#it's no longer a person so they're no longer interested

[purple-plum-petals]

Homicipher request for the Homicipher starved fans pls? 🥺 Is it okay to ask for the reactions of Mr. Silvair, Mr. Chopped(as he gets wheeled past us on a cart after being kidnapped, again), Mr. Gap, Mr. Machete, and Mr. Scarletella with a reader who winks and blows a kiss as they pass by them? Like for some reason reader seems to be in a really good mood and they're skipping around with their trusty crowbar in hand then they see one of the boys then mwa~💋. I can imagine that they'd be confused at the unfamiliar gesture but I'd like to get your thoughts on it. 😂

⊱ Homicipher Characters’ Reactions to MC Winking at Them and Blowing Them a Kiss ⊰ || Multiple Character Headcanons

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Character(s): Mr. Silvair, Mr. Chopped, Mr. Gap, Mr. Machete, and Mr. Scarletella (Homicipher/文字化化) Reader Type: Human (Gender-Neutral Pronouns) Warning(s): Spoilers for Homicipher (MC’s Lore), Brief Canon-typical Mentions of Violence (Mr. Machete’s Part), Canon-typical Horror Elements (Mr. Gap and Mr. Scarletella's Parts), Cultural Barriers (None of Them Understand the Gesture). Genre: Headcanons, Fluff, Platonic or Romantic Relationship Word Count: ~1,880 Request: “Homicipher request for the Homicipher starved fans pls? 🥺 Is it okay to ask for the reactions of Mr. Silvair, Mr. Chopped(as he gets wheeled past us on a cart after being kidnapped, again), Mr. Gap, Mr. Machete, and Mr. Scarletella with a reader who winks and blows a kiss as they pass by them? Like for some reason reader seems to be in a really good mood and they're skipping around with their trusty crowbar in hand then they see one of the boys then mwa~💋. I can imagine that they'd be confused at the unfamiliar gesture but I'd like to get your thoughts on it. 😂” Author’s Note: They all would definitely be confused by the unfamiliar gesture, so I kind of did headcanons about how each of them would react to you blowing them a kiss/how they would go about trying to understand what the gesture meant by using context clues (or just straight-up asking you about it haha). Sorry if they’re not great! I’m still trying to figure out how I want to balance the characters’ personalities as they are in canon while adding some more fun/whimsical aspects of your ask.

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💉: He smiles softly at your cheerful demeanor, yet it falters slightly when you press the tips of your fingers to your lips and squeeze one of your eyes shut in response to him looking in your direction. You remove your fingers from your pursed lips and blow out a puff of air before continuing in the direction you had been walking towards. While he could infer you were in a good mood by your body language, he was curious to know what exactly the gesture meant. 

💉: Instead of lightly treading the question or observing you for any longer to see if he could figure out what the gesture meant by using context clues, Mr. Silvair instead just asks you directly to get an answer as soon as possible the next time he sees you. He deeply enjoyed research and observation, yes, but there was no need to wait to gather information when you were a perfect source of it. 

💉: Of course, it wasn’t easy to explain what “blowing a kiss” was, especially since they didn’t even have equivalent words in their language for “blow” or “kiss,” but you tried your best with what you had to work with. It’s almost funny how earnestly Mr. Silvair is hanging onto every word you speak. He chuckles after you finish explaining, amused by the gesture and its meaning – how quaint, he thinks to himself. 

💉: He found humans to be fascinating and their diverse cultures even more so, so he was of course interested in learning whatever you were able to recall from your previous life in your old realm before you ended up in this one. He treats everything you tell him with an air of respect, and he even documents what you share with him so he (and you) never forget that part of yourself. 

💉: Mr. Silvair finds the gesture to be an entertaining one, but deducts that it’s not usually one humans do with strangers or those they are not comfortable with from your explanation. Does that mean you are comfortable enough around him to express yourself in that manner? How fascinating... Do you care to tell him why you feel the way you do toward him? He’s very much interested in learning the reasoning behind your thought processes. 

