#it's all relative. i like horror i dislike horror. i said a lot i was so concise.
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Can I make a request for an S/O who has a pet that is extremely gruesome and scary, but is very cuddly and protective when interacting with its owner? Like, like the animal was something similar to the Demongorgon or something.
If you can, do it for Sarah, Shenhen, Dehya, Candance and Navia.
(Genshin Impact) Sara, Shenhe, Dehya, Candace, and Navia's S/O with a terrifying pet
I was bouncing between a Tyranid from 40k or a terrifying bug from a user created horror story called Mystery Flesh Pit National Park, but I'll just settle on some non particular bug abomination.
Sara was barely able to hold back from immediately drawing her bow when she walked into S/O's house the first time and saw a massive insect inside.
It nearly stood up to the ceiling as it straightened its back, before relaxing from seeing its owner.
(Sara) "What is that?!"
(S/O) "OH! S-Sorry, I forgot to mention it to you beforehand! This is my pet!"
Sara stared at S/O before her eyes slowly glanced over to the "pet" they kept.
It resembled some kind of centipede with massive antennas, but had arms resembling a...human?!
Sara still kept her battle stance, wearily looking at it before turning to S/O, noticing their relatively happy expression.
(Sara) "...And, this will pose no threat to the people of Inazuma?"
(S/O) "Of course not, he doesn't eat people!"
(Sara) sigh "Thank the Almighty Sho-"
(S/O) "He eats corpses! It's a scavenger bug, not a predator!"
(Sara) "..."
Sara is uneasy around S/O's pet, putting it mildly.
The only place she doesn't allow S/O to cuddle her is at their house.
The one time she allowed them to rest their head on her shoulder, the romantic mood was immediately halted by S/O's pet resting its head on their lap.
Despite how much it unsettled her, she could at least complement its intelligence and loyalty.
When S/O was threatened, it would immediately attack whenever they commanded it to.
It even enjoyed getting pet, though Sara politely declined from doing so herself.
As long as it didn't cause a public disturbance, it was fine to remain.
But Archons help S/O if she gets a report of that...thing threatening a citizen, not even its terrifying and gross legs would skitter away from her wrath.
Shenhe reached for her polearm before realizing the bug was relaxing near S/O.
She had seen all kinds of fantastical sights thanks to her Master, so it didn't really take long for her to adjust.
(Shenhe) "...Is that a pet, S/O?"
(S/O) "Sure is! This little guy has been with me for a long time!"
(Shenhe) "I see. It is good you have a companion."
The bug's head, or at least what she assumed was the head, seemed to lean into S/O's hand as they scratched under the chin.
...Neat.
Shenhe is used to nature, but she had never seen a creature like this before.
But then again, being with S/O taught her all kinds of new things, maybe this was another she should take heed of.
Seeing other people react to the bug, she moves to protect it like she would S/O.
Something that even it recognized, and protected Shenhe like its owner.
The only thing Shenhe dislikes about the bug is how clingy it got whenever she was wanting to spend time with S/O.
Other than that, the bug and Shenhe have a strange silent respect for each other.
(Dehya) "S/O, GET BACK!-"
Dehya suddenly leaps into action when a giant bug-like creature emerged from the sand behind S/O.
Before S/O got in the way, trying (and failing) to keep her arm down.
(S/O) "WAIT, DEHYA! I-It's with me!"
Dehya's expression was something between confusion and anger, quickly looking back at S/O and the bug.
Just as they said, it was just staring at her before turning its attention to its owner.
(Dehya) "Jeez, ya never thought to bring this up to me before?! It looks like it could eat us!"
(S/O) "I-If it makes you feel any better, it's like a vulture! A scavenger eater, only corpses!"
(Dehya) "It really doesn't..."
Dehya is honestly creeped the hell out by S/O's pet.
She's seen a lot of desert fauna, but nothing like what S/O had.
It especially didn't help matters that it liked to hide under the sand until S/O spent time with it.
She especially didn't like that it butted its head in whenever she wanted to hold S/O.
More than one occasion she was ready to tell it off before S/O did so gently, letting it gently comply.
The other mercs are completely freaked out by it, which she doesn't blame them for in the slightest.
But, it did help during their contracts by scaring the hell out of rival clients, other eremites, and animals in general.
Begrudgingly, she let S/O keep it, but then again maybe it's best it remains with them and doesn't wander off in the desert to potentially reproduce.
Candace notices something shifting in the sands near S/O, which she immediately raises her spear to throw at-
Before S/O frantically waved their hands, signaling to her not to attack.
Candace sees the bug emerge from the sand as it gives S/O a lift, riding towards her.
She takes a step back from unease, sizing the bug up and down before turning to S/O.
(Candace) "Have you...tamed this creature?"
(S/O) "K-Kinda? I didn't really tame it per se, more like we became friends!"
Candace did acknowledge it had some kind of intelligence in its eyes, as it responded perfectly to S/O's commands.
Being reassured by S/O that it would not attack the people of Aaru village, or eat the children, she allowed it to stay.
It took a bit for her to get used to it, but she no longer flinches seeing the bug.
It helped that it didn't seem to be naturally part of the desert, since she had never seen anything like it before.
Eventually, it became as much of a guardian of the town as Candace, much to her shock.
When S/O was threatened, the bug leapt from the sands and dragged them under, and the same went for any of the townsfolk.
The only thing she asks is that it sleeps outside, mostly just cause it'd drag sand all over the floor.
(S/O) "HOLY CRAP, GIANT BUG!-"
S/O immediately aims her umbrella-shotgun before S/O stopped her from pulling the trigger.
(S/O) "W-WAIT! NAVIA, IT'S MY PET!"
(Navia) "Your pet?! That thing could eat one of the Clockwork Meka whole!"
She shuddered in terror as it skittered towards S/O, seemingly lax by their mere presence.
This sure as hell wasn't a man's best friend situation, and every cell in her body wanted to shoot it.
But seeing as it was with S/O, she very reluctantly let S/O keep it.
The only thing is that it HAD to stay outside the city and only in S/O's home.
Every single Meka and Guard would be trying to kill it, not that she wouldn't blame them either.
Navia screams in terror everytime she opens the door to find it turn its head towards her.
Why couldn't S/O just have a cat or something...?
Her urge to stomp the bug grows bigger when she moves to hug or kiss S/O, only to watch it approach from seeming jealousy.
#genshin impact imagines#genshin impact x reader#genshin impact headcanons#sara kujou x reader#shenhe x reader#dehya x reader#candace genshin impact x reader#navia x reader#kujou sara#shenhe genshin impact#dehya genshin#candace genshin impact#navia genshin impact
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Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."
I'll talk about how this looks like a blatant twst clone at the end.
Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.
He's looking for a girlfriend btw. Spreading the word.
The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.
There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!
In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar
At least there's a cat in the rhythm bit.
And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)
Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.
Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.
So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.
#suchobabbles#Tokyo Debunker#it's a global simultaneous release so I'm curious to see how it ends up doing in Japan#it's gonna be competing directly with stellarium of the fragile star which releases in a few days lmao. and is about a magic alchemy school#looks like the two games twt accounts have a similar number of followers#and then theyre competing with bremai releasing in may...#also adding this at the very end since i cant confirm anything:#but i found out abt this game bc it was rt'd by the former localization director/translator of A3en#i dont know if she worked on it or maybe her friend or maybe shes just hype! who knows! but i think her word (or rt) is worth something
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"fanon lottienatters please stay away from me" oh!! shots fired!! 2,000 dead, 10,000 injured!! BUT curious about your specific definition for fanon lottienat and what you dislike about it <33
ohhhhh okay... alrrrrrr
this is like. one of my biggest issues. im not like a shipper, never rlly have been until yj but i dont like engage in discourse bc thats stupid.
But basically? Fanon lottienat just kinda strips anything thats interesting about the ship away. and makes it like. punk x preppy. loser x popular. ive even heard black cat and golden retriever which makes me want to rip my eyes out.
And its not even accurate to their characterization? at all? like youre flanderizing them but like..... not even their main traits. like ive seen people say "precrash lottie would be like charlotte from status update (curse that movie btw. the things i do for u courtney eaton) which is just. like not at all.
first off lottie is not popular. yeah, shes rich, but shes clearly somewhat of a loner (WHICH PARALLELS NAT?? WHICH MAKES IT MORE INTERESTING???) even courtney has said this in interviews. she feels ostracized, and a lot of it can be traced back to the flashback scenes we see, esp those about her relationship w her parents and her supposed mental illness. the 90s, especially the 90s in a high pressure rich family, was NOT a good place to have schizophrenia (and yeah theres the "she wasnt actually mentally ill" argument but that changes nothing because atp in the story her whole family and probably herself believed she was.
Then we have the nat characterization. The fanon "grumpy" to fanon lotties "sunshine". guys canonically nat smiles more than lottie. girlie was always grinning while lottie was experiencing the horrors all of s1. ofc they both went THROUGH it but that specific stereotype pissed me off sm i had to address it.
also, nat gets shown a lot as masc?? which is a fine headcanon but like for her style like the whole punk thing? she acc dresses relatively femininely.those are little irks abt nat but they bother me idc. too tired to write more on this rn but feel free to ask!
so basically taking this stuff into account - fanon lottienat uses a gross mischaracterization of both characters, especially lottie (also that suspiciously align w stereotypes HMMMMM) to literally make the ship more boring. You are making it a stupid and lame trope. You literally have these two insanely complex characters who mirror each other. Theyre not opposites attract, they are the same character in different skins. They're both loners, one because of her punk/rebel nature and nasty rumors, the other because of her mental illness and lack of closeness to people. Theyre both loners because of their social status and their fucked up home life. Theyre both providers - nat the hunter, bringer of physical and real food like the deer. Lottie the prophet, bringer of hope and, through the teams eyes, the birds, the bear, etc. Lottie who begs to be a martyr but is denied nat who runs from it but shoulders it anyways. They're both bleeding hearts they both give soul to the team and are some of the most genuine characters but they present it so differently.
The fact that the majority of content grossly mischaracterizes them and is the widely accepted fanon just.. sucks tbh. and the fact that people get so up in arms about them, and literally attack fans of other characters (lottielee fans... travis fans....) for no reason?? all these other characters do is contribute to what makes lottienat such a compelling and fucked up and interesting ship. i love them so much but lwk most of yall are insane and dont even appreciate them for what they really are.
thoughts questions comments concerns hmu
#lottienat thoughts#they make me ill and if youre wrong about them i will get gatekeepy sorry#ill never say it to ur face but ill judge you#just know#also i love discussion please hmu!!#ty yellowjackets askers again#sheps asks#shep speaks#yellowjackets#yellowjackets showtime#lottie matthews#natalie scatorccio#lottienat#lottienat discussion#shep talks yj
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I see a lot of talk about whether or not it made sense for Arya and Sansa to dislike Daenerys and I’m curious about what other people think about how these characters would get along if they met in entirely neutral ground. Completely divorced from any politics. Assuming we’re talking about the current versions of these characters as they exist in the books and not about hypothetical future versions of these characters or these characters as they exist in the show.
Because personally back when I was show only, before season 8, I was really excited for Sansa and Daenerys to meet. I always saw a lot of parallels in their stories and I thought they’d be able to connect over shared experiences. Then I got sucker punched by the lame cattiness we got with the sexist “part of the reason Sansa doesn’t like Daenerys is that Dany is very pretty” shit that one writer said. They could’ve had some interesting conflict but what we got in the show was bad.
I’ve seen it said that it’s sexist to hold the idea that all female characters should get along and they’re not allowed to have conflict and I do agree with that but I don’t see much of a reason in the books that Sansa and Arya wouldn’t like Dany when meeting on neutral ground. I think Arya especially would think Daenerys given the way she idolizes Nymeria. All three girls enjoy the companionship of other girls. Arya especially will befriend anyone from any walk of life.
There are some catches. Arya and Sansa would know that Aerys is responsible for the deaths of several of their relatives. Likewise, Daenerys thinks of Ned as a traitor for his role in Robert’s rebellion. But I’m not positive that this would be enough to preclude friendship for any of them. After all, Daenerys never even knew her father and she does not wish to punish those who are innocent, I don’t think she would consider Ned’s daughters guilty by association. One could point out her crucifixion of the masters as a counterpoint, but all were guilty of owning slaves even if they did not take part in the crucifixion. And she herself believes what she did was “a horror just as great.” Plus, Daenerys does not shy away from being critical of her relatives. Obviously she looks down upon Viserys, but she is even critical of Rhaegar despite her overall positive opinion of him: “Princess Elia was there, his wife, and yet my brother gave the crown to the Stark girl, and later stole her away from her betrothed. How could he do that?”
I’ve also seen it said that Sansa and Daenerys have conflicting ideals, but I’m not entirely sure what those would be.
If you have thoughts about this, please share! I’d love to hear from fans of all three characters. Tell me if you think Arya and Sansa would get along with Daenerys if no battle or politics were involved and why you think so!
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Can I ask why you're not watching HOTD season 2? You mentioned you enjoyed season 1 for the most part (unless I'm misremembering, sorry)
I did enjoy watching season 1 (except for 1x03 which is the most boring episode of television made in the last two hundred and fifty years) for the most part, in spite of my issues with the writing. And I honestly did have some moments where I was looking forward to watching this upcoming season, or at the very least just the Greens parts since I don't care about Team Black at all.
But the thing is, the show made me care about these characters. And in caring about these characters I want them to be written well, or at least coherently, or at the very least in ways that jive with how they were characterized in season 1. And everything I've seen so far of season 2 has shown me that this is not the case. They're certainly not well written, because everything about this show is not well written at this point, and they're not coherent or continuous with prior established characterization. I mean, look at Aemond. Season 1 gives us Momma's boy who follows instructions to the letter and is ultimately loyal to family in spite of his personal hang ups, and he's clearly upset about accidentally manslaughtering Luke. And then in season 2 he's an ass to his entire family including Momma, he doesn't follow any instruction, he hates them all, he doesn't feel anything about the fact that he killed someone and what that has gone on to mean for his family (you know, with his brother's son being murdered and all). It literally doesn't feel like the same character, and that's bad writing. I care about these characters, and now it feels like the writing itself doesn't care about these characters, so my emotional investment is just shot.
Not to mention, every bad writing decision I've seen ultimately serves to create a weaker story. I've said this before, but Westeros isn't actually real, these people didn't really exist. Martin crafted a novel, formatted thought it is in the style of a historical text and imbued with certain degrees of ambiguity, and the choices he made for verifiable events are what worked best from a narrative perspective. That's why so many Targs have these insane lives and very few just die old and happy in their beds having lived calmly. And when you change parts of that narrative, you run the risk of creating a weaker story. Not all the time, what they've been doing with Helaena is far stronger from a story perspective than what was in F&B, but for a lot of it they have actively weakened themselves. Blood and Cheese being so changed, for instance, has drastically lessened its impact (literally why would you remove Alicent's involvement in a Rhaenyra-inspired horror when Alicent and Rhaenyra's relationship is the core emotional drive of the show????).
If the story sucks, and the characters are sapped of anything I can get invested in, I'm not gonna have a good time. And given that I am actively engaging in another show airing its second season this summer that I really enjoy from both a writing and character perspective (you guys have heard me talk about MAWS and anime Slade Wilson, aka the best thing to hit DC animation since Kevin Conroy's Batman), why would I then turn to something I actively know I'm gonna dislike? I engage in fiction when I like the fiction. I'm not a hate reader/hate watcher, I can't do that, it's just not in me. If I engage, it's because I'm enjoying myself. If I'm not enjoying, I'm not gonna engage.
So yeah, that's why I'm not watching season 2 in spite of having live watched and relatively enjoyed season 1.
#personal#answered#anonymous#i mentioned this but i like the bones of season 1 i just wish they did better#i do not like the bones of season 2 i don't even like their best structure#so there's nothing for me to at least wish to improve
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ROUND 1 POLL 1
7. Suspicious Stew (He/Him, Xe/Xem) @hilaomart
Stew is the reincarnation of a thief and swindler who died from poison. This untimely death leads him to an early interest in various poisons and their effects on the body. Fearing his own untimely death, xe begins to drink his experiments in small doses to give himself an immunity to the substances. His lack of basic lab safety led to an incident in which he lost his right eye, leaving a large chemical burn over the right side of his face. Other than this, for a while, he was relatively normal. After an incident with another mad scientist in which he was the unwilling subject, Stew began to lose himself in his work to cope. Xe branched out into the broader fields of biochemistry and potion magic, experimenting on himself to avoid putting anything else in the position he was once in. Xe got a job in a more normal lab to pay the bills, occasionally stealing equipment and materials from his job for his own home lab. He began to sell potions and poisons on the black market to fund his work.
Xeir hubris began to catch up to xem. One incident in his lab with a dangerous substance led to permanent damage to his body as well as the loss of his right arm. The various mutations he gave himself were slowly making him less and less human as his morals slipped away. He experimented with the art of creation, bringing abominations of flesh to life. Xe began to rob graves and steal corpses to experiment on. He was becoming what he feared the most, though xe didn’t have enough humanity left to care.
Stew is a strange little guy. He’s quite unnerving and dare I say, suspicious. He’s protective of those he cares for to a dangerous degree. Xes awkward, finding trouble in social interaction due to years of self isolation. He’s doomed by the narrative and only half aware of it. Besides his scientific endeavors, xe enjoys practical jokes, skateboarding, and the company of whatever family he has left.
Also he does like cupcakes <3
Relevant Links: https://toyhou.se/9067965.suspicious-stew
14. Edgar Gahds (He/Him) @kursed-curtain
Edgar Gahds is a 19 year old forensics scientist (and absolute sweetheart, but don't tell him I said that)
CW: Blood n death n organs, etc in his description. He is a mad scientist after all!
- He's a huge fan of gothic horror novels like Frankenstein and The Strange Case of Dr Jekyll and Mr Hyde and he essentially bases his entire career on them!
- He has a fascination with how humans work. That's why he took up forensics! It means you can look at corpses without getting in trouble!
- He's so excited about blood and organs! He has models he plays with during court cases sometimes. He doesn't think of it as playing though. It's expressing himself!
- Edgar's experiments mostly consist of murder victims because wow there are a lot in this universe. A lot.
- He loves animals and dislikes animal testing :(( he's not against human testing tho lmao go ham
- He loves horror movies and the makeup and special effects that go into them!
(He's my Ace Attorney OC but I didn't wanna deter any potential voters!! ;) he's simply a silly guy!)
(Also Edgar loves a good red velvet cupcake haha)
Relevant Links: https://www.tumblr.com/kursed-curtain/712085998004305920/ledger-de-maine https://www.tumblr.com/kursed-curtain/tagged/%40edgar%20gahds
(Image credits: @hilaomart and @kursed-curtain, respectively)
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okay so I'm not experienced (like at all) and I don't have an older sister or a close friend, so I'll take this opportunity to ask a couple of questions if you guys don't mind (thanks in advance) ps guys don't worry I'm not a child, I'm in my early twenties
1. Does getting hickeys hurt? (I suppose it's still some sort of bruising so it must hurt)
2. Does doing it *whispers* sex hurt? I've heard some horror stories so my mind is tainted with fear
3. This one is more of a confession: as I said, I'm in my early twenties but I've never been in a relationship before. This is because (among many other things) I've never been attracted to anyone, haven't had even the tiniest bit of a crush on a real person [I'm very sensitive to touch (I don't know why), I can't even hug my parents or relatives because I feel claustrophobic when people touch me. To be honest, even thinking about being intimate with someone else used to disgust me. And I've been like this even before falling for bangtan, ever since I can remember myself. The only people I can imagine kissing and not feeling uncomfortable are our boys (I'm not delulu, I'm not even thinking of this as something that might actually happen, I'm just sharing my feelings with the only people I'm comfortable with) ... so yeah, just wanted to see if there's someone out there feeling the same way
Thank you for reading and feel free to ignore this, I won't mind 🌻
AHHH ofc, no worries !! we're here for you. thank you for feeling comfy enough to ask <3
you're right, it's some sort of bruising, so i personally find it uncomfortable at times. i know a lot of people enjoy them and love how they turn out, but to me, they're... okay? like, it's not unbearable pain or anything but i find them unpleasant :')
sex doesn't hurt with sufficient foreplay and preparation. and i don't just mean a bit of fingering and clit stimulation, i mean actual foreplay like oral/sex toys/minutes and minutes of pleasure before having penetrative sex (unless you're already wet n soaking n ready!!). it might also hurt if you're not mentally ready for it yet – like tmi, but i remember that it just didn't work for me when i first tried bc i was too nervous lol. but as long as the partner's considerate and you trust them, it should not hurt !!
this is so valid, babe !!! you're absolutely not the only one who feels that way. a lot of people are sensitive to touch or just don't have a very present sex drive. that's okay !! you'll love and enjoy your time with your future partner the way you're comfortable with. sex isn't everything when it comes to being with someone. we definitely have a type of mental relationship with the boys, so we feel that we'd trust them enough with that. but if it's different for you irl, then that's valid, and you don't have to worry about it at all – as time passes, you'll learn what you like and dislike <3
talk to me about this anytime, no worries !! 💕
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15 Questions 15 Mutuals- OC Edition: Thazaar
Since I've been tagged by numerous people, I'll be getting this done for Thazaar, Yoruk and Ionah since they all had votes in the poll I sent round. Thazaar is only going first since he won the vote.
This is an open ta since I know that a lot of my own mutuals have done this multiple times already and have probably had more since the last time I did this.
Tagging those who will be interested in reading: @druidx, @blind-the-winds, @mariahwritesstuff, @odysseywritings, @asher-orion-writes, @ashirisu, @thesorcerersapprentice
The Wizard's Tower, Toreguarde. The office of the Grand Magus is quiet, most of the city not quite awake enough to do work yet. A shadowy figure sits down at the generous desk sitting on the dais next to the largest window in the room while Thazaar lounges in the seat opposite
Interviewer: Thank you for taking the time to see me this morning, Grand Magus.
Thazaar: It's no trouble, I'm not unused to visitors from other Planes, you want some tea, coffeee? *gestures to the tray of both drinks sitting on the desk along with an assortment of pastries*. Everything's freshly made.
Interviewer: Some other time perhaps, I'm a little pressed for time and need to find my way to Fangthane once we've concluded our chat.
Thazaar: Ah, a pity, well we might as well get started then. *gestures with his hand* Please.
1. Are you named after anyone?
I believe I was named for my great-grandfather on my mother's side. Apparently, I take a lot of my features from him and my grandmother wanted his legacy preserved.
2. When was the last time you cried?
I'm not really one for tears very much, but I do get emotional relatively easily. The last time that happened was probably just after it became apparent that Ragnarok had been averted. Knowing that our world would, in fact, endure was something of a relief after weeks to almost a month of worry and stress.
3. Do you have kids?
I would rather hope not *chuckles*. I'm not one for getting involved in relationships, much less the processes required to end up with biological children. There's so much to do that I'm surprised that any of the staff in the tower can find the time for personal entanglements.
4. Do you use sarcasm?
On occasion. I don't like using it personally, but it just slips out sometimes, you know? I'm not sure where the dislike came from; likely because it seems to be used as a fourth or fifth language within the tower by almost everyone else.
5. What's the first thing you notice about people?
As with most other wizards, I notice the magical signature people give off before almost anything else. As I'm one of the few arcane casters in this world that is also proficient with some divine magic, I also notice auras. Everything else is secondary and not anything I pay particular attention to unless it's pointed out.
6. What's your eye color?
A very light shade of amber, they can look yellow in direct sunlight, which tends to unnerve a lot of people, I've noticed.
7. Scary movies or happy endings?
*once the concept of a movie is explained* Personally, I think I'd prefer the happy endings. While my life has likely been easier than most, I've seen and heard enough of the goings on in the world to know that I would intensely dislike these horror movies. Especially since they seem to mostly involve the undead from your brief description.
8. Any special talents?
The ability to use both arcane and divine magic is quite rare, as I said earlier. The two aren't entirely mutually exclusive, but it is hard to weave them together. The fact that I can is a relatively special talent, I suppose.
9. Where were you born?
I was born in a small village near the city of Hala. My people were traditionally nomadic, so they didn't have any particular place to settle while I was a young lad. As far as I know, however, they've since settled in the outskirts of Hala and are doing quite well for themselves.
10. What are your hobbies?
I enjoy art of all kinds. I like to write and draw in what little spare time I have. I also try to make time to see plays at the Theatre D'Olidimarra, though that has become a far rarer occurrence since I took up the position I now have. I usually end up attending with Chancellor Thatcher, who is a surprisingly learned man and very fond of the Arts.
11. Have you any pets?
I prefer not to keep sentient creatures as pets. It seems a little degrading. I will occasionally have an animal as a temporary companion, usually so it can be rehabilitated and returned to the wild, but sometimes one will wander into my life and stick around for its own reasons. They are always free to leave whenever they wish.
12. What sports do you play/have played?
Again, this isn't something that I currently do due to a severe lack of time. However, as a boy, I did spend a lot of time playing all sorts of racing games with the other children in my community and in the places we'd settle while moving around.
13. How tall are you?
6 feet 2 inches. I do tend to tower over a lot of people in this area, I've noticed, but this is considered average height for my people.
14. Favorite subject in school?
I never really had a formal schooling. My family moved around too much for that when I was young and I was apprenticed to one wizard throughout my adolescence, so there were no individual subjects as such.
15. Dream job?
To be honest, that was never something I gave much thought to. I knew I'd like to have one or two apprentices at some point, but the way the Tower is set up currently makes a lot more sense and have been happy to teach a class or two between my other responsibilities. I can't say I like the work I currently do, but I know how necessary it is and will carry on with it for as long as I can.
Interviewer: Thank you for you time, Grand Magus. I hope I haven't kept you from anything too important.
Thazaar: Luckily I'm an early riser and my peers are significantly more lazy. I might even have time to have a proper breakfast before I get called away.
Interviewer: Then I shall not take up any more of your time. Have a lovely day
The Interviewer vanishes in a puff of inky smoke, while Thazaar finally tucks into one of the pastries on the tray.
#writeblr tag games#writeblr community#15 questions tag game#titan fighting fantasy#thazaar clayrmantle
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3, 4, 5, 7, 8 for the dw ask!! you dont have to do all of em i just like options :]
Thanks for the ask!
3. What’s your least-favorite moment with your favorite doctor? Ah yes, favourite Doctor. The ubiquitous question in the fandom that is nevertheless rather hard to answer. Because making choices is hard, I'm going to refer to both the Fourth (my first Doctor, and the one who I usually mention in response to this question) and the Eighth (lives in my head rent-free at all times) Doctors as my favourite. With that being said, it is hard to recall a really unpleasant moment with the Fourth Doctor, besides some uncomfortable moments in I believe Talons of Weng-Chiang regarding imperialism. The Eighth Doctor moment that I really dislike is when he's being outright mean to Charley in Scherzo. I love Scherzo to bits, but I don't enjoy listening to the Doctor when he's like that.
4. Who’s wardrobe would you steal? Early Eight. His scruffy Edwardian gentleman vibes are excellent. I'm definitely a big fan of velvet coats and lots of pockets. I think the Doctors all have excellent fashion sense, although I don't have the confidence to pull off some of them.
5. If you had to take the form of one non-humanoid alien permanently, which one would you chose? This is probably a copout answer, but Whifferdill. Whifferdills are shapeshifters who appear mostly in the comics. Frobisher, the Sixth Doctor's companion, spends his time LARPing as a talking penguin.
7. Which doctor is not necessarily your favorite but is the doctor you’d most like to travel with or the doctor you think you’d get along the best with? I think Series 10 Twelve would be fun. We could dismantle capitalism together. I also like the relatively chill relationship he has with Missy. The two of them would be fun to hang out with.
8. Which villain actually scares you the most? The recurring Doctor Who villains usually aren't that scary, but the Cybermen in Spare Parts are. I can't recommend that audio enough. The only times I can recall being properly scared while watching Doctor Who are as a child watching a couple of Classic stories. Eldrad Hand of Fear isn't particularly frightening himself, but the threat of nuclear meltdown definitely is. Wirrn Ark in Space is pretty scary conceptually (giant space insect eats you from the inside out while you go feral and kill your friends), but the Wirrn is made out of bubble wrap. Classic Who my beloved. There's probably a couple of audios I'm forgetting. Big Finish is a bit better at doing scary stuff, since they don't have as many restrictions and aren't bogged down by silly effects. Hmm. Horror in Doctor Who might be an interesting topic to write more about.
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hii im the anon w/ scream rant here it is take my bullshit
The Scream franchise should have ended with Scream 4 (2011).
Character Quality
Craven knew how to write siblings or relatives of deceased characters without making it the entire personality. (I.E. Dewey in the rest of the films post-tatum death) whereas Olpin and Gilett’s characters related to prior characters (namely Sam Carpenter and her being Billy’s illegitimate daughter) had little to no personality outside of being related to those characters.
Dewey remained a likeable some-amount-of-good-dimensional character, while Sam (in movies 5 and 6) has multiple moments where she says you should “never f*ck with the daughter of a serial killer” before brutally murdering them. I will give the new directors credit, Mindy Meeks and Chad Meeks are well written characters who while having some qualities relating to Randy, they also have their own personalities.
Gore, Gore Quality, & Gore Necessity
Screams 1-3 all had a similar gore quality that was to be expected of the time period (1996-2000), but by scream 4 (2011) we are given new gore that is a bit higher quality but still used in moderation as required by each kill scene. But by Scream 5 the gore becomes overused and excessive in each kill scene and by Scream 6 its just overall every death scene is a bloodbath. But, in my opinion the goriest scene should ALWAYS be the final scene where the ghostface/ghosfaces are revealed and murdered. A few examples of overuse of gore in Scream 5/6 are Dewey Riley, Anika Kayoko, and Wes Hicks.
Dewey was stabbed 4-5 times for his death, which normally wouldnt be too bad, BUT his death used the newer gore so the whole thing was over the top and gross. Anika was stabbed in the stomach, then as she was crawling across the ladder to escape she was tipped off the ladder, falling 2-3 floors and smashing her face on a trashcan. Which I once again wouldnt have an issue with but they showed her face right after she hit the trashcan. Wes was also stabbed but he was stabbed through one side of his neck (like through and through one spot on his skin)
Honestly you're so right about the characters. It does a lot of the times feels like there's isn't as much to them as the original Scream characters. Maybe this is on a similar note, but I also don't feel like the new characters are as close as the original survivors felt. They definitely do have their moments, especially in Scream 6 but imo it doesn't feel the same.
For the gore, I imagine a big reason for the bloodbath is because that's what Radio Silence is known for. Like Ready or Not was bloody and its what people kinda associate with them. I also think that the level of gore that is expected in a slasher movie nowadays differs a lot from what was expected when the first Scream movies came out. Personally I don't have much of a problem with more gore, but agree that the most of it should be used for Ghostface(s). The killer should always have the most impressive and memorable kill imo.
