#it needs to be perfected this is just the first draft

[yan-randomfandom]

P!Yandere!Pines Family x GN!Teenager!Reader

[PLATONIC] a continuation to this! decided to just make them all yanderes cuz y not lol errmm just subtle ykwim... i'm not proofreading all this so just have my draft

warnings: staring, violence, alcoholics, abuse, blood, implied murder. woah intense

❤️‍🔥

"Then I saved Ford by slicing its eye! You should have seen it!"

You laughed, settling down from your dramatic gestures that you've been making throughout the entire dinner. The entire Pines family watched you in awe, especially Dipper and Mabel, easily captivated by your personality and story.

"Yes, well, they certainly saved my life," Ford chuckled as he fed himself a spoonful of food.

"You have to stop lettin' kids save your life so much," Stan scoffed.

Dipper grabbed a book out of nowhere, clicking his pen in preparation—

"No writing at the dinner table! We talked about this!" Stan called out, earning a sheepish smile from Dipper who immediately drops the book on the ground.

"But what did the monster look like?" Dipper stammered, eventually turning to you with a curious look on his face. He looked eager to learn more. That's what you can tell anyway, if you remove his reddened face, which is most likely from embarrassment.

Mabel, who sat across from you, leaned towards you with the biggest smile on her lips. You grinned back to return her energy. "Bet it was super gross! Was there a lot of blood?! Blaarrrgghhh!!!"

"No gross sounds at the table, pumpkin!" Even Stanley felt like he's tired of his own voice. This is him trying his best to not let you be uncomfortable. Well, he supposed you and his brother brought up the story in the first place.

Speaking of, why were you even here? Ford came back in the mystery shack after missing for a day, only to bring a random teen with him. It's a good thing he cooked extra since he thought Soos was coming over.

But he needed answers fast.

"Ford," Stan whispered firmly, catching his brother's attention. Tilting his head, he tried to signal him to move out, but someone interrupted them before they could do anything.

"Hey! No sneaking out the dinner table!" Mabel exclaimed, pointing a fork at her grunkles.

Stanley stood up and Ford followed his actions. They were already heading out the door with Stan holding his twin's wrist. "Well, sweetheart, VERY REASONABLE EXCUSE!"

As soon as they were out of sight, you and the other kids exchanged looks.

"He did say it's reasonable."

"Yeah, I can live with that."

... You snorted. "You guys are a funny bunch. He literally said the excuse, and you let him go just like that? You must trust each other a lot."

"You have no idea, stranger, you have no idea," Mabel laughed. "Sorry, what was your name again?"

💥

Meanwhile, deep inside the mystery shack, where they were sure there'd be no eavesdropping happening...

"You let the kid stay here without telling their parents?!"

Stanley was freaking out. Yet, he really shouldn't be surprised Ford would do this. Ironically, poindexter would even criticize his behavior, his grunkle methods! How ridiculous is this whole thing, huh?!

"It's more complicated than that! Look, I know this sounds bad—"

"It does!" Stan yelped, his hands clenching. "Their parents must be so worried! And we can't just let them—"

"No, no, Stanley, walk with me here," Ford said, placing his hands on his brother's shoulders. "It's their parents that are the problem."

A few deep breaths from Stan. Alright, okay. This is making more sense now.

"We'll take them to their house first thing in the morning," Ford explained. "Let's see what we'll do from there."

🔥

"I hope my drawing isn't too bad," you chuckled, giving the journal back to Dipper. His eyes skimmed over your illustration of the monster you killed. "It doesn't match yours and Mabel, but..."

"Are you kidding?! It's perfect! Thank you!" Dipper beamed, writing more notes down the rest of the page.

From above, Mabel had her legs folded over the ceiling wood of the house. You looked up and made eye contact, as much as you can anyway. She's upside down.

"Hi! How old are you again?"

How did she even get up there, you wonder. You glanced around, smiling when you realized, and worked your way up.

They stared at you in awe when you climbed right next to Mabel's side. Now you're hanging upside down too. "Cool tricks, Mabel. Hope you don't mind me copying you?"

She doesn't respond, starstrucked. Glancing at Dipper, his jaw was also on the floor.

"Uhhh," you awkwardly smiled, "But I just turned sixteen! You guys are turning thirteen, right?"

"You're the coolest," Mabel whispered, dragging a hand across your face. Okay. That's a bit weird, but it's welcome.

