imposing demeanor slide.

Getting moments to yourselves was easier said than done though. Despite the sheer size of the castle, the others always seemed to be around. They knew how Nightmare favoured you, how he treated you special and wasn’t as harsh. You were pretty sure that they’d managed to piece everything together on their own, even if none of them ever said anything for fear of angering their king. That said, some of them, namely Killer, seemed to delight in getting in the way of your fleeting moments alone. And there was always no shortage of work to be done, not when your partner was as ambitious as he was. Nightmare aimed to create an empire, and you were doing what you could to further his goals. Even if all that work and Killer’s interference left you and Nightmare fleeing to other worlds in order to have some semblance of a relationship.

Outertale was a favourite destination of yours, the beauty of the cosmos always taking your breath away. It always seemed so far removed from the chaos of the multiverse, or the chaos of the castle.The peace and quiet out here made it perfect for when both you and your partner just needed a break. You could stand out here for hours, watching the subtle shifts in the sky or mapping constellations.

But for now, you were seemingly locked in a staring contest with the lord of darkness, neither willing to look away or break the silence that had fallen. Unsure of what to do, you simply reached out with your finger and booped the tip of his nose. The look of utter surprise on his face left you giggling, only for his own rich laughter to mingle with yours.

“You dare to lay a hand on the God of Negativity, hmm?” He teased, pulling you close with his tentacles before wrapping his arms around your waist. “You are either very brave or very foolish… maybe a bit of both. How shall I deal with your crime, my little moon?”

You couldn’t help but swoon a bit at the pet name he called you, grinning up at him like a fool as you took advantage of the close proximity to snuggle close. “I could swear my love to you, would that appease the great Nightmare?”

“Perhaps,” he chuckled, the distance closing between the two of you even further as he ducked his head down to be level with your own. Nightmare opened his mouth, perhaps to say something else or to move in for the kiss you were anticipating. Before either option could happen though, the dark skeleton froze for a split second. There wasn’t even time to ask what was wrong before you found yourself hefted into his arms, the two of you dodging a volley of bright blue arrows that had speared where you’d been moments ago.

Your heart hammered in your throat, adrenaline pumping through your veins as you tried to get a grip on what was happening. Nightmare still had you cradled to his chest, dodging arrows and… was that paint? Following the paint’s trajectory, you could see your partner’s enemies had managed to crash your little date.

The Star Sanses stood on the other end of the floating chunk of rock you were on, the portal they’d used to arrive closing behind them. Blue was just coming through the portal, his gaster blaster hammer in his grip. Dream had another arrow ready to fire, though he hesitated upon seeing you staring back at him. Ink on the other hand wasted no time in splattering more of his paints everywhere, a tentacle raising to block you from the oncoming attack. The paint hissed and fizzled on contact, a growl leaving Nightmare as he jumped to another nearby rock to escape the barrage.

“Night, are you okay?!” You look up to see him trying to hide his pain, showing you that those paints are far more than something to be smeared on a piece of paper. While you’d heard stories from the others about the chaotic creator, you’d never met him in person or seen him fight. Seeing that paint flying towards you was way scarier than the guys’ stories had led you to believe.

“I’ll be fine,” Nightmare insisted as he set you down, even if you knew that attack hurt. “Look, you need to remain here where you’ll be safe. I don’t care what kind of training you’ve been partaking in with the others; I refuse to let you endanger yourself by fighting them. Ink especially is dangerous, keep away from him at all costs. If you cannot dodge his attacks, make sure to shield your face. His paint can burn like acid if he wishes, and while liquid negativity protects my body, you have no such defenses. Give me your word that you will remain safe while I deal with these pests.”

As much as you wanted to argue that you could help, even you couldn’t muster the confidence to speak against him with such a stern glare directed at you. It was clear that Nightmare wouldn’t take no for an answer on this one, so you had no choice but to nod your head meekly. “I-I’ll stay here,” you promised, glancing up to see him seemingly satisfied. Without another word, he rushed off, preventing Blue from getting any closer with his large hammer.

