#it's a commentary on a trend as a whole

[necrotic-nephilim]

this is not a ship post, but something that frustrates me a lot in fanon concerning Jason Todd that attempts to soften Jason's return to Gotham for the sake of found family domesticity or easy hurt/comfort or just sliding him into the Batfam sooner, is they all seem to fundamentally misunderstand Jason.

because there seem to be a lot of fandom popular concepts of Jason coming home much sooner and just not having his whole Under The Red Hood arc. which in theory is fine and i can see the want to simplify canon to make room for your lighthearted more fluff-leaning concepts. but in everyone without fail, the way they address the clown-shaped elephant in the room is by having some throwaway line that "oh Jason quietly kills the Joker and moves on".

when the Joker being dead or alive is not the *point*. if by some chance accident, the Joker had died prior to Jason's return, whether by ridiculous freak accident, getting whacked by a fellow villain, hell even someone actually doing so to avenge Jason, it *would not* satiate Jason's anger. because Jason's end goal in UtRH is not to simply kill the Joker: it is to make *Bruce* kill the Joker. Jason's anger is directed to the idea that to Jason, if Bruce truly loved Jason, he would've killed the Joker. that is love, for Jason. compromising your personal values for love and not letting someone go unavenged. when Jason was Robin, almost every angry or misguided thing he did was born of love. he wanted to kill/hurt Two-Face because he believed Dent killed his father. he was so angry at Felipe because an innocent woman was dead due to that man's actions. he wanted to save his mother in a situation he knew he shouldn't be in because he loved her. his anger, his violence, it is driven by love and feelings of righting wrongs. that is how he thinks wrongs *should* be righted. that is how you avenge and *love* someone.

because so long as Jason's return to Gotham doesn't end in Bruce killing the Joker (which, it never will bc Bruce is Bruce), Jason will never forgive Bruce. you cannot wave away the layers of hurt and complicated trauma by killing Joker offscreen. because Jason will still be angry that Bruce didn't avenge him. in his eyes, that means Bruce did not love him enough. he was not truly loved by Bruce the way he loved Bruce. bc Bruce was Jason's whole *world*. prior to being taken in, Dick and Tim, they had support systems. they had loved ones. they knew what stability and healthy family love looked like. Jason *didn't*. and that's not to say that Catherine Todd did not love him with her whole heart and thus he loved her, but it certainly wasn't a stable and safe support system for Jason to grow up in. Bruce was Jason's first real sense of a stable, healthy life. and so of course Jason poured everything into Bruce and loved Bruce so devoutly. Bruce was his world. like he says, if it had been Bruce, Jason would've stopped at nothing.

so his betrayal is rooted in that he was not avenged, not that Joker is alive. so long as the Joker does not die by Bruce's hands, it will never be enough for Jason. (in this era, at least.) notably, this is also why i don't think it would change a thing if Jason knew the whole "oh Bruce wanted to kill the Joker but Superman stopped him" tidbit that fanon has really latched onto as a way to pacify Jason's anger toward Bruce. Jason knowing that wouldn't change a thing, in my opinion. because Jason knows Bruce. and a tenant of Bruce's character is that he grapples with murder *every day*. the whole point is how *easy* it would be for him. he is a human weapon, trained by killers, trained to be deadly. he is the greatest strategist to exist. he knows he could kill someone and get away with it. *no* trace, no proof, nothing. and he knows he *wants* to. wants to kill the Joker, Joe Chill, anyone who's hurt him that viscerally.

but he *doesn't*. that's the point. Bruce wakes up every day with that question on his mind, and every day the answer is the same. Bruce's morality is not a decision he made in an alleyway when his parents died, it's a decision he continues to make every day and he *must* continue to make in order to remain who he is. Jason is quite familiar with the fact that Bruce grapples with this daily. i do not think it surprised nor fazed Jason to know that Bruce did *consider* killing the Joker. that he wanted to. maybe even planned to. but a consideration, a want, a plan, is just a thought. it's nothing substantial, and substance is everything to Jason. at the end of the day, Bruce didn't. he was talked down by *Clark* of all people with an excuse of diplomatic immunity, as if Jason and Bruce don't both know that Bruce could've *easily* found a way to make it look like an accident or some other loophole. because he's Batman. there's always a loophole. he always finds a way when he actually intends to. but he never actually intended to kill the Joker. so he didn't. and Jason would know that there was never an intent. it's an interesting piece of fodder to add to the nuance of Jason and Bruce, but honestly, i think it'd make Jason angrier to have that excuse thrown in his face. as if Bruce hasn't beaten Clark half a dozen times by now. it's a flimsy nonsense excuse that Jason would rip to shreds.

so while yes, i understand the wish for easy lighthearted fanfic that doesn't have to deal with the nuances of canon, i think that Jason's character will always be so deeply robbed and altered if you try to fix his thirst for vengeance with an off-page killing of Joker at Jason's hands. it was never the point. the point was that -in his own eyes- he wasn't loved enough for Bruce to make an acception. he realized that not even his *death* would come before Bruce's Mission. Jason truly believed that Bruce loved him and held him as the most important thing in the world, and now he has proof that Bruce didn't. because the Mission mattered more.

i'm not saying i have a solution to this conundrum if you're attempting to solve it for fanfic/fanon, nor am i even saying it's a bad thing it exists. i just think it becoming overwhelmingly common has led to misunderstandings surrounding Jason's motivations and feelings about this arc and it's an unsatisfying solution that only seeks to pacify Jason's rage and his trauma responses for the sake of found family-ification.

[lizard-dumbass]

watching Squid Game in 2024 and remembering that it is in fact a genuinely good show

[angorwhosebabyisthis]

[personal stuff, abuse apologia, abuse and child abuse mention]

i know people probably roll their eyes sometimes when they see me talk Very Passionately(tm) about how Goofy Mascot Characters are handled in fiction, because 'it's a kid's show moogle it's not that deep, find real media to criticize 🙄'

and like. it'd be worth talking about this even if i didn't feel strongly about it thanks to personal experience. but man, let me tell you, as a little kid going through what was happening to me back then, disney villain minions and the like in the media i was watching at the time fucked me up.

