#it's not even during the song it's during the jellicle ball

[kaijudyke]

The greatest magicians have something to learn From Mr. Mistoffelees' Conjuring Turn!

[pinksilvace]

! PAC NYC CATS SPOILERS !

What I remember from the show, feat. some official photos

This is all going off of my note-less memories so there may be some minor inaccuracies to these recollections.

Welcoming Remarks/Overture

The crowd was welcomed by the voice of Junior LaBeija, who encouraged us to google him before shutting our phones down.

We were encouraged to make noise at any and all parts of the performance

Filming, even during bows, was strictly prohibited

This show is LOUD. I wore ear plugs the entire time, and I don't consider myself to be particularly sensitive to noise. It makes sense, considering that the audience is meant to yell and the music has to be heard over them.

The theater space itself was relatively small. All seats were good seats.

Mr. Mistoffelees (Robert "Silk" Mason) could be seen dancing through the window set pieces above the back of the stage.

Jellicle Songs for Jellicle Cats

(clip)

The cast began all around the theater, with spotlights illuminating them as they began to sing. They did not mount the stage until the "Mystical Divinity" portion of the song.

The crowd went WILD at the part that has had its choreography revealed already.

The Naming of Cats

The "Man over there" bit was done by Antwayn Hopper (Macavity). In general, he seemed to be having an absolute blast throughout the show.

During the parts where cats sharing the names in the poem were mentioned, spotlights illuminated them.

Munkustrap led this number and was the only one onstage for the duration of it.

The White Cat Solo

(clip)

Compared to how this is presented in replica productions, the dance moves were very fast.

I am uncertain as to whether this part was meant to characterize Victoria, or if it was just a great chance for BABY (Victoria) to show off her incredible dancing skills.

The Old Gumbie Cat

Jennyanydots (Xavier Reyes) began the number by pulling out a trophy, showing she'd won at balls in the past

During the day, it was implied (I think?) that Jennyanydots has lots of sex. Whether it's sex work, a sugar daddy situation, etc. was unclear. What I can say is that she did lots of bouncing - on other actors, on the edge of the stage, and on a chair.

At night, Jennyanydots is a very harried single Latina mother trying to keep her kids out of trouble.

Instead of Jenny competing in a category herself, Cassandra (Emma Sofia)(implied to be one of Jenny's children, either literally or metaphorically) competed while Jenny directed her choreography from the sidelines.

The Rum Tum Tugger

VERY laid back. This is definitely Jason Derulo's version of Tugger, but done so incredibly right. He was honestly a bit too effortless for how easily he won categories.

It's not shown in this photo, but he wore a gold and black striped fur coat throughout most of the show, sort of like Munkustrap's grey and black one (shown above, with Jenny)

There wasn't very much choreography in this number, save for a bit at the very end where he was facing off "Pretty Boy vs. Thug"

Grizabella the Glamour Cat

Grizabella ("Temptress" Chastity Moore) approached the side of the stage and killed the mood. Everyone kind of just avoided her. Munkustrap tried to talk her into going away, but she refused. He then tried to pay her actual cash to leave, but she stood her ground.

Sillabub (Teddy Wilson Jr.) approached her curiously and backed off at a very subtle warning from Demeter (Bebe Nicole Simpson). (I have to add on that Sillabub wore an orange t-shirt, short pink overalls, and orange converse shoes with a crown of sunflowers on their head. They were easily my favorite character.)

Grizabella showed off a trophy she had won in a previous ball and implored the interim judges to let her compete. They refused.

This Grizabella was almost frighteningly determined.

Bustopher Jones

For the performance I saw, Garnet Williams filled in for Nora Schell, with Tara Lashan Clinkscales filling in for Bombalurina.

Bustopher was referred to with they/them pronouns.

A large portion of this number was spent with Bustopher walking around the theater. When they mounted the stage, they pulled open their shirt to reveal a bustier emblazoned with the English flag.

Bustopher competed and won in the "Body" category. They continued to remain present throughout the rest of the show.

Mungojerrie and Rumpleteazer

(clip)

It is specified both in the program and during the number that these two are from Victoria Grove, New Jersey

Those New Jersey accents were aggressive

"one of the goyles suddenly misses her woolworth poyles"

Honestly, I wouldn't expect anything less from them

During the Macavity scare preceding this number, Macavity dropped off some trash bags filled with clothes for Bombalurina and Demeter. Mungojerrie (Jonathan Burke) and Rumpleteazer (Dava Huesca) attempted to steal these.

During the second verse, both changed costumes behind some costume racks on either side of the stage.

They competed in the "Tag Team" category against Victoria and Tumblebrutus (Primo) and lost. They then stole the trophy, which Victoria and Tumblebrutus stole back.

Anyway I just desperately need other US productions to give them New Jersey accents

Old Deuteronomy

Munkustrap (Dudney Joseph Jr.) was the only one onstage for the first part of this

Tugger (Sydney James Harcourt) approached the side of the stage and grasped Munkustrap's arm at the "numerous progeny" line

The stage was left empty for Old Deuteronomy (André De Shields) to walk out on

Before he walked out, Sillabub threw flower petals all over it

Mr. Mistoffelees (Robert "Silk" Mason) pulled out Old Deuteronomy's chair for him

There was a VERY long pause for applause when Old Deuteronomy reached his throne at the far end of the catwalk. He turned in a very slow circle. We made eye contact.

Song of the Jellicles/The Jellicle Ball

(clip)

During the Macavity scare, Macavity strides up to Old Deuteronomy. Old Deuteronomy waves him back out of the room in a way that honestly looked like magic. (It's worth noting at this point that the Macavity in this production is a goofy role.)

Because of how the stage is set up, most parts of the dance number were done with only 2-5 actors onstage at a time. When there was a larger group, the dancing remained mostly sedentary.

No mating dance

Grizabella appeared on one of the high balconies. Sillabub waved enthusiastically at her. Everybody else just stared at her.

Many categories were competed in during this part. One of them was sort of an "anything goes" (I forget the exact name) category, in which Munkustrap came out in a golden ensemble with giant wings. Old Deuteronomy didn't like it. Munkustrap gave him sass.

Memory (part 1)

Old Deuteronomy walked out of the room along with everybody else (I THINK.) Grizabella approached the side of the stage, took off the scarf covering her hair, and draped it over one of the railings.

Grizabella caressed the stage as she sang.

Sillabub approached the other side of the stage, watched her for a bit, and departed. They returned near the end of the number with a glittery dress, which they offered to her. Grizabella ran away.

At the end of the number, Sillabub climbs onstage to grab the scarf and look out at the audience. Cut to black.

Moments of Happiness/Moonlight

This part took place entirely between Old Deuteronomy and Sillabub. Sillabub was still onstage, almost got scared away when Old Deuteronomy returned, and knelt in front of him.

As Old Deuteronomy sang about happiness through many generations, he tied the scarf around Sillabub's neck.

While all of this happened, old photos and reports about old balls were being projected on a large screen at the back of the stage. There was then a listing of old house mothers. Most of these were real. The final name listed was Grizabella's.

The rest of the cast joins in for Moonlight, stationed all around the theater. Bombalurina and Demeter were right next to me on the lower balcony. Bombalurina smiled at me.

Gus the Theater Cat

Shereen Pimentel (Jellylorum) was AMAZING.

Gus (Junior LaBeija) was only present for this number and the bows. Most of his lines were performed like spoken word poetry rather than through song.

There was no show-within-a-show piece after this number, but Gus did say the "I once played Rumpus Cat" line. At the very end was Tumblebrutus (I THINK) re-enacting a young Gus a la Grizabella in Tecklenburg 2015.

Skimbleshanks the Railway Cat

(clip)

AGGRESSIVELY a New Yorker in the same way Mungo and Rumple were from New Jersey. Queen of the subways.

Skimbleshanks' (Emma Sofia's) hair had tiger stripes!!!

Lyrics were both English and Spanish (?), especially during the "it was very pleasant" part

She lost her category against Rumpleteazer. They embraced and continued to dance together for the rest of the song.

Macavity the Mystery Cat/"The Fight"

Macavity (with a comically evil cackle and some Hanna-Barbera-style running around) dropped off some more trash bags through one of the windows in the back, which Demeter unpacked. As it turned out, those bags were filled with designer products.

"Macavity wasn't there" was a line used to refer to the fact that Macavity was supposed to be competing but didn't show up on time

Oh yeah, Demeter and Bombalurina were members of the House of Macavity

After Macavity proved to Old Deuteronomy that all of the products were genuine, they all got dressed up and competed in "Labels". The House of Macavity won.

Members of the losing team found attached tags on the products, indicating that the items were shoplifted.

As police sirens blared and blue and white lights flew around the room, Old Deuteronomy ushered Macavity to leave the venue. The police officers entered, looked around the audience, and then looked on the stage, where Old Deuteronomy stood in front of the bags of stolen goods and gave himself up as the perpetrator of the crime.

Macavity returns looking downright distraught.

Magical Mr. Mistoffelees

(clip)

It was much more believable to see everybody turning their backs on Tugger in this production than any other I've seen

Mr. Mistoffelees was referred to with he/him pronouns, so that's what I'm using here

Mr. Mistoffelees is introduced as a ballroom dancer who meets success, in part, by magic-ing his opponents into having wardrobe and performance malfunctions.

He also steals their stuff but I'm unsure whether that has to do with saving Old Deut or if it's just enriching for him

Old Deuteronomy was magicked into a box and stood very still when the curtain was pulled off. When Macavity approached, Old Deuteronomy jumpscared him.

After the song was done, Tugger and Mistoffelees kissed. They were not, as I have seen others say, eating each other's faces; it was very chaste and tender and lasted for just a handful of seconds. The audience went wild, of course.

Memory (part 2)

Grizabella came out in the dress Sillabub had offered earlier

Maybe I was reading too much into it but it looked to me like Old Deuteronomy and Sillabub conspired together to make her reappearance happen

This song was sung in a lower key than usual to better suit Temptress' voice

She looked so uncertain the whole time

Journey to the Heaviside Layer

A big staircase hinged down to the stage, just like in replica productions

Grizabella left through a door at the top of the stairs. Through it, the sounds of New York City could be heard.

The Ad-dressing of Cats

This song makes WAY MORE SENSE in this production in OG Cats, in my opinion. There, it sometimes feels like a bit of a slog. Here, it reinforced the core message of the show about accepting people as they are. To me, the context made it much more powerful.

These last few numbers were loud even through my ear plugs and I don't know why.

The ensemble (Frank Viveros and Shelby Griswold) brought the cast flutes of champagne

Bows

Munkustrap announced each member of the cast as they did individual dances down the stage. This was one of the only songs unrelated to Cats music.

Tugger did a striptease.

After all of the actors, the conductor came out vogueing down the stage.

Afterward, the cast began singing the "practical cats, dramatical cats" portion of Jellicle Songs. I sang enthusiastically along, catching Bustopher's eye. They blew me a kiss.

Other thoughts

Electra (Kendall Grayson Stroud) EASILY had my favorite costume: a holographic top and little black skirt with a huge ruffled rainbow coat over it

Victoria's costume changes made her much less noticeable than usual, especially as she mostly served as a member of the ensemble (I don't think anything in particular about this choice; I just found it interesting)

Despite all of the changes, this very much felt like a production of cats. Even though the actors were staged to be humans, they did nothing else to emphasize it. All of the lyrics were true to replica cats productions.

Where ballroom beats were implemented, they never distracted from the songs they were placed into. They actually enhanced the songs very nicely.

Almost all of the changes made to the original story make sense in the context of this production. I.e., Alonzo's absence makes sense because his role is no longer necessitated. Same with Coricopat and Tantomile.

I am in LOVE with this Sillabub. I really cannot emphasize that enough. They had so much youthful whimsy and KILLED those high notes. They should have been frolicking but instead they were at the club smh

Understated Tugger was an interesting look, and I think it worked well, considering that this Mistoffelees was definitely the most eye-catching member of the cast.

It was actually really cool to see a production where Macavity is accepted as one of the tribe. I fully believe that Mungojerrie learned a few pointers from this one. Again, I have to emphasize that it looked like Antwayn Hopper had the time of his life in this role.

Speaking of, there may have been some Deut bros (Tugger+Munkustrap+Macavity) staging, but I don't remember clearly enough to say for sure.

Most of the transfer of the story made sense... except for the stuff surrounding Grizabella. I've seen the directors talk about ageism in the ballroom community, but with how much emphasis this production put on respect for elders via Old Deuteronomy and Gus and the lack of general contempt from the cast, I honestly don't know why she would have been outcast to begin with. I also have no idea why she ran away from Sillabub.

I kind of wish there had been more extreme makeup, but most of the cast switched between their characters and ensemble roles frequently, so it makes sense. It didn't make the show any worse.

Overall, this was an incredible production that deserves the praise it is given. Yes, I think a number of Cats fans are casting too much judgement on the creative decisions. Yes, I think too many reporters have dunked on the original Cats staging more than is warranted in order to prop this production up. Regardless of those two factors, it was clear that the cast and creative team had a real love for both Cats and ballroom, and I think they married the two concepts beautifully.

