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#it’s always the Editor’s fault
blametheeditor · 29 days
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Mike finds himself looking through the schematics he took from Afton Robotics for the fifth time that week.
Not because he can’t understand them, but because he can’t help feeling like he’s missing something. Despite the mechanical voice that’s now a permanent part of his consciousness answering all of his questions, elaborating on what ‘storage tank’ and ‘parental voice sync and replay’ meant, even with a big if he can trust the information given, it’s still not making much sense.
Sure, Mike can get behind the fact William Afton designed animatronics specifically to lure people in for nefarious reasons. But there’s no answer as to why.
And while there might be people out there who don’t really need a reason, William wasn’t one of them. Not a person who wouldn’t do something like this oh no this has William written all over it, but the man needs a motive.
On top of all of that, there’s a very distinct lack of anything concerning spaghetti wires. Aka, the robot acting as his organs was either a top secret project, a random creation that’s the equivalent to a doodle made by an artist, or a fully sentient machine that went rouge and/or built itself.
Option 1 seems most likely, but Mike really likes option 3.
How to make the amalgamation of wires tell him the truth about its origins...
You can always just ask me.
Nah, he can make a foolproof plan that guarantees answers he gets will be the truth, the whole truth, and nothing but the truth.
That may be hard to do considering I know your every thought.
Right. Well he’s fucked.
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gunpowder-tim · 1 year
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judging by ur reactions im guessing this is the 1st time ur playing/watching katrielles game/anime? im curious what ur thoughts are on it either way ^^
yeah! i bought the game for the switch the other day! i like how its layed out into cases and after ur done it tells u if u have found everything n stuff and im enjoying it i was a bit unsure if i would bc like its not professor layton but kat is fun!
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florenceisfalling · 2 years
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like idk. i miss seeing content from s.igne (though i respect gab wholeheartedly). i miss fanart from my favorite artists. i miss older eras of j.se at times (and yes, there were older eras, the way people pretended he Never Changed is just weird). i miss old anti designs. i miss the old fic trends. i miss having a very active fandom (though i am so happy to see the new arrivals) and i miss seeing him interact with fans the way he did on tumblr back in the day. i miss the way i used to interact with some of the blogs here before i decided to fuckin,,, wage holy war and make enemies out of them (joking, but i have seen sides to some of these people that i wish i could tear out of my memory). i miss feeling confident that i could trust the good intentions of people here and even the big man himself (not god. that makes sean sound like god. you know what i mean). i miss when some of you weren't so fucking bitter which is funny because i'm the bitterest bitch alive. idk. i don't think it's bad to miss any of these things because i'm not going to be an ass and act like it's anybody's fault. i'm not going to be bothered by gab for being happy because i'm glad she is happy, and i'm not going to get bothered by sean taking a reasonable step back from this hellsite when people were cruel to him, and i'm not going to get mad at trends for changing because that is how time works. but i do miss things and i know its cringe and parasocial and perhaps even problematic but i hate having to pretend like i never have Any feelings about the past lest i break a hypothetical rule of what is the Normal level of attachment to an online community. okay. i think i'm done now.
#one of my favorite writers left because they couldn't deal anymore and one of my favorite writers turned out to have shit views and one of#my favorite writers left because of something that was partly my fault and one of my favorite writers stopped writing because of two of the#others and one of my favorite writers hurt someone i love over and over and over and one of my favorite writers left because they were the#someone i love. two of the big names hate queer folk that don't align with their ideals and half the artists left for twitter or for dead.#the man himself left because criticism always becomes cruelty and people lie to make themselves feel good.#the editors all turned their accounts private and my favorite told me on livestream that i was good and starting somewhere but then forgot#my name. and i thought maybe i was the bitter one but then i look at some of the other people who have been here so long and wonder why#they even bother anymore because they care more about complaining with everything j.ack does than anyone who actually enjoys his stuff.#and you know i poked fun at *** for a lot of things. some deserved some not. and one of them was the fact that she compared fandom#to warfare. and yes that's still silly i don't think it's a fair comparison but i do know that she wasn't fully wrong.#when you've been here for a long time and ive Been here for a long time you start to get really used to names and faces#and the change can be like waking up to a new wallpaper in your room. not a bad one just a new one.#i don't want to pretend that this fandom is just a silly little hobby for me when lets be honest i know some of yalls personal lives a#little too dearly for that. ive loved people here ive lost people here the first person who showed me this place fucking DIED and i still#lose it sometimes over the fact that he would have loved jameson so much and we couldve been closer friends had he stayed alive a few more#years. so yeah. sorry for being fucking cringy or whatever but there have been times where i've felt like im on a sinking ship watching#everybody else row away and i refuse to go. so like. cool. cool. im glad things are good again but i never really got to process the bad#things.
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centi-pedve · 1 year
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annoyed forever & always by people who ask for "more woman authors" like !! women have very consistently been in the majority for the last decade at the very least when it comes to author demographics. what you need to show us is some sort of proof that women get worse offers or less readership on average or something! because raw author demographics are very obviously not the issue!
#or at the very least maybe you could focus on demographic disparities within certain genres#or. other demographics. such as ones pertaining to race or queerness or disability or class#and honestly one thing when it comes to demographics that we feel people miss out on#is how many people in that demographic actually SUBMIT#'there are more X authors than Y authors so publishing is discriminatory towards Y authors' is inherently flawed & annoying#there could totally be something if like 80% of submissions are from women but only 55% of authors are women#thats hard data to get most likely but without it we dont really feel any reason to be alarmed over the matter of demographics#for example - there are less poor authors. this is not because publishers hates poor people#but because poor people have less free time and don't have the same resources to market#or get help like paid editors#while higher class writers have a lot of free time and resources so they have an inherent edge#thats not necessarily the fault of publishers... thats the fault of our economic system#there needs to be more context in order to make certain points. incomplete data borders on meaningless#and we're not saying that there hasn't been research or points made with full data we're saying that there are too many people who#get lazy with their activism#publishing is not fair and we need to understand why. it is not the same for every group and the issue does not always start with publisher#pedve 'pinions#sorry for putting all this shit in tha tags we realize now this prolly shoulda been main post stuff#but no time to transfer 😋
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3hks · 8 months
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How to Get Better at Writing Without Actually Writing
Are you looking to improve your writing without needing to write? I'll admit, I am definitely that kind of person--I have the hardest time even finding something interesting to write--despite that, I have noticed that my writing has vastly improved over the past year or two when it was hardly a hobby, and here's how I did it!
ANALYZE DIFFERENT WORKS
Yes yes, everyone tells you to READ, READ, and READ, even I will agree. However, unlike what some people tell you, you don't actually have to read all those classics like Heart of Darkness or The Hobbit. Of course, those books are very beneficial, but if you find no interest in those types of books (like me), then don't read them!
If you prefer reading casual stories posted by online authors, whether it be a fanfiction or their own, original story, it still qualifies as reading! As long as you are able to find a work that you particularly enjoy, that's all you need!
When reading, the key to improving at writing is to always study the story. Take a moment to look at certain words or phrases that stick out to you. How does the author use them? What do they mean? Keep track of the characters' development and how it affects them. Additionally, note things like powerful scenes, dialogue, and more to have an idea of how you can create something just as impactful. For example, if a text made you cry, think about how and why you reacted like that. This can actually help you re-create events that hold the same effectiveness, if not more!
To add on, if you really dislike reading just that much, then you can always analyze things like shows, movies, etc. However, this will prove to be less efficient because you often don't get access to the text behind the shows. Still, it's a good way to study the plot, characters, character developments, dialogue, and relationships!
2. PROOFREADING
No, I'm not saying that you should be an editor; this actually ties back to my first tip. Remember how I said that if you don't want to read classics, then don't? Well, this is because forcing yourself to read them is completely unnecessary (unless you like them or want to write like the author, of course). As a matter of fact, reading poorly written stories can be very helpful for improvement!
When we read books or novels that have obvious grammar errors, repetitive words, and choppy sentences, we will realize these mistakes and point them out to ourselves. Being able to scout out faults means that we are able to learn from them and grow! Noticing these things will also help prevent you from making the same or similar mistakes!
3. STUDY TIPS ONLINE
I used to go search up websites on Google whenever I wanted help with a certain topic. Of course, not all of the sites are reliable and/or helpful, but some point out good ideas that a couple of us just need! This can be especially useful regarding the things that we are unfamiliar with when writing. They can offer a base foundation and tips on how to start and finish!
They can also serve as a great inspiration for fresh ideas and new perspectives!
Yes, these three tips are pretty simple; however, I have found that they work very well for me! People vary from person-to-person, so it can't be guaranteed the same effect, but this is the best I got! HAPPY VALENTINES DAY! <3
Happy writing~
3hks :)
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nanivinsmoke · 3 months
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✩ Eat Me, Number One.
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✩ allmight x pro!heroFem reader
wanting to get a little taste of the number one hero, during the hero’s banquet.
✩ warnings and tags: public sex, secret sex, ass eating, rough sex, multiple orgasms, nipple play, breeding, size difference, age gap, (late 20s reader), etc.
shout out to my editor, tysm <333!
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“fuck, this latex is sticking to my skin. shota, can we go? im not in the mood for this uppity shit, maybe we can get some ramen or something?”
“no, unfortunately the both of us are stuck here. i lost yamada an hour ago, which is really odd since he’s the loudest one out of all of us.” aizawa, your best friend and colleague, replied as he took a bite of the salty chip in his mouth. you sighed and downed the shot in front of you, while tugging on the latex of your hero suit with your free hand.
the three of you were currently attending the annual hero’s banquet, which was made for all heroes to meet and mingle with each other. yamada had spotted the karaoke room and tip-toed away from the group when the three of you arrived, leaving you and aizawa alone. you both hated coming to these things, but yamada forced both of you to come every time.
“gonna find the bathroom and possibly yamada, so we can leave.” your dry-eyed friend gave you a nod before you took your leave; grabbing a shot from a tray a waiter was carrying—downing it like it was nothing. getting hammered was your goal. maybe you could get *him* off of your mind. you maneuvered through the crowd of heros, mind bubbling with thoughts before your eyes landed on the huge figure of the number one hero; allmight.
it might’ve been the liquor finally taking its toll on your body, making your legs feel like jelly or just seeing him period, that had butterflies filling your stomach. you were beyond nervous, it had been months since the last time you’ve seen him. the last time you did wasn’t the best experience. "duty calls" he had said before he ran off. but, you weren’t gonna let that one time stop you from saying ‘hello’ and running off to find the bathroom.
you managed to walk over and tap the bottom of his muscular back, his seven foot frame towering over you as he turned toward you. his usual ‘smiling’ eyes softened when he saw you and he kept that same bright smile like always. “y/n, it’s good to see you.”
“likewise,” you quickly turned on your heels as your memories from that terrible night plagued your mind. “wait—y/n,” he grabbed hold of your wrist and pulled you back towards him, his eyes scanning your face before dropping to your lips, then back up to your eyes. “can we talk?” you gave a quick nod and he pulled you away. you wanted to get answers, closure for the last time you two saw each other, so you could finally stop cringing at the memory.
the older pro hero led you through the crowd and into an empty room, which happened to be the bathroom. the seven foot tall man closed the door behind you both, and locked it—before turning to look at your smaller, yet curvy frame.
“y/n, I just wanted to apologize for last time. it wasn’t your fault that the date ended like that. i never meant to leave you like that. i know duty calls, but I should have never left like that without telling you, i'm sorry.” his voice was soft, sincere, and you could tell by his body language that he truly meant it.
a few months ago, you had went on a date with the number one hero. it was all going good, you had gotten to know each other really well during drinks and when you two had finally made it your table for food, he just disappeared in a blink of an eye. he didn’t call nor try to reach out to you, which made you become very insecure—leading you to believe that he didn’t actually like you.
“you don’t have to apologize—“
“but, i do. you were wonderful and im a little disappointed I couldn’t make this into something more serious; didn’t have the opportunity to kiss you—.”
“you wanted to kiss me?” it was silent for a moment, both of your eyes locked onto each other’s. the more the two of you stared at each other, the more your body temperature rose. everything about him was so captivating. maybe that was a perk of being one of the best hero’s japan has ever seen, but you were definitely falling for him.
it was sudden but his lips were on yours and all you could do was happily accept. your lips melted onto each other’s, dancing a smoother dance than a tango—with your tongue sliding into his mouth, tongues swirling around each other's. you couldn’t fight your growing arousal anymore, the crush that you had on the older man was bigger than ever.
he swiftly picked you up, not breaking the kiss not once. it was like a scene in a movie with the way he handled you. he propped you up against the white bathroom door, while he made love to your mouth. you clutched onto his yellow locks, pulling away from this kiss that had left you breathless. “think you teased me enough, number one. i need more of you.”
he had never been more turned on, until now. with one hand holding you up, he used the other hand to unzip your hero costume—freeing your plump and swollen breasts. allmight quickly wrapped his lips around your tender love buds, began to suck on them like it was the best candy he had ever tasted. you couldn’t suppress your moans; letting them flow freely out of your kiss-bitten lips.
he removed his mouth from your nipples, kissing between your breats and down your stomach. “allmight—please~”
“toshinori,” he corrected with a squeeze to your ass; making you squeal out. you had long forgotten about the party, or the possibility of other people being there.
“toshinori, please. just fuck me already.” he was taken aback by your vulgar words, but it riled him up even more. your hero suit fell down in an instant and he was lifting you off to the other side of the bathroom. using his quirk, he slid the toiletries off the sink’s counter and placed you on your knees—your ass sitting up in the air just for him; allowing him to dive his head right in between.
gasping, you held onto the marble countertop, while he licked your from your ass all the way down to your swollen clit. his fluid mixing with yours created a slippery mess, which caused you to go crazy. no wonder he was considered a pro.
“shit toshi—just like that, fuck…” you bounced your ass back onto his face, his big hands gripped your waist tighter; lips still attached to your wet clit. you could feel your orgasm creeping up on you and you were ready to accept it. however, much to your dismay, he pulled away from your dripping wet backside.
“wait toshi, i was gonna cum.” he ignored you, flipping you over onto your back; looking at you in all your glory before he gripped himself through his suit. “look, im going to warn you. you might not be able to take all of me, and that’s okay—,” you cut off his rambling by replacing his hand with yours on his bulge, fondling it. it left him groaning, eyes shutting from the pleasure.
“i'm a big girl, i can handle it. besides, a hero never backs down from a fight.” he chuckled at your response and gave you one last look, before he let his blue hero suit and briefs fall to the ground; showing all of him.
you could’ve sworn your eyes had fell out of your head due to how widen you opened them. standing about nine inches tall, his cock greeted you; dripping nothing but translucent fluid. it stood against his abs, twitching with need. not only was he lengthy, he was girthy too. you couldn’t help but to gulp as you thought about him entering you.
as much as you were nervous, you swallowed that doubt and angled him towards your aching entrance; after all you were a hero, you couldn’t let this scare you.
pushing him inside of you, you winced at the pressure—you had never been spread open like that. profanities flew out your mouth as he helped push himself inside, your soft walls clenching around his shaft; making him curse lowly.
he was only half way inside, since that’s all that could fit, and he began to move his hips slowly. the more toshinori moved—the wetter you became. soon, the sound of your cunt squelching and your lewd mewls filled the bathroom—driving the older man crazy. he was losing control over himself, each time you made those sexy noises; he wanted to slam himself deeper inside of you. to hear you yelp out and to feel you squeeze around him. to see all the cream build around him. to see how far he could drive you to insanity just by fucking you.
despite being a hero, the way he was thinking about punishing you with his dick; contradicted his heroic beliefs.
you on the other hand felt like you were going to die, in the most pleasurable way possible. each time he plunged inside of you, his thick tip hit your spot everytime—causing your toes to curl so tight; they felt like they were going to fall off. you babbled and moaned as he fucked the living shit out of you, calling his name while an orgasm ripped through you.
this was the most intense orgasm you had ever had. you were disconnected from reality a bit because of it, so you didn’t realize that you were no longer on the sink’s counter and now on the bath’s plush blue rug—until toshinori slammed down into you once again.
“fuck, you just keep getting tighter and wetter!” you had never heard him curse this much before, it was turning you on more and more.
he had you in the mating press position, hitting your most sensitive spot each time, while your hips and his balls met each time. you cunt was beyond wet, your juices dripped out and slid down onto the ground—creating a huge puddle underneath you.
you could feel him twitch inside of you and his strokes became faster and harder. he was cumming, hard.
a knock on the bathroom door startled you, causing you to look at it.
“hey! can you hurry up, i really gotta use it,” a voice could be heard from the other side, following another knock. you looked at allmight, waiting for his next move.
“in a minute….having some—shit—s-s-stomach problems”
“c’mon dude! you’ve been in there for like an hour”
“in a minute!” he yelled back, not stopping his movements. he was going to cum and nothing was going to stop him from finishing. with a few more slams, he released inside of you; while you came once more with him—this time you squirted all over him.
he grabbed your smaller body and rolled over on his back, with you lying on top of his sweaty, naked body.
“we’re going to need a plan to come out of here without them suspecting a thing,” you chuckled, peppering his chiseled face with kisses.
“this is why we have quirks, to get out of situations like this. now let’s get dressed, so i could show you more of why I’m number one~”
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rynwritesreid · 11 months
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Sold my Soul | Spencer Reid
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Summary: You’re out celebrating with your friends after a recent work accomplishment. Where you bump into Spencer Reid who is working on a case in your city. fem!reader. This is my first time writing smut outside of an overall story, so there is a plot. I hope you enjoy it:)
Content: Dom! Spencer . Sub! reader. Use of nicknames (good girl). Smut (with a plot). Overstimulation. Oral (M and F receiving) Fingering (F receiving) MDNI. 18+
words: 5.3k
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You like to have things under control, but I mean who doesn’t? You could be relaxed on the surface, all calm and collected, all your friends said you had a calming presence. But if one thing went wrong in your daily routine you would be stressed thinking your whole day had gone wrong.
 
