#it's not even like takes about them being enemies is widespread the most I see is that they aren't instantly bffs when they reunite 😭

[fromtheseventhhell]

"It's normal for siblings to fight" Okay well it's not normal to be extremely classist and look down on your sister for being non-conforming. Or to go to the woman who ordered the death of your pet to tell her about your father's plans, when he specifically warned you against doing so, because you want to marry the boy you saw attack your sister and her friend (contributing partially to said father's death and your sister being unable to escape on the ship he chartered). Or to think of your sibling as unsatisfactory in comparison to another when you believe her to be dead. I notice that none of the "Sansa and Arya are going to reunite and instantly have no issues" crowd ever acknowledge any of this, which makes it seem like they don't actually believe what they say about their relationship being normal and easily reconciled. People wanting them to have no issues simply because they're siblings is another example of how fandom likes to flatten complex characters and relationships. They get reduced to being bickering siblings when their conflict runs deeper than that. If the author is telling you that they have "deep issues" to work out [X], I don't understand being so adamant about ignoring said issues. I also get the sense it's about ignoring the capacity for a certain character to be flawed, but that isn't going to change the fact that her "slip of the tongue" is very likely to be revealed and a source of further conflict 🤷🏾‍♀️

[amaltheas-garden]

What's your take on Dany being a misunderstood villain in the books? How much likely is it that she won't be the Mad Queen and will not get dark dany?

To answer your second question, dark Dany is almost a guarantee for the books. One of the most unique aspects of Dany's characters is that she is a woman fulfilling the role of an almost exclusively male archetype: the corrupted hero turned villain. She begins the story as an underdog we want to root for, she comes from a great noble bloodline and her family has been terribly wronged (from her pov), and she decides to use the power she does gain to do good. Her character arc could end right there and she'd go down as one of the best written heroes in the fantasy genre. However, her story does continue, and we see her grow increasingly frustrated by her own lack of abilities in enacting the change she wishes to see. We watch Dany make compromise after compromise until she's had enough and decides to embrace her fire and blood side if it means gaining enough power to exert control over her society and mold it how she sees fit. Even if her intentions began noble, the endless pursuit of greater and greater power, represented by the growing size and danger of her dragons, will be what corrupts her. It's impossible to think that grrm, the guy who's favorite thing to write about is the corrupting nature of violence and the negative impact the exertion of unrestrained power has on the perpetrator, would write a series about how thee most powerful character was actually justified in her pursuit because... she wants to do good? My interpretation of Dany's "fatal flaw" has always been a need to control her surroundings, stemming from the horrific abuse she endured as a child and later wife, and why I think she does have genuine compassion for the enslaved people of Essos; what could be a worse fate than not controlling your own life? And this is where her love of fire and dragons comes from. Dany describes fire as a cleansing force that makes her feel powerful and new, and the dragons are manifestations of her desire for ultimate freedom. While her dragons are quite small and Dany is still coming into her power as queen, we see more restraint in how she fights her battles, how she negotiates, and how she governs, all while wishing her goals of widespread societal change could happen right then. Now that her dragons have grown large and powerful and restless, we will likely see a Dany with far fewer qualms about using them to get what she wants. And after this goes well for her, her restraint will begin to dwindle. After all, if she can use dragon power to instantaneously get what she wants and change things for the better, why should she approach conflicts any other way? But as we've seen with Cersei, fire is a wild, uncontrollable substance that spells destruction wherever it touches. Dany's enemies have all been one note cartoon villains in how evil they are, and every time one gets taken down, it only bolsters our (and Dany's) belief in her righteousness. I think this is very intentional on grrm's part, as part of his whole gimmick and why people like his writing is his incredible ability to add a level of nuance and even empathy to the most minor and despicable characters. I see no reason why that quality should be so utterly lacking in the characters of Essos if not for the fact that grrm very much wants us to cheer Dany on as she crushes her enemies, only to pull the carpet out from under us when suddenly she is face to face with Westerosi characters we know very well, and would prefer not to see die by dragonfire. Season 8 might have been shit, but Tyrion's speech was on point. In short, Dany's desire to exert control via an uncontrollable power will be her downfall.

As for the first question, by "misunderstood villain" I'm assuming we're talking audience perception, in which case... yes and no. I think Dany is a perfectly understandable misunderstood villain because grrm makes a point to show every step of her character's evolution in the transition from frightened girl to possible savior, and finally a tragic villain. Some readers reject the "villain" characterization altogether, and there's really no way to validate one interpretation over the other until TWoW comes out (lol). I will say, I do think most hero-Dany analyses have tunnel vision when it comes to her and an unwillingness to see the writing on the walls, for what a lot of us see as a very slow, well thought out, and GRADUAL corruption arc.

[tangibletechnomancy]

Neural Nets, Walled Gardens, and Positive Vibes Only

the crystal spire at the center of the techno-utopian walled garden

Anyone who knows or even just follows me knows that as much as I love neural nets, I'm far from being a fan of AI as a corporate fad. Despite this, I am willing to use big-name fad-chasing tools...sometimes, particularly on a free basis. My reasons for this are twofold:

Many people don't realize this, but these tools are more expensive for the companies to operate than they earn from increased interest in the technology. Using many of these free tools can, in fact, be the opposite of "support" at this time. Corporate AI is dying, use it to kill it faster!

You can't give a full, educated critique of something's flaws and failings without engaging with it yourself, and I fully intend to rip Dall-E 3, or more accurately the companies behind it, a whole new asshole - so I want it to be a fair, nuanced, and most importantly personally informed new asshole.

Now, much has already been said about the biases inherent to current AI models. This isn't a problem exclusive to closed-source corporate models; any model is only as good as its dataset, and it turns out that people across the whole wide internet are...pretty biased. Most major models right now, trained primarily on the English-language internet, present a very western point of view - treating young conventionally attractive white people as a default at best, and presenting blatantly misinformative stereotypes at worst. While awareness of the issue can turn it into a valuable tool to study those biases and how they intertwine, the marketing and hype around AI combined with the popular idea that computers can't possibly be biased tends to make it so they're likely to perpetuate them instead.

This problem only gets magnified when introduced to my mortal enemy-

If I never see this FUCKING dog again it will be too soon-

Content filters.

Theoretically, content filters exist to prevent some of the worst-faith uses of AI - deepfakes, true plagiarism and forgery, sexual exploitation, and more. In practice, many of them block anything that can be remotely construed as potentially sexual, violent, or even negative in any way. Frequently banned subjects include artistic nudity or even partial nudity, fight scenes, anything even remotely adjacent to horror, and still more.

The problems with this expand fractally.

While the belief that AI is capable of supplanting all other art forms, let alone should do so, is...far less widespread among its users than the more reactionary subset of its critics seem to believe (and in fact arguably less common among AI users than non-users in the first place; see again: you cannot give a full, educated critique of something's failings without engaging with it yourself), it's not nonexistent - and the business majors who have rarely if ever engaged with other forms of art, who make up a good percentage of the executives of these companies, often do fall on that side, or at least claim to in order to make more sales (but let's keep the lid on that can of worms for now).

When this ties to existing online censorship issues, such as a billionaire manchild taking over Twitter to "help humanity" (read: boost US far-right voices and promote and/or redefine hate speech), or arcane algorithms on TikTok determining what to boost and deboost leading to proliferation of neologisms to soften and obfuscate "sensitive" subjects (of which "unalive" is frequently considered emblematic), including such horrible, traumatizing things as...the existence of fat people, disabled people, and queer people (where the censorship is claimed to be for their benefit, no less!), the potential impact is apparent: while the end goal is impossible, in part because AI is not, in fact, capable of supplanting all other forms of art, what we're seeing is yet another part of a continuing, ever more aggressive push for sanitizing what kinds of ideas people can express at all, with the law looking to only make it worse rather than better through bills such as KOSA (which you can sign a petition against here).

And just like the other forms of censorship before and alongside it, AI content filtering targets the most vulnerable in society far more readily than it targets those looking to harm them. The filters have no idea what makes something an expression of a marginalized identity vs. what makes it a derogatory statement against that group, or an attempt at creating superficially safe-for-work fetish art - so, they frequently err on the side of removing anything uncertain. Boys in skirts and dresses are frequently blocked, presumably because they're taken for fetish art. Results of prompts about sadness or loneliness are frequently blocked, presumably because they may promote self harm, somehow. In my (admittedly limited) experiment, attempts at generating dark-skinned characters were blocked more frequently than attempts at generating light-skinned ones, presumably because the filter decided that it was racist to [checks notes] ...acknowledge that a character has a different skin tone than the default white characters it wanted to give me. Facial and limb differences are often either erased from results, or blocked presumably on suspicion of "violent content".

But note that I say "presumably" - the error message doesn't say on what grounds the detected images are "unsafe". Users are left only to speculate on what grounds we're being warned.

But what makes censorship of AI generated work even more alarming, in the context of the executive belief that it can render all other art forms obsolete, is that other forms of censorship only target where a person can say such earth-shaking, controversial things as "I am disabled and I like existing" or "I am happy being queer" or "mental health is important" or "I survived a violent crime" - you can be prevented from posting it on TikTok, but not from saying it to a friend next to you, let alone your therapist. AI content filtering, on the other hand, aims to prevent you from expressing it at all.

This becomes particularly alarming when you recall one of the most valuable use cases for AI generation: enabling disabled people to express themselves more clearly, or in new forms. Most people can find other workarounds in the form of more conventional, manual modes of expression, sure, but no amount of desperation can reverse hand paralysis that prevents a person from holding a pen, nor a traumatic brain injury or mental disability that blocks them from speaking or writing in a way that's easy to understand. And who is one of the most frequently censored groups? Disabled people.

So, my question to Bing and OpenAI is this: in what FUCKING universe is banning me from expressing my very existence "protecting" me?

Bad dog! Stop breaking my shit and get the FUCK out of my way!

Generated as a gift for a friend who was even more frustrated with that FUCKING dog than I was

All images - except the FUCKING dog - generated with Dall-E 3 via Bing Image Creator, under the Code of Ethics of Are We Art Yet?

