#it only took me like a day all together

[gegnabean]

Always Just Number Two

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[seagull-energy]

Setting out on a very long walk...

Happy (slightly late) fellowship leaving Rivendell day!

[yuwuta]

twin aus are fun bc sukuna is sooooo ugly and yuuji is soooooooo pretty and beautiful and lovely <3 completely understand why sukuna ends up the deliquent loser twin bc why would anybody choose him when <3yuuji<3 is right there

[froginninjago]

Day 192: His First Soulmark

@ninja-knox-ur-sox-off

So, I won't be formatting every comic like this. Every one afterwards will just have important sentences over the drawn scenes.

[angelnumber27]

It’s so embarrassing and heartbreaking being in so much pain over losing someone while knowing they don’t give a fuck if you live or die. Your favorite person becoming a stranger is a special kind of hell.

[justplaggin]

being a bsd anime-only is INSANE

[arklay]

a lesson in temperance.

pairing: diana afanasyeva x alex wesker words: 6.5k warnings: nsfw, mild degradation [read on ao3]

Vanilla and orange blossom. So heady, so sweet, as it swam out of the bathroom and filled the air surrounding Alex. She couldn’t help but breathe it in, wishing to be closer to the cause, to really smell all that lived on her partner’s skin; where jasmine thrived on her neck, down her chest and to her wrists, laced with gardenia and sandalwood.

Alex hummed to herself, directing her mind back on task when the loud whir of the hairdryer ripped her from her thoughts. She leaned down and plucked a small box from the back of her bedside drawer.

Wrapped in a pale blue silk ribbon, the little black box contained a surprise for only one other set of eyes to see, and that made her shiver in anticipation. She could already imagine the look she would receive. An amused laugh, or a pointed glare. Perhaps both. And that only served to encourage her plan for the day.

In only a few strides she stood before the bathroom, eyes landing on Diana clad only in a towel with the cause of that incessant noise in one hand and a comically large round brush in the other. So focused she was in tackling the thick, dark strands, it was as if Alex didn’t exist. Only when the blonde chuckled, low and velvety, did her eyes dart over to the doorway, and not a second later, the press of a button granted them silence.

Diana lowered the hairdryer and brush, discarding them on the counter as her eyes roamed over Alex. From the smug smirk painted on red lips, to the small box cradled in adorned fingers, she could only wonder what her partner was up to this time.

“Do I want to know what that is?” she asked, the jest hardly hiding the curiosity that clung to it.

Alex let out another rich, breathy sound, rounding the apples of her cheeks. The raised brow and inquisitive stare was already a reward in and of itself for her. But not enough.

She walked into the stifling room – no matter how many times she told Diana to turn on the fan, she never would – and closed the distance between them. Then, her forefinger began a slow, methodical trace of the top edge of the box, drawing Diana’s gaze for but a moment.

“You didn’t really think I would forget about last night, did you?” That earned a dramatic roll of blue eyes, followed by an amused grin. One that deepened the indents on her cheeks so deliciously. But she didn’t speak, only locking her eyes onto Alex’s and letting her continue. “Punishment is in order.”

“Can’t win your forgiveness through your stomach anymore, can I?”

Alex pursed her lips, drawing her brows inward in a look of mock sympathy. Then she lazily shook her head. “No.”

The breakfast she had made her was quite sweet, but it didn’t make up for the fact that Diana had come last night before Alex had given her permission to. She had been far too lenient in the past it seemed, because this behaviour only appeared to continue. Although, it did bring about a warm glow beneath Alex’s breast at how much Diana got off on pleasing her.

With her partner’s attention drawn so close, hanging on in anticipation, Alex closed two fingers around the ribbon to direct her gaze. A gentle pull and it came free. Yet she lingered, grasping the lid and doing no more, and Diana’s eyes raised to meet hers. It was almost desperate, the look in them. How much she wished to know exactly what was in store for her.

She finally opened the box. Letting the lid sit back on her palm, she plucked a bullet-shaped toy from pale blue satin. Diana wet her lips as she stared at the silver between her pinched fingers, and Alex turned it slightly. As if to show her more. As if Diana wasn’t already well aware of what it was.