[rjjameshiii]

I saw a local production of CATS and I fucking loved it.

I saw a production of CATS at a local theater in my hometown. The costumes were amazing, and I could tell that all of the cast were having so much fun doing the show.

The overture was off to a good start cuz they did this amazing projection of the full moon slowly rising in the sky, and the full moon stayed on the background of the set and slowly got lower and lower as the show went on, as if the night was passing. It was very very cool.

Munkustrap was giving me vibes that he was a lot younger than most productions seem to make him. He seemed like he being an adult and the tribe's protector was still new to him; many times he started to mess around with the kittens before snapping back to being serious whenever Old Deuteronomy or Jennyanydots was looking. He even got into Tugger's dance number for a bit, and was one of Tugger's "boys" during the flirty dance with the girls during the Jellicle Ball dance number. And I definitely got the impression that Deuteronomy and Grizabella were DEFINITELY his parents but I'll expand on that later. This Munkustrap was still a commanding storyteller so I loved him!!

Poor Victoria almost fell over during her solo when she was doing the leg lift, but she recovered quickly and nailed the rest of the dance.

Victoria and Mistoffelees also pretty much stopped interacting with each other after the Invitation. And even though Victoria definitely did the mating dance with Plato, she actually spent most of the show cuddling up to Alonzo. Alonzo didn't appear to be Munkustrap's second-in-command either. Munkustrap didn't really HAVE a second-in-command actually, he was pretty much doing everything solo. Alonzo was also the one who scratches Grizabella during her entrance, so this Alonzo was definitely on the immature side. Still loved his dancing though.

I also noticed Coricopat and Tantomile were both female, and I'm pretty sure they were played by actual twins! It was super cool!

Jennyanydots was hilarious. She was kind of a mix between Susie McKenna's motherly portrayal and Rebel Wilson's "hey everyone look at me I'm so great" portrayal, which actually worked out. Plus she had some good tap dancing!

Now on to Tugger.

One quick cool thing was that Tugger didn't leave the stage after the opening song. He kinda stayed off to the side and watched everything with indifference, then after Jenny's number when they were all clapping for her, he suddenly jumped up and stole the spotlight. It was very funny, and the actor definitely had Tugger's swag down. He was super egotistical but also respectful to Old Deuteronomy and Bustopher and Gus, and kind of gave off more of a movie star who knows he's hot vibes instead of a rock star. However, there was just one issue I couldn't overlook.

The actor could. Not. SING.

Like he REALLY could not sing. His notes and pitch was non-existent. I couldn't stand listening to him because he was super flat and quiet and barely kept up with the music. Great acting as Tugger, horrible singing.

Having said that, I could forgive him that for the fact that this show had the GAYEST Tugger and Mistoffelees I have ever seen. I think they were just straight up a couple. The "terrible bore" line was SO flirty, and Tugger just smirked and stroked Misto's chin after he said it, and Misto strutted away and shook his ass at Tugger. During Moments of Happiness, Misto was straight up SITTING ON TUGGER'S LAP. And then when Tugger walked by Misto during Misto's big number, Mistoffelees SMACKED TUGGER'S ASS.

THEY WERE SO GAY AND I ADORED IT.

Mistoffelees was also really good, they gave him a lot more solo lines and presence that I'm used to seeing, and he even nailed the conjuring turns for about 10 turns, which I found super impressive for a small theater production! Although it was a little disappointing that the most they could do for his "magic" was lights going crazy when he waved his arms. Normally I'd excuse it or being a small theater production, but they were able to pull off the flying tire and the staircase to the Heaviside Layer, so I think they could have spruced up Misto's magic a bit.

Another funny bit was that they did Mistoffelees posing before Jenny's number, but in this one none of the other Cats seemed to notice, and Mistoffelees sunk down onto the floor with a look of mortification on his face. It was great.

Demeter and Bombalurina were also great, they were pretty much together for the whole show and had a lot of great dance moments. And their Macavity was super sexy, they got legit wolf whistles from the audience. Demeter and Munkustrap were paired up, although one thing I loved was that Demeter wasn't as skittish as she usually is in this production. She does act scared of Macavity, but she also is actually into Tugger during his number. There's an amazing moment where Demeter starts dancing for Tugger during his song, and Munkustrap runs up to her like "DEME, WHAT THE HECK???" and Demeter goes "Oops sorry babe". And Bombalurina did a freaking POLE DANCE during the Macavity number. It was like 5 seconds long but it HAPPENED.

Bustopher Jones was also pretty boring to be honest. The actor didn't really do much during his number? Just kinda walked around waving to the other cats. He was a very good singer though.

Exotica was in this production and looked almost exactly like the 1998 video version. She was also one of the kittens. She, Electra, and Etcetera had a little kitten trio during the whole show. It was so cute, and it makes so much sense to make the three princesses with E names to be the besties.

Cassandra literally never interacted with the other cats, the sole exception being joining in on Skimbleshanks' dance number and being Mistoffelees' volunteer at the end of the show. She was a regal aloof queen who was better than everyone. Fabulous.

Mungojerrie and Rumpleteazer were probably the best part of the whole show - but what else is new? The actors had amazing chemistry, and they killed the humor and fun of the number. They were super flexible and did some amazing acrobatic moves during their number, and they NAILED the double cartwheel! I totally expected them to cut the double cartwheel but they DID IT and it ROCKED. They also basically tormented the audience with pranks during the intermission which I thought was PERFECT.

In fact, the cats basically spent the entire intermission running around the audience. Bill Bailey climbed up onto the top of the wall and laid out like a king, Electra kept going up to audience members and rubbing her head on their legs, Plato and Alonzo were showing off for female audience members. The actors must have had SO MUCH FUN.

Old Deuteronomy was like a silly grandpa and I loved the portrayal. His actor had an amazing voice too. During Skimbleshanks' number he's running around dancing and having a grand time. It was cute as hell.

Plus he and Grizabella are definitely ex-mates in this production. Will once again expand on that when I talk about Memory.

The Jellicle Ball dance number was amazing, I thought the entire cast killed it.

Grizabella only came on stage three times - her entrance, the end of Act 1, and then Memory. But I think the actress did a good job, even if her voice was a little quiet. She had a lot of emotion though, and unlike a lot of productions I've seen, this Grizabella both wanted forgiveness but was also VERY bitter about her life. Not sad and depressed, but PISSED OFF that her life had taken such a strong downhill spiral. I also kind of got the vibes that this version of Grizabella was dying? Her face had visible bruises and cuts, she had a limp, and she kept grabbing at her stomach in pain. I interpreted this as that Grizabella got like hit by a car or something, realized she was dying and wanted a new life, and dragged herself to the Jellicle Ball to get that new life no matter what it takes. It made Memory more intense and emotional to be honest!

End of Act 1 also had something unique, and that was Sillabub sneaking back onto the stage to watch Grizabella sing her first version of Memory. I think it sets up Sillabub's big moment in Act 2 super well! Sillabub looked so sad as she watched Grizabella walk off, but Old Deuteronomy didn't reach for Grizabella which I thought was a let down.

Moments of Happiness was very good, and Coricopat and Tantomile did this cool little dance before they took Sillabub's hand so she could sing. Then Gus and Jellylorum came onstage, and let me just say it. BEST PART OF THE SHOW. Gus' actor was age appropriate and he was incredible. Legit brought me to tears with his acting and singing. Jellylorum was very young in this show, I think she gave off granddaughter vibes when she was with Gus.

Then something weird happened. Gus started singing about playing the Rumpus Cat, so I expected them to do Battle of the Pekes and the Pollicles.

And then they just…didn't. Gus just did a short dance, bowed, and left. It was awkward.

THEN IT WAS SKIMBLESHANKS SONG AND MY LORD DID HE EAT. HE KILLED. HE SLAYED.

Skimbleshanks was like the best little guy. He was so good. He jumped so good. He did cute little movements. He was so dramatic when acting out train activities. Skimbleshanks is my new Lord and Savior. And he also got the longest applause from the audience so I think everyone agreed. Skimbleshanks was so super adorable and amazing and AHHHH I LOVED SKIMBLESHANKS SO MUCH.

Then Macavity showed up and honestly it was super weird because he's just standing on top of a pile of trash and the other cats hiss at him for a solid minute while literally not noticing Dueteronomy getting kidnapped two feet away until Macavity leaves.

But then the Macavity number ROCKED OUT. All of the female cats were involved in the number, even Jennyanydots, and the ladies killed it. And then Macavity didn't even bother trying to pretend he was giving Deuteronomy back, he just showed up in disguise and I thought it was awesome. Then the Macavity fight happened and I got my mind blown because Munkustrap isn't the only one who fights him. He actually fights him for like half the fight, then the second half of the fight is Alonzo, Bill Bailey, Skimbleshanks, Mungojerrie, Rumpleteazer, Demeter, and Bombalurina all taking turns fighting Macavity before he runs off and makes the lights go crazy. Honestly might be my favorite Macavity fight because all of the cool moments!

Mistoffelees' number was really good. They also had Mistoffelees sing the second verse instead of Tugger, and Tugger spent the whole song hyping him up it was cute. Tugger your a good boyfriend hehe. Then Mistoffelees did an impressive disappearing act to end the number which I loved.

Then Memory happened, and HOO BOY. LET ME TELL YOU ALL ABOUT WHAT THEY DID WITH "MEMORY".

So Grizabella comes in as the cats are all cozying up to Deuteronomy about the Jellicle Choice. However, the cats all see Grizabella approaching Deuteronomy herself, and I think they all realize she wants the Choice. And the entire tribe BLOCKS HER FROM DEUTERONOMY. They actively TRY TO STOP GRIZABELLA FROM GETTING THE CHOICE. Deuteronomy calms them all down and they all sit down in front of him, not letting Grizabella near. So Grizabella starts singing, and as the song goes on all the cats faces turn from angry to sad to forgiving.

BUT MUNKUSTRAP.

Halfway through Grizabella's first part of the song, Munkustrap just gets this FURIOUS look on his face and he actually tries to charge at Grizabella, but Deuteronomy stops him and they have a little argument before Deuteronomy makes Munkustrap sit down and listen to Grizabella sing. Eventually Munkustrap looks sad too and he and Deuteronomy give each other a nuzzle.

To me? That SCREAMS that Munkustrap has anger towards Grizabella, his mother, for leaving the tribe. It's so INCREDIBLY WELL ACTED TOO.

Grizabella eventually collapses and Sillabub suddenly appears at the top of the trash pile. She sings and Grizabella stands back up to finish the song. She doesn't look back at the Jellicles before beginning to walk off, and she actually doesn't stop hobbling away when Victoria gets near. Victoria has to grab her paw to stop her, and Grizabella visibly startles before looking at Victoria, who nuzzles her. Then the entire tribe gets up and nuzzles Grizabella one by one, and Munkustrap takes her hands and leads her to Deuteronomy.

And Grizabella and Deuteronomy NUZZLE AND KISS EACH OTHER.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH.

Then Grizabella is given the Choice and I was shocked to see the tire rise up into the air, and a staircase into a bright light appeared on the left side of the stage. I repeat, this is a LOCAL theater with about 200 seats. SO AMAZING.

I am so proud of this cast and this production!! It was everything a CATS nerd like me LOVES!

[afairytalestray]

OK so on Saturday I got to go to Milan to see the Cats Il Sistina tour and HOLY GOD IT WAS AWESOME. I'm glad I studied the character designs in advance because a lot of the costumes are really different. I'm not typically a huge fan of nonreplicas but Il Sistina may well change that!

I've compiled my thoughts on the show here! Nb, I do not speak Italian so I'm not sure how close to the original lyrics the translation is 😅

There were no green goggles, but the Cats did come in through the audience. I had an aisle seat and Cassandra walked right past me! She was right there and so beautiful omg.

I've gotta get in right at the start that Simone Ragozzino is my new all-time favourite Mungojerrie. The most ever! A little guy. He got most of the acrobatics that Tumblebrutus usually does - apparently Simone used to be an acrobat/gymnast so that makes sense. He and Rumpleteazer were sufficiently chaotic but also clearly valued and beloved members of the tribe. Idk man Simone just got it. Tumble-jerrie ftw. 

The cathedral from "round the cathedral" was changed to a Colosseum reference which I loved 😍

I'm obsessed with Demeter’s makeup from this tour actually. I'm personally not the biggest fan of cryptid-style makeup and looks in Cats in general, but I feel like Deme was balancing just on the edge and it really worked and I loved it. Maybe it was Viviana Salvo's acting as well - she was fabulous at toeing that line between stunning and unnerving!

Tugger and Munkustrap were super close! Munk was less annoyed by Tugger’s antics than normal and they did this thing at one point where Tugger was holding onto Munk who leant fully backwards off the edge of the stage - it was like a trust exercise and I was a fan. Their rendition of Old Deuteronomy was lovely and their voices worked so good together! Tugger was definitely Munkustrap’s second in command of the tribe. I wish Tugger was a bit more Tugger in appearance, he seemed very yellow with not a lot of detail on his costume, but the personality was hundo p present and accounted for. He did the "bite is worse than your bark" line in Jellicle Songs and legit barked at the end.

