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#it looks and sounds great of course
foxstens · 2 years
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finally playing hades
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starcurtain · 4 months
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One thing I wish I'd see more of among Ratio fans is some thought about how he views himself as a teacher.
Like yes, of course he refuses to compromise on the quality and rigor of the education he imparts, and he would find it unforgivably unethical to lower his standards in order to pass more students who had not genuinely learned the material. This is core to his character.
However, as someone who is a teacher IRL, I know the absolutely miserable feeling setting that kind of standard can cause. There's the obvious disheartening sense of disappointment ("Are students these days really not capable of doing the work correctly? Is our future in danger, if this is the highest level of understanding our current generation of students can achieve?"), but even worse than that is the self-doubt.
"Is this somehow my fault? Am I not teaching this material in the right ways for the students to learn? Is there something I could have done differently to get through to these students? Would a better teacher have a higher passing rate?"
We know that Ratio does (or at least did) struggle with feeling inferior to the Genius Society, so I think it is also likely, as much as he absolutely will not budge on his academic standards, that he has doubts about his teaching ability as well.
This is the man who wants to educate the entire world to cure the disease of ignorance, and yet only 3% of his actual students are able to get there. How can someone who gets so few of his direct students to a state of enlightenment hope to enlighten the whole universe? If so few students are successfully learning the material of a given class, doesn't that mean the teacher is doing something wrong?Would a better teacher--would a genius, maybe--not be able to impart their knowledge more efficiently and educate even the most challenging of students?
As someone constantly struggling with that balance between keeping academic standards high while also meeting the needs of today's students, I think the passing rates of his courses must affect Dr. Ratio much more deeply than I've seen fans discuss. I think he would question himself harshly over his class success rates, and I think he must be constantly trying to push himself to become the best teacher he possibly can be.
tl;dr: I hope one day the HSR fandom will stop sleeping on the fact that Ratio is an actual practicing professor who probably has astronomical levels of teacher angst. 😂
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hauntingblue · 6 months
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Oden's prophecy of young pirates coming to save wano becoming yamato's hope for his freedom.... and him becoming oden because of it.... it's just so good... on the other side luffy taking ace's spot for liberating yamato... I think I hauve covid
#the spades pirates in wano to save children... omg... deuce.... i have heard so much of you....#yamato complaining about how eveyrhing is his father's fault and ace getting violent...#it is so sad that in the end it was (partially maybe) his father's fault... if not roger then whitebeard..... maybe both#the hibiscus flowers..... rouge....#yamato telling ace he talks too much about luffy.... omg.....#NAMI TELLS TAMA LUFFY LOST ACE TOO!!! AND LUFFY CAME BACK TO WANO BC ACE SAID HE WOULD!!! OMG...... THE LINGERING.....#talking tag#watching one piece#episode 1014#pink haired samurai is still alive and kicking... hell yeah....#ODEN WAS THE SECOND COMMANDER FOR WHITEBEARD??? OMG???#whitebeard dealing with his rebellious son ace akshaksjak.....#ace wanting to save wano for his husband and child but wb wouldn't let him bc he is still caught up about his ex husband's death... complex#TEACH GO TO HELL!!! FUCK YOU!!! DIEEEE!!!!#they can't put luffy crying about ace dying here again.... tama feeling bad about yelling at luffy....#YAMATO KNOWS ABOUT THE D????#big mom wants robin.... i mean of course.... curious about pudding and her third eye.... we will meet again i guess...#PONEGLYPH!!!! kaido little borther to mom...... god valley.... rox.... i remember.... she gave him his power omg...#episode 1015#ace face down smiling after whitebeard beats him up reminded me of ace dead smiling. hell on earth this is my last straw. goodbye.#the animation <3 ace i love you <3 yamato you are great <3#omg... little ASL with the big pirates saying he will become pirate king omg...#PAUSE!! ACE HEARING GOOD THINGS ABOUT ROGER AND SAYING HE SOUNDS NICE THIS IS CRUCIAL TO MY ACE LORE OMG#yamato didnt say who it was... did ace really die not thinking his father was good this is my roman empire... critical hit to my brain#yamato made aces vivre card.... should i end it all for realsies this time....#his cunty skate boat 😭😭😭😭 i could cry#he really is looking like a beautiful dead wife this episode.... yamato......the vivre card omg..... NOT THE FLASHBACK ENOUGH#THE TRANAITION BETWEEN ACE FALLING OFF LUFFY AND HIM FALLING TO THE GROUND OMG AKFBSKDNDKSKLWKWNSKWK NOOOOOO#OH FINALLY THEY ARE ALL THERE TO FOGHT BIG MOM AND KAIDO!!! FUCK YEAAHHHHHH a good drag for the mugis for good measure#episode 1013
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jimmyspades · 6 months
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The season 4 premiere of Boston Legal is like psychological terrorism. Alan being begged to have a baby. Word salad. Sex in an elevator TWICE. Shirley/Denny moment that makes me sob. Infidelity. The arrival of Carl. Guys looking at each others’ dicks. Alan saying his penis has been a bad boy. Carl’s hair. One of the greatest guest appearances on the show by Craig muMs Grant. Alan calls himself fat. He wears a dress just for fun. Big dance number. I feel like I’m being hit with baseball bats the entire episode.
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todayisafridaynight · 6 months
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getting wigs for characters with the same hair color as myself make me feel like the biggest dumbass around but youd have me fucked thinking im burdening myself with daigos 2000's emo cut just for a weekend
#snap chats#a weekend is generous im only going to the con on saturday#i like how im making it sound like anime nyc is this weekend when its at the end of august LMAO BUT NO LISTEN#unfortunately beauty influencers have finally done their job right and this one guy was reviewing an eyebrow pencil#but the twist is that this pencil was like. SUPPPER STUPID FINE im talkin .08mm and he demonstrated how it could imitate stubble#SO OF COURSE. my ass wanted to see for myself cause as much as i like my sponge-stippling method its not super precise#and that shit gets annoying when most of it looks fine but then i press too hard or i angle the sponge wrong and now i gotta start over#In Any Case the pencil i got did exactly as i hoped and its actually p fun putting on LMAO. i prefer how it looks too#anyway how this all relates to this post. im probably gonna go as y2 daigo again for anime nyc in august#and I Repeat im not cutting my hair for that LMAO so. Wig 😩#i like it when i cosplay him cause i just go by his actual design cause if i even breathe near skinny jeans ill wanna kms#also i just like to be as accurate as i can be yk. plus the leather pants i have are cozy and theyre one of my fave pairs of pants 🤤#in any case. whenever that wig comes in ermmmmm i dont trust myself to take pictures 😞 my selfie game is dick#maybe ill stream yk2 LMAO but anyway. good night i think im gonna force myself to sleep now#i got back to my dorm like four hours ago or whatever and i am not looking forward to doing school shit again. alongside comm shit#OH WELL we ball good night#wait before i Good Night cackling as i have my meds next to my aoki tablet and plush#great reminder honestly. Take Your Meds Or You'l Convince Yourself To Be A Republican#ok goodnight fr now im gonna giggle and kick my feet thinking of cosplay
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sysig · 6 hours
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Wander Dr. Doran! Yeahh :) (Patreon)
