#it'd probably be a bad idea

[bloopgirl]

ok maybe i was a bit too quick to say that "i'm kinda over my ex". yesterday i saw her for the first time in a week and yeah it's uhhhh yeah

but at least my brain isn't just fixated on her all the time now so it's an improvement

[danwhobrowses]

CR's Godly Option C: Who will go for it?

Spoilers for Campaign 3 Episode 119 below

Okay so there was a development.

After a long and painstaking dance of circling around the Predathos and Gods situation, we have reached the pivotal point. Bells Hells are fighting the God Eater, Imogen is still tethered to it, and the Gods are sending reinforcements to try and seal it again.

Sealing Predathos again is unlikely, since it required the Primordials before, and it'd only be a temporary fix. Most of Bells Hells are advocating for change within the relationship between gods and mortals as the Matron of Ravens had hinted, with all of them (yes, ALL of them, including Ashton and Dorian) wanting to prevent the gods from dying, but they also believe Predathos will get out either way. I think it's implied that defeating Predathos will force it to be suppressed within Imogen, that or it'll just discorporate and another Ruidusborn will become the vessel once it recovers its strength, but since it's intent on consuming divinity and can threaten to overwhelm her again, the third option was presented: to become mortal.

While the Matron explains that if the process is possible they will still regain their memories similar to how the Luxon and the mortality route they took in Downfall work, the gods will also need to be convinced of this outcome between death, departure, or depower. In this post I will discuss the potential of each god's reaction and willingness to enact this option C. I'm also thinking this under the impression that the gods will reincarnate, it wasn't fully clear that's the case but since this is meant to shift the relationship between gods and mortals long term I'd suspect it'd be a cycle.

We'll go alphabetically, also because we all know who begins with A.

Asmodeus, The Az-hole Lord of the Nine Hells Given that the Lying Cheating Whore Bitch that is the Lord of Terror, Lies, and the Hells has a massive shtick up his butt about mortals being lower than him, becoming mortal permanently is like a worst case scenario for Azzy M. He will be the hardest to convince, especially since as Lord of Lies he will have obscenely high charisma to resist potential persuasion rolls. The only opening is to appeal to his insecurities about his family, the deep but warped longing to be with them again, but even that is a paper thin line not even Braius can easily stay on the right side without the risk of a ripped-off face and a shattered spine. If he is convinced, however, there has to be the expectation that a betrayal or loophole is inbound.

Avandra, The Changebringer The Goddess of Change is someone you'd expect to welcome the very nature of her domain. Had FCG survived perhaps she would've been more present or be in the position the Matron is in right now for the story, since in hindsight she is similarly suited to be the vehicle of this path. Also a Goddess of Adventure, she might even be enticed with the idea of getting to partake in her own journeys, so a low amount of convincing is likely to be needed for this one, the Hells may spend more time chatting to check in on FCG with her instead.

Bahamut, The Platinum Dragon We don't get much info on the Platinum Dragon in the campaigns despite its looming presence and adjacency to the parties, its influence is central to Vassalheim, the religious capital of Tal'dorei, which has a big hand in a lot of Exandrian Politics. Given its strong sense of justice and protecting the weak, I think the Platinum Dragon would need some convincing that this is the right call - which can be difficult given the prospect of chaos that'd unfold from it - but would bend to its logic if the majority were in support, the Lawbearer and Knowing Mentor may be linchpins to encouraging them since they all have the air of sharing the same sense of pragmatism.

Bane, The Strife Emperor War and Conquest are Bane's bread and butter, and while peace can be established in the aftermath it is sadly in mortals' nature to fight and take from one another through violent means, bread and butter (metaphorically, but imagine if it were literally for a moment). For that reason I think Bane would be fine with mortality - war could perhaps be more fun if there's jeopardy involved and death this way is just a respawn. They may put on a front to be against it because it's for reasons of peace, but Bane would rather live to fight another day than never fight again.

Corellon, The Arch Heart The Arch Heart is a curious one. They wanted to leave, they told Bells Hells as much in the feywild, but the Matron is convinced that the Arch Heart simply wants change and would be open to mortality. Due to them having the chance to present their case for departure, I think the Arch Heart would take probably a medium level of convincing. As SILAHA they enjoyed the indulgences and hedonism of mortality and can do so again, but may feel a little slighted by Bells Hells not following through with their plan - they are a vain god after all. Overall I think they too would bow to the majority if it came to it, since their plan involved all of their siblings running with them.