“You, my sweet,” Alex drawled in velvet, smooth enough to make Diana almost drop to her knees right then and there, “are going to wear this all day for me.” At the flutter of dark lashes over half-lidded eyes, she leaned in closer and lowered her voice even more. “And… you are not allowed to come.”

The sharp inhale told Alex all she needed to know.

When Diana leaned back on one hip and crossed her arms, it did little to hide the effect she had on her. Even with the teasing smile pulling at her lips, the promise of challenge, arousal warmed porcelain cheeks and reduced blue to barely a thin line around blown pupils.

And yet Diana still raised a brow in defiance. “And if I do?”

Alex let out a heavy sigh. “I asked myself that many times. What should I do if you were to once again disobey me?” She tilted her head slightly to the side, clicking her tongue. “Would I procure a chastity belt, of all things? Would I confiscate all of your toys until further notice?” Diana shifted, opening her mouth as if to protest, but Alex only went on. “Would I have you scrub the place top to bottom? But no. None of that would suffice.” She closed her eyes and took a deep inhale, before releasing. “For a whole month, you will not be permitted to touch me. In any form.”

A loud laugh of disbelief left Diana as she threw her head back. Thinking it a joke was her first mistake; Alex’s eyes narrowed and her jaw set, emphasising the sincerity in her claim. That seemed to do it.

Diana lifted one of her crossed arms and scratched above her lip, looking down her nose as she seemed to be processing the severity of such a punishment. Then, she abruptly extended said arm and held out her hand in acceptance, meeting Alex’s gaze once more. “A month is absurd.”

Never one to back down, her Diana.

Alex let a soft smile pull on her lips, not quite an apology for the past harshness of her tone, and she placed the bullet in her partner’s palm. Her lashes fluttered again at the brush of Alex’s fingertips against her soft skin, but she regained herself just as quickly.

“Well then, you should start being more grateful and less greedy.”

“Yeah, yeah,” Diana replied while rolling the bullet up to the tips of her fingers.

One hand brought the silver to her lips, while the other parted her towel, and Alex found herself rather conflicted in where to direct her attention. Ultimately, her gaze settled on Diana’s face when the hand at her hip did no more than rest at the opening she created. Wet, rosy lips parted then ever so slowly closed around the toy. She still held onto the end with her fingertips. Alex watched as her cheeks hollowed while her tongue swirled, and she couldn’t prevent the warmth blooming at her hips even if she tried.

Her gaze wandered from her lips to her jaw, then down the elegant column of her throat. A droplet sat in the dip between her collarbones. Countless others littered her chest, but one took Alex’s attention more than the rest. It rolled down damp skin at a tantalisingly slow pace, until its journey was interrupted by the towel at her breast.

The movement of Diana’s arm brought her back to her senses, though she did find herself wishing to lean in and kiss over the peak that bobbed as Diana swallowed. Or lick the droplets from her skin. But all that followed was her lover’s hand lowering to the part in her towel before she slipped the toy easily inside herself.

Their eyes met again, and Alex offered a pleased smile her way. She all but purred, “Good girl.”

Her own hand disappeared into her pocket, and she pulled out a device not too dissimilar to her phone. One of Diana’s brows quirked at that. It wasn’t the typical remote control she was used to seeing in her past, and little did she know Alex had far more freedom with one such as this.

“I’ll be able to monitor your pleasure at all times with this,” she said, barely flashing the screen her way so Diana could take a look while she ensured the toy was connected. Satisfied, a rather wicked curl pulled at the corner of crimson lips. “Do remember, I will know if you’ve taken it out. And that will warrant further consequences.”

Diana gave her a slow nod, long past accepting what was to come, and opened her mouth to speak, but Alex had already turned on her heel, pocketed the device and left the bathroom. She could only laugh to herself at that, the notion that anything she had to say, or do, was all but irrelevant.

Not even a kiss this morning.

It was already past lunch and Diana had been at the edge of her seat all morning, wondering – waiting for – when Alex would turn the vibrator on. The possibility that she had forgotten about it altogether, swept up in her work, or by some new problem one of the researchers had brought to her attention, was entirely out of the question.

