#it's human. he's human. and he's complex.

[talonabraxas]

Ouroboros

Ouroboros meaning and origin

The ouroboros symbol, often depicted as a snake eating its tail to form a circle, is one of the oldest and most recurring motifs in the mythology and iconography of various cultures around the world. Next, I will tell you about some of the most notable origins and meanings of ouroboros in different cultures:

Ancient Egypt: One of the first known records of the ouroboros comes from ancient Egypt, where it was associated with the serpent Uraeus, a protective deity represented as a cobra. Ouroboros was related to the cycle of life, death and renewal, and was often found in amulets and funerary jewelry. It was also linked to the idea of ​​eternity and the unity of time.

Ancient Greece: In Greek mythology, the ouroboros is sometimes associated with the serpent Ladon, who guarded the Garden of the Hesperides and is often depicted as a serpent eating its own tail. This symbol is related to the idea of ​​constant regeneration and the infinite cycle of nature.

India: In Hindu tradition, the ouroboros is found in the image of the Ouroboros Ananta Shesha, the cosmic serpent that supports the god Vishnu as he floats in the cosmic ocean. This snake represents eternal time and the infinite cycle of creation and destruction in the universe.

Alchemy: During the Middle Ages and Renaissance, the ouroboros became an important symbol in alchemy. It represented the union of opposites, such as the masculine principle (the Sun) and the feminine principle (the Moon), and symbolized transmutation and the search for the philosopher's stone, which conferred immortality.

Other cultures: The ouroboros also appears in Chinese mythology, where it is known as the "Jade Dragon." Additionally, it is found in Mesoamerican cultures such as the Aztec, where it is associated with the feathered serpent Quetzalcoatl.

The general meaning of the ouroboros is the idea of ​​an eternal cycle, renewal, the unity of opposites and eternity. It is also interpreted as a symbol of self-reflection and self-transcendence, where the individual seeks understanding and wisdom by exploring their own limitations and potentials.

Overall, the paradox of the ouroboros challenges our conventional understanding of time, renewal, and the relationship between opposites. It invites contemplation and reflection on the interconnectedness of all things and the complex nature of existence. The paradox inherent in the symbol has made it a powerful and enduring motif in various cultures and philosophical traditions.

In summary, the ouroboros is an ancient and universal symbol that has evolved throughout human history and culture, representing profound concepts related to the cyclical nature of life and the pursuit of wisdom and transcendence. His legacy endures to this day as a reminder of the richness and depth of human symbolic thought.

[mythalism]

what if solas was a spirit of faith?

ok hear me out. i dont 100% prescribe to this theory. most of the evidence we have is in favor of solas being a wisdom spirit, however when i was writing this post i came across something that made me go hm.

now, not everything david gaider says is automatically canon. in fact, david gaider regularly and loudly says a lot of racist, misogynistic, and generally awful things about his own games and characters, so i actually do not respect his opinion at all.

however he was indeed the lead writer for dragon age: inquisition and had input into solas's writing, so i think for him to say this means it was at least something the developers talked about and agreed upon at that time.

the wiki's citation leads to a forum post by gaider from july 2013:

"the corruption of faith is pride".

hm.

also notable is that david gaider is the writer of cassandra, and i bring this up because solas's banters with cassandra are basically the foundation of this, and why i started thinking about it in the first place.

solas is a lot of things. definitely a pride demon. an judgemental jerk, a lot of the time. a "mirror", as his writer puts it. a staunch atheist as well. extremely critical of anyone who claims godhood. and......... strangely respectful of *checks notes* THE MAKER???????

for someone who spends so much time decrying the corruption of false gods, many people have found solas's banter with cassandra to be out of character. and it is pretty jarring when placed in context with the rest of his statements.

remember that spirits embody a particular single virtue, and will do whatever they can to bring it forth in others:

“Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

solas, strangely, speaks of cassandra's faith with great respect and even reverence. he mentions her faith several times in their banter, and rather than criticize it as foolish as you might assume from someone who embodies pride, led a rebellion against false gods, and does not hesitate to hold back his judgement when he disapproves of something, solas actively encourages cassandra's continued faith in both the maker and herself.

he tells her that her position, of a seeker of truth (an arm of the templars which he despises?) and right hand of the divine, is "an honorable one and well-earned" and that her presence is a comfort, because there is no lie in what she is:

he outright mentions spirit of faith as gentle spirits that cannot afford to be lost to corruption:

he tells cassandra he is impressed by her faith, after the revelations about the truth of the seekers:

he praises her templar abilities and the maker?????

and, most notably....

when cassandra learns the truth about the seeker vigil and her abilities being borne of a ritual involving a spirit of faith, he tells her...

she should be proud

part of the reason these banters are so confusing and seemingly out of character of solas is due to his comments on the nature of gods, organized religion, and belief at other points throughout the game.

but i believe there is a common thread to them, and that it is not faith that he criticizes, but those who take advantage of it.

some of the best examples of his disgust for one who uses someones faith in them to accrue power are with a low-approval inquisitor. what he hates are those who manipulate faith in others.

solas hates to see faith corrupted by falsity.

but why would he hate such a thing so much? why does he actively encourage cassandra's faith in the maker, while criticizing an inquisitor who used the people's faith in andraste to amass power? well, because it reminds him of the evanuris, of course. but i think there could be more to it than just that.

whatever kind of spirit solas was, we (pretty much) know that he came into being at the behest of mythal according to cole:

we also know that solas was deeply devoted to mythal in the time of elvhenan, and even thousands of years later, he staunchly defends her as someone worthy of his faith, admiration and respect.

he approves of completing her rituals in the temple of mythal:

and greatly disapproves if you do not:

he cannot stand to let morrigan misrepresent her in dialogue (lol):

he even actually refers to her as a goddess at one point, despite often asserting that the ancient elvhen gods were not gods:

and, of course, the way he speaks of her in trespasser is quite literally reverent, as he reveals her murder was the catalyst for his entire rebellion:

could solas have been borne of mythal's faith? of the people's faith in her? of her faith in her people? of her faith in herself? of the People's faith in each other? how does he still have such faith in her after all of these years?

keeping in mind the way a spirit becomes corrupted,

combined with solas's answer to cassandra's question about what he truly believes, to which he answers that he believes in people:

and of course this new mural:

could solas have originally been a spirit of faith, corrupted into pride by the evanuris's abuse of the virtue he embodied? a spirit of faith, borne of mythal's faith in her people, and turned into pride when her people, her own family, betrayed her? when their gods proved false and the only thing left to have faith in was themselves?

as much as i love this and think it fits, it cant be ignored that there is equal, if not more, that suggests he was a spirit of wisdom first. however this is so clearly intentional and satisfying that i dont think it's a coincidence - they're definitely doing something with this. whether or not solas was always Pride and thus he is just drawn towards the two other sides of his coin, wisdom and faith, or if he was one and corrupted into pride, i dont know, but i think faith and the manipulation of it to evil ends will continue to be integral to his story.

