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peachysunrize · 1 month

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Labyrinth ⥃ Aemond Targaryen

Summary: falling in love is easy for most people, but not for Aemond Targaryen. How can a broken cold-hearted man be able to love the most gentle human Westeros has ever seen?

Warnings: 18+ mdni! Smut, p in v, very very gentle, angst angst angst angst!!!, humiliation, reader is Daemon & Laena’s oldest daughter, no description for reader (besides white hair) you can imagine her however you like, Aemond is a vulnerable & insecure baby girl, like he is really really insecure, mentions of murder, fluff, nightmares, chronic pain, mentions of Aemond’s injury, anxiety attack, babes are in looooove, English isn’t my first language<3 it’s very heavily plotted and the smut is at the end of the story.

Word count: 11.5k (she's so long but worth it)

a/n: I’ve always wanted to write something with this kind of trope, especially when it’s from the man’s pov, and there’re so little fics that get into the depths of Aemond’s pain and suffering so I needed to try and write something that says his part of the story as well! Please please tell me your opinions and favorite lines of this piece! I’ve worked sooo hard for this fic and I hope you enjoy it as much as I did! Reblogs and comments are appreciated<3🩷

A very special thank you to my babies, @namelesslosers & @neptuneiris for beta-ing and supporting my ideas😭🫂✨

“Where is duty? Where is sacrifice?”

Aemond watches the scene unfold in front of him; his mother seeking justice for him, slashing Rhaenyra’s forearm with the dagger in her hand, spilling her blood in fury.

He looks around the room, finding you scared behind your grandfather, looking at him with wide teary eyes. He scowls when he sees how you look at him with pity, thinking he is a deformed monster in your eyes, to his best friend’s eyes.

You leave the hall in a rush, and he scoffs at how unbearable he must look for you to go in such haste, allowing this injustice to wreck his world and him to cope with the aftermath alone. How could you leave him like that? What happened to all the hours he helped you build that stupid sandcastle next to where Vhagar lays? Did you forget every moment, every laughter you had together?

He stands up and walks to his mother, telling her that Vhagar is worth it. But is it true? It might be worth gaining the largest dragon alive, but in the back of his mind, he thinks about how he has lost you.

No, you left him, he hasn’t done anything wrong. He is the one with his eye in a tray, he is the one who needs tending to for the first time, and you left him while he and his mother were humiliated by Rhaenyra and her bastards.

The morning comes sooner than expected, the milk of the poppy knocked him out immediately last night. He walks down the stairs where his family is gathering to leave, his mother holding Helaena’s hand while god knows where his father is, probably saying his goodbyes to his daughter and Princess Rhaenys.

Aemond moves toward the hill that Vhagar is sleeping on, catching the sight of you waiting for him next to the sandcastles he helped you build yesterday after your mother’s funeral.

“What do you want?” he asks, standing in front of you, trying not to frown too much to loosen his stitches.

“I-I wanted to ask how you were doing…”

“After leaving me all alone? You were my friend! I needed you and you left me! And you ask how I am after I got my eye cut out?” He shouts at you, waking up Vhagar from her drowsy nap.

“I-I don’t have any excuses, but Aemond, please—” “No, I hate you! I hate your stupid hair, your eyes, your laugh, even-even your sandcastles! They are so childish and-and ugly!” “I know you are upset with me, and I’m so sorry for what happened to you, but please let me—” “No!” he yells at you again, marching toward the castle next to your feet before he stomps all over it, screaming and crying while he ruins the perfect sculpture he himself has made for you.

“Aemond…” the sob that wrecks through you makes him stop, but you are not looking at his feet, you are looking at his face, crying for him. He doesn’t spare a glance at you when he walks to climb Vhagar’s saddle, but guilt overwhelms his emotions and dread fills him.

You just wanted to talk, and he treated you so poorly even if his anger was justified.

Oblivious to him, as soon as he and his family were gone, you ran to your grandmother, crying in her arms and begging her to allow you to study with Maesters, in hopes that someday you may help your childhood friend with the pain he will carry for the rest of his life.

•••••••••••

Jacaerys’ name day, another pathetic excuse to have his sister and her pups in the capital under the same roof, drinking and wasting the crown’s money. He can’t blame them though, they’re desperate to get on the lords’ good sides by showing off their heritage, going with songs and praises for the heir after his mother.

Unnecessary, stupid…

Aemond groans, running his hand over his face as he wakes up with the sounds of banging in the hallway. He knows that they’re arriving today, and he’s aware that the royal chambers should be ready when his sister makes a face, but to wake him up at such an early hour after the rough night he had should have severe consequences.

With another deep groan, he sits up on his bed, looking at the sea from between the sheer curtains of his room, watching the sunlight shine bright on the surface of the water, Sunfyre and Dreamfyre already taking turns in the sky over the city.

He stands up, looking down at the soaked undershirt he had on during sleep, exhaling deeply as he pulls the fabric off, slamming it down on the couch as he walks to the balcony to get some fresh air. The morning breeze hits his sweat-covered chest, stinging the empty socket of his eye.

He knows he should go back inside, to cover his scar and avoid pain from the cold wind, but the contrast of the coldness of it on his heated skin is soothing his mind, calming his beating heart. He will regret it during the day, but for now, after experiencing yet another nightmare, he needs to feel alive again.

As soon as the sharp pain starts from the depths of his skull, he moves back, shutting the door and pulling the curtains closed. He stands straight, his nails digging inside his palms as he controls, or tries to control his breathing.

It always starts like this; a sting, then another one but sharper, then a minimal pain that surrounds his scar, and finally, the stabbing pain all over his face followed by the worst headache someone can ever endure.

He reaches for the nearest surface he can lean on, knuckles turning white as he keeps his weight up, trying not to fall on his knees just yet.

He can do it, he has done it countless times.

Aemond steadies himself on his feet before he sighs shakily, walking towards the clothes his mother’s servants laid down for him yesterday. It is a simple outfit; a leather tunic with black pants and a fresh beige undershirt. Nothing too fancy, and nothing less regal that a prince should wear.

He takes his time while getting ready, allowing the phantom pain of his eye to fade away slowly. Before he can button up his tunic, his chamber servants come running in, putting a bowl of water with a warm towel on the side desk while they prepare his breakfast. He covers the left side of his face with his hand so as to not scare them with the unbearable sight of the empty space in his face.

He watches them with a sleepy gaze as they clear the room, slamming the door behind them. Aemond sits in front of his mirror, taking the brush in his hand to untangle his unruly hair.

There are no thoughts in his head as he stares blankly at his reflection; he hates his scar with a passion that could set the realm on fire. There is no gentleness in his features, everything is sharp, angular, and rough. There is no trace left of the boy he was before his nephew took out his eye.

Doomed before he could even try to become someone worthy.

He ties his hair, revealing more of the healed wound and the dark empty socket on his face. Sometimes he gets stuck inside the labyrinth of his head, running and running until he reaches the middle, but it’s never enough. At the end of the maze, someone drops dead; whether he kills them or they kill him. There is no escape from these dreams, from these self-destructive thoughts that haunt him day and night.

He reaches for a box on the vanity, pulling out the sapphire gem before reaching for an ointment Maester has given him to help the gem fill his eye socket without pain.

He looks at himself again; he looks less like a brute, the gem adds to his beauty but in his mind, it’s not enough, it’ll never be. He sees his brothers, healthy and handsome, being subjected to women’s attention all the time, and sometimes he wishes desperately to be in their place, to be able to talk to a lady without frightening her. But he has learned that a maimed man is less worthy than a whore in Streets of Silk, so he exercises and trains daily to become worthy again, to live up to his Targaryen name. There are deep yet little scars adorning all over the skin of his hands and arms — a reminder of how he has become the man he is.

He eats his breakfast in silence, tension rising in his shoulders as the smoke of the candles on his desk reaches his eye. He drops his spoon on the table, blowing the candles out before he reaches for his eyepatch.

He has told everyone that there shouldn’t be any scented candles in his rooms, but as it seems no one ever pays attention to what he has to say, not even to help with the pain of his eye.

He stands up, knocking a few plates on the table to the floor, smearing fresh fruits on his carpet. A deep groan rumbles through his chest, but he can’t care less about anything other than the fact that he needs to join his family in the throne room — and he does after he grabs his dagger and secures it in his belt.

“Ser,” Aemond nods at his appointed guard, earning a ‘good morning, my prince’ from him. Aemond walks down the stairs with his head held high, scoffing at the servants who make a path for him hurriedly, trying to avoid being seen by him or see him.

The bustling of the castle is irritating; everyone is running from one corner to another and decorating the keep for their princess’ arrival. He is not annoyed that he has to reunite with his sister and nephews, but because he has to endure their presence for longer than necessary, to look them in the eye and act civil as if the pain he copes with already isn’t enough torment from them.

He nods at Ser Cole, who follows him into the crowded hall, eying everyone who is waiting for the Realm’s delight. Aegon and Helaena are standing side by side, his sister is clutching Aegon’s arm tightly as the crowd makes her feel small under its gaze. His mother looks at the throne silently, and he can see the hesitation in her eyes — how are they going to go through these weeks of celebration, they have no idea.

“Good morrow, Mother,” he whispers as he stands behind her, his eye softening at the small smile she gives him, “you look radiant this morning.”

“Hush you, sweet talker,” she chuckles lowly, rubbing his arms lovingly, “have you heard about the Velaryons’ arrival?”

“Lord Corlys is coming as well?” he asks, shifting on his feet nervously, his fingers tightening slightly on Alicent’s elbows, “I did not know…” “Neither did I, darling. They shall arrive at the same time as Rhaenyra, at least I know Daemon’s eldest will.”

“Driving on dragonback, obviously,” he mutters, sighing shakily.

Alicent notices his hesitancy, she gently cups his cheek, forcing him to look her in the eyes, “Do not project your anger on her, she was but a child.”

“Yet she kept silent that night. She was supposed to be my friend,” he says, looking away from his mother, lowering his head in shame, beating himself for letting his emotions take hold of him.

“Give your courtesy and leave if you wish not to talk to her,” Alicent smiles sadly at Aemond, patting his cheek before they both look at the doors of the hall.

Something in his guts drops when he sees Rhaenyra entering, her family walking towards them, all smiling and laughing as if they aren’t going to experience the most dreadful weeks of their lives.

“Your grace,” Rhaenyra says, trying to break the visible tension between the families. The crowd goes silent, and the only thing they can hear is the soft exhales of the people close to them, everyone waiting with bated breath to see what happens in a few seconds.

“Princess,” Alicent smiles, “welcome back to your home,” she replies politely, giving Daemon a half courtesy before she congratulates Jacaerys for his eight-and-ten name day.

“Aegon…”

Aemond looks away from his sister as she acknowledges them all, instead his eye finds Daemon’s who is staring back at him with a smirk on his face. Aemond’s gaze doesn’t waver, and Daemon chuckles at that, giving him a challenging look.

He looks back at Rhaenyra who says his name, giving him a forced smile before she turns around quickly and asks for the King.

“He is quite unwell, he shall join us in the evening,” Alicent explains, telling the maids to make haste and set the garden ready to start the celebrations; nothing too fancy for the noon, a tea gathering in the garden to reunite everyone, or at least to make sure the court has something to gossip about.

Aemond follows them slowly, taking time to observe each and every one of them. He can’t shake the uneasy feeling that settles in his chest as his eye finds Lucerys Velaryon, laughing and looping his arm with Rhaena. He looks away immediately, lips forming into a sneer as he walks with his hands behind him, grinding his teeth while he thinks about how he was robbed of everything good because of that bastard, because of the hideous scar he gave him.

The garden is filled with new bushes; roses, lilacs, daisies, and surprisingly winter roses. The sight would have been quite beautiful if all this fuss wasn’t for his nephew. He walks away from the crowd, making his way toward his siblings who are trying to appeal content with the events. Helaena is in her own world, lifting a worm from the ground as she counts its feet. Aegon is gulping down his wine while he listens to Daeron telling him about whatever book he has read these past few days, or at least he seems like he is paying attention.

Aemond sighs, grabbing a goblet of wine himself to nurse on it as he tries to distract himself from the chilly wind that hits his face. Luckily the eyepatch covers his eye socket fully and doesn’t let the cold breeze hit his scar, but the tension in his bones has remained from the morning rush of pain he experienced earlier. It’d be best if he left this pointless gathering earlier anyway.

“How are you faring this beautiful morning, brother?” Aegon asks him, grinning sarcastically. Daeron groans in response, even though the question wasn’t meant for him. Everyone can tell he is fed up with Aegon’s constant teasing of Rhaenyra’s family coming back to Red Keep.

“Well enough to know I will be leaving in a few minutes,” Aemond replies, sipping on his wine as he catches Luke stealing glances at him. Pathetic, he is too scared to even look at him properly, he is glad though, it gives him a sense of comfort to know the mark he has left on his face scares him enough to keep him away from him.

“Can’t do that! It’d be rude if you left without saying hi to our favorite Velaryons.” Aegon smirks, tipping his head back as he laughs at Aemond’s sneer.

“As much as I hate to say this, but the idiot is right; you can’t give them more reasons to resent us,” Daeron says, looking at his older brother with kind eyes, “besides, they are here anyway.” he points at the passageway leading to the garden, catching the sight of Lord Corlys and Princess Rhaenys walking side by side toward the crowd.

Aemond’s heart stops for a second when his good eye lays upon you, following your grandparents with a gentle smile grazing your lips. You are a sight to behold; silver hair falling around your shoulders like curtains of moonlight that shine bright like a diamond beneath the morning rays of sunshine. Your gown the bluest of blue that shows your devotion to your mother’s house, and your lips painted pink in the most alluring way…

Aemond’s eye sees a sight his mind can not comprehend, too unreal and beautiful that makes him doubt if he is seeing you with his sapphire eye through the patch.

His face is blank, but his heart is beating so fast he can hear his pulse in his ears. His eye follows you, watching you bow before his mother and sister, looking away immediately to find your sisters already giddy to hug you. Rhaena is the first to run to you, wrapping her arms around you while Baela approaches you slowly, letting her twin have her moment with you.

He doesn’t move from his spot, he can’t move even if he wants to; he’s struck between shock and something he can’t pinpoint; he can only say for sure that he hopes it’s a rush of adrenaline of not seeing you for so long.

The only time he looks away from you is when Daeron pats his back and encourages him to join everyone to say hello and welcome your family to the Keep. He doesn’t need to say a word, just a nod at both Corlys and Rhaenys is enough, but when you turn around to greet him and his siblings, his breath gets stuck in his lungs.

You look at him from beneath your lashes, beaming so radiantly at him that he almost forgets the pain in his eye or the pain he has caused you the last time he saw you. The world around him fades away, the noises become distance as his sky-blue eye finds yours easily, and he has to swallow sharply while he desperately tries to keep his face stoic and serious and not show you how he is panicking from inside, palms sweaty and lips drying while he gazes at you, his childhood friend who… suddenly the bubble around you breaks and he remembers how you abandoned him that night at Driftmark.

