#it’s tough to tag these ones

[stardustizuku]

PART 1: How did we get here, again?:

The origins of Villainess Stories

Villainess Stories are an interesting phenomena that took a chokehold of the mainstream anime community, right around 2020, thanks to a little anime named:

“My Next Life as a Villainess: All Routes Lead to Doom!”

I say this, but while it was popularized in 2020, that’s not where this is even close to starting.

I always find myself having to remind most people that: The anime is rarely the origin.

I’ve stated plenty of times before, animation is expensive. More often than not, animes are a commercial of sorts, for manga, light novels and merch. It isn’t until the source material has proven to be successful on its own, that it gets an adaptation.

A risk of this magnitude had to come from somewhere.

That somewhere was Shōsetsuka ni Narō.

Much like many of your favorite animes, My Next Life as a Villainess began as a web novel in the site “Shōsetsuka ni Narō”. A self-publishing Japanese website that brought you “Didn't I Say to Make My Abilities Average in the Next Life?!”; “Log Horizon”; “I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability”; “I’m in Love with the Villainess”; and for anyone who follows my page: yes. Ascendance of a Bookworm.

Among many others. Like seriously, a bunch of the most popular animes you’ll find being broadcasted in the latest part of this decade - started in Naro from 2012 - 2016.

“My Next Life as a Villainess” was published in 2014, and it ran all the way until 2015. With the Light Novel running from 2015, to this day.

Unfortunately, if you try to find a bit of a timeline as to where the genre came from, you will find a loud crowd that claims that all these mangas are a rip-off of one another, that have no basis on video games. That’s a blatant lie, born mostly out of a complete disinterest in the genre.

The villainess genre has a long, convoluted and frankly complicated story.

Unlike western media, in which you basically take one of the mediums (film, animation, or gaming) and more or less see it evolve with little to no influence of other mediums - Japanese media takes inspo from other mediums all the time.

What do I mean by this?

Let’s take animation. Film animation has a very linear timeline. It starts with Disney, moves to Pixar, moves to Dreamworks. It references almost only itself. If Hollywood does something you can barely feel it film animation. If something becomes popular on the small screen and tv, or streaming services, Film Animation has no clue.

Japanese Animation is different. Manga, webnovels, and games tend to influence each other all the time.

This is why you have extremely popular animes that have a mix of other medium in them. Like, Sword Art Online, which involves mixing elements of video games mechanics with anime tropes. As well as adaptations across the mediums: manga being adapted to animes, live action, musical theatre and even games.

This makes trying to analyze just anime, a fruitless endeavor.

In part too, because the ones who determine what anime becomes an anime, is in large part the manga industry.

Like the BIG THREE are the big three, not for any issues related to the anime, but because they saved Shonen Jump - a manga magazine. Sword Art Online too, became popular due to already popular JRPGs and MMOs. At the same time, it’s undeniable success, and change the course of history forever - came first in the form of a Light Novel (yes SAO was also originally a Light Novel entered in a contest in 2002). So it comes as no surprise that the first to feel its impact was the light novel industry.

The existence of “My Next Life as a Villainess” has then to be divided Parts. The Isekai Part of it, Game Part of it, and the Manga/Anime. Which melted together in the form of a popular webnovel.

Now. Isekais are weird.

People will always point and laugh about how the “original Isekai” is Alice in Wonderland or Wizard of Oz.

But Isekai is a hard thing to define, specially its origins. At it’s core, Isekai is just “Being sent to another word” and that’s as universal as of a trope as any other. After all, it’s the first step of A Hero’s Journey taken to its most literal of interpretations. Crossing the Threshold into a New World is pretty much the beginning of any adventure. It stands to reason that this “New World” is a literal new one. This leaves everyone guessing as to what you’d consider the “first Isekai”. Some will point at Urashima Tarō, some at the Super Mario Bros movie, some will point at Superbook, or Mashin Hero Wataru.

That said, nowadays, “Isekai” became a genre of its own. It has a very specific aesthetic, tropes and characters.

So rather than to try and find where it originated, it’s more productive to see when it started to take the shape of what we would nowadays consider to be the essence.

And something to notice too, is that the trope varies greatly depending on what current you take. You could consider Digimon a precursor of Sword Art Online, but that would have very little impact on Villainess tropes.

In this sense, I would consider Vision of Escaflowne (1994), Inuyasha (1996) and Fushigi Yugi (1991) as the pioneers of what it is now Isekai Shoujo.