[animutate]

crazy to me how everyone misinterprets the gothpunks except for me btw and i dont even like them im just an autist.

[the-composer]

“It’s not the time to piss me off right now. I am not above blasting that spanish speaking Pikaman ad from 104 for the entirety of a Game week.”

[blindtaleteller]

I agree with pretty much every word of this; though as someone who is an actual Loki fan.. and maybe to help give you an idea why this is repeatedly becoming a thing on more than your fic..

It's pretty likely that individual is a series fan, rather than an actual Loki fan. And there is, a very vast and documented difference; scientifically and otherwise.

The fandom in that Thor/Loki corner split as far back as Gagnarok being spat out as a clearly declared retcon of all films prior (including Avengers 2012, TDW, and yes Thor 2011 too) for both main characters, Bruce Banner, and a very poorly mishandling of Valkyrie's introduction as an unapologetic slave trader that; was never fixed or resolved in any way, shape or form: and instead lauded and made much worse between gen fans and the creators that followed in Taika's footsteps to do so.

As a result? The current "Loki" character in the MCU, has been turned into a literal meme of his former self: just as a start.. and the Loki fandom is split between actual fans who know and recognize that, and the anti-fans that the show was aimed to keep after taking our money, along with theirs.

So.. sorry you have to deal with that kind of snide comment; especially in a fic very clearly tagged as being in the Barnes/CA fandom (I adore the complexity and consistency of his character even pre-IW myself and agree the cap&rogers story got left on the floor with EG's crappy end production calls in particular.. ugh) but yeah.. with how some of the pro-series goons are especially, I do feel have to point out that their user name and claim being a Loki fan especially under this context is a pretty big red flag that they're -that- sort of "fan" who not only agree with the very similar narrative presented in the mislabeled 'Loki' titled series?

But obviously has no issues not thinking about what they did see in that series or the blatant on screen glorification of abuse, torture, and lack of accountability for any of that in that dumpster fire they slapped the character's name on to draw in viewers. Never mind apply facts over bullshit anywhere else.

Actual MCU Loki fans do still exist, especially around here on tumblr; but I can tell you that ao3 user very likely is NOT one of them.

"Loki" Series fans (or Bob: the Accountant as I often call it and some refer to it as the Larry Show if those examples tell you anything about how little current canon: including the insane take on what 'narcissism' and 'self-centered' is probably coming from) are for the most part a particularly toxic breed of pretenders in my experience.

Again, sorry you had to go through that; and the likelihood of that toxicity being spread and bleeding over into your fandom as a result of the BS Loki fans have been dealing with for 5+ years.

Believe me, actual fans of Loki as an MCU character (and Thor too for that matter) are just as annoyed, frustrated, exasperated, and irritated at things like this as you might be and probably are.

This rather unpleasant comment turned up on my recent meta and I don’t want to start a fight (with a guest account, no less) on AO3, so uh, sorry Tumblr mutuals, here's my 1000 word rant.

Like okay, maybe my writing sucked and gave you that impression. The whole point of that meta was to tease out why he said the "I'm invisible, I'm turning into you" line despite it seeming out of character. And the reason it felt jarring was because we don't expect Bucky to be someone who says that. As opposed to, say, Tony-Manchurian-Candidate-Stark.

Disregarding why you thought it appropriate to leave a comment bashing Bucky when the story has "Bucky Barnes" tagged all over it, and why you'd conclude he's self-centered when he spent my entire meta worrying more about Steve's safety than he did his own, how do you watch the movies and not see that Bucky is one of the least self-focused people in MCU canon?

During much of his very limited screen time he's either being forced into certain actions or has absolutely no autonomy, but the few times he's had the ability to choose, he's never centered himself in that choice.

Here's 15 instances Bucky put himself last. Because I'm that annoyed.

1) He waded in to fish Steve out of the back alley and fought off the bully, and it's suggested that this happens frequently -- like, are we just going to dismiss this because Bucky is bigger than Steve? There are plenty of people who would have stood back or would have waited until help arrived, by which stage Steve would be in hospital.

2) He spends his last night before shipping out setting Steve up with a date, then half of that double date chasing after Steve and arguing with him because he was worried that Steve would either get arrested or successfully enlist and get killed. He didn't ask Steve to make this night about him, while a more entitled person would have because it was his farewell and not Steve's.

3) His first words to Steve when Steve untied him from the gurney was to ask Steve "Did it (getting the serum) hurt?" Even when he was the one barely able to walk.

4) "No, not without you!" even when the factory was exploding around them.

5) Despite being captured, tortured and experimented on, he didn't even hesitate when Steve asked him if he was going to be part of the team. I even covered this in my meta, he's tired and he's disillusioned and he just wants to get away from the war, but he doesn't because Steve asked.

6) He picks up the shield when Steve was down and moves/shoots to draw the Hydra agent's attention away from Steve and towards himself, which results in him being blasted out of the train.

7) He offered to move in with Steve despite the stigma around tuberculosis (and being poor and Irish and sickly) at the time.

8) The line that made Bucky break out of 70 years of brainwashing. It wasn't when Steve called him Bucky, it wasn't when Steve said "Your name is James Bucky Barnes", it wasn't when Steve said "You're my friend". It was only when Steve said, "I'm with you til the end of the line" because that was the oath of companionship and service that Bucky had made to Steve. The line wasn't about Bucky, but about what Bucky had promised to do for Steve. Like. This alone should prove my point.

9) He pulled Steve out of the water holding onto Steve with his one good hand while his other arm was broken (how did he even swim), even though he knew every moment wasted would put him in danger of being killed or captured, even though for him everyone was now an enemy. Despite all this, he pulled Steve out of the water and waited to see that he was breathing before he left.

10) Faced with an entire kill squad in Bucharest, Bucky still stuck to his rule of trying not to kill anyone.

11) His first words when he came out of Zemo's control was a horrified, "What did I do?" Instead of, you know, self-centeredly focusing on how horrified and upset he deserved to be that he had his autonomy ripped away again just when he thought he had been safe for two years.

