#it's generally the merch company

[sonknuxadow]

omg fang confirmed to be in an upcoming wave of the mini sonic figures ... im admittedly not the biggest fan of fang but it's always cool seeing them make figures of characters that don't get much merch i hope they make little action figures of every sonic character ever created

[no1ryomafan]

SRW is such a funny thing for me to think about cause it’s like “wow a trpg game that’s been ongoing for decades that really encapsulates how huge and significant mecha is to japan by having every and all mecha been featured in this giant crossover that also has really cool attack animations that replicate the shows they’re from well, with new original content for some shows sprinkled in as well” at first glance then I proceed to be salty by going “oh wait the main show I like in here is only ever used for one iteration which they end up butchering and all the other mechas I’ve liked have shown up maybe once because I’ve liked the ones that had to flop in Japan- also this game caused tags to be unnecessarily filled with crossovers and people acting like they know a series just because it was in SRW thanks I hate it” and this cycle is only a constant because I haven’t actually played a SRW besides 30s demo for a bit 💀

[maxbegone]

The election doesn’t start tomorrow, it ends tomorrow.

If you haven’t already, please make sure you are registered to vote and know where your polling place is (vote.org is a great and easy way to get that information). Additionally, please make sure you have a way to get to your polling place. Uber and Lyft often give free or discounted rides to the polls, and this year the car rental company, Hertz, is allowing free one-day rentals to get to the polls. More information on that here.

EDIT: NAACP has a discount code to use for Lyft, valid for two rides up to $20 ($40 total). Use code: NAACPVOTE24

The following states allow same day registration for general elections, ie: the presidential election:

California

Colorado

Washington DC

Hawaii

Idaho

Illinois

Iowa

Maine

Maryland

Michigan

Minnesota

Montana

Nevada

New Hampshire

New Mexico

Utah

Vermont

Virginia

Washington

Wisconsin

Wyoming

Note: North Dakota does not require formal voter registration, and upon presenting valid identification at a polling place, eligible citizens receive their ballot to vote.

all info here

The following states are required by law to give you time off to vote (between one and three hours):

Alabama

Alaska

Arizona

Arkansas

California

Colorado

Georgia

Illinois

Iowa

Kansas

Kentucky

Maryland

Massachusetts

Minnesota

Missouri

Nebraska

Nevada

New Mexico

New York

Ohio

Oklahoma

South Dakota

Tennessee

Texas

Utah

West Virginia

Wisconsin

Wyoming

*Most states requiring employers to permit voting leave also require that this time is paid. Among the above, the following do not: Alabama, Arkansas, Georgia, Massachusetts, North Dakota. (info here)

Again, it is your right to vote. If you are in line when the polls close, stay in line. It is your legal right to vote.

If you are turned away at the polls, say the following verbatim: “Give me a provisional ballot with a receipt as required by law.”

If you make a mistake on your ballot, you have the right to ask for a new ballot. Don’t cross anything out, simply ask for a new one.

Poll workers are required to make reasonable accommodations for voters who need, including ballots in other languages or translators.

Canvassing is not allowed at polling places, and no one is allowed to threaten or intimidate voters. You have the right to report anything of the like.

All info taken from here

Some tips:

Don’t wear political merch to the polls.

Don’t engage with anyone about your politics at the polls.

Don’t take phone calls inside your polling place — it can wait, please be respectful.

Research who is running locally and see what their policies are. Additionally, research any local propositions that may be on the ballot. The language on ballots is made to be purposefully confusing, so make sure you read everything carefully in addition to your research.

If you’re able to get up early on Election Day, go right when your polling place opens to beat the line.

REMEMBER: IT IS YOUR RIGHT TO VOTE!

Here are a list of state-by-state voter protection hotlines, as well as hotlines in various other languages:

Please vote tomorrow if you have not already. It’s so important, and choosing not to vote or voting for a third party is a vote for extremist measures. Vote down the ballot, and do not let anyone bully you into voting one certain way.

What we are seeing throughout this election cycle (and the last two election cycles) is entirely abnormal. The bullying we see from a certain side and its supporters is childish and dangerous. They spew false information, make racist remarks, and sexualize and discriminate fellow candidates. No single presidential candidate is completely and wholly good, so criticize accordingly.

Vote with those you love in mind, vote with your safety in mind, and vote for those who will be affected for decades to come. Vote for someone who speaks coherently, not for someone who is, let’s be honest, not cognitively alright — and that is the bare minimum of the issue.

If you have anything to add to this post, please do. If anything is incorrect, please let me know and I will gladly change it.

Vote. Vote. Vote.

[charmac]

Studios own the right to merchandising, and studios don't understand what an individual audience for each of their shows wants/would buy. Instead, they sell generic crap that is cheap to make but is data-proven to be appealing to a wide audience.

Paddy's Pub: Home of the Original Kitten Mittens is a pretty direct commentary on this exact issue.

At the end of the episode, the Gang can't sell any of their merch ideas at the convention. The Convention attendees see what the Gang are saying their customers want and say no, won't sell. It's not what is typical, expected, known to sell. RCG want to sell Dick Towels, the Studio says no, won't sell, that's not the kind of merchandise we do, it's not known to sell.

RCG do it themselves, outside the studio's shop, and genuinely shock them with how many dick towels they manage to sell (and how much money they make off it). It sells because they know their audience, and their audience doesn't want what's generic and 'proven by data' to be appealing, they want funny stuff that's 'actually from the show' they love.

And, for awhile, FX actually did sell the shirts from Sunny:

Including Charlie's Army Jacket:

The market for these things was tapped, it was tried, but then it died.

Because the issue is that these items just really don't sell as well as logo items do, and they cost more to produce. So to maximise profit, it made sense for them to cut the replicas and sell generic crap. They already own the rights to a show's logo, and it's cheaper to create their own original designs and slap it on various items than it is to recreate wardrobe. The casual fan is gonna buy the recognisable logo t-shirt over the 'as worn in Season 8 episode 3' t-shirt 9/10 times, and studios will always prioritise minimising costs and maximising profit.

Much like how the Lawyer holds all the rights to Paddy's Pub merchandising, it sucks ass that studios hold the rights to television show merchandising.

(Also I wanna point out that they were selling shirts from the show at The Always Sunny Podcast live shows. (I didn't take a photo but maybe someone else did?) So RCG know there still is a market for that kind of merch, but that market is considered dead by the studio, who hold the merchandising rights for the show.)

there’s such an untapped market with official merch sites- autistic people who wanna dress like their people from their shows…….. and yet they keep just selling shirts w the logo or whatever

[tubapun]

UPDATED MASTERPOST HERE PLEASE CLICK

In 2004 Warner Bros launched a new Scooby-Doo merch/style line called "Scooby-Doo A Girl's Best Friend". This was a line that was supposed to make Scooby-Doo more appealing to young girls, with heart motifs, plenty of pink, and an emphasis on Fun, Creativity, and Friendship. I recently aquired an official style guide for this line; a book that was sent to potential licensed contractor companies detailing the general style, tone, artwork, and rules for making merchandise in this line. The book came with a cd-rom full of vectorized images for use in merchandise and the like!! And I've exported them for you!!