“My lady,” he says in a hushed tone, watching your reaction closely.

“My prince, it’s so good to see you again,” you grin at him, “I hope you are doing well.”

“As well as a half-blinded man can do,” averting his eye from you, he regrets the words he said immediately, flushing a bit in embarrassment, but when he looks back at you, your smile hasn’t left your face, if anything you look at him with empathy and much kindness that he has a hard time believing you are real; it’s been too long since anyone has looked at him with such sincerity.

“Darling,” Daemon steps closer to them, ruining the moment for Aemond to say something, anything to take back what he said earlier.

He watches your smile wavering a little when you look at your father, hands fidgeting with the skirt of your dress. He notices how you try to ignore your father and Rhaenyra as they approach you, a tense smile on his sister’s lips while she tightens her grip on her husband’s arm.

“We have missed you, the girls, and I,” Daemon says, reaching to caress your hair as gently as the Rogue prince can, “you did not visit us at Dragonstone.” “I don’t like it there, the castle unnerves me,” You reply softly, “I rather enjoy the silence of grandsire’s castle.” “You are a Targaryen, you should visit your ancestor’s sit,” Rhaenyra tries her best to persuade you to think about coming back with them, leaving your lovely grandparents alone.

“I’m a Velaryon just as much as I’m a Targaryen, but ‘tis not a matter we should discuss at such a joyous day, don’t you think, princess?” you say, and Aemond sees it in your eyes how desperately you wish for the conversation to end. Aemond watches his sister’s words falter, her confidence crumbling with each word that you utter. Your statement is not rude, not even filled with malicious intent, but the mention of your Mother’s side of the family makes the Targaryen couple uncomfortable.

“I would have loved to stay and talk with you, Father, but I’m afraid the journey on dragonback has left me starving. Please, excuse me,” you nod at them before walking past them to the corner where Aemond and his siblings were sitting minutes ago, reaching for a glass of wine to gulp down.

Aemond doesn’t spare a glance at the couple, following you closely so he can sit in silence and out of the sun, truly not wishing for another fit of agony that consumes his skull.

“You have grown, Aemond,” you sit beside him, turning your head to look at his side profile, “no longer the child who used to build sandcastles with me when I would visit the Keep.”

“Yes, no longer a child with friends. Spending years apart without any contact, surely you are not that surprised how I have turned out to be,” he scoffs at your words, frowning when he turns around and finds you chuckling gently, “Did I jest about something I’m not aware of?”

“No, no, I just remembered how we promised to never let anyone break us apart, but you were the first who did so; you stomped your feet on my sandcastles the morning after my Mother’s funeral. You are right though, no ravens were exchanged, but I do hope you’re still the sweet prince who helped me study.” your lips twist into a small smile.

You are not angry with him, how can you not be angry with him? You had spent hours after they freed your Mother’s soul into the sea to find the perfect place to build your sandcastles and he ruined them the morning he was about to leave.

Your teary eyes have haunted him from that moment to this day.

“I apologize, I did not wish to remind you of that night,”

“I’m reminded every time I look into a mirror, do not concern yourself.” his reply is curt as he gazes at you, your eyes full of sadness and sympathy for a man you no longer know. Or maybe you know him too much, he thinks.

“I look forward to spending time with you, my prince. I hope we can catch up on each other's lives.” “Perhaps we can,” he sounds unsure of himself, Getting to know you again while you have turned into a woman grown — the most beautiful woman he has ever seen at that — is going to be a challenge he does not know he welcomes or fears greatly.

•••••••••••

He leaves sooner than he should, hiding in his room with a warm towel on his face as he soothes the pain of his eye, the headache he had since morning finally fading away. There are so many thoughts lingering in his head, and ironically, they are all filled by you; your gown, bright smile, and gentle personality.

He groans, so frustrated that he has met you a few hours prior yet you have consumed his every thought. If he focuses hard enough, he can see the labyrinth of his nightmares, the hedges are covered in ivy, suffocating as they reach for air — he thinks of him as the hedge, and how easily he has let you wrap yourself around his thoughts this quickly.

Weak, he thinks to himself, he’s weak.

He sits up, dropping the towel in the bowl on his nightstand, breathing deeply as he looks around his dark room, spotting a lit candle on his desk in the corner.

Sometimes it baffles him how his room represents his inner self so openly; it’s not messy, no, but if you squint you can see the abandoned book in the foot of his chair, ink dripping from his pot on the carpet, the candle illuminating the trail of black paint on his desk. It seems as if his room is showing the ugly part of itself to his eye, and for a second he thinks about how he sees himself — an ugly monster with an unsightly scar.

Aemond leaves his room a few minutes after fixing his eyepatch and hair, walking to the king’s solar to join his family for dinner. He walks with his hands clasped together behind him, looking straight to avoid eye contact with anyone who sees him on his way up the stairs. He doesn't expect to see you of all people, heading out of your room to take the same path as him.

“Aemond!” You say his name with such enthusiasm that has his heart racing again, beaming at him as if you are excited to see him. How could you be this giddy to meet him? No one has expressed to be happy to spend time with him, let alone smile at him the way you do. Is this an act of modesty? It has to be, he thinks, or else it does not make sense at all.

“My lady,” he bows his head politely, “How come you are late for such an interesting gathering?”

You giggle a little, walking side by side with him, “I was spending some time with Helaena’s children. Oh, they are such sweet babes!”

“Indeed they are,” he replies quietly, watching you curiously as you round him to stand on his good side, “what are you doing, My Lady?”

“I did not realize I was on your blind side, Aemond, forgive me,” “There is nothing to forgive,” he sucks in a harsh breath, pondering over your response for the rest of the way til King’s solar. The silence is oddly comfortable even though he gets a bit nervous when you keep glancing at him.

There’s an unusual warmth spreading through his chest, he can’t understand it — it can be his heart since it’s beating too hard and fast, or perhaps even his lungs! He can’t even breathe properly, but at the same time, he feels… right, much better than before. He blames you for the conflicted emotions, it’s all your doings, he is sure. Because whenever he looks at you, he feels as if his clothes are suffocating him, his ears ring while the world fades around him, and the center of his world becomes you.

Weak, worthless, he has just met you, yet all these years apart seem blurry to him, as if he has known you since the age of the Firstmen; so familiar and comforting, even though you left him alone the night he needed you the most.

The guards open the door to the solar, and Aemond follows you inside, his eye wandering all over the room, taking his surroundings in. His mother and Rhaenyra are sitting at the table, his nephews are standing on their mother’s side while Aegon is trying to listen to whatever lecture Otto is giving him.

He watches you walk to your sisters, wrapping your arms around Baela and Rhaena as they both start talking to you about the things they have done during the past years you’ve been Lord Corlys’ ward in Driftmark.

“You’re staring,” Daeron says out of nowhere, pulling Aemond out of his thoughts but he doesn’t look away, he keeps his eye trailing on you until you turn around and catch his eye as well, smiling broadly at him.

“I am merely observing,” he replies, but knows his brother is right. It’s only the first dinner but he can already feel his eye itching to be on you again.

“Whatever makes you happy,” Daeron shrugs, leading him to Aegon and Helaena to sit down.

He finds an empty seat next to him, thinking Daeron is the one who’d sit beside him, but when he sees it’s you who reaches for the chair, his heart leaps to his throat before he composes himself quickly, pulling it out like the prince he is.

You give a smile that is worth countless gold dragons, and for the second time today, he questions if the sapphire is a magical eye, because the world turns a bit brighter and less dull when he looks at you. He sits next to you, his eyebrows twisting into a deep frown when he sees Lucerys at the other side of the table engaged in a deep conversation with Rhaena, playing the role of the happy family quite well.

Everyone stands up when the guards bring in the King, everyone except for Helaena but neither she nor Aemond pays any attention to others. One is busy playing with her hairpin, and he is busy admiring your ethereal face as you kiss the king, your uncle’s cheek, thanking him for having you and your grandparents in his home after so many years. As soon as Viserys sits behind the table, you take your place next to him again, giving him a small smile before you turn your head to listen to what his father has to say.

He knows what his father is about to say; first, he thanks them all for coming, paying special attention to his grandsons and Rhaenyra while he lies over and over again about how much he loves them all, how they should never let the House of the Dragon fall into ruins, oblivious to the fact that not Rhaenyra nor Alicent were the ones who broke the family into different agendas, but it was him who started the flame.

Tonight, Aemond doesn’t look at his sister to attend to her. His eye is solely on you, taking in the shape of your lashes kissing your cheekbones, carving the silhouette of your nose and lips in his memories. He looks at the way your lips curve into a grin, cheeks forming into the most beautiful shape he has ever witnessed.

You turn your head a little to glance at him, catching him red-handed while he tries to play it cool, but he finds that he is not powerful enough to look away from your blown-out pupils and the orange hue that’s cast on your irises softly.

He breaks the eye contact, a scowl forming on his face as he reaches for his goblet of wine, nearly throwing the goblet across the table when he hears Lucerys laughing at the two of you.

You beat him to it before he could open his mouth, “Is there something funny, Prince Lucerys?” your voice is so soft and slow, almost humiliatingly sweet, and funnily, it terrifies Luke.

Aemond smirks as he watches his nephew stuttering over his words while everyone around the table sits in uncomfortable silence, waiting for the young prince to say something, anything.

“I was surprised by how fast Uncle Aemond took a liking to you, given his looks and all,” he explains, sarcasm dripping like honey from each of his words.

Fucking bastard, Aemond thinks to himself as an ugly sneer sits on his face. As much as he wants to leap toward him and cut off his tongue, he can’t — not when you put your hand on his over the hilt of his dagger.

Your skin is so smooth atop his calloused one. The way your fingers wrap around his wrist sets his body on fire, burning the skin in a way unknown to any man, but this is no ordinary burn; there’s no trace of fire, no long-forgotten ashes of his bones are visible, instead his fingers twitch for more, begging for more skin to skin contact, but he pulls his hand away from you without looking away from Luke’s blushing face.

“Your words are mean for no reason, Lucerys, given how it’s been your doing that has caused Aemond his scar,” you say, “I find him quite handsome actually. He was my beloved friend when we were younger. There are, of course, many feelings between us. Nothing has happened out of the blue for you to mock him for.”

“I-I apologize, good sister, I wasn’t…”

“It is not me who you should apologize to, it’s Aemond. I have taken no offense on my behalf but I do believe you owe him an apology.” You explain, sipping from your glass slowly while keeping your eyes on Lucerys.

No one, not even the King has the strength to intrude into the situation, maybe in doubt of saying something to hurt you, or perhaps you’re just speaking the truth, and for once, everyone fears your gentle mannerisms.

“I apologize, uncle,”

Aemond’s stare is blank as he looks at Luke who’s chewing the inside of his cheek in embarrassment. He nods, not bothering to reply to him; he will never forgive nor forget what he has done to him, crushing his hopes and ruining his worth for a lifetime.

“Let us put our differences aside, and become a family again,” the king says, coughing before he reaches to drink from his cup.

The dinner goes smoothly from there and to Aemond’s surprise, he engages in more conversations with you. He does not talk too much, he’d rather listen to your giggles and stories rather than talk about his boring and miserable life.

His eye always lingers on you for far longer than it should, not in an inappropriate way, but more in a sense of intrigue and curiosity, trying to understand you from his perspective. He simply can’t though; you are worlds apart. He is a cold-hearted, broken, and worthless man when it comes to your bright and beautiful personality. Even if he gets to know you again after so many years, he would never think himself worthy enough to be in your presence.

“Aemond…?” you call his name oh so sweetly, making him feel as if he is on top of Vhagar, flying atop the city while the wind blows in his hair; it makes him feel alive.

“Yes, My Lady?”

“Are you alright? You look quite flushed,” You smile sweetly, reaching to put the back of your hand on his cheek, flustering him even more than he already is.

“Yes, yes, I might have had too much wine,” he doesn’t know who he is trying to convince; you or him? By the sound of it, it’s him who needs to be convinced that it’s the wine in his blood and not the same unknown feeling he gets when you look at him. No, it is definitely the wine. It has to be.

“Oh, well then, I wish to spend more time with you if you are not against it,”

“Why would I be?” he asks almost too quickly, making you chuckle at his… enthusiasm. If he can even call it that.

“Then I’d be overjoyed if we could rebound what we had as children.”

•••••••••••

After the dinner, something between you and Aemond shifted; he spent more time outside his room, he was calmer and less serious, and the pain in his skull was almost gone. You joined him in the library a few times in the next few days, meeting each other at your door to attend the meals side by side, and almost everyone could feel how he was changing the longer he had you close, almost turning into the little boy he once was.

Both of you forget your last interactions as an act of mercy for the other.

With your insistence, he agreed to miss the tourney being held for Jace’s nameday to sneak out of the castle and take you to the beach. He did not need much convincing, but when you gave him those doe eyes with a little pout on your lips, he felt weaker than he ever did and gave in immediately.

Aemond helps you down the rocks near the shoreline with your small hands in his, taking cautious steps down to not trip over and hurt yourself. He keeps his eye on your feet instead of his, worrying more about you than himself even though he is stepping down with his good eye on you, not looking where he is going.

That seems to be a bad decision, because the next second, not only does his foot miss a small rock, but yours slips on one too, tumbling into his arms as the two of you fall on the soft sand, Aemond’s arms wrapping tightly around your back to keep you steady.

He looks at you, panting as his eye widens at the closeness; your faces are inches away from each other, and he can feel your soft rushed exhales on his lips. You look like a goddess atop him, the sun illuminating your silver hair, reminding him of the last sennight when you arrived and your hair made your face shine even brighter.

He has never seen such a beauty before, sure he has seen the ladies of the court, but your Valyrian beauty combined with sunlight and the blue hue of the sky has him mesmerized, not realizing how his hands are gripping your waist while he stares at you.

You giggle at first, then break into a fit of laughter while you lean more into him, dropping your forehead on his shoulder as you laugh wholeheartedly.

He chuckles lowly at first, then matches your laughter and throws his head back, holding you on him by one arm while the other comes to run over his face.

“I have never heard you laugh so freely before,” you say after you have calmed down, putting your palms on either side of his face while you hover over him.

“I don’t remember having a reason to do so,” he replies, smiling up at you.

“I’m glad that I’m able to bring joy to your life, you deserve it.” leaning down, you press a gentle kiss on his cheek before standing up, smoothing down your skirt.

He is at loss of words, speechless to his core. He deserves it, he thinks, do you truly think a monster like him deserves any chance of happiness? How are you not disgusted by him, his scar, his sour and mean tongue? How can you ever leave a butterfly kiss on someone as unworthy as him?

He looks at you from where he is staying lying on the sand, watching as you extend your hand to him, rocking on your heels in anticipation so you can go and wander on the beach and reunite with the sea.

He grabs your hand, standing up on his feet as well. There is sand in both of your clothes, but you have just begun your venture and won’t stop until you are satisfied.

