#it’s the only season mako actually does police work so if you cut that he kinda isn’t a cop

[avatar-state-kate]

17 and 23? Also wow u are so productive to be doing hw too

Well don’t be too proud of me, it’s already late aha

17. Instead of XYZ happening, I would have made ABC happen…

Okay, so I’m think season 2 of lok is the messiest (which I understand why, under the conditions it was made it’s a miracle but still, mess) I think I would try to fix it by merging the loss of Korra’s bending in with the spirit portal plot. So season 1 ends on a cliff hanger and instead of just happening to be in the South Pole and there being evil spirits I would have korra go seeking spiritual advisement, like they’ve tried physical healing but Katara tells korra its a spiritual wound, tenzin tries to help but can’t (maybe this is the first episode, it’d end with korra deciding she needs to find someone else)

Additional notes would be mako is not a cop, Asami is actually involved somehow, and if we’re keeping Bolin’s acting subplot nutuk has to be made by the fire nation to actually be an effective comment on the sort of films it’s mocking (ahem nanok of the North) but I’m not married to it either so I’d probably cut that too

23. An unpopular character you love

Mako hands down. although he doesn’t seem as unpopular as he used to be, the mako defence squad has pretty healthy numbers. But the old fandom and even now off tumblr he still is a pretty universally hated character (for literally no reason, he has never done anything wrong ever and I love him)

[kingwuko]

Wuko in the Comics: Ruins of the Empire: Book 1, Part 1

Welcome to my second post on Wuko in the comics. In this post I’ll be discussing the first half of Ruins of the Empire: Book 1. Wu is a prominent character in this comic trilogy, and there is lots of character development and exploration for him. There are also a lot of scenes with Wu and Mako together, and what’s more, there are a handful of visual parallels to Korrasami!

Ruins of the Empire

Book 1 of RotE was released in May 2019. The art style is different from Turf Wars- the colors are very vibrant and it almost looks like stills of the animated series. It takes place 3 months after the conclusion of the animated series, and there is lots of continuity following the events of Turf wars. Some major plot points that carry from Turf Wars include: Wu has been governing the Earth Kingdom, Korra and Asami are in a firmly established relationship, and Zhu Li is President of the United Nations.

Plot Summary

The first half of Book 1 of RotE highlights the transition of the Earth Kingdom into a democracy by focusing on the first state to hold its elections, Gaoling. Gaoling’s election is at risk of being disrupted by Earth Empire general, Guan, who didn’t surrender when the rest of the empire did. The Krew decides to accompany King Wu to Gaoling to ensure the election proceeds without interference.

Major plot points in the first half of Book 1

We start out with a flashback that sets the timeline for the rest of the comic. In Gaoling, Commander Guan is running an earth empire “reeducation camp” and has just gotten word that Kuvira surrendered, but isn’t planning to give up so easily. He insists that his “experiments” and the Earth Empire will go on, with or without Kuvira as the Earth Emperor…. Then we jump ahead 3 months to Republic City, City Hall. We start out with an excellent frame, the first of many Wuko Korrasami parallels! Get excited, there are SO many!

Bolin is working for President Zhu Li Moon now, because, why not? He just quit his job working with Mako on the police force, and now he’s Zhu Li’s administrative assistant or something. Zhu Li is going to be introducing King Wu for a “big speech” to the citizens of Republic City. Korra gives Wu a friendly elbow nudge and asks if he’s ready. (the first of many wholesome friendship moments between the two of them)

Wu is not ready, he’s nervous. He asks Mako to read his speech for him, and Mako says no way- but then he reassures Wu that he’ll do great. “Just be yourself” Wu is immediately comforted and says that Mako always knows the right thing to say and that must be why he keeps Mako around! (I can think of a couple other reasons...) Mako’s expressions are very stoic and closed off. He’s got his arms crossed and looks grumpy (I feel like I’m always saying Mako looks grumpy. But that’s the best adjective I can come up with).

Wu begins his speech where he announces that it’s almost time for the Earth Kingdom states to begin holding elections, starting in the state of Gaoling. Grandma Yin and cousin Tu are in the audience and Yin is booing Wu, and also yelling “Long live the monarchy” while holding framed portraits of Wu and Hou-Ting.

Asami, Korra, Mako and Varric are standing behind Wu, applauding along with the crowd (well, the crowd minus Yin). Korra and Mako casually compliment Wu, saying that he's doing great and almost looks like a real leader! Wu says that within a year there will be a peaceful transition to democracy. He gets bombarded by questions and panics and starts singing. He tosses his stylish hat into the crowd, which Yin catches and says “you’ll always be my king!” Mako covers his face with his hands, Korra says ”well you did tell him to be himself” and Mako says “this is NOT what I meant”. Sorry Mako. You know Wu better than anyone so you should have known a song was coming. Zhu Li takes the podium and Wu dramatically faints/collapses into Mako’s arms. I presume on purpose.

We cut to a scene of Kuvira’s trial. Kuvira, after being read the charges against her, pleads not guilty (because every thing she did was for the “greater good”), Suyin confronts her and Kuvira apologizes but Suyin isn’t having it and forcefully tells her that apologies aren’t enough, she has to take responsibility.

We move on to President Moon’s office, where Wu is sitting on a sofa and Bolin welcomes Asami, Mako and Korra in. Mako lampshades Bolin’s many career changes. Bolin makes a comment to Mako that just because Mako has “found” himself it doesn’t mean the rest of them have. I, for the life of me, can’t figure out exactly what Bolin is trying to say here. Is he referring to the fact that Mako has “found” his career as a detective? Or something else, like his true feelings for Wu? Probably the first thing but us Wuko shippers will happily apply it to the other thing.

Once everyone is settled in, Wu asks them to come with him to Gaoling for the upcoming elections! Mako is actually not thrilled, and tells Wu that they aren’t going to be there for him to show off as his entourage. Wu is like No, that’s not it! Well, yes, kinda. He wants their help dealing with the Earth Empire loyalists being led by Guan. The Earth Kingdom army is understaffed and Wu is worried the Guan will try to prevent the elections from happening. The Krew agrees that it could be a problem, especially since it could cause other states to back out of holding elections and allow the earth empire to rise again.

So the Krew plans to come to Gaoling to show support for the elections, hopefully deter Guan from interfering, and Mako says they will keep Wu safe. Zhu Li encourages Bolin to go as well. Wu is very excited to team up with Mako again! After they leave the President's office, Korra suggests going to go speak to Kuvira to try to gather intel on Guan- Asami is not thrilled and doesn’t want to go with her because Kuvira was responsible for her father’s death. Korra is understanding and supportive and they share a lovely little kiss before Korra heads off.

Korra arrives at Kuvira’s prison with Naga. We catch a quick glimpse into Kuvira’s mind as she remembers a moment from her childhood when she ran away from her parents-after her parents accused her of breaking a vase, the take away her toys and lock her in her room “for her own good”, and she uses her earth bending to break the wall and escape. This and other flashbacks attempt to make us more sympathetic to Kuvira so we can accept her redemption arc in the remainder of the comics. After her little flashback, Korra and Kuvira discuss Guan. Kuvira says she didn’t know Guan hadn’t surrendered, and that Korra should consider him a major threat because he is cunning and strategic. Then Kuvira tells Korra if she wants to stop Guan, she should bring Kuvira along to reason with him and convince him to stand down and surrender. Korra is not convinced, but Kuvira tells her to take time to think about it, and she’ll be there to help when Korra asks.

Meanwhile, Guan is rallying his troops. He’s got a sizable regiment of soldiers along with tanks, and is giving them a big speech about taking back the empire and rising from the ruins of defeat. He and his troops head out of their fortress, presumably to do exactly what everyone is worried about and stop Gaoling’s election.

Mako and Wu Scenes

Mako and Wu are featured in many scenes of these comics, together more often than not!

The very first scene with Wu, he is standing right next to Mako, in the same frame as Korra and Asami. I realize “standing next to each other” might not actually be ground breaking evidence for Wuko, but it feels like a parallel to Korrasami, and most importantly creates kind of an establishing shot, planting Wu at the center along with Korra. This is kind of amazing considering he was in only one season of the show and he was largely a comic relief character that I don’t think the writers meant for us to take seriously. There is a pattern of parallels in RotE with Korrasami and Wuko, and we don’t really need to reach for them. They are right there, visually.

We also get to see some lovely moments of Korra’s and Wu’s friendship. She elbows him good-naturedly. She’s kind and supportive. She compliments him. He does seem a little awkward but overall it seems he really fits in with the Krew now, and I find it really sweet. His characterization feels very different from the show. He isn’t obnoxiously flirting with every 'dame' he lays eyes on. He isn’t bratty, or materialistic. He’s still goofy and lands some comic relief joke moments, but overall he is treated like an actual character with substantial development and plot-advancing roles.

During Wu’s speech, Mako is staring like, way too intently at him while casually complementing how he almost looks like a real leader. (Well, up until Wu starts singing, and then his second-hand embarrassment seems more intense than the others, who mostly just seem a little stunned, while Mako has his face buried in his hands). Also, the running gag of Grandma Yin being obsessed with royalty has it’s funny moments during his speech, but I really like it because the fact that Mako’s grandma is reverent, affectionate, AND outspoken with Wu would probably create an interesting in-law dynamic, right? Also, during his song, the tosses his hat out to the crowd which Yin catches like a single lady catching the bridal bouquet, and says “You’ll always be my King!” I like to imagine that she now wears his hat everywhere, along with Mako’s scarf. I know I’m reaching but Yin wearing both their accessories is another Wuko moment in my mind.

Let’s also talk about Wu fainting. After his panic-singing, Zhu Li quickly takes over and Wu steps back and dramatically faints, saying “Wu down”- right into Mako’s arms. Why into Mako’s arms? Did he step back and strategically aim himself at Mako? Technically the closest person to him was Varrick. So he had to stagger back diagonally and fall back toward Mako on purpose. Did Mako catch him with lightning-fast reflexes? Korra was also right there and she’s the Avatar, you’d think she’d react quicker than Mako. Nope. The best explanation is that Wu for sure was intentionally falling into Mako’s arms, and Mako’s ‘protect Wu’ instincts kicked in faster than anyone else's because.. Well. You ship Wuko. You know what I'm saying. <3

During the conversation in Zhu Li’s office, once again, visually Mako and Wu are parallel to Korra and Asami. They are sitting next to each other on a couch opposite Korra and Asami. However, there is this one moment where Mako is NOT HAVING IT with Wu. When Wu asks the Krew to join him, Mako is like, why? For show? No way. He says “We’re not your entourage, Wu.” Honestly that was kinda mean of him to say. I’m not sure what to make of it other than Mako is suddenly grumpy because his brother (who was visibly offended by Mako lamp-shading his career-hopping) snatched away a tray of cupcakes a moment before. Still, Wu is quick to reassure him that it’s not like that at all, and delivers the news of Guan and quickly makes a case that it’s the practical thing to do considering the political climate. Mako immediately agrees after that, and quickly flips his script to “we’ll keep you safe”. And Wu’s triple “yes” response with an excited fist in the air is enough of a Wuko moment for me.

When they leave Zhu Li’s office, yet another visual Korrasami/Wuko parallel. Korra and Asami are in the back holding hands, and Mako and Wu are in the front with Wu’s arm draped around Mako’s shoulders. Wu is very happy that Mako is coming along. Says they should get a smoothie to celebrate, and it’ll be just like old times! I’m sure Wu missed Mako. Mako doesn’t seem quite as thrilled but at this point it's really just Mako’s face. He just always looks like that. Who knows what he’s thinking inside.

