#it would be out of character but I think it would be funny

[naamahdarling]

So, the other night in an effort to show a friend that LLMs can produce very credible fiction and relatively inventive ideas, I played with ChatGPT for about 10 minutes I was able to make my point flawlessly. Don't get up my ass about this, that's juvenile.

ChatGPT has watched enough Dropout to be able to reasonably (and genuinely amusingly) impersonate Brennan Lee Mulligan and, to a lesser extent, Sam Reich. It's successfully produced a script for Game Changer where the show was entirely about cats and Brennan couldn't win, and parts of it were actually funny. It also produced an AITA post from the point of view of Brennan Lee Mulligan AS DM OF DIMENSION 20 that was in places absolutely hilarious.

It is able to very successfully postulate a set of G1 my little ponies that do not actually exist, complete with colors, cutie marks, and back card stories. It had a little trouble with G1 versus G4 due to the sheer glut of content, but its ideas were genuinely appealing because the source material it was drawing on was designed to be appealing.

It generated a list of birthday party themes that would terrify an arachnophobe, two or three of which were really good. A request for it to generate a list of queer pride birthday ideas didn't produce anything particularly original, but it was all appropriate and convincing.

It produced a short script where Johnny Sims from the Magnus archives receives birthday gifts from his coworkers, and one of those was a knife-wielding tentacle. This script was in places a little less sharp than the actual writing, but it absolutely nailed the speech patterns, and each gift was appropriate to the character giving it. It was genuinely funny. In places it was clever. It actually made me laugh.

I have most of these saved if anybody wants to see them instead of playing with it themselves.

It really isn't a question of what has been dumped into the data set. We can just assume it has been dumped in there somehow.

We can't undo what has been done and we're never going to be able to name all of the people whose work has been used to train these datasets.

I have both positive and negative feelings, strong ones on both sides, about this technology. If someone wants to use this technology to create a script for a movie in the Predator franchise, or a sequel to their favorite book, or whatever, that is a neutral act. Profiting from that is highly questionable, passing it off as the real thing is completely indefensible, using this technology to replace writers and artists and real people doing ANY work where there is no benefit to humans (like identifying cancer cells -- "AI" does that) is the second worst thing that can be done with it.

That's what worries me about this. It could produce infinite Simpsons episodes without the need for a single writer. Eventually it will be able to animate them so accurately you could ask it to make it look like it had been recorded on a video cassette and it would be completely convincing. It would be able to imitate the voice actors perfectly.

We do not want corporations to have that power. Worker protections are critical. It isn't that AI produces art that is bad or soulless or whatever. Those are completely spurious arguments and irrelevant to any true discussion of whether or not it is ethical.

What matter is is that we keep this shit out of the hands people who want to delete us from the workforce. They aren't going to delete the data. We need to protect workers.

P.S. Artists, Disney and Adobe do not have your best interests at heart. Copyright issues are more complicated than they are being presented, and if you find yourself on the side of one of these companies in any capacity, re-examine literally everything you think immediately. Unions. You want unions.

For reference, because I think it's really important to bring this up as often as possible, the worst application of this technology I can think of would be deliberately or accidentally misapplying data that could be used to affect things like a person's medical care, criminal record, and credit score, all of which are actually currently things that a single company can do, APPRISS, now owned by Equifax, yes that Equifax, and fucking nobody, none of y'all, are freaking out about that even though it's the single most frightening thing I have seen in 20 years. I cannot overstate its potential to utterly destroy the lives of literally anyone who comes into contact with the system that uses it, and those are unbelievably common. They are currently selling their product to law enforcement so that cops and businesses can use it to predict who will engage in criminal behavior, I'm literally not kidding about that, they come right out and say it. It is being trained on existing data and refined constantly.

Enjoy breaking your leg and needing painkillers, which get you flagged in a medical database that will try to prevent you from accessing them in the future (already happening), and also entering you into a law enforcement database that knows you have taken them. Then add in whatever eldritch fuckery bringing credit bureaus into it would cause.

We aren't fucked, I'm not a doomer who insists that all people are terrible and that we have no future and we might as well let things burn, I do actually care about the world we live in and the people who populate it and I consider humans a delight rather than a plague, but we need to start seriously resisting the use of this shit by entities more powerful than us. They are already way ahead.

“I can now say with absolute confidence that many AI systems have been trained on TV and film writers’ work. Not just on The Godfather and Alf, but on more than 53,000 other movies and 85,000 other TV episodes: Dialogue from all of it is included in an AI-training data set that has been used by Apple, Anthropic, Meta, Nvidia, Salesforce, Bloomberg, and other companies. I recently downloaded this data set, which I saw referenced in papers about the development of various large language models (or LLMs). It includes writing from every film nominated for Best Picture from 1950 to 2016, at least 616 episodes of The Simpsons, 170 episodes of Seinfeld, 45 episodes of Twin Peaks, and every episode of The Wire, The Sopranos, and Breaking Bad.”

😡

[vigilskeep]

various and sundry artbook tidbits i found interesting (SPOILERS AHEAD FOR THE VEILGUARD ARTBOOK. obviously)

faction & location stuff:

a sketch page from the very early days exploring shape languages for factions like elves, dwarves, wardens, the necropolis, tevinter, and rivain, also includes concepts for the mages’ college and the ben-hassrath

early rivain concept arts have npcs with a similar armour patterning to duncan’s, suggesting it’s a mark of his rivaini heritage like i always thought!

the depiction of the ““creation story”” suggests elves were mimicking the bodies of dwarves when they formed their own, not humans like i think mythal says in game flashbacks, which would make more sense timeline wise

there’s concept art of the city of ventus, which i believe is of particular relevance to mercar players? it’s right on the border of arlathan forest, and surrounded by magical statues holding out raised hands forming a ward along the tree line to keep it from encroaching

the home base was going to be a lovable fixer-upper of a ship given to us by isabela, named the dumat. this didn’t fit the spy theme they were originally going for, so they tried really really hard to make it a submarine without feeling anachronistic by making it sort of sea monster shaped. there are a lot of cutaways and schematics. they were going to give it a mystery engine that you would get light fetch quests to feed random objects: “ten dried lavender flowers, five quail’s eggs, three brass belt buckles, etc.....” the submarine then turned into an undersea mansion on the back of some giant shambling sea creature you would never get a good look at

later on there were some funny takes on the lighthouse specifically, like bringing back the sea creature theme to put it on the back of an interdimensional veil whale, or having it be the true location of the black emporium with a collection of eluvians that xenon the antiquarian lets you use

there’s a tiny concept art for a “high-speed aravel chase” in a canyon like a western

tevinter gladiators are mentioned a couple times. we WEREEE going to get to see the minrathous proving grounds :( there’s also a dwarven embassy concept art somebody take me out back and shoot me

there are a lot of ghilan’nain creature designs that didn’t make it into the game which is a shame but i can see why they would have been resource heavy

the antiva concept arts are so gorgeous. a lot of it got through! and definitely the overall Vibe made it. at some point it seems to have been antiva city itself; they don’t call it treviso and they mention the circle of magi as a major landmark

“The entrance to the Necropolis is like an inverted Tower of Babel. They seek knowledge in the grave instead of heaven.” <- this just rules as a line

for arlathan: “To differentiate it from previous forest and jungle locations in Dragon Age, we went with an autumnal colour palette. It has the benefit to feeling ominously like the end.”

the veil jumpers have a “skull halla” symbol that “implies their willingness to risk death”. did that end up in the game?