You don’t let go of his hand when you start jogging, pulling him with you as you giggle in delight. And he observes you as he always does; wind in your hair, waves crashing against the shore while your laughter fills the air around him. He doesn’t realize his smile has widened and he is following you just as excited, letting the sand and the sea separate you from the outer world.

“You promised you would make a sandcastle for me!” you say, pulling him behind you to the spot where you would sneak away as children, sitting down to get to work.

“I did not,” he replies, unbuttoning his tunic so he can stay under the sun without being bothered by the heat.

“Fine, you did not. But you ruined the one we built together at Driftmark so you owe me one!”

He chuckles at you, his dimples on display as he shakes his head, “Alright, I will make one for you.”

It took you a good few hours to finish the sandcastle; it could have finished much sooner if you hadn’t thrown wet sand at him, cleaning your dirty hands with his white cotton undershirt just to annoy him — and it worked. In a second, he was chasing you around the beach with hands full of wet sand curved into balls, throwing them at you.

And here you are now, fingers laced together, shoes in one hand as you both walk on the shoreline, letting the waves cool your feet. You point at the sunset, leaning on his side when you come to a stop to watch the sky change color as the sun goes down.

Aemond on the other hand, looks at your calm face that is glowing under the pink and orange sunlight. How did he get so lucky to be blessed by such a beauty to lay his eye upon? Maybe he truly deserves this unknown feeling that spreads through him like fire and makes his fingers tingle and his heart beat in happiness. Maybe he deserves to be loved by you and love you unconditionally in return.

You turn around, dropping your shoes before you reach up to cup his cheeks. He closes his eye and basks in the attention you give him; so unique and pure. He drops his boots as well, arms circling your waist to pull you closer.

Aemond doesn’t dare to open his eye, fearing that he might ruin this perfect moment as you trace the lines of his lips, his cheekbones, and his jaw. You are so gentle with him, something he is not quite used to. It has always been him, alone in a cold room, but now and here with you, he feels as if he can breathe again, and forget every pain he has endured to reach this moment of his life.

“Open your eye, My Prince,” you whisper before you peck the corner of his lips, pulling him in so you can rest your forehead on his.

He obligates, sighing shakily when he finds you already looking at him. Your gaze is so genuine that somehow scares him, a rush of destructive thoughts comes into his head, but you seem to notice it from how his hands shake on your waist.

“Don’t think about anything, just… just focus on me.”

He does as you say, his brain shutting those annoying voices at the back of his head down as soon as your nose brushes against his, your soft lips brushing over his so endearingly. He is hesitant at first but when you peck him again, he moves forward as well, meeting you halfway until his lips are locked with yours.

You taste as sweet as the strawberry cakes you had this morning, if not sweeter. The way your lips move together makes his head hazy. You are kissing his breath away, leaving him begging for more. His chest moves up and down quickly when you break the kiss, and you caress his thin swollen lips, bruised by your kisses and lack of air, while he admires you from head to toe.

The sun has set, but the glimmer of love has risen inside of Aemond’s broken heart.

•••••••••••

A kiss here and there, more sneaking around the castle and to the beach until the main event for Jace’s birthday arrives. He is in his mother’s solar, listening to her talk about how lovely you are and how much of a wonderful couple you would make with him if only you weren’t Daemon’s daughter.

“Mother—”

“You should dance with her tonight, my darling!” Alicent says, running her hands over his arms when he stands up and approaches her, “I have heard Daemon has plans of betrothing her. Obviously, he has yet to find someone suitable, but he is thinking about it.”

Aemond’s heart drops when Alicent says your father is looking for a suiter, fortunately, Alicent sees his surprise, shock, and fear. She reaches to cup his cheek, forcing him to maintain eye contact while she talks, “Don’t let her go if you truly wish to have her. I know that she would stand strong against her father and Rhaenyra, but she would need your support and love as well to feel brave enough to turn down a good match.”

“They would make her happier than I can ever do, Mother,” he replies, his voice breaking slightly. Losing you terrifies him, and he is aware that his mother can read him like an open book, shushing him while he inhales sharply.

“I have never seen her happier than I have with you, and I have never seen you this happy and lively, darling. Be selfish for once, choose your happiness this time.”

“How can I choose my happiness over her life?!” he asks harshly, frowning at his mother.

A knock interrupts Alicent before she can respond, and the guards open the door for you to step inside the queen’s room.

“Oh, I apologize, it was not my intention to interrupt you.”

Aemond seems to be struck by your beauty; your body is wrapped in a teal-colored gown with a low neckline that leaves your shoulders and collarbones on display. Your silver hair is braided with some parts of it pinned up, some strands framing your bare neck.

“You look so beautiful, my darling,” Alicent says, nudging Aemond a bit forward when she sees how he is looking at you.

“Thank you, my queen. You look very beautiful as well,” you look away from the queen, smiling when he approaches you slowly, “you said you were going to wear something close to this color and I decided it would look quite good to match. How do I look?”

“Enchanting,” he breathes out, reaching to hold your hand, pressing a gentle kiss on your knuckles, “You look breathtaking, My Lady.”

“So do you, My Prince.”

“Shall we then?” he offers you his arm and you accept without hesitation, looking back to see if the queen will come with you and she assures you she will come with the King.

“You said you were going to retrieve me from my chambers for the party,” you say, leaning your head on his shoulder as the two of you walk toward the great hall.

“I am deeply sorry. Mother wanted to have a word with me,” he explains, dropping a quick kiss on the crown of your head.

“Is everything alright, Aemond?” you ask him, and he chuckles at how adorably your brows twist into a frown in worry. “Yes, darling, she merely wished to remind me to make sure you have a great time tonight. You are our special guest.”

“Does that mean you will dance with me?” you ask, holding his hands in yours before you reach the hall.

��We shall see,” he brings your hands to his lips again, leading you toward the hall, bowing and nodding at the ladies and lords who take it upon themselves to greet you.

You come to a stop in front of the table, Rhaena coming to hug you and twirl you around, gasping at the sight of your beautiful gown, gasping even louder when she sees how your dress matches Aemond’s tunic.

A ghost of a smile finds its way on Aemond’s face as he watches you get flustered at your sister’s attention to details, but soon, his eye hardens when he finds his uncle glaring at the two of you. Tonight will change the course of so many lives.

He watches you laugh with your sisters, pointing at the empty chair next to you so he would sit close by all night. With one last glare at his uncle, he walks to his seat and pours wine into his cup, blushing a bit when he hears you laughing again. You are not even laughing at something he has said and he is the one who gets flushed.

He is knee-deep inside these new feelings but he welcomes the challenge with open arms. Or at least he tries to do so without Daemon being an obstacle to his plans.

He looks at you when Rhanea and Helaena pull you to the dancefloor for the new song, pairing up with different lords to dance with, but what catches his eye, isn’t who you are dancing with, but more than who Daemon is talking to. He recognizes the lord to be from the south, probably a Tyrell, and when his uncle and the lord look in your direction, he knows something is not right, an uneasy feeling settling deep in his stomach.

He watches the lord closely as he makes his way through the crowd to get to you, bowing and introducing himself before taking your hand to dance with you. He can see how uncomfortable he is making you, probably discussing his sick desire to have a wife and kids while he dances with a Targaryen-Valeryon goddess.

“Stop glaring and do something!” Baela slides into the seat next to him, hissing the words at him while she keeps her eyes fixed on you as well, “I don’t like you, I will never like you, but you make her happy. Do something before our father ruins her life because of Rhaenyra.” “I thought you liked your stepmother,” Aemond chooses to ignore most of the things she said.

“It’s Rhaenyra’s schemes, please, Aemond, my sister deserves to feel appreciated. I have never seen any lord take an interest in her the way you have. You are the only thing she could talk about in the last few days. I will beg you if I have to.” Aemond turns his head toward Baela, letting her words calm down the hesitancy he has toward courting you. There are far more handsome men than him in the court, yet, he is the one who is blessed to hold you and kiss you, to gaze into your eyes and see forever in them.

He hisses when he feels a sting in his skull, not now, no. The pain can’t start now. He gulps his wine before he nods at Bela and stands up to walk to the crowd in the middle of the hall, catching your eyes for a second before he has to bow and start the dance with a lady he does not care to engage in a conversation with.

He thinks about how much he has changed in a few days; there will always be a part of him who thinks he’s not worthy of your affection, that you can do better than him, but also the thought of you in another man’s arms sets his skin ablaze. He is torn between keeping you all to himself or letting you have a wonderful future with another guy who can stand by your side and make you proud, who is not maimed and scarred like him.

Luckily, everyone needs to change their partner and he reaches with his hand to grab yours and pull you to his side, grinning when he hears your delighted shriek. “My Prince Aemond,” you say, squeezing his hand while the two of you twirl around the room.

He doesn’t wish to say, but the tempo is too high for me, and it worries him that somehow he might make a fool of himself or you if he trips over someone’s shoe on his blindside.

“Lady Targaryen, you look like a Valyrian Goddess, my beloved.”

“Why thank you, my good prince. I have to say that this color truly brings out your beautiful eye,” you reply coyly, tipping your chin up while you bite your lip.

“You are playing with fire, darling.” he leans down to whisper in your ear, pressing a feather-like kiss on your earlobe without anyone noticing.

“I’m a Targaryen, Prince Aemond, fire is in my blood,”

“Is that so? Well, I must say—”

He doesn’t know what happens, or how it happens, but in a second he can’t see you when he twirls you around him, and suddenly, the weight of your waist isn’t in his hand anymore.

“Aemond!” you fall down by his feet, and he sees that his boots have caught the edge of your heels, making you twist your ankle in the wrong way and causing your fall.

What have I done?

I dropped her.

I did this.

What happened?

His eye has widened in fear, and he is frozen in place, hands shaking slightly as he feels the crowd around you look in your direction, staring and gaping at him before the hushed whispers start to fill the room.

“Aemond, look—”

He can’t look at you. He will never be able to live with himself for humiliating you in the way he did tonight.

Stupid, weak, useless good for nothing, Aemond. If another lord was dancing with her, he wouldn’t have dropped her. A prince but less worthy than a common whore.

With trembling lips, and a pain blooming in his eyesocket, he dashes out of the room, leaving you on the floor.

His vision is blurry, the pain is getting worse and the air is stuck in his lungs. He can’t breathe, no, he doesn’t deserve to breathe. How can he when all he wanted to do was to dance with you but ended up hurting you? How could he hurt you like this?

He skips the steps, running to his room while he groans in pain, the stinging is getting stronger, the agony in his nerves is spreading through his skull and it only gets worse when he opens the door to his chambers to find not only scented candles but the windows and the balcony door is open as well.

“You are dismissed!” he shouts at the guard before he slams the door shut, “Ah!” He tumbles down, gripping the nearest chair to keep himself on his feet at least before he falls on his knees, clawing at the eyepatch to pull it off as if it’s burning his skin.

The pain is like a dagger, stabbing him over and over again until even his knees don’t have the strength to keep him up. He falls on the floor, curling into a ball while the pain spreads through his face, and he finally breaks down, bursting into tears from agony and humiliation. If only he wasn’t in pain… if only his eye wasn’t cut out…

Aemond doesn’t hear when the door opens, nor he can see who the person is. Tears have flooded his vision, but as soon as he feels your soft hand on his arms, trying to help him sit up, he flinches, backing away from you while he gasps for air, feeling his tunic clinging to his sweaty body.

“Aemond, please let me—” “No, no, no, no…” he stands up hurriedly, walking to the balcony on unsteady legs to get some air in his lungs, only to be met by a freezing wind that makes the chronic pain in his eye even worse. He drops to his knees again, this time the sounds of his gasps and painful yelps are louder than before.

You rush to his side, kneeling in front of him to cup his cheeks, kissing his clammy forehead before you wipe his tears away gently. He lets you touch him this time, too exhausted to utter a word, to push you away even if he has to.

“It’s going to be okay, Aemond, let me help you,” You help him on his feet, making sure to have your arms wrapped tightly around him while he leans his weight on you, trusting you to take care of him, even though the voice in the back of his head is telling him to push you out of his room.

“Gently, my love, gently,” you help him lay down on the bed, pecking his cheek again, rising to get the smoke out of the room but his hands shot up and grabs your forearm tightly.

“Stay, please,” he whimpers, his beautiful eye tearing in pain.

“I will, my dearest, I just need to blow out the candles and close the windows, and I’ll be back in bed with you.” You reach and bring his hand to your lips, pressing a gentle kiss upon his knuckles before he lets you go.

He can’t see you clearly, but your shadow moves from side to side frantically, blowing the candles on the balcony so the smoke won’t get inside again, shutting the windows quickly so the cold wind doesn’t bother him anymore before you come to bed again.

You unlace your gown, taking it off so you can tend to him more easily, pulling at the few pins inside your head to let the strands fall freely around your shoulders. You climb onto the bed, a jar of his salve and ointment in hand with clean rags in your other as you sit comfortably next to him, helping him take off his tunic and pants.

Aemond lies on the pillow on your lap, sniffing as you look at his face; bare and raw of emotions with his sapphire glinting in the low lights of the room.

“My love, you need to help me pull the gem out,” you whisper, almost sound scared of him, or scared of what you might see.

“No, it is an unbecoming sight—”

“Nothing about you is unbecoming. You are the most beautiful man I have ever laid my eyes on, and for you and your suffering, I begged my grandma to allow me to study about your condition with the Maesters,” you lean to kiss the bridge of his nose, “the skin around your eyesocket is swollen, if we do not pull it out now, it shall make it more unbearable for you.”

He hesitates for a moment. While he would love to ask you about why you studied something so gruesome because of him, he can’t help but feel so wanted. The pain is getting worse, sure, he has to pull the gem out anyway but to hear you say how you have begged Rhaenys to let you partake in those classes, to maybe someday help him with his pain… that truly makes him feel fuzzy all over.

“Alright…” he whispers, gritting his teeth in pain as he reaches out with his fingers to grab the side of the gem, pulling it out slowly while he groans and the pain nearly knocks him out. “Shouldn’t we use something more—” “Take it out, take it out—I don’t care how!”

You nod, tears falling from your eyes as you watch him writhe in pain more as the two of you pull his sapphire out, leaving a heavily swollen and empty eyesocket on display. His hand falls limp on the bed while you drop the gem into a clean bowl before pouring some of the ointment on a rag, gently holding his face in one hand while the other daps slowly over the scar and his ripped eyelids, pressing a few kisses here and there to soothe his whimpering.

He clings to your arms and waist tightly, letting his tears fall freely while you soothe his pain away, falling into slumber easily beneath your gentle touch.

•••••••••••

He is running.

Where is he? Why is he running?

He looks around him, finding himself in the labyrinth he always sees in his dreams.

The hedges are covered in ivy, the walls have gotten taller and the paths are thinner.

What’s this smell?

He steps closer to the source of it, taking different routes until the smell gets worse and stronger. He knows where the center of the maze is, he has been here countless times.

He turns around, finding the space of the labyrinth of his dream, but he doesn’t expect to see you there, not while standing with your nightshift covered in maroon, hands dripping with thick droplets of blood as you look at him horrifyingly.