Erathis, The Lawbearer There is a downside for the Lawbearer and Wildmother with mortality. As lovers, sacrificing their divinity will mean life apart from one another for long periods at a time, and by the time their memories are restored it can open up a massive can of worms if they found love with others as mortals. The Lawbearer would be one who'd acknowledge the logic, but resist the offer from an emotional standpoint - perhaps preferring to run or to die in each other's arms than to be apart. It'd take convincing the Wildmother to convince them, so it'd be a tall order for Bells Hells to achieve, but it can be done given how she bends more to logic - seeing as she's the one who proposed the idea of the Divine Gate.

Grummsh, The Ruiner Grummsh is a brute, a lover of blood and slaughter. As a result, the Ruiner will probably need as much convincing as Bane does; adverse to the logic of peace but secretly salivating the idea of future conflicts and being hands-on with it in a continual reincarnation cycle. Some convincing required to bypass the facade of hesitation, but not a lot.

Ioun, The Knowing Mentor Ioun has spent centuries collecting information and knowledge, in turn being a deity of prophecy and teaching, she may have already seen this coming. However, she hates secrets and reverse-engineering the forbidden knowledge that is the Ritual of Seeding may make her hesitant of the path. Some convincing is required, but The Knowing Mentor is a fair and logical god, and in logic she can be persuaded and understand that this is among the better solutions to the problem at hand. The Hells may also entice her with the hands-on approach of learning new things, possibly citing Dunamancy - through Ashton and their head maybe - since the gods treat it as foreign and alien.

Kord, The Stormlord The Stormlord is renowned for being badass and stoic, which unfortunately makes him hard to read in this situation. Unlike Bane and Grummsh, Kord doesn't lust after war and battle but prepares for it nonetheless. It may be hard to convince him though, because they could see the option as abandoning the fight - going against their tenets of strength and bravery in battle - but his awareness of Imogen can come into play in her influencing him, and if Bane and Grummsh's excitement can't be hidden it can be used as incentive to keep their warmongering at bay. He can be swayed, but not easily - it cannot be framed as giving up.

Lolth, The Spider Queen Lolth has a disdain for mortals on a similar maybe-slightly-lesser level to Asmodeus, she's possessive and proud of her power, and mortality would mean that she would have to confront the many enemies she has made - such as the Kryn - without the comfort of being out of their reach. She's also petty, and feuds with the Arch Heart and Stormlord can make it harder to convince her if they're already convinced - and vice versa. The Spider Queen strikes as someone who will agree to something so long as she benefits, curiosity can only go so far after all, she may even ask for some grovelling or a tribute/offering as a sweetener. It will be difficult, but the Opal incident is indicative that she fears Predathos, Bells Hells would need to infer that it's the most profitable option to her but also make sure it's not framed as her conceding to their request or being threatened.

Melora, The Wildmother As with the Lawbearer, the Wildmother will struggle to be convinced not because of the logic but because of the heart. Being separated from her lover is a big sacrifice she will very likely show her teeth to avoid, but in exchange she will get to return to her beloved domain properly once more. This may make the Wildmother easier to convince, or it could be harder given how she has trouble letting go of things - since she protested the idea of the Divine Gate in Downfall's epilogue, and the only thing stopping her from being a Betrayer was a reluctance to leave Exandria. It will probably fall to Orym, who has had experience being apart from people they love, to turn the scales and convince her, which will domino into convincing the Lawbearer too.

Moradin, The All-Hammer Not much is known about the All-Hammer, which is a shame since the past campaigns have had such inventive and artistic characters. That being said, I don't think the All-Hammer will need much convincing. Some convincing may be warranted since they are a God of Family and Legacy too, so they'd want to ensure that the rest of the gods are in agreement, but the All-Hammer admires creativity, ingenuity, and craft; and that is something Chetney has the edge to appeal them towards. A chance to see what more mortals can create, to unlearn and relearn various artforms for lifetimes, Chetney's own pursuit of legacy makes him the perfect one to relate to the All-Hammer, and thus there is limited convincing needed.

