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mr880fan · 1 year ago

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Flash Mob Robberies Aren't "Just Kids." They're Organized Crime.

If you"re new here, you may want to subscribe to my RSS feed. Thanks for visiting! (Psst: The FTC wants me to remind you that this website contains affiliate links. That means if you make a purchase from a link you click on, I might receive a small commission. This does not increase the price you'll pay for that item nor does it decrease the awesomeness of the item. ~ Daisy) Author of What to Eat When You’re Broke and Bloom Where You’re Planted online course There’s an epidemic spreading across America, and it isn’t the one the mainstream media is talking about. It’s the epidemic of flash mob robberies. This is not only causing problems due to the violence and trauma inflicted on those present during the event. It’s also driving up costs even further in a nation facing unprecedented inflation. According to Loss Prevention Magazine, each event costs retailers approximately $700,000 for every billion dollars in sales, and it’s happening almost daily. A lot of people seem to brush off flash mob robberies as a bunch of kids who got together through social media getting out of hand. But they’re symptoms of a bigger rot: organized crime and neutered criminal justice policies that are spreading across our country fast.

What’s a flash mob robbery?

If you haven’t heard of these, you may be wondering what a flash mob robbery is. A flash mob robbery is a form of organized crime that occurs when groups of people suddenly enter a store, steal as many items as possible, and vanish as quickly as they appear. For those around them, it’s often terrifying and disturbing. The schemes are usually thought out via social media and executed within a matter of minutes. The groups typically disguise themselves by wearing masks, hoodies, or gloves. Often, aggressive behavior is used and causes those who are present great distress. The trend began in California, but it’s important not to think, “Oh, I’m safe because I don’t live in California.” It’s beginning to spread outside of the state because of several reasons. 1.) Nobody stops them. People in retail outlets just stand back for their own safety. (Most locations require employees to do this.) 2.) On the off chance the criminals are caught, they’re generally released within a matter of hours because of bail reform. It may just be a big city problem right now, but I am certain we’ll see this spread more and more as the criminally inclined – or even younger folks in general – see others getting away with it with no consequences. Best Buy has previously cited organized retail crime as the reason their profits have continued to dip.

It’s not just kids out for kicks.

Before we start dumping on the younger generation, however, it’s important to note that, in many cases, this is organized crime. According to the GVWire: The flash mobs are usually organized by local people who recruit their crews and send them to steal specific merchandise requested by criminal organizations throughout the country, said Ben Dugan, president of the Coalition of Law Enforcement and Retail. Those who do the stealing get paid between $500 and $1,000 to take as much as they can and bring it back to organizers who ship it to other parts of the country. “Crew bosses organize them, they’ll give him the crowbars, and in some cases even rent them cars, or provide them with escape routes or a list of products to actually go out and steal. It looks very chaotic but it’s actually very well organized,” Dugan said. The flash mobs are a symptom. The organizers are the illness.

It’s not just high-end luxury stores either.

The Los Angeles Daily News cited a podcast when explaining the issue in a recent article. However, according to the National Retail Federation, high-end stores with luxury items represent the minority when it comes to targets for organized retail crime. “(Organized retail crime) groups also target everyday consumer goods,” David S. Johnston, vice president of asset protection and retail operations with the federation, said in a video the organization made on retail crime. “They have a preference (for) goods of lesser value with an increased resale value.” Some then sell the stolen merchandise to individuals or a group, called a “fence” by law enforcement, through online marketplaces, swap meets or seemingly legitimate businesses, CHP officials said. The buyers may or may not be aware the items they purchase were stolen. The LADN continues to explain: LAPD has dealt with groups of high school kids overwhelming convenience store clerks for several years, but said these flash mobs are well-planned and organized. “They’ve cased it out, they’ve looked at it, they get it over with quickly,” Pitcher added. “It’s different from the thrill of doing it for public consumption.” Organized retail crime rings target items that are difficult to track and are easily resold. Stolen items such as Tide detergent, baby formula, cosmetics, Louis Vuitton handbags and vitamins that once were hawked at flea markets or street corners are now fenced online by gangs to raise money for their activities, said Rachel Michelin president and CEO of the California Retailers Association. “What we are seeing is more sophistication,” Michelin said. “We see a lot more recruiting; they recruit street gangs, the homeless. They will pay them 100 bucks to go in and steal.” In many cases, the suspects – almost all wearing hoodies and masks – have been in and out in between two and four minutes, Pitcher said. Police are also learning most of the getaway vehicles are either rented under fictitious names, or “cold plated”, meaning they’re affixed with license plates that don’t match the vehicle’s registration, most likely because a thief has stolen a license plate off another car. Store security isn’t really much help, as the numbers are so overwhelming, and they are restricted by laws that don’t allow them to use force in the protection of merchandise. Bystanders, whether they’re store staff or shoppers, are encouraged by law enforcement and management to “be good witnesses” and not do anything to prevent the thefts.

What can be done?

Until these crimes are prosecuted and the organizers sniffed out, there’s little that can be done to prevent the ongoing spread of flash mob robberies. Weak policies that allow criminals to leave after being arrested with zero-dollar bail offer little in the way of deterrence. Mall and retail security experts David Levenberg and Ben Dugan, president of the Coalition of Law Enforcement and Retail, talked to The AP about it: “Crew bosses organize them. They’ll give him the crowbars, and in some cases even rent them cars, or provide them with escape routes or a list of products to actually go out and steal. It looks very chaotic, but it’s actually very well organized,” Dugan said. “We’re not talking about someone who needs money or needs food. These are people who go out and do this is for high profit, and for the thrill,” he said. In some cases, though, the thieves may be copycats rather than people working with organized networks, Levenberg said. He said the thieves may be thinking: “‘Did you see what happened in San Francisco? Let’s go to the Grove and do it.’” And while smash-and-grab thefts are occurring nationwide, Levenberg said cities with progressive prosecutors — like Los Angeles and San Francisco — are especially hard-hit because the punishments for perpetrators are not as harsh as in other cities. “The consequences are minimal, and the profits are substantial,” said Levenberg, founder of Florida-based Center Security Services. There’s not a lot that can be done on the personal end to prevent such crimes. - Retailers are advised not to put expensive goods near windows or exits and to focus employees on keeping customers safe rather than interacting with thieves. - The other important factor is installing district attorneys who are tough on crimes like this. These modern catch-and-release policies don’t work, and we’re seeing what happens when laws are not enforced with enough deterring factors to make people think twice. - The other side of the coin is that you should be careful what you buy off websites like Craigslist and Facebook Marketplace. Those bundles of laundry soap you’re getting for a dime might not be as appealing if you realize they could be stolen goods. If you’re present at a flash mob robbery, think carefully before engaging. Personally, I’m not putting myself or my family at risk to engage with a group of 20+ people intent on stealing someone else’s merchandise. You may feel differently, but it’s essential that you don’t put other innocent people in harm’s way to confront a group of criminals.

What are your thoughts?

Have you ever been present at a flash mob robbery? Have any happened in your state that you know of? What do you think is causing all of this? What do you think should be done to prevent it? What would you do in that situation? Let’s discuss this concerning phenomenon in the comments section. About Daisy Daisy Luther is a coffee-swigging, adventure-seeking, globe-trotting blogger. She is the founder and publisher of three websites. 1) The Organic Prepper, which is about current events, preparedness, self-reliance, and the pursuit of liberty; 2) The Frugalite, a website with thrifty tips and solutions to help people get a handle on their personal finances without feeling deprived; and 3) PreppersDailyNews.com, an aggregate site where you can find links to all the most important news for those who wish to be prepared. Her work is widely republished across alternative media and she has appeared in many interviews. Daisy is the best-selling author of 5 traditionally published books, and 12 self-published books, and runs a small digital publishing company with PDF guides, printables, and courses at SelfRelianceand Survival.com You can find her on Facebook, Pinterest, Gab, MeWe, Parler, Instagram, and Twitter. Source link Read the full article

#aren’t #crime.#flash #FlashMob #FlashMobRobberies #just #kids #mob #news #organized #robberies #rwb #they”re #uncategorized

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sootcloak · 4 years ago

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Crow’s Shadow: Repair Required

The first part of a short, serial-style work I’ve been cranking away at for far too long. This is part one of a (planned) three-part series. You can find the second part, Carrion Circle [Here]. I’ll add another link to the third part once it’s up. Beware of some major spoilers for Stormblood if you’ve not gotten through it yet, and some general spoilers for the MCH quest kinda. Lastly, if you’re a purist when it comes to in-game lore, you should be warned that I take some creative liberties in regards to the character around whom this blog is centered. Also I hate this hellsite’s text post coding, it makes the formatting look so goddamned wrong.

3064 words, featuring Hilda the Mongrel, Rostnthal the Reborn. Centered around a wounded OC, a tense cross-country trip, and the looming specter of a dangerous foe.

Hilda stares with a rare, dumbfounded expression on her face. Curled in a ball on her old, ratty armchair is a familiar, Lalafellin woman. Her sickly, pale skin, greying blonde hair, and scarred face were unmistakable. Vavara had become a common sight around Foundation ever since the gates were opened after the Dragonsong war. Her work alongside the Manufactory and Lord Stephanivian was shrouded in some level of discretion, but it was no secret that she was an expert in Garlean-style magitek.

But the whispered words which surrounded the woman seemed an understatement, if her eyes were to be believed. It was rare to find Vavara out of her usual Company-style overcoats. The few times she was caught out of uniform, she was in battle-ready armor instead. Now Hilda understood why. Her body, small and compact as it is, is almost entirely mechanical. Covered in intricate layers of dull, grey plates and brassy webbings of cogs, she looks not unlike the tools and machines of Idyllshire. Like clockwork muscles and cable tendons, her body is simultaneously relaxed and completely rigid. Here and there, where the metal fades, she can still see skin. Sickly, near-grey, and oddly textured like a doll’s porcelain, but still skin. Tangled in a blanket, eyes shut, and body snoring in strange, buzzing whirrs, it takes a few moments of shock to realize two more things.

First, Hilda hadn’t ever told Vavara where she lives. Nor had she given permission for the huntress to remain with her.

Second, one of Vara’s arms is missing. Just gone. A bare, brass socket lies exposed to the air where it would meet her left shoulder. Hilda glances around, but the limb is nowhere to be seen. There is, however, a note on the end table besides the table. The messy, big letters on the page are of an immediately recognizable hand.

Hilda,

Vavara was out testing one of Stephanivian’s new gizmos last night. Something went wrong, it’s all a bit fuzzy until we can look at the damned equipment, but it blew up in her arms. She soldiered on as well as you’d expect from her, but when we caught up to check on her we found her in shambles. We were all as surprised as you probably are - what with all the metal bits and all. Save for Stephanivian, that is. Seems he was already aware of her illness condition state whatever you call that. She was adamant that she not be seen like this, so we needed a place to keep her where untrusted eyes wouldn’t find her.

So I borrowed a key from Joye and let her in. She should be asleep until tomorrow morning, or at least that’s what Stephanivian says. He’s making replacement parts for her damaged bits, but he couldn’t give me an exact time to give you as to when they’ll be done. I’ll have Joye run over as soon as he has an estimate.

I know it’s a good bit to ask of you, but we all owe her and hers a solid turn. This is a good chance to make good on that. Please look after her for a bit, and don’t let her run off and do anything dangerous, no matter how angry she may look. She’s too busted up, at least based on how we found her, to really argue with you.

Keep her safe for now,

Rostnthal

Hilda’s hands crease the paper, her eyes drifting back and forth between it and the sleeping woman.

“Well shite. There went my plans.”

Vavara’s eyes open to the dim, flickering light of a nearby hearth. Her body hums with angry, buzzing pain. As she takes in a ragged, grinding breath her eyes scan around the unfamiliar room. She can feel the damage all throughout her body. She can feel the way her breathing hitches every three-and-a-half seconds. The way her right arm can’t rotate exactly as it should. The way her eyes won’t focus. Her ears are ringing, ever so slightly.

There’s dust in the air, quite a lot of it. The furniture strewn about the stone room is old, patched, and covered in a thick layer of dust. The armchair she’s nested in leans to one side, one of the legs having been replaced by a few stacked stone bricks. The wood floor is rough, coarse, and looks like the kind which would give splinters just for standing on it. The hearth, a simple stone fireplace built into one wall, is surprisingly clean. The ashes are swept, the firewood is fresh. The fire is painfully bright. The heavy rugs thrown beneath some of the seating in the cramped, dusty living space are all torn and resewn. Her eyes trail to the bare walls, where a series of hangers stand.

Through blurred sight, she can see a leather jacket and a rimfire hanging in it’s harness. From color alone, it’s clear they’re neither Vavara’s old service overcoat or her custom revolver. A wave of cold anxiety washes through her, her feet finding the floor and stumbling towards the door.

She only makes it a few feet. One of her legs crumples at the knee with a disheartening, metallic crunch. She bites her lip, forcing back a whimpering cry before it can rise in her chest. Instead, she takes a few gasping breaths, each huff sounding like a music box turning through broken cogs. Finally, she gets up the strength to push herself up to her feet again.

She dully registers quick, urgent footsteps coming from behind her. A steady, insistent hand finds its way just beneath her arm. The tense springs fused with half-dead, ceruleum-greyed skin have a sickening texture, like that of a corpse held together by staples and rope.

“You’re too hurt to be runnin’ about. Ye’d best come along.” Hilda says, hiding the way her throat closed in a queasy, silent gag. Vavara’s remaining arm twists back, trying to grasp at Hilda’s arm. It clicks and creaks, something inside the joint protesting with quiet, metallic groans.

“Hey.” Hilda pulls and twists her around. Their eyes lock for a brief moment. Vavara’s dull, foggy eyes sparking with a quick moment of recognition.

“Hilda?” Her voice is a surprisingly deep rasp. The grasping hand goes still, it’s steel claw-tipped fingers relax. “Is that you?”

“Who else? Let’s get you back to the chair.” They shuffle back to where Vavara woke. After grabbing an old crate and dragging it in front of the worn armchair, the two sit next to each other. Hilda sucks in a breath, and breaks the brief, momentary silence.

“I imagine things feel a bit rough. Been on the bad end of an explosion once or twice myself. Here, read this. It’ll do some of the explainin’ for me..” She hands the crumpled letter from Rostnthal to her, waiting quietly as it’s opened back up. Vavara’s eyes slowly, carefully track across each messy line of text. When she looks up to Hilda again, the other woman is already speaking.

“Joye came by earlier today, while you were still out. Said parts were being manufactured, but some things needed to be brought in from out the Holy See. It’ll have to get cleared by the Temple Knights, checked for contraband and the like. All said and done, it’ll take about three weeks for them to get all your uh… Parts?” She looks to Vavara for confirmation. There’s a single, quiet nod.

“Yeah, it’ll take about three weeks for them to get all your parts made. Till then, you’re gonna need someone to watch your back, I’d imagine. I know one of your friends has an arrangement with Count Fortemps, so if you’d prefer-”

“No. I’ve no intent on relying upon his charity. I have not earned it.” Vavara’s voice is a steady, rasping hiss. No malice or ill-will is born in the words, just a stubborn, quiet kind of pride.

“It’s not always about whether or not you’ve earned it, just-” The glare Hilda gets before she can finish is petrifying.

“Fine, fine. You can stay here, then. Can’t promise I’ll be here all day, but you’re resourceful, and so long as I get you a cane you could even get around by the looks of it.”

“No.” Vavara shakes her head.

“What? Then where will you stay?” Hilda says, eyeing her up with concern. Vavara’s face is a knitted, frustrated mess barely concealed by her usual stoicism. Her narrowed eyes, knitted brow, and curled lip speak volumes. It was rare for her to emote at all, let alone so clearly.

“I was only meant to be in Ishgard for two days, at most.” A strange, tense note rides in Vavara’s voice. Concern, or outright fear? Hilda hadn’t seen her like this since she’d returned from Ghimlyt, spending days on end beside the Warrior of Light’s bedside, waiting for him to awaken. Guilt-racked and uncertain. When her voice picks back up, it’s a mess of anxiety and fear. Each word comes out faster, not raising in volume but in intensity.

“I cannot stay here. I have to return. I need to-” She stops herself, coming to a sudden and abrupt halt. With a clenched jaw, squinted eyes and a tense neck. she pulls a breath in. The tension does not leave her, resting on her shoulders and in her jaw.

“Thank you for watching over me.” Vavara says, opening her eyes to match Hilda. “I will need that cane. I have a journey to make. Please tell Stephanivian I will return to collect the parts when I am able.”

“Now hold on.” Hilda squares her shoulders. Her eyes unwaveringly stare into Vavara’s.

“You’re barely able to see straight. It took you near a full minute to read through a half-page letter. You had to ask if it was me. I don’t remember looking much like another half-breed.” A potent frustration rises in Vavara’s body, but before it can exit in a shout, Hilda continues, Brume accent kicking into her words as she grows more insistent.

“I’ll be coming with ye. I’ve deputies with the Hounds for this exact kind of situation. And before you try and tell me I’m not, I’d remind ye that I’ve already seen why yer always either in battle-gear or a great-coat. Whatever secrets yer keeping still, ye can keep them. None of my business. But yer health? All the Hounds’ve had their skins saved by ye at least once, meself included. I owe you this much, at least.” Hilda stands as she finishes speaking, walking across the room to wear her jacket and rimfire are hung. She snags them in one hand, turns and gives a confident smirk.

“So let me just run and get that cane.”

She’s out the door before Vara can muster a reply.

Later that evening, the pair stand outside the Gates of Judgement. Vara’s shrouded in her overcoat, her usual brimmed cap pulled tight over her head, greying blonde hair spilling out of it in messy tangles. Beside her, Hilda holds the reins of two birds as they’re hooked up to a small wagon. Some traveling supplies, a small smattering of goods, and some specialized supplies Stephanivian rushed to prepare all sit in nondescript, covered bundles.

“You shouldn’t come with me. You have work here.” Vavara says. For perhaps the first time, Hilda notes how her breath doesn’t make mist in the cold air. She can’t help but wonder if her instinct was right, if the woman she’s known for years now, who’s saved her time and time again, is just a corpse pulled by metal marionette strings.

She casts the thought from her mind.

“And I’ve pressin’ debts to settle with you. It took no small amount of talking to convince Joye not to tell Rostnthal we were goin’. Else you’d have two peepin’ nannies.” Hilda’s forces a grim laugh.

“It’s dangerous.” The statement hits like a sack of bricks. There was little anyone within the Warrior of Light’s circle deemed worthy of such a warning. Least of all the woman who frequently gives him a run for his money.

“Always is.” Is all Hilda can muster in response.

“You should stay. I don’t want you hurt.” The words come out slow, still rasping with that metallic hiss under the wind. Barely audible.

“I can’t protect you.” Vavara’s hand goes to the empty sleeve on her left. She looks up with foggy, dull eyes. Were they always so dim? She’s one of the Dunesfolk, aren’t their eyes supposed to be like glossy gems? Again, she casts the thought away.

“Please. Stay.” Vavara’s words sound pleading.

“Eh- ‘Ilda?” A deep, rumbling voice smashes the growing anxiety in Hilda’s chest. Heavy, crunching footfalls grow louder from behind. Both she and Vavara turn to look at a familiar, salt-stained face.

“An’ it is!” Rostnthal reaches them in no more than three strides, his excitement plain on his face.

“An’ Vavara’s ‘ere too, I see.” He briefly glances to the cart, still being loaded.

“Ye headin’ somewhere?” It’s not really a question. His eyes fall onto Vavara’s. “Ye sure yer fine to be travelin’?”

She nods.

“Good!” He guffaws, a single loud bark of a laugh. “If yer good enough to be out-n’-about, then so am I! I’ll keep with ye. After all, it was cuz I was too drunk to test the prototype cannon that you ‘ad to. I get hurt like that, chirugeons patch me up over a couple nights. You?” He gives an awkward, knowing shrug.

“So, it’s my fault yer in this mess. I’m comin’.”

It isn’t really negotiable. Even as Vavara’s takes a rattled breath to retort, he’s already stepped up into the cart proper.

The chocobo-hand stands up from besides the cart,

“All good to go!” He shouts over the wind.

The three step up, and Hilda spurs the birds on towards Gyr Abania.

“Ye packed some booze, yeah?”

Vavara shakes her head. The groan he makes can be heard from the Gates.

Rostnthal’s voice echoes along the snowy paths of Coerthas, oft-untrodden paths suddenly as lively as a back-alley bar. He’s taken mindful, measured swigs of his flask. He snagged some few supplies from Dragonhead at a painful price, but he had very little considering the length of the journey. Sensing the growing tension, Rostnthal had sung every diddy he knew at least twice from his spot lying in the back of the cart. He’d sung the one about the slaver at least four times, and the one about the Admiral more than eight.

“So what’s all the urgency about?” Hilda’s question breaks through the bars of off-key song.

“I left someone in the wild mountains, where I take my rests between work. He is unskilled, though his training has shown promise. An old enemy of mine resurfaced during the Ala Mhigan Rebellion, and has since been hunting me, and I him. Should I leave my student in one place too long, he’ll be found. And he’ll be killed.” Her words are clipped. Rostnthal’s singing stops.

“Y’took an apprentice? So the ever-cold Lady Ashenheart does have some warmth left in ‘er.” He sounds genuinely perplexed. “An’ here I thought ye were all business and bad blood with the Empire. Rumors’d’ve me believe ye’d never have time for teachin’.”

Her gaze towards him could curdle milk. He just laughs his guffawing laugh, gently slapping her good shoulder with one hand.

“My strength comes at a cost, unlike that of my peers. It requires that I rest for long periods of time after difficult excursions. In recent times of repose, I took to training three such students in total. Two of whom have long passed beyond a need for my guidance, if they ever truly did need me at all.We have not spoken in some time, I have no fear for them. The man who hunts me will not seek them. My current student, though, is untrained, reckless, young, and a danger to himself more than his opponents.” Her voice lapses in and out of nostalgia and strict concern as she speaks, eyes shutting as she speaks.

“Sounds like a handful of a kid. An’ this ‘unter. Ye think he might meet us there?” Rostnthal’s voice dips into a grim resolve.

