#it’s probably not good

[hamletthedane]

Thinking about him (the soldier in Poynter’s Faithful Until Death painting watching an apocalypse unfold around him with horror in his eyes as he tries to keep himself standing beneath a doorway, based on an actual 19th century archeological find of a man in full soldier’s garb under a doorway at Pompeii)

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[wanologic]

sorry danny, sam will never think you’re cool

[harbingersecho]

you will regret this for the rest of your life

[waugh-bao]

Keith, still trying to figure out an innuendo Charlie will pick up on: Hey Charlie, mind if I, uh, you know, sit in your Lagonda and maybe rev the engine? *wiggles eyebrows*

Charlie: Sure! Let me get my special suit!

Keith, ten minutes later, literally sitting in the car and revving the engine for Charlie: *sigh*

This has been making my brain itchy for two months, and I finally gave in and wrote a fic around it.

(tagging @ohjohnnysblog and @ericbogosbian in case they’re interested)

[thatskindarough]

Ice cream parlor (December 2023)

[junaip3r]

Good Omens + Parallels

[the-maw-consumes]

the flood.

[hmslusitania]

Origins: the world is ending and you and your one remaining coworker are the only option left to save it.

II: the unavoidable tragedy of a queer friend group/polycule trying and failing to save their fucked up city

Inquisition: you went to a conference and accidentally ended up in charge of saving the entire world (again) with a team of colleagues who are (mostly) professionals and outstanding in their fields.

**

Veilguard:

Rook: hey, I suffered from “sudden field promotion” after “fucking everything up worse than it already was.” I’m putting a team together to kill at least one, maybe three, Gods

Seven of the most unwell people in Thedas: say no more, I’m in

[xshinina]

*Married life playing in the background

This idea was probably funnier in my head

[mcducky1356]

I just watched the 1990 movie for the first time, so now I’m redrawing some scenes with the Rise boys!

[ayo-edebiri]

Deadpool & Wolverine (2024) dir. Shawn Levy

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[chloesimaginationthings]

How Jeremy Fitzgerald survived the FNAF bite

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[greykolla-art]

Charlie: “I’m so glad my most villain-coded friend is at full power again! 🥰💕”

*throws this to you angst goblins like raw steak* ❤️

(No I will not do a part 2!❤️)