Jennyanydots was fabulous! Instead of a big coat she literally wore a giant ball of wool, and one of the props was giant knitting needles and the start of what might have been a giant scarf - it took 6 of the Cats to carry it. It actually worked super well for Milan, which is known for fashion and fabrics - there's even a giant sewing needle sculpture outside Cadorna Station! It was probably a happy coincidence but I enjoyed it!

Victoria's role was changed quite a bit, her solo was totally different and the pas de deux was gone. There also kinda just... wasn't the big small first touch Vic and Grizabella moment, which I was sad about, but if Griz's big moment wasn't "TOUCH MEEEEEE" in the translation, I'm not so bothered by it. I wish Vic had a bit bigger of a role because I love her, but she was killing it whenever she was on stage.

We are all stan pink Jemima, she had such a lovely voice too. Her and Alonzo were playing with a tennis ball during the interval and it was adorable.

My beloved Coricopat and Tantomile were lying in the Mouth of Truth prop after Moments of Happiness; they had their usual role of translating Old Doots through Jemima so I thought their placement here was deliberate! They weren't always fully in sync which I kinda liked, it was like they were allowed to be their own characters rather than just "the twins". I definitely got the impression that Tantomile was the older sister which hella backs up my hcs about her!

Gus was absolutely WILD. He comes in after Jellylorum has done her whole first part of the song in this raggedy old tradiotional Sherlock Holmes-style beige plaid coat instead of being there but kinda out of it the whole time. At first he wasnt keen on replaying any of his roles, but then all the others were like please please please and he relented. I think they were calling him (or his role) Romero? Idk if that's an Italian reference I just don't get? They did Pekes and Pollicles (one of the above had been changed to chihuahuas!) and then the bold Rumpus/Romero appeared... in a red satin bath robe and holding a sabre??? I need to look up this reference! Dude didn't just intimidate the pollicles, he straight up cut a couple of them down with his sword! Grandpa woke up and chose violence 😂

There was no trash train in Skimbleshanks 😭😭 there were giant glowstick things that changed colours though. Skimble and Bustopher were played by the same actor which is a combo I haven't seen before. Skimble was definitely still everyone's favourite train dad, all the characters were totally hyped for his song. HE DID TAP LIKE IN 2019. It was really cool how they did it, all the music stopped and he started a call and response tap dance with some of the other characters. The background showed an animated video of going through a train tunnel, like from the perspective of a train driver! The tap was gradually speeding up and became the sound effects of a train setting off and moving through the tunnel. I'm not explaining this super well but it was SO cool.

The Macavity Fight was quite different. There wasn't him disguised as Old Deuteronomy and then unmasked. What happened was he showed up and caused some shenanigans and then disappeared. There were about 4 of him around, so it looked like he was teleporting around the stage and audience! Bombalurina and Demeter performed his song which was absolutely fantastic (seriously how do these actresses actually manage to dance like that and sing at the same time?? Goddesses), after that he showed up again and the full cast was involved in the fight. Munkustrap still got the good choreography, but the whole tribe was involved trying to protect Old Deuteronomy. Tugger was definitely a protector in this production, he was very involved. Jerrie got KO'd a good few times, and Macavity absolutely destroyed poor Jenny! It felt like all of them were trying to protect their family and I really liked that. Despite that, Macavity was still able to win and successfully kidnap Old Doots!

"Mungojerrie, RUMPLETEAZER, Griddlebone" they let my girl do crime again!

Mistoffelees and Quaxo were besties, and Misto was REALLY enjoying Tugger's song I'm just saying. Delighted to announce Il Sistina Misto was a fruity little guy. He didn't get the terrible bore line, sad face, that went to Quaxo, but tbh idk how they translated that so it could be totally different! At one point Alonzo was holding him back at the start of Tugger’s song! We then saw a sponge-like Misto who picked up behaviours from the others around him, like he wasn't too sure of himself. This is actually one of my favourite Misto hcs so i was so chuffed to see it so clearly. He then helped Alonzo rein George (at least I think it was George!) in from going mental fanboy at Tugger. He was originally curious about Griz but then adjusted to hissing upon seeing the others. This fully went forward into his song. They did some big choreo changes. It was significantly less dance-heavy than traditional Misto performances and had a stronger focus on him being magic. There was a levitating box that they spent a lot of time with - Magician's Assistant Cass got in, but then she didn't disappear? She just popped back out again after the box had been rotated a few times. Some of the Kittens were waving their hands under the box to prove there was nothing holding it up and looking amazed which was adorable though. There was also a bit where Misto put some cards into a hat, the hat got passed down a line of Cats and then at the end they just sort of flew out? Like idk maybe they changed the lyrics where they're describing different magic tricks and it all makes sense! I THOUGHT THE CONJURING TURNS WERE GONE, but they were just moved to the very end of the song and cut down quite a bit.

Ok BUT LISTEN, à la 2019, the poor boy tried and failed twice to bring back Old Deuteronomy and then just sort of flopped in the corner all defeated but then BOYFRIEND TUGGER HELD HIS HANDS AND GOT RIGHT UP CLOSE AND WAS LIKE I BELIEVE IN YOU BABE and omg for real those actors knew EXACTLY what they were doing Tuggoff nation RISE. I'm always a red-sheet-turned-cape stan but I can definitely get behind the sparkly tail coat and playing card bowtie. He also had this handkerchief that he threw up in the air and it became a magic wand. I have no idea how and it was very silly so obviously I loved it. Although I wasn't massively into the choreo changes (ballet dancer Misto 5eva), Pierpaolo Scida was a magnificent Misto and I adored him - he was so cute! The little background actions and looks he did were so in character with how he interpreted Misto! Also he was beautiful you can't change my mind.

Malika was such an intense Grizabella - 10/10. She was proud but so vulnerable. She walked right past me when she first came in and lads, she did the whole show in these massive stilettos - absolute queen. At one point it literally rained on her on stage! During her first Memory, Old Deut was really watching her, and at the end of it he approached her, but she ran off when she saw him. I thought it was a super cool character moment, like she knew she wanted to be accepted, but wasn't quite ready for it. Even after the big Memory and Old Deuteronomy declared her the Jellicle Choice, Victoria approached her, but she was still too scared to let her, and it was Jemima who finally was able to reach her and bring her in. At the end she just kinda disappeared off stage - there were no flying tyres or magic stairs in the circus tent!

During the bit after the bows some of the cats were out in the audience and Tugger scared the absolute crap out of this one woman by poking his head in between her and the person sitting next to her. Iconic. Also during the latter part of the interval the audience was allowed to come up to the edge of the stage where some of the actors were goofing about in character. This mf pretended to cough up a hairball and now I have it on video. I also got some close ups of Teazer and the beautiful Bomba!

The Italian Junkyard was fabulous! It was mostly roman landmarks like Piazza Navona and Bocca della Verità, but there was also Michelangelo's David (which I'm pretty sure is in Florence) above the orchestra! There was also a giant marble foot, an Italian-style water fountain, and a broken column. My favourite prop was the bench, it's elevated at the back left of the stage and the cast were using it like a slide to enter the stage! Also it seemed to be Misto’s preferred location to lounge.

In conclusion, I will never get over this.

[real-reulbbr-band]

The Reimagining of Cats Undermines Female Characterization

My anxiety's going to eat me alive if I keep being chicken about posting this so here's my more in depth feelings regarding what I mean in this post. All opinions expressed are my own and based on what I know of pac. Anyone is free to disagree with me. and thank you to @pinkieclown and @per-the-jellicle-magician for proof reading!

I”ll keep this simple cause I don’t want to get ranty on Tumblr, but by removing and cutting so many aspects of the show out they’ve lost key characterization for the female cast and replaced them with virtually nothing.

My problem isn’t that the characters don’t resemble their stage counterparts; that was expected. The issue is that they aren’t given much of a character at all. You could switch their names, and nothing would change. This problem isn’t apparent with their male counterparts with previously established on-stage storylines. 

Male characters in the reimagining, such as Munkustrap, Rum Tum Tugger, and even Macavity, retain or gain distinctive characteristics and storylines. Munkustrap is portrayed as an MC not a leader but still very much leading the show, it’s the same general role; Rum Tum Tugger as a charming rogue though slightly more akin to his 2019 movie counterpart except he still manages to ‘save the day’ at the end, and Macavity, despite his thievery, is given a more comical persona with a deeper relation to his now fellow jellicles.

 In contrast, female characters are stripped of their individuality and reduced to plot devices or mere extensions of male characters. Victoria doesn’t experience a coming-of-age or even touch Grizabella here. (It’s old Deut pretty sure which…I have problems with) She’s simply another attendant at the ball with a solo at the start that lacks deeper meaning. She’s portrayed as a ‘drag baby,’ and as stated by her actress  this isn’t even her first ball. No pas de deux or additional solo is performed to further her importance in the narrative. This reduction strips Victoria of her journey and her role within the tribe or in this case community. 

Demeter and Bombalurina have no dark history with Macavity, which affects Demeter’s characterization more than Bomb’s. They are reduced to his drag daughters and are merely other competitors at the ball who further Macavity’s story by being the ones he steals for. This change eliminates the layers of trauma and complexity in Demeter’s character, reducing her to a plot device for Macavity’s storyline.

If the female characters aren’t given distinct roles, their characters end up heavily associated with male counterparts: Jellylorum with Gus, Jennyanydots with Munkustrap, and of course, Bombalurina and Demeter with Macavity. They don’t exist as individuals without these associations, as their typical roles are relegated to the background.

In the original stage show, despite its issues in instances, female characters like Demeter and Bombalurina exhibit significant agency and emotional depth. Demeter’s fear of Macavity and Bombalurina’s protective nature towards her and the kittens add layers to their characters. The reimagining erases this agency, reducing them to passive participants who exist only to further male characters' narratives. Namely Macavity’s here.

Now, it is important to note that a lot of characterization happens outside of the character’s main numbers. Things like who they interact with in their down time, what they do when they’re not actively participating in a song besides simply watching and waiting for the next que; that’s when the actors are given time to just be the character. The actors don’t have as many opportunities to do that here just due to the formatting of the show with the runway catwalk and walking space outside it. During which they’re mostly interacting with the audience or reacting to what’s happening on stage. They don’t have a lot of moments to just interact with each other to give the audience a better feel of who they are. 

The reduction of female characters in 'Cats: The Jellicle Ball' reflects broader patterns of misogyny in the media. Historically, female characters have often been sidelined, their stories minimized, and their roles diminished to support male-centric plots. This reimagining perpetuates this problematic trend by failing to provide female characters with the same depth and development afforded to their male counterparts.

I know what you’re going to say ‘but Grizabella’. Yea, Grizabella has fifteen minutes of stage time and she’s the character who resembles her stage counterpart the most. That’s why these issues negate her and she’s of the few I don’t have this problem with, the others being Rumpleteazer, Cassandra, and Skimbleshanks as her role has never had a deeper narrative meaning outside of reflecting the behaviors of the tribe as a whole.

In conclusion, the reimagining of 'Cats: The Jellicle Ball' is a missed opportunity to reframe and enrich the narratives of its female characters. Instead, it falls into the trap of diminishing their roles and individuality, perpetuating a longstanding issue in media representation.

[rabnerd28]

Chronicling the Cats Broadway Revival Lifts

Hey, you know how we joke that you could make a drinking game out of all the lifts that they do in the Broadway Revival? Don’t do it. You will die of alcohol poisoning before the Jellicle Ball.

4:54 Electra, Victoria and Tantomile are all lifted during the "Heaviside Layer" line of Jellicle Songs for Jellicles Cats (3)

9:20 Electra and Tantomile during Jellicle Songs for Jellicle Cats. (2)

9:28 Not a lift, but Tanto, Victoria and Electra are swung forward across the floor. Doesn’t count but I’m marking vaguely lifting actions.

14:41 Sillabub is lifted in the background at the start of Invitation. There might be more cats being lifted but my bootleg is mostly focused on the main cats for each number. (1)

14:50 Not even a full 10 seconds later, Sillabub and another cat (I think it’s Tantomile) are lifted again. (2)

18:45 Coricopat and Skimbleshanks lift Jenny so that a ball can go under her (1)

19:39 Bomba and Demeter grab Jenny and slide her across the large sports balls. (Side note: I really fucking hate the balls. Why are they in this number???)

23:28 Tumble and Plato lift Victoria and Tugger walks under her. (1)

22:36 Rumpleteazer, Demeter and Victoria are all lifted (3)

23:40 Victoria and Tanto are flung forward and then flung back.

24:05 Electra, Tantomile, Victoria and Rumpleteazer are held on at their armpits as they drop so that they would be flat on their faces if their partners weren’t holding them, followed by said partners lifting them off the ground and spinning them. I’m counting it. (4)

24:32 Tantomile and Victoria are spun on the ground and then lifted by cats right after. (2)

26:08 Sillabub, Victoria and Electra are mid cartwheel when their partners (Mungojerrie, Plato and Pouncival (?)) grab them and slow them down. Tantomile is then lifted by Coricopat. (1)

All lift adjacent behaviors are forgiven for Mungojerrie and Rumpleteazer. What’s not forgiven is how literal the choreography is.