Another point I kinda wanna bring up with my dislike of the new Scream movies is that - do they even have anything to say about horror anymore?
This one is more with 6 and the maybe upcoming 7 movie, but the point of Scream has always been to poke fun at movies, especially horror ones. The first one does this brilliantly imo. I think 2 does it well too. 3 falters a bit at times imo. 4 I think once again did better at poking fun at /commentating about horror and the world at the time. Especially considering how much time had passed between 3 and 4, I think it worked well and there was more new stuff to say.
For 5 I think the commentary about the movie landscape was alright. Again, enough time had passed between 4 and 5 that there's new stuff to say. But 6 didn't really provide much new that wasn't already said in the previous movies imo, and I can't see how more sequels could do so. I think that, again, maybe in like 10 years there could more said about the movie landscape. But not this quickly. Like I genuinely cant see 7 doing well and being good, if it even does get made considering how many changes its gone through so far. I heard that apparently Sidney is coming back, but like what else is there to do? With or without her? I just don't see the point of continuing the Scream franchise right now.
I didn't like 5 very much but I could at least understand if that was the last one for a while. Making more seems like a mistake imo
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Time for another series retrospective
REC (2007)
I'll be honest, I'm not a fan of mainstream spanish cinema, but holy shit if this isn't one of the best movies my country has produced. This found footage zombie movie released during the peak of those sub-genres, and they really tried their hardest to make it something special. It was filmed in real locations using actual neighbors as extras to make the movie feel truly real, and it paid off.
I won't go into much more detail. If you think what I already said sounds interesting, just go watch it. It's legitimately top quality stuff.
REC 2 (2009)
This one instantly goes in the "sequels that are arguably better than the original" list. Picking up exactly where the first movie ended, now we get to see what goes down when security forces have to enter the scene. This makes for a different vibe, since a lot has already happened, but they really manage to set up strong stakes and drama, plus we get to see a bit more of the reasoning behind what caused the events in the first place. Some people might dislike that the curtain over that mystery gets pulled a little bit, like in so many horror sequels, but I believe it's done just enough to keep things as interesting as they can be.
REC 3: Génesis (2012)
The only one of these I had the chance to see in cinemas back in the day. It's a massive change of pace and tone, since in order to tell a different story, they abandon the found footage style early on, and there's a lot more comedy bits in there.
Frankly, it's very easy to just watch the first two and forget they made more, because this isn't on that top tier level anymore, but I honestly still like the third entry. I think they were able to pull off an emotional story pretty well. Perhaps I am biased as a spaniard, because the setting and characters still feel very real, like this wedding gone wrong is one I have attended many times, minus the zombies of course.
I guess my verdict is "trust me on this one bro", you might think it's generic and not fantastic, but you might like it too.
REC 4: Apocalipsis
If you think a horror sequel that tells you too much about the "lore" ruins the appeal, then you've come to the wrong place. This final entry feels like one of those later Resident Evil movies, with a lot of action, a crazy setting and infodumps from an actual evil villain. It's forgettable, it kinda tarnishes what came before, and I can only suggest watching it if you're really curious about watching all of them.
Quarantine (2008)
You want proof that REC was a smash hit? Here you have it. Americans just bought the rights to remake the whole movie from the ground up, except with half the charm since it was filmed in sets with regular actors, and it's a cynical remake rather than a passionate original project.
In all seriousness, it's not a bad movie, it can't be when they're mostly competently copying something that's so good, but why would you watch this when you literally have a better version right there? Because you hate listening to other languages? Because subtitles bother you?
To add insult to injury though, they took the relatively unique paranormal/religious lore of the original series, which was kinda relevant because the whole catholic angle felt very grounded in the spanish setting, and replaced it with a generic biohazard/virus plot. Yup. They really thought making the movie even less special and more generic would be a good idea.
Quarantine 2: Terminal (2011)
The people who brought you Quarantine couldn't keep remaking the original series, so instead they opted to make an original sequel, and it's even less special, more forgettable, and less worthy of your time.
The one and only reason to watch this one is if you're really interested on hearing a bit more of that sweet "original" lore that they changed for this american copycat. Everything else I already forgot about.
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first of all SORRY it took me like a month to give you a reply at all, i was trying to read some jaime chapters before i replied but alas i am doomed to get through these books at a turtle pace only.
second of all, WHY ARE YOU ME re: jojenpaste, i GET that is a horror scenario and Bran’s in a horror fantasy rn and sometimes George likes to do really heavy handed stuff like that but it doesn’t fit thematically dammit theres no reason to believe the blood magic needs a literal blood sacrifice to work when it clearly gets that from the people buried beneath the tree it is EATING BRAN not JOJEN can we FOCUS.
AND TO THE ACTUAL KING BRAN/JAIME ENDGAME STUFF - idk if you’re familiar with this theory here that basically uses fire & blood as a way of predicting the ending of the series. notably, a lot of it happens in the endgame of the show just in a more mangled, stupid way than predicted lmao.
one thing it predicts that i'm not super convinced of yet is that tyrion will be the "hooded hand" from house lannister as a parallel to tyland lannister. but i think there's just as many similarities between tyland and tyrion as there with tyland and jaime. both brothers are disfigured due to the ongoing war, both brothers are disliked by their enemies and allies alike, and while tyrion and tyland are both the younger brothers (with jaime and jason being the older), tyrion is technically lord of casterly rock because jaime can't inherit and isn't likely to give up his vows just to be lord of casterly rock as his father wished. also notable is that jaime isn't the oldest lannister, cersei is, but unlike jason, she can't inherit over the second born son because she's a woman, which is, imo, a fun way of paralleling the dance lannisters by having the "jason" be a woman who isn't allowed to inherit and the "tyland" be a son who is second born and doesn't want to inherit. and I'll dig in more as I reread but there is some "hooded cloak" imagery surrounding jaime, although that could be solely valonqar stuff tbf. this one came to mind immediately:
Under the Great Sept's lofty dome of glass and gold and crystal, Lord Tywin Lannister's body rested upon a stepped marble bier. At its head Jaime stood at vigil, his one good hand curled about the hilt of a tall golden greatsword whose point rested on the floor. The hooded cloak he wore was as white as freshly fallen snow, and the scales of his long hauberk were mother-of-pearl chased with gold. Lord Tywin would have wanted him in Lannister gold and crimson, she thought. It always angered him to see Jaime all in white. Her brother was growing his beard again as well. The stubble covered his jaw and cheeks, and gave his face a rough, uncouth look. He might at least have waited till Father's bones were interred beneath the Rock.
i also think that jaime being "punished" to be hand fits much more than for tyrion; tyrion will see that as a reward for his "mercy" and his suffering. being given the power he has so long desired is just never going to be a "bittersweet" ending for tyrion even if he does wind up losing his family and being further maimed and disfigured in the process. but as you said, jaime would look at the great council filled with teenage heirs, disabled teenage heirs, female teenage heirs whose seats are being challenged by male relatives, and go "these motherfuckers are going to need me to be adult supervision aren't they" and would very much rise to that challenge while also seeing it as a punishment. he killed one king, he cuckolded a second, he spent all of affc reckoning with the legacy of violence in the riverlands pushed by criston cole 150 years before and then continued on by his own house, and what his role is, can be, and should be when you're a man with all the structural power being asked to sort the spoils of a war you deeply regret helping to kick off, like, i simply do not think he is going to be offed by lsh OR commit suicide/get jointly valonqared by a falling brick with cersei when so much of his story centers around the responsibilities of knights an the legacies inherited by oldest sons.
if he dies, i've always believed it would be in the riverlands still attempting to atone alongside brienne (or perhaps under her command) but I think the idea that he is heavily disfigured (by lsh possibly, but there's a lot of weirdos running around as well as not one but two Targaryen claimants with armies of their own) and forced to be hand/regent for Bran until Bran comes of age would certainly be interesting and "bittersweet" for Jaime (and then he goes to Wall for retirement/atonement. if it exists still). Also, aegon iii has a council of regents and i think it would make sense if one of the regents was his lord commander and someone who fought on the opposite side of the war from bran, given that tyland is an excellent hand who attempts to heal poor little aegon despite them being on opposite sides. i can very much see jaime wanting to do the same for bran.
okay that's it. sorry i took forever to reply!!!!
JAIME LANNISTER ENDGAME SPECULATION: #2, "Jaime Goldenhand"
~ DEFINITELY spoilers, both book & That Dragon Show, and some diving into other theories in the ASOIAF theory iceberg ~
2. Jaime "Golden Hand"
- for Jaime's sins, he is "rewarded" with what he has always dreaded but has already demonstrated relative competence at: responsibility.
- We Don't Talk About The Dragon Show but its ending for Tyrion actually steals much from what has been foreshadowed for Jaime: Jaime, who has never wanted nor sought out any power save his sword arm, WOULD feel punished by a sentence of lifelong service to The Realm. His most heroic act made him reviled: his kingslaying was the beginnings of his blatantly undermining the stability of Westeros by cuckolding its king, causing a lasting succession crisis, and unwittingly stirring the winds of war in his recklessness & ignorance.
- furthermore, Jaime serving as BRAN STARK'S Hand? tbh, "King Bran" punishing Jaime by installing him as his Hand not only fits all the foreshadowing in their respective character arcs, it ALSO follows logically from their POV of their interactions' ripple effects unto Westeros. Jaime as Hand to King Bran is the ONLY setup of "Bran becomes king" that makes sense to me outside of "Dystopian Weirwood-Police State" Horror Endings or Jojen's filling the role (i don't subscribe to "Jojen Paste": its memetic status baffles me and, like, the 3EC is LITERALLY BECOMING A TREE? and House Blackwood canonically buries its dead beneath its dead weirwood tree, and WEIRWOODS ARE ALREADY PEOPLE: JOJEN'S ABSENCES ARE ALWAYS MEERA'S ABSENCES ANYWAY- *several more allcaps paragraphs*).
#king bran#jaime the dragon slayer#tyrion the dragon#ados speculation#tyland lannister#jojenpaste#jaime lannister#tyrion lannister#the hooded hand#under the regents#getting on my soap box#fuck i think that's all my tags#bran struggling with a regent he doesn't like in ados and ousting him for jon only for jon to leave to protect bran?#that is my dream ending. and bran specfically naming jon prince/king of the gift.#echoing ned's “a dream for spring.” he can't have his brother so he gives him land to rule. it's brandon's gift!
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oh lmfao edited to add. the thirty tags are maxed out but i have to work in the wordplay of: call this post-it notes
speaking of [happening to think about, then for a separate reason talk about, the film “stand by me,” an adaptation of the stephen king short story “the body”] last night, & tumblr ads reminding me, i did turn around after listening to the podcast ep extensive, research enhanced analysis / discussion of specifically the book like hey yeah yknow what. i’ll watch the It films; not the miniseries / the one with tim curry, which i saw the first half of but wasn’t really inspired to commit to the latter half. and you Know like yeah i’m truly interested in the choice to build on [stephen king kicking his legs like “whaaat are some Problems kids could have.....um being a girl.....being jewish.....having a stutter.....”] with “what if someone was gay or some shit” like yeah right on, which idk that steve ever wrote into any vaguely primary characters even though it’s markedly made textually relevant. and the cultural alignment for kleinsen enjoyers is still very funny. i forgot about even the arm cast business till halfway through. even the [break it again] joke kind of manifested lmao
anyways the point is i’m like, my two primary modes of [this experience] being expressed via [mad men meme In The Cinema seriously considering the material] and [the shot of that guy in the alternate titanic ending where he’s like ahahahaha throwing his head back and the camera is overhead zooming out a little bit] and the like Oh Hey. This Is All Coming Together? kind of [that madman cinema meme] moment hit in The Second Part because it’s like, it’s Remarkable for a stephen king story to have Adults Who Are Friends. which is where it can be cross referenced with Stand By Me, which is about kids who are friends, but Framed by like, this story is written in the future by the main kid, who wanted to be a writer & now is, mostly about his friendship with this one other kid who was like “hey man you can & should be a writer. believe” and that classic [stephen king High Concept stories] central plot impetus / definition which is “the one where some kids go on a trek to find/see a dead body” and then ending with Adult Main Kid with that classic / standout remark “i never had any friends like the ones i had when i was twelve. god, does anyone?” which is included even in the film via seeing him type it out on bulkier ye old computer terminals while his kid is now twelvish i guess and talking to a friend. after also musing on like, yeah that bestie who hyped me up the most and who i saved in turn, with a gun, tragically died. iunno where those other two kids in the group are, living kind of underwhelming lives out there probably but whatever. lmfao like man i dunno write them a letter, call them, you could do a little digging here and get in touch. but yeah it’s not gonna be Exactly The Same as when you were kids, nor exactly the same as it was when things aligned to have a brief but dramatic adventure, nor when you Could just all spontaneously decide you wanna go walking & camping to find a body & then just up & do that. but like, you can consciously make & maintain friendships i prommy my man lol. like “it’s great when things align so you Happen to have these friends when you’re twelve and you all like offer each other emotional support and can understand each other like nobody else can. but then you Will all just drift apart” like, i mean, will you. you can have friendships beyond what you just Happen to have / hope that the magic alignments will just continue falling into place for you so that those friendships still exist
and probably part of it is that it’s really mostly About the two kids who are friends even though there’s four of them, i.e. the protagonist & the moral support bestie, as well as the fact that this is a short story so there’s presumably only so much time to focus on characters at all really or delve into any setup and bg lore and whatever all else, i dunno. but thinking how it’s like, oh hey, in It it’s kind of its own serendipitous alignment of elements there to be like, here’s a group of adults where it’s peak relevant that they’re friends, for once. because afaik that really just doesn’t happen in sking stories, like, yeah adults kind of have friends but it’s Not Very Deep / it’s just kind of convenience about working together moving plots along & it’s like yeah uh i don’t fucking know i guess we see each other / hang out for dinners or post dinner drinks together or join forces about whatever fucked up shit and just talk about that, mostly....and probably people are just dropping off like flies eventually, the protagonist man of that [sooo many protags who are just some fuckin middle aged guy who’s a writer] type, and it’s also in part just because like, characters don’t really matter that much / have to be particularly distinct / Are Disposable when plenty of the point is to go “was that fucked up or what?” about whatever’s happening, so yknow you go “there was once just some fuckin guy, i dunno, he probably has a wife he’s paternalistically protective of but maybe also resents and maybe a kid or two or something, whatever....” like, being the main character doesn’t really matter, it’s just this avatar through which we are told a story of some fucked up shit and to whomst any fucked up shit can even happen, being other characters also really doesn’t matter
so it’s like huh, stand by me / the body as obviously this Ode To Twelve Year Olds’ Friendship And How Your Emotional Support Of Each Other Defines The Entire Path Of Your Life Though Mostly For The Main Character, Everyone Else Fucked Off Or Whatever like right yeah, but with that difference of how like clearly as an adult this isn’t gonna be about this guy going like “hey yeah where are those still living scamps today,” he’s reminiscing only, he’s talking about how he now doesn’t have any friends like the ones he had when he was twelve....then what changes in It is like, hmm how are these adults where the fact they’re friends actually is peak relevant? how does one remain friends with even Any childhood friends there huh. and then the fact it works out like that is like aha, well it’s because they don’t lmfao. that everyone happens to scatter to the winds at some point when it maybe will eventually rear its head amongst even their own adult guardians like hey, yknow, maybe let’s not live in murderville. or coincidence. whatever. where the point is that like oh also, everyone just magically forgets the goings on as kids including the existence of their friends, but is about to be reminded of them / remember all that, for a specific external reason rather than [adults are like hey let me try getting in touch with that mf] and already plot and magic is relevant to all of this. they’re not going to have gotten together for the shittiest high school reunion if not for the connection of Friendship, this is about adults but it’s about that childhood plotline still, so Twelve Year Olds’ Friendships still stands / is relevant, so we can even fathom these adults having a connection, b/c yes they Didn’t have it as they got older there, but now they’re jumping back into it actually, b/c magic, and because also this is Directly About (Childhood) Trauma which was also like, hey damn, even outside the stephen king oeuvre & its tendencies (solid & wretched), this is also transcending grievances i so often have with Horror, as someone who likes horror and doesn’t like horror but likes horror but doesn’t like it, and just like. questionable employment of [you Are bothering to focus on Character, and their emotional arcs being entirely relevant to the story here] when sometimes it’s like, do you need a story? the strength of horror shorts to just go “was that fucked up or what.” do you need the characters with the emotional arc relevance at all, or is it just a little avatar walking around with enough vague motivation to have / see / make fucked up shit happen? are they particularly characterized to play into some Metaphor, what’s that metaphor, is it shit, is the execution of it shit. and oftentimes Trauma is just like, idk, it’s like well here’s this person’s Weakness, and it being horror that’s more likely to make it into a Fatal Flaw, like way to have trauma you dumbass, if you were so weak as to fail to just get over it already / Overcome it, you just might be killed for it
annoying, shallow and hackneyed, insulting, etc, and it’s also like, the Individual Focused emotional journey like and here this character who’s been weakly propped up by the Stronger people supporting them will have to go through the crucible of being alone, facing down their Issue like their trauma, and getting through it in this big dramatic one and done way so they can finally stop being a pussy and an obstacle to others. or else fuck it up & die. and it’s like do you know how this works lmfao (no) why shouldn’t the support help. why should it Have to go away. why shouldn’t everyone be crowdsourcing their emotional support amongst their group lmao and never needing to “overcome” it Forever, alone. and that’s at least mostly what gets to go on in It lmfao, like, so obviously this is About Childhood Trauma. whereas It = any of the forces that make people act in ways that create, facilitate, or simply passively allow trauma. (or just some shit that really fucks shit up sometimes i guess.) and you have kids who get caught Alone getting got. but then you have a larger group of some twelvish year olds who are like alright fuck this then, and that’s enough to get through it, the same way that naturally in the less magical / more literal realm of their lives, that friend group & joining forces & providing this like actually (relatively) safe and supportive environment amongst themselves is what protects them & makes everyone a lot more of a force to be reckoned with than they are when out / caught on their own. and it just doesn’t happen to be about choosing to write about like, and then all these kids got picked off one by one anyways, despite their efforts, f. which like i guess it could be, but when the Point is so Directly about the emotional support some kids get from each other / that they Are crowdsourcing protection re: their individual vulnerabilities, that wouldn’t really emphasize that Point so much if regardless of the [having a friend group] everyone was fucked anyways. or the fact that like, again, this is About trauma and what can create it and how that can persist and all, the Magic Rules are about the emotional component of it all, when it’s like, oh this just so happens to be a magic murder entity that’s picking off kids but also prefers to torment them and/or like idk takes the route of going “oh you’re gonna hate this” and hooks up their consciousness via usb cable to the zillionth dimension void & then sips their life force through a crazy straw, or, as it would be to clown entities, a normal straw, and i dunno, that if the usb is unplugged vs eternal living death then the torment juice can give people the interdimensional premonition / telepathy across space & probably time shine(tm) like good for them i guess. call that hypervigilance?
and then that like, into the Adults timeline, not only is there this cheat like woops a stephen king story where adults are friends b/c they’ve reconnected the usb cables where the [friends like the ones i had when i was twelve] has now become immediately relevant and active again, i was like, mad man cinema contemplation meme a bit confused going into the second half until i realized some particular fact of the plot And it was slowly like....we’re kind of goofin huh, is this Being Funnier? b/c i mean, the first one wasn’t not ever funny or like otherwise not super solemn & heavy, and also i’m just Used to horror to the point it’s not gonna like bother me probably, i was watching alone and turned off the lights b/c i couldn’t adjust my screen’s lighting levels & the overhead light in here was gonna create glare via the mirror behind me, and i didn’t think anything of it at any point, i had to also be like “@ me, okay stop saying ‘me’ the moment you realize anything [A Scary Moment] is transpiring for no especial reason,” and yknow, it’s like a roller coaster to me, or i’d say like being tickled except actually i hate that one & will start physically fighting lol, where it’s like yeah aaaaaa but it’s fun & i’m Humored really, i’m experiencing the [horror & comedy are two sides of the same coin], when i’m startled or going like oooh that was, to be sure, creepy, it’s still like, ahaha, i’m figuratively tickled, going :] at the screen, i especially liked the same [ooh hehe yeah that’s eerie] type of moments in both halves like yeah very [your standard marble hornets enjoyer] of me....but anyways so then it did take me an extra few moments maybe in the second half like oh is this Markedly More Humorous? oh it is, then....sort of unexpected but then it immediately makes sense and was Fascinating like, oh, this is so In Conversation With the first movie and with the Overall Story here lmao. like, we are illustrating the Perspective Shift, the [kids timeline] is still relevant and defines everything that’s going on, but they Are adults now and That itself is relevant. b/c otherwise it’s like, it Is just the same situation played over again lmfao like damn we were the [kids fight & defeat a murder sewer clown monster] and now we’re the [adults fight & defeat a murder sewer clown monster]. and Of Course It Makes Sense for there to be overall more Drama for the kids, who are more so just living & immersed in their normal lives in that storyline, and of course, Are Kids, where like anything “was that fucked up or what” that’d happen would be more intense & threatening, and sure applying that perspective like, not only “yeah i’m just experiencing some media, but if that was really happening in life that’d be fucked up, if it was happening for real to me, i’d be like, whoa uh oh holy shit aaaa” lmao, and then an Additional layer of “and if i was twelve” like “yeah aaaa oh shit” way compounded by that, naturally.
but then i’m Also like, listen, i’d be more like halfway through my 27 yr time jump but i’m the adult with cptsd lmao and so i’m Madmen In The Theatreing because of this angle as well, and intrigued, positively, by the uptick in levity about everything. wherein it’s like okay, it’s sure Also true that like, undo the [and if you were twelve] angle, but The Same kind of fucked up shit happening would of course still be like well this sucks, and is startling, to Anyone who’s an adult, right. But Also like, again the way it’s relevant to touch base with the [kids] timeline, because that’s Defining Everything, this isn’t just “and they’re adults which means everyone’s just tougher than they were when they were kids” and That’s That, it’s like, these are adults who were these specific kids with specific experiences vulnerable to and exposed to bonus trauma, and now this is a “time to jump back in to a head on confrontation with that” plotline but As A Group again rather than this being just the story of like any individuals, or just the main kid/guy, who is now to be sure the [the middle aged writer guy of a stephen king story] lmfao, congrats....and you had [repressed memories but like, magically extensively encompassing] as the device here to as what allows for this outlier scenario of like “but how can adults possibly maintain friendships formed organically in their youth? well, they didn’t lol. but now they’re back.” and the past Has to be relevant and freshly Active because again, this Is directly about trauma lol, not just about whatever broader thing and anyone might secretly have this Hangup or two that’ll get them got. and they all Know this lol, this may be some exclusive knowledge more broadly, but this is Not a secret amongst this group of adults like ah yes my marinating issues that nobody suspects i have....which is a bonus to [even though they’re adults in a stephen king story they don’t all or even mostly have to die] and then like, as i am trying to get around to, that it’d be Different being just any adult approaching this as a new situation to them vs being an adult With Trauma(tm) lol like. the way that one might go “well, this would suck for anyone, but i have a different vulnerability b/c [cptsd involving this shit]” but Then Also the resilience that nobody should have to have and it’s technically a “strength” even though then actually people interpret their [lack of honed ability through direct life experience to cope indefinitely with traumatic experiences] as the strength, a la “wow why’s that person put up with that, i wouldn’t stand for it b/c isn’t it So Clearly Bad & Unpleasant?” victim blaming mentality and people “used” to that shit “putting up with” said shit, which other people would throw up their hands like Wow Just No and walk away from. which in turn isn’t a “weakness” lmao like, there’s no moral judgments to being someone w/trauma or someone without it. that people shouldn’t Have to have cptsd or Resilience, of course, but then that they do. i’m certainly relating to like, yeah it’s Magic Rules / Exaggeration the way that only people young enough can detect & deal with this shit directly, the first time around, and then that they still have access to it as adults presumably b/c of that exposure as kids and because [the childhood trauma doesn’t just Go Away b/c you grew up, even though Also people just think that it ought to or like wow so immature or wow you’re Letting it affect you too strongly still, huh] etc. and anyways, relating to like, yeah enjoyed the way some adults would just be cool & generally supportive, but i also only had so much access to such adults, all Through parents or via school where it’s like, yeah but all the adults there have to Make Sure You’re Behaving Properly in various ways that lead to [punitive] ends and if anyone’s being like particularly supportive / understanding that’s a personal individual choice & they’re probably going Above & Beyond. kind of impressed how useless, and actively unhelpful / counterproductive, any adults were later on when i was dealing with it all the more / had it coming to a head in ways lol, didn’t have an epic friend group i hung out with at twelve or ever who Knew Me that well or i shared anything with or got lifechanging emotional support from, but there Were occasions of like, yeah these peers get it, huh. and now with the perspex of [cptsd having adult] it’s like, yeah, i’d have repeated dreams of parents showing up & i start physically fighting them off with like a shovel and shit lmfao. even now when i rarely have dreams ft. like a more general monster / menacing figure, like i did last night, go figure, Dream Me is always like Oh Okay and immediately physically charges them unarmed lmfao. (also had a dream cameo where some guy on a home computer who was making up like building / engineering schematics? was a Wrole like omg hey buddy. unfortunately a limited interaction, that plot got quickly waylaid by the one where i launch myself at some entity. booo) i can be like “ah, here goes the adrenal response” mostly only noticing sometimes when it’s like, my physical tension has gone to the point of [i can notice my legs/knees shaking], i can also Not Notice It / not think of it b/c you know, it’s like this is truly mundane / everyday shit, in the Relative / Comparative way that it can be. it can be stealth mission time to do some ordinary shit like you live in a survival horror game. it can also go “yeah i could very easily see how if, say, there was this manifestation of trauma / the shit that causes/facilitates/sustains/allows it, i’d go sicko mode on that shit just immediate physical attack” lmao. i know if i’m startled it’s like, that can be a) ordinary, and/or b) unpleasant, and probably c) immediately followed by my being ready to go sicko mode, possibly being a bit pissed off lol. like i can’t even be worried like oh no it’s nighttime what if something was menacing. like yeah that’d be scary and suck, i might get got, i’d also immediately be pissed off like fucking try me you asshole. and it’s like, again the way comedy is A Framework, it’s not what happens when a situation is Lighthearted, Unserious, Frivolous, etc. the like, obvious fact like wow people who are funny can be sad? can have had some fucked up, Serious experiences? can even joke about that? like yeah of course humor can be Deliberately Employed To Cope, including to even communicate about shit, where you’re cueing hard like, i’m not necessarily collapsing under the weight of this right now but it’s a reality and when i’m telling you about it with Humor it’s not in turn asking for you to fix it or even do anything about it at all except be listening to / comprehending the info i’m giving you. and that even looking back on shit can be funny To You because it’s just like, sure Elevated and can be a bit absurd. so it’s like oh yeah of course it’d be funnier, in a way characters are aware of & actively interacting with lmfao. like of course any adult would be like “jesus christ. yikes. aaaa” lol while also being more inclined and able to tackle bullshit right off, but Also being specifically an adult with the [this is your childhood trauma] can be like, yes i’m both still affected by and vulnerable to this shit, but i’m Also less vulnerable than some rando might be, actually, and prepared to / more used to this, and able to go “jesus christ yikes aaaa lmfaooo ahaha” about it. like, i feel that lol.