But today was a big, you had an important meeting with your editor. You took a deep breath and tried to calm yourself as you checked the time once again. You were running five minutes late, and now all you could think about is how unprofessional this would look and how unprepared you felt. You had spent countless hours working on your latest novel, and the idea of someone finding a fault in your writing was making you beyond anxious.
You rushed out of your apartment, taking the stairs two at a time. You reached the street just in time to see your uber pulling up to the curb. The driver gave you a nod and a smile as you climbed into the back seat. You smiled back politely but couldn’t find it in you to make small talk. Your mind was solely focused on your meeting ahead. You had been working on your latest novel for months, pouring your heart and soul into every word.
 
But as the meeting drew closer, you began to second-guess yourself. What if your editor hates your work? What if they find plot holes or inconsistencies that you have missed? The thoughts swirled around in your head like a tornado, and you couldn’t shake them off.
 
As the car pulled up to the publishing house, you took a deep breath and stepped out onto the street. You smoothed out your clothes and adjusted your bag, trying to regain some semblance of control. But as soon as you walked through the glass door, your anxiety escalated.
 
The meeting was difficult, but you felt it was successful. Your editor had a handful of constructive criticisms, but all in all, they loved your work. You let out a sigh of relief as you left the publishing house, feeling like a weight had been lifted of your shoulders.
 
You had decided to call your closest friends to go out and celebrate afterwards. They were always down to go drinking, for celebrations or to commiserate. As you walked towards the nearest bar in the city, your mind was still racing from the meeting. You couldn’t believe that your editor had loved your work, and you couldn’t wait to celebrate with your friends. You pushed open the door to the bar, the sound of laughter and music hitting you as you stepped inside.
 
Your friends were already there, waving to you from the corner of the room. You made your way over, taking a seat beside them. You could feel the nervous energy draining from your body as your ordered a round of drinks for the table.
 
As the night went on, the drinks kept coming. You let yourself relax completely, enjoying the company of your friends and the new sense of freedom that came with having your novel approved. The bar kept getting louder and more crowded as the night went on.
 
Your friends went to get some drinks, as you just wanted to sit and enjoy the atmosphere for a moment. As you were people watching, you saw a group of about five/six people all sitting together. Each one of them was more attractive than the next. But one specifically caught your eye. He was fairly tall, around 6-foot, mediumish brown curly hair, hazel brown eyes and a face sent straight from the Greek gods. You looked at him and you just couldn’t look away. As he caught you looking, he flashed you a smile that made your heart race. You quickly looked away, feeling embarrassed that you had been caught staring. But you couldn’t help but glance back, and you found that he was still looking at you, a playful smirk on his lips.
 
Suddenly, your friends were back at the table, loudly chatting and laughing as they set down their drinks. You tried to focus on their conversation, but you found yourself stealing glances at the handsome stranger across the room.
 
You turned back to your friends and as asked, “do you guys see that group of people? Do you think they are all like models or something?”
 
Both of your friends turned to look at the group of strangers, looking, more like judging, each one.
 
Lucy was the first to say something, “I think they are. Or whatever job they are in, requires them to look as beautiful as possible.”
 
Alice than spoke, “it almost feels like I’m dreaming. The two older guys are making me question myself.”
 
You chuckled at Alice’s comment. “What about the guy with the brown curly hair? He’s like the most attractive man I have ever seen.” You already knew their answers already, they would tell you how they agreed with you, but he wasn’t their type.
 
“He’s really hot, but the guy sitting next to him is my cup of tea.” Lucy said with a giggle.
 
Alice elbowed her and went “I thought you’d more go for the woman with the black hair. I’ve seen you flirt with women like her all the time.”
 
Lucy looked mildly offended, but in a jokey way.
 
You all laughed together, while still staring at the random group of strangers. You must have looked like a group of weirdos. You all returned to your drinks, and conversation about each of your days. But your attention kept drifting towards the beautiful stranger across the room, and you couldn’t help but wonder if he was interested in you too.
 
After some time, you excused yourself from the table, making your way to the bar. You ordered a drink and leaned against the counter, trying to act cool and collected. But as you turned around, you found the handsome stranger was standing right beside you.
 
“Do you make it a habit of staring at strangers and then, obviously, talking about those strangers?” He jokingly asked.
 
“Not really. Only when they all look like models but stand around like they work for the FBI or something.” You replied with a smile, and the feeling of your cheeks flushing with embarrassment. You couldn’t help but think that he was more even more attractive up close.
 
“Well, you guessed one of them right. We aren’t all models, but we do work for the FBI. So, were you and your friends all comparing us, seeing which one is more attractive?” He asked in a teasing tone, with a small smirk plastered across his lips.
 
“Woah, you work for the FBI? That’s so cool, I’ve written books about you guys. And yeah, maybe we were seeing which one of you is more attractive. But we all have different tastes, so we weren’t necessarily comparing, more saying which one we find attractive.” You replied, feeling a smile tug at the corners of your lips. You couldn’t resist the charm of the handsome stranger.
 
“Well, I hope you found someone to your liking,” he said turning to look at you fully. “Because I think I might have found someone of mine.”
 
“You have? Who is it? Is it one of my friends, because if it is, I have disappointing news. Also, I’m Y/N. I don’t normally introduce myself to strangers, but I am kinda drunk right now.”
 
“It’s not one of your friends,” he said, with a chuckle. “And it’s nice to meet you, Y/N. I’m Spencer. You’re smart for not giving out your last name, would be easy to track you down.”
 
“Is that a threat, Spencer? But don’t worry, I only give my last name out on like the second date with someone.” You say with some confidence.
 
“Not a threat, just a warning. You never know who you’ll meet in a bar,” he said, his eyes sparkling with humour. “So, Y/N, what brings you out tonight? Celebrating something?”
 
You hesitated for a moment, unsure if you wanted to share the news of your novel being approved with a stranger. But something in the way Spencer was looking at you made you feel like you could trust him.
 
“Actually, I just got my novel approved by my editor. It’s been a long time coming, and I needed to celebrate with my friends,” you said, feeling a little proud of yourself. “What about you, Spencer? What brings you out tonight?”
 
“Oh, just blowing off some steam with my colleagues. We’ve been working on a tough case for a while. I think we are all missing home.” His voice seemed to have some hurt behind it.
 
“Oh no. I’m so sorry. But you’ve come to probably one of the worst bars in the city to do that.” You were trying to lighten the mood again.
 
“Maybe you’re right. But this bar led me to you.” He said with a little chuckle.
 
Spencer’s words sent a shiver of excitement down your spine. You couldn’t help but feel drawn to him, despite knowing almost nothing about him. His hazel eyes sparkled with amusement as he watched you, and you found yourself smiling in response.
 
“Am I really that interesting, Spencer?” You asked, unable to resist teasing him a little bit.
 
“Of course, you are, Y/N. You’re smart, beautiful, and you’ve just had a major accomplishment. What’s not to find interesting?” he replied, his voice low and smooth.
 
As the night wore on, you found yourself constantly drawn back to Spencer. Your conversations flowed easily, and you couldn’t help but feel like you’d known him for years.
 
As the bar closed, your friends began to leave, but Spencer was still standing beside you. You could tell he was hesitant to leave, but you couldn’t tell if that because of you or something else entirely.
 
“Hey, do you want to go for a walk? It’s a nice night out,” you suggested, hoping he would say yes.
 
Spencer’s eyes sparkled with interest as he replied, “Sure, I’d love to. But I just need to make a call first. I’ll meet you outside in ten minutes?”
 
You nodded, feeling your heart race with anticipation. As you walked outside, the cool night air hit you, and you shivered in response. You wrapped your arms around yourself, trying to keep warm as you waited for Spencer.
 
When he finally emerged from the bar, you felt your heart skip a beat. He looked even more striking in the moonlight, and you couldn’t resist the urge to stare.
 
Spencer caught your gaze and smirked before walking up to you. “Ready to go?”
 
You nodded, still feeling a little nervous and excited at the same time. As you walked, you talked about everything and anything, from your favourite book to your childhood memories. You found yourself sharing things with Spencer that you had never told anyone before, and you couldn’t deny the connection you felt with him.
 
Spencer was different from anyone you had ever met. He was smart, funny, and kind, but also mysterious in a way that made you want to know more. You couldn’t help but feel a little intimidated by him, but also drawn to him like a moth to a flame.
 
“Did I hear you correctly earlier, saying that you’ve written books about the FBI?”
 
“I have. But I’ve never gone to get them published. They are always murder mystery books. But that’s not really what I write.”
 
Spencer’s eyes lit up with interest. “Really? What do you mean that’s not what you write?”
 
“I write typical romance novels. People tend to like them; I mean I’m not famous but I’m not unknown.”
 
Spencer looked at you with a newfound interest. “Romance novels, huh? That’s interesting. What inspired you make the switch from murder mysteries to romance?”
 
You shrugged, feeling a little embarrassed. “I guess it was just a personal preference. I wanted to write about love, and the idea of giving characters happy endings was really appealing to me.”
 
Spencer nodded, seeming to understand. “I can see why that would be appealing. It’s nice to have control over what happens in your own little world, even if it’s just in your writing.”
 
You smiled, feeling grateful for Spencer’s understanding. “Exactly. Plus, I love the idea of creating characters that people can fall in love with. It’s kind of like bring people together in a way, even if it’s just fiction.”
 
Spencer nodded thoughtfully. “I understand that you can’t control love or your own love story in real life. It takes a lot of skill to create characters that people can connect with on that level.”
 
“It takes a lot of skill to work for the FBI.” You say with a giggle.
 
Spencer chuckled, his eyes crinkling at the corners. “I suppose it does. But I’m just doing my job, like anyone else.”
 
You shook your head, feeling a sense of admiration for Spencer. “No, what you do is amazing. You and your colleague risk your lives every day to keep people safe. That’s something truly special.”
 
Spencer looked at you, his eyes softening. “Thank you, Y/N. That means a lot coming from you.”
 
As you continued to walk, you couldn’t help but feel a sense of closeness with Spencer that you had never felt with anyone before. It was as if he could see right through you, past all your insecurities and doubts, and still accept you for who you were.
 
As the night wore on, you found yourself slowing down, wanting to savour every moment with Spencer. You were afraid that once the night ended, you would never see him again.
 
“I’m guessing the case isn’t over yet, so you should probably get back to your hotel so you can get a rest.”
 
Spencer nodded, seeming to understand. “Yeah, we still have a lot of work to do tomorrow. But I don’t want this night to end just yet.”
 
You looked up at him, feeling a little shy. “Me neither.”
Spencer smiled, “Then let’s keep walking. I don’t want to say goodbye to you just yet, Y/N.”
 
Your heart fluttered at his words, and you couldn’t deny the attraction you felt towards his. As you continued to walk, you felt Spencer’s gaze on you, and you couldn’t help but feel a little self-conscious. “Is everything okay, Spencer?”
 
He nodded, his eyes never leaving your face. “Yeah, I’m just trying to figure something out.”
 
You looked at him, feeling a little confused. “What do you mean?”
 
“My friends, the people you saw at the bar, said I should try and not talk about work, and find someone who doesn’t work with us. I thought it was going to be difficult. But then I met you.” Spencer’s voice was low and intense, and you could feel his hot breath on your cheek.
 
You blushed, feeling a little overwhelmed by his sudden confession. “What are you trying to figure out, Spencer?”
 
“What this means. I mean I know what it means, kind off. But how someone so perfect, could just be sitting in a bar that I just so happened to go into. I mean I know the chances, it’s just so strange.”
 
You looked at Spencer, feeling the same way he did. It was as if fate had brought the two of you together, and you couldn’t help but feel grateful for it.
 
“I know what you mean,” you said softly. “It’s like we were meant to meet each other.”
 
Spencer nodded, looking at you with a mixture of awe and admiration. “I don’t want to let this chance slip away.”
 
You felt a surge of desire at his words, and without thinking, you leaned in and kissed him. Spencer responded immediately, his lips moving hungrily against yours.
 
You didn’t want to be cliché, you’re a writer, you’re good with words, but this kiss was magical. It was as though the world around you disappeared, leaving only you and Spencer in your own little bubble of passion and desire. You ran your fingers through his hair, pulling him closer to you as he deepened the kiss.
 
As the kiss ended, you looked into Spencer’s eyes, feeling a sense of contentment wash over you. You knew that this was just the beginning of something special, and you couldn’t wait to see where it would take you.
 
“I don’t want this night to end,” you said softly, feeling a little breathless.
 