[torchwood-99]

From your Thematic Headcanon ask game:

hc + 😡 for a headcanon about something that makes them angry

I totally LOVE stuff to get angry about! And I’m having a chaotic day, so it feels fitting!

Oh yes here we go!!!!

Eomer

People who abuse women. His love for Eowyn and his inability to save his mother instilled him early on with a fierce hatred of people who mistreat women. A hatred that goes beyond rationality sometimes, if he sees someone treat their wife or daughter harshly he will act first, think later, barging in on the situation without considering the ramifications of his actions, and how his interference could cause harm. That said, in the aftermath, once his rage has cooled, he always tries to help in a constructive way as well. This results in several laws for the protection of wives, daughters and other female kin being passed in his day.

People making fun of his beard. Stealing this headcanon, @konartiste, because of his Numenorean blood, it took Eomer longer to grow a beard than his peers, and even after it grows in it's not so naturally lustrous as theirs. He spends hours trimming it and brushing it to give it volume, and he can't grow it too long because it comes in patchy.

People who mistreat horses. Needs no further elaboration.

Eowyn

Feeling boxed in, confined, mollycoddled, overlooked, underrated, left out, overworked, exploited or generally done shit by because of her sex. Not a headcanon just canon but it's such a pressure point (rightfully so) it has to be said.

Being sick. She hates being sick. Her relationship with her body is fraught, because on the one hand she has suffered from being relegated to certain roles because of her gender, with the onset of puberty in particular hailing a stronger enforcement of gender roles in her life, but through training and effort she has been able to give her body a great deal of strength and skill, and so any feeling of "weakness" causes her to feel like her body is betraying her. Her periods are actually quite irregular, but when they come they can be truly painful, and this she hates above all else. Working as a healer makes her more forgiving of her own weakness, and her marriage to Faramir, who never treats her as less because she is a woman, (and introduces her to a lot of fun stuff her body can do and feel) makes her more at peace with her sex, but her monthlies still cause her a fair bit of frustration, as it really does dredge up the worst feelings she has about sex and weakness. Her first period itself was pretty traumatic, without a mother or female relative to help her through it. With her mother and aunts all dead, and her entry into womanhood being marked with blood and pain, womanhood seems interconnected with suffering and death, and it takes her a long time to put that all into perspective.

Impractical shoes. She hates shoes that pinch or have high heels. She hates any female specific fashion that significantly impedes movement or comfort. If it's inflicted on men and women alike, she can stomach it (like high collars on formal occasions) but anything that singles women out for discomfort/lack of mobility is her sworn enemy.

Also, side-saddles. Absolutely detests them. Side-saddles at the end of the third age, beginning of the fourth age, are the ones that have women sit entirely facing the side, and give women riders significantly less control over their horse than front facing saddles. Lothiriel's time as queen sees the development of more practical side saddles, that allow women decent control over their horses, which Eowyn grudgingly accepts, but still holds in dislike. She actively fights against Rohan adopting them for widespread use, because the reasons for women riding side-saddle (to protect their chastity) is an attitude she rightfully sees as harmful to women. As a result of her influence, the side-saddle comes to be seen as a fashion accessory, to show off a lady's gown on formal or ceremonial occasions, and women for the most part ride astride for sport and day to day use.

Faramir

Intellectual debates. He says he's always up for an intellectual debate, he says he loves discussing ancient texts and laws and poetry, but in truth he can't stomach people having different ideas to him, whether it be philosophy, history, art etc... He tries to play it cool, and when someone says something wrong, he is happy to explain to them why they are wrong. But if they insist on being wrong, it sends him into a cold, hard fury. He maintains decorum in front of them, but then rants for hours to Eowyn about it afterwards. The thing is, he usually is right, and usually the people disagreeing with him are wrong and wilfully so, but nonetheless, it makes him a little tiresome. When he actually is wrong, and it's explained to him, he takes it on board with good grace. It's just most of the time, he's in the right, so it makes him come across as intolerant of other people's views.

People underestimating his wife. He knows that under Eowyn's proud veneer, she suffers from self-esteem issues, and he gets very angry at people dismissing her or overlooking her, because he knows it causes these issues to flame up. Also, he thinks she's absolutely amazing, and as we've established, he struggles with people having different opinions

He can camp out in absolutely filthy conditions, and put up with dirt and blood and grime as part of being a soldier, but at home and in court life, he likes things neat an orderly. He's actually a bit precious about his fine clothes, and if there's a smudge or a stain, it bothers him like an itch until it's sorted out. Eowyn sometimes teases him by wearing her coronet at an angle, and watching him resist the urge to straighten it for her. (She likes it when he does, because he's very gentle when he does it, and takes the opportunity to run his fingers through her hair.)

[thatweirdtranny]

responding to your recent #transandrophobia post: yeah. it’s almost like radfems have been invading the community since the 1970s and before and the only way trans women can feel safe to discuss transmisogyny is to assimilate into the radfem status quo. transmascs do it too when they talk about afab socialization. all trying to paint cis women as the most oppressed gender and trans people’s oppression as just a fraction of what cis women experience. where trans women get the social consequences of womanhood and trans men get the biological consequences. this is wrong. really the narrow definition of womanhood and manhood is equally the problem as sexism is, so radical feminism and its adjacent movements will never completely and respectfully define trans experiences. arguably, transandrophobia is so much less terfy and more accurate of a term than afab socialization but gets more backlash because of radical feminism. trans women see transmascs trying to assimilate into radfeminism and approximate themselves to cis women and that rightfully upsets them, so they try to assimilate into radfeminism even harder too. both artificially constructed “sides” would be better off abandoning radical feminism completely. doesn’t mean people can’t hate men on a personal level, but making that your politics will always have consequence.

my take is basically: we need to root out all forms of radical feminism (whether exclusive or inclusive of different groups of trans people) from our communities and spaces and i definitely think there are plenty of trans people of all genders falling hook line and sinker for radical feminism, but that the creation of terms like transandrophobia and transmisogyny and exorsexism are critical to combating all forms of radical feminism and transphobia

i think hating men is a core part of being a radfem, and it’s the easiest radfem dog whistle to spot. it’s a huge component of transmisogyny AND transandrophobia. therefore, hating men and the bs justification for hating all men needs to be stamped out. make there be social consequences for it. you can’t claim to want gender based liberation if you paint all men as inherently enemies and all women as perpetual victims.

most of all though my take is we need widespread solidarity between all groups of trans people. it frustrates me to no end that a vocal group of trans people (of all genders!) have such a problem with transmascs creating terminology for our oppression and discussing our experiences, instead of leaning into solidarity. we could all be united but instead we have the current climate of discourse that seems to repeat itself every couple years. that’s why i like the term transunity — it reframes the discussion to be around radical solidarity and discourages infighting between different groups of trans people.

[thevoiceofthebard]

Chapter 13 - Uthgerd IV: Bleak Falls Barrow

Middas 20th of Last Seed 4E201 Late Evening

Uthgerd

"I still can't believe how... Messy that trap was."

Talao, head still in the journal we lifted from the... Remains of the bandit, looked queasy still. "Can't say I disagree with you on that one." The sight of a man pinned against a wall, impaled by wooden spikes was... Gristly, to say the least.

He sighed, turning a page. "Shame. I did try to warn him there could be more traps, albeit subtly. I suppose I'll have to be more direct in the future."

"You did?"

"When I mentioned the puzzle trap from earlier."

"Ah." Frankly, the coward was asking for it, barreling through a ruin the way he did. Who wouldn't expect something to happen? He might've been able to outrun Draugr, but one dead end and he would have been helpless. Not to mention his obvious attempt at escaping. Served him right. Talao grunted, distracted again by the book in front of him. For some reason, I found myself comparing the two of them, what little I knew at least. They were both small and skinny, obviously, with no talent for fighting, but that was it. The dark elf had run at the first sign of danger, where Talao had stayed, despite his weakness. No to mention how he saved me at the entrance earlier. And the bandit was fool enough to run into a trap despite being warned, whereas Talao...

Hang on. Talao was smart enough to realize there would be traps, and to warn the bandit about them. Was he naive enough to just tell a possible enemy that, and expect him to not take the selfish route of taking the treasure for himself? Or did he do it to give the elf a choice to stay with us, safe, or run off and die? It seemed at odds with the peaceful presence he usually put forth. Seems there's more to this man than first I thought.

"We're here."

My thoughts cut short, I look up at an imposing wall. Nordic designs cover it, and there are large circular plates with pictures on them, as well as an odd dish in the center, with three holes set in it. But most importantly, it was a dead end. "So where's the door? You sure this is it?"

"Yes. The 'Hall of Stories.'" Rather than the wall ahead of us, Talao stares at some of the murals on the side walls. "Fascinating bas-relief sculptures. Very early Nordic, nearly Nedic. I suppose it is a Hall of Stories, after all. I wonder what this one tells of."

"Which one?" I look. "Seems to be about a local Dragon Priest."

"Really? How can you tell?"

Something the 'bard' doesn't know. What a novel experience. "Well, see this figure here is the Dragon Priest. They all were depicted as having some special mask, which supposedly held great power within them, and were part of the source of their own powers. The first panel shows him performing some feat of magic, and the Nords below are cowering in fear. This second one shows them worshiping the Priest, and tithing gifts to him. And this last one," a picture full of the screaming and dying, "shows those same people being destroyed by their supposed deity."

"Huh. I'm impressed."

"Really?" Is he making fun of me?

"Well, the Dragon Cult isn't the most widespread of stories. Few have heard tell of it, or its adherents."

"Maybe not in High Rock, but all of Skyrim was once under their rule," I say, gesturing to the wall. "You bards sometimes seem to forget that all stories have some person's history wrapped up in it."

"I would never..." he stops.

Did I just render him speechless? That'd be a first, and I feel quite a bit of pride for it. For all Talao's bluster, he's human too. "Come on, let's get this door open. Does the journal say anything about it?"

