#it's because i'm weak for them

[flyingwargle]

watch party for japan vs. argentina men’s volleyball match tonight @ 8 pm!

osamu doodles jerseys in the corner – his brother’s #11 and his boyfriend’s #20. he stands to admire the sandwich board, startling at the voice behind him. “not #18 fer aran? that’s disrespectful of ya.”

“kita-san!” he whirls around to greet him, bowing slightly. “i know, but i have a feelin’ if i don’t put ‘tsumu’s number, he’s gonna blame me fer givin’ him bad luck.”

kita’s smile is slight, amused. “an’ suna?”

“that’s my boyfriend that yer talkin’ ‘bout.”

“yes, yes, as if i’d forget. i’m comin’ by later, so save me a seat, please. let’s talk more then.”

he watches him continue along, likely to visit the other shops on the block, and then ducks back inside his restaurant. it’ll get busy, if the tokyo olympics set any precedent, especially with how vital this match will be. after losing to germany, they’ll need to win, and then perform well against usa. only then will they qualify for the quarterfinals.

inside, the decorations have changed. the jerseys on the wall, once msby and ejp, are now their olympic counterparts. although the photos still show onigiri miya’s humble beginnings, he added a few taken with the team, including one where they’re all holding his onigiri. it pained him being unable to watch any of their games live, but he wouldn’t change it for the business it gave him.

for the rest of the day, he and his staff work to serve their customers, fulfill takeout orders, and prepare for the watch party. about half an hour until eight o’clock, he tunes into the sports channel, where subtitles of analysts discussing japan’s performance and future odds appear on screen.

there are two tvs – one on a shelf over the bar and the other in the corner of the seating area. he has a tablet set up behind the counter to watch whenever there are orders, but the livestream is still on standby. he turns the screen off as the door opens. “welcome back, kita-san. ya want the usual?”

“yes, please.” he takes the empty seat directly across from him, the same where any of their friends would sit whenever they visit. “are ya expectin’ a full house?”

“yeah, it’s usually busy. i imagine it’ll get busier once japan qualifies.” osamu takes a handful of rice and begins molding it. “they’re under a lotta pressure. ‘tsumu was almost in tears when he called.” it hurt that he couldn’t physically be there, relegated to phone calls and video calls, but if listening helped air out frustrations, he’d gladly sacrifice his sleep.

“the world is expectin’ a lot from them after they placed second in the vnl,” kita agrees. “hopefully, they’ll be able ta get it together tonight.” the two of them watched their friends and family compete mere months ago, bringing their nation to the podium, and consequently, to the top of the world. it’s natural to assume it’ll happen again, but so far, it isn’t easy as it sounds.

the clock strikes eight, and the broadcast starts with official warm-ups. atsumu and kageyama are setting to their players at the net, jumping to spike. it changes to serves, the players taking turns to warm up. osamu watches suna, who spins his ball as part of his pre-serve routine, and then tosses it for a jump floater. it isn’t as fast as atsumu’s, nor as deadly as kageyama's, but it’s earned them aces in the past. he hopes it’ll happen again.

the teams line up to sing their countries’ national anthems. a solemn silence falls over the restaurant as everyone follows along, osamu included. the camera zooms in on their faces, strict with determination and focus. suna looks into the camera when he’s in frame, and osamu whispers a voiceless prayer to him.

atsumu is the starting setter, along with ushijima, sakusa, aran, suna, and hakuba. yaku is their libero. the others stand on the sidelines. “must be goin’ fer heavy hitters to blow past argentina’s blocks,” kita comments. osamu nods in agreement.

oikawa tooru is argentina’s starting setter. the whistle blows, and the match begins.

c’mon, guys. i know ya’ll can do it.

the first set doesn’t start off well. japan falls behind in the first half, falling short to argentina’s clean sets and spikes. hakuba is rotated to the back, and suna steps on, hands in front of him. he gets a hand on the spike, and sakusa receives it. atsumu sends it down the middle, suna jumping and rotating his torso to get around the block. japan gets the point.

