#it's just something I found while searching for the original source

[rey-jake-therapist]

So I keep reading that Sauron and Galadriel couldn't have spent sexy times together because it would have bound Sauron to his form, which I'm pretty sure is wrong, so I searched Google and found something funny dating from 2013. 'Couldn't not share it.

"Sex as means to reproduce.

My answer depending on what that s-word means: I. Couple Glue: Sauron: Not interested in such thing. Wears only friend in his world on his finger until he looses both. Valar: They surely had a couple thingy. Tantric sex that Sting hasn't dreamt of or something. Maiar: Not as apparant as the Valar but probably yeah. II. Love pendant (Obsession) Sauron: The REAL baddies in Tolkien's world aren't some misunderstood emos (for which he has my respect). They don't love or obsesse over gals. EXCLUSION: While he was a blender, he might have faked it (if it was useful for him he would have). Valar/Maiar: Dunno. Probably. Possibly. They want the couple thingy, after all? III. Physical activity Sauron: Surely. I mean why not? And the time argument is irrelevant if we exclude the love/obsession/couple thing. Valar/Maiar: The ones that were happy to try new things surely… Unless it was binding to human form and/or the couple thingy was great enough. Wizards: The time argument holds, as they will also engage in a love/couple thingy. The old age probably protected them from it. Saruman, just as Sauron, was a complete Baddy: yeah he prolly did it. He even got new clothes, as he probably tried to tell himself that the women actually liked him for himself. IV. Reproduction Sauron: Deffo not. Immortals probably had some way to control this, as there was no overpopulation issue in ME. But he would probably kill his women and eat the babies before he conceives possible competition. Valar: Couldn't. If the tantric thing was also as good as sting thinks - lucky bastards. Maiar: Had probably something to do with choice."

To be clear, I didn't write this stuff: Source

More seriously, regarding the subject itself:

From Tolkien's essay Ósanwe-kenta, Vinyar Tengwar #39:

Here Pengolodh adds a long note on the use of hröar by the Valar. In brief he says that though in origin a "self-arraying", it may tend to approach the state of "incarnation", especially with the lesser members of that order (the Maiar). "It is said that the longer and the more the same hröa is used, the greater is the bond of habit, and the less do the 'self-arrayed' desire to leave it. As raiment may soon cease to be adornment, and becomes (as is said in the tongues of both Elves and Men) a 'habit', a customary garb. Or if among Elves and Men it be worn to mitigate heat or cold, it soon makes the clad body less able to endure these things when naked". Pengolodh also cites the opinion that if a "spirit" (that is, one of those not embodied by creation) uses a hröa for the furtherance of its personal purposes, or (still more) for the enjoyment of bodily faculties, it finds it increasingly difficult to operate without the hröa. The things that are most binding are those that in the Incarnate have to do with the life of the hröa itself, its sustenance and its propagation. Thus eating and drinking are binding, but not the delight in beauty of sound or form. Most binding is begetting or conceiving. "We do not know the axani (laws, rules, as primarily proceeding from Eru) that were laid down upon the Valar with particular reference to their state, but it seems clear that there was no axan against these things. Nonetheless it appears to be an axan, or maybe necessary consequence, that if they are done, then the spirit must dwell in the body that it used, and be under the same necessities as the Incarnate. The only case that is known in the histories of the Eldar is that of Melian who became the spouse of King Elu-Thingol. This certainly was not evil or against the will of Eru, and though it led to sorrow, both Elves and Men were enriched."

So it's clearly said that the most binding is "begetting or conceiving", in other words: making babies. Melian lost the ability to change form ever again because she conceived Luthien, not because she had sex with Thingol (yeah I know that one event often leads to the other, but Elves are known for being able to decide when they want to conceive, and I presume it's the same for a Maia). And even in this case, in the text it's said that begitting and conceiving are the "most binding" things a Maiar can do, but it doesn't straight out state that it automatically involves losing their capacity to shapeshift... But then, Melian is the only example of Maia who had a child, and she remained in an Elf form.

Regarding everything that's not begetting/conceiving, it would take Sauron to use his hröa (his body) during a certain time before losing the capacity to shapeshift. And if I understand this text well, it would be the result of him getting attached to this hröa, in a way: he would be so used to this form that he would also lose the desire to leave it.

[popqorn]

Stay cool, everyone!

[thetreetopinn]

Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)

I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.

This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.

- - - - -

Harry's list of mentioned youtubers:

Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie

Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.

Please give them your support.

- - - - -

Midlands Zone Magazine - Column by Steven Spinks

After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17

It will not allow you to download it, but you can read it exactly as it appeared in print form.

- - - - -

My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers

Tinker Bells and Evil Queens By Sean Griffin

The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added

Camp and the Gay Sensibility By Jack Babuscio

The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts

Why Rebel Without a Cause was a milestone for gay rights By Peter Howell

Why "The Craft" is still the best Halloween coming out movie By Andrew Park

Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever

Women and Queerness in Horror: Jennifer's Body By Zoe Fortier

[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez

Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason

Queering James Cameron's Aliens (1986) By Bart Bishop

Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven

Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)

Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit

How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique

When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London

Why Queer People Love Witchcraft By Amanda Kohr

'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto

(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube

5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent

The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard

Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey

The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)

Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson

- - - - -

The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.

Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy

- - - - -

Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix

- - - - -

I refrained from including certain sources.

First off only focusing on Somerton's work.

Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).

Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.

If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.

- - - - -

Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.

[lazycats-stuff]

U know those adorable videos where big brothers are the most gentle and just keep picking up and kissing their baby sibling no matter if the baby was sleeping or not? I imagine babybatbro (triple B lol) will be napping next to Bruce in bed and then which ever batbro will come in and steal the baby with no explanation hehe, I'd like to see something like that with all 4 batbros please

Awww... My heart, my cold heart is melting slowly but surely... So much fluff...

Summary: (Y/N) loves to nap, but everyone keeps picking him up.

Warnings: fluff, so much fluff, minor cursing,

Babies are wonderful little creatures. So cute, adorable, extremely cuddly, kind of defenseless, but one hell of a boost for serotonin. Babies were also a source of anxiety. Whenever (Y/N) cried, one of the boys or Bruce or Alfred would check on him and would gently shush him and try to figure out what was wrong with their little brother, son or grandson.

Usually it was easy, but sometimes it was a little bit more complex. No one ever said that raising a child is an easy feat. It's incredibly difficult, but also fulfilling at the same time. You get some incredible memories on the way and a nice cuddle bug who to a certain degree has a calming effect on you.

Of course, while the baby is calm and sleeping.

Speaking of sleeping, (Y/N) loved to nap. Whenever he could nap, he would. Public, home... It does not matter where they were, (Y/N) would nap. Even when the press was around and was loud, if it was nap time, (Y/N) was out cold. It was funny to see it and nothing but hunger or a soiled diaper would wake him up.

More importantly, the little bat or little shit if you ask Jason, loved to sleep next to someone in bed. And considering the fact that every member of the family needed a nap, (Y/N) was a perfect person to nap with. Some said that (Y/N) was like a cat. You know, eat on time, sleep on time...

Almost like a little kitten almost.

And when (Y/N) was asleep and cuddling with someone, those who weren't napping would take the little baby. At this point, they only used nicknames like little bat or kitten.

Now, back to the napping situation.

Whenever (Y/N) was napping with someone, the others would just take the little baby into their own arms and slowly move away from the original napping person. Yes, it may sound confusing.

For example, if (Y/N) and Bruce were napping, Jason would come in, sneakily take (Y/N) into his arms, gently of course.

The first time anything like that happened, Bruce was napping with (Y/N), in Bruce's room. It was quiet and Jason wanted to see his little brother. So what does on do to go get his little brother? He sneaks into Bruce's room and ever so quietly takes the napping baby into his arms and slowly sneaks out of the room to go to his own room.

When Bruce woke up he looked for his son. He found him with Jason after 10 minutes of searching. Jason simply waved at him while (Y/N) was slowly waking up in his arms. Bruce just sighed and left to get some coffee.

Jason chuckled quietly and cuddled his baby brother who was waking up, slowly cooing and squirming in Jason's arms and Jason nearly puked from the atomic bomb that (Y/N) has dropped at the moment in his diaper.

" Oh you cheeky little- " Jason cut himself off with a gag before going to (Y/N)'s room to change the diaper and not die from the smell. He gagged as he undid the diaper and threw it in the trash. He is weak. He is Red Hood, but he is weak. However, this could be considered as a bio weapon.

Jason cleaned (Y/N) up, who was wiggling his legs and giggling. Jason smiled and then put on a clean onesie and then took him into his arms.

The second time that taking a napping little baby happened was when Jason was napping with (Y/N). He was sleeping in his room, his brother in his arms. And who dares to disturb them? Damian. He wanted to spend time with his little brother.