This is the character art for Scooby himself, the only mainline character to be featured in this line. You can see his collar is now a bright pink, and his shoulder spot has been made firmly into a heart. He's got a lineless style with and emphasis on curves and angles that form hearts. It almost makes me think of UPA cartoons, but that may just be me. Note: I exported all of these at the scale they were originally at, so theyre all around 200*300 pixels. If you'd like any in a larger size lmk and I can export it as such, theyre vectorized after all!!

(check the reblogs for more art from this line)

[bunni-v1]

this is based off someone requesting a lighterxreader where lighter gets jealous of a plushie, since section 6 has a celeb status theyd probably have (they definitely most likely do) fanmerch of the members right? like those 10 or 20 cm plushies you can dress up that hoyo characters have? imagine reader having a wittle plushie asaba that accompanies reader when asabas not home and then he finds out and goes 🥺 eyes "do you really prefer that over the real thing🥺🥺👉👈?" JSKSDJLWBUXOWBXHSO

Asaba Harumasa is a pretty popular figure, being the only man in section 6, and just generally being pretty and flirty it’s no wonder he has tons of merch. The plushies were a new thing though! A bit… weird… if you asked him but he shrugged his shoulders and moved on. Nothing to write home about, fans were weird.

You, however, found the little thing interesting. It’s big yellow eyes and floppy fabric hair was just too cute to resist. The clothes were surprisingly well made, and you could take them off and change him into whatever you liked.

Harumasa had so many late nights at the office, and you didn’t seem him for such long stretches of the day… maybe getting one wouldn’t be so bad. So, you buy one (and some extra outfits <3) to keep yourself company throughout the day.

It weirdly helps you feel connected to him, even though it’s not him and he had no idea you had the little thing. Whenever you missed him, you pulled it out and cuddled up to it like it was the real thing. Like right now, curled up on the couch waiting for Harumasa to get home. Your eyes are heavy and your body heavy, the plush of the stuffie drawing you further into sleep until you hear the door open.

Harumasa drags his feet across the floor, not even taking his shoes off before he slumps over to the couch. You peer up at him with sleepy eyes, and his soften as he smiles. He makes his way around the couch to hug you, but pauses when he sees… himself…

Well, a little him, at least. He hadn’t even considered you might want one of those things — well, why would you? You had the real thing after all.

“What’s that?” He asks, pointing at it with disdain.

You cuddle into the thing, worsening his scowl, “‘S little you. I call him Harumasa Jr.”

You hold the plushie tight to your chest, and he feels something… unpleasant curl in his stomach. He didn’t like the idea of you finding a replacement for him, regardless of if the replacement was… literally him. It wasn’t the same. He should be the only thing you cuddle up to and coo at, not some… plushie.

He sits down next to you with a pout, pulling the plushie from your lap. He tries to ignore how you whine, then presses his head into your stomach with a defiant pout.

“What are you pouting for,” You sigh, running your fingers along his scalp.

He hums, burying his face into your thighs, “You don’t like that thing more than me, do you?”

You roll your eyes, petting his hair with all the love in the world. He was worse than a jealous cat. He was upset over a plushie of himself. Maybe it was played up, but you could tell it bothered him. So, sweetly, you lean down and press a kiss to his head.

“Of course not, there’s nothing in the world I like more than you, Haru. It’s just here for when I really miss you,” You assure in that honied tone he loves so much. His hands come around your waist, sliding under your butt for a cheeky squeeze. Another sigh falls from your lips, “Most jealous man I know.”

He chuckles against you, “Only for you, babe.”

You allow yourself to bask in the moment with him, really having missed him all day. You know he missed you too, just from how tightly his fingers are clenching each other. Like he doesn’t want to let you go.

But, of course, Harumasa cannot leave well enough alone, and he peers up at you with a smile, “Can we throw it out?”

“Absolutely not!”

[castillon02]

Tim reviews Jason's operations management and makes a suggestion.

"Your first move: hire a head of sanitation," Tim said.

"You think a janitor's gonna solve my suddenly-successful-startup problems? What, by sweeping them away?" Jason rolled his eyes.

Tim steepled his fingers. “The good news,” he said, “is that your drug distribution and community norms enforcement hierarchy is very clear. You also have people doing marketing, program management, HR, facilities, and admin. Your system of rotating duties when people get injured isn’t bad—people generally benefit from cross-training—but you should formalize the top positions and compensate your new leadership team. Including sanitation.” 

“Sure, sure, I'll just tell one of my guys their job is to be head shit-scrubber instead of a badass neighborhood protector!" Jason threw up his hands.

Tim raised his eyebrows.

“It’s bad enough getting them to clean up a crime scene when they’re on my literal shit list! A couple of them thought that lighting the building on fire was an easier way to get it to stop smelling bad and having DNA. Guess who had to add five new slides to his powerpoint about evidence disposal?" Jason glared.

Tim grimaced. "I had an intern in the office who thought that he could just throw trash off his desk for the cleaning staff to pick up."

He and Jason shared a commiserating look that silently said, We were both stupid enough to work with the League of Assassins, and even we wouldn't do that.

“Anyway," Tim continued, "since you're dealing with...that...you can just hire an outside party. Lots of people in Gotham know how to clean up dead bodies and keep their mouths shut. I can advertise the position and send you the likeliest candidates for an interview. I’ll have to incorporate you, of course, but I’ve had the paperwork ready since I got back from the Middle East.” 

“Incorporate me?” 

“Red Hood LLC, technically."

Jason's breathing became calculatedly even.

"Once you’re legit in the eyes of the law, we can work on squaring away everyone’s taxes and keep you from getting Capone’d.” 

“I’m as legit as one of Two-Face’s two-dollar bills!” 

“Yeah, but when you’re an LLC, all your crimes are white-collar crimes, and no one cares about those.” Tim shrugged.

“...Pretty sure that’s not how that works, bud.” 

“It’s how the court of public opinion works. And if anyone tries to say that Red Hood, CEO of Red Hood LLC, and Red Hood, notorious vigilante, are the same person? Tell them to prove it. So what if you have the same outfit? It’s a free country and people can wear what they want. And if they ever get your DNA results, Oracle says no they didn't.”

Jason tilted his head and started smiling. "You want Red Hood to be the Scarlet Pimpernel and Percy Blakeney. At the same time."

"The more blatant you are about it, the better. Rub elbows with Gotham's elite and tell them that you can't imagine why someone would let a Crime Alley vigilante ruin their ability to wear a red hood as a fashion statement, but in your company, people have spines. Especially when they're job creators. If you play your cards right, red headgear will be back in fashion."

"And then?"

"And then," Tim's eyes gleamed, "you start selling merch."

"Oh, shit." Jason's smile turned into a full-on smirk.

"On a sliding scale, of course."

"Those nepo babies are gonna pay me so much money to look cool."

Tim smiled. "And that's how hiring a head shit-scrubber is going to mitigate your high growth and cash flow problems."

[shiftchii]

U.A. High in my DR !

Basics

Students are separated randomly into specific departments and classes sectioned by the letters A-K.

These departments are:

Department of Heroics (A - B): Students in this department learn everything they need to know in order to become excellent heroes in service to the community. They are trained in battle, first aid, rescue, support, and all manners of heroic-related lessons.