paragraph break just because that one was getting Extra long: oh and also the matter of Genre Awareness, that this isn’t just some fucked up shit that happens to be scary and fuck your shit up, but this is expressly an antagonist coming after you with the intention to be scary to you, and you Know that, you are aware you’re in a Horror Genre situation lmao, so meta, surely helpful. and sure sometimes i felt the like comedy vs horror; comedy vs drama sometimes didn’t transition perfectly like, my kind of feeling ambivalent at this one point like uhhh is this scene more straightforwardly dramatic? hmm i guess it was. well anyways. but that’s fine, meanwhile continually delighted even to realize like, here we are going over this all again but with this Shifted Perspective / Framework, we’re clearly goofin a bit. and like how i can clap & cheer like ooh yeah that was creepy lmfao, i got Got comedically like idfk dozen times or what all. ahehe....not to mention the [i Am going insane. society] experience of scrungy expression spit take coughing laughter when overlaying [titanic guy going HaHaHaHaHaHaHa XD as the camera lifts away from overhead] upon [mad man serious contemplation of cinema png] while experiencing like wow the gay Text is more textual than i though, more extensive, turns out i had some things to go into entirely afresh without going “oh yeah, i remember what i osmosis’d about this” to then go :0 =0 about, or that i didn’t quite get Everything through osmosising that i did recall, to then spit take about and become titanic guy fifty times over. i Am a bit joker mode, you really just have to be. and laughing about [when stephen king and PPL go “you know this type of guy” and we all go “yeah i guess. i know Of them [possible knowing looks amongst ourselves, or to the camera]” and then they go “you know how they’re—” and then our answers of “maybe like gay or some shit” overlaps with their “just another heterosexual amongst all the rest of us, unless we’re gay, but we’re talking about how all the protagonists we write are cishet i guess?” like. haha. what an alignment, good for everyone in the overlap....oh and i was like ahahaha when the podcast discussion of The Book Specifically nevertheless had one guy knowing the lore already that the stephen king cameo here as Some Secondhand / Pawn Shop Type Place Owner Guy was someone who, in stephe’s (not a typo, making stephe as = steven happen, with particular enunciation of the ph vs v) own written text as the description of That Guy in the book, is like, this gay caricature who is like wearing some mesh or i think they said it said “fishnet” shirt and like clearly reading this gay porn mag. because how else would someone be gay lmfao? how else would you Know you’ve encountered one of them?? lmfao like, a) i also agree with the podcasters who are like, stephe’s a coward for not staying true to that specific description he wrote when cameo’ing as that person, and b) like, people are gay, stephe....but classic matters of [running down a hallway going Noooo and knocking shit down behind you while being chased by [the way stephen king writes about [take your pick] and/or just like, what do you think is going on in life re: [take your pick] exactly, stephen king, i swear] lol)
anyways This has turned into [gif of the guy emphatically pointing at a laptop and also at some unseen listener to this Serious Monologue] because i have endless things to say about anything. the point it it’s like, well hey i think that was remarkably successful re: choosing to have Characters with Emotional Arcs tied to a Metaphor in this horror media, when usually i’m like, the execution of this is so shit that it’s like, just don’t have characters lol, don’t try to make it a metaphor (although you know, difficult for it not to be tied to anything irl, so don’t be unaware of how it Could be), if it’s gonna be this kind of a mess. the fact that like, you can’t have [trauma] be a character weakness fatal flaw that gets them got b/c they weren’t individually Strong Enough, b/c this is All About a) having & interacting with that [trauma] first and foremost and b) how having a group of relationships affects that (helpfully). my pleasant surprise about how like yeah of course you can’t just make the exact same movie again but i wasn’t necessarily expecting a noticeably more outright comedic angle for round two, but duly kinda delighted by it, and that felt very Appropriate and Verisimilitudinous for the new angle of And You’re Completely Grown. that stephen king Rarely writes about relevant friendships and all the more rarely to never writes about relevant friendships between Adults but whoops, that happened here, b/c there was a magical workaround where “drifting apart” was not entirely congruous to the real life literal actual way that’d happen, and b/c the way this is about childhood trauma means that the Rest of that childhood is relevant to adulthood / adult identities, and he ends up with “god, does anyone?” being answered by “yeah, sometimes” lol. and yeah being a deh enjoyer / being haunted byer / analyzer means anytime something is About the connections someone, say a young person for one, might make and how that can be relevant to All Their Issues, i’m sitting up & taking notes like oh ya don’t say. that stephen king shit overall is like, well this is Interesting and i could talk all day but i’m also like, personally more ambivalent and bound to run over like hey stephe i’m shoving you around, bitch. until we form an unlikely, begrudging alliance to instead go after stanley kubrick, then boo the the shining movie, but whatever. the the shining book ending, one of the few things i particularly remember from actually reading that one, is true like, stephen king endings tending to be a hot mess that maybe aren’t super successful but here we are and it was like, why’d it get so goofy all of a sudden lmfao like i’m telling you with the schrodinger’s boiler that’s old and temperamental and if you don’t maintain it it’ll blow up probably, and that the way things end in the book is the [middle aged dime a dozen writer man protag] being possessed by a hotel is like oh fuck me lmfao, not the boiler i can’t maintain myself even though i’m possessing a hotel, it hasn’t been maintained, and then as always in any of these stories things go off the rails and yakety sax starts to play while after hanna barbera cartoon scrambling in place for a second, your haunted hotel avatar starts sprinting to the basement or wherever it was but Too Late, it blows up and the hotel dies kind of. and that’s kinda fun and funny lol but yknow, put it back in. beating up kubrick aside, i’ve seen all of? nigh all of? wasn’t paying much attention. the movie and it’s like oh okay whatever. but as with like [anything stephen king] and my not even being born till the 90s, it’s like, i can’t possibly experience this afresh, we can all agree that surely this is the best known stephen king work b/w book & film adaptation, even among biggies that really just permeate pop culture overall, who can know what i’d think if these things were New and pre [own significant influence on relevant genres / mediums] or also i was a younger reader/viewer at the times as people could often be. but i was like....expression where you scrunch your face up and look to the side like “are you seeing this” bemusement like...this is. fine i guess? it’s not really scary lmfao. and regardless, resurrecting kubrick to beat him up. but on that note it’s also funny that god knows why i ever mentioned the hypothetical of watching the shining once in passing to my mom, it would’ve been humorous / not in earnest b/c no way would i have been suggesting we watch that or even that i had watched it necessarily, so i Think i must’ve just been informing her of some things that were on tv at that moment with some goofy but technically accurate suggestions like that one, and she is a bit indignant like clearly disapproving of the general idea because, as she says, she doesn’t think it’s Right to tell kids they should ever be afraid of their parents. but between “but like. they go axe murder possessed by a hotel mode here, wherein i think it’s very appropriate?” and [someone who watches It and keeps looking into the camera one zillion times / is fascinated by the fact it’s like oh wow, any horror talking about What If You Had Trauma that isn’t like fundamentally misguided throughout and probably egregiously insulting about it] i take a perfectly comedically timed pause and then we freeze frame on my doing a spit take Laugh into my own drink. not actually in the real moment lol, i just Say Nothing and file that one away lmfao
oh and as a little postscript here i want to shoutout my going “just like Watch Your Step in goosebumps the musical the phantom of the auditorium” where it’s like, schrodinger’s warning about how a kid could just up and accidentally die via this trapdoor or like anywhere anytime, but you don’t really realize that b/c you’re kids, but I’m Telling You. and like, he’s right in general to be sure, you can just die, as well as unknowingly right of course like oops yeah some kid did just up and suddenly die via this trapdoor, grimly. and that’s Stand By Me / The Body handshake emoji It, like of course that mortality is ever relevant particularly in horror, but that also it’s like, kids realizing the reality and Proximity of that, like You Can Die, this could be you or could’ve been you. [horror, and it’s middle schoolers] wins again
#how long is this. and i could've gone on lol. if i have anything to say i Can [never shut up]#it#like what even addendums could there be for the tags....like don't even start b/c of course i could max shit out#i guess the Interesting Fun Fact that in doing research the podcasters were able to be like#''well i'm not Sure abt this; the source was maybe vague & it Would be vague; but that naturally ofc plenty of story elements in#stephen king stuff can be things where he's like yeah [xyz] was directly inspired by some real life shit [abc]'' and that like there was#Maybe this childhood event where he saw a friend / some other kid get hit by a train but then right off fully blacked out on that memory#which obviously would be pertinent here re: Remembering Litchrelly Nothing abt childhood till it all suddenly is brought back into play#but also like the part of stand by me included a scene like woops Almost getting hit by a train. dunno if that's in the short story though#but i'm gonna say Probably Yeah. plus learning again via the podcast like oh stephe got mega hit by like a minivan in '99? i was 5 lol#so i would not have been aware of that news. and i have not since Caught Up on the man's life history. nice not dying there#there was probably some other sidebar i wanted to throw in here but i forget and quick let's post this before I Keep Going On & On#scrolling up ''oh this isn't That long'' scrolling back down ''oh wait maybe it is kinda long''#it's all relative. i like horror i dislike horror. i said a lot i was so concise.#for one thing lmfao like sure is Interesting how; say; i was always Intrigued by horror as a kid even#like i think that's true for plenty of people & there's more than one way to enjoy a genre & s/o to Horror Expressly For Kids or anything#expressly for kids when it's like good & genuine & apropos it's Not just necessarily abt diluted or lesser versions of that For Adults#but anyways like i Also though def experienced like; this does freak me out & in an [i'm not having fun] way. But I Also persisted lol#like me thinking ''but i have to power through & build up a tolerance here'' when like; of course i really Didn't. why would i.#did that re: like thrill rides too sometimes; kinda liking them & the suspense; kinda really not; at least for a good while#i Did build up a tolerance &/or just how i got older & now i think all thrill rides are entirely Fun. except just straight drop towers maybe#haven't tried one lol but i've tried like roller coasters that are supposed to be Especially intense & i didn't even realize like oh. huh.#like it was fine actually lol we have fun...and same with horror; again how like yeah i'm not expecting Especially Intense but yeah ofc i'm#gonna fire this shit up alone in the dark & never think anything of that. munch crunch#like hmmmmm re: my being a little kid who Was bothered more by such shit sometimes while also intrigued / having fun#but who regardless was like Well I Have To Try To Be Okay With It / seek it out & power through. vs ppl who are just like well no i don't#enjoy or like horror stuff particularly and/or roller coasters lol. compare & contrast & contextualize w/me also being a little kid who is#experiencing trauma & trauma responses as what is for me some mundane / everyday / par for the course / Anytime shit lol and of course i do#not have the info / context / perspective / framework to realize this. so i get distressed by ''that Would be fucked up'' but what else is#new or what have you? why shouldn't i also go ''well i guess i have to Get Good at tolerating this / Enduring it'' lmao
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Submas Fic Recs
hey hi hello i read a lot of fics so i figured id give some recs about recently published submas fics (not that they arent all recently published lol but in like the last week)
https://archiveofourown.org/works/38253187
nanu and ingo from penguinkiwi’s warden and kahuna au! volo has a bad time, as he deserves and nanu get to deliver said bad time.
https://archiveofourown.org/works/38241775
SCREAMS this fic is completely open ending but dang if it didnt rip my heart out. sobs. give this train man a hug please
https://archiveofourown.org/works/38078671
emmet fights the sinnoh league! i’ve thought about an au where ingo does this but i love this concept a lot!! he’s having a time but i have faith ingo will come back from hisui and find cynthia dethroned. thatd actually be a really interesting parallel to defeating volo lmao
https://archiveofourown.org/works/38247658
someone throws ingo into bioshock and he has a horrible time rip. i really like how ingo’s weirder traits are considered against the background of bioshock though, including his relative innocence towards death and his glowing eyes lol
https://archiveofourown.org/works/38226583
i usually dislike ash in fics but this. im excited. its only 500 word so far but ash being able to pull his protagonist connections is :eyes:
https://archiveofourown.org/works/38124679
this fic starts out as a ghost story but has since escalated into a horror story masquerading as unreality and i am in love with how everything is played out. my heart strings are being pulled and i am Spooked, but i am on the edge of my seat for the next update
https://archiveofourown.org/works/38199298
based (i assume) on the one comic about elesa and celebi. elesa goes feral, as she should, and is very ready to drag ingo and emmet home by the scruff and i look forward to it.
#fic recs#if you want more thoughts just ask bc i will have them#pokemon#submas#ingo#emmet#vee talks pokemon#if you see your fic here and dont want it here just lmk#if you want to see another of these next week pls let me know lol
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phenomena | s.jn
summary: the majority of your adult life you’ve been practically married to logic and science. until your superiors at the FBI assign you to work with special agent johnny suh on the so-called x-files project—cases that were never solved due to unexplained phenomena. as time goes by, and you chase case after case, you find yourself drifting further from logic… and closer to johnny. (part of the 90s love collab)
pairing: conspiracytheorist!johnny x doctor!reader
genre: x-files!au (with johnny as fox mulder and reader as dana scully), fbiagents!au, coworkers-to-lovers, slow burn, sci-fi, angst, fluff, comedy, crack-ish at times, fakmarriage!au at the end
warnings: language, murder, eating, blood, general violence, police presence (txf is fbi level copaganda but oh well), johnny is a low key dick initially, sexual references, general american ignorance, implied sexual harrassment in the workplace, mental hospitals, reader witnesses a distressing panic attack, guns, body image, referenced child/animal abuse, repressed memories, mentions of anti-semitism & nazism, christian allusions, occultism, mild gore, slight body horror, some 90s pop culture references, i am not !!! an fbi agent so there may be some inconsistencies, suggestive content but no actual smut, Karens being thirsty for johnny, johnny is a Single Man and is Kind of Gross, both reader and johnny get knocked unconscious Several Times
song recs: gorillaz - dirty harry // john mellencamp - martha say // elton john - whitewash county // arctic monkeys - all my own stunts // kesha - spaceship // the cranberries - dreams // exo - oasis // the cure - friday, i'm in love // billy joel - we didn't start the fire // david bowie - starman // phoebe bridgers - chinese satellite // tom petty - wildflowers // selena - bidi bidi bom bom // soda stereo - persiana americana // bruce springsteen - dancing in the dark // the cranberries - linger // bruce springsteen - human touch // r.e.m - it's the end of the world as we know it (and i feel fine) // david bowie - heroes (or just listen to the playlist i made instead)
word count: 34.3k (YOWZA u should prob read this on a browser)
a/n: a fic this long......never again
X-FILE 62-J: THE PINEWOOD PATTERN
FBI HEADQUARTERS, WASHINGTON, D.C—08:00 hours, Monday, March 16th, 1992
The morning you met Johnny Suh, his glasses were crooked. It was two years after you'd started working for the FBI, and you were 28 years old.
You'd spoken to your Division Chief—an older, balding man named Carson Brooks—the afternoon prior, just before you left home. He, along with two other men had asked you about the man in question.
"Agent L/N, tell me. What do you know about an agent named John Suh?”
You had furrowed your eyebrow, staring up at him. “John Suh? He had quite the reputation at the academy. Let's see… Oxford educated psychologist. He wrote a monograph on serial killers and the occult… helped the FBI catch Ezekiel Braun in 1988. He’s generally considered to be the best analyst of the violent crimes division. I’ve never met him personally. There’s a nickname for him around the division, though. They called him that in the academy, too." You had to hold back a chuckle, "Spooky Suh."
One of the men next to him nodded—a senior officer whose name you couldn't quite remember—before leaning forward. “It has come to our attention that he’s devoted himself to a project outside of the bureau mainstream. Agent L/N, are you familiar with the so-called X-Files project?”
You looked down at your hands in your lap, trying to recall where you’d heard the name. “From what I understand,” You said, looking up at the man, “They’re cases that are related to unexplained phenomena.”
Your division chief straightened his glasses. “Agent L/N, we’d like for you to assist Suh on these files. You are to write field reports and assess the validity of his work.”
You blinked, not letting your face crack. “...Am I to understand you want me to debunk the X-Files project, sir?”
Your eyes scanned the room. So far, the third man, the one smoking the cigarette had been the only one to not speak.
“Agent L/N,” Your division chief replied with a pursed smile that didn’t quite meet his eyes, “We expect you to make the proper scientific analyses required for these cases. We trust you won’t disappoint us and will be looking forward to seeing your reports. You are to meet with Agent Suh tomorrow morning.”
That had been the day before. Now, here you were, on your way down to the basement, which was apparently John Suh's natural habitat within the Bureau headquarters. The lighting was relatively low in the hallways, shelves upon shelves of cardboard archive boxes seemingly closing you in. When you finally reached the office door at the end of the hall, you rapped your knuckles against the wood twice.
“Sorry, no one down here except for the FBI’s most unwanted!” A deep, sardonic toned voice lamented. You made an amused face to yourself, before quickly composing yourself.
Professionalism above all else, Y/N. First impressions matter.
So you took a deep breath before opening the door slowly. Your eyes scanned the room, widening slightly despite your mantras of professionalism. The man had his back to you, so he didn’t catch it, thankfully. He was too busy studying photographic slides on a lightbox on his desk, hunched over in concentration.
But amongst those metal filing cabinets that were all that same atrocious shade of gray, the entire room was pretty much a mess—papers scattered across the desk and pictures tacked to the walls haphazardly to the point where it was hard to tell what color the wall he was sitting in front of was. Among other things, you caught newspaper clippings, pictures of bright beams of light igniting the night sky, a diagram of the human skeleton, and in the middle, a large poster. On it, a large UFO was hovering above a pine forest skyline, the words “I WANT TO BELIEVE” printed in bold, white letters across the bottom.
The man in question turned in his swivel chair to face you. You took note of the crooked glasses propped up onto his round nose, wide eyes studying you up and down. The sleeves of his white button up were rolled up to his elbows, and his tie, just like his glasses, was crooked. Still, you mustered a curt smile, urging yourself to remain professional in spite of how handsome he was.
"Agent Suh," You declared, holding out your hand, "I’m Y/N L/N. I've been assigned to work with you."
John shook your hand, eyeing you somewhat skeptically. "Agent L/N. I've heard a lot of things. So, who did you piss off to get stuck with this old nut?"
"Actually, I’m looking forward to working with you. Division chief Brooks has asked me to do an evaluation of your work ethic and the overall project, I’m hoping we can work well together."
He pursed his lips, obviously trying to hold back a laugh. Finally, he broke into a grin. "So, they want you to babysit."
You bit back a huff as he turned to look back at his slides. Well, yes, he was right in a way, but you weren't going to admit it. Not with the slightly condescending tone he'd taken with you. Running your tongue against your front teeth in annoyance, you did your best to remain cordial. You plastered your polite smile back onto your face and crossed your arms.
"If you have any doubt about my credentials—”
“You’re a medical doctor,” He said, pulling out a folder with a clear plastic front, “You teach at the academy, did your undergraduate degree in physics…”
He looked at the blue folder in his hands. “Einstein’s Twin Paradox: A new interpretation. Y/N L/N’s senior thesis, now there’s a credential: rewriting Einstein.”
You raised an eyebrow. “Did you bother to read it?” Your tone had a dangerous roll to it. Already you were starting to doubt how much you would enjoy this.
“I did!” He stood up from the swivel chair, revealing to you just how tall he was. As he walked to one of the gray filing cabinets on the other side of the room, he turned his head and flashed you a crooked smile. “I really liked it, actually. It’s just in my line of work, the laws of physics don’t seem to apply.”
John walked back over to his desk, picking up some of the slides on the lightbox and popping them into a slide projector a few feet away. You stepped out of his way as he made his way to the light switch next to the door, engulfing the room in darkness except for the lightbox, which gave the room a dim, industrial white glow. Turning back to the projector, he pressed the on button, before he looked back at you. His face had turned serious, wide eyes peering at you in the dark.
“Maybe I can get your medical opinion on this.”
Turning your head to the first slide, your eyes settled on the body of a young woman lying amongst old leaves. She was in a white nightgown smudged in dirt, and her arms were spread out as if she were waiting for someone to embrace her.
“Oregon female,” John said, “Aged 21. No known cause of death. Autopsy tells us jack.”
He changed slides, and the image projected on the wall changed to a close up of skin, two small red dots puckered up about a few centimeters away from each other. “However, these were found on her lower back. Doctor L/N, can you ID these marks?”
Walking closer to the projection on the wall, you sighed softly in thought. “Needle punctures, maybe?” You asked, “An animal bite? Electrocution?”
“The coroner wasn’t able to ID them either.” He pressed a button on the projector, and it whirred as it changed slides. This time, it was a figure of a chemical composition. You furrowed your eyebrow.
“This was found in the surrounding tissue. How’s your chemistry?” He asked, sounding amused. You glanced at him in dislike, then at the composition, racking your head at the sight of so many cyclohexanes.
“It’s organic… Is it some kind of synthetic protein?”
He didn’t answer, and your mouth fell open in confusion, shaking your head. “I… don’t know, what is it?”
John laughed. “Beats me! I’ve never seen it either. But it’s also been found in Amaranth, South Dakota…” He clicked the button on the projector. It changed to an image of a middle aged man laying face down in a ditch. He did it again, and a younger man appeared strewn in the middle of the desert, eyes glazed open. “...And again, in Verona, Nevada.”
“Do you have any theories?” You asked, squinting as to avoid looking at the glare of the projector, and instead stare at him. He made his way closer to you. The light of the projection caused the image to warp and distort, projected onto the right side of his face.
“Oh, I have plenty of theories. What I want to know is why it’s bureau policy to claim these as unexplained phenomena when there’s clearly a pattern here.”
He sighed, before stepping closer to you. He wasn’t necessarily invading your personal space. But from this proximity, caught in the light of the projector you could make out the soft flecks of amber in his brown eyes, the soft curve of his lips. “So, doc,” He murmured, voice low and raspy, “Do you believe in the existence of extraterrestrials?”
Oh boy, you thought, here we go.
“Logically, I would have to say no. The energy capabilities required to travel through space, as well as the technology you're implying would exceed a spacecraft's—”
"Conventional wisdom," He said, raising his eyebrows. He crossed his arms, pointing at the projection. "Do you know that this girl in Oregon is the fourth person in her graduating class to pass away under suspicious circumstances?"
He shifted his weight to lean on one leg. “When there’s no logic, and there’s no convention, is it such a crime to turn to the fantastic for explanations?”
You frowned. “She had to have died from something. Whether it was natural, then it’s possible the medical examiner missed something. If she was murdered, then maybe it was a cover-up, or a sloppy investigation.”
Leaning your head forward towards him, you put your hands on your hips. “What I find fantastic is the idea that you would be willing to look anywhere except the realm of science for answers. The answers are there, you just have to be willing to look for them.”
“And that’s why they put the I in FBI,” He quipped, sounding quite amused at his joke. He turned on the overhead lights, then made his way to sit down at his swivel chair. He leaned back against the black cushion. “So, L/N. You, me, a flight to Pinewood, Oregon, bright and early tomorrow at eight AM. How’s that sound?”
You bit back a smile. John Suh was… quite the character, that was for sure. Smug. Intelligent. Maybe just a tiny bit off his rocker.
But you didn't really have much of a choice, and you were growing curious as well.
"Alright,” You conceded, “I’ll bite.”
John grinned. “Awesome.”
You set your purse down next to the projector, before turning it off. “I’ll be right back,” You told him, “I need to go to the bathroom.”
He nodded, turning back to the files next to the lightbox.
“And John?” You leaned against the doorway, watching as he straightened his posture to look up at you, expectant of your words. His eyes, from behind those crooked, round rimmed glasses, were poised on your frame.
“Yes?”
“Your glasses are crooked.” You turned to exit, smiling to yourself when you heard him move, and softly mumble, “Oh, shit.”
PINEWOOD, OREGON—11:32 hours, Tuesday, March 17th, 1992
The plane touched down with only the slightest bit of turbulence. John Suh was sitting right next to you, snoring softly as you pored over the four different medical reports. The reports of the first three victims—Kaya Tate, Jisung Park, and Alex Gallagher—were basically the same word for word, other than specific physical details of the victims, like hair color, height and weight. All of them were found in the woods and were estimated to have died somewhere between one and four in the morning. Possible causes of death included exposure and cardiac arrest, but there wasn’t enough evidence to list anything. The oddest part was that of the three of them, all of their pupils were shrunken. That wasn’t supposed to happen.
When a person dies, what occurs next is called primary flaccidity. In this state, all of the muscles relax—their head might fall back as the neck loses strength, the jaw falls open, fingers loosen their grip. And the pupils should dilate. But here, they weren’t. Not in the slightest.
You frowned, looking over the first three reports again. There was no sign of red marks anywhere. At the end of all three medical reports, the same signature was seen: Aaron Choi, MD.
Flicking through the medical report of the fourth victim—Kaya Tate—you looked over the similarities of the other autopsies, and the one unavoidable difference: those damned red markings John had shown you yesterday. With a sigh, you skimmed over the report one last time, before one final difference caught your eye at the very end. This report wasn’t signed by one Aaron Choi, MD. No, it was signed by Hank Rodrigo, MD.
You didn’t have time to think over it much as the pilot made the announcement that the plane would be landing soon. John jumped awake at the sound of his voice. His eyes cracked open, and he frowned as if he were upset at being woken up.
“Morning, sleeping beauty,” You greeted when he gave you a sideways glance.
“And here I was, hoping for a kiss to break the spell.” He laughed sleepily, but you frowned as you pulled the reports off of the tray. You didn’t answer as you put them away and put the tray back up in preparation for the landing.
John stretched his back, inhaling deeply before staring at you awkwardly. “...Sorry. I’m being inappropriate.”
You shook your head, but then smiled. “Thank you for apologizing. Some guys at the bureau can be real creeps.”
He frowned. “...You’re trained in self defense at the academy for a reason, y’know.”
Rolling your eyes, you zipped up your bag. Still, you couldn’t let go of the smile on your face. Still, you put some sarcasm into your tone when you next spoke. “Of course I am.”
When the plane landed, you picked up the rental car the bureau had provided, and put your suitcases in the trunk before getting in. John drove, popping in a cassette of his that played some rock song you didn’t know the name of.
Martha say she don't need no stinking man making no decisions for her
She don't need his money, she don't need him between the sheets
She ain't gonna sleep on the edge of the bed for no stinking man...
“Kaya Tate’s medical report was signed by a different examiner,” You pointed out, even though you knew that he’d already realized that.
“And there it is,” He said, not taking his eyes off of the road. “Those marks are pretty hard to miss. If they all had similar circumstances in the autopsy, who’s to say the first three kids didn’t have the same markings? And why would Doctor Choi avoid putting that in the reports?”
For a moment, he looked at you, and raised an eyebrow. You mirrored his expression at his implication. “So, you think the medical examiner has something to do with the murders.”
“Maybe?” He glanced briefly in the rearview mirror. “He’s a person of interest. Not necessarily a suspect. I’ve arranged to exhume Alex Gallagher’s body. Maybe we can come to some conclusion of our own—”
He was interrupted by the sound of the song from his cassette distorting, static blaring in between the music and the sound of the vocalist’s voice.
At first, you thought it was something to do with the cassette… until the windows started rolling up and down of their own accord, and the lights on the dashboard started to flicker. You felt the car even swerve slightly, despite John’s firm hands on the wheel.
Within a matter of seconds he managed to pull over and put the car in park. As soon as it had started, it was over, but as John turned the motor off, he met your eyes. He looked just as perplexed as you did.
“What just happened?”
He didn't answer, unbuckling his seat belt. As he got out of the car, you did the same thing, wondering what kind of failure could cause a car to go haywire like that.
Wordlessly, you watched as John took a good, long look at his watch, before walking over to the trunk and popping it up. From his suitcase, he pulled out a can of spray paint. He pulled the cap off of it and leaned over, aiming at the asphalt. You raised your eyebrows.
"What are you—"
The sound of the paint can interrupted your words. You watched as he sprayed a big X on the street, right in front of where he was standing. Your mouth remained slightly open, unsure of what to say. When he stood up straight, he placed the can back in his suitcase, and looked up at you. Slamming the trunk shut, the both of you exchanged stares: his blank as if vandalizing forest streets were a part of his day to day life, and yours somewhat perplexed.
When the two of you got back into the car, it turned on with no issue. John's cassette started up again on the same song. Again, you exchanged a wordless stare, the both of you now equally unsure.
“Welcome to the Twilight Zone,” John muttered, putting the car in drive. You didn’t reply.
Hi-de-hi-de-hi, brother,
Hi-de-hi-de-hey now, Martha...
Ten minutes later the two of you rolled into the cemetery. It was an uphill slope, a small field atop it, connecting to the woods. John drove until a small, yellow bulldozer caught your eye and you pointed it out. He parked as close as the road permitted, and the two of you exited the car, ready to head up the hill.
As the two of you pulled out your FBI badges, an officer came running up to you. He darted between tombstones and stopped in front of you, pursing his lips awkwardly. You both help up your badges. "Special agents Y/N L/N and John Suh," You said.
The officer nodded sheepishly. He seemed young and rather inexperienced. "Officer Mitch Swenson. The chief couldn't be here right now, ma'am."
"Oh?" John continued walking towards the grave, which was fully undug. A crew was in the process of using a pulley to lift the coffin out of the ground. "Couldn't, or didn't want to? He didn't seem very happy when I contacted him on the phone. Didn't even tell me his name."
Officer Swenson looked down. "I'm sorry to say that he's opposed to this intervention, sir."
"Unfortunately," You told him, "After so many unexplained deaths, we're obligated to involve ourselves. If he has an issue with our jurisdiction then he can take it up with—"
A loud snapping noise stopped you in your tracks, and your head turned just in time to see the ropes on the pulley snap, dropping the coffin. It quickly began tumbling downhill, towards you. You barely had time to step back. Before you could be trampled by a goddamn coffin on what was quickly becoming one of the strangest days of your life, you felt a strong hand grip your forearm and yank you back harshly.
The coffin barrelled right into the back of a tombstone, cracking open ever so slightly. Your back collided with John's chest. Neck craning back to look at him, you realized both your chests were heaving in shock. He was staring at the small opening in the coffin.
You pulled away from him, charging towards the coffin. John and Officer Swenson did the same, as well as some from the lifting crew.
As soon as you got within five feet of the coffin, a putrid odor hit your nose and seemed to hit everyone else's. John's hand went to cover his nose. Officer Swenson turned green. You held back a gag.
Still, despite the heinous stench, you leaned forward, trying to get a good look inside. Fully expecting to see a decaying corpse, you squinted, trying to make out the shape of the face.
"Holy shit," You heard the young officer say off to your left. Your eyes widened, just as you made out some features of the cadaver.
"Make sure no one else sees this," John ordered someone, as you made out a snout and very thin arms. As your eyes widened, John turned to you. You turned your head to him, and he flashed you an awkward grin.
"...I'm guessing he was no student athlete," He joked, scratching the back of his head. You shook your head in disbelief, face frozen in shock.
"I… is that a—?"
CORONER'S OFFICE, PINEWOOD, OREGON — 14:48 hours, Tuesday, March 17th, 1992
"A chimpanzee."
You didn't give John's unsatisfied tone much of a second thought, continuing to ensure you had everything ready for your analysis.
"You think it's a chimpanzee," John said again a few seconds later, snapping a picture of the body, which was spread out on a metal table.
"Or an orangutan," You replied, not looking up from your tools. Pulling out your tape recorder, you finally met his eyes. "I was thinking it might even be a bonobo, but it's too big. Mammalian, that's for sure."
"Y/N, we're in Oregon! Where would someone get a monkey—why would someone put a monkey in some dead kid's coffin?"
You shook your head. "John, you can't possibly think this is anything other than a sick joke, can you?"
He huffed, too engrossed in taking pictures of the body. He looked like he had just discovered sliced bread.
"This is amazing. It—it's unprecedented… I want a full report," He demanded, "Toxicology, x-rays, tissue samples, genetic testing, the works. We can get those tissue samples and x-rays done now, everything else we take back to DC."
You laid a measuring tape next to the subject's body, before putting your hands on your hips.
"You’re kidding," You said, glaring at him from the other side of the table, "Try telling Alex Gallagher's family that his body was replaced with an alien. You'd probably lose a few teeth doing it!"
John lowered his camera, taking a deep breath. He thought for a few seconds before answering. "I'm not crazy, Y/N," He insisted, "I have the same doubts you do."
Flexing your fingers to see if the surgical gloves fit adequately, you sighed.
"Please leave for a moment," You mumbled, "I need to record my observations and I can't do that properly if you're flashing that camera in my face and talking about little green men."
He frowned, not meeting your eyes. He looked like he wanted to protest, but he shook his head to himself as he turned around. Soon, he was out the door.
During your analysis, you made several observations: the subject was 157 centimeters in length, and weighed 56 pounds. Long limbs and fingers, and large ocular caverns that suggested it belonged to the ape family, as you'd told John minutes ago. It was in an advanced state of decay and desiccation.
When you turned the subject over, you couldn't help but look at the lower back. Lo and behold, there and ready to give you a headache, were two bumps. They were no longer red, tinged gray, same as the rest of the body, but they were there.
Only when the x-rays finally developed two hours later did you discover the cherry on top: a small metallic implant in the subject's nasal cavity, embedded in the skin, which was extracted and placed in a small glass vial. The vial was placed in your blazer pocket, which you'd removed to put on the PPE gown.
When you were finally finished with the report, you put your blazer back on and discarded the PPE and surgical gloves. All you'd managed to do was give yourself a migraine at all of the oddities piling up in this case. When you got back to DC? A bubble bath was in order. With a very, very large glass of wine.
As you approached the door to the lobby, the voices of two men arguing got louder and louder. Rolling your eyes, you sighed at the feeling of your head pounding. One sounded angrier, the other significantly calmer. When your hand was on the knob, you realized who the calmer voice belonged to.
"Shit," You whispered to yourself, flinging open the door. A middle aged man yelling at John—who looked very blasé about the whole situation—was waving his finger in his face. Behind him stood Officer Swenson, another officer, and a young girl dressed in an oversized windbreaker and jeans, who looked like she wanted to evaporate into thin air.
"You people think you can march in here and do whatever you want," The man growled, "I don't see why—"
"What's going on here?" You asked, stepping between the man and John. The man scoffed at you, eyeing you up and down.