So what does Damian do?

After a second of planning he sneaks in and ever so gently takes his little baby brother into his arms, shushing him gently in Arabic when he started fussing. Then, Damian, slowly made his way to his room, gently humming to him to keep him quiet.

Once in his room, Damian started cooing to (Y/N) in Arabic. Yes, Damian has said to Bruce that (Y/N) should know Arabic. It's a language worth knowing, what can he say?

Once Jason woke up, he was pissed. Whoever took (Y/N) was a bastard. He grumbled as he started looking for his baby brother. He glared when he entered Damian's room. And more so when he saw Damian smirking, in the condescending way.

" You are weak Todd. What if I was a burglar? "

Damian was lucky that (Y/N) was in his arms.

Third time when it happened was when Tim took (Y/N) from Dick. Dick was sleeping on the couch, which was outstretched so it could accommodate Dick and (Y/N). It was a nice, rainy afternoon, perfect for a little nap with a little, warm and cuddly baby.

So that's what Dick did.

He took his little brother into his arms, laid him on a couch, covered him with a blanket and closed his eyes. He put his arm over his brother and fell asleep quickly. It was nice to fall asleep with his little brother and the sound of rain falling.

Well, it was nice until Tim popped into the living room.

Tim also wanted to have his brother in his arms. Everyone hogs the poor baby and Tim needs to make sure that he has his time with the baby too. Tim ever so gently picked his little brother up and left to his room. But not before leaving Dick a note saying where (Y/N) is.

When Dick woke up, confused as to where his baby brother is. Safe to say, he wasn't a happy camper when he saw what has happened. More so at the note. He just grumbled and went back to napping.

And the fourth time when (Y/N) was 'kidnapped' was when Dick took (Y/N) from Tim. The two fell asleep while they were watching a movie. And Dick, very gently took his brother into his arms, happy to have his brother back.

And once of the best things about (Y/N)?

He could sleep through anything as he was a heavy sleeper. He rarely ever made a sound while he was sleeping. So Dick took his brother back into his arms and simply left. And without a note even. Dick laughed in his room afterwards, happy to take his revenge.

This was all some revenge, but not a vicious cycle by any means. It was nice, fluffy, harmless revenge. (Y/N) was happy to be cuddled and held, especially during napping. And if it was a competition between the brothers...

Oh well.

[vickyvicarious]

It seems like the general first impression was "The Demeter crew is suffering and sleepless and dying, while Mina is having a nice sightseeing vacation", but... Doesn't it seem less of a contrast than that?

Lucy's now increasingly odder sleepwalking was there from day one of Mina's arrival, making Mina sleepless. While the crew sleeps with one eye open.

Even on the first day on Whitby, Mina was taking about death and lost ships. While the crew was beginning to lose men. Mina and Mr Swales talk about tombstones and suicide. While the First Mate jumps to his death.

*Mina voice*: the reports of my hot girl summer have been greatly exaggerated...

You're onto something here, definitely. Of course, in the original book, we don't see anything from the Demeter until a little ways into Mina's stay, so it (re)reads as more foreshadowing than it seems like a parallel, but that's one of the really fun things to notice in the daily format! I'm reminded of Lucy's three suitors and her letters about looking into her mirror coming so soon on the heels of Jonathan's encounter with the three vampire women and with his mirror getting broken.

I never noticed just how much a lot of Mina's storyline here lines up so well with the Demeter though. And now that I'm thinking about it... There's a bunch of those kinds of connections!

Of course, there are overall ones. Like you said, Lucy's sleepwalking begins right away, and it robs Mina of her sleep. Meanwhile, the crew of the Demeter are kept awake by storms, by double-watches, by having to pick up the work that no one else is left to do. But though that's pretty overarching, there are also some moments that line up really well. For example, July 27: "Lucy walks more than ever, and each night I am awakened by her moving about the room." and July 28: "Four days in hell, knocking about in a sort of maelstrom, and the wind a tempest. No sleep for any one. Men all worn out."

Then there are Mina's conversation with Mr. Swales, especially the latter one with its talk of suicide, of going to hell - only two days before the mate leaps to his death rather than allow Dracula to get his soul. Mr. Swales also parallels the first mate a bit in being, as Mina says, "a most dictatorial person in his day" and very insistent that there's nothing supernatural going on, though as yet he's not been proven so terribly wrong about that the way the first mate was.

On July 24, Mina says there is "a buoy with a bell, which swings in bad weather, and sends in a mournful sound on the wind. They have a legend here that when a ship is lost bells are heard out at sea." That same day the Demeter is approaching more bad weather, and later on they get lost in the fog. (Though we never get mention of any bell ringing.)

Mrs. Westenra is afraid of Lucy's sleepwalking because she "has got an idea that sleep-walkers always go out on roofs of houses and along the edges of cliffs and then get suddenly wakened and fall over with a despairing cry that echoes all over the place." On August 2, the captain is awoken by a cry that sounds close, but which he cannot see the source of in the fog. The next day, the mate runs up onto the deck crying out after being figuratively 'wakened' to the true horror of who he's up against just before he leaps over the side of the ship. Also on August 3, Lucy goes about searching for the key so she can get out, and the mate went searching through the boxes in the hold. He clearly found what he was looking for, and it had terrible consequences; if Lucy finds what she seeks in her sleepwalking, what might happen to her?

And, one that I can't believe never occurred to me before... Mina's not only worried about Lucy, of course. She's very afraid for Jonathan. Because he, much like the men on the Demeter, has vanished unseen. He went off to his work (on watch/work trip) and hasn't been seen since. Even when she hears from him, it's brief and she can sense the letter is uncharacteristic of him, short and lacking detail. The reason, though she doesn't know it, is of course that Dracula stopped him from saying anything else/more. Jonathan's real sentiments and words were 'lost in the fog' so to speak (the false trail laid by the letters being the metaphorical fog here). It reminds me of the one sailor's cry that awoke the captain. And even with that, she's still waiting for more word of him and should have had it by this point. But he's simply gone.

It's not endless horrors for Mina at the moment, but the ominous tone is certainly building over time despite more positive moments happening too. To use a weather metaphor, more and more stormclouds have been gathering over time, looming threateningly overhead. And it looks an awful lot like the weather Dracula brought to the Demeter.

[politepiastri]

"i was there, i remember it all too well" OP81 x reader

masterlist

sumbit a request!

authors note: he's so boyfriend i just want to smother him. anyways this has just took me so long as tumblr decided to delete the ending twice. many threats later and i truly wish i had the energy to make this better but i had so much fun writing it so hope you enjoy reading it!! might have got slightly lazy at the end but i think it can be forgiven due to the circumstances. my apologies anyway.

also not proofread this i get embarrassed reading my own stuff

taylor swift references as this is heavily inspired by all too well (10mv) but you don't need to know it to understand :)

✰ warnings - swearing, just pure fluff

for 2 hours you had attempted to fall asleep. tossing and turning in your bed, sighing in frustration every couple of minutes. you had tried music, the sound of rain, counting. nothing was working and you were surprised you hadn't woken Oscar up yet. you kicked the duvet under your feet in a desperate attempt of comfort, waited 10 minutes, and still nothing. well, you weren't gonna do this all night. you cautiously peeled the duvet off your body, desperately attempting to make sure Oscar stayed asleep, grabbed your phone and airpods from the table beside your bed, and tiptoed to the door, opening and closing it as quietly as you could.

you had the whole apartment memorized from the multiple times you had walked around it with your eyes closed. you'd learnt the hard way where things you needed to avoid were but just for safety, you tapped your phone and held it out infront of you. a picture of a strip of pictures you had taken in a photobooth of you and oscar in different poses. one of the two of you kissing in the middle, sandwiched by one of you two making a heart with your hands, another of you resting your head on his shoulder while he kissed the top of your head.

you had to tap the screen a few times before you got to the kitchen and could finally use an actual light source. you opened the fridge and used the light from there to see around you, also grabbing a drink. you leant against the counter, trying to connect your airpods to your phone while sticking one in your ear, scrolling through your music library to find your favourite playlist.

"y/n's playlist🎶🤍"

very original of course

you pressed shuffle and heard the first few notes of all too well 10 minute version. you placed your phone face down on the counter and just listened to the song. focusing deeply on the lyrics. you were around a minute into the song when you felt two arms wrap around your waist.

you jumped surprisedly at the touch

"oscar you just scared the shit out of me"

he sunk his head into the crook of your neck, muffling his words

"what are you doing up, its like 2am"

"couldn't sleep and didn't want to wake you up" you almost whispered

you grabbed your phone and turned bluetooth off, disconnecting your airpods and making the song hearable to both sets of ears. it was on low volume, but you made sure it was loud enough to hear, something about the darkness made you feel the urge to be quiet. you placed your phone down on the counter once again, as he swayed your hips slowly.