[just-some-user-hunny]

Yandere vampire hunter D

‧ ₊ ⊹˚✧ ‧˚₊Yandere D and his obsession ♡...

~✧ Having D as your yandere is a complex experience. He wants to be close, but he stays far away. He needs to make sure you're safe, but please don't see him. He cannot bear the pain of your rejection.

~✧ Unlike his reputable existence- he's not a cruel yandere. he's too gentle for a dhampir, but too unorthodox for a human. He's an entity all of his own- a strange creature that beckons silently and unexpectedly under to your heed and calls for help, without you even knowing it.

~✧ He's a stalking yandere who watches and protects you from far away- he'll always be the eerie extra set of footsteps that follow accompany you home. He's the shadow who occupies the darkness that lingers in doorways- the shape of a foreboding figure leering silently in your home when you think you're all alone... Unaware of the filthy vampires blood that wets his blade, the one that stalked you home that very evening. He took care of it, but you don't need to know that.

~✧ He is always near- as much as he can spare, when he is not hunting the creatures whom he shares blood with. It is not often that he parts from your shadow from afar, and traverses away from the direction of your sweet breath and presence- but when he does, you'll always linger in the back of his mind.

~✧"I mean it D. This is getting dangerous now". The parasite will seeth quietly, only to be wordlessly silenced with a stern commanding grip. This is of no concern to you, stay out of this.

~✧ The parasite will grumble and huff. Of course this is of concern to him. He can see every dark crevice of this dhampires mind- and frankly he's tired of the constant presence of you occupying it. Your name, your face, your hair, your figure, your blood-

~✧ Silence. D will command with a cool, icy tone. Peeved.

~✧ D has vowed to protect you from everything that means harm, and he means everything. Even himself. He can deny all he wants, but he knows his urges will always be lurking within him- no matter how hard he resists. Be assured he's a damn good fighter, but it will urge him to stay away further for the sake of your safety.

He is half human like you, yes- but he also has the blood of vampyre. Dark depraved creatures of the night that desire blood and agony. He cannot deny himself of his own existence, he has tried well and truly- and this obsession of his won't change that.

The parts of him that reveal are always soft and lenient. Subtle and protective. If only you could see the darkness of his desires that twist and coil within him like a nest of asps. Slithering and hissing with poison and desire.

~✧ But believe it when I say this, he is not a sadistic creature. Especially towards you. He may hunger for you, desires of possession and adoration grasping at his cold heart- but trust that no harm will ever come to you. Especially by his own hand or word. Does he frighten you with his daunting height and unnerving presence? Very well. He'll stay out of sight, appearing nothing more than a shadow in your footsteps. Does being followed home scare you? Then he shall take care in not getting too close then- close enough where you are within his sights, but not close enough where you can hear his steady and even footsteps following in your own tracks.

~✧ As time goes on and you inevitably catch onto his presence, things will gradually change. There's only so many times you awake to find yourself properly tucked into bed after collapsing onto your couch after a long day at work, or capture a glimpse of the tall foreboding shadow in your doorway to use the same excuse of exhaustion to explain it. It's not just paranoid fueled visions anymore.

~✧ However, much to your chagrin and determination to expose whoever this mysterious guardian angel of yours is, he'll never expose himself. He can't afford it. You'll often be left feeling like a fool as you call out into the dark street for whoever he is to appear- only to be met with the stillness of the lonely night and sound of cicadas chirping softly in the grass.

~✧ The only scenario in which he would ever approach and expose his identity, is if you were in trouble. Still- once the threat is gone, and you are safe, he's eager to dispel back into the shadows.

~✧ The thing with D as a yandere, is that he's fully lucid about what he's doing is... Wrong. But he can't help himself. Often he is troubled with the morals of his own doing- a neverending internal debate. Thoughts upon thoughts spiral and twist into an endless entangling web, and all he can do is mull over it and helplessly tangle at his own thoughts with a distant stare and tongue held between his sharp teeth. Brooding and mulling.

~✧ He knows this isn't right. His desires to protect you are more than that of a silent saviour- he's not doing this for a reward or thanks- he's not looking for your gratitude or admiration. He's selfish. So selfish. You are something that occupies the loneliness that will forever haunt him- keeping you alive is all he has left to grasp upon to give him hope for a life beyond this bleak ongoing existence of his.

~✧ He's so selfish when he imagines you waiting at home for him. Selfish when he imagines holding you, gazing upon you adoringly because he's missed you after a long day's work.

~✧ He won't admit these little fantasies of his- his yearnings for a life of his own. He doesn't dare say them out loud- like an unspoken dream that'll fade if ever spoken. A silly whimsy of a naive child who doesn't know any better...

~✧ These little thoughts will stay his. Only he can keep these delusional conjured memories- they're the only ones he can keep.

~✧ So please, take no mind of him. Live freely in the light as he guards you in the shadows. Take your fill of life and death sweetly and peacefully, all under the watchful eye and encompassing cloak of night of none other than vampire hunter D

I'm admittedly not quite sure if I like this or not, I feel a little in the dark with his character due to only watching the two movies (?), and knowing there's novels out there that'll explain his lore and character in much more depth.

If there's anyone who knows more about vampire hunter D, I'd love to hear your thoughts and ideas!

[marlesbian]

this is a "my opinions on Regulus Black" post.

(for context, i talked about this with a friend, when they reposted a fanart of Regulus seeing James, Remus and Sirius on the mirror of erised [no hate to the artist i like their style actually] and i said that i hated that headcanon and they said that i hated him, which is what inspired this rant)

I like the complexity of his character and that's why i hate it when they reduce him to a needy younger brother who turned evil because his little brother didn't love him.

He didn't give a shit about Sirius' friends, he didn't give a shit about Sirius himself, he wanted a brother as exemplary as himself, he genuinely believed he was superior to others because he was Black, he believed in blood supremacy and he IDOLISED Voldemort and literally changed his mind last minute because he felt sorry for his only friend (the family slave, aka Kreacher) and because he didn't believe anyone could be that powerful (at least, not immortal) and I think his character would have a lot of potential if people just accepted that he despised Sirius' friends, he despised the person sirius became he was abused and went through the literal same litany of manipulation and supremacy that sirius was fed only he believed he gave in to everything from his family and even went further, because he CHOSE to be a death eater.

The Blacks didn't force him to be part of it because that would tarnish their political reputation, they didn't want him to be a death eater because they had already lost the heir, regulus needed to be alive and be a politician to keep the lineage alive. They were very influential in the Wizengamot, their dream was for the regulus to marry a pure-blooded cousin and have more pure-blooded children and take his father's seat in the wizengamot, and their only (proper) heir to be a criminal. And that was my dissertation on why I hate the regulus vitctim speech, its time we accept he is morally gray and that someone being a bad human being who did A SINGLE good deed is so much better than a boring abuse victim who was rejected buy his brother.

[dootznbootz]

Can i be honest. I don't get it when people try to use Antigone as a feminist icon or something, or that "She literally died because she didn't listen to man! That's just like us!" Because it's not and we're not living in the 16th century.