What this means for Wuko

So if you are writing some fanfic or just coming up with headcanons with the comics in mind, there is a lot of material to work with right away. They are in close proximity for most of their scenes. Wu is accepted by the Krew, and he is buddy-buddy enough with Korra to presume he’s probably been talking to her outside of the scenes depicted in the comics. So there’s some potential for wingman or matchmaker Korra, or at the very least she will be happy and supportive of them getting together since she has warmed up to Wu a lot. Both Mako and Wu have matured enough that a healthy relationship is within reach. Wu clearly has affection toward Mako, and Mako still has that protective instinct toward Wu, even if he looks like he’s not having a great time (But like I said, he looks like that all the time, so I'm pretty sure he just has resting bitch face).

So that is about the halfway point of book 1. The next post I will talk about the second half of book 1. Some things to look forward to: a sauna scene, Mako, Bolin and Wu giving Kuvira the Bitchiest collective look ever, and Wu casually telling Mako that he loves him.

Wuko in Turf War

Wuko in RotE part 2

[ihaspoorgrammer]

Legend of Korra: Alternate Season 2

In honor of LoK coming to Netflix, I’ve decided to vomit all my feelings towards that show the best way I can - creative writing - In a “What I think Should’ve Happened” essay for your reading pleasure. For those who don’t have the time, I’ll just come out and say it -- Legend of Korra was created with one season in mind, and that’s how it should've stayed.

All the concepts and ideas they introduced in the first season (and The Last Airbender) were more-or-less abandoned by the sequel so they could flounder and come to a deflating end.

So, I wrote this as a way to actually make use of them in a meaningful way that the creators so casually disregarded:

A few months after the battle with Amon, the Equalists have splintered into different cells throughout Republic City. Amon being revealed as a Waterbender weakened them, but that doesn’t take away from the larger points they championed about Bender/Non-Bender inequality. As a consequence, the United Forces soldiers are still a presence in the city, and Chief Biefong has made use of them as additional keepers of the peace, working with the Metalbending police to help rebuild and establish order, and has benefited greatly from the leadership of General Iroh and Commander Bumi.Korra is still airbending training with Tenzin as well as learning about the Avatar State, and she seems to have done a complete 180 in terms of her training; now dedicating herself to it full time to it. Tenzin is naturally happy about this development, but cautions her that the training will have to come naturally and it’s not something she can force, and is wary of how deeply her fight with Amon affected her.   The Fire Ferrets are preparing for their first match since last season against the Polar Leopards, Mako and Bolin steel their nerves while their new waterbender - Tahno - tells them to "relax" and "prepare to be amazed." After putting up a spirited fight, the Fire Ferrets and their opponents are tied. After ganging up on Tahno - who is at a disadvantage, being more accustomed to cheating - is saved by Mako. With seconds left, Tahno subtly bends the water on the opposing team’s side, and creates an ice-patch, causing an opponent to slip. Tahno takes advantage of this, and wins the match with a “Korra Special.” Only Mako notices the cheat.  After the match, Mako approaches Tahno about the cheating, but lets it slide. At Bolin’s suggestion, the two brothers go out to celebrate and invite Tahno along, but he opts out for "training” (after this, we see that Tahno has a picture of Korra in his locker, hinting that he only joined the Ferrets to make it up to her for restoring his bending).Asami has taken full control of Future Industries and personally oversees the production of new satomobiles and has saved Future Industries from bankruptcy with new airplanes designs. However, the company can't shake the black-eye her father gave it and her name, so business contacts have become scarce and shareholders have started pulling out. Worse, the board of directors have begun flexing their muscles to try and squeeze her out. She needs to come up with something good and fast.Mako, Bolin, and Tahno are in the middle of free-for-all sparring, when Tahno accidentally makes ice and headshots Bolin (which makes his vision comically go double). Mako scolds Tahno about it, causing Tahno to storm off.   Later that night on Air Temple Island, Mako brings Korra a meat dinner (Tenzin has put her on a vegetarian diet), but she declines. They begin to discuss Tahno’s participation in the team, which Mako believes was a bad idea, but Korra reminds him that Tahno has cut back on cheating, worked hard, and overall been a good addition (or stand-in for Korra). They share a nice couple-moment and laugh. We see Asami in the distance looking at them longingly, showing that she is still hurt over Mako leaving her for Korra. She starts to walk back to her room when she hears a strange noise in the distance. The source is Commander Bumi throwing his boomerang back and forth. After talking for a bit (and Bumi revealing that the boomerang once belonged to his uncle, Sokka), Bumi allows Asami to give it a throw. After a successful first try, she accidentally throws it through Tenzin's window. Bumi tells her "I didn't see anything if you didn't see anything." As he hops in the bushes to hide and Asami runs away. Laughing.  Meanwhile, a group of once-small time Triad gangs (they were "little people" before Amon "de-bended" the major families), are attacked by members of the Triple Threat. After a small battle, the Triple Threats win, and take with them a powerful bloodbender (or they start interrogating someone), leaving behind a message: “Lightning strikes twice.” ------

After that, Season 2 is in full swing. The Triads are the major Big Bad of this season because the purpose of the show was to be the opposite of Airbender, narratively speaking. So, that means keeping Korra and the cast firmly in Republic City and no more globe trotting.

This puts a bigger emphasis on the characters and their interpersonal relationships (which was the big draw of the show to begin with), rather than having to build up and explain the geo-politics of a new setting.

If they did stay for at least one more season, it probably would have emphasized a larger untapped well; the city was designed to be a 1920’s New York-style “melting-pot”, a place where all cultures come together and mix (Mako and Bolin are a product of a Fire Nation and Earth Kingdom union, and Tahno seems to be the a product of a Fire Nation and Water Tribe union). So, essentially, it’s the architectural equivalent of the Avatar. Just as the Avatar is the synergy of the four nations, Republic City does the exact same thing, just on a larger scale. One more season would better emphasize this fact, and show that despite what people think, it is possible for the four nations to co-exist as long as it’s based on mutual respect and sharing of differences, not domination of differences. This imaginary second season could also be used to address multiculturalism in any number of ways. 

Maybe the new Big Bad could’ve been a terrorist group dedicated to keeping the nations separate and "pure," and see the City as an affront to the Avatar’s “true responsibility.” And maybe Korra can see that, despite its flaws, the city and what it represents is worth saving. It also would have emphasised the “super-hero” aspect of the show; Korra being a Superman-figure who constantly has to protect her Metropolis from ever-constant calamities.  Another aspect that could’ve been added, was that the people of Republic City could’ve helped the Krew. You see, the citizens of Rep. City are constantly infantilized to the point of helplessness until Korra and co. show up to help. The opposite approach would have emphasised the multicultural aspect of the city, and how when push comes to shove, they are all one big family.Maybe even having a scene like from the original Spider-Man movie where the citizens actually help the Krew out, saying “you mess with one of us, you mess with all of us!”

But I’m getting ahead of myself.

From my perspective, there’s no better way to kick this off than introducing this monkey-wrench into the Krew’s system -- the return of Lightning Bolt Zolt, Mako and Bolin’s adoptive father.

See, in the backstory that the show never did anything with, after their parents died, Mako and Bolin became part of the Triads. Though Mako stresses to Korra that he only "ran numbers" for them during his time there. . . So either Mako is a mathematical prodigy, or he's lying. Because I'm gonna go out on a limb here and say he probably received no formal education on the streets that would enable him to work for the Triads in that capacity. So that begs the question: why would he lie? What did he do during his time working for the Triads, that would make him leave and never speak of it again? It’s because he was specially trained by Zolt personally. Learning Lightningbending in the process.

Now, Zolt will use this connection to manipulate Mako for his own purposes, which involves getting his bending back, which will of course drive a wedge between him and Korra.

Zolt may be a bastard, but he was arguably more of a father to him than Mako’s actual father, and that kind of emotional connection is hard to ignore. In fact, it’s such a shock to his system that his Lightningbending stops working.

Which brings him in contact with General Iroh.

When we first meet Mako, he’s determined, blunt, stubborn, and reserved. Understandably so, seeing as how his parents were murdered in front of him Batman-style and was forced to basically raise his little brother on his own, on the streets. As a consequence, one of his most defining characteristics is his inability to relax. He’s constantly trying to fix everything, constantly trying to help everybody, and constantly trying to remain in control. So, Avatar-style development demands that he gradually realize that he can’t control everything and learn to relax, allowing Bolin to become his own person, and learning to go with the flow. Which is something they actually didn’t do in the fourth season. He was largely extraneous to the story and they actually took every opportunity they had to show how useless he was.

Meanwhile, Bolin starts being approached by Lin Biefong, who believes the young man has the potential to be part of the Metalbending police force, despite his claims that he can’t Metalbend. However, Lin eventually realizes why he never could; he’s never had to apply himself. You need to have an unrelenting drive to force the minerals within to move, and that’s not something Bolin has ever needed. In Season 4 of the actual show, I almost applauded it for having Bolin sign up for the army because I thought that’s exactly what he needed -- a place to apply himself. Mako being such a mother-hen accidentally stunted Bolin’s emotional growth, never allowing him to mature and become independent. Which could lead into a very Sokka-like confession:

B: “Do you want to know something really terrible; I don’t miss them. Mako was the one that really knew them. I remember bits of things, but … They’re just … People I didn’t get to know. Mako’s the one that’s always been there for me.”

So here, Lin takes it upon herself to be his teacher and actually show his true potential. They grow closer as a result, and she and Bolin start developing a mother-son relationship. When we first meet Bolin, he’s immature, a show-off, something of a womanizer, a shameless flirt, and a goof-off. The unifying detail with the Bending Brothers is that Mako was sort of holding them both back; Mako’s over-protectiveness never allowed him to choose what was best for himself, and stunted Bolin’s emotional growth into becoming a more independent adult. What they could’ve done - if they wanted to save time - was to have their character arcs work off of each other -- while Mako becomes more relaxed and free-spirited, Bolin becomes more responsible and goal-oriented.

The only other place that the phrase “wasted potential” belongs besides in association with Tahno we’ll get to in a minute, but for now let’s focus on him. The creators once said that they “care about all the characters … except Tahno,” which should show the lack of imagination that was rather systemic in the thinking process there (and what liars they are).

From the start, Tahno is clearly deeply affected by Amon stripping him of his bending, even if Korra gave it back to him. And while he still resorts to cheating now and then, it’s not entirely because he’s a natural cheater … it’s because his bending hasn’t completely come back, and neither has Korra’s for that matter.

They’re both so traumatized by Amon’s Bloodbending that they’re experiencing “hiccups” in their powers.

Korra has tried to deal with it by doubling-down on her Airbender training to “find inner peace,” while Tahno is just trying to ignore it.

Eventually, their arcs cross paths, and they bond of their attempts at healing, having to come to terms with the fact that the “body heals only after the mind heals.” Which further draws a wedge between her and Mako.

Now, there is still a love-triangle here, but it’s in service to why Mako and Korra were brought together in the first place: they aren't supposed to be like Katara and Aang, where it was love-at-first-sight. They’re supposed to be the more realistic couple that have problems and have to make compromises because they love each other.

Love isn’t something that just happens, you have to work hard at it and make the other person happy without looking for the advantage. Relationships - both platonic and romantic - need to be built on mutual trust and understanding, and with understanding means taking a person for both their good and bad qualities.

Infatuation is the kind of love that is more shallow and doesn’t last.

Under direct orders from Fire Lord Zuko himself, General Iroh has started staying at Air Temple Island to watch over the Avatar, which leads him to becoming an unofficial therapist to the people staying there, namely Korra, Tahno, and Mako.Iroh is unique among the cast because he’s inherited Uncle Iroh’s position of someone who already has everything figured out themselves.

