#it’s all in my insane little head

[little-pondhead]

[apotelesmaa]

Raz truly is one of the funniest video game characters of all time. His ability to do platforming parkour is explained by the fact that he was raised in a circus. He’s a psychic prodigy. He thought his dad hated psychics but his dad is a psychic. He broke into a government camp in an attempt to get employed as a secret agent and it worked. He has canonically set squirrels on fire. His grandma is a former mass murderer. He’s addicted to giving people therapy and duking it out with the manifestations of their problems. He saves the day 3 times in the span of a week. He’s friends with a rat. He’s 10 years old.

[andro-dino]

UPROOTED EPISODE 4 TEN DEAD FIFTEEN INJURED

[heartorbit]

always by your side

[glass-noodle]

the emperor and his favourite 🌿 (based on the story of hadrian and antinous)

History says that the Roman emperor become enamored with (read: couldn’t get rid of) a young Greek man, who became his closest companion and confidant. All who knew them referred to him as “the emperor’s favourite”.

After the young man’s mysterious, untimely death, the emperor’s grief was said to have shook the heavens. Cities, temples, and even religions were erected in his honor. Their story continues to be remembered today as a love that transcended time and circumstance.

bonus:

close ups!!!

[dhmis-autism]

been thinking about them lately ok

[punk-junkie69]

Ermm... I should be working on requests rn but the gays needed this

[mourn-and-watch]

no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.

and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.

the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.

and none of them was celebrating.

mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.

and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.

for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.

but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.

the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.

i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.

how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.

and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.

it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it

[embezzlingjanitorclintmcelroy]

why are we as a society not talking about will singing the jingle “if you’re looking for a steal on a pretty set of wheels come on down and make a deal at Tony’s cars” “CARS CARS!”

[liauditore]

BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY!

[kastillia]

[sctumsempra]

going insane and i need to infodump about severus snape’s patronus being a doe for a second. i personally don’t think it changed, or lily necessarily influenced it- i think it’s always been a doe, casting the charm in dumbledore’s office was meant to show that he and lily were supposed to be viscerally aligned with each other and he knows he fucked it up and that’s why he’s spent almost two decades trying to atone for what he did. on a representative level, the doe symbolizes peace, protection, and innocence, and no three words could possibly represent severus snape more.

all he wants is peace: a peaceful life for himself, a peaceful world, a peaceful school. everything he’s ever done has been to create as much peace as possible. some of it can be considered misguided from a black and white moral standpoint, but it’s what created peace for himself. for example, aligning himself with the purist views of his housemates made him less of a target for bullying- he’s not a pure blood, and they’d know, and having powerful ambitious students on your side instead of alienating yourself from everyone means you have at least a semblance of protection from harm some of the time. he becomes a double agent for dumbledore to help bring about peace from voldemort’s reign. it might not have been peaceful for him per se, but it was still with the intention of peace in some form. he tries to give other people peace- he takes a vow with narcissa to protect her son because she’s crying and scared for him, and it gives her peace. he doesn’t throw draco under the bus to save his skin when voldemort accuses him of being the elder wands owner, giving draco and narcissa peace even if they weren’t aware. it’s either for himself, or for others.

he’s the most protective teacher at the school- would mcgonagall have thrown herself in front of three kids facing a wolfsbane-less werewolf? would flitwick take the burden of an unbreakable vow to protect draco malfoy from voldemort? would any of the DADA teachers have run towards the sound of a screaming woman? he consistently vows to protect everyone and everything he can. and, leading into his innocence, when he realizes he’s only been protecting harry for him to die, it breaks him.

he’s not necessarily innocent in that his hands are clean and he’s never done anything wrong in his life, but he’s innocent in that he’s naive. he trusted voldemort enough to be drawn into the death eaters, he trusted dumbledore enough to be manipulated into his bidding. it feels like he forgets that dumbledore screws him over constantly, dangles things in front of him and takes them away, makes crude assumptions, and has left him to fend for himself essentially their entire relationship. the times that dumbledore abandons him- physically, mentally, metaphorically- he gets very upset. like it’s new information to him that dumbledore treats him like shit. from an abuse perspective, he probably had to spend his childhood mentally erasing what his parents and home were like so he could feel safe and normal, so the constant ebb and flow/back and forth of his and dumbledore’s relationship is familiar to him. when dumbledore draws him back in with whatever method, he’s right back to behaving as dumbledore wants, doing what dumbledore wants, and believing what dumbledore believes. the times that he remembers that dumbledore doesn’t care that he let the guy who’s tried to kill him or assault go, or that dumbledore thinks he wants only lily saved because he desires her romantically or sexually, or that dumbledore has only been using harry and, by extension, him (as he’s been the one protecting harry) to play the long game of destroying voldemort are the times that he’s emotional in the books. he cries, he’s vulnerable, he raises his voice, he begs and he pleads and he defers. he doesn’t do that any other time, other than when he found harry watching his memories. he trusts and he forgives (or he forgets, or he feels safer pretending he doesn’t care what’s been done to him/how he’s been treated.) a doe is perfect for him. reducing it to something like tonk’s patronus being changed as soon as she’s in a relationship with lupin or that it’s only a doe because of lily evans completely erases his entire way of thinking and behaving and being.