Watching Nightmare take on all three of the Star Sanses by himself was both awe-inspiring and terrifying, much like the first times you’d joined sparring sessions with the guys. But there wasn’t the assurance in the back of your mind that nobody would be out to kill you. While it might not be the goals of all of the Stars, there was very much mortal danger in this fight for both you and the one you loved. Staying on the sidelines like this was painful, leaving you feeling useless as Nightmare struggled to hold off the onslaught.

Were they not essentially your enemies, you’d be impressed by the coordination and teamwork the Stars possessed. All three of them were capable of both melee and ranged attacks, and wordlessly organized themselves so that one of their own was never in danger of being hit by their own attacks. Dream’s precision with his arrows allowed him to stay primarily a ranged fighter, while Blue’s blasters and Ink’s attacks were a bit too widespread to risk while one of them fought in close combat. Nightmare was the only one without a specific ranged attack, which probably explained why the others rarely got close to attack. Your lover’s tentacles gave him reach though, and the ability to hit multiple targets at once, so he was somehow able to hold his own against all three.

The battle looked to be a stalemate… until one of the Stars suddenly switched tactics. While Blue rushed in with a hammer and bones at his side, Ink actually turned his back on the fight. He seemed a little lost, like he was trying to remember something, only for his eyes to light up as he locked gazes with you. Instant panic seized you as the one skeleton that Nightmare warned you about came straight for you, manic glee plastered over his face as he quickly crossed the distance between the two of you. A glance back at the battle proved that Nightmare had seen what was going on, but Blue was keeping him from coming to your aid. So it was up to you to think fast and avoid the creator, hope bubbling in you that this might actually make things easier. If you could keep Ink busy by dodging his attacks, then Nightmare might be able to take on the remaining two with better success before coming after Ink.

With this admittedly crazy plan in your head, you began a game of cat and mouse with Ink, jumping from one place to the next. If you didn’t have a splash-happy maniac chasing you, it would’ve been cool to enjoy the low gravity of Outertale. For now though, it was all that was allowing you to escape most of the attacks directed at you. You were far from unscathed though, small splashes of paint eating away at your arms and legs. It burned, but was nothing you couldn’t deal with as you continued to dodge and weave the bulk of the attacks. So long as none of it touched your face, you would be fine.

Glancing back at the main battle going on, your hopes of Nightmare doing better against two targets instead of three were steadily being crushed. He seemed distracted, constantly looking up to watch you kite Ink around the area. Instead of focusing on the two he had to deal with, he was so worried about you and Ink that he was now losing. It wouldn’t be so bad if he was facing off against Ink and Blue, because there was little the two could do beyond superficial damage. Dream on the other hand was still very much a threat, his arrows of pure positivity being about the only thing that could seriously hurt. And you could see several piercing the ground, coated in the black negativity that Nightmare relied on for protection. It was a surefire way to see when he’d been hit, and the staggering amount of these soiled arrows made it clear that your partner wasn’t holding his own anymore. Guilt welled up in you, because you were the reason he was now losing this fight. While there wasn’t much you could honestly do to shake Ink from your trail, reason did little to quell the negativity rising inside you. All you could hope for was that your own despair could give Nightmare just a bit more power, enough to keep himself safe at least.

As time dragged on, both you and Nightmare were running out of stamina. Your legs cried for rest as you continued to run away from the creator, while your lover’s movements were growing noticeably sluggish. More arrows seemed to connect than not at this point, and he had barely any time to recover from one attack before dealing with another. The two of you were badly losing, and it was quite clear now why Nightmare rarely let anyone from the castle venture out on their own.

The Stars seemed to sense this sudden weakness in their target, Dream finally stopping his barrage to call out to the one going after you. “Ink! Stop playing around, I need your help!” Help? What help could Ink possibly be? Even his corrosive paints couldn’t breach the surface of Nightmare’s negativity, the only thing that could was Dream’s… oh… oh no.

As the realization hit you, Ink finally gave up his pursuit. “Woo! Looks like my plan actually worked… at least I think this was my plan. Whatever, let’s do this!” Laughing at some untold joke, Ink hopped away from you to return to the large rock that most of the battle had been on. At the same moment though, you felt your legs moving as the horrific reality of their plan hit you. Ink purposefully went after you to distract Nightmare, allowing the others to weaken him enough so that their special attack would hit. The creator might not be able to damage the surface, but if Dream’s arrow ripped through first, then there’d be a narrow window where Nightmare’s greatest defense would be gone. In a single spot he’d be vulnerable, which is why they needed to slow him down enough to ensure their hit would work.