Pelor, The Dawnfather There have been two sides to the Dawnfather when in conflict in Campaign 3; on one side you have Ayden, the sunshine multiclassing do-gooder who clings to hope and humanity, on the other you have the Dawnfather that sent an angel to suppress Hearthdell and threatened to withhold power from Deanna for questioning him. Like the Stormlord, the Dawnfather could protest or take offence to the idea of becoming mortal permanently, as he could also see it as abandoning their sworn and solemn duties. Asmodeus and The Arch Heart paint him as chief among the 'but mah children' gods in their internal debate to stay or flee, which can be used in convincing him. But he is prideful, and stubborn, and wrathful, meaning it will require a lot of tact and careful wording to achieve, possibly moreso than it would the Stormlord.

The Raven Queen, Matron of Death As the one mulling over the method of enacting the plan, the Matron is a definitive yes who won't need convincing, she's already been convinced. Mortality is not new to her, and she has no disdain for it.

Sarenrae, The Everlight Aside from the All-Hammer and Changebringer, I think the Everlight is perhaps the one Bells Hells won't need to convince at all. The events of Downfall showed that she loves mortals, and loved mortality; the chance to live and love, to raise children, she loved it all and the moment she parted from it she missed it dearly. She might have a bit of guilt about leaving her followers like Pike, but she might also relish the idea of getting to know them on a more personal and mortal level too.

Sehanine, The Moonweaver The Moonweaver's tenets include to live untethered and free and to seize one's own destiny, which could act as a pro or con to encouraging the idea of becoming mortal. It leans more towards the pro side, since lifetimes of experiences can entice her against running away forever - and Fearne is the likely candidate to frame it that way if she is in need of convincing - but it falls to whether she has already made up her mind about which path she wants to take. If she's already chosen another option, it may be difficult to change her mind because it'll be something she doesn't want to do. If she's open to the idea there's little convincing, if not then it requires Bell's Hells to sell the idea.

Tharizdun, The Chained Oblivion Tharizdun is a strange case. The ancient primordial evil trapped in the Abyss - a visual representation of 'too much chaos' - that creates demons and aberrations with its mind to sic on Exandria isn't exactly one who was sent through the Divine Gate willingly. Mortality and reincarnation is likely something it'd leap at, freedom and the floor to corrupt and influence more directly, but also something the other gods would be greatly against them having given their efforts to seal it near the end of the Calamity. Because of this, the convincing would be for all the other gods - mainly the primes - rather than the entity itself, and thus it can be a deal breaker. As a non-Tengar god however it may be 'off the menu', and thus a compromise to keep it trapped may be achieved - it's actually a little unclear if Matt includes them and another non-Tengar god when discussing 'the gods' in this context, since they are included in the pantheon but not exactly a 'god'.

Tiamat, The Scaled Tyrant Another god eager to get out is Tiamat, Arkhan stole the Hand of Vecna for this sole purpose after all. 'Let no affront go unpunished' is a tenet that'd mean Tiamat would take little convincing to return to the Material Plane. In contrast to Lolth, paying back her grudges would be high on her agenda, as well as amassing wealth and her kin, it'd be more of a challenge to convince the Platinum Dragon of her release given how destructive chromatic dragons can be and have been in the past. So not much convincing on her side really, just opposition from opponents.

Torog, The Crawling King Torog's time as Zaharzht in Downfall was intriguing. Without it the jealous god of torture, jailers, and slavers would ironically be someone you'd expect to desire freedom from imprisonment, but Zaharzht hated being mortal and constantly harmed themselves throughout Downfall. Their monologue about peace implied that Torog may be the only god to welcome Predathos' consumption of them, which makes it difficult to say how much convincing they'd need and if they'd even acknowledge Bells Hells' offer in the first place. There's a chance they may bend to family majority, since Zaharzht had a soft - albeit warped and abusive - spot for Asha, but it's probably not something they'd like to agree to out of the three options.

Vecna, The Whispered One Centuries as a Lich leads to only 3ish decades of godhood, damn does it suck to be Vecna. The Whispered One is a god who would definitely reject the idea of returning to mortality, and someone who would probably rather take their chances and run. Much like the Chained Oblivion, being a mortal would probably be very bad for Exandria anyway, since he knows how to Lich himself and knows the Ritual of Seeding to undo the process anyway - Vassalheim has not quickly forgotten his attempt to raze them. He doesn't want mortality and the mortals won't want him, and without the sense of family that Asmodeus may have for the other gods he might be the joint-highest lost cause among the gods. However, the lack of familial ties and potentially also being off-menu might mean the gods are less enthusiastic about staying as a set with him in it, and would be willing to accept mortality without him. As a result, very difficult to convince, not a positive to do so, but there may be a willingness from other gods to just let him run.