He grew up with loving parents and loving grandparents, and we learn that he had the honor of being one of the first firebenders taught by the Sun Warriors, who Zuko spent most of his life helping reconstruct (where he gained the nickname, “The Young Dragon”).

This new living situation makes him a part of the Krew later on, and brings him closer contact with Asami, who he develops a rapport with. And finally, we come to Asami, who is still dealing with losing her father and potentially losing everything else.

You don’t have the founder of a company be linked to a terrorist organisation and expect that company to survive, no matter what financial magic you can conjure. Which is something Asami is learning all too well.But in this madness, she meets two people -- Commander Bumi and General Iroh (who’s under an official Fire Lord order to watch over the Avatar).

She soon becomes Bumi’s ward, eventually, Bumi will act as a surrogate father for Asami, and she will help him organize, and win, a blimp race. From then on, she starts exclusively referring to him with the honorific, "commander."

They become so close that he starts teaching her everything Sokka taught him. You see, because Aang spent more time with Tenzin and Katara more time with Kya, that meant that Bumi ended up bonding with his non-bending uncle, (who later in life became master Piandao’s best student).

That’s why Bumi carries around Sokka's boomerang; Sokka was probably more of a father to him than Aang was.

So Sokka, never having children of his own after Suki tragically died, taught Bumi everything he knew, including how to recreate Space Earth Metal.And, after they grow closer, he decides to trust Asami with this sacred technique. … 

Which she immediately tries to patent and market in order to save Future Industries. However, when she learns how deeply she hurt Bumi by doing this, she finally cuts her losses and sells the company. After that, she decides to pursue a different career, perhaps by joining the United Forces. 

And, while all of this is happening, Tenzin is informed by the White Lotus that global bending birth rates are going down with the modernization and mechanization of the world. Signifying that people's disconnection with nature and spirituality is robbing them of their bending.

Just like what happened to the Fire Nation.

And if this rate continues, in a few generations, bending might completely disappear.

------

Avatar: The Last Airbender was aimed primarily at children and early teens, because those are big transitional times in young people's lives. But late-teens and early 20's are also big transitional phases in young people's lives. Perhaps even more so, because those are the times where you have to learn how to be an adult. A very alien concept.

So, Legend of Korra seemed primed to tackle the challenges of this time, but for one reason or another, they never did.

Despite having a golden opportunity to say some meaningful things about interracial families and multiculturalism, they instead, did nothing.

This is a quote from a Tumblr post who I sadly can’t track down, but it speaks volumes to what AtLA represented to people:

“You need ALL these things to survive and grow, to hold up your community and push yourself forward. You need to unlearn myths and lies, reform them to fit new realities. You need to respect the past but mold it for the future. In short, you have to “draw wisdom from many different places” while keeping true to who you are and where you come from. IDK if the creators of AtLA thought about these things when crafting this story; I think when a story is well told, with authenticity and love, it has the potential to illuminate many perspectives and strike empathy in many different people. Diasporic consciousness is incredibly valuable because it teaches us a different way of being, a way of interconnectedness and mutual love. The Gaang symbolizes this perfectly: it took all of them with all their different skills, to end the War and restore peace and balance. A diasporic consciousness has the same power: to model a newer, more just, more empathetic way of life.”

Tying into this, I think all the Avatars were wrong in their assertion that the four nations needed to be separated. Think about it. Every single nation failed, in their own way, because they were isolated: the Fire Nation became too proud of its own accomplishments, and became a fascist regime. The Air Nomads' loose and "free" nature allowed the Fire Nation to easily wipe them out. The "go with the flow" attitude of the Southern Water Tribe - similar to the Air Nomads - made them easy targets for the Fire Nation; while the Northern Water Tribe "froze over," becoming rigid in their doctrine and tradition, and could never stand against the Fire Nation alone; and the Earth Kingdom fell too far into its "virtue" of endurance, and became a military dictatorship with a puppet king, cutting off any ties to the outside world. 

“It is important to draw wisdom from many different places. If we take it from only one place, it becomes rigid and stale. Understanding others, the other elements, and the other nations, will help you become whole.”

While the "separate, but equal" stance towards the Four Nations may have been a good idea in the past, in recent years, it's proven to be a recipe for disaster. Most, if not all, of these failings could've been avoided if there had been more open dialogue between the Nations. There is a saving grace in the form of the Order of the White Lotus, but seeing how they all kindly fucked off until the shit really started to hit the fan, I can hardly see how they were a solution to the problem. Now, I really don’t know what else to say. I wrote this entire thing as an exercise to show how Legend of Korra failed in its duties to be an equal to its predecessor, because I was a fan.

Not just of AtLA, but of Lok as well. I watched it, I invested in it, and I was disappointed by it.

Others may have had all their hopes answered by the ending, but I was left with a pit in my stomach over how far the mighty had fallen.

And I don’t look forward to the show being adapted into live action because I don’t think I can take seeing all the lapses in creativity and common sense all over again.

[steve0discusses]

Yugioh S4 Episode 2: Rebecca...She’s back, I guess?

So I got hella sick this week so it’s...just one update this weekend. The rest of the next update has the caps done but then the copy I was putting together got very distracted about which Founding Father was the hottest and I think that was the Dayquil? I barely know what day of the week it is rn. I think it’s Saturday, is it Saturday?

Anyway, we’re battling that Monocle guy. Gurimo? Yeah his name is Gurimo. I honestly can’t remember him saying his name even once, so thanks Google for the help.

It’s a new season so not only did we suck all the power out of God Cards but now you can’t use them anymore with the new glowing green mechanic. The writers really did just...a lot to make it so God Cards are no longer relevant. Like they buried them so far.

This guy repeats himself quite a lot about being soul hungry? Yeah I watched all of Sailor Moon so like, I’m super up to date on my soul energy anime. I’ve walked this path before I know it well.

(read more under the cut)

Such a shame we can’t read those stats which may just be Hebrew letters in lorem ipsum (note that when Pegasus makes you a card, you don’t get to have stats) but it’s nice to know that, if you wanted to, you could play Rex and Weevil in universe of the show and something would happen.

Anyway, Gurimo lost, his eyes went all glowy red at some point, and decided to go out throwing stuff because it’s Yugioh and you have to throw cards at least 3 times a season, its in the contract.

Don’t think about physics guys, just trust that cards can do this on a roof where there’s no wind for some reason.

And then he went up in a green ball of glory. It was nice of the green beam of soul energy to wait until the impossible card toss was over.

Lol this show and how it just kills people on screen just...all the time. All the freakin time. Can’t show a gun, but murder as many people as you like. It’s OK, his soul is in a paper card so he’s not *really* dead. That won’t terrify children under the age of 10.

So Pharaoh decides to do the tactic of telling a bunch of motorcycle gang edgy kids (adults? not sure about those three) that stealing is Wrong.

They also, youknow, are implicit in murdering Rex and Weevil but youknow, stealing is wrong and the God Cards don’t belong to them and Pharaoh is shook that these kids won’t keep their end of their bargain that whoever wins the card fight keeps the cards.

So basically Gurimo died for freakin nothing.

Welcome back to the fold, Rex and Weevil, apparently this show isn’t done with you yet. I was pretty much done with both of you 3 seasons ago but alas, you will be back, with your raspy as hell voice acting, at the beginning of S5. I am sure of it.

(PS I just noticed I spelled resurrect wrong and I know I should go back into photoshop but like...I’m too sick to care at this moment so maybe I’ll change it in the next week or so I dunno, I’m just gonna post this thing so I can feel like I did something productive today.)

And so these kids decide the police are never going to freakin show up to the rooftop brawl where a guy super died and several children were endangered and a huge beam of light you can see from space went out like a bat signal to the rest of the city of “ps, something bad is happening over here, if any of you adults feel like helping out these four high school drop outs? Nobody?”

First, they decide to keep this horrible thing:

(which second thought is not SO surprising, because Yugi clearly loves hoarding dead people)

And then this other horrible thing:

Why would you keep these? Why would you do this?

I mean Yugi’s got such specific dark tastes that I wouldn’t be half surprised if his closet is filled with dozens and dozens of rat skulls he collected from the subway station.

And then the next day, Yugi decided to just like watch Joey and Tristan dangle Rex and Weevil like puppets. It just seemed super unnecessary.

Like Yugi isn’t even Pharaoh right now but he’s absolutely fine with these guys getting shook around. Yugi is all sorts of gray area in this show and I’m glad that’s never changed although sometimes it’s like “Is Yugi slowly turning into a mob boss? Because I’m down, but also somewhat concerned?”

Anyway, the God Cards aren’t even here anymore so we say farewell to Rex and Weevil who seem just as confused at how the hell you can steal a God Card as we are.

*not entirely sure where Rex and Weevil are from. I’ve been assuming the UK or the US but like...maybe they live here? I don’t even know.

And then Chibiusa--I mean Rebecca showed up.

Ah, remember this plot point from S1? What if she shows up and (according to Bro) Just never leaves?

I’m coming to terms with this. Anyway, Rebecca’s only purpose seems to be as a part of a (love????) triangle (square????) between Yugi and Tea but like...

And maybe this is the Dayquil speaking but...

Is this even weird?

Seriously, they’re family friends, why is this weird? Maybe it’s because one of Rebecca’s core traits is that she’s American and I’m also an American so I don’t even see a problem with Rebecca and how she acts (since she’s a freakin child with a crush on a card-famous person) but like what small child see her friend she hasn’t seen in 2 years and is not going to hug him?

Anyway, Yugi was the worst to not remember this chick. Maybe his brain looks like a box of loose packing peanuts (I say as a metaphor remembering that his brain literally looks like an Escher painting screensaver), but he can’t remember this chick from just 2 years ago that he gave his rarest card to? The chick who’s grandfather had that blue-eyes he gave to Yugi’s Grandfather? The chick who’s grandfather helped his grandfather get that necklace around Yugi’s neck? The necklace he wears every single day and is super cursed by?

How do you forget the Hawkins when they are part of the reason everyone thinks you’re losing your mind?

But I guess she looks older now and got a pair of glasses (bifocals????). She No longer has her hair in pigtails but, I dunno, she looks basically the same to me since she’s still about the same size as Yugi but wtv.

And then Yugioh was like “Listen everyone, we’re very tired of all of your angry reviews, and I see y’all are saying we never do romance, well get ready, we know how to do romance really well, get ready for it, we can make things move faster than a snail in wet cement, just watch.”

Because somehow, after Yugi was the biggest asshole ever to Rebeca, I guess she figured like “well, at least you’re still card famous”

You know what? I have several girlfriends who I am not dating, but, if it’s been a couple weeks since they’ve seen me last, will give me a huge as drunk hug on my arm and go “MY LOVE MY GIRLFRIEND MARRY ME” and like...Again I’m American so maybe this is just my culture here in California?

I’d like to believe that Rebecca is just messing with these people because she can.

Ps I’m pretty sure this girl was 6 last time we saw her but they decided...we better age her up if it’s gonna be a romance but they only made her 12. OK show. Yugi’s pushing 17 at this point so like...barely even logical. I’d say legal but I’m thinking more of just logic at this point because the last time we saw this girl she was holding a teddy bear (which we can guarantee is probably still shoved into her luggage)

...OK, show...

Now listen listen listen. All ships are fine here. I’m not gonna go after shipping because like, c’mon, it’s 2019. If you stan Rebecca and Yugi, go for it, why not? I’ve said it before, and my feelings haven’t really changed, I’m immune to shipping, so I feel absolutely no different with Rebecca and Yugi than I do with Tea and Yugi. I think Tea makes more sense, but that’s not saying very much because literally anyone else on this cast who isn’t related to him could probably work. Go ahead and bring back Mako Tsunami. There’d be a fun pair.

