#it’s becoming more plot than i’d planned which is excellent i need a shot of plot movement

[xx-vergil-xx]

fishy. fishy. fishy i pledge to you my undying soul. each breath of my body and each beat of my heart. fishy when the final bell is tolled i will stand by you. you have undone me. oh my G O D. GOD. EXPERIENCING EMOTIONS. BY THE BOATLOAD. THE SOUNDS. THE LIGHT. THE COLORS. THE. THE LONELINESS OF IT. THE ACHING. you have brought my silly goofy words leaping and howling into the real visual world and for this i can never repay you <3 <3 <3 thank you thank you thank you AGGHH

little scene from Hounds by @xx-vergil-xx

[ridley-was-a-cat]

What I Watched This Week – 6/2 – 6/15

Sukisho! – June being Pride Month, I drew up a plan to only watch BL and yuri anime this month, where each week I’d watch one BL/yuri that’s new to me, rewatch one I’ve seen before, and watch or rewatch a movie or OVA if time allows. I’ve seen the majority of BL anime that’s out there, so finding one I hadn’t seen was a bit of a challenge, until I saw this 2005 visual novel adaptation streaming on Tubi.

To say it’s a wild ride is a bit of an understatement. Not only are our two leads roommates at an all-boys school, one of them has amnesia after falling out of a fourth floor window. On top of that, the two boys also have split personalities, where their second personalities are in love with each other and their primary personalities are always fighting. In between running wacky errands and getting into ridiculous situations with their school club, they also investigate their mysterious past, get abducted, fight a mad scientist, and plot an elaborate revenge. As a little bonus, the main boy’s edgelord second personality is voiced by Koyasu, which is just genius. The visuals are extremely dated, with pointy chins and brightly colored hair in impractical styles, but the voice cast is surprisingly great, the characters have good chemistry, and the nonsense is a lot of fun if you don’t think about it too hard. It’s a nice little romp I had a great time watching. 7/10

Sweet Blue Flowers – I watched this series early in my anime-watching monomania, and it was interesting to revisit it years later after seeing other yuri series and reading other manga by Takako Shimura. Now that I’ve been around a bit, I see how it’s descended from class S yuri classics that came before it, and how it puts its own spin on the genre. Set at a pair of girls’ schools, the story follows two childhood friends who are reunited for the first time since elementary school when one moves back into town at the start of high school. Each meets a group of friends at their respective school that becomes entangled with the other girl’s school, and relationships form and break apart as the two reestablish their friendship. Nobody can get out of their own way, everyone’s constantly getting their feelings hurt, but it’s all written so that it feels grounded and relatable rather than melodramatic and frustrating. It’s also a rather pretty anime, with a subdued color palette, charming character designs, and lots of dappled sunlight on the characters and the backgrounds. I really appreciated the complicated, messy relationships in this, and ended up giving a higher score this time around. 8/10

Doukyuusei – Being under an hour, this is a somewhat frequent rewatch for me, as it’s a nice quick shot of romance that’s easy to squeeze into an evening when I need a dose of young love to cheer me up. On paper, the plot sounds a little rote: two boys attending an all-boys school couldn’t look or be more different – one’s the flashy guitarist of a local band, the other is studious and reserved – but grow close after practicing a song together for a school event, and fall in love. A combination of distinctive, expressive art and strong writing takes this from being a pleasant but forgettable genre story to being a memorable snapshot of the messy, confusing, and exciting experience of falling in love for the first time. The animation is pretty economical, especially for a movie, but the watercolor-like art does an excellent job of getting the hazy feeling of high school and teenage life, where you’re not really a child, but not quite an adult, and you’re expected to make decisions about the rest of your life despite nothing really feeling solid to you yet. 8/10

Maria Watches Over Us S1 – I’ve been meaning to watch this class S yuri classic for a long time now, and Pride month seems like the perfect time to get to it. The story is centered on a nondescript girl who has just started her first year of high school at the prestigious Lillian Girls’ Academy. She finds herself tangled up with one of the most popular girls at the school who ends up taking her under her wing as her “soeur”, a tradition where older girls choose a younger girl as a sisterly mentee. I thought I was getting into something like Dear Brother, and would be up to my eyeballs in catty maneuvering and backstabbing drama, but it’s actually pretty laid back. There’s a bit of drama, but it’s fairly subdued and rooted in the girls’ earnest efforts to understand one another. Coupled with that good, old-fashioned 2000s sepia-tone filter on the visuals, this was a cozy little series. I plan to watch the rest of the series, but I’m not sure if I want to marathon it all or spread it out for when I want an episode or three of chill schoolgirl drama. 7/10

Sasaki and Miyano – Rounding off my Pride month menu of stories of love at single-sex high schools is another favorite series I rewatch often. In this one, our main character is an avid reader of BL manga and novels who finds himself in a bit of a pinch when an upperclassman takes an interest in him, leaving him full of questions about the line between fiction and reality and what he wants for himself. As a romance fan, this series gives me pretty much everything I want. There’s lots of blushing, tons of yearning, plenty of overthinking feelings, a nice group of friends who can see right through them, and some exquisite physical affection scenes. All the sparkles and flowers floating around the characters during romantic moments capture the shoujo manga vibe perfectly, delivering the warm fuzzies. I still think some of the stuff with Hanzawa felt like wasted space, the flashbacks in the first episode were a little confusing, and the animation never really rises above workmanlike, but it’s nearly everything I could want in a BL anime. Just cute as hell, with an excellent kiss scene. 9/10

[chibivesicle]

Golden Kamuy - Kikuta really deserved better [part 2] 277-279.

Can you tell by my title that I’m a fan of Kikuta and I have some choice words for Noda?  Chapter 277 starts out with an introduction to the regional politics of Meiji era Japan.  The entire political shift occurred with the marriage of convenience between Choushuu and Satsuma (the Sat-Chou alliance) and how that is playing out in government and the military. With Hanazawa on the Satsuma side a commanding officer is having Tsurumi deal with the damage control.  That being Lt. General Okuda (and Kikuta’s boss)

He discloses how he’s the person who helped to cover up the scandal for Hanazawa and more of the regional politics comes into play as he pulls Tsurumi into this.

Recall that Tsurumi is from Niigata and we know he is from a family that lost power and wealth due to political changes.  He assumes that of course Tsurumi would hold a grudge towards those from the Sat-Chou alliance.  Usami is also from a fallen samurai family in Niigata and we know that Ogata is from Ibaraki and also from a samurai family on the losing side.  Tsukishima is from the island of Sado where unwanted people were dumped in Niigata so he is also an outsider.  We learn of his ‘true’ feelings as the tells his core group his opinion on things.

I love how we get unhinged Tsurumi calling it all a farce and he’s over Central.  But most importantly Okuda confirmed his own intel about the gold he learned while in Russia at some point in time.  His gold plan can slowly move along.  So Tsurumi becomes in the Hanazawa scandal cover up looking for the young 2nd Lt. and Kikuta, working under Okuda’s direct orders.

Despite his best efforts, Kikuta’s plan is revealed by a secretary at the Military Academy, while we know that Sugimoto and Kikuta are en route to the engagement dinner.

Hanazawa panics and sprints out to determine what is happening. Right on his tail is Tsurumi and his key team of Ogata, Tsukishima and Usami.  Clearly this is going to become a huge mess.  The next few pages are amusing, but really don’t add value to the plot.  I am impressed that Kaeko has an excellent plot to get Sugimoto naked and I commend her efforts!  GK is never short of strong female characters.  Who enjoy sex.

This sets up a hilarious moment where he’s naked and trapped in a bedroom while she leverages the potential scandal to her advantage.  By that point Tsurumi has caught up to them.  What is most interesting is when Usami addresses Ogata as Hyakunnosuke and asks him what he thinks about meeting his brother.  It is clear this isn’t out of concern from Usami’s part, we know he hates Ogata to his very core.

But as usual, Ogata doesn’t respond and we just see only a part of his eyes, not even a glance of his lips to give us an idea of what he’s thinking.

Kaeko and Sugimoto continue to talk as she reveals what she knows from Hanazawa Hiro.  She had been a nurse during the first Sino-Japanese war so it has allowed her to reflect on the impact of war on individual soliders.

This tells us a few things;  Hiro’s patriotism is more nuanced.  If she were being selfish and just saying she doesn’t want her son to go off to war without experience it, that would be one thing.  Instead, she knows being a military spouse first hand what happens - no one could say she didn’t do her own duty and go likely above and beyond.  Ultimately, she wants to protect her son from her own experiences and observations and be a mother.

Sugimoto then realizes he needs to bail and leaves poor Kikuta confused.  And then bam! The 27th is there.

Of course this leads to the most Sugimoto situation of all time!  Tsurumi threatens Kaeko with his handgun and Ogata asks where Yuusaku is.  Of course Sugimoto flies out of the bathroom naked sans Kikuta’s hat and Ogata is just amused beyond belief.

This would be complete if he were relaxed eating a box of popcorn or something like that. 278 continues this absolute chaos and lots of fan service for Miss Kaeko!  I really don’t think the fight scene needs much meta.  Ogata just finds it amusing (and btw sucks at hand to hand combat) while Usami rumbles with Sugimoto.  Tsurumi realizes he’s not Yuusaku and Kikuta rushes in and gets shot in the shoulder by Tsukishima.

Somehow, Kikuta is able to get the rest of them to flee but not without running into the actual Hanazawa Yuusaku.  Awkward.  Tsurumi only then realizes that Kikuta was doing his job and they run out into the street.

Kaeko tries her best to convince Sugimoto to marry her.  Granted he is a very heroic figure and he fought to protect her.  However, reality wouldn’t allow that to happen and Sugimoto decides to join the army - thinking he won’t starve that way.

Kikuta looks so sad and disappointed when he hears this.

He’s definitely thinking of his younger brother who died b/c he told him to join the army with him.  I loved the fact that we learn that Kaeko got to be a successful woman who was also compassionate to others. 

There is a quick exchange that shows the first encounter between Ogata and Yuusaku.  Yuusaku notices Ogata and salutes him as a cadet.

Ogata doesn’t even return the salute and he look he gives him out of the corner of his eyes.  What is he thinking?  I’d say Yuusaku doesn’t know who Ogata even is.  But something has him very suspicious to be this leery of him.  This also makes me think of this previous encounter between Koito and Ogata in chapter 200.

This time Ogata is bolder when he walks by Koito who is also currently still in the Army Academy.  Except unlike Yuusaku who doesn’t seem to pick up on Ogata’s vibes, Koito does!  And the two of them stare each other down.  I think that this in part shows that Koito has more innate awareness of things and could be considered more of a ‘natural’ in the military.  Which Yuusaku isn’t.  We have no evidence Yuusaku has any sort of military talent or skills. 

The chapter ends with Kikuta asking Sugimoto if he’s serious about joining the military and how he’s already fated to go to hell based on what he’s done in his life.  279 continues the conversation between Kikuta and Sugimoto and he flat out tells Sugimoto about how his brother died of illness in the army during the Sino-Japanese war.

Sugimoto then becomes Kikuta’s younger brother telling him that it is time to move on.  This continues the trend in GK where a character that is speaking becomes someone else to the listener.

This is most evident with Asirpa when she becomes Yuusaku on more than one occasion to Ogata.

But this facial expression from Kikuta [sobs].

No wonder Kikuta worked so hard to save Ariko’s life!  He can’t just always be responsible for the deaths of others.

Sugimoto convinces Kikuta that he’ll be alright in the army and he relents and lets him keep the cap.  This shows that Kikuta has moved on from the death of his brother - a big deal!  In an unusual way, Sugimoto has helped Kikuta move on and take the next step in the healing process. Kikuta reports to his commander in the 1st.  Okuda wants him to keep an eye on Tsurumi.  Obviously, he knows now that Tsurumi interfered with Kikuta’s plans for Hanazawa rather heavy-handedly so he would need someone else to balance it out.

It then reveals that Ogata is also working for Okuda in the 1st.  This explains why when the two of them crossed paths in the brewery they did not engage but nor did they appear to exchange any information.

I can’t help but feel like something is still off with this.  Ogata does have skills from working in intelligence with Tsurumi.  He’s observant, makes himself invisible and can get others to talk easily.  But Ogata being a 100% willing spy - it seems like he wants something else out of this. Kikuta’s character screams secret agent - but Ogata, he’s something else.  I’m not sure if Ogata’s choice to be a spy on Tsurumi was a real choice.

When Ogata and Tsukishima had their shoot out in Yubari at Edogai’s, Tsukishima told him he was a pet cat for Central.  Ogata replied that they were part of a rebel element.  We know that Ogata was working with Tamai at the beginning of the manga.  I struggle to see how Ogata has loyalty to anyone honestly.  He seems to be moving throughout this game with again his own mysterious objective.  Ogata is cynical and has no belief in the nation state nor does he harbor any sort of deep patriotism towards Imperial Japan.

Since Okuda is friends with Hanazawa and is based in Tokyo, he may have known Ogata since his birth and has kept tabs on him after the Ogata grandparents took him back to Ibaraki with his mom.  Ogata’s existence might be a sort of trump card that Okuda is keeping . . . but others found out as well like Tsurumi.  Did Okuda have Ogata tell or leak information that Ogata is Hanazawa’s first son? The chapter jumps to the 203 meter hill in the war and we see Yuusaku fallen on the battlefield.  Ogata watches from distance, his face cut off while other members of the 27th run out to help Yuusaku.

This finally reveals Yuusaku’s eyes!  Not the anticipated reveal - I kept thinking this was something that Ogata was going to see but it shows us clear eyes.  Which look sort of similar to Asirpa’s eyes.

So many thoughts are jumping around in my brain about this reveal.

1.) These eyes are not the ‘trademark’ Hanazawa eyes.  Dark black orbs with those eyebrows!  This indicates his eyes aren’t from his father.

Seeing this, I can’t help but think that Yuusaku is not Hanazawa’s son.  Instead, Hiro had an affair with someone else.  A major theme in GK is that the children inherit the skills of their parents.  Asirpa is able to do many things as she inherited the intelligence of Wilk.  And that Ogata is the true inheritor of Hanazawa’s military skills.

Recall this from chapter 58.  Ogata leads the crappy local gang against Hijikata and acts like a commander.

We know that Tsurumi’s lie about Ogata wanting to avenge Hanazawa is to keep Nikaido in the dark.

This would also explain why everything we learn about Yuusaku is terrible at military things.  If he also isn’t Hanazawa’s son it would make it even more reason for Hiro to try to prevent him from entering the military since he’s not even genetically related to this great line of Hanazawas.  I wish we knew more about the Ogata side of things - I think we’ll also learn that the Ogata side had competent military men on it as well.  2.) Yuusaku’s eyes are the same as Asirpa’s and indicate their sort of innocence.  In this case, it would perfectly explain why Ogata sees Yuusaku instead of Asirpa when he has the fever and then the melt down on the ice floe.  Yuusaku kept himself naive and innocent to meet his father’s expectations.  A man who I don’t think is even his father at this moment.  Therefore, Ogata’s guilt on killing Yuusaku is tied to his sort of innocence in these situations and why he can’t seem to shake his mental confusion when it comes to Asirpa.  However, unlike Yuusaku, Asirpa has never forced herself on him to do things or guilt tripped him so it leaves things open for him to not link her to Yuusaku.

3.) Yuusaku was going to blow Ogata’s cover working for Okuda.  Now that we know that Ogata was working for Okuda while in the 27th it means he’d have to keep his role quiet.  If Yuusaku found out that Ogata was working for Okuda, I could see him going to Tsurumi and telling him this information.  Therefore, to protect his status, Ogata used this as his rationale to kill Yuusaku on the battle field.  I have never figured out if Ogata was nudged to kill Tsurumi by his ‘don’t kill him right now.’ comment as one of Tsurumi’s backwards motivations that lead Ogata to directly killing him. So many possibilities!  I want more Ogata backstory dammit!

Anyhoo, to not make this meta super long let’s get back to the action. Asirpa begins working out how to try to break the code.  Hijikata notes that Wilk could have used something other than kanji, since he’d know the Latin alphabet for Polish and Cyrillic for Russian.  Shiraishi makes a clear point that this could be a message from Wilk towards her, though it feels like he’s channeling Kiro.  Out of many of the Japanese characters Shiraishi time and time again comes out much more sympathetic to the minorities than others.

