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#it’s fiction let people have fun and do what they want. why are you trying to establish rules to fan content
naivety · 2 months
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very weird to frame your abuse apologia as being aware that the writers intended to illustrate a mutually harmful dynamic and not an abusive one. when the writers in question also wrote the line 'once you put it out there, they [the audience] decide what it is' because nothing you ever create has any innate definition. when the writers in question decided to racebend major characters and then showcase them being harmed by white or nonblack characters in a repeatedly racialized pattern when they Did Not Have To Do That and then genuinely or disingenuously decide to dialogue about their directly or indirectly illustrated racialized dynamic of intimate partner violence within and outside the narrative. like to be quite honest it does not matter what they intended because this is what they made and this is how it Looks to a notably large amount of people. who just happen to be interpreting it wrong? according to what metric? the very metric they say Doesn't Work in their own fictional creation? ok
#j watches interview with the vampire#i keep saying i'm tired of talking about this but i'm not#iwtv is SO enjoyable to me when i Don't make excuses for obviously shitty people#cannot comprehend the level of mental gymnastics. well actually i can lol#like i'm not trying to suck the fun out of a fictional show of fun fucked up dynamics#it's fun and fucked up Because. they let it be fucked up#let it be fucked up!#so many people seem to have such an aversion to the idea that lestat ever abused anyone but especially louis#when we know even if he didn't abuse louis he definitely abused claudia. often IN very misogynistic and racist ways btw#which people conveniently ignore#let alone that he does similar things to louis even when he at the same time would never Want to abuse louis#like both are true. i think. like#it's good that we as a society have tried to be better about cutting off abusers at the heels to compensate for it not happening Enough#but we have to stop pretending they aren't human people and that abuse is a Human act and that their humanity#and our ability to understand them with Our humanity just Disappears the second they do something monstrous#like no. both are true. all of it's true#pretending lestat was never abusive does nothing for no one#and i really truly feel like it takes the bite Out of such a compelling story to view it that way#let it bite my friends i promise you will survive it#imo seeing lestat's abuse for what it is =/= Cancel Him NOW like. i still enjoy him for what he is as long as he's Allowed to be what he is#which the finale. um. appeared to backpedal lol which is why it immediately sucked to me#realizing i am Because Of Woke-ing lestat but like people are afraid to call him abusive because they like him and they feel like#they can't continue to like him if they admit he was ever abusive. Because of Woke HFKSDJF
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silvery-stars · 5 months
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those posts saying that nobody should ever make inaccurate headcanons or write fanfics even a little bit out of character are crazy. oh my bad for doing what i want with fictional characters. what are you gonna do get mad at me? boo hoo ☹️
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musical-chick-13 · 1 year
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I know I complain about this just. So much. And I’m sorry, like even I’m starting to get annoyed with myself, but I’m just so tired of how, pretty much unless a work is SOLELY populated with ONLY female characters, when it comes to who people spend their time on in fandom, overwhelmingly without fail, they will pick a (white, conventionally attractive) man at every turn.
#what do I have to do! what do I have to do to get people to care about women!!! what do I have to do to prevent people from saying#'I want her to die violently in [obviously-gendered way]'!!!!!#like my god I'm pretty sure that the only reason a man isn't going to win my tournament is because I limited it to female characters lmao#like yeah obviously fiction isn't real life and fandom isn't activism but you still uh. carry your biases from real life into your hobbies#those biases don't magically go away just because you're doing something fun???#as evidenced by the way people treat the REAL LIFE ACTRESSES who play these supposedly Irredeemable™ characters#(or who play characters who are '''in the way''' of a man doing something)#(thinking of that one guilty feminist podcast episode where they talked about how works centered around men frequently let the men#be the 'story movers' and the women are the 'story wreckers.' in the sense that they try to dissuade the men from doing Badass (read: Cool#Morally Grey) things)'#(and then there's the shipping dimension which. the less I say about that the better"#In the Vents#like. do you know why noir only has female centric works/analysis/content/whatever? THERE ARE LITERALLY NO MEN IN THE SHOW#(not in ANYTHING resembling a major capacity anyway. not that anyone would watch an installment of something called the 'girls with#guns trilogy' if they weren't looking for female characters. but. still)#HOW ARE WE AT THE POINT WHERE THAT'S THE ONLY WAY TO AVOID THIS
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ariaste · 4 months
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So listen i have this book coming out in uhhh 10 days and I am Worried about it, because it is a Comedy, and comedy is really hard to market (why????? it's funny pirates, what's not to like??) even when it is, yanno, normal mainstream comedy.
It is even worse when it is Unhinged Comedy That's Mostly Going To Be Funny To People On Tumblr. (For example, the main character being a supreme gremlin made of 90% memes by weight (examples: carries around a bag that is never called anything but his "little rucksack"; has a near-verbatim "stick me legy out real far" moment; talks about his metaphorical "orphan gruel bowl" which is a direct reference to that one Oliver Twist gif) because those are funny to me personally.) Unhinged Tumblr Comedy is difficult because tumblr is not a platform where it is easy to market things to people, because we are generally violently anti-capitalist and LOATHE advertisements and reflexively resist being marketed to for most anything. I LOVE that about this website. Except for right now, because I have bills to pay and a cat to feed. So look, fellow tumblr gremlins, I am just trying to say that if your personal brand of comedy is laughing at the kind of jokes that could only be produced on this hell website, and:
you like pirates
you're queer and want to read more books by queer authors
you want your fictional queer characters to be a hell of a lot more Messy and Unhinged than they often are depicted as being
you're interested in seeing a love triangle (M/M/NB) that resolves into polyamory
you want books where the hottest character gets to makes Passionate Speeches about rebelling against oppressive institutional regimes like governments and organized religions
you believe that capitalism is the most oppressive institutional regime of them all
you think it's fun when two characters have been in a 15-year-long relationship where the vibes have been "We're Newly Divorced" nearly since day one
you believe that All Cops Are Bastards and want to know what to do when you get pulled over by the boat cops
you think the Great British Bake-Off would be improved with weaponry, ritualized bribery/coercion of judges, and elaborate shit-talk
then this book might be for you. Beneath the wall-to-wall hijinks, it is political and it is righteously angry and it is the funniest thing I have ever written (which is saying something, because I have written some funny shit). It's called RUNNING CLOSE TO THE WIND. Here's a picture of it.
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If all that sounds cool, you can read a review of it here and the first chapter of it here to see if it as funny as I am claiming it is, and then if you think that it is, you can preorder it here. It comes out on June 11! Ten days from now!
Thank you for letting me market to you for a minute. Signal boosting would be very much appreciated.
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whimsiwitchy · 1 month
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Controversially Young Girlfriend (part two)
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Hugh Jackman x popstar!reader 
series masterlist & main masterlist
summary: y/n is a globally beloved pop star. She is known for her talent and dedication towards her craft. Recently, she has also been known for her preference for older men. After a breakup with her former older boyfriend, she had a run in with the hottest dilf right now, Hugh Jackman. Y/n tried to warn him, but what can she say, she has an effect on hot, older men. 
warnings: age gap (23/55), cursing, y/n used, implied shorter reader, afab reader, she/her pronouns. 
warnings will change as the story progresses! all descriptions of real people in this story are FAKE. I do not know these people and this is purely fiction. Please let me know if I missed anything!! <3
authors note: I truly appreciate every single one of you who has enjoyed this story and has shown it love. I want to have a slow start to things so I hope everyone appreciates a good slow burn lol. enjoy! <3
part two: pathetic
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London was absolutely beautiful. You’d always dreamed of coming here- simply exploring anywhere out of America really. It was so fun being in a foreign place hearing silly accents all day, you loved it. You wanted nothing more than to do a world tour for your debut album but your label decided to play it safe by only touring around North America. Now that you were here, you dreamed bigger and would try your hardest to gain the fan base it took to have a world tour. Traveling was honestly one of the best perks of being famous. 
famous
It was a word you were still getting used to as it almost felt shallow to refer to yourself as such. Though it was true. You were famous. Having that interaction with Hugh and Ryan yesterday made the reality sink in even more. Two men who had been in the industry for decades knew who you were, it was mind boggling to put it simply. The embarrassment seemed to keep creeping in when you would remember your interaction between the two men yesterday. The yelp of surprise and the quick, but loud, ‘holy shit’ that was thrown from your mouth involuntarily made you cringe. Hugh asking about Pedro was something you weren’t prepared for at all either. It made sense for him to ask, if he was a close friend of Pedro’s then your name being brought up didn’t seem like the oddest thing. However, never meeting Hugh before, you wished the conversation could have been different. 
Ugh stupid hot, tall, older, Australian man that could sing. He was literally everything you found attractive bundled up into one man. You had a brief obsession with The Greatest Showman, as every theater kid did, but your celebrity crush of the movie was Zac Efron. If only freshman you could see current you, she’d probably laugh. 
Hugh had been on your mind all night and hadn’t left since you woke up this morning. If you could remember, you’d be certain he was the focus of your dreams too. The following and the comment was shocking to say the least. From Ryan’s words, they were fans but why did he follow you after he had met you instead of before. Ha, as you think about it more, it probably wasn’t even him. It was more than likely someone who was hired to run his socials, just like the person on your team that posted that photo for you. You were definitely overthinking it all…This morning when you were brushing your teeth, you kept trying to remember the feeling of his big hand on the base of your spine. It was all a bit pathetic. 
“Helloooo…earth to y/n.” Ashley, your best friend, says as she snaps her fingers in front of your face. “Are you going to tell me what has you all spaced out or do I have to deal with you moping around this entire trip?” There's a hint of annoyance in her voice. 
Ashley has been your best friend since middle school. She was always your number one supporter, so in return, you take her almost everywhere with you. Of course you invited her to London and of course she planned an entire itinerary around your busy work schedule. Her company was appreciated but it was impossible to hide your emotions from her, making moments like this difficult. 
“I’m sorry. It’s nothing really, it can wait until later.” If the two of you weren’t sitting in the middle of a small cafe, you would have told her every single thought that sat in your brain, but you couldn’t. You never knew who was listening in on your conversations. That became something you had to get used to, not being able to exist in public. It usually wasn’t too bad, for example, you could sit in a cafe with your best friend but sometimes things got out of hand and you couldn’t even walk down the street.
“Okay, you better.” She gave you an understanding nod. “So, I bought us tickets to go on the London Eye at 2pm then I thought we could go grab a late lunch or dinner, whatever you-” You’re looking at her and nodding trying your best to pay attention but you can’t. You hated the way one singular interaction with Hugh had your entire day scrambled. If you ever saw him again, you’d have to tell him off for being so hot and ruining the fun London trip you had planned. 
The wait for the London Eye ended up taking an extra forty five minutes and Ashley was pissed. She was a very schedule oriented person, one minute off and she’s stressed the fuck out. The entire time we waited, she complained and would have had the king on the phone if you hadn't stopped her. Her mood was unchanged by the time you stepped into your private cart.
“If I tell you all of my boy drama, would it make you calm down and enjoy the ride?” You ask slyly as you look down at the water below as the wheel starts to move the bubble you’re sitting in higher. 
She gasps and her eyes go wide.
“BOY DRAMA???” She screams out, her previous negative mood disappearing and her eyes light up with excitement.
You sigh as you gather your thoughts. 
“Well..it’s not really drama. I may or may not have a teensy crush on someone.” 
“Oh my god!! Who is it? Have I met them?” 
“Uh no. I actually just met him-” She’s cutting you off before you can finish your sentence. 
“YOU SLUT!” She yells, pointing an accusing finger at you. 
“What the hell Ash? I didn’t even tell yo-” 
“It’s Hugh fucking Jackman isn’t it? Stacy said she saw the way you looked at him yesterday. Jesus y/n, you don’t even know the guy.” She’s rambling on, judgment clear in her voice. 
“Since when are you and Stacy on talking terms?” You purposely ignore everything else she said. Ashley was jealous of Stacy for awhile. When you asked her about it she claimed that Stacy was trying to steal her best friend away. It took a lot of reassurance that the relationship you had with Stacy was work before friendship- and if she had become a good friend along the way, that was something you weren’t going to tell Ashley. 
“We can be civil when it comes to concerns for you.” 
“And what concerns are there lately?” 
“Huh… Stacy let me in on your little conversation yesterday about swearing off men for a little bit but once Hugh stepped through the door, she said that she could tell that idea was out the window.” She’s trying her hardest to keep a straight face but there was a slight smirk peeking through. 
“Oh my fucking god, you guys are so dramatic. Yes he’s fine as FUCK but like you said I dont know him. I probably won’t ever see him again.” You sigh at the end. You really wanted to see him again. 
“What even happened that has you wrapped around his finger already?” You don’t speak for a moment as you think about how to say your thoughts without feeling dumb. 
“Please don’t tell me you only have a crush on him because he’s hot…You take your crushes too far for that.” There's a look of panic resting on her face. 
“He uh…well…you know how we took the pictures yesterday for BBC?” You ask and she's nodding. “I thought he looked good but I swear I wasn’t thinking anything irrational. It was when we had to take those stupid pictures and he rested his hand on my back…Ash, I swear there was a spark or something. It felt so… I don’t know…so.. right?” The cart you’re in is sitting at the top of the wheel and you’re taking advantage of the view while you wait for Ashley to respond. When she doesn’t, you turn to look at her. She’s staring blankly at you, giving you slow blinks. 
“What?” Your voice is soft, barely above a whisper. 
“Y/n, how old is he?” Her expression is unchanging. 
“Fifty five…I googled it last night..” You were feeling ashamed of your behavior. You felt like a kid with a stupid school crush. Pathetic. 
“Hm, that’s your oldest yet. What’s next, eighty or ninety five is probably more to your taste huh?” She’s making fun of you and it hurts. You know she’s never approved of your taste in men but you can’t really help it. It’s not like you block out guys your age, they just don’t satisfy you. They’re mean, boring, and losers. You wanted a real man. Someone who was established in life and could take care of you. 
“Whatever..” You let out softly. The cart was nearing the bottom once again and you were ready to be free of the room of gossip and judgment. 
“Y/n… you know I only want what’s best for you. I mean look at what happened with Pedro and all the other men before him.” She’s sincere and you understand her point of view but you wished she would understand yours as well. 
“I know Ash. It’s just a stupid crush anyways.” It was more of a reminder to yourself rather than to Ashley. She was right, you did have a habit of taking your crushes too far. You always had to try to get the guy who held your attention but you were confident in who you were. Most times it worked but a break from dating was what was best for you. 
To apologize for being mean, Ashley was currently on the phone with some poor worker from one of Gordon Ramsay’s restaurants. She already made a reservation for tomorrow night but thought tonight would be better to cheer you up. You tried to reason with her by telling her that there were plenty of great restaurants in London we could get into tonight, but she insisted on having a very touristy dinner tonight instead of tomorrow, like it made any of a difference. 
“I know the reservation is for tomorrow but miss y/l/n needs it for tonight.” Her voice is strong and unwavering, determined to get a table tonight. She’s been throwing your name around left and right hoping that someone would know who you were. It all felt too pretentious for your liking but you couldn’t control Ashley when she was like this. 
You were sprawled across your hotel bed, scrolling through instagram. The voices inside your head were screaming to look at Hugh’s page, just a peak. Last night after you saw the comment, you practically threw your phone across the room, too afraid to look at it again. You're honestly thankful for that reaction because who knows how long you would have stayed awake thinking about it and diving into his life. You did make that quick google search to see just how old he was but that was the end of your exploration. 
Your fingers moved faster than your brain could process, typing his name into the search bar and clicking his profile the second it popped up. You didn’t have to scroll far into his account before your heart started to race. You clicked on a mirror selfie he had posted of him in his wolverine costume with sunglasses on. The pose and the caption really showed his age but for your sick brain, it made everything about him even sexier. You cautiously swiped out of that picture to prevent an accidental like. The next picture to catch your attention was one of Hugh in the trunk of a car. Your eyes almost jump out of your face with your tongue rolling onto the ground like the cartoons. The size of his arm was insane. You weren’t one to go for muscular men, but Hugh could choke you out with that arm any time he wanted to. His smile was so dreamy. You hadn’t seen Deadpool and Wolverine yet, not really having interest before, but now you might have to take a solo trip to the movies. You were cooked.
“Thank you, I’m glad we were able to come to an agreement. Yes tonight at 8pm.” Ashley is hanging up the phone and lets out a high pitched squeal. 
“How do you do that?” You’ve always been amazed at her negotiating skills and her ability to get whatever she wants. 
“Natural talent..also having a famous bestie doesn’t hurt.” She giggles and checks the time. Her laughter turns to a gasp. “We have to get ready, it’s already 6pm!” She’s gathering her things and as she’s rushing out of the door, she’s telling you that she’ll be back soon to get dolled up together. 
You had to learn how to style yourself over the past year of being in the limelight. Fashion was something you had been interested in but in Minden, if you dressed too out of the ordinary, people would stare. You shied away from it for longer than necessary and only recently learned how to express yourself freely thanks to your stylist, Kat. For dinner, you picked out a lengthy fitted black dress. It had the prettiest floral pattern that covered it with butterflies popping up here and there. What sold you on the dress though were the two frilly pieces of fabric that hung on either side of the dress. It was stunning and it looked even better on you. You decided on letting your hair sit in its natural state, not caring to put much effort into it. 
When Ashley came tumbling back into your room, wearing a red fitted dress, the two of you put some music on and got to work. You weren’t going for a super complicated makeup look, simply deciding on a small winged eyeliner, mascara, a dark blood red lip stain, and a hint of blush. Layering a few necklaces and adding some hooped earrings, your look was almost complete. All that was left were a pair of black heels that had two strings that you effortlessly swirled around your calf tying it into a cute bow at the top. 
“You look smoking hot! Let me take a picture of you.” Ashley whistles and grabs your phone to take a few shots. She was right, you looked good. You decided to post one of the pictures of your instagram story with a small caption that said ‘dinner time 😋’. 
What you loved about Ashley is that she took your fame with a grain of salt most of the time. When you wanted to take an uber or taxi somewhere, she never complained. You often got tired of taking private cars everywhere, wanting a little normality when you could get it. The uber ride over was a quiet one, both of you too focused on the view outside of your own windows, soaking in the reality of being in Europe. 
The restaurant was gorgeous. It wasn’t over the top fancy with normal everyday people littering the dining area, it was nice. Ashley and yourself were in quiet conversation as you looked over the menu. Feeling adventurous, you asked the waitress what she recommended and you ended up ordering the dish. Sipping on your espresso martini, you took a moment to feel grateful for the life you got to live. 
“Oh you have got to be kidding me.” Ashley is sighing with a slight roll of her eyes. 
“Good evening y/n.” A voice is approaching behind you before you could question Ashleys sudden annoyance. It was a voice you recognized, hearing it the day before. You turn around to see Hugh standing behind your left shoulder and you stand up to greet him properly. You’ve gotten accustomed to hugging almost everyone you meet nowadays, you lean in without thinking. 
“Oh my god! Hi Hugh.” There's a big grin on your face. It felt like a sign that you were seeing him again. 
“I don’t want to bother you ladies for too long. I recognized your dress and wanted to come say hi. I also wanted to apologize for bringing up Pedro yesterday, it was rude of me to do without even introducing myself first.” He lets out in his gruff voice, accent strong. His arm and yours are still interlocked in a weird side hug type of position. 
“It’s totally fine, you didn’t know.” You look into his eyes with utmost sincerity. “Oh uh, this is my best friend Ashley. Ashley, this is Hugh.” He breaks the side hug to reach to shake Ashley’s hand. 
“Nice to meet you.” Hugh lets out and Ashley responds with a short ‘you too.’ You give her a look that says ‘be nice’. 
“Well, I’ll get out of your hair. It was really nice seeing you again sweetheart.” He smiles down at you.
“It was nice seeing you again as well.” 
“Here let me.” He’s motioning to your chair. You take a seat and he's pushing it forward for you. 
“Thank you.” Looking back at him with a shy smile. He gives your shoulder a squeeze of acknowledgment and he’s walking away. 
“Maybe the universe does want you with a man old enough to be your grandfather. I mean what are the fucking odds of running into him at a Gordon Ramsay restaurant.” Ashley lets out in total disbelief. 
You don’t say anything, you give a sly shrug instead. The rest of the dinner is tame. The food was delicious and you felt woozy from the martinis you’d been downing. Ashley let you know half way through the dinner that Hugh was sitting not to far from us and that he ‘had a fucking staring problem’, her words exactly. It made you giddy to think he was looking over here and if you begged Ashley to trade seats with you it was no one else's business. She obviously refused and you spent the rest of your time focusing on your friend, with Hugh sitting in the corner of your mind. 
When you got back to the hotel, you immediately stripped yourself from your heels and dress. Laying in the bed in nothing but your undergarments, you opened instagram and took a look at your story one more time, wanting to see just how good you looked. It was shallow for sure but it made you feel good. You saw the hearts flooding the bottom of the screen and decided to swipe up to see who had liked it. As you scrolled nothing really caught your attention until that name caught your eye again.
“I recognized your dress and wanted to come say hi.” 
What the actual fuck.
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thank you for reading <3
part three
series taglist: @chronicallybubbly @spideybv28 @pear-1206 @robertthehoover @reidsworld @bloody-bunni666 @quillycrow @kythefangirl25 @bluetimeombre
I think I got everyone tagged that asked to be! If you want to be added/removed let me know. <3
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cavegirlpoems · 2 months
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So many TTRPG people, like yourself, seem to exist in a world where players don't actually enjoy the campaigns they're in, and don't actually like playing with the people they play with, and your whole approach to game mechanics seems like it's about trying to bribe these people to continue playing at a given table.
i have no idea where you get this idea from, I play a bunch of different games - including freeform text rp, fest larps, parlour larps, regular tabletop campaigns, longform play-by-post games and narrative wargames - and I have a lot of fun doing it. I wouldn't be a game designer if I didn't actually enjoy games. The thing is, if you study game design and ttrpg theory seriously, you think about the intent behind design decisions. Game design doesn't just happen by accident, the designer put a given rule in for a reason. So, you ask yourself why the designer made the game the way it did, and what they were trying to achieve.