Bro got very excited when I mentioned a MakoxYugi pairing just now ps.

But it really does feel like this ship has the dynamic of the Usagi/Chibiusa/Mamaru ship from Sailor Moon where Usagi was always jealous of small little Chibiusa spending time with Mamaru who was her OWN DAD. Why would you EVER be jealous of a 12 year old girl hanging with your boy...friend? Tea is a 17ish year old ballerina who never, ever wears full pants. She’d have this in the bag if she ever decided to like...do anything with...this. And I don’t blame Tea for never doing anything with “this” because like...look at “this.”

I just don’t think the writing team knows how to write a competent love triangle (square) but...this exists now. They even had Rebecca decide to dress nearly identically to Tea as a demonstration of her devotion but like...it honestly comes off more that this small child just admires Tea. Because she’s 12.

Yugi is just babysitting this girl for his Grandfather and it feels like the writing team just had to have the girls be all catty at eachother. Because it’s a kids show. Gotta have those girls all catty. Can’t let them be friends.

Anyway, back at this museum that these kids visit so freakin often, you’d think they’d change their home address, we meet up with the granddads in question.

Ah, now Ishizu is no longer with us, Exposition Grandpa is here to take the torch. Can’t wait for that.

And I made his font gray because I freakin give up. Grandpa Hawkins might change his font color every episode. I...I’m figuring it out.

And then, every helicopter in Domino shed a single tear.

Wow. I’ve been so mad for so many seasons that they never use a freakin seaplane to cross the ocean that when they actually do I’m like...kind of disappointed?

I mean it’s not shaped like a dragon, but I will take this perfectly acceptable seaplane.

I can’t believe they drew a normal ass plane. on this show.

*Waits patiently for it to turn into a blimp next episode*

Anyway, if you just got here, this is a link to read all the caps in chrono order. There’s over 3 seasons of this. Y’all I’ve done over 100 episodes.

[knightofbalance-13]

Actually...

http://dudeblade.tumblr.com/post/165589953048/lets-be-real-and-agree-on-something

No we are not agreeing to this.

RVVBY is an amalgam of multiple tropes, cliches, and concepts from other media that did it much better.

As we will soon see: The examples are either way too general, RWBY does too differently for a comparison or RWBY actually does it BETTER.

Faunus as a stand-in for minorities. X-Men did it first, did it better, and has better justification for it. Some mutants are dangerous, and have abilities that could level a building with little effort. The Brotherhood of Evil Mutants are just a separate branch of mutants that humans use to justify their discrimination, and sentinels are extermination bots. There’s literally “Mutant Camps” In the Days of Future Past movie that are analogous to concentration camps. Whilst being a mutant has since evolved into an analogy for being part of the LGBT+ community, it started as an allegory for racism. And it was much MUCH better at it. Last I checked, Inhumans are now the new racism allegory, and even then, they’re still a better analogy than faunus. The reason why both of these are all more effective is because they don’t replace all racial minorities by being their stand-in. There are African Mutant (Storm), Native American Mutants (Moonstar), and even biracial Mutants (Darwin). So, Mutants are a multi-cultural fictional race that acts as a stand-in for a minority group in the Marvel Universe. See, this is what happens when you have good writers who are open to criticism.

Except the racism is UNDERSTANDABLE in X-Men since mutants ARE more dangerous than humans and some of the (like Rogue) can’t control their powers and thus are a danger no matter how you slice it whereas the Fanaus aren’t any dangerous than humans because they don’t significant enough advantages to overcome the human dominance so it’s just like racism here in our world: Stupid and irrational. So you’re basically saying it’s more rational to hate an innocent group of animal people that people who can control the weather, kill on touch or mindfuck everyone. COngrats, you have shown you have a bias against RWBY so your opinions mean jack shit.

Final Fantasy did the idea of dust better. It was called Materia, and it had a better explanation as to how it’s applied. Much like dust, it’s mined. Unlike dust, it’s explicitly stated to be magical in nature rather than the vague explanation we got for dust. dust is also weird in the sense that it’s kinda elemental. Materia also has a simpler categorization by just giving it five subcategories. Dust has to be classified under fire, ice, gravity, electric, stone, whatever Yang’s standard buckshots are, and so much more. It’s starting to get to the point that I wouldn’t be surprised if they started to be more direct in their rip-off and make Summon Dust. And it’s hard to even argue this because Monty Oum (God Rest His Soul) is a Final Fantasy fanboy (See: Dead Fantasy), so there’s no doubt that there would be some FF references every now and then. But the idea of Dust is too similar to be a coincidence. Even the claim of how similar the show is to Advent Children is rather hard to see any other way. Advent Children had very little plot to it, but had spectacular action scenes - sound familiar?

Yeah, of course it’s a rip off here! ...And in Storm Hawks...and Kingdom Hearts...And Pokémon-

Almost like this is a COMMON TROPE. Can’t really call it a rip off when everyone is doing it. Almost like you don’t know how tropes work.  Also, you don’t mention how Final Fantasy does it better: you just say they do. Probably because FInal Fanatsy=Not RWBy ergo better.

Legend of Korra did the whole “Girl Power” thing better. Considering that they also managed to portray PTSD in a much more realistic way, and didn’t romanticize it like RVVBY did. Korra had hallucinations, was clearly sleep-deprived, and struggled to keep up with even a few non-benders because of the trauma. Sure, LoK had its own issues (Like trying to keep up with its predecessor), but it still managed to hold its own. What does RVVBY do? - only ONE on-screen nightmare, and only ONE on-screen panic attack. The worst part is that we didn’t even NEED it to be on-screen. Just show Yang not wanting to sleep, or her waking up from nightmares. Even offhandedly mentioning that she’s having nightmares would have been better than nothing. But we get that nothing. Because making Yang get back to doing badass fighting moves is more important than giving her a good recovery arc.

OH Ho ho ho ho!

This is a fucking GOLD MINE!

A. RWBY was never touted as a Girl Power show: It just had female protagonists. Men were just as capable as women and it was clear from the first episode so this comparison doesn’t even count.

B. Oh korra. The one with a protagonist who was one trait away from being a full blown Mary Sue who disobeyed orders, stole food, caused property damaged, nearly committed murder, committed police assault and resisting arrest who gets off t6eh hook and is treated as in the right for doing all that. And that’s just the first episode, shall I go on to explain how Korra essentially harassed a guy and acting like an obsessive stalker despite him saying that he has a girlfriend and then kisses him despite this, hurting his innocent brother and gets rewarded for it, or how Korra barely practices Air bending (the ONE element she doesn’t aut know) but can magically airbend without using airbending techniques and having her bending TAKEN AWAY. Or how about Korra flipping outa t Mako, May Lin trying to arrest Tenzien’s wife and wrecking Airbending Island for getting dumped and that one Psycho girlfriend Waterbender is all treated as humerous and okay? Or that Asami was just basically eye candy in the first and second seasons? Or how the one main female villain seen as redeemable is the one who refused orders, forcibly recruited people, took advantage of the spirits, tried to kill her fiancé, sent people who didn’t agree with her to “reprogramming” camps, threatens the lives of her subordinates and tried to kill an entire city. It wasn't Amon who was implied to have severe hatred against benders due to his dad’s abuse. It couldn’t even be the fucking Red Lotus, the most human villians in the Avatar franchise since ZUKO: It was the female earthbender whose actions numerous times mirrored fucking Hitler.

Bottom Line: Even without TRYING to be a Girl Power show, RWBY is a BETTER Girl Power show than Korra.

C. The PTSD arc is the ONE thing Korra has above RWBY and it SHOULD be better because Korra has more time, more experience, more money, more people and in a medium that is more forgiving than RWBY’s. And even then, it’s BARELY better in terms of actual writing because it tries portraying Korra’s PTSD as an outside force, uses her Avatar State self as the representation when it makes no sense, she gets over it by herself despite her lesson being not to lock other people out, it came back with no indication, uses Zaheer out of nowhere and brings up smaller events that never eluded to extend the arc. It could have been fixed so easily by just having an imaginary Zaheer attacking her with kora being hesitant of airbending. I fucking fixed and I’m an inexperienced fanfic writer. All RWBY needs to do to be better is acknowledge it again: Something VERY likely due to RT’s history.

So far: We have one example that is out right wrong, one example that is too broad to do anything and doesn’t show jack shit and one example that is so wrong it helps ME absolutely.

SO what’s next?

And since it probably wouldn’t be me if I didn’t include this, here’s the one that some people are probably waiting for:

So you’re outright acknowledging bias against RWBY and for Storm Hawks because Nostalgia huh? Fine, I’ll cut you down HERE too.

Storm Hawks did the small amount of habitable land that needs to be protected by various teams of heroes first and better. Energy attacks have better justification for their appearance, and the fact that both Crystals and Dust are both gemstones with elemental properties that need to be mined and are integral to powering weapons and vehicles. Both shows have amazing transforming weapons, teams made up of various people with different skills, and incredible action scenes. They even had a spectacular superpower that manifested in one of their main characters after they were put in a tough situation. See my chart below for more detail.

Sky Knights : Huntsmen/Huntresses

Crystals : Dust

Squadrons : Huntsman Teams.

Atmos : Remnant

Talons/Raptors/Murk Raiders/Beasts : Grimm/WF

The Binding : Silver Eyes

... (points to the Final Fantasy point above)

So it’s perfectly okay for Storm Hawks to “rip off” Final Fanatsy but RWBY is bad for doing it?

Because these are all elements from Final Fantasy.

Not to mention since you DON’T explain why Storm Hawks does it better, all I have to do is point to the fact that Storm Hawks is canceled early and RWBY is a worldwide phenomon. Storm Hawks is at 7.2  whereas RWBY is at 8.3 , Storm Hawks had more time, more experience, more money, more people and the backing of Cartoon Network where RWBY doesn’t.

Dudeblade, this is why you go unnoticed by the writers, why all of you in RWDE tag go unnoticed: you do ANYTHING to tear down the show, whether or not it’s true. That and you suck so bad, I can do a better job than you.

Here, let me:

Harry Potter does the “school for special people” better because the school stays in focus for most of the show where we grow more and more attached to the setting and characters there and since the enemy is gradually shown more and more: he gain slightly more and more fear in a very smooth and natural way. And since the books take time with the enemies, we can keep track of the numerous characters easily. All unlike RWBy

Kill La Kill does the Girl Power aspect of the show better as the main cast is female, the show is driven by females and each character has their own unique set of strengths and weakness along with flaws they must overcome and deal with. It also tackles the idea of women being objectified and encourages women to take pride in who and what they are, ignoring how society sees them and think ofr themselves. Again, unlike RWBY would be.

Dragon Ball does the “Writing by the seat of your pants” style better than RWBY because Akira Toriyama was used to writing tis way and thus had more experience and even had a talent for writing this way which also made the series more suspenseful. Once more, unlike the CRWBY.

When I can do your job better and in less time: Might want to rethink what you are doing.

[nothing-personal-my-dear]

Legend Of Korra Pros and Cons

Gotta say I was kinda disappointed with the whole series. I had a feeling I might not love it as much as I love Last Airbender but still, disappointed. 

Everything felt a little lack luster, especially with Team Avatar. 