“Who are you?”
You pulled out your badge and flashed it to him. His scowl deepened. “Special Agent Y/N L/N, FBI. I’m Agent Suh's partner for this investigation. Now, what is going on? And who are you?”
The man’s face twisted in disdain at your authoritative tone. “I’m Doctor Aaron Choi, the county medical examiner. Now, the audacity of you and your partner—”
“Dad, please,” The girl exclaimed, sounding embarrassed, “Let’s just go home!”
The man waved a hand in her direction, tone dismissive and angry. “Lia, be quiet. I’m talking. The audacity you two have to come here and interrupt our procedures—”
“Doctor Choi, this is the fourth unexplained death of a student from the Pinewood High class of ‘89,” John pointed out, “After the county was unable to come up with any conclusive evidence, the FBI was forced to become involved. I take it you weren’t informed of the exhumation and the analysis of Alex Gallagher’s body?”
Doctor Choi shook his head. “I’ve been away with my family. We just got back.”
That explains the different medical examiner on the latest autopsy, you realized.
“Doctor Choi, I’m sorry you feel that way,” You said, “But it’s our obligation to come and investigate. Now, I’m sorry, but it’s getting late, and we have to get going. I can give you my cell phone number if it were to make you more comfortable, but—”
“No. That’s quite enough,” He snapped. He turned to the young girl, nodding his head at the door. “Lia, let’s go.”
The girl sighed, and met your eyes before she turned to follow after him. She looked desperate; you assumed it was because of the scene her father had caused. The two officers followed after them.
As the two of you watched them leave, you turned to John. He simply shrugged, looking done with the whole situation. “Talk about a warm welcome,” He grumbled. You glared at him.
“Let’s just go,” You huffed, rubbing at a spot above your eyebrow, “I still need to get started on this report.”
The two of you exited the building, and John explained that tomorrow, he’d arranged a visit to a mental institution in the town over. That there were two more students of the class of ‘89 were staying. Both of them were reportedly a part of Alex Gallagher’s circle of friends.
In your pocket, the vial holding the metal implant seemed heavier than it had been when you first extracted it.
ALOYSIUS GRANT MENTAL INSTITUTION, CRESTHILL, OREGON—10:47 hours, Wednesday, March 18th, 1992
The wing where Chenle Zhong and Nancy Goldstein were staying was relatively quiet. As the nurse explained their circumstances, Nancy remained glued to a book in her wheelchair. Next to her in his bed, Chenle lay perfectly still, lips parted slightly, eyes wide and unmoving.
You were informed that Nancy had developed delusions and become extremely paranoid as a result of post-traumatic stress. Chenle was living through something called a living coma. He never moved, never spoke. The only indication you saw that he was still alive was the constant rise and fall of his chest. Both of them had been in an automotive crash in the autumn of 1989, and had been like this ever since.
“Nancy,” The nurse said softly, “You have guests, can they speak with you?”
Nancy lifted her head, “I can’t,” She answered, shaking her head. “I’m reading to Lele right now.”
“Does… does he like it when you read to him?” John asked, and she nodded.
“It calms him down,” She said, “It distracts him from everything.”
You looked down, thinking about her words and what she must have gone through—Chenle as well. At the feet of Chenle’s bed, you noticed odd specks of… ash? It was sprinkled sparsely in front of the bed, on what was a seemingly pristine floor.
You wanted to pick it up, but didn’t want the nurse looking at you strangely. So you turned your attention back to the conversation between John and the nurse. He lowered his voice and leaned in towards her, as if he didn’t want Nancy to hear. “Would it be possible for us to run some medical tests on Ms. Goldstein?”
The thing was that Nancy did hear, and at the mention of medical tests, her large eyes nearly popped out of her head, and she started to tremble in the wheelchair. “N-no tests,” She pleaded, before throwing her book to the side and raising her voice, "No tests! You can't take me there again!"
She began to thrash in the wheelchair, hyperventilating and begging in between breaths to not go anywhere. She threw herself out of the wheelchair but was unable to stand, and instead remained on the floor, crying.
"Nancy, sweetie, you're going to be fine," The nurse said gently, leaning down to placate the poor girl who was shaking her head. She looked up at the both of you. "Can you help me please?"
John leaned down to gently assist the nurse in helping Nancy up, and you picked up the wheelchair, which had fallen onto its side. You gripped one of the back handles of the chair to steady it. Your other hand smudged along the ground to try and pick up some of the powder. As the pair helped her sit down, your eyes caught something.
Nancy's shirt had ridden up during the ordeal, and there, along the small of her back, you saw them. The same marks that Kaya Tate, Jisung Park, and Alex Gallagher had.
When Nancy refused to calm down, wailing and begging not to be taken back to wherever she thought you and John wanted to take her, the nurse ushered you out.
"I'm sorry," She told you, "But you're upsetting my patients. If you absolutely need to come back, then do it some other day when she's calmed down."
The two of you set off towards the exit down the stairs, your heels click-clacking quickly along the floor as you walked in front of John.
He held open the exit door for you, and as soon as you were out the door and headed toward the parking lot, you whirled on him.
"How did you know she would have those marks?" You asked, almost angry at him. John shrugged.
"A hunch," Was all he answered.
"Dammit, Suh, cut the crap. What the hell is going on here?"
"What, so you can go off and write it in your little reports?" He fired back, raising his voice at you for the first time. Your head snapped back at the sudden disdain in his voice.
"I'm here to solve this case just the same as you are," You growled, "Now tell me the truth. I think I'm entitled to it."
He shoved his hands into the pockets of his trench coat, scowling at you. He leaned closer to you and lowered his voice. "You want my honest opinion? Fine. I think those kids have been abducted by an alien force. I think that they run tests on those kids, which is why Nancy Goldstein freaked out, and why Alex's body and hers have those markings. That's what I think."
You tapped your heel along the sidewalk in frustration and thought. "John, do you realize how insane that sounds? I—Why, there's nothing to substantiate—"
"Nothing scientific to substantiate," He corrected.
"Science is all there is, John!" You shook your head. He sighed, rubbing his eyes with his thumb and forefinger. The both of you knew that this conversation would lead nowhere. Looking down, you remembered the ash smudged onto the palm of your hand.
"Look," You said, quieter now. "This was on the floor around Chenle Zhong's bed."
"'S that… ash?"
You nodded. "I know what you think, John. Let me tell you what I think. I think those kids might be involved in some sort of sacrifice of some sort. Think about it, they're always called into the woods. The medical examiner doesn't want us looking at the bodies. And now, ash."
John's eyes darted back and forth, considering the options. He walked over to the car, unlocking it so the both of you could enter.
"We can head into the woods tonight," He offered finally. "That way, we can both look into our own hypotheses."
"Sounds good to me," You answered, "Tonight."
THE WOODS, PINEWOOD, OREGON—20:26 hours, Wednesday, March 18th, 1992
A few hours after sundown, the two of you drove to the edge of the woods, armed with flashlights and your handguns. You'd tied your hair back and changed into a dark blue windbreaker, along with sweatpants and running shoes. It was a bit windy, and you could see storm clouds rolling in.
"Stay close by," You'd told John. "And be quiet."
"Yes, mom," He sighed. You rolled your eyes, resisting the urge to punch him in the arm.
Once the two of you were out of the car, you split up, trying to stay within earshot of his footsteps. You spent about ten minutes wandering around, flashing your light around, taking slow steps as you scrounged for any hints.
Above you, thunder rumbled, the occasional strike of lightning lighting up the sky for milliseconds. Leaning your head forward, you squinted in the dark. No way.
The whole ground around you was covered in ash. If not the exact same ash as what was in front of Chenle's bed, it was very similar—sprinkled on top of the leaves and dirt. As you kneeled down to pick some up, your eyes widened at the same texture and pigment as the one of today.
"What the fuck," You muttered under your breath, mind racing a mile a minute. These woods were creepy enough without the implication of a ritualistic cult, or close encounters of the third kind, or whatever John believed was happening. But now you had the possibility of a connection between these woods and two seriously disturbed kids.
A sudden mechanical rumbling made you snap your head up. You squinted, lifting your other hand to shield your eyes from the sudden brightness that lit up the trees.
"John?" You asked when you heard footsteps. Your heart rate began to speed up, hand reaching for the gun tucked into your waistband.
When you realized that the sound was coming from the direction of the light, you called his name out again. "John?"
A tall figure emerged from the light, and you soon realized what was pointed at you—a shotgun. Definitely not John Suh.
Not hesitating, you pulled out your gun. "Special agent Y/N L/N, FBI! Identify yourself!"
The figure only stopped until it was about ten feet away. You squinted, making out some familiar features. Surprisingly, you realized it was the officer who had been at the coroner's office with Doctor Choi.
John came stumbling up to you, chest heaving. "Chief!" He sounded strangely enthusiastic. "What brings you to this neck of the woods?"
"You're trespassing on private property," He announced, seemingly unamused by John's tone.
"We are conducting an investigation," You countered, lowering your gun.
"You are trespassing," He said adamantly, "Now get out, before I have you both arrested."
John glanced at you momentarily. You frowned as he shrugged, obviously wanting you to stand down. The staredown continued for a solid ten seconds before you groaned softly. Tucking your gun back into your waistband, you followed the chief out of the woods, right back to your car, which was right next to his.
As John drove away, you watched as the flashing police lights faded into the distance. "What's he doing out here when he's got a whole town to take care of?"
John shook his head, furrowing his eyebrows. "I don't know," He hummed in that deep voice of his, "But I don't like him one bit."
The two of you drove in relative silence after that. The storm finally came down, drops of rain cascading angrily onto the windshield. Thunder rolled overhead, and the lightning grew bright.
In the dim light, your eyes turned to watch John, hoping he wouldn't take notice. You watched him alternate his eyes between the road ahead and the rearview mirror every few seconds. Your eyes raked over his features—a strong brow bone, a round nose, lips that seemed to curve upwards in a natural smirk.
You looked back up at his eyes, and his own gaze glanced at the watch on his wrist before returning to the road.
"You're staring," He said, sounding like he’d caught you with a hand in the cookie jar. You felt the scoff leave your lips before you could catch it, your cheeks heating up.
"I am not—"
A flash of lightning lit up the sky, far brighter than any of the other strikes. Then, an odd sensation filled your body: for the briefest of moments you felt absolutely weightless, unable to feel the carseat beneath you. Then a moment later when the light faded, and the feeling disappeared.
The car rolled to a stop, the engine’s rumble dying. You frowned even though you were glad that you’d have a chance to change the subject. “What happened?”
Johnny looked at the lights on the dashboard, and pressed on the accelerator tentatively a few times. He raised an eyebrow, looking skeptical. “Uh… we lost power.”
He seemed calm enough. Until he glanced at his watch again. Suddenly, his eyes widened, and he let out a single, excited laugh. “No fucking way,” He murmured, rushing to unbuckle his seatbelt.
“Uh, John, where are you g—”
He was out of the car before you could finish your sentence, heading into the downpour. You groaned, unbuckling hastily and following him. Already, he was drenched, and within seconds you were too. He was walking towards something on the road, a few feet in front of the car. When he turned to look back at you, he looked like a preschooler who had just discovered Sesame Street. His fists pumped into the air, his eyes squeezed shut and he began to jump up and down.
“Fuckin’—I—WOO! WOO HOO!”
“For the love of god,” You grumbled, standing right next to him despite his loud cheering, you tried your hardest to make out what had gotten him so excited. When the next flash of lightning lit up the street, plus the lights of the car helping illuminate the road, you saw it: a big, bright, neon X. Almost the exact same place the car had started acting strange yesterday.
“We lost time!” He yelled over the sound of the downpour. "I looked at my watch before the flash! It was 9:02 then, now it’s 9:13! That’s eleven minutes—GONE!”
You shook your head, stepping away. You threw up your hands in confusion. “What—John, that’s not possible! You’re saying time disappeared, time can’t—it can’t just disappear! That’s not just crazy, it’s—i-it’s a universal invariant! It’s impossible!”
John shook his head at you, eyes wide in wonder. Right before he started walking back to the car, he let out one last gleeful laugh. “Not in this zip code!”
Much to your displeasure, your headache returned soon after. You were more than content to let John ramble on while you zoned out, rubbing your forehead. What little you picked up was that people who claimed to be abductees always mentioned a bright flash of light and losing time, anywhere from five minutes to several hours.
You weren’t sure what to think at this point. You had half a mind to drive John to the Aloysius Grant Mental Institution and leave him there with Chenle and Nancy.
When you got back to the hotel, you ran straight to your room. When you tried flickering on the light, you found that it wouldn’t turn on. With a sigh, you realized the storm had to have blown the power out. Peeling off your wet clothes before you did anything else, you stripped to your underwear before pulling on your bathrobe. Shivering, you scrounged in the darkness of the room for anything, a flashlight, some candles.
Surprisingly, they did have a candle, a holder and some matches. As you lit it, and went over your bedtime routine (yes, you were a grown woman going to bed at 9:30 PM, you were tired), you couldn’t shake the eerie feeling settling in your stomach. Everything felt so off here, and there were so many things you couldn’t explain.
As much as John wanted to convince you, he couldn’t explain them either. The whole situation felt bizarre in a dreadful way. As you marched into the bathroom for a quick shower, you tried to reassure yourself everything would connect eventually.
When you took off the bathrobe, your hand went to rub at your lower back. The stiff mattress wasn’t doing you any favors. You let your eyes flutter shut, fingers rubbing at the muscle below your skin.
Until your fingers brushed over something that you knew hadn’t been there before. Your eyes snapped open, and you turned your back to the mirror, craning your neck to see. Your fingers ached to touch the spot again, but in your sudden alarm, your fingers began to shake.
There. At the small of your back, just above the waistband of your underwear, there they were. Two bumps. Just like Nancy’s. Just like Alex’s. Just like Kaya’s.
You didn’t know what overtook you. All of a sudden, you were putting your bathrobe back on and strutting stiffly out of your room. Before you knew it, you were knocking insistently on John’s door.
You didn’t stop until a very confused looking John opened up, holding a candle. “I—”
“I need to show you something,” You said shakily. His demeanor changed instantly when he saw your frantic state. He nodded wordlessly, widening the door and stepping to the side. Once the door was closed, you faced him, before untying the robe. His eyes widened slightly despite your shaking hands, and the tips of his ears turned red.
“Woah, at least take me out to dinner first—”
“Johnny, shut up!”
He froze at your tone, your slip up—calling him Johnny instead of John. You were too distressed to care, tossing the robe to the floor before turning, trying to poke at the marks on your back.
“What are they?” You asked, and John reached out a hand as if to placate you.
“Hey, hey,” He murmured, “Deep breaths. Can I get a closer look?”
Nodding, and trying to do what he said, you let him step closer, before kneeling. Tentatively, he ghosted a hand over the marks. You tried to ignore the goosebumps, shivering from what you assumed was the cold.
“What are they?” You repeated. “John—”
He spun you around, putting a gentle hand on your hip. You peered down at him, panting softly. “It’s okay,” He said softly, “They’re just mosquito bites.”
Your eyes fluttered shut in relief, putting a hand on his shoulder to steady your wobbling knees. “You’re sure?” You asked, looking down at him.
He nodded, amber eyes staring up at you. You were suddenly hyper aware of his hand on your hip, unable to break his gaze. He cleared his throat, standing up but not stepping away from you. “Yeah, I got some out there too. I’m positive.”
You put the bathrobe back on, then crossed your arms. “I need to sit down,” You mumbled. He gestured to his bed, sitting on the chair next to it. You raised an eyebrow, not wanting to impose. He shook his head, setting down the candle on the table.
“You’re shaking,” He said, “Go ahead.”
Inhaling deeply, you tried to compose yourself. Your hand rubbed at the back of your neck, suddenly feeling tense. You chewed on your lip, wondering if you should ask the question itching to come out.
“John?” Your voice was barely above a whisper. He nodded, eyes earnest.
“Yeah?”
“How did you… Why are you so interested in this stuff?”
His eyes lowered, rubbing his palms together slowly. He took a deep breath, resting his elbows on his thighs. Finally, he sighed.
“I was twelve when it happened,” He whispered. His gaze turned solemn, almost angry. “My little sister, Maggie, went missing in the middle of the night. Just… disappeared, like she vanished into thin air. No note, no phone calls, no discernible trail or evidence at all. Gone, just like that. How does an eight year old girl disappear without a trace?”
You swallowed the lump in your throat, not answering. Outside, the rain had stopped, but John’s eyes were a storm of their own, several emotions swimming around in pools of golden brown.
“It tore my family apart. My parents got divorced, everyone else refused to talk about it. There weren’t any facts to confront, nothing to give anyone closure, and the search just stopped.”
“What did you do?” You asked softly. He shrugged, pursing his lips.
“Eventually, I ran away to England. Came back, got recruited by the bureau.” He offered a sardonic smile, no joy behind it. “Apparently, I have a natural aptitude for applying behavioral models to criminal cases. My success allowed me a certain amount of freedom to pursue my own interests. That’s when I found the x-files.”
“On accident?” You leaned to lay down on your side, propping your head up with one hand. He nodded.
“At first, it looked like a dump for UFO sightings, cryptids, alien abductions. Real Hollywood kind of stuff. But… I was fascinated by it all, I read all the cases I could get my hands on. Hundreds of them, Y/N. All the paranormal phenomena, the occult, and then…” He sighed, lowering his head.
“What?” You leaned toward him, trying to read his face in the dark.
“There’s… classified government information I’ve been trying to get my hands on. Someone keeps blocking my access.” He looked to the side, palms still rubbing together. “The only reason I’ve been allowed to continue my work is because I've made connections in congress.”
You shook your head, “I don’t understand, are they afraid you’ll leak this information?”
When he met your gaze, the anger had returned, now far less subdued. “You’re a part of that agenda,” He murmured, “You would know.”
Your mouth dropped open slightly, and you shook your head before scooching closer to him. “I’m not a part of any agenda,” You answered. “You need to trust me.”
He sighed, before standing up to move onto your bed, leaning very close to you. The usually playful glow in his eyes was nowhere to be seen. “I’m telling you this, Y/N, because you need to know. In my... research, I’ve worked very closely with a man named Hans Kruger. He’s taken me through deep regression hypnosis, and through my repressed memories I’ve been able to return to that night my sister disappeared. I remember a very bright light outside and a presence in the room, and the sensation of being paralyzed, unable to answer her cries for help. Listen to me, Y/N, this thing exists.”
“But how do you know—”
“The government knows! And I gotta know what they’re protecting.” He leaned even closer to you, face inches away from yours. “Nothing else matters to me, and this is as close as I’ve ever—”
The ringing of the telephone made the both of you jump away from each other, and John stood to pick up the phone. “Hello?”
He made a face as the person on the other side answered. “What? Who is this? Who is—”
Pulling the phone away from his ear, he looked at you. He seemed confused, alarmed. “That was a woman,” He said, putting the phone back on the housing, “Who told me that Nancy Goldstein is dead.”
You frowned. “The girl in the wheelchair?”
HIGHWAY 227, PINEWOOD, OREGON—23:11 hours, Wednesday, March 18th, 1992
Quickly, the two of you dressed. The crash wasn’t hard to find in such a small town. Surrounded by witnesses and two police cars, a large semi truck was stopped in the middle of the road. Once there you produced your badges to get past the police cars. John went off to ask one of the cops questions about the accident, and you walked over to the body, which was draped over with a white cloth.
Right next to it, a man, who you assumed was the driver, was being questioned. Showing the officer next to the body your badge, you crouched down to peel back the cloth covering the body.
Poor Nancy Goldstein, wet with rain and blood, lay strewn in the road. A dribble of drying blood was running down her mouth. Her once white and purple polka dotted hospital gown was tinged with red, brown and gray. You sighed in sympathy. But your eyes travelled down at the watch she had on, and the sympathy made way into confusion. The hands had stopped, right at 9:02.
You took a deep breath when you recognized the coincidence. That's all it had to be, right? A coincidence?
"You said she just ran out in front of you?" The officer speaking to the man asked.
"Yes, officer," He answered, "Just came charging out from the trees and right into the truck."
Nancy Goldstein, running. Not even walking, no, full on running. You stared at the body, eyes travelling to her legs. Somehow, they were specked with flecks of dirt, mud and small wood chips. It was consistent with someone moving through a wet, muddy area while barefoot. You swallowed anxiously, trying to figure out what was going on in this town.
When you got into the car with John, you raised an eyebrow at him, getting ready to speak. Before you could, however, his cell phone rang. He pulled out the device and answered the call with a tired, "Suh. Who am I speaking to?"
You watched as his face turned confused. "What?"
You couldn't hear what he was told, but when his face twisted into disbelief, and then anger, you knew it couldn't be anything good. "Of course. We'll be there as soon as possible," He said, tight-lipped.
When he hung up, he immediately started the car. He didn't meet your eyes. "Fuck!" He growled, causing you to jump.
"What?" Your eyes widened at his sudden outburst, barely having time to buckle your seatbelt before he sped away. "John, what happened—"
"Fuck if I know!" He snapped at you, before shaking his head and sighing.
"There was a fire at the hotel." His tone was softer now. Your stomach sank. "Our rooms were the ones that were most affected."
"You've gotta be kidding," You sighed. He didn't answer, simply kept his eyes on the road.Only when the two of you got there did you realize just how bad the situation was. The fire department was there, hosing down the inside of your room. A crowd had come to watch the firemen work.
"There goes my computer!" You groaned. John kicked the car door.
"Fuck! The x-rays and pictures!" He seemed just about ready to explode.
Your eyes drifted back to the blinding, orange glow of the fire, crossing your arms in frustration, exhaustion.
Suddenly, a tap on your shoulder caused you to turn. You were met face to face with a familiar looking young girl in a bright blue denim jacket. She looked just about on the verge of tears.
"John," You called, not looking away from her. When he saw the girl, he came up to the two of you.
He raised a finger at her. "You're Do—"
"My name is Lia Choi," She declared, voice wobbly, "You have to protect me."
You quickly ushered Lia into the back of the car. When you closed the door, John raised an eyebrow at you. "She might know something," He murmured.
"I know," You answered. "She seems terrified."
He nodded. "You hungry?"
"Um… yeah, why?"
"I'm starving," He admitted, gnawing on his lips. "Let's get something to eat and question her there."
"How the hell are you thinking about food at a time like this?"
He raised an eyebrow, making a face. "What, and you aren't?"
You rolled your eyes, but didn't disagree.
The car ride took about ten minutes, and you pulled into the small diner with little to no issue. By then, it was a little past midnight, so it was starting to empty out. It had started raining again. You sat next to Lia, as she seemed somewhat more intimidated by John. He paid for some burgers and fries for the three of you, and then Lia finally spoke.
"I… There's something in the woods."
You exchanged glances with John, who rested his elbows on the table and interlaced his fingers. "What do you mean, something in the woods, Miss Choi?"
The young girl shook her head, looking sheepish. "Please, just call me Lia," She said.
Taking a deep breath, you flashed him a look that said let me try. "Lia, do you know that there's something in the woods, or is it just a feeling?"
She stared at the table, looking for words. "I've never actually… seen anything. Not really. But I… I have these dreams. They're not like normal dreams, I-I have no idea how to explain it, but they just feel so… wrong. It's like my body's vibrating the entire time, a-and when I wake up, I'm there. In the woods. Every time. They—they've started happening more and more, and I don't know what to do, I-I'm just so—"
"Woah, slow down there, kid," John said, holding up his hands. She'd started rambling, and it didn't take a genius to say that she was on the verge of tears. His dark eyes looked gentle, sympathetic. "Deep breath, Lia."
She let her eyes close, breathing slowly. "I'm sorry," She mumbled. "I just don't know what to do anymore."
Looking at John again, you spoke up. "We understand," You answered softly, "Can we ask you some more questions?"
As she nodded, the one waitress working the place, who looked one strong gust of wind from falling over, set down your three plates. Sticking a fry into your mouth once the waitress left, you met eyes with the young girl.
"You said, 'I've never seen anything, not really.' What do you mean by that?"
Lia poked at her fries, not seeming that interested in the food. She pursed her lips, before sighing. "I… We saw something, once. I think. My friends were all out there—celebrating graduation. It was… maybe 11:30? I-I can't really remember. But we saw a bright light, and then this huge thing flew over us. When it was gone… Kaya checked her watch. It couldn't have been more than ten seconds after, but her watch said it was almost 2 AM, and then Chenle checked his watch, and so did Jisung, and… they all said the same thing.
"I didn't think much of it. I tried not to. I thought we just missed the time going by, somehow. But then Nancy and Chenle got into the crash, and then Kaya turned up dead in the woods… Then Jisung, and now Alex…" She shook her head, blinking back tears. "It can't all be a coincidence."
"How old were you when that happened, Lia?"
"I was 17. I'm turning 21 in June."
John stared at her for a long time. "...And why did you decide to call me when you heard about Nancy's death?"
Oh?
You raised an eyebrow to look at Lia, who looked down. "They called my dad about it, and I know that Nancy's death has to do with whatever's in the woods. M-my dad, he… He keeps telling me he can keep me safe. But I don't think he can."
"So you called us?"
She nodded, not looking up at either of you. John and you exchanged a glance.
"Lia," You asked lowly, "Do you think your father—"
Your words died when blood began to spew from the girl's nose, your eyes widening and John's expression growing alarmed. He reached for the napkins, handing them to you to hand her quickly. Her eyes shut and her brow furrowed, obviously distressed. John pursed his lips.
"Does this normally h—"
"Lia Choi."
The three of you turned your heads to see Aaron Choi and the police chief standing next to each other, glaring at you and John.
Dr. Choi walked over to Lia, handing her another napkin. "Sweetheart, come on, let's go home."
John narrowed his eyes. "I don't think she wants to leave."
"I don't give a shit about what you think," The man snapped. He turned back to Lia, "Let's go home. You'll be safe there. Remember, I said that Chief Zhong and I would keep you safe—"
You exchanged a glance with John. You could see the gears turning in his head. Skywalker moment. "You’re Chenle Zhong's father?"
The chief scowled at him. "You stay away from my boy. He has no business in any of this."
Dr. Choi managed to pull away, with minimal protest from Lia. She managed to give the two of you one last apologetic glance before being pushed out the front door by your father.
"You gotta love this place," John grumbled, reaching for Lia's plate, "Every day's like Halloween."
"They know." You were sure of it. "Choi's been hiding evidence from those medical reports, and Zhong might just have enough authority around here to get access to our rooms to set them on fire."
"Why would they want to destroy evidence?" John asked, but it wasn't really a question. It sounded more like a parent trying to get their child to figure out something obvious on a math problem. "What could they possibly want with that corpse?"
You looked down at the table, heart pounding suddenly. When you met his eyes again, they were burning with curiosity and determination.
"Makes you wonder what's in those other two graves, huh?"
PINEWOOD MEMORIAL CEMETERY, PINEWOOD, OREGON—01:26 hours, Thursday, March 19th, 1992
Getting into the cemetery was easy. Finding the graves, with only your flashlights in the pouring rain, was a lot harder. You pored over different headstones for almost forty minutes, until John called your name.
"Did you find them?" You asked, turning to him. He was scowling down at the headstones. You didn't understand why… until you looked down to see the dirt piled up, and the two holes in the ground.
"Empty," He groaned.
"What is going on here?" You cried. John stared at the hole in the ground, before a look of epiphany dawned on his face. He turned to you, slowly.
"I think I know who did it."
You looked to the sides in thought. "Who? The chief?"
John shook his head, mouth tipping open. You leaned forward, hoping to hear his words better over the rain.
He chewed nervously on his bottom lip. "The chief's son."
When the words registered, you leaned away. All the fight in you seemed to deflate, and your face twisted into a confused mess.
"What?"
He nodded, and you raised your eyebrows. "Chenle Zhong? The boy in the hospital. The boy who's been in a goddamn coma since 1989. That Chenle Zhong? He somehow got here, dug up these graves, and is somehow responsible for the murders of four different kids?"
John's eyes fell shut, and he took a deep breath. "Nancy Goldstein was wheelchair bound but ran in front of a car, it's not entirely impossible. All of this fits a profile of alien abduction. She was killed around 9—the same time we lost time in the car."
"A profile." You crossed your arms, trying to stop the shivering racking your body. March showers in the Pacific Northwest—you wouldn’t be surprised if all of this was just a delusion induced by hypothermia.
"Look, something happened during those 10 minutes," He insisted, "Time, as we know it, stopped, and it has something to do with the forest."
You shook your head in disbelief, unable to hold back your shocked sigh. All you could do was stare, watching as John's expression hardened.
"You think I'm crazy," He murmured defeatedly, "Just like everyone else does."
He turned on his heel, starting to walk away, when a soft scoff caused him to turn back. "What?"
You wore a smile of disbelief. "The hands of Nancy Goldstein's watch stopped at 9:02," You admitted, looking up at the sky before meeting his gaze. "I made a mental note of it because of how insane the coincidence was. But…"
"The forest is controlling the kids," John said with a nod. He sounded more hopeful now, as he took a step closer. "It summons them here!"
"A-and the marks are…"
"The remainders of some sort of experiment. They put that weird chemical into the bodies—"
"Which leads to genetic mutations, like the one we saw in Alex Gallagher’s body!"
John nodded, a hopeful grin spreading across his features, the rain causing his hair to fall into his eyes. "And the woods summoned Nancy Goldstein here tonight, but the one who brought her was—"
"Chenle Zhong," You gasped. Meeting eyes with John, the two of you exchanged surprised, awed, slack jawed smiles, before promptly bursting into giggles at how silly it all sounded, the sheer absurdity of it all. Like the plot of some crappy Fox TV show.
"This—Johnny, this is insane!"
"That’s just how all the x-files work!" He exclaimed between laughter, "This isn't even half of it!"
That did it for you. The idea that there had to be something even stranger, something that paled in comparison to this. You had to reach out for his shoulder to stop yourself from falling, bending over and clutching your stomach to the point of tears. John’s laughter never let up either, not until the two of you were panting, out of breath from cackling so hard.
"I can't believe any of this," You sighed, shaking your head once more.
"It doesn't matter. As long as we're on the same page," John said with a shrug, "It'll make things a whole lot easier. Now, let's get back to the car—"
A high pitched scream filled the air, and the two of you locked eyes before darting in its direction.
Right into the forest.
Mud squelched beneath your shoes as the two of you ran. It was damn near impossible to see anything with the rain and the darkness of night, the way your flashlights swung back and forth with your running.
Your light reflected onto a piece of black metal, causing the two of you to slow down. John flashed his own light side to side, before landing on the white door of the car, the crest emblazoned on it: PINEWOOD POLICE DEPARTMENT. You sighed at the revelation, turning slightly.
"Shit," He muttered, "Do you think—?"
"John." You took a step to the side, focusing your light onto something on the ground. "Look."