You weren’t going to let that happen. Promise be damned, your soul was screaming at you to protect the one you loved, and you were going to heed its call. The ache in your legs went completely ignored, adrenaline pushing you forward with more speed than you thought you could muster. You needed to be faster though; Ink was already there, and Blue had set about corralling Nightmare to keep him still.

Only a few floating chunks of rock were between you and your beloved now, but you still weren’t fast enough. Panic rose once again as you watched Dream draw back his bowstring, the arrow glimmering faintly in the surrounding darkness. Ink stood ready beside him, the paint coating his brush a dangerous shade of red. That same paint had left such horrible burns along your limbs, and you could only imagine the damage it might do to the weakened god of negativity. With Blue running interference and drawing Nightmare’s attention, it was only a matter of time now.

As your feet touched down on the large space rock, several feet from everyone else, you knew that you were out of time. Nightmare was too absorbed in his fight to hear your warning calls, and it would only alert the two and likely cause them to reset before trying again. This attack would only work once though, because once Nightmare knew of their plan, he wouldn’t let it work a second time. That meant that you had one chance to stop them, especially when you saw that Dream was aiming towards his twin’s soul.

Courage and determination welled within your soul, driving you forward despite the risk you were running straight into. Any number of things could go seriously wrong, but… you couldn’t risk them killing him. Nightmare was the bane of the multiverse to many, but he was everything to you. Gritting your teeth, you timed your steps so that you’d only enter Dream’s field of vision after he fired, preventing them from stopping you and trying again. The second he saw you, the god of positivity’s expression changed from one of grim determination to one of shock and horror, his hand reaching out as if he could stop his attack or stop you. His hesitance once again wasn’t present in Ink, the creator wasting no time in flinging the red paint directly after the arrow.

With mere seconds to spare, your outstretched hands made contact with the cool goop that covered Nightmare’s body. All of your momentum and might went into a push, knocking the deity away from the incoming attack. Your lover turned back to look at you the second you made contact, his eye conveying the same shock and horror as Dream’s had when he saw you. All you could do was smile, knowing that you’d managed to save him no matter what danger you’d put yourself in. Nightmare reached out for you just as the arrow whizzed past, its trajectory leaving it slicing past your eyes. Pain bloomed as the minor cuts scratched the outsides of your eyes, but it was nothing compared to what came next. You’d been so concerned about the arrow that you temporarily forgot about Ink. His attack followed as per the Stars’ plan, splattering over the both of you with its acidic effect. The scratches to your eyes had left you temporarily blind, so you weren’t able to see that red paint as it splashed all over your face. The last thing you saw was instead Nightmare, reaching out to you as if to save you from this pain.

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First (Here) | Next >

[mostlysignssomeportents]

Games Workshop declares war on its customers (again)

There’s a difference between a con-artist and a grifter. A con-artist is just a gabby mugger, and when they vanish with your money, you know you’ve been robbed.

A grifter, on the other hand, is someone who can work the law to declare your stuff to be their stuff, which makes you a lawless cur because your pockets are stuffed full of their money and merely handing it over is the least you can do to make up for your sin.

IP trolls are grifters, not con artists, and that’s by design, a feature of the construction of copyright and trademark law.

Progressives may rail at the term “IP” for its imprecision, but truly, it has a very precise meaning: “‘IP’ is any law that lets me control the conduct of my customers, competitors and critics, such that they must arrange their affairs to my benefit.”

https://locusmag.com/2020/09/cory-doctorow-ip/

In that regard, it is a perfect grifter’s tool — a way to put you on the wrong side of the line for simply living your life in the way that works best for you, not the grifter.

Now, copyright and trademark’s framers were alive to the possibility that they might become this kind of weapon, and they wrote limitations and exceptions into each doctrine that were meant to safeguard the public’s right to free speech and free action.

But those limitations and exceptions are weirdly self-eviscerating. Both trademark and copyright’s limitations assume that they aren’t being weaponized by immoral sociopaths. Both collapse if they are.