Diana knew the only explanation was that Alex wanted this.

She wanted her to sweat a little. To grow restless. To wait for the other shoe to drop and wish to be free of such suspense. That, in itself, was as much a punishment as what was truly in store for her.

And it worked.

For the third time in this report alone, Diana crossed out what she was in the middle of writing. More like violently scribbled over, in this instance; her pent-up frustration pressed the pen harder and carried the strike over innocent sentences, free of mistakes. Whether it was her cadence, a misspelt word, or merely a letter looking wrong, Diana was finding it increasingly difficult to keep her head.

With a heavy sigh, she freed the paper from her clipboard and crumbled it up into a ball, merely discarding it beside herself. It was ridiculous she was letting this get under her skin so much. Maybe she had been too eager for the challenge, holding herself to such high standards in wanting to prove Alex wrong – that she wouldn’t break from a little toy. But she had not accounted for this.

Diana brought a new sheet before her and slotted it into position. All of a sudden, the toy came to life. Her fingers fell free of the clip, letting it snap, and her mouth hung open of its own accord. The slow, rhythmic pulse was actually relieving.

Her eyes fluttered shut as she sank into her chair, pressing her thighs together on instinct. She would get back to their little game in a moment, but for now… For now, she needed to feel it.

It wasn’t one of her wisest decisions. Her mind wandered back to that morning, to the feeling of Alex’s hot breath on her skin when she whispered in her ear; the way she had purred praise sent a shiver down Diana’s spine, tingling across every nerve and stoking the warmth at its base. A hand lifted, found its way to her chest and simply lay there, fingertips either side of her neck, ghosting over the spot her lover had teased.

The pulse between her legs switched to a soft continuous vibration, pulling her back to the present. A slow exhale escaped parted lips.

If she truly wanted to get through this, she had to find some semblance of focus. There were actual stakes this time around. If that lack of a kiss before work was a taste of what she was in for, for an entire month, she might just lose her mind.

They may have spent long stretches of time away from one another in the past, on opposite ends of the globe, but that would be nothing compared to this. To live with Alex, to see her, and smell her, day in, day out, and not be able to do so much as press against her… To have to sleep beside her and stop their legs from brushing, pass her in the bathroom or the kitchen and not catch her hand or lean in for a kiss. That was torture.

She could get through this stupid little test. Or else a pillow wall may have to be built. Even worse, she would sleep on the couch and avoid her partner until one of them cracked.

Deep breaths, Diana. Slow, deep breaths.

It was much easier to try and ignore the toy nestled inside her with this setting. Diana was determined to show Alex that not only could she control herself, but she would excel in her work while at it. The discarded report was rewritten and completed, with not a flaw in sight. Not even the couple of times Alex had switched back to the gentle pulsing could put an end to that. She proofread it, not once, but twice, and analysed her next set of data from another experiment. It was, in all honesty, a rather remarkable motivator. Maybe it wouldn’t be so hard to keep her composure.

Or so she thought.

Diana swivelled around in her chair to reach for the stack of papers on the bench behind her when the toy doubled in speed, causing her to jolt in her seat. A breathy little chuckle escaped her, a result of such surprise. Then she blew out a long exhale, longing for composure. Warmth bloomed deep within her core, and she had to fight the urge to let her eyes fall shut. Doing so would only sabotage herself, and amuse Alex in the process.

And she really wasn’t about to let that happen. Diana glanced up at the camera in the corner of the room, knowing full well that Alex was watching her every move. She picked up the stack of papers, turned right around, and dumped them on her desk rather unceremoniously.

In direct response, the toy picked up speed again. Her thighs clenched together as she shifted in her seat, and that only made it worse; the bullet pressed right up against that sweet spot within her. No longer a benign teasing, the buzzing was insistent. Relentless. Diana meant to reach for the edge of her desk to steady herself, but shaky hands fumbled and found knees instead. It felt as if someone had lit a fire under her skin, making her flush head to toe. Somehow, she forgot how easily these things could send her into such a state.