“I do.”

“Care to share, or are we just going in blind as newborns?” Hilda says, eyes locked on the road and her surroundings. The sun is low, and shadows stretch across the road cast by trees and stones and looming mountains. It will be dark soon.

“His name is Llain. He and I were once… Compatriots. He is possessed of a strength similar to mine. I will admit freely, he is better suited to it than I have ever been. He took to steel, ceruleum, and magitek as a bird does to flight. He has done so more safely, and more efficiently, than I have. We have not crossed blades directly for too long, to make any assumption on his methods now as opposed to the man he once was would be dangerous. All I can say is this: A direct confrontation is something we will not win. He is a worthy and cunning foe for even the mightiest among us.” Vavara says. Each word is slow, methodical.

“So we just grab the kid an’ make dust?” Rostnthal thumbs at the cap on his flask, glancing up at Vara with his good eye. She just nods. It’s enough.

Vara’s hand rests uneasily on the grip of her revolver. In her nostrils she can smell smoke and oil and flame. In her eyes, though snow and tree and stone race past her, all she can see is a burning Castrum and a vengeful shadow in the fire.

How simple her escape felt then. How powerful those first, few, small implants made her feel. Her clockwork muscles tense. Perhaps if she’d been more careful. If she hadn’t allowed herself to become so gravely wounded so frequently, she would still-

A tap on the shoulder shakes her out of the old memory. She looks up at Hilda, whose eyes are still locked forward.

“We need to go through the night, or should we rest?” She asks, tone all business.

“You rest. I’ll drive.” Vavara answers. Hilda just groans, before stepping awkwardly, carefully into the back next to Rostnthal and snagging a fur blanket from one of the many bundles.

Rostnthal waits a while, and then starts to sing again. Fewer lively, old tavern diddies, and more of the songs skalds would sing when night came to call.

#ffxiv #ffxiv creative writing #aegis' writing archive #Vavara Ashenheart #vavara kir vara #llain rem corvis #hilda the mongrel #rostnthal the reborn #this whole project is very self indulgent #but seeing as i dont have anyone to rp with right now i'll indulge as much as i want #i really need to get vara's character bio up on this site but tungl is just the wooorst when it comes to formatting and linking things up #one of the big issues with vara in her current state is that there isnt a great spot to really introduce her story from #it's either at the beginning or in-medias-res and that has caused some issues.#it's why her rp's have moved so steadily towards being either an antagonist or mentor #her state and nature doesnt have to be explored nearly as much in those cases - she's allowed to just be

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dereksmcgrath · 3 years ago

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I had said before that the number 108 can be unlucky. It wasn’t unlucky at all for My Hero Academia: Vigilantes. But 108 is kind of unlucky for this episode: not only are we focusing on the Villains, but we just aren’t giving their story the structure and emotional weight it deserves.

(I either opened with those remarks or just made a bunch of corny jokes about how “Meta Liberation Army” can be abbreviated as MLA--and I’m saving those jokes for a future review.)

“My Villain Academia,” My Hero Academia Episode 108 (Season 5, Episode 20)

An adaptation of Chapters 220, 221, 222, 223, and 224 of the manga, by Kohei Horikoshi, translated by Caleb Cook with lettering by John Hunt and available from Viz.

My Hero Academia is available to stream on Crunchyroll and Funimation.

Spoilers up to My Hero Academia Chapter 325.

When I teach literature, I refer to the plot as a problem: it is something that the protagonist is trying to solve. This problem can take various forms, but it is often as an antagonist that the protagonist confronts. When this episode has the Doctor refer to a “villain” as someone “who turns nonsense into action,” that’s kind of the point: the villain is here to get the plot rolling. Without them, you don’t have a hero, you don’t have a story.

It has been long accepted by a lot of fans and scholars that superheroes tend to uphold the status quo. I think the first time I gained awareness of this popular argument--although likely not the first time I encountered it--was Dr. Horrible’s mangled remark that “the status is not quo.” More recently, however, I have been reading academic books on superheroes, and not only does that argument persist--that superheroes represent law, order, and upholding traditional norms even in the face of new evidence or out of sheer obliviousness to the need for systemic change--but the argument has become that, if a superhero story does not have the heroes doing something to effect systemic change, then it’s not a good story. I may be misunderstanding that argument, but if I don’t, then it’s not an argument I can stand behind.

The argument is that superhero stories tend to reduce complex issues to having avatars for each side of the issue--the good guy and the bad guy--get into a fight, where we are focused on the spectacle rather than on seeing actual people engaging in the actual work needed to address problems not on the individual level--again, one good guy physically fighting one bad guy--but on a larger scope.

I am oversimplifying this argument, as even those same scholars will point out that, initially, of course there were superhero stories that had the protagonist taking the fight against the system. Superman is one of the ones named most frequently, whether in his initial comic book premiere doing what police and media would not to face down a corrupt senator (a sign of things to come in his later fights with Luthor and in Justice League Unlimited) or fighting the Klan (in the meta sense, fighting their analogue on the radio show and, more recently, literally in the comics). It kind of makes Superman look like one influence on the Peerless Thief in My Hero Academia, but we’ll get to him far later in these episodic reviews.

Even with that exception of Superman, it’s not hard for me to agree with the argument that heroes prop up the status quo. That has been the plot point for My Hero Academia and why this war against the villains has been incoming: a system that depended on just All Might, now depending on a wife-beating abusive father like Endeavor with his crimes not popularly known, has a level of corruption that cannot stand up with just one man’s shining example of honest goodness and integrity to be the Symbol of Peace. It was why I appreciated the manga eventually showing that, yes, there was an entire network of assassins within the Hero Public Safety Commission to keep All Might’s hands clean--and, in retrospect, while Lady Nagant was our first named example, given what Hawks ends up doing to Twice, deadly force may be frowned upon by law in MHA but has to have been something Hawks was told he had legal authority to do. (Also, as I will never stop pointing out, Endeavor unintentionally and unknowingly killed another Pro Hero in Vigilantes, and we’re just supposed to pretend that was fine.)

But going back to this academic argument, about how superhero stories tend to stick to one-on-one battles and don’t let the heroes effect systematic change, I’m ambivalent. There have been a range of superhero or superhero-adjacent stories that have the protagonist making on-page, on-screen, obvious work to not just get into fisticuffs with the bad guy. I already pointed out Superman’s first appearance and his fight against the Klan. I can also identify other examples, some hamfisted like Captain Planet, others more nuanced like Korra reaching out to Kuvira in The Legend of Korra. While the scholarship I read bristles at the idea of reducing these fights to just avatars for good and evil, I shrug and say that kind of comes with the territory of a superhero story. I hate justifying tropes: it’s like saying “this fanservice is acceptable because that’s part of the genre”--which leads to its own set of problems, especially when I hear fools defending sexualized fanservice that is just not needed for the story and is abusive by gender and representation. Heck, The Brave and the Bold animated series had Equinox and Batman battle as giants representing the avatars of chaos and order--which is confusing enough, with Equinox having a vaguely yin-yang motif that debunks any clean separation between chaos and order. And yet, here I am, arguing that this kind of fanservice of a hero and a villain beating each other up is to be expected: you have a debate about ideals of what a hero should do when you see Iron Man and Captain America each representing a side in a fight, whether the poorly handled comic book Civil War or the better film version, and even then, that film also lets the individual personalities get in the way of saying anything meaningful about government oversight and individual agency, ideas better handled in that other Captain America film, The Winter Soldier, and even then that film also gets stuck in just being about Steve and Bucky’s relationship.

All of this is me saying that, when you add a superhero to the fight, you’re going to feel disappointed that almost nothing systematically changes in its setting, not only because, as I’m hinting, these are stories about individuals fighting each other and not stories about the individual against society or nature, but also because a superhero can only change so much of their world for the better before that world no longer looks like our own or a new societal problem has to emerge to create the problem that is the plot itself for wherever the story goes next. Once a hero makes the setting into a utopia, either a new problem emerges to show the fiction of that story and that a dystopia is always married to a utopia, or the utopia is revealed to be hollow (Shigaraki’s word of the day) and fake. My Hero Academia already showed the utopia of a world where people get to live with their Quirks is fake, not only by (largely necessary) regulation of those Quirks but also, as we’ll see more with Spinner, Compress, Toga, Gigantomachia, and others, looking different, or being socially aware, or having disabilities, or being the “wrong” size, excluded you from that society.

What I’m trying to say is that, once you add superheroes into a story to fix the problem, you can’t show what systematic change looks like. How do you write a story where it makes sense that no hero came to save Tenko Shimura from becoming Tomura Shigaraki? What’s a story like My Hero Academia supposed to do to show the problems with a society, if you have superheroes who can fix those problems by beating up the bad guys?

Solution: You have the bad guys beat each other up.

In this corner, the League of Villains, people who were made outcasts because they did not fit in--which reveals the flaws of a society that is not accepting people who may not be able to change their past or their bodily conditions.

And in this corner, the Meta Liberation Army--which reveals how society breeds people in business, media, and politics who abuse laws and societal norms to elevate themselves and create a social Darwinist nightmare.

Granted, these are some foolish schmucks for starting up this fight in public, but I’ll address how the MLA just doesn’t work in a later episode review.

But for now, let the fight begin. No matter who wins, at least we see how society at large allowed these Villains to emerge--and we can either see All For One’s dictatorial forces get wrecked, or see Re-Destro’s fascistic oafs get wrecked.

Unfortunately, no matter who wins, the Pro Heroes are going to lose, too.

I am overly impressed with myself for realizing all of this. And I say “overly” not only because this is arrogant of me but also because I’m pretty sure just about every other person following this series already came to this conclusion: if you want to show actual systematic change, you have to show what the villains are up to, because they are the ones showing the holes in our society that need to be fixed. Either a villain exploits those holes to cause damage to people, or the villain is themselves representative of unfairness in the system and, by breaking the law to save themselves and others, are unfairly maligned as villains.

That being said, I’m not a big fan of the “[Insert villain’s name here] was right” arguments. Yes, Magneto is justified in his goals and ethics, and the debate is the means he takes to them, so his existence is to show why the X-Men are screwing up and need to be more radical. Yes, Killmonger is right that Wakanda’s isolationism is reckless and allows for travesties to persist, but his choices are largely out of individual desire for vengeance, so he’s an example that T’Challa can follow. Taken too far, though, and you get people who preach anti-establishment notions without having an alternative or are just trying to sound edgy rather than actually pointing to the actual problem: it’s someone who celebrates the Joker without recognizing that, no, you don’t want to be that asshole, or who celebrate villain-turned-hero Vegeta just because he looks cool and without appreciating what steps he took to change and what fall he experienced before he got to the point of being a villain.

In all these cases, if done poorly, you have the same tired trend of a villain existing only so long so that the hero changes for the better. It’s as tiresome as I unfortunately sometimes feel reading post after post celebrating how complex and sympathetic the League of Villains’ members can be when, still, a lot of them are just assholes using empty excuses to defend atrocious behavior (primarily, just All for One) or, for the most part, are people put into desperate situations (Shigaraki, Toga, Spinner, Dabi, Twice) who are doing the best they can (Twice, Spinner) even if their actions are not defensible (Toga) or also out of line (Shigaraki) due to their own refusal to seek the legitimate help they need to work through their issues (Dabi).

It’s hard to read posts online calling the League members sympathetic when we have not had a chance in the anime to know their full story. And as with the slow revelation that this setting is not really as welcoming of people of all shapes and sizes as initially hinted, so too do the villains’ backstories show that they were justified in some actions they took, except for those that led to deaths. Too bad none of that really pops up in a meaningful way in this episode that would rather tease out Shigaraki’s back story, keep dangling the obvious answer to who Dabi really is, and short-sells what should be a meaningful friendship between Twice and Giran but is just dropped as fast as Shigaraki takes off Twice’s mask. Jeez, Shigaraki, that is a dick move to Twice…

But I’m already on Page 4 of this rant, so let’s get to the episode already.

Pulling back the curtain yet again, these reviews tend to follow a pattern. Since I first wrote about the MHA anime, my process would be to first re-read the chapters, then watch the episode in Japanese, then watch the episode in English, so as to retrace my steps in how I first encountered most of these stories, as well as to see any patterns in the production process moving from manga to anime to localization. But with this episode, that practice was made nearly impossible given how prevalent the hostility towards this episode, this arc, and this season have been, especially when a friend shared numerous reactions from other viewers about this episode. Seriously, for all the whining I just did the previous four pages, you could read this person or this person who are much better at explaining why the introduction of Re-Destro to the anime sucks, for more than one reason.

So, I had a different approach: I already had the flaws to this episode shared with me by other viewers, then I listened to the English dub, then I re-read the chapters, then I watched the Japanese dub with English subtitles.

And, boy, am I grateful I took that approach, because this episode is a ton of talking--too much talking. For an anime adaptation that cut so much of Spinner’s Leonardo from Ninja Turtles narration, I’m shocked that they kept the boring parts of his narration and cut the only good parts, including the very opening that had a lot more action and gave us a reason to sympathize with these Villains.

I know I’m a snob regarding animation; I have expressed before how, despite my love for animated works, I tend to appreciate them more for what they do with storytelling rather than the spectacle of the visuals. I really dislike works where the value of the work is in the animation alone: I am here to see a story unfold, and if there is no narrative, no plot, no beginning-middle-and-end, then what I’m encountering is a museum piece, not a work of cinema. (Feel free to bash me for that hot take: I’m still railing against Patty Jenkins’s ridiculous argument from this week.)

And as with most forms of karmic punishment I experience, I pay the price: if I rail long enough about works that are only all about the animation and not the story, then my punishment is an episode where all we get is a lot of story and not much in the way of animation. Yet I can’t even say we got a story here, so much as back story, exposition, needless narration--it’s Blade Runner only bad. As much as I have loved how this anime’s storyboards stick so close to the manga panels, the pan over the League listening to Shigaraki’s vague back story felt like the least interesting way to handle this scene, especially when it excises so much of Spinner coming around from questioning Shigaraki to sympathizing with him. Who would have imagined cutting so much of Spinner’s initial narration and the opening from Chapter 220 would screw up how to adapt Shigaraki’s back story from Chapter 222.

The anime cuts how this arc begins in the manga: Chapter 220 starts with Spinner facing off against an extremist group that hates him for his reptilian appearance--a moment that would have garnered more sympathy from the audience for these Villains than this episode is exhorting. We needed a scene to get behind these villains and agree with them, before we are shocked to hear Shigaraki say what we have long expected, that he just wants to destroy everything and make everyone as miserable as he has felt, to wake us up that, no, you may sympathize with these outcasts (to use Twice’s one-word self-description), but you shouldn’t agree with Shigaraki’s goals. (I know Shigaraki relents somewhat when asked by Toga, but it’s hard to backtrack from “destroy it all” to “destroy it all but not the stuff my friends like.” How on Earth is Shigaraki going to destroy Izuku when Spinner somewhat admires the guy and Toga...well, yeah, best left unsaid.)

While watching this episode, I also was reviewing other topics about anime and manga I’m going to go into more detail about later this month, and one topic of discussion is the assumption that anime and manga, by their visual style and story tropes, especially shojo and shonen, tend to be about big expressions--emotional outpours in words, movements, facial expressions, and actions to more easily communicate what is happening, regardless of context.

I hate to keep repeating “ambivalent” in my reviews (another academic word I need to expunge from my lexicon for a bit), but I’m ambivalent about that argument, that anime and manga, especially shojo and shonen, are better at communicating. If your character is unreadable, that likely has an intentional reason: we don’t get much of a read on the Doctor in this episode, not helped by his mustache and glasses, but we also don’t get a read on what Shigaraki is up to.

This episode only heightens my regard, not just about anime, manga, shojo, or shonen, but in animation and comics at large, that not everything is readable in what a character is planning.

On the one hand, I do agree that visual works tend to make ideas easier to comprehend for some people who can engage with such visual works. As someone who teaches English literature and writing in a United States setting, I use comics in my teaching to cross language and cultural barriers, especially for students for whom English is not their primary language or who are the first in their family raised in the United States. And this teaching approach also helps in reverse: I include manga and anime in my teaching to show how not all details cross language and cultural barriers in a one-to-one correspondence, hence the challenges of translation and localization, and how all of us struggle to make ourselves understood within our own primary language to someone else who is fluent in that language, let alone trying to translate into another language or to present ourselves in a different set of cultural norms.

On the other hand, anime and manga are not a fixed genre. Yes, I agree that the images tend to emphasize big eyes, big expressions, and big motions--but that’s like saying all animation is Looney Tunes, or all animation is Disney, or is Dragon Ball, and so on. Likewise, as I’ve discussed elsewhere, shonen is more than just one type of storytelling, and the same goes for shojo. This arc of My Hero Academia is placing focus, after admittedly far too long, on the Villains as the protagonists--and their behavior pokes holes in the idea that things are obvious, when the Villains are themselves such liars, so crafty, have their own hidden agendas, are keeping secrets from each other. It’s as if their behavior is a commentary on this plot and how BONES is adapting it: the Villains are keeping secrets, so this plot is going to keep its secrets for just who Re-Destro and the Meta Liberation Army are, what their personalities are like, and what Shigaraki and the Doctor have in mind for getting what he wants. We’re even kept in the dark as to Shigaraki’s full back story; we’re in the same position he is, knowing just little bits and able to make assumptions from a handful of visual cues and memories, without fully knowing who the hell Tenko is. Add to that Spinner’s struggles to narrate all of this and to get into Toga’s mind and Shigaraki’s mind, as well as Dabi’s own secrets and agenda with Hawks, and we have a story that blows up the notion that anime and manga are easier for reading a character’s mindset: no, they are not always easier, not when the creators deliberately mislead the audience or keep them in the dark for a surprise.

By keeping so much of the audience in the dark, so that we become aware of how deceitful villains can be, and we are put into Shigaraki’s place of not knowing where he came from. This should be a set of brilliant choices by BONES to adapt this arc in this manner. But the problem is, no, almost none of this gets anywhere close to brilliant. It’s not brilliant--it’s frustrating, because we already know what is going to happen. You can just pull up the manga at low cost with a Viz account and read all of this in the order it was originally presented and get the answers ahead of time. And if you’ve been reading the manga all along, you already know how this arc ends, and you know stuff from the next set of arcs so that you do know already what Shigaraki’s back story is, what Dabi was really up to, who survives, who dies. You even learn more about Compress’s back story--stuff that really should have been hinted at much earlier in the manga, and could have been hinted in this adaptation but as of this episode has not.

Maybe that is why the anime removes Re-Destro murdering his assistant: it’s such an odd moment that it is challenging for me to get a read on Re-Destro, as he alternates in the manga between being very friendly and devoted to his comrades but also violent and heartless.

It may be obvious that I didn’t like much of this episode. I think when I stopped taking this episode seriously was when I heard the voices. Like I said, I tend to start with the Japanese dub first before getting to the English dub. And I have nothing at all against English dubs: I would not be listening to them as much as I have, often first before I ever hear the Japanese, and I would not be a fan of so many English-speaking actors in dubs if I had any animosity to the craft, their work, and the benefit they provide for creating a larger audience for these stories. And nothing against Larry Brantley and Sonny Strait, but some of this casting feels off. I wasn’t able to take this episode seriously as soon as I heard the voice distortion that was used for Re-Destro’s phone call: that took me out of the story. If I had the chance for localization, I would really need Twice or someone to call out how freaking ridiculous that Mickey Mouse voice sounded. You have freaking Sonny Strait here: use the Krillin voice, use the Chibi Ragnarok voice, use the Usopp voice--use something, really go bizarre here, it’s just a voice distortion device! And as I said, nothing against Strait, but when I hear Re-Destro when I read the manga, that’s not the voice I have in mind. For right now, HIroaki Hirata in the Japanese dub is closer to that smoothness I expected for this character. But I have no doubt Strait will do excellent as Re-Destro’s empowered form: think Strait’s role in The Intruder II from Toonami. It’s just that Re-Destro in the English dub is lacking that odd refinement I was expecting.

Granted, it’s the same problem for me when I hear Brantley as Spinner: I am making unfair assumptions that don’t suit the goals of the creators when it comes to this character. It is sadly not as obvious in this episode as it is in the manga: this arc in the manga starts with Horikoshi invoking Laird and Eastman’s Teenage Mutant Ninja Turtles by having Spinner, who is already a sword-wielding reptilian martial artist, narrating just like how Leonardo narrating at the beginning of the very first issue of TMNT. I wanted a voice for the English dub that is like Leonardo’s, a little higher pitch and more youthful, like what Brian Tochi brought in the live-action Turtles film or what Cam Clarke and Michael Sinterniklaas bring in the animated versions. I think, for the Japanese dub, Ryo Iwasaki’s performance as Spinner is very close to what I expected. But that also may seem too obvious: Spinner may be young, but giving him an older-sounding voice can belie his inexperience, youthfulness, and naivete, similar to how people make assumptions about him by his reptilian appearance. The anime is putting me into my place--I think of Spinner one way other than who he really is, so I’m no better than the people around him who have discriminated against him for his physical appearance.

Just as I have a set of assumptions that unfairly influence how I would cast Spinner, I also think Re-Destro should have sounded more refined and less graveley in the English dub. But my expectations belie that, just the Joker whom he resembles, Re-Destro puts on this cultured facade to hide that he is just another violent gangster thug, someone who would kill his own assistant. I know I cited examples above about how complex Re-Destro is, but it’s hard for me to see him as sympathetic just because he’s crying over something he did out of his own volition: he coldly killed his office assistant Miyashita, his tears and kind words don’t suddenly make this a warm and cuddly death, we don’t get to think of him as our woobie. It only makes it more irritating that BONES so far has cut not only that scene of Re-Destro killing Miyashita but also Re-Destro’s TV commercial: it would clue us in that the reason he has that gravelly voice is because, no matter how much he tries to present himself on TV, he is not that kind of a man.