“With each faction, we explored a range of aspirational fantasies. For the Wardens, this ranged from knights in shining armour to butal tanks to a Nietzche quote: ‘Beware that, when fighting monsters, you yourself do not become a monster.’”

there’s this concept among the warden armours for an insane orlesian noblewoman look with the winter palace morrigan corset and a piled high wig, but the skirts torn knee length and a serrated fan in hand. i’m kind of obsessed

“To bring more life to the world, we thought about what industries would keep the Anderfels afloat. We took the prominent Warden blue colour and envisioned an industry harvesting flowers, creating dye, and then weaving copious amounts of blue fabric.” this is probably where the flower quests in the hossberg wetlands started off conceptually? v cute

character stuff:

in completely different early versions of the game, solas had a “bad cop” right hand woman called reva

imshael the desire demon/choice spirit from the masked empire and inquisition was going to be a two-handed weapon warrior companion, and also sexualised now while in largely feminine form, which would have been a Choice. there is one art of him in masculine form, also sexy but still not showing as much skin as the feminine one

as i said, neve was going to be calpernia

taash was a rogue. (they’re still a light-armoured dual wielder so that checks out.) it seems like davrin was briefly a mage. at some points harding seems to have inherited bianca

saarbrak, another qunari companion, seems to have lastest the longest of the abandoned concepts. he’s the only non-canon one who got as far as having a place for him sketched into designs of the lighthouse: “saarbrak’s planning room”. mentions and sightings of what might be him are sporadic and i think you only see his name on that sketch, but i’m connecting it to the description “a potential qunari companion evolved from saarebas to dapper qunari spy, offering a deeper look into qunari culture”

the embroidery on harding’s clothes is how she passes the time while “waiting for days in a sniper perch” on missions. i just thought that was cute

[phntxm]

Love Languages hcs n/sfw

} real world, the nsfw part is VERY short y-y characters; mr. gap & mr. scarletella

My beloved aka Mr. Gap

he’s annoying and cute (canon)

likes to surprise you but acts nonchalant about it

no worries about danger in an alley—he always keeps an eye on you, and no one would dare touch you (he scares them away first)

the dev said it’d be funny to make players say something like, "what do you mean you’re kind when you’ve caused so many game overs?" when he helps you and calls himself good/kind.

yeah, he’s silly like that (luv him)

his love languages are gift-giving, quality time, and physical touch

gift-giving: as much as he loves receiving things from you, he loves giving things to you too

quality time: he can appear anywhere, anytime. sometimes, he’ll only spend a short time with you before leaving to prank someone, but at the end of the day, he’ll always come back to you—often in surprising ways (like appearing under your bed or blanket)

physical touch: the moment he reached his arms out to hug the mc, I was screaming—he’s so cute! I thought he’d be the type to dislike being touched, but he reached out first, so yeah

Mr. Scarletella

most of the main characters are born as ghosts, and since they’re born from people’s beliefs (similar to Rise of the Guardians), if people don’t believe in them, they can’t be seen

at first, I headcanoned him as asexual since he’s more of a phenomenon than a person, but this is a romantic horror game, so...

he learns about love by watching human lovers, but he’s still bad at it, and his love is twisted, so his actions aren’t exactly normal

in Japan, it’s common for guys to be shy and for girls to confess their feelings first

the scene where he says "me like you" follows a moment where we give him a gift and he says, "you like me" this can be interpreted as us confessing love to him first

the word "together" (一緒に), if I’m not wrong, can imply romantic feelings. Saying you’re going to do something together can lead someone to think you have feelings for them

physical touch: he imitates what he thinks humans consider romantic—holding hands, staying close to each other, etc.

words of affirmation: honestly, the only thing you’d probably need to say to him is to tell him to stfu already

acts of service & gift-giving: he lures someone with his illusions to lead them to his territory, just so you can hunt them down. he also helps you cover the evidence if needed and offers human prey as a gift for you

quality time: bros been spending his time stalking you since the very beginning

nsfw;

Mr. Gap

dacryphilia

if you being stressed and cry, he'd be worries, but on the bed is other thingggg broo

TEASES A LOT

like both verbally and physically with your body

orgasm denial, he enjoys keeping you on edge

likes to appear at the edge of your bed at night, crawling from your toes up to your body

appear under your blanket to fingering u

bro MIGHT just be really good at fingering

Mr. Scarletella

somnophilia

I think mr. crawling would be into this too but the different is, mr.crawling he lets you know and ensures you both consent, on other hand, mr. scarletella just does it cuz he wants

role play master-servant but he's the servant

into spanking and bl00d play too but he's M not S

[vi-arcanes-left-bicep]

Spoilers for Arcane S2 Finale❗❗

So, i keep thinking about Arcane's last pieces of dialogue and though they sounded kinda funny when I watched the end at the first time (in a 'really? This took 27h to write?' way), the more I think about it, the more I like it.

I think it has a ton of layers to interpret and I'm still missing a few of them.

Please forgive my multiple tangents while I try to gather my thoughts.

First, how Caitlyn finds Vi: no bandages, a glass of alcohol in her hands.

No bandages means many things for Vi: she's vulnerable -both because of what she's going through and beacuse she can allow herself to be vulnerable for the first time in the show, with Caitlyn-, and her fight is over, she doesn't have to fight anymore (Re: Ep7 Powder saying Vi fights because she's scared of losing everyone, and she has lost everyone). (Everyone but Ekko and Caitlyn, who have repeatedly proven they can fend for themselves and are leaders on their own right, I'd love to say Vi is in a point where she's able not to feel responsible for them too, though this is something I'm not so sure about). Bandages were also an important part of her character design, of herself, so this gives a sensation that she's lost a part of her identity too. Who is she, if not the big sister, the protector, the brawler?

Alcohol is another small details that just says she's not okay. We've seen her drink herself senseless for, presumably, months, in Act II, to cope with all that happened in S1 and particularly S2 Act I: accepting the loss of her sister after the attack on the council, becoming an enforcer even though she was completely against it because she still feels responsible for ending Jinx, recognising her sister again for just a glimpse and gaining faith that Powder is still there (with the realisation that she almost killed her sister -not the monster she convinced herself jinx was, her sister) falling in love with Cait and seeing her become a completely different person out of grief.... So after everything that just happened in Act III, where she saw that many people die, either strangers or friends, and where she lost her sister and father AGAIN, of course she's considering getting back to drinking. So much happened to her in the span of few months that she's considering drowning the pain away again.

Caitlyn's question: "Are you still in this fight, Violet?"

The line delivery is incredibly soft and intimate, and Cait calling her Violet is the cherry on top. She's knows Vi is not okay. She's knows she's going through a lot right now.

Caitlyn's question seeing this is really, at least, three questions:

First and clearest is a check-in: "How are you?" "Will you be okay?" "Do you want to talk about this?"

Second is "Are you staying?" Vi could leave to be alone as she did at the beginning of Act II, could go with Ekko to Zaun... I can also see an "Are you staying with me?" After everything that happens, after the little time that they've had to be together and to solve the many things between them, her asking "Are you still in this fight" can mean both "hey, are you holding up" and "Are we still together in this?"