"your abuse of the poor duvet woke up me like an hour ago"

"it deserved it i suppose"

you both chuckled as he moved one of his hands away from your waist, searching the air around it for your hand. when he found it, he intertwined his fingers with yours and began to stroke your cold hand with his thumb

he took you by surprise when he raised your arm and spun you under his arm to face him. you could only just make out that he was smirking, probably proud of the move he just pulled.

"shall we?" he said, still holding your hand, one of his on your waist as you shifted your weight between your feet, stepping side to side slowly

"god you are honestly such a dork it melts my heart" you replied, laughing at his words 

you hid your blushing face by burying it into his neck as he guided your steps from side to side. neither of the two of you had a clue what you were doing but as far as you were concerned you were dancing 'round the kitchen in the refrigerator light and you would remember this all too well

after the song had finally ended and another began playing, his hand trailed off your hip and up to your face to gently tuck a piece of your hair behind your ear before following your jawline round and cupping your face with his soft hands. His eyes looked intently into yours.

“im so in love with you y/n” he muttered, the warmth of his breath getting closer to your face.

and you truly believed it as he said it. the look of admiration in his eyes was everything. this was all you ever wanted. true, genuine love and it was all you had in return for him.

he hesitated for a moment before leaning in and letting his lips connect to yours. you knew he must have felt the heat of your cheeks on his and the foolish grin plastered across your face.

“i love you the most.” the words hardly audible from your lips still being almost touching. 

as your lips disconnected from the passionate kiss, you attached your forehead to his. for a moment, he let you stand there with just your thoughts, wondering how you got this lucky, how someone like you deserved him. 

“are we staying up then?” 

“we are absolutely not. you have meetings all day tomorrow osc, you can’t. as for me, i have nothing planned, so i reckon i might be.”

“y/n don’t be ridiculous, if you’re staying up i’ll keep you company. we can watch a film if you want to?”

he watched as your face lit up at the idea. an unspoken question lingered in the air.

“yes you can choose it” he rolled his eyes playfully

“only because you insisted osc” you replied, a sarcastic tone in your voice

you took oscar’s hand and led him to the sofa, the warm toned lights made the room feel romantic. you snuggled up to him as he handed you the remote. your bodies as close together as they could be, the heat from his overpowering the cold from yours. 

one of his hands drew circles on the soft skin of your stomach, the other one playing with strands of your hair.

the time you had spent looking for a film to watch was hardly worth it as you felt yourself falling asleep just minutes in. oscar’s face was pressed against your hair and you felt him smile as your eyes fought to stay open.

this was all you had ever wanted. this was all you ever dreamed of as a little girl, you had found your prince and you knew every moment, every memory with him would haunt you all too well, forever and always.

[vetted-gaza-funds]

Info (WIP)

Complete master list of all campaigns on this blog here!

This blog is run by @palms-upturned. I am a white USAmerican, and I do not vet fundraisers. Unfortunately, I cannot help with the vetting process in any way. This blog is meant to be a place to broadcast fundraisers that have already been vetted by Palestinian bloggers and organizations, mostly by users el-shab-hussein, nabulsi, 90-ghost, and ibtisams. None of us will ever be able to thank these users enough for the life-saving work that they have done and continue to do. If you cite this blog, please do not say “verified/vetted by vetted-gaza-funds”. Instead, please consider copy/pasting the sources that I link in my posts, or at the very least link directly to my post about the fundraiser in question where the sources can be found and say “featured on” rather that “vetted by.”

This blog is also going to be used more as a directory/master list than an actual blog. The aim is for people to be able to search usernames of people in Gaza and find links to verifications from multiple sources, as well as things like raffles or giveaways promoting certain campaigns, in one convenient place. For reblogs/signal boosting, please go to my main blog, @palms-upturned. If you are a user in Gaza promoting a fundraiser, I am more than happy to promote it for you, but I will only post about it on this blog once, and all other promotions will be on my other blog. I promise I am not ignoring you.

Here is a post with a list/directory of organizational tags on this blog. (WIP)

Sources where you can find vetted fundraisers:

el-shab-hussein and nabulsi's spreadsheet

gazafunds.com

Operation Olive Branch’s spreadsheet

Strawberry Seed Collective’s master list

Operation Poppy Flower

Project Watermelon master list

GoFund(water)Me(lons) master list

Ottawa4Palestine

Pali Pals on instagram

If someone in Gaza reaches out to you asking for help promoting their campaign, here's some things that you can do:

Do not report someone unless they are a known scammer. This platform has been targeting Palestinian users in Gaza for bans and terminations consistently, forcing them to remake their accounts several times, so a blog that appears new is not necessarily a red flag and may even already be vetted. Some users also take longer to get verified than others, especially those who struggle the most with staying connected to the internet. If someone reaches out to you and you can't find verification, please, just wait.

Along with sharing their posts, make your own original post linking to their campaign, even if it's just the link and a few words saying that you donated to them.

Link to a verification source in your posts about fundraisers. People are trying to avoid circulating unvetted fundraisers, so they'll be more likely to engage with your post if they can see proof that the campaign is legitimate. It will also help people who come across your post while doing a quick tumblr search of someone's username or fundraiser to check if someone has been vetted.

Posts with artwork/graphics typically gain more traction. User aces-and-angels, with the help of volunteer artists and designers, has been compiling a master post of donated artwork that is free to use to help boost fundraisers for people in Gaza, so check it out here and consider using these images in your posts! Please consider submitting artwork of your own as well for the cause.

Please considering sponsoring a campaign! There are many ways to do this. Some users have put together raffles where proof of a donation of a certain amount earns one entry into the raffle. Some users have offered charity commissions in exchange for donations to a campaign. Some users offer to match donations up to a certain amount, or promise to do/make something if a fundraiser reaches a certain milestone. I plan on eventually making a tag for campaigns with no sponsors so that people can look through it and hopefully pick one to sponsor. If you let me know about your efforts, I will add links/information about it to the post about the campaign you’re sponsoring!

Please spare a few minutes to look through this post about some recently terminated GoFundMe campaigns and how you can help pressure the platform into hopefully giving the funds back to the organizers.

Icon source | Banner design source

[marimayscarlett]

17 years of "Emigrate" 💿🎶

Today, Richard's first Emigrate album with the title "Emigrate" was published 17 years ago on the 31st of August, 2007. Additional release dates were the 29th of January, 2008 for the US and the 2nd of February, 2008 for Australia.

Recordings for the album took place in Germany, the USA and Denmark, mainly at the Studio Engine 55 in Berlin and New York. Singing and guitar were done by Richard, Arnaud Giroux played bass and Henka Johansson played drums, Olsen Involtini contributed additional guitar sounds and Sascha Moser, the former drummer of Orgasm Death Gimmick, took care of Logic and Pro Tools. Same as several Rammstein albums, this album was produced by Jacob Hellner.

Before the album was released, and even before the promotional CDs were manufactured, the band held a vote on their website. Fans were able to choose which song they wanted to hear in its entirety, after the release of Wake Up. The vote was won by Babe. After that a promotional snippet CD was released, which included both songs in full, but both songs were slightly different versions from the ones later released on the album.

When the CD was released, several promotional sheets were included, among them an interview with Richard. Here he answered question as himself as well as his alter ego "Emigrate", both knew each other for a while and could work well together as they had similar styles and were interested in each other's work. A bit of a peculiar concept, but kind of endearing. The sheets are in german, here is an english translation of this interview.

Here you can see the standard edition inlay, the CD design as well as the alternative cover:

In this interview from one day before the release, Richard explains what kind of meaning the name "Emigrate" has for him and how he came up with it:

Interviewer: And behind this term EMIGRATE, what is the emotional meaning behind it? We know that you chose this name because you went to New York, but...?

Richard: I am someone who wants to be extremely independent. So this project is an emotional release for me. You're constantly faced with fears in your life, and I think there was a certain person waiting inside of me who also wanted to lead her own project, wanted to sing - basically just wanted to be the center of attention. To actually do that in the end, or not to do it, to have to do it, to deal with the public and so on, that certainly has something to do with fear. People always talk a lot, but often don't realize their ideas because they're simply afraid they won't be able to hold their own in the end. I'm glad that I did it.

Interview: Was the name EMIGRATE your preferred name from the beginning or did you also have other name ideas?

Richard: I think names come to you at some point. Searching doesn't help much. At some point I found a piece of paper on the street in New York with “EMIGRATE” written on it. Somehow I thought this word basically described my current state, not only physically but also mentally. Emigrating from my home country, emigrating from the band RAMMSTEIN...it all made sense somehow.