They all talk about high school girls being transported to another world. They all talk about destiny and fate, and whether we have to follow the path someone else has set for us.

Vision of Escaflowne presents the idea of fate. It involves also war and the nature of trauma. It’s a slightly more mature story. But it cements this idea of “the chosen one”.

Talking about Fushigi Yugi, it’s often considered to be the first “transported into a novel” Isekai with a shoujo romance focus. I wish I had read it or watched it because a lot of the tropes that eventually become a staple of the Isekai story come from here. Including the predestined story, someone being told they have a role to play, the jealousy of someone trying to steal your position, as well as a romance based around saving the world.

And I cannot possibly understate the influence of Rumiko Takahashi’s Inuyasha. This woman quite literally created the concept of a harem and reverse harem romance with Ranma 1/2. She’s the queen of love triangles. While it would take a bit more for the Isekai genre aimed at women to fully take off, it’s undeniable to anyone who’s watched it how much contemporaries borrow from it. Not to mention, it’s perhaps the most famous one. While Escaflowne and Fushigi Yugi are both relatively unknown, specially in the west, everyone knows Inuyasha. It had 164 episodes, 5 films, and even a recent sequel.

Parallel to this, games started to transform too.

For villainess characters in otome games have been here since literally the inception of the genre.

Angelique, the (by and large) considered to be the pioneer or inventor of the genre, was released in 1994. This game has a villainess character, in the name of Rosalia de Cartagena. The game is about the Queen that rules the Universe, deciding to chose a new ruler, via a competition. She chooses two Queen candidates: Angelique and Rosalia. Rosalia being the rival, you (as a player) are supposed to defeat.

Surprisingly, though, when the game comes out, Rosalia becomes hugely popular with audiences. “How popular?” You may ask.

Well, popular enough that in 1998, KOEI released a game named Angelique DUET, in which you can choose to play as either Angelique or Rosalia.

Yeah, so you may considered that the villainess as the main character trope dates back for as far as 1998.

But…well, I’m twisting the truth just the slightest bit.

While the original Angelique story, is about two rival Queen Candidates competing for the throne, and yes, you will lose the game if you let Rosalia win…- Rosalia is never a full fledge villainess.

Yes, she’s a a rival, but not a villainess.

She isn’t evil.

The original game had two (main) endings: The Queen Ending and The Love Ending.

And in the Love Ending, which was still a Good Ending, Rosalia would become Queen.

You could quite literally, only choose between love and duty. And if you chose Love, you were letting Rosalia win.

She wasn’t evil. In fact, she’s described as talented, smart and was literally trained to be a Queen. It’s just that in the framing of the story, you have to defeat her to become Queen.

And even if you win, in Angelique Special 2, (where you play as the successor to Angelique) it is more than hinted that Angelique and Rosalia are friends - even when Angelique became Queen. Which is supported by the fact that the player can actually GAIN friendship points from Rosalia in the original game, by going into her room and chatting with her.

So, Rosalia is not evil, not by any long shot.

But this game cemented the idea of two Rivals Queens, an extensive Harem of Men, and the idea of duty vs love.

Albarea’s Maiden, released in 1997, also introduced the concept of the Saintess or the Holy Maiden, set to save the world by competing against other girls. With one of them being a counselor-type supporting character, and your active rival.

Later famous Otome game, Tokimeki Memorial Girl’s Side, released in 2002, popularized the concept of Friendship Routes. You could avoid the Rival Mode and befriend Shiho Arisawa, Mizuki Sud, Natsumi Fuji or Tamami Konno, instead of the Love Routes.

So you have these two genres, and both are growing in its own ways.

Otome series keep gaining popularity, like massive amounts of it. Obviously, it grows so much that it creates its own ecosystem. Varying from school romance, to historical fantasy, and all the likes. Games like Brother’s Conflict, Diabolik Lovers, Uta no Prince-sama, among others exploded in popularity around 2010-2012.

Meanwhile shoujo is also thriving as its own thing. Developing its tropes, one of which will come extremely handy later, that involves the “pick me” girl Japanese Version. Series like Kimi Ni Todoke, Kaichou Wa Maid, Special A, become extremely popular too around this time.

Finally, Summer of 2012 rolls around and.

Oh how I dread this.

As much as I would like not to talk about Sword Art Online, it’s unfortunately enough, a critical piece for most of anime history.

I cannot understate how much this anime changed the game. It wasn’t the first to introduce the concept of video games and anime - with The World Only God Knows coming out in 2011 - but it was the first to (in the first season) take its premise extremely seriously. It was the first to combine Isekai with gaming, and a power fantasy that many would soon find themselves indulging into. That’s it, a world where what makes you a loser, is your biggest strength.