Things I Disliked: - Team Avatar not getting the character development they deserved. They were left feeling like background characters. Just no connection with them at all. - Asami Sato barely getting any lines at all. - Republic City feeling very 1940′s - Cars, Radios, Trains, Planes, Phones. Basically any type of technology.  - Blood Bending being something people can do at anytime, basically ignoring the previous canon. I know it’s been like 70 odd years and evolution and all that but still.  - Blood Bending being able to remove bending abilities. Very far fetched. Also ignoring previous canon where only the Avatar could do that.  - The overall theme of the series being shoved down our throats. Like, I get it, you’re talking about Government Oppression you don’t need to keep going on and on. -  The different bad guy every season. That got repetitive.  - The impossibility of spirit energy randomly gifting people Air Bending abilities (I mean I LOVE that the Air Nomads are restored, but it just seemed too convenient) - Mako being a bit of a cheater (Kissing Korra while dating Asami) and them just acting like that kind of thing is perfectly okay. - Putting Mako and Korra in a relationship only to break them up the next episode. - This street style of bending, where every moment for all the elements looks the same. - The overall depressing vibe of the whole series, there wasn’t enough good moments. - How the whole series felt like an opportunity to beat the crap out of Korra either physically, emotionally, or spiritually.  - The cut connection with the Avatar past lives (I find it kind of disrespectful) as well as still being able to reach the Avatar State. It’s impossible, seeing as previous canon suggested that the Avatar State was a combination of all the past lives making the Avatar stronger. It’s just consistency error.  - Where did all the Sky Bison come from?? Appa was the last, how does that work? - Korra coming off as naive / inferior. Every choice she makes only makes things worse, making her appear as a horrible Avatar.  - Mako’s hair in season 4 (when it first appeared I thought he was General Iroh) - Lightning Bending not being as special as it used to be, kinda like the Blood Bending thing, I get evolution but still. It takes away the awesomeness.  - Bolin being a mover star, that was weird and kind of pointless.  - Not getting to see enough of the world.  - Those Chi Blocker people. Felt like cheap knock off of Ty Lee.  - Recycled plot lines, eg: Younger brother manipulates his way into power over older brother then starts war. 

Things I Liked: - Bolin!!!!! He was funny, smart, caring, passionate and actually showed emotion. Was the only Team Avatar member to be given proper screen time and story arcs. He actually had a personality.  - Tenzin, Kya, Bumi, Jinora, Ikki, Meelo - just all the Aang relatives. They were perfection. I loved them far more than I liked Team Avatar, they just had more feeling than the others, more personality and spirit.  - Korra being totally buff and burping and unapologetic but still ends up dating the super hot guy.  - PRO BENDING!!!! That is awesome and just perfection. I wish there was more.  - Red Lotus, loved all of their abilities, and their prisons, and that they kind of made you like them. They were awesome characters.  - Bolin and Mako being brothers but having different bending abilities. - General Iroh (even if the name and voice got super confusing) and him being able to fly with Fire Bending.  - Zuko and Aang confirmed best friends and lifelong friends, just super cute.  - Mako and Bolin’s grandmother, she was amazing.  - Huan Beifong, my beautiful little emo artistic child.  - Zuko having a dragon, especially considering he did that Dancing Dragon move with Aang in Last Air Bender - Fire Lord (Zuko’s daughter) not wanting to go to war because of the Fire Nation’s history. That was powerful and inspired.  - Iroh in the spirit world, I mean c’mon, it’s Iroh how can you not love it. Also, Zuko’s face when Korra tells him she spoke with Iroh, oh the feels.  - Iroh teaching baby Korra about the spirit world, and her actually listening. - Korra’s Air Bending training, was nice to see how to learn that element.  - Metal Bending police force with crazy awesome whip chain things.  - Densa and Eska, super weird for sure but amusing and likeable characters.  - Kya, Bumi and Tenzin having sibling issues. - Air Nomads being rebuilt, that was kinda beautiful.  - Just everything about the Air Nomads okay.  - Jinora shaving her head and getting her Master Tattoo’s - Season 3 and kind of Season 4 feeling like good old Avatar The Last Air Bender - Toph, Katara, Zuko. Kinda wish they had gotten more screen time but understandable why they didn’t. Was awesome just to see them.  - Bolin Lava Bending. He deserved some special talent.  - The Origin Story, had some flaws but was still enjoyable. Wan and the spirits were amazing.  - Air Bender new outfits with wings, super cool.  - Varrick and Zhu Li. They were fantastic and I loved that they got married.  - The amount of siblings there were, I always love sibling stories more than love stories.  - Mako and Prince Wu, they had such a great dynamic. So much fun.  - Prince Wu in general actually, he was just what the series needed. Fun, lighthearted, lovable, and showed real growth.  - Badger Moles still exist!! - The Swamp, with that big tree, awesome reminder of Last Airbender, and loved Toph being there. - TOPH CALLING KORRA TWINKLE TOES!!!!!!!!!!  - Lion Turtles were still very awesome.  - Mako being a cop was cool, though he deserved more respect.  - All benders getting along, no kind of fear towards Fire Benders anymore.  - Seeing that General fire nation guy in the Fog of Lost Souls. That guy still thinking he was going to conquer the Moon. That was so great!  - Spirit World, most of it was super cool and kind of interesting.  - LGBT representation, could have done more but I get why they couldn’t.   - Eska and Bolin actually being in love. Super freaking cute.  - That whole Spirit Bending thing was cool but could have been explained more. Lost opportunity there.  - White Lotus still being a thing (though I kind of agree with the Red Lotus about them being Avatar babysitters instead of super cool secret organisation) - Raava, she was super freaking cool and I love how much she cared about Wan.  - Kai, he was super cute, super cool, and incredibly talented. Like a breath of fresh air in the Korra universe.  - Zaofu, super cool city.  - In a weird way I liked the murder/suicide ending of Season 1, it was super powerful and emotional. Likewise, I liked Hiroshi Sato giving his life in the Season 4 final, every emotional.  - Asami being totally beautiful and like a mechanic.  - Mako kind of sacrificing himself at the end there, that was awesome - something substantial to make me like the character.  - Bolin and Mako saying ‘ I love you ‘.  - Tenzin, just everything about Tenzin. 

[lokgifsandmusings]

Definitive Ranking of Book 4 Episodes, #2/13

2. 4x13 The Last Stand

Kuvira tears off her arm. Mako makes a Heroic Sacrifice and no one will heal him. Korra and Kuvira fight, until Korra freakin’ bends pure energy, rips apart the city, and demonstrates her growth in one quick spirit world conversation. Hasook fulfills his clarinetist destiny. We get the most ambiguous ending everrrrr.

You know, after going back through this whole season, I’m realizing that there were a lot of flaws with Book 4. A lot. It’s  not to the point where I feel this episode ranking as second highest is unearned, but it is making really wonder about “what would this have looked like had Bryke been given more time?”

The thing is, with this episode, the emotional beats are nearly perfect for Korra. And that’s really what matters, given that the show is...well...the legend of *her*. Even for most other characters, this conclusion was (dare I say it?) dramatically satisfying. Thematically satisfying, too.

But at the same time, what didn’t work is only more and more glaring with each revisit, and especially after thinking through it.

Kuvira is probably the hardest character to reconcile, because she’s the primary antagonist, and yet up until Korra dropped the “oh you’re an orphan” truth-bomb that explained ~~all~~ of Kuvira’s actions, there was every indication that her guiding motivation was much more about her perceived rejection by Suyin, or a desperation to prove her wrong, or a mentor’s fall from grace when an inherent hypocrisy was shown...

Honestly, from just the perspective of Kuvira’s arc, dismissing everything as “you were sad about your parents (who you never talked about once) leaving you with the creepy thought-policing matriarch and you didn’t want to ditch the EK in the same way” is almost insulting. Kuvira like...made compelling points in the Suyin-filtered flashback about why Su should accept Raiko and Tenzin’s offer, and it seemed to be coming from a place of pure pragmatism, not compensation for abandonment or a way of gaining control. Actually, she framed it about sharing prosperity:

Kuvira: Suyin, I know this isn't my place, but I think you should do this. Zaofu has always been a beacon of modern progress, and now you can share that with everyone.

Suyin: What would you have me do? March into Ba Sing Se with an army? We'd be seen as conquerors and greeted with nothing but war.

Kuvira: There are already wars. The Earth Queen nearly destroyed our nation. This is our opportunity to change things.

Also, fun fact: Suyin didn’t even tell Korra that Kuvira was an orphan; she barely even implied it.

Korra: How did things get so bad between you and Kuvira? I thought she was your protégé.

Suyin: She was more than that. She was like a daughter to me. I took her in when she was eight years old and nourished her talents. Kuvira was smart, a natural leader, and quickly rose through the ranks. I saw myself in her.

Like, this could have meant anything. Maybe she took her into her School of Metalbending Dancing and Narcissism. Maybe this is a nitpick, but it just amuses me if there was some version of this scene where Korra is like “it must have been so hard being an orphan,” and Kuvira goes, “...wtf my parents are FINE.”

Back the main point here, the difficulty in parsing out Kuvira’s guiding motivations and meaning of her own arc is not made better by the fact that her political position and military campaign were incredibly poorly defined. This is nothing new for Bryke, but with regard to this episode specifically, there’s still the question of why Kuvira was even interested in reclaiming UR land when she was supposedly just a technocrat that opposed the Earth Queen’s unjust rule, and had spent a painstaking amount of time laying down tracks to connect the two nations in what seemed like a cooperative measure and to truly bring the EK up to speed with the rest of the world. Was storming Republic City always her plan? Would she have been able to without the super laser that she didn’t know was being invented (Varrick was just looking for clean energy, remember)? After successfully taking Republic City, was she going to lock up every citizen there not of EK origin?

The general idea is that she was supposed to be earnestly committed to restoring stability in the Earth Kingdom, while also pushing forth innovation, and that when Korra pointed out how horrible and out-of-balance she was, it was a comeuppance and reality slap. I guess in this respect, the broader strokes make sense, but then there was so much that seemed so personally motivated, like...everything to do with Zaofu (she even made a point of saying “when I return I’ll be greeted with open arms), and then wrecking all of Republic City.

Even ignoring motivations, there’s logistics, because Kuvira’s disappearing army (and the disappearing United Forces) was still very much evident here, especially since mecha tank officers came clomping back into view at the end, and she needed to instruct them to stand-down. It kind of makes me giggle to think that Varrick powered down these suits, and the morons just lay on the ground helplessly until they were up and running again. But there were also all those ground troops and shit, so...

Oh yeah, and Raiko formally surrendered. There should have been an entire platoon sent to the island as soon as Kuvira realized Baatar had been captured while traveling there.

None of this is a specific issue to “The Last Stand,” but it does make the resolution feel a little...convenient. As though all these things were just dismissed and swept under the rug. This is best exemplified in Suyin’s line as a response to Kuvira’s apology, where she goes, “you’re going to answer for everything you’ve done!” Like, that didn’t even follow what Kuvira had said! Though there’s also a chance that this was a place-holder line they never bothered to change (or ran out of time to change). It’s not the only one with this vibe.

At the end of the day, Kuvira worked fine for Korra. But the way she had been scripted herself, there was really no telling how she’d react to a given situation until after the fact. I could have seen her, stirring from the rubble, having the same exact spirit world conversation with Korra, rather than running away to find Chekhov’s very literal gun. She trashed an entire fucking city and nearly died already just with Mega Maid’s explosion, after all.

Most of the other challenges of this episode have to do with the wrap party, because it was pretty clear that Bryke had a case of “we have X minutes to conclude all of this.” Enter bizarre conversation after bizarre conversation.