🗣️: Mr. Chopped smiles so widely when he sees you in such a chipper mood, making your way down the hall with a noticeable spring in your step. He likes seeing you happy, so it makes him feel good, too, watching you skip by with such a bright expression on your face! Then, you press your hand to your lips and wink, blowing something he couldn’t see in his direction, and suddenly he’s confused. 

🗣️: Huh… well, that was strange. For some reason, though, the playful gesture seemed almost familiar, yet he couldn’t remember why. He can’t exactly chase after you and ask what that meant, so he’d have to wait until the next time he saw you (which he hoped wouldn't be a long wait – he liked spending time with you). 

🗣️: The next time he saw you, he asked if you could explain what the gesture meant. You did the best you could, but you’re pretty sure he comprehended what you were telling him if the giddy expression on his face was anything to go by. His excitement was quite adorable. However, his expression suddenly falls, and you watch him begin to sulk. How was he supposed to blow you a kiss in return? He didn’t have a body!! The poor man is so distraught. 

🗣️: He gets either Mr. Silvair to help him out or Mr. Hand to, well… give him a hand to enact his plan. The next time you see him, he calls out to you with such a delighted look on his face. So, you make your way over to him and kneel down to his level, watching as the sentient hand comes up to Mr. Chopped’s lips, making the same gesture you did, before he blows you a kiss and winks. He did it! He blew you a kiss!! 

🗣️: Mr. Chopped is very proud of himself and the pleased expression on his face is far too charming for you. He feels a warmth in his metaphorical chest knowing that you felt comfortable enough with him to blow him a kiss, especially since it seems like something humans do with those they are most comfortable with. 

🕳️: He’s honestly somewhat impressed you knew he was there, observing you through the small hole in the wall while you walk around like you’re on top of the world. He can’t help but wonder what happened that has you so chipper, but his thoughts are derailed a bit when you press your hand to your mouth and blow something at him, closing one of your eyes as you do so… What the hell was that?? 

🕳️: He feels somewhat offended, honestly, and gets that semi-disgusted look on his face before disappearing into the darkness. Mr. Gap understands it’s some kind of weird human gesture, but he can’t really put two-and-two together about what it means. Though, he finds himself continuing to watch you from any nook-and-cranny he could find, observing you to see if you would do the gesture again – you don’t.

🕳️: Mr. Gap ends up startling you while you’re walking down a long, grimy hallway, his hand darting out from a vent to grab your ankle. His grip isn’t tight, but it most certainly scares the life out of you and effectively catches your attention. He finds your scare amusing but ends up cutting straight to the point and asks you why you blew something at him. 

🕳️: Even after explaining what the gesture meant, Mr. Gap still doesn’t fully understand why you did it, so you just tell him it was supposed to be a nice gesture that showed you enjoyed him – playful. That is something he does understand, and it’s almost amusing how the smirk on his face grew. He must be special, he thinks, and his smugness is radiating from his face peeking out of the darkness. 

🕳️: Mr. Gap doesn’t do the gesture back, but he strangely enough finds himself hoping you don’t blow anyone else your kisses. He doesn’t know why the thought of you sharing the gesture with another annoys him a little bit – after all, it wouldn’t make it special anymore if you did it with everyone. He even begins bringing you things, like more crowbars or even pieces of candy he finds lying around. It’s almost like he’s trying to bribe you…

🔪: He sees you happily skipping around and finds himself having to do a double-take at the strange sight. It wasn’t a bad sight, not at all, it was just weird seeing you so bright and lively. However, his mind buffers a bit when you look at him, pursing your lips and giving him a wink before your fingertips press to your mouth and then flick towards him. 

🔪: Mr. Machete is immediately annoyed, not knowing what the gesture meant, and he assumes you were trying to pick a fight with him. So, he takes his large sword and reels it back, throwing it at you with a strength that still had your eyes boggling. You duck with a yelp as the sword implants itself into the wall behind you. 