Which launched it to popularity.

It became a sensation; a phenomena.

It opened the flood gates for many others who would try to combine anime, gaming and the Isekai concepts.

In the webnovel sphere, meanwhile, you could see that Magic Academy Stories and Historical Fantasy with the Princess archetype were fairly popular already. But it’s way harder to distinctively examine them for one reason.

Simply put, uhm. It’s, ah, sexism.

While a lot of stories aimed at boys would often get picked up without a second thought for an anime adaptation - the same could not be said of stories aimed at women. Be it webnovels, light novel or manga, it takes extreme power for a shoujo to get picked up. So, these stories simply don’t get an anime, which means we don’t get adaptations, which means no translation or English documentation.

And honestly? There’s just so far as my Japanese friend’s broken English and Google translate can get me.

It’s easy for me to analyze Angelique’s influence because there’s English archieves of it!

The same cannot be said, of what’s essentially a fanfiction website filled with self indulgent writing. As much as it is a treasure trove of why the genre blew up - I simply cannot access it.

But what from what I can see Isekai Villainess Stories exploded in 2014. You could already see it bubbling up in 2013. Notably, for anyone reading this from the AoB tag, Ascendance of a Bookworm came out in 2013. An Isekai story that heavily focused on Royalty and the “Holy Maiden” archetype.

It took just the right tweaks to get it right.

The first to appear, from all the digging I could find in English Archieves, was in 2013 with the “I Will Live with Humility and Dependability as My Motto” novel. It was discontinued in 2017.

It is nothing like “My Next Life as Villainess”. The protagonist was about to enter elementary school when she dies, the story told is one of a manga she was reading (not a game), and it lacks the harem aspect that would later be so cliche it borders on brain dead. But you see a lot of what would become essential. A heroine with a goal different to romance, an original villainess that bullies the heroine, and a wish for a simple no-problem life.

After that, most of what followed were novellas and small short stories, much which are now discontinued or on hiatus. Which is to be expected. Naro allows all types of stories in its website. And back then there was no format. No tropes, no guidelines to what works and doesn’t.

Trial and error landed us with “My Next Life as a Villainess”. And I mean a lot of trial and error. From what has been archieved and translated on English, there’s easily 15 stories with a similar premise that were published in 2014. Which may not sound like a lot, but that’s only what has been popular enough to be saved into English. I cannot imagine how much got lost in Japanese.

But, there you have it.

First, the sudden explosion of Isekai Gaming with the popularity of the Sword Art Online Anime.

Followed by a growing interest in Otome Games. An audience prepped by the original 1994 and 1996, to be endeared by a rival/villainess character.

An audience of Shoujo fanatics which grew up with Isekai shows like Escaflowne, Fushigi Yugi, and Inuyasha in the late 90s.

And an audience of webnovel enthusiasts, already in love with princess aesthetics and magical academies.

Anyways.

Once that reached the main consciousness, all hell broke loose.

After “My Next Life as a Villainess” blew up, it was only a matter of time for countless of self-published stories to follow suit.

Obviously, I’m glossing over a lot of history. I wasn’t able to touch upon the Light Novel and Visual Novel games, mostly because that’s a massive sinkhole you’d need a MASTERS to sort through. Made, entirely not easier, by the fact that mediums keep interacting with each other. Visual novels get picked up, turned into anime, which inspires the next batch of game developers and artists. And the feedback loop is somehow even quicker there, for some reason.

Like, My Next Life debuted in 2014, we got the anime until 2020, and its popularity only reached anime-backed levels of explosion until 2024. It took ten-fucking-years for this to become a thing. Whereas shonen and shonen manga has maybe 5 year gap? Shonen Jump spits out anime adaptations almost as fast as it cuts anything that isn’t OnePiece levels of popular. Again, it’s a can of sexism worms I’m not interested in today.

“Wait,” you ask. “I still don’t get it”

What do you not get?

“Well, I understand we’re the Isekai aspect comes from. I understand the gaming and all. But wasn’t Rosalia a good girl? How do you go from the Rival-Everyone-Likes in the game, to the horrible Villainess that The Original Catherine is meant to be? Her description of a the game’s villainess is far meaner than Rosalia was”.

Alright, so, you remember how I named these series “All Girls Dream of Cinderella?

“Yeah”

Well. We now have to talk about Cinderella.