12) He willingly went back to Siberia with Steve to stop the other super soldiers, despite it being the place where he was held, tortured and mind-wiped, and despite it being the place where he was made into a training puppet for the other soldiers.

13) Even injured and with his arm severed, Bucky grabbed onto Tony's foot to stop Tony from blasting Steve in the chest.

14) Bucky choosing to go back into cryo because he's afraid someone else with the Code Words will use him to hurt people.

15) Despite being in retirement, he took one look at the vibranium arm and all he said was "Where's the battle?"

I'm stopping here because I refuse to recognise EG!Steve and I also have trouble accepting TFATWS!Bucky's arc as canon.

Like, I know MCU writers are pathetic at sympathy, but I never expected the same from someone purporting to be Loki's fan, of all people. To call Bucky's singular snide remark "pity party"? Bucky did not, for the entire CATFA, complain about his 2-3 years of war experience (and if you haven't been at the frontline then please don't even attempt to belittle how horrific it had been), nor did he complain about the forced labour they had been put through in Azzano or the experiments Zola did to him on that gurney. Bucky also did not, at any point after CATWS, talk about the horrific experiences he went through under Hydra, nor did he ever ask anyone to give their attention to his pain or his trauma. His "I'm turning into you" remark is literally the closest he came to making it a "what about me" moment, and my meta was about why he emotionally came to that breaking point. Not once since that moment did movie!Bucky ever try to take a moment and turn it into something about himself.

And just to finish off, acting in self-interest is normal human behaviour on the spectrum of self-preservation, but that isn't even the pattern for Bucky. Bucky has always focused his choices on making life easier or better or more right for Steve. Bucky is not self-centered, but he is most definitely Steve-centered, and on that point I will accept no objections.

[relaxxattack]

okay so i don't want to particularly call out these kinds of headcanons as bad. but they highlight a specific fandom trend ive seen for ages so here goes:

the extended zodiac is not alternian canon, nor zodiac.

i know that's brash for a lighthearted official personality quiz. but i've seen this zodiac presented frequently as the End All of trollsigns -- even claims that all trolls MUST derive from these 288. this is a complete misrepresentation of original canon.

first, obviously, the notion that your personality is determined by your caste is literally just what troll racism is, so the canocity of this test claims racism as truth. second of all, the traits are not even accurate to the trolls we DO see in canon- they're pulled from western zodiac.

the zodiac's also determined by lunar sway; nonsense because alternian trolls don't have lunar sway. it's a "moon a sburb player dreams on", and none of these trolls are sburb players. (i also feel like this should go for aspects, though that is a more controversial opinion)

so yeah, the extended zodiac is inaccurate and purely just fandom sburb personality-type nonsense. but does that really make it noncanon? plenty of stuff on alternia is nonsense.

except... homestuck trolls don't believe that signs are a zodiac that determine their personality.

not only is the idea of signs being related to some sort of personality zodiac never once mentioned by a troll, but the signs are frequently tied to other things that have nothing to do with personality. kanaya equivalents trollsigns to signatures, and later vriska explains the concept to john as being similar to a family crest, bemoaning that trolls have to do much more searching for clues or their ancestry than humans do. cronus also refers to his sign as his signature.

virska does use the phrasing that trolls who have the same sign "have a lot in common", but she also does this explicitly in the context of explaining to john how troll ancestry works, as hussie further notes in the commentary of that page that signs are included in physical/genetic characteristics trolls look to for ancestry clues. even hiveswap, which wants you to believe in the zodiac, concludes that signs are specific to troll surnames and that there are signs outside of it. multiple trolls in homestuck have signs that do not appear in the extended zodiac.

the extended zodiac quiz ≠ the alternian sign alphabet.

alternians wouldn't know what aspects or lunar sways are, nor have personalities equivilant to their signs (feferi and meenah are right there). deciding that trollsigns = personality test is a purely human concept that comes from our western zodiac.

but you know what alternians DO have?

THEY HAD THEIR OWN FUCKING CONSTELLATIONS AND ZODIAC. FROM THEIR OWN CREATORS. THIS WHOLE TIME.

where are the headcanons about troll's placements on THAT zodiac?

[nkjemisin]

Hello NK Jemisin! I'm a huge fan of yours, and I wanted to thank you for writing all of the books you've written, and doing all that you do. You're really awesome and you are doing important work! :) I had a long question, if you have time to answer! What's your commentary on creating fantasy cultures, using real ones as inspiration? You've done this before in your stories, and I wanted to know if you had any guidance on doing it well. I'm writing my first novel right now (fantasy!) and am dealing with a surprising amount of guilt regarding using real cultures as a basis for my fake ones. On one hand, I want to create a really unique fantasy world, not the bog-standard European stuff. It's not only more interesting to me, but I also admittedly want to use my story to help introduce people to concepts that might be helpful in the real world, help readers understand what these real people go through and perhaps inspire change. On the OTHER hand, I don't know if it's 'my place' to do so (I'm Black btw, but I'm not just writing about Black-coded fantasy characters). And I'm worried about representing people in a harmful way, even if it's by accident. I'm even hung up about names! Should I use names from real languages related to the cultures I'm inspired by, or should I just make them up to emphasize that, while yes these people are clearly inspired by real cultures, they are ultimately *their own* thing. I'm really conflicted on this and am hoping you can offer some feedback and/or commentary. Sorry for the long ask. Either way, have a great day and I look forward to whatever work you do next!

If I can rephrase what you're saying here, it sounds like you're concerned about cultural appropriation -- specifically, which cultures you get to "borrow from" and "remix," how much remixing you can do before you've done damage, how to depict people from cultural backgrounds other than your own, etc.