Zehir, The Cloaked Serpent Our final god is a mystery, as obscurity is among his domain. We know more of Zehir's treacherous servant Uk'otoa (uk'otoaaaa) than we do of the god himself, but from what we do know is that they are unique in having the most enemies even among their fellow Betrayer Gods, Torog and Lolth. Their small amount of worshippers, mainly Yuan-ti and other snakefolk, are often described as ones looking to be equal to them, which may make it a tall order to convince Zehir to give their followers and enemies a better shot at killing them. There is perhaps the opening of playing to his pride, an assassin would be proud of their ability to kill, and fluffing his ego in order to 'prove' his skill among these bloodthirsty followers and enemies is a route that can be used with solid enough deception. Niche degree of convincing due to poor knowledge of him, but still possible.

[agalychnisspranneusroseus]

Got any trans HCs for the amphibia trio? I love the many different interpretations I've seen from this fandom

I don't know about specific headcanons, I know I'm considering making Anne trans in RiAAU but I haven't decided yet.

In one hand: it would be interesting to think how she deals with her first periods because, well, amphibians don't have those, and Hop Pop assumes she's dying (she doesn't tell anyone else because she's so embarrassed). Not that he tells her that, but it really freaks him out. He thinks she has some sort of internal damage, and it's only after months of research that he finds out about some rare mammalian species, such as a few monkeys and rodents, that experience the same cycle Anne goes through. The whole point of this is that it makes Anne feel even more out-of-place. She doesn't remember her world or her parents, only that she came from "somewhere" (possibly another continent) full of people of her species, and she wonders if things would have been easier if she grew up with her biological family. I mean, surely this would be easier. It just serves as a reminder that she knows nothing about her species, not even its name, and she has no idea of how her biology works or what is good and bad for her or how long she'll live or what changes she'll go through.

.

BUT, on the other hand: Trans Anne. Let's start with the obvious: amphibians don't have penises or vaginas and they reproduce externally, meaning they like... release eggs and sperm in the water and they mix without the involvement of either parent, meaning no one knows what the cultural significance of a "penis" or a "vagina" tends to be in most human cultures. As a literaly 3yo, Anne probably didn't have an extensive understanding of s.ex and gender, and it wasn't like the clothes she showed up with told Hop Pop much. She just knew that, as time went on, she found herself relating more and more to the female frogs of Wartwood, and she almost subconsciously began to refer to herself as a girl. There wasn't any big coming out moment, more like a point in which, after months of ambiguity (this kid kept using different pronouns for herself) she just settled on some good ol' she/her and began picking somewhat girly clothes when Hop Pop took her to the market.

It's not like the concept of trans people doesn't exist in Amphibia, it's just that Anne didn't realize that was her situation until, at least, meeting Marcy, and noticing the differences between them. It's not like either of them had ever seen another human from up close, so they didn't know what to expect anyway. Anne's only encounters with Sasha beforehand had consisted on magical girl swordfighting in the sky and whatnot. Certainly not enough to discuss their unique biology, which is something Marcy is very excited to discuss, since she's never met anyone with her same "condition" before, and she wants to know everything, so she uses her as her little rat lab whenever she has the chance. Even then, since she also lacks all knowledge of human s.exual dimorphism and its cultural implications, she doesn't associate anything about either of their bodies to any specific gender that could possibly be asigned to anyone based on biological feautures. Since Sasha remembers the most from Earth, she's probably the only one who could maybe possibly remeber her mom or the kindergarden teacher saying something about "the difference between boys and girls", but by the point she's in speaking terms with Anne, and by the time she realizes their bodies are different, she doesn't really care.