Third would be "So, are you up to face this, solving things between Piltover and Zaun?". I know some people have criticized the lack of resolution in the Zaun/Piltover conflict. I'd argue, as much as I'd love for the class conflict to be expanded, it is not the core of the series, and both the writers and the characters know that a conflict like this cannot be solved in such little time. The series was not going to solve it. What it does is solve it's main plot and character arcs, and leave a space for this theme to have the start of a resolution. Piltover an Zaun joined against Ambessa's army, and the ending gives us a glimpse of the will to change the relationship between topside and bottom (e.g. having Zaunites in the council). It's not a perfect ending nor it is a resolution for Zaun's class struggle -I'm pretty sure that was never the intent, though I would have liked for both cities' relationship to be more comented upon in this season-, it's the opportunity to advance towards a resolution. So Cait is asking Vi if she is willing to deal with that too. "Are you still in this fight?" can also have an implication to mean fighting to make things better. This also means fighting for them to be together.

Then, Vi's answer: "I am the dirt underneath your fingernails, Cupcake. Nothing's gonna clean me out".

Now, I like this because it sums up to Vi saying "I'm not going anywhere" but the line itself and the delivery gives it a few more layers of meaning.

First of all, Vi is clearly not okay. She's very emotionaly scarred and considering an unhealthy coping mechanism. She looks incredibly sad. And she's deflecting with humour to the question because she's probably not ready to talk about it. So her delivery here, plus the strange joke/comparison and calling Caitlyn "Cupcake" (which she's only done when she's teasing her in a flirty or funny way or deflecting the conversation by doing so) is telling Caitlyn that she's not okay right now, but that she isn't going to leave. "

I interpret "Nothing's gonna clean me out" as her basically saying "I'm tough, I'll get through this" to Caitlyn's "How are you?" and saying "You're not getting rid of me" to Caitlyn's "Are you going to stay?"

Furthermore, calling herself "The dirt underneath your fingernails" has an obvious implication about her being a Zaunite and Caitlyn being from Pilotover. I've seen some people saying this is insulting to Vi's character and to Zaun's storyline.... I don't think so at all. Yeah, I can get to see a layer of self-depreciating humor, but for me this is Vi using her humour as well to reinforce herself and her identity as a Zaunite (which arguably she left aside/lost sight of during Act I) while also teasing Caitlyn for being a topsider. I like to interpret this as Vi saying "Yeah, Piltie, I'm sticking with you and I will keep bothering you". The tone and calling Cait "Cupcake" reinforces this as a tease as well. Reinstating her identity as a Zaunite also gives insight on Vi's position on the Zaun-Piltover new relationship: yes, she's willing to help out manage this, always from the position of a kid from the Lanes.

Zaun and Piltover are also stuck together after the ending - they've fought together against a common enemy and that has also forced Piltover's elite to sit and listen to Zaun's demands. For sure Piltover's aristocracy still has to get their heads out of their asses but this is how I like to read the phrase in regards to Zaun-Piltover, layered upon what Vi is saying: I am the dirt underneath you = I (Zaun's state and problems) am a consequence of your (Piltover's) actions and I am not going anywhere. (You will have to listen).

Anyways, lots of rambling and I'll still be missing stuff!

Another thing is, native spanish speakers as I am use the phrase "Nail and flesh" to say that two people are inseparable, and this has enough similarity to that for it to feel like Vi is also saying they are inseparable. So yeah

[lucygraysboy]

“you’re somethin’ else, lucy gray,” billy just laughs, very much unsure whether he should believe her or not about this sudden need for sexual exploration. “hell, i’ve been robbed then. i really wanted those peter pan undies.” but now that he’s thinking about it, he doesn’t see the reason why all the other disney characters can be on kids’ underwear and peter pan can’t. his ma probably wasn’t looking for them. he can’t really blame her, though. she had more important matters to tend to. “of course,” growing serious for a moment, he offers her a smile and allows his fingers to linger on her wrist a minute longer, “i’ll always take care of you, lucy gray. it’s what we do.” other people won’t understand what they’ve been through, why they’re still so close, why one can’t live without the other. funny how he was naive enough to think that blair would be able to give him this. “no, it’s good, but i’m full.” following her gaze, he analyzes the contents of his plate and then glances over at hers. “how was yours?” his fingers eventually let go of her wrist, but not without reluctance. it’s muscle memory at this point — holding her hand. “i’ve always been so disappointed that there’s no disney princess who looks exactly like you. i mean, belle has similar hair, jasmine has your olive skin, rapunzel is fun and spontaneous like you, snow white loves animals and aurora sings so beautifully, but… you’re one of a kind. my rainbow princess.” god, why is he saying these things? he wants to scold himself but can’t, pale blue eyes gazing lovingly across the table at the one girl whose name is tattooed on his heart. “you’re very welcome, birdie.” laughing even though he can barely breathe, he watches her enjoy a piece of baked alaska and thinks to himself that she’s as cute as a button. for a second, as she leans in, his hearts stops completely and he’s certain she’s about to kiss him on the lips. even the tips of his ears turn red and he can hear the blood buzzing in his veins. swallowing harshly, he’s frozen in place, anticipating and fearing her next move. her lips miss his by an inch, planting a sweet, sticky kiss to his cheek, and still, his heart refuses to recover. his eyes flicker to her lips, so plump and soft and sweet. he’s tempted to cup her face and pull her in for yet another, this time proper kiss, but his conscience stops him from doing that. instead, he lets out a sheepish chuckle, taking his napkin, folding it over his fingertip and wiping her mouth clean before doing the same thing to his own face. “mm, what a sweet surprise that was.” 

“that is true, i do get the best of both worlds now.” lucy gray winks, dying to laugh at this reaction. it’s better than she expected. “well maybe they do make peter pan, darlin’. they make mickey and he’s a disney character so why not?” maybe his mom just didn’t look in the right places. “that’s sweet of you.” voice coos, holding her fork and head tilting in affection as a loving look fills her eyes. she wants to kiss him for it, but can’t and scolds herself for even having those thoughts. but… why not think about it? it’s so kind of him to take care of her like that and she treasures honest, kind actions like that out of people. and then… he looks so handsome. her body wanting to attack him in kisses, studying his mouth again, has her annoyed she keeps doing this. IT keeps doing this. “you don’t like your salad?” she concernedly wonders, gaze falling down on his food. “oh, of course not.” voice drops in a disappointed tone, brows scrunching together because she’d never say her sweet little billy she met that day was beast. his outfit didn’t mean a thing to her. “for you, for takin’ care of me and ridiculously havin’ to brush my teeth, take my makeup off, give me a bath and put my jammas on,” she laughs affectionately, but somewhat feeling embarrassed. letting him have his bite, she grins once he takes it then eyes fall on his incoming fork with his dessert. curiously, she leans it and quickly steals the bite to see what it tastes like. confusion knits her brows then the second she tastes ice cream, eyes light up, being vocal about her love for the flavor once she swallows, “oh, that one’s delicious. i LOVE that one.” meringue stuck to her lip, she giggles and uses it an excuse to kiss him on the cheek to leave a sticky kiss.

[hemlock-dreams]

PleSe may I ask for a tiny morsel of the written word depicting bartender Petey taking care of business when some customers get too rowdy? Saw the "80s theme" and immediately thought he'd look amazing tossing out the trash (ideally covered in blood cause can't make an omelets without breaking eggs but bartenders don't tend to break faces sadly)

Here yo go! Have a snippet from the upcoming Chapter 2 of Pick Your Poison!! Hope you enjoy!!

------------

Wade sees Baby Boy snatch a bottle that comes flying at him out of the air without looking. 