It’s not exactly a secret that I’m currently writing on a fic that tries to make sense of “why the hell does this wedding feel as though it is simultaneously the day after the fight, and two months down the road?” Word of God is that the wedding is 2 weeks later, which may or may not have been made up by Mike on the spot. But it’s just all so wonky. Korra is acting as though she hasn’t talked to anyone, Wu and Mako certainly haven’t seen each other since the evacuation, Tenzin only just talked to Raiko, and yet Zhurrick planned an entire wedding and somehow world leaders were able to travel to the still utterly destroyed city to enjoy it.

It’s WONKY, I’m telling you. The worst case offender?

This is a terrible fucking idea. I get that it’s a Y7 American show and we have to be pro ~~democracy~~ as a general concept, but the logistics behind it make no sense. I suppose in the context of Wu’s arc, him stepping aside because he doesn’t feel qualified is fitting. Granted, I thought the whole “you were calm during the evacuation and also badger moles like you” stuff was to show how he does have leadership potential, so long as he plays to his strengths and allows those more informed than him to take the lead on other matters. But I suppose we can say it was part of a bigger picture: Wu learning to be less of an entitled asshole. He pushed himself and stepped up when the world needed him to, but in the end “sometimes a good evacuation is its own reward.” Nice.

Now go and create a horrible panic by tossing the EK’s political and legal structures out the window!

The Mako/Korra conversation was a very nice endcap to Mako’s season-long arc, and the series long relationship between these two characters. They were incompatible as romantic partners, but Mako found meaning in their platonic friendship, looking to Korra as inspiration to be more selfless. It’s just nice. And it’s nice to see exes being nice and not jealous or still hurt or pining or whatnot. Nice.

That said, Wu’s role in Mako’s arc is a headscratcher. Mako definitely had an influence on him, but the other way around...I’ve got nothin’. Unless we consider Wuko a possibility, because IT IS THERE, DAMNIT. Except, I really don’t think Bryke meant for it to be there. Which means that Mako played a bit more of a supporting role for Wu than the other way around. Wu had diddly squat to do with Mako feeling inspired and self-sacrificial...that was a decision Mako reached inside Mega Maid as a result of watching a clip show about his relationship with Korra.

And yeah, let’s actually talk about that moment, because it was probably the second most emotional point of the episode. For those who don’t know, it’s also the point where I realized, at 5:50 in the morning, that I was going to start bawling in the middle of Planet Fitness if I stayed, so I cut that short and went home to finish out the episode.

It was touching, even if Bolin’s “This isn't the time to prove how awesome you are. I already know how awesome you are... you're awesome.” lines were incredibly odd. However... Looking back, this was probably the dumbest thing Mako could have done in this moment.

The weapon was disabled (he knew Su and Lin were taking care of that), and Korra was in the “head” having a fight to the death. There was no pressing need to power down Mega Maid at that point (Kuvira initiated lockdown as soon as they got in, actually), and the only thing he knew was that he could probably get it to explode. With everyone still inside. All things considered, how Mako didn’t just kill everyone inside the tank is beyond me. How Mako didn’t die is equally beyond me, cause dude got shot squarely in the chest. I mean yes, Bolin came back for him (where did he even dump the other bodies? The legs?), but Mako has a heart and stuff.

I don’t want to detract from the message of “Mako is an incredibly selfless hero,” but the logistics get in the way. It’s like Bryke wanted him to have this moment, but they didn’t take the time to figure out a realistic way it could unfold, so it just happened. Which is jarring, especially since this immediately followed Hiroshi’s sacrifice from the previous episode. Snaps for Mako, but 10 points from Brykendor for the contrivance.

Also as a side note: poor Bolin, this episode. I mean yes, he’s in a good place, and he got to marry Zhurrick (I can confirm: officiating a wedding is mad fun), but the dude didn’t even get a Conversation of Significance with anyone. Needless to say I’m going to be fixing that with my final chapter...

Let’s just round out the Krew then and discuss Asami. And I 👏👏don’t👏👏fucking👏👏know👏👏 what to do with her.  

I mean, you know what Asami means to me as a character at this point. And Korrasami. But going back through and watching this season, there’s a few things that are blindingly clear.

1. The scripting is bizarre. Not just for Asami—across the board. There are lines that feel outright unedited. For instance:

“When the queen fell, and everyone was asking you to help keep the Earth Kingdom from falling apart, all you wanted to do was hide in Zaofu, and let others deal with the consequences.”

It’s not as though lines like that don’t work, but it’s the kind of thing where if that were in fic I was beta-reading, I’d highlight “fell” and “falling” so the author would know to take out one of the repetitive phrases.

For characters with a lot of lines, the lack of polish can be overlooked, for the most part. For Asami, who had an incredibly limited screen presence during Book 4, things stick out.

2. Seychelle Gabriel’s voice acting was...different. It wasn’t bad, but some of her lines had a certain stilted quality to them. I’ve actually noticed that with just about every character in Book 4 that wasn’t Varrick or Bolin (that’s just John Michael Higgins and PJ Byrne falling back on their comedic chops), with a big exception in Korra. I sort of think Janet Varney didn’t settle into a consistent voice for her *until* Book 4, but that’s a whole other story, and yes, deeply subjective.

The best example I can point to for Gabriel is the way she delivers, “Thank you. I'm just glad I was able to forgive him.” It just had this awkwardness about it, and a good thing too, since I’m 95% certain that’s what spawned @progmanx’s entire fic, as well as my own views on her characterization (oh hey, we’re of one mind with that).

3. There really could have been more to Korrasami. Even with Russian TV restrictions. But I already talked about in my “Reunion” piece, so I won’t rehash here.

4. Asami’s scripting was pure *convenience*. I touch on it here for “Enemy at the Gates” and here for “Day of Colossus.” But it’s not really hard to recap.

Asami needs to open the lines of communication to her dad, so she does, and it is wonderfully, realistically hard on her. Then in a ridiculous scene, she spots a happy father and daughter, and decides she wants to work to forgive the man who tried to fucking kill her. We can assume she’s feeling conflicted about it because she snaps at Korra over it, but really, we have to just assume, because this shit is never talked about on-screen. Then Hiroshi pops in to save the day with his oddly specific technical knowledge of stuff he wasn’t working on. Then Asami tells him that she loves him before they go into a flying mecha suit to battle potentially to the death, and then Hiroshi dies.

And yes, I’ve talked a lot about what an internal character Asami is, so it would have just been odd if she suddenly started expositing on why she was feeling the way she did, but at the same time... When *did* she decide to forgive him? Was it just because he was willing to save the city? Does she even know if he’s changed his opinion of benders, or if he just regrets not having her in her life? Does she regret not seeing him sooner? Did she ever READ THOSE DAMN LETTERS?

So for her to sit her ass down next to Korra and say that she’s super sad but glad she forgave him... Well yeah, of course she’s sad. But she’d probably also be confused and conflicted and angry and guilty and a million other things just by how inherently fucked up this situation is. The last time she and her dad were in a mecha suit at the same time, he TRIED TO KILL HER. This isn’t hyperbole. He also saved the city from being destroyed *this time*, despite being the man who bombed it before. You see what I’m saying???

I think this is coming at a bad time, because I am working over and beyond to make sense of Asami’s headspace during this specific point in the story right now with ‘Half the Pieces’. I even gave her and Hiroshi another pai sho match so they could talk this shit over, and am kind of getting at the idea of her forgiving him as more of like, she really wants to have forgiven him and to have that closure after three years of incredible pain relating to him. But for what we got on our screens, it feels rushed, there’s just no other way around it. Rushed and simplified.

The most frustrating thing about Asami’s character is her wasted potential—the way they could have been using her as a foil to Korra so much sooner, the way her unique position as an industrialist went largely untouched, the way there is so much packed into her and given a little space, she will come and wallop you with a bag of feels (“you tainted our past and destroyed our future together”). 

Yes, she’s in a support role, and I’m not advocating her being foregrounded over anyone else on the Krew, and certainly not over Tenzin. But keep in mind, this was the season that gave a very complete and detailed arc to Varrick and Wu, while also pushing Kuvira & the Beifong Family Drama as the main tension. So excuse me for just a little annoyance with what could have been.

What *was* for Asami here was...fine. It’s not like I can’t remember what her conversation with Korra felt like the first time, or how could it felt that for once in her craptastic life, she was getting to be happy for a little. And for Korra too, realizing she had been disconnected for too long, realizing through her letters and the distance that she was in love, realizing she can take time for herself—it just all made for a beautiful moment, even if I do think that it felt a tad clipped. Given how much ground Bryke needed to cover here, it’s not shocking.

As a last note before I get to Korra and begin explaining why this episode is #2, I want to briefly touch on Tenzin. He was simply not a major player in this season, and I guess that’s fine. His relationship to Korra was in focus for Book 2, with her becoming *her own Avatar* at the end, and then his relationship to his daughter and the Air Nation at large was Book 3. I don’t feel like anything was incomplete with Tenzin here on a larger scale, though it was a notable decision. I wonder if Book 4 had been given another pass, would there have been a more imaginative way to utilize his character?

I think that may have detracted from the impact of his final conversation with Korra, too. Or maybe that’s why it almost felt like it had bizarrely romantic undertones for a second, because it was hard to have a handle on where *they* were at with how they related to each other. Also he said the phrase “big bumpy ride” so...

And that conversation was the most, “let’s wrap up this Y7 show yup yup” that fell victim to extremely unfortunate wording. The idea was to show that Korra had found meaning in what she had been through, harkening back to Katara’s remark that Aang “chose to find meaning in his suffering and eventually found peace.” What Katara did not say was that Aang NEEDED TO EXPERIENCE THE GENOCIDE TO FIND PEACE. Because who the hell would say something like that.

There are negative implications of Korra saying she “needed” to suffer to be more compassionate, especially since compassion was never a department she was lacking in before. However, as a result of what she went through her approaches to situations did change, and her “go-to” mode of operation, altered. We saw her trying to fight against the “old me” in Zaofu, and that was simply ineffective. In this final chapter, we saw her take action as she needed to, only to finally talk the antagonist down in the end. It wasn’t an increase in compassion, but it was a result of her empathizing over the fear of being vulnerable—a fear we’ve seen Korra struggle with since the start.

“I may not have been an orphan, but believe me, I understand what it feels like to be afraid. [Sits down so she is at eye level with Kuvira.] After I was poisoned, I would have done anything to feel in control.”

Look, there’s a wonderful narrative here, and it just...fell over itself on the way to our screens, and that’s unfortunate. Because it would have required so little to fix.

If you’ll allow myself and @progmanx to be hubristic here, we actually did rewrite this for my upcoming chapter (not finalized yet, but it will be something along these lines):

“I know I was in a pretty dark place after I was poisoned; all I wanted to do was feel like myself again. And I think it took seeing Kuvira being so angry and scared of letting everyone down, just like I used to be, for me to finally realize what I already knew: I can never just go back and to being that person again, and I don’t want to be. I’ve seen now what fear can do and what it can drive people to...what it drove me to do, even if it didn’t hurt as many people. That’s a part of me, and there’s no undoing it. I don’t think I want to undo it, either. Your mom told me that Aang found meaning in his suffering. I guess if I’ve found mine, that’s it. We’re all afraid sometimes, but that doesn’t make us weak. In fact, it’s what makes us stronger.”

It’s almost as if I like A Song of Ice and Fire, or something.

Would a more diverse writers’ room have resulted in a different end line? Who can say. But this at least demonstrates why a diversity of voices and a willingness to think through the implications (something Bryke aren’t incapable of) is helpful.

If you’ve been paying attention, you’ll notice that #1 on this list is going to be “Korra Alone.” So I’m going to save fully gushing about Korra’s healing arc there. 