Department of General Education C - E): Students who don’t make it to the hero course are included here. This department supports students aiming for college and other pursuits. It’s also possible for students with good grades and exceptional strength and quirk skills to be transferred into the hero course (And either the support or business course mind you). Basically regular HS but they get to say that they went to UA on their resume.

Department of Support (F - H): Students here focus on developing support equipment that helps heroes out on the battlefield. With a workspace stock to the brim with all sorts of special tools and their own studio to build things, this department provides an unmatched creative environment.

Department of General Management (I - K): This department focuses on all aspects of heroic business, from the founding and managing of hero agencies to the promotion of public opinion regarding heroes. They even do hands-on lessons in venture capitalism. They have a lot of free time.

Each class is usually comprised of 21 students. That means that the total student population at UA would be 693.

We stay in the same class with the same teacher for all 3 years.

Since UA is a highly prestigious school, we get a lot of funding and benefits for the dorms and when we go on trips and whatnot. (Food we buy for the dorms is paid for, we get free snacks/concessions in the sports festival, free hero costume updates and renewals)

The school curriculum is way less loaded than here. The school system is much better.

The Hero Teachers are actually good at teaching.

Since U.A. is famous, it has many sponsors with support and hero merch companies, so some hero course students (usually 3rd years) have their own hero merch already. Students are sometimes sponsored and do photoshoots and are invited to red carpet events. (Following the School Festival, Class 1-A gets loads of sponsors and stuff!)

The teachers and students are encouraged to decorate their classes and most of them do so.

U.A. has a popular school website.

Staff and students are recommended to have Twitter to update the public events, the majority of the students obviously don't take this seriously, there's always someone who has beef and makes it public (Monoma) and it always ends up like those MHA Tweets, it’s the funniest thing ever.

Schedule

School is Monday - Friday and starts at 8:25 and finishes at 15:10. Regular classes take place during the first half of school, then the afternoon (for the Dept. of Heroics) you will have hero training. Only Dept. of Heroics students have an additional 7th period.

The teachers move between classes while the students stay in 1 class (besides electives).

Wednesdays are half days and only consist of hero training (so no typical school work), though sometimes it's replaced by FHS. You also don't have to wear your uniform on Wednesdays.

We will always have some kind of free time for school despite our somewhat busy schedules.

Not all school days are the same (emergency drills, other schools coming to train with us, etc.).

Classes

Core Subjects for Dept. of Heroics

Homeroom: Taught by Aizawa. Acts as a study hall. The class reps will often give a small meeting with the class about important events during this period.

Japanese: Taught by Cementoss. Focuses on reading, writing, and literature.

Mathematics: Taught by Ectoplasm. Covers algebra, geometry, and calculus.

English: Taught by Present Mic. Emphasizes reading, writing, and conversation skills.

Home Economics: Taught by Midnight. Cooking and other aspects of household management.

Foundational Hero Studies (FHS): Taught by All Might, Aizawa or Midnight. Hero related studying: hero laws, safety precautions, first aid, jsl, media training, dividing hero and civilian identity etc.

Hero Training: Taught by various teachers, usually Aizawa or All Might, it changes every week and we are informed about the activities during homeroom. For example: Quirkless Combat, Rescue Training, Combat, Quirk Training etc.

Elective Subjects

Thought by various teachers. This is the only class where students move instead of teachers, these are shared, so you could end up with classmates from other classes. Students get to completely choose what electives they have. If they don’t choose, they are placed in extra training or study hall.

Options:

Foreign Languages (e.g., Chinese, Korean)

Journalism

Art Foundations

Photography

Ceramics

Psychology

Choir

Band

Orchestra

Woodshop

Metalshop

Chemistry

Poetry

Cooking

Baking

Biology

Physics

Film Analysis

Computer Programming

Animal Work

Volunteer Work

Theatre

Student Council

Literature Analysis

Forensics

Study Hall

Class 1-A Timetable

Around UA campus

The updated UA security system is really good. The sensors are so good, you don't even need to have your ID out. They can scan it anywhere on your person. If you lost or misplaced your ID, the gates also have facial recognition software, so it's fine. If you're not a student or staff, you NEED a visitor pass or the school will go into lockdown on you.

We can use our school IDs to get snacks and drinks from vending machines around the school hallways. It’s free and they are replenished daily.

UA has a courtyard where we can eat outside. Most of the 2nd and 3rd years get food from places outside of the school campus and eat outside in the courtyard. Because of this, the cafeteria isn't as crowded and when we eat lunch we can sit and enjoy our food comfortably. The cafeteria is also luxurious and looks like a fancy mall café.

The library is huge and has many resources with much to explore. There are many different levels with varying types of quiet floors and study halls. It's also open 24/7 so students who are fighting to finish a project can pull all-nighters.

There’s a little shop that has U.A. and hero merch and school supplies including books for courses. You can also buy the merch on the online website.

UA has extracurricular groups and clubs for those who aren't in the hero course such as other sports and things like cheerleaders, debate, theater, music, cooking, ballet, and much more. I mean, hero course students CAN do those things but they WILL have a hard time doing so all while dealing with said hero responsibilities. As mentioned before, business course students have a lot of free time and general ED students are basically regular HS students who just so happen to be going to UA and for support course students, it really depends on how much work you choose to take on for yourself.

There is a study center where students who need extra help can go. Students with failing grades must go here for a set amount of hours to get the help they need. It’s strictly work, and talking about anything other than school is basically prohibited. It’s usually run by Ectoplasm and his clones or Hound Dog.

Work studies & Internships

All first years do an internship, it’s required. This is usually after the sports festival when students have had a chance to show off their skills.

Work studies are basically experience-oriented off-study programs that allow students in the hero course who have Provisional Licenses to work with pros at their agencies. Students will be able to use their quirks under the guidance of a pro, and can even be dispatched to fight villains and help out in disaster areas. If you do well, you can be scouted to become the hero’s sidekick.

Work studies are a more serious version of internships. They entail helping pro heroes on the streets and with investigations. They are usually reserved for 2nd and 3rd-year students, who usually have their licenses. 1st years didn't do them in the past. However, with the rise of villain activity, the school decided to open up work studies to 1st years as well, albeit a very small and select few of them. If they didn't find a good agency with a proven track record they wouldn't do it at all.

Events

U.A. has seasonal dances and a lot of events, like Halloween, Hero Day and other festivals.

Uniforms

Color palette

The uniforms the students receive consist of 4 sets of each clothing (besides the coat and varsity jacket):

Shirts

Long sleeve

Short sleeved

Sleeveless

Blazer

Long sleeves

Sleeveless

Cardigans

Sleeveless (two color variations)

Long sleeved (two color variations)

Sweaters

Sleeveless (two color variations)

Long sleeved (two color variations)

Pants

Shorts

Below The Knee

Classic

Skirts

Mini

Below The Knee

Maxi

Ties

Necktie

Bow Tie

Socks

Quarter

Crew

Knee High

Thigh High

Tights

Shoes

Coat

Varsity Jacket

Gym Clothing

Tank top

Loose Zip-up Sweatshirt (long sleeves, short sleeves, sleeveless)

Cropped Zip-up Sweatshirt (long sleeves, short sleeves, sleeveless)

Shorts

Below Knee Shorts

Sweatpants

Swimwear

Sleeveless, Short sleeved and Long sleeved

Lanyards

Uniforms aren’t required on Wednesdays

Students are allowed to accessorize their uniforms however they want and wear their own jackets

Piercings, colored hair, nails, makeup etc. are allowed

The uniforms aren’t gendered - all students receive all versions and are allowed to wear whichever one they prefer

For students with mutant type Quirks, custom made uniforms are made

Button and sleeve/lapel stripe differences between the department uniforms [1-General education, 2-Hero, 3-Support, 4-Management].