"Um... Ah yes. The bandit, Arvel, writes about 'the power of the ancient Nordic heroes,' as well as the man he stole it from - a Lucan Valerius? Let's see," he ruffles the pages again, as if searching for a specific spot. "Key, Bleak Falls Barrow, Hall of Stories, legend... A test to 'keep the unworthy away." I'd desperately like to know where he heard all this. Ah, here. 'When you hold the golden claw, the solution is in the palm of your hands.'"

I wait a moment, until it's clear no further information is coming from Talao. "Well that's frustratingly vague." And therefore probably accurate. No one would call the Nords a subtle race, but we're as fond of our wordplay as any other. I hold out the claw, talons pointed away from me, inspecting it against the wall. Three nails, three holes. Clearly where the "key" goes, so I try placing it within, and twist it as if it were an actual key. No response. It doesn't budge at all. However, I notice that the gold of the claw isn't completely smooth. "There's a bunch of odd runes on it. Nothing I can understand."

"Let me see. Hm, it seems to be late Nedic. All traits they valued, I suppose. This one says 'pride,' and this is 'valor.' Nothing about a door."

"What about those carvings on the door itself? What do those mean?"

"Odd... These aren't runes at all, but pictographs. Just animal murals with no deeper meaning."

I'm stumped, and so is Talao, if the strange look on his face is anything to go by. What did that bandit know that we don't? "'The solution is in the palm of your hands,'" I mutter.

"The palm... Wait. What if it's meant literally?" Talao exclaims. "We keep holding it like this, with the talons pointed away so we don't stab ourselves. What if the solution is in the palm of the claw, where our own palms have been?"

He turns it over, and we both look. While Talao is translating more of the runes, I notice something out of place. "Look there, in the middle. Three of those pictographs, hidden in the runes."

"By Y'ffre, you're right. The empty space makes out the animals. Good eye, Uthgerd. I see... From top to bottom a bear, a... Butterfly? Maybe a moth? Then an owl."

I look at the wall again. "The pictures up here are out of order, though."

"They probably move or rotate." He's right; the large circular segments run along some kind of rail, grinding smoothly, despite their age. "So... Bear, then moth, then owl." Each one clicks into place. "Now, try the claw."

Again I insert the claw into the central disk, pushing it in. I feel something catch, and it twists to the right. I expect some kind of door, but instead the entire wall begins to slowly descend into the floor. "Amazing."

"Magnificent." It's quite exciting. But, oddly, every inch the wall falls, I feel more... Fearful. As though I'd forgotten something. Something... dangerous.

"Uthgerd." Talao says. "You don't suppose... Might there be a Dragon Priest interred here?"

Now that was a frightening thought.. "The mural."

"Aye. It suddenly occurred to me how simple getting here was. The traps were definitely to deter intruders, but this wall... It seems built more to keep something in rather than out.

"And maybe the 'ancient power' buried here is not some artifact, but a being of power instead."

CLUNK

We both jump, as the wall hits the floor. Beyond is a cavernous chamber, muted moonlight flowing in from holes in the ceiling, illuminating a large, stony structure in the back. The awe-inspiring sight is spoiled by the sudden tension in the air. After a moment's hesitation, I draw my blade, and Talao holds his staff in front of him. We move slowly into the cavern. An underground brook gurgles by. A colony of bats screeches by after we startle them. The structure, a semi-circular wall, stands upon a worn podium. Along with an ornate treasure chest. A table.

And a coffin.

My heart jumps. Something is here. I can feel it. Nothing happens as we mount the stairs. The coffin remains still. Don't plan to let it out of my sight, though.

"Did you hear that? Talao says.

The wind. The stream. A falling rock. "...hear what?"

"I can hear... It's like it's both within and without me at once. Bum... Bum bum. Like drums."

Bum... Bum bum

Faintly, I hear it. Or... Feel it. Everywhere at once like Talao said. I could feel it in my bones, in my lungs.

Bum... Bum bum

Where is it coming from? Every step I take, it builds, louder and louder.

Bum... Bum bum

"The wall," I say. "Look at it." The moonlight falls directly on it, standing like a monolith. But it seems to glow brighter than it should. Magic?

Bum... Bum bum

"These markings..."

They don't look like the ones on the claw," I say. We move closer to the wall, the drums pounding through my body. "Just... Scratches."

BUM... BUM BUM

"No. This isn't a human language at all. Or mer, or beast. It's much older." He looks at me, eyes wide with wonder.

BUM... BUM BUM

"It's dragon."

...

"The drums have stopped." Talao ignores me, set on the wall in front of him, even more than with the journal. We're close enough to touch it, but it feels... Irreverent to do so, somehow. "Dragon, you said?"

"Aye," he responds. His eyes move back and forth in short bursts. "The oldest language recorded. Except for perhaps the Elder Scrolls themselves."

"Can you read it, then?"

"Words here and there. I've never actually seen the language written properly, only glossaries or dictionaries. Dragons never wrote on parchment, after all."

"Why?"

"Why?! He scoffs incredulously. "Do those markings look to be written in ink? No. They were carved into the stone by claw. This... This is a living testament to the existence of dragons. One stood, once, right where we stand now. And it left this. For us."

By Ysmir. I can hardly wrap my mind around the idea. "So... What does it say? Is this the 'Dragonstone'?"

"It'd be rather difficult to return to Farengar if 'twere. But no. I don't see any... Directions or anything related to burials. Except maybe this line. 'Het nok faal vahlok.' Here lies the... Something, but it's not 'dragon.' 'Deinmaar' is keeper, or holder. 'Dovahgolz,' dragon... something. Maybe stone? Yes, it must be 'Dragonstone.' 'Unslaad' I know means 'unending' or 'innumerable.' Rahgol ahrk vulom'... Anger and black? Dark?"

"Well, that's not foreboding at all." Sounds like our treasure is here. But where? And what is "keeping" it? Oh please, please, please don't be a Dragon Priest.

"Hang on, there's another word here... It's like my eyes slipped over it before. Hmm. FUS."

It happens quickly. The gentle breeze becomes a whirlwind, screaming through the cave, blowing me off balance. I see Talao, standing tall within the wind, as though it were focused around him. And then I see the wind, full of energy and colours somehow, stream into his nose and mouth, as he breathes in so much, I fear he may burst from the volume of it all.

And then it ends. The air falls silent once more, and Talao falls to his hands and knees with a mighty gasp. But only air.

"What in the..."

He breathes in.

A loud crash echoes behind me, and I turn to see the lid of the coffin fall aside. A hand reaches out, pulling with it a large Draugr, blue eyes glowing beneath an ornate helm. Well, at least it's not a Dragon Priest, thank Kyne. Small victories.

I can hear Talao breathing raggedly behind me as I size up the enemy. The good thing about Draugr, to me and anyone else, is that they're slow. All I have to do is dodge its swings, and strike while it recovers. They might fight on without legs, but so long as...

"FUS!"

I stumble backwards, barely avoiding catching myself on the wall. Did that thing just... shout at me? And force me back? It staggers toward me much quicker than I anticipated, but its attack is so widely telegraphed, I avoid it with ease. A shower of sparks flies from where his blade meets stone, and I regain my bearing, carving into its left arm. The wound does nothing. It doesn't bleed, or feel pain. Nothing short of cutting body parts off will do anything to stop it.

So, that's what I do. I close distance, keeping it from using its strange magic upon me again, and keep hacking away. Its left arm is first to go, dropping to the floor. Then I sever its legs. I few more swipes and I disarm it as well, then behead it with one fell swoop. The blue glow flickers and dies. Anti-climactic, maybe. But I think I've had enough thrills for the day.

I turn back to Talao. He sits, back against the wall, staff lying by his side. Staring into the distance, and quieter than I'd ever seen him. His breath has gone back to normal. "Talao? Are you alright?"

He looks at me, and I nearly flinch away. I feel... Utterly intimidated. There is a power behind his gaze that wasn't before. "I am. Alright, that is. At least, I think so."

"What happened? I mean... What... happened to you?"

"I'm not sure. I read that last word and then... It was like I was being filled with... I don't know. Like potential... Fus." He stared back into the darkness, his eyes unfocused. I wonder if he's in shock.

"Fus... The Draugr yelled that at me as well. Wonder what it means."

"Force. It means force."

I looks at him oddly. "How do you know?"

"I don't know. I just... Know. Or maybe I always knew, and I remembered it just now."

"Well, is that all you 'remember?'"

He rubs his face, then covers all but his mouth and recites:

Here lies the guardian, Keeper of the Dragonstone. A FORCE of unending Rage and darkness.

"The writing on the wall?" I ask.

"Yes. It's like it's imprinted in my brain. The knowledge. Maybe FUS was like a key that unlocked it."

I stand, running my hand along the word that Talao had touched. It wasn't only because I was feeling uncomfortable keeping eye contact. Fus... It resonates in my toes, sends a shiver down my spine. "Why didn't it happen to me as well, then?" Not that I was terrible interested or jealous in the same thing happening to me.

"Who know? Maybe only the first person who touches it is granted the knowledge. Someone who already knows some of it. Or some other criteria unbeknownst to us. This is beyond my stories."

A moment of silence. Talao stands up and moves to the now empty coffin stepping over the re-deceased corpse "I'll wager our treasure was interred with our dead friend here. A-ha. A bit bigger than I'd imagined." With a heave, he lifts a large five-sided stone tablet from within the coffin, and places it on what I suppose is (or was) an embalming table. "Yes, it's an actual physical map of Skyrim," he says as I lean in beside him. "Not to scale, clearly, but you can see the relation between the burial sites and nearby landmarks. Probably not exact in order to keep it somewhat secret, were it to fall into the wrong hands. Such as ours, most likely."

"Fascinating, I'm sure." It wasn't much to look at. But valuable enough to Farengar; he can have it. I open the chest I'd noticed earlier - I'd killed the guardian of the ruins, so by right of trial by combat, its treasures were now mine - but it was disappointingly sparse of any valuables. A handful of old Nordic gold and silver coins. Not Septims, but they might fetch a decent price from the right person. An old axe, corroded beyond repair, and at the bottom, a horned helm, similar to the one worm by the Draugr. A trophy fit for my victory, if nothing else. Talao had better have been truthful about the Jarl's reward.