also, in a self indulgent addendum, it’s a very feminine animal, and severus is consistently aligned with femininity. hermione calls the half-blood prince’s writing feminine. he wears his mother’s clothes as a child, and lupin encourages neville to dress his boggart as his grandmother. he’s quiet and docile and tries to be non-violent unless he’s pushed to his breaking point, and even then it’s screaming or crying or getting animated. he’s emotional and frequently painted as hysterical. he gets the “woman character treatment”: to the average viewer who doesn’t think about him long enough to understand otherwise, he only desires lily. the consensus is that he chases her, he only thinks about her in the context of attraction. the line about looking at her greedily is constantly understood to be lust, and not a desire for love or a desire for a peaceful relationship for once in his life (and a relationship that only ever seems to be platonic at that). he even backs off and all but disappears from her life when he’s asked to, while james (the one with the stag patronus, the classic triumphant male character) harasses her and pursues her and behaves in a way that makes his son decades later wonder if he forced lily into a relationship. he’s behaviorally aligned with what femininity in the eyes of misogyny is supposed to be. he keeps to himself, he’s quiet, he sacrifices every bit of himself for students and coworkers and superiors and expects nothing in return, he pushes his students to be the best they can. (i’d say nurtures with my whole chest, but as the narrative comes from harry, we can’t really be sure. in my view, his house won the house cup for several years in a row which was only interrupted by dumbledore awarding a fuck ton of points to his gryffindor prize pony, his classes are seen as high performing and advanced by even dolores umbridge of all people, he only tries to punish students albeit a bit violently after several attempts of getting them to understand why what they did was wrong, which seems to be pretty nurturing in comparison to what other teachers allow and do). whether he’s trans, or had been influenced more by eileen, or he was intended to be deeply complex and contradictory and that meant that he had to have these traits, or any other of the multitude of reasons for snape being an inherently feminine character, it’s there. his patronus wouldn’t be a stag, he wouldn’t be anything overbearing and he wouldn’t be anything aggressive. it doesn’t make sense with his soul and his personality and his life. the peaceful protective innocent/naive doe, however, does.

[ptvstvrrr]

Drops this monster bc I love Ethel Cain and Grotesquerie

[highoncatfood]

variations of my daughter.

[moonchild-in-blue]

Okay I know I said I was going to stay offline for a while because headache, but I just had the most horrible thought and have to share.

You know the piano on Drag Me Under? The rhythm at which the keys are pressed? Is it just me, or it sounds eerily like a heartbeat? HEAR ME OUT.

I'm not saying it's supposed to sound like that, and I'm aware the tempo is slightly off from the normal/usual heartbeat rate BUT. What if it is? What if you look at it from that perspective?

In the lyrics, Vessel says that they are lying down together. What if this is his/his lover's heartbeat, like when you rest your head on someone's chest and can feel it echo in you?

If he is indeed being dragged down, maybe this is the final moment before the descent? Into Them or down under, I'm not sure. "To merely behold you" - what if this is him remembering their last encounter before They abandoned him? Before Atlantic took place? Since they can't be together? Since the rhythm bleeds nicely into Blood Sport, their parting song? The one before the Big Sad? Does this make sense or am I crazy??

[moeblob]

"Him? Oh, you know, he's kind of a loser." - probably everyone except for his younger brother.

Germaine is based on the layer of hell (Dante's Inferno) for material wealth before self, others, and god. So basically very materialistic and possessive of his belongings. Unfortunately, his younger brother qualifies as a belonging in his mind. So he does his absolute best to keep his brother safe and sound and scratch free - which is a bit tough in a post apocalyptic setting but he mostly manages.

Also a fact I just like to mention: he is incapable of lying.