#it’s just like reading a story

[i-am-church-the-cat]

I can’t wait to write the end of this fic. Idk what it’s going to be yet but I’m excited to find out.

[arynneva]

wait do people read first person stories and think they're the ones in the story???

Saw people talking about not liking first person, which is fair, but their reasoning was like "I would not do that" and I don't understand that mindset.

First person stories are still about a character. A character making their own decisions. First person isn't about you???? At least I thought it wasn't. What am I missing? I've always seen first person as just a more in-depth look into a character's mind and stricter POV. Not as a reader stand-in.

[ered]

Here’s my take on the whole audio books vs. reading:

Oral tradition of storytelling predates written ones by millennias, and honestly, which one you like is just a personal preference.

The actual difference is

when listening, you have no idea how to write characters’ names

when reading, you have no idea how to pronounce characters’ names

hope this helps!

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[inbabylontheywept]

Babylon and the Duck of Butter

I have a gift for falling in love with random objects. One time, my aunt got me a little rubber chicken, and whenever I squoze it, a little egg thing popped out. Very silly. Except that chicken became something like my best friend. I carried it with me to school, and I kept it with me in my pocket, and whatever social hazards there were about Being The Guy Who Got Stressed Whenever His Rubber Chicken Was Missing were far outweighed by being The Guy Who ALWAYS Had a Rubber Chicken On Him. There's a lot of comedic opportunity that comes with always having a good prop on your person.

Of course, the chicken did eventually. Explode. And such was my grief that I did not eat for 36 hours. This was very stressful for many people. Mostly my mom. I was a very strange child to work with. She took parenting so incredibly seriously, and then I'd pitch her these curve balls like refusing to eat for a day and a half because my rubber chicken died. No parenting book tells you what to do when that happens. You just have to feel it in your heart.

A less tragic story of an object that I fell in love with was a large, foam toad that I found in a trinket shop. The toad was the size of a very large grapefruit. Much too large to carry with me to school (thank god) but enough that I could move it around the house, to keep me company during my solitary pursuits. If I was reading, the toad was there, and if I was tinkering with legos, the toad was there, and even when I slept, I would wrap the toad up in layers and layers of blankets, and then spoon it. I did this until the rubber coating on the foam started to wear out, and the foam started to get brittle and break down and leak this repulsive yellow powder. Then I simply put the toad in the playroom and would consult it on matters of great importance. Eventually I stopped doing that, and someone took the opportunity to dispose of it. Not sure who. By the time I noticed its absence, too much time had passed for me to actually be sad. As an adult, part of me thinks I would have maybe liked burying the toad, but part of me also thinks I might have refused to part with the toad, which would have resulted in it leaking more repulsive yellow powder into the house. So I understand why that decision was made. 

I want to state that this does not happen often, and it does not happen on purpose. I don't choose to fall in love with random objects. And it's always a little bit embarrassing when it happens. 

Which brings me to my wife. 

Before meeting my wife, I did not often go to places with crowds. I didn't really think of it as avoiding them - those places just didn't seem fun to me. But she liked those places, and I really liked her, and being with someone who really likes something can kind of sell you on liking it too, so I'd take her to places and watch her Visibly Enjoy the Fair and go: Alright. The fair is pretty sweet.  

Which is a thing that happened. After fourish months of dating, I took her to the fair. And she fell very visibly in love with a large series of quilts, and she stayed near them for a while, which she thought was very embarrassing, and I got to pretend to be understanding as an outsider, because I thought it would be much more impressive than also being the type of person that would fall in love with a quilt. 

Do not do this. The gods punishment for my hubris was that the room next to the quilts was full of butter sculptures, which was an entirely new thing to me, and I immediately fell embarrassingly in love with all of them. It was like the biggest, sappiest non-sexual crush you've ever had, but not only did the other person not recipropcate, they could not, because they were made of butter. I actually got yelled at for pressing my face against the glass, which is fair, but also, I hadn't realized I was pressing my face on the glass, I just started leaning forward because after approximately 30 minutes of staring wistfully at a cow made of butter my legs got tired. And I think I should be given some grace for that.

Anyway. My wife was very patient with me taking more time to look at the butter sculptures than the average person might spent at the Louvre, and she also felt much less embarrassed over falling in love with a quilt, and we had a good laugh about it on the ferris wheel. 

A few weeks after that was my birthday. And I don't know what I expected, exactly - but I did not expect what she did. 

Dear reader, she made me a butter sculpture. Of a duck.

She picked a duck, because our first kiss was at a Japanese friendship garden. It was our second date, and she'd made up her mind not to do any kissing until the third date, but as we sat on the grass, a duck walked past me, and I'd just seen the hold-duck-gentle-like-hamgurber meme,

so I sort of impulsively reached out and snatched it. I honestly didn't think it would work. I don't know who was more flabbergasted, me or the duck. But we looked at each other, and then I looked at her, and then she looked at the duck, and she looked so incredibly envious that I assumed that must have wanted the duck so I just handed it to her.