School Bag

Along with the Uniforms the school hands out bags. You can return them and use your own if you’d like.

A standard deep blue nylon matching the uniforms. The U.A. logo sits at the right bottom corner.

Class

If you’re standing at the front of the classroom looking out at the desks, the seating arrangement starts at the leftmost side of the room (“A” names), going front to back and then going to the next row to the right, and so on.  keep in mind that the alphabetical order here is based on the Japanese alphabet. My number is 10.

Here's how I laid out the desks for 21 students:

Since we stay in the same classrooms for most of the days we can leave out stuff at our desks. They have shelves underneath with 2 outlets and lots of space.

Class 1-A Friend Groups

Everyone is actually really close, but those are what groups spend the most time together. Of course we hang out in different groups or all together too.

We have frequent movie and game nights, 1-A has a group chat and it’s always active, there’s always someone wanting to do something. Sometimes we invite people from other classes.

DekuSquad

Izuku

Ochako

Tenya

Tsuyu

Shouto

Haruka

Hitoshi (after he joins our class)

BakuSquad

Katsuki

Eijirou

Mina

Denki

Minoru

Hanta

TokoSquad

Fumikage

Mashirao

Mezou

Tooru

MomoSquad

Momo

Kyoka

Yuga

Kouji

Rikido

I hope this was helpful! <3

© credits: seating arrangement • basics @/Priicklleshifts on TikTok • uniforms • dividers

[grimrester]

i am really so sorry to continue harping on about the watcher entertainment streaming service. but this kind of stuff (internet content as a business & marketing it as such) is truly my obsession, and i think i will implode if i don't talk about some of the takes i'm seeing.

i'd like to emphasize again i don't have strong feelings about watcher either way. i like ghost files, i watch mystery files sometimes, i watched worth it back in the buzzfeed days. i don't watch any of their shows religiously.

anyway, here's the main things i keep seeing crop up and my thoughts on each:

"watcher has 25 employees they have to pay, and employing people in this economy is good, so we should be banding together to pay them."

employing people is good if you currently have the capacity to pay them. i checked watcher's linkedin page, and many of their employees were hired within the last year or two. if they hired people they cannot pay with the business model they had before, something is seriously wrong with their internal bookkeeping/decision making. it means they either didn't know they couldn't pay these people long term, or they did know and were content with risking newly hired employees' livelihoods on a huge content pivot in the next year.

of note is that none of their employees' titles have anything to do with managing the finances of the company. they are the size of a small business but have no one aside from the figureheads of the company in charge of their finances.

this is the kind of company decision making that leads to downsizing and layoffs, which can be devastating. but you know what's worse than laying off a portion of your staff? laying off everyone because your business is going under.

"not everyone can afford the subscription, but those who can should pay it to support the watcher team."

no. $6/month for a couple hours of content (depending on what shows you actively watch and the natural fluctuation of their release schedule) is a fundamentally bad value. i can pay that much for a few movies on amazon. i can pay that much for dropout, if i want to support a smaller business instead.

and to be totally frank, even if people do sign up, i don't think they'd get enough to compete with the amount they get through patreon/sponsorships. and the fact that they didn't know how many of their subscribers would realistically sign up is a bad sign.

a pretty good conversion rate of free to paid subscribers of a service or content is 3% (usually accomplished through a free trial). given the very poor reception of the announcement, let's say about 1% of their 3 mil youtube subs pay for their service. that's 30k people paying for their new platform. that's $180k a month in their pocket.

(they currently only have 12k subs on patreon so we are being generous here.)

a sponsorship deal (based on my googling, i have less direct experience with this) is anywhere from $10-50 per 1000 views. they've gotten about 1 mil views on their last few videos. 3 mil subs is nothing to shake a stick at, but let's say they're on the lower end of the payscale at $25 per 1000 views. that's $25k a video, $100k a month if they release 1 video a week. their lowest patreon tier is 5 bucks, so even if all their subs are at that tier, that's another $60k, so $160k total. it's entirely likely they're bringing in much more than that when you factor in merch, adsence, etc.

did anyone on their team crunch numbers on how many people would need to sub to make the switch worth it? did anyone do market research on how many people they could convert to paid users? because if not, if they really didn't have a game plan for this, the subscription service was always doomed to fail.

"this was their only option to continue making the content they want to make, with the production value they want."

i watched their announcement video. a key point in that video is that they have done sponsored videos and that's what used to pay for their content, but they did not like the amount of creative control the sponsor had over the content.

look, i get that's no fun. we'd all love creatives to be able to make whatever they want. but when you are a small business with a team of employees relying on you, you have to think about making money, sometimes at the cost of creative liberties.

and they had so many other options to make money for the projects they want to make without jumping to a subscription platform.

they could have started actually promoting their patreon, and maybe done some restructuring of the tiers. why not a highly produced, special series just for patreon members? or a special high-budget episode of each series, while the main series is lower budget?

bite the bullet and continue taking sponsorship deals on some less-produced shows, while axing sponsorships from the ones the crew feels more passionate about.

schedule larger, blowout-production shows only when they can be afforded. this is what Notorious Amongus Guy streamer jerma does. he saves up for big productions like his baseball or dollhouse streams, so he can really get creative with them.

they had other options and they've tried very little, especially when you compare them to other content house business at similar scales. try guys and good mythical morning both put out significant content with significant staff, and have had to diversify their income streams with auxiliary products, shows with widely varied levels of production, etc. but it seems to be working for them. watcher has merch and that's about it, and seems to only want to increase the production quality of ALL their shows.

really, all this just boils down to a terrible business decision. it's hard to say if the watcher team is working with a consultant or anyone outside of their team, but they certainly don't have anyone internally who is experienced with running a business like this. to me, it seems very much like they got in a room together and did some extremely optimistic income ballparking with no research behind it.

and that might have been fine for three dudes running a channel alone, but if they're a business, they have to start making decisions like one.