"We'd best be going, Uthgerd." Talao scans the back wall. "These ruins usually have a secret exit that leads to the entrance or out the back. With luck, we can make it back to Whiterun, and our reward, within two sundowns."

Well. That sort of zeal is new. But welcome, compared to his usual sober pace. I shoulder my pack, heavier one Dragonstone, and catch him up near the back wall. All in all, our trek seems to have been a resounding success, and I'll be glad to return to Whiterun to tell everyone of the tale.

But...

I glance at Talao again, his eyes shining with confidence. Things have changed by our being here. I wonder if it will be for good or ill. I suppose only time will tell in the long run.

Even considering the accepted idea that the Dragon Claw keys were only meant to keep the Draugr IN their tombs, I always found the puzzles overly simplistic; I sincerely doubt the Dragon Cult or their imprisoners wanted the Lords/Priests released by any Joe Schmoe. So I made them slightly more interesting, at least in my mind. Putting the solution within the negative space created by the runes gives the Claws a bit more substance as a ritualistic or decorative piece, and makes it actually quite easy to overlook. I will hold off on any commentary regarding the Word Wall for now, but hope you enjoyed the scene; it was one I was very much looking forward to and, as Uthgerd unconsciously notices, marks a significant turning point in Talao's development. Suffice to say, "game mechanics" will be very much different in my fic.

Chapter 12 - Arvel I: Bleak Falls Barrow x Chapter 14 - Farengar II: Dragon Rising

[youngpettyqueen]

unpopular opinions ask ds9 edition: black heart and broken heart

I forgot about the emoji asks I reblogged for a second and was sitting here going "I dont remember an episode called black heart and broken heart I need to go look it up for my hot take on it" and then I. remembered. good morning I promise im awake

YES good questions lets see...

🖤: Which character is not as morally good as everyone else seems to think?

DS9 is one of those ones where I feel like most people get that literally everybody has moral nuance and everybody either lives in or dips into grey areas. that said, there is sometimes a tendency to over-babify Julian and act like he's done nothing wrong ever in his life, when that is very much not the case. I love him, he's my favourite, he's rewired my brain, but like. while Julian does staunchly stick by his own moral code as much as he can, he does show a willingness to do some fucked up shit. see Extreme Measures- Sloan is horrible, yes, but what Julian does to him in that episode is fucked up! see also his suspect behaviour towards women at times. and Chrysalis, where he pursues a relationship with Sarina- I know this one's hotly debated, but at the end of the day, Sarina is his patient and it is wrong to pursue a relationship with her. granted, on that one, Star Trek did love to do doctor/patient relationships in the 90s regardless of whether or not it would be in character for said doctors to pursue said patients, but still. it happened, I will acknowledge and include it here as an example that Julian isn't perfectly morally good

I feel like this take on him stems a lot from how its a widespread headcanon that he's autistic- a headcanon I share- because people tend to infantilize autistic characters which is. incredibly frustrating. I dont see it super often, but it tends to run in circles where people treat Julian like he's an insecure sad child and therefore could do no wrong. I could do a whole rant about that lol

💔: If you had to remove one major character from the series, who would you choose?

YOU CANT DO THIS TO ME I LOVE THEM ALLLLLLL. I genuinely dont know who I would remove. removing any one of them is devastating to me personally I love themmmmm but also removing any one of them would lead to some major differences in the series which I think could be fascinating to explore? some examples-

removing Odo would, in my opinion, have a massive impact on how the crew of DS9 interacts with the Changelings and the Dominion War. I do wonder how not having Odo around would affect how they approached the engineered disease against the Changelings- it was easier to protest it and try to find a cure when their friend was suffering, but if it was only the enemy? I wonder how that would've shaken up

removing Kira could be a big shake up with Federation/Bajoran relations in a scenario where instead of having a Bajoran as his secondhand, the Federation assigns Sisko a Starfleet First Officer. even with several Bajorans onboard both as Bajoran Militia and as civilians, I think without a Bajoran as his secondhand, even with his status as the Emissary, Sisko and by proxy the Federation's dynamic with Bajor would've been a lot more tense and maybe even hostile. beyond just being a Bajoran though, Kira specifically is so fiery and passionate and willing to butt heads with and go against Sisko, that taking her out and having somebody less fierce, less angry in her place would've also massively shifted the dynamic

I dont know if Garak necessarily counts as a major character but im counting him- I would be fascinated to see how the crew navigates some of those more morally dark scenarios without the convenience of handing it off to Garak or getting his help. In The Pale Moonlight without Garak would be a VERY different episode. it'd be interesting to see just how far people would be willing to go, without the convenience of someone like Garak around who's more than willing to do the dirty work

removing Ezri from the last season would be an interesting change in how everybody handles Jadzia's death. with Ezri there, there's this space that's filled, if only in the physical sense of another body filling that gap because, of course, Ezri isn't Jadzia and it isn't the same. it would've been interesting to really feel that absence through the last season- its desperate times and maybe nobody new can be brought in, and the crew just has to deal with this gap in their lives now. always one empty chair, one empty space, the absence of a laugh, a witty remark. I wonder how this would've affected the way everybody grieved, how things would've progressed differently, if Ezri wasn't there to help things along

just a few examples there, I honestly cant settle on a character I would remove, but I think removing any of them makes for a fascinating change in the series and how things progress. the one character I would say you absolutely cant remove is Sisko- you NEED Sisko in DS9, you cant take him out. anybody else you could take out and it could be interesting, but Sisko is a necessity he has to stay

[writerben01]

Oh goody, anon hate.

So, if you send these kinds of messages dumping your bad fandom take and don’t even sign your own name, it’s clear you’re not looking to give any feedback to a writer. This is selfish and doesn’t deserve my attention. It’s deleted from AO3, so I hope you enjoyed shouting into the void.

But I’ve got a few moments, so let me tear this comment apart bit by bit.

The absolute delusion of [A young Nara complimenting Sakura].

So, context matters. This is a flash from the future, somewhere 10-20 years after canon wrapped up. A lot can happen in that time. It is being said by an Academy student, who has limited information, in response to a Hyuuga student thrashing Sakura and needing to make sure that the Hyuuga shuts up and gives Sakura some respect before she starts thrashing the entire room.

It is also a literary device called foreshadowing. Because until then Sakura in present time has been relatively weak compared to her teammates, and at the end of the chapter she gets a massive power boost (Mokuton) that would let her rival and surpass Naruto/Sakura. This boasting from the Nara is supposed to mystify and intrigue.

In no alternate universe whatsoever could Sakura EVER be considered the strongest of her team. I can’t believe anyone could say that without laughing.

I pity your lack of imagination.

Sasuke with Perfect Susanoo alone is impenetrable. We’ve seen what happens when Tsunade at full strength tried to break it. It took her AND the Raikage to make any progress at it.

Sakura in canon needed about two years to get to Tsunade’s level, and did it without a tailed beast or bloodline helping her. Is it so hard to believe that she could be stronger than Tsunade and the Raikage combined if she had another 10-20 years?

Sasuke has Amaterasu. Good luck healing from her torso being covered in that fire. She’d have to start removing flesh but if he covered her with enough flames, there’s no healing from that.

Okay. So? If Sasuke killed her with a kunai, she would not be able to heal herself from death either. You’re making the assumption that Sasuke can land his attack on her. That she is unable to shield herself. That she would even let Sasuke get as far as using that attack on her. At least Sakura can heal herself. If Sasuke gets hit, he’ll have to deal with the damage. In a battle of endurance, Sakura actually has more chance.

Do you really think Sakura could beat 6 Paths Naruto?

Depending on the setting, easily. Naruto is weak to genjutsu. Boom. Threat neutralised.

There is a limit to what Sakura can do with her small chakra reserves. Even with the best control and techniques in the world.

So she gets bigger chakra reserves. Problem solved. Why do you keep arguing about the state of canon compared to what we’ve chosen to do in a fanfic? Is there no part of you that can imagine maybe, just maybe, some people would like to see Sakura as a strong ninja and will make whatever changes are needed from canon to get that result?

Just pretend she could get even close to high reserves. Do you really think Sakura could pose a threat to a village with a widespread attack? Sasuke and [Naruto] can destroy cities in a single attack. Sakura has nothing.

This is a nice pivot that I’d like to point to. Until now most arguments have been about whether Sakura would be able to defeat Naruto and Sasuke in battle. And they’re largely irrelevant because the three of them are fighting together against enemies. It’s hard in general to look at the three of them separately (in my fanfic) because of how much they work together.

Their strength would in fact be measured in how destructive they could be against enemies. Naruto can manifest a Kyuubi mode, make copies of himself and be a real force to be reckoned with. Sasuke can deal massive natural disasters. But Sakura? She can use her mokuton to create custom flowers that blow poisoned pollen into the air. Mokuton, in this version of fandom, is basically free to use because creating life generates more chakra than it takes. She can use this boost in chakra together with some channelling plants and use genjutsu to put entire villages to sleep. She assassinates anyone who could pose a threat, with zero casualties.

It's a different kind of frightening. A different kind of strength. And anyone who thinks she’s weak enough to attack (to break the genjutsu) gets their asses kicked.

Sasuke and Naruto are strong in a traditional sense, but Sakura is the one with options. She can deploy poisons that weaken enemies that even Sasuke and Naruto couldn’t fight. She has genjutsu that’s more subtle and versatile than always needing eye-contact. And on top of that she has surpassed the strength of Tsunade which was capable of tussling with Kage.7

The delusion of this statement is so unreal. I hate Sakura simping so much. It ruins fics.

If your fragile male ego can’t handle a competent woman, don’t read fanfics with the BAMF!Sakura tag. Don’t know what else to tell you. I’ve written a story about an overpowered Team 7, and since canon keeps insisting Sakura is the weakest, it’s most satisfying when she is raised up higher. She gets a bad deal from canon, so I feel it’s fandom’s job to make it up to her.