It turned out she was actually envious of the ability to just grab a duck as it walked by, but she accepted the duck and stroked it a few times before releasing it. (She also made up her mind to kiss me in that moment, which was very nice.)  

Anyway.

She made me a butter duck of my own. Obviously, I fell in love with it immediately. I cleared out all of the freezer-portion of my mini fridge, and I put the duck in there, and for the next several months, when I felt sad, or lonely, I would open the door up and spent some quality time. Just me and my duck.

But this is, of course, not the end of the story. 

Because.

After several months. 

The mini fridge died. 

I really didn't use it that often. It was mostly my duck storage container. But one day, I walked by it, and it struck me that it wasn't humming. So I opened the door, and it was just. Far, far too late. The duck was dead. Dead dead. Turned into a foul-smelling slime dead. 

I cried. I did. After the rubber chicken thing, I thought I had changed, but I had not changed, and the unexpected death of my butter buddy left me pretty shook. I texted my then-girlfriend now-wife about how sad I was, and she actually came over to help me say goodbye. We didn't even bother scraping the duck out of the mini-fridge, we just said our goodbyes to both and threw them together in the nice dumpster behind the chapel, because it seemed appropriate to put it in God's dumpster. And it did actually help quite a bit. I certainly did not go 36 hours without eating again. 

And that was, for some time, the end of the butter duck. 

However. Three (or four?) years ago, for my birthday, my wife was looking around thrift stores. And she found something interesting. 

The original butter duck had an odd pose. She'd sculpted it laying flat, intending to raise it up later. But the butter was less flexible than she thought, and she was afraid of cracking it so she left it down which left the duck with a very elongated, very in-motion appearance. And she found a brass statue of a duck in the same, running posture.

It wasn't the original. But it was oddly on the nose. It was a yellow brass, it had the same strange posture, the same crude little face feathers. 

I think it was $3, but it remains perhaps the most thoughtful gift I have ever received. I got very choked up when I unwrapped Butter Duck, The UnDying. 

Pic provided.

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[saltymarshmall0w]

Danny is "in denial" about the Waynes being vigilantes

Danny is really grateful for the Waynes taking him in and all but it’s just… it’s really obvious they’re vigilantes. Do they WANT him to find out? Why?? To join their battalion?

Hell nah. He’s already got enough going on trying to keep in check the many shades in the city.

Danny simply pretends to be oblivious about the Waynes being vigilantes. That's a future Danny problem.

It turns into Kyle levels of denial, where he ends up pretending he thinks the vigilantes are actors hired by the city to cover up all the ghosts haunting Gotham.

And obviously, the city bases them on the infamously growing Wayne family. It's so sweet of the Waynes to volunteer to dress up as their character for public appearances.

Meanwhile, Bruce has banned outright telling Danny even though it's been nearly a year of him living with them. So what if Danny glows sometimes and has full conversations with invisible people in dark alleyways, everyone has their quirks! so, the Batkids have resolved to just "accidentally" leave their mask on after patrol or make tactical plans loudly about taking down Penguin's latest scheme with Danny a room over.

-

“Is Dick coming to the Gala?” Danny asked as his head swiveled between his phone and the mirror as he attempted to tie his own tie. How did his mom always make it look so easy?

“No, he is going out as Batman tonight, since Father is unable to.” Damian responded. He may as well be blasé about their identities, seeing as Fenton was obviously both completely aware of their identities and completely in denial.

“Oh, man. Does that mean one of the “rouges” are going to attack the gala?” Danny asked, “It’s probably going to be that Two-face guy, huh? He hasn’t made an appearance in a while and his character arc with “Brucie” hasn’t made any progress in a while.”

“Nonsense, there is no predicting the mindset of a criminal like Two-face.” Damian ignored Danny’s disbelieving scoff as he maneuvered his newest brother to face him so he could take over the task for him, else they would be standing there all night. “Besides, Drake is in charge of security for the gala and will do an adequate job securing the venue. If you are afraid remain by my side where I can protect you.”

Damian tightened the tie around Danny's neck and stepped back to let Fenton pull his own collar down.

"That's very sweet of you, Dami." Danny reached up a hand and mussed up Damian's newly-gelled hair, garnering a growl and a shove from the boy. "But you should do normal kid things during the gala, like accidentally saying rude things to old ladies, or complaining about how bored you are, and don't forget to prank all the evil billionaires."

...

The “I told you so.” Danny brazenly mouthed to Damian later in the evening from where Two-face held a gun to his head was as infuriating as it was distressing.