Emigrate entered the German album charts on September 14, 2007 at number 8 and in the following weeks it reached positions 28 and 50, remaining in the Top 100 for a total of five weeks. The song "My world" appeared on the Resident Evil: Extinction - Original Motion Picture Soundtrack.

Two songs were released as singles: "New York City" on the 12th of October, 2007, and "Temptation" on the 7th of March, 2008.

Little personal addition, since this is my favourite Emigrate album and one of my favourite albums ever - here are my three favourite songs from it:

Sources: 1 2 3 4

[stolentrekblr]

Some FAQs

"I feel compelled to tell you I am pleased/angry/don't care about this!!!" I am not telling anyone how they should feel about this. While my blog title is a touch incendiary, I am tracking down the posts I find in the wild and tracing them back to their original poster. It bugs me when screenshots get reuploaded here when the original posts still exist, so I'm doing my best to track them down for you. I also wanted other people to know when their posts/art/edits/words officially escaped containment. While I'm personally irked by the behavior of taking without credit, that doesn't mean you have to be. Your response is valid :)

"Why only Star Trek?" Focusing on Star Trek alone is already a massive undertaking. If I could do more, I might, but I am most active in the Star Trek Tumblr sphere and more capable of identifying and tracking down the original post.

"Can I send you something I found/my own post that was reuploaded?" Please do! I am but one person with a questionable attention span, and this is an ambitious undertaking. Tumblr may be the incubator of the Internet, but its search function makes finding things challenging. There is no way to automate this process that I know of.

"What's your issue with this particular Data page?" Initially, I didn't have a problem with this page. My Facebook friend had sent me a couple memes from it, so I liked the page and moved on. I assumed the page runner was just another Trekkie who made memes and reposted art. As time passed, I noticed that many of the memes that lacked credit were coming from Tumblr and from mutuals who had no idea their words/edits/art had migrated off the platform. I noticed the page was uploading peoples' edits without credit and taking captions verbatim, and that bothered me personally. Two of my posts were lifted in a row, and I had made a couple posts on my main ( @thresholdbb ) about it. It eventually hit a point that I decided this endeavor needed its own dedicated space.

Maybe it's because I spent my entire professional career in education, repeatedly citing all of my sources and teaching students that plagiarism is wrong. Maybe it's because the page runner repeatedly solicits money via subscribers, not to mention the "Gift" button that appears in the corner of every stolen picture. It seems disingenuous to present content as your own and also profit from it. On some level, I think the page runner knows what they're doing is at the very least morally questionable/dishonest/wrong, since they do not like or reblog any of the posts they re-upload to their page. (Believe me, I spent a long time trying to track them down before starting this blog.) Far as I can tell, they do not make original posts here, but I cannot confirm this. They make a few original posts on their Facebook pages (I think there's something like 7 that all have the same MO), but they are mostly selfies soliciting money. Like do what you need to do to support your family or whatever, but stealing from people in this way is not cool IMHO.

While it is the nature of meme culture to spread them around without credit, these posts are regularly being taken from a community in which I actively participate.

"Why would they watermark my post?" From what I can gather, straight up screenshots can get nuked because they go against some term of service, but I'm not a super active poster on Facebook and cannot confirm.

"What's your goal with all this?"

Awareness - now you know if a post has broken containment, if your art has been reposted, if your edit has gone uncredited, and where the original post is so you can reblog and add your own tags for OP to read. I'll often see a post in the wild and want to add my comments here but then can't find it, so I'm doing that legwork

"What if my blog has a do not repost disclaimer on it?"

It seems reposters don't particularly care, but I do. Even when art is reposted with the username/link/credit, the two can quickly become separated if your work doesn't have a watermark because of how some people tend to repost. Let me know you have a disclaimer and I'll add it to the repost report. If you have merch or a tip jar associated with your work, let me know and I'll add that too.

"I'm concerned about Meta's AI"

You and me both. I'm not wild about the fact that tumblr users have no say in what happens to their words, art, and images on another platform. Here they at least gave us the illusion of choice that we could opt out of LLM training, but that disappears once it migrates to Facebook and other social media platforms.

"Can I reblog the post and delete your screenshot from it?" Please do! Let the original post be free! In fact, I encourage you to get rid of my reblog completely.

"What's your Facebook name?" Must really suck when someone is anonymously taking screenshots of your posts, uploading them somewhere else, and you don't have a say about any of it. On that note, what's your Tumblr name? Mine is @thresholdbb :)

"Why not make your own monetized page?"

I don't want to. I want to post, connect, and nerd out about Star Trek, not profit from my incessant posting. I could and might have moderate success, but it's a lot harder when the posts are original and haven't been vetted by another user base before reposting. I like the Ferengi, but I don't want to emulate them. Besides, even the Ferengi followed the Rules of Acquisition

Also as a side note, reposters often take uncredited memes and images from Tumblrs that do have monetized FB pages/tip jars that post all original content

Overall, the Trek community has a lot of good will, but in my experience that typically comes with a strong sense of justice. I'm just out here spreading the word

[writingattemptsxx]

Levi x Reader

Sleep.

You’re sick of Levi’s all-nighters and decide to get him to sleep, even if you have to trick him.

—

Not too late for Valentine’s Day, right? It's not themed, but some romantic fluff.

No one read it before posting, so hopefully there are no glaring issues.

No pronouns used for Mc other than “you”.

—

Uhhhh… what was happening? Levi was just gaming a bit ago, and now you’re asleep on top of him. You were complaining about him needing sleep as he, admittedly, brushed you off. A bit after some silence, you offered to watch some anime with him, starting with one of his favorites. He was done with all his dailies and he’s beaten all the story out, so why not? Little did he know it was a trap he fell for so easily.

Both of you sat down on a nest of blankets and pillows you insisted on making. Unusual, but the floor isn’t the most comfortable. You sat next to him for a while, looking at him every few minutes. After about an episode you pushed him down, turning him to where the back of his head hit one of the pillows.

“Wh-wh-what?! M-Mc?!”

“You need sleep! And don't complain. I played you parallel to the screen, you can just turn your head. Just- just lay down. Please.”

You looked desperate. Desperate for him to take care of himself. His face felt hot. Why is that a normal reaction around you?

He turned his head away, facing the screen. “Fine. I won't sleep though.” He didn't even sound that confident, but any confidence that was there shattered as you snuggled closer. He hopes that you don't hear how fast his heart is, even though your head is resting on his chest.

While watching, he played with your hair to keep his hands busy. He kept watching until the end of the final episode. Why does it have to be so short? His eyes drifted to you for a second, only to jump back. You were asleep. You fell asleep. His face felt more than warm this time. It felt absolutely burning. What does he do now?

He searched around for the remote. Of course, it was outside of his arm’s reach. He tried to slide closer, but that jostled you. He froze as you made a small and annoyed noise and readjusted on top of him. He was still frozen for a while after, just to make sure you weren't awake. While he did find it adorable, he didn't want to risk waking you.

He tried to slide again, slower this time. Luckily he grabbed it, without moving you this time, and he slid back into his original space. He tried to change the show to something new, but he kept looking back at you. He put the remote down at his side. He cupped your cheek and rubbed it with his thumb. You gave the tiniest smile in your sleep. Why are you so cute?

He looked back at the screen. There was this anime he'd been wanting to watch, and now was the perfect time, right? To his shock, he put on an anime he's watched thousands of times, put down the remote, and turned back to you. He lied down and continued to play with your hair until his eyes closed and he drifted off.

—

There was this annoying rustling sound waking Levi up. What time is it anyway? He tried to ignore it, but it was too annoying. He opened his eyes, scanning the room. When he turned his head he found the source. Mammon, his brother, and the greediest demon alive. He was rummaging through Levi’s figures and DVDs.

The lowest and angriest growl he has made in recent memory accompanied his voice. “Mammon.” He froze at Levi’s voice, not even looking back at his brother. “Make a good choice here. Leave everything where it is, and leave. You dare take one thing and I will kill you.”

Mammon slowly side-shuffled out, keeping his back to Levi, and keeping his hands up. Once he opened the door, he bolted away. Levi huffed, turned his head back around, closed his eyes, and drifted back off.

[vanilla-lip-stick]

Brainrot

So I am about ten years late to the fandom, started reading Elsanna fics about half a year ago. A few times before that, Elsanna stories appeared in my AO3 searches, but I shied away from those because of the incest aspect, I won't lie. However, I was running out of femslash stories to read, to I thought, well, I can read the unrelated stuff, it's fine.

I found those two utterly charming and adorable, and I couldn't get enough. So I eventually peeked into the pile of stories where they were sisters but not only sisters. And I still found them utterly charming and adorable, but also, at times, broken, repressed, yearning, hurting, fighting, loving. It quickly became my favourite ship (and it currently still is), and I particularly like the sister aspect because I always was a sucker for forbidden love, always liked it when writers ventured into difficult territory, asked difficult questions, gave ambiguous answers, because that's what life usually is, at least from my perspective.