his customers cheer. osamu hides a small fist pump under the counter. he shares a smile with kita. the commentators are just as excited as he is. “what an unbelievable spike from middle blocker suna rintarou! he’s known for his flexibility and game sense. will this give japan the push they need to get ahead?”

and he does. japan matches and overtakes argentina. kita claps at atsumu’s clean set to ushijima, who slams it down in the opposite court. the team huddles for a cheer and then take their positions. suna is back at the net, hands in front. his eyes widen at the camera pointed at him, and he rotates his fingers to form a heart, mouthing a message. he turns away at the whistle, but that’s enough for the world to see and wonder exactly what he said.

only osamu knows those words by heart.

japan takes the first and second set, but argentina comes back for the third. however, japan takes the fourth, after switching in hinata, and they cheer in celebration. argentina looks devastated, oikawa most of all, and osamu doesn’t miss how japan’s athletic trainer, iwaizumi, pats his arm off-court. he’s sure there’ll be more gestures once the cameras are turned away.

the customers begin to call for their bills and shuffle out. osamu gathers their dishes, kita helping despite osamu's protests, and it isn’t long before they’re the wiping tables clean. they listen to the post-game interview with the players, starting with aran, the captain, and then atsumu. finally, they talk to suna.

“you did an interesting gesture in the middle of the first set. would you like to explain what it means?”

osamu turns to watch. suna has a towel around his neck, hair unruly after the match. his voice doesn’t waver when he replies, “there’s a certain someone that i know is watching, and i wanted to let him know that i appreciate his support and love him.”

“is that related to what you said to the camera? fans are dying to know what you said, by the way.”

“yes, but that’s between me and him.” suna winks, turning slightly to face the camera again. “and if he’s watching – i know he is, by the way – i want him to know that i couldn’t have gotten this far without you.”

the broadcast ends. osamu smiles to himself, adding his rag with the others. he’ll lock up, head home, and text the team his congratulations. atsumu will probably call him in the middle of the night, again, to put him on video as they celebrate. osamu will lose sleep, again, but it’s worth it, seeing his brother happy, seeing his best friend glowing, and of course, his boyfriend living his best dream.

watch me, 'samu.

osamu will never take his eyes off him.

---

inspired by this fanart of suna's gesture and osamu's reaction! <3

[scapegods]

neither of them are thinking about makeup rn

[lyxchen]

Okay so I said I was drawing a sangihun kiss and that I would hopefully finish and post it tonight. Well I didn't finish it and I also got distracted and started drawing another sangihun thing and I love the sketch so much that as an apology y'all are getting that now. But hey, I said I was gonna post a sangihun kiss tonight and technically I kinda did <3

Anyways, here it is:

Also the legs and feet at the bottom left are part of what I originally wanted to finish tonight :>

[nouverx]

Collection of One Piece sketches from the last few days

Made a special one for Law for his birthday 💖

[mionkings]

Making Heads Turn 🫨

Jason had become a father to a little baby boy, taking him in when he found the poor thing on the streets, in a cardboard box, wrapped in a space themed blanket.

While the obstacles a new parent goes through is tough. He knows it's worth it to have Danny, his baby, his son in his life. He doesn't regret adopting him.

Danny is now at the stage of his little life that he babbles and giggles, Jason always had fun having a conversation with his baby. Although Jason's sure that his hair is getting whiter with the chaos Danny brings now ever since Danny's baby brain realized that he can CRAWL to PLACES >:D

However this new development... is a little strange.

Whenever Jason puts Danny down in his crib to make dinner or any other important errand. Danny will begin to babble to the air, as if his little tyke is trying to talk to someone, making grabbing hands and scooching over to grab someone's attention.

It sent a slight shiver down his spine...

Ever since he made his introduction to Gotham as Red Hood, for the first time to those gang leaders with the bang of the AK-47. Taking over the Gotham underworld by storm with anger and precision.

He always felt a chill down his spine... When he was alone, yet... the Pit Madness flared everytime, making him feel enraged and paranoid. As if he was just waiting for a fight... for a confrontation...

Being alone in his apartment, having nightmares, more like repressed memories of what he had done... Lots of things, but for some reason—his mind... keeps going back to the moment he threw that duffel bag at the table infront of the gang leaders that night... the night he went after the lieutenants, taking their heads.