39:25 We went almost a full fifteen minutes. Coricopat lifts Tantomile when they first sense Old Deuteronomy. (1)

39:34 Once again, Tanto is lifted by Cori. (1)

40:14 Tanto climbs on Cori’s back and Victoria climbs on Plato’s and they are lifted. (2)

43:15 Victoria is lifted by Alonzo, Tanto is lifted by Cori (?). (2)

45:07 Mungojerrie lifts Rumpleteazer onto the stage, same for Cori and Tanto. They then lift them both again to go behind Old Deuteronomy. Followed by another lift after those. (6)

45:22 Munkustrap carries Victoria out to the front of the stage, then hand her to Plato, who lifts her, alongside Sillabub being lifted by Tumble (3)

46:23 Tumble lifts Sillabub (1)

46:40 Victoria, Electra and Tanto are all lifted by multiple cats. (3)

47:06 Several cats are supported during their arabesques

48:20 Teazer, Tanto, Sillabub and Victoria are all lifted, followed by Victoria being lifted a second time (5)

49:40 Electra, Demeter, Victoria, Tanto and Teazer are all lifted pretty much upside down (5)

50:18 Plato picks up Victoria for a little run lift thing, followed by carrying her as she does a cartwheel. (2)

50:29 Tanto, Teazer, Sillabub, Bombalurina (her first lift) and Victoria are lifted. Everyone but Vicky gets lifted a second time. (9)

51:33 Vicky gets lifted twice for the Pas de Deux (2)

52:58 Tanto is lifted (1)

54:16 Sillabub and Electra are both lifted twice (4)

55:16 Tanto and Tori are lifted…twice in a row (4)

55:50 Tanto, Tori, Teazer and Sillabub (4)

56:09 Tori, Tanto, Sillabub (3)

56:23 You know, Victoria’s big lift would be really impressive if we didn’t just see 100 of them before it (1)

I’m surprised they didn’t work a lift into Memory

At intermission we have 79 lifts…I am loosing my goddamn mind. I am actively crying from how funny this is.

1:36:48 Victoria and Electra were flung forward

1:49:25 Victoria is lifted. I thought we were going to make it through the whole second act without one, but nope. (1)

We end with a total of 80 lifts.

[just-before-dawn]

OKAY SO CATS: THE JELLICLE BALL!!

i watched it with my cousin and like i said in a previous post, it was so fucking amazing.

basically, its a ballroom competition where each cat is basically competing (through their character songs) to receive a trophy. then at the end, old deut chooses the one "cat" who will become the jellicle choice and ascend to become "reborn"

a side note, don't watch it with young kids LOL. some adult innuendos here and there especially with jenny's song (and of course tugger) haha, but very good!

okay let's begin (AND YES SPOILERS):

overture

i almost bawled my eyes out during this. the overture never fails to make me cry. its such an ethereal feeling.

pre playing overture - the dj comes out first and pulls out a couple vinyl, representing influential poc icons and then pulls out cats. he opens it and glitter sparks out. he then walks up to his turntable and starts the overture. in the front theres a projection of the cat eyes which has victoria's original white cat choreography dancing! then it turns into a silhouette of cassandra who starts doing vogue ballroom moves! so cool!

jellicle songs for jellicle cats

characters appear from all aspects of the theater. this show is hella interactive. they only had a few of the cats cast but it was still so very good. all of the outfits are so gorgeous. i honestly dont remember much bc i was so infatuated and i think i blacked out while watching. the part where they all gathered in the middle of the runway and did their catwalk was so fucking hype

naming of cats

macavity stared dead at me when doing the "theres a man over there!" but the cast disperses out the runway on the sides and munkustrap is the one mainly saying the poem like an mc (thats basically his role) from a microphone attached to a mic stand. the rest of the cast is also speaking with him and the spotlight flashes to the certain "cat" if they say their name

victoria the white cat

GIRLY POP WAS SO FUCKING GORGEOUS WITH HER MOVES I WAS IN FUCKING AWE SHE WAS SO BEAUTIFUL AND HER MOVES WERE SO AHHHHHH like i cant even describe it i dont even think i blinked once for real!!! her hair was gorgeous, outfit slayed, and HSIXKDKDKDK HER DANCING HER DANCING!!! AHHHHH

invitation

again, introducing munkustrap as the master of ceremonies. misto sang his usual thing (my god his hair was so long like SILK gorgeous long so smooth). munkustrap introduced it like a show. but it was so funny because they put it like "jellicle cats COME OUT tonight!" as in like actual queer coming out, they all carried signs and hung it up for everyone to see.

gumbie cat

off the BAT she is like...humping cassandra (who doubles as skimbleshanks) and theres a lot of sexual innuendos going on here and there LOL. she was so funny to watch tho and this was like the first part of the competition where it was "virgin vogue" first. i honestly forgot what was happening because SO MUCH was happening. but basically three cats were dancing and showing off their move, one cat won the trophy (it was cass) they all had a rainbow pride aspect to their outfit. i think jenny also won a trophy? i forgot.

tugger

dude was holding a fucking MCDONALDS HAPPY MEAL (i cant remember if it was right before his song or during his other songs). but jellylorum was holding a tugger fansign the entire time as he sang. his voice was UGH SO GOOD and my fucking god my cousin and i were flabbergasted over his moves like BRO we were gushing for realll. misto the entire time was just hovering around the runway as tugger was doing his usual flirting thing. of course dude attempted to strip. he won a trophy. but the last part (yknow the last part), he stood on the table (misto was mocking him as he did his riffs), sillabub was the one squealing and fainting. but mans is gorgeous. i forgot what his ballroom theme was tho. it definitely involved the guys like walking down the runway in different outfits trying to get his approval.

grizabella

ugh demeter's vocals were so gorgeous. but i looove the way grizabella's story was integrated with this show. she's washed out and wants to return, she wants to perform again. and sillabub had so much importance to grizabella's story. she was always the one reaching out to her while everyone looked away. her vocals were also gorgeous

bustopher jones

NONBINARY BUSTOPHER JONES!!! i loved how they did this number. their vocals were so powerful and their belts were so strong i was in shock??? also, the best part was the dance break when it was basically misto vs tugger (luscious body vs muscular body). bro...cheeks were OUT. literally tugger was only in like underwear spandex just flexing muscles, my cousin and i were like "OH MY GOD" and misto on the other hand was so fucking gorgeous oh my lord???? the hair and the sparkly outfit and the poses??? dude power couple FOR REAL!!

first macavity scare

demeter was like "macavity?? 🤨🤨🤨" her character is very different from normal productions but it was hilarious.

mungojerrie and rumpleteazer

I LOVED THEIR FUCKING JERSEY ACCENTS. IM FROM JERSEY AND IT WAS GREAT. even in the playbill, it said they came from victoria grove, new jersey I WAS AGHAST LMAOOO. but the theme for this one was duos! so it was mungo/rump vs victoria/tumble. their beginning outfits with matching jumpsuits was so cute and then they changed into these green fits that were so slay! they were basically going toe to toe with vic/tumble trying to outdance them. vic/tumble actually won the round but mungo/rump stole the trophy from them.

old deut

this part was hype!! munkustrap was doing his usual singing (through his handheld mic) and everyone was listening. when tugger's part came on, tugger was off the runway, so munk was crouching and putting the mic towards tugger. it was like a "your turn to sing now buddy! 😊" and tugger was like "okie :3" they both ended up on the runway and sang their duet. the cast held up "ALL RISE" signs and it was even projected on the stage, so we were all standing for old deuteronomy. he appeared from the curtain and we were all cheering for a long time until he silenced us. then he sang and held a note for like....maybe a minute long??!??? we were all cheering. he sat at his throne that was at the end of the runway. bc my cousin and i were sitting in normal orchestra seats, we couldn't see what he was doing half the time

*they removed pekes and pollicles*

jellicle ball

macavity scare again. well, actually, macavity appeared. he didn't seem to have a villain role? im honestly not sure what his role was but he seemed to be a jellicle. he also carried garbage bags (if someone could explain macavity more that would be great!!) nobody was like hiding (as in going offstage), but old deut was saying his usual thing and everyone was saying their parts of the poem. the jellicle ball was a showcase presenting different moves, it was so fun to see. for the fast part of the ball, misto made the "jellicle moon" appear (which was a disco ball!!) and the entire theater was just gorgeous. more showcase of moves! i was really jamming out during this part. grizabella was standing on the balcony area, watching.

memory

grizabella had now appeared on the ground floor, everyone went away, old deut was walking away too but stopped at the staircase to watch grizabella. sillabub also came back into view and watched her. i really did love her voice, it was gorgeous. and at the end, sillabub tried to get her back into the group by showing her a sparkling dress, but grizabella ran offstage. however, she did leave behind a scarf which now sillabub wore for the rest of the show

act 2 - moments of happiness

they brought out a screen and projected images of past history. i really loved how they did this. all the other cats were around to watch, but it was mainly all about old deut and sillabub. the older generation speaking to the new young generation. they presented the different "houses" and the last one was "grizabella of the glamour house"

gus

looooooved gus's look in this. and looooooved jelly's blue wig. gus's song was pretty much kept the same, with jellylorum singing about what he did in his past and so on and so forth. apparently they were taking out playbills from a bag and one of them was 2016 broadway revival cats (according to my cousin), but they were also flipping through a photo album. (to be honest, i was distracted by tugger and misto sitting together on the couch so close to each other) but all the cats eventually settled on the runway stage as gus performed. they had the "and once i played the rumpus cat" part (but no pekes and pollicles), so there was a cat as "gus as the rumpus cat from the past" and gus mimicking his moves. i really liked how they did this

*there was no growltiger*

skimbleshanks

FEM SKIMBLE!!!!! my cousin and i were so fucking hyped during this WE LOVE SKIMBLE IN THIS HOUSEHOLD!!! number one, the wig was fucking OH MY GOD SOOOO GORGEOUS???!??? so skimble is the train conductor of the mta! so they were mimicking being on the subway IT WAS SO FUNNY. she fr pulled out a metrocard and they played the "please stand clear of the sliding doors" announcement pfft. but the most surprising part was that she sang some of the lyrics in spanish??!??!??! TOTALLY ATE FOR REAL!!! my cousin and i were so shocked it was such a fun sight to see!!! she slayed so hard along with rumpleteazer. they were literally going toe to toe with each other dancing! (i think the theme for this was old way vs new way?) and also misto and skimble were also going toe to toe with each other ugh they were so goooood

macavity

again, i was still confused on macavity's role in this (someone please explain!!) but old deut was not taken away yet. he did however fucking flashbang a flashlight at all of us. he was taken away after the song and during the fight. but i LOVED how they did this. the theme was "labels" and UGH the demeter and bomba were such a good mix. they were basically wearing high end brands for the runway (like louis vuitton and prada), going against victoria, tumble, and mungojerrie?? i think?? macavity showed himself during the climax of the song in such a cunty outfit it was amazing. they were all showing off to old deut. mac/deme/bomba won the trophy i think, but then it was discovered that their outfits were fake? i think? i honestly dont know, but the police barged in and old deut sacrificed himself for macavity. this is when he was taken away

mistoffelees

tugger sat at the end of the runway, contemplating, thinking in distress, as everyone was trying to figure out how to save old deut. and then an idea hit him and thats when he starts the song. bro i was literally shaking in my seat. tugger was trying to hype everyone up for misto, but they were all like "you're crazy bro" however when misto showed up in that GORGEOUS BEAUTIFUL EXTRAVAGANT SPARKLY OUTFIT AND CROWN bro we were all so shook OH MY GOD its the magical mister mistoffelees. the theme was runway! so people were walking down the runway like a fashion show and misto was taking an aspect of their outfit away from them (this is also when misto basically rips off tugger's underwear HAHA). misto also fucking SNATCHED demeter's wig it was so funny (this was all during his "dance break") but yes of course, misto did dance and UGH IT WAS SOO GOOD I LITERALLY COULD NOT STOP CHEERING. a covered box was taken out as misto kept doing some more moves and posing, then removed the blanket to reveal old deut! (posing some more, literally ate and left no crumbs) everyone cheered as misto continued to dance, doing another version of the conjuring turns. old deut returned to his chair and everyone was encouraged to sing along! we were all standing and cheering! and YEP at the end! as tugger is giving misto the trophy, THEY FUCKING KISSED. TUGGOFFELEES SO REAL. THEY KISSED GUYS.

memory reprise

grizabella comes out again from the curtain, this time in full glam and the dress that sillabub offered, trying to make her case and perform again. the duet between sillabub and grizabella was so gorgeous oh my god. i was in awe at their voices. i really do love how they interpreted their relationship. it made so much sense. sillabub is basically a big fan of griz and wishes to see her perform again, but griz cant, so sillabub encourages her. at the end, old deut chooses griz as the jellicle choice

heavyside layer

one by one, everyone is accepting griz, giving her hugs. old deuteronomy makes a staircase appear and that is how griz ascends. the harmonies were so beautiful.

addressing of cats

old deut is singing to the audience. the cats are posing. they form the catwalk formation and drinks are being passed out as they sing. again, gorgeous voices

bows

we managed to record some of the bows! but im screaming and crying during most of it. munkustrap introduced the cats individually and they did their own stuff down the runway (including the conductor!) it was like a whole ass party. i was so lightheaded and full of adrenaline when the show ended. literally shaking.

and thats my rundown. i for sure forgot some things but ugh i really wanna go see it again. if i do, i can do a better explanation LOL. but yeah, please go see it if you can. its going on until august 11. and feel free to add stuff too! this is just what i saw.

each character was done so well and everyone ate so hard. i fucking love cats. okay good night it is 2am.