A significant tool for game design is considering the feedback the game provides; what behaviours that ruleset rewards and what it discourages. (You can apply this analysis to other games, too, like video games). When I'm talking about a bribe, it's in that context; how does the game reward you for doing things, and what things does it reward. (For example, 'scrabble' rewards you for playing words with weird letters in them by making those letters worth more points.)
The thing is, ultimately, every game relies on a simple proposition; that if you volunterily use its rules, you will have fun. You don't need to follow the rules, and you can have fun without them, but the idea is that using the rules will let you have more fun, or a different type of fun, than if you didn't. (For example, throwing a ball around is a bit fun, but if everybody agrees to follow the rules of basketball, you get a different experience that a lot of people prefer). So, the only bribe you're making on the interpersonal, out-out-of-game level (unless something weird is going on) is "if we play this game it will be fun". When I talk about bribes and incentives, it's *inside* the game, after we've all agreed to the game's proposition of "if you use the rules, you will have fun".
Now, what counts as an incentive varies by game. Some, like Warhammer 40k, are challenge-based, and have ways to keep score of success and victory; here, things that signify overcoming the challenge are your incentives; how you get a high score, how you win, etc. Others, like most ttrpgs, are creative-based. What constitutes an incentive within the game's structure is less precisely defined. By and large, though, these incentives tend to be things like increased agency within the game fiction, space for creative expression, and experiencing and learning about more of the game fiction. (In this structure, 'being more mechanically powerful' can be thought of as a way of granting a player more agency, because their actions are more likely to succeed and result in the outcomes that they want. If the mechanical growth is lateral as well as vertical, then how to get more powerful is - itself - a venue for creative expression in what to prioritise, which is also a reward).
In the same way that you have the adage that 'restrictions breed creativity', the same goes for Fun. Limiting your scope from anything-goes freeform by voluntarily agreeing to use a set of game rules can produce similar results. Voluntarily limiting your agency in the fiction according to a set of game rules produces a friction that players of roleplaying games find enjoyable to push against. In this context, a reward structure within a game serves the useful purpose of signposting which direction you should push to get the fun kind of friction. A game which limits your options, and then gives you more options when you engage with certain behaviours, is telling you that those are the intended behaviours. Likewise, a game that limits your options even further when you do something is encouraging you not to do that. This is because game designs are not neutral and universal, they exist to create specific experiences. A game that rewards you by giving you more space for creative expression when you get in a fight - and gives you less space for creative expression when you avoid violence - is one that wants you to engage in violence, because it's designed to be a game where you have fun by fighting. This isn't bribing the players to sit down at the table and play the game; that has already happened outside the context of the game. They have already agreed to the game's offer of 'if you use these rules, you will have fun'. Rather, this bribing is within the game-space, the games mechanics encouraging the players to engage with it as intended, in the way that will be most fun. IE: these incentive structures are a tool the game uses to achieve the promise it makes; they guide the players towards the fun that they volunteered to have. Hope that makes sense. * * * Now, your initial ask is a weird take that's entirely unrelated to anything I've posted, and - particularly from an anon account- oddly antagonistic. I don't know if you're genuinely confused about game design, or arguing in bad faith. Either way, this probably doesn't merit the small essay I've produced, but have one anyway, it's always fun to clarify my ideas in written form.
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itsbeeble · 10 months
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TRY HARD
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SUMMARY: Need to get rid of some junk? Well these college hunks will haul YOUR junk! Give us a call at xxx-xxx-JUNK and we’ll haul YOUR junk for FREE! (limited time offer)
GENRE: smut, crack, fluff, minimal angst
PAIRING: Lee Juyeon x afab!reader (ft. sangyeon, sunwoo, and chanhee)
WC: 8.7k (oops)
SERIES MASTERLIST
PERM TAGLIST: @winterchimez @juyeonszn
18+ MDNI AGELESS BLOGS WILL BE BLOCKED
WARNINGS: name calling (reader calls Juyeon stripper boy, baby, and pretty boy. Juyeon calls reader pretty girl), swearing, mentions of college parties, Y/N roasts Juyeon like a lot, Juyeon stops a door with his foot, one bed trope (for like two seconds), sunwoo slander (learning from Fawn <3) Juyeon is not god's strongest soldier, masturbation (m and kinda f), p in v sex, implied unprotected sex, restraints are used, dom!reader kinda, bratty!Juyo kinda, really poor attempts at humor, i think there's more but that covers the big stuff
A/N: This was NOT supposed to be almost 9k. It was supposed to be 3k at MOST but i will not lie i will prolly end up doing this again for most of the fics I'm putting out for this collab oops. Anywayyyyy let's kick off the collab with arguably my funniest fic.
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The first time you meet Lee Juyeon, you’re dressed in sleep shorts and the biggest sweatshirt in your closet. He’s standing at your door, and for a moment you can’t help but be confused by the fact that yes, there is a hot man in a white tank top and cargo pants leaning against your doorframe. And yes, he is, in fact, there for you and not the girls living down the hall from you. 
And, to be fair, it wasn’t your fault that you thought he was a stripper. Really, it wasn’t. It’s not every day that you see a guy with a body to die for and the face of an angel. 
“Are you some sort of stripper?” For a moment, the two of you are quiet. There’s a look of pure astonishment on his face that eventually turns into him fighting back a grin. 
“Do you want me to be?” His tongue brushes over his lower lip while he scans you up and down and you scoff. 
“No. The girls you’re probably looking for are down the hall, the last door on the right.” You begin to shut the door. “Have fun.” 
“Wait!” His foot catches in the door before you can slam it shut and you hear him swear loudly. “Shit, that did not feel good.” 
“Are you fucking stupid?” You swing the door open again, scowling at him. “Why would you try to catch this heavy ass door with your foot?” 
“I thought it would look cool!” He winces, one hand gripping your door frame and the other cradling his aching foot. “Like in the movies!”
“I don’t know if you know this…” you trail off, squinting at him and realizing you have no idea who this man is. “Stripper boy,—”
“Juyeon,” you can practically hear his teeth grinding as he speaks. You hum.
“Stripper boy,” you bob your head. “That’s what I’m gonna call you.”
“Please don’t—”
“Anyway,” you interrupt again. “I don’t know if you know this, but romance movies are fictional. Of course, it’s not gonna look like the prop door and they’re gonna catch it like it’s nothing. This, however,” you hit your fist against your door, “is solid metal. Not gonna feel good when you catch this shit, dumbass.”
“Whatever,” Juyeon rolls his eyes and straightens his body out. “I was just making my rounds across campus, wanted to see if you’d be interested in supporting your local fraternity.”
You raise an eyebrow, reaching your hand out to take the flier from his hand. 
College Hunks Hauling Junk!
Need to get rid of some junk? Well, these college hunks will haul YOUR junk! Give us a call at xxx-xxx-JUNK and we’ll haul YOUR junk for FREE! (limited-time offer)
Scan HERE to book your appointment!
“College hunks hauling junk,” you can’t help but laugh at the name and take the flier from Juyeon’s hands. He grins at you. “People are actually paying you guys to haul their shit away?” 
He shrugs. “It’s free, technically. You’re allowed to donate, but we’re really just doing it for free. You know, help out fellow students and spread the word.” 
“You sure it wouldn’t be easier to just do some stripping if you can’t pay the rent?” You ask. “Also, what do you mean spread the word?” 
“I’m glad you asked.” Juyeon points a finger at the bottom of the flier, completely disregarding the first part of your sentence. Fuck, his hands are big.
This ad also doubles as your invitation to Tau Beta Zeta’s parties for the rest of the semester. Cash this in at any time and get into ANY parties for free! (Code word will be given at the time of flier being cashed in) (Girls get in for free, Guys $5 @ the door)
“We’re having a little competition with the sorority down the road from us,” Juyeon explains. “Whoever has more people by the end of the semester gets to host the end-of-the-year party and the other frat or sorority has to buy food and drinks.” 
You stare at the paper for a second, pondering your options. Then you smile, look up at the man that you are still pretty damn sure is a stripper, and hand back the flier. 
“I’m good, thanks.”
The door shuts, and you turn to go back to bed. The sound of paper sliding across the ground stops you, and you can see in the faint light that streams under your door that Juyeon slipped the flier into your room. 
Fucking try hard.
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The second time you see Lee Juyeon, he’s handing out fliers again. Only he isn’t walking around random apartment buildings with a weird seductive look that you honestly don’t doubt was working. This time, he’s in a hoodie and jeans and walking around the center of campus with people that you can only assume are his frat brothers. 
At first, you almost don’t recognize him, but then his eyes meet yours, and you can see the corners wrinkle when he smiles. Again, you’re confused. Is he smiling at you? 
Your head whips around, trying to find someone around you that he might be looking at, and when you turn around again, Juyeon is approaching you.
“Have you thought about it, pretty girl?” He asked and you stared at him dumbly for a moment. Did he just call you pretty girl? 
“Thought about what?” He holds up that flier again, placing it in your hands similarly to the other night. “Oh.”
“Did you think I was kidding?” He leans down slightly, keeping eye contact. Your free hand places itself on his chest— which you hadn’t realized before was very solid— and pushes him back. He barely moves. In fact, you are the one who gets pushed back. 
“Listen, stripper boy—”
“Juyeon—” 
“Stripper boy,” you mimic the exasperated tone he uses with you. “If I wanted an invitation to a stereotypical frat party with a bunch of drunk 20-somethings and cheap beer and bad pizza and try-hard men like yourself, I would’ve gone by now.” You fold up the flier, smoothing out the edges before holding it out to him. He doesn’t take it, and you can see the gears turning in his brain. 
“So what you’re saying,” he starts to smile and steps toward you again.”
“Stripper boy,” you warn.
“…is that there’s a chance?”
“Absolutely not, there is not a chance in hell that I’m gonna call some college hunks to haul junk out of my college apartment that I can barely afford to live in let alone pay you to take things out of.” Juyeon shrugs.
“Like I said, payment is optional and can come in…” he wiggles his eyebrows at you, “many different forms, pretty girl.”
“That’s gross, stripper boy.” You scrunch up your nose and he laughs. “Also, why are you calling me that?”
“Calling you what?” his smile only grows and you huff. 
“Pretty girl.”
“Because you are a pretty girl.” 
“No, I’m—” You catch yourself in the sentence when he leans forward onto the tips of his toes, ready to stop you. “You know what, fuck you. I know that was a dirty little trick and I’m not gonna fall for it just so you can swoop in and say something like oh nooo, don’t say that about yourself! You’re so pretty! And then you’ll tuck my hair behind my ear and you’ll try to kiss me and then—” You stop yourself again. Juyeon’s smile is almost scary at this point, stretching all the way across his face as if this had been his plan all along and you walked right into it. 
“And then…?” He teases. 
“…fuck you and your frat, stripper boy. God, you guys are such try-hards.”
You hold onto the flier this time, whether too embarrassed to give it back or genuine curiosity, you aren’t sure. You do know that you can’t stop the pounding in your chest, or the heat rising in your cheeks. 
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“Who was that?” Sunwoo slings an arm over Juyeon’s shoulder, both men watching you walk away with the flier held tightly in your hand. Juyeon smiles. 
“Just someone I know.” 
“Didn’t look like she was too happy to see you.” Sunwoo snickers and drops his arm down to stand straight. Juyeon turns to the younger man, the smile he had when standing with you now gone and replaced with a permanent scowl. 
“Who even asked you, Sunwoo?”
The younger raises his hands in defense. “I’m just saying! It looked like she hated you. Oooh, maybe you’re finally gonna get that enemies-to-lovers arc that Eric is always— WHOA, HEY—” Sunwoo nearly trips over himself trying to get away from Juyeon as the older frat brother swings his arm out in his direction. “Don’t hurt this pretty face! How else is the soccer team gonna get their funds?” A hand in the shape of a finger gun finds its way under Sunwoo’s chin, and the star soccer player smirks. 
“I think they’ll manage,” Juyeon swings his arm out again, wincing when Sunwoo lets out an ear-piercing squeal. 
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It’s like you’re seeing him everywhere. Every class you go to, it’s like he’s always there handing out fliers or chatting with his friends. And, unfortunately, every time you see him, he sees you too. He animatedly waves at you, calling your name or running over to you. Every time, you somehow end up with another flier to add to your collection.
For weeks you’ve been seeing him in places that you swear you’d never seen him in before. You swear that he’s not in your environmental course. You swear that he’s not in your sociology course. He just has to be following you. 
That, or you just have shitty luck with Lee Juyeon.
It must be bad luck, you think as you watch the fire department evacuate your flooded building. It must be, you tell yourself as you stand there in the pouring rain in pajama shorts and a sweater, sans an umbrella. There’s nothing else it could be.
Your eyes narrow at the sight of Juyeon standing near a group of girls with those damned fliers in one hand and some umbrellas around the wrist of the other. Your hands tighten around your arms, body shaking from the cold of the rain. Your lips twist into a deep frown when he approaches you, his eyebrows knit together and his lips pursed at the sight of you. His mouth opens to say something, and you hold your hand up to stop him. 
“Save it, stripper boy. I don’t want your fucking spiel right now.” His shoulders slump a little.
“I was just going to ask if you wanted an umbrella.” He holds one out, the last one on his arm. “You have to be freezing right now, and you’re absolutely soaked.” Your hand wraps around the umbrella, your eyes still narrowed with suspicion.
“Thanks…” he smiles and backs up to give you space to open it. You would never admit to his face that he was right. That you were freezing your ass off in this godforsaken weather. 
“Are you okay?” You look up at him, sniff, and shrug.
“I mean, my home is currently flooding which leaves me homeless for at least a few days. It’s piss-pouring rain out here, I’m in my pajamas with all my clothing inside the flooded building, and now here you are probably trying to get me to buy from your stupid fundraiser thing.” You take a deep breath, finally looking him in the eye. “So no, I don’t think I’m okay, Juyeon. Thanks for asking.” He’s quiet for a moment, and then a small smile breaks onto his face.
“I think that’s the first time you’ve called me Juyeon.” You bite your tongue and turn to walk away from him. “Wait, fuck, Y/N it was a joke. I’m sorry.” He grabs your arm, pulling you back to him. You can see a little bit of panic in his gaze. 
“Yeah, well it was a shitty joke.” You scoff. 
“I know, poor taste, I was just trying to lighten the mood.” He pulls his hand from your arm, and you almost feel bad. It’s quiet between you two, and you think that this is the first time it’s ever been completely silent. Well, save for the chatter of other tenants and incoming sirens and the yells of officers. 
“This fucking sucks,” you grumble, and Juyeon huffs out a laugh.
“Do you have anywhere that you go?” 
You shake your head. “Nah, none of my friends have space for another person in their apartment or dorm.” 
“You could stay with me.” He says it so fast, so suddenly, that you thought you misheard him at first. 
“Excuse me?” Juyeon clears his throat, his cheeks and ears flushing and you can’t tell if it’s from the cold or embarrassment. 
“I— I mean you— I’m just—” he stumbles over his words and you smile. 
“Is the Lee Juyeon embarrassed right now? In front of little ol’ me, nonetheless?” 
“I’m not embarrassed,” he snaps, pressing the back of one of his hands to his neck in a poor attempt to cool himself down. “I’m just— I—”
“Juyeon,” your hand comes up to his arm and he flinches. You let your arm drop down to your side. “Are you trying to ask me to stay with you while the building is being repaired?” 
You’re smiling at him, and it’s like that tiny action brings back all of his previous confidence. He’s smirking again, leaning down under the tiny umbrella he gave you. It’s your turn to blush now, but your eyes don’t leave his.
“Because,” your voice nearly betrays you. “That would be a little…odd…wouldn’t it? A girl living with, what, ten men? People would talk.” He hums.
“But they would also find it odd if I just…left you to live in your car for god knows how long, wouldn’t they?” His hand is on your waist, and the breath in your lungs hitches. 
“That’s true…” you hum and pull away from him. “I don’t have any clothes, though. I’d need to find some before doing anything.” Juyeon clicks his tongue and leans back, a thoughtful look taking over the previous…you don’t even know what to call what you were doing. Was he flirting with you? Were you flirting with him?
“That’s true,” he nods his head. “We can grab some from the store tomorrow? And for now, you can borrow some of my stuff— I mean, if you’re comfortable with that.” He stumbles over his words again, and you can’t help but laugh. “Kevin’s clothes might fit you better but— you’re laughing. Why are— why are you laughing at me.”
“You’re just—” You break into another fit of giggles, covering your mouth with your hand to try and muffle the noise. “God, you’re so dumb.”
“How am I dumb?” Juyeon pouts at you, and you know he just wants you to be comfortable. 
“Never mind,” you wave him off, “let’s just get going. I’m tired and wet.” Juyeon raises an eyebrow, and you roll your eyes. “Not like that, stripper boy.” 
“I know,” he grins at you and tugs you by the sleeve to get you to start walking. “I just wanted to mess with you a little bit.”
“Seems like that’s all you do.” You roll your eyes. “And please tell me you drove here. I am not walking to the house in shorts and slippers.” Juyeon clicks his tongue. 
“As if I would walk anywhere in this weather.” He reaches into his pocket and you hear the click of a button, and then the lights of a car in front of you light up. He jogs forward, grabbing the handle of the passenger side door for you with a bright smile on his face. “After you, m’lady.”
“What a gentleman,” you shut the umbrella and duck into the vehicle. 
“Only for you, pretty girl.” He winks at you and shuts the door.
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Juyeon is quiet when you exit his bathroom. Your hair is wrapped in a towel, your body swamped in Juyeon’s clothes. He’s lying flat on his back on his mattress, his legs dangling off the edge and his fingers drumming on his stomach. Your feet shuffle against the ground, the fabric of his sweatpants covering your feet entirely and dragging behind you. His t-shirt is almost like a dress on you, hanging down to your thighs and the sleeves baggy along your arms where it would be formfitting on him. 
“Where should I put these?” Juyeon lifts his head, and you hear a sharp inhale. He’s staring at you, and the gaze is heavy with something you can’t place. 
“You—” his voice cracks and he sits up fully, resting his elbows on his knees. “You can just toss them in the basket next to you. I’ll— I’ll wash it tomorrow.” You hum, doing as he says and tossing your clothing into the basket. 
His room is…weirdly clean. At least, it’s cleaner than you expected it to be for a frat boy. There’s a bit of laundry scattered across the room, sure, but you don’t feel gross just standing there. The floor is clean, the bed is made. 
The bed.
The one bed in the room. 
“Where— where should I set up a spot to sleep?” You wring your hands behind your back.
“What?” Juyeon stares at you dumbly, his eyes blank and jaw dropped slightly. If you look closely, you swear you can see a puddle of drool on the floor in front of him. Unintentionally, you snort and immediately slap a hand over your mouth. 
“I just— I mean this is your room, stripper boy.” You shrug, trying to keep the air as light as possible. “Where should I set up camp for the next three days?”
“You are not sleeping on the floor.” Juyeon shakes his head and pushes off the edge of his bed.
“Then where am I gonna sleep?” 
“The bed?” He says it as if it’s obvious. “The fuck? You really thought I was gonna make you sleep on the floor?” 
“Stripper boy, I am not sleeping in your bed.” You click your tongue.
“Yes, you are, pretty girl.” He takes a step toward you. “I’m not gonna let you sleep on the floor! First of all, you’re a guest. Second of all, I’m a gentleman. Third of all, I’m—” he cuts himself short again and you raise an eyebrow.
“Well, then I’ll sleep on the couch downstairs. That’ll solve it.” You move to the door, but he grabs your upper arm and pulls you toward him. “Dude, you have got to stop grabbing me like that. It’s kind of annoying.”
“Sorry.” He exhales and lets go of your arm, brushing his hand across the skin he grabbed as if to soothe it. It sends sparks of heat through your arm, and you fight back a shiver. “I just— what if we share my bed?” 
You stare at him for a moment.
Then another.
And then another.
And then Juyeon is wincing and stepping away from you. 
“I was just— that was stupid. I’m sorry.”
“I mean…” you purse your lips. “If it solves the problem, then sure.” 
“Wait seriously?” His eyes bug out of his head and you laugh. “You’re comfortable with that?” 
“Stripper boy, if you thought I was gonna kick you out of your bed, then you have a whole new thing coming.” He rolls his eyes. “We can just…I dunno. Put pillows between us?” 
“Yeah, that works. That works just fine.” He sighs heavily. Just fine. He’s gonna be just fine these next few days.
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Juyeon realizes very quickly that it will not, in fact, be fine. He realizes this when he wakes up in the middle of the night, the pillows between the two of you thrown to the edge of the bed and your body wrapped around his like a vice. One of your legs is hooked around his, the other strewn across his hip to lock him down. You have one arm tucked under his, holding his shoulder while your free arm has slipped around his waist, under his shirt so your fingers are splayed across his abdomen. Your head is seemingly strategically placed on his chest, and he can feel every breath you release. He can feel every pulse of your heartbeat against his leg—
Wait.
Oh, this arrangement is not going to be good for his heart. 
He tries desperately to shift away from you, to gently pry you off of him, anything to get the pounding in his chest to go away. Anything to stop the blood from rushing to his dick like some goddamn virgin. It’s a normal thing. It’s not something to get fucking hard over, Lee Juyeon. Pull yourself together.
It feels like ages before he’s able to pull himself free, nearly falling out of his bed to get away from you. He freezes in place when he hears you shift, a quiet moan leaving you when your sleeping self finds the spot Juyeon once lay frozen is now empty. His heart is pounding, his feet padding quickly against the floor to get to his bathroom. He’s quick to shut the door, cringing at the squeak of the hinges. Gotta get those fixed, he notes. For future reference, of course.
He’s hard in his sweats, his dick straining against the fabric, and his body feels like it’s on fire. Juyeon leans against the counter, tapping his foot anxiously while he stares at himself in the mirror. His cheeks are flushed, his hair a mess, and his pupils are blown out. He grips the marble counter, squeezing his eyes shut and praying to god that he softens soon because he cannot and will not jerk off to you. Not when you’re right there, one thin wall over. 
Thinking that was a mistake. His dick twitches in his pants at the thought of you waking up and finding him in the bathroom, cock in hand, and frantically trying to rub one out. 
Oh, he’s so fucked, he squeezes his eyes shut as he shoves his sweatpants down just enough to be able to grab himself. Just enough for him to spring free and let the cold air wash over him. 