He doesn't know why.

But ever since the precious cargo that was his baby Danny, arrived in his life. That all went away as he took care, fed, and loved his baby boy.

Jason never had an episode with Danny; he couldn't bare the thought of hurting the child.

Jason was even having less episodes when he was with the Bats!

The chills; however, Jason still feels them occasionally... but they would always disappear the moment Danny would demand attention or to nap.

And instead he would feel something else hang over his baby everytime Danny slept peacefully...

———

Second ever DPxDC prompt that I've ALSO been getting brainrot over ❤️ I'm having fun 😄

Basically this prompt idea is Jason adopting a baby Danny, while seemingly unaware that he's being haunted/watched by the people's he's killed to become a crime lord. More specifically, being haunted by the heads/headless ghosts of the lieutenants Jason killed as Red Hood.

While Jason can't seem to see them, he can feel 'chills' from them. Danny, however, CAN see them mostly because I based this on that thing where babies/toddlers can see spirits in those typical YouTube videos that list ToP 5 ScArY gHOstZ VidEOz!1!1

Whatever happened though, this causes the ghosts to instead focus more on Danny than on Jason.

How much will Jason freak the fuck out when he finds out? Who knows ¯\_(ツ)_/¯ Although Danny is absolutely having fun here ^^

Anyways, I might add extra stuff soon to this!

[quadrantadvisor]

Alright new Jason Todd headcanons in a dpxdc setting:

Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.

Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.

(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)

I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.

[moongothic]

So I rewatched the entirety of the Baroque Works saga for the first time in quite a few years, and before that I did also finaly watch MelonTeee's video essay about the East Blue Saga. And naturally I am now plagued with some Thoughts™

So in her essay (which you should go and watch if you haven't already, let's be real) MelonTeee discussed how one of East Blue's key themes was people's treasures, be it items, dreams and most importantly other people, and the way people are willing to sacrifice their lives or their own dreams to protect those who are dear to them. Rewatching Baroque Works Saga, the key, long running themes I picked up on were that of

Trust and betrayal (Laboon at the time being under the impression that his friends had betrayed him and left him to rot at Reverse Mountain; Whiskey Peak is all about backstabbing people; Little Garden was about Dorry and Broggy's friendship being too strong for either party to believe the other had betrayed them; Croc's trust issues in Alabasta being his ultimate downfall)

Friendship and unbreakable bonds (Laboon's new bonds with Luffy and co; Dorry and Broggy again; the comparison between Chopper trying to say goodbye to Luffy and co only to be denied vs Vivi's farewell)

What makes a country, a good ruler and if/when is overthrowing a ruler justified (Drum and Alabasta explore these together)

And perhaps most importantly, protecting that what is important to you. And that one in particular I feel like is the Alabasta arc's main theme on its own, as it comes up over and over again.

The Rebel Army wants to protect their country from their "corrupt king" by overthrowing him; the King wants to protect his people from needless bloodshed and tries to avoid combat; Vivi wants to protect her people but also her friends and can't find the strenght to beg them for help lest they get hurt on her behalf; Luffy wants to protect his friends and Vivi so they don't get killed by the likes of Crocodile. Protecting those you love is an important theme in this arc, it is the arc's very heart as the conflict is was born out of that love. And that's why it's so interesting to me how Crocodile's motif seems to be being a protector, a guardian. And I'm not just talking about the "Croc is based on Sobek the Egyptian crocodile headed protector god" and "Guardian of Alabasta"- if that was all then I'm not sure I'd even go as far as to call it a "motif" for him, but it comes back to haunt us again in Marineford with the ever legendary

And that is just... curious. Because Crocodile as we know him is just Some Asshole with no weaknesses and nothing he cares about except for his own ambition. So being a protector being his motif, of all fucking people, is really interesting. Like, One Piece doesn't really do shallow villians, there's always a reason to why a character has become the way they have and why they're doing what they're doing.

Kaidou was raised in an environment where one justified the reason for their existence through strenght and combat alone.

Doflamingo hates the world and wants it to just fucking burn because he never let go of the entitlement of being a World Noble.