But since I invoked the Joker comparison to Re-Destro, yeah, I’m disappointed we didn’t get Troy Baker as Re-Destro, as unlikely as I imagine that would be to happen, regardless of Baker’s previous work with Funimation. It does lend a bit more to conspiracy theories on my part, though, given casting director Colleen Clinkenbeard telling Twitter followers to stop expecting Mark Hamill in MHA, it’s never happening--we can’t even get Troy Baker doing his Mark Hamill Joker.

(I’m not being fair to Baker: I’m not saying his Joker is at all bad--it is not, he has been excellent as Joker, especially playing him and Batman in the Ninja Turtles crossover film, but it is obvious Baker is performing the kind of Joker that came out of Hamill, so I’m trying to say he’s doing the “Hamill Joker,” rather than the “Nicholson Joker,” the “Ledger Joker,” or the “Caesar Romero Joker”).

It’s also a challenge to sympathize with these characters when we aren’t getting what this arc should give them: a re-introduction. I hate approaching this episode in a post-James Gunn The Suicide Squad world, but seeing how much MHA owes to not The Suicide Squad of the comics but that motif in so many superhero comics, there is that missed opportunity to reacquaint the audience with who are the members of the League of Villains. So, where the hell is my freeze-frame re-introduction to each League member? There was that fan theory a long time ago that Giran was really Present Mic in disguise: imagine doing Present Mic’s introduction of characters by name, Quirk, and pithy comment, only it’s Giran in the announcer seat this time.

(Don’t even get me started on how annoying it is to have Izuku handling the post-credit preview: give that to Spinner.)

Again, maybe it is brilliant for BONES not to include some re-introduction scenes, whether narrated by Giran or happening naturally in conversation between these characters. These Villains barely know each other’s back story, so there’s no artifice where they would believably share their back stories to each other in conversation in this context. And as I said, Shigaraki does not know enough about his own past, and Dabi is hiding his real identity. But when we’re stuck with Spinner as our half-hearted narrator, who seems not to know why he and Toga are still here with Stain being gone, and when Toga is this dull in her answer about what keeps her going after Stain’s arrest, and when Spinner himself seems not to know what he’s still doing here, all of that does not communicate a reason for us to keep going with this story.

I know this arc is going to get better, storywise at least, just based on how it went in the manga. I can only hope that the animation can capture the chaos that the original manga illustrations showed. But I am trying to think what a new viewer is going to do if this is their introduction to this series. I’m not invoking the Episode 7 Rule, I’m not doing a hypothetical experiment to gauge which episodes are the best to bring a newbie into this series--I am asking, honestly, if a fan was already into this series, and was watching it one Saturday morning, and a friend or roommate or relative saw them watching, they would be utterly lost about why they should care about this. Even the explanation for why Twice is indebted to Giran is presented as such an afterthought that does disservice to a potentially emotional moment, to what is supposed to be a pretty deep friendship, as deep as it can be for a weapons trader like Giran and an outcast-turned-criminal like Twice, so that, when Twice helps rescue Giran, we feel that emotional payoff.

It is honestly shocking that, for all the throwbacks, recaps, and flashbacks we get, including how Giran’s fingers match up to previous places where the League fought, that this still leaves a new viewer in the dark. And the problem lies at the feet of MHA arriving at a fifth-season slump: the series has gone on so long that things feel lazy and making far too many assumptions on what knowledge the audience is bringing. You’re not getting a bigger audience if you keep appealing to the diehard fans and the people reading the manga. After all, why would you keep doing ridiculous recaps and flashbacks if the fans already know what happened?

But speaking of the recaps and flashbacks, that should have been how this episode redeemed itself. As I said last time, if you re-worked the order of episodes to start with the Oboro Shirakumo story, that would be more shocking. But what if this episode could have been the very first episode of the season, and following the trend of previous seasons, make it a recap episode? We already had Izuku narrating a clip show, Class 1A at the pool, a photojournalist visiting the UA Dorms--it would be so much more interesting seeing “League of Villains camping in the woods while in the background Shigaraki gets squished by a giant.” Have the Villains tell campfire stories about how they got here: it would be a great excuse to re-use the animation and save on the budget. You could fit in a few gags, as Toga starts telling a really gruesome story but gets distracted by all the blood in it, while Twice’s story bounces between sugar-sweet happy and grim-and-dark chaos, while Compress and Spinner are stuck trying to keep them focused. It’d be a hell of a lot more interesting than how BONES somehow screwed up a potentially emotional volatile moment between Izuku and Amajiki that would put into question whether Izuku is going to have to kill a Villain and just how devastated Amajiki feels after Mirio lost his Quirk.

And speaking of whether Izuku is going to have to kill a Villain: obviously, this arc is setting up how much more dangerous Shigaraki is than UA gave him credit. Back in Season 2, I hated how Nezu and UA staff referred to him as a “man-child,” given the connotations that have surrounded masculinity and being a man. I wrote that before 2016; in this post-2016 atmosphere, and the increased prevalence of toxic masculinity, I am, once again, that annoying word ambivalent. I am likewise ambivalent how well this series has shown Shigaraki to be able to form the plan he does by episode’s end. We’re only told by Spinner how much faster Shigaraki is getting and how much slower Gigantomachia has become--but the animation doesn’t show that. And we’re being told how great Shigaraki’s plan is--when it sounds ridiculous.

By cutting so much of Spinner’s narration from the manga, we also don’t get a scene where Spinner confronts Shigaraki to ask him what is his plan. Up to that point, Shigaraki has said that, with Kurogiri gone over the last month and the computers at the old League hideout destroyed, they can’t reach the Doctor. Spinner is insistent: what is the plan? Shigaraki responds that he just told them--as Gigantomachia crashes through their hideout. The other characters explain for readers like me who aren’t following: Shigaraki just said Kurogiri was gone; to contact the Doctor, Kurogiri sought Gigantomachia; Gigantomachia would sniff out where Shigaraki is and bring him to the Doctor. Brilliant--that shows more attention to Shigaraki’s planning and scheming, and now, it’s not even here in the episode to make me think this guy is that smart. (This episode also had Shigaraki reveal his plan to have Gigantomachia attack the MLA, whereas it was Spinner who predicted that was going to be Shigaraki’s plan--so, again, we’re not letting Spinner stand out as smarter than we expected, either.)

I know Shigaraki is supposed to be our chessmaster, given his association with gaming, especially when he was faking his ignorance about shogi to lower Overhaul’s guard before defeating him and stealing his Quirk-cancelling bullets. But I’m having the same problem I had when following All For One throughout this anime: it just feels like these two antagonists are getting ahead out of sheer luck and because everyone else is a fool, not because either of them are that great as villains. Give me a Xanatos, give me a Luthor, give me a Norman Osborne (not Clone Saga Osborne, a different one). Show me Shigaraki is more than a pawn for All For One and the Doctor, because I don’t feel anything here, not even when we’re supposed to feel that Shigaraki has some legitimate concern for All For One that just isn’t getting communicated to me, whether by my stubbornness or because the content is not giving the animators and actors what they deserve. Eric Vale can sell the hell out of a scene, but Shigaraki’s talk about All For One is not giving that opportunity to the actor.

My remarks this time are a lot more disorganized and doesn’t really arrive at any conclusion. I have more to say about how this arc works and doesn’t work, especially when it comes to how ridiculous the MLA comes across in underestimating the League, but we’ll get to that next time.

#my hero academia #shigaraki #league of villains #meta liberation army #spinner #long post #mha spoilers

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writingwithcolor · 5 years ago

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Cultural Christianity, Christian Appropriation, and Derailment

Periodically, I discuss the concept of cultural Christianity, the dangers of authors mucking with folklore that is not theirs, and what you have to guard against when you’re a part of a culturally Christian society.

And every time I do, like clockwork, Christians come in and say “but what about [non-Christian nation appropriating Christianity], hmmmmm????? That’s just as bad!”

So let’s talk about all of it.

Cultural Christianity

For starters: What is cultural Christianity?

Cultural Christianity is the fact the Western calendar is primarily built around two things: farming, and Christianity

Our dedicated time off that is mostly guaranteed to all workers are Christian holidays. Easter, Christmas, Good Friday. The time between Christmas and New Year is also prone to being off and this also in some dominions has Christian events.

And yes, I know that most of these holidays actually have pagan roots. Christianity co-opted them and thoroughly Christianized them, to the point their re-paganization only really started in the 1800s… by people who were also culturally Christian, and often wrote whole books on Christianity on top of their neo-pagan beliefs.

It’s how Christmas is considered a “neutral, secular” holiday, when it’s celebrating the birth of Christ. It’s how the concept of “other religions” exist, let alone the fact they have to ask for time off for their own holidays that count against their personal vacation time, when Christians often don’t have to do that. It’s how you see more churches than mosques or synagogues in the West by a very large factor.

There are very few places in the West that are not, on some level, culturally Christian. Some very insular communities might be able to escape a lot of the trappings of Christianity, but still. The government mandated days off are mostly Christian things.

Cultural Christianity means everyone who was raised in a culturally Christian society has a Christian lens. They are aware of Christianity, its holidays, its general story, its values.

This translates to them having to unlearn all of this and learn a whole new framework when they begin researching other folklore (Native religions, in my case, but this also applies to other religions such as Judaism and Islam) cause other folklore/religions do not have the same holidays, values, or even relationship to the deity in question.

Christian Appropriation

So in a non-Christian society, it is possible to appropriate Christianity. Because the same factors that have Christians appropriate everything else in the West are at play with a different dominant religion.

This mostly shows up in Japanese media. Japan has Shinto/Buddhism as a dominant religion, and you’ll often hear anime or manga artists say they simply picked Christian imagery because it looks cool.

And I agree this is disrespectful! It is really not fun to watch sacred imagery of your beliefs be used because “it looks cool” and I would love it if all appropriation of others’ beliefs ended.

But that often isn’t the focus of the posts getting these comments.

Derailment

This is twofold.

1- Very few places where Christianity isn’t the dominant religion exist.

Because Christian nations colonized most of the planet, there are a lot more culturally Christian places than you probably want to admit, if you’re the kind of person who pulls “but what about the appropriation.”. This includes a lot of Africa, a lot of Southeast Asia, a lot of Oceania, a lot of South America, basically all of North America, and basically all of Europe.

You might disagree with how they practice Christianity, but they are still Christian. This means they are culturally Christian. Just not your culturally Christian.

But, as I mentioned in the previous section, appropriation can happen. It just doesn’t happen much in the English speaking world, and I am speaking to the English speaking world. Specifically, the Western English speaking world, which is very much culturally Christian.

The places where Christianity isn’t the dominant religion, however, is mostly composed of non-white people, specifically Arab, South Asian, and East Asian. So these “but what about where Christianity is appropriated” often end up sounding like “why aren’t you persecuting people of colour”, which sounds like trying to justify racism against people over there to me.

2- You are trying to say you are as much of a victim as us, when you are not

If you live in the West, you are culturally Christian unless you have grown up very deeply entrenched in a non-Christian community.

You have grown up with a wide, wide, wide variety of Christian stories, Christian based stories, Christian values/worldviews-as-default told to you your whole life. Some of it has been terrible, some of it you disagree with, but by and large, every story has some infusion of Christianity to it. Some of the most popular fictional texts are deeply religious things, like the Chronicles of Narnia.

You have not had your religion forbidden from being practiced, to you personally.

You have only seen true appropriation in very recent times, because of the influx of non-Western media being imported.

You have not had your sacred places constantly, consistently infringed upon and destroyed for reasons like “an observatory” or “a pipeline” or “a dam” or “a mine”.

You may have dealt with misunderstandings and miscommunications but you have rarely had somebody fundamentally misunderstand what Christianity is (Jesus as lord and saviour, died for our sins, we should try to live a more godly life and a good life to get into Heaven and get eternal happiness).

Native people have not had any of those luxuries, and it has mostly been culturally Christian people who have taken what is ours and turned it into what they wanted it to be.

We have Christian pagans (paganism was founded and codified in the Victorian era, so no, it’s not “ancient wisdom” but more Victorians—who were definitely culturally Christian—interpreting everything to prove Christianity as more universal than it was*) peddle dream catchers and calling themselves medicine people and burning sage to the point it’s endangered, all trying to claim they’re “following Native practices” when they’re not.

So when I’m speaking to somebody in the Western world, 95% of the time I will be speaking to somebody culturally Christian.

*When you start to track the “studied ancient mysteries” things, you either find types like the Theosophical Society that wildly appropriated Hinduism and Buddhism to fit their own ends and often put in messiah figures into them to show how there’s a Christ everywhere on the planet, or you start to dive into people who took Christianized recordings of folklore who may or may not have sipped some “older religions are better for noble savages reason” juice.

It’s very often racist and pulling from records written down by missionaries who had a vested interest in modifying the folklore in question, or from people who’d already been Christianized, so its validity is questionable.

Beginning to Unlearn

If you want to learn more about cultural Christianity and how to be more respectful of non-Christian belief systems, take a look at the this post and the folklore tag in general. Those are great starting places for you to do deeper research into whatever marginalized belief you’re looking to use.

I’d also suggest earnestly learning about other belief structures’ customs, challenging your assumptions of what is neutral and universal and the proper way of doing things. You might find a lot of surprising things that you weren’t expecting, even just looking at Abrahamic religions.

In the end

When I’m speaking to somebody who wants to use Native folklore, I’m going to assume they’re culturally Christian and educate them accordingly.

I am having a conversation to Christians about the appropriation of Native culture and how not to do that.

I am not going to suddenly change topics to make Christians comfortable by proving that I’m a champion for them, because frankly, they shouldn’t be dangling respecting Natives if only they interrupt themselves to prove they’re properly educated on Christian issues. Because that demand is once again centring Christianity above Native people.

I am talking about Native issues, not Christian issues.

I do not accept derailments that are thinly veiled racism or persecution complexes based off “what if”s that have not actually happened in the West. I acknowledge they happen elsewhere, and that’s tragic. I am not the person to talk about those details. I’d rather pass the mic to Christians in the area and let them speak. They are not Western Christians’ shields to use as they will. They have a voice, as well.

I am not going to coddle people who feel that Christian values are diminishing from society because we need room for more than just Christian values and Christianity does not have a monopoly on being a good person.

I am talking about Christians appropriating Native American beliefs.

And if that makes you uncomfortable, to hear Western Christians have protection, insert their own dogma into too much, and have unlearning to do—without being able to tack on a story about how no, really, you’re a victim in the West—then you have more unlearning to do. I’ve given places to start learning above.

We are talking about Native issues right now.

And I will not stop calling Christians out for their religious-based colonialism.

~ Lesya

#guides #native american #culture #cultural christianity #folklore #religion #Christian #Christianity #long post

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sparklingdisneyprincess · 3 years ago

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Having Amber know for weeks affected fans view of her and why it was not done well.

In the tags on a reblog of one of my posts, someone mentioned that the scene where Amber tells Mark she knew he was a hero was bad writing and I low-key agree. I plan on doing an analysis on that specific scene later, but today I wanted to get into why the way the writes handled that situation just wasn’t great.

Keeping in mind the context of who the writers are can somewhat explain the thought process behind the decision. The creators of the comic book said themselves that's the comic book very often pokes fun at superhero stereotypes and tropes. One of the main stereotypes in superhero comic books is the main non-super female love interest being upset with the male superhero love interest for constantly flaking on her/being unavailable trope. In this trope the conflict is typically resolved when the female love interest is told or discovers in the moment usually by so accident that the male love interest was the superhero the whole time and the revelation is suddenly supposed to negate all the negative emotions that the female love interest was put through and everything just ends up fine.

In today's time it wouldn't matter if he was a superhero or not. He still made her feel terrible, he still lied. I do think women today wouldn’t allow that to excuse all the hero’s behavior especially when it was evident that said behavior was hurting them.

We know the writers like to poke fun at stereotypical superhero comic book tropes and plot points, and a good way to do that it to utilize trope subversion.

Trope subversion definition:

A subversion has two mandatory segments. First, the expectation is set up that something we have seen plenty of times before is coming, then that set-up is paid off with something else entirely. The set-up is a trope; the "something else" is the subversion.

Pure trope subversion vs Partial trope subversion:

Executing a “Pure trope subversion” means to follow the blueprint for “Trope subversion” to a tee. The writer sets up the story with essentially no hints that the outcome will be anything but traditional, and then proceeds to suddenly turn the outcome on it’s head in a way that was unanticipated. In the case of the “Partial trope subversion” it’s the opposite. The writer will drop subtle hints and clues teasing that the outcome will not be traditional for the trope. The hints must be subtle because the writers goal is still to trick the reader into believing that the traditional outcome will occur.

The main problem with them writing it as a pure trope subversion is that Amber ends up looking really bad and that people already didn’t like her as they wanted Eve to end up with Mark.

The set-up of the secret identity relationship trope leads us to believe that the female was mostly if not completely unaware that their male love interest is a hero. They often times are suspicious, but the dots don’t usually get the chance to connect before it’s all revealed. Going with that type of trope set-up leads the audience to believe that it’ll end like it always does. The girl will feel sorry for her actions and completely forgive the hero (even though I don’t find think that’s realistic), so instead of it going in that direction they subvert it. They have the female love interest (Amber) figure it out herself and silently not be in the dark for a period of time till it’s revealed that she knew. This is fine unless it’s written as a pure trope subversion because the traditional trope buildup includes anger over canceled plans, late arrivals, and feelings of neglect. That anger makes the female love interest look completely irrational in the case that she knew! (Though perhaps she was not truly angry over those things after she discovered the truth, but she was angry with him lying and couldn’t tell him that without saying she knew, so she expressed her anger through those situations instead of the main reason??? Hmm, I just thought of that and that’s an interesting theory for another time.) Anyways...

I found that the trope subversion making Amber look so bad to be a glaring issue that should have been weeded out in the writing room. They had to have known how it would be perceived. There’s no way they wouldn’t. The only logical reason they’d do this is if they plan to go through with what I suspected was happening at the beginning of the show, which would be that the writers are telling us that Amber is not Mark’s endgame and that she’s just taking up space until Mark and Eve eventually get together. The only problem with that theory is that they had Mark and Amber get back together at the end of the season which is another trope subversion. In the usual love triangle bait-and-switch trope the first female love interest the male superhero chooses gets booted out to make room for the second girl in the love triangle who he was apparently supposed to be with the whole time, however the writers didn’t got through with that trope. They instead subverted it (whether purposely or not) by having the original couple get back together and setting it up in a way that shows the couple potentially growing stronger, rather than him staying single and eventually ending up with female love interest number 2. The writers even took the subversion a step further by setting the outcome up in a way that showed potential for female love interests 1 and 2 to actually start a beautiful friendship instead of a rivalry.

I’m honestly confused by what the writers wanted us to perceive. If they wanted us to root for Amber and Mark why set them up like that? To prove that they can move past it? But who will support the relationship after everybody now hates Amber? It is contradictory, so I’m very confused. I did write another post speculating that though Amber knew Mark was a hero, she did not know he was Invincible. The theory does shed more light on the situation and it resolves a lot of issues, but it still doesn’t negate the fact that the use of a pure trope subversion in this instance made Amber look really bad. Especially when people would sooner find ways to cancel her, rather than attempt to understand why she did it. To understand someone does not mean to agree with or support them, but it reminds you to humanize the other person, a value we are all owed.

If the writers had not done a pure trope subversion and instead decided upon a partial trope subversion the fallout would not have been nearly as bad. If they had done a partial trope subversion they could’ve allowed Amber to be more patient in some of the later scenes, while showing that even though she’s patient, she’s also very upset. It would show more understanding on her part, however I think Amber was actually already understanding of his situation. What she did not understand was the lying and how it seemed that he didn’t even care enough to lie well. She was hurt that he didn’t trust her and during their relationship she was constantly questioning whether or not he was serious and if he actually cared about her and honestly we questioned it too as an audience! Imagine how frustrated she must’ve been those 5 months out of 6 when she didn’t know why he was lying to her.

Amber and Mark didn’t have any relationship issues that I noticed aside from his secret identity. Their dynamic was interesting to watch in my opinion because Mark wasn’t phased by Ambers weird sense of humor and her having essentially no filter, in fact he embraced it and was also snarky in return. He liked that she has strong core beliefs and clearly enjoyed spending time with her. Even though Amber is sarcastic and pokes fun at Mark she finds his enthusiasm to be endearing and often laughs with and smiles at him. Heck, she even approached him first! They’re just two teenagers dating and it’s nothing too exciting like it’s usually portrayed in media. They text, go on dates, make out, enjoy the others presence without really needing to talk, it’s just nice normal dating stuff and it’s realistic and lowkey, and I really liked seeing it. Upon my first watch of the show I liked Amber and Mark together, but I didn’t see the chemistry. I think it’s because everything about their relationship needed to happen in the span of 8 episodes, but also that the reasons why their attracted to each other are very subtle. They don’t shove it in our faces, they just place it there and if you caught then you caught it, if you didn’t then you didn’t. It took me re-watching the episodes a second time to realize why Mark and Amber enjoy being with each other. The body language speaks volumes when you also pay attention to the little things that go on between them. I’ll probably make a whole other post about it because I think it’s something to talk about, but yeah.

In conclusion either the writers truly didn’t realize the outcome of their choice, the writers knew the outcome and did it on purpose to set the audience up to root for Eve and Mark, the writers knew and set it up in order to later on grow/redeem Amber and strengthen her and Mark’s relationship by having them over come it, or they didn’t think it’d be a big deal due to assuming that the trope subversion would take everyone by surprise and that we’d like it.

(If you made it to the end, I’m impressed cause this was long. Also, shoutout to the person who first brought up this topic in the tags. I didn’t realize I felt some kind of way until I started typing and couldn’t stop. It was honestly kind of cathartic😄 I didn’t tag you cause I didn’t know if you’d like that but, thanks for unintentionally giving me the motivation to write this!)