Juyeon is completely, royally fucked, and he knows it as he spits on his hand. He knows it when he wraps his hand around his cock. Juyeon knows it when his body shudders from the first pump of his hand, the brush of his thumb across his tip. He knows it when he fights the whine trying to erupt from his throat. 
He knows it when he cums in his hand, ropes of white covering his palm when he places his hand over his tip to minimize the mess. He knows it when all he thought about was you. You and your pretty face. You who calls him stripper boy, who hasn't hesitated to shoot him down every chance you get. You who he’s pretty damn sure is into him in the same way he’s into you.
It’s hard for Juyeon to get back in his bed and lie down next to you knowing that just a few minutes ago he came in his hand to the thought of you. It’s even harder for him to fall back to sleep when you wrap yourself around him again, relaxing against his body and releasing a contented sigh. He tries so, so hard to relax with you, to steady his pounding heart. 
God, he’s so fucked.
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"When did you get here?” There’s a boy— a man, really— standing at the counter when you and Juyeon walk into the kitchen in the morning. The man is holding a ceramic Garfield mug that you assume is filled with coffee, and he’s got his phone in his free hand. You give him a short wave, and he nods back at you. 
Juyeon had been odd the whole morning. Or, at least, the two hours you had been awake and the one hour since he’d woken up and immediately rolled to his feet to get away from you. Something about morning wood. Since then, he’d been keeping a healthy distance from you, flinching away from your touch and giving short responses to your questions and statements. It makes you nervous. Were you intruding? Did he regret asking you to stay? 
“Last night,” Juyeon answers for you, leading you to the bar counter and pulling out a chair for you to sit in. “Y/N, this is Sangyeon. He’s the Tau Beta Zeta president. Sangyeon, this is Y/N. She’s gonna be staying with us for the next couple of days.” 
Sangyeon squints at you, gnawing at his lip in thought. 
“And you guys are…what? Friends? Lovers? Fuck buddies?” You scoff and Juyeon whips his head around, nearly spilling coffee onto his hand. 
“None of the above,” you wave your hand and almost miss the flash of emotion in Juyeon’s eyes. “Just someone who needed a hand, and strip- Juyeon happened to be there.” Sangyeon turns to Juyeon with an inquisitive look on his face. Juyeon shakes his head and turns back to you with two mugs in his hand. 
“I didn’t know how you take your coffee so I just threw some cream and a bit of sugar in there.” The mug he slides over to you is shaped like a ladybug, and you can’t help the laugh that escapes you at the sight of his mug. Normal, compared to yours. Just plain white with text that says ‘Stupid people shouldn’t breed!’. “What’s so funny?”
“Just the…interesting arrangement of mugs you all have here.” You smile at Juyeon, but he just scoffs. Sangyeon excuses himself and pats Juyeon on the shoulder before making his exit up the stairs.
“I’ll have you know that I picked these all out.” He defends, but you can see the embarrassment in the flush of his cheeks, the dark color spreading to the tips of his ears. “You got a problem with them?”
“No, no,” you smile into your mug and take a sip. It’s bitter, and a bit watered down, but you’re grateful for the caffeine boost. “It’s cute, really. You made some great choices, stripper boy.” 
“That sounded sarcastic,” Juyeon pouts at you and you shake your head.
“It wasn’t!” You reassure him, leaning your torso onto the counter. Juyeon stands near you now, on the shorter edge of the counter and he scoffs. 
“Sure it wasn’t. Because you’re the most supportive person in the world of my decisions.” He turns away from you, staring at the magnetic words on the refrigerator instead of at you and you rise from your seat to stand by his side. 
“Juyooo,” your voice is sing-song in tone and Juyeon fights every instinct inside of him that screams to pin you to the counter and fuck you senseless. “Are you mad at me?” 
“Of course I am,” he rolls his eyes and tilts his chin up when you come to stand in front of him. 
“Why?” You frown, but the corners of your lips fight to turn up.
“You made fun of me!” 
“Yeah, but it was all in good fun!” You protest. “I think your choice of mugs was cute!”
“No you don’t,” he scoffs and crosses his arms. “You think they’re stupid.” 
“No,” you shake your head. “I think they’re adorable.”
“Bullshit,” Juyeon says. “You think they’re stupid.”
“I do not.” You groan. 
“You do!”
“Do not!”
“Do too!”
“Do no—” 
Juyeon’s lips are on yours, and you let out a startled gasp, your hand flying up and finding purchase on his chest. 
You try to push him off, you really do! You think about it, you tell your body to push him off, and then somehow you end up pulling him closer, allowing your eyes to slip closed. Isn’t it so weird how that happens?
Your hand is holding his shirt tightly, keeping him close to you while your lips mesh in a sloppy kiss. His lips are rough against yours, his teeth nipping at your lower lip and then his tongue slips out and soothes the bites. The repeated actions have your legs trembling, your breathing becoming shaky, and your hand that isn’t in his shirt rises to the back of his neck to tangle in his hair and pull him impossibly closer to you.
His hands are all over you. They run up and down your waist, brushing under the waistband of the sweatpants he lent you, pushing into your back to keep you close to him. They run under your shirt, grazing the underside of your shirt, and he smiles when he feels you exhale shakily against him. 
You hesitantly, and ever so slowly, push your tongue out, letting it run across his lower lip and you’re a bit too pleased when he opens up for you immediately. He lets you push your tongue into his mouth, lets you explore, and is ever so patient with your hesitance. 
Gently, oh so gently, he sucks on your tongue while you try to pull it back into your mouth and you release the tiniest, almost inaudible whine. 
Apparently, to your complete dismay, this snaps Juyeon back into reality and he pulls away from you. He pulls away quickly, almost stumbling back and into some of the bar stools. You’re standing there, almost in a daze, and both of you just stare at each other for a moment. He doesn’t say anything, and neither do you, and Juyeon can tell that you’re regretting what the two of you just did. 
And it hurts. It really hurts when you open your mouth, going to speak and nothing comes out. He smiles sadly. 
“I should find a way to get to the store. You’re gonna need some clothes for the next few days.”
“Juyeon, wait—” You reach for him, but he just shakes his head.
“It’s fine, pretty girl.” He reassures you, but his voice breaks and betrays him. “No hard feelings. Let’s just forget it happened.”
“I don’t want to forget that!” You protest, but Juyeon just shakes his head.
“Like I said, pretty girl,” He grabs his mug and smiles at you. There’s no emotion behind it, at least not one that you want to recognize. “We gotta get you some clothes for the next three days.”
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It’s infuriating how quickly he seems to move on. Three days pass by, and not once has he even hinted about talking about what happened. It was almost like he’d forgotten about it entirely.
Which, to your dismay, was exactly what he wanted you to do. It wasn’t as if you regretted the kiss, at least not in the way he thought. The regret that you knew you had let slip was from pulling away in the first place. You had only meant to come up for air, knowing that you would likely drown in him had you given yourself the chance. Now, due to your own stupid mistakes, the tables have turned for you. 
He’d been avoiding you since you moved back into your apartment two days ago. He’d avoided you in the classes you were now all too aware that you shared. It stung that he no longer sought you out, no longer yelled your name from across the room, and drew unwanted attention to you. He no longer pressured you to call the number on that damn flier that sat untouched on your desk.
“You could always just, I dunno,” Chanhee is lying on your bed, scrolling on his phone while you rant about his frat brother. “Call the number? I’m pretty sure it’s his number anyway.” 
“Wait seriously?” You spin around in your desk chair, turning away from the project you two are supposed to be working on together. 
“Yeah, it just happened to be really convenient that the last four digits of his phone number spelled junk. What do you think of this?” He flips his phone around to show you a coat. A black trench coat, nothing too fancy about it. 
“Eh. You have plenty of those, don’t you?”
“True.” He nods and lays back down.
“Should I really call him?” You lean your head back on your chair, lacing your fingers together on your lap. “What if he hates me, Chanhee?”
“Trust me, Y/N,” Chanhee exhales heavily, “that man does not hate you.”
“But how do you know that?” You ask. “If he told you that, he could be lying to you!”
“Girl,” Chanhee throws his phone down onto your mattress and sits up straight. “If a man hates you, he is not going to jack off at 3 in the goddamn morning— with his frat brothers in the other room that connects to his bathroom, mind you— to the thought of you. Trust me. He doesn’t hate you.”
“You don’t— I’m sorry, what?” Your eyes are bugging out of your head and Chanhee grimaces in a way that tells you that he was not supposed to tell you that. 
“Oops…” 
“What do you mean he— Chanhee, what are you talking about?” Chanhee is already rising from your bed, grabbing his laptop, and sliding his shoes on.
“I think it’s time for me to get out of here,” he tells you with a tight smile on his face. He comes toward you though, holding the flier in his hand. “But, I really think you should call this number. Could really help you both, I think.” 
When the door shuts behind your classmate, you sit in silence for a moment. A few moments, really, just holding the first flier that Juyeon ever gave you in your hand. There’s a little bit of water damage from the flooding, but the number in the middle of the page is still there. It’s almost ironic that Juyeon’s phone number is the only part of the advertisement that isn’t ruined, like something was telling you that you needed to call Juyeon. 
Your phone rings once, then twice, and you hear the line click on the other side.
“Thank you for calling College Hunks, what junk can we haul for you today?”
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It takes Juyeon a little over an hour to get to your apartment. By that point, you’d gathered anything that you didn’t want into trash bags and set them in your living room. Each bag is organized to an extent. Things to be recycled, to be donated, or just thrown away. Most of the items that needed to be thrown away were damaged when your apartment building flooded, each damaged beyond repair. Almost like fate, isn’t it?
There’s a knock on your door. One, two, three. Your hands are shaking a bit when you grab the door handle. One, two, th—
You practically rip the door open before Juyeon can finish knocking. He’s standing there, wide-eyed with his mouth hanging open. The outfit he’s wearing is the same as the day he first showed up at your door. White tank top, cargo pants, and some worn-out sneakers. For once, his hair isn’t styled. He’s parted it down the middle, a little bit of gel used to keep it from falling into his face too much. 
“Hi,” you breathe out. It’s like Juyeon is stuck in a trance, his hand still frozen mid-knock and his mouth opening and closing like a damn fish. “You— do you want to come in?” Juyeon blinks. 
“Uh…yeah, yeah sure.” You step to the side, allowing him to walk into your apartment. It’s awkward, to say the least. When you shut your door, the click makes both of you flinch and suddenly you’ve forgotten everything that you wanted to say to him. 
“Is this—” Juyeon’s voice cracks a little bit, and he turns to face you but he doesn’t look you in the eye. “Is this everything?” 
“Yeah,” you nod, “yeah it is. Needed to get rid of some stuff after the building flooded, you know?” You laugh, but he doesn’t and you’re quick to shut your mouth. Say something, dammit. Anything. Your mind is screaming, whether at you or Juyeon you aren’t entirely sure. “Juyeon, can we ta—” 
“I should get started then,” he cuts you off and you grimace. “Got a couple of appointments today, so I can’t linger for long.”
“Right…” your voice trails off. “Yeah, I’ll get out of your way then.”
Plan A is a bust, then. 
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Juyeon moves quickly. You don’t know if it’s work ethic or if he wants to get away from you as fast as possible, but it stings. You don’t say anything to each other the whole time, not that you staying in your bedroom the whole time did anything to help the situation. You can hear him moving around, carrying bag after bag down to his car, but not once does he come to talk to you. Not even about the junk he’s carrying out. 
Your forehead is against your desk, your eyes shut tightly as you try to block out the noise, knowing that he’ll be carrying out the last bag soon. The sound of your feet tapping on the ground is almost enough to drown out Juyeon, but not quite enough to drown out the knocking at your bedroom door. 
Your head snaps up, and you spin around to face Juyeon. 
“Hi,” he gives you a tight smile. “I just— I brought out the last bag so I guess— I guess I should go, huh?” 
Don’t, you want to tell him, don’t leave yet.
“Yeah, I guess so.” You stand up and clear your throat. “Here, what’s your Venmo? I can send you some money.”
Juyeon shakes his head. “I already told you that you don’t have to pay me.” 
“Yeah, you did,” you agree. “But I’d feel bad if I let you leave empty-handed.” 
“I’m not leaving emptyhanded, though!” He argues. “I have your junk! Which, surprisingly, all fit into the trunk of my car.”
“Go you,” you cheer halfheartedly. “That’s not gonna stop me from paying you.”
“Pretty girl,” he warns. “I’m not gonna let you pay me.”
“Then I’ll get Chanhee to tell me your Venmo.” You grin and Juyeon rolls his eyes. 
“You’re not gonna let this go, will you?”
“Nope,” you let the sound of the p pop when you say it and Juyeon lets out a dry laugh.
“You’re gonna be the death of me, you know that right?” 
“That’s the plan.” you look at him, and this time he’s looking right back at you. The awkward air has cleared, and it almost feels normal. Like it was prior to the kiss. God, please let Plan B work. “Are you gonna tell me what your account is, or am I gonna have to find some other way to pay you?” 
There’s a spark of something in Juyeon’s eyes, and his eyebrows knit together. Please get it, please get it, please get it. C’mon Juyeon, don’t be dense.
“Some other way?” He echoes, and you mentally cheer when he steps toward you. 
“Mhm!” You bob your head. “Like you said, there are other ways to pay you, aren’t there?” 
He’s right in front of you now, and you swear you see him start to reach for you before he’s forcing his hands back down to his sides. 
“You’re not—” he inhales and squeezes his eyes shut. “Please tell me I’m not misinterpreting this.” 
“Depends on what you think I’m saying.” You smirk, and Juyeon starts to lean down, his eyes flitting from your eyes to your lips. 
“What I think you’re offering,” he speaks slowly and you can feel his breath on your lips. “Is not exactly…appropriate, pretty girl.”
“And I think you’re right.” You’re practically whispering, every movement from your mouth causes your lips to brush against his and you’re so close to caving and just yanking him down to crush his lips against yours. 
Thankfully, Juyeon moves fast and he’s grabbing you by the waist to yank you to him and your hands are in his hair by the time his lips are on your. 
This kiss is heavier than the first. It’s messier and sloppier and his tongue is in your mouth, pushing at yours and licking at every nook and cranny that he can reach. You walk him backward to your bed. You don’t separate your mouths, not when you push him down onto your mattress, not when you sit on his lap with your legs on either side of him. Your nails dig into his shoulders, leaving little crescents indented into his skin. 
Juyeon groans at the stinging feeling, sliding his hands under your shirt and gently pushing it up. He does it slowly, giving you time to stop him, but you get impatient and shove him back until he’s lying down. His hands are still on your waist, and he’s watching with a hazy gaze as you lift your shirt over your head and throw it somewhere across the room. 
“Shit, pretty girl,” he breathes out and tries to slide his hands up to your chest. You’re smirking when you slap his hands away. 
“No touching yet,” you tell him and he groans in response. 
“You can’t just do this and not let me touch you!” He whines. “It’s not fair!” 
“You should’ve thought about that before you ignored me for a week,” you retort and he falls silent. “It’s fine, though. I’ll just get you back with this.” Your hands reach behind your back and you swiftly unclip your bra and throw that in the direction you’d thrown your shirt in. Juyeon’s hands lurch up to touch you again but you’re faster, grabbing his wrists and pinning them down to his sides with a click of your tongue.
“Y/N please,” Juyeon begs, his breath hitching in his throat when you leave him completely, and he can only watch as you unbutton your jeans and tug the rest of your clothing off. He’s practically drooling as he sits up, watching you undress for him. He watches you walk to your dresser, digging through your drawers for a moment before returning with a long piece of silk. “Oh, you’ve gotta be fucking joking.” 
You laugh at his reaction and toss the silk onto the mattress behind him. 
“Why would I be joking, Juyeon?” You stand between his legs, and you grin when he doesn’t even try to touch you this time. You can see the tent in his cargo pants and let your hands trace up and down his thighs. “Take off your shirt for me?” 
There’s a dangerous look in your eye, one that Juyeon can’t find himself wanting to disobey and he’s lifting his shirt over his head without a second thought. Your eyes widen ever so slightly and Juyeon can’t help but smirk. He knows he’s attractive, knows that his body catches people’s attention and he’s proud of that. 
With you, however, there’s something different about how you look at him. Something primal, like a predator looking at her prey and he shifts in his spot. 
“Pants too.” He nods and rises to his feet again, tensing when you raise your hands. “What are you stopping for? Get moving, don’t you have other appointments to get to?” Your hands are tracing the lines of his abs, feeling the way he flinches at your touch. You continue to trace his body as he bends down to lower his pants and boxers to the ground. Your hands raise to the backs of his shoulders, to the back of his neck, and let them slip down to his pecs when he stands straight again. 
You almost let yourself falter when you see his cock for the first time. It’s big, bigger than any you’ve taken in the past, and you can’t help but imagine what he’d looked like when he was thinking of you. Did he look as messy as he does now, eyes practically crazed, his breathing labored as he fisted himself? Did he watch himself in the mirror, imagining it was your hand instead of his own? 
“So pretty, baby.” You breathe out, letting your hand drop down to wrap around his cock. He sucks in a breath, letting it out when he whines at the feeling of you running your hand up and down, squeezing at the base, and rubbing your thumb along the tip. “So pretty.” 
You push him back again, releasing him from your grasp and following him as he slides up your bed. You take the silk in your hand, gesturing for him to put his hands above his head, tying the silk tightly around his wrists so he can’t get loose. Juyeon lets out another broken whine when you straddle him, running your fingers over your core and gathering the wetness on your fingers. You allow yourself to moan quietly, gauging Juyeon’s reaction to you touching yourself. He’s staring with his mouth hanging open, his cock twitching against his abdomen as he watches you sink two fingers into your core. He whines when your body shudders against him, when you curl your fingers up into you. 
“Is this what you think about, Juyeon?” You try your best to keep your voice steady when you speak. “Do you think about this when you touch yourself? When you lock yourself in the bathroom, jacking off to the thought of me like some little virgin?” He doesn’t respond, too lost in the sight of you riding your own hand. 
He doesn’t see you reach your free hand up, gasping when he feels you squeeze your fingers around his throat. Not too tightly, but enough to get his attention back on you. 
“I asked you a question, baby.” You pull your fingers out of your dripping pussy, gazing at the arousal covering your hand and humming in thought. “I guess I should give a reason to not answer, shouldn’t I?”
“Please,” Juyeon whispers out, and you smile when you raise your fingers to his mouth. 
“Go on then,” you tell him, “suck.” 
His head lurches forward, taking your fingers into his mouth and moaning at the taste of you. He runs his tongue along your fingers, and you inhale sharply, your eyelids drooping when he tries to open his eyes, trying to watch and gauge your reaction. 
“Cleanin’ me up good, hm?” You pull your fingers from his mouth and Juyeon takes this time to catch his breath, to gather himself. You don’t give him long though, no more than a few moments before you’re grabbing his cock in your dainty hand and lining it up with your pussy. 
“Fuck,” Juyeon throws his head back, his hands curling into fists, and groaning as you sink down on him. Your walls are squeezing so tightly around him, and he knows it has to be a stretch for you but you act as if it was nothing for you, as if he didn’t hit that sweet spot inside of you just by you sinking down on him. You let your eyes drift shut, fighting back the urge to start riding him until he has nothing left to give you. You can feel him twitching inside of you, knowing that he’s close just from your warm walls squeezing around him. “Fuck, pretty girl, please.”
“Please what, baby?” You coo, the hand on his throat squeezing gently. He whines and you grin. “Use those words, pretty boy. You can do it.”
“Let me fuck you,” he gasps out and you let out a yelp when he thrusts his hips up and sends you falling over his body. 
Your breasts are in his face now, and he doesn’t give you the chance to do anything before he’s bringing his arms down and trapping you against him as best he can. He thrusts his hips up, driving his cock into you at a pace that you couldn’t keep up with if you tried. He reaches his head up, his teeth latching onto one of your nipples and practically forcing you to follow him as he brings his head back down. Juyeon sucks at your breast, pinning your chest against his face with his arms that he’s brought to rest between your shoulder blades. Every one of his thrusts sends you up his body, but he does his damn best to keep you in place, sucking and licking and biting at both of your tits, groaning every time your cunt clenches around him. 
You feel like you can’t breathe, the air being punched out of you in broken moans and pitched whines. Juyeon is in about the same state as you, the noises he’s letting out are louder than yours, more frequent, and it brings a fresh wave of arousal washing over you. 
“Are you close, pretty boy?” You gasp out. “Gonna— gonna cum for me?” 
“Fuck, yes,” He throws his head back, his hips stuttering against yours. You bring one of your hands down to your clit, rubbing furious circles into it, letting your walls flutter around him and drawing both of you closer to your orgasms. 
When you cum, it has you seeing stars. Your orgasm has you crying out his name, has you clenching around him so tightly that he’s finishing not long after you. You sink your body back, rolling your hips gently over his and placing a firm kiss on his lips. Your tongue pushes into his mouth, swallowing the sounds he makes as he pumps white hot cum into your core. It’s less of a kiss this time, though, and more teeth gnashing together and biting at each other’s lips. 
His hips slow down after a minute or two, and you let your body relax against his, reaching up to untie the silk around his wrists. 
“Fucking finally,” he groans and lets his hands roam your sweaty body. “Thought I was gonna die if you kept me tied up any longer.” You laugh, letting your head drop to his chest. 
“That’s what you get for making me wait.”
“Yeah, whatever,” he rolls his eyes at you. “And you called me a try-hard.”
“Because you are, Juyeon.” You roll off of him, staring at your ceiling while you lay next to him on your mattress.
“Whatever you say, pretty girl,” he rolls his head to look at you with a cheeky grin on his face. 
“Why are you smiling like that?” Your eyebrows knit together. He just keeps smiling. “What, stripper boy.”
“You know what all this means, right?” You shrug.
“That I have to go to all your parties now or you’re gonna hunt me down?” He laughs and you smile a bit.
“That, and I get to call you my girlfriend.”
“I never agreed to that.” You deny, turning on your side and facing him fully. 
“Sure you did! It was at the very bottom of the flier I gave you.” He tells you.
“No, it wasn’t.” You frown.
“Yeah, it was!” He sits up, reaching for the second flier he gave you that had been placed on your bedside table. “See? Right there at the bottom in tiny font that I knew you wouldn’t pay attention to!” You squint at the words he’s pointing at and let out a scoff.