[jelliclekay]

Kay Sees Regional Cats

I saw my first regional Cats production the other day! It was so exciting to go see a local theater production of Cats. I'll be honest, I don't really pay much mind to the regional production bootlegs of Cats that exist on YouTube. But when I learned a theater only an hour from me was putting on Cats, I knew I had to go, especially since the US tour ended and there's been no news in site of any official production picking up anytime soon.

My expectations were fairly low- I knew going in it was just a small community theater doing the show, and it obviously wasn't going to be anywhere near the official production. That said, the performance was incredible and blew my small expectations totally out of the water. This is going to be a long write-up of all my thoughts on the vocals, dancing, and character interpretations, so thank you for anyone who decides to read my ramblings!

Here's a photo of the set and the cast list.

One thing you may notice is, well, how many cats there are. From my understanding, the performing arts center who put this on combined their theater department and their dancing department. The majority of the cats were played by young dancers who only appeared on stage during the heavy dance numbers. Yes, there were many kids in this show.

In fact, all the vocals were done by and really only by Munkustrap, Tugger, Demeter, Bombalurina, Jemima, Old Deut, Jelly, Jenny, Skimble, Griz, Bustopher and Gus.

Costume wise, the unitards and warmers were the weakest part. Very faded looking unitards with normal winter-wear warmers rather than the standard Cats warmers. The wigs and makeup were all London replica, and a lot of the wigs were so nice. I assume most of them just looked up their characters and did whatever makeup first popped up on Google.

The Munkustrap was incredible, by far the best Munk vocally that I've ever seen. I could not rave enough about him. He did everything perfectly, and I would love to see his performer go on to play him in an actual official production.

Jenny was so fun, and she actually stayed in her Gumbie coat the entire show. She would frequently just nap during numbers.

Demeter slept during Tugger's number and looked annoyed and hissed at him when he tried to interact with her during it. Queen shit, honestly.

Bustopher and Gus were played by two separate performers, which meant Bustopher got to hang on stage the entire time! Also, he had his giant spoon.

Mungojerrie and Rumpleteazer did not sing their song. They were both played by dancers, while Bomb and Munk sang the song in the background. It was an interesting choice, but like I said, I love Munk's vocals, so I was happy to hear more of him.

The Jellicle Ball itself was cut down significantly. There was no pas de deux, and they didn't do the part where Griz shows up halfway through. This was probably my biggest disappointment for the entire show, but I also wasn't all that surprised.

A change that I really loved and would love to see implemented was Old Deut AND Jemima staying to listen to the Memory prelude.

During Moments of Happiness, Old Deut himself reached out and led Jemima up to sing her lines. The Jemima had a BEAUTIFUL voice as well.

Jelly and Gus were SO good. Her voice was perfect for the character, and it was so nice getting to see a performer who wasn't John Anker Bow as Gus. This production did Gus Pekes. Demeter and Tantomile were the lead Peke and Pollicle, which I thought was cute. Also, they added a fun bit where Gus got a hairball when he came out as the Rumpus Cat.

A small detail was that Griz was in the back basically the entire time singing along. Seeing her hiding away, but still singing along with everyone made her character feel even more tragic.

Macavity didn't kidnap Old Deut persay as much as he just led him away with a giant cat toy. It was so silly (in the most positive way possible)

The Macavity number was interesting, and not in a bad way. Demeter and Bomb took turns singing into a microphone and would physically push one another out of the way. As someone who wishes the professional productions would have Demeter and Bomb be Meaner to one another, this really scratched my itch for them to be more catty to one another.

During the Macavity fight, Tanto and Cori were the ones who led Demeter to safety. Ships were the farthest thing from my mind when watching this production, but Demeter and Tantomile were so close in this production. and I just really loved that, and it makes me wanna make them close in my hcs now.

Tugger helped Munk fight Mac!! And it was bad ass!! I loved it. More Tugger fighting please and thank you

I don't really have much to say about Misto. He was played by a younger dancer, and the solo was about what you would expect from a regional production. It was still fun to see, and just sparked so much joy just hearing the song in general.

Griz sang directly to Demeter for a lot of Memory. Her voice was great, no complaints there. I honestly thought they were going to have Demeter be the first to touch her, but that honor was given to Old Deut and Munk instead.

The Ad-Dressing really got me. I already get emotional whenever I hear the song normally, but hearing it live even at just a regional production after so long almost made me break down. The cats all came into the aisles too!!

And that was my experience at regional Cats! All in all, it was so much better than I expected, and I had such a fun time. If there's ever a local theater doing Cats near you, definitely go and check it out. Supporting local theater is important, and who knows, you might be completely blown away by some of the performers you see. I know I was!

[naturepointstheway]

Little excerpt from the just-started seventh chapter of Mute and the Maine.

It was silly, really, he felt, that he should feel bad for not having been there when Macavity had appeared at the junkyard during the Jellicle Ball. It wasn’t his fault--it wasn’t anyone’s fault--that he hadn’t been there at the time, off trying to search for the whereabouts of Old Deuteronomy, before Tugger had found Mistoffelees and they had agreed to use their song and dance to help the others see he had strength to bring back their beloved leader. 

The injuries others--especially Munkustrap, and Alonzo--had sustained though? 

They wouldn’t have happened had he been there, had he been able to protect the junkyard, the Jellicles--

Stop, he told himself. Stop that. Nothing to feel guilty over.

---

Mistoffelees didn’t bother to hide how his tail went straight up in the air at that observation, sure his face was aglow now with his happiness. It seemed enough that it made even Munkustrap grin too, and Mistoffelees again was surprised by how much this softened the protector’s features. It was like his usual stress melted away to capture another moment of happiness at the corners of his eyes and his mouth. He really was handsome when he smiled, and a strikingly similar one to Tugger’s as well.

[lunabellathejelllicle]

Lunabella or Luna is my main Cats oc. She is a young adult queen who was an abandoned house cat, now jellcile cat who is my ship for Pounce.

Personality:

Luna is a kind and caring queen. When she first encountered the jellicles, she was very nervouse and afraid but slowly became friendly with them. After being in the tribe for a while, she became very sweet and friendly to her new tribe mates and even showed her slightly sassy and sarcastic side. As a new member of the tribe, she is rather curious and is eager to learn all she can anout her new home and family.

As a mother, Luna is very loving and protective of her twins and can be just a little but stern but can be a fun parent but leaves most of the fun parenting to Pounce. She loves to tell stories to the younger kittens especially the story if the night the jellicles found her.

Bio(including when songs would happen because this is basically the plot to a story I’m going to write):

Luna doesn’t remember really anything about her parents or how she was found by her owner. She lived with her owner, a young woman, for a few years. But she was abandoned by her owner when her ownwr planned to move in with a new partner that hated cats so Luna was thrown in an alley in a cardboard box and left there. When Luna finally freed herself, she was lost, confused, scared, and saddened to have been abandoned. Suddenly she she sees two pairs of eyes, one blue, one green watching her from the shadows. They watch her for a moment before The two cats would finally show themselves and tell Luna that they’re not going to hurt her and that they saw what happened to her. They would ask her name and and Luna would tell them and then they introduce themselves as Coricopat and Tantomile. Tantomile approached Lina slowly and extended a paw to her and motioned for Luna to place her own paw on hers. Luna does and Tantomile closes her eyes for a moment. She msnioes after a couple of seconds pass and opens her eyes.

She would then walk back over to Coricopat and they asks each other if they should take her to Munkustrap. Luna is confused because she doesn’t know who that is but is surprised when Coricopat and Tantomile both agree that they should and they tell Luna to trust them and to follow them. Luna is hesitant but she follows them.

Luna follows them down a few streets and alleyways beforethey finally arrive at a large junkyard. When Luna looks around, she see a large group of gathered cats and Tantomile stays with her while Coricopat goes and get Munkustrap. When he arrives the twins tells him that they watched Luna get abandoned by her owner and they sense that she was good a brought her here which happened to be the night of their annual Jellicle Ball.

Munkustrap And The cats then question whether or not she is one of their tribe, known as Jellicles (Jellicle Songs for Jellicle Cats). Three of the Jellicle cats stop Luna and ask for her name. When she gives it, they ask for her second name. Lina is confused as she only knows of her one name which makes Munkustrap explain the importance of the names of Jellicle cats (The Naming of Cats). She later is given an invitation to the Jellicle Ball, which occurs only once a year, where many cats compete, and the leader of the tribe, Old Deuteronomy, chooses which of them goes to a place known as the Heaviside Layer to undergo reincarnation (Invitation to the Jellicle Ball).

The Jellicle cats then introduce her to a cat named Jennyanydots, who sleeps during the day, but reforms mice and cockroaches at night (Jennyanydots: The Old Gumbie Cat). The next cat Luna is introduced to is Rum Tum Tugger, a capricious and rebellious tomcat, takes aliking to her but Munkustrap and Alonzo keep him away from her warning her about how he is and that she’ll thank them later (The Rum Tum Tugger).

After Tugger is introduced, a couple of the young queens ask Luna how she’s is handling them, them referring to the tribe and their ways. Luna confesses she is a little confused and is doing her best to remember every cats names. The queens introduced themselves as Jemima and Victoria. As they are talking, Luna’s eyes land on a young tan, black, and white tom cat. She asks who that is and Jemima perks up and tells her that he is her older brother, Pouncival. Luna watches Pounce as he talks with the other toms and she blushes abit.

Then A new cat, Bustopher Jones, arrives and greets Luna warmly as he and the tribe tells her about him(Bustopher Jones: The Cat About Town). The merriment is cut short, however, by a loud crash and bursts of lightning that startles the tribe and Munkustrap Tells the Jellicles hide and amidst the commotion Luna is left behind and gets lost again.

She is found by two mischievous cats who tell her that they are jellicles and can show her the way back to the junkyard but first they invite her to have a little fun as they rob and trash a nearby house and show Luna how fun a wild, carefree life can be and they introduce themselves as Mungojerrie and Rumpleteazer (Mungojerrie and Rumpleteazer). The merriment and destruction are cut short when the owner of the house starts coming after the trio.

Mungojerrie and Rumpleteazer then bring Luna back to the junkyard where the rest of the tribe is waiting for them. They are just in time to meet the leader of the Jellicles tribe, an old male cat named Old Deuteronomy (Old Deuteronomy). As Luna goes to join the tribe in waiting for him, she bumps into Pounce and both of them blush and Pounce formally introduces himself to her, stuttering abit. Once Old Deuteronomy arrives, Munkustrap announces that the celebrations can truly begin.

The cats tell a story for Old Deuteronomy where the toms and queens dressed as dogs or “pekes” and “pollicles” as Munkustrap who has clearly been rehearsing with the other characters and expects them to remember their cues. They tells the story of two dog tribes, the pekes and the pollicles, clashing in the street and subsequently being scared away by the Great Rumpus Cat who glared at the dogs, then yawned at them, the leapt in the air, scaring the dogs away. As the tribe is performing the story, The performance does not go smoothly; the leader of the Pollicles steals a line from the leader of the Pekes, Tugger interrupts with bagpipes, the Rumpus Cat does not appear on cue, and so on. Luna watches the story with Old Deuteronomy and is entertained by the story and the mishaps, watches Pounce specifically, and thinks the story is made up until the Rumpas Cat actually appears. She’s a little shocked at first by his appearance but Once the story is over, he comes over to greet Old Deuteronomy and is intrigued by her. He signs to Old Deuteronomy asking who she is and Old Deuteronomy introduces Luna to him and explains that the Rumpas Cat is mute but not deaf so Luna says hello to him and the Rumpus Cat twitches his ears to show her that he heard her. Old Deuteronomy also explains to Luna that the Rumpus Cat is his eldest son, Munkustrap, Tugged and Macavity’s older brother. Luna questions Macavity and Old Deuteronomy confirms thag Macavity is related to them. Old Deuteronomy is then interrupted by a second loud crash and more lightning signaling that Macavity is around again.