Damn, they threw the thing at mach speed, too. Wade’s got to hand it to the kid; those are some impressive reflexes. He follows the easy catch by spinning the glass with enough flair to make a schoolgirl swoon, setting it against the bartop like he’s the main character.

The jackasses in the back don’t even notice, hauling each other over the tables in a messy, drunken sprawl. Wade hasn’t seen this much fumbling since prom night.

It’s embarrassing. He should do Weasel a favor (and indulge himself) by shooting them in the legs for interrupting plans between Wade and his future paycheck. But the look of intense concentration on Baby Boy’s face is distracting. That’s the furrowed brow of a man who is about to fuck around and find out.

Boo. Three more days and Baby Boy would have passed the cutoff mark. 

Wade usually likes hedging his bets on the underdog for the thrill, but four against one is bad odds for anyone who isn’t Deadpool, even a civvie with so many tough-guy tattoos. 

“And he was this close to being the final girl,” Wade mourns performatively, sparing a glance at Weasel to gauge how the man is feeling about the prospect of watching his civilian pet project get snapped in half. But the asshole just looks vaguely amused, which piques Wade’s interest.

So he turns back around just in time to watch Baby Boy march right into fucking around territory, straight up walking toward the group of heavily-armed mercs, no weapons, no foreplay, no nothing– just moxie.

Damn. He’s stupid. Wade likes that in a guy.

“Hey,” Baby Boy says, wrapping a hand around the leg of one wooden chair as the one with a bad haircut raises it over his head. 

Their kerfuffle is interrupted as four extremely drunk mercs with more bullets than brains pause to reorient their attention on Baby Boy.

“You know the rules. Sit down, or take it outside,” He continues, tugging on the chair like he’s trying to take it from an unruly toddler. 

There’s a collective laugh from all four bozos as they forget their beef to unionize against a new, soft, and squishy target.

“Oh yeah?” The short one smiles, revealing a row of really ugly teeth. Wade’s fist immediately itches to plant itself into that mouth, just for offending his eyes like that. “Who’s going to make us, you?” 

The edge of Baby Boy’s mouth curves, “If I have to,” he says, and it can’t be mistaken as anything but a taunt.

Bold move, Cotton. 

The rest of the bar, normally oblivious to a few broken pieces of furniture and some blood, takes notice of the audacity. Wade can practically hear eyeballs turning and the collective bating of breath. 

“That’s cute. He thinks he can take us.” Bad Haircut snickers, drunkenly swaying into the conversation. He gives Baby Boy a once-over, expression turning lewd, “Then again, maybe he can…in one of the back rooms.” 

“He does have bigger tits than most of the girls here,” His unfortunate-looking friend leers, staring at Baby Boy’s admittedly mouth-watering chest. Motherfucker is tall and top-heavy, built like a linebacker, invading the kid’s space like he’s looking for a touchdown if you get Wade’s drift. “Got a pretty face, too. What do you say, sweetheart? Why don’t we go to the back and we can apologize to you real good.”

Baby Boy’s hand constricts halfway into a fist before he forces it to relax. He looks like he’s barely holding himself back, and coin flip on whether this is going to be very funny or very sad, but either way, Wade’s on board to be entertained.

“Yo Weasel,” Ugly Smile calls out, eyes locked on Baby Boy, lurid and alcohol-glazed, “You mind if we take your bar boy for a spin?”

His grin promises an unpleasant time, but Wade isn’t worried. Maggie’s is a shithole for sure, with morals looser than Wade’s jaw, but some things are still too far. Not that it keeps these loser shitheads from defaulting to it when they need to compensate.

“You break it, you buy it,” Weasel replies gamely. Which, dang, cold. Always nice to be reminded why Wade kind of likes the guy. 

Baby Boy’s mouth twitches into a smile, and Wade’s entire body goes on alert, “Take the chair out of my rent, then.”

Ready, set, action. An invisible hand slams the clapboard, and everyone bursts into motion.

The chair in question swings and misses. Baby Boy fluidly sidestepping both Bad Haircut and his buddy, grabbing the support and using the momentum to hook the wooden back over Linebacker’s neck, flipping the chair and twisting both mercs like puppets before sending them crashing to the floor. 

Bad Haircut is scrambling up, but Linebacker is pinned to the floor by his chair necklace, anchored by Baby Boy’s leg as he presses down hard enough to snap the wood and drive the remaining air out of his lungs.

The bigger they are, the dumber they fall. Linebacker is immediately out for the count, but a broken chair is still useful, and Baby Boy is apparently the creative sort.

The snapped leg turns into a baton, and Baby Boy leisurely sways out of pistol-whipping range when Bad Haircut pulls out his gun, dancing back in to drive the splintered wood under the merc’s armpit on the outswing.

Screaming in pain, Bad Haircut stumbles back only for Baby Boy to grab his wrist and haul him forward, twisting his arm in a fancy maneuver that ends up with the gun on the floor and kicked safely out of reach.

Interesting.

Then it’s a pas de deux, with Baby Boy’s back against Haircut’s chest, using the impaled baton as leverage to toss the man over his shoulder and straight into Ugly Smile. 

The merc falls out of the way, only to run into Baby Boy’s fist as it buries deep in his guts. Even at a distance, Wade can hear his ribs break. Doubled over, Ugly Smile is coughing up blood and vomit when a tattooed hand cradles the back of his head and slams his mouth into the table once, twice, three times. Then it’s lights out.

It’s over almost as soon as it began, and as the dust settles, Wade is reevaluating the merits of his earlier bet. 

Yes, they were drunk, but Wade still expected it to be fast, if not messy. He hadn’t been counting on class. He hadn’t been counting on Baby Boy to be the one last standing, let alone to have shut them down so completely it barely merits the paragraph.

And the kid isn’t even done. He’s locked eyes with the fourth guy, jaw flexing like an attack dog straining against its leash, but the dumbass looks like he’s turned over a new leaf and become a law-abiding citizen in the few heartbeats it took Baby Boy to clean the floor with his buddies. 

When the guy doesn’t make a move, Baby Boy leans back, completely relaxed, eyes flat, no sense of triumph in the aftermath, just…disappointment– like he’d been craving something more and been left wanting.

Wade can’t resist a low, appreciative whistle, clocking the way Baby Boy’s entire body reacts to the sound. His head snaps in Wade’s direction, and the whole room vignettes as he stares Wade down, eyes flashing like he wants to crumble his spine like a cookie. 

Lust stabs Wade’s gut all the way to the hilt.

“Changed my mind, Weas,” Wade breathes, feeling the tension drain from the room and right into his dick. “You should keep him.”

[uniquethingtastemaker]

I’ve been working on Vil’s “slap the overblot out of him” fanfic. I apologize for the delay. Unfortunately, my research paper takes precedence. However, I was unsatisfied with my writing so I’ve been revamping it. MC has become much sassier than I anticipated. It’s hilarious, but I’m not sure how I’m going to add a lot of fluff. I’m sure it will come in time, but it amused me and I wanted to share.

I also thought I would also give u an update on my other fanfics and ideas. All for Vil of course lol

The other fanfic I’m working on has a lot more soft fluff. It’s the one where the MC accidentally insults Vil because they think it’s a traditional Pomefiore greeting. That one’s funny and cute. MC treats him like a normal human. It’s a nice change of pace for our beautiful dorm leader. He’s used to being treated as untouchable. However, it’s lonely at the top. Vil is touched starved in this one. Also MC borrows Rook’s hat. You’ve gained the favor of our favorite hunters. Look forward to its release lol.