"Thanks," you grinned, manually removing her hand from your face. You looked down at Dipper again. "Hey, Dipper, what time is it?"

He scrambled around and grabbed a watch from somewhere. "Uh, nine o' clock."

"Nine?!" your sudden outburst caused you to fall to the carpet, a pained groan leaving your lips. At least you managed to drop skillfully. "Oh, that hurt."

"Are you okay?!" Dipper rushed to your side, offering a comforting hand on your back.

"Yeah, I just," you paused. "It's nine already? My parents are gonna kill me, man. I gotta go home."

"What!!"

Mabel also dropped down from her outburst, but her landing isn't painful as yours, because you caught her in time. She gazed at you from your arms, stars forming in her eyes.

"Woah. You have fast reflexes!" she squealed as you gently put her down.

Dipper shook his head. "But you can't go home this late at night. Didn't you say you're from outside of Gravity Falls?"

You crossed your arms, pondering. "Yeah, but... Okay, wait, where's Ford?"

Footsteps followed your words. All of you turned to the doorway, seeing the older set of Pines twins. It's kind of amazing, really, you rarely saw twins and this family has two pairs.

"Oh, there you are!" you grinned, walking over to him. Ford blinked at you. "I'm sorry, dude, but I think I overstayed my welcome. I'll go ahead and—"

"Eh, nah," Stanley chimed in, earning your attention, "It's too dark for ya to go out. Let's take you home tomorrow, yeah?"

"But-"

"No butts, they're for sitting," he continued, gently pushing you down on his recliner. You sat down, albeit confused. "Think of it as a sleepover. That's fun, right kids?"

Mabel skipped to your view, an eager grin on her face. "Yeah! We can paint your nails and everything!"

"While I'll show you more of the journals," Dipper beamed, showing one of them to you.

Their ideas were nice, it truly was, but the circumstances are concerning. You couldn't help the frown forming on your lips. They all noticed.

Ford stepped in between them, kneeling and offering you a smile. "Don't worry, kiddo. We'll take good care of you 'til morning. I'm sure your parents will understand."

"I guess I can't really do anything about it," you muttered, eventually accepting the situation. You stood up with a grin. "Okay! Who wants to be unaware of me stealing cool stuff here?!"

"I do!" Mabel screamed, only to pause. "Wait, what?"

"Yeah," Stan squinted, "What?"

You hummed, suddenly behind him, and stared at his wallet. Ford shook his head at you. "You have a very alarming number of IDs. Is this normal? Then again, you're old."

A laugh left Stan as he took his wallet from you. "Oh, I could use that type of skill. Didn't even hear or feel you take it!"

"I can teach you," you smiled.

"Please don't," Dipper groaned.

🌬️

"This journal is amazing! And Ford wrote this? Seriously, no wonder why he was so smart!"

You flipped the book page by page, your jaw dropped the whole time. Sure, a while ago, you saw one page, but only because Dipper told you to draw on it. You didn't expect a whole research surrounding Gravity Falls!

"Interesting enough for you to visit Gravity Falls more often?" Dipper chuckled as he watched you.

"Woah," you smiled, "You like my company that much, Dipper? Don't you have any friends here— oh shoot, wait, I didn't mean—"

A ghost of a frown spread through his face. Why did you have to ask that?! You were just projecting if you had to be honest, but still!!!

"Sorry, that was insensitive," you blurted, closing the book and focusing all your attention on him. "I only said that because I feel that way. I know, that's pretty lame."

He looked surprised. "Really? But you're so cool?"

"Some people think I'm weird is all. But thanks for finding me cool, Dip," you laughed, glancing at Mabel who was snoring. "I find you and your sister cool too. A lot, actually. So it's nice to know you both like me."

Dipper sniffed. "Man. Ditto."

You grabbed a blanket and placed it over Mabel's body, making sure she's covered head to toe. She snuggled up to it unconsciously.

"Welp, bed time," you murmured, reaching for another one. You stretched the blanket, letting Dipper be able to invite himself in. "Come on."

He happily accepted, nestling his head next to your shoulder. Mabel followed him, her head tilting to your chest.

You slept, content.

🌪️

You woke up, disturbed.

The first thing you saw after sleeping is Dipper and Mabel staring at you in silence. As soon as you noticed them, they scrambled away from you and tried to act natural.

Yet, you couldn't forget the small glimpse of their faces. Wide-eyed, a bit of judgment, but most of all, solemn.

Before you could question them, Dipper yelled, "Grunkles! They're awake!"