Take copyright. Copyright has a suite of limitations and exceptions under various global legal systems, including US law. US law also contains a specific set of exceptions colloquially called “fair use,” a subject of much mystification for lay people.

Under fair use, someone accused of copyright infringement can ask a judge to find that their use of someone else’s copyrighted work is permissible because to deny it would be socially harmful.

The fair use law sets out four factors that judges MAY consider when considering such a claim. Note that these four factors are neither comprehensive (judges can weigh other factors), nor dispositive (failing to satisfy a factor doesn’t disqualify your use from being fair).

If that sounds confusing to you, don’t worry. It is confusing. As the lawyers say, “fair use is fact-intensive.”

The specifics of a use really matter: who’s making the use, what they’re using, why they’re using it, how they use it, and how much they use.

That’s why anyone who claims that “X is never fair use” (for example, commercial fanfic) are full of shit — as are people who say “X is always fair use”).

Commercial fanfic absolutely can be fair use. No less a body than the Supreme Court says so:

https://en.wikipedia.org/wiki/The_Wind_Done_Gone

Despite all this ambiguity and nuance, IP grifters who want to force other people to arrange their affairs to their own benefit are laser focused on the four factors, reasoning correctly that if they show a judge that the factors favor them, they’re more likely to prevail.

Half of the four factors are out of the grifter’s reach. As a rightsholder, you can’t control “the purpose and character of the use,” or “the amount and substantiality of the portion used.”

But the other two factors are more readily within the IP wielder’s remit. As someone seeking control a work, you can frame “to the nature of the copyrighted work” by talking up how much creativity and originality went into it, which judges will weigh in your favor.

More importantly — and disturbingly — is the way that an IP holder can influence the fourth factor: “the effect of the use upon the potential market for or value of the copyrighted work.”

Think about that fourth factor for a moment here: if my use of your work doesn’t cost you any money, then it’s more likely that my use is fair.

The corollary: if you can bully some people into paying for something they’ve always gotten for free, then you can claim that the people who refuse to pay are ripping you off — that there is a “market” for the use, and that their failure to pay weakens that market.

This is effectively what’s happened to music sampling. Seminal albums like “It Takes a Nation of Millions to Hold Us Back” were produced with thousands of uncleared samples — but at the time, no one was clearing samples.

https://memex.craphound.com/2011/07/08/creative-license-how-the-hell-did-sampling-get-so-screwed-up-and-what-the-hell-do-we-do-about-it/

Had the rightsholders to those samples dragged Public Enemy into court, they wouldn’t have had the fourth factor on their side. No one was paying for samples, so a failure to pay for samples had no “effect on the potential market for the copyrighted work.”

However, in the 33 years since Nation of Millions dropped, paying to license samples has become common practice — and the mere existence of paid samples makes not paying for samples more legally risky.

So say a rightsholder decided to aggressively license simple quotations — as the Associated Press did in 2008, when it offered to sell you a license to a 5-word quotation for a mere $12.50.

http://nielsenhayden.com/makinglight/archives/010341.html

All other things being equal, a short quotation from a news article is likely to be fair use. But if the AP managed to terrorize enough bloggers into coughing up $12.50 for a 5-word quote, it could create a market for 5-word quotations.

That market would change the fair use argument for people who don’t pay — yes, they’re making a transformative, critical use, but they’re also undermining the market for the copyright, and a judge might find this change tips the scales away from fair use.

Even more importantly, the additional uncertainty might stampede more people into paying $12.50 for a 5-word quote rather than risk a $250,000 statutory damages award for copyright infringement.

The more people who pay for 5-word quotes, the sturdier the market becomes and the riskier it is to rely upon fair use.

The fourth factor looks like an escape valve for uses that harm no one.

But it actually rewards to bullies who intimidate others out of money they don’t actually owe — until they do.

Trademark has a similar gotcha. Trademark is very different from copyright. Fundamentally, trademark is about protecting buyers, not sellers. Trademark meant to help buyers avoid being tricked into buying an inferior product because it was deceptively named or styled.

If you buy a can of Coke, you want the true Black Water of American Imperialism, not an inferior brand of dilute battery-acid.