PREV << MASTERLIST >> NEXT

[joshuamj]

The Magnus Protocol 2 - Making Adjustments

[mwagneto]

i wonder if they realise how fucking funny these thumbnails are

[loriache]

I think this little speech to Toshiro and Namari represents Kabru's backstory that has been "formed [...] into a nice little shape", like he advises Mithrun. This is a story crystallised to avoid revealing personal details and to properly convey his sincere motives and the dangers of dungeons in an easy-to-understand way.

And good for him! I just like seeing example of Kabru's powerful social skills in action. It's neat that we really see it in even the little things. Kui's really aware of how communication works, on, like, a nuts-and-bolts level, and that comes through in how we aren't just told that characters are socially adept or socially awkward. We see examples of Laois rubbing people the wrong way that don't just amount to "infodump about monsters" and we see Kabru be socially deft in ways that aren't just "compliment people" or "lie".

[razzafrazzle]

human marzi!! almost got the whole main cast designed now :o]

[image description: a page of drawings for a human design of marzipan from homestar runner, where she is depicted as a chubby woman with two prosthetic legs that is wearing a long corduroy purple skirt, a matching cardigan, and sandals. next to a fullbody drawing of her is a drawing of her original design, a drawing of her in a long purple dress, and a drawing of her in her sultry buttons costume, where she has black hair and sunglasses. end id]

[geminison]

Continuing my Disco Elysium style portraits series, Daud The Knife of Dunwall

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[classictetris]

no big comp to show this time bc I forget what I havetn posted and I don't wanna go back

[crazykuroneko]

He really said this because he believed for 77 years that Lestat had abandoned him, that their 30 years of marriage was nothing for Lestat, and that Lestat really wanted and planned for them both to die, that Lestat loving him - a fact in their wedding vow that made Louis accepted the gift- was false, didn't he?

[gooperts-gunk]

i saw someone on twitter writing qsmp names in korean and im trying so hard not to be bothered i know they have good intentions but it was just so wrong in parts so instead here's how qsmp names would be written in korean BY THE SOUND not how they're written. note that i am not korean nor on the korean side of qsmptwt but as a casual kpoppie it's a rite of passage to learn hangul and try to learn korean at one point therefore though i am not a trusted source i do know the basics of the phonetics LUL

alphabetical order & categorized!

get ready for me to infodump on mouth sounds

update from the morning after this post: fixed/optimized some!!!

english speaking creators:

badboyhalo: 밷보이헤이로 (baed-bo-i-he-i-ro/lo) i infer it'd be easier to just call him 헤이로 out of every part of him name please let's halo-truth bbh. the 헤이 slurs into the "hey/hei" sound, very little accentuation on the just one part, it works as one!!

dantdm: 단티디엠 or 댄티디엠 (dan-ti-di-em, daen-ti-di-em) i've heard both pronunciations for the name dan, it's a matter of preference here! EDIT: also possibly 댼 instead which is also daen but like, not really? but also they're really similar? and i don't know how to hear the difference but there is one and nevermind don't worry about it man

fit: 피트 (pi-teu) directly would be 핕 but that's just a tricky one it's bound to have a soft ㅡ sound following

foolish: 푸리쓰 or 푸리쌰? (pu-ri/li-sseu, pu-ri/li-ssya) THIS ONE IS TRICKY if it does go 쌰 it's be a soft one, but more likely 쓰 EDIT: IS IT 풀리쎠 (peul-ri-ssyeo) ?!?!?!? IM STILL ON THIS FOOLISH IS SO TOUGH TO PUT INTO HANGUL IM NOT GONNA BE OVER IT

ironmouse: 아이욘마우스 or 아이룐마우스 (a-i-yon-ma-u-seu, a-i-ryon/lyon-ma-u-seu) this one feels tit for tat, same same, just a minor difference in accentuating the r in iron or not! EDIT: could also be 아이런 (a-i-reon) or 아이론 (a-i-ron) !!!

jaiden: 제이든 (je-i-deun) no notes very easy and straightforward one

lenay: 르네이 (reu/leu-ne-i) same with jaiden's!

nihachu / niki: 니하추 or 니아추, 니키 (ni-ha-chu, ni-a-chu, ni-ki) another same same thing with ni-HA or ni-A, just depends on accentuation or not! the 추 may possibly be said as 츄 instead, but im unsure of which

philza: 피르쟈, 피르 (pi-reu/leu-jya, pi-reu/leu) no notes, straightforward! as you will come to notice, f's usually translate to ㅍ's, and z's usually translate to ㅈ's!