You winced from the volume of his voice, having just woken up. He immediately apologized to you, but it's all good.

"Visit us again soon! Byeee!"

The next thing you know, you're in the backseat of a car with Stanley next to you. He was pouting, arms crossed.

"This is literally my car. I can't believe it! You won't even let me drive my own car?" he sneered at Ford who sat on the driver's seat.

Ford rolled his eyes. "I can't have you get in trouble by driving again. Think of the kid."

While driving to your address is certainly much faster than walking, it still took a while. You managed to fall asleep, tilting your head on Stan's shoulder. It seemed that you're not alone in being unconscious, because he snored loudly.

Glancing at the mirror, Ford simply exhaled.

You're here.

He parked in front of your house.

Ford nudged Stan awake, who poked you awake next.

You stood up drowsily, holding Stan's hand while walking up to your house. Ford took the lead and knocked on your front door.

To both grunkles' disappointment, things get messy.

Both your parents, drunk, loudly told them off and took you away roughly from Stan. Tears leaked out of your eyes, saying countless apologies to the Pines twins and your parents.

Without much of a fight, Ford forcibly grabbed you back, carrying your body with one arm. He looked at Stan who placed a hand on his shoulder.

"Psst, I'll handle this," Stanley murmured in the midst of your father yapping nonsense. Maybe the professional con-man can knock some sense into your deadbeat parents.

Ford took you back to the car. You sobbed relentlessly, whispering the most saddening things he wished to unhear. He hugged you tightly, muttering sweet nothings until you fell asleep.

After a long while, Stan finally came back.

His eyes were wide. He was shaking.

"I didn't mean to. They started it—I had no choice!"

Gazing down, Ford realized Stan's hands were covered in blood. He swallowed the thickness in his throat.

"...I'll help you clean it up."

[literaryvein-reblogs]

Writing Notes: Humor

Humor is all about word choice, set up, and timing. Spend time finding different, unique ways to highlight the humor in the situation.

Use metaphors and similes to describe people, scenes, and events. You can evoke a funny image through comparison.

Avoid potty humor at all costs, unless your reader is under the age of 10. Potty humor doesn't resonate with most readers.

Use details to bring out the absurdity of a moment.

Take cues from real life. Don't be afraid to exaggerate actual events from your own life and insert them into your stories.

Avoid over explaining. If you have to explain why something's funny, it's not funny.

Don't sacrifice your story just to be funny. All funny, all the time doesn't always work. It can become very "onenote." You need to balance your storytelling with moments of seriousness, even if it's a funny story.

Be prepared -- you will offend. Humor is subjective. Your brand of humor will be offensive to someone, so go in knowing that not everyone will like it.

Let the reader in on the joke. Don't alienate the reader by writing a joke that the reader doesn't understand.

Edit in the humor. Remember not to try too hard in the first draft. It's during the editing process where you can polish up any humorous moments to perfection.

Source

[purifiedclitoris69]

Darkness and Chaos

A/n: I have no idea how long this been sitting in my drafts, but I finally finished it. Bit unedited, hope you all enjoy! Thanks :)

Wanda Maximoff x enhanced!reader

You had always been attuned to the dark—something about shadows called to you from a young age. You first noticed it in fleeting moments, like when the shadows around you seemed to shift with your emotions, with your father's yelling and your mother's crying and both their drinking. It was subtle at first, easily dismissed, until one day, the shadows responded to your will, protecting you from the poison your parents spat. A flick of your hand could send the darkness swirling, you could create solid constructs like weapons and shields, bind enemies with shadow tendrils, teleport through shadows, and even craft illusions to confuse foes, you were an unpredictable force.

It wasn’t long before your abilities attracted the attention of powerful beings—both good and bad. The team had first encountered you during a mission to stop some HYDRA experimentation. you yourself sat in a cell experimenting with dark energy. You had been held captive by HYDRA, forced to use your powers of shadow manipulation for the organization’s twisted ends. However, the moment the Avengers arrived, everything changed. Their mission that quickly spiraled out of control but you helped them without hesitation, shadows erupted from you like a storm, weaving through the battlefield with lethal precision, and taking out the HYDRA agents like you’ve been dreaming of for ages. Your tendrils of darkness restrained enemies, while walls of shadow protected the Avengers from incoming fire. Wanda, immediately sensing your potential, your desperation to be good, reaching out with her magic, she offered you a way out—not just from HYDRA, but from the darkness inside you.