Asirpa begins to wonder how the coin is linked to the skins. She’s thinking things through and is on her way to solving the puzzle.

After saving Ariko, Kikuta is returning to Tsurumi’s group in the church.  Oh Roger, this is why I love you so much.

Look at that smirk with a slightly watery eye.  At the same time Tsurumi is also looking at the coin and realizes he’s figured it out.

Kikuta approaches the rest of the group and comments on if he’s found the location.  Tsurumi states that things are just getting started.  He casually pulls out his gun and fires two shots into Kikuta at point blank range.

And with this I am deeply saddened and shocked.  How dare you do that to Kikuta!!!  He was my Kiro replacement and now he’s also going to die.

First Boutarou died and now Kikuta.  [cries].  We know that Tsurumi is a shinigami but this is just brutal.  The bear death trio died early on in the manga.  Ogata escaped.  Kikuta now is the next link to Central that goes down.

[wrenhyperfixates]

The Secret Admirer

Pairing: Loki x reader Summary: When he is too nervous to confess his love for you, Loki decides to take on the role of secret admirer. Can a perfect night out with you give him the confidence he needs? Warnings: it’s mainly fluff and some pining with a slightly steamy (but very quick) make-out session A/N: 1) Though I usually aim to write the reader as gender neutral, they are a female in this one. It’s nothing essential to the plot, but Loki does refer to them as a “woman” and “lady”. I apologize to all my readers out there who don’t identify as female, but maybe you could just skip those lines? I promise the next one will be gender neutral again. Thanks for reading :) 2) Thanks to @shypickleghostsuitcase​ for requesting. This was a lot of fun to write!

Loki watched from around the corner as you walked into the kitchen, ready for your post-workout snack. You frowned as you searched for your favorite fruits, which were nowhere to be found. That is until you spun around and saw a basket filled to the brim with them. Loki was glad to see a smile tugging at your lips as you picked up the little notecard attached by an emerald green ribbon. He sauntered in as you read it.

“Another gift from you secret admirer, I see,” he said, raising his eyebrows at you.

“Yeah,” you replied with shining eyes. “It’s the third one this week.”

“Any clue as to who it might be?”

Loki, in reality, did not need to ask that question. After all, it was him who had been leaving you the presents around the Tower. However, he couldn’t resist an opportunity to see that adorable little blush creep its way onto your face.

“I might have a couple guesses,” came your carefree response.

“And who, might I ask, are they?”

“Well, you know Justin from accounting? I think he’s been dropping hints. Oh! And Chris from R&D has been pretty friendly recently. And he’s cute, too, don’t you think?”

“Yes, yes, whatever,” Loki answered, suddenly becoming very sour.

He’d known about this downside of his little plan, but he was too self-conscious to come right out and invite you on a date. Especially so after hearing you talk about others in this way. So, he resolved to make sure you fell completely for your admirer before coming forward. He made a gruff excuse as he left the room, and you stared on in confusion at his sudden mood swing.

Loki didn’t see you again until dinner, where the topic of conversation was him, not that any of his teammates knew it.

“Five bucks it’s that guy named Lawrence,” Tony speculated. “You know, that agent SHIELD keeps sending as a messenger.”

“Yeah, he does seem pretty fond of you,” Wanda added, playfully elbowing you.

“No way,” Nat argued. “It’s Matthew, that blonde from the labs.”

“Can we please talk about something else? Literally anything?” you pleaded.

“Indeed,” Loki came to your defense, and you shot him an appreciative smile that made his heart skip a beat. “Certainly someone has a different topic to conversate about.”

“Ok, ok,” Bucky conceded. “We’ll stop making guesses.”

“Thank you,” you said.

“So then, who do you want it to be?”

You just shook your head and got up from the table as the rest of the team erupted into a fit of giggles. They called you back as you stormed away with flushed cheeks, but you just flipped them off. When it became clear that no one was going after you, Loki took it upon himself to check on you. Once again fully immersed in their ridiculous guesses, no one noticed as he excused himself from the table.

He called your name as you were stepping into the elevator, and you held the door open for him so he could join you. You were still obviously pissed, and Loki wondered if he should have been like the rest of the team and let you blow off steam. When you fixed your gaze on him, though, your eyes were soft and appreciative. He wanted to get lost in them forever, to jump in and never come out. He certainly would have settled for being lost in a kiss, too, but he wouldn’t want to taint your sweet lips with his venomous ones.

It simultaneously pleased and annoyed him that no one had guessed he was your admirer. On the one hand, it meant that he was doing a good job keeping it a secret. On the other, it probably meant that no one thought you were a good match. Though, if they knew he was the one leaving you the gifts, that might change. After all, they fawned over the fact that you had a secret admirer. Sometimes they even tried to guess what he’d leave next.

“Hey,” you ventured, breaking the silence that had settled in between the two of you. “Thanks for backing me up in there.”

“I assure you it was no problem. The whole discussion was rather irksome, don’t you agree?”

You nodded your head in agreement as the elevator came to a stop. How Loki wished he could put an end to all those debates by just coming forward, but he was certain you wouldn’t feel the same. He was sparing both of you the guilt and embarrassment that would surely accompany his confession. Still, he couldn’t help but imagine holding your hand as you walked side by side, your head resting against him. It would show everyone that you were his. But you weren’t, not yet anyway.

“Um, Loki?” you asked after popping into your room for a second and coming back out with a jacket. “I was going to grab a bite to eat since I didn’t finish dinner and was wondering if you maybe wanted to come?”

Loki froze in his tracks. He knew how you meant it, but it almost sounded as if you were asking him out on a date. Never in his life had he been that lucky, though, so he was certain that wasn’t the case.

“Yes,” he said, masking the eagerness in his voice. “I would like that very much.”

The two of you made your way out onto the busy city streets, and Loki’s heart sped up as you took his hand to keep from getting separated. He knew that it was an innocent gesture, but to anyone else, it would seem as if you were something more than just friends. The very thought made the palpitations of his heart grow louder still.

Usually, Loki avoided going out into the world as much as possible. No one outside the Tower ever did seem to truly trust him and often sent him worried glances as if he might start another invasion right then and there. Being with you, however, seemed to ease everyone’s minds. People still sent him hurried looks that they thought he didn’t notice, but they were far fewer than when he ventured out by himself.

As the two of you stopped at a crosswalk waiting for the light to change, he felt something cold and metallic brush against his wrist. He looked down and saw you wearing the charm bracelet he’d left you about a week ago. It pleased him to know that you liked the gifts, even if you were unaware that he was the one giving them to you. He averted his gaze before you could think anything of it, and a few minutes later, you were pulling him into a storefront, brightly decorated on the outside with red and yellow.

“McDonald’s is one of my favorites,” you explained as the door closed behind you, and you got on line to order. “Are you familiar with it?”

“I cannot say that I am.”

Loki, in fact, was not well acquainted with any of the Midgardian cuisines dubbed “fast food” and squinted at the menu, trying to figure out which of the undoubtedly greasy options was the best. However, he didn’t have to, as you insisted on ordering for him and sent him off to claim a table in the crowded restaurant. He found a small booth tucked in the corner, and you soon joined him, arms filled with the food you’d bought. Loki hesitantly eyed the burger that you had called a BigMac but bit into it after seeing your excited smile. He had to admit; it wasn’t half bad.

After you two had finished eating your burgers and shared some hot fries and chicken nuggets, Loki’s eyes flitted back down to the bracelet around your wrist. This time, you noticed before he could look away.

“It was a gift from my admirer,” you told him, unaware that he already knew this fact.

“Well, I must say, they have excellent taste. Both in jewelry and women.”

You blushed both from the compliment and the intense look in his eyes. “Yeah, I guess. I mean, it’s very flattering, and I do appreciate it. I just kinda wish they’d confess already, you know?”

Loki frowned at that. He was certain that both of you would be disappointed if he came clean. Still, the idea was tempting. But then he’d remember just how many people seemed to be interested in you, and he was once again sure that no number of gifts could buy your affection. He knew that it was a great flaw in his plan, but he could find no better way. Besides, the gifts certainly made you happy, and that was worth it in and of itself.

“Actually,” you continued, “I’m not too sure I really mean that.”

“Why is that?” Loki said, somewhat shocked by your change of heart.

“Well, right now I can pretend that it’s the person I want it to be. But if the admirer comes forward and it’s not them, well, I guess I don’t know what I’d do. The gifts are thoughtful, so I suppose I’d give them a chance. Get to know them and see where it goes.”

“Unless it’s someone you already know and have absolutely no interest in, correct?”

“To be honest, I haven’t really thought much about what would happen if I felt that way. But, yeah, I guess not.”

Loki admired your features as you took on a pensive look, trying to sort through all these puzzling thoughts. He had a lot of thinking to do, too. Right now, it seemed as if his chances were decent. Even if he wasn’t who you’d been hoping for, he might be able to get at least one date with you. Though, he’d put a lot of thought into the possibility that you might have no interest in him, and actually believed it to be the most likely option. But that soft look on your face as you turned your attention back to him did change his mind a little. He made up his mind; he was going to tell you, and he’d do it tonight.

Before he could figure out the proper way to confess, you were dragging the raven haired god out of the restaurant, pursuing your next craving. He quirked an eyebrow at you as you came to a stop on a short line at an ice cream parlor. By now the sun was almost completely set, and a chill was settling into the air. He was worried about your frail mortal form becoming too cold after consuming the frozen treat. Voicing his concerns elicited, what he considered, an extremely cute scoff from you.

“I happen to like things that run on the cool side,” you said with a little shrug, stepping up to place your order.

Loki couldn’t help but wonder if there was some hidden meaning behind your words, especially considering a frost giant was your chosen companion for this evening. He didn’t have much time to ruminate on this, however, since he had to place his order. Surprisingly, before he could get the words out, you spoke for him. Not only that, you knew his favorite flavors: chocolate and strawberry. Realizing how much attention that meant you paid to him, he felt his cheeks flush. He wanted to say something, but you were very pointedly looking away from him. He supposed you might not have thought before speaking and were now embarrassed because of it.

You made your way out of the store after polishing off your ice cream, once again grabbing Loki’s hand as not to lose him in the crowded streets. He was enjoying the easy conversation that you shared when suddenly you squealed in delight and pulled him once again to chase your latest desire.

“Look, Loki!” you exclaimed, practically jumping up and down in excitement. “Carriage rides! I’ve always wanted to go on one.”

“Well, I see no reason to deny such a pretty lady her wish.”

Though he was a perfect picture of nonchalance and suave on the outside, his insides were a jumbled mess. As he paid the driver and helped you into the carriage, Loki thanked the Norns for this excellent opportunity to confess. For once, it seemed that the universe was actually on his side. As the horse trotted along the road, you began to shiver, and, giving you his best “I told you so” look, Loki conjured up a blanket for you. It wasn’t his intention to share it, but you insisted. Bundled up under the fleecy material, you took in the sights of the city. Loki, however, basked in the sight of you and all your radiant beauty, bursting forth from your bright smile and infectious energy.

“What is it?” you questioned, noticing how he was observing you. “Is there something in my teeth?”

Your hand flew up to cover your mouth, flustered at the possibility. Loki gently grabbed it and pulled it down, considering his next words carefully.

“No, my angel, there is not.” He took a steadying breath before continuing, “I do, however, have a confession to make.”

“Oh?” you remarked, the most adorable look of befuddlement adorning your face. “Ok, I’m listening.”

“Well, you see,” he began, second-guessing his decision to reveal himself, but the eager expression you wore egged him on. “I am the one who has been leaving you presents.”

“Wait, wait, wait. So you’re my secret admirer?”

Loki bit his lip, trying to assess the emotions hidden in your voice. It was something that, in any other circumstance, he was exceedingly good at. His own complex feelings, however, were preventing him from coming to an accurate conclusion at the moment.

“Yes. I am.” Before you could say anything else, he plowed on in an unusual mix of confidence and concern. “When we were speaking earlier, you admitted that, so long as you didn’t hate the person, you would go on a date with them. And I was hoping you would. Settle for me, that is.”

You blinked a few times, doing your best to process everything he just said. Loki waited with bated breath for your reply. As the seconds ticked on, he considered launching into another rambled explanation but thought better of it. It took all his energy to remain composed as you began shaking your head.

“I’m afraid that, no, Loki. I will not be settling for you, as you put it.”

“I understand,” he said, once again resigned to the fact that you would never love him. He couldn’t believe how foolish he’d been to think for even a second that you could.

“Actually, I don’t think that you do,” you continued as he quirked an eyebrow, doing his best to keep that glimmer of hope from invading his heart again. “You see, I won’t be settling because I was hoping that it would be you all along.”

For what was possibly the first time ever, the trickster god was at a loss for words. “I must admit, I am not quite sure what to say.”

“Then shut up and kiss me already.”

It was all the encouragement he needed before bringing his lips to meet yours. You grabbed his shirt and brought him even closer to you, deepening the kiss. Loki tried to memorize every detail of this moment, terrified that you’d suddenly change your mind. He was pretty sure that he could get drunk on the taste of your lips. Your fingers tangled in his raven locks as your tongue darted in his mouth and started exploring. Where he was afraid to go too fast and scare you off, you were sure of what you wanted and went for it. It encouraged him to move his hands down to your waist and slip them under your shirt.

All too soon, you had to break for air, but Loki wasn’t yet ready for his lips to still. He placed sloppy kisses along your neck as you panted, still trying to catch your breath from the passionate kiss. He managed to pull himself away as the carriage came to a stop, suddenly remembering where he was.

“So, about that date?” he ventured, now brimming with aplomb.

“Yes, Loki,” you laughed. “I would love to go on a date with you. Oh, and by the way, that kiss was the best gift yet.”

He looked shyly away as you snuggled up next to him under the blanket. After finishing the carriage ride, Loki walked arm in arm with you back home. You placed a hand on his shoulder, stopping him before you walked in the doors.

“So, do you want to break it to the rest of the team that their guesses were wrong, or should I?” you playfully asked.

The two of you shared a laugh as you walked into the Tower, hearts full and lips red from kissing.

“Whatever you want, dearest,” Loki replied, placing a gentle, loving kiss to your head. “Whatever you want.”

[fuse2dx]

December ‘20

Bugsnax

Bugsnax is an odd little title, landing somewhere between Pokémon Snap and Ape Escape. There’s a bit less of a frantic pace though, instead telling a tale of a remote island where the titular part-animal, part-snack race roam about, with a series of characters each having their own relationship to them that... typically involves eating them. The disappearance of one key villager has been the catalyst to everything heading into a state of confusion though, and as the new person in town, it becomes your job to pull everything back together, all while trying to piece together a better understanding of just what Bugsnax are in the first place.

The game’s main cast are loud, colourful, and full of personality, with some decent queer representation going on too. It’s regularly quite charming, but the story runs parallel to a pretty simple gameplay loop of going out to a new area, meeting an estranged villager, getting a new tool that allows you to catch some new ‘snax in service of a given task for said villager, that inevitably fuels their return to the village. While catching a good chunk of the 100-strong Bugsnax portfolio follows a fairly repeatable mould of trap-setting and capture, some require some slightly more creative thinking, and final smattering lean more on good fortune as you try and juggle a few different elements in a way that sets up the perfect snaring. 

I’ve seen some talk of folks who found the last sections of the game a little out of character, but having gone through all of the side missions before heading for the finish line, nothing came as too much of a surprise for myself. As a PS5 launch game it might lack the flair and experimentation that one might expect, but in better handling one’s expectations and seeing ‘just’ a game with extraordinary timing, it’s a pleasant and sufficiently entertaining romp - just nothing particularly out of the ordinary.   

Demon’s Souls

I was in two minds coming into this. I’ve played the opening few hours of Demon’s Souls about 5 times now, with each attempt before this one stalling at different points for a variety of petty and frustrating reasons. So this, a fresh chance to try again, newly polished and smoothed out, with active servers, and a revitalised community? Excellent! Yet on the other hand, how much of the magic is Bluepoint likely to have been able to recreate? Even as a shot-for-shot remake, what if they had diluted the experience? 