When he turned his head to look at what you were seeing, you heard him inhale sharply.
Dr. Choi's body lay strewn on the muddy ground, blood streaking down his temple. You couldn’t tell if he was breathing or not.
Another scream pierced the air, the sound distinctly female. You exchanged a brief glance with John, before nodding in the direction the noise came from. "You go! I'll check his vitals."
"Be careful," He warned before darting off. You knelt on the ground, reaching out to feel for a pulse over the carotid artery. You let your eyes fall shut in relief when you found one a few seconds later. All you needed to do now was assess his injury.
But they snapped open when the mud squelched behind you, and when you turned your head, you saw a flash of black and beige. A loud thwack! cracked against the side of your head, and you fell to the ground, vision turning dark.
When you came to, you weren't sure how much time had passed, but it couldn't have been too long. It was still dark, and while the rain had calmed, it wasn't over yet. Sluggishly, you reached for the flashlight, and struggled to stand.
Stumbling, you tried to surmise where the noise was coming from, but the world felt like it was spinning. You were confused, disoriented, that the sudden brightness knocked you on your ass, quite literally.
Brightness?
White, seemingly industrial light lit up the forest so suddenly that you reeled back in surprise, falling into the mud. You blinked dazedly. If this were a Loony Tunes short, there would be little Tweety birds flying around your head right about now.
Still, you knew you needed to get up. So you did, still stumbling as if someone had spun you around to hit a piñata, and carried forward. The shouting had stopped now.
In the distance, where the light was the brightest, you could hear the shouting. One of the voices was distinctly John's, but as you got closer, it stopped.
And by the time you got into the clearing? The light disappeared, and so did the rain. Gone at the same time.
There were three men standing in the clearing, seemingly in a triangle. John's back was turned to you. In front of him? Someone was lying on the floor (had you not been so dizzy, you would have recognized her as Lia), and…
"Chenle?" The police chief asked, voice shaking. Your eyes turned to the young man, whose dark eyes were wide in confusion and fear. He was barefoot, clad only in a pair of gray sweatpants.
"...Dad?" He asked as Chief Zhong walked to him, before crushing the young man in a hug.
"J-John?" Your voice was small. The man in question turned to you, eyes widening at your state. He stepped towards you, face full of concern. When you buckled, he gripped you by your forearms.
"Y/N, are you alright?"
"Th-there was a light," You murmured, "It was so…"
He nodded, smiling sympathetically. "I know," He said, "But I think you have a concussion."
"Uh…" You stared at him blearily. "...You're really strong."
He held back a snicker. "Am I now?"
FBI HEADQUARTERS, WASHINGTON, D.C—10:04 hours, Wednesday, March 25th, 1992
After a stop to the emergency room, a minor concussion diagnosis, a flight home, a few days of bed rest and finally that bubble bath (sans the wine, unfortunately), you were finally allowed to present your findings to your superiors, in the report you'd written in the past few days (you were advised to rest over the weekend, and you did just that and wrote the report all Tuesday).
You marched into that office, John already sitting in one of the two seats in front of the desk. He didn't speak while you presented your findings. Again, Chief Brooks was accompanied by the same two men.
"And what of the boy?" Division Chief Brooks asked, "Chenle… Zhang, you said?"
"Zhong," You and John corrected in unison, exchanging a sheepish glance when you both realized what happened.
"He's in custody. So are his father and Doctor Aaron Choi. He claims to not have remembered anything."
"I understand you and Chief Zhong had an exchange in the woods?" The older man asked, staring at John.
He nodded. "Yes, sir. I asked him what the need was to take the Chois to the woods, he seemed desperate—said that if it got his son back, then he'd do it."
"So, what, are we to believe all of this—the abductions and the mutations and the mind control without any concrete evidence?" The second officer asked.
"There was an x-ray of Chenle’s that revealed a small piece of metal lodged in his nose, just like Agent L/N's report mentioned with—"
"The Gallagher boy's implant, yes. But that could be anything, Agent Suh. It hasn't been surgically removed so we can't verify what it is."
John clenched his jaw. "But—"
"Agent Suh, with no evidence of the implant existing we simply cannot continue to waste bureau resources," The chief explained, "The fact of the matter is the original implant, as well as your other evidence, was destroyed in that fire and—"
"What if it wasn't, though?" You asked.
It was as if all of the air had been sucked out of the room. All four men's eyes snapped up to look at you. John’s eyes were wide in shock.
You met eyes with him briefly as you reached into your blazer pocket, placing the small vial holding the implant onto the table.
"None of the tests I ran on the implant were able to reveal what kind of metal it is," You sighed, "It all came back as inconclusive."
"I—" For the first time, the third agent spoke for the first time. "How did you manage to salvage it?"
Tilting your head back and forth, you tried to sound professional. "I kept it… on my person at all times after I extracted it. I felt it was too important to lose."
The three men exchanged a silent conversation with their eyes. You looked at John, whose expression towards you had shifted from shock to awe. You offered him a sly smile.
"Well, then." Division Chief Brooks sounded frustrated—like a father allowing his children ice cream after being worn down by them. "Considering this… new piece of evidence, I—I suppose I could authorize the continuation of the project."
You breathed a sigh of relief. John’s shoulders sagged.
"However, Agent L/N, I will expect your reports on every single one of these cases within three days of them being closed, unless medically justified. Failure to do so will result in the termination of the project."
"Understood, sir," You said.
The third man lit a cigarette, before pointing to the vial on the table. "That implant will be kept with us, it's evidence now. Any and all evidence will be handed over to us," He ordered, taking a drag.
You nodded, but something told you John wouldn't approve. He didn't say anything, but you knew he'd have something to say sooner or later.
"You're both dismissed," Division Chief Brooks told you both.
Once you were out of the office and out of earshot, John stopped in the middle of the hallway. He put his hands on his hips and stared at you.
"I—That was… Wow. Y/N, how did you even do that?"
"Honestly?" You bit back a grin before lowering your voice. "...I hid it in my sports bra."
He broke out into a shocked smile. "In your—amazing. Y/N, you’re a genius."
"Am I now?" You asked, raising your eyebrows. You started down the hallway again, and he followed. "Thank you," He mumbled.
With a wave of your hand, you shook your head. "I'm just doing my job, y’know? Plus, I enjoyed working with you, John. I think we make a... decent team."
He looked down at his feet, sticking his hands in his pockets. "Well," He said, "If we are going to keep working together, can I ask you to do something?"
"Sure," You replied. By now, you were headed down the basement steps.
"Just… call me Johnny. John feels too… formal."
"Johnny," You sounded the name out, before smiling. "Yeah, it suits you better."
X-FILE 144-A: THE BELDAM'S GLENN BLOOD RITUALS
SOMEWHERE ALONG THE EVERETT TURNPIKE, BELDAM'S GLENN, NEW HAMPSHIRE—07:32 hours, Thursday, February 11th, 1993
"Brief me again on this case?" Johnny sighed as he drove ahead, "I was too tired when you explained on the flight here."
You nodded, rubbing your eyes and putting on your glasses. Outside, rain hit the roof of the car, and the sky was that bluish gray tinge of an early morning drizzle. That, paired with the soft guitar from the radio along with Robert Smith's voice made for gentle ambience.
I don't care if Monday's blue
Tuesday's gray and Wednesday too
Thursday, I don't care about you
It's Friday, I'm in love...
Pulling out the folder from your bag. Truth be told, you were tired too—you'd been called just before 3 in the morning by someone at the bureau telling you you'd been assigned to work a murder case in Beldam's Glenn, New Hampshire. A fairly small town, less than 10,000 people.
You'd had an hour to pack some clothes, then take a taxi to the bureau to grab some things from the office and pick up the file briefing the incident. Then, just before four you arrived at Reagan International, where you met a seemingly bedraggled Johnny. His suit was a bit wrinkly and there were dark circles rimming his eyes.
By now, you'd been working with Johnny for almost a year. You'd learned in that time that he did not enjoy waking up before 5 AM.
"Good morning," You'd greeted, and he shook his head.
"It's not morning yet, and it certainly isn't gonna be a good one," He'd grumbled in response.
"Okay, Oscar the Grouch."
Now, in the car, flicking through the folder, you read out loud the information. A fifteen year old boy identified as Mark Lee had been found dead in the woods, near an area rumored to be where satanic cults practiced blood magic. His eyes and heart missing, torn clean out.
"...Ouch," Johnny muttered, stifling a yawn.
You raised an eyebrow. "Yeah. Ouch."
"Any witnesses or anything?"
"No," You mumbled, reading over more details. One in particular caught in your eye. "Huh… Additionally, animal tracks in the form of hooves, seemingly appearing out of nowhere, were found leading to Lee’s body."
Johnny tilted his head. "Hooves?"
You hummed in confirmation.
He raised his eyebrows, facing you for a second before turning his attention back to the road. His eyes were wide. Somehow, you already knew what he was going to say. "Do you think there's a small possibility—"
"No."
Johnny huffed. "Oh, come on! Y/N, humans are innately spiritual beings. Is it so crazy to think that just maybe a creature akin to a demon could exist?"
"I don't know, Johnny. Maybe there is. But I think now that the middle ages are over and we have more logical explanations for things like this, we shouldn't immediately jump to conclusions."
For a long time, he didn’t speak. Another thing you learned during your time with Johnny was that while it was relatively easy to smother his wild conclusions during calmer discussions, it was damn near impossible to get him to let go of them completely. You knew he'd mention it again later, but for now, you were content to just drive like this with him. You were… comfortable with Johnny.
He had a sort of dry wit that, paired with his suave persona, made him incredibly charismatic. Once you got to know him better, it surprised you that no one around your department of the bureau really liked him.
Dressed up to the eyes
It's a wonderful surprise
To see your shoes and your spirits rise...
He shrugged. "Maybe you're right. Look, there are the cop cars."
Johnny pulled over on the side of the road, one man holding an umbrella seemingly waiting for you both. You looked at the man in the driver's seat, and he nodded toward the back seat. "There's an umbrella in the back."
"Thanks," You said, grabbing the thing. You both stepped out of the car, tugging the vinyl umbrella open. You did a once over of the officer—sheriff, actually, once you saw the badge on his chest. Johnny stood behind you and grabbed the small umbrella from you, so that he could fit under it.
"You're the FBI guys?" The sheriff asked. The two of you pulled out your badges, presenting yourselves. He offered a smile, but it was obvious the middle-aged man was shaken up.
"My name is Bill McNamara," He said, beginning to walk towards the trees. The two of you followed. "Thank you for coming on such short notice."
He led you to a spot crowded by a few more officers scattered across the space, a white sheet hiding the body, a few feet away from a large, mossy cracked tree stump, so wide it was probably older than 100 years when it fell.
"Is this Mark Lee?" Johnny asked, and Sheriff McNamara nodded. Another officer peeled the sheet back. The poor boy was, in fact, missing his eyes, and there was a large hole in his chest. Even after several years as an MD and an FBI agent, corpses still filled you with dread.
Johnny, in his proximity from behind, nudged you slightly and pointed to the ground next to the boy.
"So," You said, turning your attention back to the officer once you noticed the hoof tracks, "Have there been any reports of missing animals in the area? Cows, sheep?"
"...Goats?" Johnny added. You nodded stiffly. Sheriff McNamara shook his head. When he spoke, he seemed resolute.
"They say this area is popular for blood rituals, witch's magic. Now, these rumors have been around for years—since I was a kid, actually."
"Any basis to those rumors?" You asked. The Sheriff gave you a look.
"Agent L/N, just look at the body!"
"Lots of homicides involve victim desecration," You pointed out, "Is there anything else that might point to that?"
The sheriff put his free hand on his hip. "I know he and his friends listen to that disgusting devil's music."
"I didn't like Madonna's latest album either, but I don’t think it's bad enough to call it that," Johnny mumbled sarcastically. You gave him a subtle elbow in the ribs, flashing him a dirty look. The sheriff didn't seem to notice his banter.
"No, I'm talking about that heavy metal stuff. It takes root in our children, poisoning their minds."
He led you over towards the tree stump. Johnny took a more serious approach. "Have Mark Lee or any of his friends ever been spotted at any of these supposed rituals?"
"More rumors," You muttered. The sheriff shook his head, stopping in front of the stump.
"Not that I know of," He said, before gesturing at the stump, "This is allegedly their altar. What do you think?"
Johnny's seriousness seemed to only last in short bursts, because he fired back with, "Honestly? With a few rounds of sandpaper and some cans of shellac, it'd make a pretty nice coffee table."
The sheriff replied, "Oh… Uh… Well, from the looks of this wax on it, it was probably being used when he died."
You rolled your eyes, turning your head to the side in embarrassment. But then a flash of white, and translucent pale yellow on the ground caught your eyes.
"Do you know if Lee was out here with anyone?" Johnny asked, not saying anything as you stepped out from under the umbrella. You heard the sheriff say, "We presume he was alone."
"You sure?" You asked, picking up the library card, and the piece of wet paper. "This Franklin Pierce High library card belongs to… Haechan Lee. And the paper here is torn at the stamp so that it doesn't say which library it's from, but it's safe to say that it's from there. The title at the top is torn, too, but it says '...In America'."
You stepped back under the umbrella, raising an eyebrow as you handed them to him. "I'm surprised your people missed this."
The sheriff balked, mouth opening and closing like a fish. "I'm sorry, Agent L/N," He murmured, "I'll admit, we're all a bit… shaken up here. This isn't something that we've ever dealt with, which is why I called the FBI. I'll have my men escort you to Franklin Pierce. That kid, Donghyuck Lee… He's Mark’s best friend. He's most likely there."
The sheriff stalked off, and you raised an eyebrow at Johnny before lowering your voice. "Better hide your Metallica albums… I could barely take him seriously."
He shrugged. "Well, the body's clearly displayed in a ceremonial manner. Plus, those goat tracks are highly unusual, Y/N."
"I was under the impression he made you skeptical once he started speaking," You hummed, crossing your arms. He shook his head.
"I didn't wanna feed his imagination. Poor guy's clearly overwhelmed."
"I think he fed your imagination, Johnny. This is nothing but some murderer taking advantage of local folklore. I mean, there's nothing that odd about—"
The sound of slapping and bouncing against the vinyl of the umbrella caused you to jump back, crashing into Johnny's chest. Your shoulders tensed up as Johnny dropped the umbrella and let out a startled, "What the—"
You caught the umbrella as it fell from his hands, but it was too late for him. Something large, wet and brownish green hit him in the forehead before landing on the ground and flopping away.
Your mouth dropped open and you met Johnny's equally shocked expression as you both registered the multitude of toads raining down on you.
A few seconds later and it stopped, but now the ground was covered in toads, now jumping away in different directions. Neither you nor Johnny spoke for a good fifteen seconds, until he wiped his forehead free of… mucus. Your shoulders dropped slowly when he finally spoke.
"So… wanna get coffee before we head over to the school?"
Your face dropped from confusion to disbelief. "Johnny, toads just fell from the sky."
"Yeah, but I still want coffee."
PRINCIPAL'S OFFICE, FRANKLIN PIERCE HIGH SCHOOL, BELDAM'S GLENN, NEW HAMPSHIRE—09:04 hours, Thursday February 11th, 1993
Coffee on the table, you sat at a desk situated in the school office. Your laptop, the case file and a copy of today's newspaper were laying on top of it. A few feet away from you, the school psychologist and the secretary you'd borrowed the desk from were speaking to each other. You paid them no mind, looking over the file as you typed up your preliminary report.
You continued typing until the door opened, Johnny stomping in tugging a scrawny looking teenage boy—who was most likely Haechan Lee—by the upper arm. Two girls followed meekly behind, as well as a middle-aged woman, who you assumed was a teacher. All three of the kids seemed to be on the verge of tears. You raised an eyebrow at the sight. Johnny looked pissed off, and he asked the psychologist in a clipped tone, "Hey, Doyoung, could Agent L/N and I use your office to talk to the kids?"
Doyoung looked at the boy in Johnny's grip, then at the secretary, then you, before he nodded. Johnny opened the door and made a motion for the kids to go inside. "Sit down at that table. Don't speak unless spoken to," He ordered, tone stern. You gnawed on the inside of your cheek at his voice as you stood. What had gotten into him?
You pulled him away from the doorway, lowering your voice. "You good?"
Johnny sent the boy a glare before sighing. "Kid tried jumping out the window in front of the entire class to escape. I'll calm down. Just pisses me off that he thought something that stupid would work."
You bit back a smile, patting him on the shoulder. "Pull it together, Suh. He can't get away like this."
Johnny nodded, looking down at you warmly. "Ooh, last name. I'm in trouble."
"Shut up," You huffed, only half-joking. You were about to turn when you remembered something you'd read from the cover of the newspaper.
"By the way," You murmured, "National Weather Service reported tornadoes in northern Massachusetts early this morning. The toads probably got picked up from the winds."
Johnny sighed, before walking into the psychologist's office.
He turned to the woman. "Mrs. Walker, we'll take it from here, go on back to the other kids in your class."
"Are you sure?" She asked, pushing a black, stray hair back into her tight bun. Johnny nodded.
"The one day I'm called in to sub and all of this happens," She muttered to herself.
You spared a glance at the middle-aged woman, giving her a polite smile. She did the same, and you followed behind Johnny, pulling out your tape recorder from your pocket and closing the door behind you.
Johnny crossed his arms and leaned against the door, you standing in front of the table and setting the tape recorder on the table.
"This is going to be recorded," You told them. None of them protested, so you hit the record button.
"So, let's get this out of the way," Johnny began, "None of you are under arrest. We just want to ask you some questions. First, I want you to state your names for the record. Understood?"
They all nodded, and they introduced themselves: the dark haired, tan boy was in fact Donghyuck Lee, the shorter curly haired girl was named Amy Espinoza, and the taller redheaded girl was named Phoebe Howard.
The questions were basic and thus, so were the answers. Donghyuck and Mark were childhood best friends, but not related. Mark introduced Amy to him with Phoebe's help. Donghyuck took the book Witch Hunt: A History of The Occult in America out because he and Mark wanted to make the whole thing seem legit. When asked why they really wanted to go out there, Donghyuck looked down. He held his hands together between his thighs.
"We wanted to… you know."
"We really don't," You said, raising an eyebrow. He looked like he wanted to sink into the earth then and there.
"Mark and I had a bet that whoever got past second base with the girlsfirst would do the other's biology homework for the rest of the year."
Amy nudged Phoebe. "Told you," She grumbled quietly. Phoebe glared at her.
You continued the interrogation. The incantation taken from the book was apparently one meant to summon Azazel. They'd gone out there just before midnight because the book said that was the best time.
Donghyuck insisted they didn't kill him. "I'll let you search my car and everything, that's how we got there."
"Did you see what happened?"
Phoebe took a shaky breath, before burying her face in her hands. Amy nodded. "...We did. We ran but it had already… gotten to Martin."
You and Johnny exchanged a glance. "It?" You asked.
Donghyuck nodded. "Lady, you're gonna think we're bullshitting you—"
"Language," You and Johnny scolded in unison. Donghyuck at least had the audacity to look embarrassed.
"We got out there," Amy continued, "Martin lit a candle on the stump and did the incantation. The wind… changed. It suddenly got a lot colder and we started hearing… I don't even know."
"It sounded like, I guess what you would call speaking in tongues," Donghyuck said. "And then suddenly, there was this thing a few feet away from us. Maybe over six feet tall, and at first I thought it was a goat, but… it wasn't."
"What did it look like?"
Phoebe cried even harder, and the other two exchanged a weary glance. "It had… glowing orange eyes, and long dark hair." Amy shuddered. "It looked like it had goat legs, but a human torso. It was like…"
"It had a… a woman’s chest," Donghyuck mumbled. Your eyes landed on Phoebe, who seemed to be extremely upset. You exchanged a glance with Johnny. He seemed to understand what you were saying, and nodded wordlessly.
"Phoebe, are you alright?" You asked, feeling that something was up. She was shaking like a leaf. With a sigh, you turned the recorder off, and pointed at Amy and Donghyuck. "Both of you, wait outside on that chair. Don't move."
The two of them left, and you nodded at Johnny to sit next to you.
"Phoebe," Johnny said softly, "Is there something going on that the other two don't know?"
She wiped her eyes, lip wobbling. You put a hand on his shoulder, taking over. "No, there isn't," She mumbled, "I'm just… this whole thing's freaked me out."
Johnny raised an eyebrow, and you sighed. She didn't sound very convincing. Something wasn't right here. Still, you knew it would be hard to get anything out of her when she was so upset.
"Alright. You—you're free to go." You took a deep breath, hesitating before you spoke again.
"...But if you do want to tell us anything, you can come to us and we can—we'll speak off the record, if it makes you feel better."
Johnny frowned. "I think maybe—"
You flashed him a strong glare, cutting him off, before turning back to Phoebe. She sniffled, eyes darting between the two of you. When she settled on you, she allowed herself to relax a little bit more than when she'd been looking at Johnny. She nodded wordlessly, fiddling with a silver charm bracelet on her left wrist, and you gestured towards the door. "Go wash your face, drink some water. Tell your friends they're free to go. 'Kay?"
She gave a small smile at your gentler tone. Once she was gone, Johnny was on you. "We could have pressed her further. Why did you even offer to go off the record if we haven't ruled her off as a suspect, that's breaking bureau protocol—"
"We'll talk about this later," You answered as you stood. Out of the corner of your eye, you watched the three teenagers leave.
He lowered his voice as you opened the door. "Y/N, I can't believe—"
"You're letting them go?" The secretary—Beatrice, you believed was her name—asked, glaring at you. Her coiffed blonde bob bounced as she shook her head disapprovingly. Immediately, Johnny straightened.
"There's not enough evidence to keep them here," He said, "Besides, they're minors. It's always tricky with them."
"It's so obvious that they did it." Doyoung crossed his arms, "They've clearly been influenced by all that stuff on MTV."
You sighed. "The FBI recently concluded a years long study researching any correlation between homicides and media consumption and found that it only occurs in 0.01% of cases. If there were any it would mean thousands of people murdering tens of thousands of other people. It'd be the biggest conspiracy in human history."
Doyoung scoffed, giving you a mocking glance. "Yeah, and J. Edgar Hoover never admitted the existence of the mafia. Really trustworthy source, the FBI."
Johnny barely contained his scoff. He glowered at Doyoung as he gently pushed your upper back towards the door.
"Our investigation is ongoing."
ROSE GARDEN HOTEL, BELDAM'S GLENN, NEW HAMPSHIRE—19:57 hours, Thursday, February 11th, 1993
Johnny's door opened to a sight of you, no makeup, in sweatpants and hair tied up. You took in his appearance. He had on a similar pair of sweatpants, and a white t-shirt. His hair was pushed back, and he was wearing his reading glasses.
"What's up?" He asked, letting you in.
"I found something," You murmured, holding up your laptop as he closed the door. You sat at the foot of the bed, and he sat next to you. You opened the laptop, green text flashing onto the screen. His shoulder brushed yours due to the proximity.
"'The grisly discovery of a young boy's mutilated body in the woods in the early morning has local law enforcement worried about the organization of conspiratorial dark forces.'"
He nodded. "Okay, is that from this morning's newspaper?"
You didn't answer, but rather read another quote from the article. "'The Jew is known to sacrifice teenagers and remove their organs during their religious rituals.' This is from a Nazi newspaper, from 1934. I found another similar case from 1967, where they pinned it on LSD users. The details are always the same, they just fill in the blanks with whoever was being persecuted at the time."
Johnny met your eyes. "And this time, it's occultists."
"Maybe this is some hidden organization, but I'm not sure. But something's just… not right. I have a bad feeling."
"Something to do with that girl?"
You nodded. "Is there anything you picked up? Something I might not have noticed?"
He chewed on his lip. "Now that you mention it, I did notice something a few minutes ago, but it doesn't have to do with her. Come on."
He stood, and you set the laptop down on the bed before following him to the bathroom door, where he flicked the light on.
"So, we're in the northern hemisphere." He marched to the sink, leaning over it.
You leaned against the doorframe. "Last time I checked, yes."
He pressed the plug into the sink drain, before turning on the faucet. "The Coriolis Effect dictates that due to the Earth's rotation, water should swirl clockwise, right?"
You nodded, having an idea of where this is going. He motioned for you to come closer. He turned off the faucet. By now, some water had filled the sink just enough. He removed the plug, and you watched as the water went down, whirlpool swirling counterclockwise.
"Johnny—"
"Something is here, Y/N. It's strong enough to affect this, then who knows—"
"Johnny, the Coriolis Effect works on storms and large bodies of water. Sinks and bathtubs usually don't fall under—"
He groaned, tipping his head back. "Of course," He grumbled, "It's been like this since day one."
You squeezed your eyes shut in frustration. Yes, in your time working with Johnny, you'd seen some truly unexplainable things. A pyromaniac that could light things on fire with his mind, a prehistoric parasite that turned its host violent, a serial killer that entered houses by squeezing his body through impossibly small spaces like an octopus.
But still, you always had your doubts. "Johnny, once cases are over and we have our explanations, and I've seen things for myself, have I ever not believed you—"
"You don't trust me during these cases, Y/N, that's what matters! It's always been like this, I'm always right, but you never believe me, you go off and write your little notes about me like I'm some field experiment—"
You frowned and crossed your arms. "Johnny—"
"Have I ever gotten anything wrong? 90% of the time, my conclusions are the correct ones—"
"We come to those conclusions together! Don't start taking credit for them now."
"Oh, so you believe it only when your name is also on the report, huh?"
"Don't twist my words, Johnny. You know what I mean. I believe my conclusions first, and then I listen to yours and based on circumstantial evidence and once I discard all logical scientific explanations, then I turn to the extraordinary. I don't jump to conclusions like you do!"
"Why can't you be a good friend for once and fucking listen to me—"
"Because I'm not your friend, Johnny! I'm your fucking coworker!"
The silence that filled the room once you were done was deafening. It was only then that you realized how loud you'd gotten. The shocked disappointment in Johnny's eyes seemed to be even louder, though.
Immediately, you realized your mistake. Yes, you'd grown close to him, but that was necessary for working well on these assignments. Keeping your work life and your personal life separate was paramount for you. Evidently, Johnny didn't feel the same, and as a result, you'd hurt him.
For a long time, no one said anything. Simply staring at each other, small space ripe with tension. Your eyes softened when he looked away from you, leaning his back against the counter. You took a step closer, until he was right in front of you.
"Johnny, I—"
"Can you get out, please?"
You stared at him for a few moments, trying to think of something to say.
Ultimately, you didn't. You took a deep sigh, and grabbed your laptop on the way out.
Being an FBI meant you had little to no personal time, working pretty much 7 days a week and being on call for anything at any time, in any part of the country. You knew that when you started your training.
You'd entered with a statement and left with a question. Could you really call Johnny a friend? You really only saw him during work. You didn’t meet outside of it—but considering how much you worked, always on call and spending nights holed up with him in hotel rooms or in your office going over evidence of different cases, at what point did you start spending more time at work than at your day to day life?
PRINCIPAL'S OFFICE, FRANKLIN PIERCE HIGH SCHOOL, BELDAM'S GLENN, NEW HAMPSHIRE—10:11 hours, Friday, February 12th, 1993
You were looking between the notes you’d scribbled down on a small notepad using a pen you’d stolen from Johnny the day before. It was while you were transferring them to the report on your computer that you jumped in your seat when the office door burst open. Mrs. Walker guided a sniffling Phoebe Howard into the room. Johnny, who had been speaking to Doyoung to ask him about other students, turned his head.
Doyoung held up a hand, to which Johnny nodded, and the shorter man walked over to the two of them. "Phoebe, are you alright?"
She shook her head, breaking into tears again, unable to speak. Doyoung turned to Mrs. Walker, who simply patted her head. "Lab project," She murmured, "They had to dissect pig embryos. She just… broke down. I've seen it happen before. Some kids are just more sensitive than others."
"No, no, it's not that," Phoebe blubbered, "Can I…"
Despite everything that had happened last night, when you looked at Johnny, you saw he'd done the same. A tense, knowing stare was shared between the two of you, and then Phoebe spoke.
"Can I speak to Agent L/N please?"
Your head snapped to her when she said your name. You stood, and nodded.
You lead her out the door while ignoring Doyoung’s frown and Mrs. Walker's confused look. Johnny followed behind at a distance.
The three of you went out the door, to the outdoor lunch tables. You had Phoebe sit down, Johnny and you remained standing.
"What is it you wanted to talk about, Phoebe?" You said gently.
She took a shaky breath, rubbing her hands together. "So… Do you know who my stepdad is?"
Thinking back to when you'd made a basic profile on the three kids yesterday afternoon, you nodded. "He's the gym coach here, right? Grant Howard?"
She nodded. "So… he married my mom when I was 6. And he adopted me when I was 8. One year after that my mom got a new job, a-and she started travelling a lot, y'know? So I was alone with him a lot more. I-I don't know when it started, but…"
The sinking feeling in your chest grew as she started to cry again.
"S-sometimes when she wasn't here, h-he would invite people over. They'd come i-in with these red cloaks and they—would bring small animals. Kittens a-and puppies, birds sometimes… They would take me down to the basement, to a room where the walls are painted red and there's this dirt floor, and they would—they would stand in a circle and sing and they would give m-me knives, o-or screwdrivers and…"
You sat down next to her, rubbing her shoulder as she let out a gut-wrenching cry. Looking at Johnny, the hand that wasn't in his trench coat pocket was balled into a fist. He was looking down, eyebrows furrowed.
"I didn't want to!" She wailed, "They would hurt me if I didn't, they said they would hurt my mom if I said anything! I had to be the one to kill the animals and then they w-would drink the blood—I don't know how I blocked it out or why I never remembered it until Mrs. Walker put the—the pig on the table, and I… I… I just…"
"It's okay, honey," You murmured, nodding. She buried her head into your shoulder, sobbing freely, and you rubbed her back to soothe her.
Again, you looked at Johnny, who didn't look at you. You realized just how difficult it would be to keep this off the record—this was something that involved a child being abused, you couldn’t let her go home to a dangerous situation.
This just got a whole lot more complicated.
HOWARD RESIDENCE, BELDAM'S GLENN, NEW HAMPSHIRE—15:49 hours, Friday, February 12th, 1993
Phoebe was to remain at school. Donghyuck and Amy would pick her up, and she would spend the night with Amy. She wouldn't be going home until the situation was thoroughly investigated. She'd been left with Doyoung, who would speak to her as a mandated reporter, and would later go back to attempt to finish the project. You left her your number in case she needed to speak to you again.
You'd spoken to Mrs. Walker as her final class was out, just before you and Johnny left. The lab was spacious. A large python lay sleeping in a glass case in the corner of the room. The space was ripe with the smell of blood, which didn't surprise you, given the amount of pig embryos she was having her students dissect all day long.