#Doodles#Wander Over Yonder#Wander#I mean Dr. Doran totally :)#SCII#Helix#ZEX#DAX#The Captain#Of course now that I feel a bit more confident drawing Wander on-model I turn him human - such is the way lol#Aghhh I'm so excited to implement him haha <3#All speculatives I'm just too excited haha I have him all figured out >:3c#First off tho - VUX would fit in perfectly to the BG of WOY imo they're adorable and I think Wander would genuinely love ZEX#Depending on which areas of the fandom you poke around in I think they'd have some ahem overlap to bond over lol#Star-faring romancing it's all very cute and wholesome of course hehe <3#But even outside of that even if it went The Lonely Planet type of way I /still/ think Wander would like him a lot :)#Friendly aliens spreading the message of free love through the galaxy! Sounds about right haha#Also attempting drawing him in the WOY style agh he's so cute I love him sm <3 <3#Okay now back to Dr. Doran lol he was meant to be the focus anyway just - the cutes! I cannot but the cutes you understand#There's more later but the basics of him so far is he tends to take the younger residents at the Institute#I love the cast of doctors but really Wilson was probably the most personable and I feel like I've made my opinions of his competency known#Wander's great with kids! His office is set up to be very inviting and friendly and unintimidating - fits his personality!#Candy and huggables and stim toys - y'know a Therapist's office lol#With a specialization in pediatric therapy but with Wilson cough cough ''missing'' (lol) he can take on a bit extra hehe#Of course he still has his own quirks - Wander's OCD and trichotillomania for example - just in a different context :)#The doctors' brainwashing is so interesting agh the entire concept sets my brain on fire <3#Anyway I am soooo looking forward to their scene together aghhh <3 <3 How to embarrass Zelnick The Worst :3c#Such a shame DAX will be elsewhere lol what will he do with himself in the meanwhile!#Nobody here likes the therapists it's fine that he gets to miss out hehe <3 He was so put out by the warning hehehe I love them ♪
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bmpmp3 · 2 months
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the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)
#just watched weathering with you. it was really good. REALLY good#i remember when it came out people were saying it was better than your name. but now it seems the general opinion switched?#your name changed my brain chemistry and outlook on life. i think weathering with you may do the same#so to me i think they're like on pare with eachother. i dont know if i can choose which is my fav now LOL#they are sisters to me..... sisters to me...... quick review below watch out for spoilers#i dont think i'll be too detailed but i do also just recommend watching it its a great movie#I DID like the soundtrack in your name a BIT better like the score had a few more hooks for me and i loved all the insert songs#while in wwy i liked the last three inserts but the first couple didnt really grab me. but its all radwimps so its all good LOL#the side characters in wwy were so good tho like i loved all the cast so much#of course i adored the main characters of your name and wwy both. but the side cast in wwy ruled i think i'll remember them for a long time#the taki jumpscare was also great. my boy was here. my boy was here. just for a minute#i also adored how unhinged the main character of wwy was. hodaka was like. a bit unwell? HJKDJHKFD i thought it was great#weird and quiet but desperately a bit violent in a way that i think was very relatable#i also loved the like. message? sorry that sounds sappy but i liked that like the story was kind of like#coming to hina who is working so hard and forced by herself and circumstance to grow up so early and sacrifice so much#and grabbing her by the shoulders and telling her YOU CAN LIVE!!! YOU CAN HAVE FUN!!! ITS OKAY!!!!!!#i think it was so sweet and such a strong sentiment. wonderful movie. also there was guns and i was so scared#i think that might actually by why i love how high stakes the plots get in these movies like the character design and personalities are so#real and down to earth so when you go to the beautiful planetary skyscapes and also the exploding vehicals you get like so in awe or scared#it does also make me laugh tho now thinking about the your name nendos. you can just barely make nendos of them. you cannot make a nendo of#hodaka. hina maybe. but not hodaka. he is. some guy. the most some guy. visually at least. mentally hes got. something happening <3#loved him so much. hes normal. hes normal. oh they did make some popup parades thats cute#altho it is a bit funny looking. that is just like two normal teenagers JHKLDSHKFDLSafdjksd#anyway next up i'll probably watch the chair movie. ive heard a couple songs from it and they were pretty good so im excited#it also makes me realize i need to watch more of his back catalogue other than 5cm.... he has way more movies than i remembered#i hope someday he gets to make the yuri movie he wanted to. it would be unreal. huge beautiful skys. ecological disasters. girls kissing#oh i hope he gets to do it one day..... one day.....#EDIT: WAIT THEY DID MAKE A NENDO OF HODAKA AND HINA.... LIKE FULL NENDOS NOT EVEN PETITE.....#HODAKA REALLY DOES JUST LOOK LIKE SOME DUDE.... AWESOME
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thestarsarecool · 2 years
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Paul McCartney: Run Devil Run
Jim Irvin, MOJO, October 1999
THE LURE had been the chance of a lengthy one-on-one with Paul McCartney discussing all his solo albums. "You could turn it into a book," said his publicist, graciously.
All I had to agree to was to begin with his latest recording, Run Devil Run, which wasn't a problem, as it was a really very decent collection of rock and roll covers, with a few new songs, recorded in a week, a year after the death of Paul's beloved wife Linda. After we'd talked about that, said the publicist, I could go on and talk about the rest, "once Paul is relaxed".
I smell a rat when I arrive, shake hands with Paul – who's looking fit and youthful, with only his suspiciously chestnut-coloured hair looking like it had received any cosmetic help – and pull out the CD sleeves of his complete works as an aide memoire for us both.
"I'm not signing that lot," he snaps.
"Erm, I didn't want you to, it's for the interview," I say.
"Oh, right."
It was odd being in the room with a Beatle after a lifelong relationship with his music, and Paul's demeanour showed that he gets that a lot, in fact he must get nothing else when he meets someone for the first time: an uneasy mix of nerves, warmth, respect and the kind of uncomfortable intimacy that comes with a meeting where one person knows everything about the other and the other knows nothing. Because he is used to this situation, Paul looks slightly bored by it. He knows it's easier, in the long run, to be friendly and cooperative with the press, and he wheels out a few well-worn techniques to put me at my ease. He is gracious and easy-going during our conversation, but there is always something steely in his countenance, you feel he could take offence easily. You can't forget he's Paul McCartney and neither can he.
Needless to say, after chatting about the new album, Paul seems surprised when I start to ask about his debut, the "bowl of cherries" album. I begin to suspect he hasn't been briefed about the supposed purpose of this interview. Some kind of signal is given, because as we get onto Ram, Paul looking increasingly restless, an assistant appears and announces there's someone in reception Paul has to see urgently. McCartney makes his excuses and leaves. The grinning publicist apologises and insists that we will reschedule for the rest of the chat, but I know it'll never happen. Strangely, I feel slightly relieved.
The interview that follows is just the material concerning Run Devil Run which, I realise later, is surprisingly rich in information about how the Beatles worked and how Paul recalls that period.
The cry of 'C'mon lads, we're going back to basics!' seems to be a bit of a refrain in your career. You like to do it every now and then.
Yeah.
What brought it on this time?
Linda was very keen. I'd said for years, "I'd love to make a rock'n'roll record." I'd talked of other things – an old standards, Fred Astaire, Cole Porter album – but this one was more than a whim. I thought, I've got to do it before the 20th century ends, so it was the next thing I was gonna do. Then Lin died, she was really keen that I do it, so that was enough motivation: I'd better get this done. No pissing around.
So how did you approach it?
I remembered early Beatle recording techniques. Because we weren't a famous act we were given a schedule of exactly how to make a record: You come in at 10 am, you set up your amp and your guitar or drums, you have a ciggie, cup of tea, get in tune, then by 10.30 you've got to be ready to go. You just had to be ready or the grown-ups would get annoyed.
We worked from 10.30 to 1.30, and we were expected to do two songs. We took an hour's lunch exactly, then [worked from] 2.30 to 5.30. Then you went home, went out to the pictures or the pub or something. So the next day, when you came in, you'd had a life. If you'd seen a great film it kind of informed you.
So I thought I'd do exactly that, book Abbey Road for one week only, get a bunch of guys together and go and do this thing exactly as we used to.
No rehearsals?
This really surprised me. I realised that on the Monday at 10.30 George Martin would say, "Okay chaps, what are we going to do?" and the only two people in the room who knew were me and John. George and Ringo didn't even know. And I thought, Shit, that's wild! None of this "demos up front, the producer's been working on it, he's got ideas." He didn't know what we were going to do. We could just throw anything at George Martin and we did: "It goes like this: Gir-ir-irl (intake of breath), wanna get a breathy thing going there." Engineer would start to work out how to get the breathy thing, put some compression on or something... bang, bang. Everyone thinking on their feet . Then we were off and running, the match would start.