After a quick patrol for Macavity, Old Deuteronomy deems it a false alarm and summons the cats back as the main celebration begins and the Jellicle Ball commences (The Jellicle Ball), and Luna is hesitant to join at first as she doesn’t know the dances but at one point she is pushed to the middles and shows off what she can do and she finds her place amongst the tribe as they finish the dances as Luna finds that she did the dances correctly without being taught. While the cats are taking a rest Old Deuteronomy and Jemima serenade the tribe as the rest and as Luna learns more of their names and some history of the tribe (The Moments of Happiness). A couple of the young adult cats, Electra and Victoria asked Luna to tell her story and Luna does. After she’s done, they comment that Luna is not a Jellicle Cat yet, but she could become one.

The next cat Luna is introduced to is an old theatre cat called Gus (Gus: The Theatre Cat), He was once a famous actor but is now old and "suffers from palsy which makes his paws shake". He is accompanied by Jellylorum, his mate and caretaker, who tells of his exploits. Gus then remembers his past acting career. After Gus exits, Lina is then introduced to Skimbleshanks (Skimbleshanks: The Railway Cat), is seen sleeping in the corner. He is the cat who is unofficially in charge of the night train to Glasgow. Skimbleshanks is considered vital to the rail operations, as without him "the train can't start". Luna watches him and the other jellicles perform and introduce him to her. Within his song, a whole steam train engine is assembled out of objects in the junkyard and Luna is amazed.

With a third crash of lightning and an evil laugh, the "most wanted" cat Macavity appears. He is the so-called "Napoleon of Crime" who always manages to evade the authorities. Munkustrap makes sure to stand between him and Luna, who is terrified as this is her first time seeing the evil tom cat. Macavity's henchmen capture Old Deuteronomy and take off with the patriarch in tow. As Munkustrap and his troop give chase, Demeter and Bombalurina explain what they know about Macavity ("Macavity: The Mystery Cat"). When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. As they’re fighting, Macavity looks over at Luna with interest and She feels uneasy and Alonzo puts himself between her and Macavity. Macavity holds his own for a time, but as the rest of the toms in the tribe begins to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion. Luna is still a little shaken up after he leaves and is concerned about how they will get Old Deuteronomy back.

After the fight, Rum Tum Tugger calls upon the magician Mr. Mistoffelees for help ("Magical Mr. Mistoffelees"). Known as the "original conjuring cat", Mr. Mistoffelees can perform feats of magic that no other cat can do. As He displays his magical powers in a dance solo and uses them to restore the lights, Luna sits with Victory and Jemima and watches him in amazement. Mr. Mistoffelees Calles upon Luna to be his assistant and he hides her under a tarp and in one moment Luna was under the tarp and then she behind a pile of junk in the junkyard. She peeks around and sees that she had helped Mr. Mistoffelees brought back Old Deuteronomy.

Every one rests for a moment and as they are Macavity’s hench cats show up again and this time they take Luna. They take her to Macavity’s lair where he puts a barrier around her out of his powers and tells her that he’s using her as Bait to lure the jellicles to him as he assume they would use Mistoffelees to bring her back and that’s what the barrier is for, to prevent him from doing that. Luna sits and hopes that the tribe will come save her but is also unsure if they will or not.

Back at the junkyard, evry cat is worried for Luna, especially Pounce as he has developed feelings for her. Munkustrap tells Mistoffelees to bring her back but when he tries, he fails as the cat he picked to help him was still under the tarp. They would ask why it didn’t work and Misto wpuld assume that Macavity is preventing him from using his powers, explaining that there are spells that can do that. Munkustrap would then decided that they will have to actually go to Macavity’s lair to get Luna back. He assmebles all the toms but leaves Tugger, Skimbleshanks, and Asparagus behind to protect the junkyard and the rest of the tribe while they’re gone.

Munkustrap and the rest of the toms go to Macavity’s lair and devise a plan to rescue Luna. Their plan works and they are able to escape and head back to the junkyard with Luna.

When they return, every cats is happy to see Luna again and is happy she is safe. Then Luna is told it is her turn to perform. She is confused at first but realize she has to tell her story, tell the tribe about her (basically she’d sing Beautiful Ghost). After she is done, Old Deuteronomy invites her to sit with him. He gives an address ("The Ad-dressing of Cats"). After the ball is over, just as the sun is rising, Old Deuteronomy tells Luna that she is a Jellicle cat and officially welcomes her to the tribe to which the whole tribe celebrates.

Luna is in disbelief but is thankful for the tribe bringing her in and giving her a home and a family. The tribe rests and goes about a normal day in the junkyard as they do after every Jellicle ball, and Luna is congratulated by her new tribe mates. The queens are excited she’s an official part of their tribe. Luna thanks them and notices Pounce coming up to her. He congratulates her and tells her that he’s really happy she’s found a home with the tribe. Luna thanks him and the two kind of confess their feelings for each other.

Over the next few months, Luna adjusts well to her new home and loves and enjoys her life as a jellicle.

Some time later, Pounce asks her to be his mate which Luna happily accepts. And some more time later, Luna finds out she’s pregnant and gives birth to one little of twin kittens, a tom they named Percival and a queem they named Viviana.

Appearance:

Lunabella has a cream coat with light brown and gold markings. Her markings are a mix if patches and stripes so she could be viewed as a Tabby or just a patched cat. She has amber eyes and a brown nose.

When she wa a house cat, she would a simple light gray collar which is removed feom her when ahe is abandoned.

Fears:

Abandonment

Macavity (obviously)

Cars

Friends:

Victoria and Jemima are her best queen friends

Tumble and Misto are her best tom friends

She get along well with pretty every cat

Family:

Unknown Parents

Pouncival- Mate

Percival- Son

Viviana- Daughter

Skimbleshanks- technical Father-in-law

Jasmine(Oc)- Technical Mother-in-law

Plato- Technical Brother-in-law

Admetus- Technical Brother-in-law

Jemima- Technical Sister-in-law

*I say “technical” because in my Cats au somw “human” relationship status don’t necessarily exist in the tribe. I’ll get into that when I post explaining everything about my Cats au*

Random:

Luna earliest version, which was pretty much just her name, was created April 22, 2017.

I finalized her name, info, pelt, etc. in 2024.

Her original name was Violeta but I ended up coming up with Linabella and I liked that better.

She was always going to be paired with Pounce.

Some other colors I had in mind for her pelt were gray, black and white with green eyes; red, red brown, and cream with blue eyes ; or black and white with yellow eyes.

I didn’t realize the connection at first but her backstory is basically Victoria’s from the 2019 version. Essential her story is my version of the movie in a way.

Her fear of Macavity didn’t develop when she first sees him. She is a little startled and caught off guard by him but her fear of him really develops when he kidnaps her.

Every cat calls her Luna for short except for Tugger who calls her Bella which she doesn’t mind but Pounce does a little which she thinks is cute.

She has a sister relationship with Victoria and has a slight father-daughter rela with Munk.

Alonzo and Plato also kind of acts as an older brothers to her.

[munkustance]

I can’t think of a prompt rn, butttt what do you think the jellicle choice for the next 5 balls will be :3

Oof, I think for the next Jellicle ball Gus will 100% be the next Jellicle choice, if he's still alive by then. But lets say he is. Jellylorum would once again help sing his song although this time without Gus joining in, being to weak to do so. Everybody was somewhat anxious during the whole ball after the chaotic events from the last one but it all thankfully went smoothly.

The next Jellicle choice was like no other, because it was a kitten. While Munkustrap was on a patrol he'd seen something horrible. A couple of young kids kicking and tormenting maybe a three months old kitten, barely old enough to have a name. He reacted quickly and chased the kids away before running back to the junkyard with the kitten. The adults gave the kit the name Arky. And just two months later Old Deuteronomy would help the still kitten-blue-eyed Arky up the tire and up to the Jellicle moon. Leaving Arky to be the youngest Jellicle Choice.

3rd to go was Asparagus jr. He himself started suffering from the same illness his father had and it only got worse by the day. When the Jellicle ball was coming up again everybody knew he would be next to go unless another Grizabella situation took place, but it nothing like that happened. It was planned for Skimbleshanks to sing Asparagus's song but he found it too difficult and he only managed to get through it thanks to Tumblebrutus helping him.

The following year it was Bustophers Jones's turn. But this year it was thankfully for no depressing or sad reason. Bustopher was simple just ready to move on to his next life, being content with what this life had given him. He sang his song just like every other year with the only difference being the extra food he brought for everyone.

Although the next ball would shock everyone to their core. At the end of the ball Old Deuteronomy announced himself as the next Jellicle Choice with the only ones knowing beforehand being his sons, their partners (ie Mistoffelees and Demeter), Tantomile, Coricopat and Jemima. It was at that same moment when the next Chooser would be announced and to nobodys surprise it was Jemima. Old Deuteronomy had of course helped Jemima learn the ropes these last few years and even now that he was leaving she still had Tantomile and Coricopat there ready to help her at any second.

Okay why was this so much fun to write? Just thinking and coming up with why and how each cat "died" was so fun and interesting!

[prxckedradiolove]

14 and 7 for jellicle asks

IM SORRY THIS TOOK LONG TO ANSWER I HAD THIS ASK FINISHED AND THEN IT DIDN’T SAVE AND I GAVE UP ON IT BECAUSE I WAS DISCOURAGED

Surprising unpopular opinion of yours?

A lot of people head cannon Dem to be short but I’ve always thought of her as tall and lanky? Even though there’s never been a Demeter actor who’s been abnormally tall, (At least of what I know of) I’ve always thought of her as tall.

Favorite Sibling head cannon?

Ok so of course I love Alonzo, Misto and Victoria. They are great <333 Most of the popular ones like that one and Mungo and Rumple are ones I really appreciate, of course. But my favorite has got to be Etcetera and Bombalurina. Etcetera gives SUCH little sister vibes to Bomba. She would totally beg Bomba to get her Mcdonalds and ask her to take care of her bugs. Bomba would put up with taking care of her but deep down would still love her. Of course In the actual cannon of the cats universe I have so many ideas for them. I’ve always thought that on Etcetera’s first Jellicle Ball Bombalurina would show her around and they would hang out and talk and giggle together during songs. Bombalurina’s crush on Tugger rubbed off on Etcetera which is why she is Tugger’s #1 FAN! PEOPLE NEED TO SEE MY VISON!! I love them so much and I wanna draw art of them as siblings <333

Thanks for the ask John!!! 😘

[droughtofapathy]

"Welcome to the Theatre": Diary of a Broadway Baby

Cats: The Jellicle Ball

July 6, 2024 | Off-Broadway | PAC-NYC | Evening | Musical | Revival | 2H 30M

Well, I didn't hate it. But I didn't love it either, so at least my pretentious theatre persona didn't take a complete hit.

Cats remains one of the most divisive shows in musical theatre history. You either love it or hate it, and you can guess where I stand. Cats: The Jellicle Ball is a high-concept revival that recenters the story on ballroom culture. It's queer, it's spectacle, it's painfully appropriate. It works so well and I'm a little mad about it. I fear this was the way Cats was always meant to be presented. Now, the "cats" are ballroom performers with two Houses (House of MaCavity and House of Dots) competing for trophies and Old Deuteronomy's approval. The ultimate prize remains the Heavyside Layer, which is still basically just ritualistic suicide so I don't know what's up with that, but sure, fine, whatever.

Things of note:

Jennyanydots is a House Mother who has a litter of virgin voguers ("kittins") she's coaching to win the competitions.

Munkustrap is the Emcee of the night.

The virgin voguers are Victoria, Cassandra, and Electra.

Mungojerrie and Rumpleteazer are from Jersey and cause all sorts of havoc during the category competitions.

Rum Tum Tugger is as horny as ever, and if you read any other reviews, they'll mention the actor's jockstrap. Personally, as a lesbian, I was unimpressed, and his overall performance was just okay to me. His voice was very much your basic pop star kiss the mic and pout kind of deal. Don't care.

Macavity is less of a villain here and more of an irresponsible House Father who shoplifts his house members' costumes. This is about the only real plot we have. The police come to arrest Macavity for his thefts and Old Duteronemy "gives himself up" to the cops to protect Macavity (who is now guilt-ridden and apologetic(?))

But don't worry. Magical Mr. Mistoffeles is here to save the day with a big magician's trick box and Andre de Shields emerges unscathed.

Gus, the theatre cat is played by Junior LaBeija, an icon and trailblazer of ballroom culture. He has been a member of House of LaBeija for over fifty years, and his legendary status shows.

Skimbleshanks is a slutty MTA employee.

Grizabella is a former ballroom icon who is well-past her prime. Now homeless and destitute, she longs to regain the glamour of her youth.

The changes to the setting and "story" means that some "cats" are drastically downgraded. Bombalurina doesn't get to do anything anymore (and the one "Macavity" song is...not impressive from her end). Jellylorum gets elevated to a more vocally impressive role. Shereen Pimentel is almost single-handedly carrying the entire cast's singing. She floats on that high soprano track and I am in awe.