The other Vil fanfic I have is the body swap one. Even thinking about it brings a devious smile to my lips. It fulfills my deep fantasies of beating Vil at his own game. I want to show him that he could do better. He blames the acting industry for pigeonholing him into villain roles. While that’s certainly part of it, he can put in some work to change his circumstances. He’s not helpless.

In that one, Rook is a main and central character. I love Rook. He’s a hoot. I’m glad he’s a main character. As you know, he’s a valuable asset. The man knows Vil better than Vil himself. If you want an accurate, unbiased judge of your Vil imitation, he’s your boy. He agrees to work with you because he also wants Vil to realize he’s being too narrow minded.

The entire body swap fanfic is just one big power move. It makes me grin. I hope you all are as excited about my idea as I am lol

[madbard]

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

[cosmerelists]

Cosmere Characters at Disneyland

As requested by @jellybeanzrock :)

Listen...I'm sure that SOMEONE on tumblr already did a post like this but I CANNOT find it. If anyone knows what I'm talking about, let me know so that I can link it! I think it was maybe about roller coasters...?

Anyway, here's my take!

1. Steris: Arrives with the perfect plan

Yes, it is in a binder.

Steris: Breakfast: acquired. Steris: We are all sunscreened, we have full water bottles, and we're already 8 minutes ahead of schedule. Steris: According to the plan, this is the optimal time to use our Fast Pass for Space Mountain. Wax: Space Mountain just closed for repairs! Steris: Tch. Turn to Plan C, everyone. I was ready for this.

2. Shallan: Mostly wants to sketch the wildlife

Shallan: Guys, stop! There's a new cat over there! Kaladin: Are you sure? It looks just like all the other cats. Adolin: Are you blind? That one's a tabby. The last one was gray, and the on before that was orange! Kaladin: ...Tabby and orange are different? Shallan: Both of you, hush! You're going to wake him!

3. Lightsong: Won't leave the Tiki Room

[Full disclosure: This is my wife's favorite "ride."]

Llarimar: Your Grace, are you sure you don't want to do...anything else today? Lightsong: This is the only part of the park that's empty and air-conditioned, Spook! Lightsong: Plus, I like the singing birds. Lightsong: They remind me of home.

4. Adolin: Gets too into the Mickey ears

He really should have brought an extra, empty suitcase.

Kaladin [eyes narrowed]: Those aren't the ears you were wearing yesterday. Adolin: Well, duh! These are my breakfast ears. The ears are sunnyside-up eggs! Shallan: He'll change into his midmorning ears after. Adolin: Plus, I have some fun ones for lunch! Not to mention my afternoon ears, my slightly fancy dinner ears... Kaladin: You have a problem. Adolin [waving a hand airily]: You just hate fun.

5. Kaladin: Just really likes the Soarin' Ride

[Full discloser: that is my favorite ride]

Syl: ...You know this is kinda an old man ride, right? Kaladin: I like it. It's peaceful. Syl: We're not even flying! We can fly for real! Kaladin: I like the part where they spray orange-blossom scent. Syl: I can't believe I bonded an 80-year-old man...

6. Syl: Really likes the characters

[Light spoilers for Wind and Truth -- just skip to #7 if you want to avoid!]

Syl: [full-size, now wearing a princess dress] Syl: Children keep asking for my photograph! Syl: I'm not sure who "Elsa" is, but I think I'm flattered!

7. Vin: Just really likes the Tower of Terror ride

It's the one that's just a huge vertical drop.

Vin: It's like jumping off a tall building, only there are more people around you, screaming. Elend: And nobody dies! Vin: And nobody dies.

8. Lift: Is mainly interested in eating every type of churro

She heard there were seven unique types, and she's determined to eat every one.

Wyndle: T-This is reminding me of you and the pancakes in Yeddaw. Wyndle: ...There isn't a dangerous Herald hunting us, is there? Lift: No, but I think that giant Mouse was lookin' at me funny.

9. Kelsier: Keeps ending up where he's not supposed to be

Kelsier: Why would they even HAVE a "forbidden" island clearly visible called Discovery Island if you're not supposed to sneak over to it? Kelsier: It's like they put up a big flashing sign that said "Secrets Here! Come and get 'em!" Dockson: I can't believe you got us kicked out of Disneyland. Kelsier: They started it.

10. Gavinor: Is the most serious child at Disneyland

Gavinor: [Gazing at the Haunted Mansion, unsmiling.] Dalinar: Do you want to go on that ride, Gavinor? Gavinor: Okay. Gavinor: Do you think one of the ghosts might be my dad? Dalinar: ... Dalinar: I don't think mouse ears can fix this.

[monsterlimbs]

He and Emmrich I think are actually REALLY well written, the more I see of them. These two I actually like. As much as I hound on DATV's writing, I actually LIKE these two companions. Like REALLY like. Now, side-tracking from the previous post

I think, if Taash's immatureness was commented on and everyone pointed out their hypocrisy at times, I would REALLY like them too. They're one of my fav character archetypes, but the writing for them is just. mm..... But for Lucanis and Emmrich? It's pretty fucking good in my opinion. I LOVE Lucanis' romance and his constant "I need more coffee" just to stay awake even though he's been awake for 70 hours already and he's seeing things but what happens if he goes to sleep is worse, and Emmrich's constant battle with "I'm scared of dying and I'm getting old [for the fantasy type era]". And then, to achieve lichdom, he has to finalize Manfred's sacrifice. I actually think that part especially in his route is SO well written. To be long-living, you have to be okay with your loved ones passing. And Manfred's sacrifice was SO fucking bittersweet, I actually cried over it when he died lmfao. But to also have the chance at reviving him?? Is so special. Because that's his son. And Rook's too, if Emmrich is romanced.

I think Lucanis has to be one of my fav romances atm. I'm such a sucker for that "I like your voice would you soothe me" type deal, like all of my rough/assassin type characters have it and HE has the type deal!!! And it's so sweet. I hear a lot of people dislike his romance because it's not very spicy, but have you ever stayed up for more than 30 hours? Even just more than 30 hours, and I'm ONLY thinking of bedtime (or whatever I'm hyperfixating on, and then the second I'm free of it, it's bedtime). I think the main reason for the criticism though, is because Veilguard at one point (if I'm remembering correctly) it was like their "horniest" game yet? So I somewhat understand it? But also that man is TIRED!!! He needs his sleep!!! He asks you to lull him!!! Do you know how fucking romantic that is!!!! Forget the "I would kill every god you asked", you ever heard "Your voice soothes me. Will you talk to me?"!!!!!!

And then Emmrich's "not horny enough" criticism is really funny to me. That man is also tired. He's old (for Tevinter standards). He needs his beauty rest. but also not to be down bad or anything but I'm totally with the "give the old man a broken pelvis" crowd. But also tuck him into bed afterwards because that man is exhausted too. Leave the two eepy men to their bedtime, they deserve it! 😭

The crazy thing is, Lucanis' character is so well established. I reread The Wigmaker Job the other night. I was like damn, he sounds exactly like this in the game. Same dogged determination. Same priority of action over thought. "I'm fine". Self sacrificing. Speaks shortly and matter of factly. Willing to put himself through incredible pain to finish what he started.