If that's what you're asking, then there are whole schools of thought on how to "appropriate appropriately." A lot of thinking on this has evolved in the past few years, for good and for ill; Own Voices, for example. (The short version: the Own Voices hashtag movement started as a grassroots attempt to get marginalized voices telling the stories of their own cultures, because there's been a nasty trend of only white/Western/Anglophone/etc. authors publishing books about those cultures. The problem? Some publishers and readers started acting as if marginalized writers weren't allowed to do anything but stories in their own cultures -- a restriction, instead of an inclusion/correction. Worse, publishers, etc started using it as a marketing shorthand, in ways that were just... not good. They made it weird, basically.) But I'm still fond of the approach that's in Writing the Other, by Nisi Shawl and Cynthia Ward. It's centered on ethnicity/race, but a lot of its approach can be extrapolated to culture. There's too much good stuff in this book to summarize it easily, but you should read it instead of a summary anyway -- it's short.

I don't see the point of guilt, when it comes to something like this. Guilt is what you feel when you've done something wrong, and admiring another culture enough to want to tell a story featuring it isn't wrong. However, there are things you need to do -- research, conversations, considerations of power dynamics -- to reduce the harm you might end up doing by telling that story as an outsider. And note that no matter what you do, though, you might still end up doing harm. (Even people writing about their own culture can end up doing that.) If you fuck up, apologize, figure out what went wrong, and try to do better next time. That's really all you can do.

And then write whatever the hell you want. There's a persistent pressure on Black writers to only cover certain subjects, certain settings; nah. We get to have range, too. You've just got to put in the work to do it well.

Good luck.

[yenqa]

ADVANTAGES

in which…

on jay’s live, fans point out a stuffed animal on his bed, one that seems to be the other piece to your notorious missing pair. as imaginary pieces start to connect for fans, the viewers beg for some kind of interaction. and though you and jay have never met before, why not use this situation to your advantage?

warnings : crying, panic attacks, depression is depicted but isnt really said, lots of bad self talk, food/eating, having no appetite, just lots of bad mental health talk and depictions, hurt/comfort, god this chapter is PACKED

wc: 1829

i’m sorry that i couldnt be your teenage dream.

not proofread!

☆

It had been a week and a half since you had seen anyone.

Well other than the cashiers at the local grocery store but that made you look even more pathetic. 

You haven’t been well, at all.

It was a horrible sight, honestly you couldn’t even look at yourself in the mirror without cringy. You had no productivity and had planned to do nothing for as long as possible. 

You were surprised your body hasn't exploded yet, since all you had ate was instant ramen or the three meals you could cook total. 

Today was one of the worse-r days. Three hours into the new day but your mind couldn’t seem to sleep one bit.

You had zero appetite, your room was a mess, it was worse that you couldn’t even sleep away the days even though you were so tired. Your eyes were glued shut at night but your body couldn’t stop fighting the feeling of sleep. 

So here you were, eye bags almost able to give the color purple a run for its money, and so puffy it felt like a balloon was stuck in there. But your eyes hadn’t shed any tears, instead you felt like nothing. Like you were just floating around with no purpose or any feeling at all.

The empty feeling in your head made you unable to do anything but scroll on your phone, letting hours after hours pass by rewatching your favorite show at least a billion times. It seemed like the world had gone gray, like the world was ending and you were the only one feeling it.

A part of you screamed at yourself to get a grip, to stop being so dramatic and realize there are still good things in life. 

You tried to get better, you really did. You had researched on how to get over this drought but you never could. So every night you would lay in your bed, trying to figure out what was wrong with you.

Mornings have always been your least favorite part of the day. But it seemed to get worse with every second that passed. 

Realizing you still had a whole day ahead of you seemed utterly impossible to finish, but still you would reach your hand out to the finish line, only to miss every time.

You had six hours until it was the appropriate time to wake up. You couldn’t call anyone for help, you couldn’t text anyone in the middle of the night. It was your burden, so you had to keep it to yourself and hope and pray it washes away over time.

Your phone has been your only sense of livelihood during your dull days. If you had been wasting hours after hours at least you had been doing something. 

Before you could think of the consequences, you had thought of searching yourself on the internet, just for fun. You clicked on the first source, hoping that someone would see your side of the story.

No it was not fun–you wish you could warn yourself because the title of the article read; “All you need to know about Y/niora and why she’s trending”

We’ve all seen the names “Y/n” or “Y/niora” trending on X, who is she? Some might wonder. In this article I’ll be going over everything she’s done wrong, and why fans hate her for it.

Y/n is a popular streamer on twitch, known for her funny commentary and her boyfriend Jay, but recently she’s shown a darker side to her.

Her boyfriend, Jay, is also a twitch streamer, a much more popular one at that. He’s known for his good looks and his random reactions that have us crying with laughter, but why would he date a nobody like her? 

If you’ve seen Y/niora’s X account, you can see that she posts provocative photos of herself, things that only lead to temptations of male fans. Fans speculate this is the reason they met, saying that she seduced him and used him for money, fame, and views.

If you know anything about streaming, you know BlueJay and his friends. Who stole the internet's hearts with their looks and cute personalities. But things start picking up between Jay and Y/n when she posts their matching stuffed animals, officially presenting their relationship to the world.

This seems to be a bad move on Y/n’s part, as her facade starts slipping through and we get to see her for the calloused person she is. 

She continuously shows her disinterest in anything he’s saying. Making him repeat everything he’s said to her. This strikes up the question, does she really care about him or her fans?

Arguments of this exact topic have been trending among fans, some saying

You closed your phone before you could read anything else. Flipping your body over you could feel tears start to form in your eyes, your vision goes blurry and your breath starts hiccuping. 

Wiping your wet cheeks, you start to panic when you feel like your throat is closing up, placing your hand on your chest to try to calm yourself down. 

That clearly doesn’t work. As you swear you can feel the walls closing in beside you. In a last effort to stop your ugly sobs, you open your phone once more, your breath quickens when you open the phone app, calling the person that you need the most right now.

The ringing on your phone shakes you more, “Please answer, please answer, please answer.” You croak out desperately, glancing at your window to realize it’s the middle of the night, and he’s probably getting the nice sleep he deserves. 

Unlike you who only makes things worse, and can’t even get a wink of sleep at night.

You sob harder after the fifth ring, realizing that he’s not going to answer. And you have to do this on your own–

“Y/n? Are you okay?” His voice brings relief to your ears, that’s until you realize the state you’re in. 

