#it took almost a year to make this
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drew some night slimes from slime rancher. i didn't draw the moon face because i didn't want it to distract from the batty slime and i made the moon brighter for better contrast
#slime rancher#artists on tumblr#krita#it do be giving couple's matching pfps vibes huh#lol#it took almost a year to make this#cause i abandoned it for a while
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DEEP💥SPACE💥PLANET💥FUTURE💥GUN💥ACTION❗️
#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#this is ALSO an old doodle that took me more than half a year to get around to coloring. that i ALSO forgot to post here LMAODFJSI#help. i rly went out of my incredibly small comfort zone for this one (background. text graphics. VASH'S COATTAILS)#i almost died like 30 TIMES drawing vash's coat oh my lord.#vash the stampede your swag is impeccable BUT I HATE DRAWING YOUR FREAKING COAT!!!!!!!!#anyways. i've always wanted to yank those ribbons/straps on his back. that is the inspiration here#pls continue to make jokes about him being a designer bag bc i've seen some on ig and twt and i love them thank you
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soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
#dimension 20#fantasy high junior year#fhjy#riz gukgak#figueroth faeth#technically no spoilers in this comic but listen. I Will be gloating in tags. I will Never Shut Up#for the record!! this was fully conceptualized and sketched Before the finales. I started sketching this after the boat fight#and when murph closed riz's arc this season with ''maybe it's okay to change and welcome new things'' I pogged irl#I am simply the best at reading comprehension what can I say! (<- grown ass man with roughly the same perspective on teenhood as the player#fucked up that this became so long (almost 30 squares lol) that it took me this long to finish#lmao I say all that but. genuinely I am delirious and my feelings abt riz's arc this season are so big... I was getting psychic backlash#for a While lol. it was scary!!#had to sit down and do therapy on my own ass for a bit. the teenage apocalyticisation is real. that word isnt tho Im pretty sure#truly anything you do at that age feels like that's it that's all you've got going on forever. and its not true! its simply not true#you'll be okay my guy. you love your friends so so much but also there will be more to love out there#this one goes out to fellow aroaces and also folks leaving somewhere theyve called home for a long time#nothing lasts forever but that means new things come by too! ur ability to make new is infinite!!#there's no magnum opus people leave but new people come by too etc. I am too sleepy to remember what I wanted to say uhhh#well. thank u for looking at my art. I think thats the one pack it n ship it boys
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Death 🗡️ Lady Knight Tarot 🗡️
#my art#art#death#major arcana#tarot#death tarot#made for the Lady Knight tarot with some amazing artists and friends!#thank you for Lyanna for organising it 🖤🫶#I was pretty slow with this one...almost took 2 years to make some progress 😅#originally I wanted it to look more like the actual death tarot but scrapped that in the end and just let myself to flow with it~#I uploaded some of the abandoned wips to my insta!#Eldrtchmn#check the other artists on our carrd!!
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hey does anyone else ever think about archon!dorian and lose their minds
#he becomes the archon not for the glory of house pavus but to change tevinter for the better#do you think he has days where he’s scared he’s become what his father wanted all along even if he took his own path to get there#do you think he wonders if his father would’ve been proud of him? does that thought make him feel better or worse?#i fucking love archon!dorian. it’s an incredible arc for his character#he ran away from tevinter to protect himself. he returned to tevinter to protect others#after years of trying to fight for good in the magisterium with almost no success. after his closest ally wrongfully lost her seat#after seeing minrathous getting wrecked THREE TIMES over the course of veilguard. even if rook saves minrathous the dragon does damage#after thinking all hope is lost. all his magister allies dead. elgar’nan in control of minrathous. 9(?) years of work completely for naught#still deep in his heart he loves tevinter. he loves mae. he loves the shadows. he loved felix and alexius. he loved his father#for so long he ran away from his problems. avoided thinking about the wrongs he witnessed. made wry jokes about blood magic#but no more. he will rebuild tevinter from the ruin elgar’nan left in his wake with his own two goddamn hands#Anyway. I am normal.#veilguard spoilers#dorian pavus
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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no thoughts just Heiji Hattori (HD)
#detective conan#case closed#amv#my amvs#eye strain#heiji hattori#harley hartwell#conan edogawa#shinichi kudo#funimation english dub script#video#happy two-year anniversary to 'no thoughts just heiji hattori'!#while it's not my first amv (it's maybe my... fifth?)#it was the first one i made with davinci resolve and the amv that really got me into editing amvs for real#it's the amv that made me believe i could make amvs 🥺#and in remastering it i deeply understood how ambitious it was! i thought i did a lot of audio mixing for 'messed up'#but that's not even close to all the audio mixing i did here--cannot believe that i did all this for my first big amv project#it took about 20 hours *just* to remaster!#which is something i've been meaning to do for a while now so i'm very happy to finally share the results!#to make this a 'remaster' and not a 'redo' the only changes i tried to make were to the source footage and audio#video now uses almost entirely hd remastered footage from my blu-rays or netflix rather than my dvds#but oh gosh was it *hard* not to touch anything else! i'd do so many things differently now#but this video will always be really special to me (and i can't believe i did it at all tbh!)#i hope seeing it in hd is fun too! i'm so blown away by all the love this vid's gotten#and that it helped increase interest in funi's old english dub is amazing and 100% what i was trying to do with it!#thank you everyone for all the support <333 i wouldn't be the video editor i am today without this vid or your encouragement for it <3333#like the original the sources used are mostly from what funi dubbed (but mixed in hd by me!): eps 48-49 57-58 77-78 117 and 118 and movie 3#but i also used episodes 141-142 174 189 239 263 277 291 293 345 479 491 517 and 522#and ova 3 and tv special 6 (episode one) and movies 10 and 13 and ops 27 31 and 33 and the funi 5.2 dvd blooper for the one line lol#the song is 'you're stupid aren't you' by toshio masuda (from jubei-chan 2)
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I love your take on Crowley!