While I can’t speak with any particular authority here, very little seems to have changed outside of the visual overhaul. Some areas might be a bit easier to navigate owing to their new lick of paint, but enemies still pose the same threat, and everything is still where it should be, as are the obtuse, woefully under-discussed karmic swings that underpin its tendency system. Let’s not pull punches; it’s most notably a mean platform to build a game upon that makes suffering players suffer more, and is likely not one that you’ll even be aware of it before near irreversible damage is already done. From have undoubtably done similar concepts much better since, and while I might bemoan it, there’s also something to be said for allowing it to still exist just as it did at the series’ outset. It’s likely a wise choice on Bluepoint’s part to have left it untouched, albeit a slightly cruel one.

While the lack of a single, interconnected world was not yet on the cards for this particular Souls outing, there’s still plenty of great level design, with each of the game’s archstones providing a theme that’s adhered to brilliantly. A few exceptions aside, boss battles are typically less about flexing combat chops too, proving more of a challenge in solving how to approach them in the first place. In doing so, it creates some truly memorable moments alongside those that are purely frantic and rewarding thereafter. The same can be said for the game at large too; while its punishment of new players might be its most infamous quality, it does do a remarkable job in having you learn its every inch, and how best to deal with everything it cares to throw at you. While the chase of 1:1 replication might mean some of its jankiness remains, its visual overhaul and silky smooth frame rate certainly do a good job in helping you overlook it all and in embracing the still best-in-class world building. One of the years’ best, and by far the most compelling reason to date for next-gen ownership. 

Grindstone

Grindstone was front and centre right as the doors opened on Apple Arcade, and it’s a pretty easy to see why it’d be pegged for such honours. It’s bright, colourful, charming, and very easy to pick up. Some of Capy’s other noteworthy titles might fall more into the realm of the arthouse, but this is them at full power, exhibiting that ultimate strength of knowing just how to capture any given audience. Most of the game is spent planning out your turn, and it looks great even in this calm stillness - but as you unleash the mighty Jorj on each of his rampages, there is a satisfying spring into action that gives the same kind of satisfactory twang you might get from an elastic band, or a coiled slinky about to bound down a flight of stairs.

Within a few short stages almost all of the base mechanics are laid bare, with each turn asking you to plot a course through colour-matched enemies, and landing you far enough away from any enraged enemies that’d seek to do you harm. Chain for long enough and you’ll spawn a grindstone that’ll let you switch colours mid-combo, and building up enough hits can then allow you to expend that strength on monsters with higher health pools. The range of enemy types grows as you progress, as does the array of new tools you can build that allow you new ways of dealing with them all, but ultimately the balance that needs addressing is knowing just when to walk away. There’s typically three goals to each level - opening the exit being just the first of these - and while in some cases you might have a handle on things when the exit does open up, it’s often not the case, and hanging around too long carries the risk of losing all of your progress on the stage if you lose a clear path to your escape.

Some of its later mechanics and the level arrangements can be quite taxing, and while never completely unfair, it can definitely... grind... on your patience. For something that could easily be taken as a casual little puzzle game, it’s quite lengthy too - the path unbroken leads you through a whopping 180 stages, but without extensive draining of resources from each of these, you’ll likely need to try some of the side dungeons to help make your way to the end too. Very likely more than your bargained for then, and yet still plenty compelling to boot.

Necrobarista

Some neatly constructed character models and a snappy trailer might attempt to tell you otherwise, but let us be clear with one another that Necrobarista is very much a visual novel. A shock to the system this may be, but anyone reading this likely knows by now this is far from a bad thing around these parts, so let us look a little closer.

It’s quite a melancholic thing, set in a less than conventional, somewhat Purgatorial coffee shop, where the newly departed stop in for a brief spell and a brew before taking the next step into the great unknown. While there’s a setup here for lots of stories to be told, it really draws in on a small cast of characters who look after the shop, and how a few key visitors change the world built up around them. Between each of the game’s chapters there’s the opportunity to unlock new side stories dependent on which of the phrases you chose to identify with from the chapter just gone, and although short, these do some good work fleshing out some characters and breaking up the main tale. As the title would suggest, the particulars of coffee do come up as a point of conversation, but there’s no drink-making side shows here - just a lot of talking, scheming about how to cheat death, and the more chin-scratching topic of a more accepting approach to this great inevitability.

It’s fairly short - comfortably under 10 hours - but crucially gets plenty of character development from each of its cast given the tight focus. Rather than the still portraits that you might come to expect of the genre, characters are given a real depth with 3D models that convey just as much as their words, which also helps this effort. Perhaps most crucially, and whether it’s in spite of all of the death, or instead because of it, there’s plenty of quite thoughtful and heartfelt sentiment hidden inside it. Comes recommended.

Tangle Tower

I picked this up for Switch based on a recommendation, not knowing that I’d unknowingly be closing out an Apple Arcade hat trick for the month. So yes, it’s another more story-driven game, not too heavy on the input requirements, but instead good for getting you thinking.

It’s immediately very easy on the eye, with each and every character drawn in large format and animated with buckets of quirk and charm that runneth over. Every single one is brilliantly voiced too, with varying degrees of charisma, bluster, dry wit, and numerous other characteristics that shine through in brilliant harmony with the art. It’s a murder mystery, see, and while you’re putting together what everyone says has happened, looking out for who’s fancying who and the like, you’re also doing so with the critical expectation that at least one person is likely spinning you some tall tales. Luckily you’ll find clues that help you get closer to the truth and help deconstruct some of these falsehoods, whether they’re in plain sight or hidden behind one of many puzzles. These are exemplary in just how well-pitched they come, each being self-contained and just tricky enough to have you pause to really think about them, but without ever being too irksome or troubling to stop you enjoying yourself. Once you do start to get to the point of unmasking some secrets, there’s also a neat little interface the game rolls out for you to drop in and then verify these revelations; pairing numerous characters, items and statements to help demonstrate to it that you’re keeping up with it all, and things are clear enough to move on. There’s subtle little prods in the right direction just when they seem to be needed, further cementing the game’s solid grasp of when it’s best to say something, and when it can let you just stumble about and get on with it.

It’s a fantastic little game. I lost a day or so to this, and had a wonderful time doing so. I hope that it’s not too far away that I forget all of the details, so that I might do it all over again.

[365days365movies]

February 23, 2021: His Girl Friday (1940) (Part 1)

Oh, we’re going BACK for this one!

Yeah, this is smack dab in the Golden Age of Cinema! Post-depression, the cinematic culture boomed like CRAZY. Obviously, this age had started before this point, but there was no stopping Hollywood here. I mean, in 1940 alone, Disney came out with Pinocchio AND Fantasia, films like The Grapes of Wrath, The Great Dictator, and Rebecca came out, and some of those were prefaced by short cartoons featuring a brand new certain someone.

Oh, also, there was some war of the world 2 thing going on overseas, I dunno. But anyway! Another well-known film that came out that year was The Philadelphia Story, a George Cukor-directed film starring Cary Grant and Katherine Hepburn, and one of a subgenre of comedies called the screwball comedy.

Arguably starting with the 1934 film It Happened One Night, these are romantic comedies that usually feature a self-confident and stubborn female protagonist inevitably falling in love with the male protagonist, who’s probably initially mismatched with her, personality-wise. You should also throw some slapstick comedy, disguises (cross-dressing’s a feature of a lot of these, weirdly), and class struggle. Yeah, also apparently a trend of these films, that were CRAZY popular from 1934 through the ‘40s.

And in case you’re thinking, “That plot structure sounds familiar, where have I heard that before?”, well, I just watched a later-era screwball comedy, Pillow Talk.

But today, the screwball comedy’s mostly disappeared. Some tropes survive, but the reason for the genre’s extinction is simply because of lack of demand. Part of that is because the genre emerged due to questions of class struggle post-Great Depression. Yeah, seriously, the Great Depression is involved in this shit! Obviously, though, that’s not currently as much of a stressor now, so this genre is dead save for some conventions.

But OK, screwball comedy. Why not look at older members of the genre, rather than this film from smack dab in the middle of it? Well, a few reasons. One, this film stars leading man Cary Grant in his prime. And two, because this film was directed by the one and only Howard Hawks.

Hawks directed yet another Grant-Hepburn vehicle, Bringing Up Baby. And yes, that IS a leopard in a car! I’d watch that this month, but I’ve already seen it. Anyway, Hawks is an understated but excellent director, and his female characters are an archetype in and of themselves, known as Hawksian women. They’re tough-talkers, and the main characters of most old screwball comedies.

OK, but Hawks had a lot of romance films with these characters, so why His Girl Friday? Well, other than knowing it from pure reputation as a good movie, it’s also been called one of the best romcoms of all time, and it’s one of his highest rated films as well. And honestly...I kinda just wanted to watch it based on the premise, which is...interesting. But OK, enough navel-gazing. On with the show! SPOILERS AHEAD!!!

Recap (1/2)

We start in a newspaper office in the year 1940, where “Hildy” Johnson (Rosalind Russell) has arrives with her fiancee, Bruce Baldwin (Ralph Bellamy), a sweet man who clearly loves her. Shit. He’s the guy destined to be left behind for the actual love interest of the movie Goddamn it, OK.

Anyway, Hildy apparently used to work here, although I’m not sure of the capacity as of yet. She’s only here now to visit her ex-husband, chief editor Walter Burns (Cary Grant). Their reunion is a bt icy, although Walter still seems to be in love with her still, while Hildy’s absolutely not interested. For now.

And as the two have a back-and-forth, I gotta say, GODDAMN is this some snappy dialogue! Fast-paced, but well-written and understandable all the same. It shuld also be noted that this film was adapted from a 1928 play, The Front Page, and it shows in how these two are playing in front of the screen. Their chemistry’s basically immediate, and you sense an unseen history between them easily.

What I’m saying is, it’s great. Anyway, the two have gotten divorced, and while Walter originally agreed, he’s now fighting the divorce to stay with Hildy, even though she doesn’t want that at all. He’s been calling her constantly, and bugging her. He also talks over her, trying to prevent her from getting a word in edgewise, and Hildy ain’t fuckin’ HAVING that shit!

He asks her to come back to work for him as a reporter (THERE’S the connection to the office), and if that doesn’t work out...they can get married again? Yeah, Walter, Jesus, take a hint. She tells Walter that she’s not coming back to him, and not coming back to work on the paper.

The two, through increasingly impressive dialogue, argue intensely, which is capped off by this well-timed and impressive dodge by Walter, followed by a crack that her aim used to be better.

This movie...holy shit, this movie. Anyway, through the argument, Walter gets a call and pretends that one of his reporters called out sick, in order to get Hildy to work one more job for him. Whoof, that’s manipulatiiiiiiive. But she breaks through his constant pressing to finally tell him that she’s now engaged, and is quitting the newspaper business.

Walter insists that quitting would kill her, s she’s a “newspaperman,” which is interesting. But she’s tired of it all, and wants to live a respectable, normal life, as she says. Her fiancee is an insurance man, which Walter notes is too boring. But Hildy notes that he’s kind, sweet, and considerate, and wants a home and children, and her mind is made up.

Walter relents (seemingly) , and gives Hildy his blessings. However, he decides that he wants to meet Bruce in person, and goes out to say hello, That results in...what is legitimately a VERY funny interaction between Water, Bruce, and a random-ass dude named Pete Davis. It is...it is funny.

So, for the record, Walter’s a verbally-manipulative asshole, and...I kind of like him? Like, he’s an ABSOLUTE DICK, but also a charmer. He quickly coerces Hildy and Bruce into getting lunch at a local place. There, we learn that the two are planning on moving to Albany, where Bruce is confident that the insurance business is strong. I’ve been to Albany, and I can see that.

Walter, during the lunch, is once again a DICK, doing his best to intimidate Bruce and sabotage their plans to leave for Albany that day. He makes his way to the phone, where he schemes with Duffy (Frank Orth) to keep her in town. Back at the table, he tells her of the case of Earl Williams.

Williams is, apparently, a man recently convicted of shooting a police officer...who was black...and they use a word to describe him that begins with a C...that makes me uncomfortablllllllllllle. But it’s 1940, so it could be FAR worse. Anyway, he’s going to be executed, even though he claims that he’s innocence. And while Hildy’s intrigued by the case, she refuses to cover it for Walter.

UNTIL, that is, Walter offers to buy an insurance policy from Bruce for $100000 in 1940 money, which means a commission for $18,000 in today’s money. Uh...yeah. Yes, please. And yet, Bruce says NO, not wanting to involve his future wife in his affairs, like a GODDAMN GENTLEMAN. But Hildy don’t give a FUCK, and basically accepts the deal for him. And, uh, I DO NOT blame her, that’s a lot of goddamn money!

Understandably not trusting Walter, she has Bruce give her all of the money that they have, to his equally understandable reluctance. Because there is NO WAY that she isn’t gonna lose all of that money. We find out from a group of reporters staying near the prison that Williams is to be hung tomorrow, and that he’s a bookkeeper that was recently unemployed.

Meanwhile, after a doctor’s check-up, Bruce and Walter write up the life insurance, and Walter tells Bruce to make Hildy his beneficiary. And Bruce is understandably awkward about that, but Walter ends up convincing him, the smooth and conniving DICK that he is.

Duffy walks in to give Walter a check for more money than originally intended, and it’s even been certified! Which is...odd, but OK. Bruce calls Hildy to let her know, and she’s very suspicious. She tells Bruce to put the check in the lining of his hat, claiming that it’s an old journalist’s superstition (it is not). Looks like she’s right to be suspicious, as Walter brings in a short gentleman for unknown reasons. He follows Bruce out as he leaves the office.

Meanwhile, Hildy brides a prison guard to speak with Earl Williams (John Qualen) before his execution. He’s a shy and bookish man, who was thought to become radicalized by people speaking in a pubic park, where he went after losing his job. This, it’s believed by the press and court, eventually drove him to go insane and kill the policeman. 

But Earl seems perfectly sane, and committing murder goes against his morals. He also wasn’t won over by said radical park speakers, although he admits one of them made some good points. But still, he had a gun, and he apparently did shoot the policeman. 

In their interview, Hildy learns that the man in the park was talking about “production for use”, which is the idea that everything produced should be used, basically in a way that production meets demand, and profit is less important than product. Which, granted, is an interesting idea. But Hildy uses that to convince Earl that he shot the gun because he had it in his hands. And since the gun was produced, it needed to be used, so...

Well, that’s...something. We also learn about Mollie Malloy (Helen Mack), who’s been unfairly labeled by the press as Earl’s mistress and the witness to his case. And she gives a very passionate and heartfelt plea with the male journalists, who are...vicious. And Mollie’s hurt indeed. And while she’s there, they all treat her terribly.

But she breaks down in front of them even further when she sees the gallows being prepared outside. And as Hildy takes her out, the men left behind actually do seem ashamed. And in a single stroke, in a single scene, the film uses an immense moment of drama to show exactly why Hildy wants to leave, and the things that it makes people in this profession do. It’s...masterful.

Good place to pause! See you in Part 2!

[jupitermelichios]

S3E2: Phoenix

Oh Jesus it’s been a whole 2 months since I last watched any Smallville and in that time I somehow managed to forget about Lex living on a desert island with his imaginary boyfriend, so that recap section hit me like a sack of angry ferrets to the face

I think this episode opened with Clark murdering Jonathan, which I am so here for

Oh no, apparently Jor-El gave Jonathan superpowers off screen. Because that’s the sort of thing you shouldn’t show on screen obviously

Time to dramatic shirt rip, under 2 minutes, excellent

“If I could raise a son who could kill, I’d rather be dead” boy do I have some news for you about S1E1 Jonathan my dude

“Oh honey we never blamed you for me loosing the baby!” Hey Martha maybe you should check with Jonathan before saying something like that, given he very much did exactly that, or was gaslighting your son your whole plan?

Say what you like about Buffy, at least there were consequences for her running away from home at the end of season 2. Clark can apparently dose himself up on PCP, become a professional bank robber, and then try and murder his own father, and just waltz back into his life without consequences

God I love tiny gay Lex Luthor. I do have to ask how the fuck he got back from Jamaica though, given he’s got no money, no ID, and HE’S LEGALLY DEAD! How the fuck did he pay for flights?!