“Darling, are you alright?”

“Don’t- don’t come closer,” you say, taking a step away from him.

“I don’t understand, why—” “You did this to me!” screaming at him, your hands cover your heart, and he finally sees how your chest has been ripped open and blood gushes out of the wound.

“I was not here—”

“You did this to me! You hurt me, Aemond!”

“Aemond!”

“Aemond!”...

He jolts up, gasping for air, hands clutching the bedsheets as he experiences another nightmare. He looks at you, finding you awake and alarmed while you rub his back, eyes filled with worry and pain for him.

“You should leave,” his voice is barely above whispering, his nails digging into the palms of his hand while he blinks his tears away.

“Aemond—” “I will only hurt you, why don’t you understand?!” he asks, raising his voice a little.

He is torn between needing you to wishing you were gone; he can’t cope if he ever hurts you again.

“You have not hurt me, you won’t hurt me.” “I killed you in my dream! You fell in front of everyone and twisted your ankle because of me, I humiliated you! How can you say I won’t fucking hurt you? I have already done it.” He explains, but instead of pushing you away, he welcomes you when you pull him down into your embrace, holding his head tightly in your neck as he sobs uncontrollably.

“It’s not your fault, I should have been more careful. I won’t let you ruin yourself for something that was a mistake on my behalf.” you kiss the side of his face, rocking him from side to side while he calms down eventually.

“Don’t push me away, I love you, Aemond. Let me be here and help you carry this heavy pain with you.”

He doesn’t reply, but his arms tighten around you.

He looks at how you lay back on the pillows, gently pulling him in your arms until he is lying in your chest while you play with his hair.

“Sleep, I’ll be here when you wake up.”

•��•••••••••

He opens his eye slowly when he feels someone caressing his hair, pressing butterfly kisses all over his face. Smiling a little, he finds you admiring him in his sleep, taking notes of every line and deep of his skin.

“It’s very rude to stare,” he says, his voice thick and raspy from all the crying he did last night.

“Not when he is my lover,” you whisper back, nuzzling your nose against his, “you look like a fairy when you sleep.”

“No one has ever told me that. How do you come up with such unique ways to describe me?” He leans over, pressing a kiss on your shoulder while he waits for you to answer.

“You are a wonderful muse for poetry, I shall start writing about your hair and eye!”

He keeps his lips sealed to your skin, sucking and nibbling until he is satisfied with the marks he has left. His pupil is blown out with a newfound lust; how can he not desire you when you are lying in his arms with your wild white hair plastered over his pillows?

“You are staring,” he chuckles at how breathless you sound. He hasn’t even begun to do anything and he already has you melting under his touch.

“Can you blame me? I have the most exquisite lady of the realm in my bed.”

“What happened to the insecure boy I held last night?” You ask while leaning up towards him, pushing him down on his back so you can straddle his narrow hips.

“It’s still here with us in this room, but he has begun to heal. You have helped him when he had no one,” his palms rest on your thighs.

“I need you,” it comes more as a plea, but Aemond obliges and flips the two of you over, hiding his face in your neck to prep it with kisses while he whispers that he needs you too.

“I love you, darling,” he whispers, craning his neck to catch your lips in a kiss, moving them together with a rhythm that encourages him to take the next step.

His hand inches downward, pushing past the fabric of your underwear to find you already wet for him.

“I-I have already lost my maidenhand…”

“I don’t care, I have you now,”

He silences your whine with another deep kiss, his fingers circling your clit until you are squirming and bucking your hips into his palm, your arms pulling him in by the shoulders.

He breaks the kiss, watching you take a deep breath when he pushes one digit inside while he tugs at the front of your shift, pulling it down until your tits are on display. He covers your chest with marks and bruises the same time another finger enters you, making you gasp loudly in pleasure.

He stretches you on his fingers, thrusting them in and out slowly at first, but soon he is speeding up, his patience running thin as he scissors you open not roughly to make it hurt, but to make sure you are ready to take him.

“A-Aemond, please, need you closer,”

He nods because he too can feel the need to become one with you, to take you as his, or more so you take him as yours.

His breeches are thrown on the floor, followed by his undershirt immediately as he takes home between your spread legs, one hand holding him up while the other guides his throbbing cock to your entrance. You both gasp in union when his tip nudges past your muscles, pushing in slowly and gently until he is sheathed inside you completely.

You throw your head back, wrapping your legs around his waist while your nails dig into his naked chest as he lets you get adjusted to his size.

“Can I move?” He asks, leaning down over you as he cages you beneath him, both of his forearms holding himself up against the pillow under your head.

You nod, looking at him with pleading eyes, and he finally caves in and moves slowly; pulling his hips back a little before driving in.

The next minutes pass by him gently making love to you, circling his hips and kissing you, bringing you closer and closer to your highest point. You know you both are close when his groans and moans grow louder, and your voice matches his tone as he quickenes his pace, the loud sounds of skin slapping against each other echoing in the chambers of the prince.

You both finish together; you with a gasp of his name, and him with a loud groan of yours as he fills you and you gush around him. He trembles above you, whether it is for the climax he experiences or the overwhelming love he holds for you.

He watches your face twist in pleasure — the pleasure he is giving you — and he memorizes every sound, counting each lash that he can while he himself rides his high with you.

He drops face down on the bed next to you, both of you trying to catch your breath as you look at each other with a satisfied expression on your faces.

“They would ask about our whereabouts if we are late for breakfast.” You say, giggling when he groans in absolute disgust — he is not ready to leave this room and face the world again when he knows he can stay and take you again, thrive in your attention and love for all day.

“Must you ruin this moment for us? Now I can only think about how to face your father after what we did.”

“You should look him in the eye and ask for my hand,” you sit up, throwing the cover off of you before getting off the bed “and you shall do it with the braids I do for you,”

“You are impossible,” he says, but he knows that behind his words, there is no hidden intent, nothing but adoration and playfulness.

“Come, sit!” You pull him off the bed as well, leading him to his vanity before pushing him down on the chair, both of you stark naked as you brush his hair slowly.

He looks at himself in the mirror, and for the first time in years, his reflection doesn’t disgust him, it doesn’t scare him or make him self-conscious. He feels… beautiful, he feels worthy again of having this life, having you as his.

“Do you wish to know what I see when I look at you?” You ask him, letting his soft hair fall around his shoulders before you lean down, wrapping your arms around him, resting your chin on his shoulder.

He nods, hands coming to cover yours where they caress the skin above his heart.

“I see a broken man who needed to be saved. I see a boy, fierce and strong as he claims the largest dragon alive. I see my friend who danced with me in different gatherings, my beloved friend who built sandcastles with me and helped me with my Valyrian studies. I see my Aemond, finally freed from the labyrinth of his mind.”

#aemond targaryen #aemond targaryen x reader #house of the dragon #aemond targaryen angst #aemond targaryen smut #aemond targaryen fluff #prince aemond #aemond x reader #rue:smut #rue:angst #rue:fluff

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thepradapariah · 4 months

Text

Mars ☄️ and Your Sexxx Language 🐱💋✨

QUICK MESSAGE TO THE BADDIES

HELLO!!!! To all of my sweet, sweet Kosmic Baddies, Oh!! How I’ve missed you!

I cannot believe it’s been over a FRIGGIN year, but GOODNESS….believe me, when I say this past year has been a roller coaster for me, I truly mean it. I can only imagine what’s been going on in your lives as well. Just TOO MUCH!!!1111!!!!!111!!!!!1 But welcome to 2024! A universal 8 year and the year of the Dragon!!! WE IN THIS THANNNNGGG!!!! Hard work, discipline and accountability is the theme, and we can’t lose!!!!!

Believe it or not, I actually STARTED writing this to have to you for Halloween, but ummmm….this is looking like a Valentine’s Day post instead! HA!!!! Blame it on my Saturn in Pisces– my relationship to time is….non existent. But, I think this timing is better anyways. The theme is very fitting so we are going to turn apples into oranges.

***Even funnier update, now it’s past Valentine’s Day….GOODNESS!!! This has been the longest it’s taken me to write anything. Like…INSANE. Almost 6 months I’ve been steadily working on this!

Thank you to those who have continued to support me! Thank you to those who have continued to share and interact with my post through my…let’s say, hiatus! I am planning to put more energy and effort into this blog post. I LOVE writing for y’all, it is really one of my favorite things in the world.

I am going to take a moment to apologize in advance and say, the typos are probably going to be real with this one. Because I’ve been working on it for so long, I’m just ready to get it out, so it won’t be my cleanest work. I will probably be updating and editing, so bare with me!

🕯 INTRODUCTION 🕯

Sooooo….where to start? I wanted to do something fun and interesting this go round because I missed y’all so much, but I also wanted to do something light so I could get back into the rhythm of writing again….aaaaaaaaaand I thought you would enjoy something a little smexiiiii as we move into cuddle buddy season. So, in this post, we are going to talk about Mars and Your Sexxx language.

One day, as I was driving around town, it dawned on me that we always talk about Love Languages (check out my Mercury post if you haven’t already) and we never talk about sex languages. And y’all know me, and if you don’t know, you’ll soon find out, I am a Bharani moon (atmakaraka at that); and the blending between Mars and Venus is my soul’s most valuable asset to share with the world…(Did I mention my moon is the 11th House?) Sex is one of the most taboo topics (in Western puritan culture, at least), yet such a powerful resource in our human tool box and it’s ridiculously important in our relationships. The 7th House is followed by the 8th House for a reason. Intimacy, of course not always sexual, is what leads to self-discovery, the 9th House. So we cannot overlook the important step that is sexual relations. Even the word “orgasm” means “little death” and death baby, is as close as you get to God. (See how those houses flow together so well?) Hence why things such as Tantra are a sexual AND religious experience all in one. Don’t be fooled by western/christian ideals into thinking that sex is unholy or ungodly. If you think Jesus was a virgin, think again. I mean, what’s the point of turning water into wine if you’re just going to roll over and go to sleep? Y’know what I mean?

Don’t worry! If you’re a less experienced reader, and haven’t engaged in aaaaallll thhhaattt… this post is still for you! In fact, this is one of the reasons I love astrology so much, because hopefully this post will give you some context about yourself and what your SOUL craves, not just your body, so when you do start “doing the do” you can be spiritually comfortable with your wants and desires instead of ashamed or even afraid of them.

Not to put all my business on the street…but, hey, I love y’all, so I won’t keep too many secrets from you (mercury in the 8th, HA)…but, I had to do quite a bit of bumping and grinding to discover what my soul needs in an intimate relationship and I wish there was more of “guide” for me on that journey! So HERE…I’m giving it to you!

WHAT IS A SEX LANGUAGE? 😈

To be completely honest, a “sex language” isn’t something as defined as a love language, so please, bear with me as we discover this together. Please feel free to share any experiences or insight with me. Although I may not always respond, I TRULY appreciate you taking the time to share with me. I try to read everything that I can!

I’m defining sex language as how one creates and shares intimacy in their close relationships. This is particularly expressed through physical interactions and outward expressions. Mars is a planet that governs our passions, drives and desires, meaning our sex language is guided by what we deeply want and crave from our partners on a spiritual level. Venus represents more of the external notions that we have for love and relationships, while Mars represents our internal needs from love and relationships. Mars is inherently a more personal and “self-centered” planet, so interestingly enough, your sex language is all about you! I go as far to say, when you find a partner, don’t forget to check your Mars compatibility as well. If you have extremely incompatible Mars signs, you will have to do a lot more work in the relationship to overcome the constant friction. Moreover, if you have more compatible Mars signs, then WOOOO BABY, the sexual tension could be off the charts!

✨ ABOUT MARS ✨

Mars placements won’t make or break a relationship, per say, but it is a very important layer to help maintain a relationship. How many of you have heard of sexless marriages and people being unsatisfied in their relationships in a sexual way? Does that mean the couples always break-up because of the lack of sex or chemistry? No…..But does it help a HECK OF A LOT when you are wildly attracted to your partner? YES! (Of course this isn’t always a good thing…but for the sake of this post, we are only talking about rainbows and sunshine.) Just keep this in mind as you start to use this knowledge in your journey. Mars is a really important planet that is easy to overlook because it’s not in the Big Three! (Yet, it iiissss the natural ruler of the 1st House).

WHY IT ALL MATTERS 🌚

I truly believe there is a shift in the collective and many couples are going to be coming into union over the course of the next year or so. Why? Because Ketu is FINALLY transitioning out of Libra and entering Virgo. If you’ve noticed, we’ve seen quite a bit of celebrity break-ups and covid relationships coming to a screeching halt. Hence why I say, if you’ve been single, or haven’t been in a serious connection in the last few years or even ever, now is the time that your next partner might be going through some significant ending with an ex. Union is on the horizon for a lot of souls who have been doing theeee spiritual work. That’s why I couldn’t think of a better topic to get started to set the mooooooooood. Bow-chicka-wow-wow.

So without further ado, let’s get into the nitty gritty. I’m going to do something different and start with Mars in Pisces/12th House and work backwards to Mars in Aries/1st House! I thought “Hey! Why not switch it up a bit? Pisces shouldn’t be forced to scroll ALL the time!”

***Note: If you’re feeling extra spicy, you can read for whatever sign is in your 1st House and 8th House as well because those are traditionally Mars ruled Houses. And you can read for your 12H, because the 12H is also the house of bedroom pleasures! Always keep in mind that we are complex creatures and astrology is like a puzzle, so it’s okay for some things to resonate and other things to not. Learn as many perspectives as possible so you can define yourself!

With Love & Lust,

Enjoy!

A-D 💋

Mars in Pisces/Mars in the 12th House

“Cut me like a rose, turn me like a beast” Only- Ry X

If your natal Mars is in Pisces or the 12H, you may actually have a hard time knowing what your desires are. Why? Because Mars can feel as if it’s drowning in the deep spiritual waters of Pisces. Your wants can be quite dreamy. You crave a sexual experience that transcends space and time, forcing you to leave your body and touch God himself in ecstasy. (I’m a western Mars in Pisces, so…I get it). When it comes to your sex language, you want your partner to just get “you”. You don’t want to have to explain or talk or direct, you’d rather just receive and give a special type of unconditional love that knows no bounds. Because of this “boundless love”, you may actually, literally, lack boundaries. This doesn’t have to be a bad thing, so we are going to focus on the positive. You are truly accepting of those who are accepting of you. Because Pisces is a mutable sign, you are willing to fit into whatever box your partner wants to put you in…and you receive great pleasure from making a deep seeded fantasy of your partner come true. You could be just as playful and imaginative when it comes to role-playing as a Gemini.

Because Mars is in Pisces or the 12H, you’ll find that a lot of partners will project their wishes and dreams onto you. Hence why you want a love that is really deep, because people can get washed away in the shallow end of your energy without ever fully realizing how deep your waters flow. This can be frustrating. And because Mars isn’t the most comfortable here, you can have some unhealthy ways of expressing your sexual frustration. Particularly if your Mars is in the 12H, you can be attracted to self-gratification through self-pleasure and also self-harm. You may even conflate the two, harm & pleasure, and have a dark side to your sexual fantasies. Your passions and desires can end up being repressed because people may not understand them, or be able to meet your high expectations. Amd babes, I love you, but just know, your expectations out of partnership are OTHERWORLDLY. But no worries!! You are SUPER DUPER freaky and almost a guaranteed partner that will go down in history books, particularly after you get comfortable in your own sensuality.