quackity: 콰키티 (kua/kwa-ki-ti) no notes! i heard like months back that quackity's korean fandom endearingly calls him 키티 i think?? fun fact i remembered :)

slimecicle / charlie: 스라임씨컬, 챨이 (seu-ra/la-im-ssi-keol/keor, chyal/chyar-i) wow okay so how do you write charlie in korean because i KNOW there's no way it's 챠르리 (chya-reu-ri) my tongue is tripping over the 르리, it has to be 챨이, or 챠리, or 챨리 right??? okay the more i think the more 챨리 (chyal-li) sounds right ok everyone go home i think it's 챨리 LUL

tinakitten / tina: 티나키던, 티나 (ti-na-ki-deon, ti-na) no notes! straightforward!

tubbo: 터뽀 (teo-bbo) no notes! but also i feel like there's other ways to write it that im just not convinced are correct LUL

wilbur soot: 윌버 쑽 (wil/wir-beo ssut) no notes!

spanish speaking creators:

carre: 카레 (ka-re) no notes!

elmariana: 에르마리아나 or 엘마리아나 (e-reu/leu-ma-ri/li-a-na, el-ma-ri-a-na) the reason why i included 에르 alongside 엘 is because it ends up sounding like "ed", the L/R sound in korean is in that same range and when said fast or cut abruptly like 엘, it sounds like a D, if not for context :) so 엘 COULD work! but it'd be hard to recognize it as an L/R sound without some extra space made for the sound. this is also relevant for elquackity!

german: 헤르만 or 헬만 (he-reu/leu-man, her/hel-man) same thing as last note applies here! it'd sound like HED-man more than HER-man but, still, could work!

luzu, arin: 루쥬 or 루주, 아린 (ru/lu-jyu, ru/lu-ju, a-rin/lin) no notes! i see luzu more said with the 쥬 sound instinctively but it's one of those either or i think EDIT: if it were the spain pronunciation i think it'd be 루튜 (lu-tyu) or 루뜌 (lu-ddyu) ??? the thhh sound doesn't exist in korean but this is the closest it gets i think

maximus, maxo: 맠수머스, 맠서 (mak-su-meo-seu, mak-seo) okay at this point my brain is mush and im sure there's a better way to write this but it's a tricky one. the 맠 could also be 막 (mag) but im unsure where in the mouth the difference is between 맠 and 막, because hangul is very mouth oriented, it's allll about tongue placement, and i am SO not on that X_X EDIT: i change my mind it's 막 for maximus but 맠서 is fine i think idk how to explain is just is. also alternate pronunciationfor maximus: 막씨머스 (mag-ssi-meo-seu)

missa sinfonia: 미싸 씬퍼냐 (mi-ssa ssin-peo-nya) yeah that seems about right (my brain is melting everything is hangul) no notes! EDIT: ok but IS it possibly 미사 (mi-sa)??? im doubting myself here

polispol, pol: 폴에쓰폴, 폴 (pol-e-sseu-pol, pol) no notes!

rivers: 리버스 (ri/li-beo-seu) no notes!

roier: 로이예 or 로이옐 (ro/lo-i-ye, ro/lo-i-yer/yel) this is one of those scenarios where an abrupt L/R sound works just fine! don't know how to explain it! but it just works!

rubius: 루비어스 (ru-bi-eo-seu) no notes!

spreen: 스프린 (seu-peu-rin) no notes!

vegetta: 베헷따 (be-het-dda) okay i don't know how to explain but tonalities of how you say vegetta in spanish make me think 베 and that the tta would be equal to the sharpness of 따 stick with me here i've been doing hangul names for so long now i can't see the end of the horizon EDIT: for some reason im changing my mind it might be 페헷따 (pe-het-dda)

willyrex, willy: 위리렉스, 위리 (wi-ri-reg-seu, wi-ri) okay again idk how to explain but the reason why ㄱ and not ㅋ is because it just feels like it instinctively, like that's a deep ㄱ abrubt stop, not a high ㅋ abrupt stop. im losing my marbles

portuguese speaking creators:

bagi: 바지 (ba-ji) no notes!