You don’t have to agree. Just be sure to tag your misogyny in your own fics so I know to avoid them. Thanks 😊

[theamityelf]

Aw man, PROXY (the combat training droid) really would fit so well with the DRverse. Like his introduction scene has him randomly ambush Starkiller while using the Obi-Wan training program (complete with hologram/hard-light tech to make him appear as Obi-Wan did during the Clone Wars). And they just playfully banter like "Huh, didn't even know you still had that program, PROXY", "Oh, I thought if I surprised you with an old one, I might finally kill you master". To which Stakiller's like "Lol, better luck next time buddy". The whole relationship just seems exactly like what you'd get with Nagito having a robot as his only friend.

The fact that Vader had it fitted with an Obi-Wan program (as well as a Darth Maul program that's revealed later on) is both logical and weirdly hilarious to me. Like of course he'd want to prepare his Secret Apprentice to know how to fight his old master's lightsaber style, since he's still out there at this point in time. But it's just so hilariously obsessive. Actually PROXY later takes Vader off-guard by using it on him in a heroic sacrifice to save Starkiller (he's revealed to have been rebuilt in the sequel though).

Oh! And speaking of lightsaber styles...what do you think the DR cast members would pick as their main one if they were a Jedi, Sith, or some other lightsaber wielder? I'm not sure how much you know about those, so here's a rundown just in case. The whole made-up martial arts thing is part of the lore I find so endearingly stupid in an awesome way.

Form I/Shii-Cho is the beginner's form. Pretty much every Jedi is required to learn this one first, since it's the foundation for all the others. It was made in a time when they were transitioning from metal swords to lightsabers, and so it focuses a lot on non-lethal disarmament. As well as combatting multiple opponents. It's considered a bit clumsy and unrefined compared to its successors. But a handful of specialists of the form like Kit Fisto, were known for being very fluid and hard to predict.

Form II/Makashi is the most dueling-centric. With a focus on elegant, focused, and precise strikes. It was developed in response to the need for a lightsaber-to-lightsaber form when Dark Jedi became more prevalent. And as a result it fell out of widespread use when the Sith were thought extinct. With Jedi actually having to ask permission for training in it. It's two major flaws though are that's not ideal for multiple opponents, or against loads of blasters. Count Dooku is considered to be perhaps the greatest Makashi specialist, and managed to partly iron out of its weaknesses.

Form III/Soresu opts for a "stone wall" strategy. Being developed to combat massive numbers of blaster-wielding opponents. And allow the user to deflect dozens of bolts per second. And against other lightsaber-wielding opponents, the strategy is to tire them out with an unbreakable defense and then finish things with a decisive blow. It's polarizing among the Sith, as many view it as a weakling's form. Though the smarter ones like Darth Bane had a respect for it, seeing that there were some clear advantages. Obi-Wan is the most famous specialist, and that factored into the decision to send him after General Grievous.

Form IV/Ataru is kind of like the "fragile speedster" style. Since it heavily focuses on acrobatics for quick leaping strikes. Pretty good at quickly taking down single opponents, but not so much in prolonged fights, or while fighting in enclosed spaces. Not great against blasters either. Yoda and Ahsoka are the most notable specialists for it. Qui-Gon and Obi-Wan were too, though the latter switched to Soresu after finding Ataru didn't work so well for him against Darth Maul.

Form V/Shien is sort of like a more aggressive branch of Soresu. With the focus going from deflecting blaster bolts to redirecting them back at the enemy. It also has a more advanced dueling-centric variant called Djem So, which was made as an answer to Makashi. Requiring a lot of physical power from the user, the aim of it is to defend and then unleash a massive counter-attack of overwhelming strikes. Although they both had expertise in all forms, it was Anakin and Luke's preferred one. With Anakin actually going all in on transitioning from Shien to Djem So after losing to Dooku the first time. Other known specialists include Plo Koon, Aayla Secura, Darth Bane, and the legendary Ulic Qel-Droma.

Form VI/Niman was created as an all-rounder form. The idea being to take all the elements from the previous 5 and merge them into a single balanced form. In practice this ultimately led to most practitioners being just average in all fields, with no real strengths. It tended to be favored by Jedi who were more devoted to diplomacy and study. HOWEVER, mastered Niman is another story entirely. As its few specialists (who dedicated at least 10 years of determined study to it) had a style that was great in all fields, and had no weaknesses. With excellent skill at combining Force-based attacks into the style. Those specialists being legendary duelists like Exar Kun, Darth Krayt, and possibly Revan.

Form VII/Juyo is the last and most controversial of them. For its extreme viciousness and the intentional use of a wielder's emotions to fuel attacks. A highly aggressive that's like a more wild and untamed Makashi. Obviously it was the style most heavily favored by the Sith, and was the primary style of Darth Maul and Starkiller (who interestingly were both voiced by Sam Witner). Among the Jedi it was borderline taboo, and sanctioned to the point that only very disciplined masters were given permission to study it. Juyo also had a special variant developed by Mace Windu called Vaapad. Which channeled both his own inner darkness and his opponent's fury through himself, and convert those into attacks. This special technique might have factored into him managing to overpower Palpatine.

And of course there's Jar'Kai, which just means dual-wielding. Technically a lot of characters have used it, though only a handful do so regularly. Those beings ones like Ahsoka, Asajj Ventress, Starkiller's clone, Revan, and Darth Krayt. Tends to overlap a bit with Niman and Ataru.

...Lol, got a bit carried away with that explanation. Anyway, I personally reckon Izuru would be a dual-wielding Niman king. As well as being one of the few people to master Vaapad. Makoto I would see as a Soresu guy. And I'd probably leans towards Hajime favoring Djem So.

Wow, yeah, I think, if we're speaking comparatively, I know nothing about Star Wars. 🤣 This is all very fascinating! And yes, Soresu definitely seems to be compatible with Makoto's whole deal. And the fighting styles for Izuru and Hajime also seem really apt.

[amemoire]

Vale Can't Shut Up About Scara Pt. 1

I just want to talk about my boy and you all are the unfortunate bystanders.

Whether its in main verse or aus, I think Scara has a lot of skills and talents. It comes as no surprise in main seeing as he's had centuries to pick up and perfect any number of skills, so naturally he'll have the most there. But a lot of things will end up carrying over, so I'll try to talk about these across however many posts I make on the matter. This one is mostly going to address things related to COMBAT.

No surprise he's good a fighting— he was a Harbinger. But more than that, he was specifically given the title of Scaramouche, " little skirmisher ". We know that these titles are only given to those found suitable of them. When there is no one alive that fits the title, the seat will be left empty indefinitely. As the one found worthy of essentially being called THE skirmisher, Scara is highly skilled when it comes to combat. This is something that would have been widespread knowledge pre-Irminsul erasure. It struck immense fear into other Fatui operatives as well as the general public of Snezhnaya. People knew of the Balladeer— they knew him as someone you didn't want to cross paths with, but more on his previous reputation another time. He excels in hand-to-hand combat and actually prefers when things are PERSONAL this way. He doesn't mind using a weapon, but there's a special delight to be had when his body itself is the weapon. There's also a twisted satisfaction in dealing both death and injury with his own hands.

Apart from this, he is well-trained with just about anything under the sun, but does have his preference of the sword and polearm over all the rest. ( Totally didn't mean to match him with Ei like that ). The sword was the first weapon he received any training with and he's honed this skill his whole life, largely practicing iaido but familiar with other forms as well. Meanwhile the polearm is the next option that allows him to maintain both SPEED and MOBILITY. These two things are essential to his fighting style as he doesn't like to drag matters out for too long— centering his techniques around a quick and clean defeat. The bow is likely his least used weapon given how impersonal it is as a primarily long-ranged weapon.

As far as catalysts go, he doesn't actually use one. Similar to how realistically both Heizou and Wriothesley also wouldn't have one. ( Honestly, I feel like this could be the case for many if not all catalyst users because they appear to wield elements in raw form rather than infusing it into something else ). Apart from how we don't see a catalyst in cutscenes compared to other characters that wield swords, bows, polearms, etc. it just doesn't suit the way he fights. He harnesses the wind to literally tear his opponents apart and throws his whole body into it. It's violent and fast and outside of gameplay, we see that he is still very much getting physical throughout. He's utilizing his surroundings, using his own body for a shield, getting in close, taking the weapons of his opponents, and even grabbing and throwing them from high altitudes. Simply put, there's NO ROOM for a catalyst to actually be there.

He doesn't typically ' play with his food ' and is more about packing a lot of strength into a few exchanges or finding an opening for a single decisive strike. As I stated earlier, he aims for the quick and clean. The only time he'll make things messy and wicked is when he's in a particular mood. ( And THOSE are the fights that he was known for in the Fatui ). These instances were known to be bloody with death coming before one could even blink. All hands and uncontrolled electricity ripping through those unfortunate enough to be labelled an enemy.

Another important thing of note is how he's also one of the few characters we know to have journeyed into and returned from the Abyss. And he didn't go just once or twice, it was several times over the span of an undisclosed amount of time. All that we know at present is that he was gone for a LONG while. So putting that into perspective— this means he went up against monsters that were strong enough to render him in need of repairs and enhancements, came back for that, then went back to the Abyss only to encounter even stronger opponents, thus falling into this loop until he completed the expedition. We can infer that he was able to improve and refine his skill rather quickly this way. It may not be Ei's 500 year long battle against herself, but by no means was it any less dire. If he couldn't continually improve then he would've been destroyed. And I do headcanon that the time he spent in the Abyss was equivalent to SEVERAL years.

I do think he has fun when he's fighting. Not in the same way that Childe does, but I do think they have a few things in common. He's just about always needing to hold back but finds that fighting is a good way to let off a little steam. He'll indulge in some of his violent tendencies and laugh at those who actually thought they stood a chance against him— because they NEVER did.

[multi-fandom-vetran-writer]

The long awaited preview of the next part of my series.

Surprise! Bet you thought I had given up on the series, huh? Far from it! This series is far from over and will continue far into the future. For those who have sent in requests, I will be able to get to them, so keep a look out for those!