She needed to do something, anything, to distract herself from the feeling. Focusing her leaden gaze on her hands, she shifted them slightly higher, settling firmly on her thighs for better leverage. Then she sunk her nails into nylon-clad flesh.

Mistake. That was a mistake.

Sparks shot up her thighs and to her hips, joining the vibrations, and she almost doubled over. What in the world possessed her to do such an idiotic thing? Of course the sting of her nails would only fuel her pleasure, not offer the distracting sensation she’d intended; she was better off stubbing a toe.

Her heart had only quickened, pounding at its cage as if begging her to let the pleasure wash over her. But she wasn’t going to give in. To do so would grant Alex the satisfaction she was looking for. In Diana’s mind, the consequence of her succumbing to her desires wouldn’t benefit Alex in any way either. A whole month without being loved on? What a miserable rule to set for oneself. But Diana knew it was merely a slight against her; she was tactile with lovers, it wasn’t her fault. A hand on a hip when she passed by, on an arm when she spoke. It was the little things Alex knew she could catch her on.

Diana dropped her hands to her sides and let her head fall back against the headrest of her chair. It was time for a different approach. She stared up at the ceiling and tried to focus on counting the number of metal bars making up the ventilation panels. It shouldn’t have been difficult, it was a simple task, yet she lost count and had to start over multiple times; the buzz of the fluorescent lights behind her kept stealing her attention, telling her to pay mind to the one between her legs.

She may have underestimated her capacity for restraint.

As though taking pity on her plight, the toy changed patterns once more. Back to that soft, sweet pulsing. It was so jarring compared to the torment she just endured, Diana couldn’t help the grin that stretched across her face as she buried her head in her hands.

Then the phone started to ring.

Could she not catch even one moment of peace today? Diana raised her head enough to catch sight of the phone on her desk, simply staring at the offending device and watching the light blink as someone tried to reach her. She let it ring.

The pulse between her legs sped up, informing her who was on the line, and she rolled her eyes much too dramatically. Reaching forward at the last possible moment, she lifted the receiver off the hook and brought it to her ear. “This is Diana speaking.”

A low chuckle sounded on the other end, stoking embers. “What’s the matter, darling? You sound quite frustrated.”

“Oh, shut up,” Diana replied indignantly. She secured the handset on her shoulder, holding it with her cheek, and gathered the papers still sitting on her desk. Needing to keep her hands occupied, lest they wander elsewhere with that voice in her ear. “I’m busy. Is there something you wanted?”

Alex sighed, and Diana heard a loud bang from somewhere behind her, followed by an unsteady rattle, like metal-on-metal. A trolley being wheeled off, most likely. Alex cleared her throat once it was almost out of earshot. “You’re needed in the Upper Spire.”

For what possible reason? The highest point of the Monument was still under construction; there was nothing of value up there that would require her assistance. Unless Alex was going to turn around and demand she pick up a toolbox and get to work. They both knew that was never going to happen.

Diana took hold of the phone again, then switched it over to the other ear. “Did I not just tell you that I am in the middle of something?”

“It wasn’t a request,” Alex bit back. Her voice slipped into one that radiated sheer power; it could so easily bring someone to their knees. It had, many times for Diana, as well-acquainted as she was with such a tone in their bedroom. The hairs on her arms and the back of her neck bristled with the shiver that coursed through her, all while the toy still pulsed within. “Now, hurry along. You can finish sorting your paperwork later.”

The little mocking remark she threw in there managed to break Diana free of her spell. She thought it only fair to respond in kind. “Yes, ma’am.”

Without waiting for any further comment, she lowered the phone from her ear and moved to hang up. But again, she was stopped in her tracks.

“Diana,” Alex called, beckoning her to crawl right back to her. And she did, bringing the handset up to its former position in a rather lazy fashion. “Watch your tone.”

With not even a second to possibly respond, Diana was met with a click then nothing more. Dead air. It was at times like this she was convinced she had fallen madly in love with the Devil herself. Though she was not without mercy it would seem; the vibrator lowered back down to that soft, persistent hum and brought with it relief.