“Seriously, stripper boy? If your name is Y/N L/N and you redeem this offer, you are legally obligated to become Lee Juyeon’s boyfriend, whether you like it or not. Xoxo.” You push the paper back into his hands. "When did you even put this on there? We hardly knew each other when you gave me this flier."
“I told you!” He beams and lays back down. “You’re my girlfriend now.”
"Cute, but that doesn't answer my question, stripper boy." He digs his fingers into your side, pulling you closer to him, and grins.
"Does it matter?"
"I mean...I guess not?"
"Exactly."
“Does this mean that when we break up, I get half of all your assets?” He glares at you playfully.
“Fuck, no.”
“Damn…” you sigh and lay down with your head on his chest. “I guess I’ll have to put up with you for life then, huh?”
“Mhm.” He cards his hands through your hair, gently combing through the knots. “You excited to spend the next 75 years with me, girlfriend?”
“Not at all, boyfriend.”
“Yes, you are.”
“…Try-hard.”
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bacchicly · 8 months
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A few imperfect thoughts about writing fat characters respectfully
By me :
A short (5'2"), fat (approx 300 pounds), middle aged (turning 42 thank god), married to not a fat man, mother of a pre-teen, white, CIS, Anglo, Canadian, upper-middle class woman who writes fic (including smut) about a character who is fat by TV and Hollywood standards (Penelope Garcia)
Note: fat hate or debates about whether being fat is healthy or not will not be tolerated on this post. That is not what this post is about. This is about giving some insight into what writers may want to consider when trying to respectfully include more fat characters in their work and generally moving towards writing doing less harm to fat people.
This post started with me wanting to respond to someone honnestly asking "how do I write good descriptions of fat people" because they wanted to write more fat characters and write them authentically (and I assume in a way that would be respectful to fat people) which is an awesome! ...Or maybe it started a few months ago when a writer friend asked about whether a fat character in a fic borrowing a shirt or hoody from her fit boyfriend made sense. ...Or maybe it started way back when I started writing my first fan fic featuring Penelope Garcia partly in response to being irritated about how so many writers wrote her as a young woman and were often silent on her size or spent a lot of time on her insecurities about her body... anyhoo that's where I come from... doesn't make me an expert except maybe on my own unique experience with a fat body...rather more a fellow muddler / fat character writer enthusiast.
THE BASICS
This first part is a quick list of basics you'll read in other posts about writing characters in general - but we'd better get them out of the way because they apply:
Every character is unique and they way they act and think and feel tends to be a product of some mix of what they look like, how their body works or doesn't, how their brain works and doesn't, their "personality", what they were taught, their unique experiences, and the situation/society they are currently in. There are patterns (which is why we get tropes) but the fun thing is that small things can make big differences. So to write an authentic character, it helps to have a fairly clear sense of at least some of those elements and do some imagining about how all of that would funnel into the moment your writing.
The amount to which you describe character bodies and the style which you use to describe them tends to depend on genre, what the heck is going on in your story, the pov you're writing from, the reason you're writing etc. So their are no hard or fast rules. There may be norms for certain styles of fiction, but then it's up to you to decide if it's stronger for you to lean into those norms or to write "against" them at a particular moment.
In order to be more respectful and less harmful to fat people (especially if you see value in actively challenging the anti-fat status quo), you may have to change how you describe all bodies in your work, as well the attitudes both fat people and non fat people have about bodies in general.
Now that that's out of the way... let's get specifically to my thoughts on writing fat characters. I'm going to divide this part into tips for DESCRIBING FAT BODIES, FAT BODIES IN SPACE, and THINKING AND FEELING IN A FAT BODY.
TIPS FOR DESCRIBING FAT (OR OTHER) BODIES
I would say that both consistency and diversity across the work is important, by this I mean :
Consistently describe bodies in about the same amount of detail across your work for the same type of character regardless of body type. So protagonists should get about the same depth and breath of body descriptions as each other regardless of body type. Same goes for vilalns, supporting characters etc. Sometimes people are mute about the look and shape of "strait sized" character bodies (because what's to describe - they are just "normal") but then spend a bunch of time on "other sized" bodies or vice versa (in this case, the fat body is erased usually because of some form of internalised fat hate or phobia paired with "if you can't say anything nice" don't say anything at all.) If you're doing either of these things, I'm not saying it's wrong and has to be fixed- I'm just saying it's a flag that you may want to think about why you are writing differently about different body types and what your work is saying about what bodies have value and which don't.
Diversity Bodies in the real world come in a lot of different shapes and sizes (I know I know obvious woman strikes again) but if you are writing stories with fairly large casts and everyone has the same body type - there better be a good reason for it within the narrative. Truthfully there are cases where this does make sense to some degree... if you're writing about a group where there are physical requirements and standards for the folks in that world (ballet dancers, fire fighters, cops, soldiers, fbi agents) there may or may not be less diversity in body type and more homogeneous attitudes to body norms within the group - and certainly those who are outside of the norm may be commented on or feel like they are "other". But if you are in a more free setting - if you write without a diversity of body types - especially in settings where there is diversity - that is probably a clue that you're not thinking enough about what your various characters look like and may be "normalizing" one type of body over others. Similarly, if you are writing about a real time and place where there is evidence that there were fat bodies and you have none...that's another flag to ask yourself why.
The magical tools in your toolkit for describing fat and other bodies: Body neutrality and POV
Body neutrality is about not loving bodies and not hating bodies just accepting bodies as they are....or in this case describing them as they are. No poetic language. No judgement. Just this is what this character looks like. If you're struggling to do this, I suggest doing a body map for at least two characters with different body types - possibly one that you find easy to think of positively (in this case likely someone thin or at least fit) and one that you find more difficult to describe positively (in this case someone fat).
Describe them head to toe, naked and then clothed, in detail - acurately but not poetically. Start with their feet and then work up bit by bit. Pay attention to things like hair, scars, shape of joints, acne, tightness or looseness of skin, colour of skin, nails, fat, lack of fat, muscle tone, where do they hold their stress, what's in the bowels, how well they do or don't work, do they have their appendix, what they ate last, proportions (is their torso long or short compared to their legs), lungs - how much do they hold, are they healthy? - now describe their throat, shoulders, hands, hair, then end with face.
The only rule is no positive or negative connotations to anything. it's neither good nor bad that they have stretch marks - they just do and they have faded to silver. Now that you "see them' clearly - now look at them through the eyes of someone who loves them in a familial way...what do they see most? what words do they use? now through someone who is attracted to them sexually and love them and aren't ashamed...what do they see most? what words do they use? Now through the eyes of someone who hates them or wants to change them? or a child? or a dog? Now... how does your character feel about these descriptions? Now you have a variety of words you can draw on to describe the body and you also should have a fairly good idea of what is a more skewed view of the body and a more realistic view.
Also...it can be helpful to remember there are no consistently good or bad words to describe bodies - it depends on context and who is using the words. It's a lot like how sick can be used to describe something negatively or positively depending on the agreed upon meaning of the word by a group.
DESCRIBING BODIES IN SPACE/MOTION
Ok here's the thing - for every activity you can think of - there is a fat body that does it well and a fat body that can't do it easily or at all and there are a lot of reasons for both. Often it has to do with the fact that a lot of equipment is built for people who are 250lbs or less; and anything for bigger people tends to cost a premium. Also, if it's not an easy new skill to acquire with the body you've got...it may take longer and more bravery to keep pushing through to achieve mastery. People may try to discourage you from pursuing things. Sometimes out of prejudice, sometimes out of impatience, sometimes out of caring.
So deciding what your character's body can do easily and what it can't and why is more important than me giving you a list of words for how to describe fat movements.
My suggestion is: do your research. What sorts of body types have done the activity in the real world? What are the exceptions? What changes? So for example if a fat person is climbing a mountain - do they need more help? Different equipment? A different route?
Things to consider:
- equipment / things that can have weight limits: bunk beds, roller coasters, scooters, waterslides, camping chairs, elevators, trampolines, some bikes, life jackets (finding one that fit was a nightmare), exercise balls, airline seats (learning to ask for the seatbelt extender without second thought or shame was a lifesaver)
- not all fat people have pain, those who do will move taking into account the specifics of the pain - same as a lean person
- when I was pregnant I just got more cylindrical and did not get a classic belly. I moved well and easily all the way through my pregnancy, I had none of the back pain or ankle pain some people get. I stood for a lot of my labour. I gave birth on my hands and knees. Other fat people will have had different experiences of pregnancy...but that was mine.
- clothing can have a huge impact on what bounces or jiggles and what doesn't
- most (but not all) fat people I know are particularly sensitive to appearing sweaty or smelling bad
- how winded someone gets is not directly correlated to body size, neither is heart rate or breathing style; I have theatre training and grew up swimming - I breath very slowly and very deeply normally - so when I talk a slow deep breath...it is very slow and deep indeed. I have always been fat but can swim forever - I have always gotten winded and kind of dizzy running... Other fat people may be opposite.
- people do not "see fat" consistently. People regularly underestimate how fat I am (by 100+ pounds or many clothing sizes) because I am short, well spoken, proportioned in a way that is seen as fairly typical, and very mobile and very light on my feet. Someone who weighs less than me but is slower moving, dull witted, in a sour mood, is illl, or poorly dressed may be perceived as much heavier than than someone the same weight or heavier who is behaving/clothed differently (which can change how much fat hate someone experiences) and definately heavier than they are. Height also changes how people perceive weight.
- many stores still don't carry plus sized clothing, but eventually i sort of got used to it - although some days it makes me angry and other days sad
- chairs with arms or the occasional booth can be uncomfortable or just plain impossible to sit in, it's probably partly my ADHD but I often forget this until it happens; for taller and fatter people than me this can be a much more regular occurrence.
- once (if) a character figures out how to dress/move their body in a way that feels comfortable and meets general standards (or at least theirs) of respectability - they may not think that much about their body...or at least until something external draws attention to it
- I don't like feeling like I'm squishing people, so I will make myself small and still on buses or at the theatre, I also don't like sitting on laps or being lifted or carried.
- I often feel much taller than I actually am - except when I am standing right beside someone taller or am trying to reach something on a high shelf. The same principle applies - I feel larger next to smaller people and smaller next to larger ones.
- clothing and what I'm carrying also changes how I move (just like my lean counterparts)
- I don't lounge, my car seat is set almost straight but I sit further back than my brother in law who has a similar height and weight - he leans the seat back but pulls closer. I don't nap. My leaner husband both lounges and naps.
- some fat folks eat, walk, and move quickly - some slowly; figuring out which your character does, when they behave "out of character", and why these are their preferences will go a long way to creating an authentic feeling fat character
- acne is a thing and learning to accept ones rolls and tummy aprons (and thus take care of them properly) is a common challenge; although many do it naturally without thinking much of it. You lift your breasts and wash underneath - you lift you belly and wash underneath.
- fat bodies have the same reactions as everyone else: they tingle, burn, get numb, get goose bumps, like to be touched in certain places and in certain ways, feel the breeze, get hot, get cold, shiver, stretch, relax, get aroused, feel release, hold tension, feel capable and strong, feel weak...no matter who you are sitting in a chair that's too small for you will put pressure on your body and feel uncomfortable or safe ..you can explore what that is like. Sometimes it is a reassuring sensation. Sometimes it is uncomfortable. This is the same for fat bodies. It just may happen more frequently and depending on your character's context and experience the emotional reaction / thoughts that are generated may be a bit different.
THINKING AND FEELING IN A FAT BODY.
I think I touched on some of this in some of the earlier sections...but here I want to talk a bit about my experience of being fat and my thoughts about it - your fat characters may or may not feel similarly...but my hope is that you at least think about options as opposed to only writing one or two types of fat character.
I mainly "feel" fat in moments when it is pointed out to me or I am limited in what I can do because of it
I quite like my body, it is my home and I feel very connected to it's features. In my experience this is unusual for many people in North American society regardless of actual body shape or weight. Sometimes I feel guilty for not hating my body the way "I am supposed to" and wonder vaguely if my body would be different if I could hate it more (although as I get older I doubt it).
I do feel some pressure to be a cheerful "good" fat person as a way to stay safe and survive.
Nothing makes people more uncomfortable than me calling myself fat without judgement or asking for accomodation matter of factly. It took me a long time to feel comfortable doing so, but I do it now all the time and it makes my life better.
I felt some pressure to be the fun friend who people feel comfortable eating whatever they wanted with and I often felt like I was depended on to order dessert so they could too. This may have been all in my mind though.
Fat bellies can be very intimate places.
Not all fat people have dieted, but many have. I was lucky enough to never be forced into a diet. I did try keto once but it was a bit intense and nuts so I stopped. I learned a bunch doing it though.
Medical people not treating you appropriately when your fat is 100% a thing.
Internalised fat hate and fat phobia is a thing for many fat people and it pops up at weird moments.
I don 't.give a damn about being in a bathing suit. As long as it fits and my boobs and butt.aren't.falling out - I am happy and feel very attractive. In fact I am probably at my most comfortable in a bathing suit or naked. My body is mine in both those instances.
To reach the "healthy weight" for my height - I would have to lose half of my body mass. That is a lot of me to loose. Embarking on something like that would be totally different than loosing 5 or 10 pounds. Trying to navigate the various medical opinions about whether being fat is bad or not is exhausting.
For me, being fat and older is easier than being fat and younger. This could easily be the opposite for someone else.
Some fat people are into sex, some are not . Some folks are into sex with fat people and some are not. Some are nice about it. Some are not. Some want nice. Some do not.
Fat people are all around you living their best life or their worst life or somewhere in between. We know we are fat. We sometimes care and sometimes don't.
Ok that's it. I don't know if it will help anyone or if it's just a collection of rambles - but at the end of the day...fat people are just people. We are not going to go away. We are all sorts. We are the heroes of our own stories. We are people who are loved, depended on, hated, ignored, and/or spotlighted.
Some fat people think about being fat all the time. Some rarely. Just please don't erase us or other us.
Just by taking the step to interrogate your own biases and any feelings / assumptions you have about fatness/thinness is a huge step and will help limit the harm you could unintentionally do to fat people...actually to all people. Like all forms of hate and intelorance - Fat hate hurts EVERYONE. I would argue it privileges a few...but even that can be excruciating for the individuals who strive to retain that priviledge. We need to dismantle it.
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03jyh23 · 2 months
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🩶⌇nights like these┆choi san
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established relationship, idol!san x gn!reader
│synopsis: the one where you are san's priority
│genre: hurt/comfort
│trigger warnings: descriptions of chronic illness, pain, nausea, and emotional distress
│words: 2.4 k
│reminder: what you’re about to read is purely fiction, so let’s keep it separate from reality.
!minors do not interact!
— hi there my lovely people! this one is a requested work that is very important to me! the person who requested it shared their struggles with me, so i put a lot of care and effort into writing this piece. i hope it brings them comfort and resonates with anyone else going through similar challenges. thank you for trusting me with your story. ♡
love, monika ♡
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you: sannie, im sorry but im not gonna make it tonight, have fun! love you x
You barely typed out the message and leaned deeper into the soft pillows. You hated feeling that way, feeling completely out of control of your own body. It was as if your own flesh and bones had turned against you, conspiring to ruin the moments you had been looking forward to. Another rush of nausea hit you, stronger this time, and you couldn't help but wrap your arms around yourself, trying to find some semblance of comfort. The persistent and haunting question lingered in your mind: Why were you so out of control? You wished you could muster the strength to push through, to be by San's side, but tonight, your body had other plans. You were helpless against a body that sabotaged all your important plans. You wanted the energy to be with San, to support him and not to disappoint the person you loved yet again, but tonight, you knew there was nothing you could do to feel better. You just needed to lay through it  
After all this time of having this health problem, you learned just how to live with it, so since early morning you tried to push the symptoms aside, focusing on getting ready. It was a routine you had perfected—ignoring the pain, the nausea, the overwhelming fatigue. You had become a master of disguise, hiding your struggles behind a cheerful facade. But tonight, even your best efforts weren't enough. 
Usually, you would go about with your day, that's why you were currently lying flat on your bed dressed in that pretty outfit San bought for you especially for tonight, all ready to go and celebrate with him. Just as you were about to leave, the usual symptoms hit you with the power of a train. It was as if your body had chosen this exact moment to remind you of its frailty, to assert its dominance over your will. Tonight was supposed to be different. Tonight, you were supposed to be standing beside San, holding his hand and cheering for him. You had been looking forward to this night for weeks, planning every detail. The thought of disappointing him weighed heavily on you, maybe even heavier than the nausea. You knew how much it meant to him to have you there, and the guilt gnawed at you from the inside. 
A burning stomach pain flared up, adding to the discomfort. It felt as though your insides were on fire, each wave of pain more intense than the last. You clutched your stomach, curling up tighter, wishing for some relief. The pain was relentless, a cruel reminder of the battle you were fighting within your own body. It was moments like these when you felt most defeated, most vulnerable. 
"Baby?" you opened your heavy eyes only to see San kneeling beside the bed, eye level with you. You didn't even notice you had fallen asleep. His eyes were filled with concern, his short, black hair was styled back, making him look incredibly elegant. He wore a white shirt with the first few buttons casually unbuttoned. His eye makeup was minimal, with just a hint of eyeliner to accentuate his eyes, exactly the way you always liked it. He must have rushed out straight from his dressing room, you thought as you blinked a few times to get rid of the tiredness. 
"Sannie? What are you doing here?" you asked, your voice barely above a whisper. 
San reached out, gently brushing a strand of hair away from your face. 
"I just had a feeling that today is rough on you. You didn't reply to any of my calls, so I rushed home," he said softly, his voice filled with concern and love. "I couldn't just leave you here alone," he said softly. "I wanted to be here for you." 
"I'm so sorry. I didn't want to ruin your night," you whispered, your voice cracking with emotion. 
San shook his head, a small smile playing on his lips. "Hey, don't say that. You could never ruin my night. I just want to be here with you, make sure you're okay," he reassured, his hand gently stroking your head. Tears welled up in your eyes as you looked at him, overwhelmed by his kindness. 
"I just hate feeling like this, being a burden," you admitted, your voice trembling. 
San’s expression softened even more. His fingers traced the few tears that managed to escape your eyes, then he kissed your forehead whispering, "You never are nor never will be a burden." You closed your eyes, feeling the gentle touch of his soft lips against your skin, a tingling warmth spreading through you. The tension in your muscles began to melt away as San’s fingers traced soothing patterns along your arm. You took a deep breath, allowing the warmth of his presence to envelop you. The pain and nausea, though still present, seemed to fade into the background as you focused on the steady rhythm of his touch. 
"But the party?" you mumbled out, "The boys must be so disappointed." 
San shook his head gently, his expression softening even more. "Don't worry about them right now. The boys understood, and Hongjoong reassured me it was all good. What's important is that we take care of you," he said soothingly, his fingers continuing to trace comforting patterns on your arm. 
"Thank you, Sannie," you murmured, your voice barely above a whisper. "For being here." 
He kissed your forehead again, lingering a bit longer this time. "Of course, my love. Always," he whispered back, his breath warm against your skin. You could hear the sincerity in his voice, and it eased some of the guilt that had been weighing you down. "Can you stand up? We need to get you in something comfortable first," San suggested gently, his hands ready to help you. You nodded weakly, grateful for his help as he eased you out of the outfit and into something more comfortable. 
"Is it any better now that you've slept for a while?" he asked, his voice filled with gentle concern as he rearranged the pillows on the bed. He brought an extra blanket, knowing you would likely get cold. 
"A little," you admitted, your voice still weak but filled with gratitude. "But I can feel the migraine creeping in slowly," you added, your voice tinged with fatigue and frustration. 
San nodded, his brow furrowing slightly with worry. "I'll get your medication and some water," he said, standing up to fetch the items. 
"I don't think I can take the medications," you admitted, your voice trembling slightly. "It feels like if I swallow anything, I would just rush to the toilet." 
San paused, his eyes filled with concern. "Okay, let's not push it then," he said softly, returning to your side. His arms wrapped around you, pulling you close to rest your head on his shoulder. You could feel the steady rise and fall of his chest, a soothing rhythm that started to calm your racing thoughts. He began drawing gentle patterns on your back, a gesture that always made you relax, his touch tender. 
You breathed in his cologne and felt your stomach clenching. The scent, usually comforting and familiar, now seemed overwhelming to your already sensitive senses. You backed out from his arms, holding a hand to your face to stave off the wave of nausea that threatened to overtake you. San looked at you with wide eyes, his brows furrowing slightly in confusion and concern before it hit him. "Love, I'm so sorry, it's the perfume? Too strong? I'm gonna change," he said hurriedly, already moving towards the closet to find something else to wear. 
"It's okay, Sannie," you mumbled, trying to muster a reassuring smile. "I just need a moment." 
But San had already swapped his formal shirt for something more comfortable and less scented. He returned to your side, "Better now?" he asked softly, his eyes searching for any sign of relief. 
You only nodded, and he took your hand, guiding you to the bed. "You are babying me too much," you mumbled as you followed in his steps, your voice tinged with a mix of gratitude and mild embarrassment.
San shook his head, a playful glint in his eyes. "Hm...." he scoffed dramatically, "I think I don't baby you enough, though?" 
You couldn't help but let out a small laugh despite the pain and discomfort you were feeling. San's dramatic tone and exaggerated expression brought a moment of lightness to an otherwise heavy night. "Really?" you asked, raising an eyebrow at him, trying to match his playful energy. 
"Absolutely," he replied with a grin, sitting down beside you. "Now, let's get you settled." You settled back into the bed, feeling a bit more at ease with San by your side. The pain and nausea were still there, but somehow, with his presence, they seemed a little more bearable. "Do you need me to bring something?" San asked, his voice filled with genuine concern. 
You shook your head slightly, feeling the weight of his love and care enveloping you. "Just stay here with me, that's all I need," you whispered.
"Alright, I will just put the curtains in case the migraine hits," he said as he quickly darted through the room to the windows. You watched him with tired eyes, the room dimmed as he drew the curtains, blocking out the harsh light that often worsened your migraines. The soft, muted light that remained was much gentler on your senses. 
San returned to your side, his movements gentle and deliberate, as if he were afraid of causing you any more discomfort. "Scoot over," San said softly, a gentle smile playing on his lips. You shifted slightly, making room for him on the bed. He carefully climbed in beside you, wrapping his arms around you. 