So, no homework allowed. The other thing we outlawed during the week was thinking. If someone went, "I wonder if I did this..." We'd say, "You're thinking!" It became the joke of the week. "This is rock'n'roll, you're not allowed to think, just do."
So how did you select the songs?
I just kind of dredged my memory and came up with a very arbitrary list, coz I've got millions of rock'n'roll songs that I love. I got most of them on tape and did what I used to do. Got a bit of paper and a pencil and [transcribed the lyrics]. That was a great buzz because I literally hadn't done that particular exercise since I was a kid, felt like I was 15 again sitting there copping the lyrics to Chuck Berry songs, Buddy Holly, Fats Domino.
So I got this bunch of lyrics, there's actually still one deliberate mistake on the record – find it – there's one line I never could find out, I wrote it down phonetically, "yer be livin' in spe...", turned out to be something quite different "If you do it again" and I thought I'd fill that in before the session but I forgot to do it. It was all like that, kind of spontaneous and instant. I got nostalgic for that way of working. [The Beatles] really did some good stuff like that, Revolver and Rubber Soul, all those early ones...
That way of working went right up to Revolver did it?
Way past Revolver, Rubber Soul. (I raise an eyebrow. Pause.) That's past Revolver isn't it?
Er no. Revolver's the one before Pepper.
Was it? Okay. (Pause) I was in the Beatles was I?
Yeah. Bass, I think.
(Chuckles) Basically I was. Yeah. So I thought, I'll sing and play bass at the same time, if there's anyone in the world who's had practice at that it's me. It's a bit like that (patting his head and rubbing his stomach) you've learnt how to do that, so do that. Don't get too precious. I had a bit of a funny moment on the Sunday night [before the session] because I hadn't sung for a year since Linda died, I didn't actually know if I could. I'd been writing stuff, but it had been little introspective stuff (he mimes singing softly). I was nervous [but once we started] I realised it was gonna work and I was singing good. The other thing, because I hadn't done any of these songs before either, I had no idea what the bass parts were. Then I thought, if it was good enough for George and Ringo not to know how the songs went, it's good enough for you. A little dangerous, this is good, getting dangerous. So I went in on the Monday morning with this big manila envelope full of all me words, scrappily on the back of envelopes, and flicked through them – 'Searchin'' by the Coasters, nah, didn't fancy that, 'Hippy Hippy Shake', nearly... 'Fabulous', Charlie Gracie? Yeah!"
I don't know that one.
It actually didn't end up on the album, but I remember it from the fairground. It reminded me of the Waltzer and us trying to pick up birds – which we could never do – me and me mate in our drape jackets with the flap pockets and the fleck, which was 'It.'! Whenever I got a buzz off a number I'd pull it out and say to all the guys – Dave Gilmour, Mick Green on guitars, Pete Wingfield piano and Ian Paice on drums – "Anyone know 'Fabulous'? No?" So I'd get me acoustic guitar, in five or ten minutes these guys had picked it up, get on me bass, okay, 1,2,3,4, do a take, go up and listen to it, quickly organise it, do another two takes, say, and Chris (Thomas) the producer would go "That sounds good." Great, next song. And we just did that all week. Most of the songs they didn't know. They'd know 'All Shook Up' or 'Ready Teddy' – which didn't make the album – or 'Rip It Up', but 'No Other Baby', 'Shake A Hand' and 'Coquette', nobody knew.
How did you get to know them, then?
Those songs were like where The Beatles would show up in the early days at the Aintree Institute, say, and there'd be three or four bands on the bill. We'd be due on third and the band who was second would go on and do our entire act! 'Blue Suede Shoes', 'Long Tall Sally', 'What'd I Say', there's the act gone. There was this terrible moment, "Fuckin' hell, what do we do?" "Well we'd better play them better." But [to avoid that] we started to look for B-sides – things like Bo Diddley's 'The Old Grandpappy' and 'If You Gotta Make A Fool Of Somebody', which was off a James Ray record that George had – we started to find these lesser-known songs that the other bands wouldn't have. And that's the reason John and I started writing, a surefire way [other bands] couldn't access our songs. For a while we didn't really write anything much good – at The Cavern I used to do something called 'The Pinwheel Twist', which was dreadful but worked for the time, some terrible lyrics about fireworks, probably, but it's lost in the mists of time.
'No Other Baby' is fantastic.
That's probably the most obscure. I knew the song but we couldn't find out who did it, Alan here (at mpl) did a bit of research and it turned out it was by the Vipers Skiffle Group. I was talking to George Martin about this album and said "We did some really remote things, one called 'No Other Baby' by The Vipers." Then I said, "Wait a minute George, you produced them didn't you?" I sang it to him and he goes "Oh yes, I remember that now." So talk about full circle.
I didn't even have the record of that but it just embedded itself in my memory. I used to do it in soundchecks on tour. That came out nice. One of the guys said that if these songs were film stars 'No Other Baby' would be Dennis Hopper. It has a chilly, Blue Velvet feel about it which I like.
You sound very angry in places.
That's just me singing. I don't know if I was angry or not, can't remember. When you've got to stand up and play bass live and sing too, there's no time to think of anything else, apart from, How does the bass part go? It was just the spirit of the week. As I said, we outlawed thinking.
A lot of great rock'n'roll records are great "records" rather being great songs. It's often down to the atmosphere of the recordings, isn't it?
Yeah. One or two of the songs when I looked at them I thought, Bloody hell this isn't much of a song, but I love it from the Waltzer or whatever so it doesn't matter. What I tried to communicate is my love of them, this joy at doing these numbers, and anyone who loves rock'n'roll loves doing these songs.
Fair enough on something like 'No Other Baby' that's not so well known, but it must be really hard trying to make 'All Shook Up' your own. It'd be like someone trying to do 'Day In the Life'.
Yeah, those were the challenges. What I decided was not to do 'All Shook Up' like Elvis, then it would be a pale imitation. I decided to bring it up more towards my Little Richard range, scream it more, give it a meanness, put a new interpretation on the words.
'Lonesome Town' too. I'd always liked Ricky Nelson's version, but on the way to the studio I suddenly thought, I can't do it the way Ricky did it, because I'll like his version better – I loved that, that was my teenage years – it'll just be an impression of him, so again, I thought if I take it higher I could put a more intense feel behind the words, a bit more bluesy. So I did it in C an octave above Ricky, which was fine until the middle when it became too Mickey Mouse so I said to Dave Gilmour, "Hey Dave, you do the melody and I'll go above you and do a harmony" very much like what John and I would have done, and that allowed me stay in that persona.
Did you try to make it authentic sonically, use vintage gear?
No, we decided to make it like a modern record. If your ears have become attuned to modern radio, an old rock song can sound a bit woolly and fluffy. We didn't put any old-fashioned echo on anything except 'Blue Jean Bop', Gene Vincent, that I had to do with echo because that was my memory. Again, I learnt something making this: These guys wrote for echo. (singing with tight staccato) "Be bop a lu-la she ma ba-by." That kicks the echo into a rhythm. When we had the two guitars in, it was too jangly and it didn't swing, so I was talking to Ian and singing it to him with the echo on, just me on bass and him on drums. Wait a minute, this is the way to do it, this sounds enough.
Tell me something about the three new songs.
I had one already called 'What It Is' that was sort of bluesy that I thought might be good to try. It was actually one I'd written for Linda so there was a sentimental attachment to that. I thought I'd throw it at them and try a version. Chris Thomas thought it was a good idea to try some new ones but thought it would be tricky to make them fit. While we were making the album, as we were playing 'Run Devil Run' back one of the guys said, "Who's record was this, man?" so that was a good sign, proof that it fitted.
What made you write that one?
I was in Atlanta recently with one of my kids and we went down to the funky area of town and found this shop that sold various kind of potions to stop evil, "Put this in your bath and it'll chase the devil out" seemed a bit voodoo to me, sprinkling powder for your floors...
Shake and vac the devil away...