That's not to say Anne doesn't experience dysphoria or that she never undergoes any kind of physical transition. It was probably around the time her voice started to change during puberty that she realized her case may be kinda unique: neither Marcy nor Sasha's voices have changed that much, she can tell even though she only sees Marcy in person like once every 3 years and all the words she exchanges with Sasha consist of death threats and insults. Plus, there's a clear difference between """male""" and """female""" voiced in frogs too. She doesn't want to sound like a man! She doesn't want to be anything like a man! Men are gross! Sorry Sprig, Hop Pop, but it's true. Men are icky icky yuck yuck and Anne is a girly girl. She doesn't want to turn into Stumpy! Or Buff Loggle! Oh, no, is that her future? She commits the triple mistake of 1) sending a letter to Marcy that same day, 2) knocking on Maddies' door promising her firstborn if she can save her from turning into Stumpy, and 3) she becomes obsessed researching mammalian biology in the archives. Bad decision. Bad bad. She's discovering things to feel dysphoric about she never even knew existed! Did you know mammalian mothers feed their offsprings with "milk" that comes from their "mammary glands"? Did Sasha and Marcy have those? She hates herself a little for checking out Marcy next time she sees her and she realizes that, indeed, in the past years she's grown a pair of those that Anne does NOT have. She notes that both she and Sasha are pretty much hairless. She used to think hair was a normal mammalian trait! That weasel that tries to eat the frogs every winter sure is covered in it!

Maddie shows up to her door with a bunch of new spells to try out, happy to have a willing subject. Most embarrassingly, Marcy starts doing her own research as soon as she gets Anne's letter and sends her all her discoveries, and now Anne feels mortified because Marcy knows about all the bad bad very bad changes she's going through (Marcy, for her part, is just fascinated by the nature of their "condition").

It takes a bit, but after a few very frenzied weeks, Anne comes to understad what's going on: her species had certain level of sexual dimorphism and she just happened to have been born with the supposed "sex" usually associated with "men" as a social category. When Hop Pop finds out, he burst into laughter. Oh, it was THAT all along! Anne made it sound so complicated, but it was just the same things he went through when he was younger, just the other way around ("Say what now Hop Pop?")! A few curses here and there and she won't have to worry about these so called "mammary glands" and "hair" anymore, though in the meantime, as Maddie perfects a human-friendly curse, she gets turned into all sort of different creatures. By the time it's done, she just wants to feel like... herself.

It's true that there are some things about her body that make her feel weird, like they don't quite fit in, but there are others she only worries about because she compared herself to Sasha and Marcy, which wasn't fair to anyone involved. Did she really want to fundamentally change parts of her body because of insecurities she developed last week over a book about lemurs? Then, a second set of fears come in: what will happen when she goes back to her place of origin? Because she does want to find her birth family. Will they recognize her, if they're looking for a boy? Will they think she's lying if she claims to be their daughter? If she changes only a few things but doesn't "go all the way", will people there think she's a freak? Will she ever be able to fit in with those of her species?

Does she really care so much about what other people think? She just wants to be herself. Some of the changes she's been going through are making her feel less like herself and more like she's being turned into a tax collector from Toad Tower. Those things have to go - her voice, for example. And she wants a more femenine silhouette (she may or may not show Maddie photos of young Mrs. Croaker as a reference). She wants a softer face. She's seeing her face changing in the mirror and she doesn't like it. She wants it to stay round and soft, not to grow hard and sharp or big and rough. She's not so sure she wants those "mammary glands". It's not like she ever thought about having kids, and the whole "breastfeeding" thing just seems gross, but after her research, and finding out she could have kids with, I don't know, maybe Marcy one day (a thought that makes her blush), she thinks it may be a good idea. She'll consider it. Maybe later. Her genitalia... well, she's used to what she has now. It already took her like 10 years to fully figure out what it was and how it worked and starting over with a whole new set just feels like too much work (also, the babies, the potential babies with Marcy). Frogs and toads have neither "penises" or "vaginas" so there's not a lot of information, and based on books about lemurs and her own empirical experience, comparing herself to other mammalian species isn't too useful. She'll leave it the way it is. She'll see if there's anything else she wants to change later, or if she wants to go back on something.

Marcy is surprised next time Anne visits Newtopia. In her letters, she described this strange transformation in excruciating detail, but seeing her in person now, holding her face in her hands, all she sees is the same Anne she's always loved.

A few more ideas:

HEADCANON: in Amphibia, two people of the same "s.ex" can reproduce through magic, which means there has to be a concious effort and intent. The external fertilization process there's no such thing as a pregnancy, and there's no such thing as s.ex. All reproduction is intentional, which means there's no need for abortion either. There are processes to destroy fertilized eggs and embryos, but they look completely different from human abortions.