I do admire Jonathan’s consistency when it comes to anything being morally okay as long as it’s Lionel who’s the victim. “You can’t steal, Clark, that’s wrong!” “But it was from Lionel.” “Oh, lmao that’s totally cool then”

If a suicide is a real cocktail no one tell me because Lionel and Rutger Hauer apparently used to drink them when they were young and based on how it looks, I’m guessing the main ingredients are advocat and tango

Also I’m pretty sure Lionel and Rutger used to fuck, I’m getting strong Giles and Ethan Rayne vibes from this conversation

How do we tell people this is a flashback? Oh I know, lets cover everything with so much bloom it looks like a 360 launch title and no one can see what’s going on, you know, like the past looks

Angry-cupboard-sex-doctor (who is getting abbreviated cos she’s in this episode a lot) is serving strong season 3 Morganna energy and I love it. She’s like the straight woman’s Katie McGrath, I really hope she sticks around as a season villain

Oh Chloe’s hair is so much worse now! Given who the actress turned out to be as a person she deserves it, but it’s still phenomenally terrible. Hands up who remembers Balamory?

“We all do things we regret” yes but being a massive bitch generally has less consequences than TAKING PCP AND BECOMING A BANK ROBBER. He’s not running from himself he’s running from the law

Literally the first thing Lex says to Clark after 3 months of being legally dead is a pick up line. I appreciate your dedication to your brand tiny gay Lex Luthor

Holy shit actual confirmation that Lana doesn’t got to school any more. Go to school Lana! You can’t keep running an ancient Egypt themed coffee shop for the rest of your life!

Okay, I know she’s an objectively terrible love interest given the whole murder thing, but Lex just implied he killed his dad and ACSD was definitely into that, and damnit I just want them to be happy! She’s so much better than Clark, why the fuck is he still into this dickhead when he’s got this homocidal queen as an option?

I love that Rutger Hauer just takes it on trust that the thing Lionel is hunting for is a mason jar full of this random farm boy’s blood, he’s just like ‘yeah, that seems like a thing Lionel would be into’

Lana arrives at the Kent farm, walks up to the most gangster looking gangster to ever be a ganster, who is literally holding a gun and leaning against a black SUV, and is just like ‘hey didn’t know the kent’s had visitors’ and fucking immediately gets taken hostage

But then immediately fucking murders a guy, holy shit, Lana actually did something that contributed to the plot and it’s really sad that the closest thing to agency Lana has is when she stabs a guy to death with a pitchfork, what the fuck

I’m pretty sure Lex is about to kill ACSD, but fuck if I’m not enjoying the two of them standing on a private plane drinking champage and sniping at each other like they’re in a tenessee williams play

Oh my god they shot the fucking pilot. Lex has literally been back from the dead a day, and he’s in another fucking crashing plane, what the actual fuck????

Aaaand there goes ACSD right out the crashing plane. Goodnight sweet bitch, you were the only good love interest lex has ever had, may a flight of angels sing thee to thy rest

You’ve heard of day for night shooting, now get ready for we can only use this set at night as we’re just going to adjust the brightness and hope you don’t notice! (Spoiler, we noticed)

Clark’s jeans and plaid shirt are fireproof. They’re literally fucking fireproof. Which I guess makes sense given he sets shit on fire every time he gets horny but even so. Does explain where all the Kent’s money goes not they’re not going to the feed store every epsiode.

Oh to be Lionel, sitting in the dark drinking scotch and listening to opera, waiting for my son to get back from murdering his wife, so I can congratulate him on becoming a true Luthor

Credit to the makeup artists for giving lex scars and sunburn, and then remembering that they did it. That’s not the kind of consistency I expect from this show but I appreciate it

LEX GETTING FATHER FIGURES LEX GETTING FATHER FIGURES the only thing I want more than that is for them to bring back Lex’s long lost brother and for chloe sullivan to get possessed or something so I don’t have to deal with her. Where’s Joey Wilson when you need him?

I love how they managed to turn superman of all the fucking characters into a YA supernatural love triangle story

Lana has a new horse. She’s never owned a paint horse before. WHAT IS SHE DOING TO HER HORSES?????????????????? I need to know!

Clark just conclusively told Lana he’s not interested. Who wants to bet the writers have forgotten that by the start of next episode?

[rachelthompsonauthor]

The past two quarantine months have been like nothing I’ve ever experienced in my lifetime, and I turned 56 in January. So rather than regurgitate what you’ve likely read in the news or on social media, I’ve decided to share how I’ve spent my time these past two months along with random thoughts. I hope you’ll continue along with me as I share what I’m doing each week.

Books

Oh, how I’ve missed reading! With my business so insanely busy (for which I’m truly grateful) these past few years, I’ve barely had time to read little more than Slack, emails, texts, and social media updates. Not exactly satisfying for this lifelong, avid reader. This quarantine has allowed me a little bit of extra time, which I’ve put to good use.

In no particular order, here’s what I’ve read: 

The Ten Thousand Doors of January by Alix E. Harrow is fantastic. Read it in one sitting because I didn’t want any of the details of this lacy, incredibly intricate work to fade. I highly recommend it. A mix of fantasy, drama, and a love story (because in the end, aren’t all stories love stories?), anyone with a working brain will love this novel.

  Little Fires Everywhere by Celeste Ng is also superb. I’d heard about this book for a while, yet only got around to it because it’s also now a mini-series on Hulu (which I watched afterward – also very good, though the character arcs and the plot changed in crucial, at times startling, ways).

Curious if you’ve read the book and watched the series, what your thoughts are? I could write an entire post about it, yet I’ll only share this…

As a child, my parents hire a housekeeper. My folks both work full-time and we are not in any way rich or well-off. Neither of my folks has college degrees – Dad is an assistant manager at a chain drugstore and Mom has just completed x-ray tech school and works nights at San Bernardino County Hospital. We live in a small house on a long street in the smoggy Inland Empire of California.

There are two of us, my older sister and me. Then my mom gets pregnant when I’m nine and has my baby sister when I’m ten. My folks advertise for a housekeeper and Miss Louise answers. She’s African American and willing to work for the little they can pay her. She smokes a lot (outside only, so as “not to hurt the babies”), insists on wearing a uniform though my mom tells her it isn’t necessary and comes looking for us in her big old white Caddy if we aren’t home from school exactly 20 minutes after it lets out.

(Miss Louise’s husband’s name is George. If you are alive in the 70s and watch The Jeffersons, you understand why this is an endless source of amusement to my sister Caren and me.)

Being that young, neither Caren nor I understand what privilege means. We didn’t get whatever we wanted because my parents are always strapped, yet there is food on the table, and the lights are always on. Except for the occasional venture to Disneyland or Knott’s Berry Farm that one time (mom hated it), our vacations consist of driving to visit our Zayde (great-grandfather) in a nursing home in Santa Cruz, or some other relatives we don’t know somewhere in L.A. (I remember one great-aunt who drank. A lot.) We’d always stop at Cantor’s for a soup and sandwich (the highlight for us), and be back on the road. We don’t mind because it is anywhere but home.

Anyway – my entire point is that in Little Fires Everywhere – the show – Kerry Washington’s Mia is an artist who takes a maid job with Reese Witherspoon’s Elena Richardson’s family to keep an eye on her daughter Pearl, who is quite taken with the teenage Richardson clan. The racial and financial dichotomy is blatantly obvious: a rich family who’s seemingly got it all vs. a seemingly poor black single mother, which adds to the ‘fires’ mentioned in the title.

The book really made me think about my own privilege and despite how well my folks treated Louise, and how much we loved her, and she us, there would always be that wall. Granted, it was a business arrangement and my folks paid her for her services, and in truth, anyone could’ve answered the housekeeping ad. The fact that she was African American and we were white created a racial divide that’s undeniable.

The third book I read is Certain Cure by Jennifer Valoppi, also excellent. It’s the first in a series (parts two and three aren’t out yet, darn it). The novel chronicles the life of three generations of the Cummings family; Claire, a woman in her 70s who has been diagnosed with terminal cancer, Helene, her television journalist daughter and Justin, the teenage grandson whose adoration of his “Grams” leads him to discover the dark secret behind the miracle technology that is not only curing Claire of her cancer but tempting his mother with eternal youth, as traditional medical industries wage war against the mysterious doctor from China who threatens them all.

I had no idea what to expect with this one, and I’m glad I read it. Valoppi is a former TV journalist from NYC so she knows her stuff. I’m not particularly religious (or scientific), yet I didn’t find either the science or religious stuff bogged me down.  Fascinating read. I highly recommend it.

Movies and Shows

Gosh, so many. With four of us in the house (and two teens), it’s worth it to me to pay for Hulu and Netflix, Amazon Prime Video comes with my Amazon Prime membership already, plus my internet plan comes with AT&T Direct, Showtime, HBO, and other premium channels. For the amount of entertainment, it’s worth the money.

I watch movies and shows on my iPad at night, once I’m finally off my computer. I don’t know about you, but I don’t like a super loud TV with stereo surround-sound barking at me after a long day of noise and stress. So I go upstairs to my cozy bed, surround myself with blankets and pillows and cats, and snuggle in for a few hours to watch a movie or a few episodes of something I enjoy.

Another note: not a big ‘reality TV’ watcher, mostly because, as a writer, I prefer well-written shows. I also don’t like the negativity and yelling normally associated with those shows. That said, I do watch Vanderpump Rules (on Bravo) with my daughter (age 20). We bond.

Shows

Here’s what I’ve binged these past few quarantine months, show-wise (no links because you can Google):

Ray Donovan – ggggggreat! Heard it was wonderful, yet truly had no idea how awesome. Liev Schrieber is captivating as Ray. Flawed, human, sad, and, in case you don’t know, a childhood sexual abuse survivor (church abuse). I had no idea going in this would be a theme of the show, yet it was handled with care and truth. The entire supporting cast is also amazing. Every season is great. Watch it all. I hated to see it end.

Homeland – the first four or so seasons were mesmerizing. Then, I got bored. This last season had me falling asleep and then WHAM! that ending. Worth it.

Hunters – Good, not fantastically great. The twist in the last episode will get you, though.

Upload – Loved it! Thought it would be silliness (and in some places, it was, but that’s okay – we need a little silliness right now). Had a ton of heart which I love.

Bosch – come on, it’s Titus Welliver. He’s fantastic. This last season didn’t draw me in as much as the entire rest of the series, though. You?

The Marvelous Mrs. Maisel – terrific, all of it. Every season, every episode, every character.

Tales From The Loop – amazing. Anything having to do with time-travel or the bending of time, I’m a total sucker for. This hurt my brain in a good way.

The Feed – weird but good and thought-provoking.

Dark – by far, my favorite show year. A German show dubbed in English (you get used to it – don’t let that scare you off), this time-bending, decade-moving hit show spans two seasons and every episode is worth watching. And the music – my god. Amazing. Here’s a Spotify playlist link.

Movies

Parasite – thought-provoking. Took a while to get into it and then boom! It just goes full-on insanity. Well-written, well-acted, and the message of the movie is just, wow. No spoilers in case you haven’t seen it, I highly recommend it.

Hustlers – loved it. Whatever issues people have with strip clubs and ‘dancers,’ get over it. These girls are amazingly talented, are in amazing shape, and work hard to make money for their families. What I loved the most about the movie is that it’s all about the women; the men are only there as a plot device. It’s a movie entirely shot through the ‘female gaze’ (though of course, men will enjoy the dance scenes which are sexy, yet not unclothed). How many movies can say that?

Memento – I think I’m probably one of the few people who had never seen this neo-noir psychological thriller starring Guy Pearce looking like Brad Pitt (who was originally considered for the role). It was great, I think? LOL. My brain still hurts.

Call Me By Your Name – Lovely, sad, gorgeous. (And I will not make a juvenile peach joke.) And the music! Oh, my.

Zombieland – I hate zombies, I hate horror movies. I hate gore and squishy sounds. This movie was cute. (Not ready for the sequel, yet.)

Music

As mentioned above, the music in Dark sent me off on a ‘who are these talented musicians?’ lark. I’ve discovered so many. Here is who I’m listening to right now (all free on Spotify) and links provided here:

Apparat (you’ll recognize the opening theme of Dark and stay for the rest).

Agnes Obel – wondrous. I’ve played her entire catalog repeatedly since discovering her music on Dark. She’s become a commercial favorite as well now. Familiar is the song used in the show that’s received the most play.

Alev Lanz – otherworldly. I’ve not heard anyone like her. Her songs on the Dark soundtrack and Black Mirror are what she’s most noted for (May The Angels, and Fall Into Me, respectively), however, I love all of her work. Her harmonies are like nothing else. One song is layered with her voice and African throat singers – it’s gorgeous (May The Angels). She’s active on Twitter and we’ve interacted a few times. She’s beautifully transparent about her love of music and it shows in all her work.

Patrick Watson – I heard this song, Good Morning Mr. Wolf, on the Ray Donovan soundtrack and immediately clicked my SoundHound app. Who is this talented being? This song, in particular, sounds so large and cinematic – I wondered – is he is a film composer? (yes). A band? (yes). And so much more. I cannot get enough of all of his music, and still, I play this one song on repeat – repeatedly.

London Grammar – I discovered this band a few years ago and still adore them. Strong is still my favorite song, though Rooting For You is a close second. Hannah Reid’s vocals are big and beautiful.

Hilary Woods – ethereal and lovely. Especially the song Kith.

Sufjan Stevens – many of us just discovered him from the movie Call Me By Your Name soundscore, however, he’s been a working musician since the early 2000s. Talented beyond.

I could go on and on, but I’ll stop here. I made a Female Rockers list on Spotify which you’re welcome to.

Thoughts on Quarantine

My Business

Living in California, I’ve barely left the house in two months, with the exception of going to the pharmacy for meds or for the occasional physician appointment for me or the kids, because of the quarantine restrictions in place. And I’m okay with that.

I’m fortunate that my business is primarily online-only: I work with authors and small businesses on their branding, marketing, and promotion, so given that all real-life events are off the table, I’ve been quite busy working with my clients to ensure their products and services are still viable.

This doesn’t mean I don’t need help as a small business. I applied for an SBA loan and couldn’t even get onto the website the first time – it was pretty ridiculous – like the end scene in Beetlejuice. You all know who those first small business loans went to, right? Not small-potatoes people like me. So the second time around, it went much smoother, and I’m grateful to have received a small loan which will definitely help me keep going with rent, insurance, and other expenses.

I still did my annual non-profit initiative for writers, NaNoProMo (National Novel Promotion Month) this year over on my business site, BadRedhead Media, yet only for two weeks instead of the entire month. Daily blog posts from experts on everything publishing-related plus amazing giveaways. It’s always exhausting, yet I find enormous gratification in helping writers.

This year, however, getting writers to comment to win amazing, FREE giveaways was like pushing a house up a hill. I get it – people are focused on putting food on the table instead of commenting on blog posts, even if the giveaways were worth $500. That’s why I wanted to do this initiative this year – to help writers who are in a jam – yet only a smattering of writers participated.

I’m seriously rethinking if I want to do it next year given the financial cost as well as the personal toll. My first therapist, who I started seeing after I gave birth to my daughter Anya (I was terrified to leave her to go back to work, given my history with childhood sexual abuse), gave me this tip whenever I had trouble deciding whether to do something:

“If you ever aren’t sure if you should do something, ask yourself this question: Is this good for Rachel? If the answer is yes, do it. If the answer is no, don’t. It really is that simple.”

Self-care, y’all.

Social Media

I’ve stopped interacting with the crazies on social media (and who knows, maybe you’re one of them so truly, no offense), but I’d rather stay safe and keep my family safe by working exclusively at home – which I mostly do anyway – than venture back into face-to-face meetings with clients. I support four people with my business and if something happens to me, four people are doomed.

So the answer is simple to me: stay home, work from home, and don’t risk dying from this virus.

I don’t buy into any of this ridiculous conspiracy crap. Sorry, not sorry. You can if you want to. Spending time arguing with people online about it takes away time from my business, my kids, my guy, and my own sanity. Speaking of which…

Mental Health

There were a few mix-ups with my meds when this all started, and I couldn’t get my prescriptions filled and delivered before I ran out, so I ended up having about a week of insomnia which I’ve never had to deal with. I was a zombie (the non-squishy kind) and it sucked.

If you have insomnia, I’m sorry. I feel for you.

It’s all straightened out now, thank goodness. My son Lukas and I donned our masks and drove to the local CVS the other day because I couldn’t wait two days for my meds to be delivered. It felt like walking into a dystopian future walking in there: everyone in masks, tape six feet apart for the waiting line, plexiglass between us and the cashiers.