Yeah! It actually said that on there, "Stop troublesome neighbours, evil relatives, get rid of bad people from your life, put some of this in your bath and then carry a piece of white cloth anointed in this oil and repeat the Lord's Prayer." All a bit superstitious, and one of these products was called Run Devil Run and I thought that was good rock'n'roll title. The album cover is the shop where I found the stuff.
You said you discussed this album with Linda. Why was she into the idea?
She was surprised when we met that I liked to sit at home and play loud guitar. I'd have the AC30 in the living room and crank it up with me Epiphone and just (makes rockin' noise) and she'd say "Oh, I love that. You should do that." She wanted me to play guitar solos like Neil Young does now, living the dream, doesn't give a shit and he's rocking. Linda knew I could do that and was always encouraging me to. And when she died I thought Right, can't put it off, gotta do it.
And the nice thing now is, people are expecting a certain kind of record from me after Linda's died, I've heard it from a few sources, "I wonder what he'll do now, it'll be very introspective, sad songs for Linda," and it's quite nice to go against the current. Though I've not done that on purpose, it's like when 'Give Ireland Back To The Irish' was banned and I happened to do 'Mary Had A Little Lamb' as the next record and people said, "Oh that's two fingers up to the people who banned that, they can't ban this one." and that wasn't true. I didn't do it for that reason but it was perceived like that.
Somebody said about Run Devil Run that it's as if Linda's on it – there are a couple of tracks that sound like she's there. I don't know what that's about.
It does sound like there's a female voice at some points.
There isn't.
On 'Run Devil Run's' chorus...
Yeah, that's what she would have done. She's found her way on. She's a clever girl. I got a post card from her 14 days after she died, from Arizona. Funny postcard, very cute. She was always thinking ahead. I got a birthday present last year from her in June and she died in April. She was that kind of girl, "I know, I'll get that made for his birthday." The kids gave it to me all rather (pulls apprehensive face) "I'm not sure you'll want this, but this is from mum." Do I want it? Not half.
People are going to read stuff into 'Try Not To Cry' aren't they?
Yeah, I hadn't realised that that was 'appropriate'. You don't always realise the meaning of things as you write them, you're just throwing stuff out and sometimes it's only when it lands that you're able to get objective. There are some little references in there inevitably. But I'm writing some other stuff currently and that probably is more to do with it, to do with her.
What were you searching for in the old songs as you went through the manila envelope?
Just heart, passion, something that actually made me go warm when I thought about it. 'She Said Yeah', I remember how I turned Mick Jagger on to that in the '60s. I'd always been meaning to do it and I never got around to it. I was up in the music room one day and Mick came round and I was playing some records to him and I remember Larry Williams' 'She Said Yeah' – and dancing around to it – and 'Aint Too Proud To Beg', The Tempations, he loved 'em. He actually [covered] both of them.
There was this one particular bar in Hamburg that had a jukebox and [The Beatles] used to go there and play pool with Derry and the Seniors, that was their hang-out. This jukebox had two great tunes on it, 'Smoke Gets In Your Eyes' by The Platters and 'Shake A Hand' by Little Richard and any time I was there I'd get a beer, play a bit of pool and listen to those two records. I could never find 'Shake A Hand' though, I never got the record. It's a gospel song, in America they know it by somebody else.
'Honey Hush' was a great memory for me. John and Stuart had an art student flat in Gambia Terrace, a big old-fashioned terrace with high-ceilinged rooms and the view out of the window was the Liverpool Cathedral. The first time George and I stayed out all night was there when I was about 15. And there was nothing there, we were used to beds and there was a mattress and John and Stuart were sleeping there and we were having to kip in chairs, undoing these Benzedrine inhalers because we'd read somewhere that if you undid them and chewed them they had an upper in them and we ended up talking all night. It was very frugal. It remembers better than it was, actually, no sleep, eyes burning, all that. But I remember in the morning John leaning out of this mattress, reaching over, yawning, you know, in his vest and underpants, and just putting this little Dansette on that was beside the bed and it was 'Honey Hush': "Come into this house, stop all of that yakety yak."
So it wasn't always the song or how good the singer was, it was how good my memory of it was, whether it was a really glowing hot ember of a memory.
Was it therapeutic for you to go back to this stuff?
Yeah, it was actually. Brilliant. I really felt great at the end of the week.
© Jim Irvin, 1999
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scattered-winter · 1 year
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ask me about a celebrity and i will have no idea who tf you're talking about but ask me my opinions on movie score composers and i will be pulling up my powerpoint
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oh-katsuki · 2 years
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while i am spewing my takes, might as well give my academia one. 
i think that the culture of trigger warnings in social spheres is great. i really do. i think it’s awesome to know what might be coming and to help people feel more prepared to confront difficult topics... all that being said... i think it did some intense damage to academia in regards to reading. 
to go into an academic setting and complain in front of the class to the professor about the book he’s chosen to use as course material for the basis of our modeling, stating that the book itself is triggering and that he should provide parts that can be skipped over... feels absurd. this is a college, upper division course. we’ve all been in college for SEVERAL years if we are taking this course. by now, you should know and understand that courses often include potentially triggering topics. 
that aside, trigger warnings in an academic setting are a courtesy and not a requirement. if you have triggers, whether they be common or uncommon, it is on you alone to check for yourself if the book has triggering content and then reach out to your professor on your own time to see if it would be possible to provide a trigger warning / work out some kind of alternative. your triggers are not anyone else’s responsibility, which sounds like a tough pill to swallow but it’s true. 
the syllabus actually INCLUDES the warning that some topics discussed may be upsetting. they always do because academia (especially creative academia) deals HEAVILY in those topics and uses them as a point of learning and discussion. to go to a professor in front of the entirety of the class and be rude about the content of a book (the book is dawn by octavia butler, mind you. a black, lesbian author whose work is famous for it’s masterful navigation of topics regarding oppression) required in the course syllabus because the syllabus does not include explicit trigger warnings.. is remarkably unprofessional and a gross misunderstanding of the way books and academia work. then, to insinuate that the triggering topics of the book (which is.. as i understand it.. a lot of it) don’t matter BECAUSE they may be triggering is a gross misunderstanding of the book content itself. 
if you are in college—in academia—engaging with texts.. it is (i’d venture) common sense that you will encounter uncomfortable and potentially upsetting things. if you have triggers, it’s on you to be proactive about it and figure out alternatives for yourself with the professor. to take away a chunk of class time arguing that the trigger warning is not enough when there is a clear statement in the syllabus that states “as this is an upper division level, university course, it is likely this class will include content that some people may find upsetting”.. feels absolutely absurd to me. ask in private. email the professor for accommodations. 
anyway... all of this to say that while triggers are common practice online.. they are not in the world and while they are useful, they are not requirements. you’re responsible for yourself and your own triggers. . 
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bunnymedley · 2 years
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avvocarlo · 1 year
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god it honestly pisses me off to no end that my work acts like I'm crazy for speaking out about how stupid it is that we have to check our rosters on a shitty tablet after every single client. they will say that with a straight face as if I'm some kind of idiot. I should blow up our headquarters 🤨
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ellameloetta · 1 year
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just got out of across the spider-verse and holy shit it was so fucking good❤️❤️
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this-doesnt-endd · 1 year
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i do think daisy jones and the six music is pretty good it feels very 70s but its def too polished to be completely mistake for true 70s music imo also those actors know what tiktok is, thoses faces know what an iphone is im sorry but its true
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leitmotif · 2 years
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meeting online friend tomorrow.... so so nervous
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alexiroflife · 2 months
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jjk men when you aren't feeling well but try to hide it...