One of the things to watch out for with this Mars, is you can be passive-aggressive in the bedroom. You can take a more passive role, expecting and energetically demanding that your partner take the lead. You may not realize you even give off this energy, but the internal need that you have to dissolve into your partner, like sugar into water, can be very intense. And the gag is, sugar doesn’t really fully dissolve, so what you’re seeking can be impossible to satisfy on the earthly plane. Because of this, it is IMPERATIVE for you to have spiritual outlets within your sexual connections. It may be that you and your partner practice Tantra, or you simply pray together. With this Mars, you can absolutely use sex as a tool for manifestation. Watch your thoughts during sex, because you truly can create MAGIK!

Mars in Aquarius or Mars in the 11th House

“I believe in aliens, I don’t believe in love” Familiarity by Teezo Touchdown

If your natal Mars is in Aquarius or the 11th House, you are something special. Why? Because out of all the signs, you are the most unique lover. I KNOW!!! How friggin’ cliche, Aquarius=Unique, blah blah blah…boring. YES! It’s said all the time, but it’s the truth. In Vedic Astrology, it is important to note that Aquarius is ruled by Saturn and Rahu. This is hugely impactful as to why you are unlike anyone else. Even as you read this, you won’t be exactly like the next person reading this, because the Saturn Rahu combination can be influenced by so many different factors. Aquarians are the hardest sign to write for in general, simply because you are going to be very individualist when it comes to how you express yourself. Now, all that being said, you still crave, very deeply, a sense of belonging. So please, don’t ever take for granted how special you are. If someone is lucky enough to break through your hard exterior, they really are in for an extraterrestrial experience!

Because Mars is in an air sign here, you may or may not be the most sensual and/or sexual person on the planet. You could be. But you could not be. And that is the gift…or curse…of this Mars placement. I have Mars in Aquarius myself, and I remember reading an article that said “this placement can be infuriating to your partner because you are so nonchalant.” And I can definitely say I’ve lost relationships because the other party assumed I was disinterested because I wasn’t the most expressive when it came to my emotions. It’s important to remember that Mars in Aquarius/11H is actually a neutral placement. It isn’t a death sentence or the worst thing on the planet, but it’s not necessarily the best. So don’t be too hard on yourself if your partners don’t understand you very easily. You will just have to do more work to learn how to communicate and accommodate in your relationships. This may be something that follows you throughout life…and forget your partner….it could be infuriating to you! BUT NO WORRIES! Mars in Aquarius or Mars in the 11th house is usually more concerned with developing and nurturing friendships, which seems to contradict the more lustful side of Mars. Longing for friendship and connection versus longing for sensual pleasure and connection can be seen as two different things.

What Mars in Aquarius/11H wants more than anything is L. O. Y. A. L. T. Y. Because this Mars placement can grant so much freedom, it is imperative for the person with this placement to feel safe and secure in the sexual relationship they are building. This is NOT to be confused with possession. Expecting loyalty from a partner isn’t the same as feeling as if you own your partner. You believe that your partner should have freedom to express and live their life the way they want to, and you expect the same in return. However, you do expect your partner to consider you when they make their decisions in life. It is very much “give a dog a bone, leave a dog alone, let a dog roam and he’ll find his way home” (S/o DMX, may he rest in peace). Meaning, in your sexual language, you want your space and privacy, but you want to feel a belonging no matter how far away you are from your partners.

NOW, for the fun stuff. You are one of the most explorative lovers on the planet. You may have a “the more the merrier” type attitude and be interested in group smexii time or oragies. You may have a dream to experience Amsterdam and the Red Light District. The beauty in having your Mars in an air sign/house is that you can remain detached from the sexual experience and partner– therefore, you may not experience jealousy because you aren’t super possessive. Again, you’re all about freedom baby!!! You may also have some pretty “far-out” kinks. You may be interested in different genders, or same gender, or mix gender or no gender or latex or pantyhoes or dress up or furries or hentai or tentacle porn….and if you’re not into it, chances are you will at least click a questionable link or two. You don’t carry the same shame as others do when it comes to what turns you on sexually. You don’t like anything boring or too routine, so your search history could be a bit…odd….BUT HEY!!! As long as it’s not hurting anyone or anything and pleasure is being derived from all parties involved, then let adults do what adults do is kind of your attitude.

Friendship is the key to your heart…and to your…uh…biological box….lol. When it comes to long-term relationships, I can bet my bottom dollar that you’re far more interested in the friendship aspects than the inherent relationship drama. When your friends ask “why are you still dealing with them”, you will follow up with “well, we are friends before anything else.” And you mean that deeply. The really funny thing is…on the other hand, you are also very likely to get down with complete strangers and never think about it again. You can hook-up and detach with the best of them, or your loyalty to a confidant can keep you in a relationship for a very long time…it. Just. depends.

The one thing that is true about your sex language, is that you speak ALL different kinds. When you look back at your life and your experiences, if you are more of an adventurous Aquarian, lets say you have a lot of air and fire in your chart, you will most likely have all kinds of stories from all different people and places. You will be one of the most interesting partners and friends to talk to about all the mixed bags of experiences that you’ve had..which is awesome. If your Mars in Aquarius/11H is paired with a more “earthy” sign or even water, you will most likely have a rom-com type love thing happening…that tugging “will they/won’t they” energy at the beginning of relationships, only to fall head over heals with the “guy/gal next door”. You may also find your sexual partners online, in a group setting or be hooked up by natural friends. “How’d you meet?” “Oh, I heard from a friend of a friend that that d*ck is a ten out of ten!”

Mars in Capricorn or Mars in the 10th House

“My vicious love, My lethal heart, I wanna screw you up into me” - Bad Bad Bad by Ramsey

If your natal Mars is in Capricorn or in the 10th House, then your sexual language is money, money…and….uh….more money. I kid, I kid…but not really. It would be easy and predictable for me to say you just lust after money, but it goes much deeper than that. Believe it or not, Mars is actually exalt in Capricorn, so, you couldn’t have a better Mars placement. Your natural ruler Saturn and Mars truly are the best of friends. And if you’re familiar with Tarot, then you know The Devil represents Capricorn energy and The Devil is all about seduction and temptation. Unlike some of the more dreamy Mars placements like Pisces/12H or Cancer 4H that use their sexual language as an escape from reality, or the detached air placements like Gemini/3H or Aquarius/11H, who are too aloof to harness Mars’ energy, YOU my Capricorn/10H individuals are acutely aware of how powerful the nature of sex can be…and most importantly, how it can be used to your advantage.

To the average person on the street, you may not seem like the super sexual type. You prefer a sophisticated lover to a “cute” one, so people can assume that your standards are too high. And perhaps, your standards are high, because you understand the value of your presence and your time. In fact, you HATE wasting time, so why would you waste time on lovers who don’t bring anything to the table? Sadly, for most of the public, they won’t ever have the experience to be with a Capricorn/10H Mars because quite frankly, they can’t afford it.

Funnily enough, I’m sure as you’ve been reading this, you’re like “dang…am I that shallow?” And the answer is yes and no. You’re shallow because we live in a shallow world– and you know in order to survive it, you have to use what you got to get what you want. The other side of this is, you’re not shallow at all because you are willing to work and discipline yourself and sacrifice for those that you truly care about. There is such a depth to you in the long run, that it makes sense that you make it really difficult for people to get to you. Because you know and I know, once you’ve committed to someone, you’ve committed for as long as you possibly can. Your sexual language is all about stamina and endurance. This is true in and and out of the bedroom. As an earth sign/house, you are a sensual being. You enjoy each and every bit of romance that you can get. A nice meal, some good perfume, dressed to the nines is all considered foreplay to you. You entice your partners with a certain dignified class and only the brave will approach. In your younger years, you could find this extremely frustrating at times because men will really have to get their sh*t together before they can even THINK to approach you on that level. But the more that you use your Mars to get you where you want to be in life, partners will follow behind you and constantly buzz around as if you are the Queen Bee and they are mere workers for your attention.

Funnily enough, you are quite the heart-breaker with this Mars placement. Because you are so focused on your goals outside of love, and yet, you can crave sensual pleasures, you will be very direct with a partner, but they may not be aware of how serious you take yourself. How can this manifest? Let’s say you meet a partner and everything is groovy, but you are working on a big project for work, you’re working on a degree of some kind, or you’ve said you won’t rest until you make partner at the big company…unlike other Mars placements, you won’t let romance sway you or take you off track. You are probably the best example of “right person, wrong time”. You don’t have as much of an issue as other signs walking away from a situation that is distracting you from your more worldly desires. This can leave people utterly confused, because you seem like a perfect partner, but honestly, you’re just not focused on aaaalll the drama that can come with fully committed relationships. People may actually take this energy and say that you’re a player…or worse…a floozy (one of my favorite words lol, definitely needs to make a comeback). You actually aren’t. You will be one of the most committed partners they could find, but if it’s not the right time…it just ain’t happening. So your partners will have to maintain some level of patience or they will miss out. On the other hand, because Mars is a planet of extremes, you may go through periods in life where you are celebate. It may take you awhile to stop channeling that Martian ambitious energy into your career and put it towards your sexuality. That being said, you will enjoy the more sensual side of sex. You could have great stamina and endurance. Because sex may not come around as often as you’d like, you will learn to savor every drop of your partners and please them in a calculated, thoughtful and masterful way! How smeeexxxiiiiiii!!!!!

Mars in Sagittarius or Mars in the 9th House

“I’ve been everywhere, man, looking for someone. Someone who can please me, love me all night long” Where Have You Been by Rihanna

If your natal Mars is in Sagittarius or the 9th House, your sexual language is that of many languages. You fall in love with the exotic, unknown and unexplored. You like your partners like James Bond likes his cars– foreign. You appreciate partners who expand your understanding of reality. Your partners have to expand your mind…and body…into positions that you never thought were possible. If you don’t attract partners who are of a different race, culture or class from you, then you will be attracted to partners who are otherworldly and spiritual or are just as serious about their religious beliefs as you are. Like Mars in Pisces/12H, your planet is ruled by the planet Jupiter, aka Guru. You NEED to learn from your partner. You NEED to explore with your partner. And you NEED to be able to teach your partners something as well. “I wanna know…can you show me…I wanna know about the strangers like me”...It’s giving…Tarzan and Jane. I have Mars in the 9th House, and it has manifested in a very fun way! So with my bias, I believe that this can be one of the more fun placements if you just go with the flow. Unlike other Mars placements, you don’t necessarily feel the need to control your partners. You’d much rather experience them, learn the lesson and move on to the next new shiny thing. Much like your brother, Gemini, you are equally as invested in getting the knowledge and seeking more knowledge. You of all signs are unlikely to overstay your welcome in a relationship. You can come off quite restless and unsatisfied…UNLESS you are just fascinated and enamored with an individual.

You can find yourself attracted to people who have accents, or speak a different language than you. But you will be even more turned on by someone who shares the same religious beliefs as you. You may actually be willing to convert religions for your partner OR, and this is more likely, you have a partner who is a different religion than you are, and instead of being ashamed by it, or making it an obstacle, you embrace it– ultimately respecting their religion, while maintaining the traditions of your own.

You will naturally desire to travel with your partner. Making some of your favorite memories in life when you made-love in some far off land. If the sentence, “I made love to a Frenchman I met while eating a baguette at the local cafe under the Eiffel tower and I’ll never see him again, but he’s the love of my life” turns you on…congratulations, you’re in the right spot.

This Mars placement is fueled by your deepest desire to see the world and its deepest truth, and then just imagine how much you can learn about the world through the lens of an intimate partner. Your sexual language, like I said earlier, involves language in and of itself. You want to hear the stories of distants lands, fascinated by the foreign nature of your divine counterpart. You will want to be intimate with partners who can speak for hours and hours about their adventures and endeavors. You need to be intrigued at the very least.

I also find that with this placement, there may be an age difference in your relationships. You either will be attracted to someone who is much older and wiser, OR, interesting enough, you could find yourself with someone younger. Why is this? You will appreciate a person who still has zest for life. You will be equally attracted to partners who are bright eyed and bushy tailed! Plus, I know I’ve talked a lot about your partner entertaining and teaching you, but the truth of the matter is, you will want to be as much of a sage to your partner as well. You will enjoy teaching them the ways of life and the pursuit of happiness. They will look to you with eyes of wonder as you paint beautifully vivid pictures of your life experiences that have shaped your view of the world.

Another element to this Mars placement, is you are one to challenge authority. This may manifest in your sex language by liking to explore BDSM culture in some way. Because this Mars is all about freedom, you may be turned on by the thought of your partner controlling you…just so you can say no. You can come off as a “well, make me”...kind of lover when it comes to foreplay. You love a challenge and you like partners who challenge you in some way when it comes to living out your sexual fantasies. Another way this may come out is you AND your partner may have a knack for getting into trouble or enjoying sex with some kind of risk involved. You get off being able to sneak away for a quickie. You’ll have sex in the backseat of a car. Joining the mile club is definitely on your bucket list…all the things! Because you are such a rebel, you tell stories that have “normies” clutching their pearls and leave their mouths open. You want to have memorable sex that is worth writing a book about!!!

I can not drive home enough how spiritual your sexual relationships have the potential to be. You are not a shallow lover. You are a lover full of wonder and full of lust…wanderlust…if you will. Sagittarius/9H is a very serious zodiac/house. You're destined to seek truth– so your sexual partners HAVE to enlighten you in some way. You don’t want to get stuck in the mundane, boring stuff of a relationship, (and please, don’t get too carried away, because we do live on planet earth!) you want to experience shrooms, talk about God and make love in the forest! Smexxiiii!!!!