And these people are acting like Creon wouldn't have killed her if he was a man. Or that Creon wouldn't have killed her if he was a woman. Like guys, I'm sorry but "Girlboss" feminism is soo annoying.

I saw a post where it's like "Greek mythology male characters: 'He seems chill... Oh he's being a douche to women. Female Greek mythology characters: 'She seem cool... Oh she's getting revenge on the men that wronged her. She's so cool!!"

And in the tags they were hating on Ody for killing the slave girl and calling Medea an icon. Even though Medea killed her two young children just because she was salty at Jason... double standards at their finest, people

Real.

Also people better be mad at Penelope as well if they're mad at Odysseus for the slave girls. She hated them just as much.

Wise Penelope heard his words and rebuked Melantho, saying: “You can be sure, you bold and brazen bitch, that I have seen your shameless acts. You’ll wipe away the stain with your own head. You clearly know full well, because you heard me say it—I’m planning to ask this stranger in my halls some questions about my husband, since I feel such grief.”

(Book 19, Johnston)

People just literally turn a blind eye when the woman also does violence against other women. (Same with Clytemnestra. like sure, she killed Agamemnon but she also screwed up her kids. (one a girl so a lot of these "girlboss" types ideals are contradictory))

And it's really really tough enjoying Medea only to see people "girlboss" her. I love the play. It made me feel so many things but NONE of them were GOOD feelings.

Old meme from a post I made a while back but it sums up my feelings lol.

I think it weirdly comes from this awful wave of "I hate children. Horrible beings. Hope they suffer. etc.etc." bullshit and the girlboss wave :'(

Also um, yeah, Creon would've killed ANYONE who would have buried Polyneices. I've always seen Antigone more as a story of honoring family and a family's love for one another, not so much of a "feminist story". As Creon is like, the opposite of Antigone in how he does not wish to honor his family no matter what and will even have family killed for honoring family.

I weirdly think there's this phenomenon of people seeing stories/myths that simply have women in them, especially if they are "center stage" and then decide that they're feminist regardless of the context.

Like I guess you could say that these stories simply having complex and driven women is feminist (I mean...moreso than most booktok/modern YA novels ;~; where many female leads are very...bland imo) which is very sad that feminism is just the bare minimum of "Hey a woman is a person who is complex."

But it's also like, these women and their meaningful and HUMAN stories are LOST because they're just painted as "girlboss".

I think Antigone would be more like "I mean...I was just trying to bury my brother because I care about him and didn't want to see him left to rot. I would have done it no matter WHAT told me not to." and less about "YASSSS queen SLAY!" shit.

[purpurussy]

I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:

(shoutout to the legend @goldenpinof for this transcript!)

But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.

Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao

(shoutout to the legend @goldenpinof for this transcript!

Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.

And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops

Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.

There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk

[justjudethoughts]

In Defense of Peter Pevensie. Originally written in response to accusations of Peter being "less complex" than other Narnia characters

If King Lune is the embodiment of masculinity as father, then Peter is the embodiment of masculinity brother. As High King, he becomes the brother of his people, but those seeds were sown in his own family. 

From the very beginning of the story Peter is the leader of the Pevensie children, a job he evidently takes very seriously. But, unlike a lot of eldest siblings, he doesn’t use his status and power as a means to swagger around and lord it over the others. Quite the opposite, actually. It is immediately clear that one of Peter’s main functions in the Pevensie family is cheerleader of his siblings. This is shown not only in his open praise of their talents (for example, he hypes up Susan’s talent of archery in PC and cheers on Lucy for having been right after none of them believed her), but also generally tries to keep them in high spirits. 

Take the context of LWW. The Pevensies are sent to the countryside because of air raids. They are going into a strange house with a strange man because the Germans are obliterating everything the children have ever known or called home. All of them are scared, Edmund’s bullying Lucy, and Lucy may or may not be going insane. But Peter can’t show any of them that fear, because he’s the oldest. They can’t know he’s scared, so he puts a bold face on it. One of the first things he says in LWW is “We’ve landed on our feet and no mistake” when he looks at the big house. He argues they are going to have a delightful summer after all. The next day, when the others are disheartened by the rain, he suggests they explore the house.

As the years go on, Peter earns the title “Magnificent.” In this, Peter truly embodies the  JPII quote, “the ultimate test of your greatness is the way you treat every human being.” He has a bleeding heart for the least of these, but in an unassuming, humble way. Peter is not a man of pomp and circumstance. He has a servant’s heart, perhaps most evident in PC. 

Upon returning to Narnia and learning of Caspian’s plight, he immediately makes it known that he has no intention of replacing Caspian. “I haven’t come to take your place, but to put you in it” is among the first things he says to his new friend. This isn’t about winning fame or glory or reliving the old days. This is about making right what was wrong. 

He is generous with the Narnia creatures, even when they are a bit silly. When trying to pick a Marshall, he suggests the Giant Wimbleweather. Caspian warns him that the giant isn’t very smart, to which Peter responds, “Of course not. But any giant looks impressive if only he will keep quiet. And it will cheer him up.” Part of his reasoning is simply the injured feelings of poor Wimbleweather who earlier entirely messed up an important battle.  The following conversation also takes place while they are searching for a Marshall. Reepicheep offers his assistance:

"I am afraid it would not do," said Peter very gravely. "Some humans are afraid of mice——"

"I had observed it, Sire," said Reepicheep.

"And it would not be quite fair to Miraz," Peter continued, "to have in sight anything that might abate the edge of his courage."

Instead of embarrass and insult Reepicheep by explaining that he is far too small and unassuming for such a job, he appeals rather to humans' fear of mice. Even while battle prepping, his is concerned about the hearts of his people. Bulgy Bear, too, he allows to be a Marshall, as it is the right of bears, no matter how silly they are. 

Peter understands that duty means doing what is right, regardless of how it makes you feel. His first battle happens because Susan and Lucy are being chased by the wolves. When he hears Susan’s horn, he runs to help her. The book says, “Peter did not feel very brave; indeed, he felt he was going to be sick. But that made no difference to what he had to do.” His sisters needed him. And so he showed up. The same is true in PC, when he engages Miraz in single combat. Edmund asks if he can beat Miraz. Peter responds that he is fighting to find out. He goes in completely unsure that he is ever going to see his family again, but he does it anyway. Because Narnia needs him. Caspian needs him. His people need him. And his feelings aren’t the deciding factor. 

When he makes mistakes, he owns up to them. In LWW, when the children plead before Aslan on Edmund’s behalf, Peter blames himself for being too hard on Edmund. In PC, when they finally see Aslan, he apologizes for having led them wrong the whole time. He is always trying to do his very best and falling short like the rest of us. But he accepts his fault with humility, gets back up and tries again. 