—

(Kyle Weston is the fanon brother of Wes Weston (also a fanon character) who’s whole thing is that he believes in conspiracy theories like Wes, but doesn’t believe in ghosts at all to Wes’s frustration.)

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[egophiliac]

Your first initial impressions of any Twst character vs your current feelings about them?

honestly, my perception of pretty much every character went through some metamorphosis of "this guy looks like a jerk" to "oh, he's a stupid jerk? now hold on." it's all about that balancing act between a dark brooding asshole and a dark brooding asshole who is also totally ridiculous, and it really does make ALL the difference.

perhaps most ironically, I've mentioned before that I was absolutely not into the Diasomnias at first, because the impression the website gave pre-release was somehow even less favorable than for everyone else and I was mad at Lilia for getting my hopes up for a token girl). and then we got their stories and, well, I kind of just haven't stopped thinking about them since. 🤷

also, I went in thinking that Crowley was going to be. y'know. competent at his job. a helpful guide. a mysterious yet caring mentor figure, a fitting leader for this band of delicate young magic waifs with their fancy little magic outfits and their perfect, perfect hair. I've never been so glad to be wrong.

[rapidhighway]

here's my unfinished comic that i'm probably never going to finish that's been bothering me for almost a YEAR now... This was part of my metal sonic au that I still delude myself i will return to posting about some day. Idk, maybe, but this is the very beginning of the story, in which Metal accidentally becomes somewhat organic (which was supposed to happen at the end of this comic which was supposed to be like 30 pages but i turned out to be weak)

WHEW! well you can look at my old ass drawings of organic metal sonic in the tag under this very name and maybe I will draw something more for this one day, cause I still think about this story sometimes. For now I hope you freaking enjoyed this comic that almost killed me last february, i almost gave myself carpal!

and thank you @mysticruinedme for being so enhusiastic about it that it made me want to post this sooooo bad :3c

[keferon]

It took me a while to read chapter 70 of Mistakes on mistakes until because I can't just. Youknow. read it. I have to be a total maniac and sketch everything I like as I read, so this whole chapter took me an absurd amount of time ahahaha

[reksukoy]

WELCOME TO CHAOS

[pureseasalt]

at woe's hollow straight up jorkin it haha. and by it i mean..... well..... haha... ha.......oh god. oh dear god. oh lord oh dear lord. oh go d forgiv e me

[alleiwentcrazy]

“Wait,” Steve propped himself on his elbow, getting into a half-lying, half-sitting up position, “you’d do that for me?”

“Yeah man,” Eddie replied. He shimmied a little bit closer to the middle of the mattress and snuggled to his pillow. His eyebrows furrowed as he yawned. “I mean, I kind of did that already, didn’t I?”

Steve just kept on looking at him, stunned. It felt so strange to be cared for; to be remembered, known. He’d never had been, not like that—with Robin, sure, but that was different. He’d never felt like that with Nancy. With anyone. He hadn’t had to try and make out someone’s silhouette in the darkness, just to read their face and decide whether they were just selfless and nice or doing something for him. Truly for him, for the sake of doing it for him. It had never been an issue, because there had never been anyone about whom he’d had to wonder things like that. It had always been an exchange of sorts in this context.

But not with Eddie.

Steve’s head started to spin.

“Honestly I can’t wait for you to see it. You know she’s not really my type, but even I can see how fucking cool this car is. It felt a little like tuning my guitar or—”

Steve didn’t even register it when he reached for Eddie’s face, his consciousness wasn’t in the room when he lowered himself down and sank even closer to the boy who’d put his heart in a wrench. He just kissed him, and when he did – momentarily, it was a complete bliss. As long as his lips were gently pressed to Eddie’s, no matter how hard his heart was beating, it felt like he would be okay after all. Nothing else was important; he was kissing Eddie. He felt warm and cared for; he was kissing Eddie. 

Eddie.

Steve felt a finger hook at the rim of his shirt, he felt himself being pulled closer.

The panic came approximately three seconds later.

Their lips parted with the softest tsk, but Steve heard it several times louder. His senses were screaming at him, all alarms set off; the smell of Eddie’s shampoo lingered around his face, the sensation of chapped lips lingered against his, his fingers were tingling where they came in contact with Eddie’s slightest stubble.

It was curious how much Eddie reminded him of a cat at that moment. He was rigid, but ready to spring into action whenever, and his eyes were ridiculously big, almost fluorescent in the dim moonlight that was seeping through the trailer’s curtains. The longer Steve looked into those eyes, the more he felt like he might have fucked up. Bad.

“Should I—I should, I mean I…” He trailed off, getting a little further away from Eddie with every word. “I should, yeah, probably. Go.”

He practically jumped out of the bed, and it pained him how cold it was without Eddie close to him. He’d gotten so used to sleeping here, just sleeping, whenever Wayne was out and no uncomfortable questions would be asked, so that they both could feel a little less alone.