“Jay I’m so–so so sorry for calling you this late.” You rasp out, “I just don’t know what’s wrong with me, I can’t stop shaking and crying, I just–fuck” Bringing your hand up, you grab a fist of your hair, not knowing what to do or say.

“Are you at home?”

“Yeah, I am.” You choke through, words barely coherent.

“I’m coming. Stay there, okay?”

“Okay.” 

His tone is so soft it scares you. How could he be talking to you so sweetly knowing the mess you made? How could he be talking to you so sweetly knowing that you are burdening him at such a late hour?

Your throat tries its best to keep your hammering heart inside your chest, but it closes up, your breath is so uneven you're not even sure you’re breathing at all. 

That is until you let out a soft apology into your phone, but it’s covered by your staggered breathing, and the sound of you stuffing up your snot back into your nose.

The silence coming from him is apparently meant to drive you insane. Because the nausea of it all starts to get to you, your condition is crippling so you can’t even move from your curled up position on your bed.

You can hear your door slam open, eliciting a strong flinch from you. 

Your heart seems to be racing too fast for your liking, almost like it’s fighting to get out of your chest. “Jay?” You mutter, as you can see his dark silhouette standing through the doorway. 

Before you can actually decipher if the man is actually Jay or just some random burglar who found your spare key, you feel his arms wrap around your body, tucking your head into the space between his neck and shoulder. 

You conclude that it’s Jay’s warmth you’re feeling right now.

For a second you feel safe, for a second you feel like he’s just hugging you, not because you are literally having a panic attack. 

That snaps you back into reality. God were you really having a panic attack over an article? That you chose to read? 

Feeling your chest tighten and your eyes water up, you tuck your head impossibly deeper, letting your tears and snot get all over his shirt. 

It’s grossing you out how you can physically feel his shirt dampen with your tears, but you’re too focused on figuring out how to breathe rather than the mess you made on his shirt.

“You can let it out, or you can just cry, I don’t mind.”

You sob even harder than you were before.

He’s so warm. He’s so warm. And you have no idea why it’s the perfect descriptor for him. 

“Jay,” You mutter, being muffled by his shoulder, “I’ve ruined everything.”

His arm rubs your back gently, “You haven’t ruined anything, pretty.” He whispers, talking like if he speaks any louder you’ll crack into hundreds of pieces (you actually might but that’s not the point).

“I have! You can’t even deny it without lying,” You hiccup, “I mean—I’m trying so hard, but I can’t do anything right.” You pull your head back to look up at him.

He stays silent, letting his hand cup your face, wiping away any tears that fall down.

“And I’m so tired. I’m so tired of doing everything I can but still being hated for not doing enough. I mean who wouldn’t? I can’t even cook a proper meal, it just goes to show how hopeless I am.”

“Y/n you can’t possibly think about yourself.”

“I can because it’s the truth.”

He tucks your head back into his shoulder, “Y/n, not being able to cook a proper meal is okay. Some people never learn how to cook an egg.”

Your breathing calms down slightly, you let out a small chuckle, trying to stay forever in his warmth.

“I’m sorry for calling you here so late, I know you’re tired from streaming or something.”

“I could never stay away from you for too long, even if it’s in the middle of the night.”

Letting out a breathy smile, you look back at his face, a small smile spreads through his face looking at you.

Your eyes were tired, for the first time in a week your body was tired. “I’m going to go to sleep. Thank you, Jay, seriously.”

He gets up from your position, you feel the absence of his warmth even though he just got up, he’s about to walk out the door when you build up the courage to ask, “Can you stay? Just for tonight?”

Looking back, there's a smile on his face as he replies “Always.”

Walking back to you, he lays himself under your blanket, tucking you in before wrapping his arm around you, he pulls you into his chest.

And for the first time in what felt like forever. You fall asleep, in Jay’s arms.

☆

back masterlist next

yenqa > um title is reference to teenage dream by olivia rodrigo! umm hope u enjoyed while i ripped my heart out and put it in my writing… thanks!

taglist (CLOSED): @yeokii @hanniluvi @euncsace @jongsiemain @mrchweeee @fakeuwus @ashy1um @rikisly @filmofhybe @nwjws @yizhoutv @soov @tocupid @tzke1ta @yannew @manooffline @mars101 @haechansbbg @enhaz1 @teddywonss @en-happiness @kim2005bomi @be0mlvr @luvswonyoung @flwoie @lilriswife4life @nicholasluvbot @ikeusol @lylovw @alwayswook @astrae4 @choi-beomgyulvr @aishigrey @infpistj @jiawji @planethyuka @mari-oclock @222brainrot @jakevascaino @rory-cant-sleep @hyehae @vixensss @hearts4hanni @kgneptun @tongtongie @www-jungwon @lovejunz @fluerz @jiyeons-closet @nyuzip @leehanist @heerinnie @eneiyri

yenqa © please do not copy, steal or translate.

[marzipanandminutiae]

Do you have any examples of Ye Olde Pixie Cut? Asking for a friend

You can have a whole video about it, in fact!

this interests me particularly because it's not focusing on illness, androgyny, dress reform convictions (although she does mention that one- gotta love the prescriptivism going back the other way re: the supposed "dangers" of long hair </s>), or politics- it's an example of feminine-presenting women having short hair by choice because they presumably thought it looked nice, as happened in the early 1800s and the 1920s and today

Ye Olde Pixie Cut, indeed. I also love the commentary from some butthurt man wondering who would want to stroke these women's hair. oh no...imagine stroking the soft, silken curls of some of the women in the photographs...imagine pushing locks back from their noble brows to plant a kiss...that just sounds so awful; give me the time machine coordinates of their locations so I, as a lesbian, can avoid them extra-hard

and my personal favorite post-Coiffure A La Titus example: this portrait of Josephine Niehaus by Frank Duveneck, c. 1885 (Cincinnati Art Museum)

(I'm assuming her hair isn't just up because side parts weren't popular for long-haired women for another decade or so, but some women with short hair did adopt them. and hey, that's from 1885 not too terribly far from Chicago! just like the trend Nicole Rudolph mentioned!)