The journey to the Upper Spire wasn’t necessarily a long one from where she worked – if she discounted the elevator ride, that is. But Diana would still need to brave a rather lengthy flight of stairs. In frustration, she threw her head back against her headrest a couple of times, then abruptly stood. The papers remained on her desk, a filing cabinet drawer was left ajar, only her handbag was forcibly removed and the door locked behind her.

Once she was but a few steps down the hall, the toy sped up again. It wasn’t unbearable, no, but it did challenge her to keep her balance as she walked. One wrong shift of her hips and she might just send the bullet pressing against a spot that would not hold back from making her legs tremble. That didn’t change the fact that she could already feel a bead of sweat threatening to roll down her back. 

Diana let her feet carry her towards her destination, the world around her fading away in a blur of bright lights and dull greys as she passed through winding walkways and platforms, not even registering how many turns she’d made. All her focus was on putting one foot in front of the other and hoping she’d end up where she needed to be. And trying desperately to ignore the constant vibration in her hips.

It felt so much louder now and she wasn’t sure that was possible. The hissing of doors sliding open for her, the humming and beeping of machinery, the clicking of her heels with each stride was all but amplified by the pounding in her ears, resounding from the toy in her core. Was it always this noisy? Every time there was a new sound thrown into the mix, it sent her heart racing, so fast she could feel it in her fingertips. She truly thought walking was going to be much easier to deal with than sitting in her lab, but this was a new type of hell.

Then there was the case of the stairs.

Deep breaths, Diana reminded herself from where she stood on the landing. She could do this. The effort of her journey left her flushed and weary, but not any less determined to reach her goal. The elevator was so close she could see it, sitting in the centre of the open room; her only obstacle was but a flight of stairs.

She reached out and laid a hand on the railing, fumbling as the cool metal sent another shock through her system. Diana clenched her teeth and held it firmer, steadying herself before she could topple over. Then she began her descent.

One step at a time. That’s all there was to it, no different than any other day. She just had to get out of her head, focus on where her feet landed, and not on that dogged assault on her nerves. With another shaky breath, Diana lowered her eyes to make sure she didn’t miss a step with how unsteady she was, how heavy her legs felt with each footfall. The last thing she needed was to slip and make a fool of herself.

If she did fall, she hoped it would bring about a swift end and let her escape this torment.

Halfway down the stairs, a flicker of movement danced at the corner of Diana’s eye. Her gaze darted over to follow the blur over the railing only to see Stuart, Alex’s loyal little servant, rounding the side of the staircase.

Don’t come this way, she pleaded, voiceless, hoping he wouldn’t notice her and simply carry on with his day. The last thing she needed was to speak to anyone in this state.

But Stuart, the ever so irritating Stuart, sporting his finely-tailored suit and rectangular rimless glasses, seemed to be heading right where she had come from. Luckily, he seemed to be in a hurry, taking two steps at a time, so he shouldn’t bother her for long. But she knew him well enough. The man could talk up a storm if you let him. Just keep going.

“Oh! I didn’t see you there,” he exclaimed, followed by a slight bow of his head. The toy ramped up in intensity and stole the breath from Diana’s lungs. To try and stifle a whimper, she bit down on her lip hard enough she thought she might draw blood, and Stuart paused. He let his eyes scan over her, from her face down to her white-knuckled grip on the railing. “Are you alright, Dr. Afa—”

“Fine,” Diana snapped. She wasn’t even able to take a full breath, her words coming out rushed. “I’m fine. Thank you, Stewart.”

She left him standing there, bewildered, as her need to get as far away from him as possible carried her down the rest of the dreadful staircase unharmed. She didn’t know if he’d heard the buzzing of the toy, she hadn’t bothered to take in his expression at all, really. Maybe she was just imagining the vibrator louder than it actually was, or maybe the thrumming of machinery echoing off the endlessly tall walls of the tower saved her an awkward conversation.

The walk to the elevator wasn’t far once she hopped off that final step. The doors opened automatically for her upon her approach and she practically fell into the safe haven of steel.