As a piece of artistry, this new concept is radical, transformative, and wildly creative. As a musical, the source material is still...Cats... So like, there's only so high it can climb. Yes, it's a fun night out. It's wild. I sat along the runway, so I had "cats" dancing right in front of me and twerking on the little round table I sat behind. At one point, two of the cats sat next to me to hang out. At another point, they offered up vodka shots (alas wasted on my sober ass). It made for one hell of an immersive experience (which I could have done without, but I picked that seat to avoid climbing steps, so trade-off), and visually it's stunning. The choreography is a lot. I don't have much knowledge of ballroom culture beyond a rudimentary understanding (and I'm not a fan of drag, which is heavily based off that), but I can appreciate the physical feat. The cast is partially trained musical theatre performers and partially ballroom performers, and the divide is pretty damn stark. Which brings me into my main criticisms.

Dramaturgically, the "plot" they try to infuse with the police and the raid is...not great in execution. I don't think there would ever be a successful way to integrate a book into this musical. But we don't have time to get into all that.

Also, it's a really fucking rowdy kind of show with lots of screaming and hollering from the audience, which is appropriate given the show, so I won't shake my fist. However, I was prepared to be miserable when the first note blasted through the house and everyone was shrieking with glee over a projection of a "cat" shadow doing a dance. Why so excited for what was ultimately very dull projection work? But I digress.

Musically, the show falls apart. Unlike Sondheim, whose work is far more reliant on excellent actors who can carry a tune, ALW's scores call for the opposite. His music demands technically perfect singers and actual acting can fall by the wayside as long as the notes sound good. Without singers, the whole scaffolding collapses. ALW scores are not about lyrics or even storytelling. They're about the notes. And this cast, while doing phenomenal physical work, has maybe two or three excellent singers, and no, they aren't playing the roles you'd expect. When Bebe Nicole Simpson as Demeter finally gets to do something halfway through act two ("Macavity: The Mystery Cat"), her incredible voice is a breath of fresh air. Shereen Pimentel is carrying the whole damn team with her high notes. Everyone else is standard ability, or lower. The sound mixing heavily favors the beat, so lyrics are lost to the aether left right and center. Which, given how I feel about ALW, might have been a positive, except that the lyrics of Cats (thank you T.S. Elliott) were really the only good thing, and with the casual dismissal of them here, what's left?

"Memory" is lowered significantly, and you won't find any Betty Buckley brilliance here. I understand wanting to have a ballroom icon in this role from a dramaturgical perspective, but from a musical perspective, big mistake. It's not a dance track, so it needed to be a singer. The actor did manage to infuse passion into the role, so it wasn't a disaster, but it wasn't what it should have been. I may hate the original show, and the song itself, but even I feel transcendent when Betty Buckley hits that key change. That didn't happen here, and it was almost a little horrifying. Still, far from the worst vocal miss I've heard all year (looking at you...Lempicka...)

At the end of the day, it should be seen for the risky theatremaking feat alone. I've seen queer people singing its praises from Battery Park to Washington Heights, so it's got an audience. And as history shows, Cats doesn't need to be good to be commercially great.

Verdict: ALW Memorial Landfill

A Note on Ratings

You still can't gaslight me into liking an ALW show.

[cassandra-has-moonlit-eyes]

Notes on the Il Sistina Cats production

I was able to see the Il Sistina Production on three seperate days: 19.10.2023 20:30, 20.10.2023 20:30 and 21.10.2023 16:00. These are my notes on this production.

I will use headlines so you can skip parts you don't want to read.

I'm a lazy ass bitch so I will use the English names and not the Italian ones.

First day I had the full cast.

Second day Grizabella was covered by another actress who played Grizabella a little bit different. Unfortunetly I didn't catch her name when they anounced it.

Third day Quaxo was missing so his lines went to Alonzo.

Stage/Setting:

The Il Sistina production doesn't take place in London but in Rome. This is mostly shown by the setting but is also referenced in the lyrics (I do not speak Italian, but I understand some words). There is for example a street sign on stage which says: "Largo di Torre Argentina" which is a place in Rome and the LED wall in the background shows the Colosseum most of the time. There is also a Roman water fountain on the right side which even dispenses (fake?) water. The is also a street sign with "Via della Gatta" (Street of Cats)

Characters/Cast:

They have a lot of chorus characters: Quaxo is a seperate character from Mistoffelees, they have Jemima AND Syllabub, Electra, Etcetera, George and Bill Bailey who is also named Carbuckety.

This season Bustopher Jones and Skimbleshanks are palyed by the same actor, he plays Bustopher Jones during the first act and Skimble during the second.

Gus is a seperate character with a very strong chorus identity which also takes part in the ball and in the Macavity fight.

The Macavity chorus identity is called Admetus.

Songs and characters:

Jellicle Cats:

Munkustrap is the first character on stage. His make up and wig are the only ones I do not like, but the actor, Sergio Giagomelli, is very good. He does a lot of dancing too. Second on stage is Demeter but she is later scared away by chorus Gus who wants to sit on her spot.

The number is very energetic and I really love the choreography. It "quotes" some of the Lynne Choreo but also the new Broadway one.

The Naming of Cats:

During this song they have the poem on the wall in the background which I found very distracting. They also changed some of the names. One name was Marc Aurel which was fun. The cats move when their names are mentioned. Bombalurina is very dramatic. Her collar sparkles a lot.

White Cat Solo:

Victoria dances next to the fountain. It was very beautiful. At the end Munkustrap joins her and lifts her up.

Invitation to the Jellicle Ball:

After Victoria's solo the lines usually given to Misto are given to the Quaxo character. On the day Quaxo was missing it was given to Alonzo. Still Misto isn't a mute characters, he has some lines later in the play.

The Old Gumbie Cat:

Il Sistina plays that bit where Misto thinks Munkustrap wants to sing and where he is quite disapointed when he doesn't. He needs som comfort by Tanto and Cori afterward. Meanwhile Tugger is still on stage which I've never seen before. Now it's his chance to be annoyed by her. The Gumbie Trio is absolutly amazing, all three of them are even more prominent during the musical. Gus wants to play with Demeters tail but she just smiles at him and goes away to dance with Jelly and Bomba.

Jennyanydots wears a ball of wool. There is tap dancing and rope jumping, mice and cockroaches, but the cockroaches are just knee socks. The number is very fun and energetic.

The Rum Tum Tugger:

First of all I absolutly adore the Tugger design. He is not black but gold, has amazing Make up with a heart and golden glitter eyeshadow. He doesn't have his mane but a big belt and during his number he also wears a white leather jacket. Gus more or less introduces him by showing the audience a poster which advertises one of his shows. First the Gumbie Trio, two younger kittens, Mistoffelees and Mungojerrie dance while Tugger sings. One after another the other Cats return. First Mistoffelees and Mungojerrie try to hold the other girls back (Cassandra and Tanto included) but no chance. They storm the stage.

The line usually sung by Misto, Alonzo or Munkustrap is given to Quaxo again (The terrible bore one). On the day Quaxo was missing it was given to Alonzo again.

The Gumbie Trio also plays a very prominent role in this song. Bombalurina has a great interest in Tugger, Jellylorum is very entertained and enjoys the show and the flirting, Demeter is not that amused by Tugger and his flirting but Vibes with the other Cats and joins the choreo. Sometimes she looked very shocked at him, it was really fun. The acting by Viviana Salvo (Demeter) and Natalia Scarpolini (Jellylorum) is absolutly great during this number, same for Giorgia Cino (Bombalurina).

Giorgia Adamo who plays Tugger does a really great job with his voice and acting. I flirted a lot with the audience. Really cool, really flirty Tugger.

Interesting staging choices were made too: At the end the fangirls do not stay on stage. They place themselves between orchestra pit and audience and look up to the stage where Tugger is performing, so they themselves become part of the audience. Jemima is fangirl number one and screams for Tugger until he shushes her.

Grizabella: The Glamour Cat

All in all the auditorium (Zuschauerraum) is playing a big part in the staging choices. At the end of number Tugger goes down one of the corridors and starts to hiss because he sees Grizabella. He turns around and goes back on stage. Grizabella is following him. First part of her song she sings next to the orchestra pit, then she wants to enter the stage. Munkustrap doesn't want that to happen so he blocks her path. He doesn't want her on stage, as part of the Jellicle Ball or even the play on a meta level. They stare each other down and Grizabella wins the fight. Munkustrap steps back and she can enter the stage.

Tugger attacks her coat and Electra hisses her while Jeima wants to touch her, but not on Munkustraps watch. Demeter and Bombalurina sing the rest of the song, then Grizabella leaves on the other side of the stage again.

I would say in this production Munkustrap and Tugger are her biggest foes. They do not want her around, while Old Deuteronomy and Jemima are her biggest allies.

Bustopher Jones

There is a stone foot on the right side of the stage. This is where Bustopher Jones lives. There is a hole in the foot and he pops out of there on multiple occasions. I didn't understand much of the lyrics but this Bustopher Jones loves Sushi. Jenny is very happy to sing about him, Bombalurina not so much.

Similar to the Broadway Revival this number works with a lot of food shaped props. It's very wholesome and fun.

Bustopher Jones is very involved in the first act, sadly he wasn't in the second act because then the actor plays Skimbleshanks.

Mungojerrie and Rumpleteazer

After Bustopher Jones the Macavity scare happens and interesting enough Macavity really makes an appearance. He wears a coat and a hat. There are lights on underneath his brim (Krempe?), so you can see his face. He has a very evil laughter.

Rosella Lubrina (Rumpleteazer) and Simone Raggozino (Mungojerrie) are both absolutly amazing. Simone does a lot of acrobatics, not just during his number but also during other numbers. The number is very fun with its own choreography and some propbs, like a newspaper article which is about them, a fifty Euro bill and a bucket with holes. The ending of the number is more dynamic but they also do a short version of the cartwheel.

Also Bustopher Jones makes another appearance. He wars a cooks head so I think he sang the line conected to the cook in the lyrics.

The other cats do not seem to dislike them but celebrate them which makes a lot of sense. They do some sort of Polonaise to celerbrate them.

Old Deuteronomy

Mistoffelees announces Old Deuteronomy and then Munkustrap and Tugger sing the song together while Old Deuteronomy goes around in the auditorium, mostly on the first floor.

I think Fabritio Corucci who plays Old Deuteronomy is an Opera singer because sounds very operatic.

The Jellicle Ball

The ball starts and I absolutly loved the choreography. Very fun. One thing I noted during the whole show is that there is a lot emphasis on individuality during the dance numbers. They are synchron but do not move exactly the same, the dancers bring their own style and interpretations to the movements which fits cats very well. Also there are dance groups but these groups are not strict. Cats leave their groups to join the dancing of other groups. Absolutly greatly thought through.

At the beginning of the Ball the make a formation where Cassandra is front center. There is a part during the choreography where Demeter dances alone while the two other groups dance around her. The choreographer knows which characters are important!

The first part of the Bomba section is danced by Bomba, Demeter, Jennyanydots and two other Cats. It's very acrobartic with jumps, splits and floor work, the second part of the Bomba sections are pairs, but other Cats: Tanto and Cori, Mungo and Rump, Misto and Etcetera(?), Munk and Victoria ... They do a dance with lifts. All in all there are more lifts than in the Lynne choreo, more like the Broadway choreo.

Also there is no Victoria x Plato dance. The cats dance in a group while Jemima has kind of a solo next to them. She feels Grizabella's presence. Than the cats lay down. Old Deutoronomy who sits left wants to invite Griz on stage, but Munkustrap is again not happy and so she leaves again, scared away and the ball continuous without her.

The second half of the ball is very energetic and so much fun. There are lot of acrobatics, even Bomba, Jelly and Jenny do some, as far as I remember. Like everybody has to do some. And Gus also does a lot of dancing during the ball which I'm not used to. Absolute great choreo and great energy.

At the end Grizabella returns on stage and the cats hiss at her. Interesting enough Admetus is really, really aggressiv towards her which could be the directors take on the riveraly which Macavity has to the other Jellicle Choice contenders in the 2019 movie. Admetus is really very hissy and aggressiv, he nearly attacks Grizabella but Munkustrap steps between them and hinders him. Admetus is still hissing but leaving the stage (Simone Nocerino played this part so well, he was legit scary, more scary than as Macavity). Cassandra hinders Victoria to touch her. Munkustrap hinders Jemima. Jemima is the last one to leave, Grizabella reaches out to her, but she goes away. Only Old Deut stay back on the side of the stage.

This scene was very interesting. It was like: Munkustrap doesn't want the cats to touch her and to be close to her but he also doesn't want her to get hurt by them so he protects her from Admetus.

Memory Part I

Grizabella is alone on the stage, Old Deut is still near by. She starts her sad dance and sings her song. Malika Ayane is an absolutly amazing singer, voice vice one of the best Grizabellas I've seen live. Old Deuteronomy wants to touch her, to welcome her back. At the end of her song it starts to rain. Curtain.

Intermission

Towards the end of the intermission the courtain gets lifted and people are alowed to take a picture with Old Deut. More and more Cats enter the stage and play with a tennis ball.

Moments of Happyness

I really loved Old Deuts voice, loved that it was very Opera. Jemima is great too, beautiful voice. Her design reminds me a little mit of the E-Girl trend. She is very cute. Also at the end Jellylorum hugs her before she starts singing about Gus.