I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?
I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.
thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.
that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...
#art#twisted wonderland#i have been playing this game since the day it came out#and believe me i could not have stuck with it for the past three and a half years if i was not deep into all of these idiots#not to harp on it but i do think it's funny because i actually. really did not like the diasomnias at first.#it was like a month before their cards/personal stories were added and so we knew almost NOTHING about them#the website descriptions basically make everyone sound awful#so i thought they were kind of mean/boring compared to everyone else!#(except maybe lilia but i was mad at him for the two seconds of 'girl? 👀' hope i had when they were revealed)#but once their cards came out i fell just as hard for them as i did the rest of this silly game#well. sebek took a little longer. but his ketchup incident converted me.#anyway i have so much sentimentality for episode 1 especially#the prologue was like 'oh this is actually a very silly game! oh there is a plot!'#episode 1 was like 'oh i LIKE these characters and what they're doing with them'#(i think ace punching riddle was the moment i decided i REALLY liked this game) (sorry riddle) (you were being a huge dick though)#also...ink drips. ink drips everywhere.#look when i say this game is laser-focused at me and my tastes specifically i am not kidding
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Solving Crimes 🔎🚓
They're both single dads with alien boyfriends 🤭🤭🤭
#Kusa Art 0-0)/#it took me almost a year to make a crossover lmao#Loki#Loki TV#Loki Series#Mobius#Mobius M Mobius#Agent Mobius#Transformers#transformers rescue bots academy#transformers rescue bots#tf rb#tf rba#Chief Charlie Burns#Charlie Burns#maccadam#maccadams
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my piece for the petrichor zine !! it was a joy to work on a project with so many lovely, talented people ♥
#kiribaku#krbk#kirishima eijirou#bakugou katsuki#bnha#mha#bnha zine#the sky draws#i started this almost a year ago now i think woah#im still very proud with ohw it turned out !!#i love making comics but oh my god making IDs for them is a nightmare#took me like 45 minuters
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Finally got new glasses (lenses AND frames!) bc I broke my old pair lol
Thing is I had my old pair for. I don’t even know how long. 5 years maybe? Either way I was long overdue for an upgrade to my prescription and holy SHIT when I tell you my jaw dropped when I put my new pair on. You people see like this? Crystal clear? Every day? You can read signs from really far away? And not have to squint?