The woman had a soft voice, and seemed very sympathetic to Phoebe's struggle. "I absolutely understand, I might have her do something else for her grade, but I'm afraid I might not be able to find any other activity on such short notice."
You nodded, sighing. "Of course. Thank you for considering, regardless."
Your eyes fell to her desk, where a small basket of random items glinted with a small charm bracelet, the same bracelet you'd seen on—
"Ah, the students usually ask me to hold onto their things when we get messy like this," She said with a smile when she noticed where you were looking. "You said you're a doctor, so you understand, right?"
"Oh, yes. I can't really wear anything at all," You said with a soft chuckle.
"Not even a ring? Oh, your husband must be disappointed."
You felt your face heat up, scratching your neck awkwardly. "I'm not married."
She smiled. “Oh, good for you then. It’s literal hell. And, you get to ogle your partner all day.”
You choked on your spit, coughing awkwardly. “I-I’m sorry, what?”
She laughed, waving her hands, “Oh, Agent L/N, don’t be so modest. You can’t deny that Agent Suh is an absolute dish. Why, if I were 25 years younger… oh my, the things I would—”
“I really must be going, Mrs. Walker,” You insisted quickly. “I’ll contact you should I have any other questions for you."
“Could I have your phone number, in case anything comes up? I-I’ll admit, this whole situation has frightened me a bit.”
You nodded sympathetically, ignoring how uncomfortable you’d felt a moment ago. Pulling out Johnny's pen and your notepad, and you jotted down your number there.
“Y/N?” A knock sounded, and Johnny popped his head in the door. “We need to go.”
“Yeah, I know,” You replied, tucking the notepad back into your pocket. You bid Mrs. Walker goodbye, and off you went, kitten heels clacking as you went.
As for your time with Johnny? The entire ride there was tense.
“Were you expecting that?” He asked a few minutes into the ride. You raised an eyebrow.
“The secret cult that forced a nine year old girl to murder puppies and kittens?” You answered in a clipped tone, “No, John. I can’t say I was.”
He hummed. "Okay… no tape recorder today?"
"I forgot it. Left it at the hotel."
He nodded, and that was that.
Her mother and adoptive stepfather were, to say the least, shocked at their daughter's confession. You spoke to the girl's mother in the living room, Johnny spoke to her father. Mrs. Howard, whom Phoebe had insisted had never said anything was beside herself, crying as she spoke to you.
“Mrs. Howard, you’re absolutely sure you’ve never witnessed any violent behavior from your husband?”
She nodded, sniffling. “He’s always treated me and Phoebe very kindly. In front of me, at least.”
You hummed, looking down at the carpeted floor. “You said this is your husband's house, and he’s lived here longer than you have? Have you been in all parts of the house? Is there maybe an area a guest might not know about?”
She looked up at the ceiling in thought. “After hearing what Phoebe told you both, it made me realize that I’d never been in the basement. Grant’s always said that was his woodworking space, and he didn’t want anyone in there.”
With a nod, you looked at her. “Could my partner and I maybe take a look at--”
A commotion from the kitchen cut you off.
“I DIDN’T DO ANYTHING OF THE SORT! I DON’T KNOW WHAT YOU’RE ACCUSING ME OF, SUH!”
You shot up, and so did Mrs. Howard, just in time to see Grant Howard push Johnny into the cabinet. Your training kicked in, and you stepped between the two, holding up your hands to placate the man.
“Calm down, now,” You growled, dangerously low, “Or I will place you under arrest for assault of an officer.”
“Grant,” Mrs. Howard called, “Breathe.”
“Leave, both of you! If you want to see my basement, get a damn warrant and you’ll see there’s nothing down there!”
You tugged Johnny away by the wrist, leaving out the front door. “What happened?”
Johnny shook his head in aggravation. “I asked to see the basement, said that it would clear my suspicions of him. He said he didn’t hurt Phoebe, and I said I didn’t believe him. Then he snapped, grabbed me by the collar and shook me.”
He unlocked the car. “Should we try and get that warrant?”
You got into the passenger seat, shrugging. “I can do it.”
Johnny nodded. “Hopefully we’ll find—”
A ringing from Johnny’s phone caught him off guard. He fished the phone out from his pocket, answering, “Suh.”
“Sheriff, what’s going on?”
You could hear him through the speaker, and you didn't like what you heard.
"We'll be there right away," Johnny said, face turning serious.
ROOM 471, FRANKLIN PIERCE HIGH SCHOOL, BELDAM'S GLENN, NEW HAMPSHIRE—17:37 hours, Friday, February 12th, 1993
"You're saying she just… had a seizure?"
"I was sitting at the desk, and she was about halfway through the dissection when she just… collapsed on the floor," Mrs. Walker said, voice trembling, "She was shaking and her eyes were rolled up into her head… Agent L/N, it was terrifying."
You sighed and looked at Johnny, who was speaking with the sheriff. When you looked back at Mrs. Walker, she was shaking her head. "I feel a dark force is among us, Agent L/N," She murmured, putting a hand on her chest, "So many horrible things in such a short span of time."
"Agent Suh and I are working hard to solve the case, Mrs. Walker. I promise we're doing our best."
"Y/N," Johnny called, "We gotta go."
You bid the older woman goodbye, and she gave you a smile that didn’t quite reach her eyes. Once you were out the door with Johnny, your voice lowered. "What do you got?"
"Not a lot. The Howards have been notified, but Grant Howard isn't being allowed into her hospital room."
"Who called the police?"
"Clinton."
"Clinton?"
He shook his head, grimacing to himself. "Shit, sorry. Beatrice Pratt. The secretary."
You stared at him. "Pratt and Clinton don't sound alike at all."
"Well, yeah, but…" He scratched his head and lowered his voice. "The pantsuit and the bob remind me of the first lady."
You frowned. "I wear pantsuits all the time."
"Yeah, but you don't look like Hillary Clinton."
You sighed. You didn’t have time for this, especially when he was still mad at you. "Okay. Sure, whatever. I talked to Walker. I… I'm not so sure about her."
Johnny tilted his head. "Why not?"
"I don't know. I don't have a lot to go off of, but it seems just a little bit odd that she shows up the morning of Mark Lee's death, replacing a man who apparently hasn't missed a day in a fifteen year career."
"Maybe he had an emergency. Happens to everyone."
"Johnny, he contracted flesh eating bacteria. Does that sound like something that happens to everyone?"
He didn't answer. Obviously, he hadn’t been expecting that. "Ohhh-kay, then. Let's do this. The sheriff said that the warrant should be ready within a few hours. Howard would probably beat my ass if he sees me again, so you check out that basement, and I can do the background check on Walker. Sound good?"
"Actually, I don't think you'll need a warrant."
The two of you turned, stunned, to see Grant Howard standing in front of you both. His eyes were rimmed red and he was clearly restless, shifting his weight onto his legs constantly.
"Agent L/N, I'll show you the basement."
HOWARD RESIDENCE, BELDAM'S GLENN, NEW HAMPSHIRE—18:09 hours, Friday, February 12th, 1993
"My entire life," The man said, sounding tired, "I was taught that humans are no better, no worse than animals. Do what thou willst, rather than do unto others."
He pulled open the basement door, gesturing for you to go first. Immediately, you were on edge. If you had your back turned he could easily push you down the stairs or hit you in the head.
"You go down first," You ordered. He nodded understandingly. "You were saying?""My family has kept this religion for seven generations. My great, great, great, great grandfather was born in 1777, Agent L/N, and he was the one who brought us into it. We've been keeping it alive since, with two other families. It kept us in good health, we had no money problems."
When the two of you got to the bottom of the stairs, he turned the light on and you realized Mrs. Howard had been right, it did look like a normal woodworking space. Until Mr. Howard pulled a rug up from the ground to reveal a hatch, which he pulled up to reveal another set of stairs.
"I was raised to believe that Christianity was synonymous with hypocrisy. And for years, I believed that." He led you down this pair of stairs again, where he lit his flashlight. The room was a bit smaller than the basement but still large enough to keep a large group of people like Phoebe had said. Also identical to her story were the red walls and the dirt floor.
"Believed?"
"Believed," He confirmed. "I believed until I saw it in my own religion as well, not even an hour ago. When I got to the school to gather my things and was met by the heads of the other 2 families, asking me to pin the murder of Mark Lee on my own daughter. That if she were permanently affected by what just happened, we could get away with all of it. That was when I knew that I was better than an animal. I need to keep Phoebe and Linda safe."
"So one of you did murder Lee," You murmured, trying to get a solid confession. However, he shook his head. "I didn't. The others insist they didn't either."
"Who did, then?"
He sighed. "Agent L/N, you have to understand, I'm trained in these arts so I know when there’s a difference somewhere. Something is here. Something bad."
You frowned. "Alright. Did you or did you not abuse your daughter?"
"I never laid a hand on her. The others, however… they wanted to make sure she would stay quiet through fear, and they wouldn't listen to me. We have a ritual that blocks out memories, every time we would perform that ritual when we were done. The plan was to reveal the memories when she turned 18, and then allow her to join or reject the religion. It's a rite of passage."
"Why even use Phoebe in the first place?"
He shook his head. "The magic of an innocent soul is a powerful thing. It's one of the most powerful things we could ever use in our magic. That's also why we used those sacrifices. She was the youngest of all of our children. The others were all past 11 at that age."
With a sigh, you led him up back to the main basement. "Would you be willing to give me a written statement of who the heads of these families are?"
He nodded. "Of course. I just want my daughter and my wife to be safe. They believe that whatever's here wants a sacrifice. That it took Mark Lee as a warning to us, and unless it gets a sacrifice from us…"
"It'll strike again," You finished."And it won't stop." He sounded desperate. You found your notepad, but the pen was nowhere to be found. "Do you have a—"
Your cellphone ringing interrupted you. You groaned quietly, scooping it from your pocket. "Hello?"
"Y/N?" You heard Johnny's voice say. His tone was urgent. There was a faint crackle of static, but as you listened it began to get louder. "I'm at the school. You need to hurry, Y/N, there's something—!"
The static overpowered the sound of his voice, and then the call dropped. "Johnny? Johnny! Hello?"
Your heart dropped, and you tucked the phone and the notepad into your pocket. "I need to go. My partner's in trouble."
"I'll go with you," He offered.
You shook your head. "No. You're under arrest."
"What? But—"
"You just admitted to animal abuse, your complicity in child abuse and conspiracy. If I take you to the school, how do I know you won't take the other two and bolt?" You snapped. "Against that beam, there.
Pulling out some handcuffs, you forced him against the side of the stairs, where you handcuffed him to the railing. "I'll come back for you later," You growled, "Don't move."
Rushing up the stairs, and out the door, into the rain, you ran towards the car. Johnny needed you.
Your friend needed you.
FRANKLIN PIERCE HIGH SCHOOL, BELDAM'S GLENN, NEW HAMPSHIRE—18:30 hours, February 12th, 1993
You burst into the school, trying to keep calm despite the horrid feeling in your gut. You eyed the office, which was right next to the main entrance. The lights were on, you could see your laptop was on. But the seat was empty, and so was the rest of the office, or so it seemed to be from where you were standing. Taking a deep breath, you pulled out your gun, and entered the office slowly.
"Hello?" You called, looking into the window of Doyoung’s office. Empty. The principal's office? Empty. Your mouth felt dry.
Where was Johnny?
"Y/N?"
In a moment your professors at the academy would've been ashamed to see, you shrieked, and turned the gun in the direction the voice came from. But when you realized it was Johnny with a styrofoam coffee cup, whose eyes had gone wide at the sight of the gun pointed at him, you lowered it.
"Don't fucking scare me like that," You muttered as you tucked the gun into its holster. A second later, you raced forward, engulfing him in a hug as you realized that he was okay.
"Y/N? What's… going on?"
You pulled away once it registered what you'd done. "Sorry," You mumbled. "What happened? Where did the thing go?"
"Y/N, what are you talking about?"
You shook your head in confusion. "You called me. You said you were in danger. My heart fell out of my ass, Johnny, what happened?"
Johnny's face contorted at your statement. "Huh? Y/N, I never even touched my phone. I was running the background check on Walker—who, by the way, is pretty much clear in the system. But… I don't know."
Staring at him, you put your hands on your hips. "Johnny, I heard your… never mind. We have to go. Howard confessed."
His eyebrows shot up. "He did it?"
"No, but he admitted to conspiracy and has names. Come on, we have to go."
For the millionth time today, you made your way from the school to the Howard residence, where you found the door was still open. As you opened the door to the basement, you looked at him.
"He's down here."Johnny turned on his flashlight, and you followed him down the steps. The room was eerily quiet, and when Johnny flashed the light at where you said he was, it was empty.You huffed at the sight of the empty handcuffs. How had he slipped out of them?
"Y/N," Johnny said, flashing the light a few feet away, "Look."
You turned to see what he was pointing at. Your eyes widened at the sight of bones, tinged pink with the small chunks of meat still attached to it.
"Do you think it might be some kind of acid?" You asked, and Johnny shook his head.
"There's no sign of a reaction on the floor," He answered, flashing the light around the basement floor. He stopped a few feet away. You felt yourself grow even more confused.
"Is that—?
""Snakeskin," Johnny whispered, "...There's a python in Walker's class."
"B-but, that's not possible," You muttered, "It would take a snake hours to consume a grown man, and weeks to digest it!"
Johnny grabbed your wrist, shaking his head at your rambling. "C'mon, Einstein," He told you, "We gotta go pay Walker a visit."
ROOM 471, FRANKLIN PIERCE HIGH SCHOOL, BELDAM'S GLENN, NEW HAMPSHIRE—19:01 hours, Friday, February 12th, 1993
The school was a lot darker than when it had been when you had been there previously. Seeing the halls, which you'd grown used to being full and lit up, suddenly so dark and empty made you uneasy.
It was raining a lot harder now. The sound of the rain pelting the roof made it harder to listen for anything. When you got to Walker's room, it was also dark. She said she'd be here until eight grading papers, but the room was empty. There were some broken beakers on one of the lab tables, and when you really strained your ears to listen, the sound of soft yet strained breathing could be heard behind the desk.
"Mrs. Walker?" You called, slowly walking towards the desk. Johnny tried the light, but to no avail. The rain must have knocked it out.
The woman was on the floor, nose bleeding and leg bent at an angle at which legs weren't meant to bend at all. She seemed to have been hit in the head, a sizable lump protruding from her temple.
"Th-the snake—" She mumbled, "They took the snake—He hit me,"
"Who, Mrs. Walker, who?"
"Kim," She spat out, "Pratt. I think they—think they killed that boy."
Doyoung and Beatrice. You and Johnny exchanged glances, and you remembered what Grant had said.
"Did you see where they went, Mrs. Walker?" Johnny asked. She blinked hazily.
"Said something about the conference room," She muttered.
"We'll call paramedics for you, okay?" You stood, trying to reassure her gently. "You'll be fine."
Johnny had already picked up the phone. Thunder crackled overhead as he dialed the number, but you could hear the busy tone all the way from where you were standing
."Damn storm is jamming the signal," He said, "Y/N, we gotta go, now."
"Johnny, what about—"
"Y/N," He growled, "Now."
Something about his tone set you off, and you did as he said. He immediately shut the door, and sped up his steps down the hall.
"What was that about?" You asked, turning on your flashlight and trying to keep up with his pace.
"Y/N, do you have that pen you borrowed from me yesterday?" He asked, not slowing down. Thunder rumbled overhead.
"What?" He had a point, probably. He always did when he got like this. "No, I dropped it I think."
"The pen was on Walker's desk. Next to the phone. Next to Phoebe's bracelet. It was my pen."
You inhaled sharply as Johnny tugged the door to the conference room open. "What are you implying?"
"Walker was clear in the system. But when I was talking to the principal yesterday, she couldn't even remember hiring her. What are the odds that a woman pops up out of nowhere the same day a murder happens?"
You pulled a filing cabinet open, looking through random folders. "Okay, yes, we agree. But what if—"
"Y/N, did you not see how tall she was?"
You shook your head, turning to pull out some papers from a file. "Sure, she's a bit taller than average, but she's shorter than you—"
"She's slouching to look smaller. Trust me, I did that when I was younger. If she stood up straight, she would be taller than me. Donghyuck said the thing that grabbed Mark was tall, had female breasts, and had dark hair. She fits the profile."
You sighed. "I mean, maybe you—"
A thud! and a groan from Johnny had you turning your head. Your flashlight landed on Johnny, on the ground, unconscious. Your body turned cold.
"Johnny—?"
But then you felt something hit you in the back of the head, and everything went dark.
Your eyes cracked open at the sensation of being dragged, and as your eyes adjusted to the darkness, you realized two things.
One, you arms and legs were bound, and there was a gag placed in your mouth. You craned your head, and Johnny was in the same situation as you, only he was still unconscious.
And two, you were being dragged by Hillary Clinton.
Shit, no. Maybe you'd hit your head harder than expected. Your vision cleared up further, and you realized it wasn't, in fact, Hillary Clinton, but rather Beatrice Pratt. Doyoung was dragging Johnny, and then you realized what was going on.
These were the others that Grant Howard had been referring to. They seemingly hadn't realized you were awake yet. You were in the school gymnasium, headed towards a doorway in the corner. The room was dark, occasionally lit by flashes of lightning.
"—The showers, right?" Doyoung asked, sounding out of breath. Beatrice huffed.
"Yes. The blood will get washed away there."
You couldn’t move your hands, no matter how much you squirmed. Your eyes looked at Johnny, who was beginning to stir. His brows furrowed, mouth trying to form words.
“Oh, you’re awake,” Doyoung hummed, disdain dripping from his voice, “Lovely.”
Johnny’s eyes cracked open, immediately glaring at Doyoung, who chuckled. “Please. I’m terrified.”
“Doyoung, shut up,” Beatrice snapped. “Open the door.”
Doyoung let Johnny’s legs fall onto the floor. Johnny groaned in discomfort as Doyoung opened the door, propping it open with something.
He approached Johnny again, but before he picked him up to drag him further, he landed a swift kick to Johnny’s gut. Johnny let out a muffled moan in pain, and you thrashed against your restraints.
“You just had to come and ruin everything, huh? This is a once in a century opportunity, and you--” He proceeded to kick Johnny again, over and over, “Just--won’t--quit.”
“Doyoung!” Beatrice snapped. “We don’t have time for this. Don’t you sense it getting angrier? If we don’t sacrifice them now, it’ll take us like it took Grant.”
Doyoung turned to her, breathing heavily through his nose. “Fine,” He bit out.
They dragged you into the bathrooms, leading you to the showers, where they dumped you both next to each other. You rolled onto your side to look at Johnny, whose eyes were screwed shut in pain. His breathing was labored.
You squirmed again, trying to free yourself as the shower roared to life. Curling in on yourself as cold water soaked your body, you tried to think of a way to save both Johnny and yourself. Doyoung and Beatrice pulled out large daggers from their coat pockets, and raised their arms to the sky. They began chanting in latin, but the roar of water, the shock of the cold temperature, and the panic beginning to set in caused the words to blur together.
This was it. You and Johnny were going to die.
Until the two of them crumpled on top of you. You jumped as Doyoung’s weight toppled onto you, eyes squeezing shut in pain. His elbow had landed on your stomach. For a moment, as you lay there reeling in pain, and you wondered if this was a part of the ritual. But then…
"Agent L/N?" Your eyes shot open, and you met eyes with Amy Espinoza. She managed an awkward attempt at a polite smile, fiddling with what she was holding in her hands. Your eyes widened when you registered the shotgun. A flashlight was duct-taped haphazardly to the barrel, probably so that she could see wherever she was aiming.
"Mmh-hffpnffh?" You couldn't stop yourself from trying to speak, unable to contain your surprise.
A second set of hands turned off the shower, and you craned your neck to see Donghyuck Lee, holding an old baseball bat underneath his armpit. He pulled Beatrice off of Johnny, making a disgusted face. "I always knew there was something up with her," He grumbled, "She never laughed at my jokes."
"Yeah, 'cause you're annoying as shit," Amy countered, pushing Doyoung to the side. "Can you guys sit up?"
She untied your hands, and you got to work on untying your feet before pulling the gag off of your mouth.
"What are you two doing here?" Johnny asked, voice raspy and out of breath.
You stood up, wiping water off of your face. "Where did you get that gun?"
"Oh." Amy suddenly sounded embarrassed. "I, uh… Stole it from my dad?
"Donghyuck helped Johnny stand. "We went to visit Phoebe in the hospital, Mr. Suh—"
"Agent Suh," Johnny corrected, bringing a hand to his stomach. "Whatever. Anyway, we went to visit and once she woke up she told us something… not good."
"Mrs. Walker is the thing," Amy said. "Phoebe said she was dissecting the pig and she saw her grab the bracelet she'd given her—"
"And she did something and her eyes turned orange, like the thing we saw in the woods!" Amy continued. "The officer that was there didn't believe her, but we did."
"So we decided to take matters into our own hands," Donghyuck said. "She killed our best friend, so we thought—"
"That coming to your school with a shotgun and a wooden baseball bat, to kill a demon was the best course of action?" You didn't sound amused, and the two of them exchanged a look.
Amy looked down. "Well… when you put it like that…"
"It doesn't matter," Johnny said. "You kids need to go home now. It's not safe for either of you."
"Like hell we're going anywhere! We were able to save you guys, so—"
“You kids got lucky this one time," You pointed out, sounding stern, "Agent Suh and I are trained for dangerous situations like this. You two aren't, and we certainly aren't about to expose you kids to one. Go home."
You searched your pockets, not finding your gun. You crouched to look through Doyoung and Beatrice's pockets, handing Johnny's gun to him and putting your gun back into your holster.
"But—"
A large crack of thunder startled you all, and the ground seemed to rumble as it did. Johnny looked past you and the kids, at the end of the shower hallway, and inhaled sharply.
"Oh, that's so much worse than Hillary Clinton," He mumbled. You didn't even see what he meant, but in that split second something in you took over. You pulled Donghyuck behind you, Johnny grabbing Amy and doing the same.
At the same time, Amy aimed the gun to where Johnny had been looking, the light landing on...
Donghyuck gasped. "Holy shit."
It was like exactly what Donghyuck had said, except worse. Glowing, orange eyes, goat legs, stringy black hair. Johnny was right—standing like this, she was much taller than him. Her jaw was unhinged, open impossibly wide. She was panting heavily, hobbling slowly towards you.
You and Johnny pulled out your guns, shooting instantly. One hit her in the shoulder, the other in the stomach. Her jaw opened even further, and a blood curdling screech echoed throughout the tiled room.
Then she broke out into a run.
You forced yourself to stand still, shooting another round before she jumped over you. Out of the corner of your eye, Donghyuck swung the bat, hitting her in the leg, causing her to fall face first to the ground.
Taking that advantage, Johnny fired another round into her back. She shrieked again, and you and Johnny took the opportunity to run out the door, pushing the kids with you.
"Go! Both of you, now," You ordered once you were in the gym again. They shook their heads. Donghyuck held up his bat.
"We're not leaving without—"
"Donghyuck, this isn't a movie," Johnny insisted, "Now go!"
Amy grabbed his arm. "Hyuck, they're right, we have to—LOOK OUT!"
You turned to see what had once been Mrs. Walker stick its head out of the doorway. Amy was able to fire one last shot into it, with her shotgun. You didn’t see where it hit—the door shut and you heard one final wail.
A few moments later, the lights flickered on. You stood there, clothes dripping onto the hardwood floor for a good minute or so, until you looked at Johnny, who wore a pained grimace. "I can check," You told him. "Stay here with the kids."
"You sure?" He asked. You nodded, holding out your gun and slowly making your way towards the door. You spared the odd trio one final glance.
Johnny—soaking wet hair falling into his eyes—was standing in front of them, aiming his gun at the door. Donghyuck was holding his bat up, Amy's MacGyver-esque flashlight gun making you squint.
Then, you opened the door. You could feel your heart hammering a mile a minute. Very slowly, you scanned the room. You stopped when you glanced at the showerhead Beatrice and Doyoung had placed you under—the same one they should have been under, knocked unconscious. You swallowed a lump in your throat.
Because they weren’t there, and neither was Mrs. Walker. What you did see, however, were two large streak of blood dragged up the wall and to a window, staining the green tiles.
PRINCIPAL'S OFFICE, FRANKLIN PIERCE HIGH SCHOOL, BELDAM'S GLENN, NEW HAMPSHIRE—20:47 hours, Friday, February 12th, 1993
The four of you made your way back to the main building on high alert. The rain seemed to have stopped once the thing was gone. Amazingly, there wasn't even a cloud in the sky. Even the air felt different—cleaner.
Shockingly, this time when Johnny tried the phone again, it worked. In order, he called the sheriff, who had no issue believing the ordeal you had gone through. Then the principal, who was incredibly confused as to how four of her teachers could vanish in one night.
And then, you turned to the kids and gestured to the phone. "Alright, your turn now. Call your parents, both of you."
If they were more afraid of the murderous hellspawn they'd just helped you fight off, it didn't show. "Please just let us go now, Agent L/N," Donghyuck pleaded, "My mom will never let me leave my house again after this."
Amy shook her head. "My dad's gonna kill me if he finds out I stole the gun again."
Johnny made a face. "Again?"
She turned even paler when she realized her screw up. "I'm not going to omit witnesses from a report because you'll get grounded," You told them. "You're good kids, with good intentions. You just lost someone and had another friend go through something traumatic, we get that. But what you did tonight was incredibly dangerous, reckless, and—and—"
"Stupid?" Johnny offered.
"Johnny!" You snapped, lowering your voice. He shrugged.
You sighed, trying to get them to understand. "Alright, listen. There's a Yellow Pages over on that desk. If you don't call them, I will, or the sheriff will. Which would scare your parents less, huh? Getting a call from their kids, from the sheriff's department, or from the goddamn federal bureau of investigation?"
If they didn't get it before, they definitely understood now. Amy took the fall first, telling her dad she'd brought her car to the school, had gotten into trouble, and needed him to come by to talk to the police. She left out the gun, much to your amusement.
While Donghyuck did the same, you pulled Johnny into the hallway to speak to him.
"Are you okay?" You asked, "Doyoung seemed to kick you pretty hard."
"I'll take a few days off once we get back to DC, I'll be fine," He murmured. He leaned against the wall and winced.
You nodded, but weren't sure how to respond. Finally, you spoke again.
"Look, about last night," You said softly, and he looked up in thought.
"What about it?" He didn't seem to want to meet your eyes.
You took a step forward. "Johnny, other than when we first met, have I ever treated you like you were crazy?"
Your voice was quieter now, gentler in its approach. He looked to the side, crossing his arms. "...No."
You shrugged, before sighing. "It's not that I don't trust you. I have my scientific conclusions. You have yours. Every time I see something I can't explain I try to explain it with what I do know. Tonight was… insane, and you were right. But honestly? It just reinforced my wanting to go the scientific route every time we have a case."
He frowned. "Why? You saw Walker."
"Exactly." You crossed your arms. "If I went into every single case, expecting to see that or something even worse? God. I… I don't know how you do it, John."
He smiled, but still didn't meet your eyes. "I didn't mean what I said last night either. Y'know… that. Or at least, I didn't realize I didn't mean it until today. I… I care about you, Johnny. I really do. You're smart, and you're really funny, and you give me perspectives I wouldn't consider otherwise."
He looked at you, and you put a hand on his upper arm. "I'm glad I have a friend like you to work with," You admitted, "And I'm glad you're okay."
His smile grew, and he let out a chuckle. "There's no one else in the bureau I would rather be murdered by Hillary Clinton with," He said, with the most endearing tone possible. You burst into laughter, Johnny joining you. He stepped closer, pulling you into a hug as you continued to laugh. Your eyes shut, and despite Johnny's cold, damp clothes pressing against your cold, damp clothes, it still warmed your chest. The two of you stood together for a while, enjoying each other's embrace. His chin rested on your head, and you sighed happily. Johnny gave good hugs.
"Uhh, Agent Suh?"
Johnny and you broke away immediately. Johnny cleared his throat."Uhh, yes, Donghyuck?"Amy and Donghyuck exchanged a glance from the office doorway. "Uh, my mom said she'll be here soon. A-and I saw some police lights across the street, so…"
"Oh." Johnny straightened his tie. "Thank you."
A few seconds later, the sound of sirens came into proximity. You took a look at these two kids, and despite the stress they'd caused you, you felt an odd fondness in your heart.
“Come on, you two," Johnny murmured, "Time to go."
X-FILE 229-B: THE SAN CEFERINO SHIFTER
FBI HEADQUARTERS, WASHINGTON, D.C—07:08 hours, Wednesday, July 6th, 1994
On this particular summer morning, you were enjoying the air conditioner for as long as you could wait. You'd be flying to San Ceferino, California, twenty minutes outside of San Francisco.
The assignment was at a gated community where three women had been found dead within the span of three weeks. You and Johnny would be sent in to investigate due to a strange, unidentifiable residue being found on the bodies. A local detective had contacted the bureau for help.
The kicker? For some reason, due to some sensitivities of having their community "invaded" the head of the community had requested you be placed undercover.
So what was the bureau's idea? "Moving" you and Johnny into the community, posing as a newlywed couple.
Yikes.
This seemed like a bad idea to you, but you didn't say anything. Because if you spoke up to your superiors, they'd ask why, and you'd be forced to explain.
"I got the flight tickets and our fake profiles!" Johnny entered your shared office, causing you to look up from the case file.
"Oh, nice. Who are we?"
He curled his lip, making a face. "Whoever makes up these names should be demoted, I swear to god. My name is Fox. Fox Kang. Who the hell names their kid Fox—"
You stifled a laugh as you grabbed the file from him, flipping to yours. Dana Baker. A bit ordinary, but the more inconspicuous, the better, you figured.
"God, I kind of don't want to go," You hummed, "It's hot enough as it is here in Washington. I don't wanna imagine the California heat."
"Well, suck it up," He said, but he didn't sound dismissive. "We're leaving in three hours. We still have to pick up our undercover wardrobe and get to the airport, y'know?"
Frowning at the profile, you nodded half-heartedly. It stated that your backstory was that of college sweethearts at Cornell in the 80s. He was class of 1984, you of 1986. You were moving to California two months after getting married, because "Fox" got a job offer just outside of San Francisco.
"You're staring at that paper like you're Nancy Kerrigan and it just broke your knee," Johnny pointed out, "You okay?"
"Huh?" You looked at him, swallowing. "Oh… yeah. I'm fine. I'm just a bit… unsure about the whole marriage thing."
Johnny shrugged, offering an amused smile. "Really, Y/N. We've been working together for two years and you still find me that unbearable?"
You laughed, standing and circling your desk to stand in front of him. "No, not at all. I'm just not the best when it comes to undercover work."
Johnny leaned against the desk, smiling sympathetically. "Well, I'm no Tom Hanks either. But if you think about it, we spend all our time together anyway. It's not that big of a stretch to say we might as well be."