Spencer smiled at you, his eyes shining with affection.  “Me neither, Y/N. Let’s not end it just yet then. Also, did you know you actually share less germs with someone if you kiss them, rather than shaking their hands?”
 
You chuckled, feeling a sense of ease with Spencer. “I guess that makes sense. But I don’t think we need an excuse to kiss each other, do we?”
 
Spencer leaned in, his lips brushing against your ear. “No, Y/N. We don’t need an excuse.”
 
“You know for been a member of the FBI and been in a place where you are having a practically rough case, you are pretty trusting.”
 
“Ahh. You see I work with the BAU, which is the behaviour analysis unit, so I read body language and such. I basically profile people, and you don’t seem like you’d murder or kidnap me. So, yes, I am pretty trusting when I can read someone so well.”
 
You smiled at Spencer, feeling a sense of jealousy and admiration for his skills. “That’s really cool. I wish I had your ability to read people like that.”
 
Spencer shrugged, looking a little embarrassed. “It’s just something that comes with the job, I guess. But it can be a double-edged sword sometimes. You start to see the worst in people, and it can be hard to trust anyone.”
 
You looked at him, feeling a sense of sadness at his words. “I’m sorry, Spencer. I can’t imagine how hard that must be.”
 
Spencer smiled at you, his eyes softening. “It’s okay, Y/N. I have good people around me, like you, who remind me that there’s still good in the world.”
 
“You think I’m a good person? You’ve only known me for around 2 hours, and you think I’m a good person. Well, I’m glad I’ve made a good impression on you.”
 
Spencer chuckled, his eyes crinkling in the corners. “Y/N, it doesn’t take long to recognise a good person. And you, my dear, are definitely a good person. I can tell by the way you carry yourself, the way you treat others, and the way you make me feel.”
 
You blushed, feeling a sense of warmth spread throughout your body. “Thank you, Spencer. That means a lot to me.”
 
Spencer leaned in, his lips hovering over yours. “And I want to you feel even better.”
 
He kissed you deeply, his hands caressing your body as he pushed you up against the wall. Spencer’s lips trailed down your neck, leaving a trail of heat and arousal in their wake. You gasped, feeling a sense of pleasure as he nipped and sucked at your skin.
 
“I’m sure someone who works with the FBI cannot get public indecency on their record. Do you want to continue this somewhere else, like your hotel room or my apartment?”
 
Spencer looked up at you, his eyes shining with desire. “My hotel room.”
 
You nodded, realising that the hotel was only two blocks down. You could feel the lust burning between the two of you, and you couldn’t wait to feel his hands on your body.
 
You made it to the hotel in no time at all, your hands already exploring each other’s bodies. Spencer’s lips trailed a burning trail of fire down your neck, and you could yourself shudder in his arms.
 
You pulled open the door to Spencer’s hotel room, turning the lights on as you walked through the doorway. Spencer followed suit; he pulled you closer to him, your hands never leaving your body.
 
Spencer pulled off your clothes slowly, exploring your body with his eyes. You felt a wave of desire wash over you as he looked at your body, and you wanted nothing more than to feel his hands on you.
 
Spencer’s lips were basically attached to your neck, and you could feel desire coursing through your body. You could feel his heartbeat thumping against yours, echoing the same rhythm that was currently coursing through your body.
 
“Do you know people who want to control every aspect of their life, often seek ways to lose control, for other people to control them? A lot of CEOs and bosses will go to professional dominatrixes to help them.”
 
“What are you saying, Spencer? Are you saying you like to be dominated?” You said in a teasing tone.
 
He kind of laughed at your comment.
 
“That’s not what I’m saying at all here. I think you would like to lose control.”
 
“Is that right?”
 
Spencer nodded, looking at you with a devilish smirk. “I think you would like to lose control. To know that you are completely at my mercy.”
 
You gave a short laugh, rolling your eyes. “Yeah, right. Spencer, I don’t think you know me at all.”
 
“I’m good at reading people. You’re a writer, and I bet that you like to control every aspect of your life. You write the plots, you decide the endings, and you feel that you have complete control over your life.”
 
You laughed, “You’re right, that’s me.”
 
“There’s nothing wrong with that, Y/N. And I’m not saying you are wrong for being that way. It’s just that I wonder what you would do if you were completely at the mercy of someone else. Seeing how you like to control everything, I bet you would love for someone to take that control.”
 
You smirked, biting your lip as you stared at him. “Hmmm, I think you might be on to something there.”
 
Spencer shook his head, a wolfish grin spreading across his face. “I wonder what you would do if I took control of you.”
 
“Try me.”
 
“I would love to try you, Y/N.”
 
Spencer’s lips claimed yours, and he pushed you down on the bed, his hands roaming over your body greedily. You moaned into his mouth, your body responding to his touch.
 
You could feel him hardening against you, and you wanted nothing more than to feel him inside of you. He pulled of panties, his mouth trailing a line down your body.”
 
“I want you to know that I’m going to be in control of you, Y/N. And you’re going to like it.”
 
He paused, “Do you want me to control you?”
 
You looked at him, your eyes glinting with desire. “Yes.”
 
Spencer’s eyes were dark with lust, and you could feel yourself getting wetter just from his gaze.
 
“I want you to know I’m going to do whatever I want to you.” He bit you hard on the neck, and you could feel your body tense with desire.
 
“And you’re going to let me.”
 
You nodded, wanting nothing more than his hands on you. He kissed you hard, his hands gripping your hips tightly. You could feel him crawling up your body, his erection rubbing against your wetness.
 
“You’re going to let me, because you’re going to love it.”
 
“I will.”
 
“You’re going to do everything I tell you to.”
 
“Yes.”
 
“You’re going to beg me to fuck you.”
 
“I am?”
 
“Uh huh. And I am going to make you cum over and over, until you’re begging me to stop.”
 
“Please, Spencer.”
 
You gasped as his fingers found your wetness. He pushed two of them inside of you, slowly pumping them in and out. You could feel yourself tightening around him, your hips bucking in sync with his fingers.
 
His lips trailing a burning trail down your body. He could tell how badly you wanted to cum, he was reading you like a book.
 
“Beg me.” Spencer’s eyes were dark with lust.
 
“Please, Spencer. I want to cum”.
 
“I know you can do better than that. Be a good girl, and tell me how badly you want to cum.”
 
“I want to come so fucking badly, please. Please, Spencer, let me cum.”
 
His pace fastened, you moaned at Spencer’s actions and his words. He moved his thumb towards your clit, he pressed down hard. He could feel you tightening even more around him.
 
You were so close to cuming, the anticipation of your orgasm was almost painful. Your pussy was dripping wet, and you could feel the juices flowing down your legs.
 
“I want you to cum for me.”
 
Your mouth dropped open, a loud and crude moan leaving your lips. Spencer’s name followed; you were almost singing it. Spencer couldn’t get enough of this. You looked so beautiful like this; this was all for him and he couldn’t believe he was so lucky to get to see you like this.
 
“That’s it, let it all go.”
 
Your orgasm hit hard. His kept nursing you through it, showering you with praises. His eyes kept looking over every inch of your body. The orgasm shook through you, your body shaking with desire. You felt him slide his fingers out of you, and you could feel your body shaking with desire.
 
He leaned over you, his lips brushing a kiss against your neck. He stood up, he was still fully clothed, and you felt exposed. You lay there, watching him take all his clothes off. It gave you the opportunity to look at his body, which you had already known was amazing, but you could appreciate it even more as you watched him in the dim light. He kicked his pants off and walked towards you.
 
“Spencer” You panted.
 
“I love the way you say my name.” He smirked. “Can you stand up for me?”
 
You gently nodded your head, even though your legs felt a little bit like jelly, you wanted to stand for him. You pushed yourself up off the bed, you stood there, looking at him, your eyebrows shot up when you saw the look on his face. He looked at you like he was going to eat you alive, and that sent a shiver down your spine.
 
“That was only one of many, but I feel like I deserve a reward. Don’t you?”
 
You nodded your head once again.
 
“Okay, I’m glad. Now I want you to be a good girl and get on your knees for me, is that okay?”
 
You nodded your head, your breath quickening.
 
“Good girl, now I want you to take my cock out, but don’t touch it.”
 
You slowly sank to your knees in front of him, watching as his eyes roamed over your body.
 
He felt himself get harder, the look in your eyes made him feel like the king of the world.  
“Take it out.”
 
You heard him moan in appreciation. You slowly pulled down his boxers, watching as he carefully stepped out. You reached out your hand, wrapping your fingers around him.
 
“I didn’t say you could touch it just yet, did I?”
 
“No, sorry.”
 
“Don’t apologize, just tell me you won’t do it again.”
 
“I won’t do it again.”
 
“Good girl.” He smirked. “Now I want you to put my dick into your mouth.”
 
You heard him hiss as you took him into your mouth. He kept looking down at you and you could see the lust in his eyes.
 
You could feel yourself getting wetter, just hearing him moan was enough to drive you wild. He fucked your mouth, and the way he moved in and out, would make anyone cum.
 
“That’s it baby,” he moaned. “I want you to suck my cock until I cum in your mouth.”
Your heart was racing. You could feel his dick twitching in your mouth.
 
You ran your tongue over the head and feeling him shudder under your touch.
 
 “Oh yes, just like that.”
 
“You’re doing so good.” He panted. “I’m so fucking close.”
 
You tried to take him deeper into your mouth, but it was hard.
 
“I’m going to cum.” He moaned.
 
Your mouth filled with his sticky cum. He moaned out loudly, before he pulled himself out of your mouth. You looked up at him, and he smiled down at you.
 
“You look so beautiful like this. I’m so lucky that I will be able to relive this image over and over again.”
 
“I want you to lay on the bed. But do not touch yourself.”
 
You did as you were told. You can’t believe a man this hot was having sex with you, you could barely believe that he knew exactly what to do to you.
 
He climbed on the bed, his kissed you, his tongue fighting for dominance in your mouth. He started to kiss you all the way down your body, your body felt like it was on fire. His mouth finally landed on your clit, his fingers found their way back to your pussy.
 
“I love how wet you are.” He moaned. You could feel the vibrations from his mouth against your clit, making the pleasure even more intense.
 
You were moaning uncontrollably. Your hips were rocking against his face and fingers. You knew you were getting close.
 
“Fuck, I’m going to cum.” You moaned.
 
He kept working his mouth against your clit, and his fingers against your pussy. He knew exactly what you needed.
 
“Come for me baby.” He moaned.
 
Your back arched, you moaned out his name. He moaned against you, the vibrations adding more to your orgasm. He slowed down as your orgasm slowed down. He gently blew on your clit, causing you to squirm.
 
He pulled himself up, kissing you passionately on the lips, his tongue exploring your mouth. His hands glided down your body. You were in total bliss, everything about this man was perfect.
As you thought you were actually in heaven, you heard a phone ringing and Spencer got off the bed. He grabbed his phone and walked into his bathroom. He was in there for a few minutes. He walked out with a sombre look on his face.
 
“I’m so sorry, there’s been a lead in the case, I have to go. You can stay here for the night if you want to, but if you don’t, please leave your number. This can’t be the last time I see you.”
 
You nodded; you felt a wave of sadness wash over your body.
 
“I’ll give you my number, I think I’ll head home. I don’t want this to be the last time I see you either.”
 