[dailyadventureprompts]

Hi! I really like your other takes on Underdark races, and wanted to ask if you had any thoughts on improving grimlocks? Beyond the permanent blindness they have and the whole being humans who adapted to the underdark, there doesn't seem to be a whole lot else done with them.

Monsters Reimagined: Grimlocks

Would it surprise anyone to learn that a d-list d&d monster has It's roots in 1800s ideas about eugenics and bad adaptations of genre fiction? No? Then you've been paying attention, top marks.

Asker is absolutely right in their assessment that there's not really much to grimlocks. They're one of many "hostile tribal primitives" that have filled out the monster roster ever since the original developers lifted them en mass from the pulp adventure stories they grew up reading.

A common theme among these pulp works and the early scifi that inspired it was devolution, the idea that a people could degrade from greatness back into an animistic nature. The most well known pop culture example would be HP lovecraft's deep ones, where the author's fears of race mixing manifest as monsters that literally push humanity back down the evolutionary ladder to the stage of fish.

There's plenty of different ways to explain the origin of this writing trend, but I like to chalk it up to an anxiety resulting from the widespread acceptance of Darwin's theory of evolution by a society that believed wholeheartedly in scientific racism. If intelligence (read: whiteness) wasn't just a god given right but was infact inheritable, then it could also be disinherited, bred out of a population whether by on purpose or by accident. This made it so important to practice good breeding (read: eugenics), to preserve the pure stock from falling to degeneracy (read: miscegenation) and introducing undesirable traits into the genepool.

We can see fear this with grimlocks, humanoids who were inherently lessened by their "adaptation" to life underground, losing their intelligence and eyesight and descending into a state of barbarism. Given that this is one of the few d&d monsters that mention evolution at all, we can trace this feature to their likely inspiration: The morlocks in H.G. Wells' Time machine, published a scant 36 years after Darwin published The Origin of Species.

I'm not well read enough to know whether Wells pioneered the idea of subhuman descendants, but I can say that most of his imitators missed the point of his writing: Wells saw in his day an increasingly indolent upper class inflicting brutal and dehumanizing labour conditions on the poor to support their own carefree lifestyle. He satirized this in his book by showing that while the descendants of the rich had devolved into beautiful, useless, idiots, the descendants of the workers devolved into subterranean ape-things who maintained the machinery that allowed the eden like existence of the rich while farming them for meat. Say what you will about Wells' race politics (Neither degenerate fop or inbred ape can withstand the smarts and strength of the enlightened colonial Englishman) but his writing was specifically class continuous, and the brutality of the morlocks was a direct result of the exploitation of working people in his own day and age.

When the morlocks were adapted into the grimlocks , the d&d writers kept their canibalistic streak but specifically removed their class based origins as well as their mechanical knowhow. This is a near identical process to what happened with a creature the worlocks helped inspire: Tolkien's orcs, which were likewise turned from a commentary on the brutality of the industrial age into warlike primitives. It's a bit of a trend.

If you wanted to "fix" the grimlocks I'd go one of two ways:

If you want to engage with themes of primality, make them legit underdark dwelling primates/australopithecus type of creatures, just figuring out tool use and language. Make the rumours of them being descended from cave-exploring humanoids a common myth made up by surface dwellers.

If you want to get spicy about it though, give them back their mechanical aptitude and maybe mix in a few more dashes of pulp "lost civilization" ancient aliens nonsense. Have them dwell in great mechanical complexes beneath the earth, worker drones who've long outlived the creatures that enslaved them and scribed mechanical knowledge into their very being. Originally denied understanding of the machines they toiled to build, work, and maintain, the grimlocks jealously guard the science they've spent generations reverse engineering, giving them the reputation of being violently territorial for those underdark travelers who venture too close to the megastructures they inhabit.

Artsource

[fandomfucker]

💳 💥💳💥💳💥💳 Rhea Ripley social media posts / talking bout her girlie in interviews part 2 pleaseeeeeeeee 🥵🙏

I mean, if yall are insisting…🤷‍♀️

For the purposes of this, you're not a wrestler

Part 1: https://www.tumblr.com/fandomfucker/745782885181734913/do-you-think-you-could-do-one-for-rhea-were-its?source=share

Also, currently getting my first tattoo as I write this so please ignore any possible grammatical errors

With the ass video going around, you’d repost it with a “😋🍽️” caption and she would immediately repost it with a “🙇🏻‍♀️🍑🍽️” or sum shit to rile up the fans

You don't have a hug social media following yourself, but they do often ask for more content. Specifically outfit of the day(s)

You make Rhea do them with you because she makes you feel more confident and in every video you can see her just staring at you in the mirror the whole time

I've already said Rhea will bully people off the internet for being me to you. But you? Oh my god you’re worse than Rhea is

If one of her co-workers says something even slightly unkind about her in an interview (Becky👀) you will go with Rhea to her next show and find them backstage

You don't even wrestle or fight but Rhea has had to pull you away from multiple people now because you will fight anybody and everybody for her

One of said fights happened to go viral online, no punches were actually thrown as Rhea had dragged you back first though

People online either loved the love between you two as a couple, or wished they had a partner absolutely willing to throw hands will someone over them

Rhea would do your makeup for videos and she'd always do her makeup on you to see what it would look like

She also does voiceovers on your own makeup videos, or a day in the life, or something

The fans always eat it up too cause Rhea's commentary is hilarious

Whenever you're backstage and Rheas going to take photos, she’ll ask you to do the shoot with her so that her fans, and yours, can get sexy pictures of you both to thirst over

Totally not because she loves seeing you both look like that and wants a picture for her lock screen

Rhea started a war of bad facetime screenshots between the two of you on Instagram and you're determined to win

To the point that you have called people to interfere in the background while Rheas at work to get a bad reaction photo out of her

She's too proud to admit it, but it's worked several times

Your tiktok has pretty much become a house reno account

You build all the furniture and shit, make the cool decorations and put them up, paint, do everything yard-eorl related while Rhea picks out what's pretty and the pretty colors