#Aark #Amber Bennett #Mark Grayson #Mark x Amber #Invincible #SDP reviews #SDP thoughts

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yuzukult · 4 years ago

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try again, || jaehyun & reader

title: try again, pairing: jaehyun x reader genre: idol!au, angst-y (i guess) words: 2.1k prompt: you should know that I’m always on your side, please remember my answer is you. note: inspired by the song try again by d.ear & jaehyun... i tried with this one, but it got hard to finish because i forgot where i was going with it.... i guess you can call this a drabble???????? also i have not revised this my 5th time yet. lol i will probably edit this as time goes on

Every long-term relationship goes through the “humps.” There’s three separate occasions: the three year hump, five year hump, then lastly the seven year hump. Many people tackle these hurdles, some fortunate enough to win and survive, but some wistfully slip.

You and Jaehyun failed the three year hump.

The obstacle was inevitable and surviving these challenges with him as an idol, periodically on tour when part of these issues arise didn’t make it any easier. The three-year mark resulted in a mutually angry break-up, only lasting a few months before he came back to Seoul. Healed from the fall, you thought that you were strong enough to face him. It was a lie-- the moment that you saw his face, you fell in love all over again.

Getting back together was easy. The two of you even made a pact that this wouldn’t ever happen again, and preventing it would require more communication and effort. Jaehyun was your end-game, despite the struggles of dating a celebrity, and the feelings were reciprocated.

So when the fifth year was approaching, it was no surprise that you could even feel it in the air that something was different.

Coming home everyday wasn’t the same anymore. The house echoed with silence; his slippers by the door remained vacant incessantly, and his roar of laughter isn’t here to fill the rooms with warmth. Your phone doesn’t ring with a text from him asking if you had gotten home safely nowadays, and expectations for video calls have dropped to none.

Jaehyun doesn’t “come home” lately, or at least, your home, but when he does, it means arriving during the late hours of the night and leaving at the brink of dawn. The incandescent grin that stuck on his face that comes as a package with the dimples that indent his cheeks were absent from your life now. His scent hasn’t remained in the house for months, evidence to his missing presence.

Sleeping without him proved arduous. Your eyes begging for slumber but your mind wouldn’t rest with the negative thoughts that swarmed your head.

Then there was speculation amongst social media-- every possible platform, and your phone overflowed with text messages from those who were “close” to you were all of him with new arm candy, a new beau.

It’s two in the morning, and you’re fighting with your inner self on whether or not to call in sick to work tomorrow. Snatching the carton of milk in the fridge, you grab a mug settled in the cabinet before pouring yourself a drink. Placing it into the microwave and tapping a couple of the buttons on the screen, the humming of the appliance is the only sound that floods the room.

The doorknob of the front door rattles, and he comes in with newly dyed blue disheveled hair wearing his clothes from practice, dropping his duffle bag by the door and his keys thrown into the bowl on the entryway’s table. There was no greeting nor kiss as he immediately makes his way into the kitchen.

“She’s just a co-star. We’re filming a music video, and afterwards she said she was going to grab us all coffee, and I felt bad if she went alone. I mean, there’s ten of us.” His eyes hasn’t even looked directly at you, yet somehow he knew what was running through your head.

“I didn’t say anything.” You mutter, attention wavering to the beeping of the microwave.

“You didn’t have to.” He’s standing what feels like hundreds of meters away from you. The light in the room is dim, nearly as though it reads the tension in the atmosphere.

“She’s pretty,” You say before gripping onto the warm beverage before hissing at the impact of the hot ceramic against your fingertips.

“What are you insinuating?”

You’re silent for a moment. “Maybe it’s time we should talk about us.”

Jaehyun is the guy who doesn’t say much. He’s a level-headed person, soft spoken, and sensitive yet reserved, but capable of opening his heart. He’s the one you admire from afar with his breathtaking features, a radiant smile that can wipe an entire nation, with his popular group of friends, and friendly demeanor. Even when he’s trying his best not to shine in a sea of people, he’s under the spotlight. It’s impossible for Jung Jaehyun to be just a regular person.

But recently, his heart just doesn’t feel open to you. He didn’t seem to glisten in your gaze anymore.

“What’s wrong with us?” He precipitously makes his way behind you. You don’t recall hearing the creak of the hardwood floor underneath his feet; your heart skipping a beat when your back bumps into his chest abruptly.

“Talk to me.” You gulp. He’s so close-- and what it seems like have been forever since you’ve been even this intimate; the slightest touch from him sparks nostalgia. “What’s wrong with us?”

“You’re never here anymore.”

You can’t look at him, you just can’t. You shouldn’t, because just seeing his face might bring you to the brink of tears.

Your lives were so different. He was an idol with fans throwing themselves at his feet, and constantly inundated by a plethora of talent and beauty. His ambitions weren’t aligned to yours, and it’s a miracle that the relationship lasted this long. You had such an average life, working a 9-5 job, occasionally going out on weekends to meet up with friends, and spending the remaining free time by watching movies or shows. He was out in different countries, exploring continents you’ve never even been before, and meeting thousands of people almost weekly out on tour.

It didn’t help that the relationship was always a secret. There wasn’t initially any regret about it being hidden, but the insecurities eventually began to gnaw out your insides when swarms of beautiful women flirted so shamelessly with him in front of you when you’d previously gone out on discreet dates.

“I’m sorry, I’m trying to be here more. There’s a comeback soon, so the hours at work are endless.” His baritone voice vibrates in his chest against your frame, something all too familiar but hasn’t appeared in a while.

Attempting to be empathetic was easier said than done when you’re angry with someone. Turning your body around, your stare sticking to his upper torso, refraining from looking into his eyes. From your peripheral vision, he’s indisputably exhausted, dark circles residing below his eyes after removing the day’s make-up from photoshoots and filming and visibly slimmer. It isn’t a competition but you were tired too.

“If... this is taking too much of your time,” The words get caught in your throat. “Maybe we should... let this go.”

His breath hitches, taking a moment to absorb the words you’re saying albeit his heart feels like it’s shattering. “It’s not taking much of my time.”

“That’s the problem, you’re not using any of your time with this to begin with.” Practicing in front of your mirror countless times before, you thought you'd recited every possible outcome of the conversation and what you’d argue to every response he had. You were confident until standing in front of Jaehyun. It lessens your assurance on the break-up because everything about him weakens your knees.

Jaehyun pulls you in, wrapping his arms around your waist before dropping his head into the crook of your neck, pressing a warm, gentle kiss against your skin. He couldn’t face you either. “Don’t do this.”

“There’s so many women out there that are better,” You sigh, swallowing the tears. He’s too great of a guy but you’d come to terms that maybe he wasn’t for you. “Someone else who can treat you better. You can’t give me what I want.”

Grabbing your shoulders, he obligates you to look into his eyes as he knits his brows. “Those women aren’t you. Tell me what you want, I’ll do it.”

“Jaehyun, it doesn’t work like that.”

“I don’t get what you mean. We’re talking about this and I’m trying to make it work.”

“That’s the other problem, I don’t want you to make it work anymore. You have to want this, do things willingly and not because I forced you to. It’s different now. I don’t think you love me the same way I do.”

He shakes his head. “You’re wrong,” his eyes are gradually brimming with tears, and you can almost hear the sound of your heart breaking, “I’ve always loved you, I never stopped.”

Jaehyun never cries. He’s all laughs and smiles but never manifestly melancholic. He was great at hiding it but never with you. Overtime, it felt as though the only mood he had was irritation and fatigue, and only his friends and fans were given the opportunity to see the beautiful side of Jaehyun. Seeing him unsteady with your decision made it difficult to leave. Even when the relationship fell apart the first time, he didn’t even seem like he cared. He wanted to portray himself as perfect-- and he was successful at it.

His hand reaches up to push a strand of your hair away from your face and moves it behind your ear. Cupping your cheeks, he leans in, his soft, plump lips capturing yours. He fit into you like the missing piece of a puzzle, and you craved for his touch. Your mind wanted to fight him, push him off and tell him that this was over with because you couldn’t take it anymore. With him pressed up on you against the kitchen counter, he’s the cause of your foggy head and you forget what your mind tells you to do.

Letting go, saliva strings between the two of you, but neither of you are bothered by it. His eyes held despair when they linked with yours, tugging you into his embrace. “These people that step into my life aren’t here for the mutual benefits. They’re all here for my name as a celebrity, they care about who I am only when it has to do with them. They expect me to be perfect all the time, and it’s tiring.” He takes a moment to take a deep breath, nuzzling his nose into your neck, inhaling in your scent.

“When I come home to you, you don’t expect me to be perfect. And I know you still don’t, you just wish I tried. You were never persistent about me being a certain way, and I took it for granted. I just thought you’d always be by my side.”

“You know that I’m always here for you.”

“And I took advantage of that,” He responds, and there’s a sudden wetness on your neck. “That’s my flaw and it’s my fault. I want to be better for you, please let me try again.”

The emotions from the past few months start flooding back, and anger fills your bloodstream, reality hitting you in the face. “What’s going to be different from before? It’ll all still be the same.”

“It won’t.” His voice is stern, and steady, removing you from his grasp. “Come to our showings, come to our concerts, our recordings. Let’s not hide this anymore.”

You choke on your spit. “What?”

Jaehyun’s expression doesn’t change; he’s serious about his idea. “I’m sorry it took me five years, but it’s long overdue. I don’t think I can lose you, you’re my rock. I need you here. Please, think about it.”

“What are you going to be doing on this lovely Friday night?” A co-worker of yours asks, reaching up to your desk an hour before you’d be released from your duties for the weekend.

“Honestly, not sure yet.”

She raises a brow, crossing her arms against her chest as she leans on the wall of the cubicle. “Hot boyfriend hasn’t had anything planned? If not, you should definitely come by to this new club that opened--”

“Sorry, she has plans.” Startled, the both of you turn your heads to the direction of the voice. Jaehyun’s standing in the walkway between the aisles of desks and cubicles that line up throughout the office, and you’re surprised he even finds yours. “Also, I’m not her boyfriend anymore. Didn’t she tell you, I’m her fiance.” He smiles cheekily, giving your coworker a glimpse of his dimples and raising the bouquet of flowers in his hand.

His hair is slicked back with gel, the blue dye washed out and a dirty blonde comes out from underneath. He has on a white button-up, a couple buttons undone, sleeves rolled up and shirt tucked in his black slacks. Jaehyun walks over to you, handing you the bouquet before bowing at your coworker. “Sorry, didn’t mean to sound rude. It’s our anniversary today.”

“Anniversary?” She glances at you questioningly.

“Yes. Happy 7th Year Anniversary, love.”

#jaehyun #nct #nct127 #nct fics #nct fictions #nct127 fictions #nct 127 fictions #jaehyun x reader #jaehyun x oc #gyukultfics #ugh i'm embarrassed i wrote this #lol

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rachelbethhines · 4 years ago

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Tangled Salt Marathon - Rapunzel and the Great Tree Part 2

Continuing on with the midseason finale of season two.

Part 1 is here https://rachelbethhines.tumblr.com/post/628826170657570816/tangled-salt-marathon-rapunzel-and-the-great

Summary: After Adira saves Rapunzel and the group from the hurt incarnation, Cassandra makes her suspicions of Adira known which causes a falling out between her and Rapunzel. Meanwhile Hector uses the dormant power of the tree to try and attack everyone.

Cassandra’s Motivation Doesn’t Aline With Her Later Actions

If you’re going to have a character do a complete 180 from her original goal, than you need a better reason than just mommy issues; or validation issues, or career problems, or just simply having a falling out, or jealousy, or a ghost girl whispering in your ear, or whatever the fuck they’re trying to do with Cassandra.

Going from ‘protect’ to ‘murder’ is a huge moral alignment shift that needed clear and reasonable justification. Cassandra is never given that. Instead they just throw everything at the wall that they can think of in the hope that something sticks.

Only it never does because her original story was re-written at the last minute.

Well That Was Pointless

Max and Pascal wind up saving Eugene and Lance from the man eating plant. Which adds nothing to the story. It happens and is then never brought up again. It’s just an excuse to write Eugene out of the Cass and Raps conflict and not an extension of either his or Lance’s own narratives.

That’s a problem, because Eugene should be a main character and Lance an important supporting side character. Instead Eugene is regulated to side character status while Lance is unimportant comic relief. Not only does this ignore that fact that Eugene was the protagonist of the movie same as Rapunzel, but it also ignores the basic writing rule of ‘don’t add in characters who don’t serve a purpose in the story’.

Adira Just Saved All of Your Asses, Cass

Boy does Adira put up with a lot of bullshit in this show, and 90% of it comes from Cass being a little bitch.

She has no biases for this argument. Adira hasn’t done anything to warrant this accusation. In fact she’s proven herself time and time again only for Cass to lash out like a spoilt teenager with an inferiority complex.

And Cassandra is 23!!!

The young adults on this show are constantly written like pre-teens while the only actual teenager is constantly forced to be the most mature person in the show.

It’s mind boggling.

Rapunzel is In the Right Here, But the Show Wants Us to Sympathize with Cass Instead?

Oh No! Raps raised her voice at Cassandra and made her feel bad, you guys. Feel sorry for the poor paranoid baby who who’s acting like a jealous brat for no reason.

Bull Shit.

Cassandra not only has nothing to back up her accusation but the narrative never goes on to prove her right either. Adria is on the up and up, and always had been according to Destinies Collide. For all the show’s efforts to make Cass seem reasonable by having Adira mysteriously pop in and out, it all falls flat once you know where everything is heading.

Plus, even if she were magically right about Adira that wouldn’t excuse her bossing Rapunzel around and insulting her intelligence. Had she done that to me I’d be telling her something a lot harsher than just to knock it off.

Oh, But I Thought You Said Flashbacks to Corona Would Be Too Confusing?

So one of the writers, Ricky, has gone on record stating that they did originally have plans to show flashbacks to Corona to show what was going on with Rapunzel’s parents, Varian, and the Saporians. He then said they dropped them because they feared that it would be too confusing for the audience.

Yet we get this pointless scene thrown into the middle of the mid-season finale.

And by the looks of it it’s before even Beginnings, or maybe after Beginnings, who knows; so it’s not just a change of scene, it’s also a change in time as well. A point in the timeline that’s not been firmly established enough. So it not only has less reasons to exist then a Varian flashback would, but it’s also potentially more confusing than what a simple single episode set in Corona would have been.

I don’t know who to blame for this poor decision making, if it’s just Chris, Chris and Ben, or a shared blame with all of the writers, but while the buck does stop with Chris, much of what Ricky has said online doesn’t reflect very well on his writing skills. Cause that’s a huge and utter bullshit excuse.

So What Does This Add, Exactly?

Cass gives Rapunzel this purse as a gift. A purse that’s not been shown to be all that important before and isn’t made significant again. Then Raps launches into this speech about how good a friend Cass is and how lost she’d be without her.

I understand what the thought process for this was; it’s to show how far Raps and Cass have grown apart recently and what Cassandra herself liked about being friends with Rapunzel to being with, which was the validation boost of being useful and needed; but there’s a lot of problems with including it here.

For starters, lack of validation isn’t enough to suddenly switch into ‘kill mode’ which is where all of this is eventually leading.

Validation shouldn’t be the foundation of any long term relationship and so rather than proving how good of a friend they are to each other, you’ve only given futher reason for why they’re toxic together.

You needed to be building them up all throughout season one before launching into this break up plot. This scene is too little too late because we’ve spent too many episodes tearing Raps and Cass down for this plot to have the effect that they wanted it to.

Cassandra is just doing her job. She’s suppose to show Rapunzel around and help her with shit, that’s what a lady in waiting does. Cassandra’s friendship with Rapunzel shouldn’t be so tied to her career trajectory to begin with. Not only is it unhealthy but it then is used to victim-blame Rapunzel for all of Cassandra’s problems. Even though the only thing actually holding Cass back is herself, as proven in season three.

Timeline Confirmed

So it is indeed six months since Secret of the Sun Drop, give or take a few days to organize stuff before the trip. Meaning we’re now a year out from Before Happily Ever After. I point this out now, in order to prove something later on.

This Logically Should Have Been the End of the Argument, But the Writers are Dragging Things Out Needlessly

You know what I hate more than a ‘lack of communication causes drama' trope? Characters taking the time to communicate and still missing the bloody point and not resolving anything.

Technically, Rapunzel is still in the right. She is an autonomous person capable of making decisions for herself, and Cass does need to get over herself and treat Rapunzel as such and stop getting butt hurt over not being the one in charge.

But then we have to ruin that message by throwing in this line.

Like, yes you’re technically in charge here Raps, but making decisions shouldn’t mean walking all over someone's feelings either. Being a leader is just as much about listening as it is about taking charge and neither of these characters understand that yet.

And they never will, cause the writing for them is shit.

When I first saw season two I honestly believe that this would tie into Rapunzel’s previous conflicts regarding responsibility and hypocrisy. I thought they had an arc here about learning to balance assertiveness and personal boundaries, with genuine compassion and respect for others. Had they went through with that then this could have been something truly special, but they go and throw it all away come season three. Now its just heartbreak and frustrating to watch.

Also Stupid ‘Sisters’ Plot Foreshadowing

More on this later, but just know if you hate the idea of calling Raps and Cass sisters then blame Chris.

This Song Underlines The Core Problem With Cassandra's Arc

There’s no stakes.

I’ve already discussed at length now about how Cassandra’s goals and motivations are inconsistent, and how her actions don’t line up. But the reason the writers are struggling so hard to find something that fits her, is because the story has grown past her.

We’ve already seen characters who struggle with poverty, homelessness, neglect/abuse, and oppression. There are now tons of people in the story who are fighting just for survival, and they’re all regulated to either supporting roles, one off appearances, or are background characters.

So with that in mind what is there to justify Cassandra getting focus over them? What is she struggling with here that deserves more screen time and attention than, Eugene, Varian, Lady Caine, or even Adira?

Cassandra isn’t poor. She lives well off in the castle and has high ranking connections. She’s not even struggling with a job she hates anymore because we’ve already seen her promoted to the one she wanted by this point.

Cassandra isn’t homeless, she once again lives in the castle and if she chooses to leave she has plenty of opportunities waiting for her, as evidenced by Goodbye and Goodwill and Beginnings. Plus she’s shown to be capable of supporting herself both in this season and the next.

Cassandra isn’t oppressed. She can leave anytime she wants to. She can defy the king's orders in SotSD because she’s the princesses’s bestie. She doesn’t face jail or hanging just because she and Raps has a fight now and then.

The only thing going for her is possibly neglect/abuse, but that’s not been introduced into the story yet and isn’t what she’s discussing here. It also contradicts what was previously established between her and Cap in season one when it does come into play.

Validation Alone is Not Enough to Connect With Most of the Audience

Even the stanchest of Cassandra supporter often has to heavily project onto her in order to connect with her. Which isn’t a bad thing in of itself. Everyone projects to some degree or other when exploring media, that’s part of being human. But the problem is that because she’s so thinly written you’re left with little else but projection. And so you’ll hear excuses like, well she’s fighting the class system, she’s an abuse survivor, or she deserves to lash out over not getting what she wants when she’s worked so hard for it. But none of those excuses are actually presented on screen.

Cassandra doesn’t fight against the class system. If she did she would be fighting for everyone. She’d be singing about everyone’s problems not just her own.

Cassandra’s past abuse is just slapped on at the last minute and then disregarded when convenient. It doesn’t actually factor into the decisions she makes later on.

Also, you don’t deserve anything just because you ‘work hard’ nor because you just really, really want it.

It’s that point that I really take issue with.

On the surface Cassandra should be the most relatable person in the show. I mean what young adult or teen living in this post apocalyptic nightmare of a capitalist dystopia not ever felt disappointed over not getting the job they wanted or not being given enough positive validation while crushed underneath mounting unrealistic expectations. It’s the main reason why so many of her supporters are teenagers and LGBT+.

But all of those worries stem from something deeper than just a lack of positive reinforcement.

You know why I had to give up on my career as an animator?

It didn’t pay benefits.

I had medical issues and needed health insurance, but since most animation is commissioned and/or contract based, particularly if you live/work on the east coast, then you’re not going to get that most of the time. And this is after spending the majority of my time in college homeless, living out of my car, crashing on friends and families couches. I did this for three fucking years because I didn’t want to wind up in a textile mill or a carpet factory like everyone I else knew growing up, and I was told my whole life that if I went to school and worked hard enough I could have a well paying job that I enjoyed and got me away from my abusive home life.

People like me, we’re bitter over not getting the jobs we wanted or the support we needed, not because we believe we’re special and therefore deserve it or some such bullshit, but because our very lives are dependent upon it! We’re victims of a class system that lets you starve if you don't find work. Where you’ll be trapped in abusive situations cause you can’t afford a home on your own. Where simply being yourself can be dangerous as there are people who vocally want to deny us rights and even kill us.

Cass is an entitled whiny brat in canon because she doesn’t have any of those underlying issues. She doesn’t face real discrimination, oppression, poverty, or the looming threat of death hanging over her. She’s just throwing a temper tantrum.

Once Again Adira is Saving Your Butt Cass

Adira is quickly becoming one of my favorite characters in the marathon. I’m sorry I didn’t appreciate her more when I first watched the show.

Also, I’m Sorry I Didn’t Recognize the Awesomeness That Is Hector Until Now Either.

Like this is a good conflict. They both have legitimate reasons for what they do. They’re both in the right here. That’s what makes them interesting.

They’re both fighting for something. They’re home and the belief that they can fix things, vs the fate of the world and their loyalty to both the cause and their family. All on top of having their own relationship issues.

Hector so should have been the main villain of season two, because he just has the most reason to be opposed to the mains’ goal.

That’s more than whatever Cass and Raps are fighting about. The only thing at stake there is their friendship, which isn’t that big of deal when you compare it to the lives and safety of billions of people.

Plus Hector’s just flat out entertaining.

Why is Everybody Just Standing Around Doing Nothing Here?

Fucking do something you lugnuts!!!

You’re all capable fighters. You’ve all taken down much harder enemies than one lone guy and two bearcats. Why aren’t you helping Cass fight back? Or heck, if you wanted Cass to face Hector alone then have her be a distraction so that the others can escape. Anything but having them just stand there and be useless!

Yet Again I Have to Ask Why Should Cass Care?

Or rather why should the audience care?