[chailovesu]

Random things u can add to your script if you are manifesting being famous

i think ima separate this into careers

model:

being on the cover of magazines

always knowing when a camera is on you + never have awkward pictures get popular

being considered one of the best new gen models and one of the best of all time

being signed to desired company

being the muse of a very famous designer

very photogenic/videogenic

have an iconic walk that everyone loves

you could be wearing something absolutely hideous but make it look good

singer/rapper:

every single song u make blows up on every platform

kind of rapper/singer that once u feature on a song its ur song now

if u cover a song the cover gets more famous bc it sounds better

popular dance trend being made to your songs

immunity to getting sued for copying a song

perfect stage presence

be able to dance and sing/rap at the same time

constantly be nominated for awards and win

any song u make constantly goes platinum and charts for months

having a song featured in a popular tv show/movie

be good at taking selcas and they always go viral on pinterest

easily hit high notes

unreleased music never gets leaked

being talented on a beyonce level

be invited to perform at places like the superbowl and coachella

be able to write ur own songs with unique lyrics

game streamer:

clips of u playing always go viral

have a connection with your subscribers + be everyones comfort streamer but not in a forced way

be really good at the games u play effortlessly and look good while playing

having merch that always get sold out

being seen as the main streamer for desired games

be entertaining to watch + funny things always happen on stream

subscribers always donate alot of money and give you gifts

collab with other famous streamers + everyone enjoys playing with you

have access to unreleased games early

have partnerships with really big brands

be gifted free games often by companies for promotions

people know u by face AND voice

if u wanna be a faceless streamer at first your face reveal blows up (in a good way not the dream way) and ur subscribers double bc of it

actor/actress:

being fancasted for your favorite cartoon character so much that u act in the live action version of it

always get paid a lot for your roles

have chemistry with your co-workers

be good at all type of acting (voice acting too)

easily attract roles

never get hate for the roles u act

always get awards for your acting

easily be able to do things like cry on command + be able to make your audience feel the emotion through the screen

be a very versatile actor like your range is crazy

applies to all:

seeing edits of yourself by talented editors often

pristine reputation + never being canceled

being that one celebrity that everyone defends like their life depends on it

Immunity to weird ppl finding out abt u

being likable in general any hate you receive just feels so forced

being alot of celebrities ideal type

being everyones celebrity crush

never having your xxxx exposed (or revise never taking any)

eye contact with u makes interviewers nervous like that one jhene aiko clip

people from your past only have good things to say + other celebrities love meeting you and only have good impressions of you

this one applies to acting and singing and modeling but being a highly sought-after person in that field

a fortnite skin? or being featured in your favorite game

still being safe going in public alone + fans respect your privacy

and if ur manifesting being a nepo baby

everyone supports you

in your childhood u were featured in alot of movies/shows (or just in the spotlight often) so people feel like they watched you grow up and adore u

being more famous than your parents + people feel like even if ur parents weren't famous u still would've gotten famous

having famous childhood friends

if i think of more ideas or careers ill make a pt2 but thats probably unlikely idk yet

[mostlysignssomeportents]

“Brand safety” killed Jezebel

I'll be at the Studio City branch of the LA Public Library this Monday, November 13 at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!

Progressives: if you want to lose to conservatives, all you need to do is reflexively praise and support everything conservatives turn into a culture-war issue, without considering whether they might be right. Because sometimes…they're right.

Remember early in the Trump presidency, when conservatives all woke up and discovered that America's spy agencies – excuse me, "the intelligence community" – were dirty-tricking psychos who run amok, lawlessly sabotaging democracy? Progressives have been shouting this ever since Hoover's FBI tried to blackmail MLK into killing himself:

https://en.wikipedia.org/wiki/FBI%E2%80%93King_suicide_letter

But millions of progressives forgot about COINTELPRO, CIA dirty tricks and CIA mass spying when this "intelligence community" temporarily set out to wrong-foot Trump. Remember James Comey votive candles?

https://www.usatoday.com/story/opinion/2019/08/30/james-comey-fbi-memo-leaks-trump-inspector-general-report-column/2157705001/

Anthropologists have a name for this phenomenon, in which one side reverses its positions because their sworn enemies have done so. It's called schizmogenesis, and it goes like this: "If they hate it, we love it":

https://pluralistic.net/2021/12/18/schizmogenesis/

Schizmogenesis is an equal-opportunity delusion. Within living memory, white evangelicals supported abortion, because their sworn enemies – Catholics – opposed it. Some of those white Boomer women who voted Trump because abortion was literally the only issue they cared about held the opposite position on abortion not so long ago – and completely forgot about it:

https://text.npr.org/734303135

The main purpose of the culture war isn't immiserating marginalized people – that's its effect, but its purpose is to distract low-information turkeys (working people) so they'll vote for Christmas (the ongoing seizure of power by American oligarchs). For the funders of conservative movement politics, the cruelty isn't the point, it's merely the tactic. The point is power:

https://pluralistic.net/2022/03/09/turkeys-voting-for-christmas/#culture-wars

Which brings me to "woke capitalism." Conservative string-pullers have whipped up their base about the threat of companies embracing social causes. They (erroneously) claim that corporations have progressive values, and that big business is thumbing the scales for causes they despise. The purpose here isn't to sow distrust of capitalism per se. Rather, it's to stampede talk-radio-addled supporters into backing the oligarchy's agenda. Remember when culture war leaders told their base to support being gouged on credit-card junk fees "to own the libs?"

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

That's schizmogenesis working against the conservative rank-and-file, tricking them into taking the side of a cartel of wildly profitable payment processors who are making billions by picking their pockets (credit card fees are up 40% since the covid lockdowns), because (checks notes), Target pays these profiteers a lot to process its payments, and Target sells Pride merch (no, really):

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

It's easy to point and laugh at conservative dopes when they're tricked into shooting themselves in the balls to own the libs. This is not a hypothetical example:

https://pluralistic.net/2020/05/28/holographic-nano-layer-catalyser/#musketfuckers

But progressives do it, too, particularly when they embrace monopolies as a force for positive social change. Remember 2019, when people got excited about playing loud pop music at Nazi rallies in the hopes that the monopoly video platforms' copyright filters would make any video from that rally impossible to post?

https://memex.craphound.com/2019/07/23/clever-hack-that-will-end-badly-playing-copyrighted-music-during-nazis-rallies-so-they-cant-be-posted-to-youtube/

I warned then that if this tactic worked, it would be used by cops to prevent you from recording them when they're macing you or splitting your skull with a billyclub, and yup, within a couple years, cops were blaring Taylor Swift music in hopes of preventing the public from posting videos of their illegal conduct:

https://pluralistic.net/2022/04/07/moral-hazard-of-filternets/#dmas

Conservatives are (partially) right about woke capitalism. It is a threat to democracy. Concentrating the power to decide who gets to speak and what they get to say into the hands of five or six corporations, mostly run by mediocre billionaires, is bad for society. The moderation decisions of giant platforms are a form of (commercial) censorship, even these don't violate the First Amendment:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

(The progressive delusion that censorship only occurs when the First Amendment is violated is a wild own-goal, one that excuses, for example, the decision by school book-fair monopolist Scholastic to remove books about queers and Black and brown people from its offerings as a purely private matter without consequences for free speech):

https://www.themarysue.com/scholastic-response-to-authors-and-illustrators-on-diverse-books/

Conservatives are only partially right about woke capitalism, though. Here's what they're wrong about: corporations don't have values. Target isn't selling Pride tees because they support progressive causes, they're selling them because it seems like a good way to increase returns to their shareholders. Individuals – even top executives – at Target might endorse the cause, but the company will only durably support the cause if that endorsement is profitable, which means that when it stops being profitable, the company will stop supporting the cause:

https://www.cnn.com/2023/05/23/business/target-lgbtq-merchandise/index.html

The idea that corporations have values isn't merely stupid, it's very dangerous. The Hobby Lobby decision – which allows corporations to deny basic health-care expenses for women on the basis that a Bronze Age mystic wouldn't approve of an IUD – rests on the ideological foundation that corporate personhood includes corporate values:

https://en.wikipedia.org/wiki/Burwell_v._Hobby_Lobby_Stores,_Inc.