Mars in Scorpio or Mars in the 8th House

“Every breath you take, every move you make, every smile you fake, every single day, I’ll be watching you” Every Breath You Take by Sting

Okay, okay, it would be all too easy to say your love language is stalking, and more stalking and even more stalking, but…that’s only a small fraction of what this Mars placement has to offer. If your natal Mars is placed in Scorpio or in your 8th House, your sexual language is that of raw passion and intensity. That being said, it is also about restraint and self-restriction, and sometimes self destruction. I tend to find Scorpionic energy and 8H energy to be radically internal. You, actually, may not be the most expressive lover. You are more comfortable waiting, studying and planning to pursue a lover, rather than going in full force. Because Mars is your natural ruler, Mars is more than comfortable here, but unlike your brother sign, Aries, you are more of the “planning” part of war, rather than action. This is the strategy of self-defense more than anything. You don’t want to walk into an intimate situation to be intimate yourself, you want to extract vulnerability from your partner like a detective solving a murder crime. Your sex language is more of a riddle than a question. And you would like a partner who intrigues you and leaves a lot of mystery. In my many many years of dating, and many many encounters with Scorpionic energy (I attract them like flies…it’s crazy) I always find that Scorpios are nowhere near as mysterious or hard to figure out as they perceive. Behind all that black and dark stares and gazed is usually a pretty pretty boring, but shy person. There is such a caution with this sign when it comes to acting on those very deep and sometimes all consuming desires, so you are very careful to not put yourself in harm's way. Another hot take that I have on this placement that may seem a bit contradictory to the Scorpionic stereotype is YES YES YES, you are smexxxxiiii and all of the things, but that doesn’t necessarily make you the most sexual person. You take intimacy and sexy very seriously, more seriously than most, because for you intimacy and vulnerability can be used against you and be seen as a weakness, so you are hard pressed to just be going around willy-nilly swinging from partner to partner. You also view sex/intimacy as more of a “power” thing than a “love” thing. And what do I mean by that? You know that deep intimacy and truly being intertwined with another individual gives you an unreal amount of access to that person on a personal and spiritual level. It is always important to remember where Scorpio/8H lines up in the grand scheme of things. It follows the Libra/7H of partnership. The 8H is actually the house that dictates how a relationship will play out. This. Is. Imperative. To understand this placement. You are far more focused on how the partnership plays out, rather than the partnership itself. Again, unlike your predecessor, Libra, who is ruled by Venus and may be more interested in the looks of a relationship and romantic partner. Your sexual language is more interested in the psychology of your partner. You don’t care nearly as much about the outside as you do the inside. What draws you to your partner is a need to access the ultimate truths through your partners. Hence why, you are followed by Sagittarius/9H of Truth and Liberation. Your sex language involves restraint, power and hidden truths.

As I said before, it may be really difficult for you at times to truly connect with your partners because your energy can demand sooooo much from them. You will require partners to go through such depths in their relationship with you, that they may not be able to handle it. And on the other side of that, you may stay away from relationships because you may mistakenly feel like it brings out some of your “worst” qualities. With this Mars, you may go through a very intense relationship when you’re young, one where you give your all, I mean…you would kill or be killed for those you love, and because that relationship fails, you may never want to experience those types of lows again and stay away. You are one of the most loyal of the Mars placements, so you are very careful to study who exactly you are giving your loyalty to. I recommend with this placement, you may find yourself oddly attracted to Aquarian/11H energy. It sounds weird, water and air, but in this case, Aquarian energy is endlessly fascinating because they are so unorthodox, you will never truly figure them out, so you’re constantly intrigued by them. Aquarians also value loyalty the same way you do. They will allow you the freedom that you need to sit in your own emotions, but value the friendship in such a way, you won’t feel abandoned by them. Even if the people you are attracted to don’t have Aquarius in their chart, I think that quality is something you should consider when looking into intimate partners. It is probably the partner who gives you the most space and it is the hardest to figure out, that will give you the most in life. If you have a partner that is easy to conquer, not only will you be bored, but you can easily slip into those darker energies of control and manipulation to get you way…even when it’s unnecessary.

AAALLLL that said, you are still a hell of a lover! I mean…wow. You intricately know how to please and conquer. You use sex as a language itself when you’re ready and willing. And man, do you have a way with words. You can easily hypnotize a lover to fall under your command, so be careful with this gift. You are more than comfortable in this arena once you move past your fears in the subconscious. You can channel this energy, much like the exalt Mars in Capricorn to succeed with some of your greatest ambitions. You will put your sexual energy into your work and projects in a way like no other! Just don’t take everything so seriously! It’s okay to have a good time. Be intimate and open up some! You’ll enjoy getting your head out of the sand!

Mars in Libra or Mars in the 7th House

“What a rush & what a high, cause when your love don’t fight, smoke gets in your eyes” Smoke In Your Eyes by Skepta, Ossie, Harry Stone

If you came to this section thinking that I was going to talk about how sweet and balanced you are when it comes to your sexual language…THINK. AGAIN. BABE. You are nothing of the sort. Seems contradictory, huh? Because Libra/7H is all about balance, right? Well…not when it comes to this Mars placement.

If you have your natal Mars in Libra or the 7th House, you are quite the spicy lover. To be completely honest, Mars is VERY uncomfortable here. Why? Because Libra is naturally ruled by the planet Venus, which is essentially the opposite frequency of Mars. I like to think of Mars and Venus as the brother and sister planets of the Milky way. Traditionally ruled by Ares and Aphrodite in Greek mythology respectively, they are technically half-siblings. So when you think of this Mars placement, this of how a girlie-girl would feel surrounded by all boys at a football camp. Sure, she may attract a lot of attention and she may have plenty of options…but she will CERTAINLY have to set clear boundaries to command the respect she deserves, as well as deal with the fact that no one around her may have the same interest. See how this can be uncomfortable? It’s not the worst thing to happen, but it can cause you to feel like you have to play the field a little bit differently because of Mars being in the House of Libra.

Okay, so now that we covered why this placement might be different than what you were imagining, let’s get into what this post is actually about!

If you have this natal placement, your sex language is all about breaking up to make-up. Because you’re on this constant quest of seeking balance, YOU will subconsciously or consciously seek chaos in order to regain balance. Your indecisive and somewhat aloof nature in relationships can be a source of frustration when it comes to your sexual expression with your lovers. If you have Mars in your 7H, you genuinely LOVE conflicts and attract conflicts to your relationships. You can be quite passive aggressive, honestly, and stir the pot to get attention. AAALLLL this being said, you still enjoy the finer things and love the idea of love, even though you may not have the most direct way of going about it. Your partners may even find you hard to read, and this can frustrate you, because your wishy-washy-ness is so innate to you, you may have a tendency to think that everyone is as back and forth with decision making as you are.

Ironically, more so than any of the previous placements I have discussed before, I will focus more on what sexual language you like from your partner rather than yourself. Of course, you like good food, good wine, good clothes, good banter, good company…you have Libra, like DUH, but I want to offer a different perspective on this placement.

So when it comes to your partners, you truly like a partner who takes charge, regardless of sex. You crave a level of masculinity and directness in your love language because as I stated earlier, it can be difficult for you to make decisions for yourself. You overemphasize how people will perceive you, and this can cause you to stunt your decision making, so you’ll find yourself craving a partner who can be unabashedly unapologetic in their approach to life. You seek partners who are brave and courageous and you will find yourself testing anyone you fall in love with to see if they have that spark of passion in them. You may find yourself seeking different things from different people, so you may have multiple lovers– and just like how it may take you forever to pick out your outfit in the morning, it may take you forever to figure out what you value in a partner. It is important to note that Libra/7H energy is indeed a masculine energy. I’m sure most would assume it’s feminine because of the “sophisticated” and charismatically social nature usually associated with Libras, but when it comes to sexual relationships, Taurus/2H energy is the feminine side of Venus. Libra energy in this way is more detached than people would think. As stated earlier, because you enjoy dates, chatting, getting to know people, you may be a really good casual dater! This could send mixed messages to potential lovers because you may have never really had any intention of dating them long-term– or, you really just haven’t decided yet. Now are we starting to see how this Mars placement can attract certain conflict? You will desire and crave a partner that can make decisions for you. This may lead to some kinkiness in the bedroom because you’re open to compromise and you can be bossed around in this regard.

Overall your sexual language is complex because of the inherent contradiction of this natal placement. You can make this work in your favor as long as you keep open communication with your partner, even if it’s to tell them that you need some more time before you’re comfortable making any lasting decisions. When you date, you will have to allow your partners to understand your up & down nature. Most people will probably take your pragmatic nature personally, so if you can find a way to channel this into being sexually playful with your lovers, it can be a great way to keep romance fun and interesting. As stated in the beginning, you are most likely to end up in an on-again-off-again kind of relationship because you like for the scales to be tipped, so you can rebalance them. You are far more detached in commitments than most people would assume, so it is essential for you to date like-minded people who understand that your coldness is not a reflection on your feelings. You choose to remain objective in your judgements and seek fairness in your relationships—even if you are the one who was unfair to begin with! Kiss it kiss it better baby!!!!

Mars in Virgo or Mars in the 6th House

“I got commitment issues, but I’m tryna fix that for you…I don’t believe in love, but that doesn’t mean I don’t take you serious” Commitment Issues by Central Cee

With Mars in Virgo or the 6th House, you may be surprised to find how non-committal you are when it comes to relationships. Why? Because you find relationships to be impractical. So when it comes to your sexual language, you are quite all over the place. Lovers can find you hard to catch, almost like trying to keep a fairy in a jar. You prefer to flutter around and keep things light in the sexual department. To you, sex can scream responsibility. After all, sex can be a pretty risky and dirty affair. All the fluid exchange and, ultimately, the required vulnerability, can make you quite uneasy. With this Mars placement, you can go between the two extremes of putting too much emphasis on sex or not enough emphasis at all. This is due to the natural ruler of Virgo/6H being Mercury, which, I find to be, an asexual planet. You are more interested in the intellectual connection than the physical connection.

BUT PLEASE, don’t get me wrong! You know you’re way around the bedroom. Your sexual language is constantly evolving. You do well with long-term partners that you can trust, study and get to know. You prefer a lover that is loyal, so you don’t have to worry about where they’ve been, or better yet, who they’ve been with. You find joy in repetition with one partner. OR, you are really open to “protected” one-night stands. You are either all in or all out. You don’t like to waste time on sexual relationships that you don’t see a return for a long-term investment. That being said, if you are unable to invest in the long-term, you can find yourself in a position of sexual frustration. You may really desire a person, but because of your deep need for perfection first, you may stall connections & find a lot of pleasure in masturbation for the time being. You, like your opposite sign, Pisces, can really get into your fantasies. You may find that erotica and romance novels can be great resources to pass the time while you likely toil between celibacy and being a whore (this is particularly funny to me because Virgos are known for being the Virgins of the zodiac– hence the contradiction in Mars in Virgo. The planet of sex and desire ruled by a “Virgin” is, uh….a difficult juxtaposition to say the least.) – again, it’s all about mental stimulation with you.

When you do meet a partner that you can FINALLY settle down and feel comfortable with, you will be a very giving lover. Because Virgo energy is usually associated with servitude, you better believe that you will make it your duty to service the object of your affection. You care very deeply about the satisfaction of your partner— far more than you care about your own. As stated earlier, you don’t mind finishing up solo as long as your partner is satisfied. You will find every nook and cranny, every deep desire, every love spot that your partner has, because you will analyze their body with astute detail. You will break your partner’s sexual language down and adapt it to be your own, because after all, you are a mutable sign. As well as being an earth sign, you do have a very deep sensual nature to you. Although you can come across as quite guarded with new partners, once you blossom, you really enjoy heavy petting and physical touch. You can spend so much time in your head and alone with your thoughts in other aspects of your life, you may find it very powerful to have a partner that literally grounds you and brings you back to planet Earth by holding you in their arms. Again, after you’ve bent over backwards (pun intended) to please your partner, you, more than any other sign, except maybe Leo, really needs to be acknowledged and celebrated for your hard work. You don’t take kindly to being undervalued or under appreciated when it comes to your romantic relationships in this context.

Believe it or not, this placement can actually be quite kinky! Why? Because of the influence of Mercury again. As stated before, you want to learn your partner’s as well as you possibly can to make sure you are seen as perfect in their eyes– sooooo, that means you’ll have some exploring to do. Mercury is such a curious planet, that it may not be kinky for the sensual pleasures of it all, but it will be interested in testing out sex & kinks for “research purposes”. This can give you a sort of detached feeling when it comes to sex, which may or may not work in your favor– you’re able to disassociate in a way that makes sex almost an out of body experience…it may take you some time to actually feel pleasure from sex. You are so focused on the other and pleasing your partner, you can forget that sex is supposed to be a two way street! I just want to reiterate, that this placement is so mutable, that you may find yourself pretty ambivalent towards sex at different times in your life. You’re kind of like “eh”. But there is hope, when you find a partner that lights your fire– you will find yourself wanting sex like a child wants candy! There is plenty of potential here for a beautifully active and engaging sex life– it just may take more time to develop than others.

Learn your own kinks! Have fun! Explore the more sensual side of life for yourself!

Anyone who is able to win you over (which is NOT an easy feat by any means) will be able to revel in the fact that you are such a wonderful lover! But don’t forget, sex is not a test that you can get an A + in, it’s supposed to be the culmination and celebration of it all!

Mars in Leo or Mars in the 5th House

“She may be the queen of hearts, but I’m the queen of your body parts” - Cockiness, Rihanna

If you have Mars in Leo or Mars in the 5th House, you are Britney Spears, all eyes on me in the center of the ring just like a circus, bay-bee. You LOVE to put on a show. Your sexual language can make love-making a spectacle! You’re over the top, you’re loud, you roar. You LOVE LOVE LOVE the attention. So much so, you may not even need sex to fulfill that internal desire for you. Huh? What do I mean? I mean, you may be satisfied using your creative gifts for sexual gratification. Chances are with this placement, you are highly creative and charismatic. You find sensual pleasure in being able to share your creative gifts with other people. Haven’t you heard of entertainers saying they had so much fun on stage, it was orgasmic? That’s where you come in.

Ironically, I don’t naturally find this placement to be the most sexual. Don’t get me wrong, you are DOWN DIGGITY for a good time, but you really use sex as an ego booster. You may even be quite lazy in the bedroom. You could easily live by the code “my present is my presence” and be a dazzling pillow princess. This isn’t a bad thing, and it definitely doesn’t have to be the case all the time! When you’re turned on, you’re turned on, but when you’re just casually engaging in sex, or are in a long-term commitment, you may feel like sex is something that is owed to you. Not in a weird entitled way, but more like a Queen sitting on a chaise lounge being fed grapes– like, “duh, you should have sex with me, I’m beautiful”, type energy. This, if you haven’t been able to guess already, can lead to a selfish attitude in the love-making department. You must remember that sometimes, your partner wants to be catered to as well. That being said, you won’t shy away from Valentine’s Day. You are the type to go all out! You’ll put on the lingerie. You’ll lay out the rose petals on the bed. You’ll pay extra for that honeymoon suite. OR, you will expect your partner to do all of this without you asking. You treat holidays and sex as if it’s a royal affair.

Due to your standards being so high, I cannot express to you enough that you may really put all your sexual energy into your creative pursuits until you find a lover of high-value and high sex drive. You love and somewhat need to feel desired in order to break down your walls. You don’t play hard to get– you ARE hard to get, so this may leave you with extended periods of non-sexual activities. You are more than willing to give up sexual pleasure for your own personal pursuits– in fact, you are more likely to do that if you have specific career goals.