By the Last Battle, we get to see Peter in his truest form. Even though he has been in England for years, when the seven friends see what looks like a ghost, he is the one who stands up and orders it to speak. Clad in his suspenders and button-down shirt, Peter is once more High King. “Shadow or spirit or whatever you are," he says, "If you are from Narnia, I charge you in the name of Aslan, speak to me. I am Peter the High King." And when night falls on Narnia for the last time it is Peter, once so scared to speak to Aslan (and even attempted to make Susan do it for him) that shuts the door. It is Peter that jests with Lucy when she weeps for Narnia, trying to lighten the mood. It is Peter that she turns to, time and time again, with her questions. It is Peter that Lucy, and all of the other friends of Narnia, trust to lead them. 

It is also Peter, who, “shortly and gravely” tells Tirian about the fall of Susan. Because he has to. Because here he is, once again, the eldest, the leader. Here he is once again faced with the unpleasant task of shouldering the burden for others. But he won’t make Edmund or Lucy explain (in fact, they don’t say anything about Susan). Peter takes that pain for them, forces himself to form words. Perhaps, deep down, he blames himself. He always was a bleeding heart. 

There are so many other things I didn’t include. I could talk about how Peter immediately offers to help Tumnus, simply because he did the decent thing and didn’t kidnap Lucy. Or his beautiful, redeemed relationship with Edmund. I could talk about all the times he is a rock for Susan, or his steady leadership despite his own hesitation. But really and truly, my point amounts to this: Peter is a brother. He is steady and humble and down to earth. He is brave. He is chivalrous and courteous and overflowing with affirmation for those he loves. He is a servant heart. 

When I think of Peter, I think of carpentry and the honesty of working with your hands. I think of campfires and a night sky full of stars, and the feeling of warm flannel. I think of laughter and 19th century books for boys, and tomes upon tomes of Latin. I think of warm drinks, hot cocoa or coffee or tea, and the safety of home. It is home I think of most of all. 

[the1northlanderprincess]

It has become apparent that we're in that typical late season stage of panic and/or negativity surrounding our somewhat unique ship. I don't want to see us or this tag spiral so out of control that it causes major divisiveness. I know we've seen a "breakup" already before the feelings were revealed to be subtly romantic, but we're just about to get into the real meat of it. I want us to be excited.

Okay, now, I want to address the subject of the whole "Haladriel is toxic" thing, which @deus-sema discussed in her post. Are they? Sure, to an extent. I mean, the dude impersonated her brother AND tried to brush it off like he wasn't. And the recent obsession on his end certainly isn't healthy. But I've seen so much worse. I think for the majority of their interactions, though, has been positive. There was a lot of trust, happiness, and support. You had some small arguments sprinkled in, but they were pushing one another to try to make the other better. You need that in a relationship.

If anything, it's just a plain ol' forbidden romance; they're haunted, as others have iterated. There is no way they can be together in a balanced, honest manner, and they can't handle it. Sauron and Galadriel are both highly intellectual immortals, above common Men. Although, you could argue that they each display human characteristics from time to time (Sauron especially). However, you can also argue that there is very much a nature vs. nurture aspect present. It's safe to guess that Galadriel grew up in a loving environment, whereas Sauron was likely surrounded by cruelty and harsh discipline. He probably knew nothing of what real love was like.

However, after recently rewatching season 1 Haladriel for the first time, I was able to view their scenes in a different light. The finale, in particular, had my attention. Before the confrontation, Halbrand tells Gal how much it meant to him that she stuck up for him and empowered him. He was so grateful, he wanted to do the same for her (and I think that was genuine). He got a glimpse of true friendship and compassion, and he wanted to revel in it...and her.

That brings me to the hand-wringing over the finale, about whether or not it's going to be a redux of 1x08. I paid special attention to the raft scene. After they were arguing over semantics and the like, it came down to them, hilariously, screaming at each other and Sauron disappearing. In all honesty, not a lot of stuff happened between them. That needs to change. The two have exchanged how they feel around one another, but they really need to address the hurt and why it hurts.

If that beautiful shot of Dark Prince Halbrand is anything to go by, I conclude that when their swordfight ends, they will come to some sort of complex, uneasy truce, beginning with Gal showing Annatar the ring.

[nogenderbee]

♡˗ˏ✎*ೃ˚ 𝕃𝕚𝕘𝕙𝕥𝕤 𝕝𝕠𝕧𝕖𝕣 ₊˚ˑ༄

*ੈ✩‧₊˚ anon request: Hi, friend! Could I request Solomon, Lucifer, Mammon, and Simeon with a reader who likes lights? Reader would collect lights (like lamps, nightlights, etc) and decorate their room with them.

*ੈ✩‧₊˚ Hi love!! Of course you can! Also so sorry for this being so short but yeah- I didn't wanted to force anything -w- Hope you like it anyway!!!

*ੈ✩‧₊˚ fluff

✧ Lucifer honestly sees it as passion like any other

✧ he thinks it's nice that you got something you like and isn't too... troublesome with it... untill bill for electricity comes in lol

✧ he knows how much you like it and won't stop you from putting it around house if you'd really want to... but he'll warn you that Asmo will definitely pay attention to that and may complain about it if you "choose wrong design or place"

✧ he also tries convincing you to keep the lights off at least at night... or not I'm broad daylight if there's even one in hell

✧ if you fall asleep with lights on and wake up with them off, you can immideitly be sure it was Lucifer. But he meant nothing bad by doing it!

✧ he does his best to support you so if you ever decide to go for some light shopping, he'll sometimes come with you and share his opinion if you ask about it

"Sure, take it. Hm? What do I think about it? It's... a bit too complex for my taste... but I can see it fitting into your room perfectly."

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

@wabatle - come get your scary brother!

✧ once Mammon discovered your unique liking, he first called you a weird human

✧ and then the next day he bought you some lights as a gift

✧ he just has to be a tsundere about it... If you ask him why he got you that gift, he'll just say it's so you won't be whining to him later

"It's just for your weird human obsession! I was simply done with you whining about how much you want it! ... Do you like it tho?"

✧ all you have to do is to mention him what lights you're obsessing on in the moment and first thing he'll do once you part is go buy you them

✧ and if he can't he'll just go to casino to win some money so that he could afford it... which... has 50/50 chance of succeeding...

✧ though if you keep your lights on while sleeping, even some, he'll be grumpy about it and be stubborn to turn them off for the time of sleeping

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

✧ Solomon probably had something similar but only as a phase...

✧ he's human as well so he totally gets from where you're coming from!

✧ honestly, he's actually quite fond of how much lights you stole and finds your room really cozy

✧ at some point, he most likely asked you to help him pick some lights for his room too and didn't had the heart to decline any ideas you seemed so passionate about so he ended up buying whole store

✧ he doesn't really care if you keep lights on or off during the night... as long as he has a way of facing the opposite way than the light, he doesn't mind letting it stay if it helps you sleep

✧ definitely tried making some flying light orb or so, thinking you may like it!

"Hey, I made something for you. What do you think? Is there anything you want added to it?"

✧ overally, he's very supportive and will protect your hobby as best as he can if anyone tries insulting it

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

✧ Simeon is honestly very supportive of any hobby you may have that isn't dangerous to you or anyone for that matter

✧ he's just happy you have a passion, even if it's something simple as collecting lights!