With a slam of a fist against a button, she was off. Diana let herself sink against the wall, dropping her bag from her shoulder and resting trembling hands on her knees. She couldn’t even get a moment of reprieve; the insistent teasing between her legs wouldn’t subside any time soon.

The way warmth built in her core, radiating across her hips and threatening to rush down her legs to curl her toes, had her biting back a moan. She took slow, deep breaths, trying to focus on calming her heart as opposed to how blissful the waves of pleasure felt. She couldn’t let herself unravel. Not here, not now.

Diana gripped the handrail beside her and turned, resting the side of her head against the wall. The coil in her belly only wound tighter, and she cursed Alex. Cursed her for playing with her like this, for watching her struggle on every camera she passed, for pressing all those stupid little buttons that left her shaking and longing for air. But truly, she cursed herself; she was the only one to blame. Why did she ever agree to this?

She needed to breathe.

With each slow inhale, and exhale, the twist in her belly began to recede, pulling her from the haze. It did nothing, however, for the shake of her hands, the heavy feeling in her limbs, or how aware she was of her blouse brushing against her chest with each rise and fall.

It was the elevator’s turn to catch her cursing. Just as she was about to question how long it was taking to reach the Upper Spire, the lift jerked and shuddered, before coming to a halt.

“Oh, fuck,” Diana whispered under her breath. The rumble that sent through her did nothing to help the state she was in.

She aimlessly reached around for her bag, not wanting to look down in fear she might lose her balance. Finding leather under her palm, she hoisted it up and onto her shoulder. She would be fine. Her hips ached as she lifted herself to stand up straight, using the handrail as leverage. One last rest against the wall, one last moment, then she would be on her way. Then she would face Alex and try not to fall apart at her feet.

Just beyond another walkway, then she could hopefully sit again. Somehow that was much easier to handle.

The clicking of her heels was a welcome sound, distracting her from the heat simmering in her belly. She didn’t dare look over the edge of the railing along the walkway either – another thing she wished to push to the back of her mind; she was so high up, one wrong step and that was the end of her.

A foolish thing to think about given what she was dealing with right now.

After a short walk, the hiss of a door granted her access to the area Alex had been fussing over for months. Wanting to get it perfect, she said.

Odd, considering the large room Diana entered was completely bare. And dark. The only thing she could make out was maybe some type of stand near the far end of the room. Alex hadn’t exactly divulged what she was planning to do up here, other than having her own personal laboratory.

Off to the side, cool white light emanated from an open door. The only clue she had to go on as to Alex’s whereabouts. She ventured forth, then, as another set of stairs came into view, audibly groaned.

After today she might just develop a personal vendetta against staircases.

The stairwell was interesting, to say the least. The overhead light did not offer much in way of brightening the room, but rather, it was the individual strips set into each step, along with the columns in the corners of the room. Not four, as expected, but rather six. What really caught her attention though was the latticework in the centre of the stairs, much like that of the supports surrounding the elevator.

Diana steeled herself and, once again, focused on putting one foot in front of the other, watching her feet the entire way up the two flights of stairs. It wasn’t any easier than her trip to the lift, but she couldn’t allow herself a moment to falter. Even as the toy shifted with each step, the railing remained her lifeline.

Once she reached the landing, the door slid open for her before she even had a chance to catch her breath. This time, revealing a sparsely furnished bedroom. But Diana did not care much to look around; her eyes settled on the source of her anguish. Sitting on a black leather couch was Alex, dressed in white and gold, with wine red at her feet. Her attention was on the wall opposite her, and Diana glanced over to see a large screen, filled with camera feeds. That didn’t surprise her in the slightest.

Alex looked toward the door, and a smirk threatened to pull at the corner of her lips. She stood, turning the monitor off with a remote in the process, before tossing it aside. “Ah, there you are.”

As if a puppet on a string, not quite in control of her own limbs, Diana made her way over to Alex. Whenever she was near, there was a certain pull to her, always drawing Diana in. The need to hold her, to touch her in some way and breathe her in, was a constant. That is why she couldn’t afford to misbehave this time around; the stakes were too high. Or else, she would’ve chased her release just to spite her lover and get a rise.