“I’ll take the van, we’ll exchange cars later today, alright?” Steve looked for his change of clothes in the darkness. They were, as usual, neatly stacked in his designated space at Eddie’s desk. “I’m sorry, I didn’t—I mean, I did, but I’m, uh. I’m…” He trailed off, his cheeks getting embarrassingly hot and pink, he supposed, even though he couldn’t see himself in the mirror.

It felt wrong to say he was sorry. He was, obviously, he just kissed Eddie out of nowhere, but it didn’t feel like a mistake. His lips were still warm. He wanted to purse them tightly to keep the memory of Eddie’s lips on his firmly in place.

“We should do it again.”

Steve froze.

“What?”

He turned back towards the bed. It was much easier to make out Eddie’s form now. He was sitting up, chewing his thumbnail, his eyes barely flickering to Steve. His hair stood out against the white-ish wall and Eddie’s gray T-shirt. The waves were quite disheveled, but still cascaded beautifully over his shoulders.

Damn, Steven.

“We should do it again. If you’re not sure, we should do it again.”

Not sure about what? Steve did not dare ask. Eddie looked so nervous, maybe even more nervous than Steve felt. Both of their breaths were coming short now, as if they’d just run a marathon.

Apprehensively, Steve sat back down on the edge of the bed. The mattress dipped underneath him and he swayed a bit forward.

“We should kiss. Again?” That really was what it was, right?

Eddie nodded his head quickly. Steve’s breath hitched when the smell of Eddie’s shampoo reached his nose once again.

There were very few thoughts in Steve’s head. There was just Eddie, right in front of him, chewing his nail, nodding away. Wanting to kiss him, again, having been kissed once already. Steve was confused and more than a little queasy, but his willpower wasn’t quite strong enough to get him questioning things.

“Okay,” he mumbled. Eddie finally looked at him, lowered his hand to his lap and nodded.

Some sort of nervous sound rumbled in the back of Steve’s throat. Okay. It was okay. He leaned in—and Eddie leaned in at the same time. Warm breath tickled Steve’s lips, and he stopped just before meeting Eddie half-way.

“Are you su—”

Eddie was kissing him before the sentence got out of his mouth in its entirety. Really kissing him, not just pressing their lips together, kissing him, still incredibly stiff and distanced, but kissing him. Oh, with something more than just curiosity, Steve could tell. He let out one heavy breath through his nose and felt Eddie relax right away with him. Their lips were in perfect harmony; Steve’s chest tightened. His stomach felt heavy and full and squirmy and for some reason Steve had never felt better than in this moment, even though his eyes stung and he could barely breathe.

His hands acted on their own accord, one settling on Eddie’s shoulder, the other on his cheek, keeping him close, closer, closer still.

Their lips parted. Steve felt the loss immediately.

“I’m gonna…” Eddie whispered huskily, untangling his legs from the cover and shifting his position. It was funny how one of his knees kind of hovered over Steve’s lap in silent question – it was even funnier how long it took Steve to process that.

“Yeah, feel free, please.”

What the fuck, Steven.

Eddie straddled his lap and leaned right back for another kiss, pressing their chests together. Their hearts kept thump thump thumping loudly against their chests, and Steve was kind of actively losing his mind over that. Eddie, in his gray T-shirt and stupid plaid shorts, was straddling his lap, kissing him, making him believe that he had the whole world in the palm of his hand. Was it even real? Could Steve touch him? Would it really be alright? He laid his hand on Eddie’s thigh, feeling hair and goosebumps underneath his fingers. Another conclusion from that night: Eddie was hot. Steve kissed him harder, and he reciprocated, grabbing Steve’s neck.

Steve had no idea for how long they had been kissing, until Eddie swayed dangerously close to the edge of the bed and Steve’s neck started to hurt. It wasn’t nearly enough, but that was it.

For now, hopefully.

“It’s getting late,” he mumbled against Eddie’s lips, “and you’ve got to be at the shop at 8 sharp tomorrow.”

“Yeah,” Eddie said and stole one more peck. “You wanna sleep?”

Fuck me if I can, Steve thought, but nodded yes.

“But let’s talk tomorrow? Okay?”

Eddie’s hands were still cupping his cheeks. His lips seemed sleek and shiny, shinier than his eyes, even.

“We must,” he replied. They both nodded. For some reason Steve’s heart started beating even faster now.

Eddie scrambled from his lap, cleared his throat and rearranged the covers, getting back into his favourite position. Steve followed suit. The gap between them seemed enormous and immediately got filled with anxious energy.

Steve reached between them hesitantly. For a few seconds his hand just lay there, empty and suddenly very cold. Eddie’s open palm touched his. He let out a big breath.

They would figure it out. For sure. Tomorrow.