Lucci was brainwashed into becoming a warrior for absolute justice since he was a small child.

Arlong watched his people suffer from the oppression of humans first hand and that hatred consumed his heart.

Wapol was a spoiled nepobaby manchild who thought he should be allowed to do whatever the fuck he wanted because he's King.

Why the fuck is Crocodile the way he is. Why does he want to create a utopia, a military nation powerful enough to rival the WG itself. What has driven him to to strive for that goal. Why is being a protector his motif.

East Blue explored the things you are willing to do and the lenghts you're willing to go for your "treasure", the ones you love and care about. And Alabasta is about protecting them; even if not called that explicitly, Alabasta is about protecting your treasure. On one hand, having the man with no treasure, nothing and no one he wants to protect, as the primary antagonist of the arc that about protecting your loved ones is a great juxtaposition. Like there is an argument to be made that the reason Crocodile lost is because he had nothing to lose, while everyone else in the arc had everything to lose in this conflict and thus couldn't afford it, as they'd be left with nothing. And, looking at Alabasta on its own, as a standalone arc, that does work. But when you look at One Piece as a whole, when you look at everything that came before and after, I can't help but to feel that can't be the case, can it? Surely Crocodile has something he did want to protect after all?

[teamsasukes]

Was Itachi's forehead poke to Sasuke a sign of distancing himself and not wanting Sasuke to get involved, rather than just a mere sign of affection? I saw a few people talk about that and how it's weird that Sasuke does that to his family considering the original meaning.

yes, you've got an accurate handle on the original meaning of the Forehead Poke. fundamentally it is an expression of distance that itachi wields at times when he cannot be with sasuke. and it seems to be a throughline of his childhood: sasuke asks itachi to do something as mundane as train together but itachi continually refuses on account of his duties as a shinobi.

it is not a gesture devoid of love -- it's not as though itachi ever delights in dismissing sasuke (on the contrary, he is always regretful). but there's a cruelty in the uncertainty of it all: the most direct translation is "maybe next time", so itachi fails to provide even an assurance that they can, like, hang out next week or something. this chasm between them is then widened by itachi promising, on the night of the massacre, that he might allow a final battle between them if sasuke ever proves competent enough to bother fighting, leaving sasuke in protracted pursuit of the looming specter of his older brother.

this distance is really only bridged (barely) in their final scene when itachi lays bare the truth of his motives, his regrets (which are lacking, to put it mildly, but for sasuke this is nonetheless momentous), and his unconditional pride in and love for his little brother. the Forehead Poke is notably absent here because textually, the enforced distance wrt sasuke is framed as itachi's greatest wrong. (seriously, itachi says something to the effect of: i shouldn't have done All That because maybe you, my 7-year-old brother, could have brought change to our clan... thereby reducing inconvenience for konoha, of course. the paucity of virtue in massacring the uchiha doesn't really register for him even during this reconciliation, and it's deliberate... because the author doesn't see it as much of an issue either!)

anyway, it might seem odd for sasuke to repeat this gesture with sakura in chapter 699, then, particularly because it seems to be invoked in a manner identical to itachi in his neglect. kind of an odd way to signify a happy ending for these characters, right...?

well, it works for me solely because it is not identical! and naruto's english dub is my worst enemy. i would grab a couple of manga panel screenshots in the original japanese to prove it, but it's easier for me to just plug these scenes from the anime. here is an itachi Forehead Poke (0:51) and here is sakura seeing sasuke off at the konoha gate (0:33). there's a subtle but meaningful distinction in the phrasing: "mata kondo da" vs. "mata kondo na". which, in effect, alter the meaning from "maybe next time" to:

(there's an excellent tumblr post from years ago which performs a substantive analysis of the japanese in both contexts, but eludes me now. pls send if any of you have a link to it!)

so personally i adore its inclusion in chapter 699 specifically. it obviously carries a great deal of weight for sasuke and it's meaningful he chooses to express it to sakura specifically despite leaving the entire team behind -- in lots of ways, and more than any other character, i think for sasuke, sakura is the anti-itachi. (that would require another post to elucidate.) so not only is it an expression of regret at unintended distance, but, more crucially, it's a promise of return. i think it's incredibly sweet that sasuke can repurpose the gesture from something soul-rending to something hopeful.