🔪: He makes his way over to you with incredible speed, blocking your body between his and the wall as he looks down at you, his head tilted to the side as he asks you if you wanted to fight him. Mr. Machete finds your frustrated expression endearing as you tell him the gesture was meant to be playful and fun. He’s low-key kind of disappointed you didn’t want to fight, but he steps away from you after your explanation without another word. 

🔪: However, while looking down at your angry expression, Mr. Machete suddenly has the urge to squeeze you (I imagine he experiences cuteness aggression regarding you). So, he reaches down and squeezes your cheeks between his large and calloused hand, causing your lips to purse. Even though you hadn’t been in the mood to fight him, now you were. He smirks widely as you two begin to spar all because he misconstrued what your gesture meant. 

🔪: Mr. Machete doesn’t see the point of blowing kisses, and he doesn’t feel any particular way about the gesture. It’s kind of whatever for him, even though he does notice that you don’t seem to do it with anyone else. After the first time (that ended up leading to a spar), though, he notices you hadn’t blown him another kiss since… He ends up coming up to tell you in his gruff, almost rude way, that he wouldn’t mind if you did it again. 

🩸: He tilts his head to the side at the gesture, his shaggy red hair swaying with the movement. Well… that was new, he thinks. He liked you quite a bit (far more than just a bit, really… my man is kind of obsessed with you), and he had been following you throughout your entire journey in this realm, yet he had never once seen that expression or gesture from you before. Now, he was curious to know what it meant, and he was going to try and figure it out one way or another.  

🩸: He continues to keep his eye on you, following you as you go about your day. Mr. Scarletella likes seeing you so chipper and full of life, especially considering you were someone who tended to take life from others. The dichotomy between your behavior and actions had his heart racing. However, despite what he expected, you never did the gesture again. So, he couldn’t gather information by observing you – he would need to simply ask you directly, then. 

🩸: Mr. Scarletella effectively manages to corner you after some time, catching you completely off-guard. While you two had certainly started off on the wrong foot, you had gotten to the point where you were relatively calm and comfortable around the strange man who was so incredibly down bad for you. He gazes down at you with his lifeless eyes, inquiring about the gesture you made earlier. 

🩸: You explain to him what the gesture meant for you, that you were simply in a good mood and felt a little bit playful at the moment when you blew him a kiss. Mr. Scarletella smiles at your words, feeling very pleased with the information. So, it meant you liked him, correct? It meant you felt comfortable enough to express your happiness towards him in such a way, right?

🩸: Well, you inadvertently ended up making him even more obsessed with you, and now his feelings become even stronger every time you blow him a kiss. Mr. Scarletella finds the act an interesting way to express your interest and enjoyment of another being, so he begins to blow you his own kisses in return. He is one of the characters I feel would want to learn more about human customs to deepen his relationship with you even if he doesn’t fully grasp why some gestures mean certain things. 

[ksfd892]

Lorelai and Luke and Rory and Jess both have the same set of relationship issues. Luke and Lorelai struggle to let people in, and Rory and Jess struggle to stay.

Luke and Lorelai are two people who had to grow up very quickly and be independent from a young age. As such, they're very defensive of the world they've created and struggle to let people in. Luke thinks it's enough to give Rachel a drawer when she stays with him and Lorelai thinks 'a thousand yellow daisies' and marriage to Max will finally make her feel loved and supported. They both realise it's not enough; Luke doesn't love Rachel the same way as he does Lorelai, and Lorelai loves the idea of Max more than the actual person. Rachel and Max haven't done anything wrong but they are not the right people for Luke and Lorelai. After these respective break-ups, Luke and Lorelai are cautious with starting to date again and hesitate to try a relationship with each other.