Citizens United – the idea that corporations should be allowed to funnel unlimited funds to politicians who'll sell out the public good in favor of investor profits – also depends on a form of corporate personhood that includes values:

https://en.wikipedia.org/wiki/Citizens_United_v._FEC

There are undeniably instances in which corporate monopoly power benefits progressive causes, but these are side-effects of corporate power's main purpose, namely: taking money and power away from working people and giving it to rich people. That is what monopoly power is for.

Which brings me to ad-tech, "brand safety," and the demise of Jezebel, the 16 year old feminist website whose shuttering was just announced by its latest owner, G/O Media:

https://www.metafilter.com/201349/This-is-the-end-of-Jezebel-and-that-feels-really-really-bad

Jezebel's demise is the direct result of monopoly power. Jezebel writes about current affairs – sex, politics, abortion, and other important issues of great moment and significance. When we talk about journalism as a public good, necessary for a healthy civic life, this is what we mean. But unfortunately for Jezebel – and any other news outlet covering current events – there are vast, invisible forces that exist solely to starve this kind of coverage of advertising revenue.

Writing for the independent news site 404 Media, reporter Emanuel Maiberg and former Motherboard editor-in-chief Jason Koebler go deep on the "brand safety" industry, whose mission is to assist corporations in blocking their ads from showing up alongside real news:

https://www.404media.co/advertisers-dont-want-sites-like-jezebel-to-exist/

Maiberg and Koebler explain how industry associations like the World Federation of Marketers' Global Alliance for Responsible Media (GARM) promulgate "frameworks" to help advertisers automatically detect and exclude real news from consideration when their ads are placed:

https://www.peer39.com/blog/garm-standards

This boycott makes use of scammy "AI" technology like "sentiment and emotional analysis" to determine whether an article is suitable for monetization. These parameters are then fed to the ad-tech duopoly's ad auction system, so Google and Meta (who control the vast majority of online advertising) can ensure that real news is starved of cash.

But reality is not brand-safe, and high quality, reputable journalistic outlets are concerned with reality, which means that the "brand safe" outlets that attract the most revenue are garbage websites that haven't yet been blacklisted by the ad-safety cartel, leading to major brands' ads showing up alongside notorious internet gross-out images like "goatse":

https://www.404media.co/sqword-game-dev-sneaks-goatse-onto-a-dozen-sites-that-stole-his-game/

More than a fifth of "brand safe" ad placements end up on "made for advertising" sites, which 404 Media describe as "trash websites that plagiarize content, are literally spam, pay for fake traffic, or are autogenerated websites that serve no other purpose than capturing ad dollars":

https://www.ana.net/miccontent/show/id/rr-2023-06-ana-programmatic-transparency-first-look

Despite all this, many progressives have become cheerleaders for "brand safety," as a countervailing force to the drawdown of trust and safety at online platforms, which led to the re-platforming of Nazis, QAnon conspiratorialists, TERFs, and other overt elements of the reactionary movement's vanguard on Twitter and Facebook. Articles about ads for major brands showing up alongside Nazi content on Twitter are now a staple of progressive reporting, presented as evidence of Elon Musk's lack of business acumen. The message of these stories is "Musk is bad at business because he's allowing Nazis on his platform, which will send advertisers bolting for the exits to avoid brand-safety crises."

This isn't wrong. Musk is a bad businessman (he's a good scam artist, though). Twitter is hemorrhaging advertisers, notwithstanding the desperate (and easily debunked) stats-juking its "CEO," Linda Yaccarino, floats onstage at tech conferences:

https://www.techdirt.com/2023/10/11/math-problem-for-linda-yaccarino-if-90-of-the-top-advertisers-have-come-back-but-are-only-spending-10-of-what-they-used-to-how-screwed-are-you/

But progressives are out of their minds if they think the primary effect of the brand safety industry is punishing Elon Musk for secretly loving Nazis. The primary effect of brand safety is killing reality-based coverage of the news of the day, and since reality has a well-known anti-conservative bias, anything that works against the reality-based community is ultimately good for oligarchy:

https://en.wikipedia.org/wiki/Reality-based_community

We can't afford to let schizmogenesis stampede us into loving things just because conservative culture warriors have been momentarily tricked into hating them as part of oligarchs' turkeys-voting-for-Christmas project. "Swivel-eyed loons hate it, so it must be good," is a worse-than-useless heuristic for navigating complex issues:

https://locusmag.com/2023/05/commentary-cory-doctorow-the-swivel-eyed-loons-have-a-point/

A much better rule of thumb is "If oligarchs love something, it's probably bad." Almost without exception, things that are good for oligarchs are bad for the rest of us. I mean, this whole shuttering of Jezebel starts with an oligarch imposing his will on millions of other people. Jezebel began life as a Gawker Media site, beloved of millions of readers, destroyed when FBI informant Peter Thiel secretly funded Hulk Hogan's lawsuit against the publisher in a successful bid to put them out of business to retaliate for their unfavorable coverage of Thiel:

https://www.theatlantic.com/business/archive/2018/02/hogan-thiel-gawker-trial/554132/

This, in turn, put Jezebel under the ownership of G/O Media, who are unwilling to pay for a human salesforce that would – for example – sell advertising space on Jezebel to sex-toy companies or pro-abortion groups. G/O has been on a killing spree, shuttering beloved news outlets like Deadspin:

https://deadspin.com/this-is-how-things-work-now-at-g-o-media-1836908201

G/O's top exec, an oligarch named Jim Spanfeller who answers to the private equity looters at Great Hill Partners, is bent on ending reality-based coverage in favor of "letting robots shit out brand safe AI-assisted articles about generic topics":

https://www.msnbc.com/opinion/msnbc-opinion/ai-articles-disinformation-future-g-o-media-rcna95944

Three quarters of a century ago, Orwell coined a term to describe this kind of news: duckspeak,

It was not the man’s brain that was speaking it was his larynx. The stuff that was coming out of him consisted of words but it was not speech in true sense: it was a noise uttered in unconsciousness like the quacking of a duck.

When investors and analysts speak of "content" (rather than, say, "journalism"), this is what they mean – a warm slurry of platitudes, purged of any jagged-edged fragments to render it a perfectly suitable carrier for commercial messages targeted based on surveillance data about the "consumer" whose eyeballs are upon it.

This aversion to reality has been present among corporate decisionmakers since the earliest days, but the consolidation of power among large firms – ad-tech firms, online platforms, and "brands" themselves – makes corporate realityphobia much easier to turn into, well, reality, giving advertisers the fine-grained power to put Jezebel and every site like it out of business.

As Koebler and Maiberg's headliine so aptly puts it, "Advertisers Don’t Want Sites Like Jezebel to Exist."