The Avengers wasted no time putting your skills to use. Your shadow manipulation was unlike anything they had seen, with Wanda’s chaos magic, capable of rewriting reality itself, the two of you became the Avengers' secret weapon against threats too powerful for conventional means. Your darkness and her chaos were like a pair of loss lovers beginning to dance. You communicated without words, your powers flowing together. It wasn’t just your powers that made you a powerful duo—it was your connection. You had trained together for months, learning to anticipate each other’s moves, covering for one another’s weaknesses. Where your shadows needed precision and control, Wanda’s chaos magic thrived in unpredictability, giving you both a perfect balance of order and chaos.

In the heat of battle, your synergy was unmatched. Wanda would send waves of crimson magic crashing into your enemies, altering the battlefield in ways no one could predict, while your shadows weaved in and out, creating traps, shields, and devastating strikes from every angle.

Naturally you guys were an inseperable pair outside of the battlefield as well. You were best friendsand everyone on the team knew it. You spend almost every free moment together, whether it's lounging in the common area, cooking meals in the shared kitchen, or training in the gym. But for you, every moment with her is tinged with something more, something you can never quite bring yourself to admit. It’s the little things that get to you—the way she smiles when she catches you stealing the last piece of pizza, or how she lightly nudges you with her shoulder when you’re both watching a movie on the couch, curled up under a blanket. Her laugh, soft and genuine, makes your chest tighten, and sometimes, when she’s not looking, you find yourself staring at her just a little too long, trying to memorize every detail of her face.

You were falling in love with her, hopelessly and utterly in love—but you can’t say it. Not yet, not when it could ruin everything.

Your days are a mix of training, missions, and downtime. During training, the connection you share on the battlefield spills over. You’re so in sync, knowing each other's movements before they even happen. When you spar, it’s like a dance of power all over again, a delicate balance of strength and grace. Sometimes, when you’re caught up in the flow, you’ll catch her eye, and there’s this spark—something just beneath the surface that makes you wonder if she feels it too. But then it passes, and you’re back to being best friends, pretending that the tension isn’t there.

After training, you’ll both collapse onto the floor, breathless and laughing. "I’m getting better," Wanda says, teasing you with a grin.

"You’re still too predictable," you tease back, though you don’t mean it. She’s anything but predictable. Wanda is like a force of nature—fierce and compassionate, more complex than anyone you’ve ever known. It’s what drew you to her in the first place. But you’ve gotten good at hiding your feelings, laughing off the moments that hit a little too close to the truth.

in the evenings, you’ll make dinner together in the compound’s kitchen. Wanda loves experimenting with Sokovian recipes, and you’ve found yourself loving the process too, if only because it means spending more time with her. There’s always a moment when your hands brush as you reach for the same ingredient, or when you stand side by side at the counter, your shoulders touching. You’ll glance at her, and she’ll smile, oblivious to the storm of emotions brewing inside you. Sometimes she'd ask you to just sit at the counter for the company and the insurance so that you wouldn't mess up her 'delicate process,' you'd act annoyed but, it always allowed you to study her more, how she scrunches her nose, the sparkle in her eyes, the way her hair framed her face, anything.

"You're staring again," she says one night, catching you off guard as you chop vegetables.

You freeze, your heart skipping a beat. "Am I?" you say, trying to sound casual, but your voice comes out just a little too tight.

She laughs softly, nudging you playfully with her elbow. "You’re a terrible liar."

You laugh it off, brushing it aside like you always do, but every time you’re near her, the feelings only grow stronger. It’s in the way she looks at you with those piercing eyes, the way she leans into you when she’s tired, like you’re her safe place.

Sometimes, late at night, when the compound is quiet and it’s just the two of you sitting on the couch, you wonder what it would be like to tell her the truth. But then fear creeps in—the fear of losing her, of changing everything. So, you stay quiet. When she gets up to leave, she often lingers, just for a moment, as if she’s waiting for you to say something more. You wonder if she feels the tension too, if maybe she’s waiting for you to make the first move. But then she’ll smile, say goodnight, and disappear down the hallway, leaving you alone with your thoughts and the feeling of her absence like a weight on your chest.

Every now and then, you catch her looking at you differently, her gaze lingering a second too long, her touch softer than it needs to be. You wonder if she’s trying to say something without saying it. But you’re too scared to ask, too scared to risk what you have, so you both continue the dance—best friends on the surface, with so much more bubbling underneath.