I’m thankful for these measures, of course, and wonder how long we’ll need them, or if this is our new normal?

My Writing

I finished the final edits on Broken People and sent it back to my editor. She’s had some health issues, so the delay is understandable. To be honest, I’m not in a huge hurry to launch a new book right now. Here are the questions that run through my mind:

Do people have money to purchase a new book?

If they do, will they want to read my new book?

If they do want to read my new book, will they take the money they do have to read mine, and then review it?

Does it even matter in the grand scheme of life? 

I’m an author just like any author – I want to get my work out there so people can read it, engage with it, connect with me. I hope they’ll like it, feel something, reflect on their own lives, learn something new, particularly about being a childhood sexual abuse survivor. It’s a weird limbo to be in right now.

Our New Normal

This phrase is bandied about quite a lot yet let’s face it: it’s life as we know it, now. The anxiety is real, too. I haven’t hugged or kissed my elderly parents who live two miles away in two months. I bring them toilet paper and cookies from our favorite bakery (drive up and trunk drop off, pay online only) and drop it on their porch.

All these scenarios run through my mind: If I go to do this, what happens if? I know I’m not the only one. And yet, we can’t predict anything. So I sit here, writing this post, safe inside my little house bubble, grateful I can pay my rent, put food on the table (delivered by Instacart, thankfully), and everyone around me is healthy.

What’s your new normal? What have you been reading, watching, and listening to? If you’ve stuck it out this far, I thank you. Would love to hear your comments! Safe hugs, y’all. 

***

Read more about Rachel’s experiences in the award-winning book, Broken Pieces.

She goes into more detail about living with PTSD and realizing the effects of how being a survivor affected her life in

Broken Places, available in print everywhere!

                The post This is How To Spend Quarantine With Me appeared first on Rachel Thompson.

via Rachel Thompson

[ryanmeft]

Movie Review: Godzilla: King of the Monsters

Godzilla: King of the Monsters is an improvement over 2014’s Godzilla, which certainly qualifies as faint praise. It’s a largely emotion-and-character free movie with the most boring script a film can possibly manage, occasionally bolstered by some hot monster-on-monster action. The monster stuff, in fact, is damned good, and not just when the claws are drawn: less hectic visuals abound that, while not subtle, are very effective. Yet when a movie has a character played by Sally Hawkins and you don’t care when she gets smooshed, it’s hard to escape the feeling of squandered potential.

The plot picks up from where the first movie left off, and frankly if you remember where that was you liked the original more than I did. There’s a tiny flashback at the beginning, where Drs. Mark Russell (Kyle Chandler) and Emma Russell (Vera Farmiga) lose their son as an incidental casualty of Godzilla’s previous appearance. The two of them react differently to this. Emma becomes fascinated by the Titans, as people call Godzilla and his kin, going so far as to incubate an original model in a lab: Mothra, the giant, well, moth, whose introduction I admit made me fanboy a little. Mark has turned his attention to more common beasts,m studying wolves in nature preserves, and believes the Titans should be eliminated for the good of everyone. Emma’s lab is invaded by a fanatical eco-terrorist (Charles Dance) who has his own views about the Titans and their relationship to the planet. Mark, who for some crazy reason disagreed with raising their daughter Madison (Millie Bobby Brown) around ravening monsters, is called in to help save them. The cast contains a pretty respectable host of wasted actors, including Hawkins, David Strathairn and Zhang Ziyi, as well as another embarrassingly pointless turn for Ken Watanabe as Dr. Ishiro Serazawa, the one returning character.

There’s also Bradley Whitford and Thomas Middleditch as employees of Monarch, the company that creates and/or finds monsters, but I need to emphasize that this movie has characters only in the loosest sense of the word. The people in this movie exist to rattle off exposition, run away, speak such electrifying lines as “You are meddling with forces beyond your comprehension!” and occasionally, but not nearly often enough for my taste, get squished, burned, zapped or eaten. To call the story hacky is an insult to hacks. The script, by director Michael Dougherty and Zach Shields from a story by regular monster-verse writer Max Borenstein, never once offers a single creative or interesting line or plot development, and if I hadn’t made notes I’d have forgotten every bit of it, not even when I left the theatre, but as soon as it had happened. Looking at those notes, I’m reminded of when Watanabe looks grimly around at a room and grimly says, in grim words using a grim voice “We must find ways to coexist with the Titans.” There’s the response to an angry roar from Godzilla: “He’s definitely not happy about something.” There’s the fact that two characters actually say to each other “Good luck” followed by “We’ll need it,” in such a way as to suggest this is actually a very clever line.

 Plot developments proceed with no logic. Farmiga’s Emma, who I must note is played by one of the finest actresses we possess, is eventually revealed to have decided the best thing for earth is that the Titans lay waste to it, in hopes they will then also restore it, Ragnarok-like and free of corrosive human influence. This twist somehow manages to be both predictable and be given no set-up in the plot whatsoever; you can see it coming because of some of her previous actions, but it does not gel with anything established about her. Millie Bobby Brown, so essential in Stranger Things, gets her first film role here, and she does what she can, succeeding more than most of the adults perhaps because she’s not tasked with supporting as much of the cumbersome plot and dialogue. By far the big losers are Watanabe and Ziyi. Let me break this down for you: in a movie that serves as a reboot of an essential Japanese franchise, there are two Asian characters, they are played by two excellent Asian actors, and they are reduced to cryptically spooling out exposition instead of having actual personalities, and then one of them is made to drop a joke about fortune cookies. In a blockbuster landscape where everything is vetted, re-vetted and re-vetted again before it gets to screen, this somehow managed to make it through.

At least the artists are having fun. This is the area that makes this movie slightly more fun to watch than the original. Visual effects supervisor Guillaume Rocheron, who also handled the excellent work in films such as Life of Pi and Man of Steel, gets to cut loose after a visually sterile first film, giving us multiple giant monster fights that are at minimum effective and occasionally thrilling. The original film went with the less-is-more approach to Godzilla, and while I usually champion that, it didn’t work because the human characters that were the focus were so hollow. Perhaps this movie knows how bad its characters are, because it amps up the beasties to match. The main antagonist is Ghidorah, the classic three-headed dragon of the old Godzilla films; it is a vision from the book of Revelations, a connection made apparent when it roosts on a flaming mountain over a burned city with a charred cross in the foreground just in case anyone missed the hint. It has a battle with Godzilla that is reasonably entertaining and clear, or at least more so then when towering hunks of metal whop the crud out of each others in Transformers movies. The real visual artistry comes outside the battles, though. There’s a majestic shot of Ghidorah frozen in a block of ice, an apocalyptic view of Ghidorah lifting Godzilla into a fiery sky, and my personal favorite, a R’lyeh-like underwater city that seems to have served as a place of veneration for the Titans in vaguely hinted long-ago ages. I freely admit I love this stuff; any hint of ancient ruins with with murky histories and I’m there. This location makes me sad that Guillermo Del Toro’s planned At the Mountains of Madness adaptation is probably DOA.

Spectacular visual artistry, however, can only carry a terrible plot and anemic characters so far. There are three movies in this shared monster universe to date, and the only one with the slightest ounce of narrative heart has been 2017’s Kong: Skull Island, which had the good sense to know something of how silly it was. The original Godzilla movies are ridiculously campy, the kind of thing one enjoys specifically because they don’t take themselves too seriously. This latest in a long line of reboots is simply too earnest to have any fun with itself, and in the process, it largely prevents us from having fun with it, too.

Verdict: Average

Note: I don’t use stars, but here are my possible verdicts.

Must-See

Highly Recommended

Recommended

Average

Not Recommended

Avoid like the Plague

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[wikshots-blog]

     ( lisa teige, 22, female ) by chance have you met NOVA WIKSTRÖM yet? i hear SHE has lived in PIONEER SQUARE for THREE WEEKS and works as a SPORTS & FREELANCE PHOTOGRAPHER. i’m surprised you haven’t met them yet but for when you do, i hear they can be quite SCATTERBRAINED but also OBSERVANT. for whatever reason they remind me of CEASELESS MOVEMENT OF HAIR & FEET & HANDS, SILVER RINGS ON DELICATE FINGERS, DOING ANYTHING TO GET THE PERFECT SHOT. ( lias, 20, they/them, est )

THE STORY

--- nova and her older brother aksel ( 24 ) are both swedish ( technically a mix but a too complicated mix of norwegian and swedish to really pick out the percentages -- not that it really matters ). she was born in trondheim, NOR and her brother in örnsköldsvik, SWE, but they were both raised in the north america : minnesota in their earliest years, then london ON, and washington dc as their father jumped from coaching gig to coaching gig for various different teams. they spent and still spend their summers/long breaks in a lakehouse in sweden just outside of örnsköldsvik ( that was always nova’s favorite time of year ).

--- the money in their family comes from the men playing hockey. their father rasmus wikström had a lengthy 15 year career in the nhl as a third/fourth line winger ; not one of the superstars, no, but respectable as a player, wore an A more often than not, and made a few million every season in the process, as you do. but the true superstar in the family is aksel, drafted 9th overall in the 2013 draft by the canucks, who then had an unpredicated breakout season in the first half of the season in the ahl, got called up to the nhl and never went back. teams are still kicking themselves for passing him up. he’s three years into a six year, seven million dollar contract — and he’s proving that he should have asked for even more.

— nova was nothing like her brother. her brother was one-track, laser focused on one dream his entire life… meanwhile nova had no clue what she’s doing. she’s good at plenty of things ( drawing, writing, lacrosse, math, yes– even hockey ) but she never pursued any of them hard enough to become EXCELLENT at any of them. jack of all trades, master of none, right?? she’s never been able to focus on one thing in her entire life, probably because she gets bored easily.

— this in particular led to her outcast in her own family. their mom especially started pushing nova to find “her passion” freshman year of high school, because she believed that everyone should have a life plan. but nova had no interest in trying to figure it out and it only led to more arguments and tension in the household, which turned to long silences with curt comments undermining nova’s character. her father was mostly absent, too busy coaching or something else, too busy to really care about his non-hockey playing child. aksel was the only one in the family she really got along with because he never pushed her, put up with her sometimes meaningless rambles, and seemed to be the only one who understood her and with her brother now gone to the other side of the country, nova felt like she had no one to talk or turn to.

--- nova graduated high school quietly and still had no idea what she wanted to do with her life ( save for get out of her parents’ house ) ; no college plan, no nothing. luckily, aksel provided an easy out for her : allowing her to stay with him at his apartment in vancouver. it was in that first year after graduating that she bought her first camera.

--- she had taken a couple photography classes in high school and had enjoyed it well enough, but had never felt the need to pursue it. however now, with her camera in hand and aksel cheekily telling her to get some good shots of him on the ice, nova accidentally fell in deep love with the art. she excelled at it --- sports photography, hockey in particular since she knew the sport so well. so much of it is predicting and HOPING for the perfect shot.

--- nova had no want for connections, the path for her to get a media passes and access for behind the scenes business was easily afforded to her given her relation to her brother. and the season after that, she found herself part of the canucks photography team and only getting better. in the off-seasons, she honed her talent on other things --- freelance work and other things, though nothing thrilled her as much as sports photography and the unpredictability of it all. it kept her on her toes like nothing else and for that she enjoyed it.

--- she was quite content with her position ; she and aksel continued to share an apartment --- her practically rent free, since aksel needed rather little help to pay for it ( though of course, it left her vulnerable to dumb favors he asked of her, that she did begrudgingly with a roll of her eyes ). summers were spent back home in sweden by the lake -- the whole family together somewhat peacefully, their differences seemingly less severe with so much time spent apart...

--- until this summer. she hadn’t been planning on taking a position with the seahawks ; but the opportunity arose and when she made the final cut, she accepted. it was better maybe than her typical freelance summer work, and she was starting to desire a bit of CHANGE. she put a security deposit down on an apartment not far from the stadium and drove down in the car aksel at bought her for her 21st birthday. she doesn’t know where this will take her ( and it’ll be a little odd living alone again ) but she’s ready to see where it does.

MISC

— nova and her brother are fluent in swedish and conversational in norwegian. she has a slight accent when she returns in the fall from sweden ( mostly from speaking swedish all summer ), but it fades out pretty quickly.

— she drives an orange subaru crosstrek like the sporty legend she is ( jk not a legend, but she does drive a crosstrek ). the car was a birthday present from aksel last summer. she’ll drive up to vancouver occasionally still to check on aksel’s apartment and bc she misses the city a little.

--- nova runs a blog where she’s been documenting her time living with aksel ( with his permission ). it’s typically more candid photos with funny memoir-type short pieces she writes when inspired. she’s not sure what will come of the blog now.

--- her freelance ‘company’ is called WIKshots.

--- she almost always carries around a small unlined notebook with her that she writes or draws in. she’s forgetful even at the best of times and find if she thinks of something genius, she better jot it down quickly.

--- she’s almost always moving : tapping feet, jittery fingers, shifty eyes --- the only time she’s truly still is when she’s taking photos, but even that’s it’s only for the briefest moment. nova will also do anything to get the perfect shot, no matter how crazy she might look ( climbing onto things, laying on the ground in a busy street, truly anything ).

--- she almost always wearing four ( technically five ) rings, all silver : ��                     left middle: 2 delicate blue topaz w/ a thin band                       left thumb: braided spinner ring                       right index: thin chevron                       right ring: TBA but her brother gave it to her on her 18th bday

WANTED CONNECTIONS

--- i’m not sure how it turns out, but their first impression of nova is her doing something ridiculous to get That Shot.

--- gimme all the people in pioneer square that she keeps running into

--- someone who kinda grounds her : she’s so flighty and hard to keep track of sometimes -- with her brother out of the picture in seattle, it’s only going to be worse. give me someone who understands that but also works to keep her grounded when times. someone to be that rock...

--- long shot, but i’d love for her to interact with ppl who know who her brother is ( like... the aksel wikström, one of the young stars of the vancouver canucks ).

--- i love slow burn romo plots but i also have to gauge chem between our muses first

--- anything at all !!

[praphit]

The X-People: DP Degrees of BS

Frickin Phoenix!

(What does that even mean? “Every hero has a DARK side?” She kills people! Are all of our heroes murderers? - but I’ll get to that later.)

I'm mad! That's right, people! I'm mad at MYSELF! Why? Well, I could have taken the kids to go see "The Secret Life of Pets 2", so we could laugh our asses off (Idk what kids I'm talkin about - just randomly picking kids up off the streets and taking them to see movies... prob best I didn't do that). 

I could have seen something cultured like "Late Night" or "THE LAST BLACK MAN IN SAN FRANSISCO"; which I admit is a stupid title, but it seems like it's a good movie. But, no, people! My comic book geekiness would not allow it!

Instead I went to see this bullshit right here - “X-Men: Dark Phoenix”. 

Don't look at me that way, Sansa! You know dag gon well this movie is some ol' bullshit!

You know! The rest of your acting squad knows, the director knows, the writers know - I knew from the first trailer! I knew from the first time they announced that they were taking another crack at a cinematic Phoenix story. Why?? Cuz we've done this before! Yep! 

There it is! - and it was terrible! 

What’s going on with that poster? Apparently, they didn’t have any confidence in that movie either. Why is Wolverine running at me like Sonic the Hedgehog?

I tried to find a better poster, but...

Here they look like they’re posing in some 80′s rock video. TAKE THAT STAND:)

I was mad back then with the first trailer, because I knew that this moment would come. And I actually really liked the first two movies of these particular X-Men. It was Apocalypse that ruined everything. 

People thought that movie was so bad, that it erased all the good that this franchised has done (even going back to the older X-Men):

The ground-breaking 1st movie (tho it prob doesn't hold up),

(Creepy old Magneto is coming for dat ass!)

Wolverine 

(it's hard to imagine anyone playing him better than Hugh Jackman. And he should have won an award for how cut he got... and he was so modest. If I ever  end up looking like that, WHEW! - ladies look out:),  

I loved Patrick Stewart as Prof. X, James McAvoy and Michael Fassbender's intense hot & frigid bromance (though we never got our make-out seen:), Quicksilver (man, I wish we could get more of him), "Logan" (excellent comic book movie), and I'm not sure if we'd have Deadpool without them ruining that first Wolverine movie. Not to mention that they marketed the hell out of this movie franchise and made so much money! But, then this guy showed up and effed it all to hell!

("Everything they built will FALL... ")

- you ain't lyin, jack!