Rory and Jess have issues with abandonment and with being 'enough'. Rory has been told her entire life how she is special, how smart she is and how she is supposed to go to Harvard. She is Lorelai's do-over and is unable to voice the pressure she is under. To add to this, her father doesn't visit her until she is sixteen and Rory eventually learns that he is only interested in being a dad if he has a chance with Lorelai. His leaving hurts her, both when she is a kid and later when he goes back to Sherry, and Rory sees leaving or ending a relationship as the worst thing you can do (interestingly, she finds this harder to forgive than Logan cheating on her). She is so determined not to be like her parents that she is afraid to realise that she is no longer in love with Dean and has feelings for Jess. Rory bolts after kissing Jess, leaving him with the idea that she doesn't care about him at all. After they do get together and Jess leaves at the end of S3 Rory is also left with this misconception; that Jess does not care about her and she is afraid to run away with him when he asks in S4 because she no longer feels emotionally safe with him. Jess left for reasons that had nothing to do with her, such as finding his own father, but he also feels he is not 'enough'. He, like Rory, does not communicate this and so their relationship or chance of starting over breaks down.

Luke and Lorelai eventually work through this fear of being vulnerable and get married. It's less clear where Rory and Jess will end up but the door is not closed to them; Rory kisses Jess in S6 and ,although they don't get back together, they are friends by AYITL. Jess gives the advice that gets Rory back on track to who she is, as he did all those years before. Hopefully in future they try again and, this time, are willing to stay.

[lemotmo]

No clue if you've received this one yet but I like this one a lot.

Q. You can hate him but you really don't think that breakup came out of nowhere? It was insanely fast. And weird and just strange overall.

A. The pacing of the entire episode was fast. But that's because they tried to work in too many calls amongst the personal stories and they shouldn't have done that. The only reason they used the cut call from 7x4 was because without it Athena wouldn't' have been in the episode at all. There is no other explanation for why they had to use that call. There were too many calls. That was the problem. Sometimes a character driven episode is needed and good and that should have been a character driven episode only. But for whatever reason they're trying to work in all of these calls that call back to bigger Buck or Eddie calls. They're doing it again next week. With the lightning and rollercoaster callback. What we don't yet know is why. But you all are trying to find depth in a breakup for a relationship that had no depth. It was a relationship in name only. It existed only to get Buck out. The entire point of Tommy's character was his dialogue in the breakup scene. Everything else in that scene was irrelevant. But even Buck's part of the conversation made sense for Buck's character. He's not sure what he feels so he decided to overcommit and just jump instead of trying to figure out what it is he really feels. That's relationship Buck through and through. Nothing about him was weird in that scene. Most of us have said from the beginning that all Tommy is is Buck's male Abby. The show allowed Buck to confirm that. They literally had him say she was a transformative relationship for me and so are you. Abby was his introduction to adult relationships. Tommy was his introduction to male relationships. That's it. It's not deeper than that. So there's no need for their breakup to be deeper than that. Buck only sounded crazy because there are only two people in the world who speak Buckense and their names are Evan Buckley and Eddie Diaz. So even though what Buck was saying made perfect sense to him, and story wise, it sounded insane to Tommy and the audience.

It feels more like Tim extended the Tommy part longer than he should have or meant too and they reached a point where they ran out of later. I feel like they're headed towards a particular story point and for whatever reason they needed some time between Buck being single and whatever is coming in the mid season finale. But the breakup has been signposted since day one. So calling it rushed is incorrect. The anniversary date was a disaster. The writing was on the wall. There was no need to drag it out.

Thank you Nonny! 🤗

Yep, all of this makes perfect sense. Nothing to add here.

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If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[spiderace]

This is an interesting point about art.

People in 2024 will say that for e.g. far right art can't be good, but the thing is, people who believe terrible things have made great art since always. Ayn Rand genuinely moves people. I don't get it, I find her prose dull, but she does. Hitler wrote a bestseller. Thomas of Aquinas blamed women for many of his problems and is still more revered than not. And of course every year another Joss Whedon turns out to have been terrible all along and we all have to discover that we didn't REALLY love everything he did for twenty years. I'm not even going to address the elephant in that room, but you all know its looming sorting-hat-shaped shadow.

The reason most extremist art is terrible now is, I think, that extremists are no longer willing to traffic in implication. For example, I'm a Christian (I love you gay Methodists), and I like the Conjuring movies even though the Warrens were terrible.

These movies are explicitly pro-Christian. They believe in an afterlife, heaven, hell, demons exorcism. On the culturally conservative end, they're about a loving cis heterosexual married couple with a beloved daughter, and they never mention or acknowledge that LGBT people exist that I can recall.

Right-wing Christians will not watch or accept these films, because they are horror films, or because they don't adhere strictly to the doctrine of a given denomination. For a movie to be publicly acceptable as a Christian film by contemporary American Christianity, it has to either be a Bible story or be God's Not Dead, a movie where (spoilers!) an atheist left-wing college professor gets hit by a car and Christians coerce him into converting in order to ensure that he goes to Heaven.

This creates a bizarre environment where left-wing films are unacceptable because they have left-wing implications, but films with right-wing implications are unacceptable because they are not right-wing enough.

As a horror fan, this is not only bizarre but hilarious. Many horror fans will watch something based on a vibe regardless of its philosophical implications, because you don't have to agree with a film in order for it to scare you. I think this is why The Conjuring franchise is so popular even though I suspect horror fans lean further left than a lot of other filmgoers.

So the ultimate result of this is that fundamentally conservative art is more likely to be observed and discussed by people further to the left than the artist, just like this social media post. This is important, because ideas should be seen and discussed so that we can openly decide which ones are hot garbage, just like the original anonymous message. And I think it's also important because if we only acknowledge and boost what we disagree with that actually has artistic merit, the overall marketplace of ideas still benefits by examining different perspectives without admitting the ones that amount to inarticulate screaming at a minority group.

This is especially important to me because it's how I was de-radicalized as a young person from my very right-wing conservative upbringing - by interacting with critical examination of ideas in art as well as by meeting real people that did not reflect the demonized image of minorities that I grew up around. I think both of those things are important to those that process. And that can't happen unless someone drags forward anonymous pieces of artful hate into the light of day so that we may submit them to the dissecting pins and scalpel of real criticism.

Normally, I just block people and leave their nonsense unposted... but this is art.

[peliginspeaks]

Hey gang I just realized that I don't think Null can pass the mirror test? Which in the context of their past profession and Flondon in general is. Hilarious

Context: the mirror test is a test of intelligence for animals (and development for small children) to see if they realize that the person in the mirror is Them and not another baby/cat/whatever. I'm pretty sure it tests the intelligence needed to realize how reflections work, but it also needs a sense of self, and since Null straight up Doesn't Have One I just... don't think they would pass. Which is hilarious because by sheer luck their assumption that the reflection is a whole other person is in fact kind of right in the Neath.

[bumblingbabooshka]

Hey, Star Trek Writers... -taps the glass-

[dawnthefluffyduck]

Free time has (sort of) arrived

(cat is katsrkole on instagram)

[telesodalite]

With Krok now on my mind, it's reminded me of like, the whole deal of him coping with the loss of his squad by believing they'd just become separated? Because that bit is such a fascinating aspect of his character to me.

It's vague in a way that doesn't totally confirm whether he truly 100% deluded himself, or if he just kept telling himself that to try and distract from the truth and memories he didn't want to face.

(Which, for some reason this pisses Misfire off? Which implies something really interesting there about Misfire and his own coping mechanisms and issues that we don't get much of a peer into unfortunately.)

Anyway, I spent way too long thinking about it when I was reading through the comics. And it's like, did studying battles and strategy play a part in this delusion/lie?

Like, you're a being that lives for millions of years, in the middle of a war spanning those millions of years. So, at some point, surely those battles are going to start to blur together. So you've got that, and then you go and face a frankly horrifically traumatic fight that quite literally rips the people you cared about most, and felt responsible for, apart.

Presumably, Decepticons aren't the greatest at handling shell shock and other such side effects of war. So they just take this freshly traumatized mess of a dude, take him off the front lines and plant him on a warworld to aid the fight from a more comfortable distance.

With all this, the mind is bound to be fickle when faced with such sudden loss and change. But Krok obviously did his job there, or at least he was very knowledgeable on history and tactics beforehand.

Either way, he studied battle after battle, went through records of fight after fight, planned for what's next and reconsidered what had already happened. Hundreds of wins and losses.

So did it get jumbled there? In having a head full of battles, did some of them blur and mix with the one that took everything away from him? In trying to solve the failures of past battles, did he try and find where a victory could've been had against the wreckers that day? Did he find a solution that would've had his squad still whole and alive?

From there, did it slip into delusion, or a desperate lie to keep himself going?

I feel like his "mental health matters" moment was an interesting insight into it and possibly the average soldier's rough outlook on trauma. But it was still very surface level I think, but I guess going too deep into the why's and how's wouldn't have been important until maybe the Scavenger centric comics that uh, never happened :/

[set-wingedwarrior]

I know it happens often to see writers during a long fic to complain at some point about the first chapters because they got better in the meantime and they look bad to them now.

But this is the first time where I saw this happened when the writing actually got worse

[nedlittle]

[alt]

2x21 "crisis" really is a perfect episode

[isfjmel-phleg]

[

[icewindandboringhorror]

Recent ones of these even though they all look the same lol.. forcing myself to document progress..

[donnie-and-their-backup-turtles]

i kinda think part of why people treat donnie as less caring than he is is like. sometimes not knowing when he's joking? like that time he threatens to be "semi-lethal" when splinter's in the truck with meat sweats. like i'm sure most of you knew he was joking but like. do some of you realise he like, would not have done that? like remember how he was sad? when splinter actually got hurt? same with leo in the movie? and all of them at every other time?

like he's self proclaimed funniest. and also a mad scientist aesthetic doesn't make a character a villain by itself it's what you actually do with that (yes he has done bad things within that area (haunted stare towards mind meld) but you have to admit he like. did fix those. and feel bad and hopefully learn his lesson but hey that's another analysis)

i have mixed feelings on villain donnie stuff, as an example, because like. ANY character put in a situation where they lose their way is really fun and if in character is really interesting as to what could cause that.

but when it's treated as like. inevitable. who he is, or phrasing his brothers are the only thing stopping him being evil. it's like hm. ugh. kind of hurts a bit actually but that's probably because i relate to him ghfdjk

like the seen in snow day with the tech bo chainsaw like. all he really DOES is cut a snowman there but he's just like. leaning into being "evil" with the chainsaw but like he's just being silly with it. acting like that's proof of anything is wild to me, without any other data points.

also kind of separate but i think there's a dissonance between what is like. seen as evil? between me and like most people lol. like the scene in the movie as well with like "finally, man and machine, entwixt in perfect bionic synergy" someone i watched it with was like "haha evil moment" or whatever where i was just like. yeah real that would be rad as hell. honestly gender also.

not saying he's never done anything wrong but i am saying he immediately tries to fix all of those things

anyway he does have a really interesting relationship with morals in my eyes but like, at his core he really cares about people, you know?

this isn't hate to anyone btw i just care about donnie a lot as a character and as really layered autistic representation

[birchbow]

Around what age do the trolls go through pupation?

I think it ranges over a sweep or two, starting a little younger with lowbloods just because they live way shorter lifespans overall, but by the timeline I've set up it seems like around 14-ish sweeps, at least for purplebloods. Like, a bell-curve in the 13-15 range, with the majority all going at once somewhere around the middle.

[eldrichthingy]

not to be an ass but I do wonder now after developers stances on controversial endings how does majority of astarion's fandom feel knowing that they were wrong the whole time with their "holier than thou" attitude lmao

[masezace]

really getting tired of people i thought i could trust turning around and making me feel like shit for autistic traits that i can't help