You read your number out to Spencer and started to get dressed. He gave you a quick kiss on your cheek and left. You felt hopeful you’d see Spencer again, but it still hurt that you wouldn’t be falling asleep in his arms today.
————————————————————————
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hopelesslygaysstuff · 3 months
Text
50 Shades of Red || Chapter 1
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pairing: Wanda Maximoff x Natasha Romanoff
summary: A reimagining of 50 Shades of Grey, featuring a healthy, consensual relationship and safe BDSM scenes. And lesbians, of course. Wanda meets Natasha, and their captivating story begins.
content warnings: none
word count: 4.9k+
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comments and reblogs are always appreciated! happy reading ♡
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Chapter 1
Wanda frowned, running her fingers through her hair. The auburn locks mocked her, laying over her shoulders as she ran her eyes over them. There was something wrong, whether it was the curls or the style, Wanda couldn’t tell. Whatever, fuck her hair, and fuck her roommate for getting sick. 
A groan sounded out from the other room, and Wanda let her frustration slip away. It wasn’t Kate’s fault for getting sick, but it just so happened to be at the most unfortunate time. Really, Wanda should be studying for her finals, her textbooks laying open on the kitchen counter. But instead, she was here running her fingers through stubborn hair and mentally cursing out her roommate as she searched for a hair tie. 
The only thing that would save her appearance now was a ponytail, high on her head. Anything to give the illusion of confidence. At least her slight curls would give her hair some dimension. 
Sighing, Wanda let herself look away from the mirror, catching a glimpse of dark circles under her normally vibrant green eyes. Were her cheeks more hollow than usual? She couldn’t tell, but judging by the way her stomach rumbled, she knew she had forgotten about eating in favor of studying for the past few weeks. 
Swiping some concealer under her eyes, Wanda dabbed the product into her skin as she walked towards the living room. Kate was a good roommate, always cleaning up after herself and offering Wanda ice cream after every failed date she went on. But truly, she’d chosen the worst time to get sick. Wanda had volunteered, of course, but interviewing some rich multi-millionaire was not high on her fun list. 
“You’re a lifesaver, truly,” Kate mumbled, her flushed cheeks appearing over the arm of the couch. She’d been running herself ragged, trying to write papers and organize some questions for this interview. It was at Romanoff’s Global Enterprise, a special section for the school newspaper. Goddamn Kate and all her extracurriculars. Now, instead of losing herself in textbooks and notetaking, Wanda was driving 165 miles into Seattle in her shitty old Honda. 
Evidently, the CEO she was meeting today was an enigmatic and charming woman, one of the youngest millionaires in the country. Natasha Romanoff. God, even her name sounded rich. 
“I’m so sorry Wanda,” Kate’s voice was raspy, and Wanda filled a glass of water for her. “This interview took me months to get, and by the time I would be able to reschedule, we’d both be graduated. You know I’m the editor for the newspaper, I can’t give up this opportunity. I’m not even kidding, it's the chance of a lifetime.” Her eyes were wide and red-rimmed. Even though she looks like she’s on death's door, Kate still manages to have flawless skin and long, flowing hair. Wanda feels a pang of sympathy, bringing the glass of water over and swiping a bottle of NyQuil from the counter. 
“It’s okay, Kate. I promise. Take this and go the fuck to bed, you look like you’re seconds away from passing out.”
“Fine, but here are the supplies you’ll need,” Kate reaches for her bag, pulling out a recording device and a printed stack of questions. “Just hit record and ask all these questions, I’ll transcribe everything later when this fever goes away and I can finally think straight.” 
Wanda suppresses the wave of panic that rises in her, taking the questions and recording device with slightly trembling fingers and tucking them safely in her messenger bag. She wouldn’t do this for anyone else, only Kate. 
“Go to bed, I’ll be fine,” Wanda says, her voice not sounding as confident as she’d like. 
Giving her a knowing look, Kate shuffles off towards the bedroom, a blanket wrapped around her. “You’ll be fine, just ask the questions and that’ll be enough information to get you through the interview. And Wanda,” Kate pauses at the door, her tired gray eyes finding green. “I can’t thank you enough.”
“I’d better get going,” Wanda smiles, her hands shooing her roommate through the door. “It’s a long drive, and I don’t want to be late.”
“Good luck, you’re my favorite roommate.”
“Kate, I’m your only roommate.”
The drive is easy, not many people are up this early. The trees whizz past, Wanda’s foot never leaving the gas pedal as she makes her way towards the city. She doesn’t have to be at the interview until two this afternoon, but there’s something intoxicating about driving 15 miles over the speed limit on a bare highway. 
Pictures of a tall, curved glass building float through Wanda’s mind. She was certain that the pictures of Romanoff’s Global Enterprise on Google didn’t compare to the actual building itself, and she brushed off the waves of anxiety building inside her chest. 
It’s a quarter to two when Wanda pulls her car in front of the building. The reflective glass stares down at her, the top of the building too high to see without craning her neck. Large lettering spells out Romanoff above the entryway, and Wanda feels her fingers trembling as she hands her keys to the valet driver. Honestly, a valet driver? How much more over the top could this day get?
Walking into the lobby, Wanda hears the muted click of her low heels as she tugs her dress shirt down. A tall blonde woman walks towards her, a smile plastered on her face as her eyes rake up and down Wanda’s body, no doubt judging her outfit. The woman looks pristine, with a slicked-back ponytail and a subtle hint of mascara. Her blazer is sharp and tailored, and Wanda fights the urge to tug her dress shirt again. 
“I’m here to see Ms. Romanoff, my name is Wanda Maximoff,” The statement comes out as more of a question, and Wanda blushes under the scrutinizing look the blonde gives her. 
“One moment, Ms. Maximoff,” the woman says, her perfect brow arching slightly as she appraises Wanda one last time before turning her attention to the large iPad in her hands. She swipes a few times, a small smile gracing her features as she finds what she’s looking for. 
“Ah, Ms. Bishop was expected, but I see that was changed last minute. Right this way, Ms. Maximoff,” the woman turns, walking confidently towards the elevators. “If you could sign this, please.”
The blonde hands Wanda the iPad, and she quickly signs her name. It looks illegible, and Wanda hopes her signature isn’t going anywhere except to the security office for verification. She fights the urge to fix her ponytail, her eyes landing on the blonde woman’s slicked-back hair tied high on her head. Maybe a quick tightening of her hair tie wouldn’t hurt.
“Press the button for floor twenty.” The woman turns, catching Wanda’s hands as they shoot down from adjusting her ponytail. A graceful smile spreads across her face, “Have a good interview.”
Wanda thanks her, accepting the badge the blonde hands her. It has the words VISITOR stamped across the surface. Awkwardly adjusting the badge until it’s pinned to her jacket, Wanda scoffs internally. As if anyone in this building didn’t already know she was only a visitor. She might as well write the word on her forehead to go along with her outdated shoes and slightly too-large jacket. 
The elevator ride is quick, shooting up towards the twentieth floor smoothly. Wanda is greeted by the sight of yet another pristine, clean lobby. Another blonde woman sits behind a desk, quickly rising as Wanda steps out. 
Running a hand over her hair, Wanda reaches into her bag. She’s never felt self-conscious about her hair before, but after seeing no less than five impeccably dressed blonde women, she can’t help but think she sticks out like a sore thumb. 
Pulling out the recording device and the slightly crumpled stack of questions, Wanda curses herself for not researching Ms. Romanoff. The woman could be ninety years old for all she knew. She hadn’t searched up her name at all, and fights the urge to smooth down her shirt as she glances towards the receptionist. 
The upcoming one-on-one interview looms in the front of her mind, nerves causing her fingers to systematically rub the pages in front of her. Wanda hated attention being focused on her, much preferring the anonymity of a group discussion or a crowded room. Sitting on hard white leather chairs and staring at the city skyline from a large floor-to-ceiling window was not something Wanda would consider as a happy place. 
Wanda wonders if Ms. Romanoff insists on all her employees being blonde as yet another smartly dressed woman appears from around the corner. The blonde’s eyes glance towards her, doing a subtle double-take before smoothly stepping towards her. 
“Ms. Maximoff?”
“Yes,” Wanda hopes her voice isn’t trembling too badly. 
“Ms. Romanoff will see you shortly, can I offer you a refreshment? Coffee, tea, water?”
“Water is fine, thanks.” Her throat is suddenly parched, and she takes the cup from the blonde woman gratefully. 
“She will see you shortly.” The woman says, a small smile plastered on her face as she turns and walks towards the desk. She sits next to the other blonde woman, her attention focused on the computer before her. Wanda wonders if she should call them Thing One and Thing Two as the clacking of a keyboard fills the empty, sterile feeling space. 
A door opens, a tall man stepping through as he chuckles at something. He bids a brief farewell, barely glancing at the blonde woman, who Wanda notices has jumped to their feet in his presence. They seem nervous, one woman ushering the man towards the elevator while the other hurriedly gestures for Wanda to stand. 
“Ms. Romanoff will see you now,” she says and pushes Wanda towards the open door.
Wanda walks through the door, one hand gripping the recording device and the other holding the stack of papers close to her chest. She steps through the door, catching a glimpse of a large office with floor-to-ceiling windows, before she promptly trips. 
Her palms catch her, the papers flying from her hands as the recording device clatters to the floor. Fuck. This was a terrible first introduction. 
The sound of heels steadily approaching reaches Wanda’s ears, and she feels her face burning as she scrambles to pick up the items now strewn across a polished marble floor. Bracing herself, she manages to glance up. 
“Ms. Bishop,” A long-fingered hand is extended. “I’m Natasha Romanoff, are you alright?”
Holy shit. Wanda finds herself speechless, her lips parted as her mouth hangs open slightly. She quickly gathers the rest of the papers, gratefully taking the cool hand with her own as she stands. 
Ms. Romanoff is absolutely stunning. There are no words to describe her, and Wanda feels herself taking in the woman’s appearance. Long legs and a tight, black pencil skirt, an hourglass figure that means this woman spends countless hours in the gym, and a dark green button-up shirt with just enough buttons undone to show the barest curve of her chest. Blinking, Wanda feels herself flushing further, the sight of Ms. Romanoff’s rolled-up sleeves and bare forearms sending her head spiraling. 
“I’m okay,” Wanda manages, feeling her breath catching. She finally manages to drag her eyes toward Ms. Romanoff’s face, finding the barest hint of a smirk and kind, vibrant green eyes. She’s mildly surprised to see dark red hair, and she suddenly doesn’t feel as out of place as she did before. 
Looking down, Wanda startles at the sight of a hand still outstretched. She takes it, shaking firmly as a spark of something runs through her fingertips. It travels down her spine, filling her with warmth. 
“Um, it’s actually Wanda,” she begins, flushing under the sharp eyes that remain locked with hers. “Um, Maximoff. Wanda Maximoff. Kate, I mean Ms. Bishop is sick so… here I am.” She concludes lamely, the barest hint of amusement in Ms. Romanoff's eyes. 
The silence stretches, and Wanda finds herself speaking again. “I study English literature. With Kate, I mean um… Ms. Bishop. At school. Our school, Washington State. I hope you don’t mind that I’m here.”
“I don’t mind.” is all Natasha says, and she gestures towards a leather L-shaped couch. “Would you like to sit?”
This office is far too big for one person, a large desk near the center of the room. Wanda assumes it’s Ms. Romanoff’s. She walks towards the corner of the office, large glass windows extending around the couch and a few comfortable-looking chairs. There’s a dark mahogany desk, with enough chairs to seat a dozen people all around it. She wonders if Ms. Romanoff ever leaves this office, and takes in the minimalistic artwork hanging on the walls. 
“The table was handmade by a local artist,” Ms. Romanoff says, her head tilting when Wanda looks back at her. She flushes, knowing that the woman had been watching her look around the room. 
“It’s beautiful,” Wanda murmurs. “Seemingly ordinary resources crafted into something exquisite.” 
“I couldn’t agree more,” Natasha agrees, her voice low and sounding like melted butter. Wanda finds herself blushing at the sound. 
Distractedly, Wanda sinks onto the couch as Ms. Romanoff gracefully sits on one of the black leather chairs across from her. Her fingers fumble, dropping the recording device onto the wood roughly. The blush must be semi-permanent at this point, spreading across her cheeks and over the tips of her ears as she turns the recording device on. Finding the first page of questions, Wanda realizes that she never read the questions in advance. 
Off to a great start, then.
“I apologize,” Wanda lets a hand run along the side of her head, a ghost action of tucking her hair behind her ear. “I’m not really used to this.”
“Used to what?”
“One-on-one interviews, they feel oddly intimate. I’m much more acquainted with blending into the wall in a crowd.” 
“Take all the time you need,” Ms. Romanoff says, a small smile on her face. “I’m ready when you are.”
“Do you mind?” Wanda gestures towards the table, “I would like to record your answers for my roommate, I mean… Ms. Bishop.”
Ms. Romanoff smirks widely at that, amusement dancing on her flawless features. “You already started recording, now you’re asking for permission?”
Is she teasing? It sounds like she’s teasing, but Wanda is too flushed with embarrassment to really place the emotion behind Ms. Romanoff’s words. The woman takes pity on her. 
“I don’t mind.”
“Did Kate, uh… Ms. Bishop explain what the interview was for?”
“Yes,” Natasha settles into her seat, a faint look of boredom overtaking her face. “This interview will be placed in the school newspaper as a feature article since I will be the featured speaker at this year's graduation ceremony.”
Oh. Kate had forgotten to mention that little detail. Wanda hoped the surprise at the news wasn’t showing on her face. 
“Oh, good,” Wanda cleared her throat. “In that case, let’s begin.”
“Yes, let's.”
Is she… teasing? Again? Wanda feels as though she’s been thrust into an alternate dimension. She sits up straighter, squaring her shoulders in an attempt to look more confident than she is. Professional, that’s what Wanda is hoping to achieve. 
“You’re very young to have amassed such an impressive empire.” The words feel almost monotone. Scripted. “To what do you owe your success?” Wanda glances up, and Natasha’s smile falls into a vague look of disappointment.
“In short, business is all about people. I excel at knowing what makes a person tick, and I am an excellent judge of character, Ms. Maximoff. I know how to inspire, and most importantly, how to incentivize.” Natasha’s dark green eyes lock with Wanda’s, pinning her to her seat. “I believe that I must know every detail in order to achieve success, knowledge is power after all. I make my decisions based on logic, not feelings. In short, I know people. I know how they tick, and I know how to inspire them.”
“Well,” Wanda flounders, the answer sounding rehearsed to her ears. God, this woman is arrogant. “Maybe you’re just lucky.”
A startled look flashes across Ms. Romanoff’s face, surprise appearing in her eyes momentarily before it’s brushed away. “I don’t believe in luck, Ms. Maximoff. I believe in my own abilities, and I believe in the team that surrounds me. I select only the best to work for this company, and that is the reason for my success.”
“You sound like someone who is obsessed with control,” the words escape Wanda’s mouth before she can restrain them. 
“I exercise control in all things, Ms. Maximoff,” Natasha says, not a glimmer of humor in her words. Her steel gaze locks with Wanda’s, impassive as she watches Wanda flush again.
“Oh, I didn’t mean it like that.”
Natasha continues as if she never heard Wanda speak. “Immense power is only acquired by those who are convinced that they have the ability to control the things around them. 
Immense power? Yeah, total control freak.
“So you believe that you have immense power?”
“I employ over fifty thousand people, Ms. Maximoff. I am responsible for all of them. This responsibility gives me a certain sense of power. If I decided that a department wasn’t needed one day, such as a social media section of my team, hundreds of people would struggle to find a replacement job. So yes, I have power.”
The complete lack of humility and apparent empathy causes Wanda’s mouth to open, her lips parted slightly in disbelief. 
“Is there a board you answer to?”
“I own this company. I don’t answer to anyone.” Ms. Romanoff raises a single eyebrow. 
Wanda feels herself flush yet again. If she had done any research, she's certain she would have known the answer to that question beforehand. She changes the topic. 
“What are your interests outside of work?”