And while that movie was terrible, it wasn't as bad as everyone said. Bullshit sure, but... there are different degrees of bullshit. Apocalypse was forgettable BS, sometimes there's BS that makes us laugh, or think, or cry - what type of bullshit will Dark Phoenix be? -  Let's take a look:

This movie kicks off with the X-Men in space. Yep! SPACE! Since when are the X-Men astronauts? Which movie did they get training for any of that? How did they build an X-Jet for space travel? Did they learn it on YouTube? And even if that were the case, how's the government allowing this? If a group of talented minorities built a functional space craft, do you think President Trump would allow them to come and go as they please? Shiiiiiii In the movie they don't even test it first. Xavier just says that they'll be fine, and sends the kids off.

I think that there needs to be an investigation. Prof. X is trying to kill these kids. He keeps sending them on missions that they shouldn't come back from:

X-Men: "But, professor, we don't know how to disarm a bomb!"

Xavier: "You'll be fine."

X-Men: "But, professor, the X Jet isn't built for deep sea exploration, we don't even know where we're going!"

Xavier: "Y'all will figure it out."

Then, as they come back, he's counting to see if they all made it - "Ten kids left, and coming back, I count... ten DAMMIT! But, wait, one is injured... doesn't look like he'll pull through. YES! (as he drinks some bourbon - which he does at an alarming rate in this movie... prob to block out all the kids he has killed).

While we're on the topic of him - did the movie "Split" ruin James McAvoy's take on Prof X for anybody else? This is all I kept seeing when he was on camera.

But, as you know, cuz they did this exact plot in "X-Men: Last Stand" Jean Grey gets possessed by some space entity while they're up there, and becomes Phoenix.

Jean (played by Sophie Turner, who actually does a good job) is found to have done something horrible. Xavier (and this is no spoiler, cuz again X-Men: Last Stand") blocks out the bad stuff she has done to try to protect her, this eventually wears off, and now we get DARK 

...wait, sorry.

Now we get DARK PHOENIX! 

There we go!

(”Where’s my money?!”)

Now, Jessica Chastain is in this as well seen here, experimenting with bleach,

 who's leading a group of aliens to manipulate Jean (I'll get to them later). But, if JC is in the house, you can be sure that a women's rights message will be in there somewhere (#drinkinggame) And BOOM, there it was - "Don't let some MAN in a chair tell you what you are? - what you can and can not be! Don't let him controoool you!" 

I'm all for girl power, buuuuuut she HAS been on a bit of a carnage streak, and she has been killing people, annnnnnd isn't Jessica Chastain also trying to control her? But, imma let all that go... what do I know?? :)

I gotta be honest, I was digging the first half of this movie. They were capturing everything I love about the X-Men: social issues, political issues, teen struggles. They have lots of real drama going on amongst themselves. There are times when you'll cheer the X-Men on and times when you'll agree with some of the humans that THEY GOTZ TO GO! I love the flaws of the X-Men; it makes them relatable. I even love the struggle with having so much power, and yet having to try to walk a line of morality - which they suck at btw.

The professor sucks at it the most, which made me kinda sad, actually. BUT, to be fair, he has the power to control people's minds... would any of us with that power be able to consistently resist certain temptations?? Def not giving him a pass though. He does a lot of messed up stuff (some things they draw attention to, and others that they don't). Some things that made me cringe, even though MOST of what he was doing was out of love. I can't depend on none of my fave leaders anymore - not even the fictional ones.

We were getting into some deep stuff! BUT, then it was as if some big shot walked on the set and reminded them that they have a "Blow shit up" quota to meet, and that the plot points were slowing them down. Soooooooo, they burn the script and start blowing things up. Some people might say "Praphit, this is a comic book movie, how much script can you expect?" If this were 20 years ago, I'd agree.

Plus, it's more the fact that nothing makes any sense at this point.

Magneto (who's always the voice of reality in these movies, in my opinion) wants to kill Jean (for very good reasons), but he knows that he can't take Phoenix by himself, so why is he trying? He's a smart dude; why not come up with a better plan? Prof X wants to talk to Jean, to reason with her... the problem with that is that they just tried that a few days ago, and that couldn't have gone any more terribly than it did. The aliens in this movie (which lack all personality btw), who's objective is to control Jean, also know that they can't really do that or take her out (which was plan B), so... what the hell are we doing? The aliens are supposed to be the smart ones!

Prof X should have just controlled everyone's minds, and played a big game of immoral chess to take Jean out - that would have been a cool movie. But, this (though the effects are VERY COOL:) simply became a shoot-out! Not to mention, that right before all of this awesome, but confusing damage takes place, they have a big speech about restraint and not doing harm. Literally, a minute later, the X-Men are blowing buses up!

But, all of that is not even what makes this movie bullshit (grade: D+ btw). What makes this movie bullshit is the fact that it's the last one before Disney takes over.

You'd think that they would have given it their best, so that they can go out making us miss them! But, it felt like half way through the movie the team was told that this is all over, and that Mickey Mouse is coming to collect, but instead of going out with their best, they said to themselves "bleep it" and mailed-it-in.

The way that the final battle scene ends doesn't make any sense. It's one of those scenarios where "If you could do that... why didn't you do that earlier and save more destruction?" and a lil bit of "Well, if you had THAT much power, then none of these other altercations should have even been close."

The way it ends after that too! Man! It's like they just fast forwarded through the parts they didn't feel like acting out. This is the last one, people! Just lazy!

Yeah you!

I've got a spoiler, sooooo if you don't want it, skip through the text after Patrick Stewart - and start reading again when you see his handsome face again:)

(this is back when I learned to love this man)

So, Jean is... gone (possibly dead), and the X-Men name the school after her "Institute of Jean Grey" or something like that. Also, Prof X steps down (maybe due to guilt of his misatkes with Jean, who knows for sure, cuz they didn't act it out), and leaves Beast in charge in with the other teen X-Men to instruct the 'young kids at the school. "Other TEEN X-Men" Did they just make these kids professors? And what qualifies Beast (at this stage in his life) to run the school? Plus, Jean Grey was kind of a murderer wasn't she (and this wasn't a secret from the rest of the world)? Come on,kids, let me sign you up for "Ted Bundy's School for gifted youngsters" Would you be onboard for that? Hell no!

(Here’s PS fresh off a bender. “I promise, Timmy, I’ll try to think about never touching the sauce again, but this hair says that I will.”)

So... I'd say, entertaining bullshit. The effects (especially) at the end are great! But, the rest... and to go out like this... ugh.

There's a cool quote in here from Mystique (played by J.Law) who clearly didn't want to be there. It was a quote about how the women in the X-Men seem to be sticking their necks out and saving the day way more than the men, and that  maybe Xavier should change their name to “The X-Women”. I thought that was not only funny, but a damned good point. I say do it!

I'd love it if you had a a big strong manly man of the team go ahead of the action and stand up to the enemy, and when asked "Who are you?" he replies

"We're the X-Women."

[so-shiny-so-chrome]

Witness: B_Kilroy

 ThCreator name (AO3): B_Kilroy

Creator name (Tumblr): brian-kilroy

Link to creator works: https://archiveofourown.org/users/B_Kilroy/pseuds/B_Kilroy/works?fandom_id=51060

Q: Why the Mad Max Fandom?

A: I was just instantly drawn to it after seeing Mad Max: Fury Road for the first time.  The movie was incredible, from the imagery to the people, from the story we see to the story we have to piece together ourselves.  I was no stranger to fanfiction since I had written and read it in the past, so when I thought "I need to get more of this," I knew where to go.  Being more internet savvy than I was several years ago meant that I was able to find more places and people who engaged in the fandom, which in turn allowed me to become more engaged, and do more for this fandom than the ones I had been a part of before.

Q: What do you think are some defining aspects of your work? Do you have a style? Recurrent themes?Which of your works was the most fun to create? The most difficult? Which is your most popular? Most successful? Your favourite overall?

A: I think even though I didn't write much for it, "Through The Looking Glass" was the most fun to create, because the goal was to take the entirety of Mad Max and reframe it with Furiosa and Max being able to contact each other through their dreams.  It's fun to take that and view events through a different lens, or use one character to advise the other and shove the story in different directions.  After a while, these changes would have stacked up, but it would have amounted to a serious overhaul of character and plot through four movies.  

The most difficult fic was "Ear to the Ground," namely because it was a gift so I couldn't bounce the idea back off of its source to talk about it.  At a certain point I pretty much stalled, and that combined with the time constraints of the exchange were some serious stressors.  I've stalled many times in many fics, but this was the most difficult one to conquer.   

 My most popular, successful, and favorite fic to work on is by and large "Runaway."  I can't truly speak for why, but I believe its relative longevity and the AU concept of Fury Road essentially never happening was what earned some attention.

Q: How do you like your wasteland? Gritty? Hopeful? Campy? Soft? Why?

A: I like a good mix of gritty and hopeful, though it does depend on what sort of fic I'm writing.  I think we've all seen enough to know that you can't have good without the bad, but we also know that sometimes it's very possible to basically go about your business as long as you're smart about it.  Sometimes, the characters don't have that option.  I enjoy having a diverse world so characters can have a multitude of experiences.

Q: Walk us through your creative process from idea to finished product. What's your prefered environment for creating? How do you get through rough patches?

A: My creative process really varies.  Often, I just start writing.  Only after I have some stuff written down do the gears really start turning about the future.  As I work, sometimes I'll put down specific lines I want to use, or scenes I want to see, or a general rough outline.  The best thing I've done in this regard is have an outline set for "Runaway" and use the first posting of "Royce" as a first draft.  The best way to create is to have something set out in front of you, so you know where Point B is, and it's just a matter of getting there. 

 When I wrote in college, it was pretty much wherever I could snag a seat.  A handful of my old fics started in the very back of a State Government lecture hall.  As time went on, I wrote in the student center or in a dorm lobby or just somewhere I could sit down that felt vaguely productive.  At home, it's in my dark room with some music on. 

 Rough patches often signal a break in writing.  I'll typically go to another fic to work on, but recently having trouble means walking away completely.  For me, the only way to get through rough patches means sitting down and writing.  It can be a word, a sentence, or a paragraph, and any amount is fine.  All that matters is that I get the gears going, because there's no progress if I don't think about it.

Q: What (if any) music do you listen to for help getting those creative juices flowing?

A: I'll listen to a general playlist I've wrangled together if I'm writing for Maxiosa, and that can sort of get me in the mood - namely, some DJ Shadow or some Radiohead, though a lot of artists are one-offs.  For other fics, or moments where I need a specific tone, I can turn to more energetic music and scratch that itch.

Q: What is your biggest challenge as a creator?

A: Inspiration and drive is my biggest challenge.  Nowadays, I don't really have inspiration unless it just somehow *comes* to me - which will often be around 1 AM which leaves a lot to be desired.  A lot of writing also came out of emotional distress, which thankfully I don't really experience anymore, but that means finding some other sort of fuel to write from.

Q: How have you grown as a creator through your participation in the Mad Max Fandom? How has your work changed? Have you learned anything about yourself?

A: I've definitely grown in terms of how I write.  I sort of cringe at how I first wrote a lot of my stuff, which resulted in some works being removed or re-worked.  My writing has done a lot better in terms of - well, I don't cringe at it as much.  I'm more confident in what I write and how.  It's a more mature style that I can reflect on as an era of writing separate from what I wrote when I was younger.  In short, it's better.  

Have I learned anything about myself?  Can't quite say.

Q: Which character do you relate to the most, and how does that affect your approach to that character? Is someone else your favourite to portray? How has your understanding of these characters grown through portraying them?

A: I'd say I relate to Max the most.  I understand being alone and avoiding people.  That's oversimplifying it, but I sympathize with him the most.  This allows me to write him if not accurately, then it helps me write him well.  Writing characters in general, while I'm not writing canon material, allows me to think of them as more than what they've done on the screen.  It allows me to think of them as complex characters.  I fill out the blanks left on the screen and it helps make them whole.

Q: Do you ever self-insert, even accidentally?

A: Definitely.  "Royce" is by-and-large a self-insert, and I think it pretty much says so on the can.  It became a great way to explore what I would do in such a world, but I feel like doing self-inserts in the right way can be an excellent method to explore parts of the story that we don't usually see.  

Q: How does your work for the fandom change how you look at the source material?

A: It allows me to form a more complete image of the before, during, and after.  It may not be canonical, but I can appreciate the movie as more than just a slice of the world.  I think about everything happening behind the scenes - what's happening at the Citadel, in the War Party, in the wreckage following the battle of the Fury Road.  Instead of asking questions about what happened and what will happen, I form answers.

Q: Do you prefer to create in one defined chronology or do your works stand alone? Why or why not?

A: I enjoy the concept of trying to fit all my fics into one world, because 1) it breeds continuity, 2) it breeds opportunities for the future, and 3) it's just fun.  Not only do you have the source material, but using what you create helps you get more familiar and comfortable with the characters.  Writing for standalone fics means you have to resort to a different mindset for these characters, though some may enjoy that, so more power to them.

Q: To break or not to break canon? Why?

A: Both is fun.  I have canon-compliant and canon-divergent fics and they both have their benefits and drawbacks in terms of familiarity and "give" in terms of what you want to do.  

Q: If you work with OCs walk us through your process for creating them. Who are some of your favourites?

A: If they are proper OCs with no real inspiration, I start with basically envisioning them in my mind.  What are their names and what do they look like?  What is their purpose?  What is their past, and do you want that to factor into what they do in the present and future?  It doesn't have to be a whole lot if they're minor characters, but the more you do means you have more to play with.  You can add complexity to a character or just use them as a means to an end.  

My favorite OC has to be Royce just because of how I know Royce ends up, and how he's used as a storytelling tool.

Q: Who are some works by other creators inside and outside of the fandom that have influenced your work?

A: Owlship has had a direct influence on my work - I've snagged quite a few prompts from her and I've been inspired at least directly by "the centre cannot hold;".  While I can't say I really look up to anyone else as an influence, I definitely give props to Weirdness_Unlimited for taking off running with "To Love Reptiles" and their OC work, and giving me inspiration to keep going with mine.  I quite literally went through every single fic that looked good to me when I first found MMFR so I can't really point anything out that has influenced me except for the creativity of the community as a whole.

Q: Tell us about a current WIP or planned project.

A: Runaway is the big WIP I'm staring down right now.  I've been bogged down in terms of having a hard time writing thought and reflection instead of action.  I've probably said it a hundred times, but I do have an outline set up for the fic which would go pretty far if written for completely.  Anyone reading it can expect something interesting in the next few chapters.   I do have another WIP or two in my pocket that I'll abstain from talking about, but they'll be little one shots.  One's a bit of pre-canon, another's post-canon which is the one I'm favoring.  There's still gears turning, no matter how small, and I hope to get stuff going again soon.

@b-kilroy thank you for your time. 

[chrome-blade]

Sofia The First: Season Five Ideas

This post is a little later than I would have liked, but this is just a rundown of ideas and scenarios I would have loved to see played out had there been a fifth season of Sofia The First.

There was just... SO MUCH POTENTIAL that wasn’t taken advantage of! So many storylines that could have been explored further. So many characters that we could’ve dug deeper into, given more screen time and gotten to know better.

So, I’m going to share my ideas. Anyone who wants to add on, please do so. I really want to write more on some of these characters and I have a few OC’s and headcannons (some of which will be mentioned here).

Here we go with the list.

The Order of the Wand

I think we can ALL AGREE that the Order of the Wand was TRAGICALLY underused. I mean, Grimtrix gets all these sorcerers together to overthrow their respective kingdoms and basically become High King over them all and it’s JUST. One. EPISODE.

I mean, COME ON!

THIS, more than anything, had the potential to become SO MUCH BIGGER than just ‘Day of the Sorcerers’. The whole season could have had them as an underlying threat in contrast - or even in conjunction- with Prisma and her hunt for the Wicked Nine. Grimtrix would have made an excellent competition for Prisma; possibly even tried to persuade them to join up and help each other.

For Season Five, I could easily see Grimtrix either getting out of prison himself or being broken out of prison and promise revenge on Cedric -whom he’s FURIOUS to learn is a great hero now- and Princess Sofia.

This would tie into my other plot idea...