But if your Coke turns out to be a fake, you might shrug off the harm or balk at the expense of punishing the fast operator who mis-sold you.

So trademark empowers Coke — and other vendors — to punish third parties who trick their customers, acting as their customers’ champions. Trademark doesn’t exist to prevent Coke from losing money to a rival — it exists to help Coke drinkers get what they pay for.

Trademarks can be registered with the USPTO, who nominally weigh trademark applications to ensure that they’re distinctive and original. Practically, examiners are busy, sometimes careless, and ideologically inclined to grant, not deny, claims.

https://memex.craphound.com/2018/06/14/son-of-cocky-a-writer-is-trying-to-trademark-dragon-slayer-for-fantasy-novels/

But you don’t have to register a trademark to assert it. You can threaten or pursue legal action on the grounds that someone has violated an unregistered trademark, which is any distinctive graphic or phrase that is associated with your product.

Registered or unregistered, trademark enforcement primarily comes down to whether a “naive consumer” would be mislead by someone else’s use of a mark. That is, when you bought a Coke-branded sack of chicken feet, did you think it was blessed by the Coca-Cola company?

If there’s no likelihood of confusion, trademark holders struggle to enforce their trademarks.

This standard seems reasonable, but, like the fourth factor in fair use, it has a sting in its tail.

One of the ways you can induce confusion in the public is to gain a reputation for being a litigious bully. Say Coke is known far and wide for clobbering anyone that uses its trademarks, no matter how trivial the use and no matter how bad it made them look.

If Coke is truly notorious for its zero-tolerance policy, that will lead to a widespread public understanding that every time you see Coke’s marks, the use was blessed by a Coke lawyer — meaning a use that might not otherwise be found to be confusing can be made confusing.

“If that was any other company’s trademark, I’d assume that they had nothing to do with it — but since I know Coke has an army of baby-eating attack lawyers who destroy anyone who uses a mark without permission, that must be an authorized use.”

Like fair use’s fourth factor, trademark’s confusion standard rewards the most vicious and uncaring businesspeople with new rights that their more reasonable competitors do not enjoy. IP selects for sociopathy.

Now, IP — in the most sinister sense of the phrase — has pervaded every industry, but the contradictions of IP are felt most keenly in its spawning grounds: the culture industry.

Culture is in tension with the control of ideas, because culture is the spread of ideas.

Creators (and execs) are vulnerable to the pirate/admiral fallacy: “When I take from my forebears, that’s legitimate artistic progress. When my successors do it to me, it’s theft.”

This pathology, combined with ready-to-hand IP weapons, incentivizes all manner of wickedness. Remember when Marvel and DC teamed up in a bid to trademark the word “super-hero” so that no one else would be allowed to use it?

https://memex.craphound.com/2006/03/18/marvel-comics-stealing-our-language/

These perverse incentives are made tragic by the inherently participatory nature of culture.

It’s not merely that Marvel and DC wanted to steal the word “super-hero” right out of our mouths.

It’s that super-heroes are culturally important because of how we take and remix them in our lives. Marvel went on to use the law to stop us from pretending to be superheroes online, something Casey Fiesler called “Pretending Without a License.”

https://www.researchgate.net/publication/277598023_Pretending_Without_a_License_Intellectual_Property_and_Gender_Implications_in_Online_Games

Which brings me, at last, to Games Workshop, a company that has consistently led the IP bully pack, indiscriminately terrorizing the Warhammer 40k fans who made it a massive commercial success.

Warhammer is a strategy/roleplaying game that is played with miniature creatures that players buy, modify and paint. If you’re not familiar with all this, maybe this sounds a bit like toy soldiers.

It’s a lot more interesting — not just because of the game rules or lore, but because of the incredibly, unbelievable, jaw-dropping virtuosity of Warhammer players when they paint and style those miniatures.

There’s a reason I look forward to Saturday morning’s weekly linkdump from Jonathan Struan of the week’s best Warhammer and other RPG miniatures:

https://www.superpunch.net/search?q=warhammer&max-results=20&by-date=true

and why I follow incredible painters like Aurelie Schick:

https://www.flickr.com/photos/110246635@N06

Warhammer is intrinsically participatory, co-creative and active — it’s not media you consume, it’s media you produce.