After, at the time of posting this, five published stories on AO3 with about 70 k words, I'll tell you a little secret: I have never seen Frozen. Most I know about it and about Anna and Elsa I know from fics, and bits and pieces from other sources. If you read hundreds of thousands of words of fanfiction about them, I guess something sticks.

Also, many of those fics have inspired ideas of my own. New entries keep popping up in my backlog, and I already have about 50 outlined in various degrees. Just to give you a taste of what's in there, have this screenshot:

Yes, those numbers on the right are page numbers. More numbers? Then have this:

Before I started to treat writing seriously some years ago, before I finally committed myself to try my best to become a professional author, I was one of those people you wondered: where do writers get all these ideas from? Now, I find myself on the other end of the spectrum. I have too many ideas. (That above is, mind you, just my Elsanna backlog. My backlog for originals is even longer. Not that size matters.) There's no way I could possibly turn every idea I have had until now into a story even if I turn 100. And sometimes, this thought is so hard to cope with because while I don't think each of these ideas is a gem, there are many of them I love in one way or another.

(Some ideas, I am really scared of, and one in particular makes me sick whenever I stumble across it because it covers a topic I, as a reader, usually give a wide berth. Not so long ago, I read a fic that had this, thought I could perhaps take it, and looking back I have so say: no, I can't, and I have to fight the images in my head when I remember certain parts of the story to stay somewhat sane.)

Anyway. I wish writing didn't take so long, and I wish I were immortal until one day I decided I have had enough. I'm sure many of you can relate. (If there even is someone out there reading these ramblings. If there is, come say hi. Or find my stories on AO3.)

[maniculum]

Bestiaryposting Results: Haesorog

Welcome to this week's bestiaryposting results! This is an unusual one in that the entry is short, but we have plenty of physical details. We're also following up two obvious ones with a description I genuinely think nobody can identify unless they're familiar with the bestiary tradition itself, or the sources thereof.

If any of that was confusing to you, please consult past posts on this matter at https://maniculum.tumblr.com/bestiaryposting. You can also keep up with the current beast of the week -- and participate -- by checking out the tag "maniculum bestiaryposting". The entry that our artists are working from this week can be found here:

Anyway, art below the cut in roughly chronological order:

@silverhart-makes-art (link to post here) took this in a rhinoceros kind of direction, drawing something that reminds me of paleoart depicting prehistoric rhino relatives that I have seen & enjoyed. I was going to say something like "I'm not sure if that was the vibe they were going for", but the linked post cites Brontotherium as an inspiration for the horn, so that's probably what I'm picking up on. The depiction of it defending its young makes this a really interesting image, I think; I like it a lot. Also, the design decisions explained in the linked post are genuinely pretty interesting, so I encourage you to check that out.

@moonygryffin (link to post here) ran with the "ibis feet, deer head" thing to produce something kind of like a flightless peryton, which I think is pretty cool. What's really clever here, I think, is how the body effectively blends elements of both animals so that it looks like a natural transition between the two. It's kind of bird-shaped, but you can see some deer-shaped elements at the top, and it's got this furry kiwi kind of vibe that's plausibly both "deer" and "bird".

Moonygryffin also suggests that the thing with the feet is the result of our favorite game, Manuscript Telephone, and it was originally the footprint of an ibex, which I think is probably correct. From some quick searching, it looks like Pliny just described this beast as having "cloven hooves". I think it's plausible that a later author changed it for purposes of parallelism -- "size of an ox, fur of a bear, head of a deer, feet of an ibex" -- and then someone else misread it and gave it bird feet. (Do ibexes/ibices* have cloven hooves? I'm going to assume they do, they're goats, right?)

*I checked the OED; both plural forms are attested, though the first is the more common. Which is probably why Tumblr is giving the second one the red underline.

@cheapsweets (link to post here) went for a similar concept as the above, but in a different medium and interpretation. Genuinely impressed by the realistic detail on the legs and head here -- CheapSweets has mentioned seeking out some reference material and art books recently, so I'm inclined to assume those are really paying off. Look at that thing. There's a lot of interesting material in the linked post, speaking to influences, research, and design decisions, which I think is definitely worth checking out. One thing I want to point out specifically because I missed it the first time I saw this drawing: take a look at the people & dog in the background at the top left. Now look at the trees next to them. One of them is a Haesorog cleverly disguising itself. Excellent.

(Also thank you for providing alt text.)

@pomrania (link to post here) has collaborated with @theforceisstronginthegirl on this one, which is a delight! Pleased to see you back, Theforceisstronginthegirl. Anyway, they've also clocked the error with the ibis thing: while they don't suggest it's an error for ibex, they do suggest that it refers to cloven hooves, which as previously mentioned is indeed what Pliny says about it. And then they also decided to give it bird feet anyway because that's more fun, which is very much in the spirit of the thing, excellent call. Anyway, the focus of this design is on the camouflage aspect. They've interpreted it as simply having stellar natural camouflage, which is why it's shown next to a tree here -- we can see that the pattern of its fur lets it blend in with the coloration of the trees around it, and that leaves tangled in its antlers along with its ability to stand on two legs enhances the effect.

@sweetlyfez (link to post here) went with a similar quadrupedal design, shaggy deer-like thing with bird legs, but went the opposite direction with the camouflage. Her post indicates it's shown here "shedding some leaves from the last time it turned into a bush," which means this version of the Haesorog is suggested to have actively supernatural camouflage that allows it to shapeshift. (Which is definitely suggested by the text.) There's something very evocative about the eyes here, which I like. (Also, thank you for including alt text.)

@coolest-capybara (link to post here) continues to deliver beautifully stylized art. I'm really delighted by the the pose the second Haesorog is taking in order to blend in with the very pretty Stylized Plants around it -- I think this is maybe not the environment where color-shifting is hugely useful, as I have no doubt the first Haesorog is fully aware of its presence. Something that makes this particular design interesting is that between the default coloration displayed on the left and the shape of the feet, you get a kind of "this thing is a step too human for a quadruped" feeling that makes it a little more unique-looking than it might be otherwise. (Also, thanks for including alt text.)

Over all of these entries, I'm noting that one effect of the clear physical description is that it does provide a more restricted space in which artists can play -- it's much more obvious than in other weeks that all of these are the same animal. Whether that's an upside or a downside is, I think, wholly subjective. Now let's look at the Aberdeen Bestiary.

...

Okay, we can't do that actually. The page with the illustration is missing from the Aberdeen Bestiary. So we're looking over to its sister manuscript, the Bodley Bestiary. (MS. Bodl. 764, also digitized online.)

So this beast is of course the Parander.

Yep, bet everyone feels foolish for not recognizing such a common and well-known animal as the parander.

Also, of course, known as the Tarand or Tarander, of course. Or parandrus / tarandrus in Latin.

Right, so the reason that I was so confident nobody without a thorough background in the bestiary tradition (or Pliny the Elder) would recognize this one is because it's not a real animal. And it's not even one of the mythical ones that managed to get a foothold in the modern consciousness.

I might be overstating the "not a real animal" line, actually; odds are good it's based on one. Let's talk about that.

There have been some guesses as to the parander's identity in scholarship. The Bostock translation of Pliny has a footnote that cites two competing theories: "reindeer" and "elk [aka 'moose']". The reindeer one gets an explanation -- differently-colored summer and winter coats -- but the elk one is just kind of tossed out there as a proposed alternative. My guess (based on it already being past 10:30pm here and not wanting to put in the time to track down a source that's cited only by a last name with no other identifying information) is that that one's about the parander's size being emphasized.

You may say, "excuse me Maniculum, neither of those animals lives anywhere near Ethiopia. What are you playing at? Are you going to try and convince me that the pre-modern definition of 'Ethiopia' was so broad it encompassed the Arctic Circle?" The solution is that the parander wasn't originally described as being from Ethiopia -- Pliny says it's from Scythia. Which... also seems a bit too far south. But it's entirely reasonable that the Scythians were reporting on something seen on a trip north or something they heard about from northern neighbors, which would put "reindeer" and "elk/moose" both back in as options. Scythia is close enough to the range of both of those animals that it's plausible they would be familiar with them.

Someone you may have heard of took a stance on this issue, interestingly. An 18th-century biologist named...

... Linnaeus. Yep, it's codified right into the scientific name for "reindeer" now, and has been for as long as binomial nomenclature has been a thing. Anyone who wants to make the "elk/moose" argument is going to have a bit of an uphill battle.

All that out of the way, now take a moment and scroll back up to that medieval illustration. Mentally compare it to the description and the art shared in this post. There's something different, right?