The sharp curve of Ms. Romanoff’s eyebrow suggests that she knows what Wanda is doing, but the woman answers the question gracefully. 
“I have many varied interests outside of work,” Natasha’s tone is bordering on playful, the slight curve of her lips almost teasing. 
“Well, what do you do to relax?” Wanda asks, rephrasing her question. For some reason, the previous answer sent a flush down her spine. 
“Relax?” Ms. Romanoff sits back in her seat, the heat of her gaze never leaving Wanda’s. “I engage in multiple physical pursuits. I’m a wealthy woman, Ms. Maximoff, I never tire of looking for hobbies.”
Not knowing how to respond, Wanda glances at the next question. 
“You invest in engineering, why?”
Ms. Romanoff’s response is quick and practiced. “I enjoy the creation of things. I like knowing how they work, what makes them tick. How to build and create. I enjoy the process of creating something, adjusting to flaws, and perfecting things.”
“That sounds awfully sentimental.”
“Does it?” That damned subtle smirk is back, and Wanda looks down at the page in front of her. “There are many who say I don’t have the heart for sentiments.”
That makes Wanda look up. There’s a curious expression on Ms. Romanoff’s face. It disappears before Wanda can decipher it. 
“Would your friends say you don’t have a heart?” Fuck. That wasn’t on the list of questions. Kate is going to kill her. 
“Why would you presume they say that?” 
“I assume they know you well, and you’re easy to get to know…” Wanda responds, her heart thudding. 
“Well,” Natasha leans forward slightly. “I’m a very private person, Ms. Maximoff. I go to great lengths to ensure my privacy is well maintained. There is a reason I don’t often give interviews.”
“Then why did you agree to this one?” The question escapes Wanda’s lips before she can stop it, her curiosity taking over.
Natasha leans back, crossing a leg delicately over the other. “I’m a generous benefactor to your University, and in all honesty, Ms. Bishop was extremely insistent. She was relentless in her communications with my PR and assistants, and I admire her motivation.”
Fully aware of how tenacious Kate could be, Wanda curses her out mentally. Instead of studying for her finals, she was sitting in this cold, expensive office and interviewing a successful, rich woman not much older than her. 
Wanda glances at the next question. 
“Do you have a philosophy you live by? If so, what is it?” 
“It's not so much a philosophy as a guiding principle. As Carnegie said, ‘A man who acquires the ability to take full possession of his own mind may take possession of anything else to which he is justly entitled.’ I like control of myself and those around me.”
“You sound like the ultimate control freak.”
Ms. Romanoff smiles sharply, a dangerous look appearing in her eye. “I suppose I am.”
Swallowing, Wanda feels as though the woman seated across from her is talking about something else entirely. She can’t quite pinpoint what it is. It frustrates her to no end, but Wanda just shakes her head and continues with the questions written before her. 
“You were adopted,” Wanda pauses, this information is a surprise to her. She risks a glance up. Ms. Romanoff’s face is impassive. “How do you think this shaped the person you are today?”
Biting her lip, Wanda hoped she didn’t cross any lines. Ms. Romanoff doesn’t seem to be offended, but her brows furrow slightly. 
“I have no way of knowing, Ms. Maximoff. My adoptive family is all I’ve ever known.”
“How old were you when you were adopted?”
Natasha’s lips curl into a wry smile. “That is information available by public record.” Her tone is stern, her words sharp. Wanda immediately flushes, feeling like hitting her own forehead against a solid surface. Repeatedly. 
If only she’d done some research ahead of time. Well, no time to dwell on the past. Wanda speaks quickly, suddenly wanting this interview to be over. 
“Does your family life encroach on your work?” 
“It does not.” Ms. Romanoff’s tone is flat and hard, her response quick. 
Wanda feels red-hot embarrassment slink down her spine. She should have looked over these questions ahead of time. Curse her inability to think ahead. She barely glances at the next question before the words are spewing from her lips. 
“Are you gay?”
Ms. Romanoff blinks. Wanda feels her eyes go wide, darting down to the paper in front of her. Why the fuck is that question in here? Why didn’t Kate warn her, or… matter of fact, why did Kate think that was an appropriate question to ask?
“I’m so sorry, I didn’t…” Wanda trails off, her flush returning. “I didn’t know that was a question. You don’t have to answer that, I’m sorry. Let's move on.”
“I am.”
Wanda’s head shoots up so fast she strains a muscle. It shoots painfully down her neck, but the only thing she’s focused on is the dark green of Ms. Romanoff’s unwavering gaze. 
“You didn’t write these questions.” It’s a statement, and Wanda finds herself nodding. 
“Like I said before, my roommate was supposed to interview you today. These are her questions, for our school newspaper.” Wanda feels her fingers clenching the paper. She hopes she isn’t thrown out of the office. She couldn't bear the shame and judgemental looks the blonde assistants would surely send her way. 
“Are you also a part of the school newspaper?”
“No, I-” Wanda falters, wincing at the dull tone in Ms. Romanoff’s words. “Kate asked me to come since I’m her roommate. She had no other options.”
“That explains a multitude of things,” Ms. Romanoff’s voice is quiet, her eyes boring into Wanda’s.
A soft knock sounds out, the door swinging open as blonde thing number one steps into the office. Wanda immediately resents her presence, a strange atmosphere encroaching on the space she was occupying. 
“Your next meeting is in five minutes, Ms. Romanoff,” The assistant says, not sparing a glance towards Wanda. 
“Cancel it, we’re not done here.”
Wanda looks up, her hands already preparing to sweep the recording device into her bag as she makes her escape. The assistant is gaping, her eyes flicking between Wanda and her boss. Natasha raises a single eyebrow, and the assistant bows her head slightly before leaving and gently shutting the door behind her. 
“I hope I’m not taking up valuable time,” Wanda says, her hands still hovering over the recording device. 
“You aren’t. Besides, I want to know about you.” Ms. Romanoff tilts her head slightly, her lips turning up slightly. “It’s only fair, after all.”
That damned flush makes itself known once again, traveling over Wanda’s cheeks and down her neck. She folds the corner of her paper, the crease sharp beneath her fingers and she bites her lip briefly. 
“There’s not much to know, I’m afraid.”
“I’m sure that’s not true.” Ms. Romanoff’s eyes are sharp, assessing. “What are your plans after graduation?”
Wanda recognizes the escape for what it is and seizes it wholeheartedly. “I don’t have any plans, I’m too focused on exams at the moment.”
“I see,” her voice is low, her posture relaxed, and her eyes piercing. Ms. Romanoff uncrosses her legs slowly, leaning forward slightly. “We offer an excellent internship program here.”
Letting out a soft chuckle, Wanda smiles slightly. “I’m sure you do. Although, I’m not sure I'd fit in here.”
“No?” Her head tilts again, green eyes unwavering. Wanda feels trapped suddenly, the weight of the woman’s gaze pinning her to the couch. She lets out an uncomfortable cough. 
“Isn’t it obvious?” The statement is evasive, but Ms. Romanoff answers without hesitation. 
“Not to me, it isn’t.” Her gaze is heavy, eyes all-knowing and locked on Wanda. There’s a new sort of tension in the air, all traces of awkwardness gone and replaced with something heady. It’s making Wanda’s head spin, and she breaks eye contact with some effort. Reaching towards the table, she turns the recording device off, placing it gently into her bag. 
The tension breaks, Ms. Romanoff standing slowly as Wanda shoves the papers into her bag. 
“Would you like a tour?”
Wanda pauses, her hands stilling. Why is she asking that? Isn’t she the CEO of the company?
“I’m sure you have many other important things to attend to, Ms. Romanoff. Besides, I should get on the road before it starts raining too heavily.” Wanda glances out the window, taking in the dark clouds on the distant horizon. 
“You’re driving back to campus today?” Ms. Romanoff sounds almost concerned. Wanda tries not to stare at her in shock, blinking quickly. The woman clears her throat, an authoritative tone taking over as she speaks. “Be careful.”
“I will. Thank you for the interview.” 
“The pleasure is all mine,” she says, polite and dismissive. 
Wanda stands, closing her messenger bag. She takes in the woman in front of her, letting her eyes glance over the impeccable outfit the woman has put on. Truly, she should be taking notes on how to dress in a business formal manner, and she’s got the perfect model in front of her. Blinking that thought away, Wanda takes in the small smile creeping onto Ms. Romanoff’s face. 
“Until we meet again, Ms. Maximoff,” she holds out her hand, gripping Wanda’s fingers in a gentle yet firm hold. 
Will they meet again? Wanda can almost guarantee that they won’t, but something in Ms. Romanoff’s eyes tell her differently. She shakes it off, labeling it as nerves running rampant through her mind. Of course, they wouldn’t meet again. A classic case of a rich, hot CEO meeting a poor college student, their paths crossing once and never entangling again, akin to a set of perpendicular lines. 
“Ms. Romanoff,” Wanda nods slightly, letting the woman walk her to the door. 
Opening it wide, the woman holds out a hand. A small smirk graces her features. “I am averse to my guests tripping more than once in my presence, and I’d like to ensure your safe journey from my building, Ms. Maximoff.”
“Well,” Wanda flounders for a moment. “That’s very considerate of you.”
At least someone is amused, Wanda thinks as she steps through the door. She considers shooting a victorious glance back at the woman, but decides that the action would be too childish. 
Evidently, Ms. Romanoff doesn’t often escort her guests from her office, judging by the surprised looks the blonde assistants shoot their way. It all seems quite suffocating for a moment, and Wanda takes a deep breath. 
A hand on her shoulder halts the escape she is about to make. The warmth from Ms. Romanoff’s firm fingertips sends something intoxicating through Wanda. She hopes the ensuing shiver isn’t too obvious. 
“I have to swipe my card for the elevator to work on this floor,” Ms. Romanoff explains, pressing the down button. 
Of course. That makes sense. Then why is her hand still resting on Wanda’s shoulder? 
Almost as if she’s reading Wanda’s mind - or maybe her body language - Ms. Romanoff releases her hold. Her fingers linger briefly, tracing briefly over her arm as she fixes Wanda with a look. 
The elevator doors open, and Wanda gratefully steps through. Turning, she sees Ms. Romanoff leaning casually against the wall. The sight is attractive, and Wanda finds her eyes lingering on the exposed forearms crossed in front of her body. 
“Wanda,” the woman says, a goodbye, but without a note of finality.
“Natasha,” she replies. 
The doors close.
Next Chapter
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Dm or comment to be added!
Taglist: @alexawynters @msvenablesbitch @marilynthornhilllover @lifespectator @milkeeteaa @imnotawitch @marvels--slut @justabrokensunshine @dorabledewdroop @wandsmxmff @esposadejoyhuerta @captivepotato @justarandomreaderxoxo
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madockisser · 9 days
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cardan/nicasia: why they’ll never happen again analysis/speculation
a while back i saw someone (or rather, a thread of ppl saying that they hope cardan and nicasia don’t get it on in the next book which is supposed to be nicasias book (supposedly) and i even saw someone say they WISH THEY DO ?!
so here’s your fun reminder of what nicasia put cardan through!
I’ve gathered together all the shit nicasia did to cardan: being the first girl he loved then breaking his heart w his friend, allowing cardan to catch them ON HIS BEDROOM FLOOR. (not entirely her fault but she totally had shits and giggles abt it when cardan confronted her) then when Locke screwed her over, she got CARDAN and his power as prince, to harass the girl(s) locke chose over her, one of which cardan liked, then later on was trying to manipulate him to marry her (which i think is when cardan realized they weren’t rly even friends anymore), THEN kidnapping and torturing the girl she knew cardan loved, AND befriending his abusive neglectful mother!
like damn. how u even fumble that bad, not just romantically but as a friend.
also I’d like to add her consistent entitlement, not just the whole “i bully girls bc I’m a princess and i can!” but the “cardan take me back even after i emotionally ruined you multiple times!” 😐
poor cardan
anyway, I’ve read lots of holly black books, and she is VERY mindful w abusive sort of relationships. and cheating relationships. she writes about them a LOT and each time they are pretty irredeemable.
note(the only exceptions):Taryn and hazel (darkest part of the forest) who sorta cheated on accident/ it wasn’t their fault-> but didn’t end well
add on note sorry: “but nicasia cheated on cardan on accident bc Locke was a gancanagh!” false! nicasia admitted that what her and Locke were doing was prolonged, the scene that cardan finds them is not their first time screwing around. nicasia KNOWINGLY cheated on cardan. then she was like “ok but i still care abt u! take me back” ?
now you can say that it could sorta be classified as an accident due to lockes natures (which are actually really disturbing if u think abt it) and that’s true, i never blamed nicasia for that relationship, but i do blame her for all the utter dogshit she not only put cardan thru, but Jude.
and this is cardan we are talking about. he who killed half an army for Jude when madoc tried taking his daughter back (sounds funny out of context).
we must remember that cardan does not want Jude hurt and humiliated and that’s exactly what nicasia went and did to Jude. through all the books bro. nicasia literally kidnapped and tortured Jude in the undersea so there’s 0 chance of cardan touching nicasia unless maybe to turn her into a tree again (but he can always just do that at a distance 😛)
anyway back to the cheating:
which is why i know that holly would never pull any sort of bull w cardan and nicasia, and you may be thinking (well that’s bullshit what do u know?) 3 separate books w cheating tropes, and 5+ diff relationships that involve cheating w no redemption. LOL
anyway black and i certainly agree on that front, and the way she uses the trope so consistently, and makes it so the cheaters are never endgame, or have a horrible death (Locke AND his mom, also Eva Duarte 😭the dude Ben dated from dpotf, and Kaye and that guy Janet was dating, Val and Tom and dave and lolli (modern faerie tales)) is pretty telling!
holly is great at writing healthy relationships, and she knows that tcp is her biggest hit w the media, so she won’t go and fuck that, not just bc she would never and it’s out of her writing style and character and literally moral compass when it comes to writing relationships, but also bc her publishers/editors would NEVER let that slide.
but i can’t wait for her book! i love knowing that nicasia will never have a chance w cardan again, it’s no less than what she deserves 😋
anyway sorry for ranting! I just feel so strongly abt this topic, cardan would never cheat on Jude, since he’s been cheated on before, and it was heart wrenching, and bc of his upbringing, he would never. if you haven’t, go thru my masterlist in my pinned and find the cardan /nicasia thing where i explain why he wouldn’t cheat far better there!
But feel free to add on, i probably missed a few things so lmk!! 🫶
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genericpuff · 15 days
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think rachel needed the hire a bunch of writers instead of drawing assistants after season one so she could focus on one part and not get burnt out while someone else kept track of and developed all her plot points in a lore Bible or something
Honestly yeah, LO is a huge example of why the Webtoons' editors don't actually function as editors, more so just messenger pigeons between the creators and the company who are there to make sure creators are following ToS and otherwise answering questions on behalf of the higher-ups for the creators. And this is especially wild for something like LO because 1.) you'd think the #1 webtoon on the platform would be given all the resources it needs to succeed, and 2.) LO's editor in the end was Bre Boswell who actually has a background in television writing (and yet ironically, the series only got worse after Bre suddenly replaced the previous editors around Ep 100).
Rachel's strong points have always been in conceptual design and illustration. Despite this, LO's own iconic design and illustration aspects that made people fall in love with it in the first place were lost after it became as big as it did. I know folks will argue that LO's production was purely the fault of Webtoons' insane deadlines, but her writing has always been her weakest point and that's evident in all of her previous works prior to LO. She's good at coming up with standalone ideas - again, concepts - but executing them and finalizing them through an actual conclusion beyond the initial idea is always something she's struggled with.
This is also apparent to a point in her art as well, as much as her strengths used to be in illustration and conceptual design, she also clearly struggled in staying committed to the same character designs and concepts for long periods of time and was never good at coming up with efficient ways to reproduce her own art - even gorgeous comics like The Doctor Foxglove Show started off strong just to inevitably slip into the same habits of inconsistent half-assing that LO did, and it wasn't even an Originals series.