"We definitely argue like one," You fired back. You both laughed, simply staring at each other in silence once it quieted down. Johnny's eyes studied you up and down, dark eyes warm. He was wearing his glasses today.
You wondered if he was judging your outfit, because he did that sometimes with other people. Apparently, before he became interested in criminal psychology he'd wanted to become a fashion designer, or so he told you. Six months later after he'd told you that and you still weren't sure if he was joking or not.
"What are you looking at?" You asked. He shook his head.
"...Nothing. Let's get going?"
The two of you picked up your faux suitcases—the bureau had a department full of fake clothes for agents going undercover needing to fit a certain persona. The two of you were nothing close to the white picket fence suburban life, so you were better off picking up some fake clothes.
You laughed when you saw the first outfit Johnny had been given. A pastel yellow LaCoste polo shirt, and grayish blue dress shorts. He glowered at you when he saw your face.
"Oh, yeah, very funny."
Your outfit wasn't much better. High rise, light wash jeans and another polo, this one bright red, a pair of dark red casual loafers to match. Johnny didn't laugh, but it was clear he was trying not to.
You decided to sleep on the plane. There wasn't a lot to look over, as you'd received the file the night before. By now, you knew the drill.
You dreamt you were back in that hotel room in Oregon. Johnny was kneeling beneath you, but you still hadn't taken your robe off. He was saying something, but you couldn't understand what. His eyes were full of a warm emotion that you couldn't quite place.
Until he raised his arms to try and remove the robe. This time, when he spoke, you could hear him clearly. "This is what you wanted me to do, right?"
Your hands grabbed his. "What? Johnny, I… Well…"
He stood, face impossibly close to yours. There was an odd smile on his face. "Don't worry," He murmured. "I want to, too."
Slowly, your hands let go of his and he began to pull off the robe. You didn’t protest. When you were bare, his hands slid to the skin of your waist, and he pulled you against him. His forehead pressed against yours.
"Johnny, are you sure?"
"Y/N," He said with a smile, "We are beginning our descent into LAX. Please put on your seatbelts and put up your trays."
You jumped awake in your seat, eyes impossibly wide. A laugh from beside you caused you to turn your head. Johnny was giggling into his palm.
"What?" You asked, voice raspy from sleeping.
"Oh my god, that was beautiful," He declared, "You were sleeping so peacefully and then, oh my god, that was hilarious."
"Ha, ha, ha." Your tone was devoid of any emotion. You rubbed your eyes, yawning slightly. "What time is it, here?"
"Three hour time difference. It's one PM."
You nodded. And you still had a six hour car ride. Lovely.
SOMEWHERE ALONG THE I-5, CALIFORNIA—15:22, Wednesday, July 6th, 1994
"Couldn't they have just flown us to San Francisco and have us drive from there?" Johnny complained after being cut off by yet another car.
You sighed. "Budget cuts, I guess. We're not infiltrating the mafia, or taking down human trafficking rings."
"Yeah, we just fight the boogeyman and the little green men," He agreed. You laughed.
"Do you ever wonder what it would be like if we hadn't gotten assigned together?" He sounded wistful, not taking his eyes off of the road.
"I don't know." You picked at a loose thread on your jeans. "I would probably still be teaching at the academy. I think Brooks was considering placing you with Jung if I wasn't up for it."
"Jaehyun Jung?" He turned his head, making a face. "Really? He hates me."
"He doesn't hate you," You insisted, "He just thinks like me, science before all, except… less nice about it."
"You sure?" He asked, fiddling with the radio, "Every time we're in a room together, I catch him staring at me like he's trying to shoot lasers into my head, the prick."
You shrugged. "He's nice to me."
"That's just 'cause he's trying to get into your pants."
You hummed. Jaehyun was pretty handsome. "Would that be such a bad thing?"
He coughed, shrugging. "Well, it's your love life. You do you."
The air turned awkward. Johnny fiddled with the radio, but in this particular stretch of the interstate, all that came up was a Latin beats radio. Trumpets, and soft snare drums filled the car. You immediately recognized Selena's Bidi Bidi Bom Bom, a song about a girl realizing her heart went crazy whenever her lover passed by—while you didn’t listen to a lot of Latin music, you had a friend who did and always played this song when you met up.
Me tiemblan hasta las piernas
Y el corazon igual
Se emociona, ya no razona
No lo puedo controlar
"Oh, I hate this song," Johnny mumbled, reaching to turn the radio off.
"No, wait! I like it." You pushed his hand away. He groaned, but didn't turn it off.
Y me canta así, me canta así…
Bidi bidi bom bom, bidi bidi bom bom
Bidi bidi bidi bidi bidi bom bom
Bidi bidi bidi bidi bidi bom bom
So, the two of you continued on listening to Selena, Johnny silently pouting.
"So, what were you dreaming about on the plane?"
"Huh?" You cleared your throat.
"Yeah, you said my name in your sleep."
You shifted in your seat. "Oh… Um. I can't even remember."
He hummed, but didn't say anything. The drive continued on, both of you alternating between discussing mundane things and the case. All of them had been found in their homes, with no sign of a struggle—which suggested they knew their assailant. They'd all been strangled to death. No odd fingerprints could be recovered from the crime scenes.
The first victim lived alone. The other two's husbands had solid alibis that were confirmed by the police.
Which meant that it had to be someone in the neighborhood. There was reportedly a strong sense of community there, which was part of why the bureau had you going undercover.
Around six, the two of you rolled into San Francisco, for a brief stop to talk to the detective who had contacted the bureau, a woman named Wendy Son.
The two of you rolled into the precinct, and upon showing your badges, were prompted to the woman’s office. She had her light brown hair tied up in a ponytail, wearing a black pantsuit similar to what you would wear, had you not been dressed like a soccer mom.
"Oh, thank you for coming," She said once you sat down. "I have some extra material here that I wasn't able to fax you."
She pulled out a folder, setting it in front of you on the desk. Johnny opened it to reveal more images you hadn't initially seen.
"We sent the sample to Los Angeles because their laboratory has a higher capacity," She told you both, "They still weren't able to identify it, but apparently it apparently has an a mild tranquilizing enzyme. That might also be why there wasn't much of a struggle."
Johnny hummed. "There aren't any cameras in San Ceferino, are there?"
Detective Son shook her head. "Only around the perimeter and the gates."
"Maybe there's something there," You said, "Could we have access to those tapes?"
She looked back down at the pictures. "I could certainly get it to you by tomorrow afternoon, though. Come in past two and I should have it by then."
Johnny nodded and smiled at her. "That would be great, thank you."
She smiled, and you'd have to be blind to not notice the blush on her face. She handed him the keys to the house that the heads of the community had arranged to have semi-furnished ahead of your arrival. The rest would be arriving tomorrow in the morning, during which time you would go through the motions of being a newlywed couple moving into their “forever home”.
Johnny apparently was blind, though. He didn't say anything about it once you were both back in the car. You couldn't really blame her.
Johnny was… well, he was Johnny. He was incredibly handsome, and funny. Any reasonable person interested in men would find him attractive.
"Detective Son likes you," You told him as you were getting onto the road that led to San Ceferino.
"Does she?" He answered, smiling smugly. "She's pretty."
You don't know why that ignited something in you. "You think so?"
He nodded. "She seems nice. But I'm not interested."
The odd sensation in your chest simmered down. "No?"
"Not really. I'm not interested in something long distance. Plus, I work too much to have a relationship."
You nodded. "Yeah. I understand."
You arrived as the sun was setting, around seven. The two of you pulled into the gate to the place, where you introduced yourselves with your fake names to the guard. He checked his roster of approved people and let you both in.
San Ceferino consisted of four different cul de sacs, each house practically identical. The house you would be staying in was towards the end of the second one. The house was a pale pastel yellow, orange rays of the sunset making it seem a deeper color. Your car rolled into “your” driveway, and with a sigh of relief, Johnny turned the car off.
“I’m so tired,” He groaned, “Should we try and introduce ourselves today or tomorrow?”
“Tomorrow,” You said, letting your head fall back against the headrest, “These people are probably all having dinner or something, it’d be weird for us to do that now.”
He nodded, and got out of the car to open the trunk. You got out to grab your suitcase, and as you were getting out you realized that just maybe the universe disagreed with your decision to wait to meet others around the neighborhood.
A woman was crossing the street. She seemed a bit older than you both but was still dressed almost identically. You walked over to Johnny, who had his back turned, and tapped him on the shoulder. “Fox,” You mumbled, “We’ve got company.”
He turned, and upon spotting the woman flashed a comically fake smile. You offered the friendliest smile you could muster, but the way her eyes lit up when doing a once over of Johnny and then drooping in disappointment once she spotted you. If she thought she was subtle, she was dead wrong.
“Hi,” She said, impossibly enthusiastic, “I’m Anne Morrison. I’m the head of the Homeowners Association.”
You nodded in greeting. “It’s nice to meet you,” You said, holding out your hand, “I’m Dana. This is… my husband, Fox.”
“Fox,” She repeated, turning to look at Johnny, “That’s a lovely name. So, what brings you two to San Ceferino?”
“Oh, I got a job offer in San Francisco a few months ago,” Johnny answered. He was good, you decided. “We looked at some houses in the city, but it’s so busy there, you know? We were living in Maryland, so the transition between small town and big city… it’s not for us.”
She nodded, eyes wide. “I absolutely understand. My ex-husband wanted to move to the city now that our kids are in college. I don’t enjoy any of the hustle and bustle, really.” She chuckled, “So guess who got the house in the divorce!”
You and Johnny exchanged a glance, then laughed as if it was the funniest thing you’d ever heard. “Oh, my goodness,” You wheezed, clutching your hand in your chest, “I can imagine!”
“So, what do you two do?”
“I’m an architect,” Johnny said.
“I’m a publicist.” You scratched at your cheek when you felt a mosquito try to land. Her eyes zeroed in on your hand.
“You two are married, right?” She asked, “How come you’re not wearing your rings?”
You froze. Did the bureau even have fake jewelry? Why didn’t either of you think of that detail?
“Oh,” Johnny shrugged, coming to the rescue. “It’s so stressful having to take everything on and off at the airport, so we decided not to wear them today. Right, honey?”
He wrapped his hand around your waist, and you nodded. “I never wear jewelry when I’m on a plane. Too much hassle.”
She nodded, mouth slightly agape. “Oh, I see.”
Johny cleared his throat. “What do you work as?”
She grinned. “I’m a chemist.”
“I hated chemistry in high school,” Johnny groaned jokingly. Anne apparently thought this was hilarious, swatting his arm. He laughed again, but it was empty, awkward. You leaned your head against his shoulder in hopes that she'd get the message.
“Well, Anne, it was lovely meeting you,” You declared, “But we’ve been awake since five in the morning travelling. We’re exhausted, we really should be getting inside.”
Anne sighed, eyes turning away from studying Johnny’s face to you. “Oh, go ahead. You two must be so tired.”
Johnny nodded, pursing his lips. “We’ll speak soon?”
She smiled. “There’s an HOA meeting on Friday night at another member's house. You should come and see what we’re all about, consider joining.”
"Swing by tomorrow!" You grinned, "You can tell us the details then."
"Of course, of course. Well, I'll leave you two to it. It was nice meeting you, Dana." She raked her eyes over Johnny one more time, "...Fox."
When she was out of earshot, Johnny pulled the suitcases out of the trunk and scrunched up his nose. "That was... awkward."
Your hand pulled up the extendable handle of the suitcase, looking back at her to see her close the door to her house, which was at the very end of the cul de sac.
You looked back at him. "So, a chemist. And she's involved with the community, everyone probably knows who she is."
He shrugged before closing the trunk. "Let's keep an eye on her. She gives me the creeps."
The two of you made sure the car was locked before making your way towards the front door. He fiddled with the keys
"She might even have a motive," He said, as you stepped inside. "Ah, c'mon, aren't you gonna let me carry you over the threshold?"
"Not the time," You said, picking up your suitcase to carry it to the bedroom. "We were talking about a motive. Evidently, she likes looking at… married men. If it's her, she might be doing it out of jealousy."
"Exactly," He agreed, following you up the stairs. "Maybe there's something else at play—jealousy or something. how old were the other victims?"
"Between 25 and 35. She didn't say how old she was, did she?" You rolled into the bedroom, sitting on the bed and immediately flopping down onto it. Johnny rolled past your room, looking for the separate bed the bureau had said would be there as well.
"Finally," You sighed with a smile. Your eyes fluttered shut, and you stifled a yawn. For a second, you considered falling asleep just like this, uncomfortable jeans be damned.
"Y/N?"
You cracked your eyes open, frowning at Johnny who was standing in the doorway. "What?"
"There's only one bed."
You almost stopped breathing for a moment. "Huh?"
He shuffled on his feet. "There's only one bed," He said, speaking slower.
"What do you mean there's only one bed?" You sat up.
Johnny sighed. "I mean there's only one bed."
"But the bureau said—"
"Well, the bureau lied," He interrupted, "Because there's no other bed."
You crossed your arms. "I could take the couch."
"That's supposed to get here tomorrow."
"Oh," You frowned. What were you going to do?
"I mean, I could sleep on the floor," You said, "So that way we don't have to sleep, you know…"
"Together?" He offered.
"In the same bed," You corrected, turning your face. It felt hot all of a sudden.
"No, I couldn't do that to you." He set his suitcase next to yours, then sat next to you. "The bed seems big enough. I'm sure we'll be fine."
You were too tired to argue further. "Sure…" You didn't sound too convinced.
"Great," He sighed, "I just gotta tell you. I snore a bit."
KANG-BAKER RESIDENCE, SAN CEFERINO, CALIFORNIA—08:43 hours, Thursday, July 7th, 1994
That night, surprisingly, you slept like a baby. You initially thought you'd overthink it all with Johnny lying right next to you but… it was comforting, knowing he was there. You hadn't slept next to anyone since you were 26.
Life as an FBI agent was demanding. Because of this, you'd given up on the idea of having a meaningful relationship ages ago. And due to the nature of your work, it was easy to throw yourself into it to drown out the desire to have someone to come home to. The fact that whenever you did get free time, if you spent too much of it alone…
But now, lying awake in the morning, seeing Johnny's sleeping face curled up into his pillow… You remembered.
He looked peaceful. Even at 33, like this he barely looked a day past 27. You could make out the details on his face, old acne scars and the occasional mole. The smile lines along his cheeks and the corners of his eyes… maybe in another lifetime, another universe, you could have gotten used to—
No. You shot up, heading towards the en suite to go to the bathroom. You were still sleepy, that was all. The time difference between Washington and California was having second effects.
You pulled down your pants, blinking sleepily, and promptly had a heart attack when you sat down. Your knees barely missed your nose, your stomach dropped, and a shriek tumbled out of your lips before you could even register what was happening.
Standing, now wide awake, you had half a mind to pull up your pants as Johnny tumbled into the bathroom, eyes wide in alarm.
"What happened?" He asked, voice raspy from disuse. You didn’t answer, but instead stared at the offending lifted toilet seat until he got the message.
"Oh…" His face turned awkward, lips tilting from side to side. "I got up a few hours ago. I must have forgotten to put it back down, sorry."
You didn't answer, yawning instead. He shrugged. "I've never… lived with another woman before, so…"
"Never?"
His eyes looked down. "...Never."
"Not even with that ex-girlfriend from Oxford you told me about?"
"Mary? No."
You held back an amused grin. "Johnny, when was the last time you even went on a date?"
He pursed his lips. "I… am starving. Do you want me to go to the supermarket to pick something up for breakfast?"
You blinked, putting your hands on your hips.
"...Breakfast sounds great."
Johnny promptly changed and left while you got into the shower. Once you were out, you brushed your teeth, did your general morning routine and waited for the car to roll back into the driveway, doing a quick background check on Anne in the meantime.
No criminal record whatsoever, but that didn't automatically discard her from your list. Mostly because she was the only one on it, so far.
Johnny rolled back into the driveway just before 9:20. You helped him take the bags into the kitchen, when he said, "Think fast!" and tossed you a small box.
"What's this?" You asked, opening the box. You sputtered at the sight: two simple gold bands. He looked at you like you were a moron.
"Wedding rings," He said, plucking one of the rings out from the box, "Hopefully so Anne lays off."
"You didn't have to go out and buy actual—"
"It's fake gold." He waved his hand dismissively, sitting down at the island and slathering an ungodly amount of cream cheese across a bagel.
You settled on some coffee after hesitating to put on the ring. As you were finishing up, a knock at the door caught your attention. You looked at him, and he shrugged. "Moving van won't be here till 10:30."
So, you sighed, but still headed to the door. Johnny followed behind, second bagel in hand. When you swung the door open, you were met with Anne and a man you hadn't met yet. A wide Cheshire grin was plastered onto her face.
"Dana, hi!" She greeted. Her eyes landed on Johnny. "Good morning, Fox."
"Morning, Anne," You said with a nod, catching her attention again. You turned your eyes onto the man and held out your hand. "Hi, I'm Dana."
He shook your hand with a friendly smile. "My name's Scott Hernandez. I'm on the HOA board."
Johnny walked up to the door, putting a hand on your shoulder. "I'm Fox," He said, face speckled with crumbs and mouth full of food. You wanted to crawl into a hole.
"Hey, man," Scott said, eyeing Johnny, "Uh… Welcome to the neighborhood!"
"So," Anne asked, eyes raking over Johnny's chest, "How was the first night?"
Johnny swallowed his bagel before speaking. "It was lovely. We just snuggled up together and slept like little baby cats." He turned to you, eyes warm. "Isn't that right, honey bunch?"
Your neck snapped to look at him, holding back a look of disgust. "That's right…" You racked your brain for something sweet to call him and a moment later came up with, "...Poopy head."
Poopy head? Nice one, L/N.
Johnny’s smile faltered for a second, but neither Scott nor Anne seemed to notice. You flashed them both a bright grin. "So! Would you like to come in?"
Scott and Anne nodded. "That'd be great, thanks," He said. You led them into the dining room, where Johnny managed an awkward laugh. "Sorry it's such a mess, we just got up about an hour ago and I immediately went to the supermarket."
"Oh, don't worry, Fox," Scott hummed, sitting at the island, "Moving is so stressful. Especially with…"
Anne flashed him a dirty look. You raised an eyebrow at the interaction. "With what?" You asked, tilting your head as you feigned innocence. Anne sighed, shaking her head.
"Three women have been… murdered over the past few weeks." Scott looked down. "Police haven't been able to catch who's responsible."
"That's horrible," Johnny murmured, standing next to you. "Did you know them?"
"We know everyone because of our HOA responsibilities," Scott answered, "I wasn't that close to any of them, but they were all very nice women. It's awful, what happened to them. You knew Yolanda, didn't you, Anne?"
She nodded, eyes glassy. "Her son and mine used to play together. She was such a nice woman. Lovely family, too. It just breaks my heart."
"I'm sorry for your loss," You told her. She offered a sad smile.
"But what, is it someone from the community or what?"
Anne shrugged, eyes full of concern. "The police don't really know, but it would make sense if they were from the community—"
"It couldn't possibly be someone living here," Scott huffed, "Everyone knows everyone, why would someone want to—"
"Scott is just in denial," Anne said, waving her hand. "Did you two really not know?"
"Not at all," Johnny replied, eyes wide with fake worry, "These past few weeks have been so hectic we barely had time to sit down. Right, honey?"
You groaned, partially putting up an act and partially in disgust at the name. "It's been a nightmare!"
You made up some problems, like a crappy travel agency, yard sales, things going missing, stuff like that. Johnny occasionally chimed in, embellishing your stories. Occasionally, Anne or Scott would ask a question, and Johnny would answer with something he pulled out of his ass.
"So that's why Fox isn't allowed coffee, anymore," You said a few minutes later, rolling your eyes. Scott was cackling, Anne giggling into her palm. Johnny glared at you, but there was no malice behind it.
"But anyway, I'm guessing you two didn't come here to hear about how anxious I get with caffeine." Johnny turned to the pair. "What brings you to the... Kang-Baker residence?"
"Oh, we came to talk to you about joining the Homeowner's Association," Anne explained, "Not everyone in the neighborhood is a part of it, but it's very convenient to join."
They laid down the basics, and as they talked, you realized just how much you appreciated living in an apartment rather than a house. Yes, it was a bit small at times, definitely not as idyllic, but 300 dollars as an initiation fee, and monthly payments of 150 dollars? You had half a mind to call the bureau and tell them that the real crime was the extortion from the Homeowner's Association.
You didn't really see any advantages—probably because you didn't even own this house and wouldn't have to worry about selling it later. It just sounded like a nightmare. What did they mean you could only paint your doors pastel colors if you joined?
When they finally left, you looked at Johnny. "Maybe I'm not cut out for the American dream after all. That HOA stuff sounds even worse than the time we got attacked by the flesh eating virus."
He held back a laugh. "That bad, huh?"
You rolled your eyes. "No, this is much more irritating. The moving van will be here any second, come on, let's go."
127TH PRECINCT, SAN FRANCISCO, CALIFORNIA—14:29 hours, Thursday, July 7th, 1994
After unloading the furniture boxes (empty boxes with nothing really in them), you and Johnny settled on lunch—some crappy junk food—and drove all the way to the police station where Detective Son worked.
"What did you think about that Scott guy?" You asked Johnny, who shrugged.
"Seemed nice enough. We'd have to look into him too, since he's also involved in the community."
You nodded. "I'll run a background check once we get h—back to the house."
He glanced at you, but said nothing. "...What are you doing once this is over?"
You furrowed your eyebrows. "What, once we get back to DC?"
He nodded. "Well, yeah."
You stared ahead at the car in front of you. "Oh, well… I'm not sure. Probably finish writing that stupid report for Brooks and then curl up on my couch, watch some movies, drink some wine. I don't know."
He snickered. "What, and watch Pretty Woman for the 700th time?"
Smacking him in the shoulder lightly, you huffed. "Which is no better than watching Full Metal Jacket 700 times, and you know it, Johnny Suh."
He shrugged. "Well, if sex on a piano is what does it for you then who am I to judge?"
"Shut up." You rolled down the window, the heat too much to handle.
When you finally got to see Detective Son again, she handed you the cassette and made her way towards the door. When she spoke, she looked only at you. "I'm actually headed out to check out another call we got just now," She explained, "But feel free to use the VCR in my office to look it all over."
She left, not even looking Johnny in the eye. You turned to Johnny, who was wide-eyed.
"And you said she likes me."
In her office, you went over several days' worth of sped up hours of footage of six different camera angles. By the third hour of watching sped up, grainy footage, Johnny huffed. "I don't think we'll get anything," He said, "Especially considering the killer didn't even need to break their way in—"
"Hold on, hold on." You shook your head, eyes zeroing in on a dark shape in one of the cameras. You walked up to the VCR machine and hit the rewind button.
"Watch camera six."
He narrowed his eyes, fixing his glasses as he watched the dark shape run out from the treeline and up the wall, then out of the camera's view—presumably inside the community. You rewinded one last time, pausing just as it leaped onto the wall.
"There."
"That's too big to be a cat," He murmured, standing to get a closer look at the grainy black and white still image, "Right?"
"Could be a big cat—bobcat or a lynx, maybe, but…"
"It's movements are too… jerky for it to be a cat."
You hesitated, before nodding.
"Could this be the thing we're looking for?" Johnny asked, and you crossed your arms, giving the dark blob a skeptical look.
"Looks like we have some digging to do."
One more hour of poring over the footage, plus another hour of looking at the archives of the police department turned up nothing on big cats in the area. There'd been no calls to 911 to report big cats in the neighborhood, and looking over the tape again showed nothing else, not even the thing leaving.
Which made Johnny’s theory that it was still there weigh even more.
By 7:30PM or so, Detective Son had returned. "I brought coffee," She said, entering the small space, "Find anything?"
You shrugged. Johnny looked at her. "We saw a weird blob go inside. It never came out and we couldn't figure out what it was."
She frowned. "There haven't been any reports of wild animals there in years. Not since that huge military base opened up."
Johnny's eyebrows knit together. "Army base?"
She nodded. "Fort Talbot. It's about fifteen minutes west of San Ceferino. There aren't a lot of roads that lead to it, they're pretty private."
You locked eyes with Johnny, who was probably thinking the same thing as you. Military base? That was new.
“I don’t suppose you could take us to see it?”
She shrugged, raising her eyebrows. “I mean, we could try, but there’s a fence around the perimeter about a mile or two away from the actual base. They’re not gonna let you in.”
“No, we’re not military,” You sighed. “But thank you for telling us about that.”
SAN CEFERINO, CALIFORNIA—20:44 hours, Thursday, February 12th, 1993
When the car rolled into the driveway, the two of you had found that Anne was at your front door. You shot each other a quizzical look when she turned at the sight of your headlights. “What’s the cougar doing here?” He sighed, and you elbowed him.
“Hush. Be nice.”
She reached the car once you’d both stepped out. “Oh, I was wondering where you two were! I wanted to invite you over to have dinner. The spinach quiche I made was a bit too big for just me!”
At the mention of the meal, your stomach panged in hunger. All you’d had since you left the house was that coffee Wendy had given you. Plus…
Johnny seemed to read your mind. “We’re starving. Quiche sounds great, thanks so much, Anne.”
She beamed at his praise. “Oh, come on! Wouldn’t want it to get cold.”
Anne took the both of you into her house, leading you to the dinner table where she’d already set up spots for the both of you. “It’s not too much, is it? I’m sorry if I’m being overbearing. I really do want you to ease into the neighborhood, and plus, living in this big old empty house gets… lonely.”
As you sat down, you frowned in sympathy. You watched as she began to slice the quiche for you both. “Don’t worry, Anne. I understand where you’re coming from. It’s so lonely in my—or, it was so lonely in my apartment before Fox and I met. Sure, you can distract yourself during the day with all of the stuff you have to do, but at the end of the day you come home to… nothing.”
She handed Johnny a plate, and he took it. “There you go, Fox.”
He smiled, handing the plate to you. “Thank you.”
Her eyes followed his hand, and blinked when she spotted the ring on his hand. “Oh, I see you have your rings now.”
Johnny’s smile grew into a grin, as he held out his hand, flashing the band around his ring finger. You did the same. “No more pesky metal detectors,” He declared, “So why not?”
Anne nodded, eyes lowered. She handed him another plate, then served herself. And then, finally, you all started eating. It occurred to you as you took your first bite that if she was she easily could have laced the food with whatever was in those women’s systems when they died. But that would be too different from the killer’s modus operandi. They only went for women and they killed them in their home. Autopsies didn’t find anything recent in their stomachs at the time of death, so you concluded to take a bite.
Besides, it smelled good. If you were going to die, then it would be nice to die by the hands of some good quiche.
“So,” You began, “You said your kids were off at college?”
She nodded, digging around her food with a fork. “My oldest is in grad school at USC. He’s currently in South America doing research on bats, or something, I really can’t remember. My second is off backpacking for the summer, she’s graduating from UCLA next year, and my youngest left for college two years ago. He managed to get a full scholarship to Duke, can you believe it?”
You smiled, nodding. “Wow, that’s impressive.”
She sounded proud, but there was a sadness behind her gaze. “It’s hard, it really is. Especially trying not to worry. They rarely call and only come home during the holidays. Drives me up the wall not knowing what my kids are up to!”
Johnny laughed. “My mom was the same when I went to college. My freshman year she called me once every day. My roommates always made fun of me for it.”
She chuckled. “Oh, that’s how all moms are,” She turned to you, “I imagine it’ll be the same when you two have kids.”
You almost choked on the food in your mouth at her words. Out of the corner of your eye, you saw Johnny go white. Somehow, you managed to hold it back, hitting your chest lightly as the food made its way down. “Oh, well… it’s a bit early for that, I think.”
“We only got married six months ago…” Johnny murmured awkwardly.
“Oh, I totally get it,” She said, “But, y´know, accidents happen. Especially when you’re still in the honeymoon phase after the wedding. I had my first less than a year after we were married, we weren’t even trying!”
You chewed on your lip. “Well, if something happens…” You met eyes with Johnny, whose gaze was unreadable, “Something happens.”
Not looking away, Johnny licked his lips subtly, before picking up a napkin. Anne didn’t notice, surprisingly, and seemed satisfied with your answer.
You ate a little bit more, when Anne asked, “So, tell me, how did you two meet?”
Remembering the file, Johnny perked up. “We met at a party in college. I was in my junior year, I think? Right, honey?”
You shook your head. “Your senior year,” You corrected, “Because I was in my sophomore year. I remember it like it was yesterday. He came up to me and was wearing this horrible button up shirt—”
“You ended up stealing it from me!” He joked, and you held up your index finger.
“I use it to sleep. I wouldn’t be caught dead wearing that in public. Much less to attract a mate.”
Anne cackled, and the two of you laughed too. Again, you managed to make up a story: he was drunk and accidentally spilled some punch on your pants. He’d tried to help you by washing it in the bathroom but only made it worse.
“When I got back to my dorm, it was around three in the morning, my leg was sticky and I was miserable, but we ran into each other a few days later and he was very apologetic about the whole thing.”
“I was mortified,” He said, “I mean, here’s the prettiest girl I’ve ever seen in my life and I managed to screw it up by ruining her pants. I was so sure I’d screwed up.”
Anne raised her eyebrows. “So, you knew from the start that you liked her?”
Johnny’s eyes landed on you again, turning wistful. He leaned over and grabbed your free hand. “The moment I first laid my eyes on her, I knew. She was the one.”
You tried to smile, but suddenly your chest felt like it was caving in on yourself. You let your hand rest in his for a moment, before pulling away. “Oh, Fox. Don’t get all sentimental on me now.”
Clearing your throat, you didn’t miss the way Johnny’s eyes fell slightly. “If you’ll excuse me, where’s your bathroom?”
She pointed up. “Upstairs to the right.”
This was your chance to get some dirt on her, and put some space between you and Johnny. As you walked away, you touched a hand to your cheek and it came away burning.
“Get it together,” You muttered to yourself.
The quick search yielded nothing. She had nothing in her drawers, all of the papers on her desk were related to her work at a hair care company. You always could have missed something though. You couldn’t take more than a few minutes, you certainly couldn’t risk her coming up to check on you and finding you sifting through her work documents.
Before you came down, you did your best to leave everything as you found it before heading back downstairs.
When you sat back down at the table, things were a bit more tense. You sensed it immediately. “Everything alright?”
“...Yeah,” Johnny mumbled.
“Fox and I were just talking about how… difficult marriage can be.”
You nodded, wondering if that was all that had happened. “Oh, it’s no walk in the park, that’s for sure.”
The rest of the dinner was not as lively. There were more awkward silences, more lulls in the conversation, less laughs. When you finally left, his elbow intertwined in yours, you looked at him. “What happened while I was gone?”