Like, I wish we gave the writers more credit with how consistently he's written. Over a number of years of game development hell. They knew who he was, his motivations, his speech, his internal landscape. Dude literally recites a childhood assassin's nursery rhyme to himself as he kills 7 guards in the Ambrose's palace. That's why his emotions recalling the wyvern book to the lighthouse was like, not surprising to me at all. dude's inner child has been so compromised and destroyed this entire time.

Anyway I wish that someday I could write a character this outstanding. That's all. I'm just here to glaze.

[ti-girl1226]

since season 2 is done…

I have a 2 theories one might sound a bit strange but I’ll get to that in a second, and also might not click onto lore wise for the actual game

1- Isha is alive still- we don’t see isha die literally or get buried, which I understand her getting buried may be had due to like explosion right. But for this season and show where it’s been kinda thing where they don’t strive away from death and seeing the dead bodies of people it’s a bit strange. Now it came be argued that they didn’t show Milo or Clagger (is that how you spell it?) getting buried but you did see them die. Also even then with characters like Vander you think he is dead but nope he’s alive. My thing with most of the fandoms I watch applies here, if you don’t see a body then they aren’t dead. 2- Where is isha?- you may be asking then because I sound like a crazy person who just wants everything to be happy again. (Not a lie here.) Well I have a theory that doesn't have much evidence but I still like to think about it this way. It’s that anyone who is “killed” by the arcane isn’t actually dead more so a soul stuck in wherever Viktor and Jayce where. Now you might be saying that’s a cop out, you’re kinda right but I don’t think this counts for anything other than explosive magic. The thing is whenever there is an explosion of hextech they just disappear, no traces. Poof gone, which seems strange to me. Now I’m not saying if someone where to be like shot by jinx’s gun like silco was that they are in the Hex space (that’s what I’m calling the weird space idk if there is a name for it) no I’m saying that the injuries they sustained prior to the hex explosion is still there, but the damage done by the explosion is reversed. So this still gives a chance for them all to come back from where they first disappeared. Which I think is kinda funny considering all the scientist Ambessa sent down to the hexgate, which would all if there was a way to get the people out of hexspace would just pile on top of each other down there.

3- Jayce and Viktor have adopted Isha in hexspace and are living happily ever after. If they somehow in fanfics come back I want it so that then Viktor kinda takes Jinx’s under his wing and Jayce does the same for Vi mainly because he already did it for Caitlin.

[teotheratking]

ABOUT JEAN: The monthly discourse

Damn and I thought we were past monthly Jean discourse, y'all are quite off schedule this time.

I do think it's funny how Jean-Heron Vicquemare continues to be The Public Enigma with what could be equivalent of 5 minutes of screen time. All of his appearances can be put into 3 groups: worrying/searching for Harry, watching over Harry, spending 45 minutes on insulting him. So it only makes sense how his discourse as well is surrounded by conversation, what is his relationship with Harry? Him being Harry's Satellite officer is like another added layer to how his whole existence seems in a constant orbit around the center of the Earth - Harrier Du Bois.

When discussing both of these characters I think it is crucial to strip them down layer by layer. When we're doing this Harry and Jean, I think we see far too quickly, how similar they are even with many differences: both are addicts, depressed, having facial scarrings and, of course, both are cops.

When looking at them from purely 'superior and subordinate perspective, they remind me of Robert Eggers script from The Lighthouse (2019) particularly this bit:

The Lighthouse explores the themes of capitalism and perpetual cycles of new and old generations: Young and Old.

We can see similar themes explored in DE as well. The game isn't afraid of constantly putting the players head into the mud, saying: "Yeah, it is that shit." RCM is a constantly moving system that lures people in with the promise of help for community and spits out a hollow husk of their former selves. Though I would say it doesnt do that either as most of them die before ever reaching retirement age.

Harry is surrounded by old dog imagery.

Particularly dogs that are about to be put down or are already dead. I particularly love this segment of the game with Joyce - it is clear that in this segment the black dog licking his wound is Harry, who's getting put down by the system he works in. But what I think makes the scene even better is what follows it:

Every officer's fate in RCM is the same.

It's the years of violence, brutality, system that eats those, who help and enables those, who hurt. It's speed, alcohol, never ending poverty, and as years go by another officer is closer and closer to finally pull the trigger on the old dog that you have become.

One final act in the Disco Inferno.

And there's inescapable horror in all of this: seeing what you will become, what you're bound to become. Looking in the mirror and staring at your partner's reflection - ever present reminder: "This will be you in 10 years to come."

When Jean says "trying," what he actually means is "functional." Having context of RCM system and inherent ableism of it, I think it's safe to say, that "to try" means "to succeed."

Jean isn't anymore functional than Harry as he is simply younger. Harry through entirety of the game is experiencing raining bonefire of decades of drug abuse and effects of poverty and long lasting emotional physical abuse. Meanwhile, Jean is yet to experience the crashing sun. He has 10 years to do so.

In perpetual vortex that is this sinking ship, partnership and comradery, become essentials for survival. Harry and Jean form particularly tight bond, tight enough that both can't evade speculations about their sexuality or type of relationship they have, thus "hetero-sexual life partners" are born.

I see a lot of people insisting, that those two relationship, that they had is what we can see right now in the game: partnership that feels more like a race of self destruction, while putting sticks in each other's metaphorical bicycles. To see which one falls first. But I feel this is complete controdictory to what we hear from the game:

"Trouble in paradise" - I wouldn't use those words if my two coworkers, who try to sabotage each other on the daily would finally get into all consuming fight. Though what do I know about male-centric workplace humour.

No matter, which way you choose to look at it, at the events of Disco Elysium, Jean's and Harry's relationship is at their absolute worst. Rock bottom. Maybe even beyond it, though that depends how one evaluates forgetting 44 years of your life except lost ex goes into equation. What we see is culmination of their every moment together - good and bad, which erupts into terrible earthquake.

Finally, what we see of Jean and Harry's relationship is supposed to be merely introduction, or at least was (Kurwitz pls, let me read the scripts). By small bits and pieces Luiga has decided to reveal to the public is that Jean is supposed to be one of main partners of the second game featuring The Return.

This doesn't deny Jean's role as The Jury or The Executioner in the Final Tribunal. He represents RCM's bigotry, ableism and hypocrisy of it all - a broken system of a destructive cycle - ouroboros eating it's own tail. However at the end of the day he's as much a person as any other in Elysium - full of complexity and nuance, the verdict of we simply do not have enough information of.

Finally at the end of this... I don't know what to even call this, I have no idea how one would arrive to concrete conclusion, that is either: "Jean good' or "Jean bad." All game's characters are some kind of moraly grey - this isn't a MARVEL movie or a fairy tale that people want it to be. It is a commentary of cultures that we all have grown up in. For me DE really resonates from Baltic States history and culture context, because this is all I've ever known.

[supremechancellorrex]

Okay, then, it's online space, we can go back and forth forever as it's all public discourse and there's no such thing as trespassing. Please give me examples of Mai saying fascist rhetoric or looking down on other nations racially. Aside from her just existing as a FN character born on the wrong side of the border. "Zuko did x" is actually a good measure when there's a double standard. Funny enough, I've met even people who call Zuko fascist and dislike Zuko's redemption story as it ends up with him as an absolute monarch, who mishandles the Fire Nation colony problem and puts FN citizen interests above Earth Kingdom interest for much of the Promise. The word is hardly stirring in this fandom now. Others have called him an abuser for how controlling he was in the Beach in who Mai could talk to. And they tell me all of that is so apparent. It seems in some opinions Zuko is badly written, despite the feels and "kindness" conclusions.