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Back to the writing though, she absolutely would have benefited from having another writer or two on her team, but unfortunately she also doesn't seem like she's aware of her own faults in her writing or willing to let anyone else in on her process, especially considering she's even admitted that her own writing process is "chaos" and has supposedly convinced herself that the faults in her writing are a good thing.
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There's "embracing the chaos" of your own process (my process is chaotic too, I get it) and then there's just going "oh well, sucks to suck, I don't want to bother doing better for the sake of my own dedicated audience so it's fine if I totally whiff the comic's plot".
The reality is that if you've never learned how to identify and break your own bad habits, you'll inevitably think that those bad habits are the norm and/or are what makes you good at what you do - all the while, you wind up missing what could have actually helped you. Rachel started off on a very strong foot with the concept of LO, but then inevitably fell into the exact same bad habits she had with previous works but was now enabled by the contract and money and fame she got through Webtoons to never change - after all, if she was going to keep being rewarded Eisners and merch deals anyways regardless of the quality of her writing/art, what point would there be in improving? From my perspective, she clearly doesn't really have the integrity to improve for the sake of herself and her audience, so as long as the end result is to her benefit, the means don't really matter.
Of course, in the long-term it makes for a very horrid legacy especially in hindsight, but as far as I'm concerned, she got what she wanted regardless.
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hrtslaces · 2 months
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could you write kk arnold x editor!r like maybe they have a editing page for celebs or smth
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Love Potions | KK arnold 
A/N: Love the request but this was so hard to write. I gave up half way so it bad
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I was sitting at my desk, gathering some clips for a new edit my girlfriend begged me to make. She wanted me to edit her to the song ‘Love Potions’ by BJ lips.
I met my girlfriend, Kk arnold at her basketball game. I was a fan and she took a liking to me. We started talking after the game and eventually got close then that when we started dating. 
She knew that I had an editing page and she love it. She alway’s begging me to make her an edit of her. 
“Hey baby.” Kk walked in, scooping me up from chair and carrying me to the bed so I could lay down with her.
“Babe I have to be at my desk to actually do the edit of you, you know?” I asked her, pulling her into my arms once she laid me down.
“Mmh, That could wait a day or two.” She laid down in my arms pinning me down with her body as she lazily search for the blanket with her hand. 
“If I lose motivation it’s not gonna be my fault.” I pulled up the blanket, cuddling with her. 
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2d-reality · 10 months
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Little Things (The Lustful Fifthborn)
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characters: Asmodeus, GN!MC navigation: Lucifer | Mammon | Levi | Satan | Asmo | Beel | Belphie content/warnings: little things you do for the brothers, out of love. fluff. established relationship (implied you are dating all seven brothers equally with the exception of mammon whom i love more) word count: 782 notes: Each brother has their own part, linked above. I am still my own editor and I loathe editing, so please forgive any mistakes!
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“Did you do something new with your eyes, Asmo?”
Asmo looks up from his manicure and sees you shutting his bedroom door behind you. He’d left it, and the invitation for you to join him, open in the hopes you’d take him up on his offer of a night of pampering. He sets the polish brush back into its bottle and dons a coquettish frown. He’s bare-faced at the moment in preparation for the skincare regimen he’s planned out for the two of you, but he’s confident he can hide his insecurity of being less than perfectly put together, even if it’s only you here. 
“Darling, my natural beauty is nothing new.”
You grin as you cross the room and greet him by way of several short kisses. Your eyes are sparkling when you’ve had your fill and pull away, and his head is light. 
“Now, now,” he chides, not bothering to hide his slight breathlessness. “Wait until my nails are dry at least before you seduce me.” 
Your equally soft chuckle sends a flutter of butterflies through his stomach. “It’s your fault for being so pretty, Asmodeus.” 
Asmo has to turn back to his nails to keep his composure. There it was again- his full name. You don’t use it all the time, but every time he hears it in that tone, it floors him. You told him once that you do it because that’s who you see, beneath the makeup and ring lights and flirting. 
He’d furrowed his brow at the time, confused. He was always Asmo. But you had shaken your head, and told him through a smile:
“That’s not it. I love Asmo. Who doesn’t?” He’d nodded appreciatively, and you’d continued, “But Asmo is a filter. Asmo is on magazine covers. Asmo has a Deviltube channel, and sits for interviews, and wears designer. Asmo always has a smile for his fans. Asmodeus may also like pretty things and setting trends, but he also makes sure each of his brothers take care of themselves. And if they can’t, he does it for them. Asmodeus takes morning tea instead of coffee, because too much caffeine gives him jitters, and prefers vanilla over floral in his soap. He makes the best Devil on the Beach, and always makes sure I’m well-dressed even when I don’t feel as lovely as him.”
You’d nudged his shoulder with yours companionably. “Asmodeus always makes certain that I’m comfortable. He holds my hand when I cry during sappy movies. That’s who I fell in love with. Asmodeus, under the expensive products and everything else. I think Asmodeus is the most beautiful.”
You’d said it so casually, as though you hadn’t broken him down to damn near his bare bones, and professed your love for the part of him that even he had trouble accepting. For the first time in a long time, he’d felt well and truly seen. You didn’t care how good he was in bed or how many Devilgram followers he had. You never asked more of him than he offered willingly, and never made him feel annoying or silly. You fell in love with him, even though his charm didn’t work on you. 
Asmo shakes his head to clear the tumble of thoughts and to keep himself from breaking down into tears like he had back then. He slides his hand into the gel curing lamp set out on his vanity, and turns back to you once the LED lights blink on. 
“What color strikes your fancy this time, my dear?” he asks you as you bump his hip with your own. He shuffles over slightly to give you space on the bench, relishing in the warmth of your thigh pressing into his. Your eyes scan the case of polishes he’s set out, and you prop your elbow up on the vanity top, resting your chin on the heel of your palm as you hum. 
“Hmm, I’m not entirely sure. What color did you pick?” 
The nail lamp winks out as it reaches the end of its timer, and he pulls his hand back for you to examine. Your fingers are gentle as they frame his, careful not to touch the polish, even if it’s cured and smudge-proof. 
“I like this one,” you say. “And we can be matching.” 
He’s pleased, and knows it shows on his face. He presses his cheek to yours for a moment with a bright laugh. “You are too precious, MC! It’s simply too much for my poor heart to handle.” 
“I should say the same to you.” You meet his gaze with those piercing eyes, and he knows you mean it. Oh, does he love you, too.
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notfreetoday · 1 year
Text
MPW Ep 5 Subtitle Corrections
Masterlist: EP 1 || EP 2 || EP 3 || EP 4
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Y: 釣り合うわけないじゃん Y: 相手はよりによって これだぞ これ Y: There's no way (I) can match up (to him) Y: To this (person), of all people, this!
Ep 5 is about Yoh struggling with his desire to "match up" to Segasaki, and the objective difference that he sees between the two of them. It's different from Ep 2's struggle - which arose chiefly because he felt insecure about where he stood with Segasaki. This time, Yoh's struggle is predominantly with himself - because now he has to face up to his worst fear confirmed - that maybe he really is incompetent. And this time, he has to do it without the aid of alcohol too.
I've seen a lot of people talk about how Segasaki shows Yoh his love in every way but in words, and that that's the reason for their miscommunication - but that's not true. He may not use the word "love" or "like", but culturally these words are not often used anyway. What Segasaki does say however, multiple times throughout the show in fact but most clearly in this episode, is essentially "I like it when you depend on me". It's as direct a reassurance as you can get to the fear of being hated because of his perceived incompetence - but that's just the thing - Yoh's perception is skewed by his self-judgement. So, it's not that Segasaki can't use his words - the problem is that Yoh isn't ready to listen yet. Despite this, Yoh's confidence in his relationship with Segasaki is growing every episode. He might not realize this consciously, but it's right after Segasaki comforts and cares for Yoh at his lowest, that Yoh also drops to what is arguably the most casual speech level he's ever gotten with Segasaki (thus far) - and in response, so does Segasaki.
So, same translation disclaimer applies, Ep 5, let's go! (no twitter space for EP 5 probably because of the fan meets).
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Y: 学生時代から不定期でもらってた単発の仕事も途切れて Y: 完全無職だ Y: あ、せめて、家事ぐらいはちゃんとやらないと Y: Now that the one-off jobs I've been receiving on an irregular basis since I was a student have been cut off Y: I'm completely jobless Y: Ah! At the very least, I have to do something as small as the housework properly.
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Y: だって そういうのがすきなんだよ、俺は Y: But, actually, that's what I like Yoh's explicit use of the personal pronoun "I" here again emphasizes that this is his own opinion. The way this sentence is phrased also gives the impression that Yoh feels a little aggrieved at the whole "your male characters are irritating to male readers because they're too perfect" explanation his editor gave him.
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Y: *そりゃ、ほっといたら描いちゃうよ Y: **お前のせいだ Y: お前みたいなのが ***近くにいるから Y: バーカ Y: *Well I mean, if I'm left to my own devices then I'll end up drawing (him) Y: It's all your** fault Y: It's because someone like you, is (always) around*** me Y: I~diot. *The "aggrieved" feeling is even stronger in this sentence - Yoh is basically saying that he doesn't set out to draw the characters that way - it just sort of happens, and well it's not his fault, because as long as no one (including he himself) is paying attention to what he's drawing, well then, the characters just turn out that way. ** This is the first time that Yoh has referred to Segasaki using the informal pronoun "お前 (omae)" for "you". Depending on the context, it could be considered a rude pronoun, but is mostly just seen as a marker of masculine speech, and thus leans more towards being simply "impolite". It's the same pronoun that Segasaki uses when he speaks to Yoh - but Yoh usually uses the slightly more polite "あんた(anta)" instead, both in his head as well as when he speaks aloud. The switch here emphasizes Yoh's accusation, that this is all Segasaki's fault. ***the phrase here is often used to say that someone is "by your side" or "here for you" and doesn't only refer to physical distance. So, although he's using "omae" and "blaming" Segasaki for his characters turning out looking perfect, these 4 lines actually still sound pretty intimate. Together with how he drags out the word "idiot", this is very clearly Yoh's amae, similar to what we saw in Ep 4. I... will probably write a post about amae as well, because it's so important to their relationship.
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Y: 洋服を着たまま海に溺れるように Y: 暗いものが染み込んで Y: 黒いものを吸い込んで Y: ブヨブヨになった体はずっしりと Y: 重く 重く。。。 Y: It feels as if I'm drowning in the ocean whilst fully dressed Y: The darkness seeping into (me) Y: The blackness pouring into (my mouth) Y: My body, now swollen, sinks heavily down Y: So heavy. So heavy.
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S: なんだ いるじゃねぇか S: 電気も付けねぇで 何やっ S: Oh so you are here S: Not even switching on the lights, what were-
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S: *あちゃ~ これやり直しだな S: *Ahchaa... This needs to be redone then..
*This is just a sound that you make similar to "oh man..." so I'm not sure why it was translated so forcefully as "it's no good"😅 This sentence is another example of soliloquy, or talking to oneself aloud, that is common in Japanese.
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Y: ご飯、ない Y: ごめんなさい Y: すぐ準備する S: *しょうがねぇなぁ ほら立て S: 行くぞ Y: Food... there isn't any Y: I'm sorry Y: I'll make it soon S: *What do I do with you... come on stand up S: We're going
Yoh is really down here because he loses practically all his words. His first sentence is literally "food, none", and when he says I'm sorry he uses the casual (but full) version "gomen nasai" instead of "suimasen" like he usually does. It makes him sound a lot younger than usual, and overall just adds to the kicked-puppy vibe really well. *しょうがねぇなぁ (shouganee naa) - this is a common phrase that literally translates to "there is no way (to deal with this)" or more commonly "(this situation) can't be helped". It's used to express a sort of acceptance, like in a "oh well, it can't be helped, so don't feel too bad" or "well there's no way this could've been avoided, so let's just get on with it" sorta way. Here, the way Segasaki adds "naa" at the end with a rising tone, actually makes it sound a little indulgent - like when you find your puppy made a mess but it's too cute for you to feel upset and you just love it more. (Also, this is a really common way to show affection between characters in dramas/anime - when one character is down in the dumps, another will be like "well what am I going to do with an idiot like you, I guess I have to help, right?")
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S: 葉 とりあえず 口開けろ S: Yoh. In any case, open your mouth first
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S: ごちそうさまでした (gochisousama deshita) S: Thank you for the food This is a standard phrase said at the end of a meal (it's counterpart is "itadakimasu - I gratefully partake" said at the beginning). It expresses gratitude to everyone involved in making the meal possible - from the farmers who grew the vegetables to the person who cooked the meal, and yes, even to the animals themselves. Usually, you would say this to the person who made the meal, or the one treating you to it, but it's Segasaki here who leads the saying of this phrase. This isn't weird at all, given the broad meaning of the word, but it is reminiscent of what a parent would do at home, or a teacher would do in school (Japanese teachers eat with their students in class).
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S: なんか落ち込んでんの? Y: 漫画が とてもだめです* S: You seem a little down about something? Y: My manga is... really bad.* *desu form is back, to give emphasis to this sentence. That said - and I'm really not trying to belittle Yoh here - but similar to the "food, none" phrase earlier, this sentence is just so short and simple that it just makes him sound, well, young. Imagine asking someone "you don't seem to like that person?", and they look at you all serious and say "they're a bad person" - it just sounds unexpectedly young and innocent, and the whole "desu" at the end just tops off the kicked puppy vibes for real. It's why Segasaki snorts a little and smiles.
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S: お前漫画がだめだと こうなんの? S: えっ そんだけ? Y: うん S: ふーん Y: そんだけってなんだよ Y: こっちは 今にも 死にそうな気分なのに
S: So when your manga is bad you become like this? S: Eh? That's all? Y: Mm. S: Hmm~ Y: What do you mean "that's all?" Y: When here I am feeling like I'm about to die soon In case you were wondering, "that's all?" in Japanese sounds exactly as it does in English, so no blaming Yoh here for being all 😟 about it.
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S: ほら* 早く来い S: Now, come here, quickly. *ほら (hora) - I last highlighted this word in Ep 3, but Segasaki actually uses it a lot more that just these 2 instances (not least because Yoh's always avoiding him). It's simply a word used to get the listener's attention, like, "look here" or "now" or "see" or "come on" etc.
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S: 今日はお前がされるがまま*で気分よかったわ S: もっと落ち込め S: Today you did exactly as you were told, so I felt really good S: Be dejected more often *されるがまま - this phrase means to passively go along with whatever the other person says or does to you, without any resistance (it can also refer to letting nature take its course). It's mostly used to describe a negative situation since it usually implies that the person has no free will of their own, but can also be fairly neutral as in "I followed the waiter's recommendations exactly". So, it's quite amusing that in these 2 sentences, negative sounding words are actually meant to be really sweet (just like how Yoh's "I hate you" sounds eh?).
Personally, I also appreciate how this is a callback to Yoh's monologue in Ep 3, when he talks about noticing the way Segasaki looks just that little bit happier when Yoh listens to him. Here, Segasaki confirms it for Yoh (and us), reinforcing to Yoh that he really doesn't mind Yoh depending on him one bit.
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Y: こんなの本物の恋人同士みたいだ Y: あんた* まるで本当に 俺のこと好きみたいじゃん Y: Like this... it feels like we're a real live couple Y: You*... it's as if you really do like me *We're back to Yoh's usual "anta" here for "you", instead of the "omae" he used earlier.
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S: しょうがねぇなぁ S: What do I do with you This is the same phrase as earlier, when Segasaki found Yoh by the laundry machine.