(also deserving of another post lol but this scene also achieves a neat and, crucially, subversive callback to sakura's foundational insecurities... it's like poetry it rhymes)

all that said, i understand why it reads as something different once we are then given the context of chapter 700 and gaiden... i dislike both of these installments, primarily for the implication that distance becomes a love language, so to speak, between sasuke and sakura/sarada. these relationships are ruled by distance and sasuke accepts it. it's disappointing! his journey to learn about more of the world in chapter 699 jibed with the character's arc until that point. this does not.

my unpopular take is i think this has just about nothing to do with sakura or the sasusaku relationship and everything to do with authorial outlook on sasuke's actions in part 2. and for the record, i maintain that these crimes ultimately amount to very little -- violence and death are occupational hazards if one is a shinobi. konoha is also foregrounded by a cold calculus on the worth of human lives; i'm sure sasuke's indispensable role in saving the world outweighs the killing of a few samurai. i just think kishimoto needs sasuke to atone, somehow, forever, via endless service to the village. and he also cannot sensibly write a kakashi- or naruto-headed government that would impose any meaningful punishment, so sasuke is relegated to a state of permanent rootlessness in some dumbass quest. it's a sacrifice on his part, but contrived for a number of reasons, chief among them being that the sasuke we came to know in the original series would literally never internalize konoha's ideals in this manner. so even though the Forehead Poke in gaiden and boruto retains the elements of promise and anticipation of eventual reconciliation, it feels kind of... lame and weightless. there is a superficial signal at growth but materially, for the parties on the receiving end of the Forehead Poke, very little seems to change.

frankly, i think we are meant to view sasuke's love as noble (and sasuke himself as penitent, suggested by the ascetic quality of his life). sasuke is still doing things differently than itachi, insufficient though it may be: he is honest about the reason for his travels, he does not rush to dismiss sarada when she needs emotional support, his motives are selfless rather than selfish (sasuke guards against the threat of the otsutsuki; itachi... wanted sasuke to kill him, in no small part as a desperate ploy to end his own suffering, notwithstanding the subsequent damage that would be inflicted on his thoroughly traumatized little brother). gaiden is surprisingly candid about the distance as a source of distress for sarada, sakura, and even sasuke, but by the end everyone understands why it must be as it is. the state above all! (you'll notice even itachi's apology to sasuke held this precept intact... there is a reason the series closes with sasuke accepting his old hitai-ate.) it is admittedly vexing, considering the totality of evidence here, to see sasuke's nomadic status in boruto pinned on how much he hates his dumb bitch wife and not, you know. the shockingly bad politics underpinning the narrative.

i appreciate the attempts of sasuke enjoyers to explain his distance as natural aversion to konoha, but this isn't canonically backed by any interiority (which seems to be absent in boruto-era team 7 at large) and moreover it requires miscommunication between sasuke and sakura (or even naruto) so great as to be unbelievable. i've accepted that post-pt2 sasuke is an unfortunate victim of kishomoto's nationalist views. his weird takes on how a man like sasuke would behave in a loving relationship and likely desire for a continued revenue stream don't help either. yes i will weep forever...

TLDR: i think the Forehead Poke fits in chapter 699 precisely because it diverges from itachi's. i resent its recurrence suggesting distance from loved ones is an inevitable condition of sasuke's life to which he's stoically acquiescent.

[unlivresanstitre]

normally I limit myself to one reread of Capri per year (in June because I find it's the perfect month for this book) but the brainrot is so strong, I need want to reread it now

[anghraine]

You know, this is not the Star Wars x Star Trek comparison I would have thought I'd make in a million years until I watched TOS and discovered just how skewed the pop culture osmosis version of TOS is, but...