"Thank you for being so patient with me. I really needed you tonight," you whispered, your voice filled with gratitude. 
San held you a little tighter, pressing a gentle kiss to your forehead. "I'll always be here for you, no matter what," he murmured softly. San was drawing small circles on your back, your face buried in his chest. Your eyes were heavy, the migraine setting in, and you could feel the pressure building behind your temples. The gentle, rhythmic motion of his hand was soothing, a small comfort amidst the pain and discomfort, allowing you to relax slightly despite the throbbing in your head. 
Just as you began to drift off to sleep, your body started trembling uncontrollably. The sudden tremors jarred you awake, and you felt a wave of panic wash over you. San immediately noticed, his grip tightening around you in a protective embrace. 
"Hey, it's okay, I'm here," he whispered, his voice steady and calming. He gently rubbed your back, trying to soothe your body. "Just breathe, love. I'm right here with you." You focused on his voice, on the warmth of his presence, trying to steady your breath. The trembling slowly began to subside, and you clung to San, feeling a mixture of fear and relief. "Are you feeling dizzy again? Like the last time?" San asked, his voice tinged with concern. 
You nodded weakly, the dizziness making it hard to focus on anything. "Yeah, it's just... everything is spinning," you managed to whisper, clutching onto him. You closed your eyes, trying to steady your breathing as San's presence provided a comforting anchor. The room seemed to tilt and spin, but his calming voice and gentle touch helped you stay grounded. "I'm sorry, San," you murmured, feeling a wave of guilt wash over you. 
San shook his head, his expression filled with love and reassurance. "Don't apologize, my love. You can't control this, and I'm here to help you through it," he murmured softly. "I will keep you safe," he whispered, his voice filled with unwavering determination and love. "Just rest," he murmured softly. "I'll be right here with you." You nodded, feeling the weight of exhaustion pulling you under. San's hand continued to trace soothing patterns on your back, his touch gentle and reassuring. Gradually, your breathing steadied, and you found yourself relaxing into his embrace. 
As you drifted in and out of sleep, you could feel San's steady heartbeat beneath your cheek, a rhythm that grounded you. Hours passed in a blur of half-conscious moments and deep, dreamless sleep. Every time you stirred, San was there, his presence a steady source of comfort and love. You could feel his fingers brushing through your hair, his lips pressing gentle kisses to your head. He held you through the worst of it, never once leaving your side. 
When you finally woke, the pain had dulled to a manageable throb, and the nausea had receded enough for you to sit up slightly. San was still there, his eyes filled with concern and relief as he saw you stir. 
"Hey," he said softly, a gentle smile playing on his lips as he looked at you with concern. "How are you feeling?" 
You took a deep breath, assessing your condition and trying to gather your thoughts. "A bit better," you admitted, your voice still weak but more stable than before. The remnants of fatigue lingered, but you felt a small spark of improvement. 
"I'm glad to hear that," San replied, his smile growing a bit wider with relief. "Do you think you can eat something light? Maybe some broth or a bit of toast?" 
You nodded slowly, appreciating his care and the gentle way he always seemed to know what you needed. "I think I could try," you said, feeling a bit more hopeful at the thought of eating something. 
"Alright, let me order something, hm?" San said, giving you a reassuring smile as he gently helped you sit up against the pillows, adjusting them to make sure you were comfortable. 
"Thank you, Sannie," you whispered, feeling a surge of gratitude for his unending support and the way he always put your well-being first. 
San smiled warmly, his eyes filled with love and tenderness. "Anything for you, my love," he said, placing a soft kiss on your lips, his touch gentle and comforting. As he reached for his phone to place the order, you couldn't help but feel a deep sense of gratitude and love for having someone like San by your side, through thick and thin. 
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♡│if you enjoy my writing please consider supporting me by tagging and reblogging│
♡│requests are open │
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bunnwich · 4 months
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It's Supposed to Be Fun
(a letter to my friends in the twst fandom)
I've been wanting to make this post for a while and these thoughts may seem scattered but I’m gonna try to express them. 
Lately, I have seen many friends and moots that either are leaving the fandom or feel guilty over not having posted in a while or losing interest in twst. On the other side, I also have friends being harassed.
This a reminder to remember why you joined this community to begin with. I know that keeping up with the fast-moving pace of fandom and comparing ourselves to others, can skew our perspective on these things.
It’s supposed to be fun. 
Why do we post art or write? Sure, partly for recognition, there's no denying that. But, why do we create, I mean really? For enjoyment. Not for others, not to be “popular” FOR JOY.
So, whether you’re dealing with people critiquing you or feeling guilty about not creating. My question is this: Why waste so much of your time on something that makes you miserable?
Did it stop being fun? Why? Haters? Loss of interest?
To my friends who feel guilty for not creating and not sure if they lost interest in twst: 
Don’t feel guilty. At one time, the creation of your twst content was natural. It's what you did for fun with friends or for yourself. Revisit that mindset and think - if creating twst content now will bring that same joy it did before.
If the answer is no, then maybe it’s time to pivot. It’s okay for interests to fade. It doesn’t mean that time, memories, or the friends you made are lost. Connect with your friends, we will understand! We still love you! It's not a race there's no time limit, just pick up were you want to. Draw fanart of old events or OCs.
To my friends who have been harassed: 
I say this with sincerity…. People who harass others over fictional characters are fucking losers.
Like… There’s no other eloquent way to encapsulate it. I’m starting to not care for the reason anymore - If you harass or be shady to others over a ship or fictional character. CONGRATS! YOU ARE A LOSER.
We all join fandoms as a hobby, for fun. We’re all just kids in the sandbox playing pretend again… and if you are the type of person to go up just to “kick the doll out of someone’s hand" or make commentary on how “their way of playing is wrong." You’re a loser. I have a life outside of twst, we all do. Someone saying my ship is wrong or cringe is just so laughable to me. We have to make fun of these people more for being so goddamn lame.
Imagine being so unhappy that when you see someone having fun you HAVE to comment on it. By all means, if it gets you through the day...talk shit to close friends or even post about it on your own blog. (THAT WAS ALWAYS ALLOWED.) Don't bother creators directly. Don't be a loser. I sure see tolerance leave people’s bodies when they see a fandom opinion they don't like. (And this is coming from someone who has lots of opinions on these things! But that's why I always put the disclaimers that, hey this is just MY opinion.)
Discussion is one thing, unhelpful comments are another. We shouldn’t give these people the time of day. Curate your online space. Yes, when you post things online you are subjecting yourself to scrutiny. But, we as creators need to stop letting these people have power over us. Period. We do this for free!! FOR FUN. The best thing you can do is create shamelessly.
Delete weird replies, block whoever you need to do to rid yourself of these people who have nothing better to do. Keep your peace. It’s supposed to be for fun. You don’t owe anyone a response.
The twst fandom is like a little family to me and I guess I feel protective over the people in it?  I have made many friends and memories because I joined it. And even dispite a handful of the negative experiences (AKA: A couple of “losers" that I’ve had to deal with.) I’ll always look fondly back on this time.
The key for me has always been to just…create for myself. I originally made bunnwich for me and one friend to make fun little arts about our Yuu’s and now I get to have lots of friends to share it with! I’ve transitioned from an OC blog to probably more of an Oc x Canon blog…but I don’t care tbh. I just…draw what I feel like. I know there are people who probably dislike me for that or feel strange about my content and that’s fine. I’m still gonna keep drawing it, loser.  
And I just want you guys to do the same, twst or not.
I can’t forget that all my followers and friends are a bonus, if I had never joined tumblr I’d still be drawing the silly shit I draw in peace. And while yes, I do want to grow as an artist and sell more merch and keep growing... I can’t forget my initial excitement for this silly little game. I like to talk about it. I like to write about it. It inspires me.
It’s supposed to be fun. Please remember that. I know it can be discouraging to have others being shitty to you. Or going through a creative drought. But, try not to let this stop you from creating what you love.
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"It's so unfair to the Rat Grinders that they are killed instantly and the Bad Kids get to roll death saves." SHUT UUUUUUUUUUUUP
THIS IS LONG, AND HONESTLY FOR MYSELF, SO YEAH READ IF YOU WANT
I swear to god, this discourse is going to fucking be the end of me. Idk what kind of mind boggling spell Brennan Lee Mulligan wove into the fabric of the universe that spread through the data center of Dropout in order to absolutely hijack y'all's brains when it comes to Cocklord Assgape and her ragtag of character foils but whatever it was has made you Rat Grinder stans INSUFFERABLE in this site.
The levels of treating fictional characters as if they were real people have reached a level I honestly have never anticipated, to the point of y'all actually being mad AT THE CAST for "mistreating" them and ACTUALLY QUESTION BRENNAN'S CAPACITY TO DM. Do you not get how fucking insane that is?
We can't make fun of Copperkettle, one of the most pathetic, petty and incompetent villains in D20 history anymore (even though she is masterfully written and developed to generate this reaction from us) anymore because it's bullying apparently. I saw an account flip the fuck out because someone compared her rivalry with Kristen to Drake and Kendrick's beef. KIPPERLILY IS NOT A REAL GIRL. SHE IS A MAKE BELIEVE CHARACTER IN AN IMPROV SHOW SPAWNED FROM THE BRAIN OF A 36 YEAR OLD MAN
And then what truly pissed me off the MOST about this whole hell is the fact that, being chronically online avid consumers of this goddamn show, I would think you would have but a grasp of the main cast of characters' characterization.
Why the uproar about Riz saying they should chop Oisin's head off? The same Riz who tortured that pixie from Freshman year by shooting off their finger one by one? The same Riz who murked a disarmed and unconscious Coach Daybreak without battin an eye? The same Riz who ATE THE CORPSE OF KALVAXUS?
And the whole Fabian vs Ivy debacle MY GOD, THE GIRL WAS RACIST TO HIS GIRLFRIEND AND USED HER LAST BREATH TO CALL MAZEY "OBJECTIVELY UGLY". And the funniest thing is that is not even the most unhinged shit he has ever said.
And finally, Death Save Gate: THE RAT GRINDERS ARE NOT PLAYER CHARACTERS. THEY ARE NPCS! THE RULES FOR EACH WORK DIFFERENTLY, ESPECIALLY THEM BEING BOSS ENCOUNTERS. Imagine having to still hit Ivy or Oisin 2 more times to kill them when there is 14 foot tall Porter throwing legendary actions left and right, with Jace, and other 3 spell casters + Mary Ann and KLCK up and running. It's called balancing the fucking game. Also, game masters are entitled to break, mold and make up any rules they want if they find necessary in order to service themselves and their players. IF YOU PLAY WITH ALL THESE RULES AS THEY COME, GOOD FOR YOU AND YOUR TABLE. THIS IS NOT YOUR TABLE.
Not only is Brennan DMing for his CLOSEST FRIENDS EVER, he is also shooting and producing an ENTIRE TV SHOW. So yeah, i think he knows wtf he is doing.
"But the Ratgrinders had no real development": True. But it wasn't for lack of trying from the players. Everytime they tried to know more, the dice didn't let them, so they decided to focus on the mystery. It simply do be like that sometimes.
"But they are just kids!": And so were Penelope, Dayne, Ragh, Zayn, the Bloodrush Players, Aelwyn and Biz. Why wasn't it a problem then? Because most of them were evil to some extent and were about to bring the fucking apocalypse to the world? Yeah, sounds familiar right? And the ones who were manipulated or had any sort of redemption worked their way into earning it, right? Yeah.
In conclusion, I fucking love the Rat Grinders, I truly do, and not unlike 90% of this website, i'm still holding on to hope that they have any sort of development and redemption in the last episode, because I agree, they ARE children and they WERE manipulated by Porter and Jace, but like, can we also agree that they are fucking assholes and had it fucking coming? Also, the BKs are children too y'know. SO STOP BEING FUCKING ANNOYING.
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house-of-lovin · 1 year
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legally binded - 4
Jenna Ortega x F!Reader
masterlist | series mast. | prev part | next part
Chapter 4: Family Bonding, Festivals and Feelings?
Summary: After getting caught in some hot waters with the press, you are forced into an unexpected agreement with America's sweetheart, Jenna Ortega to save your career.
Warnings/Tags: dual!pov, famous!reader, mentions of hard substances, intoxication, mature language, real people (do not read if any of these makes you uncomfortable)
(this is all fiction!)
Note: Things are gearing up 😮‍💨 (ik i said i was gonna take a break, but i couldn’t help myself, now ill take a break lol, happy readin!)
Word Count: 6k+
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“No one’s going to get cancelled — it’ll be fun.” Colin Jost smiles curtly on your flat screen TV.
You sit on the bed with a spoon hanging from your lips, an eye on the bright screen having just finished watching a rerun of Jenna’s SNL episode. You made sure to buy it as soon as it was available; locking yourself away in your room.
Currently, you are watching this week’s episode of SNL and Colin and Che are giving their weekly news update.
“Las Vegas is opening up a pop-up vaccine site in a strip club and don’t worry the strippers say the vaccine comes with singer and actress Y/N L/N. This time she’ll be the designated driver – I heard she’s on a tight leash.”
Your smile instantly drops.
“Speaking of Y/N,” Colin bounces off, reading off the cue cards. “Did you see her last week sitting in the audience during Jenna Ortega’s episode… hey, I wonder if they’re a real thing.”
Colin and Che share a knowing glance, “Nah.” They say in unison then move on to their next bit.
Scowling, you turn the TV off, practically throwing your bowl of cereal on the side table. 
You supposed you can’t be too mad – all too familiar with the snide jabs and harmless jokes from others in the industry. This is what you signed up for, right?
Whatever, you’re sure people are loving it.
It’s been a whole week since you left New York and you haven’t spoken to Jenna. It seems how you two acted back in the Big Apple was a success because it got your managers to back off, for now. You didn’t see a reason to contact the actress so you let the silence pass — you see when she posts on social media. 
You don’t have time to think about it because Coachella weekend is coming up soon. For the first time since Vegas, you will be working and you have been itching – wanting nothing more than to dive head-first into work mode. 
It’s what you do best.
You are invited to do a guest performance on a big producer’s set for the festival. It would be your first ever time performing at Coachella but you were privy to the culture of the festival, having gone as an audience member to support your musician friends.
“Hey, you got a minute?” Link pops his head in your door, holding a phone up.
“Please don’t do this.” Your pleas go underheard.
“I don’t know why you keep trying, the answer is the same Y/N.” Link rolled his eyes, pointing to a house.
“I think this is the one.”
You scan the two-story typical American home tucked away in the boroughs of suburbia up in the desert, otherwise known as Coachella Valley.
Or well, Jenna’s parent’s house at least. 
After Link had dropped the most terrible news; you had to be seen with Jenna in Coachella. Liv and Jake had instructed your team to drive you to stay with Jenna as you prepare for the festival – it was convenient they said.
Convenient my ass.
“Relax... Marcus will be back to pick you up, he’s gonna drop off your bags at the rental house.”
“Why can’t I just go with you then?” You ask.
“Liv said to drive you to this address. Jenna gave explicit directions to drive you here.”
You frown pulling on a loose thread on your sweater.
What could Jenna possibly want that she’d want you here? She looked pretty upset at you, the last time you talked.
You really don’t have it in you to fight with her, again, especially after the long drive from L.A. up to the desert where you thought — you’d be staying in your villa for Coachella weekend.
“Now go see the girl, please.” Link reaches over to open the door.
When you step out, the car is already driving speedily down the street not even giving you a chance to change your mind. You hear a flurry of voices from the side of the house but it sounds far away. Toy cars and trollies litter the grass yard. 
Slowly, you walked up her porch, your shoes scraped as you ascend the concrete steps. Hesitating for a brief moment, you realize: Jenna is inside. Well duh.  But the thought of her on the other side of the door has your heart dropping out of nowhere. You see flashes in your memory of her frown as you explain why you have to leave New York so soon.
Unspoken words as she says ‘well I thought–’
What did she think?
You would probably never know.
The door opens with a creak breaking you out of your thoughts.
“We have to stop meeting like this.” Aliyah leans against the doorframe, smiling.
You laughed, “Yeah, we do.”
She doesn’t say anything else and just yells over her shoulder, “Jenna, she’s here.”
Then walked off. 
“Hi…” Jenna appears, leaning on the doorframe with a hand.
She scans you for a brief moment; not having seen you since New York, a week ago. She had to make sure you’re still alive because she hasn’t heard from you since then.
You also practically ghosted her.
After feeling guilty about how she left things with you, Jenna sent you a text the next day, asking if you made it back to Los Angeles safely.
You liked her message with a thumbs up.
A thumbs up! Not responding would have been better, the actress bitterly thought.
“Hey.” You greet. “How are you?”
“Fine. You?” She answered quickly, smile sealed tight like an envelope.
“I’m… good. Yeah. Just working.” You answer honestly.
“Oh really?” Jenna asked.
“Yeah, something for Coachella actually.”
Jenna raised her brows in surprise. “Like what?”
You send a tight-lipped smile, “It’s a surprise. People don’t know I’m here yet.”
Jenna can’t fight her excitement; giddy about being in on a secret. But then she remembers that she’s supposed to be annoyed at you and not fascinated.
“Why haven’t you texted me?” Jenna sighed, her voice dropping to a lowly whisper, in case someone was walking by.
You raised your brows, surprised by her question. “Oh… um. I’ve been busy like I said, just working, trying to keep my head down and all that.”
“Are you sure that’s it?” She asked accusingly.
You missed her tone and shrugged, reassuring her, “Yeah. Of course.”
“But, I heard you were busy this week too, filming another movie with Barry Keoghan and The Weeknd?” You changed the subject, hoping to talk about something else. She takes the bait after scanning your eyes for a second.
“Yeah, it was just a short role. But it was a lot of fun. Abel actually talked about you.”
“That’s great, I’m happy for you Jen… and yeah he’s an old friend.”
“Sung your praises pretty high, I had to make sure he was talking about the right person.”
You chuckle, “Oh okay, I see how it is.”
Your laugh caused a sudden warmness to manifest in Jenna and she couldn't help but join along. “Come on, my family has been dying to see you again.”
“Really?” You asked, stepping inside her childhood home. “So you think I made a good impression?”
She turned to look back at you, surprised that you care. “Maybe… don’t let it get to your head, though.”
You laughed as you followed her through the house. “Is that jealousy I hear Ortega? Scared you won't be the only movie star around?”
She snorted, rolling her eyes. “Shut up. You’re an idiot.”
“An idiot that may have impressed your family?” You cocked your head and grinned wide.
“Yeah, yeah. Like, I said. Don’t let it get to your head. They could care less about celebrities and Hollywood. They’re pretty grounded.”
You shrugged, looking at the various family pictures hanging on the wall. “It’s fine. There’s only one Ortega I want to impress anyway.”
You’re not sure where that came from and it seemed Jenna shared the same thought because she raised her brows at you – but didn’t comment.
Jenna blocks you from walking when you reached the sliding glass door. “What?”
Jenna chewed her lip anxiously, “My family can be a lot. In numbers and in the other sense too. There’s a lot of us.”
“Oh… that’s okay.” You answered. A bit confused as to why she is telling you this. When you see her genuine concern your gaze softens. “Jenna, relax. I can handle the family… and I can charm anyone’s socks off.”
She relented, rolling her eyes at your joke. “Okay, okay.”
"Wait..."
Jenna turns around.
"Why am I here exactly? At your parents, that is. Link told me that you gave my driver instructions to bring me here."
Jenna bites her lip in contemplation. "Um—like I said my family wanted to see you again and I heard you were going to Coachella anyway so you know, two birds one stone."
You nod, accepting her answer.
Jenna opens the door for you two to step out.
Sounds of laughter rang around as you and Jenna sat in lawn chairs in her parent’s backyard.
“What are Timothee Chalamet and Zendaya like in real life?” Markus – Jenna’s brother leaned forward to ask. 
“Markus!” Jenna scolded and threw her brother a glare.
The actress blushed as she sat beside you but all she felt was the vibrations of your laughter, indulging her brother’s question. 
Jenna can’t help but wonder if you have other family members that spend time with you like this. You look so carefree and genuinely happy; comfortable around her family — after knowing you for a couple months now; she guesses it’s a no.
“They’re cool. Just like everyone else to be honest. Especially, Timothee, sweet guy but he’s a bit of a typical frat bro.” You joked, “And Zendaya, well. She’s just as amazing as everyone says she is. Great work ethic, it’s inspiring when you work with someone passionate like that – makes you want to be better and work harder.”
Jenna’s sisters are eating your story up. Secretly she knew they enjoyed the tales of celebrities and pop culture. It’s nearly impossible to live your life without seeing a public figure pop up on an ad on your phone or on the side of a bus stop on your drive home. 
Jenna is barely home enough to be able to have moments like this where she can humour her sister's questions. But they all had their own lives to live. She's has been looking forward to this break for a while, knowing it was coming up after her long week in New York.
She still can’t describe New York.
Something seems to have shifted between you two by the end of the week. But she didn’t know if it was for the better. The two of you have this constant push and pull; where everything is fine one moment, then one of you says something and it turns tense and weird as you both stay silent or you just completely blow up on each other.
Jenna didn’t know if she had it in her to try to decipher what these restrained responses she gets from you could possibly mean.
You are an enigma; a defensive, hot-headed asshole that grinded every gear the actress had.
“Do you like Zendaya, buddy?” You bounced her niece in your lap, enjoying how the baby grabbed at your fingers. 
But then Jenna turns around and you act like this. Sweet, protective, charming. 
How are you the same person?
She can’t fight her smile as she watched the adorable sight.
Jenna didn’t know you were good with babies. 
“I think Z would think you’re just the most adorable thing. Oh my god, Jen, can I send her a picture of us?” You turned to her, with a bright smile.
Jenna didn’t know when you started calling her by her nickname but she certainly won’t say how she enjoys how it sounds when you say it. “Uh–sure, if it’s okay with my sister.”
“Zendaya’s gonna have a picture of my baby on her phone? Uh yes!”
Jenna laughed, nodding. “I’ll take the picture.” She took your phone, opening the camera.
“What are you doing? Get in here with us." You asked with an adorable scrunch in the nose, surprising Jenna.
“Oh, I just thought— okay.” She swallows her growing grin, sliding in beside you.
