Watched Castlevania: Nocturne today
What a delightful little show, just what I needed. Saw several men so beautiful I started crying, gonna go on a nice hunt for pretty, pretty pictures of Edouard and Olrox, and maybe a screengrab of that cute little ginger girl dressed as Liberty for an avatar on Discord.
To more seasons! To Annette and Maria and Richter!
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i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down
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The Hobbit’s official movie books really push the original timeline as the film one (despite 0 aging of characters in flashbacks pfft) BUT they also present Balin as the most ‘aged’ of the Company in both appearance and description at 178, despite Thorin — visibly far younger — being 17 years older than him.
It’s a conundrum, but I got an idea when I noticed Dwalin in the books supposedly lives to 340, even though a dwarf living to just 300 is supposed to be as rare as a human making it to 100! There’s been arguments that that was just a ‘typo’ on Tolkien’s part, but what if it wasn’t? What if we roll with that? Dwalin did look shockingly younger than Balin even though he’s just 9 years younger! That’s just 3 if you take it in human years!
So, using that 340 as inspiration and a base line, what if we say the direct line of Durin the Deathless plus the occasional offshoot like Dwalin just age slower than the typical dwarf? That their max baseline is closer to 300-350 or even 350-400 versus the usual 250-300? Because, if we go with, say, 400 as Thorin’s base max, suddenly we go from ‘Thorin should look older than Balin’ to ‘he’s in the human equivalent of his late 40s,’ and that seems much closer to the slightly aged up Richard Armitage we got in movies, doesn’t it?
This would also mean Thorin IS older than Balin despite their dynamic, but hey—sometimes your younger cousin is just wiser than you. 😂
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"It is too easy to dismiss [Leonor of Navarre] as an overambitious schemer who would do anything to obtain a crown, shedding the blood of her own siblings and her subjects in order to attain the throne. However, a deeper investigation of her long lieutenancy and ephemeral reign shows a woman who fought tenaciously to preserve her place but also worked tirelessly to administer a realm which was crippled by internal conflict and the center of the political schemes of France, Aragon, and Castile. She tried to broker peace, fight off those who opposed her, repair the wounds caused by conflict, protect the sovereignty of the realm, and keep the wheels of governance turning. Leonor was not always successful in achieving all of these aims but given the background of conflict and the lack of cooperation she received from all of her family members, bar her loyal husband, it is a huge achievement that she survived to wear the crown at all. Many writers have argued that Leonor deserved the troubled lieutenancy, personal tragedies, an ephemeral reign, and a blackened reputation, basing their assumption that she committed a crime that cannot be [conclusively] proven. However, a more fitting description of her would be that of a resolute ruler who successfully overcame a multitude of challenges in order to survive in a difficult political landscape and gain a hard-fought throne.”
-Elena Woodacre, "Leonor of Navarre: The Price of Ambition", Queenship, Gender and Reputation in the Medieval and Early Modern West, 1060-1600 (Edited by Zita Eva Rohr and Lisa Benz)
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okay but dream experiencing the worst sensory overload after he's free because the world's gained several billion people since the 1910s and he's been living in almost complete silence for over a century. and also he associates loud noises with bad memories now because the only times he heard anything while in the fishbowl was either roderick or alex burgess demanding shit from him or jessamy getting shot. and he chalks it up to adjusting to life as the king of dreams in 2022, but the amount of noise and dreams and thoughts are catching up to him, until hob finally notices his bf's on the verge of a serious mental breakdown and introduces him to noise cancelling headhones and weighted blankets. and now hob's not only a safe place/person for him, he's also somewhere quiet. not in a stuck-in-a-fucking-fishbowl-in-the-basement-with-no-way-out kind of quiet, it's just peace and blankets and occasional cuddles while hob gripes about his students' grammar.
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Hello kids, today I’d like to preach to you about the deep eroticism of The Fight, because warriormale literally lives in my mind and compels me to speak.
When Ram and Bheem wrestle outside the governor’s palace, they are releasing so much sexual energy, it’s actually insane. Hell, even before the wrestling, when they’re exchanging punches, there’s this sizzling tension that they’re both too heartbroken to actually think about, but it comes out subconsciously, in how their bodies react to each other. Bheem takes each punch standing up, then fuckin smacks the shit out of Ram, knocking him to the ground, showing his dominance. Ram whips his head to the side to LEER at Bheem before deciding his next attack.
And what is his next attack? TO CLIMB UP BHEEM’S THIGH and THROW HIM TO THE GROUND so he can MOUNT HIM. Bheem does not kick out of this hold or push Ram’s body away, he ROLLS OVER, TANGLING HIS LEGS with Ram’s, keeping him close. He refuses to go on the defensive, he must stay on the attack, to overpower Ram with the strength of his thighs. This need, this primal masculine aggression, is shared by both men as they continue rolling over each other. It is such an intricate ritual!
They are so deeply, intimately familiar with each other’s bodies. Think of how Bheem yanks open Ram’s legs so he can get right between his thighs. He knows where Ram bends and folds. He’s been here before. Think of how Bheem shoves his hand over Ram’s face to hold him down, covering his lips and nose, feeling his heat and insisting upon his submission. Think of how Bheem LIFTS RAM UP dirty-dancing-style to twirl him around, embraced by his thighs, testosterone spiking like adrenaline.
There’s a raw physicality that is shared between sex and combat that’s difficult to describe to those who don’t feel it. It is so primitive, so base, it defies logic. Ram and Bheem have absolutely no reason to be turned on during this fight. They’re both utterly heartbroken, to a point where they’re basically dying inside. And yet their bodies tingle with desire; the desire to touch, smack, yank, bite, grab, hug, roll, spread, fuck. They can’t help it! That’s why they fight so close and tight, because the magnetism pulling them together is stronger than the betrayal tearing them apart.
Absolutely nobody on this earth can convince me that I’m wrong!
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Hey why is no one talking about the fact the end of Loki S2 is LITERALLY RIPPING 'THE GOD OF STORIES' RIGHT OUT FROM THE COMICS AND IT STILL STUCK THE LANDING
Marvel, those bastards, they actually fucking did it
also props to marvel for giving loki shoes. y'all would be freaking over him going around barefoot if they went 1:1 with the GoS Loki design
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i think my favourite thing about Aziraphale this season is that his portrayal here shows so much of his stubbornness and refusal to stop BELIEVING. Like believing in the complete, irrefutable goodness of god and heaven and believing that being on the side of good will keep them safe, even though he CAN'T and he DOESN'T. Not only in the scenes with Job's children or his diary entry, its honestly best done in THE kiss scene. His running theme is that he's so desperately fighting to BELIEVE, even when everything is pointing to him not being able to. He wants to believe Job's trials are going to end up good, but at the mention of literally killing the children its so obvious he CAN'T. And like, he wants Crowley to be an angel, to not have to be on a side where they're lonely or god forbid be on opposite sides again, but he CAN'T. The running theme is that the only thing in the world Aziraphale wants is to BELIEVE in something again. Be it in good or in true safety for him, Crowley and, humanity. To believe in the goodness of heaven and to believe that if he and Crowley were on the side of Good, everything would work out.
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