✧ he'll most likely go to all or most of your shopping's just because he loves to see what's the lights you like or want

"Oh? This one? I would've never guessed it's in your taste... But it's good to know! It certainly has its own beauty~"

✧ he'll also try buying or even making a light for you! It doesn't have to be any ocassion... but if it is, he'll probably try extra hard to make it a good one

✧ though if he's making the gift... he'll probably as someone for help since he's afraid of messing something up and would rather have someone who knows more about it than him to watch over what he's doing

✧ he also doesn't really care if you keep the lights on or off at night! His realm is rather bright so he'll fall asleep anyway~

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

@vodka-glrl - come get your soft angel~

[mrdogface]

tbh, i've never liked the "alfred as a good dad" of fanon and recent canon. i think that the intergenerational failures of father figures - alfred to bruce, bruce to dick and damian - is a vastly more interesting element of the batman mythos. the idea that none of these men are sitcom Good Fathers but, as adults, tend to find dynamics that work for the most part.

i mean, alfred routinely gets fed up and quits / temporarily walks out on his obviously mentally ill adult son, bruce routinely asserts that he pays the bills and wears the pants, etc. smoothing this over doesn't appeal to me personally because it kakes the characters feel less human and more, idk, saccharine.

loeb is my favourite writer for alfred (and least for dick grayson lmao) and it isn't even close. i like that loeb's clark recognises fatherhood in alfred and yet he's still like, these two are fuckin weird and the vibes are definitely off, and being from a healthy, well adjusted family, I'll never get it

i think a difficulty we in the fandom often have, especially those of us who trend a little younger, is the expectation that these characters - especially bruce - be flawless dads, and that failure to be such means that there's no value or redemption in the complex dynamics these characters have as adults, so we smooth off alfred's edges and, let's be real, act as if dick grayson, who is usually like 28, has no autonomy in choosing to have a relationship with bruce as an adult. imo, it often bespeaks a lot of ignorance about how this kind of thing can play out in real life, in favour of some weird soap operatic idea of parenthood more applicable to those made up stories you read on r/raisedbynarcissists or whatever. idk, i like that these are all people defined by the failures of fatherhood in different, complex ways, and don't like when that thread is lost.

[soulsocietyfanfiction]

A Gojo Household Affair

Satoru Gojo taking care of his two children alone for the day

░▒▓██▓▒░░▒▓██▓▒░░▒▓██▓▒░░▒▓█

It was a typical hectic morning in the Gojo household. The sun had barely peeked over the horizon when the symphony of chaos began. Satoru Gojo, the legendary Jujutsu Sorcerer and high school teacher, stumbled out of bed, his usually stoic eyes squinting against the sudden onslaught of light. His usually pristine white hair was a wild mess from the tossing and turning of the night before, a silent testament to his lack of rest.

Today was a special day. His wife, the ever so capable Y/N, had a mission that couldn't be postponed. The fate of the world rested on her shoulders, and she had left him with the equally daunting task of taking care of their two little bundles of joy: Gojo Touya and Gojo Hana.

Touya, their five year old son, was already dressed in his tiny jujutsu outfit, complete with a tiny blindfold and a stick, swinging it around like a miniature exorcist. "Daddy! Daddy! Let's train!" he exclaimed, his little feet barely touching the ground as he jumped up and down.

Hana, their three year old daughter, had other plans. She was busy pulling her mother's clothes out of the closet, creating a rainbow of fabric that threatened to swallow the room whole. "Mama's dress!" she giggled, holding up a dress twice her size.

Satoru rubbed his eyes, the reality of the situation sinking in. "Alright, alright," he mumbled, his voice still groggy with sleep. "Let's get breakfast started, shall we?"

The twins' eyes lit up at the mention of food. They both loved their mother's cooking, but today, they'd have to make do with Daddy's special cuisine: instant noodles. Satoru could feel the weight of the world on his shoulders as he faced the kitchen, a place he rarely ventured into.

The kitchen was a battleground. The counter was littered with half squeezed tubes of toothpaste and juice boxes that had seen better days. Satoru gulped, trying to remember the last time he had cooked anything more complex than tea. He managed to boil the water and prepare the noodles without burning the house down, which he considered a victory.

As he served the breakfast, Touya looked up at him with wide, hopeful eyes. "Daddy, can we have a bath after?"

Satoru nodded, his mind already racing through the day's schedule. He had to juggle his teaching responsibilities with the daycare duties. The idea of dealing with sugar high kindergarteners and a pint sized mischief maker was a horror movie plot in his mind.

The bath was a success, or so he thought. Touya had decided it was a good day to practice his water techniques, leaving the bathroom looking like a soggy battlefield. Hana, on the other hand, had discovered the joy of bubbles and was floating on a sea of them, her laughter echoing through the room.

Once they were all dressed and ready, it was time for the twins' favorite part of the day: playtime. Satoru looked around the living room, which had been transformed into a minefield of toys, and sighed. He had to keep an eye on them, but he also had a mountain of grading to do.

He tried to hide behind his work, but Touya had other ideas. "Daddy, look!" He pointed to a tower of blocks he had built. "It's the Colosseum!"

Satoru leaned in to inspect the tower, his mind racing with historical facts about the Roman amphitheater. Before he could say anything, the tower crumbled under Hana's curious touch.

"It's okay, Tou-kun," he said, patting his son's head. "We'll build it again later."

Hana looked up at him with puppy dog eyes. "I want to build it too!"

And so, Satoru found himself on the floor, surrounded by a sea of blocks, trying to construct an architectural masterpiece with two little helpers who had the attention span of goldfish.

Lunchtime was a blur of peanut butter sandwiches and spilled milk. Satoru was starting to feel the toll of the day. He had forgotten how much energy these little humans required. By the time he had them both napping, he was ready to collapse.

The afternoon was a mix of jujutsu training for Touya and storytime for Hana. Satoru read the same book five times in a row, his voice growing increasingly dramatic with each reading. He had to admit, he was enjoying the quiet moments with his kids.

As the sun began to set, Y/N walked through the door, looking as fresh as a daisy despite her long day. The twins squealed with joy, running into her arms. Satoru couldn't help but feel a bit of relief wash over him.

"How was your day?" she asked, giving him a peck on the cheek.

"Challenging," he replied, his eyes twinkling with humor. "But nothing I couldn't handle."

Y/N looked around the house, her gaze landing on the half eaten sandwiches and scattered toys. She raised an eyebrow but said nothing. Instead, she took over dinner prep, and the three of them sat down to eat as a family.

That night, as he tucked the twins into bed, Satoru felt a strange sense of accomplishment. Sure, the house wasn't spotless, and the laundry was piling up, but he had managed to keep them alive, fed, and mostly happy.

"Thank you, Daddy," Touya whispered sleepily.

"Thank you, Daddy," Hana echoed.

Satoru leaned down and kissed them both on the forehead. "You're welcome, little ones."

As he walked out of their room, he couldn't help but chuckle to himself. Who knew that taking care of two tiny humans could be more exhausting than fighting curses? He had a newfound respect for Y/N's superhuman ability to juggle everything.

But as he collapsed into bed, utterly drained, he couldn't help but think that maybe, just maybe, he'd do it all again tomorrow. Because in the end, the chaos and the mess were just part of the charm of being a Gojo. And he wouldn't trade it for anything.

[mrs-stans]

A Different Man dives into an absurdist exploration of identity

Sebastian Stan and Adam Pearson are unforgettable as friends and rivals in a beautifully bizarre take on what it means to be human.

By: Sarah Gorr

A Different Man dives into an absurdist exploration of identity

A Different Man is all about what it means to be seen, in all the best and worst ways. It’s what it means to avoid eye contact with the unhoused man on the subway and to gawk at anyone who looks remotely outside the norm. It’s the difference between simply being noticed and being intimately seen, the way only someone who actually understands you can.

Writer and director Aaron Schimberg looks for as many ways as possible to play with these ideas, fitting the seer and seen inside each other in a little matryoshka doll. But first and foremost, our gaze is on Edward.

Adam Pearson isn’t internationally known, but he’s known to rock a microphone. (Matt Infante/A24)

Edward (Sebastian Stan) is a struggling actor with a rare condition that covers his face with large, benign tumors. He’s quiet and reserved. His every movement reveals a discomfort even existing in the world, never mind taking part in it. So when he gets the chance to take an experimental new drug that can completely heal him, he does so without a thought. Reborn as his new, more handsome self, he finally gets what should be the part of a lifetime in a local play based on his life. That is until Oswald, a man with the same condition as Edward, steals the part. In the process, this new arrival reveals just how exactly Edward has actually transformed.

Sebastian Stan captures all the nuance and complexity of Edward as he stumbles through this journey in a manner that’s nothing short of impressive. Hidden behind Mike Marino’s brilliant prosthetics, Stab carries the weight of his performance in body language. The slump of his shoulders, the way his eyes apologetically flit to those around him as if apologizing for even existing. Post-procedure, Stan infuses the performance with Edward’s confusion, frustration, and even unbridled rage. Schimberg’s script is an actor’s dream, and Stan more than lives up to the part.

Renate Reinsve isn’t buying what Sebastian Stan is selling vis a vis a plaid couch. (Matt Infante/A24)

Meanwhile, Adam Pearson’s performance as Edward’s foil, Oswald, was clearly crafted with the actor in mind. It’s an incredible showcase for Pearson’s exuberance and energy. He steal every scene he’s in and gives Edward’s jealousy the perfect excuse to boil over. He embodies everything Edward is not: charming, confident, witty. Pearson’s Oswald is a man you not only want to know but are downright grateful to have in your life.

Together, Pearson and Stan depict a dynamic that is mesmerizing to watch. Does any of Schimberg’s script work half as well without them? Honestly, it’s impossible to imagine.

However, audiences shouldn’t take that as a slight against Schimberg. His script is an intensely rich text, less Beauty and the Beast, more The Scorpion and the Turtle. A Different Man questions not just what’s in a person’s nature but what benefits or inhibits the performance of identity. In art, what makes something feel real or true? What truths benefit a piece? Which hinder? What facets of ourselves we take as inherent truths are anything but?

Sebastian Stan is giving what if autumn was fashion.(Matt Infante/A24)

It’s a film in a constant push/pull with transformation vs. consistency. Permeating it all is a sense of bleakness that seems to radiate from Edward himself. It infects everything from Umberto Smerilli’s bold and moody score to the film’s very texture, with its high contrast, sharp shadows, and rich color. It all comes together as if to say Edward’s insecurities, anxieties, and sadness that can’t seem to disappear as quickly as his features transformed.

Schimberg’s depiction of Edward’s journey to something like a discovery of self is part tragic, fully comic, and delightfully absurd. It’s a distinct film, despite the comparisons to Coralie Fargeat’s The Substance that people are already forming, and more than worth the price of admission.

A Different Man gives face in limited theatres starting September 20 before opening wide on October 4.

[fivelasanctum]

Time Commission Handbook Notes

Bought this book recently and it bred life into the Founder Five character more than any personal headcanons. A tragic version of Five to be sure. I'll just around and list things I noticed while perusing the book. Spoilers ahead if you haven't read the book.

Auggie fletcher narrarates most of the book. Kinda cute xD He has a crush on lila. Describing her as 'pure' despite her being the secret weapon of the time commission and the handler's enforcer. Apparently lila felt bad for him when he would have unseemly grunt work. Like cleaning the bathrooms and helping to pick up shattered plates. Most likely from the handler's tantrum. Like her rage when she flung five's item off his old desk.

Five does a flow chart for his mission when he pretended to join back up with the commission. Herb and Gloria also made ones. Five's was the shortest since he could figure out the expedient way to solve it with less factors involved.

Founder five did a foreward about working in the shadows, why he created the commission. To fix a universe that kept breaking. How he is in the passenger's seat but more along for the ride. By the time of writing in the handbook he is more hands off and tired. Yet still is trying to give hope to prospect agents wanting to be part of the well oiled machine. Doesn't feel he is needed as much. Hero/god complex with feeling what they do is to help humans continue living. Saving the world. Then ended it by thanking the would-be prospects.

Margot Archfield is Auggie's supervisor. The one writing in the margins of the book. Trying to edit and silence Auggie.

bar graph of statistics with special op deaths. 26 percent for marital strife xD 3 Percent for faulty briefcases. Makes sense why lila was pissed when hers wasn't working because you are stuck completely. Stranded. Explains the impact of five seeing both suitcases drained of time juice.

Auggie is kind of a five fan boy lol ♥ Their is a new character introduced named Cassidy -'the tragedy' Cartwight. Cassidy was a mother whom lost her son when he tried to save her from being mugged. He ended up getting murdered. She joined the time commission in order to find a way to go back in time to save his life. She was bullied severely because she never killed anyone. Had no successes with her missions. She used the times she was deployed in, to try to go back in time to save her son to no avail. What I found shocking is that she was sent out to kill a FLOWER MERCHANT. Being told it would trigger the events of pearl harbor. She didn't care about it. So I'm thinking the Handler first sent her out to take out one of Lila's parents to make things easier for her with her goal to kidnap lila if she had no attachments. Handler was still in power around that time of the narration. It failed since it was cassidy. So Handler then sent the 'legendary assassin' five out to clear the way. Killing Lila's parent with no questions.

Cassidy was someone founder five felt sadness over. She had apparently died three years before the writing of this version of the handbook. Founder actually met her in person at the behest of the board to reach out to the younger generation. He admired her for her steadfast pursuit to try to save her son. In terms of trying to change the past and future, they understood each other in that capacity. Apparently he tried to quell her bullying from the shadows but didn't work since he was trapped in the bunker. He likens himself to rapunzel. Hurt his heart because she reminded him of himself. Determined to save her family like him. Clawing and hitting their heads on the wall to find a solution. Respected her gusto. Saw her as better than him in the pursuit to get back to the past and change the events for the better but she failed. So that must have propelled Founder's depression further. Not seeing the point of it all by the end of season 3.