How could something dangerous be so beautiful? Sackboy had been trudging along with his jester guide and taking in the environment all the while. The sky and surrounding air seemed to be comprised of purple haze with scattered pieces from around Craftworld itself. There were even what appeared to be streamers with a red and blue zigzag pattern, seeming to come from the lord of the Uproar's outfit. 

As they walked, the pathway materialized below them, colored blue and green. He was trying his best to take it all in, the young child's home away from home. Trying to listen to what his father figure way saying and pointing out to him.

Vex felt an immense joy, the happiest he had been in a long time. Vex was showing his home to someone who could be classified as his enemy and was now his greatest creation, an individual that the jester had taken great pride in shaping in his image. The Uproar had changed very little since he had tried to conquer Craftworld, then again it was just as he liked it; chaotic and despair-filled, with just a touch of terror. 

Noticing the young child looking around in interest and awe filled him with amusement, the jester had been the same way when he had set out on his own,  ready to exact revenge on all those who would dare oppose him. Coming to a stop at what appeared to be the beginning of the Uproar, the bright light showed that they had indeed reached the end of the tour.

"Seems you enjoyed that Sackers. I hope I was able to fill your curiosity about where I came from and what Craftworld will look like once I'm done with it. If you have any questions, now is the time before my patience runs dry and I completely regret my decision of keeping you around. Fortunately for you, I have grown rather fond of you becoming my successor however it doesn't mean I will go easy on you. Just because you are a child doesn't mean I will exempt you from even the most rigorous training, it is life and death, once I'm done with you, our enemies will be sorry they ever crossed us."

Being used to similar training from his mentor's knitted knight trails and saving the Imagasphere from near godly beings, but Vex was a different story all together... Not only was he deadly but cunning and had lived long enough to learn from his mistakes should he learn any. That coupled with his deadly intelligence made him a truly terrifying individual; experiencing anything and everything and living to tell the tale, made him the deadliest enemy yet.

The young child's family even subject him to harsh treatments of their own, trying to toughen him up no matter how cruel it may have been. The young knight then realized he would rather take Vex's training, seeing how he already knew what the jester was capable of, whereas everyone else was unpredictable. Nodding his head with agreement, he suddenly felt an unexplained pain. Not wanting to worry or anger the other, the child simply brushed it off.

Feeling satisfied with himself and his success, Vex knew they would have to make their way back to the waking world. Surprisingly feeling well rested, he simply chalked it up to being in his nightmare scape for a longer amount of time. It was more than that; the Uproar being even more widespread and the young sack practically being a walking Uproar energy source, filled him with a power he never thought possible. Yes, he may have been a being made of chaos and despair but that was before he had reached his full potential and that had all changed when an unfortunate circumstance had befallen him. Not wanting to dwell on it any longer, he made sure the young sack was situated and closing his eyes, willed them to the waking world.

The first thing he noticed when waking up was they were still in the grassy field, sitting cross-legged with the child on his lap. The sun was rising, casting its pinkish golden hues across the landscape, effectively dying it an array of colors. The air was chilly, seeming to nip at your skin slightly like there were ice particles scratching. Whereas it had only been him and the young sack, there was now a visitor, looking up eagerly at its master. It was a small minion, body the shape of a strawberry, little arms with gloved hands, green tuff of air on its head, and small beady eyes was none other than a grunty. It was nothing but a baby, seeming lost without a parental figure. Nuzzling its master's leg, not wanting to be alone.

[sojovito]

We should really see blood and, at least, SLIGHT gore as inherently tied to action scenes and shit.

In an era where violence has taken hold of over half of visual media, its constant and inevitable normalisation is just amplified by the pushback against gore, with the aim to make audiences more comfortable with harm and fights. You watch tough as nails Fast and Furious characters beat each other up, yet never lose their breath, or get more than a mild cut, while tossing one liners around. You see how Mr/Ms Super/Anti Hero blast hordes of breathing, sentient people away, with cocky smiles on their face and no regret, and you see them clash in epic proportions against supervillains, taking many hits and going through walls, while their skin remains clean, their hair remains perfect, their suits go pristine. You play as a quick witted/badass/edgy videogame character on whatever "hero" shooter is trending while you flank enemies and blast shotguns at them at point blank, or hold the trigger on your full auto weapon and shred whoever stands on the other side, or shoot a beam that allows teammates to continue absorbing piercing pieces of hot metal through their skin like it's nothing; and the most violent thing in all of that ends up being a small red splatter and a funny ragdoll.

While fighting is not encouraged, it is most certainly sought after. Most dream about being able to beat up an abuser, or catch a criminal, fight off cops, or smth. Because media has made violence inspiring. It sells so well, that it needs to be made as unrealistic as possible in order to be kept family friendly, and sell even more. Violence shouldn't be shown as clean. It SHOULD be gorey. It SHOULD make you uncomfortable. And of course I don't say "put vowels and loose eyes on every fight scene". I don't even need to try and explain it better, because y'all already know what I mean.

Violence simply shouldn't be as normalised and widespread as it is in media, not when it's portrayed as something cool to do, cool to watch.

the thing about “meaningless gore” is that even when it’s apparently not intellectual enough for so many people, it forces the viewer to confront the fact that they are just meat, they are mortal, they can and will eventually die, and pain is part of the human experience that unfortunately none of us will escape experiencing at one point or another. life is both horrifyingly fragile and surprisingly resilient which makes existing in a body a fraught experience regardless of whether we want to acknowledge that or not. “to watch a horror movie is to know that something bad is going to happen. to have a body is really the same thing.” anyway that in and of itself is plenty to grapple with and if a film decides to only deal with that, i don’t think it’s less valuable than any other theme a film might address 

[polarizationvision]

Fallout: New Vegas. The best video game ever created.

Fallout: New Vegas is a post-apocalyptic role-playing video game that takes place in the Mojave Wasteland. The game is set in an alternate version of history where in which the United States entered into a cold war with China over resources and eventually used nuclear weapons to "resolve" the conflict. The resulting fallout and radiation have caused widespread mutations in both humans and animals, creating a unique and dangerous environment. These creatures have evolved to survive in a world ravaged by nuclear war, and they play a critical role in shaping the ecosystem of the wasteland.

As you may remember from a previous blogpost, my all black kitten is named after one of the most common irradiated creatures in the wasteland; the radroach. These mutated cockroaches have grown to massive sizes due to exposure to radiation, and are a constant nuisance for those who roam the wasteland. Despite not being particularly tough enemies, they can swarm you when you least expect it to deal a good amount of damage.

Recently, I got a tattoo of a radscorpion holding a bottle cap, which is the currency in this game, tattooed on my leg. Radscorpions are mutated scorpions that, similar to the radroach, have grown to monstrous sizes due to exposure to radiation. They are much larger than their real life counterparts, sometimes as big as a shetland pony! They have developed an exoskeleton that provides them with formidable protection against damage. Their exoskeleton is incredibly tough, and even bullets have a tough time penetrating it. If you see one while patrolling the Mojave wasteland, it is sometimes better to run the opposite direction rather than waste your limited supply of bullets on them.

Not every animal in the wasteland is trying to kill you, however. Brahmin are a type of mutated cow that can be found anywhere where there are people. These massive, two-headed creatures are a common sight since they serve as a source of food, labor, and transportation for many of the survivors. You see a group of wandering traders? They are likely using a brahmin to lug around their goods. You go to a restaurant? If human meat isn't on the menu, brahmin definitely is! You want to use a common drug that mimics the effects of methamphetamine? You're inhaling fumes from brahmin feces. Yum!

Animals aren't the only ones affected by the radiation from the Great War. Some humans have also absorbed high levels of radiation and suffered the consequences. Their skin has decayed and their lifespans to increase significantly, some living hundreds of years past their natural lifespan. The more radiation they absorb, the more "feral" they become. A fully feral ghoul is more similar to a zombie than a human, ravenous and aggressive. Those that have not become fully feral have the mental capacity of normal humans, but retain their ghastly features. They are a group that is often discriminated against for their appearance.

These are just a few of the creatures you can encounter in the Mojave wasteland, but they are some of my favorite. I have not been able to stop thinking about this game recently, so please forgive me for this abrupt change in topic.

[fragmented-king]

How about some hcs for the tree Vs with a overlord s/o? Their s/o isn't all that powerful but nobody dares attack them because they own all the factories and stores in hell. So like if someone threatens them they can go like "ok so no more (required item/items) for you".