Cass isn’t a lady in waiting just because some random jerk who's already taunting her and trying to kick her ass calls her such. Hector’s not from Corona and has no knowledge of Cassandra’s life beyond what he may have heard repeated by Adiria (who is also not from Corona) or what Cass herself said in her very metaphorical song. Nor does either them have a say in how Cass’s career goes.

If you want to push the narrative that Cass is still a lady-in-waiting and a maid, despite having earned Cap’s approval and being appointed by the king to guard Rapunzel, then you damn well need to establish that among the mains.

Or you know, stop trying to go back on what you’ve set up in season one.

So How Is This Suppose To Work?

So from the backstory that we get on both the Tree and Zhan Tiri herself, this shouldn’t happen. Like Zhan Tiri is currently trapped in another dimension and according to season three she has no possession powers herself.

Now the tree itself is said to be sentient and that Zhan Tiri took control of it, but how? How is a tree sentient? Why is it sentient? How did Zhan Tiri bend it to her will? Why is it still under her control while she’s been trapped in another dimension for hundreds of years? Why and how does the spear keep it dormant? Why does the tree itself have possession powers when Zhan Tiri has none? Is there any connection between this Great Tree and the cursed tree that was suppose to free Zhan Tiri back in Painter’s Block? If so then why are these things never brought back into play during season three?

Give me answers damn it!

Now This is a Good Conflit, Shame It’s Never Resolved

Both have valid reasons to do what they do. Both are neither right nor wrong. Both however wind up getting in the way of each other because neither will listen or trust the other.

Rapunzel thinks that this will stop Hector, and she is right it does, but more importantly she chooses this route because it gives everyone else a chance to run away. The problem is that she can’t control it, but from her point of view that’ll only put her and Hector at risk if everyone else will just do as she says and leaves.

Cassandra thinks the spear will stop it because it’s done so before, and that’s a logical assumption. It also means that Rapunzel herself won’t be in any danger, though the others might. Cass can’t free everyone at once like Rapunzel can. It’ll also be a threat to herself, and there’s the risk that tree will stop her before she can deal the final blow.

So what’s happening on a personal level is that Rapunzel thinks taking charge means that everyone needs to follow her say without question. Cassandra thinks Rapunzel should listen to her more, not because Rapunzel needs to listen better in general, but because she doesn’t feel Rapunzel is mature enough to make big decisions and that she herself should be in charge of the group. Both girls feel superior to the other and above other people as well, because they’re convinced they’re always right.

Had this been the actual conflict that they went with in season three, had they actually had both characters held accountable for their actions and learn something, and hadn’t dragged innocent people into their bullshit with so much as a ‘by your leave’ or ‘I’m sorry’; then this might have been a decent story. Perhaps not as impactful as Varian’s, but still meaningful, thoughtful, and well, coherent.

But that’s not what they did, and we’ll see no real resolution to this disagreement.

So Why Is No One Affected By the Hurt Incantation This Time?

Eugene here was injured by the tree earlier, that’s why he’s past out, but everyone else remains unharmed by Rapunzel’s singing. Even though just last episode everyone around her were dying from it, and again in the season finale everyone dies from said incantation. But here and in Rapunzel’s Return, Rapunzel can use the incantation without harming anyone nearby so, how does that work?

Some people have suggested that when Rapunzel focuses her hair on a target like the tree here or the amber later, that it doesn’t spread to other people, but that’s never stated on screen so it’s still a flaw.

Well This Goes Nowhere

I think the writers just like throwing in shocking ‘twists’ and moments like this just for the sake of looking edgy and ‘deep’ but then they never actually follow through on the impact of such moments on the characters nor consider the more troubling implications of including them.

I grew up on Gargoyles, Batman the Animated Series, the 90s X-Men Cartoon, and The Pirates of Dark Water. I’ve seen far more shocking and edgy stuff than this when I was six years old. In many ways the american animated tv landscape has regressed since the early 2000s when it comes to more mature cartoons, and no that’s not a complaint about modern cartoons being bad; some are good some are bad, just like its always been; but that culturally we’ve shied away more from darker moments like this and we’ve having to push for them all over again in media.

But the difference between Tangled and those 90s cartoons I’ve mentioned is that Tangled’s darker moments are misplaced. It clashes horribly with the more comedic route that the series usually takes and as such they don’t get the focus that they need too.

After season two is done, Cass’s hand will never be mentioned again. It does not tie into her later motivations at all nor influences her actions. Throughout the series she’ll be able to use it easily without consequence. We don't even get any on screen confirmation if it’s healed by grabbing the moonstone, by the sundrop incarnation in the finale, or if she just forever has a burnt arm. That’s how little importance it is to the story.

This Also Goes Nowhere

Hector calls out this warning but it’s then never followed up on. Adira is proven not to be a liar at all and nobody in the group is actually doomed. Yes the wider world is put in jeopardy, but that’s Cass’s fault not Adira’s.

The writers were too focused on making Adira the red herring for Cassandra that they forgot to make her an actual person, with wants, feelings, desires, goals, and a life beyond her mission. She’s never shown helping her family and barely interacts with them, she’s never given a reason for why she keeps disappearing, and the idea that she’s doing this to save her home is just supposition on my part because otherwise she has no reason. The series never gives us one.

And ‘Destiny’ Is Not A Fucking Reason!!!

Oh, So Adira Will Help Hector But Not Quirin or Varian?

If Hector and Adira consider each other siblings because they’re both in the Brotherhood, than logically Adira would consider Quirin her brother as well, and Varian would be her nephew.

She was around long enough to see the final battle in SotSD. That’s why she appears at the end of that episode, how she knows Rapunzel is the sundrop and has ‘seen her power’, and how she knows that the group has met both Quirin and Varian before now.

She knows that Quirin is trapped in amber. She knows her nephew has been arrested by a kingdom with a poor track record of punishing orphaned teens and poor people with overly harsh sentences. So why didn't she do anything there?

We find out during season three that the black rocks can cut through the amber, and its established that Adira’s sword can cut through the rocks, so clearly she didn’t even try to save Quirin has just given him up for dead. But there’s no reason why she couldn’t have broken Varian out of the prison and taken her with him.

In fact Adira hiding Varian from the rest of the group during season two would have been an actual reason for her disappearance and an actual reason not to trust her. That would have upped the stakes and given Cass reasons for what she does. Plus more time for Varian’s redemption, more chances to call out Rapunzel and Fredric on their BS, and ties seasons one and two together better.

Seriously leaving Varian out of season two was the dumbest decision in television. Putting Varian back in actually fixes everything in the show.

The Real Reason for the Burnt Hand is a Costume Change for Cass

I don’t know if she even got merchandise for this costume.

Conclusion

Much like season one’s arc episodes, The Great Tree held a lot of promise that was then completely wasted by season three. It’s also one of the very few episodes in the season to have actual stakes and conflict so it easily jumps to the top of the pile. But what it sets up is then never resolved or expounded upon, making it a waste.

Next up we’ll have the mid season recap.

#tangled #anti-tangled #anti-cassandra #anti-rapunzel #tangled the series #rapunzel's tangled adventure #adira #hector #the brotherhood

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lablass-2882 · 5 years ago

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How the Akuma Class handles Social Distancing. Part 1

So. I’m a little board and tried of either cleaning, editing pictures or more cleaning. So, I decided to try my hand at a little bit iof fanfic just to keep my creative mind active but focused on a different skill set. Editing pictures will really take it out of you after a while. Any who, here is my take on who the akuma class from ML handles social distancing during these strange times. Enjoy.

Marinette: She is handling it pretty well. If she’s not out doing her ladybug thing, she is helping her parents with the bakery or working on commissions and projects. Speaking of the bakery. It’s doing okay. Tom and Sabine re on top of everything, even before the virus hit Paris. Sabine has family in Wuhan and was actively sending care packages to them when this whole mess started. From the moment that the virus hits Paris, they were on the move; face mask, hand sanitizer, gloves, the whole nine yards. They knew it was to coming and they know what they’re doing. With the mandate, the shop part of the bakery has closed. Instead, they’ve switched to an online store that does home-delivery and curve side pickups. When they can, all three of them drop of box-lunches at the hospitals for the nurse. Doctors and nurses alike adore them. Marinette as hosted a few furnishes for a variety of causes through her website (common head-canon idea). She posts specialty outfits, items, and even some helpful DIY videos. About once a week she hosts a live chat where she talks about sew tips, baking recipes, and even some meditation cycles to help with anxiety. She doing her part on both sides of the mask. As Ladybug, she’s doubling down on her public messages. Follow the guidelines, obey the rules set up by the stores, respect people's wish but most of all be kind to one another. We’re all in this together. Thankfully Hawkmoth isn’t trying to capitalize on this mess. Even he knows not to F@%# with this virus. On the first day of the mandate, his butterflies delivered a message to Ladybug and Chat Noir. No Akuma Activity until this virus is beaten. Stay Safe and Stay healthy. She still patrols but she trusts Hawkmoth enough to know that he’s being honest with them.

Adrien: He’s doing okay, not terrible but not great either. If it wasn’t for plagg and his bodyguard Gorilla, Adrien would have gone crazy from all the silence. Thankfully he can still sneak out as Chat Noir but that only helps so much. Nino decided to host weekly therapy sessions online, to keep his bro’s hopes up. He gets it. There’s only some much isolation a boy can take. To lessen the isolation, he helps out with both Marinette and Chloe's furnishes. He even does one of his own for the local hospital. When his father allows it, Adrien makes a few appearances at the hardest hit hospitals. In the correct project gear of course. Gabriel may be a super-villain that preys of negative emotions, but he’s a man who lost his wife to an illness. He won’t dare touch a hospital. Period. They at least tried to help his wife and for that he is grateful. If there is a silver lining during this whole mess it’s that Gabriel can’t ignore Adrien if they are both stuck in the house together. By the end of the first week Adrien, Gabriel, Nathalie, and Gorilla are all playing board games with each other of an evening. Adrien even starts to feel like he has a family again. As Chat Noir, Adrien does what he can to help Ladybug, and has even taken to dropping off lunches to police officers, doctors, and nurses on the night shift.

Lila: She is having a terrible time. If she’s not the center of attention then what is she DOING! She tries every which way to spin this disaster in her favor. From claiming that she doing charity work to that she helping find a cure for the virus. She even tries to claim that she has the virus itself. The class offers to help various way but they all come up bust. The class’s parents aren’t buying her lies and they certainly are up for letting their children send this random girl money. Her ideas become more and more desperate as time goes on. The last idea ends up with her entire building being placed under quarantine. People are relieved when the test comes back negative, but slightly less relieved when they find that she lied about the illness and causes an issue for attention. (Especially after Rose gets sick from trying to help Lila by getting her supplies and other items she wanted.) Lila and her mother have a very long talk and she later makes sure that Lila publicly apologies for lying. All of her electronic get taken away except for weekly online therapy sessions with a specialist. Her mother is in attendance for most of these. She can’t even get Hawkmoth to send an Akuma her way. When she tries, she gets a message/scolding to take this virus seriously.

Alya: She’s not doing so hot, better than Lila but she is struggling. She’s hunkered down with her sister and thing escalate quickly from there. All normal methods of stress relief are thrown out the window on the first day. Nora can’t train, Alya can’t hang out with her friends and the twin are mini tornados in their own right. By the end of the first week, Mr. Cesaire is just about ready duct-taped their bedroom doors shut for a moment of peace. It’s bad enough that this virus is out of control but top that off with all four of his daughters being confined to their apartment and his wife struggling to keep her job afloat. The breaking point has be reached. When one of Mrs. Cesaire's staff workers gets sick, things get real for the family. Mrs. Cesaire is quarantined and isolated for her family for a solid two weeks. This ends up bringing the girls closer together. They put aside their bickering and work together for ounce. Nora does a lot of the cooking, Alya helps with the cleaning and the twin do what they can. Together they find why to make both of their parent's smile and brighten both of their days. As for Alya’s blog, she switches gears and temporally becomes a virus watch blog. She doubles down and finally; fact checks things to bring her followers information on the virus and not just here say. By the time the whole Lila mess goes down, Alya is starting to come to her senses.

Nino: He doing pretty alright. He ends up working on his music and even does some Tik-Tok videos with his brother. He misses being able to see everyone but understands why he can’t. Nino talks to Alya daily and tries his best to help lessen her arguments with her sisters. (He’s just thankful he and Chris get along so well.) He also talks a lot with Adrien and tries to help his bro out with some music therapy sessions. Both of his parents end up working from home during the mandate, which puts pressure on Nino to help out more around the house. Surprisingly he finds it quite relaxing to do housework. He ends up rearranging his room to accommodate his music better, sets the kitchen up for quick lunches when his parents need a break and even stages a mini theater in their living room for plays. Turns out Chris likes musicals and Nino is all for help his little bro find his talent.

Rose: She gets sick. Nothing life-threatening but she still mangers to catch the son-of-a-bitch virus. Rose ends up getting the virus when running earns for Lila. At the beginning of the mandate; Rose tries her best to spread joy and to helps where she can. She posts daily self-help videos, sing-a-longs to lighten everyone’s mood and art projects with positive messages. When she hears that Lila has gotten “sick” Rose springs into action. She becomes a whirlwind of positive energy and dedicates herself to helping her “friend”. This results in her getting sick instead. When Juleka finds out she heartbroken (and super angry at Lila who isn’t even sick.). But true to Rose’s nature, she still finds ways to lift everyone's spirit. During her entire quarantine, Rose post daily vlogs about her progress and health. Prince Ali, immediately sends over the best doctors he could spear to help poor Rose. She ends up turning them away but she does suggest that they visit the local hospitals for support. She ends getting pretty sick for a short while, thankfully it passes quickly and she back to normal by the end of the spread.

This ends part 1. Part will be up shortly..... just as soon as I grammar check it..... Like I said, I was board and I’m getting tried of the “whoa is me” attitude on the news and social media. I prefer the more up lifting attitudes of people spreading joy and love during this dark times. (P.S. I’m basing this off of what currently occurring in the U.S. I think Pairs followed Italy example but feel free to correct me) Feel free to add in your own ideas. And remember; we’re all in this together.

Enjoy!

#mirculous ladybug #ML #marinette dupain cheng #adrien agreste #alya cesaire #Lila rossi #rose lavillant #Marinette #Lila #Rose #Ml Fanfic #corinavirus #We are in this together #Social distancing au #adrien #Alya

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realbodyrevolution · 5 years ago

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Practical Guide for Body Acceptance

By Real Body Revolution

I hear this question a lot – “How do I begin to accept my body?” or “Where do I start?” If you’re asking this question, you may already intellectually understand body acceptance and even support it (particularly for other people), but how do you apply it to your own life? How do you take theory and put it into practice? Here’s what worked for me and I sincerely hope it will help you. Remember, the journey will be different for each traveller, but maybe this will get you going in the right direction!

1. Learn! Understanding the social context and history of beauty standards was very empowering for me. It helped me realize that this isn’t a “me” issue. I am not alone in this and the self-loathing I’ve been feeling was generated externally and had been nurtured since early childhood. I also discovered that all this “thin = health” stuff is BS, along with dieting and weight loss in general. The messaging we keep receiving from this War on Obesity is not in line with the science and is actually more like a faith-based religion that irrationally hates fat. Here’s a list of books that were pivotal in my journey: Body Acceptance Arsenal. Check your library if funds are tight!

2. Update your internal beauty standard. This is the idea of beauty you hold in your mind, shaped by decades of external influence and formed by seeing the same unrealistic, unattainable versions of beauty over and over again, until you believe that it’s the only way to be beautiful. It’s not. To update your internal beauty standard, you can use my Tumblr or any others that regularly post images of diverse bodies. I created my Tumblr to serve as a library of images that do not conform to traditional beauty standards with the purpose of nurturing body acceptance and updating the viewer's internal beauty standards to include a diverse range of bodies. This is a counter measure to the millions of messages we are exposed to daily so please, check in often to maintain a more inclusive view of beauty for yourself and others.

Also, curate your social media feed by unsubscribing from accounts that promote traditional beauty standards. You’ve seen enough of this to last a life time and will continue to be exposed to it on the daily just from magazine covers at grocery store checkouts to billboards when you’re walking to work so, no need to see it on your feed. Subscribe instead to accounts that promote body acceptance or diverse imagery. Here are some suggestions of people to follow (it’s not an exhaustive list at all, just something to get you started): https://www.verywellmind.com/body-positive-influencers-4165953 I also recommend: Christy Harrison, Fat Girl Flow, Margie Plus, Dexter Mayfield, Yulianna Yussef, Baddie Winkle, Ruby Roxx and Advanced Style.

3. Create a support system of like-minded individuals. You can do this by sharing what you’re learning by those around you, but not everyone in your life will be receptive to this (sadly). So I would suggest joining some online support groups, like on Facebook. Make sure the groups are diet-free zones and for every body.

4. Start healing your relationship with food and ditch diet culture for good. If you do the readings I suggested, you will learn the truth about dieting. Knowing the truth isn’t enough though, you have to actively break-up with diet culture. Throw out your scale and if you can’t stomach doing that yet, get someone to hide it for you. Out of sight, out of mind. I would also strongly suggest exploring and practicing Intuitive Eating. There are a lot of great resources out there for this, but my favorites are The F*ck It Diet book and Julie Duffy Dillon’s podcast “Love, Food”.

5. Rebuild your self-worth. Being beautiful is not rent you owe the world for existing and your appearance and weight do not define your worth. What I’ve found super helpful is developing an inner nurturing voice to counter my inner critic. I wrote a separate post on how to do this here: Silencing Your Inner Critic and Developing a Nurturing Voice to Replace It.

6. Practice self-compassion. Touch yourself lovingly, especially the parts of your body you’re disconnected from or feel the most animosity towards. Stroke these parts softly and say loving things to them while you do it. For me, it was my tummy. I started referring to it as my marshmallow and thanking it for turning food into energy and keeping me alive. Treat yourself the way you would treat a loved one or a child and stop punishing yourself! For example, don’t wear or hang on to clothes that are too tight for your current body and remind you constantly that you’ve gained weight. Self-care can mean doing a closet purge. Get rid of your “skinny jeans” because they are a daily subconcious message that you’re “hoping to get into them again some day”. Go through everything, try it on. If it doesn’t fit, it comes out of the closet. You can either purge these items or tuck them away in a storage bin. Replenish your wardrobe with items that fit (the size doesn’t matter, only the fit) and that make you feel confident. If you’re on a budget, you can do this process one item at a time, as you can afford it.

7. Let go of the dream of future weight loss. This part was the hardest for me and I went through a grieving process when I had to finally let go of some future skinny version of me. One thing I did is write down all the things that I imagined being thinner would get me in life and then address each of those things individually. For example, one thing I identified was that I had this fantasy of wearing a bikini on the beach with confidence. Turns out, I can wear a bikini on the beach at any size if I have internal confidence. Also.. what beaches am I even dreaming about? Tbh, I don’t even like the beach and have no strong desire to go to one regardless of what size I’m in – I don’t do well with heat, sand, water in my face or sharks. A lot of the fantasies I had in my head about being thin had never been challenged before and did not hold up to scrutiny so were surprisingly easy to demolish.

8. Face your internalized fat phobia. It can be a really uncomfortable process, but you need to face your deepest, darkest, hidden feelings about fatness. For me, body acceptance was okay for everyone else, just not for me. I still (secretly) wished I was thinner. I still (secretly) felt like my fat body wasn’t worthy as it was. Similar to the process above, I wrote out everything I was telling myself about what fat means for me. One thing that came out of it was the fear of not being attractive to others. Here’s the thing I now know with certainty - I don’t want to be chosen by others for what I look like. I flat out do not respect people who body shame or dismiss people based on appearance. And I recognize appearance changes with age, so anyone choosing me based on my appearance is only choosing how I look in that moment – it’s a temporary, superficial choice. So why would I invest my time and energy into someone like that? The one thing I can count on in life is that my body will change over time and with age, so I will not commit for less than unconditional love. Also, quality over quantity! If you are conventionally beautiful, you may have more people chasing after you.. but what kind of people are they? And how exhausting and frustrating would be it be to have to sort through all these superficial, shallow people who only like you for what you look like? In my humble opinion, it’s not a benefit, it’s a time waster. I now look at being fat as a super power when it comes to relationships of any kind – my fatness will expose someone’s fat phobia, shallowness or body shaming tendencies lightning fast and I don’t have to waste any more time with them.

9. Stop comparing yourself to others! Comparison is the thief of joy and another person’s beauty is not the absence of your own. A useful metaphor is to think about flowers. There is a huge range of diversity among flowers. All different shapes, colors, sizes and formations. All beautiful in their own way. And people all have different tastes when it comes to flowers - some prefer calla lilies, others prefer the black bat flower. Remember: “A rose can never be a sunflower and a sunflower can never be a rose… all flowers are beautiful in their own way and that’s like women too” – Miranda Kerr. Take this a step further and actively lift other people up on a daily basis. This can be people you know or complete strangers. If you see someone walk by with a killer outfit, tell them you love it. If your friend is considering dieting, tell them they are worthy exactly as they are – no diet necessary. This can help move you beyond jealous feelings caused by comparison and help you develop an appreciation for others instead of competition.

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Keep in mind that this journey is tough and requires effort. You’ve been bound in self-loathing for decades and it all has to be undone, one knot at a time. It’ll feel daunting and will be full of ups and downs. While you are healing your relationship with your body and food, you will probably be triggered often. Whenever this happened to me, I would use the trigger as a tool to show me what I still needed to work on because part of why it bothered me was because I believed it was true (otherwise, I would have dismissed it as rudeness or ignorance on someone else’s part). To move beyond feeling triggered or discouraged, do something to remind you of your goal of body acceptance and your worth (listen to a podcast, view some diverse images, reach out to your online support group, re-read one of the books in the list, etc).