The Wicked Nine

Of ALL THE PLOT POINTS and potential for something bigger, THIS is the one that really screams ‘WASTED!’ To me. I mean, you have ALL THESE MAGICAL OBJECTS, all belonging to the MOST VILE, depraved and sinister villains to exist... and DON’T USE THEM? Sure, we saw Grimhilda’s Crown, but that was once and what about the rest of them? What about her heart box? (That is some SCARY ASS potential there with that. I’m thinking that she doesn’t physically take your heart, but takes your soul and traps it inside and she can take possession of your body. Talk about nightmare fuel.)

My idea? Season Five sees every one of these villains resurrected as a result of Vor. (Don’t ask me how). They’re confused AF, but they don’t care. They’re alive, kicking and want to raise as much trouble as possible. They get out of the Mystic Isles while all the confusion with Vor is going on and the Protectors don’t notice until later. Needless to say, the three Good Faries are FURIOUS and scared of all the trouble they KNOW Maleficent will bring. So now there’s THIS worry on top of the Order of the Wand. Who team up with the Wicked Nine. Nice.

I’m just trying to picture all the banter and potential for conflict, rivalries and the like between these villains. The potential is just too insane and even hilarious. Example, Dr. Facilier gets along well with Gothel and eventually Greylock. Lady Tremain considers them so BASE and associates with them as little as possible, preferring the company of Queen Grimhilda and possibly Jafar, who understand how ‘the rabble’ can be. Shan Yu gets along well with Mor’du, which is no surprise given their love of bloodshed. Only Shan Yu is calculating and planned. Mor’du’s is naturally random and without warning. Shan Yu is the only one who can keep him in line and assures that he gets fresh kill.

Grimtrix is reluctant at first, but decides to join up as long as he can get back at Cedric, the sorcerer who turned on him for the friendship of a princess.

Prisma

This is a character that, despite being crucial to the storyline of season four, was woefully under explored as a character. She was someone I actually felt truly sorry for in regards to her motivations, even though her actions were wrong. As we saw with Cedric, being in the shadow of someone like a parent is no easy thing. In the shadow of a sibling? That had to have been a nightmare. I can’t help but feel we really missed out on exploring the culture of the Mystic Isles when it comes to things like being what and who you are. Watching ‘Undercover Faries’ gives me an idea of what it must have been like for Prisma. Only MUCH worse.

My problem lies with how her resolution was handled; I was SO GLAD to see her express remorse and accept responsibility for her actions. I honestly saw it coming. But my problem is, there was very little exploration into her background to give that apology more weight and meaning. If you’re going to make a character remorseful at the end, you need to give them a little more substance to them to make that apology feel more ‘real’. I wanted to look more into who Prisma was and who she is. What happened that made her snap and try to cover the Mystic Isles with crystals? What made her crystals ‘subpar’ in the first place? Were they or did they have properties that no one thought to explore that haven’t been seen in crystals either before or in a very long time?

In season five, I would love for Prisma to get a shot at redemption. (Remorse is not redemption . It just opens up the potential for redemption). How she would obtain it would be hard but I have a few ideas there. Also explore her family background and how Crystallar culture functions.

Her relationship with Azurine would be explored in depth more. Were they always like this or were they, like Cedric and Cordelia, closer as children? At least before people started going to Azurine for crystals and pass Prisma over? I think Prisma would want to apologize to her sister, but it would be hard for her and Azurine? I think she’d want to but they would have a LOT to talk about.

Prisma’s primary motivation for gaining power for herself was to gain love for herself. Her sister, it appears, got all the love and appreciation growing up in part due to her prowess as a Crystal Master. She saw her sister being loved like that and wanted to be loved, too. But because she was dismissed with her crystals deemed as inferior in comparison, she saw her sister as competition. I have to really question where their parents were. Which brings me to...

Prisma’s parents: my headcannon is her mother was a narcissist. She treated her children like gold until their Crystal powers became clear. With Azurine, her affection intensified. With Prisma, she became distant and made a point of showing her where she stood in not just Crystal Master society, but in her eyes. She’s a combination of Gothel and Tremain but even worse, in some respects. She dressed Azurine in bright colors ‘appropriate for a TRUE Crystal Master’ and forced Prisma to wear drab colors like brown. Telling her that it wouldn’t suit Prisma to wear bright colors like blue. It was a way of telling her that she was ‘dirt’ compared to the ‘sun’ that was her sister.

Prisma’s crystals aren’t subpar but have a power that hasn’t been utilized or even seen in crystals. At least, nothing seen as useful. But it is. Figuring it out would be part of how she helps Sofia and the Protectors stop the OotW and the W9.

Prisma ends up in Enchancia under the charge of Cedric, who is reluctant but is willing to try given his own history

Prisma is naturally unsure and doesn’t know where she fits as she tries to make friends and fails at first. She eventually befriends Lucinda and meets her mother Marla, who is happy to talk to her and offer guidance. They become BFF’s. This scares Cedric (in a funny way)

At some point, she finds a baby barn owl and cares for it in secret because she doesn’t know how people will react. Sofia finds out and promises to keep her a secret because it’s clear Prisma loves her pet and is glad to see Prisma opening her heart.

Wormwood and Twitch

Let’s face it; the series wouldn’t be complete without these two. I could easily see them escaping the Protectors Tower and ending up with the Wicked Nine. Wormwood would be utterly taken by Maleficent, who would gladly accept him. Twitch would be useful and we could explore his own background more. These two would bicker, but be seen as useful.

Wormwood has extensive knowledge of everything involving the Royal Family of Enchancia that could easily be used to the advantage of their enemies. Secret entrances and ways to get in and out of the castle unnoticed. Including a few secrets of the Royal Family and Cedric, of course that could be useful.

Cedric

Now known as ‘Cedric the Great’, his reputation has skyrocketed and he’s now loved and respected across the kingdom. His confidence is up there and he’s pretty happy.

Which leads to the eventual offers of courtship from women, mostly sorceresses of important families. He’s flattered, elated and overwhelmed. Eventually, the attention gets to be too much and before long, he’s hiding in his tower again and has to be persuaded out.

Cedric is going to help Sofia, naturally and is going to be involved with helping stop the bad guys. He is understandably wary of Prisma, but is reminded by Sofia how HE once was, so he helps her find her footing and they slowly gain each other’s trust and by and by, become friends.

Wow, that’s a lot...

I would LOVE to see what you all would want from a season five from Sofia the First. Please share your ideas! I’d love to hear them! I’d love for this to be a project of sorts.

[radioactivepeasant]

Fic Prompts: Folklore Friday

Here it is! The conclusion of the Puss in Boots adaptation! It went longer than expected, I originally thought it was going to be a one-shot.

In the castle on the hill there lived the Filthy Great Ogre. (He did not, as the name might suggest, have any particular aversion to bathing, although his table habits were indeed atrocious. “Filthy Great” was merely a polite -- as ogres go -- combination of a title and an honorific to indicate that the ogre was of some noticeable status. The problem was that the Filthy Great Ogre had not come by his title through any sort of proper channels, and had rather bestowed it upon himself on a whim and then ceased paying taxes.)

“But wait,” one might interject, “Don’t ogres live in swamps?”

Some do, of course, but it would be silly to assume that all ogres live in swamps merely because of a few well-documented individuals. And in fact, an ogre might just as well ask “But wait, don’t humans live in villages?” if faced with a castle or a city or a cottage in the woods. Disregarding even that, it is a very foolish thing anyhow to tell an ogre where he may or may not live.

And yet the cat was intending to do exactly that.

Getting into the castle was no more difficult than infiltrating the king’s palace had been, and soon enough the cat was prowling the halls. He found the Filthy Great Ogre in his bedchamber, picking his teeth with an unpleasantly unidentifiable bone. Now, the cat was never one for going into a situation without the advantage, and he had gathered as much information on the ogre as he could from the peasants on his way up. As it happened, this particular ogre possessed some natural skill with magic. Instead of using it to prosper his lands or fix up his castle or give himself something to wear other than ill-fitting satin and taffeta, he used it to transform himself into animals. Which is a perfectly valid use of magic, and often very practical, especially if one wishes to do some spying. But the Filthy Great Ogre really only used it as a party trick, usually right before eating the party.

Upon noticing the cat, who had not been taking any great pains to hide himself, the ogre worked up a very unpleasant belch and sat up.

“You,” he said, “Are quite lucky you’re a cat, or I might eat you.”

“Don’t you eat cats, then?” asked the cat.

“Oh I never eat an animal I can turn into,” answered the Filthy Great Ogre, “It’s a professional courtesy.”

“Have you never turned into a human, then?” the cat pressed.

The Filthy Great Ogre squinted at the cat and frowned. “Now why would I want to do that?”

That cat supposed that was a fair answer and he shrugged. Then, with a sweeping bow and an elegant twirl of his hat, the cat began to spin some wild tale about having traveled from far away to see if the rumors of the Filthy Great Ogre’s immense powers were true. The ogre was flattered, and quickly revealed to the cat by his reactions that he was not the sort of castle-dwelling ogre that comes with any particular modicum of common sense. After all, if a traveler comes to one’s door and says they have come from far away to see whether rumors of one’s talents or looks are true, the proper thing to do is wonder just what sorts of stories are circulating and to be wary of the stranger. Particularly if their accents suggests that they have only come from one county over.

But evidently none of this occurred to the Filthy Great Ogre. He demurely agreed to demonstrate -- which, in its truest sense, would have meant that he was being meek and humble, but this is the Filthy Great Ogre, and he was nothing of the sort, thereby rendering “demurely” a somewhat facetious adverb in this case -- and left his chair with some difficulty. But that was his own fault for wearing starched taffeta pantaloons, wasn’t it?  

“For my first trick,” the ogre announced, and then he transformed himself into a lion and roared.

This would have been frightening enough on his own, but the lion was also wearing starched taffeta pantaloons. The cat, who -- despite not wearing pantaloons of any sort himself -- thought he was quite the expert on fashion, found this just as terrifying as the deafening roar.

“Truly,” he said, “The legends did not exaggerate your magnificence!”

And any time someone makes a remark of this nature, that is usually an indication that one is about to be tricked, or robbed, or set upon by vengeful dwarves. But as previously mentioned, the Filthy Great Ogre was not possessed of enough common sense to understand that there was more to the well-dressed feline than base flattery.

“I wonder,” said the cat, who now had an excellent idea that did not involve the tedious use of claws, “What is the largest thing that you can transform into? Can you become a dragon?”

“Someday, I’m certain,” answered the lion, “But I have not seen one in person yet, which does sort of make getting the proportions right a little tricky.”

“Oh!” The cat was now very interested, plots aside. “How fascinating! So then, what is the largest animal you’ve seen?”

“Observe,” said the Filthy Great Ogre, and he twisted and turned until he had become a bear in a silk vest and starched taffeta pantaloons. This time, the clothing sort of detracted from what ought to have been a very intimidating spectacle.

Cajoling and questioning by turns, the cat convinced the ogre to change several more times. When he asked for something stubborn, the ogre became a bull. When he asked for something beautiful, the ogre became a warthog. Which is perfectly fair, because beauty is fairly subjective. However, when the cat asked whether the ogre might change into a bird, he was presented with a large and somewhat aggressive goose. Though he lacked common sense, the ogre was not stupid: he wasn’t going to change into the kind of thing that he knew cats hunted.

“Oh I am in awe, simply in awe!” The cat applauded, which made hardly any noise at all with his soft little paws, but the gesture was nonetheless appreciated. “I wonder if- no, nevermind, that’s foolish.”

“What is?” asked the ogre, who was beginning to forget himself in his desire to show off.

“No, no, pay no attention to me,” the cat demurred, “I shouldn’t like to inconvenience you with something that may be too difficult.”

Feeling a little insulted, the ogre demanded to know just what, precisely, the cat was talking about. There was no animal that he could not turn into, provided he’d seen it at least once! When he said as much, rather sullenly, the cat bowed again and spoke in a soothing voice.

“I meant no offense, of course,” he lied through his whiskers, “I just thought perhaps changing into something very small might not be part of your powers.”

Of course, now his honor had to be upheld. At first, the Filthy Great Ogre considered changing into a mouse, Then he decided that this would not do at all. What if his fancy little flatterer should become hungry and forget himself in favor of his instincts? Better to avoid rodents entirely, he decided, and so he scoffed proudly and transformed into a little ant in badly-fitting clothes.

The ant promptly met a swift and brutal moral about the dangers of listening to flatterers in the shape of a boot heel.

The cat then made his way through the castle, warning every servant he could find that they would meet their master’s fate if they did not do precisely as he commanded. Which meant that the place underwent a very rapid cleaning in a very short amount of time while the cat coached the servants on the story they were to tell any guests.

No more than two hours later, the carriage of the king, Princess Elsie, and poor, confused Tobias arrived. Having heard from everyone they passed that these were the lands of the Marquis of Carabas, the king was very curious to see where his young guest lived. Tobias, meanwhile, found himself in the position of presenting a bland and pleasant face to the king and eldest princess while screaming very loudly on the inside of his head.

“It may be a bit out of sorts,” Tobias said hastily, trying to think of what the cat might say in this situation, “I’ve only just come into the area to stay. We haven’t even set up payment of taxes yet!”

“Oh!” said the king, “You know, I’d wondered. Well well, moving is always a hassle. I’d be happy to help you get things started.”

Tobias was only too quick to agree, if for no other reason than he hadn’t the slightest idea how a nobleman paid his taxes. Neither had he any idea what was going to be waiting in that castle, or where the cat was. This led to the formation of a backup plan in which he would wait until the king and princess were distracted should the castle be a trap, then leap out of the carriage and run for his life. He could probably join a traveling circus after that, if he needed to earn money.

As it turned out, there was no need to join the circus after all. The cat greeted them at the gates, now wearing a silk vest so large that he had belted it and was wearing it like a tunic.

“Ah, welcome, welcome!” he purred, “Do excuse my running ahead, I had to make sure the servants had unpacked enough tableware for guests.”

Princess Elsie stepped gracefully out of the carriage and turned to offer Tobias a hand down. “Careful,” she warned with a smile, “Papa’s shoes are a bit large for you. It wouldn’t do to trip.”

“No, I don’t suppose it would,” Tobias agreed.

Dinner was a slightly awkward, but fairly informal affair, and though the king did make an offhand remark about the castle smelling of troll, he seemed to think that the “Marquis” had made a good real estate decision. When he and Elsie were saying their farewells, he made a statement about the Marquis joining them at court some time to get to know the royal family better. Elsie seemed very approving of this idea, but Tobias looked mildly panicked.

“That would be delightful, your majesty,” the cat interjected, “I’m sure the Marquis will gladly join you all as soon as his affairs are in order.”

“Of course, of course,” said the king indulgently, “Must finish the moving-in, mustn’t we?”

Once the royalty had left, everyone save the cat let out a sigh of relief, grateful that they no longer had to pretend to have known this new tenant for years. The relief was short-lived, as they quickly realized that the cat intended the charade to continue.

“We live here now,” the cat announced grandly, “So do us a favor and help poor Toby here learn some royal manners? Anyway, you needn’t worry about being eaten, at least.”

And it did take some several months, but Tobias did eventually learn enough to fake his way through court manners. “Do as I do,” the cat had told him, “Pretend you know what you’re doing and be prepared to make a swift exit through the nearest window if you’re caught.”

“Humans don’t always land on their feet, cat,” said Tobias.

“That sounds like a “you” problem,” said the cat.

And, with taxes finally being paid to repair the roads, and tenants no longer having to worry about premature and gruesome ends courtesy of the landlord, life soon settled into something more routine. And even if it could not be realistically said that they were always happy, for there is always trouble somewhere in life, they all lived contentedly enough ever after.

The End

[popculturebuffet]

Amphibia: Night Drivers/Return to Wartwood Review “Many Happy Returns”

Hello you happy people. And Amphibia is back and that means my reviews are back! As for why this reviews a bit late despite it leaking, I wanted to wait for today, and long story short both focused on finishing a review that WASN’T time senstive, instead of finishing it Sunday, and overestimated how much time i’d have to do two reviews on a day that included my first covid shot, grocery shopping, helping mom clean the car, and my friend coming over to watch Judas and the Black Messiah. Excellent film by hte way, as was the Sound of Metal which we watched after. Point is I done goofed and I will try to at the very least actually get the reviews of the episodes out on the same day they come out. 