I made them seperate since you didn’t say if you wanted them poly.

~~~

-Valentino-

Valentino may be powerful but his pyramid was constrained mostly to the porn industry. Now this was never a problem for him before, but after seeing your own widespread empire he was feeling a little jealous.

But once you start flooding him with expensive gifts and money he’s smitten all over again.

Super into being a total sugar baby for once, a man of power like him is often the giver and never the receiver.

This man’s love language is nearly everything under the sun. Though his favourites are definitely gifts and touch.

And since Val is Val, you two are getting freaky with each other very frequently. The overlord always making a show of it as he lavishes his s/o the only way he knows how, also his tongue is super long and flexible.

The workers know exactly who you are, since all their equipment from their clothes to the sets they use are all sourced from you. So they never got on your bad side.

Speaking of, when it came to raw power you were certainly lacking in that department, as your skills were more control and blackmail then throwing fireballs and fists.

And apparently this meant you were an easy target, a weak link that could be exploited.

Val doesn’t even interfere anymore, happily watching the show as you tear this poor schmuck apart with mere words and threats.

His favourite memory though is watching the life drain from some succubus bitches face as you simply declare that you’re shutting down her favourite alcohol for good.

She obviously didn’t know that you owned the every single freaking business in the pride ring, and she was crawling on her hands and knees to beg for you to reverse the decision only a few weeks later.

He found that super hot, how you asserted your superiority and absolute authority while barely even lifting a finger.

You could hold all of Pride hostage if you so wanted, because nearly every industry bends their knee to you.

Val can and will kiss your fucking shoes if you tell him too, just say the word and it’ll be done, the thrill of submission definitely spurring him on.

Though don’t tease him too much, he is a switch after all and will absolutely ravish you on the spot if wound too tightly.

Definitely happy to be a sugar baby to the most influential Overlord in hell.

-Vox-

This man knew your connections and how far your power spread, and he was impressed. Not that he’d ever admit it to your face.

That fact you control so much and work so little is awesome to him, what else could you do if you actually put real effort into it?

At first was disappointed you weren’t all that powerful, but when he found out his competitors suddenly were in debt and he had all sorts of deal with companies to boost his own network, he wasn’t disappointed in the slightest.

Definitely spends time with you inside lounging around being lazy, either watching him stream or hanging out with the other two V’s.

Constantly gets free shit because he’s your s/o, he doesn’t even really need half the stuff he gets, he just does it to flex on people and boast about being with you.

Though in doing that he often forgets to show you some affection back, but if your patient then he’ll get that really cute guilty look on his face as he either does nothing but spend the day with you or gift you something you already own.

Just take it and give him a kiss, he’ll be over the moon and back to his cocky self in no time.

Because of who he is, he often has self proclaimed enemies, though Alastor is the worst of all. The old timey prick.

Eventually you’d get bored of their scuffles and step in one day, off handedly mentioning that while he is the Radio Demon, you could most certainly recall those precious boxes of his and have them all shit down.

Vox has never seen the red coloured overlord more flustered and panicked then now, watching him quickly and very eagerly make a deal with you before disappearing.

Often wonders how you haven’t been killed yet, especially about threats of demolishing a specific line of product to make someone fall in line.

Just say that you know he’d never let anyone hurt you, put on the sultry smile, flaunt your body and little and suddenly Vox is a ego filled television with delusions of grandeur about saving you from the clutches of death.

With Vox watching your back, and your far reaching influence, you two are by far one of the most dangerous couples hell has seen in years.

-Velvet-

Velvet abuses your power at every available opportunity, knowing what you own and what you don’t.

She definitely helps you conquer new businesses and swathes of land, watching your empire grow is like ecstasy to her and she is all for it.

Drags you out shopping to get all the free benefits, trying on dresses and lingerie all for you to see and judge.

Definitely having a quickie in the dressing room, she’s gonna be as load as she can, you own the place so nobody’s gonna confront her.

Also has regulars shipments of sweets. From chocolates to wraps, sour strips to cakes, she’s ordering anything she can at no expense.

Velvet doesn’t give a single fuck if you aren’t all powerful like her, Val or Vox, you’re a special kind of sinner all on your own.

Though she does find it sweet how cool how you can control someone with mere words and threats, all by owning massive amounts of literally everything.

So many posts on Voxtagram about you, most lovey dovey couple stuff, a few promotions thanks to you and some threatening her would be enemies.

She’s been following your example of threatening people by way of taking their entire livelihood out from under them.

Velvet never had to act on them before, since being associated with you was often a good enough ward, but some just didn’t get the message.

Either they threaten her, which was stupid, or try and make a move on her, which was downright idiotic.

What ever way, once you either see the post or Velvet tells you about the encounter, they are suddenly and very politely apologising to the girl.

Honestly with Velvet, it might be a 50/50 on if she kills them regardless, but she’ll always cover you in kisses and bone breaking hugs anyway for being so sweet and thoughtful about her.

[bleue-flora]

Yes. This…hmmm this topic :) If I may add on, because I can’t help myself and you’ve given me brain rot for the next week no doubt lol XD

I think his behavior isn’t the vengeful aggressive lashing out we would rightfully expect from him not only because of his fear and not wanting to be alone like you expertly detailed, but also because even further he was, lack for a better word, hurt. So deeply hurt and it’s not hard to understand why. The people he once called friends saw him as nothing more than a monster needing to be captured, caged, defanged, and killed, which gave them the justification and conviction in their minds that he deserved it and it was the right thing to do. And the fact that they held such an opinion of him has to hurt in deeper ways than a knife. I’ve touched upon it before (linked here) but the prison arc wasn’t just cruel and inhumane and more savage than most of the fiction I’ve ever absorbed, it involved a widespread complicity and more importantly was at the hands of his once friends. His once family.

So after months of being told by monsters that you are the monster doesn’t make Dream want to become what they think he is, it makes him want to be seen even more than before. To prove them wrong. To show that he didn’t deserve it, that they were the ones that were evil. To say no. - “It’s because you like it! You like torturing me!” - you use me as an excuse to justify yourself - you use me as the blame for everything that goes wrong, and yet there I stayed wasting away in a prison and guess what? Your relationships still fell apart, wars still happened, blood still spilled from innocence, the ‘children’ still got hurt, fear and mistrust still filled the air, violence still reigned free - I am not the sole source of evil on this server, I am just as human as the rest and deserve-deserved to be treated like one. - After being spoken over, after being told about everything thing you are and did that made you deserve cruelty over and over again, it makes sense that with his freedom he can finally show them they were wrong.

- l feed you, when they left you to starve, not potatoes like you said I deserved, but good food: golden apples and cake, even though you really would deserve potatoes as direct revenge and karma. You didn’t have to hurt me to get the book, your reasons don’t make what you did right or less grotesque, I got the book from you without really laying a hand on you.

- I left you alone, sure I threatened your country and your life, but that was after you came to kill me, after you didn’t listen to me or show any signs of backing off. You provoked me, and I reacted in kind. In the end, I left you alone even when you expected me to come after you, even when you gave me plenty of reasons too.

- I don’t care about your discs or you, I let you have your way and leave after you come and barge into my house (… haven’t see that Wilbur lore in a bit so… don’t mind my memory’s perhaps poor generalization XD) I didn’t chase you down and kill you after you tried to capture me, I just did enough damage for you to run away (Bad). I didn’t blow you house to bits or really destroy it like others literally did, I just threatened you and gave you gifts because I wanted you to back off (Skeppy and Bad).

- You say I am so evil and need to be killed. That I don’t deserve a life free from torture… yet, does Aimsley deserve to be killed too? - Is it that you want to stop me, or you just want to kill and I’m feared and enemy #1? (Sapnap)

- You could hurt me because I hurt you right? But when you come to kill me, when you steal from me, barge into my house, I let you go. I had every reason to hurt you, the same reason you had, heck more reason too and yet I grant you freedom and mercy even when you don’t deserve it and even when you granted me none.

…..He just wanted to be seen and heard (notice how easily the mask comes off in the finale when someone just takes the 10 minutes or so to understand him) and to be seen him as more than someone they thought deserved the prison. And he wanted them to see the bad in themselves. To see the truth, to feel some guilt or remorse or understanding? something? just realize they aren’t just innocent and good. He wanted to show them what he actually looks like in the mirror and what their actual reflections look like.

Sure, the knives hurt, the starvation hurt, the isolation hurt, but the condemnation, the self righteousness, the hypocrisy and complicity from all sides made it all the more sting - to be hurt and told you don’t have the right to feel hurt because you deserve it.

He was and dehumanized - so he wanted them to see he was just a person like everyone else, flawed and imperfect with motivations and feelings.

He was afraid (on his knees waiting for the axe and hoping that he didn’t get killed that day) - so he locks himself in the safest building and he makes himself big and scary to make his enemies afraid, to keep them away so they are too busy playing defense than to come after him (“I’m going to make everyday for you a living hell.”)

He was powerless and weak - so he went for revenge to take back that power and feel strong and capable again, to claim back agency over himself by knocking his abusers down a peg, because they don’t have authority over him anymore, now he doesn’t have to listen to them, now he can kill them (“A living example of not to fuck with me!”.)

He was silenced and talked over - so he tried to tell what happened and explain his side because just wanted to be heard.

He was invalidated - so he just wanted someone to validate his feelings and understand him, to simply recognize that the torture was horrible and gruesome and cruel, giving him the right to be hurt.

He was told people’s reasons for why he deserved to be hurt - so he wanted for them to hear his reasons.

He was threatened and almost killed off constantly - so he just left people alone, making himself not a threat so he’d hopefully be granted the basic right to live.

He was abandoned and betrayed - so he shared his side and his true and tried to make nice and gain new allies so at the very least the next time he was surrounded on all sides about to be murdered for the last time that maybe someone will utter a word of disapproval.

How much it hurt to be so completely alone, in a world where people are so deluded and cruel that the only reason you’re even alive is because of a book. That you have to use a favor, a life debt, from someone who witnessed your torture, to escape the inhumanity of a living hell, just so everyone can try to drag you back no questions asked. That your friend becomes your torturer, your brother is out for your head, and just everyone else doesn’t give a damn unless asked to run a sword through your heart… How hurt and broken must you be for your must basic unreachable aspirations are to live and not be alone…

(well not sure if I made any sense or was just projecting………… oops yea may have gotten side tracked… anyways just thought I build off of the amazing points, it is hard to say what Punz and Dream’s plan was but killing everyone permanently likely wasn’t the plan—unless if was to sacrifice to XD to bring back the balance… hmmm)

been thinking about post-prison c!dream again and i feel like ... characterizations of him after pandora smtimes can lean vindictive. and it's not like there's no proof for this being the case, lol, this man has quite a few angry speeches post-prison about getting his Revenge! and such, and obviously has Feelings about the whole being left to rot and be tortured thing. that being said, i think it's worth pointing out how what a character thinks they believe and what their actions show can have some...pretty apparent discrepancies, and i think that c!dream's stated desires to take his revenge as well as a "us against them, you're either with me or against me" viewpoint of the server as a whole don't necessarily match up with his behavior post-prison