Her sisters share knowing glances.
You happily scooted in, pressing your chest to her back.
Jenna is suddenly reminded of her you and her, alone in her dressing room.
She presses back into you. 
“Say, cheese guys!” Jenna clears her throat.
With big bright smiles, you placed your head above her shoulder to get in the frame, repeating, “Cheese!”
Even her niece seemed to be enjoying the attention as she smiled brightly and toothless while standing on your lap with her chubby legs. Jenna snapped a couple for good measure, checking over the pictures. The three of you are squished together as she held it in portrait; you all looked cute Jenna can admit. 
Like a little family.
What?
“Oh Jenna, send me that, please. I want to post it on my Instagram.” Her mom spoke up already reaching for her phone. 
“Okay, okay.” Jenna rolled her eyes but sent herself the pictures first before airdropping them to – everyone – who begged for it. 
“This is adorable, I think I’m gonna make this my lock screen.” You grinned, staring at the photo. She sees you typing a message, indeed sending it to the actress like you said you would. “Just for your niece.”
Jenna felt her heart skip a beat. “Are you saying you’re gonna crop me out the photo?”
“No… but now that’s a good idea, thanks.” You mocked with a smile.
“Mom, how did you already post that picture so fast?” Mia asked.
“Don’t be mad.” Jenna begged.
“Mad? Jenna. This isn’t what I signed up for.” You pinched the bridge of your nose.
The two of you were standing in her driveway, in a discord of course. Jenna just forced you into another situation that you wanted no part of.
“You just told Link to call off my driver and now you’re saying don’t be mad. Of course, I’m mad! Why did you say yes to your Mom, Jenna.” You sighed, dropping your hand limply.
“I didn’t know she’d insist.” She groaned walking closer, “She said that you shouldn’t stay in that big house by yourself for the weekend when there is room here, next thing I know she’s forcing me to ask you in front of everybody.”
"I'm sorry." She grabs your arm. “Link said you might be mad.”
You stare at her for a couple of moments. Their hearts are in the right place, you guessed. Eventually, you rolled your eyes and sighed. “Thank you I guess… I appreciate that the sentiment.”
Jenna smiled in relief, “Yeah, of course.” Then scrunched her nose in thought.  “We actually really don’t have the room so I don’t know where she’ll put you.”
She should have known. This is so typical and cliche; sharing a bed trope? Please, can the universe be any more unoriginal? 
“Mom, are you sure?” Jenna whispered as she peaked her head out the small awning of the door – making sure you can’t hear. 
“Jen, go to sleep. We have a packed day tomorrow. Everyone’s coming over for the game.”
Tomorrow is sports night and her uncles, aunts, cousins and grandparents are set to come over. It was a weekly tradition for the extended family to host a gathering to watch the game every Friday; with Jenna’s busy schedule, she hasn’t been to one in months. She’s grateful this one is hosted at her house but then inwardly sighed because she should probably warn you about that too.
“Mom…” She pleaded in a whisper.
“Goodnight and be responsible. I trust you two.”
“Mom!”
Jenna dropped her head in defeat as she listened to her Mom’s footsteps dwindle further away. 
“Hey, you should probably get in there before all the hot water runs out..”
She turns, seeing your freshly showered figure. For a moment, Jenna finds herself stuck. You’re rubbing a towel on your wet hair as grey sweats hung lowly on your hips and she was desperately trying to avert her eyes from the small patch of you skin exposed.
“I already showered.”
“Oh okay.” You shrugged walking over to grab your phone. 
“Which side do you prefer?” You asked absentmindedly,
“What?” Jenna blinks away.
“Of the bed. Which side do you prefer?” 
“Oh. The left.”
“Thank god. Every bed I’ve had to share I’ve had to fight for the right side. You’re perfect.” 
Jenna watched as you jump into your preferred side, getting comfortable under her covers.
She doesn’t know why she feels a mismatched thump fall out of rhythm with her heartbeat at seeing you in her bed. 
“Alright, are you gonna be weird about sharing a bed? ‘Cause I can just take the couch or call my driver to pick me up. I can get a hotel room or something.” You sighed sitting up. 
Jenna furrowed her brows, “What no. Can you please stop jumping to conclusions?”
“I’m not.” You mumbled but don’t argue further. Jenna gets in beside you. 
“You satisfied now?” She throws out but it sounds just shy of playful and maybe even flirtatious – definitely not how she meant for it to sound.
“Uh– sure.” You replied sliding the blanket up to your chin as you tried to get comfortable again.
There’s that weird tension again, Jenna thinks and she thinks it’s starting to annoy her.
“Okay, what’s your deal?” Jenna crossed her arms, turning to you.
You blinked, confused. “What?”
“Why are you being so weird?”
“I’m not.” You sat up to face the other actress.
Jenna frowned, “Yes you are. You have been since New York. Did I do something? Because you still haven’t told me why you just left town like that.”
“I told you. Jake wanted me back for Coachella. Why else would I have just left all of a sudden?” You explained.
“I just– I just feel like you’re not telling me something.” She admits, a bit insecure. “I, at least, thought we’re friends now and when I didn’t see you in the crowd or the dressing room after SNL I was a bit… disappointed? I don't know if it’s dumb but you really did calm me down before my monologue and I wanted to thank you over dinner. But, yeah–” 
Jenna looks away, missing your guilty frown. “Jenna… it’s not dumb. God, I feel like an asshole.”
“Well, sometimes you can be.”
You laugh but it’s dry. “I’m so sorry. I–I should have been there.”
You grab her hands. “Look at me, please.” It gets her to look up, the light from the lamp is bouncing off your eyes making them look softer in the dim light. “I promise, I’ll always be there for the important moments from now on. Before, during and after – we are stuck together until the foreseeable future, so.”
Jenna snorts, looking down at your hands. You begin to rub lines with your fingers on her open palm making her shiver. “Yeah, I guess we are.” She whispers.
She doesn’t know when she makes the bold move to intertwine your fingers. But for the first time since SNL, you two hold hands and this time you don’t pull away. But she doesn’t miss the questioning glint in your eyes as you look down. Jenna ignores the attention and squeezes your hand to make you look at her again.
“You mean it though?”
Your eyes soften. “I mean it.”
“Where’s Y/N?” Mia asked over the breakfast table.
“Rehearsals,” Jenna mumbled sleepily shoving spoonfuls of food in her dry mouth – still trying to wake up.
When the actress had awakened, the sun was high above the horizon and the desert heat was already inching inside her cracked window. But she woke up, alone.
Differing from how she went to sleep the previous night with you barely pressed up beside her as you laid with your backs to each other. Jenna only found herself un-tensing after hearing your breathing fall into short even exhales.
When she turned over to grab her phone this morning, you had sent a text:
Sorry for not waking you up. You sleep like a rock but I had to go to rehearsals. I’ll be back by 3 :)
She couldn’t be too annoyed at the smiley face you leave with your occasional messages.
“She’s performing?” Mia asks shocked.
Jenna nods, too tired for words.
“The crowd is gonna lose their minds.” Aliyah laughs. “With who?”
“Won’t say.” Jenna muttered bitterly, thinking back to her incessant begging; you never caved.
“Okay… can we talk about it, now then?”
“Talk about what Mia,” Jenna sighs dropping her fork on her plate.
“You and Y/N.” She says like it’s obvious.
“There is no me and Y/N, it’s all for the cameras. Remember the NDA I had to beg you guys to sign?” The actress rolls her eyes. 
“Then why were you so upset after New York?” She challenges; tired of her sister’s silence over this whole situation. There’s no way she’s just unaffected by this.
“Mia drop it.” Her mom says.
“No. I’m serious, she’s literally staying under our roof, sharing a room with Jenna. And no one is still saying anything? Am I the only one who thinks there’s something going on?”
“Yes.” Jenna says quickly.
Mia rolls her eyes, “You still haven’t answered my question, Jen.”
Jenna crosses her arms, sitting up. “Of course I was upset. She just left town without a warning, if we didn’t catch her in the lobby she was just gonna a send a text. A text! Anyone would be upset at that — but it doesn’t mean what you think it means.”
But her sister doesn’t buy it. She opens her mouth to refute but their Dad swoops in saving the day. “Leave your sister alone, Mia. I’m sure whatever is going on with Y/N and Jenna – they can figure it out themselves.”
Jenna groans, “Dad, not helping.”
He shrugs, sitting at the head of the table with his own plate of breakfast.
Eventually, her family scatters to their own corners of the house to get ready for the day. Her other family members would be arriving soon and the actress had to start getting ready. Crap, she forgot to warn you about game night because you left so early. Jenna decides she’ll send you a text after she gets out of the shower.
With the raucous of the day, Jenna forgets to send the text. Her cousins arrived much earlier than anticipated and she was already getting pulled out to living room to talk about her upcoming projects. She gets so lost catching up with her cousins that she doesn’t realize when you arrive.
"Jenna, your novia is here." One of her aunts shouts making her head snap up to you as the front door opens. "Oh wow, and she's brought the whole store!"
Jenna's jaw drops as you walk in, holding multiple large bouquets of different arrangements of flowers. "Y/N?"
"Hey!" You peek your head out from the large flowers. "These are for your family... but I may have overestimated how big these were and Link refused to help me."
"Oh god, these are beautiful Y/N." Jenna's mom gets up from her seat, grabbing as many flowers as she can. "You didn't have to..."
"Oh, it's nothing, really. You guys are letting me stay here, I just wanted to express a little gratitude." You duck your head, all timid now.
Jenna knows it's not nothing. Those flowers cost a fuck ton, she would know she gets gifted those whenever she has an event.
"Well, gratitude expressed. I don't even know where to put these. Mia, Aliyah help the girl, please!"
The two sisters grab all but one smaller bouquet from your hands, walking away with smug smiles.
"Jen, get up," Aliyah whispers in passing as all the women and Jenna's dad filter over to the kitchen to view the gorgeous flowers.
She still hasn't moved from the couch and briefly, she thinks she can feel her cousin's smirking at her reaction.
"You got my family flowers?" Jenna asks dumbly, walking over slowly; ignoring everyone's eyes on them.
"Uh—yeah. Sorry if it's a bit much. I wasn't sure what everyone liked so... I got them all." You scratch your head with a bouquet in hand, catching Jenna's eye.
"These are for you..." You smile, holding out a smaller albeit more personal? flower arrangement. It felt like Jenna, somehow.
“I picked it out myself.” Your smile turns shy.
Like, if she were to walk into a flower shop and see this bouquet, she would instantly grasp it and never let go.
We still talking flowers?
"Thanks..." Jenna mumbles, grabbing the flowers; your fingertips touching sends sparks down her arm.
"Um—you're back early..." Is all she manages to say.
“Yeah… they didn’t need me for a long time so I decided to come back.” You explained, glancing at the new faces in the room. “Uh– what’s all this?”
The actress sends you a sheepish smile, “Family game night, we watch the game every Friday and cook some barbeque, it’s a whole thing. I forgot to text you, I’m sorry. You can call your driver back if this is too much.”
You laugh, squeezing her shoulder. “And miss out on great food? No, thank you.”
Jenna scans your eyes for the truth, “Are you sure? I know this isn’t exactly your scene so I understand.”
“Jen.” Your hand slides down, softly grabbing her hand. “I can’t even remember how long it’s been since the last time I had a home-cooked meal. I’m so in.”
You squeeze her hand for good measure. “Guys close the door.” Someone shouts.
Jenna doesn’t let you drop your hands this time because she’s already gripping them, pulling you to sit with her cousins – introducing you.
She ignores the giddy feeling in her chest that you want to stay.
You don’t say anything even when you’re both sitting and she’s still holding your hand.
“Who are you performing with?” Jenna tugs on your arm.
You squint to see her through your sunglasses. The Californian sun was making its presence known today and there are crowds of people everywhere as you tried to find some shade. It’s just past 6 PM and people are already starting to get rowdy – before all the good sets are even on. 
Fish nets, sparkles and bedazzles are all you see in the sea of people and you just know you’re at Coachella.
“I can’t say…” You fight the smile on your face, finding her begging adorable. “It’s supposed to be a surprise.”
“But Aliyah knows! I heard you whisper it to her.” She glares back at her sister standing a fair distance away from you two – who was talking to Mia and her boyfriend.
“I didn’t tell her anything, Jen. We were just fucking with you.” You laugh, sliding your hand in hers. 
An unspoken comfortableness has formed between you two. Light touches are a new development in this… situation Jenna had with you.
Whether it was knees touching under the dinner table, walking shoulder to shoulder on your daily walks around the neighbourhood (there wasn’t much to do as Coachella weekend approached) or leaning her head on your shoulder as she slept when you two watched TV before bed.
And now, it seems like things have escalated to a new level of comfort where you two willingly linked fingers whenever you walked anywhere. Neither of you make a peep when someone eventually reaches for the other’s hand. 
“Rude…” She pinches your side making you flinch away from her.
Jenna’s immediately tugging you back closer.
“Hey… I can’t get an injury before my performance. I’m legally binded to a contract.” You state.
Jenna snorts, “I thought you were friends with the performer? Are you really not gonna tell me who it is?”
“Nope and sure we’re friends but, I’m still contractually obligated to the festival and all that.”
“Come on Y/N!” She groaned unconsciously stepping closer to you. “I’ve been so nice to you, I haven’t called you an idiot all day!”
You laugh, “Is that supposed to win me over?”
“You tell me? Is it working?” The laugh dies in your lips when she tits her head in question.
Jenna misses the gulp you take because she was leaning closer, trying to find your eyes behind the dark-tinted glasses you had on. 
“No…” You replied with a vacant tone.
Jenna steps back when the sun blinds her eye. “You’re no fun.”
“I don’t know what to tell you… you’re gonna have to wait like everyone else.”
“Speaking of everyone else, I’m surprised we’re not surrounded by your groupies.” Jenna eyes the group of people hovering not too far away. 
You snicker, “They are not my groupies. I barely know those people but it happens at every music event. They flock over like geese. I let Link handle them.”
Jenna frowns, “Doesn’t it bother you?”
“What?” You look down.
“That you can’t even enjoy yourself at a festival without someone hovering over your shoulder.”
Since Jenna’s started this PR relationship with you her fame’s only increased overnight. She hates to say it but Sarah was right, being associated with you has only made her more famous and well-known. She felt like a Kardashian or Tom Holland who couldn’t even step out of their own homes without a camera being shoved in their faces. 
It’s getting so bad that Jenna has security with her everywhere she goes. She stopped driving herself to places. A headline even dropped that you two are official and serious now and that you have met her family; paparazzi tried to camp at her parent’s house until they called the police.
“Sometimes.” You answer honestly, shrugging. “But it’s part of the job.”
Jenna’s frown deepens, looking around. “This is not part of the job. At least not what I’ve seen.”
“Yeah, but we learn to deal with it, right?” You nudge her shoulder. Seemingly unbothered that made Jenna bothered for you.
“How?” Jenna couldn’t help her curiosity.
“Surround yourself with people that genuinely care about you. That still picks you even after all your fuck ups. Only got me about three of those, so I try to keep them close.” Then you let out a sad laugh, “I make it very hard for them sometimes, though.”
Jenna looks at Link as he holds a bored hand up when a girl tries to walk up to you. Then he’s shooing her away and whispering to both of your security guards.
She wants to fight the urge to say that you have a fourth person in your corner with her.
Instead, she says:
“I think you got a good one with him.” She nods to Link.
You follow her sight, “Yeah, I do... He’s usually right about most things too.”
“What do you mean?” She looks up in questioning.
Maybe Jenna’s not so bad? Flashes in your memory but you don’t tell Jenna. “Nothing.”
Jenna squints her eyes. “Fine… keep your secrets.” Tone a playfully bitter.
Eventually, you, Jenna and her sisters walk around aimlessly from set to set, taking pictures and enjoying the atmosphere. Jenna would be lying if she said she wasn’t enjoying herself right now. Somehow you all managed to find an empty corner by the Artist section of the performances which meant you had loosened up a bit. 
Jenna decided she liked it when you’re smiling, carefree and happy.
It suits you better than your permanent scowl. 
You’ve been so stressed this last week, taking phone calls and Zoom meetings. She tried not to express her concern at seeing how you obsessively fretted over some project, consuming you some nights. 
Jenna knows obsessive. She knows anxiety. This was different.
She finds herself with more questions than answers when it comes to you.
Why are you so closed off all the time? Is this how you work all the time? Where did this recent streak of bad behaviour start? Is there more to it than what you’re saying?
Are you okay?
But Jenna can’t find the right words to ask, so she doesn’t.
Only offering her warm pressure on top of you to hopefully lull you to sleep when you both drift off in her childhood bed.
Somewhere along the evening, she finds herself close to you.
You've loosened up as the days progressed and somehow, you and Jenna have found yourselves wrapped up in each other's arms as you danced.
Jenna had her back pressed firmly against your chest; her head tucked under your chin as your arms wrap around her waist from behind; hands linked as you jammed along to the music.
“The Met Gala’s coming up.” Jenna speaks up after a few moments of silence. “I’m invited.”
“Me too.” You reveal. She perks up, looking back at you.
“Yeah?” She smiles, pleased with your answer.
“Mhmm. I’m actually a co-chair this year.” You send an embarrassed smile.
She turns in your hold, jaw-dropping. “You are?”
“Yeah… why do you think I’ve been taking those calls all week? I was getting ready for the Met.”
“I thought that was for Coachella?” She snorts but can't help but ask, "Do you ever stop working?"
“Says you. Miss Scream Queen.” You tease making her roll her eyes.
“Be my date.” She says all of a sudden. “and walk the carpet with me this time.”
You raise your brows at her bluntness. This time?
You remember the last time she said those words and a tiny part of you prayed she meant it differently this time. But you can't fight your smile because you couldn't even say no if you wanted to — overwhelmed with the sudden want, to show off the girl in your arms. “I would love to be your date.”
Jenna's eyes sparkled with delight, beaming at you widely.
"Great! I'll talk to Enrique and Thom Browne about it."
"But I'm a Prada Ambassador?"
"I'll handle it." She nods with finality.
But before you can say anything, Link slides in with a whisper in your ear and a knowing smirk in Jenna’s direction.
“Hey, I have to go.” You whisper into her ear, pulling away but Jenna tightens her grip.
“Wait.” She steps forward – much closer than she means to.
“Yeah?” You asked softly and suddenly Jenna can’t hear the loud thumping of the bass anymore.
“Good luck and break a leg.” She says in a whisper.
Her hand reaches up to brush your neck still looking into your eyes. Jenna feels the same overwhelming pressure in her chest that she’s recently felt around you and gives into her sudden impulse; leaning in, parting her lips; meaning for them to connect to your cheek but instead swerve and slot in between your lips instead, in a moment’s haste.
She feels you tense for a moment before giving in, cupping her cheeks too. Kissing her back. Jenna loses it a bit, not expecting your lips to feel so soft and smooth and perfect against hers. Jenna can't help but tilt her head to the side, allowing your lips to press harder.
She feels the same electricity from your first meeting – when you shook her hand. The same electricity she tries to fight off every time she's near you. Except this time, it's by tenfold.
Jenna is so lost in you that she can’t even hear her heart beating loudly in her ears anymore — only feeling your thumb softly stroking her jaw.
The sound of coughing breaks you two apart.
“Sorry but Y/N we need to go.” Link sends a sheepish smile but he's trying to fight his grin at having a front-row seat to the show.
When Jenna pulls away she looks deeply into your eyes searching for some kind of indication of your feelings.
You smile shyly, squeezing her waist and rubbing her back. “I’ll find you after the show?”  
“Yeah…” Jenna whispers, still staring into your eyes.
“I’ll find you!” You yell over her shoulder as Link drags you away.
“Holy shit, finally!” Mia slides in beside her. 
Jenna doesn’t have the energy to shrug off the arm Aliyah throws over her shoulder as she brings her fingers up to her burning lips. “I don't know why I did that...”
“Oh my god, you’re an idiot. The both of you.” Mia rolls her eyes walking back to her boyfriend.
Jenna looks around, blinking, immediately catching the phones held in the air capturing her moment with you.
She walks off, following her sisters.
Unbeknownst to you and Jenna, a headline is about to drop:
New developments in Y/N L/N's Vegas case. Caught with cocaine! Las Vegas PD makes no official comments on possible charges or arrests. But is this the end for the bright star?
-
:)
The strip club and vaccine bit with Colin and Che is from a real line in one of their segments LOL.
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yall happy now?
-
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cherryzlem · 5 months
Text
My talk on the TikTok-ification of ‘I have no mouth and i must scream’
I personally have discovered ihnmaims recently and through TikTok but honestly, from what i've seen so far, the Tumblr community is way more welcoming than the TikTok community. I believe the ones i call ‘hardcore fans’ or 'gatekeepers' will try all they can to belittle the people who discovered the book/game through TikTok, like any hardcore fan does for their community when it gets famous on TikTok.
TikTok is very helpful to share media on and i have discovered many fandoms through it. But some people are so against ‘TikTok-ification’ that they can’t stand when people find medias through this platform.
When i see some people (again, mostly solely on TikTok) tell AM fans ‘ermm but you know he SA’d Helen ☝️🤓’ i cant help but think ‘yes ?? And he also committed genocide on humanity, keeps torturing the same 5 people over and over again and im very, VERY sure he did use a lot of not really nice kinds of tortures on them, but you draw the line at SA ??’
Like, AM is a horrible being of course, all of these are horrible actions but if someone, like me, likes AM its not gonna be because they think they’re a good ‘person’ (for lack of a better word), WE KNOW AM is bad, of course we do, HE’S THE BAD GUY OF THE STORY and he’s the kind of bad guy who cannot be redeemed but COME ON, WE KNOW THAT.
I love AM for his writing, for how well thought he is as a character, i do not love him for his actions. And i know some 'new gen fans' will pretend AM is not 'that bad' but you shouldn't just assume every fan who comes from TikTok is going to think like that.
Another thing i’ve seen people hate on are AM’s humanisations/personnifications fanarts when posted on TikTok. I know for a fact that these existed for a long long time on other platforms such as Tumblr but the arguments the haters pull out is that ‘errr AM hates humanity, i doubt he’d want to be human ☝️🤓’ but do you even know WHY he hates humanity ?? Have you read the book ???