You may notice that the artist has given it cloven hooves rather than bird's feet, having not been confused at all by the "footprints of an ibis" thing. Now, often this is the result of the art not actually being directly based on the text, but copied from art in a previous manuscript, so a scribe can write down the wrong word and it won't affect the art at all because the artist may or may not even be reading the text as they work.

Often, but not always. In this case, I would like to float an alternate explanation.

On the left is the translation of the Bodley Bestiary I have on my shelf, to which I referred when filling in material from missing pages in the Aberdeen Bestiary. On the right is the Bodley Bestiary digitized manuscript.

Now. I am not trained in Latin paleography, so it's possible that I'm misinterpreting an abbreviation. But that word on the right... the penultimate letter certainly looks like a C, doesn't it? Not, e.g., an S? (It would be a long s here, but that doesn't actually help.)

Which means that the manuscript says ibex. The ibex -> ibis confusion is a case of Manuscript Telephone, but it was telephoned in the 1990s.

Again, like I said, I'm not an expert. I've never translated a single page of a Latin manuscript, much less had a book-length translation published in a handsome slipcover edition. So it's very possible I'm missing something. But right now I'm pretty sure that everyone's been drawing bird feet not because of an error made by a medieval scribe, but by the modern translator.

Anyway, that was exciting, right? I hope that makes up for me posting this a few hours later than usual.

[chocodile]

Found your work through desperate searches for sylvanian family customisation or recolour resources and WOW your art/characters/worldbuilding are also astoundingly good... gonna be scrolling here a while. Out of curiosity do you do custom/commissioned sylvanian figures or do you have a tutorial/materials list someplace? Thanks for reading!!

Aw gosh, thank you, Anon!

I did one custom commission as an experiment (which I'm sure you've seen if you looked through the tag) and it was pretty fun, but man are these things a time suck! I tried to do too many dolls in too short of a time, got kind of burned out on them, and haven't touched them in months... I'm currently trying to work up motivation to get back into it and finish the projects I have materials for. If I do, I'll take pictures this time and put together a proper tutorial.

Unfortunately I can't take any commissions right now, but I'd be happy to share a materials list! It's under the cut:

The paint used is basic acrylic paint, like the kind you can get from Walmart or craft stores for under two bucks. There's a bit of a trick to painting them without making the fur clumpy, I described the painting process here!

For the hair, you'll want doll hair ("My Little Pony" size is way more than sufficient), a hair rooting tool/kit, and either a heat gun or blow dryer. I wrote some notes on hair rooting Sylvanian Family dolls here.

For the clothes, you can use a number of different fabrics, but you want it to be very, very thin. That super cheap, thin cotton fabric you can find at Joann Fabrics is pretty perfect and comes in a wide variety of colors and patterns, though some stuff like doll-sized flannel you might have to look online for (or DIY--you can use acrylic paint on fabric, it just makes it stiffer). I use ribbon for trim. Other accessories like jewelry, buttons, chains, crystals, and belts can be sourced from craft stores, too... I usually just bring my WIP doll with me in my pocket and hold it up next to anything I'm interested in buying to check if the sizing is right (the lady at the fabric cutting station was incredibly charmed by them, hah). For more specialty items, like tiny hats and replica firearms, you will probably need to look online.

If you can't find a specific accessory, or need to sculpt something like armor, you can try making it out of epoxy clay and painting it with the same acrylic paint you used for the figure. Mod Podge will help seal it and give it a nice glossy finish. (Do not use Mod Podge on Sculpey--it makes it sticky!)

Tails are generally pipe cleaners or occasionally pom poms. Cut the original tail off with wire cutters, digging out as much of it as you can, and super glue the new tail in the hole.

Horns are done with epoxy clay. For big horns on the head, I use wire cutters to cut the pointy part off a pin, embed that in the clay horn, and then stick the end of the pin into the plastic head to more securely anchor it.

Bat and dragon wings are done with leather sheets you can buy from a craft store.

Other essentials: Super glue, sewing kit, Dritz fray check. Super glue is essential for both tails/horns/etc and clothing (it's often better for ultra-fine detail than sewing). Sewing kit is needed for clothing. You will not have much success with clothing without Dritz fray check. It keeps the edges of the fabric from disintegrating, which is a major concern when working on such a tiny scale.

Also this isn't a material so much as a tip: I often use the pointy end of a pin to do fine detail painting. It's also useful for sculpting miniatures.

Hope that helps! Good luck on your customization ventures, and feel free to ask if you have any more questions!

[quartzdawn]

Went on google search, typed in 'Ugigiugi' just to analysis her tracing again, and accidental found her ancient Egyptian Mythos art. Apparently either Ugigugi or someone else relogged them on Pinterest and because of that they are now forever frozen there as a memory of a person who is no longer on the internet (and thank god for that).

I was happy to actually find these because I genuinely need to see what these looked like, as when looking at the tracing PDF file that @/Twistedpometea made and seeing a few select of the Egyptian mythos art there, I noticed that if you go to her Deviantart (the only social media she has left) the Ancient Egyptian stuff was the only thing that was completely 100% deleted. you can't find any of the art for it other than on google.

Moving on to an actual topic, while looking at this art wise, not only can you tell that a mass majority of this art is traces of Leona from Twisted wonderland, but the designs are straight up nearly stolen from the Webtoon Ennead (Another place she also traced from in a few of her works). Her Seth is literally a hybrid of the Ennead Seth and Leona from TWST mixed together to make some hybrid child.

I'm assuming she decided to make this "beautiful' decision so that she can easily trace fanart of both Leona and Seth instead of actually have to draw anything at all from scratch.

Anyway, thought this was interesting because my closing suspicion of her possible being homophobic keeps growing because this is apart of the several pieces of work were she replaced a male character in a MalexMale relationship (whether its fanart or official original art) with her female self insert to serve a heterosexual perspective. This time being a more sever case.

If no ones ever read 'Ennead' it is strictly considered a boy love story. Seth (god of war in Egyptian mythos) is seen having several romantic and sexual relationship with men. Specifically the god Horus. Its-- the story is a lot, but the main point is that this series doesn't have many hetro elements to it.

In Ugigugi's version she keeps Seth, gives him Leona's personality (kind of), and then replaces Horus with her Self insert Julia. The stories are nearly the same from what I can gather and all she did was erase the more graphic and horrid parts of the story to create a more fluffy 'gentle' perspective of the relationship. Almost in a way to spite the Ennead version of the story which has a much darker storyline to it.

Funniest part of this all? She's drawn Ennead fanart before so I genuinely do not get why she thought she was going to get away with this.

(LMAO love how in these pieces to not make it clear that she took heavy, and I mean HEAVY inspiration, from Ennead she just changed the art style. Just because the designs [which were probably also taken from other sources] are different doesn't mean that the tracing of the characters aren't obvious)

Now the only thing I want to know is why she mass deleted all of the Egyptian artwork she did and not the obviously traced Twisted Wonderland work that's still on her DeviantArt. is the author of Ennead more threatening with copyright striking? Was the universe she created actually co owned with another user and the other didn't want to participate anymore after realizing she was a tracer? Was she accused of something like racism ? Its odd for sure. if anyone knows comment or reblog because I think its really strange.

(also in the process of making this I found more of her ancient Egyptian mythology art so will make another post. Apparently its being sold on those weird scam sites that sell things for expensive prices. Apparent they think many of this work is worth 24USD. )

[blazehedgehog]

Man, that's crazy and unfortunate what happened to that level designer on Sonic Heroes. Is there a source for those stories you could share?

Unfortunately it came from a Game Informer interview on their website back in 2016. Thanks to the efforts of Gamestop, everything about Game Informer was basically wiped from the internet about a little over a week ago.

Digging around a bit I found this Wayback Machine post for the article, titled "Where Sonic Went Wrong", written by Brian Shea.

Iizuka recalls the development cycle of Sonic Heroes, the first multiplatform mainline Sonic console game, as the most stressful of his career, in part thanks to deadlines. He was based in the United States while the rest of the development team was in Japan, and mismanagement took its toll on the team. "The level design for Sonic Heroes was made by two people: me and one other person," he says. "As we got to the later stages of development, this other person got pretty sick and didn't show up to work, so level design was made by one person! So for those very last stages of the game, I didn't sleep at all and I was constantly working. I lost about [22 pounds] because I was just cranking away and it was just work, work, work. I didn't sleep because I had to finish the game on my own. Almost dying!"

From what I've heard, this isn't the first time somebody has mentioned this about Sonic Heroes, just the first time in an English interview.

For the other information:

The information about Sonic 2 comes in the wake of Hirokazu Yasuhara's Digital Dragons talk in 2017, where he revealed a significantly different and more ambitious early design for Sonic 2 that was scrapped in favor of something they could do faster and easier.