for one, i think it's worth pointing out how often c!dream's anger in these cases is obviously emotional to the point of incoherence--it's often been stated that his speech in the logstedshire chase scene screams of projection in the midst of a panic attack, which, i mean? yeah? he's making assumptions about what c!tommy thinks and basically repeating what c!quackity said in that cell almost word for word and making the kill-and-revive-you-over-and-over-and-over threat that he definitely wasn't going to go through with (though, is kind of interesting retrospectively considering we know that he literally did that to himself). then there's his rant to c!sam in daedalus one which literally includes his threatening c!sam with c!quackity, a claim so absurd that c!sam himself points it out as making no sense. and then there's his speech with c!quackity where he says he's going to torture...las nevadas? as in, the country? dream that's. dream it's a country. it can't feel pain. dream.

in this, a clear pattern is established where a lot of these angry threats are...bluffs. hot air. even if c!dream is genuine when he makes these threats, they're really not plausible (like, uh, please tell me how youre gonna convince quackity to torture sam for you king.) and it's not like c!dream doesn't have a pattern of being A Whole Lotta Bark when you have him in a position where he feels cornered, either. but with this, there's a precedent that's established where c!dream's threats, particularly threats where he's literally just listing shit out like that, should be taken with a grain of salt. less evidence of true plans and more an attempt to bare his teeth at you until you back the fuck away.

of course, this in itself isn't enough to claim that all of his claims of more vindictive actions should be dismissed. that being said, across the board, when you look at c!dream's actual actions post-prison...well, the amount of actual revenge this guy gets is. very small. very small. in fact, contrary to what one might think due to his paranoia and the huge breach of trust that had happened as a result of the prison, c!dream actually seems quite willing to establish connections with other people--friendly interactions, even alliances to a certain degree. looking at the following list of interactions w/ people post-prison:

He immediately gives the axe of peace to c!Techno in Snowchester after they part ways at the Arctic Commune--though the lack of favors between them indicates that there's no real explicit reason to call on each other in the immediate future, he does show very clearly that their parting has made himself unwilling to cooperate with c!Techno at all.

Punz is self-evident--he speaks with his ally and reaffirms that the plan is still on track (a plan made before the negative effects that prison had on his. uh .everything)

The aforementioned conflict with c!Tommy, where he makes a lot of threats in ways that seem like a pretty damn deliberate mirror of c!Quackity and makes no effort to follow through on, particularly in tems of the killing-and-reviving shit and keeping tommy in exile and whatever else he was saying there

The interaction with Sapnap, where he is clearly gauging c!Sapnap's reaction and flees shortly after things appear to grow in hostility, once again making overtures at a threat that he will never follow up on (even considering he could very easily follow Sapnap to find Kinoko and could as such attack it quite simply even with just, a couple flint & steels tbh)

An interaction with Eryn where he makes no effort to be hostile at any point, hiding behind his shield and then exchanging items when Eryn offers them. The entire time, c!Dream's actions are defensive and purposefully nonthreatening and at no point does he attempt to engage a fight--even when not asked for payment, he gives a valuable item in exchange. Clearly more an attempt to be friendly than any outright hostility, though he is also obviously wary.

Daedalus also quite self-explanatory--again, it should be emphasized that letting Sam go in any capacity with any lives is explicitly an act of mercy. Left alone, Sam would have died in the prison for good; he set his spawn in the prison, a fact Dream would've known when he escorted him out. He makes a lot of threats, including some that are quiet incoherent, and at the end he kills Sam once and then escorts him out of the prison grounds alive. Interestingly enough, conversations in Daedalus also seem pretty explicitly from a perspective of trying to get c!Sam to understand him in some respects--like, c!Dream isn't seeking division here. Even in consideration of the fact that he needed to get the keycards, c!Dream's continued emphasis on trying to get c!Sam to see him is...interesting, in view of how much of what went wrong being explicitly because of c!Sam's betrayal.

He warns Bad and Skeppy away from the prison shortly after beginning to reside there on a permanent basis. He gives them quite a sum of gifts (iirc, a block of netherite and a totem of undying) despite firing arrows at them; even though he has a reason to be aggressive towards c!Bad as one of the prison guards (something both c!Bad and c!Skeppy point out) he makes no effort to kill them and outright gives them valuable items while warning them to stay away from the prison

scrapped lore, whenever it was meant to happen, was an obvious "revenge" attempt against quackity...which goes, badly. a clue into the State that he was in in terms of his revenge quests. also, whatever interaction he has with c!wilbur later, obviously c!Wilbur doesn't end up worse for wear physically from it.

In inconsolable differences, c!Dream is more preoccupied with keeping a "feeling" of power over c!Wilbur over taking outright control over the room and therefore complies with c!Wilbur's orders. He does attack, but despite having more than the necessary means to kill both c!Wilbur and c!Tommy while he's there, does not do so. Neither does he manage to keep them trapped in the prison, something that he absolutely could've done if he so chose. Instead, he values a (imaginary) symbol of his continued alliance with c!Wilbur over any kind of hostile action, imprisonment, or killing of either person (and explicitly values c!Wilbur's life over just about everything, there.)

In his interaction with c!Foolish, he's outright trying to get c!Foolish to consider him beyond what other people have said about him. He's trying to establish some form of an alliance and offers...well, quite a lot in order to have one (in order to have a five minute warning of c!Quackity's location. like, he's putting himself in c!Foolish's service quite explicitly here, offering to become his hitman or bodyguard). He's obviously wary, but also obviously trying to be friendly and largely interacts with c!Foolish by trying to establish a rapport, not by trying to threaten him into something or attack him in any way. Even with c!Sam, the amount of outright threatening behavior from c!Dream isn't all that large--mostly, he's being petty? You could make an argument about c!Dream's vague threat to c!Sam's island, but clearly Sam loses no lives from Dream in any interaction they might have after they leave the summer home.

I consider the whole interaction with c!Aimsey canon bc literally everyone was playing as their characters there--c!Dream outright goes out of his way to try and protect a total stranger here with no obvious personal benefit. He literally inserts himself into the conflict to try and prevent c!Aimsey's death, which is kinda wild for someone to do as someone who allegedly wants people to die on the server. He attacks (and even kills c!George) c!snf here, but it's all in a scene where they get distracted from their whole "blowing shit up" moment because they want to chase c!Dream, and c!Dream specifically uses very little melee combat here--a lot of ranged stuff, which is far from his specific specialty. Further, there's a scene in this fight where c!Dream is acting entirely defensively, backed up against a wall with his shield in front of him as c!snf attack, and at the end he just runs away--all behavior that doesn't seem to be about killing anyone or profiting from anyone's deaths in any way.

LN5, threats similarly nonsensical, and he dips as soon as things start going south. For all of his seeming confidence, he's not the one that continues the chase in an attempt to kill c!Quackity, and the fight evidently freaks him out considering how he ends up not realizing he's being stalked by c!Tommy and then hides in the prison for a solid while (while still being stalked by c!Tommy)

Despite apparently wanting them to decide who to die in the saw trap (which had a premise that is frankly, quite hard to believe), c!clingy are given the exact items that could've facilitated their escape. He certainly could've killed both or one at any point in time, even if he wanted a message to be spread to the server (something easily done with one guy)--instead, he monologues at them, then conveniently leaves so that they can get away (and they could've with the literal items he gave them if tommy didn't burn their food.) When c!Tommy returns the following day, c!Dream makes it clear he expected both of them to have gotten out

Despite being clearly unable to stand c!Tommy, blaming him for most if not all of his problems on the server, and outright saying to c!Tommy that c!Tommy would never agree to help him (after they had a shouting match literally one day ago), gives quite the sales pitch to get c!Tommy on the same page as them.

I'm probably missing stuff, but you get my point--even when presented golden opportunities to kill off a player post-prison, c!Dream doesn't take it. He outright spares c!Sam when he could've easily died from the Revengers' tactic. When meeting with strangers, he prioritizes establishing a friendly rapport with them through things like gifts over, in his distrust, treating them badly so that they're scared of him and therefore don't fuck with him yadayada. His behavior, instead of exuding an aura of anger and vengeance and vying for destruction, tends to send a message of trying to be outright unthreatening, please-don't-attack-me. He's not going everywhere holding his big fuck off axe, he's seeing a new person and ducking behind his shield.

Oftentimes, I feel like this quote is pulled or paraphrased from No Way Home to show how c!Dream has become distrusting of people, vindictive, post-prison

And if that means we have to kill everybody— and ev— everybody that doesn't wanna go along with what me and Punz have to say? Everyone that doesn't want to figure it out? Then, fine! You can be simple-minded and you can die simple-minded. But! If you wanna actually know what's going on in this world, and you wanna fix it, and make it the best that we can be, and live forever? Then they can join us.

And while I'm not saying we should dismiss the whole quote as just being disingenous bluffing, I think when taken into the context of post-prison c!Dream's actions (or, well, c!Dream's actions as a whole) as well as his actions in the finale itself (such as his appealing to c!Tommy in the next stream), rather than putting the emphasis on the idea of "everyone who disagrees with me should die," c!Dream seems far more preoccupied with the idea of trying to find people who are willing to work with him to "fix" everything. People who will help him make it so that they can "live forever"--a desire he expresses in the fourth finale stream as well.

like, it's not to say that c!dream isn't vengeful. he is. i mean, i'd say moreso than vengeful, he's angry--just like how a lot of his overtures at friendliness are so deeply rooted in fear. the prison made him angry and the prison made him scared, and the anger has to be repurposed into revenge because revenge is power that he certainly didn't have when he was on his knees begging for mercy. but far from being closed off and unwilling to work with other people post-prison due to his experiences in Pandora (which. would make sense. i mean. like, he was left in there, and tortured, and betrayed. anger and revenge and a general distrust towards everyone and a desire to destroy a world that condemned him would be very easy to understand in this scenario), i'd say c!dream's interactions with people post-prison scream of a general lack of a desire to actually go through with killing people. hell, he even revives c!tommy--c!tommy! who just killed him! who c!dream outright blames for like, basically ruining his life! when revivals are literally apparently destabilizing the universe!--shortly after killing him. generally, he meets people who are dealing with him aggressively with a desire to flee moreso than with murderous intent (in genuine finale 2, for example, this guy was sure more focused on running the fuck away than he was on killing either of c!clingy), and even moreso deals with other people on the server by acting defensively and even in a manner that seems deliberately designed to get them to be more willing to work with him, or at least deal with him in a friendly way. despite his paranoia and how deeply pandora cut as a betrayal and his obvious wariness towards all people as a result (there's hardly a single interaction on the list above, after all, that doesn't have c!dream's obvious fear of people leaking all over the damn carpet), he seems to be much more focused on the idea of finding possible allies than he is on the idea of killing everyone possible.

which, i mean, makes sense. as he himself states: