#it's gonna be miserable for a bit but!

[pruzan]

having my looong awaited jaw surgery three weeks from today!!!

[itscherryterry-again]

yea

[breath-of-fresh-grantaire]

[caliburn-the-sword]

anyone noticed that the intro for season 2 is a continuation of the opening of season 1? the first opening ends with judgement day, with everyone jumping and going to heaven or to hell

except that judgement day never came. the apocalypse was averted.

this is the very start of the second opening, and so here they arrive at the ledge on the other side. i also love how crowley climbs up and aziraphale flies down. i just thought this was very clever of the creators of the show

[sometimesanequine]

[elusiiev]

miserable ass basil for demonstrative purposes

this is just a quick basil doodle so then i can draw stuff on top of him lator :3 it look like about 15 minutes so its not Stellar!!! but hes silly and i love him

[bromcommie]

man the whole setup of friction between Steve as the weary soldier but also the idealist and Fury as the personification of the modern American intelligence/defense apparatus is great. Like I can't even give any funny-haha commentary on it it's literally just. Good. The dialogue is for the most part well written, the actors play the tension off of each other well, we get a very quick but very efficient look into Fury's mindset (I fucking love the "Grandad loved people, but he didn't trust them very much" story on so many levels when it comes to Fury's character, but I won't get into that now), the context feels real enough and the stakes high enough to catch your interest and get you thinking about the real world implications, even within a MCU "everything is very vague very purposefully" framework. And narratively speaking some of the little moments they drop in there that you wouldn't really pay attention to watching for the first time (in the case of this scene specifically the AI in the elevator pointing out Steve doesn't have clearance for Insight and Fury's "director override" foreshadowing, but also thinking back on that Steve-Rumlow interaction) are nice hints that retrospectively beef up the big reveal about Hydra.

Another moment I find personally interesting is Fury referring to just how bloody and morally devastating WWII was for the Allies as well, if for no other reason than it giving Steve a chance to show his own justification logic. And while on the surface it does seem comparatively more black and white (which is how many people—including, ironically, the writers of this movie lol—frame the '40s in general; as if the people and politics of the time are so vastly removed from those today, but that's a whole 'nother topic altogether) it still makes me wonder just how much of that certainty would, in this moment, be coming from a defensive place because him and Fury are essentially having a hostile conversation, and how much of it is how Steve actually justifies the weight of it all to himself.

[a-bit-of-cest]

tfw you spend a full 24 hours thinking your captain is dying only to find out you're getting another crew mate

[saetoru]

me when my entire dash is just filtered LSMFJAJDJ

[marc--chilton]

(mgv) when wilson finds house stress-nesting (always at home, even when the urge hits at work the idea of nesting at the hospital is so Wrong to him [this is due to his own issues with his omega status + vulnerability, not respect for the hospital]) he is entirely comfortable invading his space if he feels he's doing the right thing. the instinct to keep away from a nesting omega that hasn't invited him is overwhelmed by the instinct to help and the knowledge that house doesn't have anything to eat or drink in there -- if he's stress-nesting he never thinks about it, too concerned with the actual nestmaking. and sometimes he can be in there for hours. so while it's actually rude, offensive, and a total breach of boundaries for an alpha to involve himself with a nesting omega without permission, wilson does it anyway with no guilt. even if house is growling and threatens to bite him if he sticks his hand in, wilson knows he's all bark so he just ignores it and shoves water and snack crackers in there for him anyway

[sapyarel]

Candy Caine

Get it cause like candy cane-

So exited for the new episode!

[natjennie]

t-minus 7 days until my surgery btw. I've been having a very busy month.

[pyro-madder]

wanting to show wholesome interactions between the hunter and various npcs vs wanting to stick to canon writing (nobody gives a shit about you)

Like... the Doll is "preset" to care for any dreaming hunter. Gehrman is introduced as your guide but after telling you the basics, only directs you towards optional stuff (the sheer betrayal i felt upon realizing that lmao) and fucks off to take a sad little nap for the rest of the game. I thought it'd be funny if, being part of your subconscious, you'd hear his voice in your thoughts sometimes à la Cruller in Psych0nauts - but also, you're just another hunter to him.

A few citizens are openly nice to you without ulterior motives, and most of them are outcasts like you ; Gilbert who's a fellow outsider, the Dweller ostracized for his disability (edit : his general appearance moreso and possibly his link to an abandoned place of worship as a whole), and Arianna who deals with the general stigma that comes with her profession (+ her link to Vilebloods, for those who Know). She and Adella are also grateful for you guiding them towards a safe place, nothing surprising.

Now for other hunters. I live for Gascoigne's friendly tag-along across Central Yharnam but agree with the hypothesis that it was cut to make the player feel more isolated and alone, and we know how it would end either way.

Then Djura. I raise an eyebrow whenever I see the term "befriend" for taking his deal ; yes, you'll pacify him and he'll give you cool stuff, but then will tell you to fuck off with no additional dialogue. I also wanna mention he doesn't sound the tiny bit surprised/betrayed if you break the deal, which says a lot ; to him too you are just another hunter and he knows how it usually goes with hunters. I could go on about Dju in particular but his detachment towards you is extremely understandable from his position in-game.

Eileen and Simon are recurrent encounters who are amiable by default, but even then running into them comes across as "oh hey you aren't dead yet, good for you lol" to me.

Alfred is... Alfred ? Also amiable by default, open to the point if feels out of place, and though he thanks you for getting him to the end of his questline he (supposedly) offs himself immediately afterwards, his obsession faith prevailing upon anything and anyone else. i'm at loss here sorry

This is non-exhaustive, we could speak of Valtr and Patches and Annalise and so on. but these were some characters I like to depict along the Hunter ; Gascoigne, Eileen and Djura as mentor figures, Alfred as a comrade, Simon as a companion in misery, and so on - stuff you can expect in my fanart basically - while still meeting the fate they meet in-game (except dju who's just chilling if you don't go out of your way to make it otherwise).

But in-game, you have no name that matters, and almost no ones gives you their name either, you only know them from item descriptions when it's not from a boss' health bar. You're all strangers to one another fighting and surviving from the same mess, and you - Good Hunter - are the latest wedge thrown in the gears, with no previous connection to anyone like the different members of the many factions you meet in the giant chessboard that is Yharnam and its surroundings. Still, you get those small moments of respite, and they're enough to hurt when they're taken away, sometimes by your own hand in a final act of mercy, no matter how predictable the end becomes.

[carlestin]

ouuuuu husker let me save you

suspenders version but its hidden cuz i like it less

[maipiichii]

everytime someone calls mithrun a crusty eyed purse dog and draws flies circling him like a garbage dump an angel loses its wings

[aztrosist666]

thought about bloberta too hard