The information about Sonic 3 comes from the Hidden Palace dump of a Sonic 3 prototype. The creation date on their prototype is maybe three months before its retail release and the state of the game at that point can charitably be described as a disaster, something their news post explains thanks to information provided by the person who offered the prototype.

Sonic Adventure 2 being made by half the people in half the time is original research by me. Sonic Team is on record that the 3D Sonic World in Sonic Jam was a prototype for Sonic Adventure on the Sega Saturn, putting development of SA1 starting around late 1996 or early 1997. If you count from there to when the finishing touches were put on the International (American) release of SA1, that gives it a development time of around 2-3 years. SA2's development started probably around December of 1999, and came out in June of 2001, making for a development time of 18 months. You can compare developer numbers yourself using Mobygames. (Shoutouts to The Golden Bolt for also looking down a similar path.)

Similarly, just look at the production credits for Shadow the Hedgehog, CTRL+F, and search for "Takashi Iizuka"

After Shadow in 2005, Takashi Iizuka was no longer an active developer on the Sonic series for the next five or six games, mostly relegated to distant "supervisor", "concept" and "special thanks" roles. Instead, he worked on NiGHTS: Journey of Dreams, another game Sega jerked him around on. He came back to the Sonic franchise and started doing press again midway through the development of Sonic Colors in 2010.

Sonic Unleashed being expensive comes from, to my memory, an IGN Developer Diary that's impossible to find nowadays, where the director admits one of the producers at Sega pitched the Werehog as a way to slow players down and appreciate all the effort they put into environment art. Also they literally developed a whole entire rendering engine just for that game, of course it was expensive.

Here's a 2009 post mentioning a "Sonic Anniversary" leak from Sega's FTP. Details are fuzzy, but a Sega Spain leak a year later clarified that "Sonic Anniversary" was a game coming to Wii, DS, PSP, and PS3. A (physically) broken prototype of Sonic Anniversary for the PSP reveals a very early version of what would become Sonic Generations for the 3DS. And given how much content is shared between Sonic Colors and Sonic Generations, it's not hard to connect the dots between Colors being built from the proposed Wii version of "Anniversary" (Generations). There may be a more direct source for this straight from the horse's mouth, but I can't find it right now.

Morio Kishimoto was a game designer for Secret Rings and Black Knight, his first games for Sega, and got promoted to Director for Sonic Colors where he's stayed ever since. He mentioned not being a part of Sonic Forces at first, but was brought in to get the game back on track, and the game's troubled development is corroborated by Takashi Iizuka in the liner notes for the Sonic Forces soundtrack.

You can compare the metacritic for Secret Rings and Sonic 06 to see just how much more favorably Secret Rings was received, despite both games coming out less than six months apart.

Here's an archived IGN interview from 2007 with Yojiro Ogawa describing how Secret Rings was split off from the development resources of Sonic 06. Exact dates would be fuzzy, but it's easy to assume the entire game was developed in less than a year.

Here's a 2010 Eurogamer interview where Takashi Iizuka (not Kishimoto, whoops) says Sonic Colors is a Sonic game meant to appeal to Mario fans.

As for Sonic Lost World being Sonic Colors 2, my source on that is "I mean, just look at it."

(For people many years in the future, this post is in response to this.)

[morbidsmenagerie]

Scientific Literacy and Stray Cat Policies

Or how to read scientific papers and interrogate claims for accuracy.

I said in my previous post I eventually wanted to write something about how to read scientific papers and how to be aware of the ways a lot of credible sites summarize papers in a way that is misleading or inaccurate. Well since the topic came up yesterday now I've finally motivated myself to make this post so this is it. Although this is a bug blog, I will be focusing on specific claims made about cats because the way that scientific papers are used to affect policy is more direct and focusing on cats makes this topic more approachable and widely relatable.

I will be formatting this through the lens of finding a claim made on a site that has a citation, and how to read the original paper and compare it to the claim that the site is making. This I think is most applicable in everyday life. I'm also not a researcher or in academia, but I want to present this information as how to read a paper as a layman on a topic you don't have experience in. Hopefully by the end of this you'll have a greater sensitivity to statements made by secondary or tertiary articles, and you'll be more inclined to investigate information to it's source.

The other reason why I'm focusing this post on cats is because I ended up taking a deep dive into the policies we have about cats and how those policies are scientifically backed. We found a cat we had reason to believe was a lost pet a few months back, and we took him to a shelter so they could hold him while the owner was tracked down. During this, we were told the shelter doesn't take healthy cats, and that the policy was to put any cat you find back where you find it and "keep an eye on it", and the shelter would only take it if it was actively sick, injured, or starving.

This policy was based on guidance from the National Animal Care and Control Association.

We'll get to this is a second. Another shelter nearby that we tried had a similar policy, and their website included this graphic to explain that "When a cat is found outside, healthy and free from immediate danger, it is far more likely to return to its owner on its own."

This graphic has a source here, and we can see that it's one of the same sources used in the NACA findings.

The NACA findings consist of these main points:

Impoundment of healthy adult cats reduces the likelihood of reuniting families with pets

Impoundment of healthy adult cats may disproportionately impact under-served and marginalized communities

Impoundment has the potential to increase cat populations and impact

Impoundment fails to resolve the inciting factors for nuisance situations

Impoundment of healthy free roaming cats reduces capacity to respond to critical community needs

From the site, we have these references listed:

I'm going to focus on the first two points for space. The first two points seem to be the bulk of the argument for releasing found pets back outside and TNR is a whole other thing I don't really want to get into currently. Let's look at the first two references, which are describing lost pet cats and their owner's search and return methods.

This is the first reference, "Search and Identification Methods that Owners use to find a lost cat".

Scientific papers typically start with an abstract. The abstract is not the only thing you should read when looking at a scientific paper. The abstract is a summary that I like to think of more of a keyword organizer, it will briefly describe what the paper is about, what the author did, and what the author thinks the results of the experiment show. This paper shows the parts of the abstract very well, because instead of just a paragraph to sum up the whole thing it's broken down into sections.

So we can see the purpose of this study was to look into how owners were looking for their lost cats, and what aids in cats being found. The study was conducted through a telephone survey, and the results show a breakdown of recovery methods that led to a cat being found. One of the things that immediately sticks out to me in this section is the first line that states "73 of the 138 (53%) cats were recovered". So right away we can see that the NACA site that claims that "In fact, the most successful reunification method for cats is the cat returning home on its own." is a misleading statement, while the majority of cats that were found returned home on their own, most of the lost cats were never found at all. Saying 66% of the cats that were found came home on their own is ignoring the fact that it's 66% of the total number of found cats, but only 34% of the total number of lost cats. Another thing that sticks out to me is the statement that "Only 26 of the 138 (19%) cats had some type of identification at the time they were lost." and that "Owners allowed 82 (59%) cats to spend at least some time outdoors". So the survey was done on a group of cats where a bit more than half were allowed to roam outside and a vast majority had no identification on them. Immediately I would assume that has an effect on how they were recovered, stray cats and indoor/outdoor cats are pretty common and people don't tend to immediately assume a cat they found outside is lost. And without an identification tag, anyone who did find the cat would not be able to return it to it's owner. The conclusions the author draws is also not that shelters should deny the intake of stray cats, but that we should "educate owners about the importance of identification and the need to keep cats indoors".

Let's look at the rest of the article though.

The next section is the Materials and Methods section. Depending on the paper you don't always need to read this, it will describe how the author collected the data, usually includes some information about the statistical relevance, or describe how the experiment was performed. Sometimes this section can highlight implicit biases in the way the data was collected, for example in this paper it states that "The study population consisted of a cohort of cats that had been identified as missing by their owners through placement of an advertisement in the lost-and-found portion of the classified section in the Dayton Daily News or through contact with 1 of the county’s 3 animal agencies". So they only surveyed people that posted a lost cat ad in the paper or directly contacted the shelter about their lost cat. This would exclude anyone that looked for their cat or put up lost cat posters but didn't happen to contact the shelter or run an ad, and the people who didn't look for their cat at all but just assumed the cat ran away. Biases like this are important to be aware of when interpreting the results of a paper, even if they don't have an apparent effect on the results.

Then we come to the Results section, which essentially gives the data as it was collected with no interpretations or conclusions applied. This section has a bit more about the specifics of the methods used, how long it took cats to be recovered, and whether or not having an identification tag made a statistic difference.

Last is the Discussion section, which is where the author interprets the results and draws a conclusion based on that. This is an important section to read because it usually gives some insight into what the authors think the data means. Obviously even researchers aren't infallible, but the authors have a lot more context and knowledge on the subject the paper is about and this can be helpful if you're reading a paper on a topic you're unfamiliar with. In this instance there isn't a lot of technical knowledge that's needed to understand the paper which is part of the reason why I chose to write about cat shelter policies.