But what I will say is that “The Last Stand” brought the series to a thematically apt, and rather uplifting conclusion. The season was about balance, but you could just as easily say that the series was too. This also tapped into “light in the dark,” only Book 4 took the time to explore that darkness rather than blow by it.

Seeing Korra so...at peace, was truly remarkable. We’ve seen her so insecure at many points in the series, and it really was just heartening to watch her be so decisive, so proactive, and also so *effective*, even if that meant switching approaches on the fly or, idk, leaping in front of a giant cannon and ripping open a hole in the universe and by doing so being so impressive that there was an instantly humbling effect on the megalomaniacal dictator to the point where Korra was able to talk her down with words alone.

It kind of makes me laugh, thinking of some of the Discourse™ as the finale ended: that Korra was “neutered” or “tamed.” Yeah those are great adjectives to attach to someone who threw themselves in front of a firing spirit cannon on an instinct. What we saw is a deeply matured and strategic Korra.

Remember, she was the over-eager hero who was told that the world didn’t need her. Her narrative was never going to be “I saved the day therefore I am,” but rather “Who am I when I’m not saving the day, and does that matter?”

Yes.

As for Korra, the world’s most powerful bender/spiritual leader of the masses/ with her ancient wisdom and sheltered upbringing ending up with the wealthy nonbending driver of modern innovation from the world’s biggest metropolis, well... that’s just the perfect endcap to the all-subtle balance theme. Nice.

Edit: 4/11/2017:

This entire piece wound up a little more focused on negatives than I wanted, so please read this reblog commentary for clarification/a few more notes on what was really great here.

#13: 4x08 “Remembrances”

#12: 4x11 “Kuvira’s Gambit”

#11: 4x09 “Beyond the Wilds”

#10: 4x07 “Reunion”

#9: 4x06 The “Battle of Zaofu”

#8. 4x12 “Day of Colossus”

#7 4x01 “After All These Years”

#6 4x03 “The Coronation”

#5 4x04 “The Calling”

#4 4x05 “Enemy at the Gates”

#3 4x10 “Operation Beifong”

Book 2 ranking/essays found here

[timelessish]

[text: “I didn’t know where else to go.”] source: mine

Keenler Week Day 1: why I love them/the moment they became my OTP

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So, some backstory first: this is a show I only saw bits and pieces of on TV during season one but what I saw intrigued me. I remember seeing the Judge, Ivan, and Mako Tanido episodes in their entirety with my parents (they were hooked on the show during its first season) and being enthralled. The scenes I remember most from watching live were the Liz/Tom shower scene with blood on his hands (so sick but so compelling) and the Tom/Jolene scene while the song Jolene is played. That song just got to me, and I remember thinking, “Oh my god, this is perfect.” So that summer when The Blacklist got put on Netflix, I watched the full first season and loved it. I’d really never loved a procedural so much (or at all) before. I think it was a mix of the Liz/Red connection, Red’s mystery past, the Tom intrigue, creepy Apple Man, Liz being a badass, rootable-for heroine, and the unique, crazy Blacklisters in each episode that drew me in. I could and have watched season one over and over again without growing tired.

As for Keenler: while watching the show originally, shipping wasn’t on my mind. I just loved the story and plotting that was going on. I loved Tom’s story season one and all the second-guessing that went on between him and Liz, the questions of his connections to Red, Gina, and Victor Fokin, and just his being an awesome villain/spy/double agent. I loved his and Liz’s dynamic portraying the illusion of a perfect, happy marriage, but I loved it even more when it came shattering down around them. I thought Tom’s story season one was resolved perfectly with his death by Liz’s hands, and I was so thrilled to have writers who weren’t afraid to kill their darlings when it was time. Though I was more saddened by Meera’s death, I was more shocked by Tom’s. He’d had more of a main role, so I thought it was such a brave move by the writers and it reaffirmed my love of the show.

… but little did I know, the writers weren’t actually that brave. I rolled my eyes and sighed at the “Tom’s alive!!” reveal in season 2. I wasn’t surprised, but it did made me think a little less of the show. I think all the questions surrounding Tom could have been better answered after his death, because at this point, the answers haven’t been satisfactorily explained to me, and I still have so many questions. So while I loved their dynamic season one, I didn’t ship them, giving me no problem jumping onto the Keenler ship once they reeled me in.

Honestly, I saw something there from episode one. “Who the hell is Elizabeth Keen?” is such an iconic line, and it sets up so much of the story. Just who is Elizabeth Keen? Lizzie, Liz, Masha Rostova; adoptee, daughter, wife, profiler, agent, criminal, killer, fugitive, asset, mother, survivor. Her story keeps unfolding and I don’t think we’re done figuring her out yet. But beyond that, just who is she to Donald Ressler, and who will she become?

Then he shows up at her doorstep with helicopters and an army of SUVs. I mean. That’s such an amazing first meeting. You really can’t top that. Also, okay, the cinematography of the Pilot is just incredible. The way the focus shifts to Ressler watching Liz as she speaks to Cooper? That shot of him watching her, framed by golden light? It’s absolutely stunning and you can’t convince me that wasn’t the show setting the basis for a power couple. And the Pilot also gave us Ressler breaking the rules for Liz for the first time when he let her see Red in his hospital room, though it’s certainly not the last time he breaks the rules for her. It becomes such a recurring theme for him: he always follows the rules, except when it comes to Liz.

The tense banter Liz and Ress share in the next few episodes is amazing. It’s a dance of learning to trust each other and work together despite their misgivings, and I love every bit of it. There’s that shot of them squaring off after he busted in with the Canadian police to Red’s dinner with Liz, which pisses her off, and the way the camera circles around them and the way they play off each other there is insane. Can I just say: HOLY CHEMISTRY. HOLY SEXUAL TENSION.

Then comes the Stewmaker (my favorite episode of all time) and that infamous hug. Seeing that was my first, “… hmm.” I saw something there between them from the beginning, but this was the first moment I really felt it.

A highlight from the Courier: “That was hot.” “You know he can hear you, right?“ When Meera says that (oh, how I miss Meera!), Liz gives her this great side-eye and I’ll be honest, my first thought was - is someone a little jealous? Also there’s a lovely moment later when Liz asks Ressler about what he said about having nothing in the world, recognizing that on some level, he did mean it despite his denial. In that moment, she sees his vulnerability like he saw hers post-Stewmaker, and she knows not to push him, but I think she sees a bit of herself in him - in putting up a facade against the world to hide insecurities and loss. The way she described herself as being called a bitch, the way Ressler gets called an ass. There’s more alike there than there is different.

So they’re finally getting past their rocky start when Sam dies and then Anslo Garrick happens. Liz is such a brave badass, fighting instead of running away until she gets caught and brought to the box where Red and Ressler are. Her face and Ressler’s kill me there. Her expression, so sad and scared but determined, shaking her head no, don’t do it, don’t give him the code. Him in clear physical pain and indecision as Cooper tells him no. Agent Ressler, no. That’s an order. and all the while Red has a gun in his face. And Ressler gives up the code.

That’s a pivotal moment. I don’t think he gives up the code because he’s afraid of dying. I think it’s because he’s afraid of Liz dying. The Agent Ressler who’d been presented to us before would have followed his commanding officer’s orders. He would have followed protocol and protected the asset no matter the personal cost. He’s a by-the-book guy, not an emotional decision-maker. And with the career he chose, you have to figure he’s not afraid of dying in the line of duty. So he’s okay with his own death, but when it comes down to it, not Liz’s.

On top of everything, the code is Romeo. Liz loves Shakespeare, as stated by Aram at her funeral. Romeo and Juliet is a tragic romance. The connotation of Romeo in that moment draws the possibility of romance between Liz and Ress.

To go on a side tangent here, you could choose to find more connections. Romeo (Ressler) is enamored with Rosalind (Audrey), though she isn’t interested (left him), until he meets Juliet (Liz), who’s engaged (married) to Paris (Tom), who was chosen for her by her parents (inserted into her life by Red/Berlin). Romeo and Juliet fall in love but can’t be together. They get separated (she shoots the AG and goes on the run with Red) and Juliet, with the help of the Friar (Mr. Kaplan), fakes her death (she does this twice: once in Arioch Cain, once in Mr. Solomon: Conclusion). Romeo doesn’t receive the message that Juliet is actually alive (this fits slightly more for the Arioch Cain death, when all of the team was in on the plan except him), so he buys poison from the Apothecary (interestingly, they had a Blacklister by this name in the last episode) and travels back to see her body. Paris comes and they duel, Romeo killing him. Romeo then drinks the poison. When Juliet awakes, finding Romeo to be dead, she uses his dagger to kill herself. After their mutual deaths, there’s finally peace in Verona. Obviously, I don’t think all of these parallels are exact, but I do think that there are a lot of connections to be drawn between Shakespeare and the Blacklist. At any rate, it’s interesting to see some of the groundwork laid. Okay, end of side tangent.

Ressler and Liz keep growing stronger as partners and friends. He trusts her enough to talk about Audrey and Tassles, and she trusts him enough to talk about Tom. He offers to rough Tom up for her.

Another big moment: he chooses Liz over Audrey in Madeline Pratt. She’s distraught, saying she thinks Tom is going to leave her. Ressler is on his way out, but sits down at that. She tells him to leave. He says no, ditching his dinner date with Audrey, choosing to stay and be with her instead.

Then comes the Kingmaker, and this is the episode that did it for me. This is when I went … crap. I have an actual ship in this procedural crime show. First it was their moment on the bridge when he tells her it’s not over. The way they look at each other there, with the beautiful blue sky behind them… it’s breathtaking. And then he saves her life, killing the Kingmaker while he’s strangling her. I have a thing for Liz and Ress saving each other, okay? Don’t judge. And then comes the crowning moment (haha, Kingmaker, crown, get it?) : she shows up at his apartment. “I didn’t know where else to go.” No questions asked, he lets her in. For whatever reason, that’s when they got me. That wordless communication, those beautiful mooneyes. And then they cut the scene at the close of his door, which I both love and hate because yay, I get to come up with my own headcanons about what happened, but boo, I want to know what happened.

So. There’s that. And then the next day, they go to Liz’s house (now a crime scene) where she tells him, “I should have let you rough him up,” with this sad smile that he returns, and her body language is so relaxed around him in her home, where you’d think she’d feel more defensive and self-conscious. But there he is, standing in the ruins of her married life, and she seems okay with it. Alright with being vulnerable and real around him, and that’s what I love the most about them: when they can be wholly themselves with each other.

× × × × × × × × × × × × × × × × × × × × × × × × ×

Anyways, that’s about all from season one that sums up the development of my Keenler ship. Sorry for the long post, it sort of got away from me! I’ll be back tomorrow with my Day 2 post :)

[steve0discusses]

Yugioh S2 Ep 21: Hey, It’s a Party, Lets All Get Kidnapped!

Ah, it’s been a while since I’ve worked on these. I’m back from my cross-country travels, I’ve overcome my food poisoning because of said travels, and I did like 2 Inktobers so I’m officially allowed to quit and then never do Inktober again till the end of the month so now that’s over with, lets get back to Yugioh. Thankfully, Joey is here to recap for us what has been going on so far in the show, via a phone call to his sister where he literally started off the episode saying this line.

It is episode 21, Joey has run out of excuses, and the crew has decided that now is the time to finally find their friend who definitely is being tailed by a murderer with psychic powers.

Because no one wants to ever call the cops on this show.