The rest of the Avengers don't seem to notice the tension. To them, you and Wanda are just inseparable. They joke about it sometimes—and apart of you feel like Natasha knows, Nat teasingly calling you "Wanda’s shadow" because you're always together. And maybe they're right. You follow her wherever she goes, drawn to her like she’s the only source of light in your world. But none of them know how deep your feelings were, how every laugh, every casual touch, every shared glance twists something inside you.

The hardest moments are when Wanda talks about her past—about Vision, the loss, the pain. She opens up to you in ways she doesn’t with anyone else. You’re the one she trusts, the one she comes to when the weight of it all is too much. And you listen, offering comfort the best way you can, but it kills you inside. Because no matter how close you are, a part of her heart still belongs to someone else. And no matter how much you love her, you’re not sure there’s room for you there.

The mission today is different, saving the universe different.

The sky is ablaze with kree ships, and the ground trembles as waves of invaders pour into the city. You and Wanda arrive together, side by side as always, with the rest of the Avengers already in the heat of battle. Steve's voice crackles through your earpiece: “We need backup—now.”

Your heart races, not just from the battle ahead, but from the proximity to Wanda. The mission is urgent, and your mind is focused, but there’s a constant hum in the background—your feelings for her.

You glance over at her, catching a glimpse of her eyes glowing red as she prepares her magic. She looks determined, fierce, and more beautiful than ever. You shake off the thought, trying to focus on the task at hand.

“They’re teleporting in from somewhere,” you say, scanning the battlefield. “If we shut down the portal, we can stop this.”

Wanda nods, and you can see the same determination mirrored in her expression. “I’ll handle the portal. Cover me,” she says, her voice calm but filled with urgency.

Together, you create a dome of darkness, your shadows rising from the ground and swallowing the battlefield in an inky void. The alien invaders stumble, confused, while Wanda floats upward, her crimson magic intertwining with your shadows. You stay close to her, shadows wrapping around your hands like armor as you dispatch enemies who dare to approach. Your abilities blend effortlessly, like they were made to work in unison. And in a way, maybe they were.

As Wanda’s magic tears through the dimensions, severing the invaders’ connection to their homeworld, you can’t help but steal another glance at her. She’s lost in concentration, her hands moving with precise, graceful motions, and it’s in these moments you’re reminded why you’ve fallen for her. It’s not just her power, not just the way you work together in perfect sync—it’s her heart, her kindness, her courage. You’ve seen her at her most vulnerable, and yet she’s never faltered.

With a final surge of magic, Wanda closes the portal, and the skies clear. The remaining invaders are no match for the rest of the Avengers. As you land beside her, the battle over, the battlefield is eerily quiet.

Wanda looks at you, her red magic flickering around her hands before it fades. She’s smiling softly, the exhaustion of the battle evident, but there’s something else in her eyes—something warm, something that makes your heart skip a beat.

“You did great,” she says, stepping closer. “We always do.”

You chuckle, trying to keep it light. “Only because I’ve got you watching my back.”

Her smile widens, and for a brief moment, the world around you seems to blur. It’s just the two of you now, standing in the aftermath of a battle you won together, like always. But there’s something unspoken between you. You can feel it. It hangs in the air like the only shadow you can’t quite grasp.

Admist the two of your distractions, one of the Kree is able to use the last of it's strengh shooting you twice in the back, one going straight through your abdomen. Wanda's face pales as Natasha quickly finishes of the Kree and you fall into Wanda's arms. You can barely focus, but her presence feels like a lifeline. She cradles your face in her hands, her expression frantic, eyes wide with fear.

“Stay with me,” she pleads, her voice trembling. “You’re going to be okay.”

You can feel the warmth of her hands against your skin, and in that moment, the weight of your unspoken feelings spills over. “Wanda,” you say, your voice barely a whisper, “I need to tell you—”

“Not now, y/n” she interrupts, her voice rising as she tries to keep the panic at bay. “We need to get you out of here first!”

But you can see the truth in her eyes, the fear that lurks beneath her fierce exterior. “I can’t—Wanda, I can’t hold back anymore. I love you. More than you know," you force a pained smile as the tears and burning pain blurr your vision, "I'm in love with you."

For a moment, time seems to freeze. You can see the flicker of hope in her eyes, but it’s quickly replaced by something else—fear, and with that your vision goes black.

"Hurry help! Please!," Wanda screams as the rest of the team rushes over.

"We need to get her on the jet now," Natasha says as Steve pick you up with ease, running you straight to the medical table.