You can do this. <3

#body acceptance #self love #fat acceptance #body positive

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johnsblogbatv · 4 years ago

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Project Improvement #4 (Colour Correction)

As stated in the last blog, the next part of this project was to colour correct the first rough cut of the project. To colour correct, I wanted to explore DaVinci Resolve which is could be known as the industry standard software to use. This is a software which I have never used before therefore my use of it is from a beginners viewpoint. I have however completed some colour correction within AVID Media Composer, so I understand that a good image is one which balances the colour graphs (Histogram, Waveforms, Parade) across RGB at first. Then when grading you have licence to manipulate any colour you wish to present. To colour correct this footage I first had to export my AVID sequence into AAF form. This is another new process for myself so took some time to get my head around it all. However, in the end I used a consolidated export instead of a linked export as I expected to complete my CC offline (Away from my editing computer). This became an issue though because the device I intended to use didn’t have a big enough screen, meaning Resolve was difficult to use. Therefore, ended up just correcting the offline files on the same machine as I was editing. (This caused more issues but we will get to them later).

This image is roughly what my Resolve project looked like. Unfortunately I forgot to take a screen grab at the time, so had to a while after hence why the media is offline. If you can image that the big image is the one I am working on, then the colour wheels, curves and graph relates to the changing of that image. Splitting the 2 sections are the 69 different shots within the AAF sequence, and each one was to be corrected. On the right of the main image, is the ‘node path’, I believe this could be called many things however this is what I call it. The green dot at the beginning is the original image from the AAF, then you can have a number of Nodes, which are the locations for all the changes you make and you can have as many nodes as you want for as many different changes. The last green dot is then the final image output. This is a clear pathway for the changes you make. On the left of the main image is a gallery of stills. Once changes have been made and you want to replicate them onto many other shots you can right click, find grab still and in effect will generate a preset, which can then be applied to other shots.

To provide an example of the changes I made to my shots, here we can see an original shot followed by the edited.

The original shot featured a hint of yellow to the whole frame, this was something I wanted to remove. All changes were made through the RGB colour bars and the curves which I showed earlier. Overall the changes provided a more neutral tone with the contributor standing out from the background and providing a more foreground presence. To help the contributor stand out more, the sides of him have a feathered fade, by creating a shape, lowering the light and creating a large feather, it produces a slight vignette effect. The background can still be seen but it’s not visible enough to be taking the audiences eyes away from what matters. Not only that, I wanted the contributor to look less like a Simpsons character and more human so the more pinkish skin colour now shines through. When watching on a big screen however it could be perceived as a very ‘cold’ picture, with a hint of blue even though there is no blue actually present. This will be something I change further along the process of this edit however, for now it will do.

The next example needs more work however, details small corrections from the AAF footage. In the original, due to high exposure from the sun the contributors face looks slightly washed out, along with many other aspects such as the sky, grass and buildings in the back ground. The washed out aspect has been fixed however, needs more work because the sky has now gone the other way and is more of an unnatural blue. Also the image has now become orange, especially within the face, therefore many changes still to come in the colour correction and grading process.

As I said earlier, the workflow between AVID and DaVinci Resolve was the most problematic process of this stage. The issue was that because I expected to work offline, then I needed an offline AAF. Had I had been working with Linked media I doubt I would have had this issue, but for some reason AVID just couldn’t recognise the new AAFs from Resolve. After an hour of trial and error, I ended up just importing the MXFs which were created, however though I finally got the corrected footage into AVID, they didn’t have handles either side, therefore these clips couldn’t be lengthened if needed. Therefore as editing if I have needed to lengthen, I have had to go back to the RAW footage and splice that into my AVID sequence.

You could state that the correction and grading needs to be the last stages of the edit. However, I wanted to start this process at the point because I wanted to take a step back from the edit narrative and story line. By taking this step I felt it definitely made me noticed other aspects of the cut I would have never noticed if i just kept watching, re-watching and trying to edit. So by breaking up the editing, in the long term will help produce a more worth while story line.

In my blog post I will be speaking about how I am specifically creating the narrative as the number of rough cuts add up as I near the end of this project.

#editing #TV production #Bournemouth University #Colour Correction #avid media composer #davinci resolve

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lostanarchymagazine · 4 years ago

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American Flagg! is an American comic book series created by writer-artist Howard Chaykin, published by First Comics from 1983 to 1989. A science fiction series and political satire, it was set in the U.S., particularly Chicago, Illinois, in the early 2030s. Writers besides Chaykin included Steven Grant, J.M. DeMatteis, Alan Moore and John Francis Moore.

American Flagg, which ran 50 issues (October 1983 – March 1988), was one of the first titles to be published by First Comics, an early alternative press comics company founded in Evanston, Illinoisin 1983. Unusually for the time, the company offered its freelance writers and artists creator rights, including ownership of their creations. Regardless, writer-artist Howard Chaykin, then living in New York City, felt trepidation when First Comics approached him to do a project. He recalled in 2010,

My concern had all and everything to do with the fact that this was a brand new company, located in [a suburb of] Chicago. I'd always worked for companies I'd visited and had day-to-day-dealings with. [But] they talked about a financial plan that would make it possible for me to get out from under the debt I had accrued working for [publisher] Byron Preiss [illustrating early graphic novels]. It was encouraging, so I went home and concocted a scenario, a pitch document, and that was it.

Chaykin devised a series set in 2031, a high-tech but spiritually empty, consumerist world in which the American government has relocated to Mars, leaving what remains of the U.S. to be governed by the all-encompassing corporation known as the Plex. The series star is Reuben Flagg, a former TV star drafted into the Plexus Rangers and posted as a deputy in Chicago, Illinois.

The first 12 issues, running through cover-date September 1984, consisted of four interlocking, three-issue story arcs. Chaykin recalled his difficulty in producing 28 pages of art and script monthly. "I was still a smoker and a drinker at the time. And [the output was such that] I'd never done anything like that before, and it was insane. It just devoured my life [and] I had no assistants. I didn't know how to work with an assistant at that point, and it was a very difficult process. ... I was trying to do a fairly high-quality product and I didn't want to slough it off."

Chaykin made wide use of Craftint Duoshade illustration boards for American Flagg!, which in the period before computers, enabled him to add shaded textures to the finished art.Ken Bruzenak's lettering and logowork also won notice, as it was integral to American Flagg's futuristic, trademark-littered ambiance.

American Flagg's first dozen issues form one complete story that has influenced comic creators including Brian Michael Bendis and Warren Ellis. The comic made a huge splash at the 1984 Eagle Awards, the United Kingdom's pre-eminent comics awards. Chaykin and American Flagg! were nominated for ten awards, eventually winning seven. American Flagg! also won the 1983 Comics Buyer's Guide Fan Award for Favorite Comic Book and tied for the 1983 CBG Award for Favorite Character (Reuben Flagg).

After issue #12, Chaykin continued the series while also working on such other projects as his revamp of The Shadow for DC Comics and the graphic novel Time2, based on characters introduced in a one-off American Flagg! special in 1986. During this time, Alan Moore wrote a back-up story that ran several issues and concluded in an issue-length story.

Eventually, Chaykin left, to be replaced on a regular basis by first Steven Grant then J.M. DeMatteis. Grant left after only seven issues due to creative friction with the series's new artist, Mark Badger. According to Grant, he had wanted to continue doing stories in the same style that Chaykin had established, while Badger wanted to take the series in new directions. Chaykin returned for a brief run to wrap up storylines before the first volume ended in March 1988. The title was relaunched a few months later as Howard Chaykin's Amerikan Flagg!. This run saw Chaykin return to write the first issue before handing over to John Francis Moore, with Mike Vosburg and Richard Ory penciling and inking the interior art, but the franchise failed to recapture its early success and was canceled after 12 issues.

The story takes place in the year 2031, after a series of worldwide crises called the Year of the Domino (1996) has forced the U.S. government and the heads of major corporations to relocate to Hammarskjold Center, on Mars ("temporarily, of course"). In the wake of the American government leaving the planet and the Soviet Union collapsing from Islamic insurrections, there was a power shift throughout the world, with Brazilian Union of the Americas and the Pan-African League becoming the new superpowers on Earth.

However, the exiled American government, its corporate backers, and a group of technicians in the defected Soviet lunar colony of Gagaringrad form the Plex: a giant, interplanetary union of corporate and government concerns that conduct commerce and govern the United States from its capital on Mars. Many population centers are grouped around massive, fortified arcologies called Plexmalls and the law is enforced by the Plexus Rangers, the absentee Plex's Earthside militia.

The Plex has formed the Tricentennial Recovery Committee, to get America "back on track for '76", but the TRC is in reality a plan to sell the United States off to the new superpowers and to leech off the remaining inhabitants before gaining true self-sufficiency. As a result, the Plex has outlawed non-combat related education, organized sports such as basketball and personal aircraft, restricted media to only one outlet, the Plex itself (although it has multiple channels), and advocates and glorifies the use of political violence amongst independent policlubs by providing money and firearms for its hit TV show Firefight All Night LIVE!, and covertly sterilizes the population by using a combination contraceptive and antibiotic called Mañanacillin to reduce the population.

This all changes when former television star Reuben Flagg is drafted and transferred to Chicago's Plexmall to replace the local Ranger Hilton "Hammerhead" Krieger's fallen partner. He witnesses widespread graft and corruption throughout the Plexmall, but also a series of subliminal messages implanted in a television show that are causing outbreaks of gang violence. After he uses his emergency powers to interrupt the broadcast, he not only ends the violence, but also brings forth a series of events that causes the Plex to send in covert agents, the death of Hilton, and the unveiling of Q-USA, a secret TV station owned and operated by Krieger that opens Flagg's eyes to the nature of the Plex.

As the series progressed, Chaykin took less and less of a direct role in scripting and plotting the stories out, and by the third year of its run, he really had nothing to do with the book other than cover art. Stories began to violate the rules that Chaykin had explicitly stated in the writer's bible for the series (for instance, California was said to have slid into the Pacific Ocean, but in the final year of the book, California was merely shown to have been abandoned for reasons that were vague at best), and characterizations began to drift considerably as well. (Among other things, Flagg abandoned his interest in 1930s jazz, and was frequently shown listening to late-1960s rock, as well as becoming more of a traditional stern-jawed good-guy hero). After trying and failing several times to shore up declining interests, First Comics decided to lure Chaykin back into the writer's seat. "American Flagg!" wrapped up its principal storyline with issue #50. By this time, Reuben Flagg had traveled to Mars, overthrown the Plex, and become President of the United States. He then decided to separate Illinois from the United States and run it as his own personal fiefdom. All issues of this series took place in the year 2031.

The next year, the comic was re-launched under the name Howard Chaykin's Amerikan Flagg! (The "K" and a reversed "r" were to reflect the fact that most of this series took place in Russia) and picked up from where the earlier book had left off (in 2032). There is some difference of opinion as to whether this new book was intended to be a limited run, or open-ended as is the norm with comics. In either case, it ended after twelve issues. The final issue ends with a photo album of the Flagg's future domestic life, with lots of kids, a screaming shrew of a wife, and a balding, overweight Flagg.

Characters

Reuben Flagg, born in 2000 at Hammarskjold Center, Mars, to Axel and Rebecca Flagg, was a stand-up comic and popular television star of the show Mark Thrust, Sexus Ranger. After he was made superfluous by CGI technology, he joined the Plexus Rangers and emigrated to Earth, being stationed in the Chicago Plexmall. Flagg is Jewish, and his parents' "undesirably bohemian" attitudes have given him an idealistic view of the United States that runs contrary to the Plex. He has a desire to set things right again, and through inheriting Q-USA, begins to set on that path.

Raul the cat, an intelligent, talking orange tabby housecat. With the exception of his intelligence and his ability to speak (an ability whose origin is never explained), he appears to be otherwise a normal house pet. However, he has a customized set of cybernetic gloves, designed by Mandy Krieger, that give him opposable thumbs.

Hilton "Hammerhead" Krieger, was Flagg's superior at the Chicago Plexmall. A co-founder of the Genetic Warlords motorcycle gang along with Charles Blitz, but after his 13th arrest, the Plex drafts him because of his criminal experience. Intending to take advantage of the fledgling organization, he meets his future wife Peggy and stays with the Rangers. He does not trust anyone, not C.K., the mayor, not his wife Peg, not his daughter Mandy, and, while a Plexus Ranger, he especially does not trust the Plex. He runs an underground television station called Q-USA that broadcasts illegal sports, pornography, and pre-collapse movies and television shows. He is killed by a Plex secret agent, and his cat Raul gives Flagg the keys to the station. He also leaves behind a video explaining to his "heir" the truth of the Plex and the rules he wishes his successor to follow.

Amanda "Mandy" Krieger, daughter of Hilton, she is the air traffic controller for O'Hare Chicago Plexport. However, since the O'Hare Plexport only receives two flights a week, Mandy spends her time tinkering with electronics or getting into mischief. She later becomes a deputy to Flagg.

Jules "Deathwish" Folquet, captain of the Skokie Skullcrushers basketball team. Despite his punk appearance, his hulking size and the extreme nature of the sport he plays, Jules is quite intelligent. He is referred to as the "king of the two finger lobotomy." He first teams with Flagg to resolve a hostage crisis, but later forms the Video Rangers auxiliaries, and then becomes a Ranger deputy. He also later hosts a talk show with Raul called the "Him and It Show". In the second series, he renounces his violent ways, and, through a remarkable series of events, becomes Pope.

Charles Keenan Blitz, also known as The Honorable C.K. Blitz, a co-founder of the Genetic Warlords along with Hilton Krieger, also ended up getting drafted into the Plexus Rangers, but ended up leaving to become mayor of Chicago. Blitz has his hand in every deal, regardless of how illegal it may be; is extremely wealthy and corrupt; and has killed political opponents. As a side venture, he runs the Skokie Skullcrushers blackmarket basketball team. He is usually flanked by his two robot bodyguards, Bert and Ernie, named after "a private joke no one under 40 understands". He has had affairs with Mandy Krieger and with Peggy Krieger, while Hilton was fighting a brushfire war in Carracas, which lead to her being kicked out by Hilton and giving birth to...

Medea Blitz, the offspring of C.K. and Peggy. Early in the series, Medea is a wild child and hangs out with Cyril Farid-Khan, gang leader of current Genetic Warlords. She has a secret affair with Hilton Krieger, but after his murder, is considered a suspect and is involved in a traffic accident, which causes her to miscarry Krieger's child. In order to clean up her act, C.K. Blitz has her join the Plexus Rangers to straighten her out. As the series progresses, Medea is shown to become more and more accepting of the Rangers and becomes a decent team player in Flagg's group.

Sam Luis Obispo also known as Ned Beaumont, also known as Tom Slick. A hustler Reuben meets in Havana while escorting the Skokie Skullcrushers, he later partners with Flagg for most of his time in South America. He has an affair with the wealthy daughter of the Brazilian ambassador, which causes all sorts of problems for Flagg and himself.

William Windsor-Jones, but his best friends just call him Bill. Bill is the youngest member of the Witnesses, a gang of octogenarian rebels. He helps Flagg out from time to time, giving him intelligence and technical support. He later has become a newscaster for Q-USA. Bill is Prince William, and the rightful heir to the now-abolished British throne.

Luther Ironheart, a robotic Plexus Ranger with a head that consisted of a holographic projection. Assigned to be Reuben Flagg's partner on patrol. While not very bright, he exhibited superhuman strength and agility.

#american flagg #american flagg!#mark thrust #howard chaykin #dystopia #dystopian #1983 #silversteel rocks #first comics #howard chaykin's american flagg #bob violence #mojo el diablo #comic tropes #overlord comics #strange brain parts #reuben flagg

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irwinkitten · 6 years ago

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knockout round | a.i

(gif credit to @asht0ns-world )

pairing: reader x boxer!ashton notes: so the who do you love video lowkey inspired this. even tho the majority of the video is lowkey pointless, the looks that ashton was giving the camera gave me such a boxer!ash vibe and lets be real i’m a hoe for possessive and jealous ash. thank u to @asht0ns-world @singledadharrington, @gorgeouslygrace, @sugarcoated-pain and @5sosnsfw for letting me throw out my ideas of this and killing you all with the potential plot ideas. also thank u christa for being the best cheerleader, i love u angel. and massive thank u to lena for finding the gif bc my laptop has issues warnings: violence, smut word count: 3.1k!!

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Boxing had always been apart of Ashton’s life. He’d never really known a part of his life without it.

As a child, his temperament was always short. Teachers called him the problem child and people never wanted to be his friend. But he still managed to find three friends and forge a tight bond with them that people often called them brothers without even realising there was no familial resemblance to the quartet.

When his mother had enrolled him into boxing classes, after expressing an interest in the programs that he watched with his parents, they soon realised that with the lessons that he went to, his anger simmered down and his fuse seemed to get longer with each passing year.

By the time that Ashton had reached his late teens, he was the lightweight champion of the area. As he continued to grow, put on the muscle, and move up in the divisions, he was making a name for himself. He was one that wasn’t to be messed with.

As his name gained traction with the media, so did stories of his childhood, his anger. And he was a lot more honest about his childhood than most boxers.

“I had a good environment. But I have anger issues and I know that I have them. It’s taken years of hard work to get to where I am today, but I know that the driving force has always been my anger. It’s both a blessing and a curse.”

His competitors could never find his achilles heel. His love life was never a subject that he talked or posted about, and despite a few competitors going below the belt and making remarks about his mother that would’ve angered any man, he’d held his cool and then thoroughly beaten them the next day.

When she came into his life, it was steady. She’d just come from a bad relationship, her heart in tatters and the two of them shopping late night. He’d been running for last minute prep and she’d decided to drown her sorrows in alcohol and ice cream. She knew his name, knew his title that he held in the boxing world.

But she didn’t care. All she cared about was he’d picked up the last tub of her favourite ice cream and just at her absolutely defeated look, it prompted him to offer her a deal.

“Let me at least take you out somewhere for the day where we can be kids again. I’ve got some days off coming up anyway.”

His words had prompted the smallest of smiles as she accepted his offer as he handed her the ice cream and she gave him her number, under the stipulation that he wouldn’t be creepy about it.

And despite giving her a mock offended look, he understood her wariness of giving her number to someone who was essentially a complete stranger.

From then on, she became a rock in his life who seemed to have his back regardless. His three friends from childhood who’d all become apart of his management team as he gained status with his boxing, noticed how he was always in better moods, he stuck to the plans before fights and before long the friendship blossomed into a relationship that he was protective of.

But of course, whilst in the media spotlight, he knew that keeping such a relationship quiet was always going to be impossible.

But the day that it’d been announced that he was against her ex, the very one who left her a broken woman in the ice cream aisle, he knew that this fight was going to be important, whether she acknowledged it or not, this was payback for hurting the beautiful woman he was resolutely in love with.

He’d never been so revved for a match before.

Ashton knew that she was worried, that her bottom lip would be shredded beyond belief from her teeth. But he wasn’t.

Dean Martin has gone the wrong way to rile him up, to use his girl as verbal bait. And hearing the derogatory terms, Ashton wasn’t too sure if he was grateful that Calum’s hand on his bicep reminded him where he was, or if he was still annoyed over it.

He was certainly annoyed that the hand turned into a restraining arm when Martin had made a comment of bedding his girl, with or without her permission. He’d seen red and as rage flooded his body, his muscles locked up, ready to pound the fucker down.

Calum had hastily pulled Ashton away from his opponent, opting to keep the distance between them so that Ashton wouldn’t be tempted to knock Martin out before the match.

The headlines went wild with those shots and the look of undiluted rage on Ashton’s features. People were very quickly realising that even he has his limits and Dean Martin had managed to break those limits clean.

Being with her before the match, his hands were firmly around her waist as she stood between his legs. Despite his trainer telling him no distractions, she was never a distraction. Only an anchor. And right now he needed to ground himself because the last thing he wanted to do was lose this fight to someone like Dean Martin.

“Baby, you’ve got this fight in the bag.” She hummed softly, her lips ghosting across his cheek. Ashton sighed.

“I hate the fact that it’s your ex I’m fighting.” He finally admitted and she sighed, her fingers running through his hair. His eyes fell shut of their own accord, her touch soothing the rage that was bubbling under the surface. Martin’s comments still rang in his ears.

“He wasn’t a good man. You’re the better man, better partner.” The words were soft, almost caressing his soul and he felt reassured.

“Only because of you, sweet girl. I’m better because of you.” Her lips curved up into a wry grin as she leaned down, pressing a soft kiss to his forehead.

“I’m proud of you Ash. You’ve got this fight in the bag, and if that boy tries what he did for the weigh in, I won’t be angry or upset. Lord knows you’ve told me time and again that anyone disrespecting me within earshot of you will earn them either a verbal lashing or a physical one depending on their words.” Her tone was teasing, reminding him that she wouldn’t be angry with him.

It’d been an issue at first, his verbal and physical responses to people being either disrespectful or derogatory about his girl. But only when he told her his reasons, how he was raised to respect a woman, regardless of any kinds of relationship, she understood that it was something that he could tone down but not necessarily control.

And they compromised on it. He tried to keep it to verbal smackdowns, and only if someone threw the first punch, did he defend himself. His reputation grew within months and soon when they’d been together for two years, he was at the top of his career.

“Irwin, ten minutes. Your girl needs to go.” Calum had re-entered the locker room, giving her a brief smile. “Seats for you are close to ringside. He’s on the blue corner.” She nodded, pressing another gentle kiss to his forehead before making her way, ruffling Calum’s hair as she did.

Ashton laughed at the disgruntled look on Calum’s face and he could feel his body begin to gear as he did the last minute stretches.

“Martin’s going to hit hard and fast. You need to be swift. Don’t use everything you have until he starts to wear down.” Ashton nodded, focusing on the aspect of the fight, rather than who he was fighting. He couldn’t let his anger cloud his judgement or moves, not so early on into the match.

Calum was soon hustling him to the entrance corner, both of them knocking fists together before he rushed ahead to prep his area. As the music began playing, he pulled the silk robe on, the hood falling just over his eyes as he made his way out, loud screams causing a smirk to slip on his features as he began the walk through, Luke and Michael following behind at this point and keeping people on the floor seats from mobbing him.

Martin was stood scowling, doing a last minute stretch as his gloves were being put on. Once Ashton was in the ring, Calum was there, pulling the robe off and getting the gloves onto his wrapped up hands.