The reason to deplore Nazis on Twitter is because they are Nazis, not because their content isn't brand-safe. The short-term wins progressives gain by legitimizing a corporate veto over what we see online are vastly overshadowed by the most important consequence of brand safety: the mass extinction of reality-based reporting. Reality isn't brand safe. If you're in the reality based community, brand safety should be your sworn enemy, even if they help you temporarily get a couple of Nazis kicked off Twitter.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/11/ad-jacency/#brand-safety

[cheriladycl01]

Billion Dollar Baby - Grid x Billionare! Reader x Lewis Hamilton (Rom) Part 1

Plot: Girlie loves Formula One, but she also loved Chaos and Drama so she offers the FIA/ the F1 Teams 300 million to do a race … for her under her rules!

As a billionaire with a net worth of over 90 billion pounds to your name and your name alone and having multiple stable corporations and investments in loads of different sectors and having donated overly generous amounts to charity, you couldn't help but start to find more interesting ways to invest your money.

You had 7 homes, all around the world completely paid off with about double the amount of cars, whether they were super cars, vintage cars or personalized cars. A private jet, 3 vacation homes and an island.

You lived a lavish life but you worked extremely hard for it, there wasn't really a moment you weren't working.

But you had your hobbies, the theatre (specifically WestEnd), travelling (when you had time away from work) you'd been really getting into sport.

Particularly F1 was an interest of yours. You'd put forward money into McLaren and given them upgrades from your various companies both tech wise and team wear wise.

But you were so intrigued with the sport and the difference from F2.

In F2, the cars were pretty much all the same and it was fully on driver capability. Whereas in F1 you could be a cracking driver but depending on the team you were in you were in a shit box car.

And that's why you were now currently stood in the paddock at Silverstone.

You'd proposed ... to the FIA a race, where you'd pay for driver - team switches that you could choose and run it as a charity event so any tickets sold went to charities chosen by the drivers.

And everyone loved it. I mean why wouldn't they. It wasn't like the teams were loosing out on money because you were paying them to build another car and for the drivers it was just a bit of fun to experience another car.

So here you were, in front of 20 drivers, 10 team principles, some CEO's of the teams, some FIA representatives and some media personal.

"Hello everyone!" you smile awkwardly. Even though you'd done presentations in front of many many people this felt really daunting to you.

A chorus of mumbles and hello's back to you occurred before you stand there awkwardly. Someone was supposed to introduce you, that's what you were told when you first got here but no-one was attempting to come up on stage to help you so you just laugh.

"So apparently no one is coming up to introduce me... so erm if you don't know who i am I'm Y/N Y/L/N and I've proposed money to each of your teams and the FIA to create a charity race where I switch drivers into different cars... Formula 1 really intrigues me to see how you all are naturally talented drivers and that the car really does matter... and i think it will be really interesting for the fans. It's a great opportunity for the teams and drivers to make special merch and special helmets and I just think as drivers it will be a really great experience for all of you!" you grin and there was mumbles questions thrown at you till you PR manager came up next to you to calm everyone down.

"One at a time please!" he says in his gruff masculine voice.

"Are you choosing which teams we go to?" Lando asks first, and you nodded.

"Are teams making a different car? Or?" he asks and you shake you head.

"Teams will rebuild the exact car that they have now. It will just be other drivers inside the car. Do you guys want to hear where you'll be?" you ask and a chorus of agreement flows through the room.

"Okay, so first up our two Red Bull Drivers. Current Champions of both Constructor and Drivers. Max Verstappen, you will be going to Williams. And Sergio Perez you will be going to Haas!" you start and gasps surround.

"So we aren't staying with our current team mate?" Lewis asks looking over to George.

"Okay, as for the current Ferrari Drivers, Charles you will be going to McLaren and Carlos after your announcement of joining Nico in Sauber for 2025 i thought it would be fun to give you a ... test run so you are going to Sauber!" you cheer and they both nod.

"Okay then for my McLaren boys I got Oscar to Ferrari and Lando to ... Red Bull!" you grin and Lando looks down with a laugh and shake of his head. Being a McLaren sponsor meant you spent a lot of time around the paddock with the pair of them.

"Next our Mercedes men, Lewis will be joining Max in Williams" you smirk making Lewis shake his head, you'd always liked teasing Lewis having had a relationship at one point and ending on good terms due to work stresses and struggles.

"And George will be in Aston Martin!" you smile and he nods.

"As for Aston Martin, Fernando you'll be driving alongside Carlos as a Spanish Duo in Sauber and Lance well your dad offered me money to put you in Red Bull but thought that wasn't the spirt of the charity event so Alpine for you!" you grin and you can tell some of the drivers, including Lance are trying not to laugh.

"Visa Cash App Racing Bulls, fuck me that's a mouthful erm Dani Ric you my friend are going to ... Aston Martin nice one and my favrioute driver ... sorry Lando and Oscar but he's literally my son ... Yuki my love you'll be in Red Bull with Lando!" you smile and he fits the air happily before nodding at you in thanks.

"Nico, Kevin Haas hasn't actually been all that bad for you guys this year. You've had great drivers however ... Kevin to Mercedes and Nico to RB!" you smile.

"Williams duo. You guys will be moving up. Logan i think you'll really really suit Ferrari red and Alex you better like Papaya coz you'll be joining Charles in McLaren!" you smile and Logan's face lights up being in a top team. This was really his opportunity to prove himself and that he was a great driver.

"Alpine ... not been an easy season for you guys unfortunately ... Pierre you'll be joining Mercedes and Esteban you'll drive for Haas"

"And finally our Stake Sauber whatever your team name is called will be moving ... Zhou to Alpine and Valtteri to Racing Bulls!"

"I hope this interests you all and you are all excited for the race in two months!" you say and you stay behind talking to some of the drivers until one is left.

"Hey baby" you smirk at Lewis as he leans against the door frame.

"I don't think I'll ever get over you calling me baby" he smiles softly and you smile back.

"Of course you wont ... baby" you grin.

"I'm excited for this race but I can't believe you .. put me in a Williams!" he exclaims and you just laugh before flattening out the lapels of his blazer before looking up at him.

"Cant make it easy for you, I wanna see you fight. You've lost your spark Lew!" you sigh looking over him.

Yours and Lewis relationship came to and end in 2021, just after he'd lost the championship. Said he needed to be more focused on his career. Baring in mind you'd been dating for 5 years before that.

"I-I know, it's not been the same since ..." he trails off and you nod.

"Since Max won... I know!" he smile at him, rubbing his shoulder, but after hearing you he takes a step back.

"No, since we ended things!" he sighs and you look over him in confusion.

"Lew..." you start and he shakes his head.

"I know it was mutual, but you were it for me. You ... you still are Y/N. I want you back and I know you aren't ready right now but you are the one thing i will and always will continue to fight for, fuck another championship ... fuck even another race win. I want you back though and I promise you i'll prove it!" he says looking over you, tears filling in your eyes as he pulls you into his chest, hugging you while stroking your hair.

"Ohhhh Lewis, what are you doing to me..." you laugh, because if you don't you'll cry.

"I'll see you in two months Lew!" you smile and walk out the door. He looks a little gutted your leaving but you need him to prove that he'll try.