cellbit: 셀비트 (sel-bi-teu) guys this is getting hard. yes it's somehow sel and not se-leu. yes it's bi-teu and somehow not bit. if it were bit it'd be missing the aftermath TCH sound and i think it sounds good with it. the sel has space to breathe and isn't abrupt. stay with me. we're almost done EDIT: fellow hangul enjoyer anon in ask box said 셀빛 (sel-bich/bit) or 셀비츠 (sel-bi-cheu) if with the accent, i like these, ur getting put on the fridge with the best magnets. 빛 is a fun one because it sounds pretty much the same to 빝 or 빗, all end in the same stop of the tongue going to the roof of the mouth, but 빛 in particular means "light" and i think that's nice :)

felps: 펠릅스 (pel-reub-seu) holy moly i didn't expect this to be a tongue twister but i think i nailed it

mike: 마이크 or 마이키 (ma-i-keu, ma-i-ki) i've heard mike being called mikey so i included it for fun because there's been so much hardship. so so much. we're in this together.

pac: 팩 or 패크 (paeg, pae-keu) paeg and not paek because it's just a more throat based sound to say pac idk man. pae-keu is a hypothetical im losing it man i don't know anything anymore EDIT: okay i change my mind it's definitely 패크 over 팩 im so loopy from hyperfocus overload man EDIT EDIT: i can also see 팍 (pak) being used though that isn't how it sounds for us, i can see someone saying it that way in korean if they were to read it before hearing it and then go from there

french speaking creators:

antoine daniel: 안투완 단옐 (an-tu-wan dan-yel) in french the a's are long so 단 over 댄 is a guaranteed. the yel could be accentuated more but you get the point by now

aypierre: when french accent, 아이피에히, when english accent, 에이피에어 (a-i-pi-e-hi, e-i-pi-e-eo) (thank u anon for contributing 피에어 that makes much more sense)

baghera jones: one way is 바게라 전스 the other is 바길라 전스 (ba-ge-ra jeon-seu, ba-gil/gir-ra jeon-seu) a baGERa or bagEARa dilemma.....

etoiles: 에투왈 (e-tu-wal/war) no notes!

kameto: 카메토 (ka-me-to) no notes!

THERE!!!! IT'S DONE!!!! this was hard but i feel like i got most right. and when im wrong let's just say this was just hangul practice and not serious right guys, just practice round, right??? we don't take me so serious, right??? just stick fight with totem??? if you know korean especially the phonetics better than me which is NOT a high bar at all, you can step over that bar EASY, tell me a better way to write these thank u! smile :)

bonus round coming at you live from the morning after!!! some others that i thought "yeah let's include you"

im gonna be working on this on and off all day i think so don't be scared if someone isn't here chances are brain is doing something else but will add it later :)

cucurucho: 쿠쿠루쵸 (ku-ku-ru/lu-chyo) no notes!

walter bob: 월터 법 (weol/weor-teo beob) could also be 봅 (bob)

chayanne: 챠얀 (chya-yan) or 차얀 (cha-yan) no notes!

tallulah: 타룰라 (ta-lul-la) no notes!

ramon: 라몬 (ra-mon) or if you're pac you say 하몬 (ha-mon) heehee :)

dapper: 답퍼 (dab-peo) or possibly 답뻐 (dab-bbeo) but im not so sure about that one

leo / leonardo / leonarda: if you speak english it's 리오 (li-o) if you speak spanish it's 레오 (le-o), then add on 날도 (nar/nal-do) or 날다 (nar/nal-da) :)

richarlyson / richas: 리찰리손, 리차스 (ri-chal/char-li-son, ri-cha-seu) no notes!

pomme: 펌 (peom) or 폼 (pom) both work here!

trump: 트람프 or 트럼프, to make it trumpet change the 프 to 펫 (pet/ped)

tilin: 티린 (ti-lin/rin) no notes!

juanaflippa: 환나프리파 (hwan/huan-na-peu-li-pa)

bobby: 법비 (beob-bi) or 봅비 (bob-bi) both work here!

empanada: 엠파나다 (em-pa-na-da) no notes!

pepito: 페피토 (pe-pi-to) no notes!

sunny(sideup): 선니사읻엎 (seon-ni-sa-id-eop) this one works nicely because the 읻 bleeds into the 엎 and sounds like it's one full iddeop :) this one is an ending in ㅍ not ㅂ moment but i don't know how to explain why

[batsplat]

this is how i think the valentino/casey rivalry plays out in their minds

[1945sellmeats]

i was planning to post this on halloween but... oh well.

gay sexing it on the photoshoot

[freakinator]

promises

[turturlee]

Thought it was about time I made something for @somerandomdudelmao , absolutely love their art and storytelling~

“I’ve created a masterpiece but… at what cost”

[cantagirldrawinpeace]

🙂