"hello! i was wondering if you could write an angst but w comfort fluff headcannon w the jjk men? i was thinking reader has an injury or is sick but she hides it, but they find out. it would be great if you can, but if not i totally understand. your writing is amazing!!!" -anon
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gojo, geto, nanami, choso, toji, sukuna
satoru gojo: (sprained ankle!)
you're fucked.
you know you are the moment you go to pick yourself up from your boyfriend's hardwood kitchen floors and wince in pain in reaction to the pressure in your left ankle.
you hiss, immediately stumbling back to a sitting position. You look over your outstretched foot to find that your ankle is rapidly swelling, and you curse under your breath.
this is so inconvenient. of all times to injure yourself, you of course had to a day before an important mission. you never handle injuries very well. you are always so quick to brush them off, or at least be in denial about them because you can't stand the thought of feeling helpless or incapable.
especially not when satoru gojo is your boyfriend, who unfortunately knows you far too well to overlook something like an injury to your ankle.
damn. what are you supposed to do? satoru will never let you out of his sight, let alone allow you to go on this mission if he finds out about your injury. as much as you love the way he looks after you, you're not in the mood to accept the fact that you may not be able to walk for a few days without his help.
you try to stand again, stubborn with determination. you grip onto the countertop and rise slowly on your able foot, then lean to press your injured foot down slowly. okay... not so bad! Maybe you can add just a little bit more pressure, and-
"fuck," you curse, sharp pain throbbing through your foot the moment you try to walk. You lift your leg immediately and whimper, leaning your body against the counter. "god dammit," you pout.
you should ice it, you think, but icing it will only make the injury more real. maybe it's not so bad, right? maybe if you just sit down for a bit and push it to the back of your head, it will go away?
you know it's not smart, but truthfully, you don't have the time to worry about a stupid ankle. you're sure you only irritated it. with some rest, you'll be fine.
you hop your way up the stairs with your hand gripping the railing tightly to your shared bedroom and ease yourself into bed. you decide you'll take a nap while you wait for satoru to come home, ignoring the simmering pain in your swollen ankle.
"babyyy!"
you wake suddenly to the sound of satoru's voice singing through the house. you jump and immediately hold in a whimper of pain when you accidentally shift your foot beneath the covers. you can tell solely by the lack of mobility in your ankle that it's, unsurprisingly, gotten worse.
you panic, moving quickly to prop your back up against the headboard. you fix yourself in the most normal possible position you can without agitating your foot, and you turn to the door with an innocent expression the second satoru bursts through with a beam.
"hey, pretty," he walks in and immediately crouches over the bed to wrap you up in a hug. you cringe as his lips meet every crook of your face, his body enveloping you in warmth. "missed you so much today," he sighs.
"missed you too, toru," you wrap your arms around his back. "how was your day?"
"same old same old. the higher-ups only get more annoying each day, if that's even possible," he grumbles into your ear, slumping against you. "what are you doing cooped up here all by yourself? you taking a nap?"
"yeah, I just woke up," you tell him with a hefty exhale, his lips meeting the crook of your neck lazily as he nuzzles into you. "you wanna take one with me, you big baby?" you giggle.
"god yes," satoru agrees. "but first, I'm starving. did you eat while I was gone?"
"nah, I waited for you, toru."
"well, you normally cook, baby, I was waiting for you."
you momentarily freeze and he pulls back reluctantly, not before dotting one more kiss to the crook of your jaw. you had completely forgotten about making dinner, but seeing how you couldn't even walk, those cards were off the table.
he looks down at you with his arms propped on either side of your figure on the bed. your ankle continues to throb, and while you try to hide the pain that you are currently in by shifting ever so subtly beneath him, his sapphire eyes catch the twitch in your brow and the motion of your body beneath his blindfold.
"not that I care if you cook or not. obviously you were tired..." he trails off. "you okay?"
fucking hell, damn those six eyes.
you nod despite yourself, keeping a soft smile as you brush your fingers over satoru's hair. "yeah, of course. just tired like you said. I'm sorry about dinner, it slipped my mind."
"don't you dare apologize," he ducks down to kiss your cheek loudly. "we can go out to eat. make it a date before your big mission tomorrow, yeah?"
you internally deflate. the idea sounds amazing, but going on a date would mean getting up, getting dressed, and walking out the door. you're unfortunately physically incapable of doing any of the above at the moment.
satoru watches the way your shoulders slump and your lips part as if to protest, and he tilts his head in slight confusion. "...or not..." he says slowly.
"sorry, toru, it's not that I don't wanna go, i just don't have the energy..." you excuse pathetically.
satoru's face tells you that he doesn't buy your words, but he complies nonetheless. "that's no problem, baby, we can order in instead."
you sigh and nod with a gentle smile. "that sounds great."
"someone's feeling real lazy today, huh?" he teases, hooking his finger into his blindfold to peel it from his face, revealing his bright irises gazing curiously down at you. "you sure you're just tired?"
"yeah... why?"
"i'm just askin," he says. his eyes dart over you one more time before he pushes himself up with an exhale and tugging at your arm. "come on, let's go to the living room to order."
why the hell does he want to move around so much?!
"um- why can't we just order here?"
a smile quirks on Satoru's lips as though you've made a joke. "cause, we'll be downstairs once the food gets here," he says.
you pucker your lips slightly and tilt your head. "can't we just eat it up here and you can go get it?"
gojo's eyes are now slim with suspicion as he pulls himself back over to you. "i mean, of course i can but you never eat takeout in bed, we always cuddle downstairs and eat."
"I'm tired, can't i change it up today?"
"you know i have no problem doing what you want and pampering you baby," satoru starts slowly. his eyes dash to your legs, and he suddenly notes that he has not seen you bend them in the few minutes he has been home. in fact, you had been rather stagnant instead of running up to clobber him when he entered the room, whether you were previously asleep or not. "but you're acting a little weird."
"no, I'm not," you deny adamantly. you have always been a poor liar, but in the face of Satoru Gojo, your lack of talent in the arena only proves to be more prominent. "you think too much, you know that?"
"you think so?" he raises a brow at you, a hint of playfulness remaining though it is steadily fleeting the longer he examines you. "you think i'm thinking too much if i feel like you're lying to me?"
you press your lips together tightly. "...yes."
"hm," he nods. "come here for a second, pretty," he requests, stepping back a bit to give you room to stand. "just real quick, then you can lay back down and I'll get us that food."
"why do you want me to stand?"
"i wanna give you a big hug," he opens his arms widely. "c'mon, give your loving boyfriend a hug. you'd never deny me that after such a long day."
"come hug me here, then," you roll your eyes, turning to look the other way as heat overtakes your body.
"i want to hold you and pick you up," he argues, knowingly. "just stand and walk to me for one second."
"no."
"no?!"
"no, i don't want to."
"don't want to or you can't?" he accuses, face falling along with his arms. he moves to sit at the edge of the bed beside your legs, resting a hand over your uninjured one. "why can't you get up?" he asks, this time a tad more serious.
"i don't feel like it, satoru, god," you murmur in annoyance, growing agitated with his swiftness to notice that something is wrong.
"don't 'satoru' me, baby, you're the one not telling the truth," he says. "what's wrong with your legs?"
"nothing."
"then stand up."
"no, satoru. stop telling me to stand."
"i will if you tell me what's wrong."
"nothing's wrong!" you shrug harshly, crossing your arms and suddenly taking interest in whatever is outside of the bedroom window. satoru stares at you intently for a moment then back down at your covered legs.
he gazes harshly between the two, pondering, before reaching over to rip the comforter upward to reveal your bare feet. you gasp slightly, jerking to stop him, when your swollen ankle is revealed.
his brows immediately angle and he leans to hastily look over it. "(y/n), what the hell?! what happened to your foot?"
you grow embarrassed suddenly, moving to brush his hands away. "it's not that bad, stop," you say, going to move your leg to the side when you hiss sharply.
"not that bad? baby, your ankle's the size of a golfball!"
"satoru, you're being dramatic."
"what happened?" he asks, concerned. "did this happen while I was gone?"
"it's fine, relax."
"(y/n)," satoru begins sternly. you can tell that you've pinched a nerve. "i'm about to lose it if you don't tell me how this happened and why you were trying to hide it from me."
you frown. "But-"
"Now."
you hug your arms around yourself with another meek shrug. "it's humiliating..." you murmur.
satoru softens slightly. "baby, humiliating? i'm worried about you getting hurt."
