#it's a TV series from the BBC

[red-dead-sakharine]

I'm still traumatized by this series

[snowfallnight]

I fucking can't with this show lmao

[velsim]

if I had a nickel for every time Sherlock Holmes decided not to persecute a heavy-game hunter for avenging someone they cared about, i'd have two nickels. which isn't a lot, but it's weird that it happened twice

[mariocki]

Play for Today: The Flipside of Dominick Hide (BBC, 1980)

"Complacent with your mission, Dominick? Amusing, the history of transport. We've made a modicum of progress: trips are regulated to microseconds, punctuality taken for granted."

"Yes."

"Why then were you two minutes late on your double return? Machine fault?"

"No. I'm sorry."

"I accept apology. Reason?"

"It was raining. Rain slows everything. I saw an old woman knocked down and I was checking how long before help reached her. The medi-car was blocked in progress, I think she died."

"So?"

"I thought it might be interesting."

"People are not your conspectus, Dominick. If you wish to study people, watch old films."

[britneyshakespeare]

sorry i just saw someone refer to the bbc as "the beeb." it's changed my life

[agir1ukn0w]

honestly it’s a wonder show runners aren’t having multiple breakdowns over writing character deaths with so many people on the internet threatening everyone in their immediate vicinity and themselves with violence if anything ever happened to their blorbos

[amberraymond]

Mrs. Brown’s boys tv series

[sapphia]

how many wga strike posts do i need to scroll past telling people where to find fresh content to watch before someone points out that america is not the only country that makes tv shows

[cowlovely]

whyyyyy of all the streaming sites do the new seasons of doctor who have to be on disney+ 😐

[matt-w-blogging]

I feel like a lot of people miss the point of Sherlock's charging-port-deduction when they poke fun at it.

Now, I'm not saying he's right or some genius (or that you shouldn't poke fun at the deduction), I'm just saying that the point of this specific observation was misunderstood.

Because yes, we all try to plug our phones in in the dark or without looking and miss the port a few times. But not hard enough to leave scratches in the metal. When I look at my charging port, there are no scratches there, because I use the appropriate amount of force when plugging in my phone, and I think most of you do, too.

However, when you're completely drunk, there isn't really an 'appropriate amount of force.' You will jam your charger into the metal around your phone port hard enough to leave visible scratches.

It wasn't that the phone's user missed the port; it was that they missed the port with enough excessive force to scratch the phone.

(Which, of course, doesn't even necessarily mean 'alcoholic'; it could just be someone with difficulty with fine motor skills, or who misjudges how much force they need for things, or wasn't wearing their glasses and got very frustrated trying to plug in their phone, or any variety of other scenarios)

[clownfessionsofficial]

Ghosts 🤝 From

[ladyelainehilfur]

kacchako pride and prejudice AU...I'm not gonna write it but if someone does hmu

[fuckyeahgoodomens]

WAHOOOOOOOOOOOOOOOOOO🥳🥳🥳❤❤❤

The third and final season of “Good Omens” will begin filming soon in Scotland.

“I’m so happy finally to be able to finish the story Terry and I plotted in 1989 and in 2006,” Gaiman said in a statement accompanying Amazon’s “Good Omens” Season 3 renewal announcement Thursday. “Terry was determined that if we made ‘Good Omens’ for television, we could take the story all the way to the end. Season One was all about averting Armageddon, dangerous prophecies, and the End of the World. Season Two was sweet and gentle, although it may have ended less joyfully than a certain Angel and Demon might have hoped. Now in Season Three, we will deal once more with the end of the world. The plans for Armageddon are going wrong. Only Crowley and Aziraphale working together can hope to put it right. And they aren’t talking.”

Amazon MGM Studios head of television said Vernon Sanders added: “’Good Omens’ has checked every box for a clever, witty, and funny comedy that not only made it a success on Prime Video, but also made ‘goodness’ watchable and fun thanks to Neil and Terry’s immense creativity. The final season is sure to be packed with the same dynamic energy that our global customers have come to enjoy.”

Gaiman, who has a first-look deal with Amazon MGM Studios, where he is currently working on his “Anansi Boys” TV series, continues as executive producer, writer and showrunner for “Good Omens” Season 3. Rob Wilkins of Narrativia, representing Pratchett’s estate, and BBC Studios Productions’ head of comedy Josh Cole also executive produce.

“Good Omens” hails from Amazon MGM Studios, BBC Studios Productions, the Blank Corporation and Narrativia.

[mariocki]

Shadows of Fear: White Walls and Olive-Green Carpets (1.8, Thames, 1971)

"Often, a man wants a girl as long as he can't have her. Then, when he's free to marry her, he has second thoughts. He thinks he could do better for himself: no hurry, shop around. It happens."

"Just like that, huh?"

"People do what's best for themselves. I've been let down before now."

"Often?"

"No one ever did it more than once."