He mentioned that he hopes 'their experiement works' so their isn't a need for people like cassidy to struggle so hard to have a loved one back. Thanking Auggie for mentioning her.

My take on her connection to founder: Was that they were acquaintances' but that founder was protective of her due to her still having been steadfast in her goal. Whereas he lost his way from time with failures and depression.

Unfortunate news that took the wind out of my sails while reading. Apparently their is an alternate five that becomes a stay at home husband in Dublin, Ireland. Married to his fashion model wife Delores. Initially reading that pissed me off. Dolores is real to Five's mind but she is an imaginary companion formed from a part of his psyche to cope with years of solitude and madness. Representing his conscious most likely. >.>; Having never been a person born to a mother I fail how that would work. Unless he bonded with someone having that name. Lingering memories from the alpha(main) timeline.

After I had time to process, I figured the author wanted to put lila there but since this came out right before season 4 was released it wouldn't do to mention Five and Lila being romantically linked. That would have spoiled the last two episodes of season 4. They went to great pains to keep things hush-hush. Late night filming, separate filming crew for the lila/five scenes. Couldn't show much in trailers etc.. Might be biased but I think that makes the most sense. Another take on it is that in that timeline it was the reverse situation. Where lila and five had their obstacles in the main storyline. With her being married with kids. Unhappy in the marriage because she had to do everything with the responsibilities with kids, maybe the house work as well. In the alternate timeline, five was in her position with being a stay at home dad and his wife focusing on her career. Interesting fanfic ideas lol

Their is something to my theory of founder five creating paradox psychosis. Auggie says the flatulence side effect was approved of from the founder. Questioned if he was a prankster regarding that stage but added it in the book all the same.

Was a small blurb about the would-be pursuers of Five to take handcuffs with them since he apparently can't blink unless his hands are free. Though auggie's supervisor pipes up it's not verified. (S and M fivelila confirmed? xD)

Alternate timeline lila is in a rock band called the Mimics where they have basement shows in east London. Soo the rock band AU fics can be semi canon since alt version is in a band. * Founder five mentions how his health is failing him (We don't know his true age since founded the commission) How the commission was a failure despite their minor victories. Comes in line with his message to Five to not save the world and to just lay down their sword quietly. Founder could have known about the end result with the ben/jennifer situation outside of addressing the Kugelblitz one. Thanking those that helped him with the commission as he basically tries to make peace with the inevitability of death and to not bother anymore. Was the second to last passage in the book. Founder five deserves a hug at this point Q~Q

[talonabraxas]

“He, He is the God too great to have a name ! He is the inapparent and He is the very apparent. He who the intellect contemplates ! He is also the one seen by the eyes. He is the incorporeal, the multiform, better still, the omniform. Nothing exists which He is not, for everything that exist, everything is Him. From that comes that He has all names, for all things come forth from this unique father. From that comes that He has no name at all, for He is the father of all things.” (ibid)

Amun – An Aurora Filled Sky Talon Abraxas

Amun (Amen, Amon) was the king of the gods. The name means ‘The Hidden One’.

Amun is most commonly shown entirely in human form. Often he is standing or sitting on a throne wearing a red, flat-topped crown with two tall plumes and holding a sceptre in his hand. Amun can also assume the appearance of a ram, his sacred animal. His sacred colours were blue, red, yellow and green and his images are to be found throughout the Nile Valley.

The enormous temple complex of Karnak was the principal home of Amun where he was worshiped as the prominent divine entity. During the New Kingdom, his popularity eclipsed that of other major deities; he was the ‘king of the gods’. The warrior-god Montu was believed to be a manifestation of Amun. A Theban triad consisted of Amun, his wife Mut, and their offspring Khonsu, the moon god. All three had temples at Karnak.

Amun is a god whose attributes are so extensive it lacks the personality of other deities. His role as creator is emphasised in many hymns. He was believed to be self-generated. As a fertility god, he impregnated his mother, the Celestial Cow, to ensure the fecundity of animals and plants. He was closely involved with kingship, and many pharaohs regarded themselves as one of his incarnations and incorporated his name into their own (Tut-ankh-amun).

Amun was also seen as the divine consort of Egyptian queens (‘god’s wife of Amun‘). Queen Hatshepsut (right) presented herself as an offspring of the god during a visit to her mother. His virile strength made him an appropriate deity for ensuring military victory for the pharaoh. Amun was invoked for healing from the bites of dangerous animals and other illnesses. During the New Kingdom, he was a personal-saviour god of ordinary working people, as numerous devotional stele testify. Amun later became synchronised with Re to become Amun-Re.

Many catastrophist writers have attempted to give physical identity to Amun by placing him in the world of chaos. One of the most widespread identifications is the linking of Amun with Jupiter. This is because Jupiter is the largest planet in the solar system and, since Amun was referred to as the ‘king of the gods’, Amun must therefore be Jupiter. This is an unsatisfactory explanation and exhibits a lack of knowledge about the ancient world. How could ancient people possibly know that Jupiter was the largest planet? From Earth it is a mere speck of light in the night sky. It is not even the brightest ‘star’. Excluding the Sun and Moon, the brightest light in the sky is Venus – why wasn’t Venus deemed king of the gods? What of the bright star Saturn or even Mars? If Amun was Jupiter, how do we explain Amun’s tall feathery plumes, his sacred colours, his syncretism with Re (Amun-Re) and epithets such as ‘one whose true form could never be known’? How can any of these apply to Jupiter?

Egyptologists fair no better. They understand Amun’s role in connection with the monarchy, but what is the meaning behind his strange plumes and curious epithets? Their best explanation is to present him as a solar deity – once again they point to the Sun.

The key to physically identifying and understanding Amun lies with his unusual, tall plumes and the colours contained within. They were direct representations of magical celestial lights that were observed the world over in ancient times – a phenomenon we call the Aurora.

The Aurora

The auroras are the Aurora Borealis (Northern Lights) and the Aurora Australis (Southern Lights).

Auroras are striking displays of coloured lights that are often seen over the Earth’s magnetic poles. They occur when the solar wind particles are trapped by the Earth’s magnetic field so they collide with molecules of air in the upper atmosphere (ionosphere). They are a spectacular sight and take the form of rapidly shifting patches of colour and dancing columns of light of various hues. The colours observed depend on several factors such as atmospheric conditions, intensity of the solar wind, temperature and location. The Aurora is always present in almost every area of the sky, but it is usually too faint to be seen except near the North and South Poles. The main colours of the Aurora are blue, yellow, red and green, the very same colours attributed to Amun.