You may be a tad bit surprised at my interpretation of Mars in Leo, perhaps you were assuming it would be a bit spicier, but I challenge you to look at your ruler, the Sun (yes, the actual burning ball of fire in the sky) . Not literally…well, you can, but make sure you wear sun-glasses. But in all seriousness, the Sun shines alone. The Sun is too hot to let anything near it, and it carries such a gravitational pull, that things simply orbit around it, but can never get too close. With Mars in Leo/5th House, you may find yourself in this position when it comes to your sexual nature. You attract a lot of people towards you, but they are unable to get too close, for fear they will burn up in your presence. Or, you shine so bright, you are forced to do it alone. Being the Sun and the center of the Universe is a hard job, but ultimately an isolating job. Your being, your creative gifts, your star power and the way you shine can cast such a shadow on those who dare come near you. It really can be one of the most challenging placements because you probably won’t understand why people can’t/don’t come near you. Again, you’re just soooo great, people can have an overwhelming and unrealistic ideal of what it will take to make you happy. It’s a double-edged sword. On one hand, it’s flattering, but on the other hand, you can suffer from being put so high up on a pedal stool that you never asked for!

One tip for you, is to keep your hair beautiful and lushes! People will be attracted to your wild side and want to bring that out of you. You can either really love having your hair pulled or be turned off by it because you spend so much time making it look perfect. Either way, your hair may be an essential part of foreplay for you and something that suitors may find undeniably sexy.

As long as you are mindful to share the spotlight from time to time and not always prioritizing your needs & your desires, you can be a remarkably loyal partner. Fierce is the word that comes to mind and you can be very fierce in the bedroom. (When you want to be.) You can outshine any of the competition. Most people truly can’t hold a candle to you when it comes to how committed you are in an intimate relationship. You are proud and you protect those that are around you and that you deem worthy. You have a royal air that surrounds you and it loudly and proudly screams `bow down bitches' when it's time to get down and dirty!

Mars in Cancer or Mars in the 4th House

“Let me kiss you hard in the pouring rain, you like your girls insane” Born to Die- Lana Del Rey

If you have Mars in Cancer or Mars in the 4th house, ironically, your sex language involves a knack of overwhelming emotional destruction. Dramatic, yes, yes, I know, but very true. Mars is VERY uncomfortable in the deep waters of Cancer/4H. Mars in the 4th House, in particular, is a naturally difficult placement because it sits in the House of happiness, as well as aspects the 7th House of partnership and the 11th House of friendship– making that native, uh, a little difficult to deal with. Why? Because your emotions can be so erratic and illogical, it can be difficult for people to understand what you want. Heck, you probably don’t understand what you want most of the time. I promise I’ll get to the good stuff, but keep in mind that this Mars placement is in detriment! (It’s exalted in Capricorn, the opposite sign.) So when it comes to your sexual language, you value such a deeply emotional commitment from your partner, you could constantly try to test them by pushing their emotional boundaries.

There is a mixture of pleasure and pain. You love an emotional outburst– this can be good and sexy, or bad and scary. Emotionally bonding make-up sex, is your cup of tea…ESPECIALLY if you are the one who caused the “break-up” in the first place. You truly enjoy engaging with your partner in a loving way, when you can, but because Mars is so unstable here, it can be hard for you to maintain emotional consistency within long-term relationships. You can find that your passions wax and wane for your partner. Sometimes, you just want to run into their arms and kiss them in the pouring rain, other times, you want them to LEAVE YOU DAFUQ ALONE. This can be quite jarring to your intimate partners, but also to yourself. I recommend embracing this quality and being as honest as possible! Instead of literally creating a sh*t storm in order to be left alone, just communicate to your partner that you need a little space from time to time. But also be willing to give your partner that same courtesy and grace if they ask for the same.

You can feel a need to wrap yourself up in your partner's desires. It may come from a genuine place, but because Mars is an aggressive planet, you may be quite aggressive in how you demonstrate your love to your partner because your deepest desire is to be able to emotionally control them. This can manifest in an extremely emotionally manipulative way through passive aggressiveness and just causing overall uneasiness within your dynamics and partnerships. One of the lovely sides about this particular placement, is when you mature, you can have an extremely high emotional I.Q. Because you are naturally very sensitive to your surroundings, you can literally sense the emotional and physical needs of your partner without them having to say a word. You can be so emotionally intune with your lovers, it can feel like telepathy if they need anything from you. You just know, y’know?

In the bedroom, you can go from one extreme to another. Sometimes you want to be dominant, and sometimes you want to be dominated. It is important for your lovers to be able to ride your waves and learn what is needed from them at any given moment. Again, Mars is all about conquest. So when Mars is in the 4H in particular, you want to be able to be the leader in your home, but you also want someone who can take the reins when necessary. Again, this can be a difficult balance to strike within your sexual relationships because people may not understand the method behind the madness, typically because there really isn’t a method…it’s just kind of madness AND THAT’S OKAY!

Because Mars is so uncomfortable here, it is imperative for you to be able to channel your energy in creative ways or you can fall victim to your own emotional tirades. You want a clear line of communication with anyone you are interested with and they absolutely need to have some emotional intelligence or else they will drown in your water. You don’t want to suffocate your lovers with so much emotional intensity, that you both are unable to remain somewhat grounded in the chaos. You of all people understand just how powerful emotions and sex can be together, so be careful to use it wisely!!! When done right, you can have anyone wrapped around your finger.

Mars in Gemini or Mars in the 3rd House

“Talk is cheap my darling, when you’re feeling right at home. I wanna make you move with confidence. I want to be with you alone” Talk is Cheap by Chet Faker

If you have Mars in Gemini or Mars in the 3rd House, then you are all about an intellectual connection when it comes to your sexual language. You want to catch viiibbbeezzz. You want to be razzle-dazzled with the lingo. You want someone hip, cool, in the know…because, well, you’re hip, cool & in the know, y’know? It’s only fitting that your partner be the same. You, of all placements, may truly crave “your other half”. And I know, I know, we live in a world now, where people are saying “you are a whole person and you’re looking for another whole person yadayadayada…”, but you’re a TWIN. You want to be able to connect with someone as if you share the same brain, the same thoughts, the same…everything. This isn’t to say that you’re not sexual…you just enjoy mental jousting for foreplay. Think of how beautiful the dance between two evenly matched fencing partners is– the ebb and flow of tension – playing both parts of the aggressor and the defender– gliding almost effortlessly with a weapon in hand. It’s like the tango…but with swords. That’s how you envision your love. Beautiful art, yet dangerous. You may not be the most sensual lover at first, but in time you will certainly warm up. Why? Because at the very least, you are a curious partner! You. Want. To. Explore. You may be the type of lover to want to try almost anything once. You want to be surprised. You don’t want your bedroom to be boring. You resent repetitiveness and you welcome new experiences. You may even fall into the “switch my wig, make ‘em feel like he cheating” category. You like to switch up your look, your style…sexual positions (lol). This can even translate into role play! (Especially teacher/student).

I cannot express to you enough how much learning from your partner turns you on. You love asking questions & consider getting to know someone a conquest. The more difficult the puzzle, the more you yearn to solve it and this type of stimulation oozes over into your sexual pleasure. You’re curious to know what your lover’s love. You can have an objective perception of sex, because you aren’t the most naturally emotional person, so you can look at the love making process as getting to know every nook and cranny of a partner’s body– learning what makes them tick & “ick”. You become more emotionally open with a partner, the more confident that you are that you know them. You like learning, but you don’t like unpleasant surprises. This may be counter intuitive, but I find that after you go through your “lemme try any & everything era”, you will genuinely enjoy one partner. It will make you feel secure and like you have that missing piece in life. You don’t come across as the most committal type, but when you do commit, you commit fr fr, you just need a certain level of freedom in life to continue to expand your horizons far past the mundane in life.

Another element you may add to your sexual reservoir is……drugs. “DON’T DO DRUGS, KIDS & STAY IN SCHOOL”...alright, there is my disclaimer. Now back to what I was saying, you may be curious to try mind-expanding drugs & smex. Because you can be so cerebral, drugs like ecstacy can help you actually feel your body. The tingle will start from your subconscious mind, and venture into your conscious body, possibly making love-making a more pleasurable experience. If this doesn’t interest you, don’t worry, no pressure! Just making a note that this placement is more likely to think outside of the box when it comes to making their sex lives thrilling and exciting! Not saying that vanilla sex is boring…just saying in general. You do you!

Overall, this is a curious placement. It’s a fun placement, but it can be an extremely flighty placement in the beginning. Don’t let your fear of getting stuck, stop you from finding a true partner that you can really see the world with. You can find that “other half”, that “twin soul” that really knows how to light a fire in you and warm your cold cold cold gemini heart. In your moments of passion, you will prefer to keep things fun and light. Only when someone truly captures your mind, can they capture your body and soul! SEXYYYYYY!!!!

Mars in Taurus or Mars in the 2nd House

“People stop to ask me, how do you please your man? Take it from the black sheep baby, any way I can. Sometimes it’s with fire and sometimes, with ice…Just don’t get it twisted, his body’s gunna pay the price.”

- Rock My Boy’s Body by Joseph Stephens

If you have Mars in Taurus or Mars in the 2nd House your sexual language is about sensuality, sexuality, & seduction. You believe in making love an all encompassing experience and you will stop at nothing to make sure your partners have an all exclusive pass to your BO-DAY. IF it is earned. Because Taurus is naturally slow moving energy, you may be slow to open up. As I’ve studied astrology for years now…I’ve come to realize that Taurus energy is just as private and cautious and it’s opposite sign, Scorpio. If you have this placement, you feel the need to study your lovers and you wait and wait and wait and wait and wait before you make your move. But if you are able to wrap them in your warm embrace…you won’t want to let go and they won’t want you to either.

Like Leo, when it comes to your sexual language, you believe in putting on a show. But your show is subtle, quaint and slow burning. You will have the candles burning, the scented lotion and fresh out the shower smell, you will have the most luxurious sheets on the most comfortable mattress. You don’t believe in cutting corners when it comes to your comfort and whoever is lucky enough to wind up in your bed, simply gets to enjoy how you live your life. I could bet you have an impeccable taste in music and truly know how to set the tone when it comes to seduction. As stated before, you are able to create a world of pure pleasure for those you love and make them spell-bound to you, because chances are, they haven’t been able to match with a sexual partner who cares so much about the details of ALL 6 senses. (I’m including intuition because, y’know, I’m a tarot and an astrology girlie.) For example, I dated this guy with heavy taurus placements a few years ago. I very much remember and very much miss this awesome TV room that he made for himself. Instead of having a regular degular couch, he had a couch that was also a bed. It wasn’t a couch that converted into a bed….it was just a couch that had a bed in it…and massive 70 inch television mounted on the wall. When I TELL you, I wanted to marry that man because….UGH!!! I was so comfortable! I could melt into the floor when I was with him. And I have YET to be with anyone who has a room set up quite like that. The feeling has stayed with me long after we have been together. THAT is what I mean by the power of Mars in Taurus. It lingers when you’re done!

On the other side, you of all signs, can be extremely jealous and possessive over your sexual partners. You DO NOT LIKE TO SHARE. AT. ALL. The 2nd House is all about owning and possessions and you may take this mindset with you into your romantic relationships. To the right person and in a healthy way, this can be enduring and make your partner feel safe and secure in your presence. In turn, you also want to know that your partner is crazy about you and cares deeply about your well-being. Again, in a healthy dynamic, a little jealousy and possessivness isn’t bad. It can show that someone does have an interest in you and takes pride in the fact that they are able to claim you as their own. This is just something to be mindful of in this placement, because if underdeveloped, it can lead to issues of selfishness & strong resistance to allow your partner’s freedom. Of course this can bleed over into the bedroom as well. You don’t want to get so focused on your own comfort that you end up putting your partner into a routine that they no longer enjoy. Your favorite position may not be their favorite positive. It can feel like eating lobster every single day. Like, yeah, Lobster is great day 1, maybe even day 2, but by day 5….yuck. Depending on other placements in your chart, you may attract partners who are very much like you, in the sense they prefer routine, OR you may attract partners who are so wild and out of the box, it forces you out of your comfort zone. All I can do is say embrace whatever floats your boat.

There is no doubt that you are one of the most sexual, sensual and passionate lovers of the zodiac. Your innate knowledge of pleasure makes you an expert in the bedroom and you can be hard to beat. Although it may take you a while to warm up, either physically or emotionally, you eventually show your partners that it is absolutely worth the wait! Because you tend to be safe and secure in yourself (the 2nd house rules self esteem) you share that safety and extend your protection to those you love the most. Your sexual language is unforgettable. You know how to love someone head to toe! WOOOOO!!!

Mars in Aries or Mars in the 1st House

“Dollhouse, dressed up, perfect messed up, Torture me to sleep, paint the air I breathe. Fishbowl, chokehold, dirty water, I’m cold. Dirty as can be, have your way with me.” Dollhouse (with Lily Rose Depp) by The Weeknd

If you have Mars in Aries or Mars in the 1st House, your sexual language is intense & powerful. You have a way of pulling people into your orbit just by being your unapologetic self! The force is with you! Best believe! And people feel it. You get what you want and you want what you get and you have a way of luring in your prospective sexual partner by projecting your lust onto them– so much so they feel it when they walk by you. Much like your sister, the Mars ruled Scorpio, there is a carnal desire that surrounds you. It’s magnetic. It’s magnificent. And it’s very fleeting.

When it comes to your bedroom pleasures, you can be a pioneer of the “Wham! Bam! Thank you ma’am or…sir” (not as cute of a rhyme) mindset. You may have a habit of treating your lovers like conquest– wanting to overpower them and wrap them up in your passionate fantasies. You deeply enjoy power play in your sex life. Yes, you could easily be the dominant one in your relationships, BUT you could also seek refuge in being submissive to your partner. How? I know it seems contradictory. But chances are, with this placement (unless it’s in a water sign in your first house) you are more than likely the boss and the leader in your everyday life…so when it comes to sex, you may want to just “relax” and let your partner do all the hard work for once. If that’s the case, you may be a bit of a brat in the bedroom because you still like to challenge your partner for shizz & giggles, but you are certainly fun and definitely unforgettable.

Your sex language is raw and real. You don’t like to hold back your passion and you appreciate a partner who can match your enthusiasm in the bedroom. You love the runner chaser dynamic, and again, you can easily play both parts. You are strong and competitive and don’t like to lose the interest of your lovers, even though you can get bored pretty easily. You may prefer quickies over long drawn up love sessions, but that doesn’t mean you don’t like to indulge your sinuses from time to time– you’re just not one of the most lovey dovey of the zodiac and prefer loud, wild, hot, steamy sex opposed to soft caresses and whispers of sweet nothings. You may also be a person who uses sexy time to advance a certain agenda. You could use sex as a tool of manipulation to get what you want. That may seem extreme, but think about a stripper using her sensuality as a means to make money so she can pay her way through law school. THAT’S what I mean. Because you may not be so shy about your sex appeal, if used correctly, it can be your weapon of choice when it comes to getting what you want from someone.