Her handbag was taken from her by cold, gentle hands, discarded on the coffee table at her side, while Alex’s eyes were busy slowly scanning over her form. She hummed. “Stuart just called. He was quite concerned, honestly. Said you looked rather unwell.”

Diana glared up at her. She wasn’t that much taller than her, and yet she felt larger than life itself. The way she spoke only added to that; there was no denying the smug air that clung to each of her words. She was so proud of herself for humiliating Diana in such a way, making her look a fool in front of her staff when she was only ever composed.

“Yes, well, I wonder why,” she said through clenched teeth.

A melodic little laugh spilled from her partner’s lips and tugged at her heart. “Look at you… So cute when you’re all riled up.”

Diana held her gaze, wanting so desperately to remain annoyed with her. To show her she wasn’t amused with her antics. But her body betrayed her, unable to focus on such trivial things with a more pressing matter between her legs. Lips pulled in a warm smile, one she tried and failed to hide, and the heat in her hips rushed up to her chest.

Alex never took her eyes off of hers, not helping in the slightest. There was so much warmth in those icy blues of hers it almost made Diana dizzy. She had to be the first to look away.

Letting her gaze wander around the clearly unfinished room, she cleared her throat. Well aware of the fact that Alex was still staring at her. “What was it you needed me for?”

“Oh, it’s not ready yet,” she said, sounding almost disinterested, and Diana’s head snapped to look back at her. Alex gestured vaguely at her side with a sigh. “It won’t be for many months yet. I still need all of my equipment brought up here, and well… It is looking rather drab, as you can see.”

“You’re telling me I walked all of those stairs, and took the longest elevator ride of my life, for nothing?!”

“Nothing?” Alex brought a hand to her chest in mock outrage, drawing her brows in a frown. “Did you not wish to see me?”

Of course she wished to see her. She always wished to see her. One of the many side effects of having found your match. But in Diana’s current state, that had been the least of her concerns. It was near impossible to stave off the longing in her core with her so near.

Pent-up frustration trickled over and dripped from every word. “I cannot believe you.”

Diana brought her hands up to cover her face, the tips of her fingers carving along the curve of her brow bone. Her skin was so hot, she wouldn’t be surprised if she was flushed pink up to her ears. The toy sitting pretty inside her hummed away, more of an annoyance than anything at this point. Or maybe she was just annoyed, full stop. But she was so high-strung, she couldn’t deal with these little games anymore.

A shaky breath left parted lips, then a soft tsk reached her ears.

The intoxicating smell of Alex’s perfume swept over her senses before touch even registered. Woody, spiced, rich with amber and musk – a hint of plum lingering. Diana couldn’t help herself but lean into her lover’s touch, to drink in all that flowed from her wrist. Fingertips danced across her temple, causing her hands to fall from her face as she looked up at Alex again. Her head was tilted ever so slightly as her eyes followed the path she traced along Diana’s hairline.

“I’m impressed,” Alex admitted, then tucked a strand behind Diana’s ear. “I thought for certain, in the lift, away from all but my eyes to see, you would”—her fingers trailed down the side of her neck—“take care of yourself.”

Her touch was exhilarating, addicting even, sending a pleasant shiver down Diana’s spine to reignite the pleasure. When her fingers reversed the motion, letting nails scrape along her skin, her legs almost buckled beneath her.

Then Alex cupped her cheek. She leaned in and whispered against Diana’s lips, “You’ve done so well. But can you keep it up?”

Too entranced, Diana had missed when Alex pulled the remote from her pocket with her other hand. A quick tap and the toy sped up even more, knocking the air from her lungs. This had to be the highest setting; there was no way it could get any worse than this. Warmth rushed from deep within her core, over her hips and up into her chest. It was stifling.

There was nowhere she could grasp onto for support now, save for the woman before her. Her hands found Alex’s sides, gripping her blazer before she could even think about what she’d done. But Alex didn’t seem to mind. It was when she hung her head that Alex suddenly gripped her chin, tilting it back with force to look into her eyes.