Gus the Theatre Cat

Interesting choices were made again: A red curtain appears on the left side of the stage. There is also a door on the right side. For the first part of the song Gus ist not on stage. While Jellylorum is singing his shadows are projected on the curtain and the door. Only when he starts singing he steps on stage, but he doesn't sit down. One time he nearly falls but Rumpleteazer catches him. Also Munogjerrie does a salto when he calls on him (maybe it was the kittens these day part).

They also updated the lyrics. He sang something about Tiktok, Facebook and Likes and one day a woman in the audience was shouting "bravo" to that.

This Gus doesn't seem as frail and old as other Guses. He hardly even hesitates to start the Rumpus Cat number.

Rumpus Cat

The number is mostly sung by Gus and Munkustrap. It's musically quite similar to how the international tour does it, but I think different dog breeds are mentioned. What I also really liked was that the dogs are not seperated by gender. Both genders played both dog breeds. Bomba and Demeter do the wau wau part which usually goes to Rump and Mungo. Bomba, Demeter and Tugger were great dogs. I loved the choreo where all three of them were stomping and they were all so great. Etcetera was also a dog but she was a little bit more scared.

Gus comes out in a costume that reminds more of a pirate which was a fun wink at older productions. He also had a sword and he killed some of the dogs, I think Bomba died first. She did a great job at dying.

They do not play a reprise of Gus the theatre Cat. Gus just leaves and the Skimble number starts.

Skimbleshanks

At the beginning of the number the cats act in the front of the stage. Cassandra is crying (I do not know why) and Misto gives her a handkerchief so she can try her tears. It was quite funny and Gaia Soprano is an amazing Cass all in all, very beautiful, very good dancer, very dramatic, very expressive and also fun. Less proud than your usual Cass I would say.

Skimble appears wearing his uniform und sings his part. The LED wall shows a map of Italy and the route of the train. It goes through Italy, I think south. They also use long glowsticks to build a train. It seemded modernized.

Similar to the 2019 movie the stage production uses tap dancing (even the same step and later a second different step) and the other Cats sit on the ground and drum. It really sounds like a train and at the end Mistoffelees makes a really realistic choo choo noice.

The tap dancing was very simple but very effective and the audience loved the number.

Macavity

At the end of the number Macavity appears again. There is also a Macavity decoy to show his ability to teleport. The Cats attack him with Mungojerrie leading the way. But Macavity drives them away. He doesn't kidnap Old Deuteronomy yet. Old Deut stays on stage while Demeter begins the song. Macavity is also on stage, moves around in the background and listens to Demeter and Bombalurina, who mostly ignore him.

I really liked the arragement and the choreography of the number. Slightly sexy but also acrobatic and I really did love Bomba and Demeter so much. They are both great actors and dancers, active and central in every single number. Demeters make up is so fucking beautiful and it really just shows that you can do so much more than slap red lipstick on a female character to make her attractive.

There was more jumping at the end of the number. The backgournd dancers later are: Cass, Tanto, Electra, Etcetera Syllabub AND Jellylorum. They enter the stage from different sides and join the dance one after another. Loved the number so so much!

Macavity fight!

The cats come back and attack Macavity. Jenny is the first one to attack. Tugger tries to protect Old Deut but Macavity seems to be winning, so Rumpleteazer attacks Macavity from behind and saves Tugger. Mungojerrie attacks him again too but has to flee. At the end Macavity wins and disapears with Old Deut. He has a very evil laughter.

The fight has also some dance elements. At one time Macavity lifts Victoria, at another time he is lifted by two toms to attack Munkustrap. But all in all it is less brutal than in other productions I've seen.

Also, this production doesn't play the romance between Munk and Deme (or between Victoria and Admetus), as far as I saw, they are just cats, they are just vibing.

Mr. Mistoffelees

The cats do not seem very traumatized but they still want to get Old Deut back. Tugger starts the Mistoffelees song and Misto enters the stage quite at the beginning. He dances a lot and does A LOT of Magic tricks. Similar to Budapest this production descided to do more tricks and less dancing. Cassandra is his magical assistant and even does one trick by herself (cards out of the top hat). One time she is also in a floating box.

Pierpaolo Scida is a very happy, very fun Mistoffelees. He also does a good amount of dancing during the number. I think he was more happy and confident than the 2019 Mistoffelees but the production still took one idea from the movie here. Mistoffelees tries to bring Old Deut back two times, but fails two times. Macavity is seen up on the right side, laughing and holding Old Deut hostage. It seemed a little bit like a magical fight. Whose magic is stronger? Mistoffelees or Macavitys?

After failing two times Mistoffelees is very sad and he crouches on the right side of the stage, hiding his face. Tugger sits next to him, starts to sing again to encourage him to try one last time. He takes his hands and both rise up. Misto tries again and this time old Deut is back.

The Cats celebrate with a very fun choreo, Misto does some turns like in the Lynne choreo and a magic trick (turning a handkachief into a staff) and the number ends.

Memory

Grizabella is back and sings her song. I really liked both Grizabellas. This Grizabella is very strong. She didn't fall down, still Jemima sang her part.

Old Deuteronomy does announce her as Jellicle Choice, Victoria is the first one to touch her, Munkustrap second (so he doesn't hate her no more). The other Cats greet her and she goes to the heavy side layer.

The Ad-Dressing of Cats

Old Deut sings the number and the shows end. They dance a little bit on stage and go into the auditorium. End of the play.

End Notes

I really liked this production especially the make up, costumes and choreography. And I loved loved loved Demeter, Bombalurina, Jellylorum and Cassandra. Tugger, Mungojerrie and Rumpleteazer were absolutly great too.

The whole play seems more fun and less sad and dramatic than in replica productions. The fight was not very brutal and nobody got seriously hurt. Less romance, less violence, less sexy, less nearly dying but very entertaining and with a positive vibe to it. Neither Grizabella nor Gus seemed really like their end was near.

These cats just enjoy each others company and they love celerbrating together, which was very clear during the jellicle ball in a part where they kind of twisted with each other.

This production was really worth the trip!

[millenari]

This is what I meant in my last post abt this version of Macavity trying very hard to be simultaneously more and less provocative btw.

It’s kind of fascinating-- there's a big chunk of Cats that does little to no storytelling beyond 'check out this cool character who’s part of the Jellicle club' and yet Macavity is one of the few songs that’s actually trying to tell the audience something vital to the plot: Demeter knows Macavity.

It's important that the audience learns this-- not only that there is a story between those two, but also what that story is. If Cats doesn't establish that connection, then it'll just look like Macavity is snatching up random ensemble cats during his and Munk's fight. This song establishes the connection between Dem and Mac, and gives the audience a big fat reason why Mac is targeting her specifically: their relationship was sexual. You cannot escape from the fact that their relationship was sexual in 98 Macavity.

And this gives Mac a motive! It characterizes him as a villain, it establishes why he's even interrupting the Ball in the first place, it establishes why he targets Demeter, & it establishes why Demeter specifically seems terrified of him. Without the context this song provides, Demeter might as well just be a random ensemble cat who gets the responsibility of yelling 'Macavity' for each scare.

See: Macavity and Demeter had a sexual (maybe romantic) relationship > Macavity wants to get Demeter back > Macavity interrupts the Ball and takes Deuteronomy (and attempts to take her along the way) > Misto has to bring back Deuteronomy. This song sets up a big chunk of what Cats' plot/conflict is.

But tswifts bomba/dem Frankenstein (Demetaylurina if u will) is very obviously not in a relationship with Macavity; she works for him. He's her boss. She's not even a Jellicle, there's no reason we need the relationship between these two cats to be explained to the audience.

The stage play certainly doesn’t bother establishing the relationship between Macavity and the 2-3 henchcats that help him kidnap Deut! Their relationship doesn't matter, Demetaylurina herself doesn't really matter either, all she does is drug the cats (which is its own weird thing, plot-wise) and she only does like 2% of that job, most of it is M&R and the rigged moon prop.

And then you can say 'well she doesn’t matter to the plot but her relationship with Macavity can still be explored, not everything has to be plot-relevant’ which is true, there are big chunks of Cats that’s pretty much just exploration of non-plot-relevant cats' relationships. But the song doesn't explore their relationship. Because their relationship in the movie pretty clearly isn't sexual, and yet Demetaylurina still acts and sings in this provocative manner that (tries to) mirror the stage version. Like I said in the other post, the choreo that slings it in the audience's face that Demeter (and Bomba) had a sexual relationship with Macavity is gone, so their relationship is comparatively pretty sexless. But there's still this sexuality to the song that tswift just tries to jam in there with her voice and sort-of dancing that serves absolutely no storytelling purpose.

All of the sexuality in regular Macavity is very pointed-- both Bomba and Demeter have this sexual tension between themselves & Macavity, which is impressive bc he’s not even present. That 'there’s no one like Macavity' line where Demeter smacks a hand on her inner hip is an excellent example-- and it loses all of its oomph in tswifts version.

By all definitions, if they wanted to rework Bomba/Dem to being Macavity's henchcat instead of his former lover, then the song should've reflected that-- make it a menacing jazzy song like the original M&R!

But they don’t do that. The song is still sexual, or at least it tries to be: instead of the very potent, very pointed sexual aspect between these two characters in the stage play, you get Demetaylurina just kind of putting off sexiness into the world with no target and no goal, it’s just. there. It doesn't have any storytelling aspect to it and frankly it feels like the bargain version of most Demeters and Bombas-- and that's not even a dig at tswift, because again Dem and Bomba actresses are working with this actual story, dynamic, and history that they're given to act out to the audience as vividly as they can. Meanwhile tswift is just. Being sexy. Her character has no background, no meaning, no dynamics with other characters, no history. She’s just there. Being passively sexy.

Except it’s not passive because you can tell she’s trying very hard to come off that way.

It's just… odd and janky.

[real-reulbbr-band]

@godnattakatta asked for my favorite Victoria actresses in a previous message so here they all are!

Hyla Mayrose Wright (US Tour 6, 2021)

Her Victoria takes and her understanding of her overall are just so intriguing to me, I feel like she understands who Victoria is but also what can be expanded about her, like her saying Victoria has an actual connection to the Jellicle moon itself was everything to me and it still is, because it makes sense; the moon can symbolizes femininity but also (at least in some interpretations) the ebb and flow of time, which relates quite well to Victoria’s arc of coming of age. Focusing on her performance though, I kept finding myself looking for her in the crowd- she has such cute background interactions with the other jellicles that each have their own uniqueness to them, like she thought of how Victoria feels about each and everyone. Granted, the US Tours do seem to have had some direction to further character interactions among the cast but Hyla’s really stuck out to me. I was so focused on her during the ball- which I think is saying a lot since so much happens in the US tour choreography she’s just so fun to watch and can really capture your attention.

Georgina Pazcoguin (2016, Broadway revival)

Her expressions during the white cat solo are everything- and she really evokes the feeling of being captured by these strange feelings she's having and still being intrigued by them as much as she's nervous. She wants to and then does surrender to the feelings, and her heavy breathing by the end of the solo (whether intentional or just because of exhaustion) I think adds a really nice touch. I'm really partial to her expression at the end of the solo and how she interacts with Mistoffelees afterwards. Very good stuff but no surprise since it was directed by Gillian Lynne! Also she's what drew me to Victoria in the first place so I have to include her.

Hanna Kenna Thomas (Various London productions and Vienna revival)

Her Victoria comes off a little more playful and even sassy to me, which is really fun to watch. A notable moment for me is when she's encouraging Jemima to play with Jenny's tail and whenever she interacts with Munk. I also like the subtlety of her acting during the solo, she moves very beautifully and her expressions when lowering into the splits- so good. I also think she has an overall excellent reading on Victoria (though I do disagree with one thing she said) but I do think she's ultimately right that there is an innocence in discovering yourself and your body for the first time and it's beautifully presented in the solo.

Honorable mentions: 

Ellis Van Evert (Amsterdam and Original Paris Production)

Ellis really embodies the "Unselfconscious" trait the best for me, like she doesn't even expect the pas de deux to happen because she's so deeply caught with these feelings inside and overall she's just really cute. Particularly during Skimble’s song, she’s very excited about creating the train and being in the front, she starts twirling with the cowcatcher- again super cute. Like on my first watch of cats Paris I was taking physical notes and pausing every other second because I was so into her performance.

Ebony Jayne Kitts (RCCL Cast 12) 

Ebony’s performance as Victoria, to me, really showcases the ‘loving life’ aspects of Victoria’s character and just seeing her perform makes me happy, her Victoria is so smiley and cute she’s become a newer favorite of mine. She has this very timid but excited energy during the pas de deux which is very fun to see and her acting flows very well with her movements during the white cat solo. I’ll admit there’s some small bias here because I did see Ebony perform live, it just wasn’t as Victoria but even then her movements were so fluid and gorgeous to watch just like the clips I’ve seen.

 I don’t think there are any Victoria performances I dislike- so I like just about any Victoria, as long as the performer gets those key moments down like the white cat solo and Grizabella’s first touch I’m happy.