The intensity of the Aurora is dictated by the solar wind, a stream of electrically charged particles from the Sun. When the solar wind blows exceptionally strong, the Aurora increases. The periods of maximum and minimum intensity of the Aurora coincide almost exactly with those of the sunspot cycle, which is an 11-year cycle. When the Sun is in the active phase it can unleash powerful magnetic storms that disable satellites, threaten astronaut safety, and even disrupt communication systems on Earth.

In March 1989, the Sun unleashed a tempest that knocked out power to all of Quebec, Canada, leaving six million people without electricity. Such intense magnetic storms cause spectacular, widespread auroras, even at latitudes as low as Mexico, which is 23 degrees north (similar latitude to Egypt).

As mentioned above 3,000 years ago, at the height of planetary chaos solar activity was far more intense than anything experienced today. Cosmic catastrophe gave way to intense geomagnetic storms and global auroras – seen at all latitudes day and night. They were observed during the day courtesy of the red Sun which gave rise to a twilight world. These shimmering magical lights were personified in the great god Amun.

Hymn to Amun

“Amun, who developed in the beginning, whose origin is unknown. No god came into being prior to Him. No other god was with Him who could say what He looked like. He had no mother who created His name. He had no father to beget Him or to sa: “This belongs to me.” Who formed His own egg. Power of secret birth, who created His (own) beauty. Most Divine God, who came into being alone. Every god came into being since He began Himself. Every being came into being when His being began being. There is nothing outside Him.”

(Praise of Amun in the Decree for Nesikhonsu)

“None of the gods knows His true form, His image is not unfolded in the papyrus rolls, nothing certain is testified about Him.”

Hymns to Amun, Papyrus Leiden I 350, chapter 200, lines 22- 24.

[tosahobi-if]

What do the ROs think about cheating?

OOH this one's a really good one!

jinwol loathes it. he absolutely, absolutely loathes it. he's seen first hand what it does to the other person, and he himself knows what it means for a relationship in all directions. jinwol has very few unshakeable principles, but one of the main ones is a promise made should be a promise kept.

yul is wouldn't care very much as long as it doesn't pertain to the mc. enough said.

iseul sees it as a dealbreaker, but i think she also would try to extend enough grace to the other person to understand their point of view! it's not something she'd forgive, but i think she tries to operates under the idea that humans are complex and that she should have an open view on things. that being said, i don't think she exactly succeeds in doing that, so you'd probably get beat to a pulp.

xst is a serial heartbreaker and in modern terms they'd consistently drop in and out of two week situationships where they leave the other person with the worst possible emotional damage you can think of and lasting trust issues. but at the same time it has a lot to do with their own internalized issues, so they'd look down on cheaters in their own way. you little hypocrite, you.

[sunderingstars]

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✩ ‧₊˚ ⌞ GENDER ⌝

sampo analysis m.list

— what the stars reveal: interpretative analysis, theory, elation!sampo

— word count: under 1k

— overview: (as of 2.5) a companion piece to my sampo character story & brughel poisson analysis! an examination of the similarities between sampo’s relationship with gender and the relationship higher beings have with gender.

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Across the board, Aeons and higher beings in Honkai: Star Rail seem to have more complex relationships with gender than the average character. Beyond going by They/Them pronouns (further emphasized by THEY/THEM in recent updates), Aeons often have androgynous looks and even “multiplicity” of identity. It makes sense — beings who exist so far above mortal comprehension would obviously have a different understanding of gender (if subscribing to it at all) and be less likely to care about mortal binaries. As such, Their identities, much like every other part of Them, are multi-faceted and vast, only able to be attempted to be understood by mortal frameworks (which often don’t fully capture the identity anyways). 

Higher beings closely affiliated with Aeons also have nuanced experiences of gender, like Emanators. Emanators are sometimes referred to by the “it” pronoun set, as shown by Boothill at the beginning of 2.2’s Trailblaze Mission:

While looking through the Data Bank and Official Wiki, it also seems that Emanators can be referred to by any and all pronoun sets according to the situation — for example, the Wingperor of the Wingweavers (Abundance) is referred to by binary pronouns (he or she), the Harmonic Strings (Harmony) are referred to by they/them pronouns since they are multiple embodiments of Xipe, and the Noblesse Worm (Elation) is referred to by it/its pronouns. 

From this, we can surmise that Emanators — in a categorical sense — exist in a genderfluid state. Depending on the specific Emanator’s position and relationship with their Aeon, they can be referred to by any set of pronouns, perhaps even ones that haven’t been established in-game yet. 

It is important to note that in Boothill’s specific case, the “it” pronoun may be used as a way to dehumanize — rather than referring to the Emanator by it/its pronouns the Emanator themself chose to go by, Boothill almost seems to be projecting an “it” status onto them (i.e. assuming that because of their specific position as an Emanator, they are no longer “human” or relatable). This is an issue Emanators may run into writ large; despite existing in a multitude of different states, there is most likely dehumanization that comes from separate sources, the kind that reduces their identity to the “other” rather than understanding the nuanced existence they inhabit. 

It is also important to note that both Emanators and Aeons have a history of changing appearance. The aforementioned Harmonic Strings can take the form of any Family member regardless of gender, Tingyun was used as a vessel for Phantylia, and Aha Themself has been known to assume mortal form to toy with others. As such, any character who is able to quickly and effortlessly change appearance is a notable candidate for higher existence theories.

Which, of course, brings us to Sampo. As I detailed in my Character Story & Brughel Poisson analysis, Sampo not only has a history of genderfluidity, but of physically changing appearance with ease. Brughel Poisson seems to be an alias he uses often, to the point it’s implied he has an entire place of residence in the Overworld as her. While this could be purely for the benefit of his scams, it also shows a casual disregard for gender norms, the kind that almost seems to imply a more nuanced, complicated existence than what mortal frameworks can offer. 

I also have a theory that the reason Madam Poisson was so confident in talking about the wigs in Part IV is because the wigs don’t exist. If Sampo is able to shapeshift on his own, then there would be no need for wigs or other such amenities — his different identities would be so convincing because he literally changes his own appearance. Having such a power and doing so with ease would place him much closer to a higher being in my mind. 

However, even if we aren’t assuming he can transform on his own, his relationship with gender still seems very Aeonic in nature. Or rather — he doesn’t seem to care about it beyond what it can do for him. Again, the ease with which he embraces genderfluidity speaks to a deeper and more complicated relationship with gender, one that has been seen overwhelmingly in the cases of Aeons and Emanators. 

(Note: Sparkle has also been shown to directly shapeshift across genders as a part of the Masked Fools, however this power seems to come directly from her mask. Sampo, on the other hand, is able to manipulate his appearance (through his own power or otherwise) without his mask, giving the sense that his mask is either A. Only for decoration or B. Holding a power even more deep-rooted to the Elation than that of a common Masked Fool.)

Overall, I see lots of similarities between Sampo’s experience of gender and the experiences of higher beings. The almost uncaring nature towards gender norms, the casual fluidity of being, the ease of transformation — it’s all there. Also, as a genderfluid person myself, I just think it’s really neat!

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.𖥔 ݁ ˖ જ⁀➴ thank you for reading to the end!

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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.