"yeah, but-" you sigh and close your eyes, your emotions suddenly getting the best of you. you hate feeling small and weak, as though you can't handle yourself, and you swear every time you injure yourself or get sick, it's the worst possible thing that could happen in the entire world. "i don't know. whatever."
"uh uh uh," your white-haired boyfriend tuts, leaning over the smooth his hand over your leg comfortingly. "it's not 'whatever.' i know exactly how you are. you can't fool me. is this about your mission tomorrow?"
"it's not just about the mission, toru, i just don't- i hate it when i can't do stuff on my own."
"you don't have to tell me something i'm already well aware of." you give him a look. "don't look at me like that. i know you like the back of my hand, and i especially know when you're uncomfortable."
"i get it, toru," you frown.
"why the attitude, hm?" he asks, leaning over to prop his elbow on the other side of you, his body resting against your lap as he peers up at you gently. "it's okay to get hurt- well, no, it's not okay for you to get hurt because it makes me wanna die, but you get what I mean."
your lips twitch in amusement momentarily, leading satoru to grin widely.
"there's that pretty smile."
"it's just-" you huff. "it was such a stupid thing... i rolled my ankle stepping down from closing the cabinets and when it started getting worse, i thought it was so dumb that something so small did that to me so i left it alone. now it's probably twisted, and i just feel really..."
"you're not weak," satoru interjects urgently. "if that's what you're saying, which i'm pretty sure you are. you're far from what i would call weak."
"still. it still made me feel weak. and i'm supposed to go on that mission tomorrow, and i don't know what the hell i'm gonna tell yaga-"
"forget the mission."
"...satoru, i can't just-"
"you can and you will. you have an injury, baby. you can't walk. it's okay, i'll talk to yaga and he'll get someone else on the assignment while I take care of you."
"but the fact that you even have to do that because i was clumsy!" you shake your head and look down. "it's so ridiculous. and i knew you were gonna worry..."
"of course i'm gonna worry, (y/n). no less than you'd worry for me."
"but you're you."
"so? do you worry for me any less because of that?"
"i mean... i know you're always gonna be fine, but... yeah, i guess."
"you guess?" satoru scoffs. "to think, my girlfriend doesn't care about me..."
"oh shut up," you nudge his head away. his grin remains, face turning back to you as he captures you in his soft gaze. "obviously I worry."
"then, there you go," satoru says. his free hand runs over your hip. "i know you can handle yourself just fine and that you're strong as hell, but whether you're going on a mission or stubbing your toe, I'm worrying 'cause i love you."
you pout slightly. "I love you too."
"i know," he beams, kissing your thigh. "so stop with that. as if you'd ever be weak for getting a little boo boo."
"yeah, but now you're not gonna let me do anything," you whine.
"is there really such a big problem with that?" satoru smirks. "try hiding an injury from me again, and you really won't be able to do anything. now let me see."
he pushes himself up to round the edge of the bed. he kneels down and cradles your foot in his hand delicately, fingers grazing the area of swelling. his brow angles. "can you move it?"
you shake your head slowly. "not without it hurting."
"in all seriousness, baby, you need to take better care of yourself. why didn't you ice it?"
"...i wanted it to go away."
"and you walked up the stairs after rolling your ankle?!"
"i wanted to get into bed!"
satoru lowers his head. "what am i gonna do with you? you're gonna give me a heart attack one of these days."
"it's really not that serious. i just need to rest it a bit and then I'll be fine-"
"i'm gonna go cook you some dinner, okay? then we can eat in bed and cuddle, and then I'll run you a hot bath later."
"satoru, i just said it's not that serious! please don't go burning down the house because of my ankle. we can literally still order food," you try to convince him, but the blue-eyed man is already on his feet, by your side, and kissing your lips.
"not another word. you're practically dying, now, i have to look after you."
"toru-"
"i'll be right back, i'm gonna grab you some ice and a pillow for your foot."
"satoru!"
but when you call him, he's already zooming out of the room and down the stairs. you sigh and plop your head back against the headboard with a soft smile. as humiliating as you find it to be injured, you can never say that gojo doesn't do everything he can, if not excessively more, to look after you when you are.
suguru geto: (cold!)
shit.
you step into the bathroom for the umpteenth time today to blow your nose, clearing your searing throat as you do so with a groan.
something in you knew this morning that you were coming down with a cold when you woke up to that dreadful scratch in the back of your throat, but the idea of getting sick physically ails you more than actually being sick does.
you're far too busy today to be weighed down by some common cold. you're in between meetings at work as you toss another tissue into the women's trash. You have paperwork to finish filling out by midnight, and you have to pick up the girls later from daycare.
how can you be sick of all things?
you know it's likely because you run yourself ragged more often than you need to, and suguru always tells you to slow down and take a breath, but you rarely listen to him. your life moves at a quick pace, constantly on the run from one task to the next, and you truly do not feel that you have the leisure of giving yourself one second to rest.
you're on the verge of earning a new promotion, and you need the money. you need the opportunities, and the accomplishments to care for the family you've built with geto. just as suguru works tirelessly to manage his cult, you work tirelessly to keep a living for yourself.
you're proud of the work you have done, truly you are, but at times it feels as though you are amounting to nothing, chasing promises of a higher position that have yet to come. despite the haziness of the path ahead, you push harder and harder each day.
suguru hates it, how you drive yourself to the brink of insanity day in and day out, but you can't help but be an overachiever. you can't help but work hard for those who may not even deserve it.
and now, of course, you're sick. you can feel your temperature spiking, your nose is stuffy, and your head is pounding. you want to go home and curl into bed, but you have responsibilities to fulfill. just a few more hours... then you're home with geto, with the girls, safe in bed just to wake up and do it all over again tomorrow.
you jump when your phone suddenly rings in your pocket. you pull it out to see your boyfriend's contact, and you straighten yourself up as best as you can to make it sound as though you aren't struggling to breathe through your nostrils.
"hello?"
"hey, babe, how's work going?" suguru's soothing voice echoes through the phone and you sigh, clinging to the comfort his tone provides. you miss him. you want to go home already.
"it's good," you lie. "i have a few more meetings. then some paperwork to finish, but I'll be able to get mimi and nana on time."
"actually, i called to tell you not to worry about that. i got finished up here with the group pretty early, so i'll be able to get them later."
you're relieved that you won't have to expose the girls to your germs in the car. "okay, thanks for letting me know. you need me to pick up some food on the way home?"
"no, we're gonna make pizzas later. the girls have been dying to try it making it from scratch forever, so i'll take them to the store once i get them."
"...oh. okay..." you nod. "there's nothing else you need me to do then?"
"just to come home in one piece," suguru says. "i'm trying to take some stuff off your plate, (y/n). you've been exhausted, and you can't tell me otherwise."
"sugu, I'm fine," you dismiss him, only to turn your head into your elbow to muffle a cough. you forget to mute the call when you do so.
"what was that? are you okay?" the dark-haired man questions quickly. "you're not sick, are you?"
"no, no," you deny fast, voice slightly hoarse. you clear your throat quickly. "something was just- stuck in my throat. but I'm fine. i'm not sick."
suguru's quiet for a moment, and you chew on the inside of your lip while you wait for him to respond. you know it's impossible to fool suguru, especially when it comes to matters regarding you or the girls, but you can't handle him worrying over you right now. his concerns would only bring you back to reality, pulling you from this cycle of overworking you've fallen into. you need to keep going. You can't stop, and if suguru knows you're sick, he will make you stop.
"suguru? you there?" you finally say.
"oh yeah, i'm here," he responds rather quickly, and you internally curse yourself. "what time do you get off?"
"uhhh..." you think about it for a moment. it's 3:30 now, and technically you only have an hour and a half left, but since the girls will be picked up by Suguru, you realize you can finish your paperwork in the office. "today's kind of a long day... so I probably won't be home until... 7?"
"(Y/n)."
"i know, i know, but listen, i just have to finish up this paperwork. that's all."
"weren't you just gonna do it at home?"