You drift in and out of consciousness, the world around you a haze of sounds and sensations. The dull beeping of machines pulls you back, and when you finally force your eyes open, the sterile light of the medbay greets you. Blinking against the brightness, you focus on the figure by your side—Wanda, her face illuminated by the soft glow of the monitors.

“Y/n?” she whispers standing up, her voice trembling with relief. You try to speak, but your throat feels dry and raw, she quickly hands you a glass of water. She’s leaning closer, her hand holding yours, warm and grounding. “You’re awake. Thank goodness.”

The memories rush back—flashes of battle, the sting of pain, and the way she cradled your face in her hands as the world around you faded, as you finally confessed your love. Panic surges through you. “Wanda, what happened?” you rasp, struggling to sit up, but she gently pushes you back down.

“You were hurt. A Kree shot you.” Her voice is steady, but her eyes betray the storm beneath. “Natasha took care of it. You’re safe now.”

“safe, yeah…” you echo, relief flooding through you. “What about you? Are you okay?”

She nods, but there’s a distance in her gaze, a shadow that lingers just behind her eyes. You want to reach out, to pull her closer and make her feel your warmth, but there’s something heavy in the air—a wall between you.

“Wanda, I—” you start, the urgency of your feelings pressing at the edges of your mind. But before you can finish, she interrupts.

“Y/n, listen. There’s something we need to talk about.” Her tone shifts, the seriousness making your heart drop. You search her face, looking for any sign of what she’s about to say, but all you see is a mix of determination and fear.

"Wanda, what I said, it's true," you gulped down your anxiety, "I justt—"

“I don’t feel the same way,” she says, her voice firm yet shaking slightly. The words hit you like a punch to the gut, and for a moment, you can’t breathe. “I’m sorry. I care about you, but not like that. We need to focus on being a team...we work better as we are."

Her words pierce through you, each syllable a shard of ice. You feel the warmth of her hands slipping away, and the connection you thought you shared shatters, leaving you raw and exposed. “But I—”

“No, y/n” she cuts you off, her voice rising with a mix of desperation and anguish, "I can't give you what you want. Not in that way, not after everything."

Inside, Wanda is fighting a battle of her own, her heart pounding in her chest. She wants to reach out, to tell you that she feels the same, that she’s been harboring feelings for you since the moment you became friends. But the thought of losing you—the thought of watching you slip away like Vision, like everyone else she’s ever loved—sends a cold wave of terror through her. She remembers the pain of loss, the way it consumed her, the ache that still lingers deep within her soul.

“Wanda, please…” you say, your voice breaking, and her heart aches at the sound. She can see the confusion and hurt in your eyes, and it shatters her inside.

You deserve so much more than a broken person like me, she thinks, forcing a smile that feels like a lie. You deserve someone who can be there for you completely, without fear. But I can’t be that person. I can’t be the reason you’re hurt.

“I just need you to understand,” she says, her voice steadier than she feels. “We can’t cross that line. It’s safer this way.” But as the words leave her lips, she knows they’re a lie. The truth is that she loves you—deeply, but she can’t let herself act on that love. Not now. Not when the fear of loss looms like a shadow, ready to swallow her whole. “I care about you, and I’ll always be here for you,” she adds, trying to keep her voice calm, even as her heart races. “Just… let’s keep it this way.”

You look at her, the hurt in your eyes a mirror of the pain in her heart. She watches as you swallow down the heartbreak and practically return back to the shell of the person they found at HYDRA. As she watches the acceptance settles in your gaze, a part of her breaks, knowing that she’s ultimately built your walls back up, she's pushed you away when all she wanted was to pull you closer.

What have I done? she thinks, her chest tightening as she sees the distance growing between you.

You nod slowly, swallowing hard against the lump in your throat, your heart heavy with the weight of her rejection. And as you lie back against the pillows, the silence fills the space where the truth should be, echoing with everything left unsaid, "I think I'd like some space for a little," you mumble turning away from her as you try so desperately to keep the tears from spilling.

"Okay," she agrees quietly walking towards the door, she pauses looking back as she's about to leave, "I'm sorry, y/n," she leaves.