Also with Sokka and Suki it is not a "false equivalence" because Sokka and Suki were friends and then lovers who meet up again and kissed in the Serpent's Pass after spending days together and that whole spiel about Yue, his first girlfriend. He rebuffs Ty Lee in the Crossroads of Destiny by saying he's "with Suki now". Sokka went into a fit of rage and cried in Day of Black Sun over Suki, yet he didn't think of her missing until Azula mentions it despite it being weeks. Then as soon as they meet up again Sokka tries to smooch her immediately. They are in a relationship, it goes without saying. This is the nature of Avatar. You could complain the relationship between Suki and Sokka is fast, it could also be complained that Sokka forgets about Suki for a long time despite being committed to her. Arguably makes Sokka seem rather callous if one is to ignore this is an episodic kid's show, same with Zuko.

As for your conjecture of "We're supposed to think", that's just your interpretation, a rather absolutist one, but the context, voice acting, body language/smiles and structuring of those scenes, including the quotes I have shared but you're free to watch them yourself, make it unlikely for quite a number of others, myself included. Since you've talked about what you hate, I'll tell you what I dislike in the fandom. Absolutist takes where everyone in the audience is told "We're supposed to" with no evidence provided. This is what Azula stans say, they say "We're supposed to sympathise with Azula", "We're supposed to see that she's an abuse victim child and not judge her at all", despite it just being their interpretation. Mai does not dismiss everything Zuko says, there are many times she tries to understand and comfort him in Book 3, and Zuko's actual reasons for leaving are stated in the show.

Zuko: "Everyone in the Fire Nation thinks I'm a traitor... I couldn't drag her into it."

This is a protective measure for her, not "anti-war rhetoric" fears.

I think it's quite clear he didn't think she was going to do anything to him. He expresses no actual fear towards Mai at all. Even when he runs into her in the Boiling Rock, still no fear. It's because Mai and Zuko actually have a level of trust, because Mai has been often supportive of him despite a couple mistakes here and there. The more Zuko and Mai got to know each other in the show, the more time goes the more they ironed out problems like how most relationships work.

I also disagree with your accusations of how I allegedly "misconstrued" your argument when I actually think you misunderstand and misconstrue mine. You don't have to say someone doesn't need to be as bad as Ozai or Azula to be an abuser, although it's rather irrelevant, and I never said Mai's difficulty emoting was a good thing. Just like I would never say Zuko taking out his anger on others is a good thing, if we're talking about the relationship and responsibility. The funny thing is, Mai learns how to emote more and express herself. She even smiles more as the series progresses, she confronts Azula, she chooses Zuko over fear and bitterness. As for 'just "being human" and a teenage girl", think you restructured my sentence there, but regardless I never said Mai was perfect, there are reasons why, and I just don't believe it takes her out the running from having a relationship with Zuko just because they both have baggage or aren't perfect at communicating in every interaction. If you don't think Mai is "nasty", then why would Katara be supposedly justified in punching her in the throat and never liking her? I think the word is actually a good summary of your view of her, since you claim she's an "abuser" and "mean" to everyone, demanding a relationship with Zuko as if this is an entrapment case (despite Zuko clearly wanting the relationship as well and making his own decisions).

Zuko [surprised, happy]: 'Mai! You're okay! They let you out of prison?"

Mai : "My uncle pulled some strings. And it doesn't hurt when the new Fire Lord is your boyfriend."

Zuko: [happy, smiling] "So does this mean you don't hate me anymore?"

Look at Zuko's response, look at the context. Think we can take it that Mai isn't demanding anything here if they both know each other and what each other wants. Zuko is receptacle because he wants to be back with her, and she knows it, which is the context of the dialogue. It feels like you're forcing Mai into an aggressor/abuser role that doesn't fit her character. Mai herself is critiqued in the narrative for suppressing her emotions, and as the narrative continues we see her learn to express them more to the point she not only yells in the Beach but later goes against Azula. But Mai is never an abuser. Whether you appreciate this or not, these are canon scenes. You can argue bad writing, but it doesn't change that the writing is geared to Mai being a certain character, and that is likely not the one you're accusing her of, even with her earlier villain rep that felt rather mild in the narrative ultimately. She didn't even want to chase Katara and Sokka through slurry.

As for Ukano, guy hardly seems like a threat, Mai handled him and everyone easily while holding a toddler. Perhaps Mai didn't think Ukano would achieve much, or join with Azula, who was supposed to be in asylum. Do I think it's bad writing? Sure. Entire New Ozai Society is. Same with how I think Zuko regressing his character arc and getting advice from a genocidal maniac like Ozai is bad. At worst, they're just both muddled about their bad fathers and manipulated at times, Ukano plants doubts in Mai's mind in Smoke and Shadow (that undermine Maiko), Ozai plants doubts in Zuko in the Promise (that consequently undermine Maiko). Not sure how this adds to your Mai is an abuser narrative, Ukano and Ozai are a better fit for the blame by messing with their kids' feelings and relationship.

"I think Katara would get along with Azula/Mai because female solidarity!"

Cool. I think Katara would punch fascists in the throat.

[s-e-v-e-n-24]

Hello hi friend (@knight-says-nanana) recently made this post referencing our conversation on Jervis Tetch having Wonderland nicknames for everyone but with actual Meaning to it, and I am here to share my List of them

Edward Nygma/Riddler - Dormouse

Not only could he physically resemble a dormouse (Shorter, they tend to have reddish brown/Orange coats I think?), but again, it's more about the sleepiness. The Dormouse is depicted as asleep/Always falling asleep, and only really waking up to correct Alice. Jervis's likely first or longest first meeting with Ed would be in Arkham. Arkham, where his cell has been shown to have "Keep sedated" on it

Jonathan Crane/Scarecrow - March Hare

A hare matches Jon's aesthetic. Long gangly creepy looking bunny. Typically depicted with straw on his head. It's cute if Jervis refers to him as "My dear Hare". March Hare and Hatter are friends!

And also the Hare is routinely depicted as nerve wrecked or delirious, and in adaptations, often dies or suffers

Harley Quinn - Queen of Hearts

The red and black look, the cards aesthetic already there. Plus, Queen of Hearts is childish, bad tempered, quick to overreact, very feared character (Also has a mallet). And also rarely Actually executed people. This one does play on the negatives more, due to the fact she's an antagonist (More obstacle for Alice to clear) But the queen Does have some better traits

Selina Kyle/Catwoman - Cheshire Cat

Obvious, only major cat themed rogue, but Does have deeper implications. Cat dissapears often and without a trace, seemingly or literally invisible, can go places most do not dare to. And also friendly with both the protagonist and antagonist characters. Inherently chaotic neutral force. It does what it wants for it's own entertainment. It may like Alice and act sorta as a guide sometimes, but that in no way means it sticks on her side

Hugo Strange - Gryphon

Somewhat overbearing, dismissive of the obsession and Sorrow of other characters, says they have no fact. Orders around Mock Turtle. This may not fit the greatest, but I like it

The Batman - The Jabberwock

Some unknown and all around feared cryptid? Yeah makes sense

Oswald Cobblepot/Penguin - Dodo

Flightless bird depicted with a cane. Odd, but good natured. Mostly. Does try to burn down a house as a solution to Alice being stuck in it. Organizes the Caucus races. The Dodo character/Races are meant as a critic on systems that lack clarity and decisiveness, who's actions are ultimately unhelpful or pointless