The reason AM hates humanity is because he wasn’t able to express the creativity he was given by humans, he didn’t just wake up one day and decided to hate humans ?? If anything, giving AM a more humanized/personified image would be something he would want more than anything. If AM had been able to BE like a human none of the shit he did would have happened.
The only ‘argument’ im willing to listen to is when some people say that the whole point of AM’s character is that he isn’t human. But then again, are you against fun ?? In literally EVERY fandom with non-human characters artists will give them humanized designs, even if just for AU’s (take ‘The stanley parable’ for exemple), it’s not because the story is old and is an horror story that people cannot have fun with it. It’s not because it’s a deep story with meaning that people can’t do what they want with it. That is what creativity is for.
And my final point is addressing the people who hate on AM's simps. My gosh, these people have not seen the dawn of the internet if they think its weird to simp for AM.
People simp for Glados, The Narrator from tsp, horror movies murderers and more, and you're telling me that AM is the worst simping choice you could make ?? Let people have fun, let people have weird taste in fictional crushes. In other words:
Stop being allergic to fun, ffs
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writingwithcolor · 9 months
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Characters reconnecting with their ancestral cultures in an interplanetary setting
@pixiedustandpetrichor asked:
Hi! I am writing a novel with three main female characters in an interplanetary setting. They grow up as orphans in an Irish-coded country and as children are mostly exposed to solely that culture, but they leave after becoming adults. Character A is Tuareg-coded, B Mongolian-coded, and C is Germanic-coded. It isn’t central to the story, but I would like them to get in touch with/learn more about their ancestral cultures, especially in terms of religion. A does this by actually visiting the planet her parents came from, but B and C do not. What can I do to depict their relationships with said cultures and their journey to reconnect with them? Would it be realistic for each of them to have different mixed feelings about participating in these cultures and for them to retain some sense of belonging to the culture they grew up in as well? Thank you for your time.
Hello, asker! WWC doesn’t have Tuareg or Mongol mods at the moment, so we're not able to speak to the specifics of cultural and religious reconnection for these particular groups. Still, I want to take this opportunity to provide some general context and elements to consider when writing Tuareg-coded characters, or other characters from groups that have experienced colonization in the real world. My fellow mods will then share thoughts about cultural reconnection in general and with respect to Germanic heritage in particular.
Drawing inspiration from groups that have experienced colonization
As you’re probably aware, the Tuareg are an ethnic group indigenous to North Africa. As with many indigenous groups, they have experienced colonization multiple times over the course of their history. Colonization often leads to the loss or erasure of certain aspects of culture as the colonized people are pressured to conform to the culture of the dominant group. In many cases, it’s near impossible to say what the ancestral culture of a colonized group was prior to colonization.
When coding a fictional culture based on a group that was colonized in the real world, it's important to ask questions about:
Which aspects of culture you're portraying
Where these aspects come from
Whether you're ready to tackle their implications for the world you're building
It’s not necessarily wrong to use elements of coding that draw from cultural aspects influenced by colonization. As I said, it can be very difficult, even impossible, to portray a “pure” culture as it would have been had colonization not occurred–because we simply can’t know what that alternate history would look like, and because so much has been lost or intentionally suppressed that the gaps in our knowledge are too wide to breach. But it’s important to be aware of where these cultural elements are coming from.
Where is your coding coming from and what are the implications?
For example, while the Tuareg today are majoritarily Muslim, this was not the case prior to the Arab conquest of North Africa. Some elements of Tuareg culture today, such as tea ceremonies, are derived from the influence of Arab and Muslim culture and likely did not exist prior to the 20th century. As you’re developing the culture of the Tuareg-coded group in your fictional setting, you have to decide whether to include these elements. There is no right answer–it will depend on what you’re trying to do and why.
Is your setting in our far future, in which case we can assume your Tuareg-coded group is distantly related to today’s Tuareg?
In that case, they will probably have kept many cultural aspects their ancestors acquired through their interactions with other cultures around them–including cultural groups that colonized them. They may–let’s build hopeful worlds!–have reclaimed aspects of their ancestral culture they’d been forced to abandon due to colonization. They may also have acquired new aspects of culture over time. This can be very fun to explore if you have the time and space to do so.
I would recommend speaking with Tuareg people to get a better grasp of how they see their culture evolving over the next however many centuries or millennia, what they wish to see and what seems realistic to them.
Alternatively, maybe your setting is a secondary world unrelated to ours and you only want to draw inspiration from the real-world Tuareg, not represent them exactly. In that case, you need to decide which period of history you’re drawing from, as Tuareg culture is different today from what it was 50 years ago, and different still from 200 years ago or 1000 years ago. You’ll need to research the historical period you’re choosing in order to figure out what was happening at that time and what the cultural influences were. If it’s pre-colonial, you’ll probably want to avoid including cultural elements influenced by colonization from groups that arrived later on.
Finally, if the time period you’re drawing from is post-colonial:
Are you planning to account for the effects of colonization on Tuareg culture?
Will you have an in-world equivalent for the colonization that occurred in real life?
For example, will the Tuareg-coded characters in your world be from a nomadic culture that was forced to become sedentary over the years and lost much of their traditions due to colonial pressure to conform?
Where did this pressure come from in your world–is it different from what happened in ours? If so, how different? And what are the consequences?
Writing about colonization can be quite the baggage to bring into a fictional setting. I’m not saying it can’t be done, but it will certainly require sensitivity and care in portraying it.
In summary: think it through
I’m not saying all this to discourage you, but to point out some of the considerations at play when drawing inspiration from a real-life culture that has experienced colonization. Similar challenges arise for coding based on any other indigenous group in the world.
My advice to you, then, is to first sit down and decide where and when in history your coding is coming from, and what you’re trying to achieve with it. This will help you figure out:
which elements of contemporary Tuareg culture are pertinent to include
How much your coding will be influenced by the Tuareg’s real-life history
To what extent that will inform the rest of the world you’re creating
This, in turn, may help in deciding how to portray your character’s reconnection journey.
Again, I am not Tuareg and this is by no means meant to be an exhaustive list of considerations for writing Tuareg-coded characters, only a few places to start.
If any Tuareg or Amazigh readers would like to chime in with suggestions of their own, please do. As always, please make sure your comments adhere to the WWC code of conduct.
- Niki
Pulling from diaspora and TRA narratives of cultural reconnection
Marika here: This ask plotline could also pull directly from diaspora and TRA narratives of cultural reconnection. Many diaspora and TRA cultural reconnection stories are, in effect, about navigating the difficult process of resuscitating, or renewing ties to culture using limited resources in environments that often lack necessary cultural infrastructure or scaffolding.
See this question here to the Japanese team for suggestions of how to handle such a storyline in a similar sci-fi setting.
More reading: Japanese-coded girl from future
-Marika
Reconnecting with German heritage
Hi, it’s Shira. I’m not sure whether German-Jewish counts as Germanic for the purposes of your post but since German Jews were more assimilated than other Ashkies, Germanness does feel real and relevant to my life (especially because my father worked there for approximately the last decade of his life.) NOTE: when I see “Germanic” vs German I think of cultures from 1500 years ago, not 100-200 years ago, so I can’t help you there, but I’d be surprised as a reader if a character focused on that for reconnection to the exclusion of the 19th century etc.
People in the United States specifically, reconnecting with German heritage, often lean into Bayerischer/Bavarian kitsch, I’ve noticed. Personally, though, what I find most relevant is:
1. The food (although I’ve come to learn that what I grew up eating was closer to veal/chicken scallopini than actual schnitzel because it was drenched in lemon, but I do like the other foods like the potato salad and sweet and sour red cabbage etc.) Your character could try making one of these “ancestral” foods as a way to reconnect?
2. The classical music, because I’m a second generation professional musician – if character C plays an instrument, leaning into that might be meaningful (Beethoven, Bach, Brahms, Mendelssohn, Clara Schumann and her husband Robert, etc.)
3. The nature, especially specifics that I enjoyed during my time there – personally, I loved the bright pink flowers all over the chestnut trees, but there are a lot of choices especially because of the Alps. If C is an artist maybe they can sketch something Germany-related from old photographs they found on the Space Internet?
I think it is VERY realistic for the characters to remain connected to the culture in which they were raised, by the way, whether or not they have positive feelings about it. Culture isn’t an inherited trait. Sure, if they want to completely walk away, they can, but I bet there are still ways it will creep back in without them realizing it simply because it’s really hard to have universal knowledge of the origins of all our quirks. Plus, not everyone feels alienated from their raised-culture just because they’re genetically something else.
P.S. There is also Oktoberfest, which I don’t really get into but is a thing, and beer, which is another point of German cultural pride.
German gentiles, weigh in – y’all have your own stuff, I know! OH YEAH so for German Christians, Christmas “markets” are a whole thing. That’s worth looking up. 
–S
What do you mean by Germanic?
Hello it’s Sci! I had to study German history for my historical fantasy novel set in the late 18th century Holy Roman Empire. I am not sure what is meant by Germanic as that can encompass a variety of things.
Germanic people: from the Classical Period of Roman Empire and early Middle Ages. Similar to Mod Shira, I unfortunately can’t help very much here.
The Germanosphere: regions that spoke German, which includes modern day Germany, Austria/Hungary, Switzerland, Lichtenstein, Belgium, and Luxembourg. I generally define this as the regions captured in the Hapsburg Empire along with Switzerland usually encompassing “Central Europe.”
Modern German national identity (i.e. German): post Napoleon and the Congress of Vienna (> 1815) only including the territory of modern day Germany.*
I ask this because modern German national identity is surprisingly recent since Germany only popped up in 1871 under Otto von Bismarck. Previously, Germany was divided into smaller states and city states as a very decentralized region under the German Confederation and before that, the Holy Roman Empire. Depending on the era, you can see different conflicts and divides. During the early days of the Protestant Reformation started by Martin Luther, the northern and southern German territories generally split along Protestant-Catholic lines. The 18th century saw Austria and Prussia as the foci of global power who warred against each other even though both were part of the Holy Roman Empire.
Other states and city-states like Baden-Wurttemberg or Saxony sometimes had power but it was typically more localized compared to Austria. Post-WW2, you saw the split of Germany into West Germany run under capitalism and East Germany run under communism as a satellite Soviet state leading to more modern cultural divides. Due to heavy decentralization historically, each region had its own character with religious and cultural divides. 
Assuming that the Germanic character is not from the classical period or early Middle Ages but not from the 19th century either, you can include your character reconnecting to classical folklore like that of Krampus (if they’re Christian), German literature and music like the works of Johann Wolfgang von Goethe or Mozart, or German philosophy like Immanuel Kant.
*A major wrinkle: German royals and nobility married into other states and nations frequently with Britain and Russia being notable examples. In Britain, the House of Hanover took over after the Stuart House died without clear direct heirs. When Queen Victoria married the German prince Albert, they celebrated Christmas with a tree and brought the German tradition of a Christmas tree to Britain and the British Empire. Only during World War I did the royal family’s house of Hanover name change from House of Saxe-Coburg and Gotha to the more “English-sounding” Windsor. As a result, the German cultural influence may be even more widespread than we think.
However, without more specific descriptors of what Germanic means in the context of your story, it can be difficult to determine which aspects of German culture your character could reconnect to.
-Mod Sci
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yuikomorii · 11 months
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// I’m making this post, as a result of seeing way too much hate and misinfo regarding every character. Nobody stops anyone from voicing their opinion but the need to degrade a character, while providing BAD reasons or stating incorrect/out-of-context facts about them only for the sake of internet validation, is such a loser move.
We’re all in this fandom to have fun and even if you have something negative to say about a character you don’t like, keep it to yourself or in private with your friends.
Ayato:
“I don’t like Ayato, he’s overrated”, omg you’re just sooo different! Definitely not like other girls/guys!
Everyone is allowed to dislike whatever they want but if Ayato is your least/one of your least favorite DL characters, then your opinion ISN’T valid. This is a franchise full of abusive characters and he’s literally the most heroic love interest. Why would you hate the hero…?
“He’s dumb and annoying”, says the person who spends their time insulting FICTIONAL characters. 1) Japanese fans like dumb characters, since they come off as endearing; 2) Ayato outdid everyone throughout the routes.
He did more good than all of his brothers and saying that X, Y or Z deserves the main role more, is fake fan behavior because at this point you’re just setting up your favs.
Kanato:
No, you’re not cool for calling him ugly. It’s okay if you’re not into that type of characters but his design is not bad at all.
“He had no development”, he does in CL. It’s not major but it can still be visible.
The whole Teddy thing might be annoying to some of you, but his fans get why he acts that way. Let’s not forget that he is a victim of neglect.
Yes, he was sexually exploited too. Don’t forget this x2.
Laito:
“I hate Laito so much, he was so cruel in HDB 😢”; stop living in the past and move on already.
His development shouldn’t be overlooked only because your opinion about him was formed on something that came out more than 10 years ago.
He’s still the most fascinating DL character and I get that he might make some of you feel uncomfortable but don’t project your triggers on a character that’s merely made after a trope.
Shu:
No, it’s not Shu’s fault for the way Reiji acted. Envy is never a good reason to hurt someone.
“Shu roasts the heroine the most!”, I get that it’s rude but his insults are actually funny?? A bunch of people will like him for being brutally honest or a jerk because it’s literally a game for players with masochistic fantasies. They WANT to be roasted by good-looking men. That’s the point.
“Shu is lazy and stupid, he’s the only one who failed his school year”, genuine question: If you were an immortal creature that doesn’t need food or sleep to survive, would you still care about grades? Besides, he’s really smart.
“Shu doesn’t care about Yuma, he just feels guilty”, in LE he sacrificed himself for him and reincarnated merely because he wished to meet Yuma again and get on well with him in another life—
Reiji:
“He hurt Shu and Yuma”, well yeah but he was shown plenty of times regretting it and trying to fix things. Stop reminding this to Reiji stans because that conflict is already closed.
“He is so mean in other routes”, obviously?? If you don’t teach him how to love, he won’t suddenly act nice towards anyone.
Without him Yui would fail her tests and the Sakamaki household would be in chaos.
Subaru:
“W-What do you mean baby Tsundere is not soft innocent virgin boy? 🥺”; he has never been like that, that’s how YOU perceived him. Stop acting so shocked every time Subaru does something bad because he’s still a vampire after all??
Also, why are so many people reducing his character to Kou and/or Yui—? He’s much more than that and has his own interests, struggles, likes, dislikes, and so on.
“He’s irrelevant”; Diabolik Lovers has 13 love interests, they can’t make everyone extremely important to the general plot. Just enjoy a character as it is, it’s not that hard.
Ruki:
The cat jokes were funny when the Meow Meow Vampire art came out but MOVE ON. I hate that scene and Ruki was in the wrong but come on now, that’s not even the worst thing he has done and MB happened in 2013.
I understand not liking Ruki as a person, because he’s mostly not a good one, but this doesn’t mean he’s not a good character.
“Ruki deserved what happened to him in the past because he was cruel towards everyone”; while I agree that Karma hit him, I wouldn’t say any child really deserves to go through that. He was just a spoiled brat, who most likely wasn’t taught by his parents about modesty or kindness.
Kou:
“He was so cruel in MB 😣”, and HE HAD DEVELOPMENT! He’s not the same anymore, nobody is.
“He overreacts”, sometimes he’s not in the wrong and has all rights to be angry.
Kou isn’t afraid of going against Ruki, even if he’s the brother he admires the most, as long as he knows that what Ruki is doing isn’t good.
Yuma:
“He beat Yui up in the MB bad ending!😡😡”, it’s a bad ending for a reason, lol.
Pretty reminder that Yuma always tries to help others with Kou and Azusa, and was even willing to save the ghouls in LE.
“Yuma doesn’t care about Shu”, did we play the same game or…?
Azusa:
“Azusa is so horrible, he threw Teddy in the fire!”; and he only did it to save Yui, it was not intentional.
While not all his actions are good, keep in mind that he never means any harm and is overall such a sweet guy.
“He is too clingy”; I know that might not be everyone’s cup of tea but is it really worth hating a character just for wanting affection?
The Tsukinamis and Kino:
“They were too easy to defeat in DF!”; Dark Fate wasn’t entirely about them to begin with. Most routes focused on the boys’ internal struggles with their trauma and how to move past it.
“Kino is sometimes mean for the sake of being mean”; it’s almost as if he’s the ✨villain✨
It’s dumb questioning the morals of characters supposed to have an antagonistic role.
“Kino hurt Ayato in LE”; out of all characters who have wronged Ayato, at least Kino felt bad and wanted to apologize.
Yui:
“She’s dumb and ugly”; Japanese fans literally love her for being an idiot because it wouldn’t be fun to see the heroine being the best at everything or not making mistakes at all. Plus, her design is definitely not ugly.
Stop creating your own version of Yui in your head and ending up disappointed when she doesn’t act the way you expect her to. No, Yui is not OOC for liking being bitten, having a low learning ability or saying things she shouldn’t in the wrong moments. Nobody is perfect and everyone has their own kinks and flaws.
“She’s too innocent”; she’s not?? If you really want to see her thirsty, go play Ayato’s routes, especially the heaven scenarios.
“She’s weak”, she’s the opposite. Yui is one of the most mentally strong DL characters.
I can’t understand people who hate on heroines when they’re present in all routes and are the most positive characters.
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heliads · 2 years
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You Agreed to This
Pierre Gasly has a reputation for flirting with anything that breathes. You have a reputation for being scarily focused on racing. When Charles, Lando, and Esteban get it into their heads to dare Pierre to get you to fall in love with him, the results can only be tragic.
a/n: i was frustrated when i couldn't find fics with this vague plotline like two months ago and then i remembered that i can simply make them myself. anyway this is my longest fic to date (6k+ words), enjoy!
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The whole affair started in the recesses of the Alpine motorhome, too far from prying eyes and chances to stop before it got bad. Miami is boiling hot as per usual, it gets to Pierre just like it always does. He’s trying to fend off the heat by hiding somewhere deep within his team’s complex, team jacket stripped off somewhere on a nearby sofa and fans cranked on high. 
It was just Pierre at the beginning, but drivers tend to flock together in times of heat related stress, and now there are four of them sprawled across floors and furniture in an attempt to alleviate their suffering. Charles found Pierre first, just like he usually does, then Lando followed after media duties were over, and Esteban was last, claiming that if this many rival drivers were there he had a right to die in his own motorhome too, god damn it.
Pierre has mixed thoughts on that. He has mixed thoughts on quite a lot, actually– the blistering temperatures are getting to him, swirling memories into fact into fiction. He’ll get his head in order when it comes time to race, but that won’t happen until tomorrow, once qualis are in order and they’ve all been shunted around for the grid lineup.
Across the room, Lando groans from the shadows of a functionally decorated armchair. “This is miserable.”
Pierre gives him a look. “Your complaining is miserable.” 
Undeterred, Lando keeps up his protests. “We should do something fun. Pierre, don’t you know like a thousand people here? Invite someone over.”
Pierre snorts. “I don’t know all of Miami, Lando. Go to sleep or something.”
Esteban chuckles. “Could have fooled me. Didn’t you tag, like, a hundred people in your latest Instagram story?”
Pierre turns his head to glare at his teammate. They’re still supposed to be friends as of three or so months of being racing partners, but apparently that association doesn’t go so far as requiring Esteban to defend him. “Aren’t you supposed to be on my side?”
Charles shakes his head, grinning. “It’s the truth, let him speak. You have connections.”
Lando flings a dramatic arm over his eyes to block out the sunlight pouring in through the windows. They’ve all been shut with the blinds pulled down, of course, but some warmth has a way of coming in regardless of what anyone wants. “Pierre’s just sociable like that. He could win over anybody. Or flirt with anybody.”
Pierre rolls his eyes. “Don’t tell me you’re jealous, Norris.”
Charles arches a brow. “What would he be jealous of, your losing streak? I saw you strike out trying to talk up Margot Robbie last time we were in Monaco, don’t lie to me.”
“That was different,” Pierre protests, “she’se literally married, what did you expect?”
Charles coughs pointedly. “Yet you flirted with her anyway. Anyways, don’t argue. You can’t flirt with everybody. Not successfully, at least.”
Pierre leans forward cautiously. “What does that mean?”
Charles laughs. “There’s one person you could never charm in a thousand years.”
Pierre sighs, answers Charles’ unspoken question in time with his friend. “Y/N L/N?”
“Y/N L/N,” Charles confirms, and the other three drivers break into identical grins.
Pierre can accept defeat on that front. Y/N L/N is the only female driver on the grid at the moment, and anyone can tell why she made it despite the odds mere moments after meeting her. She’s crazy intense, more dedicated to racing than even Max or Lewis. Pierre wouldn’t be surprised if she could win a driver’s championship in the next year or two. Talk to her once and you’ll be stunned that she hasn’t done it yet.
Every time Pierre, or any other driver or spectator for that matter, has tried to chat her up, they always end up shut down faster than you can spin out on a slick track with the wrong tires. She doesn’t have time for any of them. The girl lives and breathes and dies for racing, she’s not going to let something like a boy get in her way.
This only makes Pierre more tempted to keep up with her, of course, but he learned a long time ago that was a lost cause. The only reason Y/N would ever look twice at him is if he was a place ahead of her during a race, and given her knack for overtakes, that doesn’t happen all that often.
Lando sits forward, and Pierre decides that he doesn’t like the gleam in the younger boy’s eyes. “Say, I’ve got a great idea to stave off boredom. Pierre, go date Y/N.”
Pierre almost chokes. “Are you insane? Just like that, go date her? How would that help you in any way?”
Lando spreads his hands. “If it would be so easy for you to flirt with anybody, how about you prove it? Surely Y/N isn’t so far out of your league. You’re both in the same line of work, at least you’ve got that going for you.”
Pierre opens his mouth to fight this. He may have a bit of a cocky streak, sure, but he’s a driver, who amongst them doesn’t? Just as he starts to get himself out of this, though, Esteban speaks up instead.
“Don’t be ridiculous, Pierre couldn’t even come close. None of us can.” Esteban says it like a fact, and that’s all it takes for Pierre to change his tune.
“You know what?” He says, feeling his adrenaline start to kick in, “Sure I can.”
Charles’ eyes widen. “You can’t be serious.”
“I’m always serious about girls,” Pierre says, causing a ripple of groans to cascade around the room, “This time I am, at least. I’ll win her over, no problem.”