[aretrothing]

it is 11pm and i have just remembered that the tripods are a thing

[uranodioningin]

This was way too long for replies so I'm commenting. Apologies for the avalanche of text. Also, apologies to my followers who will have no idea what I'm talking about or why.

Quebec is super racist, and those of us who live here are tired of tax money being thrown towards racist policies and shitty treatment of immigrants, forcing them to learn French under the least supportive circumstances.

It would be fantastic if some of that money could go towards expanding language learning, not just in terms of the classes available to people, but also low-stakes ways to practice speaking & listening; namely, TV/movies and fan spaces. As opposed to, you know, work. Where there are financial consequences if you don't learn fast enough. Streaming Quebecois French shows (yes Quebecois French, watching Parisian French does nothing to help you understand your Quebecois coworkers or clients) is an excellent way to offer that sort of learning & practice, and funding for such shows is a good thing.

It would also be fantastic for Quebec to put more support in indigenous language revival, as mentioned in the replies. I will just point out here that Netflix and Disney aren't exactly bastions of indigenous language revival, and asking them to offer Quebec-French media in Quebec itself is in no way taking away space for indigenous voices. Quebec's goal with this bill seems to be to stem the tide of Anglo-colonial media pushing down any and all diverse voices in online streaming. I don’t think that’s the best priority to have, and indigenous language revival should receive far more attention, but it’s not in and of itself a racist project to make streaming platforms offer media in the languages & on the topics relevant to the local consumers.

There is, certainly, a link between modern francophonie and white supremacy. If this bill is implemented fully (with that nonsense about temporary international workers needing to learn French, and [as mentioned in the replies] with less & less structural support and just plain time for that learning to happen) there will be negative shock-waves, most strongly felt by the linguistically disenfranchised (which is basically to say non-white anglophone & allophone immigrants). On this I agree with OP's view, that this bill is framed as "preserving" the French language when in fact over 50% of the funding is going towards making immigration harder for POC in a way that will in no way increase the ratio of francophones in the province. The streaming stuff is a good start, but it's tacked on as an afterthought, with the bulk of the bill going to good ol' QC racism.

I try not to be pessimistic, though. I hope it’s possible to build a future francophonie, built on values of diversity and acceptance and decolonisation. I am under no illusions that it will be easy to shape this future franco culture so that it includes none of the long history of oppression of French colonisation, but I believe it's possible, and more importantly, that it's important to try. To pretend that making a better future that includes all currently extant cultures of a region isn’t possible...to put it politely, it's a little grim.

And frankly, Quebecois-French TV and movies are a damn good tool for creating a new francophonie without the racism--IF the shows/films are made with anti-colonial values, with messages of acceptance and celebration of all Quebec's cultures, with an exploration of what makes Quebec be Quebec that extends beyond on parle français icitte tbk.

To end, I’m not saying “if Francos don’t oppress Native voices, someone else will, so we might as well be the ones to do it.” I’m not saying “Let's give all disenfranchised people equal support whether or not they face equal hurdles.” I’m not saying “French in Quebec is dying and we must save it.” I’m not saying “Quebec is better when it's French.”

I’m saying “There are anglophones and allophones in Quebec who want to learn French, but who lack the structural support to achieve that, and artistic efforts to support these people are a good thing.” I’m saying “Artistic efforts to encourage language learning can and should be implemented alongside academic efforts, and neither effort is being made with sufficient emphasis right now.” I’m saying “Asking Netflix/Disney/etc. to offer Quebecois media is a way of increasing artistic support for French learners (and positively shaping franco culture) without trodding down any other linguistic/cultural revival efforts.” I’m saying “French culture is a lot more than just being able to work in French, but currently there is little to no space in modern Quebec for francophone culture made by Quebecois artists for a Quebecois audience. Quebeckers seeking a cultural handhold find only the labour market.”

I’m saying “Quebec has a future and we want to actively shape it instead of being subsumed by the USA's cultural trajectory.”

I don't trust the current government, or any of the other parties contending for the next gov't, to shape Quebec into something non-racist. But if the revolutionary spirit of Quebec, its working-class history, its multicultural history, is stamped out by American reactionary politics, then the Quebec of 30 or 50 or 100 years from now is going to be so much worse.

Quebecers could soon see more homegrown content on streaming services like Netflix and Disney+.

The provincial government announced that it plans to introduce a new bill within the next year to force online streaming giants to add more made-in-Quebec media on their platforms. It was one of nine measures unveiled on Sunday under the province's plan to spend $603 million over five years(opens in a new tab) to protect the French language in Quebec.

Culture Minister Mathieu Lacombe did not provide specifics of what would be inside the bill. [...]

The new funding will be aimed at nine priorities outlined by the government to boost the status of French. More than half of the money — $320 million — will be earmarked for ensuring temporary international workers speak and learn French. After immigration, culture is poised to get the second-largest chunk of the funding, at $187.3 million. [...]

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Tagging: @newsfromstolenland, @vague-humanoid