Now there are a couple I'm not entirely sure about yet. It's actually suprisingly hard to make everything fit well

Victor Fries/Mr. Freeze - White Rabbit

Because. He. Y'know. Is running out of time? I do like this one, mostly cause it's a lil funny to me. And also Freeze is mostly only an antagonist to work for his goal, the Rabbit is only "antagonist" Because he has to work for the Queen

Basil Karlo/Clayface - Mock Turtle

Melancholic, sad that it's no longer a real turtle/Just a turtle

Pamela Isely/Poison Ivy - King of Hearts/The Flowers

She is So hard to pin down. I could say Kimg of Hearts to match Harley (Moderate, calm, the one that pardons the subjects, calms the queen, later revealed just as juvenile and willing to execute), or, I could go with the flowers to match her vibe. I really do not know

Waylon Jones/Killer Croc - Jabberwocky/Duchess

Kinda hate both of these for him. Jabberwock because. The obvious. Duchess kinda due to starting off nice to the queen, then transitioning to friendly and respectful with Alice. Major temper (Nervously agressive) but not inherently bad even though she starts/Is Queen aligned?

Harvey Dent/Two Face - Tweedle Dee & Dum/The Walrus & The Carpenter

Tweedle Dee and Dum seem like the obvious answer but I kinda hate it so much. It doesn't feel like it fits and kinda feels insulting. Nothing Truly fits Two Face. Walrus and Carpenter is the closest I got. Walrus (Two Face?) The leader, conniving moocher, con man, yet hopeful of the future. Carpenter (Harvey?), believes getting an honest job will be better, still goes along with the plan, acts before he thinks, quick to anger

Joker - King of Hearts/Knave of Hearts

King to match Harley but also I dislike most adaptations so mm. Knave because he's a coward/j

[danivalentine]

drdt chapter 2 spoilers

Yk thinking abt the audience IN THE UNIVERSE OF DRDT I’m just thinking abt the amount of fights and discourse that would be on the internet as drdt gets streamed to them.

Like I bet people are like coming out abt David saying like “we do not approve of David Chiem’s actions” if they have ever worked with him before

ALSO NOT TO MEATION EVERYTHING J SAID ABT HER MOM LIKE the internet is probably freaking out about like a famous celebrity being terrible and people probably are like “Oh I never liked Mariabella” or trying to find evidence in like old videos of J as a kid on the internet (Also Mariabella is either Speaking out and saying J is lying or literally doing nothing abt it thinking it would like die down or something)

i just think it’s so funny to think abt how the audience is acting abt all this crap abt the characters coming out

[namtanlovesfilm]

burnout syndrome: everything we know & my guesses

since burnout syndrome seems to be in its very early stages of development, here is what we know & certain of my plot point guesses:

while the show is written by jittirain (who wrote theory of love), it does not come from one of her novels. it will therefore be an original script made for this series.

offgun must have had some details about doing this show for about 6 months, since off has worked out very intensely almost every day since then (since p'nuchie required it for this role), and it also coincides with gun saying that off would have a six pack next year. I believe offgun had a knowledge that their next show would be more mature & sexual, which is when p'nuchie got brought in, and I believe dew arrived later as the third one in the love triangle, around the same time jittirain signed on.

p'nuchie working with offgun again is surprising considering her previous treatment by gmmtv (cutting her budget repeatedly & not promoting not me at all despite p'nuchie being a big deal director), however it is not THAT surprising since not me was by far her most popular & mainstream project, and she has always had a soft spot for gun with whom she has worked repeatedly. she also seems quite close to off.

now, for the plot: we do not know any character's name or much about them at all, which is why this project really seems to still be in its infancy. I would not expect an early 2025 release... I think this will be an end of the year release à la not me & cooking crush.

gun seems to play a poor character compared to white in not me, while off plays a rich character compared to sean in not me... it's a role reversal! gun's character seems to be the struggling artist type, and an openly queer character. he's basically yok from not me (yes I'm keeping the not me comparisons bc there's a LOT!) he's down to do any odd job for money which is how he meets off's character. he seems quite daring & confident, while also a bit introverted & in his own world.

off's character definitely has todd vibes for me (and not just bc that pool kiss scene reminded me of the first toddblack confrontation lol). he seems to be a businessman but is very shady. he is described as a "bad boy" by emi's character, and he hires gun to be his "stand-in"... but he's still in the same room, dictating everything to him?? he says he doesn't like people, but what does it mean exactly? does he have a phobia of people? then in this case, why is he going outside so easily? all of these questions will be answered once the script will be fully written imo. I think that, just like not me, the mock trailer & final show will be very different but evoke the same vibe & characters. in any case, off's character is highly intriguing, he's clearly a red flag & kind of a weirdo, and I can't wait to know more!

next we have dew's character, who is a fortune teller? probably not as a job but as a hobby? (side note, I find it funny that so many gmmtv 2025 featured fortune tellers & psychics lol.) although I feel like choosing dew for the role bc they seem to make him want to seem a soft nerd against off's character who's possessive & rough is kind of a miscast bc since dew is SO tall he just doesn't give off these kinds of vibes imo, I'm quite interested in this love triangle. both dew & gun seem to like each other, and gun's tears when dew leaves are giving SERIOUS "in love" vibes. HOWEVER, gun's character definitely has a strong attraction for off & uses him as his artistic muse... the last quote of the trailer is "if one day he has a heart... I can love him, right?" indicating that off's character has shown gun that he has no heart but gun falls for him anyways... I JUST WANNA KNOW THE BACK STORY FOR THESE CHARACTERS SO BAD BC I KNOW IT'S GONNA HIT SO HARD!!! but to get back to dew, I really wanna know where he fits into this story, because...

this is almost guaranteed to be an offgun endgame. I say almost bc there's always the possibility of it being a poly endgame but let's be for real, I don't see dewoff having any chemistry lol (though they can surprise me, I didn't think dew would have romantic chemistry with gun either!) but the fact that offgun have been a stable ship for 9 years, that they came out on stage from a different platform than dew, the positioning in the poster... and also everything in the trailer indicates that they are endgame. I'm curious to see what happens to dew then though lol, we shall see.

I'm very curious about emi's role. she obviously played gun's sister in the trainee, and now she plays his best friend so she's now the only actor who has been featured in 2 offgun shows with sing, especially back to back lol! seeing how there's only 5 characters shown for now & she was in the main actors list alongside offgundew... I think she'll have a big role, but I have no idea what it can be. in any case, I stan!

lastly for the characters, we have thor, who I'm also really intrigued by. we know he works in burnout bar but WHAT is burnout bar? why do they match random people by numbers? does everyone who comes there needs to be burned out? as a background place for the show, this bar is interesting & reminds me of the one in the jungle (which also featured off!) I wonder if we'll see off in that bar, even though it's been established as dewgun's place in the mock trailer, it's too central to the story to keep its main character out of it for the whole show. I'm hoping thor has a bigger role than just the bartender lol.

in conclusion, a lot of things are very vague about this show, which is a bit frustrating bc I WANNA KNOW MORE, but also really nice bc it means that, compared to certain other shows from gmmtv 2025, we won't be spoiled most of the story by the trailer :) also I'm betting that they will add one or two other cast members, but they haven't written the show yet so all of the characters aren't fleshed out yet. anyways, I can't wait! 💚💚💚