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Oh, the moon is beautiful isn't it? 🤭🤭
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Y: だって 俺の漫画は世間に求められてないわけですし Y: But, it seems like the world doesn't want my manga... The phrase "the world wants/doesn't want" is commonly used when talking about finding one's place in the world/society, and young adults often say this when trying to figure their life out. So yes, not so uncommon a phrase that this sentence sounds ridiculous, but it definitely does sound a little dramatic. Hence Man-san's response.
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M: *甘ったれんな 思い上がんな M: Don't be so *spoiled. Don't think so highly of yourself. *The is the same word, amae, that Man-san used in Ep 4 when she said Yoh was being affectionate with Segasaki. This is another meaning of amae, and it is used in a negative way here, which sort of shows you the complexity of this concept. Underlying it is the message that it's okay to be dependent on your loved ones for your emotional needs, but you still need to take responsibility for your own life.
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M: 衣食住の保障された環境でのんびり描いてて  M: 一回仕事が途切れたぐらいでうじうじ言ってんのか M: 本気で気に食わない Y: 万さん オーバーキルです M: Being able to draw freely without having to worry about your clothes, food or lodging M: and yet acting all wishy-washy the moment something as small as getting your work cut off just once happens M: I really can't stand that Y: Man-san, that's overkill The term Man-san uses to describe Yoh's current living arrangement is the same term that Segasaki used in his not-proposal, so this suggests that by now Yoh has told her everything about how they got together (and I love that Man-san totally does not judge). It's not explicitly talked about in the show, but despite their similar status as Segasaki Otakus, Man-san does often come across as something like a mentor figure to Yoh, or at least someone senior to him in the Manga world. For one, she speaks very casually to him (for a lady, she sounds as rough as Segasaki tbh 😅), even for someone from the Kansai region, and she often gives him advice. Yoh usually speaks to her informally, but in this whole conversation he does shift up to the desu/masu form often, in response to her scolding him, because she's really going at it (even after taking into account her usual speech pattern😅) and well, he's smarting a little at the moment 😂
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M: 世間がどうとかじゃなくて ダヨちゃんはどうしたいの? Y: え? M: ダヨちゃんにとって 漫画って そういうもんだったの? M: もうちょっと落ち着いて 考えな M: Rather than thinking about what the world wants, what do you, Dayo-chan, want to do? Y: Huh? M: Is that all that manga is to you, Dayo-chan? M: Calm down a little more and think about it yea?
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Y: かたじけのうございます Y: I am indebted to you! This is a very very archaic way to say thank you, think like samurai-level archaic. These two definitely live in the world of manga 😂😂
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S: もう体調は戻ったのか? Y: はい おかげさまで* S: また 崩してくれても**いいんだぞ Y: ええ? S: Have you recovered now? Y: Yes, thanks to you* S: It's okay to feel down again for me** too you know Y: Eh?? *Okagesamade - standard phrase you use when someone asks after your health, or when you want to express gratitude for someone else's role in your success/improvement/recovery etc ** 崩してくれて (kuzushite kurete)" - adding "kurete" at the end like this literally means that Yoh does the action of feeling down for Segasaki, rather than just "it's okay to feel down again", which is why Yoh responds in such a surprised manner. As he did before, Segasaki takes what normally is a bad thing and talks about it like it's something good instead. It's his way of emphasizing that Yoh depending on him isn't an inconvenience, in fact, it's something that Segasaki is happy to be on the receiving end of.
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Y: これから自分たちをモデルにした漫画を描きに行きますなんて言えないし Y: そもそも、万さんのところにしばらく通うことを許してくれるかどうか。。。 Y: なんとか説得しないと Y: It's not like I can just say "from now on I will be going (out) to draw a manga based on us!" or something like that and... Y: In the first place, (I don't know) whether or not he'll allow me to go to Man-san's place regularly during this period... Y: I have to find some way convince him.
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Argument breakdown time, things get intense~~
Y: あの。。。 S: ん? Y: 今日 編集部で打ち合わせをすることになった* Y: Um... S: Hm? Y: Today, I have a meeting at the editorial department* *Literally, "It has been decided that today (I) will be having a meeting at the editorial department" - this might sound like an indirect way to say "I am going to a meeting" but it's pretty par for the course when speaking politely. Except, Yoh doesn't use the polite form here like he did in Ep 4, nor does he phrase this sentence as an explanation that he's going to follow up on. Nope, by Yoh's usual standards, this is An Announcement, so it's no wonder Segasaki is immediately suspicious.
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S: はあ? 仕事切られたんじゃねえのかよ? Y: いや そ、その。。。新しいやつ Y: しばらく 忙しくて Y: 場合によっては編集部に泊まりもあるかも S: 昨日の今日で そんなことあるか? Y: たまたま連絡がきたんだよね S: お前 なんか 俺に嘘ついてない? Y: う、嘘じゃない S: いや おかしいだろ 泊りって S: お前 まさか変な仕事じゃねぇだろうな? Y: そんなこと。。。ないよ! S: Haa? Didn't they stop giving you work? [じゃねえのかよ - Segasaki slurs the end vowel here, and adds the end particle "かよ(ka yo)" at the end, which is a rough way to express doubt or surprise, and usually implies some irritation. This, combined with Segasaki's trademark annoyed "haa?" results immediately in a rather flustered Yoh, who stutters a little on the next sentence] Y: No, it-it's... this is a new one. Y: For a while, I'm going to be busy and Y: Depending on the situation, staying overnight at the editorial department... might... be... necessary... [No end particles here - this is still a statement, and would sound stronger if not for the fact that he's hesistating so much] S: And all that just happens today, on this day, just one day after yesterday? Y: ...It just so happened that they contacted me, you see... S: You... are lying to me, aren't you? Y: I-it's not a lie! S: No, it's weird isn't it, to stay overnight? S: You - don't tell me - you aren't doing some kind of shady job are you? Y: There's nothing... of that sort!
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S: 葉 Y: はい S: Yoh Y: Yes (hai)?
Yoh's been making a valiant effort to stick to his story throughout this whole conversation but his tone changes completely and he pretty much gives up once Segasaki points out he's lying. In response - and this is not easy to hear but if you want to, go back to about 19:56 or 19:57 of this episode - do you hear Segasaki's small "tsk", after his sigh and before he says Yoh's name? Clicking your tongue, or "tsk-ing" someone is a very very rude way to express frustration or anger in Japan. We're talking get-into-drunk-fights level of rude, if you do it to a stranger. Amongst close friends and family, you're more likely to draw shock first, since it shows the depth of your anger, but they might still get pissed with you afterward. Here at least, Yoh can tell both from the tsk and Segasaki's tone of voice, that he is Not Happy, so he answers Segasaki with a proper "hai" here too.
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S: ちょっとここ座れ* Y: はい S: 早く S: Come sit here* Y: Yes S: Be quick. *Slurred "r" on the word "suware" - sit makes this sound very very rough. Segasaki doesn't normally do this, so again, this is him angry, and he's going to slur his r's quite a bit more.
S: お前さ 自分の立場わかってんの? S: 分かってねぇだろ 分かってねぇから 泊りで仕事とか言い出すんだろうが Y: え~っとだから 遊びに行くわけじゃないし。。。 S: そうじゃねぇだろ S: ああ~もう S: 金か?なんか欲しいもんがあるなら買ってやる Y: 違くて 少しはさ。。。 Y: 自分が稼がないとって S: 必要ない なんで分かんねぇかな S: お前は稼がなくていいんだよ S: Listen, you - do you even understand what position you're in? S: You don't do you? You don't understand and that's why you can just say things like you'll stay out to work overnight. [This is harsh. Not only is the speech rough, he's still slurring some of his "r"s here, and the ending particle だろうが emphasizes the forcefulness of this statement and Segasaki's frustration - and you can see the effect it has on Yoh.] Y: Umm well... it's not like I'm going for fun or something... [This is indignant, but also nervous - Yoh's speaking a lot faster than usual, and he has to drag the filler words at the beginning out before he can figure out what to say.] S: That's not what I'm talking about is it! [slurred r again] S: Argh I swear - S: Is it money? If there's something you want then I'll buy it for you [more slurred "r"s] Y: That's not it! Even just a little - [This is the first time Yoh uses the end particle "さ (sa)", and just like Segasaki, he's using it to draw attention to what he's saying, essentially the equivalent of "listen!". This whole line isn't rude, but it is direct and it's probably the most forceful Yoh has gotten with Segasaki so far, even compared to their argument in Ep 2 - Yoh might have physically pushed Segasaki then, but he mostly just sounded hurt. Here, he's very tense, but he's cut off by Segasaki biting his ear.] Y: - I should earn some money myself (at least, I thought so) [This is more like how Yoh usually voices his opinion - by "hedging" his sentences a little with "I think" and so on to sound less direct - though he's still using truncated forms here, so he's not quite back to his usual level yet] S: There's no need to. [To self:] Why don't you understand? S: It's fine even if you don't earn anything. [Similarly, Segasaki softens this sentence just a tiny bit by tacking on a よ(yo) at the end]
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Y: でも! S: あのな 俺はお前に漫画の仕事がなくなろうがどうでもいいんだ Y: But! S: Listen to me. I don't care at all whether you lose your manga work or not. [To be fair to Yoh, the phrase "どうでもいいんだ" literally means "it's fine either way" but it tends to feel like "I don't care because it doesn't matter/make a difference to me/doesn't really involve me", so you can see why it triggers him.]
It's interesting to contrast Yoh's reaction here with the above 2 times Segasaki says something with a negative connotation. Of course, Segasaki also sounded a lot sweeter then (though in his defence, he didn't have to worry about why Yoh might be trying to lie to him all of a sudden), but the biggest difference really is in Yoh's mindset.
Y: え? S: 当然だろ S: だから余計なこと*すんな Y: なんだよ どうでもいいって Y: 漫画のこと 分からないなりに 応援してくれてるもんだと思ってたのに Y: あんたにとってはくだらないことでも Y: 俺にとってはすごく Y: すごく大事な事なのに Y: 全然よくない Y: バカにすんなよ! Y: Huh? S: Isn't that obvious? S: So, don't do unnecessary* things [*余計なこと - This phrase is used to refer to the problems that arise from whatever thing/action is in excess, and so has a negative connotation. Yoh is too fixated on the previous line to notice though] Y: What's that (supposed to mean)... "I don't care" Y: I've always thought that manga was something you supported me in, despite not knowing much about it, and yet... Y: Even if to you, it's something trivial Y: To me, it's something that's extremely Y: It's something extremely important and yet... Y: This is definitely not ok Y: Don't look down on me! [word contraction - again, by Yoh's standards, at least when he talks out loud to Segasaki, this is a drop in speech levels]
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Y: 絶対あんたより稼げるようになってやる Y: 漫画で! Y: I'm definitely going to become someone who can earn more money than you! Y: With manga! I think difference between simply "earning more" and "becoming someone who can earn more" is important here - because it isn't about money - it's about competence. Yoh thinks his own worth is calculated in his ability to do things "well", be it in his work or at home. By that measure, Segasaki is worth everything and Yoh is sorely lacking, hence Yoh wants to "become" someone that is, in his mind, worth something. Because if he does not, then inevitably, Segasaki will one day come to disdain him.
There are so many times in this episode that Yoh hears things that should cement their relationship in his head, that he even recognizes as couple-like and accepts without protest - Man-san referring to Segasaki as Yoh's boyfriend, Segasaki losing his whole "man-of-a-few-words" thing and saying more to him in this episode than in any other, verbal confirmation that Yoh depending on him is something he welcomes etc. And yet, Yoh's fear filters all of that out and he hears only what sounds like his own self-judgement in Segasaki's voice. It's no wonder he lashes out at Segasaki like that, though really, who he's really attacking is himself. Afterall, sometimes when we hurt ourselves, we hurt the people who love us too, as we'll see in Ep 6.
(That was quite the arguement though, wasn't it!)
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Text
A Tale That Wasn't Right
Belated entry for @silmarillionepistolary
2406 words, M, Maedhros/Fingon
Warnings: violence but not very graphic
On Ao3
NOLDÓRAN ARCHIVES PROJECT
MANUSCRIPT 26328-lambe
Records of the Hearing Convened by Finwë Noldóran Concerning the Incident Occurred Between Two Highborn Eldar
Editor’s note: Perhaps one of the most fascinating manuscripts among the royal records, 26328-lambe has been classified for Ages. Only now, well into the Fifth Age, it has finally been released to the public. 
Certainly, the reluctance to publicize these records must be due to the scandalous subject matter and the involvement of highly recognizable figures of the Years of the Trees. We shall refrain from speculations as to the identity of the involved parties and redact or change several identifying details as per the request of King Arafinwë.
The manuscript is also distinguished because of the considerably biased notes of the unnamed scribe, possibly one who did not continue their service for long. Despite their unconventional approach to their role, we have this scribe to thank for the preservation of the very first draft of the records.
Without further ado, we invite the reader to peruse the records and draw their own conclusions.  
At the second hour of the Mingling of [precise date omitted], the Noldóran convened a private hearing, concerning an altercation between two highborn Eldar that has been brought to the Noldóran’s attention. 
Present at the meeting
Finwë Noldóran
[redacted], tavernkeeper of the tavern [redacted] in Tirion
Finwë Noldóran’s humble scribe
Noldóran: Let us begin. Tavernkeeper, I would hear all that occurred between [title omitted] N and [title omitted] F.
Tavernkeeper: Where should I begin, lord?
Noldóran: When did you first notice their presence at your tavern?
Tavernkeeper: Immediately, lord. It was the first time such highborn lords visited my establishment. [Title omitted] F was the first to arrive. He sat in a corner and ordered [drink name omitted to avoid identification]. I did not know how to make it. He kindly explained it to me. He was three cups in when [title omitted] N joined him.
Editor’s note: Henceforth, the omission of the titles will not be mentioned. Let it be noted that the involved parties were addressed appropriately throughout the hearing.
Noldóran: Did you notice any enmity between them when N arrived?
Tavernkeeper: Not at all! F did look ill-pleased at seeing N, but I assumed it was due to N’s tardiness. N whispered something into F’s ear, which seemed to appease him.
Noldóran: How so?
Tavernkeeper: After, well, the whispering, F smiled and ordered more drinks. [Drink name omitted] for himself again and simple mead for N.
Scribe’s note: Only a son of [redacted] would drink such an abomination. 
Noldóran: Could you perhaps hear parts of their conversation?
Tavernkeeper: I would not presume to eavesdrop on a conversation between such highborn lords.
Noldóran: Not even if it was to the benefit of your king?
Tavernkeeper: Alas, the tavern was busy, lord, and they spoke in very low voices, so I missed the beginning of their discussion.
Noldóran: So you mean to say you heard the ending, the part before the incident.
Scribe’s note: If this tavernkeeper does not hurry up and tell the interesting  parts, I may die of boredom in front of the King and embarrass myself and my entire family.
Tavernkeeper: They stayed long after the tavern emptied. I must say, lord, they had drunk quite a lot, so their voices were raised. I did not eavesdrop on purpose.
Noldóran: I do not fault you, tavernkeeper. Do recount the argument arising between N and F.
Editor’s note: To make for easier reading, the argument is relayed here directly. Readers must trust that they shall miss only a great amount of hesitation by the tavernkeeper to report to the King the exact details of the conversation and the number of drinks N and F consumed meanwhile, which is high.
F: It has always been your greatest fault! N: Loyalty? F: Loyalty to the wrong person. N: Who would the right person be then? [long silence] N: It is not in your nature to avoid a question. F: Why speak if you know the answer well? N: You cannot fathom what you demand of me. F: Only to do the right thing. Is it too much to ask for? N: Ever you have shown nothing but contempt to my father. You do not know him as I do. F: You are blind to his faults. N: I am not. But, unlike you, I am familiar with his virtues, too. F: Any virtue he possesses pales before his vices. N: Is it not unfair to speak so when you have made no attempt to understand him? F: He deserves none. N: Do I? Do it for my sake. I would do it for you. I have done it for you. F: It was not for me. You had taken a liking to my father long before I was born. He is easy to love. N: How naive for someone who claims to know others with no effort. You say I am blind to my father’s faults, yet you see none in yours. F: He has none. N: I can name one. Just now, he made you lie to me and to yourself. F: My father is blameless in this! N: Of course, only mine is to blame for everything. F: What is the use of seeing his faults if you do nothing about them? N: What do you expect me to do? F: I told you. The right thing. N: Why did you summon me here? We are only repeating ourselves again and again. We shall never agree. F: If only you were less stubborn. N: I am no more stubborn than you. Why should I be the one to relent? What will you sacrifice? F: Have I not sacrificed enough? Have I not endured your father’s scorn without protest? Have I not stayed by your side through all of it? N: What a great sacrifice it must be for you to stay by my side! Have you overlooked that I did the same? Or perhaps you believe it is easier for me? F: If it is not, then we both know who to blame. I suppose I must be grateful you have gathered enough courage to even agree to speak with me. Have you told your father where you will be? N: Have you told yours? F: You give me no answer as expected, but I shall answer you. I have not only because my father has no perverse need to keep watch over his children’s every move. He is not cowardly enough to look for betrayal where there is none. N: You will not call my father a coward! Have I ever treated your father with such disdain? F: Why would you? He does not deserve it. N: But mine does? F: Doesn’t someone who belittles others to hide his own weakness, who is craven enough to forge weapons in secret, deserve to be treated with contempt? N: Do not speak so, I warn you. F: What will you do? Leave and shun me as always? Disregard my letters and flee when I try to visit? Run to your father to assure him of your loyalty, so you can stave off his bitterness and suspicion for a while longer? 