He shook his head as you both crossed the street. “I don’t like her,” He told you in a hushed voice, “She started talking about how it won’t be like this forever and it’s only fun now because we just got married or whatever.”
“What, was she trying to open something up between you and her?”
“I don’t know. She hasn’t exactly been subtle, so it wouldn’t surprise me if she was.”
The two of you marched up into your house, and while Johnny was showering you did a background check on Scott Hernandez. Nothing also. A perfectly ordinary citizen, no criminal record at all.
Then, it was your turn to shower. As you did, you couldn’t help but think back to Anne’s words. The whole situation, feigning domesticity was proving to be bad for you: you couldn’t help but imagine a small child with his wide eyes and your nose, his lanky limbs and your hands.
The amount of time you put into your work made you fully aware that it would make having children difficult. Truth be told, you hadn’t really put much thought into settling down. The right person had never been there.
But what if he had? What if he’d been by your side for the past three years?
He had to be putting on an act when he’d said it.
The moment I first laid my eyes on her, I knew. She was the one.
Thinking back to the moment you’d first met him, and he’d come across as slightly patronizing and dismissive of your conclusions. But thinking about when he’d first turned to look at you, that particular morning in 1992…
You turned off the shower. Alone time wasn’t doing you any good, either.
When you emerged from the shower, you sighed as your eyes landed on the toilet seat, which was lifted. You set it back down with a huff before getting dressed.
Once you stepped out of the bathroom in your pajamas, toweling your hair, your eyes fell to the pile of dirty clothes on the bed. “Please don’t put your sweaty clothes, where I have to sleep,” You told him, tossing the clothes into his face. He let out a soft groan, picking them up.
“Oh, come on,” He grumbled, “They don’t even smell that bad.”
After he set them off somewhere (you didn’t see where as you were shutting your laptop off), he sat back down on the bed, leaving a space open for you. "So, what if we looked into Scott tomorrow?"
“That sounds like a good idea. Tomorrow night there’s that HOA thing we need to go to. We might be able to pick up some more stuff there.”
He nodded, and as you stood in front of the bed he waggled his eyebrows and patted the spot next to you. “Come on, Dana,” He murmured sarcastically, “We’re married now.”
You didn’t smile. He took that as a sign to continue.
“Plus, if something happens, something happens.”
You grabbed a pillow and flung it into his face. “You’re the worst,” You grumbled. He laughed, but it was muffled from the pillow.
Slowly but surely, you realized with the sound of his laughter, this feeling was soon going to become something you couldn’t ignore.
HERNANDEZ RESIDENCE, SAN CEFERINO, CALIFORNIA—09:02 hours, Friday, July 13th, 1994
When the door opened, Scott Hernandez had a welcoming smile on his face. “Dana,” He said, “Good morning. Did you need anything?”
“Oh, I just wanted to ask if there was an official guidebook or anything for the HOA? Fox and I are still considering joining, but we’d need to go over everything.” You scratched at the cardigan you were wearing. Why did the bureau have to give you something so thick and scratchy when they knew you were coming to California in the middle of July?
“Come in! I’m sure I have a rulebook. Plus, if you have any other questions you could always just come over.”
He led you up the stairs. “I keep all of my stuff in the office,” He explained, “That way my kids don’t mess it all up.”
You offered a soft laugh. “Oh, you have kids?”
“Yep.” His voice was warm. “Two kids, a nine year old and a six year old. They’re not here right now, though. My wife took them up to Washington to see their grandparents.”
“Ah, that’s sweet.” As he led you into the office, your eyes studied the room. A picture frame behind him of a professional family portrait, a houseplant in the corner a big clunky computer on top of the desk, and a cabinet pushed to the side of the room.
Your eyes fell onto the things placed on top of the cabinet, a stapler and some other office supplies. But when your eyes caught a different type of metal that wasn’t the standard gray color, you focused on it. A small medallion, decorated with a ribbon. When you recognized the logo, your eyes widened slightly.
“You’re military?”
His eyes turned to you, eyebrows raised. Then he looked to the side. “Oh… no. My brother was. He passed away in the Gulf War.”
You looked down, but something about his tone didn’t sound quite authentic. “I’m sorry for your loss,” You answered anyway.
The silence hung overhead for a few moments, before he pulled out a small booklet. “Here’s a copy of the rulebook.” He held it up, waving it back and forth, “This has pretty much everything.”
“Oh, really?” You straightened your posture, feigning a smile. When he handed it to you, your smile grew bigger as you looked down at the small book. “I’ll be sure to show Fox when he gets home. I really appreciate it, Scott.”
He waved his hand. “Don’t mention it. If you need anything else, just come on over. I work from home, so I’m here pretty much all day.”
Scott studied your face, and a second later you looked away. “So, I should get going,” You murmured. “I’ll see you tonight? I don’t think nor you nor Anne said where it would be.”
He scratched the back of his head. “Here, actually! Tonight, at 7.”
“Great,” You answered, “I’ll see you tonight.”
When you got back to the house, you walked to the office, where Johnny was waiting. “Hernandez has military links.”
His head shot up. “He does?”
“There was a military medallion on his cabinet in his office. He looked like he was gonna piss himself when I asked about it.”
“And what did he say?”
“Said his brother was a Gulf War veteran. I didn’t believe him for a second.”
“So could he be our guy?”
You took a deep breath. “Honestly? I don’t know. I could try to look through his office tonight at the HOA thing.”
“You?” He shook his head vehemently. “You fit his profile. All of his victims were around your age. You’re not going somewhere you could be alone with him.”
You rolled your eyes. “Then what?”
He looked at you as if you were dumb. “I’ll go.”
“But—”
“No.” His gaze turned stern, before walking all the way up to you. He put his hands up on your shoulders. “Y/N, he could kill you.”
“Has that ever stopped me before?” You asked, tilting your head. “Johnny, it’s in the job description to deal with people who could kill me. What’s so different now?”
He opened his mouth to speak, but no sound came out. His eyes were wide, urgent, and his face was inches away. You shook your head, trying to prompt him to speak. “What?”
Johnny pursed his lips, studying your face. And then, finally he shook his head. “Nothing.”
He stepped away, and left the office, leaving you speechless. You leaned against the desk thinking about what just happened.
For the rest of the day, he was relatively distant. During lunch—you went out to buy some sandwiches—and he barely said thank you, before you ate in tense silence. You could only wait until 7 o’clock rolled around. In the meantime, you placed a call to Detective Son, telling her to look into Scott Hernandez and his family. You typed up the rest of your preliminary report, and then all you could do was wait.
When five thirty rolled around, you started to get ready. You took only about five minutes, before stepping out, fully dressed. When you stepped out of the bathroom, Johnny had his back turned to you. It was almost as if he hadn’t noticed you were right behind him, because he was humming softly to himself, tapping his foot to a non audible melody. You could hear him humming it though, and after a few seconds of listening. you were able to recognize the song.
He froze when he heard your giggling. “What?” He asked, turning his head.
“Is… is that Bidi Bidi Bom Bom?” You asked, leaning against the wall. He straightened his posture before shuffling on his feet.
“...No.”
You raised your eyebrows. “Sure, it isn’t.”
He raised his eyebrow, but it wasn’t as serious as he had been before. And when you spoke again, his mouth grew into a crooked smile.
“You like Selena,” You sing-songed.
“Alright, enough. We’ve got a job to do.” He was biting back a laugh. You knew him too much to believe the opposite.
When the two of you finally walked the few houses towards Scott’s house, he held out his arm for you to hold onto. Taking a deep breath, your hand hesitated before it grabbed onto him. Approaching the house, you could tell that it was alive with a lot of people on the inside. You wouldn’t necessarily say it was overflowing, but you could tell it was definitely close to filling up.
“Let’s go?” He asked, and you nodded. He led you to the front door, where he rang the doorbell before the two of you waited.
A minute or so later, Scott opened the door with a grin.
“Hey, you two! You’re just in time.”
You put on your best smiles. “Wouldn’t miss it for the world,” Johnny sighed. You didn’t miss the tense undertone in his words.
The two of you made your way into the room. Across the room you heard someone call for you both. You held back a groan. You really didn’t need this right now.
“Hey, over here!” Anne called, beckoning you over. Johnny heaved the sigh of a man ready to end it all, and then you both made your way to her and her group. All of them seemed to be the same age as her.
“Ladies, these are our new neighbors I was telling you about.” She pointed at the both of you .”This is Dana Baker, and this is Fox… the architect.”
Oh boy.
And the talking began. You and Johnny having to rehash the same details over and over again. It felt like having to navigate a minefield. You had to recall all of the lies you’d told Anne and Scott, this time in front of an audience of women very clearly ogling the man who they fully believed was your husband.
You made idle chit-chat after that, but eventually, about twenty minutes had passed until they sat everyone down. The living room was full of grown ups, including a few young children. The thought of everyone being in such close proximity to someone, something that could hurt them all the way it had hurt those other women.
It was easy to tune them all out. It was then that you realized that suburban life would never really be for you. This was all so dull and monotone. You were sure that if you had decided to actually go into the medical field and settled down… you would probably lose your mind.
They went over some things you didn’t pay attention to: lawns and whatnot. It was so tiring you had to stifle a yawn on more than one occasion. Anne was going on about some infraction that didn’t even sound that bad to you, when it occurred to you to slip away, Johnny be damned.
You patted Scott on the shoulder as Anne went on. “Where’s the bathroom?”
He nodded back once, “Upstairs. Green door. We’re almost done, though, are you sure you can’t wait a little longer?”
“I had the genius idea to drink two whole bottles of water before we left,” You murmured so as to not make too much of a scene, “I really don’t think I can.”
He sighed, before nodding. “Go ahead.”
Gotcha. You slipped up, sparing Johnny a glance. He was glaring at you. If looks could kill, you didn’t even want to know where you’d end up going. You made your way up the stairs, remembering the way to the office from this morning. You slipped into the office, making your way to the cabinet. The medallion was gone, which made you wonder why he had done so.
As you shuffled through the drawers of the cabinet and came up with nothing, you had to remind yourself to keep count of how long you’d been up here. You moved on to the desk, shuffling through the papers on the desk and then the ones on the drawer. In the first drawer, you found an ID: Alma Hernandez, Lazarus Programming.
In the second drawer, nothing.
In the third and bottom drawer, you found something: a pair of dogtags. Neither of them said Hernandez. Instead, they read Simon Walsh.
Simon Walsh? That was new. You stashed them back into the drawer, suddenly remembering how long you’d been up here. Probably a bit over five minutes. As you made your way back down to the living room, you ran into Johnny.
“Hey,” He said, “I was just coming to look for you.”
He looked disappointed, bordering on anger. In the small space, you could feel his proximity. You couldn’t help but shake your head.
“I had to take the chance. I wasn’t sure if there would be a chance after this.”
He sighed. “I can’t believe you. Come on, they’re serving pizza.”
You laughed, letting him grab your hand as he led you back into the living room, where you two ate a few slices of pizza. Enough to feel satisfied, but not enough to feel too full. In theory, if you had to make a detainment or worse, have a confrontation then it’d be a bad idea to have stomach cramps.
You two kept to yourselves, occasionally speaking to other couples who introduced themselves to you. Once you’d finished gorging yourselves on the food, he kept his hand around your waist the entire time. It was a gentle touch, but comforting. You couldn’t help but feel tense.
“After we get home, I’ll tell you all the details I saw.” You looked up to see his face, watching you tentatively.
“Alright,” He murmured, leaning closer to your face, “But I wanna talk about something together first.”
Raising an eyebrow, you leaned away from him. “What, are you okay?”
Johnny nodded, smile reassuringly. “Yeah. I just realized something earlier today.”
KANG-BAKER RESIDENCE, SAN CEFERINO, CALIFORNIA—21:17 hours, Friday, July 13th, 1994
When the two of you left, Anne had bid you both goodbye. She’d said Scott had gone to bed with a headache, which made you feel a bit uneasy. The entire way home, Johnny kept himself relatively close. The entire way home, he was silent. It wasn’t until the both of you were inside of the house that he leaned against the front door. As he led you to the couch )which had finally arrived), you tried to remember all of the details you’d seen as you looked through Scott’s office.
When he sat you down, you placed both hands in your lap. He scratched at his shoulder, before meeting your eyes.
“Simon Walsh.”
“I think I’m in love with you.”
Your eyes widened at the same time his had. “What?” You asked, shaking your head. You were suddenly aware of everything going on. You were in an ongoing murder investigation. It was quite possibly linked to a very secretive military base. Three women had been murdered. A fourth would be soon if you didn’t hurry.
“Johnny, I don’t think…”
“No, please. Just a few minutes, okay? I’ve been dealing with this for years. I need to get this out of my system and then we can talk about this back in DC. Please, Y/N.”
Your gut felt heavy at the same time your heart felt incredibly light. It was by far one of the strangest sensations you’d ever felt. Letting out a shaky breath, you nodded.
“Alright, John. Five minutes. Then we talk about what I found.”
He nodded with a small smile. Gently, Johnny grabbed your hands, rubbing the knuckles with his thumbs. He was silent for a while, tilting his head back and forth as he tried to figure out what to say.
“What I said last night at Anne’s. I meant it. That first time I saw you, I… I knew. I knew we didn’t get along initially, but I just had this feeling in my chest. You were so smart, and eventually we realized how much we clicked…”
He looked up, leaning closer. You swallowed softly as his eyes met yours again. He managed a soft chuckle. “Y/N, I tried to hold it away. But it got stronger every single day. You understand me. Even though we push back against each other, you don’t think I’m crazy. You take them into consideration and don’t brush them off. I really appreciate that. I look at you and… I’m home.”
Looking to the side, you sighed. “Johnny, I really don’t think this is appropriate. Especially not right now—”
"Y/N, I know what your dream on the plane was about."
You inhaled sharply, alarmed gaze meeting his own. His eyes had turned soft, warm. You knew you had to push him away. The name Simon Walsh was on loop in your head, but you couldn’t find it in you to push him away.
“What?”
“I heard you moan my name,” He sighed, “Trust me, Y/N, I know what I heard.”
He leaned even closer, cupping your face. You could feel his breath puffing softly onto your skin. His eyes were knowing as his voice dropped to a whisper.
“You want me too, don’t you?”
When his lips met yours, you couldn’t find it in you to pull away. He pulled you closer, and your arms found their way to wrap themselves around your neck. His lips were soft, but demanding. You could tell he’d been waiting for this a long, long time.
You don’t know when he laid you down onto the couch, but honestly… you didn’t really mind. Johnny was warm, comfortable. And yes, July in California was hot, humid, but… up until Johnny put his hands on you, you’d never realized how cold you’d been, even before your arrival here.
He deepened the kiss, hands sliding down to your waist. They toyed with the hem of your blouse, humming against your lips. You gasped against him, hands sliding into his gelled hair.
Your eyes snapped open. Johnny never used this much gel in his hair.
Two things happened in the next two seconds. You pushed Johnny off. Johnny would never prioritize his feelings like this over a case. You hadn’t seen Scott as you left. All of this pretending, playing house had gotten to you. You were in real danger now.
The other thing that happened? Johnny burst through the door, wearing clothes he hadn’t been wearing when you first left. He was panting heavily. There was a bruise on his cheek and his wrists were red.
You backed away from Not Johnny, who turned to you, gaze now furious. A wave of nausea passed over you, breathing heavily. Whatever Not Johnny had in his system, he had passed onto you with his spit, and you could feel it settling into your system. You looked up at Johnny, before pulling out your gun. Taking a deep breath, you looked at your work partner, closest confidante, love of your life.
“I had a feeling,” You mumbled, realizing how the sinking feeling in your stomach was actually dread.
Stumbling, you heard Not Johnny let out a ghastly screech. You fired your gun at him before passing out.
SAN FRANCISCO METROPOLITAN, SAN FRANCISCO, CALIFORNIA—10:39 hours, Saturday, July 14th, 1994
The room smelled sterile. You knew this smell. You’d lived it for several years before in medical school rotations. This had to be a hospital, you realized. Slowly, you let your eyes open. You let out a soft groan at the discomfort of having been stuck in one position for so long.
“You awake?” A deep, familiar voice asked. Your vision was blurry, but you could still recognize it was Johnny. His eyes were rimmed red from exhaustion, but he looked relieved.
“No. I died, actually.” Your voice was raspy. Johnny scoffed, shaking his head.
“You’re impossible,” He mumbled, “I’m so glad you’re safe.”
“What even happened after I passed out?”
Johnny took a second to gather his thoughts before speaking. “You hit him in the face. It wasn’t pretty. He freaked out a bit, and then he took off. I couldn't catch him. Called Son, she came in with the precinct and they looked through Hernandez's house."
His gaze turned somber as you sat up with a soft huff. Your muscles were stiff.
"They found the real Scott Hernandez, his two kids and his wife, in their basement. Autopsies are being performed today, but it looks like they've been dead a few weeks."
Your eyes shut. Two kids, a man, and another woman. Seven victims total.
"And that thing is still out there," You mumbled, "If only I hadn't been so stupid—"
Johnny put his hand on yours. "Don't say that. Even if you hadn't gotten knocked out, he would still be way too much for just the two of us to handle. Y/N, you shot him in the face and it barely stopped him. He wasn't human anymore."
You shook your head, burying your head in your hands. "Still… I know you, Johnny. I should have seen the signs, but he was so—somehow he knew everything—"
"It's something to do with touch," He said with a nod, "He knocked me to the ground and locked me in a closet before he found you. I was a bit out of it, but I remember he touched my wrist for a few seconds and then he turned into me. My head still hurts, too. Maybe he can also copy some memories from the people he touches long enough."
When you didn't answer, he grabbed your face. He looked desperate. "Y/N, you're only human. I would have fallen for it too."
"I fell for it because he told me exactly what I wanted to hear," You whispered, feeling tears spring to your eyes, seemingly out of nowhere, "He played me like a fucking fiddle and I fell for it."
His thumb brushed away a tear. "Don't think about the what-ifs, Y/N. It's already happened, and now we need to focus on what's gonna happen next. We need to find a way into Fort Talbot. Somehow. Turn your report into the bureau and we can figure it out from there. There’s something going on there. Human experimentation on soldiers, or something."
"We're never gonna get clearance to search a military base, Johnny. It's impossible."
He shook his head. "Y/N, if you were able to convince Brooks to let me, Spooky Suh, FBI's most unwanted? keep running around hunting ghosts and aliens and Bigfoot all over the country, you can figure out a way to get access in there. I know you can."
You were shaking now. "We won't be safe if we do. You think the military won't retaliate? We'd be dead, Johnny," Your words were garbled and your voice wouldn't stop cracking, "There has to be another way."
He shook you gently, shaking his head. "Dammit, Y/N, I can't do this without you."
"They placed me with you for a reason, Johnny," You snapped, "To debunk your work, to reign you in and shut you down—"
"But you saved me," He insisted, "You did exactly the opposite. And as a result we kept working together, and you kept me honest. You… you've made me a whole person."
He rubbed his face with his hand, pushing a strand of dark hair out of his eye. "Y/N, as frustrating as it's been sometimes working with you, your stupud science and rationalism have saved me a thousand times over. I owe you everything. Y/N, you owe me nothing."
His forehead brushed yours, and his eyes fluttered shut. "I can't do this without you," He murmured. And despite the fact that you knew that this was your Johnny, you shook your head. The deja vu was making your head spin.
"Tell me something the real Johnny would know," You whispered, putting a hand on your chest.
He thought for a second, before sighing. "I had three moments when I realized I was in love with you. When you first walked into my office that morning, I had a feeling," He said, voice full of conviction, "It grew into something concrete when you told me my glasses were crooked. And the moment I knew—I mean, I already knew from that first moment but this was when it truly hit me—was when you told me you'd kept that stupid fucking nasal implant in your sports bra so that you wouldn't lose it."
He laughed warmly, obviously thinking back to the moment. "No one else has ever believed me the way you do. And I doubt anyone else ever will. You're my one in…" He looked to the side, trying to remember the number, "Five billion."
Your hand came up to caress his face. He seemed to melt against your touch.
This time, when your lips met, everything felt right, despite the feeling that the world was crumbling around you. His hands squeezed your face gently, as if you were about to disappear. When your hands slid into his hair, it felt slightly sweaty still, but it wasn't tacky with gel.
This was your Johnny. You knew it with your entire being.
Yes, Johnny was sarcastic, stubborn, eccentric and had low impulse control. But he was also highly intelligent, empathetic, hilarious and yes, you could now admit that he was the most beautiful human you'd ever seen in your 30 years on this planet.
If it had to be him and you against the world, so be it. The truth was out there. You and Johnny would just have to be the ones chasing it.
taglist: @doderyscoffee @always-wishing-for-rain
#kwritersworldnet#johnny seo x reader#johnny suh x reader#nct scenarios#nct x reader#johnny angst#johnny fluff#kpop angst#kpop scenarios#kpop au#nct au#nct 127 x reader#nct 127 scenarios#IM FINALLY DONE THIS IS SO OVERDUE#god im so happy sdhskdjsh
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The Volturi are the good guys and Bella is the up-and-coming villain
I’m on my computer for this as I know it might be long, but bear with me (insert Emmett pun here) 🐻
So wait - the Volturi are the good guys? But didn’t SM write them as the bad guys?
Well, yes, SM did write Aro and co in as the antagonists of the series, but bear in mind that originally she didn’t write most of New Moon to happen, or the entirety of Eclipse. There was Twilight and Forever Dawn, which we’ll sadly never read. Her vision of the Volturi and their role as the evil villains who wanted to separate Edward and Bella became distorted as she had to flesh them out more and show their role as the governing body.
Then she wrote the Illustrated Guide and revealed their history and the horrors of the world without their authority; with the Romanians being as brutal as they were, the constant terror humans lived with and the fracturing of the world into many unstable and violent vampire-ruled empires (plus with way more children of the moon running about, probably as far west as - at least - central Europe).
When the Volturi were coming to power they were laughed at with the idea of their law, a significant reason the Romanians didn’t take them seriously. But now they are extremely popular.
This isn’t just because Aro created vampires to go out and sing his praises. Volturi rule has been a blessing for both humans and vampires.
For humans it’s the obvious: they are not living their lives in fear, they are not subject to massacres (except if caught in newborn warzones), their population has been able to grow and expand, modern medicine and technology have been able to flourish, society is much more stable, people need to flee areas much less (if ever) so they can stay put and complete research/live to meet their grandkids/etc, and not have to serve a vampire in the local castle.
For vampires it’s actually quite similar: with the human population growing to as large as it is today when at the time the Volturi came to power it was (estimated to be) only 210 million globally, vampires have been able to grow to even greater numbers also, and feed more often than before. If a vampire 2000 years ago killed 5 people in a town it would be an outrage the humans would certainly have noticed, however kill 5 people in a place as big as London, LA, Paris, Singapore, Bucharest... it would likely not be noticed very much, if at all (depending on who you kill).
Humans like to measure things in percentages. Those 5 people is a huge number to a town of 2000 - that’s 0.25% of the whole town’s population. It would be talked about, and relatives of the dead/missing would all know each other. Yet kill those 5 in a city of 12 million (as is London), that’s only 0.00004167% of the population. And chances are, the dead humans’ families don’t even live in the area (or could be in another country entirely) never mind know each other to realise there was a mass murder.
So vampires, as long as they hide from humans, as is the only law (besides no immortal children or consorting with werewolves), they have a lot more freedom nowadays than they did before the times of the Volturi. There are so many people that they can easily get lost in a crowd, move internationally, and not be pressured for allegiance by a local vampire warlord (before meeting Aro, Caius ran afoul of the Romanians, and he barely escaped with his life).
With there only being one authority, and one that does not interfere with your day-to-day life, is a dream come true. As long as they don’t break this law that is very easy to abide by, they can do whatever the f*** they want.
Carlisle would have never been able to get a job as a doctor if he was known to be a vampire, nor could any of the Cullens have entered education of any form. They’d be stuck sneaking into libraries after closing, and googling. Edward would have never met Bella (neither would Edward’s ancestors have immigrated to America - in fact, Europeans may have never discovered America in the first place. The whole Cullen coven aside from Carlisle might never have been born).
So what the Volturi have done (despite many of them having not-so-savoury personalities corrupted by hunger for power or violence) is bring peace to the world, get rid of tyrants, increase the food supply, allow a greater amount of freedom, and the first kind of trials and justice ever seen in their world. Sure, Aro uses trials to find new talent, but it’s still a world away from before.
Which leads me on to the events of Breaking Dawn, and Bella.
So. Maybe controversial, but: the Volturi did absolutely nothing wrong in Breaking Dawn.
They turned up thinking a serious crime had been committed. They stopped to talk (which Vladimir certainly never would have done!), considered the evidence and processed new discoveries and discussed their legality, decided there was no crime to punish, and left with only the informant dead. Yes, Irina had been innocent in the way that she strongly had believed she had been telling the truth and her memories must have presented good enough evidence to Aro initially, but their witnesses had come to see justice being served, and in the vampire world that is execution. Aro could have continued with prosecuting the Cullens for something he now knew was false, or execute Irina instead.
(Side note: she did kind of deserve it too. She didn’t bother to check her evidence, she wanted revenge for Laurent’s death so her accusation wasn’t coming from a place of good intentions but instead she was willing to have her friends and family killed for Laurent. She was also forcing Aro into a position where he had to prepare himself to kill Carlisle, whom we know he cherishes. Remember also that Aro turned down Laurent’s application to the Guard because he’d followed the Romanians for a while, so he won’t have been entirely trusting of Irina anyway, her having been Laurent’s mate).
Anyway. Onto Bella.
So Aro’s impression of Bella after New Moon seems to be positive. Why? Well, through Edward’s thoughts he saw that Bella was able to keep The Secret. He had heard how much she wanted to be a vampire. In addition, Marcus showed him how strong Edward and Bella’s bond is. Both of them knew, that if E & B’s love was almost as strong as Marcus and Didyme’s, that no matter what Edward currently said or thought about Bella being turned it was invalid. If Bella were dying, he would turn her for sure, which happened. Then the obvious, that Edward had already proven he could not live without her.
Bella was trustworthy and probably going to be turned. Alice showing proof was just a formality so Aro could say he had evidence rather than admit he’d just made assumptions (and Alice having had that vision may act as proof that his assumption was correct).
Therefore, from Aro’s perspective, Bella was a human who wanted to become immortal so much that she would rather die than not, and she was already following his law. She was no issue.
Yet.
Bella, knowing the law, should have been very grateful that she was left alive. Edward not being executed and she not being killed or forcibly turned on the spot... Aro had been very nice to them.
And again, in BD, he was very nice to them. Some people will inevitably say that he was weak in not killing them all. I mean, they stood beside Vladimir and Stefan! They have an army of wolves fundamentally opposed to vampires! Aro has lost Good Reputation Points by sparing the Cullens. He held as close to a trial as vampire society has ever had, and rightfully pronounced the Cullens innocent.
So shouldn’t Bella like him? He has spared her life and the lives of her loved ones more than one, and proven that he can be spoken to and conversed with properly and is willing to admit he was wrong. With Aro, we know it’s important to look more at what he does than what he says, and what he has done is be very kind to the Cullens (though who knows about the future?).
Yet Bella was creeped out by him when they met and interpreted him as a threat to Edward’s life. As she loves Edward, she’s always going to be of this mind, and first impressions are important.
Vampires are stuck with the mindsets they had when turned. An example of this is Esme, who was turned after her baby died and she tried to die too. She is permanently feeling maternal. She was turned only days after giving birth. Before knowing this, Bella even describes her as maternal and the mother of the family. Huilen also has a lot of care for Nahuel, being his aunt, because of her love for Pire, and while she was dying, Pire begged Huilen to raise him. Joham does not seem to have this parental love for his son and daughters; he never really knew Pire and was never affected by her love for Nahuel, and did not meet him until years after he was born. He’s only genetically a parent. He doesn’t have the protective mindset. When he was turned, he was a curious scientist (in fact, it was even why his creator turned him). He sees the world and people as things to study.
Anyway.
When Bella was turned, all she was thinking about was Renesmee. She begged Edward to get the baby out and didn’t care for her own life.
And she will be forever stuck in this high alert, must-protect-my-baby mode. Then for weeks as a newborn vampire, she was thinking of Aro as a threat and preparing to fight him. Compounding that, he was a threat to her daughter.
Both of these things will have had a significant effect on who she will have become after her newborn phase ended. It is impossible for Bella to ever like Aro now, even if she tried.
Her dislike of him, and willingness to fight against him, will be forever engrained in her brain.
This is dangerous.
Bella found the Romanians weird, but she didn’t dislike them per se. She would probably be willing to stand with them against the Volturi again.
We can take an educated guess and assume that sometime they will rise up again - and Bella might stand with them (though I highly doubt any of the other Cullens would).
Bella was not a problem for Aro until she stood beside Vladimir and Stefan.
Here is this vampire who can block most of his coven’s gifts, stuck with an intense dislike of him, who he has seen with his own eyes stand with his enemies. He has every right to be nervous now. Her love for her mate is almost as strong as Marcus’s bond to Didyme - how strong is her bond to Renesmee? Likely more. Aro knows the threat in that. He knows that Bella may be viewing him in the way Marcus feels when he thinks of taking revenge on whoever killed Didyme.
Nobody wants the Romanians back in power. Those who lived under their reign and those who have heard first hand stories told to them all know very well that life under Vladimir would be horrible, brutal, awful for all beside his close coven members (though considering he had a very large coven that was often squabbling amongst itself, it was probably miserable for a lot of them too).
But Bella is young. She has no memory of the world before the Volturi, and knows no one with first hand experience of that world other than the Volturi. She will have heard that it was horrible, but she has no emotional or personal connection to the near-ancient past, and vampires who lived during that time are disappearing. No one lives forever.
Then, she is American. Like Garrett, she values freedom, and the Volturi are the only oppressive vampire force either of them has ever known. Despite them being the least oppressive in vampire history, Bella and Garrett haven’t experienced the alternative. They are a government that is at times harsh, is corrupt, and executes people. They go to war and they obliterate their enemies. Bella doesn’t see that the Volturi is the least bad government her world is ever going to get, and that they’ve granted her so much freedom. She is unable to see that because, in her youth, she has nothing to compare them against.
By standing against the Volturi, Bella isn’t just standing against Aro, Caius, and Marcus. She is standing against the peace they have brought between vampires, against humans living without fear, against modern civilisation itself. She stands a representative of the next world order, and Aro can sense it.
#bella swan#bella cullen#aro volturi#volturi#the volturi#the volturi coven#volturi coven#edward cullen#esme cullen#pire twilight#huilen twilight#nahuel twilight#Joham twilight#garrett twilight#irina twilight#Irina Denali#carlisle cullen#cullen family#cullen coven#THETWILIGHTSAGA#twilgihtsaga#twilightsagaedit#twilight renaissance#twilight revival#twilight renewal#twilight resurgance
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