[annawayne]

Odd question, though I'm willing to ask. Any words of encouragement for writing a story/fanfic? (Aiming for Aruani as of speaking this.) Were there moments you wrote something, then it got drafted to the side because it didn't feel right with where it was going anymore, losing ton of progress. How does one manage to like.. jump out of that loop and pick themselves back up? Is it best to just say "screw it" and write what you feel is best and not overfocus yourself on a little segment endlessly? I've read some of your work and it's really incredible, inspiring too! So, I just wanted to hear anything to help, if possible? Thank you for taking the time of your day to ask this, I hope I didn't come off bad in any way or jumbled my words up.

Hello anon!

First of all, thank you so much for this ask (and no, the question is not odd at all, everything is fine!), and thank you so much for your time reading my stories and for finding them even inspiring T^T I appreciate and cherish it so much, thank you!

As for your question, I would say there's one good and one bad news. It's the same thing - there's no ultimate way for writing. Good news, is because there's no "right" and no "wrong" ways, the only "right" way is the one that matches with you. The bad news - everyone should find it on our own, since we are all so different, and it's not easy at all.

But! I also think that it gives us a lot of freedom and creativity to experiment and to try new things. One of the best pieces of advice I definitely can tell everyone is - to forget all the books you want to write, not to write a "perfect " book, and all you need to do is just write that one book you're writing now. I think that one of the major problems for all of us is that we KNOW for a fact what's the good literature is, so when we write our own stories we always compare ourselves with the certain pieces of writing, forgetting in the process that we write OUR own story. Not the one that's already written and had such a huge impact on you. That's why, I think, all of us need to just distinguish where the book had an effect on us as inspiration to write OUR own book, and where we desperately want to write the same book - maybe, with another plot, twists and topics, but with trying to reach this level of impact. And this is where this trap hides, when we see something not as an inspiration to give our own story a life, but as something we want to make too, but the truth is, it's unreachable. Not because you're not capable, but simply because this story was written by another person who lives in another circumstances, and that's why your story will never be the same - because you're different person with different life with different experience and with different heart. And this is beautiful!

A lot of people would advise you to read to write better - and it also makes sense and, of course, I'm also in the same boat, however, we have to remind ourselves here that these books - are not ours. What we have - is much more valuable for us because it's our story we want to tell, and no one, expect us, can't do it better.

I think that it's another problem that may be the reason, sometimes, why we are stuck at some particular place without knowing how to move the plot and the story forward - without even realising, comparing our story with something that is already written and looks so mind-blowing.

We see these other stories already as perfect, forgetting one simple truth that every single word written by another writer - it's also a hard work they went through, and, most likely, they also struggled with the same issue as we do, looking at the books they admire and thinking, "Damn, I'll never write something as good as it is". But all we see is a wonderful text, that seems to us just incredible and perfect.

So, I just want to tell you, anon, that your story is already incredible because it's yours and nobody will write it better than you. We're all so different, and our stories - too - and this is the beauty in it, something that is impossible to replace and to imitate.

I guess, that once we can accept that our story won't be the same you admire and not because you're worse - no! Absolutely no! - but only because all the stories are written by humans, and every human - a whole universe, we'll all feel much better. And I think, that, foremost, it's the most important advice to start with, since it leads to everything else.

I hope it was some kind of help!

(And apologies if it didn't... If you wanted some practical advice - please let me know, I'll try my best too if I'm competent enough for it; I just focused primarily on encouragement, so I hope it was some kind of help T//T)

Thank you one more time for asking and for your words about me stories, and remember that your story - is impossible to compare because every story is a living being, and all of us are different, and this is our power and beauty (⁠｡⁠･⁠ω⁠･⁠｡⁠)⁠ﾉ⁠♡

[mirkwood]

Oh no.... what is happening to me.....

[leadendeath]

face reveal x

creature jumpscare.

[jem97-writes]

first draft hit 4.5k time for bed

[kumakuma-circus]

just randomly remembered that during my like 10+ attempts at the shadow yukiko fight i more or less consistently ran out of revival beads so yosuke was just dead (well unconscious but whatever) on the ground for like half the fight gfhfjvhfhfhd-

[camgoloud]

me, idly thinking, earlier today: oh wait that's an interesting idea for a flash piece, actually, why don't i sit down tonight for an hour or so and see if i can't bang out something super rough and casual about it. this will be good practice for me at actually putting Words On The Page without stressing too much and over-editing as i write! :)

me tonight, three hours deep, frantically googling crime statistics, rainfall patterns, and multiple WHO databases so i can get this single specific sentence Just Right: hmm. well.

[talentforlying]

LET ME ASSIGN YOU AN AESTHETIC WORD.