Passion matters to you more than most. You would prefer a risky lover than a predictable one. You also may be a fan of the ole’ break up to make-up trope. Make-up sex is always better. And you don’t mind starting a fight in the streets, simply to uh…you know…end it….in the sheets…..if you catch my drift. You aren’t one for subtleties. You are probably one of the most straightforward and upfront people in the world and you may play shy, but once you allow a person to get to know you, you don’t hold anything back. Because you are a cardinal energy, you always have a childlike flair to you! You keep things interesting and youthful. You’re not afraid to cross boundaries and push the limits of yourself & your partner in the midst of a sexual act. You really may think that sex is something that can be “won”. You want to be the best. You want to be the one that lovers can’t get enough of. You don’t appreciate being compared to others and honestly hear partners talking about their past as if it was some sort of challenge. You definitely have a jealous and possessive streak, but like I always say, when this is a healed energy it can be enduring to the right partner. As long as it’s not obsessive and unhealthy, you can provide comfort to your lovers that you are there for them and only them. You expect loyalty in return, of course, but you don’t mind protecting and defending what you see as your own. Your love is real. Your love is honest. Your love is young and wild and free!

#astrology #astro notes #astrology observations #vedic astrology #astro community #sidereal astrology #jyotish

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yyokkki · 2 months

Text

Asking to Sketch Them

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*cough* I forgot this series was a thing I was doing uwu

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DIASOMNIA

Malleus Draconia

"Oh? How bold of you to think you could capture my visage in a mere canvas."

He says with the goofiest smile imaginable（⌒▽⌒）

He's already summoning a chair to sit on

Very experienced with posing so it's a breeze

You have a nice chat about philosophy, gargoyles and culture while you draw him

When you're done he's fangirling internally

Asks if he can commission you to draw a portrait of the both of you tgt

Hangs it up in his room <3

Becomes a regular commissioner

Mostly gargoyles

10/10 honestly nothing bad to say he's lovely

Lilia Vanrouge

"Fufufu, I've been in thousands of portraits over the years, you'll have to try your hardest to really impress me~ No pressure though!"

100% pressure once again

The old bat man will probably be hanging from the ceiling no negotiating

So it's either you draw him upside down or get upside down too

If you choose the second option you best hope no one walks in on you cuz damn wtf

How are you doing that you aren't even using magic???

When you're finished he jumps down and looks and goes

"How nice! Art has truly evolved so much since the last time I had one done~"

Starts showing you some of the portraits he had before like he's showing you baby pics

One of them has him looking like those medieval babies TT

4/10 I can't explain why I'm not giving him a lower score he's just funky

Silver

"No problem. If I fall asleep you can just wake me up, I won't mind."

He doesn't have much experience in posing but he's a natural

He's lookin like a disney princess fr, animals have started gathering

You're having a pleasant chat abou-

Oop he fell asleep

You think about waking him up but like

He looks so peaceful and like he's not even really moving so-

By the time you're done he's probably up and he starts apologizing

Tbh it's Silver so it would've been beautiful whether he was awake or asleep

Bonus points if you include the woodland critters snuggling into him

Human anatomy AND animal anatomy practice!!

9/10 he tried his best and it did turn out well

Sebek Zigvolt

"I DO NOT HAVE TIME FOR THIS HUMAN! MY VALUABLE TIME IS SPENT GUARDING AND PROTECTING THE HONOUR OF THE GLORIOUS YOUN-"

once again someone kiss him and shut him up omg

Or actually just show him the Malleus portrait he'll shut up

Yeah you have to do Malleus first if you wanna draw him

Stiff like a ramrod his face looks constipated

Ask him a question about his young master and he forgets he's being drawn in exactly 3 seconds

His face really lights up as he talks about him it's kinda cute

By the time you're done he's probably still talking so interrupt in a speech break

Thinks you did a good job and asks for some advice with art

Then starts trying to buy the malleus portrait off of you

I should've tried harder to not make 80% of his just him talking about the dragon boi but it's really hard cuz he's just him TT

7/10 he's not that bad but your ears are bleeding

-----

#twisted wonderland #twst #twisted wonderland x reader #twst headcanons #twst x reader #malleus draconia #twst malleus #twst silver #lilia vanrouge #twst lilia #twst sebek #sebek zigvolt #malleus draconia x reader #lilia vanrouge x reader #silver x reader #sebek zigvolt x reader #disney twisted wonderland #disney twst #twst diasomnia

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theminecraftbee · 14 days

Text

Doc's about four beers in by now. It's just enough to loosen his lips, especially with Etho eating most of the pretzels so Doc can't eat them. Compared to almost any other hermit under these circumstances, Doc seems barely tipsy at most, but, well, it's not like Beef needs him drunk to vent his latest frustrations at the world, he just needs him tipsy enough not to notice he's talking.

"--and I just don't understand why people are so surprised, man. You--you all have teased me too much to be surprised!" Doc is saying. "Ren laughed at me. Laughed!"

He also, for the record, seems to need to complain about... apparently his husband? Which is new. Beef had been surprised. He's not going to say so, yet, because this is Doc's very belated NHO bachelor party--can they call it that when it's more "sitting around a TV drinking, eating snacks, and not doing anything because they're all too old to be partying", and when Doc is very clearly not a bachelor?--and that would be rude.

"That dog," Bdubs says loyally. "I can kill him for you. I'm the judge so I wouldn't get arrested and I'd make sure you get all his money as a widow."

"No, you can't kill him, man, I still need him for tax benefits!"

"What taxes?" Etho asks, sounding vaguely panicked.

Everyone stops to consider this.

"Beneficial ones," Doc finally says.

"I don't think that's what--I think you're misunderstanding your English again," Beef says.

"No, I'm always right," Doc says.

They sit in companionable silence for a few moments. Someone shouts on TV. The show is in Swedish. Beef has no idea what's happening. He's honestly just kind of waiting for someone else to notice.

"It's just. I don't get it, man! Why are you all acting so surprised I called Ren my husband? You! You all know me!" Doc says, somewhere between accusing and despairing, and hm, maybe these beers were higher alcohol content than normal, if he's already on despairing? "Ren and I have been--after season eight, making it official, it is only a natural thing, yes? But we had--he's asked to have my puppies. You've heard him say our babies would be beautiful."

"That dog," Bdubs says loyally again, this time in a much more suggestive tone.

"More than once," mutters Etho.

"It's not--I mean, we all knew you and Ren were... how do I put this?" Beef says. "It's not surprising that you two are. Er. Help me out here."

"Boning," Etho says.

"EXCUSE YOU?" Bdubs says, scandalized.

"Yeah. Boning," Beef says. "Doing the horizontal tango. Probably some vertical ones too. I mean, you're definitely into some things--"

"Fighting dragons," Etho dryly adds.

"THAT WAS STILL GROUNDS FOR DIVORCE," Bdubs shouts, apparently over being scandalized and moving straight to offense.

"Two seasons later? Man, you just wanted to wring as much alimony out of me as possible," Doc says immediately.

"And? I'm a judge now, I know these things."

"My point," Beef says, before they can start arguing again, or before Etho can point out that they hadn't ever really been married to get divorced in the first place. "My point. We, uh, all knew you two had a thing. It's just, uh, marriage is... different! It's different, and--"

"You didn't INVITE ME TO THE WEDDING!" Etho says, finally unable to hold it in. "Whyyyyyyyyy? Doc, I thought we were friends! I thought we were friends, Doc! I wanted to go to the wedding!"

"It, it was a little thing," Doc says. "A common law marriage as much as--"

"Hey, wait, why didn't I officiate it, huh?" Bdubs says.

"That's not fair, you can't be mad at me for not inviting you to the wedding, the moon had just exploded!" Doc says.

"It had?" Etho says.

"Yeah, well, I exploded too and I still would have shown up," Bdubs says.

"I don't remember an explosion?" Beef says.

"Wait, the moon did something?" Etho says.

"Focus," Beef says. "Look. Doc. Also, love you man, but I always figured that if anyone was going to propose, it was going to be Ren."

Doc scoffs. "Clearly you don't know my husband, then."

Everyone waits for him to elaborate. Ren, after all, is the one known for dramatic emotional appeals. While Doc is equally dramatic--that's why Beef is throwing a bachelor party for the great fit as opposed to off showing him that Big Salmon can still show someone how to sleep with fishes--he's not exactly great at emotions. Surely, he will elaborate on why Ren would never be the one to propose between the two of them.

He doesn't.

"Anyway, I think it's been obvious for, for years, and you all are morons, and--why is the TV in Swedish?"

"THANK YOU!" Bdubs says. "I thought it would be rude to point out."

"Oh, I like it, though," Etho says as Doc changes the channel to a home improvement show. Yeah, sure. Fits the vibes of this bachelor party as much as anything else. Beef grabs another beer. He pauses.

"Wait, you said a common law marriage. That means you haven't actually had a wedding yet, right?"

"Not really," Doc says.

Beef considers being reasonable, and then he lets it go.

"Dibs on planning it," he says.

"WHAT?" Bdubs says, rounding on Beef.

"I--hey, I didn't agree to this!" Doc says, as Beef begins negotiations with Bdubs. Etho laughs, louder than he normally does, and throws an arm around Doc.

"Let it happen, man. Let it happen."

It's a good party, and a good night.

#hermitcraft #hermitshipping #suggestive #...i mean no more suggestive than ren himself but it needs the tag #docm77 #bdoubleo100 #vintagebeef #ethoslab #a bee fic #hermitfic #I HAVE BEEN INSPIRED.#god this is everything i could have hoped they've bneen like this for YEARS but to have it spelled out--

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that-nerd-who-writes-fanfiction · 1 month

Text

I wanna write a really mundane magic reveal.

This has definitely been done before (please send fic recs) but I’m procrastinating and really want to write it.

Literally nothing is happening, Arthur is having a bath, Merlin is tidying up in his chambers one night and everything is basically fine.

Arthur asks Merlin how he manages to always get the bath water perfect and Merlin jokingly says “must be magic” while he’s distracted, Arthur stops and starts thinking about all the fallen tree branches, how his armour is perfect and even if Merlin is late, his food is always hot.

So Arthur realises Merlin is a sorcerer, but not a very good one if all he can do is boring stuff with chores. And if he’s not using magic to defeat all the bandits, it must be because he can’t defeat all the bandits. Not that he’s trying not to die or anything. In fact, the thought of killing Merlin, or of Merlin being punished for his magic, never even crosses his mind.

Arthur shrugs, because Merlin made the joke before, it was just his fault for not noticing it, also his father is still king, so it’s probably for the best that Merlin never said anything, and he tells Merlin to be careful about his magic and to only use it if he’s locked the door.

Merlin’s too shocked by the easy acceptance to panic, so he’s just like: “you’re cool with it?”

And Arthur, oblivious but in love, is just like “well, at least you’re good at something.” Because, sure, Merlin isn’t powerful, but he’s not about to piss off the guy who gives him perfect baths. Then he’s like, “maybe figure out how to lie so my father doesn’t find out about you though. We can figure out the ban once I’m king”

I’m picturing this to be in early/mid season two. Morgana never turns evil, Merlin helps her with her magic because I said so.

So Merlin and Arthur have a while for Arthur getting used to Merlin magically lighting fires, sharpening his sword, adding protection charms to his armour, heating his baths, removing stains from his clothes and even putting them back to being like new if they lost buttons or anything.

Then they go to find the dragonlord, Balinor survives also because I said so.

Merlin tells Arthur Balinor is his father in the inn before they meet him. Arthur is a little worried for Merlin, but ultimately happy for his friend.

Then Merlin uses magic infront of Balinor and Arthur after Merlin told Balinor that he’s his son. Balinor shoves Merlin behind him protectively and Arthur is confused, “why would anyone assume he’d hurt Merlin? It’s Merlin. If anything, he’s more useful as a servant and more honest as a friend since he found out about the magic.”

Balinor is floored by it, and starts treating Arthur a lot better. Arthur gets to ask about pre purge stuff, Balinor tells him a bit about his mother from when her parents visited his when they were kids, then about Ygraine visiting the dragons and how she, Balinor and others in court at the time were friends.

They take him to Ealdor after the dragon is defeated/banished and Arthur looks over at Merlin and realises “oh my god, you summoned the wind.”

And Merlin is like, “yeah? No big deal.”

So Arthur is left wondering why Merlin is downplaying what he thinks is the strongest bit of magic he’s ever done. He comes to the conclusion that Merlin is embarrassed that it was a fluke, he tries to reassure Merlin that he can always practice and learn to do stronger magic like that. Merlin is confused because the wind wasn’t strong magic?

Balinor realises what’s happening and decides he wants nothing to do with it so he stays quiet. (He’s already sensed a lot of power from Merlin, so he knows he’s strong.)

Anyway, they keep going to Ealdor. Merlin still hasn’t caught onto the fact that Arthur thinks he’s a weak sorcerer, Arthur hasn’t caught on to Merlin being strong and just thinks he’s a little bit embarrassed about not being that strong of a sorcerer.

Then they get to Ealdor, everything is great for about two days until it starts down-pouring. Enough rain to flood the village and everyone is worried because Cenred or Lot(?)(I don’t remember when Cenred dies in canon) isn’t going to do anything because he just doesn’t care so their fields will flood and they’ll starve and not be able to afford taxes.

Arthur tries to reassure Merlin that it’s okay, but Merlin just hums. He asks Arthur if they can still lie and say they were on a hunting trip if he does something about the rain, Arthur tells him he shouldn’t push himself or anything, but Merlin says he won’t and Arthur trusts him so it’s fine. Merlin then goes outside and casually stops the rain, clearing the clouds and moving the rainwater into the river.

Arthur is shook.

Then he’s got to realise that Merlin is powerful, but again he never lied about it so he can’t really get mad, so he decides it’s better to just be shocked and carry on as usual until he gets used to the idea that Merlin is stronger than he looks.

There’s also a little bit of a bi panic in there somewhere because Arthur definitely has a thing for competency. We all saw his crushes on Gwen, Merlin, Lancelot, Mithian if she wasn’t just the wrong person for him, I’m pretty sure Percival too. There’s definitely others I haven’t noticed or forgot about. You get the idea though.

He sees Merlin being good at Magic and is suddenly very confused by the feelings he’s too emotionally stunted to recognise. Even if it’s just small things, Merlin is good at something and ‘what the hell happened to the bumbling idiot who forgot to hand him his sword the first day? What? Huh?’

Then after he accepts Merlin is really good at magic, he decides: “great! He can train with me now! :D” and he drags Merlin out of Camelot to spar which is basically just Merlin teaching Arthur how to defend himself against magical attacks. Arthur thinks he’s helping Merlin to protect himself because ‘if all he can do is wind that’s hardly an offensive attack so he needs more help mastering that. And considering no one else knows, it’s my responsibility to make sure he’s safe if he ever needs it.’

Merlin is just glad to be accepted and that Arthur is willing to learn how to protect himself against the numerous magical attacks every week so he lets Arthur think whatever he wants about why they’re sparring.

But yeah, there’s minimal trauma, it’s not a big deal and they get the happily ever after they deserved.

#bbc merlin #merlin #merlin emrys #arthur pendragon #merthur #merlin bbc #fic writer #fic ideas #headcanon #merlin’s magic revealed #merlin x arthur #i’m bad at tagging #Arthur’s bi panic

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fatesundress · 1 year

Text

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.��

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

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