#it was literally almost too much

[scobbe]

I went back to my church this weekend and wish I could properly describe the grace with which God works.

[forgettable-au]

FORGETTABLE-AU (page 82-85)

THAT LAZYBONES!!

[BEGINNING] [PREVIOUS] [CONTINUE]

[megueggu]

pet her! for @pup_hime ✨

[mipexch]

since layer 7 dropped you can send literally any enemy to go kill something wicked repeatedly & v2 being the one to do that is just really funny to me

[deepwaterwritingprompts]

Text: I seek out cults, who all, by nature, invite me in. I am never thirsty these days, but this new one is strange. I can’t seem to leave the small town it’s based in, and everyone’s blood tastes wrong.

[cto10121]

Book Fiyero: *immediately recognizes Elphaba and stations himself at the backdoor to prevent her from evading him, stalks her halfway across town to her aerie (even though at that point in time she was only a college friend he hadn’t seen in five years), insists on seeing her again, instinctively goes to comfort her when she first cries, gets sucked into increasingly deep and fraught conversations with her about collateral damage and freedom fighter terrorism, calls her the “most individual, the most separate, the most real” DURING AN ARGUMENT, says he adores Elphaba’s looks IN THAT SAME ARGUMENT, doesn’t understand Elphaba’s “being born with a talent or an inclination for goodness is the aberration” comment because (implied) he sincerely believes Elphaba isn’t evil, changes his mind about the plight of the Animals all by himself but doesn’t mention it to Elphaba because he is afraid she would distance himself from him, buys scarves for both his wife and Elphaba even though only Elphaba likes scarves, is so concerned for Elphaba and her dangerous Lurlinemas Eve mission that he stalks her instead of staying at his club or just leaving town altogether, and is so worried about her that he returns to the aerie just to see her*

Also Book Fiyero: Am I in love with Elphaba?

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[crystallizsch]

AGH happy (definitely-not-late) bday to mr jamil viper 💖🐍 and thank u harveston jamil for coming home as well as two of his bday cards 💖💥

[sunlit-mess]

MURDER DRONES SPOTTED

IM GIGGLING AHAHAHAAH

[fluffypotatey]

Blorbo Poll

Rules: make a poll with five of your all-time favourite characters and then tag five people to do the same. See which character is everyone's favourite.

tagged by @0hheytherebigbadwolf <3

man the last two were hard 😭

tagging: @thiamsxbitch @botanicallyinclinednerd @rowdyknives @shana-rosee @mythicalmagical-monkeyman

[probably-undead-void-creature]

Tfw your name is Martin/Martyn and you're at the mercy of an all-seeing god-like being that really likes eye imagery.

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[gingermintpepper]

There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.

One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.

It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.

Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.

Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?

He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.

[pipperoo]

what makes max so interesting to me is his self-awareness and his self-destruction

from the line in literal monster and what he says as ghost!max, he knows that he’s going to peak in high school and have literally nothing after he graduates. he’s not ignorant to it, he fucking knows

and he’s the one keeping his system in place. he’s the one preventing himself from having a real friend or just someone that wants to do something nice for him. he’s the one guaranteeing that’s he’s going to peak in high school. it’s all him and only him AND he fucking knows it! but he does it anyway

all it really comes down to is fear. he’s afraid of his future, but he’s more afraid to do anything to change it

[turtleplushi]

I'm a few days late for this but happy anniversary (writing birthday?)

Go read Heart and Soul by @post-it-notes7 if you haven't already :) even though I just spoiled a lot of it (um. whoops)

[doctorwhommm]

dontcha think it’s kinda cute that i died right inside your arms tonight?