CAFUNÉ. cafuné means running your fingers through someone's- perhaps a lover, hair. it's such an intimate, affectionate way of showing love. if you got this result, you're a romantic at heart; very sweet, delicate, precious wandering soul. aren't you scared of your heart being too big for your body? somehow, you remind me of that pretty coral pink that bleeds into a soft indigo when the sun is slowly setting.

what i'd like to tell you is that we can't save everyone, and that's okay. you're doing your best, and it's enough.

tagged by: @danversiism!! <3 tagging: you!!

[afaramir]

1300 words and counting on umbar fic today we are SO BACK (i have not touched rivendell since tuesday. it is so so so so so over)

[amethystina]

WIP Folder Tag Game:

“Let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it!”

Who Holds the Devil, please.

I actually don't have any snippets that I can post right now, but I can tell you a bit about my process! Because I DO have quite a lot of notes. Though I'm not sure if notes is the right word?

Because it's not like it's an outline or anything (there are some HUGE plot points that aren't even mentioned in that document x'D) but rather a collection of roughly 15k of dialogue and shorter descriptions for future chapters. It's not always the full conversation but rather the bits that popped into my head that I wanted to write down before I forgot them.

Here's an example of a conversation between Ga On and Yo Han, with Ga On speaking first:

"What are your plans for the future?"

"What do you mean?"

"Are you going to live in hiding for the rest of your life? You'd have to if you stay in Korea." "Or will you settle somewhere else?"

"I haven't decided."

"You haven't decided?"

That was unusual for Yo Han.

"No."

"Why not?"

Look.

"You know why."

He did. Or hoped so, at least.

Yo Han was waiting to see if they had a future together.

___

It looks pretty funny, doesn't it? But it does give the basic structure of the conversation and, surprisingly enough, I rarely change that structure once I've written it down like this. And yes, I can usually pinpoint where I want my pauses in the dialogue even if I don't have the surrounding text, probably because I'm pretty comfortable with my writing style at this point and can predict how I want the tone, sentences, and story to flow.

Obviously, there will be A LOT of descriptions added around all this before I'd consider posting it, but many scenes start like this. Though not always. Like the scene with Jin Joo and Ga On in the car in chapter 34? That one was written entirely without notes. I just started writing and went wherever the conversation wanted to go.

So I can write both with and without a structure if I want to. But, more than anything, I tend to rely on instinct. I rarely hesitate about the dialogue or the direction it's taking. If I get stuck, it's usually on how to phrase myself, not what's going on or what the characters are saying/doing. That tends to flow without issue.

Which is pretty obvious when you compare my unedited drafts to my posted chapters. The changes are usually just cosmetic, never structural or anything in how the characters behave. I tend to nail the plot, flow, emotion, and characterisation on the first try, then it's just a matter of making it pretty xD

Hope that gave you something, even if it wasn't a completed snippet! Thank you for playing 💜

WIP Folder Tag Game

[kirnet]

I think I need to rewrite the next few actium chapters :(

[coffeebanana]

I love rewriting. I love it love it love it (even though i sometimes avoid it) because nothing's more satisfying than turning something that's just not quite right, something that just doesn't quite work for you, into something you LOVE

[whyisaravenlike-awritingdesk]

WIP Wednesday!

I'm gonna hold my hands up and say that the next chapter of Begged & Borrowed Time is a trainwreck, currently. It's all over the place, and I don't know how much of it will even survive into the final draft, but I kinda like this little bit here, where Cassian is, once again, being a drama queen.

Cassian didn’t know how he was going to get through this.

How was he supposed to be in the same room as her, breathe the same air as her, and not touch her? Not tease her and rile her and bring out that godsdamned smile that almost sent him under every time it crossed her face?

She was his mate.

His mate, and he could have sworn she’d felt it, as he’d stepped into that entrance hall. He’d felt the bond between them, felt it tremble, and Cauldron damn him, Nesta had faltered as though she’d felt it too. Her heartbeat had stuttered, and he’d felt it, as though it were beating inside his own chest— like it was keeping him alive too, keeping him afloat. 

Oh, he wanted to tell her.

Longed to say it out loud, to have her know the truth, he just needed to find the right moment, the right time… But he couldn’t think straight, not as he walked beside her, following the others into the dining room. He could barely fucking breathe as he watched her walk ahead of him, as she pulled away, and it was like the bond was snapping all over again, cracking his chest apart as the distance between them stretched.

[kingsofeverything]

10177