She'll also help you carry heavy stuff around cause she's jacked and you like watching her work but she mainly kinda just like, flounces around

The fans are dying for the two of you to have a show on HGTV together

Which may or may not be in the works

SCARY DOG TREND

It went VIRAL

that's how most mosherz were introduced to you as Rhea’s partner

You started vlogging, though not very often, just so that you could have the permanent memories of all the different experiences between you and Rhea

You only post like once a week but people eat it UP

You have your own merch now

Most of its the two of you but there is a shirt or two thats just one of you

There are mercy plushies of both Barry and Luna that you always have to put up for pre-order cause they sell out in seconds

Clothes for said plushies are in the works

She posts little video clips of you on her story the same way she does her dogs

And it's always the embarrassing ones where you're completely cuddled into her and shit

She got Saints of the Undead (the people who make her leather jackets) to make you a personalized one as well even though you don't wrestle

It's your favorite thing in the world and you wear it more than you should

Like it matches with nothing that you're wearing it with

But, it says “Mami’s” on the back of it so you make sure to wear it especially when you go with her to Raw, Smackdown, any povs, etc so that people know you belong to her

[eyesteeth]

if they make a modern version of the truman show i think it would be fun if it wasn’t a remake (doomed to fail at capturing the very specific style of the original) but instead was treated like an in-universe reboot that’s been updated for the modern era. other fun stuff could happen such as

fandom commentary: conflating real people with the roles they play, parasociality, etc. there was tackling of that in the original with the people sneaking onto set, but i think it could be modernized for fun. a popular youtuber is allowed to film a vlog on the set and almost gives away the act. people form theories about the “truman” online and then other people go “okay but this is a real guy. you’re theorizing about a real guy’s life. what is wrong with you” and absolutely wild internet drama goes down.

queer characters as commentary. perhaps an in-show character is queer but barely present, and it forms a commentary on tokenism. or an actor character is queer playing a non-queer role and it’s a commentary on censorship. maybe even the “truman” of the show is queer and it causes the studio executives to flip because they can’t have america’s new darling be an icky queer!! no way!! (personally i think trans woman “truman” would fucking rule. such a rich soup of potential there) (there is no fucking way an american movie company would let this happen btw. but it would be cool)

media commentary in general. this would also trend close to og i think because of Hollywood still being suspicious as hell, but it’s still a fun space to play in. “Fifty Years Ago, A Man Was Born On Television. Today, They’re Doing It Again”. a whole media circus about whether or not it’s ethical. protests and boycotts but the showrunners are so overwhelmingly rich that the show stays on the air.

probably too niche but comparisons to “influencer families” could be made i think. putting a child in front of a camera since birth and all the issues that come with that. the surveillance state hell we all live in with a smaller media hell panopticon that’s less universal

it would likely have a bleaker ending though. technology has improved since the original truman show. he got out. he was never meant to get out. this new truman won’t get out. not as long as the show is running. honestly it would be funny if the ending was like. show got cancelled. and they let “truman” out into the world, completely unprepared. but they’d make their way, somehow. they have to.

granted if they do end up doing a truman show reboot it would probably be, fucking awful. but if it was handled by someone who actually gets that it’s a horror movie and not a comedy, i think it could be something special.

now let’s all hope i didn’t speak the most soul-sucking hollywood-missed-the-point movie of all time into being

[maybe-boys-do-love]

Finished Last Twilight, and I'm not adding to the ableism discourse, because most things have already been said and with a lot of beautiful nuance that I agree with. But I do want to talk about how that ending arrived because of Aof Noppharnach's consistent symbolic commentary on the experience of living with HIV in much of his work, with an approach that's unique among all queer content. Imma skip Gay OK Bangkok since its not even a metaphor there, but I'll explain my rationale for the others, and we can just appreciate the foundation Gay OK Bangkok lays for us to think about the rest of his stuff.

The motif of life-saving medical intervention comes up in all but one of the works he takes screenwriting credit on. He's Coming To Me: P'Med dies originally because of a lack of medical intervention. 1000 Stars: Tian gets a heart transplant. Moonlight Chicken: this one's more subtle, but the whole series is explicitly established in the context of reopening following the COVID pandemic, and Wen will later say to Jim, "we are survivors." It was this line upon rewatch that made me start considering how thorough this theme is. Survivors of what? The meaning is three-fold: hard lessons in love, COVID, and, for gay men of their age, the HIV epidemic. The hope of medical intervention for Day's condition takes on a secondary meaning, with this trend in mind, even if the mixed disability politics between visual impairment and being HIV positive really fails.

His comparisons are more intricate though. Pills and daily regimens are a consistent motif. Day has his daily eye-drops, Tian his pills (which are presumably immune-suppressants to help accept the transplant but I'm not going to Viki right now and watching every ep to find out so someone feel free to correct me). 'But people take medicine for lots of things,' you say. 'Just because its gay doesn't mean its an HIV metaphor!' You have a fair point! But here's where Aof gets real fun and sneaky. P'Med dies from lack of pills the same year Torfun, whose heart will save Tian's life, is born, 1997. I'm mentioned once before 1997 as important for the class-conscious Aof because of the Asian financial crisis that Thailand set off that year. However, 1997 is also important because its the year HAART, or Highly Active Anti-Retroviral Therapy was first used in Thailand (it had hit the market only one year earlier). HAART, a multi-drug regimen, boosted someone's life-expectancy with HIV up by 15 years, and its side-effects were significantly milder than previous approaches. The medical conditions of P'Med and Torfun's heart point us directly to HAART, and what it could offer.

Now we're moving out of the medical and into the experiential connections because, while Dark Blue Kiss is the only work Aof chose to take credit for screen-writing without incorporating medical references, it is by far the most dense with references to the issue of concealment. Its in the narrative as people closet identities and hide relationships, yes, but its in SO much of the visuals, too, most obviously the Pete & Kao mug hidden inside its coozie. It's easy to see the surface story about gay visibility and the closet, but there's a more specific subtext here about the associated condition that intensified the stigma of being gay and how that impacts your sense of self. Bad Buddy explores this issue less, but even in the BL Bubble, its haunted by the stigma of homophobia--it just shuffles it over onto rivalry so the audience can experience it without reproducing it.