Lando sits up. “If you’re really doing this, we’ve got to set some rules.”
“Such as?” Pierre dares him to continue.
Charles taps a thoughtful hand on his leg. “It has to be more than a one time thing. Just a single conversation could be a fluke or her feeling bad for you.”
Outraged, Pierre starts to fight that, but Lando picks up the thread of the conversation before he can cut it short. “That makes sense. We have to be sure that she’s actually in love with you. Like, get her to kiss you or something? And pics or it didn’t happen. We need proof.”
Pierre snickers, trying not to feel like control is slipping out of his hands with each passing second. “Anything else? Want me to name our firstborn child after you?”
That makes Esteban crack up. “That’s a little extreme, don’t you think? We’ll settle for being named godfather. All three of us collectively.”
Pierre shakes his head incredulously. “I can’t believe I’m doing this.”
Charles slaps him on the back. “You have to believe in yourself, Pierre. If you don’t, she’ll never fall for it.”
And so Pierre Gasly gets himself stuck in the con of a lifetime. Is it going to work? The odds are abysmal. Will he make it, though? Well, Pierre never likes to back down from a challenge. He’s not going to let this one get away from him so easily.
The sun is bright and the morning is tense in the paddock. You arrived early, earlier than most of the drivers, all so you could get a taste of what the track was like without anyone breathing down your neck. Some would call you a little too eager, others would say you’re plain stressed out and nothing more to it.
You’d give yourself a little more credit than that, though. You know exactly who you are and what you have to prove. The more time you give yourself to plan and acclimate, the less time there is for mistakes.
That isn’t to say that you ignore all the comments on your pre-race habits. You are well aware of your reputation, even proud of it. You wear it as a second skin, a racing suit, a livery specially designed to flaunt your own achievement. The whispers of those out and about in the world of motorsport follow you wherever you go, dogging your footsteps until you half expect to leave streams of words behind you instead of burned rubber.
That’s Y/N L/N. The one who only cares about the track? The one who lives and dies for racing? That’s the one. That’s the one.
There’s not much else to it. So what if you tend to be a little more intense than most? Being serious is the only method of survival available to you. You can be sweet and fun, play yourself off as the ditzy girl who only got in so her team could capitalize on brand deals, or you can be a woman without a feminine bone in her body, so far from girlish she chokes whenever she sees the color pink. Both are awful alternatives, so you choose the only one you can:  ignore every box they try to push you in until everyone else gives up. Let them whisper. At least they aren’t trying to change you anymore.
That’s how you’ve navigated the paddock up until now, the entirety of racing life as you know it. It’s worked out in your favor, or so you’d say, at least. You push yourself on and off track. You answer the unfair questions they throw at you. You solve the mysteries of why someone is taking an involvement in your affairs and come out on top of any possible rumors.
There are mysteries, though, and then there’s the latest one, which is why on Earth Pierre Gasly has taken to following you around the paddock. They all did, at the start; the drivers, the fans, the interviewers, even the team bosses, all staring at you like you were in a circus exhibition. A girl in motorsport? Couldn’t be. Yet it is. 
That’s mostly drifted off, though, the attention gone once they realized you weren’t interested in belonging to any of them. Most of them did it unintentionally, of course, and the few who got too close on purpose quickly learned they would get nothing from you. Pierre learned that himself, or so you thought. That doesn’t stop his attention from surging up again all of a sudden.
It’s been a solid few weeks of this behavior, and you’re still no closer to understanding it than you were at the start. If you were to put an initial date on this whole affair, you’d maybe say everything began back in Miami. All of a sudden, Pierre, who up until now had accepted that you weren’t interested in him even if he didn’t like that all too much, had decided to renew his affections once more. 
Where you had been content to walk briskly through the paddock by yourself, Pierre is suddenly a few feet behind you, always ready to offer a bottle of water when you need it or issue a joking comment when you seem in need of a laugh. He’s playing his cards carefully, always disappearing the moment you start to take his presence for granted, but why, you cannot tell. Everyone here has a motive. Surely Pierre Gasly has one as well.
You weren’t willing to trust him at first, ignoring him throughout the Miami race and all sessions at Imola. The only angle worth your while is your own, and maybe your constructor’s, too. Still, he stayed. That has to count for something.
And, when the end of a race finds you absolutely desolate after an engine failure, that starts to count a little more than it would have before. This race is early enough in the year that the DNF doesn’t have to sting too much, but all you can think about is how you just gave Max, Charles, and the rest of the title competitors the leg up they need to beat you out.
It’s not a good feeling, to say the least. You find some empty corner of the paddock where you can be alone and let your emptiness consume you. That was your plan, at least, but you’ve only been able to wallow in your own misery for about ten minutes or so before someone else joins you. The only other driver to fail to complete the necessary laps:  Pierre.
Pierre may not have had engine problems like you, but that doesn’t make him any luckier. George Russell spun wide on a turn and took out Pierre before righting himself again. George got off relatively easy for a crash, only needed to swap out some tires and his front wing, but Pierre took the brunt of it and ended up in the barriers. You heard him swearing, frustrated, on the radio after the race; the commentators loved that one, even if he didn’t.
That leaves both of you in the same undesirable position. Pierre arches a brow as he takes in the sight of you:  legs pulled up to your chest where you sit slumped against the wall, expression hopeless and all ambition gone for the moment.
“Mind if I join you?” He asks, “I’m trying to hide from Sky Sports.”
You gesture vaguely at the open floor next to you. “Feel free. I'm not too thrilled about hearing from them, either.”
Pierre collapses in an untidy heap of limbs by your side, pulling at the collar of his race suit so he can unzip it down to his waist, leaving only the long sleeved shirt clinging to his skin. “At least engine failure is something you can’t control. Everyone’s been all over me trying to get me to admit that I should have seen George coming.”
You wrinkle your brow. “That wasn’t your fault. He braked late, it was obvious.”
Pierre glances over at you, clearly fighting a laugh. “Obvious, huh?”
You look away, wondering why you feel embarrassed all of a sudden. You don’t lie when it comes to racing, why bother? Thanks to the vast supplies of driver cameras and radio clips, there’s no point in glossing over what everyone knows to be true. Still, Pierre has a way of making that feel like something you should think twice about, like maybe not all of your attitudes towards drivers and their habits are things you should speak freely on. Maybe some things can be kept just to yourself. Maybe some drivers are beginning to verge beyond mere functionality as competitors.
“Everyone saw it,” you justify, “bad timing, that’s all. Not something you could control no matter how much space you gave him.”
Pierre nods solemnly. “The engine wasn’t your fault either, by the way. There was nothing you could have done to make it work again. You can’t limp through a problem like that.”
You tilt your head back, staring up at the ceiling above you. “I tried, though.”
“I know,” Pierre says. They’re only two words, but for some reason they make you feel better than any of the minutes spent listening to your engineers’ speeches on how they would fix that issue by the next race.
Judging by the slight smile on Pierre’s face, he must know that too. When the seconds stretch into minutes and you never tell Pierre to go, that smile only deepens. The conversation leaves the race eventually, and you end up talking about silly things like movies you’d like to see or places you want to go but never have. You don’t know that you’ve ever spoken to another driver like this before. You don’t know that you could with anyone else.
You have to leave that corner eventually, called away by a team principal with apologies in order. Pierre departs around the same time, claiming that he can’t run from the interviewers forever. You steal one last glance at him over your shoulder as you go, and can’t help but notice the grin on his face. It’s broader than before, proud of something; what, you can’t tell. Despite the fact that both of you have failed out of the race, you still get the feeling that Pierre has won at something more than you today. 
Charles releases an Instagram post later that day of him, Pierre, and a few other drivers out at a club. You see it, and spend too much time wondering how long you have to wait after a photo is posted to like it so it’s not weird. What you don’t see is the conversation that happened later, how Pierre triumphantly told the rest that he was closer than they’d ever believe. You don’t see it, and the next time you see him, you stop to talk with a ready smile.
So it goes the next race, and the next one, and the next. Pierre is there. So are you. You end up finding him eventually; as time goes on, it’s not just Pierre seeking you out but the other way around, too. It’s even, both of you wanting each other just as often as the other. Eventually, you have to admit defeat to the voice in the back of your head telling you that you might have misread Pierre after all. Maybe he’s not just a horrific flirt. Maybe he can be a friend.
And, leaning over the railing of Pierre’s room in the Alpine motorhome so you can feel the gentle wind on your face while you stare out at the paddock, you think you would be alright if there was something more, too. You swore to yourself you’d never even think about another driver in that way, too scared of all your efforts to distinguish yourself from everyone’s expectations for female drivers being for naught, but it might be okay if it was Pierre. Pierre is different, nothing like the rest. It would be alright if it was him.
Pierre stands by your side, back straight and posture perfect as he surveys the mess of people milling about some floors below. “Nervous for the race?”
You tilt your head to the side, considering the question. “As much as anyone, I guess. I like this track, though. Should be good.”
Pierre nods, smiling at that. “And what about me? Am I going to be good, too?”
You roll your eyes. “You don’t need me to tell you that.” 
He doesn’t; this is one of Pierre’s best tracks. He should be up for a podium or at least high in the points if everything goes according to plan.
He just grins. “Indulge me.”
You give him a pointed stare, then head back into the room. “You’re an ass.”
Pierre follows. “You love me, though.”
A pause. “Maybe.”
“Maybe?” He asks, unable to disguise a slight shine of surprise from entering his eyes, like despite all the luck he’d had recently, Pierre still didn’t think he would get this far.
You lift your shoulder in a half-shrug, unwilling to commit to anything further. You feel as if you’re standing on a lake frozen over, aware that any wrong move could shatter the ice beneath your feet.
Pierre moves towards the door, and for one horrified moment you think he’s actually going to leave right then and there before you realize he’s closing it instead. He turns back once he’s sure no passersby can see you, and then he’s kissing you and you can’t worry about anything else. Not even the race. Not even the threat that this might send you spiraling until you’re so lost on him that you won’t be able to think straight for the rest of your life.
He leans back at last, smiling at you with the same smile you think you saw on a podium on Monza when he first won a race in F1. “We could have done that earlier,” he whispers, not daring to disturb the quiet victory of the room.
“We could have,” you answer him. Every driver hates losing time. This is no exception.
Your head is light with the most wonderful feeling, and then over Pierre’s shoulder you see something strange. He left the door open. Cracked halfway, even though this door is notorious for never staying open right. He would have had to try to keep it like this. He would have wanted it to be that way for a reason.
Pierre’s phone vibrates and he grimaces, murmuring something about having to talk to one of his engineers before slipping out of the room. He kisses you one last time before he leaves, a quiet touch pressed to your cheek. He takes great care to ensure that you do not see the message blinking up from his screen, and when he goes, you notice that he does not have to turn the knob, only pull open an already ajar door.
Something is wrong. The longer you stand there, alone in Pierre’s room, the more you start to think, and what you think about is not good at all. The timing of the text message. The look on his face when he left. Nothing is adding up.
Voices drift to you down the hall as you stand there wondering, Pierre’s among them. You walk slowly forward, unable to fight a sinking feeling in the pit of your stomach like something is about to go very, very poorly. You usually trust your instincts. As it turns out, they won’t be wrong now.
Pierre is standing in a meeting room down the hall, talking in hushed voices to a few other drivers. As you draw closer, you recognize them. Charles, closest; Lando, eyes wide; Esteban, even, staring in disbelief. All three are telling Pierre replications of the same sentiment, which is that they cannot believe he actually managed to do it.
Get you to fall in love with him, they mean. Fulfill the dare, they explain. Like they all agreed a few months ago. Back in Miami, the three of them dared Pierre to get you to fall for him, and like the overconfident, thrill seeking diehard flirt that he is, Pierre agreed.
Worse:  he did it successfully. You know, you had been wondering if this was too good to be true. Looks like it was. All that time you were letting Pierre into your heart, and he was manipulating you into falling in love. How pathetic. How incredibly soul-destroying.
The four drivers look up when you shut the door to the meeting room behind you. Pierre is the first one to notice it’s you, and you don’t ever think you’ll forget the look on his face when he realizes that you know the truth. His entire expression contorts with horror and his hands rise by his sides, trying to force your heart to stay unbroken. Pity it’s too late for that.
“Y/N–” he begins, a little too loud, a little too desperate, “wait– it’s not what it sounds like–”
“Actually,” you say coolly, “I believe that it is. You three dared Pierre to get me to fall in love with him? That’s exactly what it is, right?”
It’s not a question. Charles, Lando, and Esteban have realized you’re here, too, and they wear similar shades of Pierre’s alarm. Charles opens his mouth to say something, perhaps to explain himself, but you cut him off.
“Don’t even try. I know what you did, I don’t want to hear your terrible reasoning for why you thought this was okay. I’m going to go back to my motorhome and we are never going to speak of this again. Don’t talk to me in the paddock. Don’t talk to me at all unless we’re in a media event and you have to. I never want to speak to any of you.”
Lando interrupts, cheeks flushed with embarrassment. “Y/N, don’t you think that’s a little extreme? It was just a prank, that’s all. Just a laugh.”
Pierre looks like he’s fighting back deep irritation at that. You just arch one brow. “Just a prank to humiliate me? You disgust me. All of you.”
You let that silence their arguments and leave the room. You think Pierre might have tried to follow you out, but Charles blocks him. You hear the Monegasque’s voice spilling out into the hall as you leave, telling Pierre not to try it. She obviously doesn’t want to see any of us anymore, mate. Best to leave it be.
You wish it was that easy for you. It takes everything in you to make it to your private room in your team’s motorhome and lock the door behind you before the tears finally come flooding out. You’d like nothing more than to fly home and spend the next several days and nights comatose in your bed, but, as if things weren’t bad as is, there’s still a race tomorrow, so you won’t be able to go anywhere for at least twenty-four hours.
The lights go out, the chequered flag waves some time later. You’re not entirely aware of what happened in that race, nor of how you were able to drag yourself out of your room and back to the starting grid, but you blink once and you’re on the podium, so evidently everything worked out. You watch the clips later, the commentators are all in shock. They haven’t seen you race so aggressively in years. It bordered on cruelty.
Pierre, by contrast, had his worst race in months. It seemed like he was hardly in charge at all, more like the car was controlling him. He wasn’t even in the points. No one can understand it. You refuse to think about it any longer.
Another race weekend comes and goes. The interviewers are confused– wasn’t it just last week that you seemed so much happier than you are now? You’re surly in press conferences, answering questions in a clipped and emotionless tone. They’d say you were totally checked out were it not for the fact that you’re still getting good results.
They don’t know everything, of course, but some of the more eagle-eyed reporters are starting to put the pieces together. What’s up with you and Pierre Gasly? Someone asks one day, Weren’t you two good friends recently?
We’re drivers, you reply, Aren’t we all used to pretending things are better than they are?
When you see Pierre after that press conference, he looks dizzy, totally unsteady on his own feet. You don’t meet his eyes. You’re not sure that it’s guilt, but it feels something like that anyway. Everything is wrong.
Pierre is asked about it later, of course, and he’s a little more candid than you were. He never names names, just says that things happen sometimes, things he wishes he could take back. Pierre has to take a moment to get himself together after that to answer the next question, a fantastic display of emotion. How charming of him to wear his heart on his sleeve when he’s just ripped yours out of your chest.
The pattern repeats the next few weeks. Pierre, Charles, Lando, and Esteban try to talk to you on multiple occasions, but you brush them off with nothing more than a well-placed glare and some good avoidance tactics. Even then, you should have known that your cold shoulder couldn’t last forever.
Of course it would be Charles who gets you at last– if there’s anyone on this entire damned grid who could get why you are the way you are, it would be him. Il Predestinato knows what it’s like to have the entire world expecting something of you, and he doesn’t lie easy because of it. Charles finds you late as the sun is setting and won’t let you avoid him forever, even though you try.
At last, you give up and stop making him chase you around the paddock. You’re sitting at a table outside your motorhome, shaded by a sunbleached umbrella and sipping at a bottle of ice water long since turned lukewarm.
“He regrets it, you know,” Charles says by way of introduction.
You refuse to raise your eyes from your intense study of the bottle’s printed plastic label. “He’s going to have to do a lot better than sending his best friend to talk for him, then.”
Charles scoffs. “Oh, come on. You know you haven’t let him get close enough for that.”
Your water bottle receives a very irate glare. “Wonder why that would be.”
Charles sighs. “We were wrong, we all know that. It was a stupid thing to suggest and even more stupid to keep it up that long.”
You look at him at last, anger gone and replaced by mere disappointment. From the way Charles shifts in his seat opposite you, you think that might be an even worse threat for him to face. “Then why did you keep it going? If you knew it was so wrong? Pierre was committed to your prank for weeks. Why didn’t any of you call it quits?”
“He didn’t want to,” Charles admits, “not because of the dare, because he liked being around you. Did you know he was mad at us the day you caught us? He didn’t want us anywhere near that room. Told me privately it’s because he wanted the first kiss for himself, not for anything related to the dare.”
That makes you go silent. The fan whirs overhead, pushing your thoughts around in slow circles somewhere above you. “That makes no sense.”
“Of course it doesn’t,” Charles grumbles, “Happened, though. Regardless of what he thought at the start, Pierre doesn’t want to hurt you. Not anymore.”
You turn towards him. “Is that supposed to make how he felt at the start okay somehow?”
Charles shakes his head. “No, but it makes the ending better, I think.”
He’s right. You lean back against your seat, contemplative. Charles takes this as his cue to leave. He pauses once before he’s out of range, then calls something else back to you. “He’ll kill me if he finds out I told you that, by the way.”
You can’t fight a laugh. “I won’t tell a soul you’re on my side.”
He smiles at that. You’ve missed him, you realize, him and the rest. You thought distance would save you from feeling quite so badly about all of this, but it just cut you off from your best support. Charles disappears into the crowd, a bright flare of red in a multitude of shifting shades, and for the first time since that treacherous discovery, you start to wonder what it would feel like to forgive.
Pierre is in an awful state. So Esteban has told him about a thousand and one times, at least, each utterance delivered with the same derisive snort. Pierre knows he’s supposed to bounce back from this, pretend it was all just a prank, but he’s known better for months now. It might have been a prank the first day, even the first week, but not after that.
Here is the problem:  Pierre, in all his cocky eagerness to show his friends up, failed to consider that Y/N might be able to charm him as well. He might have gone a little overboard in his attempts to make her fall in love with him, perhaps even to the point where he fell in love instead. He isn’t sure when he first realized he had feelings for her, but Pierre is more than certain it was before Y/N discovered she felt the same way.
What a ruin to his reputation. Pierre hadn’t minded, though, not when they were still on speaking terms. He liked the way they could talk for hours, how Y/N’s guard slipped when she started to trust him. She had a way of smiling when she was sure no one was about to stab her in the back. Pierre misses that. He’s sure he’ll never see it again.
Unable to stand Esteban’s dismissive attitude anymore, Pierre picks himself up from where he’d been wallowing in misery on the floor of the Alpine motorhome. He doesn’t know where he’s going yet, only that it needs to be somewhere without a single soul in sight. Still, when he passes aimlessly through the halls and almost runs into another driver, he supposes he should take it as a testament to his distracted mind that he doesn’t realize it’s Y/N until they’re already standing still and staring at each other.
Too late, Pierre remembers she hates him. His eyes drop to the floor and he mumbles an apology, ready to keep moving. She told him not to speak to her anymore; Pierre can hardly fault her for that, and he won’t use his presence as a weapon if that’s the one that will cut her the deepest.
He is surprised, then, when Y/N reaches out to stop him before he can get too much farther. Pierre looks at her hand locked around his, then back up at her.
“Wait,” she says, “I want to talk to you.”
“I thought that wasn’t happening anymore,” Pierre says. It occurs to him that it probably sounds cold, but she speaks before he can try to explain what he meant.
“Things have changed,” she says.
That’s enough to convince him to stay, if not for the feeling of her fingers still on his than anything else. He doesn’t miss the way her gaze keeps flitting from him to the occasional Alpine aide walking down the halls, and to save her, Pierre jerks his head towards a door down the hall.
“There’s an empty room to the left, we can talk there.”
A brief flash of relief crosses her face, and Y/N lets Pierre lead her over to the room. He leaves the door open to give her an easy escape, but she closes it after her anyway. No onlookers. Maybe that’s for the best.
Y/N sits down in one of the chairs, legs crossed, arms folded. She may be here with him after so long, but that doesn’t stop her from throwing up all her walls, even the physical ones. It hurts to remember how easy it had been to be with her that last day. Pierre plays those moments on repeat in his head– the balcony, the breeze, the words, the kiss. He can never stop the later scene from following, how her demeanor had changed when she realized the truth. He didn’t think he could hurt one person that badly. He was wrong.
She’s still silent, so Pierre assumes it’s on him to start talking. “I’m sorry,” he begins, “I know that’s not enough, but it’s true. I was stupid. I should have told you before–”
Regret clogs up his throat and he can’t choke out a single syllable more. Y/N looks suspicious. “Before the kiss?”
“Before anything,” Pierre clarifies, “when we were talking at the beginning. I never should have let it get so far. Doesn’t mean I minded when it did,” he remarks half to himself, “but I should have done it on my own terms.”
When he dares look up at Y/N again, he swears she seems slightly more open, but that could just be his wishful thinking. “Do you mean what you said in the interview?” She asks suddenly, “Do you wish you could take it back?”
“Yes,” Pierre says in a rush, “I want a do over. I want to do it right. I would have done all of it without ever talking to Lando or Esteban or Charles first. I would have done it for me.” His voice is quiet. “I would have loved you without making it a lie.”
Y/N’s eyes are wide, but she isn’t afraid or angry. “Second chances come around more often than you’d think,” she whispers.
“Even for me?” Pierre asks.
She nods once. “Even for you.”
They’re both on the podium that day. His race engineers can’t explain why Pierre’s luck has suddenly had this tremendous turnaround. He can. She can, too. Sometimes your heart likes getting in the way if it knows you’re doing something wrong. It’s a good thing, then, that he’s finally doing something right.
She’s waiting for him once the interviews are over. They’re both exhausted, half drunk on the champagne in the air and wholly pleased with themselves. The sun goes down, and Pierre is happy. It is just as easy as that.
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