Noldóran: Do go on! What happened then?
Tavernkeeper: I hesitate, lord, for even now, I can scarcely believe it.
Noldóran: Nevertheless, I would hear it.
Tavernkeeper: After those words, N, well, he struck F.
Noldóran: Struck him?
Tavernkeeper: He did. A mighty fist against F’s jaw.
Noldóran: Are you certain that it was N who struck first?
Tavernkeeper: Quite certain, lord. I must say I had lost count of the cups they had both drunk by that point.
Scribe’s note: Liar! It does not sound like N. Although, the son of [redacted] would have deserved it.
Noldóran: Please continue. Spare no detail.
Tavernkeeper: The blow was strong enough that F fell from his chair. They both looked as astounded as I was. I thought N wished to offer a hand to F, but instead, he turned back and moved to the door. That was when F pounced on him and brought him down. They tumbled together, grappled, and shoved each other against the walls. They damaged five chairs and two tables during their brawl as well as all the cups and plates that were on them. F twisted N’s wrist in an attempt to restrain him, but N wrapped F’s braids around his other hand and wrenched him away. They were on the floor once again by then. N tried to rise, but F took a broken chair leg and hurled it towards N. It hit the mark rather painfully. In response, N threw a half-empty goblet at F, which missed his head but drenched his hair in ale.
Editor’s note: The sketch of King Finwë with his head in his hands is presumably drawn by the scribe.
Noldóran: What then?
Tavernkeeper: They must have exhausted themselves because they remained lying on the floor for a while. I was afraid to approach them, but I also hesitated to leave in case they resumed their fight.
Noldóran: Did they?
Tavernkeeper: No… They did something else.
Noldóran: …what was it?
Tavernkeeper: F sat and helped N up. N said something to F in a very low voice. F answered. I could not hear the words. And then they… They kissed, lord.
Noldóran: A kiss between friends?
Tavernkeeper: I would not say so.
Scribe’s note: This does sound like N.
Noldóran: Did you see what happened after the so-called kiss?
Tavernkeeper: No, lord. I hurried to leave. That was all I saw, I swear.
Noldóran: Thank you, tavernkeeper. I believe it goes without saying that what we have spoken about must remain within the walls of this hall. Of course, you shall be compensated generously for your losses. Scribe, there is no need to record this part.
Scribe: As you command, Noldóran.
Tavernkeeper: No word shall leave my lips, lord.
Noldóran: You have my gratitude.
Scribe’s note: Future generations of the Noldor, I shall have your gratitude for making and preserving these records. Glory to the House of [redacted]!
***
Fingers run between disheveled braids, smoothing them with gentleness in stark contrast with the violence they had yanked at them. Inhale. The faint perfume of almond oil wafts through the heavy scent of ale. They do not mix well. Maitimo says so.
“Who could have guessed?” Findekáno says dryly.
Maitimo’s fingers continue their tender way through Findekáno’s braids. Findekáno closes his eyes, his head turning where Maitimo guides him, willingly this time.
Languidly, he raises a hand and runs it – feather-light – across Maitimo’s face, across his left cheekbone where a hideous bruise is already forming.
“Does it hurt?” he asks.
“Yes.”
Findekáno leans forward and retraces the path of his fingers with his lips, leaving a faint trail of red across Maitimo’s cheekbone. Maitimo’s eyes fall shut, his breath stutters. Findekáno takes Maitimo’s hand – the same one that split his lip open – and kisses the bloodied knuckles. Maitimo’s fingers entwine with Findekáno’s – a movement so familiar and practiced that it is almost an instinct.
Findekáno raises his head and presses his lips to Maitimo’s, but the moment Maitimo deepens the kiss, Findekáno pulls back with a hiss.
“It is bleeding again,” Maitimo says with dismay.
He takes a dampened rag and taps it tenderly against Findekáno’s lip, careful to avoid touching his bruised jaw. But Findekáno leans into his hand, his eyelids fluttering in something between pain and relief.
Maitimo undresses him, runs his fingers along his shoulders, caresses his chest, strokes his hips. Bruises are late to bloom and hard to find on Findekáno’s skin, unlike Maitimo, who is already painted red and purple. But Maitimo knows exactly where he had hurt Findekáno – an elbow to the sternum, a closed fist beneath the ribs, shoulders slammed against the edge of a table too many times.
Maitimo explores Findekáno’s body with hesitant touches, soothes his aches, brushes his fingers against the bruises. Does not apologize. The sound of Findekáno’s harsh breathing grows louder and louder until he grabs Maitimo’s hands and turns in his arms.
He bares Maitimo from the waist up in pained, hurried movements as if there is no time left. Maitimo winces when he raises his arms to allow Findekáno to disrobe him.
“Oh!” Findekáno exclaims, staring at the fresh bruise that covers most of Maitimo’s lower rib cage.
“Even inebriated, your aim is true,” Maitimo says.
Findekáno sinks down. Raises a hand to the bruise, then lets it fall. Leans forward and traces the uneven edges of the bruise with his lips, warms it up with his breath, soothes it with his tongue. Does not apologize.
Findekáno begins the work of relieving Maitimo of the rest of his clothing. Maitimo’s hands shake, then his knees, then his shoulders. Findekáno’s lips slide lower, ghost over Maitimo’s groin.
“You did not hurt me there,” Maitimo says, his voice coming out as bruised as his body is.
“How fortunate I still had some sense left,” Findekáno says.
Maitimo laughs, and for the briefest of moments, all pieces fall into their places – Findekáno before him, teasing him gently, making him laugh – so familiar and so right. But the tremors of laughter reach every aching place, reminding him sharply of what they did.
“Wait,” he says.
“Hush,” Findekáno says, holding Maitimo by his unhurt hip.
Maitimo looks down at Findekáno, kneeling on his bruised knees, looks at Findekáno’s swollen lip and beaten face.
“Who would do this?” he asks.
Findekáno draws back.
“Who hurts someone he loves and cherishes in such a cruel way?” Maitimo asks.
“You do,” Findekáno says. His gaze slowly passes over all the angry red marks he has left on Maitimo’s body. “And I.”
Maitimo sits before him.
“Will you swear it will never happen again?” he asks. “Can you give me your word that you will not do it again?”
Findekáno is silent for a moment.
“You cannot either,” he says then.
“No.”
“It is not right.”
“No.”
Findekáno leans his forehead against Maitimo’s. There is a small but painful bump on it from hitting it against a chair. It aches.
“You should leave,” Findekáno says.
“I should.”
“So should I.”
“Yes.”
They sit before each other, bare and bruised, hand in hand, skin to skin, amid the broken cups and chairs, amid the destruction they caused. None moves. 
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the fact that the majority of the jason todd hate is the fault of one man
jim starlin hated robin as a concept, actively ignored the editor, denny o'neil, when he repeatedly asked him to include robin, when he did include jason, he wrote him as a disobedient and arrogant asshole
people didn't like him before, but that was a relatively small group who were mad he replaced dick. starlin changed that and made people despise him so he could rid batman of a robin
if you had any doubts, here's it in his own words:
"I always thought Robin was a ridiculous character. The whole idea of fighting crime while you're wearing the black and gray and hiding in the shadows, then having a teenager go out to fight criminals with you, dressed in primary colors- for me, that went beyond child endangerment to child abuse.
As a result, I was always trying to avoid using Jason Todd. If you look at my standalone Batman stories, he was not in any of my early ones. I knew that he wasn't a popular character, and I didn't know anything else about him. Jason Todd wasn't anybody I was looking to write, or had any interest in whatsoever."
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queermania · 2 years
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Wait wait wait. Jensen picked the writer who gave Dean a lesbian best friend and made him a nerd to be the show runner for his little fixit fic show? This is amazing!
when you look at robbie's run of episodes (that he wrote specifically, not produced or was the executive story editor on), a very specific version of supernatural and dean starts to emerge and it is insanity-inducing. here's a very brief rundown of the episodes robbie wrote:
slash fiction -swayze always gets a pass -dean singing air supply -"it's like eating self-righteousness' -the creation and introduction of frank devereaux -"applications for sainthood" -dean letting sam go
time after time -"what are you gonna look up more anime or are you strictly into dick now?" -dean being a nerdy little fanboy about eliott ness (and checking out a dude in a uniform but that was probably jacting joices) -dean getting excited about dressing up in period clothing!! -understanding that rufus matters and that family isn't just blood -original sam is milf!bait (and he's into it) truther -actually writing grief in nuanced ways -dean is smart and resourceful actually! -your future is "covered in thick black ooze" (which i know is just a very lucky coincidence but i don't care!)
the girl with the dungeons and dragons tattoo -CHARLIE!!! he gave us charlie. he said "actually what if hardcore fans were cool and fun and GAY and they were dean's new best friend" -charlie/dean/security guard flirting split screen -"she's kinda like the little sister I never wanted." "how does a high-school dropout become one of the brightest minds…" -basically this entire episode is just "be gay, do crime" and i love that for me specifically
bitten -not my favorite episode but as @ilarual says "it's very fun in how it illustrates Robbie's willingness to play with form, since it's all done as found footage" -and as @doctorprofessorsong says it "has the concept of monsters aren’t always bad guys" -and apparently it contains a brokeback reference? my memory of this episode is hovering at around 1% tbh but you get it
larp and the real girl -dressing dean up in little outfits AGAIN -and he likes it!!! -and he likes being a nerd! (dean is getting into it and sam is the one who is unamused mr serious guy!!!!) -and charlie is dean's new best friend! -"belladonna" "the pornstar?" -"did you break up with someone too?" -honestly you already know all of it. this is a fan favorite for a reason. what more can i say about this episode??
goodbye stranger -yes robbie was the first writer to try to give us a destiel love confession -cas practicing killing dean over and over and over and still not being able to do it when it comes down to it -"what broke the connection?" gee i wonder -first episode writing cas and he nailed the sort of unintentional deadpan humor that makes cas so lovable ("would it kill you to watch a movie? read a book?" "a movie, no, but with a book with the proper spells—yeah, it could theoretically kill me.") -"if he's so sketchy then why are you praying to him?" -pizza man reference -"do you really think we can trust megstiel?" (we get both megstiel and jealous!dean) -dean quoting lord of the rings (because he's a nerd! and he reads!) -meg roasting the shit out of sam for the amelia stuff -etc
pac-man fever -charlie reading the carver edlund books -charlie and dean being besties/getting a montage -dean telling charlie that what happened with her parents wasn't her fault/understanding the guilt she feels -"i love you" "i know" -"what about castiel? he seems helpful, and dreamy" -again, putting dean in little outfits -charlie knows how to shoot/aim a gun
slumber party -dorothy!! -oz!!! -look, is this episode cheesy? yes. but it's fun and it's so obviously a love letter to the oz source material and i love that about robbie. he does his research and he commits
first born -cain!!!! -drowley team up!!!!! ("friends. besties, actually." im sorry but drowley means so much to me personally and this is the start of their beautiful bromance) -"this is by far the dumbest idea you've ever had." "yeah, well, it's early" -cas liked pb&js!! jelly, not jam. he found jam unsettling!! -"you have a guinea pig? where?" -"you're a terrible liar?" "that is not true. i once deceived and betrayed both you and your brother." -just. sastiel shenanigans (and hugs!) -"she only asked for one thing." "to stop" -anyway. you get it.
meta fiction -dean and cas phone call smiles!! they LIKE each other -metatron media dump -"what makes a story work? is it the plot, the characters, the text? the subtext? and who gives a story meaning? is the writer? or you?" -i think it's important to note that robbie who wrote gabriel faking his own death -cas noticing something is wrong with dean pretty much instantly and then discovering the mark of cain
fan fiction -i mean. come on. -"although we do explore the nature of destiel in act two." -"you can't spell subtext without s-e-x" -sam being such a younger brother and trolling dean about "destiel" -"BM scene" -dean "you know they're brothers, right?"-ing the w*ncest stuff but just being flustered about the destiel stuff ayyyy -dean casually referencing andrew lloyd webber -"transformative fiction" -"i want you to put as much sub into that text as you possibly can" -dean quoting rent -the samulet is back! -"i have my version, and you have yours." -"he took away our own free will" <- about john!! -THE RETURN OF CHUCK!
there's no place like home -"i forgive you dean" "yeah well i don't" "i know, kinda your move" -"you hurt my friend" -"you lied to me" "you lied to yourself. that's kinda your move." -i mean. robbie just gets it, ya know?
book of the damned -cas being a huge bitch (love that) -sam being the excessively codependent one -cas and charlie get to meet! -found family goodness if only for a little bit!!
angel heart -ahhhhhhhhhhh!!!! -"i got it at the hot topical" (and claire keeping grumpy cat) -no seriously. dean and cas went birthday present shopping together for claire and they did it at a mall -castiel feeling guilt for what he did to the novak family (and amelia recognizing that cas has changed/grown) -"you were both troubled teens. you speak her language." -"bring your daughter to work day" -"i'm saying she might be stronger on her own." which is a controversial line but i think it says something really significant about how dean feels about his childhood "in fact you're not anything to her except a constant reminder of someone that's gone." -mini golf!!!!!! dean and claire bonding!!!! -the introduction of the grigori, a class of angels which may or may not be important at some point -claire roasting the shit out of dean with "you seem pretty old" <3 -"happy birthday. don't shoot me."
baby -do i really need to explain anything about this one? -"okay first of all, never use swayze's name in vain, okay? ever." -"mistakes were made" -dean having a dream about john teaching him to drive but under normal and appropriate circumstances -werepire…. ghoulpyre… -honestly just the whole episde. you know what i'm talking about. the unique perspective. the insight into their day-to-day lives. the moments that live in between.
into the mystic -eileen! my best friend eileen! -dean x mildred otp -remembering sam's lucifer/hell trauma -the whole "follow your heart" speech -"banshees go after the vulnerable, so why'd it go after you?" -dean recognizing there's something off with cas -but really the most important thing here is EILEEN
safe house -bobby and rufus!!!! -i repeat BOBBY AND RUFUS!!!! -"were you ever nice?" "1985. worst year of my life." -robbie just really GETS that this show is more fun when it's not centered entirely on the brothers. -bobby referring to sam and dean as his boys -timey wimey shenanigans -there were some interesting implications in this episode too but i'm losing steam here so i'm gonna let you rewatch and figure it out lol
don't call me shurley -the reveal of chuck as god!!!! -bisexual chuck -dean does sam's laundry (sometimes with beer) -chuck is a shitty egotistical writer -he also plays the guitar and: "i like front row seats. you know, i figured i'd hide out in plain sight." -"i thought if i could show my sister that there was something more than just us, something better than us, then maybe she'd change. maybe she'd stop being… her. but every time I'd build a new world, she'd destroy it." -"the world would still be spinning with demon dean in it but sam couldn't have that though could he?" -"you were gonna choose amara over me."
so. yeah. jensen chose THIS GUY to helm the winchesters. bold move, sir. full respect.
also, this tweet always makes me crack up
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one of us! one of us! one of us!
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