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @daemyratwst @lauralarsen @the-untamed-soul @thewulf @itsjustkhaos @purplephantomwolf @chasing-liberosis @summissss @gulphulp @starfusionsworld @jspitwall @sierruhhhh @georgeparisole @youcannotcancelquidditch @tallbrownhairsarcastic @ourteenagetragedy @peachiicherries @formulas-bitch @cherry-piee @spilled-coffee-cup @mehrmonga @bigsimperika @blueberry64857959 @eiraethh @curseofhecate @alliwantisadonut @dark-night-sky-99 @i-wish-this-was-me @tallrock35 @butterfly-lover @barnestatic @landossainz @darleneslane @barcelonaloverf1life @r0nnsblog @ilove-tswizzle @laneyspaulding19 @malynn @viennakarma @landosgirlxoxo @marie0v @yourbane @teamnovalak @nikfigueiredo @fionaschicken @0picels0 @tinydeskwriter @ironmaiden1313 @splaterparty0-0 @formula1mount

[paper-mario-wiki]

Ok I usually agree with you on things but even as someone who didn't like tadc, I don't see the issue with selling merch?? Lackadaisy, hazbin/helluva boss, monkeywrench, literally almost every indie project does that, it's how they get a good amount of their funding, why is that itself an issue?

alright this'll be the last question i answer on it because we're officially at the point where people are saying "oh yeah, well what about this?" in reference to stuff i already spoke about, so i'll use this as a summary:

I was asked what I think about The Amazing Digital Circus a few weeks ago, and as a show, I think it's pretty inoffensive. I think the premise and character design is pretty generic, and I think the plot is definitely trend-riding, but ultimately the pilot had some funny jokes and pretty good visuals.

I added an addendum later on to follow up in saying that my perspective has shifted to one of disdain, because I'm sick of seeing it everywhere, and I'm tired of people saying it's already a masterpiece despite the minimal legwork it has put in so far as a story. This is compounded by the fact that the studio company behind it, Glitch Productions, is being unrelentingly commercial with it, to the extent that there was merch designed and available the same day the video itself went live, especially since the pilot itself was never even set to get a sequel, let alone a "series", despite the fact that it is being advertised and sold as a series. This left a bad taste in my mouth, as in my eyes it's become a pretty hollow flavor of the week fandom with a hype culture that people are conflating with actual quality.

Someone asked about the nature of the "no confirmed episode 2", which I later provided some context for in the form of a screenshot from an article where staff of Glitch Productions came forward and said pretty unambiguously that there wouldn't be more episodes unless people bought enough merch. This isn't a horrible sin by itself (Toby Fox famously sold merch for a demo of Deltarune), but the fact that merch sales are being treated like a crowdfunding campaign, with the threat of cancellation very unambiguously behind the "encouragement to buy merch in order to help greenlight the show", is a tactic that feels gross to me. Crowdfunding itself is okay, but the fact that there is no set goal in place, no "if we sell x amount of shirts the show will be get an entire season!" or anything like that, sounds a lot like "if you do not buy enough acrylic charms and tshirts then this show you like will not continue. how many have to be sold? we'll let you know when we reach the goal".

That is, in its entirety, the discourse, AKA my opinion that people kept asking for clarification and justification for. I personally really don't like The Amazing Digital Circus for its lack of depth combined with its ruthless commercialism. I find it repulsive in that way. That's it.

[oldtvandcomics]

Either that, or, my guess, absolute silence. The general public has no idea how copyright law works, no need to tell them! So I don't think they'll say anything. I can imagine them cracking down on artists who dare to sell merch with the wrong Mickey design, though. Just to make sure that people still don't feel safe using it, even though they are legally allowed to.

A prediction: Disney will make a whole big show of ~graciously~ "sharing" Mickey Mouse with the world so they can pretend Mickey becoming Public Domain is something they're doing out of the kindness of their hearts because they want people to have fun and be creative, instead of something they're being forced to do after delaying it by spending billions of dollars paying off congress to let them keep the rights for so long by destroying the public domain for generations.

[bananielle]

• tldwtr — watch this video.

i’ve gotten a couple asks regarding my stance on the riize boycott and i’m here to say i’m in full support of it, and will be partaking. i’m unfollowing them on all platforms, i will not be streaming their music or watching their content, i will not be buying any albums, merch, etc., and i left their weverse. and like i said before, i won’t be writing for riize for the time being.

riize is seven and will always be seven. i love the boys so much and i believe they deserve to live their dreams in peace together, and be under a company that puts them first. one that protects and respects them. the reason i’m boycotting is because they mean so much to me. it sucks to see them suffer under sm and i’m not just going to be on the sidelines and be complacent. they deserve better treatment.

i know a lot of people use the argument that they’ve suffered enough or that they need our support, and that’s just laziness in my opinion. our support is the boycott. you say you’re sad and upset for them and that they deserve respect and the mistreatment should end…where is the action to back that up? how are you going to say that, then continue to stream their music and interact with their socials? that will show sm that no matter what they do, people will still consume their content — and to them, any engagement is better than none. they’ll take anything even if it’s under the wrong circumstances.

grow a backbone, please. think a little harder about why this is happening in the first place. we have a chance to make real change for riize and for the k-pop industry in general. be loud or don’t say anything at all.

[waywardstation]

will you ever put anything for Kamado up on your shop? cant find anything for the old man anywhere lol 😭 if no, ive noticed that some people turn their art into acrylic stands, would you have any advice with that at all? :)

Hello!

Yes I plan to! He’s set to be in my second set of PLA keychains/stickers, along with Cyllene, Irida, Adaman, and Professor Laventon. I only have Irida and Adaman’s flats done however, the others are only sketched.

I also have a series that I am making of small, connecting keychains. There will be magnets in the hands, so that you can have them hold hands and make a train!

I also have Warden Ingo, Akari, and Rei done for this series. But I plan to draw other characters (and their pokemon), and Kamado is one of them ^^

And in general, here are some previews of other things I have planned that are past the sketching stage! The subway boss team pins and pokeshi doll wooden charms have many more sketched out, but I’ve been too unwell to draw them. I hope to finish them for January.

This Ingo and Akari asset is one of several old drawings I have wanted to reformat better for stickers, and maybe keychains, and sell all together a set. I also have to finish the others but haven’t been able to. But I want Uncle Ingo merch haha

AND as for turning your art into acrylic stands!! I recommend checking out Vograce, and their selection of standees ➡️here!!⬅️

Each standee’s page has a set of instructions to follow, and usually have downloadable templates for you to follow when creating merch. (If it doesn’t have a template, most likely you can just submit a flat drawing as is!)

I am certainly open to explaining more in-depth if you’d like, but besides recommending you draw art meant for physical merch in CYMK colors, and drawing in at least 1000x1000 pixels, vograce’s instructions and templates can be pretty straightforward :)

I just feel like I should mention, I’ve usually had overall good service with vograce, but there is always a risk, like with any company, that artwork doesn’t translate the best due to error, or products are damaged. If you show them any errors that were made to the product or anything that differs from any proofs they would send to you for approval, they should offer to replace it.

Thanks for the ask, anon!! ^^