"well, yeah, but since you're getting the girls, it's kinda easier for me to finish it here..." you start mumbling lowly, knowing that whatever explanation you give is not one that suguru will willingly accept.
"babe, please just come home at a normal time today. you can't keep doing this to yourself."
"i promise it won't be past 7. i swear. just let me get this done, and I'll be home."
suguru releases a hefty sigh, and you can picture him rubbing his thumb against his forehead in stress. "7 o'clock, (y/n). i mean it. if you're so much as five minutes late, i'm coming over there myself with rainbow dragon."
you chuckle softly. "i promise it won't get to that. i'll be fine, alright? i'll text you when I'm headed out."
"okay. I'll see you in a bit."
after your meetings had ended, your cold symptoms grew worse. your coughs were more frequent, a pile of tissues were stacked at your cubicle, and the glare of your computer screen felt as though it was burning a hole into your already aching head.
you feel miserable, and as luck would have it, your boss placed a new stack of papers onto your desk to finish filling out before you went home on his way out of the door.
you're alone in the office now, surrounded by excess assignments, and you can hardly breathe through your nose. you check the time, and its thirty to the time you told suguru you'd be home. you groan, rubbing your hands over your face.
you're tired. your bones are aching. you want to be with the girls, you want to be home, you don't want to do this anymore. you're so burned out, it hurts, and you want to cry and collapse face-first onto your desk at the same time.
just then, your phone lights up with a message from suguru. you open it eagerly to be greeted with an image of the girls beaming up at the camera in the kitchen, hands covered in tomato sauce as they display them to the phone. beneath the photo, suguru types.
we miss you :(
you break, placing your phone down and shielding your face in your hands as the tears flow. god, you miss spending time with them. you're hardly home anymore because you've been so busy with work, and you're yearning to be held by your boyfriend, to hear the girls laugh, to sink into the bed combined with your deteriorating physical state makes you feel worse.
you miss having a life.
you don't know how long you spend crying in your empty office before your body shuts down on you completely. the energy you exerted shedding tears in addition to your long days at work send you into a deep sleep. before you know it, you're knocked out with your cheek pressed against one of your unfinished papers.
the second you failed to answer Suguru's text, he knew something was wrong. he calls, and calls, and calls after twenty minutes, but you don't answer. He wastes absolutely no time in calling up manami to look after the girls before trekking out of the house to you with rainbow dragon, just as he promised.
he's prepared to break a window when he sees the janitor leaving the building. he takes the opportunity to swoop in through the doors after grumbling something about his girlfriend being inside, before making his way up to you.
when he reaches your office, he finds you lying in the only occupied cubicle. His eyes go wide as he studies your slumped figure, walking slowly to where you're seated. he notes the tissues and cough drop wrappers crowding your space, then the tears that coat your lashes when he kneels down.
"jesus, (y/n)," he murmurs, swiftly getting to work and clearing your desk of all your trash. when he's done, he crouches by you again and runs a hand over your back. "baby, wake up for me. come on," he coaxes softly.
you stir, face tightening in discomfort. suguru sees the bags under your eyes and his frown deepens. Eventually, you wake with furrowed brows, adjusting your blurry eyes to the sight of suguru gazing down at you worriedly.
"sugu...?" you mumble weakly, only to be interrupted by a few coughs that rack your chest. suguru's heart aches.
"i knew it," he sighs, eyes hardening as his hand strokes over your warm forehead. "why don't you listen?"
"what are you doing here?" you grumble, picking your head up slowly. you're greeted with a retched reminder of your headache, and you wince, pressing your hand to your head.
"we had an agreement, remember?" he reminds you, and you slowly recall. you move to grab your phone and the time reads 7:15. "i wasn't joking."
"suguru..."
"stop," he immediately cuts you off. "look at you, (y/n). you've made yourself sick."
"it's just a- a cough," you murmur, rubbing your irritated eyes harshly.
"that's bullshit, baby," he tells you rather firmly. "i don't know why you're trying to hide this from me when i knew something like this would happen. we're going home."
"no, wait, Suguru, i didn't finish my paperwork yet."
"do you think I give two shits about your paperwork?"
his tone comes off rather harshly, and both of you notice. he blinks his eyes tensely and readjusts himself, attempting to reel in his anger. his anger for you, over your lack of care for your wellbeing, at your fucking boss for letting you work yourself like this.
"you've been killing yourself for weeks, (y/n). i won't let you anymore. this is the last straw."
"hold on," you urge. suguru looks down at you, befuddled. "i really can't just up and leave my work behind like this. I'm sorry, I can't."
"what's more important to you, (y/n)? being healthy or working yourself to death?" he proposes, almost pained by the latter. "if you cared about your well-being, you would have asked for an extension or at least had a conversation with your dick of a boss about doing this another time. anyone can see that you aren't feeling well, and someone who cares will tell you that enough is enough."
"don't make me do this, suguru," you whimper. suguru's face relaxes when he sees your eyes glossing over. "don't make me stop. I can't stop."
"baby," he curls his brows, holding your cheek in his hand as he kneels before you. "why are you doing this to yourself?"
"b-because, I have to..."
"no, you don't. i've been telling you this for years, you don't have to do this."
"but I need to make something of myself. i have to keep going. i can't just quit, because if I do, then what will any of this have meant? why have i been doing this?"
"you're breaking my heart, baby," suguru exhales. "this job doesn't define you. i see how hardworking, smart, and strong you are. i see the effort you put into everything you do. i see the commitment in your heart. i see it everywhere, all the time, and that is one of many reasons why i love you so much."
your lips wobble as you look into his hazel eyes as his voice and words melt you into his palm. you've been moving so fast all this time, you've been trying to prevent yourself from falling into suguru's warmth, which has always had the power to make you do anything he says.
"but I can't stand to watch you make yourself sick because you think there's more you need to do. this isn't good for you. you know it isn't."
you nod, red nose flaring as you sniff. "i know," you admit.
"so please, please take a break. i'm literally begging you. you need to come home and rest. i'll take care of everything else, just come home. lay down. come back to us. to me."
your shoulders jerk as a few tears drop from your eyes. "sugu, i can't do this anymore," you finally give in. "i don't even feel like myself. i just want to go home."
"then let's go baby, come on," he stands and takes you with him in his arms, pressing your body to his as he holds you. you sink into him, your exhaustion and your sickness finally crashing down over you. "i'm gonna fucking kill your boss," he murmurs into your hair.
you laugh weakly against him, closing your eyes. "later. just take me home, now. please."
"yes ma'am," he nods, kneeling down to pick you up into his arms. you wrap your arms around his neck, burying your face into his chest.
"m'gonna get you sick," you mutter.
"we can be sick together," he chuckles. "the girls and I can make you some soup. they've been obsessed with cooking lately," he says, leaning over to shut off your monitor before carrying you off to the elevators.
"that picture of them you sent earlier made me so sad. I miss you guys so much."
"i'm sorry baby, i didn't mean to upset you that much. i was only trying to guilt you a little into coming home early."
you slap his shoulder pathetically. "asshole."
"i know, i'm sorry," he kisses your head. "gonna get you all better in no time."
kento nanami: (low iron!)
you have always been a little anemic, and of course that never really posed as a terrible challenge for you until you ran out of iron supplements.
it is your responsibility undoubtedly to keep track of when you run out and when you need to restock, but recently, you've found yourself neglecting the habit.
you never did like taking iron pills, or any supplements for that matter. you feel as though they take too much out of your daily life, as though they're a burden to your existence, and the harder you think about it, the less inclined you are to keep track of it.
it's been about three weeks since you last took your iron, and while you would like to say that you have improved significantly, you would be lying.
perhaps the first few days of not taking your supplements was fine, but as time droned on, the symptoms kicked back in rather quickly. you are extremely tired all the time, you feel lighter on your feet as if you are going to pass out at any given moment, and your hands and feet are ridiculously cold though it is now the summertime, and the weather outside thoroughly contrasts your body temperature.
you're in denial about the changes, of course. you want to be able to feel fine without the crutch of your pills, but the reality of the situation is that you don't, and it's crushing you for some reason.
what's crushing you more is that you know how disappointed nanami will be to find out that you haven't been being responsible in stocking up on your supplements. he would normally keep track of when you run out in addition to you, but he's reeled it in a bit over the past few months because you wanted him to trust that you can handle taking care of something that you've managed all of your life, so he did.
and yet, here you are, trying to hide the symptoms of your iron deficiency that are only proving harder to veil. nanami has already asked you a few times if you are feeling okay over the past few weeks, therefore you know that he suspects exactly what is happening, but you brush him off each time.