I can see why Yugi and Grandpa might not, since Pharaoh may have done some criminal nonsense before he reformed at the end of S1 (I mean Season Zero isn’t not NOT canon) and I can see why Joey might not because bro mentioned that he had some sort of dealing with the mini-Yakuza or something in Season Zero (I look forward to that). Tristan already thinks he is a cop so I can see why he doesn’t either. But maybe Tea should call the police. She doesn’t work at the must-be-18-to-work-here-so-it’s-probably-a-stripper-joint-after-10-PM burger place anymore, she’d be fine. Probably.

I mean they did illegally invade a country last season and was complicit in the removal of that country’s leader’s right golden eyeball so like...yeah...

But now that Yugi has the company of three people inside of his head and Kaiba alongside him--who is always communicating with Mokuba on his jacket walkie talkie (like he went out of his way to make a jacket that has solely one function because it clearly doesn’t keep him warm without those arms--and the function is to call up his little brother and complain about the people who are two feet away and can hear him complaining about them), but this means Yugi actually has more people in his 2-person party than the other crew of 4 people. Anyway, he’s certainly not lonely.

But first we gotta throw Tea’s phone around and have some comedy hijinks.

(read more under the cut)

Tea x Cell Phone giving me more energy than Tea x Yugi but that’s actually true of every teenager and their intense relationship with their phone. Accurate. Hell, it’s true of me as an adult.

I also love how they throw this phone in our face just to remind us how neither Yugi has called Tea or how Tea could easily call Kaiba AKA the guy in charge who knows where everyone is, since he’s in their High School phone book, but wtv. We gotta first sort out who’s gonna pick up Serenity from the hospital although her bandages aren’t even off yet.

We’ve already clarified how dangerous this whole tourney is, and the fact that during these finals they might be ground zero for when the world might actually stop functioning entirely, maybe don’t throw your blind sister into the mix? Girl has enough problems right now. Maybe keep her in the hospital preemptively. Y’all are probably going to end up there anyway. She can book you a reservation.

I do appreciate the Tristan stance in this shot.

Anyway, sensing that the crew might actually do something, Bakura decides to show up and make some mad insane nonsense again. Ah, our wild card, Bakura, our Charlie Kelly.

Lol What? His big master plan is to feign an injury? (I’m assuming this is fake? But he’s also sweating a whole lot? Maybe they had a fight club behind the scenes that got edited out?) But you know, if you’re gonna try to sell a broken arm then wouldn’t you want to like...wear an sling?

Wtv, we’ve already learned from last season that literally all these people are the very worst boy scouts and would absolutely die in the woods. Apparently they would also absolutely die if they had to administer actual first aid rather than vague card magic. I was kinda thinking that Marik miiiight be a better scout from all his tomb runs, but from the looks of it he’s too busy being as incompetently evil as possible to learn how to tie a simple bandage.

Nice that Bakura waited until the moment Tristan left to start being shady again. I guess that Bakura also remembers that one time that Tristan hulk-punched him so hard - in the shadow realm where mere mortals should not be able to even move - that God-Mode-Bakura passed out for like 45 minutes.

I’m a little confused at how this at all works with Marik’s plan, since it’s really not that hard to abduct Grandpa, but o well, this was the plan they went with. They ARE teens after all, and teens kind of live by the mantra of “I dunno, it seemed like a good idea at the time.” I guess it’s less complicated than making sure he watches a haunted VCR tape.

So off Grandpa goes with Bakura, meaning Gramps is probably going to be a card or some other sort of lifeless husk in a few episodes or so. It was a good run, Gramps.

Honestly, Bakura should just heavily suggest Gramps just go back to work the counter of his Super Gonna Curse You Weasley’s Wizard Wheezly’s, you know, the shop he actually owns. That shop who’s name is canonically “Turtle Game” (good name for a card shop, really gets it across. Great business decision.) And really, it’s been 2 days since he’s stayed open past 9 AM. Does he not pay rent? He seriously might not, we do not know who’s the owner of that house/shop. For all we know it’s Yugi’s Dad who is........somewhere?......

And speaking of missing people, the two most direction-less folks in the universe decided to make this show even longer when they could have easily skipped like 8 episodes if they had just crossed the street. Instead, they’re going to backtrack back to the Shamu exhibit while somehow not overhearing Bakura screaming in his British(?) accent.

Sometimes I’m impressed by all the well placed irony in this show. Here come the two God-characters of the A-team. One has the infinite reaches of technology, the other has the infinite reaches of dark magic. They can do anything except navigate a map and find their friends who are within I assume a 10-block radius.

Now I know, I know, Namu’s an actual name people actually have. Much like Mary Jane. Or AceBluntz420. But forgive me, I am from California.

Also I just went down a rabbit hole of K-pop and the only song I could find that said “tree” enough times was “tree of Sephiroth” which was a pretty good banger but not what I was going for. Again, I’m stymied by my naive, elementary level K-pop education. One day I will be a master of K-pop but I am yet just a newbie with a couple of Black Pink and BTS on my Spotify.

One day I will know enough about Kpop to know which of the songs are about romance and which are about weed but alas, I just like looking at the pretty lights and the pretty colors and the fun dancing like a newborn babe.

But anyway, couldn’t help but notice - THAT’S the name he actually chose for himself, huh?

I mean I looked it up and Namu is also a Buddhism reference in Japanese and that’s probably what the show makers were going for, but safe to say, Marik is clearly not a Buddhist. He is literally in charge of a Pharaoh cult. Well, used to be. It seems like Marik’s just out to destroy his own God. He’d be the hero in really any other anime with motives like that. Hm.

Honestly, if it wasn’t for Marik wanting to vaguely rule the world I’d probably side with him completely, lets be real. Pharaoh is kind of a huge problem. And while I do like Pharaoh now, it took me kind of a while, and if Marik showed up S1 I’d be like “Yes, finally, please kill the already dead insufferable ghost.”

So, Marik decides to become friends with Joey and Tea.

This sure was a lot of work to become friends with Joey and Tea. Did Marik not realize that if they’re also buds with a guy who is possessed by a ghost, they might have low enough standards that he doesn’t need to jump through any hoops?

Marik could have just walked up and said “hey, remember me? From class?” and these two would have been like “yeaaaah” because it’s been so long since they’ve attended that they would have had no idea that he was never enrolled.

Anyways, Pharaoh’s arrived to scream at the top of his lungs about a bomb threat at a theme park.

Bummer that Mako Tsunami finished his act and I guess went back to his home island on the back of another whale he had parked outside the theme park.

Also it says a lot about what this town goes through that Yugi, shouting about how everyone’s going to die, doesn’t seem to perturb a single member of this audience. They’re just like “shaddup, I’m looking at the large dolphin.”

The total amount of time that Marik could handle being friends with Tea and Joey : maybe about 30 seconds.

Which makes you wonder why he even bothered with this charade, but maybe he just wanted to get rid of Bakura because that guys kind of a mess.

And then just when I thought it would never ever actually happen.

It happened.

I don’t recall any era where non flip-phones had little antennae. I think this was kind of before my time. Good. Finally something on this show that I’m too young for.

Jokes on this mook for thinking he could ever crush a Nokia with his shoe. Actually impossible. I’m sure there’s Nokias that have outlived being run over by a Jeep.

Yo my payphones never had digital minute indicators on it. You can even read the numbers on the numpad? And there’s no gum lodged in the coin slot? This is not how I remember payphones.

Yo second thought, maybe those are 33 seconds and not minutes? Eh, what do I know, I’m a millennial, I don’t really remember how those awful things worked. RIP payphones, you were always spooky and the worst. Like honestly if a ghost Pharaoh would live in anything, it would be a payphone. If you ever had to use a payphone with a phone card, then you’d understand that it’s more an unsolvable puzzle than any puzzle pyramid.

And I guess that Mokuba just felt left out, so he decided to leave his brother and just wander off by himself on a rooftop where there’d be no witnesses?

Mokuba, why are you on the roof? How does everyone in Domino have roof access? And is the internet so bad in this town that you must be on a roof to get any signal?

please admire the leg wraps on this guy’s ankles. They’re like high fantasy legwarmers.

*why ever duel with cards when you can freakin fly*

WOW, KIDS SHOW. That sure is dangling a small child off a helicopter!

And like, Mokuba just hangs there for a while--no joke, he’s just hovering in the background of every shot for kicks and I’m just like...how did this kid’s show get made????? The 00′s was a different time.

This past week I’ve been watching my older brother’s 5 kids and so I’ve been watching their TV shows and youknow The Descendants 2 would have been a very different movie with edgy, rogue helicopters in it. Though I will admit Yugioh could do with a couple more dance sequences. (and Yugioh might legit have better fashion than The Descendants 2, why the hell was Cruella DeVil’s son wearing bright red baggy capri shorts to a cotillion ball? Anyway, I’m putting Descendants on my “possibly recap this later” list.)

I get that the intern who was putting this scene together might not have known about the helicopter incident in the shot right before this when they drew in these people just on the street on their cell but mannnnnnn.

I love the implication that this happens so often to children in Domino that no one freakin cares anymore.

Reminder that Kaiba refuses to believe in magic and has no idea wtf is going on. Like he knows there’s some yummy cards he wants--that’s it. He doesn’t think this is the end of the world, he doesn’t think anyone here is magic. He just thinks Yugi is a super weird kid from Spanish class who's voice keeps cracking and that Marik is some sort of weird mafia boss. He was not expecting this tourney to become kidnapping central and I mean no one could have predicted this next part either.

...

So Marik’s plan, lets just walk through it.

These two loose to Kaiba and Yugi, then these two violently pass out, Pharaoh runs over and shakes up the fat one for a little bit, and then Kaiba and Yugi go to a theme park. These two guys intentionally lost and got beat up for no reason?

And then, he sends the same people who have Already Lost back to Yugi and Kaiba, to use a different deck than the one they used the first time?

Why not use this amazing deck they had the entire time the first time? Why are all of Marik’s plans so roundabout?

I mean I guess they had to lure these two to the roof but not really actually--once you beat Yugi in a game then boom the puzzle is yours so you don’t actually have to...whatever, they’re on a roof and and it’s edgy and it’s scenic and it’s gonna get real Jack Baur on us.

oh man this workaround to “but they never actually go splat because they die before they hit the bottom” which is infinitely worse than actually just falling down.

So seeing no other solution, they decide to endanger the lives of hundreds of people and play this exploding rooftop version of Yugioh.

I mean last season we sure did go through a lot of time trying to get Kaiba off a ledge of a tall building and now he’s just...back on that ledge. Well. OK then. These kids and ledges.

Really was a line in the show that Kaiba listed the only two things these guys have done wrong and it’s like--well they used the wrong deck the first time. That was probably actually a really big thing they did wrong. Also they could have kept Pharaoh in an infinite rock-paper-scissors loop but passed up on the opportunity. TBH these guys make a lot of mistakes but we’ve been over this before, Kaiba can only remember 2 things. Weird that this has become canon, but here we are.

I guess Kaiba suddenly remembered he had a grudge.

He forgot for a few episodes, but the grudge is back. He must have written it on the back of his hand “don’t forget you hate Yugi” and then when he went to  scratch an itch was like “OMG I can’t believe it, I forgot again!”

That bean.

Anyway, next week, on Yugioh:

Does Kaiba’s helicopters get into a helicopter fight with Marik’s helicopters and keep Mokuba dangling there the entire time? Does Joey get to throw a couple mooks over his shoulder like that time he took on 18 ruffians in a warehouse or will these ruffians be too ruffian even for Jo? Will Tea, after her hearts been consumed by darkness, and she becomes a nobody or a heartless or whatever, realize that she’s dating a dark wizard this entire time so it literally doesn’t matter?

Anyways, I mentioned K-pop so here you go, a moment of happy handsome boy Zen in this overwhelming world.