Amphibians may perform acts resembling s.ex for pleasure or fun but they look different from human s.ex and have no relation to reproduction.

Andrias is the only person in Amphibia who knows enough about humans to know how they reproduce (a process he finds repulsive). He never tells Marcy, of course, though once she becomes queen, she finds his secret library and his hidden tomes on "alien biology", some of which talk about humans. He's also the only one who knows humans can have children on accident, and that Anne is the only human in Amphibia who could cause something like that to happen (he reads all of Marcy's correspondence). He knows his daughter is very close to this weird farm girl penpal of hers, and even though she's still a child, he worries for her future and the future of the crown. This new discovery could land the crown in the hands of a dynasty of aliens if he's not careful. Is it weird that he spends so much time worrying about his 12yo daughter getting pregnant from another 12yo? Yes, yes it is, but he already controls every aspect of her life, it's not like he's going to stop at her sexuality, future, real, or imaginary.

Man now that I wrote it all down, I think this option is more compelling than the first. Maybe I WILL go with this one.

[lord-squiggletits]

What do you think is Tarn's favorite part of being ordered to do something? That he's worth something/seen as valuable or the idea of the reward at the end? Or something else entirely?

Probably closer to your first theory: my first instinct is that Tarn seems to derive a lot of his self-worth and purpose in life from an attachment to others/an ideology (see: his whole thing with Megatron), although I honestly doubt he was like that before Megatron fucked him up with brainwashing. Being ordered to do something = being needed, and being needed = having value and a reason for living.

It also seems to me that, even as Damus, Tarn has a bit of a rash/emotional/passionate streak: very much the type to fix an ideology/set of instructions upon himself, then charge forward with a sense of purpose. If we look at Damus getting irritated at Orion for "just sitting around and waiting for the Senate soldiers to show up," it seems this guy really wanted to ACT and DO, perhaps to the point of slight recklessness/thoughtlessness. As if he equated active "doing" with productivity and "having a plan" and taking initiative, but thought of waiting as a form of weakness/giving up/not being prepared. (Ties in rather neatly with his tendency for organization maybe... weird how he's simultaneously reckless with his individual actions but also needs a sense of Order And Hierarchy to feel fulfilled on a general life level.)

So I think Tarn also gets enjoyment from following orders bc eh... I'm genuinely not trying to make this a petplay thing 🤣but I'd say that maybe he gets a sense of comfort/security from being able to just charge forward and act, no need to worry about morality or questioning his own motives. Just outsource his thinking to someone else beloved, trusting, and all-wise (Megatron) so he can experience the pure bliss of fanaticism and utter self-righteousness/confidence in his own actions. He even admits to Deathsaurus that he let himself conflate Megatron with the Decepticon ideology when instead Decepticonism is based on a dream, an idea.

So on that note, it also seems to me that Tarn might like following orders specifically bc he feels a personal connection to Megatron? Megatron groomed him as a protege/his most dedicated and fanatical follower. Their conversation on Necroworld shows that Tarn quite obviously thinks the world of Megatron and wants to see him as that figure of legendary competence/willpower. I don't think Tarn just wants to have The Right Ideology so that he can Feel Good About Being A Good Person (TM); it seems like Tarn specifically wants* to have a personal connection, some sense of approval or specialness, a bond with some authority figure who not only assures that he can trust them, but that they also trust him utterly. I think it says a lot that Tarn was even able to fall in love (figuratively) with Megatron more than he was with Decepticon ideology itself. It points to the fact that what he's really missing is interpersonal connections. Er, as much as an incredibly toxic and manipulative parasocial relationship is an interpersonal connection, but I never said that it was a good connection.