When I was driving home today I could see all the way to the mountains I could literally see all the little details of the snow and the trees and I was like YO DUDEEE this is INSANE. People with 20/20 vision you have no idea how good you have it I cannot believe people can see that clearly normally
#Shima speaks#When I tell you I am blind as a bat without my glasses!#I am Velma Dinkley levels of blind!!#I took that eyesight test at the doctors office and I couldn’t even read the top row. The TOP ROW#My doctor kept making the letters bigger and I was like no matter how big you make them I will NOT be able to make them out. Period. LMAO#And every year my sight just gets worse#So yeah my old glasses…..they were definitely outdated…#I can see so clearly. People without vision problems I am SO jealous of you what the fuck#That includes my sister bc for SOME reason my entire immediate family all has shit eyesight except for her. She’s got almost 20/20 vision.#Girl give me your GENES that is NOT fair#I can see clearly now the rain has gone……
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I think about them too much. Exhibit Z
#ace attorney#the great ace attorney#barok van zieks#albert harebrayne#benbaro#tgaa#dgs#comic#my art#I legit thought this was gonna take me WAYYYY longer than I thought???#Spirit of BenBaro took ahold I guess!!!#I just…got so excited to make this and share this idea that their 10 year separation was probably the best thing for their friendship#in terms that I genuinely think Barok would’ve been WAY WORSE when the wound was fresh#THEYRE SO FKING WEIRD AAAARUUGHHHH#tgaa really gave us one of the potentially best character relationships and didn’t do more with it#I don’t CARE if the game is called ‘AcE AtTorNEY RYunoSuKe NaruHODo’s REsolVe’ GIMME MORE OF THE TRAGIC VAMPIRE AND THE WERID SCIENTIST#I’ll probably make it its own post but can we talk about…like…Albert is really the only connection Barok has to his peaceful days#considering who’s dead…which is like…almost everyone we can assume he had a history with#sure he’s making new connections and heading for a brighter future#but it’s gotta suck thinking back to the people close to you in the past and realizing…’yeah I almost lost everyone’#he’s really only got Albert (as far as we know) to look back on fond memories with :(((#yearning isn’t enough anymore I’m gonna start throwing brick at Capcom until they make them kiss#this is the most serious Albert has been in my arts and it kinda throws me off but I actually love it#let them have a serious private moment together my head would actually explode (positively)
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I don't even go here
#just thought those two would be fun to draw#csny#david crosby#stephen stills#ltl art#I only know 3 albums#and it somehow took me 8 years to realise it's the band “Song for Susan” is from#was the only song I knew of theirs for a looong time#eventually I listened to the whole album and thought “Oh this is actually pretty nice”#And then I forgot abt them for almost a decade#until I was at my local library's CD section and saw CSN/CSNY pop up so many times#and thought to myself “WHERE do I know this name from ???”#almost turned me crazy so I borrowed two CDs#(by pure chance the first and second album)#Which didn't make me any wiser#Only found out they're “the Song for Susan guys” by pure chance
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Final fight
#trials of apollo fanart#pjo hoo toa#toa#riordanverse#trials of apollo#percy jackson#percy jackson universe#percy jackson fanart#the tower of nero#the tower of nero fanart#pjo apollo#apollo percy jackson#lester papadopoulos#this legit took me weeks to make i'm not joking#i almost gave up several times i can't believe it's over#the background was the hardest choice ever#sobbing and screaming i am not ok#what am i gonna do with myself now that i finished it mannn#brb gonna go take a thousand year nap#enjoy the product of my suffering haha#tag your favourite one#wow you actually read all the tags?#have a blue chocolate chip cookie
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Marvel will never convince me that Steve and Natasha weren’t in constant contact during the blip years bc (besides the fact that they’ve been partners for the better part of a decade prior to this including those *two years* on the run together) people who haven’t seen each other in five years don’t operate like they did the rest of that movie (joined at the hip, communicating constantly across the room with looks and nods, taking on every situation as a unit)
It seems to me that they just had Steve leave her/the compound bc they didn’t like the implications of ‘Steve and Natasha have been living in the avengers compound alone together for the past five years’ and came up with a reason for him to leave her so we’d believe he was suddenly into Peggy again
#romanogers#they were in love idc#should’ve been them#Steve didn’t deserve the giant dump they took on his character development in this movie#smh#endgame#avengers#mcu#marvel#tbh I know a lot of people who assumed they were a couple in iw#if they hadn’t gone out of their way to keep them apart#I honestly would’ve just kept assuming that tbh#but endgame starts and he’s suddenly like#omg Peggy the love of my life#who’s loss I’m apparently still more upset about than all of my other best friends who *just* got blipped out of existence#like we get almost no Steve content for seven years#bc they didn’t both let giving us a movie of him and nat and Sam on the run#which would’ve been awesome#and then we see him again in endgame and he’s suddenly completely fixated on Peggy ??#like sorry I’m calling bs on that one idc#make it make sense
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Another "Thank You" doodle! I'm not putting names: each one will know what they contributed to make me gather the courage to do this x)
#myart#predastar#tfp predaking#tfp starscream#maccadam#transformers fanart#shipping to the moon and back#legend says Windy draws art for this ship every leap year#jk jk its mostly because their designs make me want to foam from the mouth#I LOVE THEM THEY ARE PRETTY BUT WHY so hard to draw#this took me almost 3 hs and is just an sketch...#gotta color code this pairing with orange-y red filter#because i can see myself in the future doing it again and not wanting to color it pfff#good night i need to eat and keep working on zine artworks#king n commander#ifellinrobothellagain
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