But slip up or not i’m happy to be back in the saddle, and back to Wartwood. I’m pumped for the heavier second half, with more secrets to uncover, some zelda style temple action, and some heavy drama with just a whiff of keith david, as well as to see the supporting cast from Wartwood again after far too long. So how’d the mid-season premire pair fair? Join me under the cut to find out. 

Night Drivers: I was really excited by the Road Trip idea when first announced for season 2. A chance to expand the world and get the plantars out of their comfort zone was an amazing concept and it did lead to some really great stories and interesting locales.. mixed with episodes that had interesting locations but no interesting plot or character stuff. It was a mixed bag, and disappointing after close to a year’s wait to continue the plot that it really didn’t outside of “Toadcatcher”. Anne never really dealt with her trauma and the show never dealt with hop pop’s poularity or anything else. Again there were GOOD episodes and ideas but it felt like the show stalled for a good chunk of the season till we got to Netwopia which while still having tons of slice of life stuff felt a lot fresher with it, and had a lot more fun playing with stock plots and gave us a fresh new setting to dig into. 

So I was a bit hesitant to go back to the road for an episode.. even if it was just one episode. Thankfully I was very wrong there as Night Drivers was a pretty good episode and would fit well among the best of the road trip arc like “Truck Stop Polly” “Fort in the Road” “Anne Hunter” “Toadcatcher” and “Wax Museum”.

The plot is straightforward: Sprig and Polly are excited that their almost home to wartwood and if Anne and Hop Pop drive all night they’ll be there by morning. Polly will get pillbug pancakes and Sprig will see Ivy again. This is part of a long tradtion of “skiping over the journey home because we’re tired and we wanna go home” in fiction. Jokes aside it’s a resonable device used to prevent ending fatigue and in this case to free up episodes for the second half. We already saw the journey once, we usually don’t need to see it again. To Amphibia’s credit they have valid reasons for it: The journey is LITERALLY sped up, as Hop Pop and Anne have been driving for 20 hours straight.. and their on a timer. As was established last time.. well the last time that wasn’t a spooky halloween episode, The Plantars have to get back for the harvest and really don’t have time to sightsee, while they all have to be there for whenever Marcy comes back to take Anne to the first temple. They’ve also traveled these roads before so while their going a whole other directoin, they know what perils to avoid. 

But as anyone whose taken a long cartrip can tell you, you can’t shotgun it forever and the two eventually tap out with Hop Pop telling Sprig and Polly not to night drive as it’s dangerous and blah blah blah standard parental warning that will be swiftly ignored. So once Hop Pop and Anne are conked out they swiftly ignore it after we get their dreams.. which are the best gags of the episode: Hop Pop has a dream with weird, really cool looking monsters that represent his faults, only for it to turn Lucid and him to start flying and take his shirt off and whip it around Muscle Man style. 

While Anne’s is about a yogurt world where there’s only one flavor... BLACK LICORICE. Yeah it quickly turns from Shopkins to the Lich From Adventure Time really fucking quick. 

So while Anne has a nightmare and Hop Pop becomes unto a god, Sprig and Polly drive all night, repreadtly running into a creepy hitchiker and realizing it is as dangerous as they said with bolders, even worse creatures than usual because of course theye’d be a lot of nasty things lurk in the dark why wouldn’t they on froggy death world, a nightmarish fog and nearly dying on said foggy road they took to evade the hitchiker. Naturally the scary hook handed hitchiker.. is a friendly one, simply trying to help them and saving them from going over a cliff. They do make it three miles from Wartwood and Hop Pop wakes up angry to find they disobeyed him.. but Anne gets him to back off as they clearly learned their lesson from the sleep deprviation and nearly dying, and our heroes head for home. 

Night Drivers isn’t an exceptional episode, but it is decent and still does belong with the other good road trip episodes, with some good dream sequences and a nice dynamic between Sprig and Polly. It was nice to have an episode with the two that was good unlike Quarallers Pass which made me want to run full speed into my nearest wall until I was given the sweet gift of unconciousness. While the Hook Handed man thing was a bit obvious it lead to some great gags. It’s a nice breather after the tearjerking mid-season finale and while we’ve obviously had months and a haloween episode between that, the creators rightfully realized a lot of people will be binging the series in the future. The issue I had with the first quarter of the season was it was ALL break and only a little plot progression. Here we’ve had a lot of plot progression in the last episode chronlogically, and are going to have a lot in the coming episodes with ‘After the Rain” coming next week. It’s nice to take a break and see the forest for the hook handed ghosts.

Return to Wartwood: I was excited and terrified of this one. I was excited because I missed the supporting cast from season one, mostly Ivy and Maddie, and was delighted to see them again in full. But I was also worried the show might pull out a melancholy breakup plot and having gotten attached to Ivy/Sprig and Hop Pop/Sylvia I was worried. And I was delightfully wrong as instead it’s another breather episode and an utterly fantastic one after the simply decent one above. 

Our heroes return, without being drawn by rob liefield or replaced by the Squadron Supreme first, and are happily greeted by the town. Aformentoined fears died a happy death as Sylvia squeezes Hop Pop and as for Sprig, Ivy unsuprisingly ambushes him. Everyone’s back and the Mayor, who I also badly missed is back using Toadie as a gong to get everyone back to buisness, with Swampy inviting them for a big dinner at his diner that night to celebrate and welcome them back.. and to give out their gifts. 

Sprig and Anne are equally confused while Polly and Hop Pop are sweating bullets. Turns out when they got the Fwagon they agreed to get a bunch of stuff for the town and forgot and now everyone’s on the hook for it and want to lie their butts off to solve it. In a nice show of character development, Anne has learned that the lying never solves anything “I think we’ve learned that lesson by now”. After SO many plots of the characters lying and it going terribly, it’s nice to have someone speak up. Sprig also wants to lie but only becuase he’s deeply afraid Ivy will break up with him as she wanted a Red Sun shell to go with the blue moon shell she gave him. Awwww. And oh crap. 

So our heroes head home to plan and kick Chuck out (“I grew tulips”). So they do the natural thing... and decide to summon an edltich beast from the necronomicon... which of course Maddie gave Sprig as a present (”Aww that’s nice”. Agreed Polly, agreed.). I also can’t help but love the line “We’re all cull with practicing the dark arts to solve our problem right?” So our heroes get the proper summoning horn, thing to go with the horn and some candles.. i’ts not part of the ritual but Anne says it helps with ambience and it’s right. 

So our heroes summon the Chikalisk, an edltich god that’s naturally basalisk in all but name, which dosen’t attack unless attacked and goes after gold. So they fake some golden presents, and the beast attacks at the party.. but the town naturally fights back, and our heroes are forced to help fight the monster as it stonifies people. So we get a truly glorious battle sequences as the whole town shows off how badass they are, with Maddie curing people, Sylvia showing she can keep up with Hop Pop and Ivy showing her already established badass bonafieds. It’s just awesome. Also the Mayor uses Toadie as a shield not realizing he’s turned to stone which can only remind me of this. 

Once the townsfolk are freed they get into Chickalisk formation (”We have a formation for that?” “We have a formation for everything!”) And it’s offended enough to just nope out. The townsfolk are depressed though the presents got destroyed and Anne glares the family into coming clean. And while the mayor seems mad at first... he just laughs with everyone taking it in stride: It was boring without them getting into trouble and learning lessons every week, and they missed them.  Ivy likewise dosen’t care about a gift she just missed her boyfriend.. and asks Sprig to take her on a proper date and smooches him on the cheek leaving both him and Anne catatonic, with Polly dragging Anne away and sprig just falling over before Maddie hits him with the potion. It dosen’t work that way, end episode. 

Return To Wartwood was a standout episode, with tons of great jokes, pacing and a nice plot that showed growth in anne. While Night Drivers was decent, this was the show at it’s : Sweet, deranged and adventurous all in one episode. While Night Drivers was a good appitizer this was one hell of an entree. Or an appetizer sampler which I often use as an entree. Great episode and a nice high note to start on. 

Next Time: We get an Ivy focused episode!

And Hop Pop is finally forced to own up to his lies!

As the twin kermits sooth you if you liked this review, follow me for more, check the amphibia tag for more reviews from this season and join me on patreon. If I get another patreon, i’ll add reviewing season 1 to my 25 dollar stretch goal so look out for that and my next one at 20 dollars, only 5 dollars away, nets a monthly review of a darkwing duck episode. Check it out and i’ll see you at the next rainbow. 

[scrawnydutchman]

Incredibles 2 Movie Review (Spoiler Free)

Pixar has become somewhat infamous for releasing nostalgia pandering sequels in recent years. Cars 2 & 3, Toy Story 4, Finding Dory, Monsters University. These all have their fans to be sure but many people, myself included, wished for more fresh and original ideas from Pixar that made them so great to begin with, rather than friendly reminders of how great they once were. So needless to say I’ve never been horribly interested in a great deal of the Pixar sequels . . . that is except for Incredibles 2. After the third Toy Story I’ve been saying for years that Incredibles is the only Pixar property that actually needs a sequel. Why? Because it’s a premise that’s ripe for continuation. I’m a huge fan of the first Incredibles, so much so that it’s my favorite 3D animated film ever. I loved the family dynamic, the performances, the dialogue, the design, the action. It was cool, slick, charming and heartfelt. It had the stylish edge of a spy thriller with the action of a superhero blockbuster. To put it simply, I wanted to see the Parr family do more superhero AND family antics. So needless to say I was as pumped for this movie as anyone. Did it live up to my expectations? Hell yes it did. It was everything I was hoping to get and improves on a great deal of where the first film left off in fact . . . while also being weaker in some other areas. Let’s break it down.

Story:

Synopsis: The Parr Family is back in action, continuing their superheroing despite the fact that doing so is still illegal (why the legalization of supers wasn’t  even considered after the family saved the city from Syndrome, I have no idea. But whatever. Just go with it.) Things might change for the better though when Elastigirl gets an offer from a telecommunications expert to share her superhero perspective on why these heroic acts shouldn’t be shunned. While she takes up her new job, Mr. Incredible fights his own battles of being a stay at home dad and realizes it isn’t as easy as he thought it was going to be, especially since Jack Jack demonstrates a new superpower every second. Things for Elastigirl get complicated as a mysterious new villain called Screenslaver makes their appearance. Can she get to the bottom of Screenslaver’s new plan before things turn for the worst?

I mentioned before that Pixar has a known tendency to pander a lot to nostalgia in their sequels, and Incredibles 2 is no exception. There’s more than a few references and repeats of the first film including reused sound effects, shots, settings, cinematography and so on. While these certainly are present and are admittedly a touch distracting at times, make no mistake; this sequel has it’s own identity to it. The concept is interesting, I love the idea of the parents more or less reversing their roles from the first film and all the comedic antics those bring . . .and every scene involving Jack Jack got uproarious laughs in the theater. Admittedly the story has a few noticeable holes and isn’t as tight as the first film, but they weren’t nearly noticeable enough to ruin the experience as a whole. Also the movie kind of falls short in terms of pacing; by the end of it I was honestly kind of amazed that it felt over so quick. For whatever reason the first film felt way more like it took it’s time, despite the fact that there’s only a difference of 3 minutes between each films runtime. 

Characters:

The characterization of each family member is arguably the Incredibles greatest appeal. It’s so much fun watching this family interact with one another. This time around the family dichotomy ups the anti with a handful of cute little moments between members.  I loved all the interaction between the siblings and the parents and they have constantly great dialogue between each other just as the first film does. Mr. Incredible is probably the most accurately portrayed dad in the history of animated films; he reminds me so much of my dad it’s actually insane.  There’s also one VERY small interaction between Dash and Frozone that I won’t give away but the moment I heard it I completely gushed. Also, while not as developed a villain as Syndrome in terms of motivation, Screenslaver is one hell of a cool bad guy. While Syndrome was a larger than life hamfisted manchild who loved to boast and brag, Screenslaver is a cold and calculated entity whose hidden behind layers and layers of intricate planning and espionage. Again, Screenslaver’s motivations aren’t as fleshed out or as interwoven with the family as Syndrome is but the villain more than makes up for it in aesthetic and outright creep factor. I kind of wish the movie spent more time keeping Screenslaver’s identity shrouded in mystery as that was when the appeal was highest IMHO but the twist is pretty good too. I won’t spoil it obviously, but I thought it was a pretty clever way to spread everything out. I do wish they gave Dash a bit more to do in the film though. While he has a memorable fast paced chase scene in the first movie Dash is unfortunately given next to nothing here; opting instead for more screentime for Jack Jack. In fact, both he and Violet pretty much get the shaft in favour of their baby brother when it comes to what is supposed to be their big action scene. All well. I still enjoyed seeing them again.

Visuals (Animation, Composition, Visual Storytelling, Etc.)

*this shot of Dash and Jack Jack running through a series of portals is among the most memorable.*

While the script and plot of this sequel all in all recaptures the appeal of the first Incredibles but falls just short in matching it in quality and pacing, one thing it absolutely improves upon this time around is the visuals. This film is gorgeous as one may expect it to be. The textures are beautiful, the use of the trademark Incredibles colour scheme involving shades of orange and red is great. The characters this time around are a bit more on the geometric and cartoony side whereas the first film was more rounded and mushy looking, which is a welcome change IMO. The animation is excellent as predicted. The characters move and behave their own charming ways and the facial expressions in particular are ON POINT in the film. Not to mention the slapstick is a lot better. The big thing where the visuals really shine though is the action. OH MY GOD the action in this film alone is worth price of admission. This is right up there with the first Kung Fu Panda when it comes to fight scenes oozing with creativity. The way characters utilize their powers, the way they interact with their environment, the way the stakes in every fight build as they progress, the way one action follows up another and it’s so clear despite it being so quick. It was simply excellent. The story developers have come up with stuff for this film I would have never thought of in a million years and it’s the coolest damn thing every time. 

One minor thing to note; you may have scene a seizure warning floating around on the internet for a particular scene in this movie. I’m telling you right now; they weren’t kidding. I’m not epileptic but it was quite a bit for me. I’d take the necessary precautions before you see it thinking it’s safe. While the scene in question is definitely a bit of a strain on the eyes, it’s undoubtedly a really cool aesthetic regardless.

Voice Acting Performances:

Holly Hunter, Craig T. Nelson and Samuel L. Jackson all return for their iconic performances as Elastigirl, Mr. Incredible and Frozone. They all do as great a job as they’ve ever done and haven’t gotten the least bit rusty. Craig T. Nelson still plays a down to earth sentimental father. Holly Hunter still plays an empowered, sharp and quick-on-her-feet mother. Sam Jackson still plays a suave and cool Frozone. Sarah Vowell returns as Violet and gives a great performance for the awkward, pugnacious yet responsible teen. Brad Bird is directing/writing again which means he also returns as Edna Mode; as entertaining as ever. We also get some exceptional performances from voice actors acting as standins for the first films roles. Huck Milner takes the role of Dash this time around and plays it very close to Spencer Fox. Between Dash and Nemo in Finding Dory  Pixar has an uncanny ability for replacing child actors after the first got much too old. The only performance that kind of stands out as not really matching the original is Jonathon Banks as Rick Dicker. I could tell instantly he wasn’t quite the same as the late Bud Luckey (R.I.P). All well; a small gripe in the grand scheme of things. The newcomers such as Catherine Keener and Bob Odenkirk are great. Overall, great performance from everyone.

Sound design (Score, Sound effects, etc.)

Yet another great element from the first movie that makes a triumphant return: the damn jazzy MUSIC. You can’t tell me you don’t get pumped up just from the killer soundtrack to Incredibles by itself. Those fans of said soundtrack should stick around until after the credits for a special treat in that regard. The sound effects for the film are great too, particularly the original made sounds for each of the superpowers. Not a whole lot else to say; it just nailed it. 

Conclusion:

Fans of the original will not be disappointed. It’s got all the appeal of the first with a great set of original stuff to be it’s own visual experience. It about matches the first in overall quality with it’s superior visuals and action but inferior story and pacing. If you haven’t checked it out already please do. I haven’t had that much fun in the movie theater in quite some time.

Story: 1.5 out of 2 - Above Average

Characters: 1.5 out of 2 -Above Average

Visuals: 2 out of 2 - Excellent

Voice acting performances: 2 out of 2 - Excellent

Sound Design: 2 out of 2 - Excellent

9 out of 10 - A worthy successor!