*In light of recent panels of Damus I reviewed from a Tarn/Damus post I reblogged last night, Damus seemed to actually be quite comfortable challenging/questioning Orion to his face and wanting to know what their plan is and why. I think it says a lot that Damus' relationship with Orion was one between a leader and a soldier, yes, but it was also informal and non-hierarchical enough that Damus felt completely free to question Orion. When you contrast this with Tarn talking to Megatron ~4 million years later, he's suddenly switched to an attitude of absolutely worshipping Megatron and believing he has utterly absurd/impossible levels of ability, vision, confidence, willpower, etc. Seems to me like part of Megatron's brainwashing of Damus was specifically centered on wrapping his heart around his little finger for the purpose of cultivating that blind obedience. Given Megatron's thoughts at the end of his Spotlight issue (he refers to his soldiers basically as blind idiots who can be whipped into a furor with the right propaganda lines), this is a pretty common emotional manipulation tactic he used in general. It just seems like Megatron concentrated this manipulation by singling out Damus and making him feel special, that he saw himself in Damus, and that he truly cared about him and wanted him as a student. You know, an emotional connection.

Honestly, this is kinda dark tho, bc now I'm kind of sad and thinking that Tarn doesn't naturally have this level of codependence/slave-like devotion to a person and it was actually just something Megatron shaped him into as a leash of sorts... Damn, I can be horny about people sublimating their trauma/emotional issues through kink, but not in a guilt-free "haha he's a dog" way. 😔 JK I'll still call Tarn a dog (affectionate) bc it's just so true.

[wbhsdo-wafaan-mycwaotp]

so

loosely heathers based fic?

I have an idea.kinda. I don't know if it's good. here u go

Warning: Major character death, suicide, manipulation, they're just so toxic for each other

Lucifer is infatuated with alastor as a human, comes to earth, convinces him to commit his first murder. That one song from heathers 

get off the fence get off the damn fence

Oh man Okay

Lucifer finds alastor in Hell and figured out his plans to take over

He falsely agrees, befriending him again and tricking him into loving him

Loosely based on heathers

Lucifer is the one making "big moves", but he’s setting alastor up for failure

Alastor comes to Lucifer’s room/house ready to finish the plan

Finds him “dead”, flips his shit, broadcasts it through hell in mourning

Lucifer finds alastor the next day, half dead from his own traps, etc. 

alastor ends up killing himaelf in a last ditch effort in front of Lucifer

Woof

I wouldn't be writing this until after the Falling Doesn't Feel So Bad series is done, but,,,,

[riiviir]

sometimes I think about how funny it would be if I made a Cult of The Lamb and Fullmetal Alchemist:Brotherhood crossover

[pigeonstab]

No, I asked because I love your comic. I love Killer who says shoo but fails to leave this place without them. And I love Horror and Dust with a child and also their probable thoughts like : what's Killer had done again this time (⁠ ⁠ꈍ⁠ᴗ⁠ꈍ⁠)

Haha, I'm glad.

I think at this point the kids kinda stuck themselves on.

And yeah I mean after Nightmare died they just went their separate ways, the others haven't heard from Killer in a while

[arovalentines]

some bobbles (+ two unfinished things)

[minophus]

Do you think Gabe has a negative association with thunderstorms / thunder in general

Like he's not afraid of it, but it just brings bad vibes, and bad memories. Smiles

Hmmm. I couldn't picture why. If anything I think he'd be fascinated with them, i think heavens "weather"(or whatever its equivalent is) is relatively steady n gentle, compared to earth lusts and wraths' Thunderous Booming Gut Rattling storms.

Maybe he indulges in literature and folk tales and learns of the possible bad premonitions behind them but overall i wouldnt imagine it

[lee-blogs]

Still packing stuff and now i'm looking for a box for this.

My dad and i made it a few years ago for halloween, probably 2015/16 if i'm remembering right. It's made from a lays can, a wipes container from his work, and paper maché. I don't remember what the wires and front metal bits are from, but the middle actually lights up! It has one of those long battery-powered emergancy lights in it and some colored tissue paper

[lunachats]

i think it'd be cute if people did the indie retroweb thing but like. as tor hidden services on the darkweb. just a bunch of little websites with like blog posts and pictures of cats and amateur html layouts and badges and webrings. maybe some tiny irc servers or mastodon instances. all of it running on those randomized .onion domain names, maybe even on home computers. no webhosting necessary!

[arolesbianism]

Thinking abt Sif Odile duo looping au again and I wanna be able to plot everything out more coherently but act 5 eternally looms overhead and boy I do not wanna look up

[wheucto]

finally decided to start watching s2e17 of ii

[agalychnisspranneusroseus]

Concept: in her obsessive need to control Anne and Marcy, Sasha tries to cause tension between them because they're getting a little too close and they might be oblivious but she sees the way in which they look at each other and - oh, oh no, no no no no no she's not having that. There's a reason they called their garage band "Sasha and the Sharps" and it's because it's always been her and her two girls, not her two girls... weirdly crushing on each other and leaving her behind.