Games Workshop has become fantastically rich off of this…and they hate it, and they always have.

For years they’ve pursued fans for producing their own fan-made supplements and additions to the game:

https://www.lumendatabase.org/notices/99301

The more Warhammer players complained about the indiscriminate censorship of their fan media, the harder GW cracked down on them, wiping out whole genres of creative work:

https://www.boardgamegeek.com/geeklist/48933/games-workshop-files-purge-09

GW claimed it was only defending its rights, the grifter’s signature move, making you a crook for having the audacity not to put their shareholders’ interests ahead of your own.

Then Games Workshop claimed a trademark on “space marine,” a generic term that had been widely used in science fiction for decades, including, notably, in Heinlein’s classic “Starship Troopers” (1959).

https://web.archive.org/web/20130207002144/http://mcahogarth.org/?p=10593

They didn’t just go after RPGs that used the phrase — they used trademark claims to remove novels from Amazon for having the phrase in their titles.

“Space marine” is a generic phrase, but GW was betting if they were sufficiently, spectacularly brutal in their enforcement, they could create a proprietary interest: “Now, I know GW destroys anyone who uses ‘space marine,’ so this ‘space marine’ must be endorsed by GW.”

GW just launched a new set of terms of service, including: “individuals must not create fan films or animations based on our settings and characters. These are only to be created under licence from Games Workshop.”

https://www.games-workshop.com/en-WW/Intellectual-Property-Guidelines

Now, this isn’t how copyright works. There are many ways in which a fan film or animation could be fair use, no matter whether GW forbids or permits their production. But this isn’t mere overreach: it’s a direct play against the fourth factor in fair use.

If GW can establish that all animations and vids are produced under paid license, then any fanvid that doesn’t pay for a license has a weaker fair use case, because the fourth factor protects existing licensing markets.

Indeed, as Rob Beschizza points out on Boing Boing, GW timed the terms of service change to coincide with the announcement that they’re launching a subscription service including “cartoons, in-house hobby videos, access to a vault of ebooks and mags.”

https://www.pcgamer.com/now-even-warhammer-has-a-subscription-service/

This is bullying with a business-model, in other words. Fans have figured out how to have fun with each other for free, and GW wants them to stop and pay the company for its in-house version of that fun.

Warhammer creators are demoralized and disheartened. The creator of the hugely successful Oculus Imperia Youtube series posted a heart-rending message of surrender.

https://twitter.com/OculusImperia/status/1421136444437970949

Oculus Imperia also edits “If The Emperor Had A Text To Speech Device,” (TTS) another beloved Warhammer fan series. Alfabusa from TTS posted his own absolutely demoralized goodbye to his work.

https://www.youtube.com/watch?v=OXljeaktnDA

Ironically, both channels would have a stronger fair use case if they mocked and criticized Warhammer, rather than celebrating it, as fair use tips favorably towards critical uses.

The fact is, they love their hobby and its community and they want to improve it, not tear it down.

Neither wants to get dragged into a brutal copyright case against a deep-pocketed corporation. Even people with great fair use cases balk at that:

https://waxy.org/2011/06/kind_of_screwed/

Now, some people might be thinking, what’s the big deal? Why don’t these creators just make up their own stories instead of remixing the ones that come from Games Workshop?

Those people are assholes.

*All* stories are fanfic of some kind or another. Every mystery novel is a remix of Poe’s Murders In the Rue Morgue. Games Workshop’s stories are the thrice-brewed teabags of many sf writers (remember “space marines?”).

Tolkien straight up ripped off his characters from the 1000-year-old Norse poem “Elder Edda,” which features dwarves named “Thorin, Balin, Dwalin, Fili, Kili, Oin, Gloin, Nori, Dori, Ori, Bifur, Bofur, and Bombur.”

https://musingsofatolkienist.blogspot.com/2015/07/hobbit-origins-catalog-of-dwarves.html

Culture is made of other culture.

GW made something wonderful with Warhammer — by plundering the stories that preceded it.

The sin isn’t in the taking, it’s in the pretense that it never happened, and the vicious grifting that punishes anyone who does unto GW as they did unto everyone else.