In the discussion section, the author writes "These results may, in part, be due to the fact that no animal control laws related to cats existed at the county level in Ohio at the time of the study and that no identification was required for cats. There is tremendous debate as to whether cat licensing or mandatory identification is effective in reducing the cat overpopulation problem and whether owners of cats would comply with such laws." It is important to note that the paper still noted that there was only a small difference in returning cats with identification and that even in states where identification and microchipping is mandatory, although the return rates from the shelter for cats in states that require identification was higher than in Ohio where it's not required, the number was still much lower than it is for dogs. The author also notes that people generally take longer to contact their animal shelters about lost cats, and there was no mandatory holding period for stray cats at the time of the study but most agencies held stray cats for 3 days, which might have caused some of the lost cats to be euthanized before the owner contacted the shelter. Ultimately the author concludes that "we believe the present study illustrates the importance of educating owners about providing identification for their cats. We also believe the present study points to the need to continue to encourage owners to keep their cats indoors....Veterinarians can play a key role in educating owners on the health and safety reasons for keeping cats indoors and the importance of identification. Given that 56 of the 138 (41%) cats in the present study reportedly were not allowed outdoors, it is important to educate owners of indoor-only cats on the importance of identification and the potential risk that these cats will escape and become lost." The author does not seem to be concluding that because most of the cats that were found returned on their own, it is therefore better to leave stray cats outside. Instead the conclusion seems to be that people should be better about having identification tags on their cats, that they should contact the shelter early when they suspect their cat is lost and be proactive about following up with their shelter, and that cats should be kept indoors.

Let's look at the second study, the "Frequency of Lost Dogs and Cats in the United States and the Methods Used to Locate Them". One of the authors in this paper is the same author from the previous paper, Linda Lord. This doesn't necessarily mean anything but it's important to keep in mind if a website is citing multiple articles but the articles all come from the same author or data. I've even seen a website cite multiple sources, but when looking at these sources, all the sources were based on the same paper, which is also important to consider. If for example a website cites another website that talks about a paper and cites the paper itself as a different source, then it looks like there are two different sources for the information when really there's just one.

This paper's abstract is a lot more concise, with regards to cats it says "75% (95% CI: 64–85%) of cats were recovered...For cats, returning on their own was most common...Cats were less likely than dogs to have any type of identification. Knowledge of the successful methods of finding dogs and cats can provide invaluable help for owners of lost pets. Since 25% of lost cats were not found, other methods of reuniting cats and their owners are needed. Collars and ID tags or humane trapping could be valuable approaches." Right away we notice that the recovery percentage of cats is a lot higher than in the previous study, but that 25% is still a large percentage of cats that were never recovered. This is particularly interesting because this is the paper that the shelter cited on their website as the source for the information on their graphic about cat recovery, but again we can see the exclusion of the number of cats that weren't found is misleading.

From the Methods section, we can also see that the respondents to the survey in this paper were randomly called, and that they were asked about pets that had become lost within the last 5 years. This removes the bias of the previous paper of selecting only for people that used a local ad or went to the shelter to search for a lost pet.

The results are presented here largely as just the raw data in an Excel sheet, so I'm going to skip over to the Discussion section. In the discussion section, they say that "The definition of lost pets used in this study deliberately was designed to be broad so that owners of pets would include any time they were concerned about the absence of the pet from the home". The authors recognize that this could cause a discrepancy where there was no set time frame for how long a pet was lost for before the owner considered them lost, and they realized that people would respond to the survey under circumstances where other people might not consider the pet lost, and that allowing the pet to roam or be indoor-outdoor would change when or if the owner considered the pet lost.

The author also notes that "We did find that lost neutered pets, lost pets belonging to respondents with more education, and lost cats belonging to respondents with higher income were more likely to be reunited with their owners. This could be due to different behaviors of neutered pets or to different behaviors by owners of neutered pets. Since households with higher owner education and income levels were more likely to have neutered pets, these results could be due to some complex inter-relationships, which we were not able to study further due to our limited samples size. This does suggest future avenues for investigation evaluating other pet-keeping and health variables and their associations with human lifestyle and demographic variables." This paragraph appears to be the source of the claim from the NACA that sheltering healthy cats disproportionately affects marginalized communities. The statement the NACA makes about "Only ~40 % of people in the lowest income bracket (<$30,000 annual income) that lost cats were reunited with them, compared to > $90% reunited for those making $50,000 or more per year" seems to be based on this paper, but the actual data to back this up is presented as such:

So for people making less than 30k$ per year, 8 of the cats were found vs the 11 who weren't found, which does make about 40% found. The 90% seems to be based on adding up all the found vs unfound cats for people in the above 50k$ range, so 25 total found cats vs 1 cat that was not found. This makes 96%, which is >90% but I guess it's a bit too high of a percentage to seem accurate. It's also possible they added in the Don't Know category, I'm not sure exactly what they looked at to get the 90% number. The point is that the statement about taking cats into shelters affecting marginalized communities is a statement based on a total of 50 cats (excluding the 30-49k bracket) which the authors of the paper say is not enough data to make a definitive statement about.

The NACA website also points to the low usage of shelters through a program designed to reach low income communities, and the authors of the paper state that "Since the majority of cat owners that lose and do not recover their cat did not search at the animal shelter, there is likely an opportunity to increase messaging regarding this option as a search method for cat owners...These results may suggest that a proportion of “stray” pets in shelters are actually lost as opposed to abandoned by their owners. Lost pets in shelters may not be reunited with their owners if the owners do not know that there is a shelter that might have their pets." It seems that low usage of shelters and the extended time cat owners take to reach out to their local shelters does contribute to the low number of cats that are recovered from shelters, but to say that because of this cats shouldn't be kept at a shelter at all seems to be backwards. More education about shelter services and encouraging pet owners to utilize their shelter more and reach out earlier when their pet is lost would likely improve pet recovery from shelters. If shelters made it a policy to not hold pet cats then obviously people would not reach out to shelters to recover a cat since it is likely that the cat in question would not be at the shelter.

The author concludes "Animal shelter staff and veterinarians can provide a valuable service by making available information on how owners of lost pets can best find their pets. They could also help owners find their pets by instituting matching of reported lost pet records with reported found pet records. Veterinarians might offer microchip and identification tag clinics for community pet owners and be sure their own clientele’s pets have microchips, collars and personalized identification. Veterinary clinics and animal shelters could have a list of resources and options for advertising for lost pets; some local papers will publish a lost pet ad free and many shelters have lost and found sections. Local veterinary associations could support advertisements for lost pets...Since 25% of lost cats were not found, other methods of reuniting cats and their owners are needed. It is possible that collars and ID tags or humane trapping could be valuable and more work is needed to determine this. Veterinarians and animal welfare professional can play a key role in helping pet owners if their dogs or cats become lost by guiding owners to use active methods to find lost pets, particularly within the owners’ neighborhoods." Again, we see a distinct lack of suggestion that the conclusion of the paper is since most cats that are found returned home on their own, the best policy for shelters to have is to not accept any stray cats. The suggestion from the author is about further education on the importance of identification, guiding pet owners to more effective methods of searching for their pets, and maintaining lost and found pet records.

Both of these articles are presumably used to support the claim from the NACA site that states "Lost cats are 10-50 times more likely to be reunited with their owners if they stay in the neighborhood of origin than through an animal shelter. In fact, the most successful reunification method for cats is the cat returning home on its own". Based on reading through these two articles, they seem to be combining first article which states that 48 (66%) of the cats came home on their own vs the 5 (7%) which were found at the shelter and the second article which says 32 (59%) of the cats came home on their own vs the 1 (2%) cat that was found at the shelter. Again we can see that this claim is misleading based on the data it's sourced from, the sample size is very small and there were other factors stated in both cases that contribute to the low use of animal shelters in returning cats.

Based on these two articles, the NACA has concluded that shelters should not take in healthy stray cats. This includes cats that have evidence of being owned and lost, or evidence of being abandoned and adoptable. The cat we found had a microchip, but the phone number listed on the microchip was disconnected and the address listed had been recently moved into and the current tenant was receiving old mail from the owner listed on the microchip. Because of this, we had solid reason to believe this was a pet cat that had been lost or abandoned, and yet still the shelter was using a misleading policy written on the basis of obfuscating the actual suggestions the author made in the article it cites.

By finding the original source of these claims, and reading what the source article says, how the data was collected for the source article, and how the author of the source article interpreted this data, we can improve the way we engage with claims and facts presented on various websites and media outlets. This is going to be a two part series (at least) with the second part discussing claims on outdoor cat health, but I hope this was enough to encourage you to read the scientific articles that are at the source of a lot of policy decision and public perceptions.

Part 2