Thankfully, she knows the inner workings of their psyches like the back of her hand. She knows all about their strengths, weaknesses and insecurities. She just needs to compliment Marcy's intelligence a little too much in front of Anne while rubbing on Marcy's face that she'd probably be alone and unable to handle herself in public without Anne bringing her down to reality. Stirring Anne's jealousy and Marcy's insecurity is surprisingly easy, especially when it starts to reflect in the way in which they treat each other.

[bibiana112]

Kinda weird question- do you have any links to people talking about Mira from ZTD and ableist stereotypes? I mentioned that I was uncomfortable with her portrayal but kinda fumbled it and made some other ND people in chat uncomfortable. I searched for various keyword combinations but most of what I'm finding is like "and not to mention the ableism with Mira" and doesn't elaborate lol.

Not weird at all! And uh, you see, there's a recent post I made where what I complain about is the very fact I've never seen anyone post too in-depth about her at all, I'd love to see posts that do elaborate on that but I do not have any that I know of right now, sorry :/ hopefully someone else who sees this can point to one? Okay!! After some tag searches I have found exactly one post who kind of gets into it I like this take still would love to see. more than just one but hooray

And like though I complain I couldn't elaborate much on it myself I don't think, I believe most of the posts people make about Saito from aitsf would apply since it's a different uchikoshi take on the very same trope of "emotionless characters who cannot function without killing others" I guess he's a worse portrayal though since she's at least not stated to get reward brain chemicals when killing people and I guess her case also has the added layer of "femme fatale" to it? Which either makes it less bad or worse depending on where you approach it from As I said I am not doing a good job of being coherent on this oh and also there's her being "redeemed" and "cured" in the epilogue which in on itself is kinda not great to imply it just goes away like that and honestly I personally don't even buy it I think she'd just be like oh okay Akane over here has like a thousand reasons to hate me after all that oh and what's that she's the leader of a super wealthy underground organization who's organized one of these death traps before yeah no I'm better off going to prison I'll be fine there lmao bye

But I'll say as an autistic person with relatively low empathy I usually see a character who just doesn't understand other people's feelings and wants to feel them too and is just trying to survive despite getting no help and I just kinda go hm. yeah. shout-out to roxas kingdom hearts shout out to mary from ib shout out that's why I started hyperfixating on media art helps me with understanding others a great lot and Mira is just in a story too badly executed for me to care or even begin to wrap my head around tbh like god she's so fucking terribly used as a plot device in every conceivable way that it makes it difficult to see past it and into what she could possibly be if it weren't for the stereotype of equalling low empathy with no compassion what's with her killing off screen in ways that wildly deviate from her stated m.o? why or how was she even in cahoots with Zero why was that a thing? Honestly her dynamic with Sean could have been better fleshed out could have done something interesting about robot child and his aspd big sis but we just kind of don't get any attention brought to the subject of emotions and the authenticity there of except for the "reveal"...

YOU KNOW WHAT that's probably one huge reason it feels so fucked up actually! Like the whole fucking game is written so you could experience it in whatever order you want and therefore Mira being a serial killer at all is something that though not very well hidden it also cannot be a topic of discussion or explored Ever ever because the player may not have seen the fragment where that is revealed yet- problem being the menu design of that game sucks so bad and practically everyone gravitates towards the same few more interesting looking thumbnails first and then the rest is kinda just there, I mean that is part of the reason A Lot of characters feel half-baked I think but also I think it definitely does impact perception of her character specifically probably The Most and then there's just the general not being given nuance not being able to see the minutiae of how that disorder manifests in her character aside from the killings about how she acts aside from being overly flirty trying to lure in Eric but that affects pretty much all of the new cast we don't have last names and in her case we barely have any backstory at all like Saito is a harmful stereotype sure but we get So Much Context for him that people still love talking about him and delving into different aspects of his life since we have that very well telegraphed in the narrative meanwhile for Mira all we can do is fill in the blanks guesswork that only highlights the worst aspects of the surface level portrayal we got and ultimately that people just don't care enough to dissect because there isn't much there character wise once you remove it

[varjopeura]

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