“Remember, you might be fucking angry with him, but I swear to god Irwin, if you let this fucker beat you, I’ll kick your ass myself.” This caused Ashton to crack a smile before Calum put the mouth guard in and Ashton went and met the ref in the middle. He and Martin touched gloves before the bell went and the first swing came from Martin, aiming for the jaw, causing Ashton to bend backwards to avoid getting clocked.

The noise was deafening and Ashton knew his focus was slipping as Martin landed in some good punches. It was getting close and he could feel himself dropping as he lost the round, his lip bloody and a cut on his cheek, half staggering back to Calum who seemed to be trying his best not to berate him.

But then she was there beside Calum, her hands on his cheeks once he’d been checked over.

“Do me proud, Ashton Fletcher. I know you can beat him.” And his second wind came as the next round got ready.

“Gonna let your bitch lean over for me later when I win? It’s all she ever really was good for.” The comment was crass, but the fuse was lit.

“Irwin, don’t let anger cloud your judgement here.” Calum snapped harshly. The last thing they needed was his focus to be lost, but if anything, his focus was sharpening. And he could feel the anger bubble under his skin.

“C’mon Irwin. Make sure to share the spoils. I mean, she’s second hand goods, surely you’re not still with her?” Ashton’s eyes caught hers and he could see she’d heard his calls. His fuse seemingly got shorter as he gave her a reassuring smile, taking the offered water and taking a few seconds to calm his racing heart.

“How about this, I share her with some buddies and drop her back to you. She might be in reasonable condition if she doesn’t fight like she used to. Always feisty until I got her to see sense, if you catch my drift.” The smirk on Martin’s lips as the words left his mouth snapped something inside of Ashton and the anger that had been bubbling, flooded.

And he was furious.

The bell went and Ashton immediately had Martin on his back foot, unable to even get close for a hit as Ashton’s fists repeatedly went for him, reminding himself to not murder his opponent.

It didn’t take long before there became a real look of fear in Martin’s eyes and Ashton felt no ounce of sympathy as he landed a knockout and the crowd roared in approval. It didn’t take long before the last round was won and his arm was being raised, a bruised rib protesting as he was handed the belt and his lips curved into the widest smirk.

Martin was lucky to get away with the injuries that he got. Two visible black eyes, a few cuts and Ashton was almost certain he managed to at least fracture a rib with the force of his hit at one point. Part of him wished that he broke something clean but he’d take what he could get in this fight. Knowing that he’d gotten what he deserved, settled the anger to a simmer, the adrenaline still flooding his body.

As he exited the ring, he couldn’t stop himself from pulling his girl into his side, his lips meeting hers in a soft, sweet kiss, ignoring the disappointed noises. Once he pulled away, his gaze moved to Martin, staring at him out, his grip only getting marginally tighter until he left the opposite side.

Ashton retreated back to his side, his arms still firmly around her as the medic double checked the rib to make sure it was only bruised and not broken, before clearing him to go and get cleaned up.

She didn’t protest as he pulled her with, her back pressed against the cold tiles as his lips met her neck, the hot water beating down on his back.

“All mine to care for, to love on.” He murmured against her skin, lips and teeth gently pulling at the skin. Her fingers lifted up to run through his hair, gripping the damp strands gently.

“All yours.” She whispered in return, a sharp gasp escaping as his lips had moved to her breasts, his teeth pulling on one nipple carefully as his hand worked the other. She was whining softly, his name escaping occasionally.

His lips moved from her breasts, trailing down as he got to his knees, a whine escaping her lips.

“Shouldn’t it be me rewarding you, handsome?” He shook his head at her words, moving her fingers back to his hair.

“All about you tonight, doll.” She was about to argue, but his tongue licked a stripe up her folds, a startled noise escaping her instead as she gripped his hair, his lips attaching to her clit. He worked two fingers inside of her as he nipped and sucked on her clit, the noises were somewhat beautiful sounds to his ears as she got closer to her orgasm.

Her fingers got tighter around his hair as she called out his name, his lips immediately beginning a journey back up her body slowly sliding his fingers out as he stood up, lifting his fingers to her lips, tapping them gently.

They parted under his touch and her tongue swirled around his digits, a groan escaping his lips as she cleaned them. He wasted no time as he pulled them free, his lips meeting hers as he lined up against her entrance.

“You’re far too good to me, princess.” He groaned as he slid in, her legs lifting off the ground to wrap around his waist. His hands immediately moved to cup her ass as his hips began to move against hers, moans escaping the both of them.

He knew that he wasn’t going to last too long, not with the protesting rib, so one hand slid from her ass, moving to her clit as he picked up his pace. Her words were half begging, incoherent as he brought her closer and closer to the edge.

As she came, her eyes falling shut, his head dropped to her shoulder as he reached his own orgasm, her name tumbling from his lips like a prayer, her fingers still working through his hair, their breathing heavy as he pressed gentle kisses on the marks he’d left on her skin.

“I love it when you mark me like that. I know I’m always yours, but seeing them, just sets my insides on fire.” She murmured as he pulled out from her, finally allowing her under the stream of hot water. She kept her hair from the stream of the water as she allowed it to hit her skin.

“Just as I’m yours, sweet girl. I’m sorry if I hurt you though.” His fingers ghosted across the red marks left by his fingers, and she shook her head at him.

“You of all people know that I love seeing them.” She murmured as she reached over, taking the shampoo and working it into his hair. His eyes fell shut at her ministrations and didn’t argue with her. She always told him she loved seeing the marks, but sometimes it didn’t stop the guilt flooding him.

He worked the shower gel along her body as she conditioned his hair. They worked in silence until she’d gotten the suds of the shower gel off his body. His hands switched the water off as her lips slowly moved across from his shoulder, along his collarbone before finding the junction of his neck and shoulder, trailing her lips along the column of his throat.

A soft noise escaped his lips as she reached his jaw, before her lips reached his once more, her hands taking a hold of his head, her palms firmly planted against his cheeks. He knew better than to look away from her when she was this determined.

“I love you, Ashton Irwin, and that won’t ever change. We have words for a reason, and you know I use them. Please don’t beat yourself up, sweetheart.” His lips met hers briefly before a sigh escaped.

“Sorry angel.”

“Your forgiven. Now, we need to get ready and head back home. I know that the boys will want to at least spend a quiet night in celebrating with you.” Her voice held amusement, knowing that despite her want for the two of them to continue their own celebrations, the other three would deliberately ruin that.

Ashton laughed.

“They’re too frightened to cross you, y’know. If you said that you were taking me home, they wouldn’t argue.” He commented as the two stepped from the shower and dried off. She lifted her shoulders into a shrug as she got re-dressed.

“I know, but I don't want them bitching at me, because I want days with you, not just a few hours. So they get the few hours and then I get days. And they know better than to show up unannounced after a match.” The grin that she wore made him laugh as he got dressed.

Once they were ready, his hand slid into hers, fingers interlacing as they headed out back to the waiting cars to get the two of them home. Michael was the first to throw his arm across Ashton’s shoulders as they trio caught up with the two.

“So, we’re drinking at yours then?” She raised an eyebrow pointedly at Ashton, Michael’s words simply proving her point. He rolled his eyes before grinning.

“Of course. M’lookin’ forward to the headlines that are gonna come out from this fight.” Calum laughed as he threw his own arm around her shoulders.

“They’re gonna point out how no one can seemingly knock you down. You’re like a rock.” Luke teased and Ashton rolled his eye as Michael moved his arm from his friends shoulders.

Once they reached his place, the other three didn’t protest as she helped check him over before all but ordering him to put his feet up. The others were about to make a comment, but one look stopped the thoughts dead in their tracks and she received sheepish smiles in return as she finally settled into his good side.

It was worth it all in her eyes.

---

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justonecynicsopinion-blog · 4 years ago

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Let's Help Make 'Black Lives Matter' MATTER: 10 Things America Needs To Do

"Walking between the pools of light cast by the street lights I saw the group of them from a block away, joking and jostling each other. In a dark patch I crossed the street. One of them noticed and they all stopped and stared, their heads rising like wolves testing the breeze for the scent of potential prey. The tallest one said something and two of them broke from the pack and meandered across to my side of the road, one putting a hand to the small of his back, the other digging one deep into a pocket."

Who is black in that anecdote? Who is white, yellow, brown, gay or trans? Does colour change anything in the story for the teller? Is the narrator 'blue,' a cop? Off duty? On duty? Does that change anything, substantially, in the story?

Black Police Are the Original BLM Leaders

They Volunteered For The Job of Protecting Blacks From Violence

The cold reality in America today is that guns are as easy to get as smartphones. That cold reality is what the police face every moment of every day.

Another cold reality is that, from the moment that humans got smart enough to band together instead of erring on the side of caution and scattering in the face of a mortal threat, the most dangerous risk any human faced was a more numerous group of humans. What empowered our species to come to dominate the planet was 'tribalism' (otherwise known as 'racism' and the root of 'nationalism'). It is permanently and indelibly hardwired into each and every human brain.

Familiarization with those 'not of our tribe' reduces the power of our instinctive tribalism over our reactions, but it never goes away. And tribalism is not exclusive to whites -- it is true of every human tribe out there.

What's the Most Crucial First Step BLM Has to Make to Succeed?

Black lives automatically matter less if you don't first acknowledge that blue-black lives matter just a bit more than all lives matter.

I'm not being 'cute': if the black community does not first and foremost stand up for the safety of black cops ("blue-black lives”) who are the ‘front line workers’ in their communities -- the first on scene when there’s trouble -- the claim that black Americans are faced with racism that systematically disadvantages them (places their lives in disproportionate jeopardy to that of others) is at best counter-productive, at worst not in their own best interests. Communities are successful only when we police our own people where we live, protecting each other from injury, trespass and property theft. If black cops tell you that they are more nervous about concealed weapons being drawn on them in their own community than in many others, then we can all begin to understand the knee-jerk, 'self-defence through offence' reactions of any cop in a similar situation where they are scared that a suspect may be going into his vehicle or his pocket, against the cops' specific instructions, to get a firearm.

The police have an EXTREMELY dangerous job in a country with more freely available weapons than there are citizens, and they're on high alert any time there's a confrontation, whether that's entirely justified or not. Add to this the fact that 911 calls come in SEVEN TIMES MORE in predominantly black areas and you have seven times the likelihood of high risk altercations taking place, regardless of what colour the police are.

Perception is not always reality and we don't like it when our most emotionally charged perceptions are proven false. The reality is that statistics prove that black men are NOT shot at a higher rate by white police than white men are, despite the impression that we're left with from media exposure. Racism on the part of white cops towards black civilians, outside of some 'bad actors,' is not the principal cause for needles deaths of black Americans: poverty, public education funding through property taxes and 'The War on Drugs' are.

Living in poor neighbourhoods is the highest risk factor for getting into dangerous altercations for people of any colour. In depressed areas crime may seem to be a good way to solve one's poverty, especially when the quality of public education is low. Young residents have far fewer opportunities to lift themselves out of poverty, regardless of individual ability and their interest in doing so. Living conditions can be so miserable and funding for social services like mental health treatment is so inadequate that taking drugs becomes a viable 'medication' for mental health issues. If the system that sets up the causes for unequal outcomes is not addressed, then the poverty, and subsequent risk of death from criminals and police altercations, will never be reduced.

"Defund the Police!" Really Means "Increase Social Support"

The 'systemic racism' in America lies in the fact that black communities continue to face profound inequality, not in the fact that more crime takes place in their neighbourhoods, per se. To fix the inequality problem we don't need less police, we need more health care, better social welfare support (a universal basic income, NOT more welfare for single mothers) and a vastly improved public school system across all American communities.

Using the overly provocative phrase "DEFUND THE POLICE!" detracts from the real message: "INCREASE SOCIAL SUPPORT“. Decreasing the amount of blue-blacks (and blues in general) in their own communities will only lead to the kind of mayhem and instability that holds the citizens of these areas further back in the competition we call life.

If we begin to place the 'right to zero-harm' for every citizen (including the criminals that exist throughout humanity, whether they are white collar criminals, grey collar criminals, blue collar criminals, or criminals whose full-time job is criminality), above that of the blues (the police), then civilization erodes very quickly into pandemonium. Civilization can only exist based upon mutually agreed-to regulations and laws that are enforced by a publicly funded and trusted police force and a judicial system that is fair across the board.

It is this lack of overall fairness, the current inequality of treatment evidenced by the incarceration rate of poor and black people in the US (especially poor black males from fatherless homes), as well as the lack of gainful employment that drives poor people into miserable lives that lead to drug use and crime, that is currently under debate. However, it is the underlying system, NOT the enforcers of the system, that needs reform. People of every stripe who seek simple answers to complex issues look at the most obvious, superficial symptom and claim that THAT is what needs changing, without understanding where the issues that cause the overall problem really lie.

Black Lives Matter: What's the Real Goal of the Movement?

Momentous 'movements' only change history when their aim is clear and the goal is simple. Either that, or, if the goal is complex and the steps numerous, the movement needs a powerful, central voice to coordinate and direct the movement's direction, step by step to achieve its ultimate goal.

Black Lives Matter simply doesn't matter if it has no clear goal that 'the movement' is aiming to achieve, and actionable steps to get there.

"End systemic racism" SOUNDS like just what America needs to improve the lives of many of its underclass, but a problem cannot be addressed if the meaning of its goal is unclear, or is far too complex to ever be achieved by simply shouting the goal over and over again. In the same vein, demanding worthwhile, straightforward social changes that unfortunately fail to address the roots of the underlying problems are just 'half measures.’ A current example is the recent demand to shift funding away from policing toward more social support like addressing inadequate mental health programs. While this is a necessary and wholly appropriate demand, especially given the growing militarization of the police, the enforcers (police) are largely a symptom, it is the laws -- from 'The War on Drugs’ to financing public education through local property taxes -- that are the cause of the problem.

"Systemic racism" means various things to the many and diverse participants in this growing movement. Definitions range from 'fixing the clearly unjust justice system,' to 'giving the underclass a leg up through improved education,' to 'equal outcomes for all, regardless of effort, ability, experience, or merit'. Other notions include 'ending police use of lethal violence against people of colour,’ to 'hand out large sums of cash to the descendants of former slaves,’ and even 'erase racism (tribalism) from humankind's hardwiring' (which would involve re-writing our genetic code).

"Systemic Racism" is Not Racism, It’s Policies, Programs & Laws

Policies, programs and laws expressly designed to keep the wealth-hoarders in charge, making ever more money, while increasing the inequality that prevents the poor from escaping The Poverty Trap. That trap is equally tough to escape no matter what colour you are and it is gettingmore and more difficult to break free from.

“Systemic Racism,” More Accurately, is “Systemic Inequality”

Systemic Inequality can only be addressed by changing programs, policies and laws in a meaningful, effective manner.

What is the Practical, Core Goal of the BLM Movement?

Once slavery was abolished in America, but not until electricity was available in most homes (outside of those households wealthy enough to employ servants), women were the de facto 'household work force,' they were the largely invisible 'engine under the hood’ of the economy. The Suffragette Movement that brought about the right to vote for white women (voting rights for black citizens in America didn't come to pass until much later) could not have come about until women began to be freed from household chores by electrical appliances. The success of the effort to win voting rights for women only came about once the cause of the problem of women being stuck at home 24/7 (i.e. washing clothes in a tub, hauling water, churning butter, hand-sewing clothing, etc.), was addressed. This continues to be the single biggest barrier to female emancipation in developing world countries (if women are out of sight -- even more so if they are all encased in black bags -- they are out of mind).

To solve any problem we cannot focus on the symptoms. The causes of the problem must first be addressed.

The underlying root cause for women not having the right to vote was not simply brutish male egos, it was a fundamental lack of power. Without the freedom to interact in the wider world outside of the home in sufficient numbers to be seen as a force to be reckoned with, without earning salaries to contribute to the household income, without sufficient education to qualify them to rise up into positions of power, women were powerless and could be ignored. Black and brown voices today face a similar challenge. Until the system that underlies their lack of power is changed and they are empowered to ENTER the world outside of their neighbourhoods by being released from ‘The Poverty Trap,’ until they can be given a leg-up to get the education required to fill white collar positions, they will be ignored by the same lawmakers that ignore the poor white voices demanding, for example, universal healthcare.

The ultimate goal of the BLM Movement MUST be to change the policies, programs and laws that undergird the system at its roots, NOT focussing on eliminating racism, whether in law enforcement or in the larger world. Black and brown lives only begin to matter to the wealth- hoarders at the top when their power is threatened, as happened with the Suffragette Movement. Those women were not demanding equal outcomes, they were demanding equal opportunity. That's a key benchmark for BLM to keep in mind if the movement is going to have any real long-term impact:

The fight is only winnable if it is for equal opportunity, NOT equal outcome.

What Goals Proved Achievable for Past Movements?

The Women's Suffrage Movement had a single goal: allow women to vote. Achieving that simple first goal opened up the Women's Rights Movement that followed, much to the betterment of the lives of 51% of the human population in developed countries over the ensuing decades.

The Abolitionist Anti-Slavery Movement had a clear and actionable simple goal: free the slaves.

A civil war had to be fought over it, but America, ‘land of the free,’ became better for achieving that simple goal.

The Black Lives Matter Movement’s single goal should be: end systemic inequality. Yes, the steps to get there are complex and numerous, but with a shared vision, it can be done.

Ending Systemic Inequality Requires a Fire, Not Just A Spark

Keeping a fire going requires the continual addition of fuel. The BLM protests that were sparked by the murder of George Floyd and many others have ignited a much needed conflagration, but like the Occupy Movement and Tea Party Movement that proceeded it, that fire is likely to die out without a unified, clear goal and shared understanding of all the policies, programs and laws that will need changing to result in the goal of ending Systemic Inequality. The fuel that will keep the fire burning will NOT be protests, it will be VOTING and ongoing organization and activism to demand changes to specific policies, programs and laws.

Why is the BLM ‘Fire’ Likely to Die Out?

A Lack of Consensus

The Occupy Movement was able to be crushed by the government for one reason: the occupiers lacked any clearly stated goal. Yes, they all wanted the corporations and the Wall Street gamblers who’d created the 2008 crisis to be held accountable, but they had no single voice to communicate that goal, no coherent steps they wanted to see followed, and no political (voting) power to push their progressive agenda forward.

The Tea Party lacked a clear, singular goal (the usual Conservative laundry list: less taxes, smaller government, immigration control, no black President, etc.), but had major political sway in red states. Yet, despite early success in garnering attention from Republican politicians, by 2016 Politico had declared the movement dead (and indeed the demographic who had initiated it, partly in response to being incensed by the young, diverse, urban, Progressive Occupiers, were older, white, rural and Conservative and have been literally dying off — Trump is their ‘last hurrah’).

To Succeed, Any Progressive Movement Needs:

1. Consensus on a simple, singular goal (a voice),

2. Clear steps to achieve that goal (a strategic plan),

3. The political power to make the steps happen (voter influence).

Without a clear understanding, among the majority, of exactly what the issues are that are causing inequality in American and around the world, we cannot solve complex problems like systemic inequality. A HUGE barrier to doing so is that the vast majority of our human population are not endowed with the ability to assimilate all of the information necessary to address the challenges, much less the ability to understand the roots and inter-connectivity of complex issues and then generate creative, effective solutions.

The majority can raise their voices in protest, but cannot offer up meaningful and effective solutions to the underlying causes of inequality without the leadership of some much more clever-than-average leaders. The solution the mass of protestors are currently offering up, as best I can parse it, is "White people are racist! They have more money than blacks and browns do and they should give a bunch of it to us!" Certainly the rich are currently enjoying ever-less taxation and staggering wealth-hoarding, and that hoarded cash will eventually go a long way to funding the steps necessary to fix the underlying problems (simply starting with making all public schools across America of equally high quality), but cash hand outs that get frittered away will not solve anything long-term. The only way to redistribute wealth that has ever proven effective is the system that the Nordic countries have had in place for many decades: Democratic Social Capitalism.

Taking action against injustice, against the unfairness of inequality, is not only essential to improving the human condition, it is the 'right thing' to do for the majority of us who feel morality in a tangible way, who 'sense' the weight of it in our lives. I was reminded of this in re-listening to Sam Harris and Richard Dawkins discussing the scientific basis of human morality on YouTube. Morality is not simply a concept to be embraced or debated, it is a product of our unique human consciousness and a foundational building block for human civilization. Without our hardwired morality (religion is a just a software manipulation of that hardwiring) there would be no cooperation, no civility, no society for us to live productively and peacefully within.

Of Course Conservatives Resist Change, But Progressives Are Our Future

We hate change, especially in the short-term. Some of us much more than others (they’re called Conservatives). Like our innate tribalism, Conservatism is is an integral part of the human condition. It cautions us to NOT 'fix what isn't broken' and thus helps us to survive to live another day. (I'm always speaking from the point of view of most of our species' existence: the 7,000,000 years we survived since our split from our common ancestor with the chimps, not the 0.1% that we have lived in cities -- what I call our 7,000 year-old 'New Normal.' The circumstances we live in today are most certainly NOT what our species evolved to thrive in most naturally.)

An illustration of the early roots of human Conservatism: if it had always proven wise to have one tribe member stay up all night to maintain a fire burning at the cave entrance to dissuade sabre-toothed tigers and cave bears from coming in to snack on us, experimenting instead with hanging a bunch of dry sticks on a length of cat gut to rattle together to wake us up if an intruder entered the cave probably wasn't a wise innovation. Those individuals who were 'hardwired for Conservatism' back in the day either won out and the fire-tending tradition was maintained instead of the 'trip-wire' innovation, or there were no survivors of that tribe.

In the LONG-TERM, the Progressive innovation of the 'trip wire' helped ensure the survival of the tribe willing to allow the inventor to install it at the back of the cave, where a larger group from a competing tribe could sneak in through the cave system and kill the males and make off with the women and children. While Conservatives fight change (and dream of a return to the bygone fantasy of a better life in the past) in the short-term, they benefit in the long-term from progress. Grandma did NOT want to use her new iPad, at least not until she realized she could watch her grand-kids growing up from afar.