"Operation: Annihilate":

MCCOY [looking at Sam Kirk's corpse]: Is this your brother, Jim? KIRK: Sam. It is my brother. Was my brother. MCCOY: I'm sorry, Jim. The boy's unconscious, but he's still alive. KIRK: Peter? MCCOY: I'd better get the boy and his mother back to the ship. I can't do much for them down here. KIRK: Get ready to beam up. MCCOY: McCoy to Enterprise. Prepare to beam up party of four. SPOCK: Captain, I understand how you must— KIRK: Yes. Yes, Mr. Spock. You heard my sister-in-law say something about they being here. Your guess?

A New Hope:

WILLARD: When we heard about Alderaan, we feared the worst. LEIA: We have no time for sorrows, Commander. You must use the information in this R2 unit to help plan the attack.

[kacievvbbbb]

Maybe it's just me and I just don't understand the arc. Or maybe this arc will get some grand conclusion I'm really starting to doubt. But like I'm sick and tired of Tashigi being used as Zoro's misogyny proxy. Like the "a woman swordsman could never beat a man" belief and trauma made sense for both Kuina and Tashigi and was a very valid fear way back in the East Blue when they were still fighting relatively normal people and had no scope of how big the world is

but at this point where there are literally 20 feet tall dudes and people can blow up a whole city with just Haki the only reason Tashigi is still weak is because she is being written that way. Which is really hard to understand because it seems now more than ever One Piece has been getting more and more strong female characters so I don't know why every time Tashigi is on screen with Zoro we have to rehash this. It's even worse cause all she does in the scene is prove Zoro right by getting in a fight that she can't handle and needing saving. It's such a confusing message and honestly doesn't really apply or come up anywhere but with Tashigi and Zoro (outside of that one time where Zoro yells at enel for blasting Robin because she's a woman which was weird because Robin's been in a lot of fights before but seemed there just so enel could point out just how ruthless it is.)

Hell with the exception of the G5 all being in love with her. She is treated like a regular character and not just "the woman"

It honestly feels like both Tashigi and Smoker got lost in the narrative and Oda just doesn't know where to put their arcs. It feels like she was being written to help Zoro overcome whatever mental block Kuina's death instilled in him about facing female opponents with his sword. But she is just sooooo far behind him it renders the point moot and strengthens his convictions (it's weird that he will literally crush a woman's face rather than use his sword and is the only reason I won't say he doesn't fight women he does he just seems to have a mental block about cutting them down especially if they fight with anything blade like) but also we've only ever seen him face female character he knows can't challenge him it would have been interesting to see what he'd do in a fight against someone like big mom, tsuru or smoothie doubt that will happen though. But here's to hoping for Tashigi to have an actual arc.

[vesna-v-irkutske]

Bro your posts are like a news TV show that we watch daily, cool

Judging by what the crowd finds more interesting... If I'm a TV news channel, y'all like watching TikTok.

[oyeixcher]

Every OyeiCher scene (28 ¦ ??)

O: "Cher." C: "Yes?" O: "We've been together for a while. You know every angle of me. Though I may not always be nice, I have a sharp tongue and get moody easily. But if you give me a chance, I want to take care of you for the rest of my life. What's next?" C: "This." O: "Ah. Look. Is the ring pretty? Will you marry me?" C: "I do." ... O: "You're becoming a big softie again, little one." C: "Your proposal was so sweet." O: "Now is the time people would cheer for us to kiss." C: "Go ahead. What are you waiting for?"

[averyshittyseal]

Some Sketches of my favourite dorks

(And my inconsistency in drawing Harry)

[tacogoats]

Unwell about the idea of Orin using Durge's face to keep the charade going of the Durge still being around, so Gortash doesn't get suspicious.

He does anyway because she didn't understand how real their relationship was - and she slips up. Often. He knew immediately when the Dark Urge became so, so very cold. Nothing like the warmth he has known for years now behind closed doors; because it isn't them.

She is good at fine details of the body; she gets every scar, every little blemish perfectly, but she can never truly imitate the person behind the Urge.

She couldn't have hoped to anyway, because she didn't know who they really were. Only Gortash could, because he is the first to ask.

It surprises her, and infuriates her, even! The mighty Dark Urge, debased into some lovesick puppy yearning after this little Lordling!

And the mistakes that follow are how Gortash learns the Dark Urge is gone.

[thesacredfanfics]

Ovulating so hard I find blonde anime men attractive