However, the grief and shame of surviving when others haven't haunts Aof's other works much more intensely. Jim and Tian both are hung up on guilt for someone's death that they did not actually cause, continuing to pursue the goals for those that passed rather than their own. Then, there's Thun and P'Med, which is the best allegory for living and dating with HIV, bar none. It goes into the feelings of stigma and the limits of physical intimacy with partners that living with HIV caused, especially prior to Truvada's introduction in 2004. Even then, the show depicts how a HIV negative partner maintains the choice to participate in their own regimens, as Thun's desires for physical intimacy with P'Med manage their relationship and never the other way around.

This sense of required separation and gay identities that are less sex-focused also play into oft-maligned motifs in Aof's work. He's talked explicitly about people's criticisms of the limited physical intimacy in his earlier works that led to the more prominent stuff in Bad Buddy, but I hope given the above context, we can appreciate why physical intimacy is less of a priority than other kinds (and I'd add that 1000 Stars, which got the most sh*t about it, is actually one of the most erotically-charged BLs out there because of it's restraint). Then, you have the finales where characters separate for periods of time, and while I don't see this as explicitly tied to HIV experiences (Aof is literally following the book of romcom beats there, even if everyone whines about it), I can't help but appreciate a tangential connection to loving beyond time and distance that was required for those who lived with or lost loved ones to HIV.

I would've loved to see a version of Last Twilight that didn't absolutely bungle its metaphor, because it had every element to be something great (except, I'm sorry to the fans, lead actors with the necessary queer romantic chemistry). Watching the last episode, when the show seemed to finally rediscover plot and pacing, all the other pieces that had been drowned out by the disability conversation peeked their heads out, and I saw what the show wanted to be. The topics related to living with HIV of stigma, survivor's guilt, and assistive technologies: they were all right there, not just for Day but for everyone, if only they had been given the proper time to marinate to develop more complexity. It's the rare instance of a show where I'll choose to spend time imagining what could have been rather than obsessing over what was or just moving on. Even a misstep from Aof, like this, is overflowing with so many more layers than most series. The failures of Last Twilight, in relationship to his other works, even let you see how much food for thought he's providing.

[ruegarding]

anyway here's my rant:

despite her comment in son, hazel doesn't have much adhd/dyslexia coding. her treatment at st agnes has more to do w being a black girl in the 1930's and her powers/curse than her possible adhd/dyslexia, considering she never mentions any symptoms specific to adhd or dyslexia in her backstory. the closest things are her interest in horses, which could be considered a hyper-fixation, and her flashbacks, which could be argued as daydreaming associated w inattentive adhd. furthermore, her powers could easily be used as a commentary on masking similar to the general attitude towards her vs other dead ppl (she looks alive, so she deserves to be alive, unlike all these other ppl who went thru the doors of death). overall, interesting set up, not expanded upon in canon.

similarly, the only time piper is ever implied to have adhd is in that boo scene, which doesn't hold much weight bc it's a general statement in an impersonal pov (as opposed to "piper was only able to keep track bc of her adhd/demigod abilities," still in third person pov, but a more personalized statement). this post began as a quest to answer the question "how does piper's adhd manifest," and the answer is "uhhhhhhhhhhh."

continuing w the trend, jason is never implied to have adhd or dyslexia at all. would have been interesting to see, considering jason has the whole gifted-kid-burn-out thing going on, but alas.

i'm not including the statement annabeth makes abt demigods typically having one or both and hazel's statement abt "just being a demigod," bc it's also established that it's not a requirement. the fandom wiki claims frank is the only demigod to not have adhd: if "just being a demigod" means that every demigod has adhd/dyslexia, then frank, inarguably, has adhd/dyslexia, as well.

more importantly, in a story where adhd and dyslexia are explicitly addressed and considered the cornerstone of the world building, i need it to be explicitly said that a character has adhd/dyslexia in order to give credit to canon (my personal hcs are a different story).

so, it seems like leo is the only one out of the lost trio w adhd or dyslexia, and it's only adhd. he frequently references things he's reading and shows no issue doing so, given that it's in a language he understands.

interestingly, leo claims "he couldn’t read ancient greek" in hoh, so it could be that the ease w learning ancient greek (and potentially latin) is exclusive to those w dyslexia. however, this has been as inconsistent as the actual dedication to giving demigods adhd and/or dyslexia. for example, chiron says the ability is "in their blood" in tlh w no mention of dyslexia, but in tlt annabeth says percy has dyslexia bc "[his] mind is hardwired for ancient greek."

the only character to bring up how dyslexia affects them in hoo is percy, making it seem like his dyslexia is much worse than annabeth's, the only other character who we know is dyslexic (from pjo, it's never mentioned in hoo). if leo is "seriously adhd," then percy is seriously dyslexic. something to be said how they're both treated as comic relief in fandom, considering.

frank not being diagnosed despite his dyspraxia coding could be used as a commentary on medical racism and the model minority stereotype. since frank is exclusively listed as the only demigod to not have either diagnosis and his dyspraxia coding eventually disappears, it doesn't appear that that was the intention.

moving to a more theoretical discussion, it's hard to say what is/is not definitively adhd/dyslexia symptoms, specifically using canon, considering we rarely see any of the demigods acting "normal." the majority of the time, they're on a quest/in an extreme situation. contrast w pjo, where we learn things abt percy's adhd and dyslexia while he's at school, a relatively normal situation, and then can apply it to the rest of the series. w hoo, it's almost all guesswork.

leo mentions that his adhd affects his memory, so we know that similar moments can be attributed to his adhd. but is hazel forgetting part of sciron's story a symptom of adhd or just a normal thing that happens bc forgetting things in stressful situations is normal? is jason's seemingly permanent amnesia a symptom of the memory wipe or is it exacerbated by adhd? is piper's aversion to feminine clothing and make up caused by sensory issues? we'll never know, bc they're never said to have adhd.

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.