“Do you think you can last?” She all but purred, her breath hot on parted lips. Diana was well and truly at her mercy now; waves of pleasure rolled over her, pulling her from her surroundings in a lust-addled haze. Yet she still managed to lazily nod in her grip.

Alex hummed then slotted a thigh between trembling legs, causing a soft whimper to spill from Diana’s lips. Though it offered support, it pressed too sweet, too deliciously. She didn’t know how long she could fight off her oncoming climax at this rate.

“Really? The greedy little slut you are…” She applied more pressure with her thigh, drawing a choked sob. “You’re not going to come?”

“No,” Diana said with firmness she didn’t even know she could muster, even if it wavered in the end.

The chuckle that followed barely registered. Her heart was beating so loud she could hear it in her ears, feel it throughout her entire body. It drowned out every other noise. The grin that pulled on crimson lips as Alex gripped her chin even harder sent molten sparks across her skin. The coil in her belly wound impossibly tight, begging for release, and it hurt. Oh, it hurt.

Diana shuddered in her lover’s arms, eyes fluttering shut. The toy continued its relentless pace against that sweet spot within her, a low whine built in her throat. She didn’t know how much longer she could handle of this. She blew out a long exhale, trying to halt her panting, but her breaths only came faster.

Stars began to form behind her eyes, signalling her impending release, and she couldn’t even fight it anymore.

Then it stopped. The buzzing stopped altogether. So abrupt, it drew a loud gasp and she fell against Alex. Tears pricked at the corners of her eyes, clouding her vision even further, and she had no idea whether she was crying from relief or frustration. She was so close, teetering right on the edge, only to have it ripped away from her.

“Shh,” Alex shushed her, then wrapped her arms around Diana. She carefully lowered her onto the couch, pressed up against her side. Then she smoothed back her hair. “Very good, my sweet girl. Have a rest.”

Diana buried her face in the crook of Alex’s neck, trying desperately to calm her breathing. Despite the toy no longer teasing, the throbbing between her legs persisted. Longing for more.

She had no doubt Alex knew how close she had gotten to failing, to suffering the consequences. But the absence of any scolding let her melt against her partner, wrapping her arm around her waist and taking in that sweet scent of hers once more. If this was the last time she was to hold her for a month, she wished to savour every second of it.

A soft kiss was pressed to the top of her head, yet the words that followed held no semblance of such tenderness.

“Do not think this means you’re forgiven. You still have the rest of the day ahead of you.”

[opens-up-4-nobody]

...

[purpurussy]

.

[iniziare]

Tag drop: Jingliu

[hella1975]

there's a very specific kind of vibe that comes with living with your friends in final year that it just does not have in first year or even second year. like as a fresher it's usually the first time any of you have lived away from home let alone with SO MANY people your age and it's terrifying and exciting and randomised to boot so it's generally carnage for a whole year in the best and worst ways, and then second year you pick who you're living with and it feels like for the first time you're doing this adult thing PROPERLY. you have a place of your own now. these are the people you've chosen to live with. studying gets serious etc. but it's still fresh. it's still new. you still don't know how to navigate it. but final year? final year is when you actually get it right. you know how to manage your time better. you know what works for you and what doesn't. studying is the main focus and you've been out in the world for three years now and it's not loud and boisterous like it was in first year and you're not exciteable and awkward like you were in second year. you're comfortable. every single one of my flatmates has their own friend group and we mainly keep to our own social circles, but we'll still meet each other back at the house after a night out and sit in the kitchen or my room to do the debrief. sometimes i'll go days not seeing either of them despite sharing a house but every now and then someone will softly call up the stairs that 'the heating's on!' or one of us will sneeze and the other two will yell 'bless you!' through the walls. the lack of interaction isn't interpreted as dislike in ways it would have been even last year, because we're all just old enough to be past that now and settled enough in our friendship not to worry about it. idk. uni is very loud and unsettling a lot of the time so it's been really sweet to see how almost boringly comfortable final year is.

[nymphaforesta]

c.

[raiiny-bay]

weird to think dhes & kel never got together in the early drafts of the story…