One thing is true of our 'New Normal' and that is that civilization has only flourished over time due to progress. Time and again civilizations of humankind grew and prospered only on the back of Progressivism: innovation that improved the lot of the majority through mutual cooperation. It is only through Progressivism that our cities can grow ever larger, that our ability to feed a human population that is on course to destroy the planet by its ever-increasing volume, is possible. Only by making constant progress can we figure out how to live in peace, rather than tearing each others' throats out due to our hardwiring for irrational tribalism.

In other words, it is only through Progressivism, NOT Conservatism, that humanity can survive in our 'New Normal.'

Let’s Help Make Black Lives Matter MATTER!

10 Things America Needs to Do

We all, deep down, know what the situation is. Despite the abolition of slavery, the door was left open for those who opposed the movement to come up with innumerable subtle and manipulative ways to continue to benefit from the nearly free labour of black Americans, especially the men, by incarcerating them for a myriad of trivial, double-standard reasons and making the length of those imprisonments arbitrarily long. This was taken up another notch by making the prison system for-profit, incentivizing those at the top to increase the volume of imprisonment by increasing the number of crimes related to being poor in the first place (the War on Drugs').

Another intangible barrier to upward mobility was cemented into place by funding public schools from property taxes, thus ensuring that anyone living in poor areas would grow up within a very effective 'Poverty Trap' that would keep poor kids from getting a sufficiently high quality of education that they would graduate 'at parity' with kids from wealthier areas. The ceiling to attaining wealth was raised further by well-meaning, but disastrous 'social welfare for single mothers' programs which have seen young black males who don't have fathers at home being manipulated by criminals in their neighbourhoods to join in and ultimately become incarcerated in their tens of thousands across America. Felony conviction laws then make it nearly impossible for those who emerge from prison to land meaningful work, pushing them back into crime and prison (and working inside, essentially, as slaves for profit-making corporations owned by the rich).

So are there multi-layered issues for us to work through to solve the problem of inequality in America and around the world? Certainly, but it is time to stop blaming 'those not of our tribe' for our tribes' problems (whether your tribe is political, cultural, or colour-based) and get busy doing the effective things that will lead to real change:

1. Stop protesting in the streets! (It really doesn't make much PRACTICAL change happen other than satisfying our inherent love of chanting and marching together in large crowd while patting ourselves on the back and reveling in self-righteous moral outrage.) Put that same energy and investment of time into non-stop emailing, phoning and letter- writing to your Congressional and Senate representatives. They fear losing their seats and they'll listen to well-reasoned arguments and straightforward solutions that will have real impact if the messages come in large quantities.

2. Organize well-reasoned, fact-based (leave the tribal emotions outside) meetings in your living rooms and town halls to come up with REAL, actionable, effective solutions to chip away at the underlying causes, like providing financial incentives like a Universal Basic Income (UBI) to fathers/stepfathers who stick around to parent kids in poor neighbourhoods.

3. DO YOUR HOMEWORK! Educate yourself about the real causes of Systemic Racism and what can be done to change things, or at least allow those leaders among you who can explain the REAL causes (not simply manipulate your emotions to gain power for themselves) to lead (think: The Squad, Tulsi Gabbard and Bernie).

4. Get back to acknowledging and respecting high 'Fluid IQ,' merit-based advancement (equal opportunity, NOT equal outcome), higher education and respect for science and data, as demonstrated by John McCain, deGrasse Tyson, Sowell, AOC, the Obamas, Pelosi and many more on both sides of the debate, but don't accept any 'notions' or 'opinions' about policies that have no historical proof of having worked effectively (Democratic Social Capitalism has been WINNING in the Nordic countries for decades).

5. Fund the Police! Ensure that more funding is going to individual police salaries, rather than hiring more police officers so that really smart people begin taking on the jobs, rather than the 'bad apples' who can't find higher paying jobs and end up hired by desperate municipalities.

6. Increase social support! If there's funding to be found by cutting money ear-marked for the police to buy more military equipment, great, but America has a bottomless pit of funding for anything its citizens really need, its called The Federal Reserve. They just push buttons to create zero interest money to bail out billionaires, corporations and the profit-making of the Military-Industrial Complex. They can do the same for infrastructure and out-of-work Americans if the Houses approve it. Just say no to "PAYGO" — after all, it never applies to bail-outs!

7. Push for an end to property tax funding of public education. All schooling in America needs to be federally funded at the same level everywhere and all teachers need to get paid the same, substantial wage to encourage the really smart people to take on the jobs. In areas where it's clear that kids are chronically under-performing, change the system: bring in tutorial programs that target the most challenged kids, do more field trips and outdoor teaching the way they do in Finland, end the ancient standardized testing and customize programs for each type of kid.

8. End "The War on Drugs"! Addiction is a deep and insidious problem for human brains. It is a disease, not a 'lifestyle choice,' whether the addiction is to food, gambling, sun-tanning, or drugs. Marijuana is legal in Europe and Canada because it is just like alcohol -- a tax-collecting BONANZA! (And then pardon every single criminal conviction based upon the old laws.)

9. Get out and vote! and work tirelessly to convince your family, friends, neighbours and every young person you come into contact with to vote too! Trump won simply because less people voted, and suppressing the vote is the GOP's go-to strategy moving forward.

10. Lastly, end "Citizens United." That single corruption by the Supreme Court effectively ended the "American Democratic Experiment" by using common human greed to corrupt every single politician on both sides of America's single-party/two-colours, Neo-liberal system. No founder of America ever would have bastardized the Constitution by claiming that a profit-making corporation should be treated as a human citizen of the United States of America. Most politicians are now trapped by their common greed within the corporate lobbying cash hand-out system to both fund their campaigns and line their pockets.

***

I have been blogging and vlogging about insights into why we humans do the so-often counter- productive things we do, and how we can turn things around to live our lives to the fullest (the real meaning of life!) for over a decade. Check out more thoughts and insights at:

• JustOneCynicsOpinion.Blogspot.com

• YouTube Channel: https://www.youtube.com/channel/UCfi00q5yaQ0nK8wXkEbvk3Q/

• Support my efforts: https://www.patreon.com/JustOneCynicsOpinion?fan_landing=true

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moddersinc · 4 years ago

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The Intel i5 CPU is considered Intel’s mainstream processor and alongside the rest of the 10th generation CPUs, Intel is launching the Core i5-10600k. The i5-10600k CPU is set to replace the 9th generation i5-9600k CPU. The i5-10600k gets a bump in the base clock as compared to the i5-9600k up from 3.7 GHz on the 9600k to 4.1 GHz on the i5-10600k. The turbo boost clock gets a frequency increase as well up from 4.6 GHz to 4.8 GHz on a single core and 4.5 GHz as an all-core boost. Unlike the i9 7 i7 counterparts, official non-XMP memory support stays at DDR4-2666. The i5 also misses out on Intel’s new Thermal Velocity Boost (TVB)that allows the CPU to boost above specified frequency if the conditions are just right. TVB is only available on the new 10th gen i9 CPUs. A new socket is needed for the 10th gen CPUs and Intel is also launching their Z490 chipset along with motherboard manufacturers launching a ton of new motherboards. However, there are some differences under the hood that should enable the i5-10600k to stretch its legs a bit and maintain good performance at a reasonable price level.

[sc name=”sponsor” sponsor=”Intel” product_link=”https://www.intel.com/content/www/us/en/products/processors/core/i5-processors/i5-10600k.html” product_name=”Intel Core i5-10600k” ]

One of the biggest additions to the i5 line up is the addition of HyperThreading. Now all Intel CPUs use Hyperthreading except for the Celeron processors. This means the i9 series is 10 cores/20 threads, the i7 series is 8 cores/16 threads, the i5 series is 6 cores/12 threads, and the i3 series is 4 cores/8 threads. The Pentium CPUs are 2 cores/4 threads.

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The new 10th Gen CPUs have a thinner die and a thicker IHS. This should facilitate better heat transfer between the CPU and the cooler.

While not a brand new architecture, the 10th gen Intel CPUs, at least on paper, should bring more performance to the table. Keep in mind, that Intel is still using a Skylake derived architecture. There’s nothing wrong with that as long as they can continue to increase performance and keep moving the ball forward.

[section_title title=The Intel Core i5-10600k CPU]

The Intel Core i5-10600k CPU

Intel sent us the new 10th Gen Core CPUs in a special media kit. The retail packaging will look very different.

The box opens up revealing a translucent blue plastic sheet with Intel’s logo right in the center. Under the blue plastic insert is the CPUs in this case, we were sent the i9-10900k and the i5-10600k CPUs. This review will focus on the i5-10600k CPU.

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The 10th gen i5 is contained inside a small box. Inside, the CPU is encased in a standard CPU blister pack.

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Physically, there’s virtually no difference in the IHS between the 10th gen and older gen CPUs. However, a new socket is needed for the 10th gen CPUs which means you’ll also need a new motherboard. Along with the new CPU launches, Intel is launching the Z490 chipset, and motherboard manufactures have a slew of motherboards across almost all price ranges.

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[section_title title=Test System and Benchmarks]

Test System and Benchmarks

Intel Core i5-10600k Test Bench

Component Product Name Provided By Processor Intel Core i5-10600k Intel Motherboard Aorus Z490 Master Gigabyte Memory G.Skill Trident Royal F4-3600C16D-16GTRG 16-16-16-36 (XMP) G.Skill Drive Samsung 240 EVO 256GB SSD, Crucial MX500 1 TB SATA III SSD Samsung/Crucial Video Cards Nvidia GeForce RTX 2080 Super Founders Edition Nvidia Monitor BenQ EL2870U 28 inch 4K HDR Gaming Monitor 3840×2160 @ 60 Hz Case DimasTech EasyXL DimasTech Power Supply Cooler Master Silent Pro M2 1500W Cooler Master Operating System Windows 10 1909 x64 Pro with latest patches and updates

AMD Ryzen 9 3900x/Ryzen 7 3700x Test Bench

Component Product Name Provided By Processor AMD Ryzen 9 3600x/ AMD Ryzen 7 3600 AMD Motherboard Aorus X570 Master Gigabyte Memory G.Skill Trident Royal F4-3600C16D-16GTRG 16-16-16-36 (XMP) G.Skill Drive Samsung 240 EVO 256GB SSD, Crucial MX500 1 TB SATA III SSD Samsung/Crucial Video Cards Nvidia GeForce RTX 2080 Super Founders Edition Nvidia Monitor BenQ EL2870U 28 inch 4K HDR Gaming Monitor 3840×2160 @ 60 Hz Case DimasTech EasyXL DimasTech Power Supply Cooler Master Silent Pro M2 1500W Cooler Master Operating System Windows 10 1909 x64 Pro with latest patches and updates

Intel Core i7-8700k/Core i9-9900k Test Bench

Component Product Name Provided By Processor Intel Core i7-8700K (Retail) Intel Motherboard Aorus Z390 Pro Gigabyte Memory G.Skill Trident Royal F4-3600C16D-16GTRG 16-16-16-36 (XMP) G.Skill Drive Samsung 240 EVO 256GB SSD, Crucial MX500 1 TB SATA III SSD Samsung/Crucial Video Cards Nvidia GeForce RTX 2080 Super Founders Edition Nvidia Monitor BenQ EL2870U 28 inch 4K HDR Gaming Monitor 3840×2160 @ 60 Hz Case DimasTech EasyXL DimasTech Power Supply Cooler Master Silent Pro M2 1500W Cooler Master Operating System Windows 10 1909 x64 Pro with latest patches and updates

System settings –

Windows was set to High Performance in the power management settings in Windows.

Motherboard settings for the non-overclocked tests were reset to factory defaults and only the XMP for the G.Skill RAM was enabled. Everything else in the BIOS was left at the factory defaults for the stock tests.

Cooling

All my test benches are fitted with a custom loop featuring an EKWB Coolstream PE 360 mm radiator, EKWB Vardar fans x3, EKWB Velocity waterblock for both Intel and AMD, as well as an EKWB XRES 140 REVO D5 filled with distilled water. The motherboard settings were left to their stock configurations.

Let the battle of the 6-core CPUs begin!

Testing and Performance

AIDA64 ENGINEER

AIDA64 has a set of several 64-bit benchmarks to measure how fast the computer performs various data processing tasks and mathematical calculations. Multi-threaded memory and cache benchmarks are available to analyze system RAM bandwidth and latency. Benchmark pages of AIDA64 Extreme provide several methods to measure system performance. These benchmarks are synthetic, so their results show only the theoretical maximum performance of the system. The AIDA64 suite has various benchmarks for CPU, FPU, GPU, storage, and memory testing.

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As you can see, the i5-10600k lags slightly behind the rest of the CPUs here. I wasn’t sure exactly why until a little later on in the testing process. When I run benchmarks, I run each test 3 times, then average the result together.

Here’s where I started to think the issue with performance between the CPU is caused. As you can see, the memory performance of the i5-10600 lags in the read and copy tests of all the CPUs even the older 8700k. The difference is not small either. When I first started putting the results together, I went back and re-tested. I also check to make sure I was in Dual Channel mode. Finally, I tested the memory on another test bench and the memory results on that PC were as expected.

[section_title title=Intel Core i5-10600k Benchmarks Continued]

Intel Core i5-10600k Benchmarks Continued

Cinebench R20

Cinebench is a real-world cross-platform test suite that evaluates your computer’s hardware capabilities. Improvements to Cinebench Release 20 reflect the overall advancements to CPU and rendering technology in recent years, providing a more accurate measurement of Cinema 4D’s ability to take advantage of multiple CPU cores and modern processor features available to the average user.

In Cinebench, the Core i5-10600k performs well against the other 6-core CPUs. The multi-core test shows it lagging ever so slightly behind the AMD CPUs and pretty much on equal footing with the older 8700k.

POV-Ray 3.7

The Persistence of Vision Ray Tracer, or POV-Ray, is a ray-tracing program that generates images from a text-based scene description and is available for a variety of computer platforms. It was originally based on DKBTrace, written by David Kirk Buck and Aaron A. Collins for the Amiga computers. There are also influences from the earlier Polyray[6] raytracer contributed by its author Alexander Enzmann. POV-Ray is free and open-source software with the source code available under the AGPLv3.

POV-Ray shows that AMD is slightly better when it comes to multi-core rendering whereas Intel’s i5-10600k edges out the rest in the single-core test.

[section_title title=Multimedia, Compression, Synthetic, and Gaming]

Multimedia, Compression, Synthetic, and Gaming

Handbrake

HandBrake is a free and open-source video transcoder, originally developed in 2003 by Eric Petit to make ripping a film from a DVD to a data storage device easier. Essentially, it can convert video to almost any modern format. HandBrake is available for Linux, macOS, and Windows. The workload video file is a file that I’ve used for years called Sintel. It is a 1.09-gigabyte file that is full HD. I used the Apple 240p preset for this test.

7-Zip

The 7-zip benchmark shows a rating in MIPS (million instructions per second). The rating value is calculated from the measured speed, and it is normalized with the results of Intel Core 2 CPU with multi-threading option switched off. So, if you have a modern CPU from Intel or AMD, rating values in single-thread mode must be close to real CPU frequency. There are two tests, compression with LZMA method and decompression with LZMA method. Once the total passes reach 100, the score is taken. 7-Zip gives the resulting score for decompressing, compressing, and an overall score.

PCMark

PCMark 10 is a system benchmark for Windows PCs that focuses on common tasks performed in the office. PCMark 10 offers a variety of workloads categorized into four groups. The Essentials group includes web browsing, video conferencing, and app start-up time. The Productivity group includes tests based on spreadsheets and writing. The Digital Content Creation group includes photo editing, video editing, and a rendering and visualization test. The final group, Gaming, includes tests for real-time graphics and physics. It has three different benchmarks, PCMark 10, PCMark 10 Express, and PCMark 10 Extended.

How much closer can you get? All the tested systems are extremely close together. The individual tests swap back and forth as far as lead goes between the Intel i5-10600k and the AMD Ryzen 5 3600x.

3DMARK

3DMark is a computer benchmarking tool created and developed by Futuremark used to determine the performance of a computer’s 3D graphic rendering and CPU workload processing capabilities. It does this through a series of graphics and physics and or CPU tests.

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Firestrike and Timespy are a battle between the CPUs. Intel and AMD Both have a great showing in this 6-core shootout.

Gaming

For gaming, I chose to mix it up a little bit from what we’ve done in the past. Most games we test are first-person shooters, so I chose to throw a flight simulator in the mix. Xplane 11 depends heavily on single-thread performance, even more so than newer modern games.

While not a huge difference in performance, Intel still leads in the gaming category. Intel leads in every game I tested.

[section_title title= Overclocking]

Overclocking

First, let’s start with the stock settings.

These charts were taking running POV-RAY tests. Starting we’ll look at single-core performance. As you can see during the tests, the i5-10600k hits 5.8GHz, and the load bounces around to different cores. Temperatures remained below 00°C with a few peeks up to about 49°C.

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Single-Core Stock Clock Speed

Single Core Stock Temperature

The multi-core test was run next, again at all stock speeds. As you can see, clock speeds leveled out around 4.5 GHz. The CPU temperature was good here too as temperatures hovered around the 56°C mark.

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Multi-core Stock Clock Speed

Multi-core Stock Temperature

Next, I pushed the multiplier up to 52 and added a slight bit of voltage so the system could remain stable at 5.2 GHz on all cores. This is a 700 MHz overclock on the i5-10600k.

Again, let’s look at the single-core clock speed and temperatures 1st. The clock speed is stable at 5.2 GHz and for the most part core temperatures stayed below 60° c with a few spikes of about 61°c.

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Single-Core @ 5.2 Clock Speed

Single-Core @ 5.2 Temperature

The multi-core test shows the clock speed locked at 5.2 GHz. To reach 5.2 GHz, I did have to bump the voltage up a little bit and the running voltage as reported by the software was 1.389v during the test. Temperatures were still good although a little higher than I initially expected. Temperatures hovered around the 80°c mark with a few peeks up to 81°c.

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Multi-Core @ 5.2 GHz Clock Speed

Multi-Core @ 5.2 GHz Temperature

Keep in mind that my test benches use a 360mm custom loop for cooling. My review sample did not come with a cooler.

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Performance gains in Aida64 get a pretty good boost. However, I think that the memory performance issue that I saw in the stock tests happen to be holding back the performance in this test.

Cinebench R20 showed a decent gain as the multi-core test gained 486 points and the single-core test gained 40 points.

POV-Ray gets a good boost in performance as well.

From a gaming standpoint, I re-benchmarked all the gaming tests that I do in CPUs.

Almost all the games saw an increase in frames per second except for Ghost Recon Wildlands. Xplane which thrives on fast single-core CPUs, gained 15 FPS, Shadow of the Tomb Raider gained 8 FPS, Farcry New Dawn gained 8 FPS, and Assassin’s Creed gained about 4.

After looking at the chart above, I decided to put all the upper-end CPUs that I have in one chart.

What’s really surprising is how well the i5-10600 CPU performs against the stock i9-10900. If this shows anything it is that games still like fast cores vs many slower cores. AMD has the core advantage in the upper end of the CPU chart and AMD has the core advantage. Frequency wins, plain and simple.

[section_title title=Conclusion and Final Thoughts]

Conclusion and Final Thoughts

The Intel Core i5-10600k retains it’s six-cores from the previous generation and also adds Hyperthreading giving the CPU a total of 12 threads. The i5-10600k gets a small boost in clock speed as well. Yet, much of the CPU remains the same as the previous generation. Like I said in the i9-10900k review, Intel is using a core design derived from Skylake which was launched in 2015. While on the top end of the CPU market, it doesn’t appear to be much left under the hood, the i5-10600k shows otherwise and I was able to get what I think is a decent overclock out of it without much work or tweaking around in the BIOS.

The 6-core CPUs that are currently on the market perform within a small margin of each other and outside of very specific benchmarks, I highly doubt anyone would “feel” or know the difference between them. Intel’s offering of a 6-core/12-thread CPU puts it squarely in competition with the AMD Ryzen 5 3600x. My benchmark experience with both CPUs shows that there is a lead advantage here and there and that advantage swaps from Intel to AMD and back and forth. I really appreciate that there is stiff competition in this particular market. Not everyone runs 8, 10, or 12 core CPUs. Intel and AMD both market their 6-core CPUs as mainstream.

Overclocking the Intel CPUs is so much easier than AMD. Specifically, I can’t get AMD’s CPUs to overclock much, if at all. Intel’s CPUs, on the other hand, seem to take overclocking in stride. With my test bench set up, I was able to gain 700 MHz to 5.2 GHz on all cores vs. 4.5 GHz in stock trim. Even single-core clock speeds peaked at 4.8 GHz and I was able to exceed that by 400 Mhz. Throw in good memory and GPU overclock and you’ll have a system that’s going to be really tough to beat.

Overall, I’m more impressed with the i5-10600k than I am with the i9-10900k. I’m not saying that the i9-10900k CPU is bad. I just feel that for the price as well as the performance and overclocking of the i5-10600k is a better bang for the buck. However, there are a few things to consider, if you’re going to migrate to 10th gen, a new motherboard will be required, so there’s added cost there. Also, my cooling system on my test benches utilizes custom loop components. Thankfully, the waterblock fits the new motherboard socket but, if you’re new to water cooling, there will be added cost there too. At the time of the review, no retailers have listed the pricing of the i5-10600k however, Intel says their RCP (Recommended Customer Price) at $262. Keep in mind this price is for retailers buying in quantities of 1000 chips. More likely we’ll see the i5-10600k retail for $300 or more. At the time of this review the AMD Ryzen 5 3600x on sale for $204. However, with a decent overclock the i5-10600k reaches the gaming performance of the i9-10900k. Overall, the i5-10600k was just a little more impressive in terms of performance and overclockability.

[sc name=”editors_choice_award” ]

[sc name=”link_to_same_company_reviews” company=”Intel” ]

Intel Core i5-10600K CPU Review The Intel i5 CPU is considered Intel's mainstream processor and alongside the rest of the 10th generation CPUs, Intel is launching the Core i5-10600k.

#10600K #CPU #Gaming #i5 #Intel #overclock #watercooling

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