"i'm good, honey," you'd tell him. "just had a long day. what about you? how are you feeling?"
you feel like shit lying to him, but you're afraid of being truthful for some reason. he would scold you, and you'd have to resort to the aid of your only weakness all over again.
god, why can't you just be normal?
you've even tried to ween off of the strict iron-sufficient diet that you've been on practically all your life because you feel like you have something to prove, especially in this world of jujutsu. how can you be a sorcerer with low iron? how can something so smell render you so weak? it's pathetic.
you don't want to think about it, in truth. you want it all to just go away. you want to be fine, to feel fine without eating certain things constantly or taking those damn pills, and you try to force yourself to, but it only grows worse the longer you hide it.
you stumble into your home after a long day of teaching and press your back to the door with a sigh. you know nanami won't be home for another forty or so minutes, so you kick your shoes off, go grab a water, and plop down on the couch.
you feel so tired. you pinch the bridge of your nose and close your eyes, leaning back. this is stupid, you think. you're being stupid. just reorder the damn pills.
but something stubborn within you refuses. something within you that must prove you can push past this.
you decide to watch some tv to distract you as you wait for nanami to return home. he suggested cooking for you tonight, so you rest until you hear him walking through the door.
"hi honey," he greets. you turn to smile gently at him as he rounds the corner. your cheeks pinch with happiness, your current turmoil momentarily forgotten when you see your husband approach. you go to stand and walk into his open arms, just like you normally do when he comes home.
you put the remote to the side and shoot up. your mind is occupied only by nanami as you move toward him, but you see his face drop and your vision turns upside down, and suddenly, you're falling.
kento is quick to react, ducking down impressively to catch you in his arms before you can hit the ground. you collapse into him, head dizzy and breath suddenly gone.
"sweetheart?! (y/n) are you alright? are you awake?"
you groan, shifting in his strong arms as they cradle you securely. when your vision regains focus, you're staring up at nanami's worried face, your body resting over his lap. you blink rapidly before realizing what just happened.
"oh shit," you whisper.
"(y/n)," nanami says your name again, caressing your cheek sweetly. "are you here with me now?"
"y-yeah," you nod, moving to sit up and press your hand to his chest. "i'm alright."
"absolutely not," he stops you immediately, pressing against you to lay you back down on his lip. you frown, looking up at him. "don't even try sitting up like that right now."
"kento," you start, growing worried by the tense look on his face. "i'm okay, really. i just sat up too fast."
"i know," he affirms, his thumb still smoothing over your skin. "and care to tell me why that alone is making you pass out?"
you can't find the words to respond as you stare at him, likely as guiltily as you feel. he hums knowingly.
"right," he sighs. "(y/n), how long has it been since you've taken your iron?"
and there it is. the very question you had been dreading.
"...i'm not sure what you're-"
"don't. really, don't," he interjects firmly and you shiver, rather unfamiliar with this side of your doting partner. "i'm still trying to adjust to the fact that you haven't been truthful with me. the least you can do is tell me how long it's been."
your heart drops. "kento..."
"i'm not in the mood for stalling, sweetheart. go on. out with it."
the sternness of his voice hardly matches the way he is holding you and stroking your cheek, but nevertheless, you feel awful. you avert your gaze and shrink into yourself. "three weeks."
"three?" he repeats incredulously, and you nod in shame. "i knew it had been over a week, but three, (y/n)?"
"i know," you mutter.
"why? after you told me not to check after you, to trust that you'd take care of yourself," nanami questions. "this is why i tried to help you. i know it can be a hassle sometimes, and forgetting is one thing, but to deliberately stop taking them when you know how much i worry about it... when you know how important it is for you?"
you bite hard on your lip and look away, brows curling. nanami notices immediately and softens himself, leaning down closer to you.
"my love," he starts. "i don't mean to upset you, but this is very upsetting to me."
"i know. i know, i'm sorry..." you whimper.
"but not because it's about me, (y/n), because it's about you. and you've been hiding this from me, of all things. i don't understand."
"i just didn't wanna take them anymore, ken," you say quietly.
the blonde furrows his brows. "you didn't want to take them? have you not been taking them for years?"
"i have but that's the problem. i'm a sorcerer now, and..." you exhale. "the point of being a sorcerer is to not have anything weighing you down, and this weighs me down."
"if anything, (y/n), not taking the supplements weighs you down more."
"no, i just mean- all of it, the whole iron deficiency, i hate it," you confess. "i'm tired of relying on something to be strong. i'm tired of being tied down to this. i wanted to see if i could overcome it, but i can't. i'll always have this problem, and it sucks, ken," you ramble. "if i could go without taking these pills and still do my job like i always have, then just maybe.... maybe i could be better. and i could prove that i... i don't need those stupid pills, or the extra greens, or the- whatever. just all of it."
nanami looks down at you rather sadly. "i had no idea you felt this way."
"i haven't always felt this way. it's just lately, i don't know, i feel pressured to go beyond."
"darling, your iron-deficiency doesn't make you any less talented than other sorcerers."
"i know. i mean, i should know, but i can't help but feel that way."
nanami presses his lips together, smoothing a knuckle over your cheekbone. "i'm sorry you feel like this."
"it's not your fault, ken. and i shouldn't have kept this from you, i know. i'm sorry. i just felt humiliated by it."
"there's nothing for you to be humiliated by," he reassures you. "your deficiency is no different from any of us having to feed ourselves or drink water in between missions to keep ourselves alive. it's a necessity, and though we are sorcerers, we live off of necessities to keep ourselves physically and mentally able to work. you have a responsibility to yourself. just like the rest of us. just because your iron's a little lower doesn't mean anything about who you are as a sorcerer."
"...i never thought of it like that. i've just been thinking of it as a burden."
"it's only a burden if you view it that way. you are a grade one sorcerer who i have watched climb the ranks effortlessly since we were in high school, all the while with an iron deficiency that you have always taken supplements for. that never stopped you," he says. "the problem comes in when you don't keep up with yourself and take care of those needs. just like how i'd be unable to work if i decided to skip my last few meals and drink less water."
"that makes sense," you mumble, capturing his soft brown eyes with yours.
"good," he nods. "(y/n) you can't neglect your needs like this."
"i know."
"i'm being serious. i'll start checking behind you again if i find out that you're not doing what you need to do to take care of your body."
"i know, ken, i'm sorry, i-" you stop yourself and shake your head. "i just let my insecurities get the best of me."
"then, let me handle taking care of your insecurities. you handle taking your supplements. do we have an agreement?"
you nod slowly. "yeah. we do. i'm sorry for lying again, ken."
"please don't do it again," he sighs, ducking to kiss your forehead. "but i know you wouldn't lie to me about anything else, and that you hiding this was solely out of fear."
you slowly move to sit up, and this time, kento helps you very gradually. he guides you back to sit on the couch and cups your face gently, pressing a soft kiss to your lips. "i'll go order some more iron and then get started on dinner. alright?"
you hum with a soft smile. "alright. i love you, ken."
he returns your loving smile. "i love you more, sweetheart."
choso kamo: (broken finger!)
it had fully been an accident.
you should have been paying more attention to what you were doing and at the same time, so should have panda.
it really was an honest mistake. you were standing in the doorway as everyone left the classroom, your fingers clutched around the frame as everyone filed out. you were asking around if anyone had seen your boyfriend, and yuta mentioned that he saw him with yuji earlier that day.
you thanked him, and just as you were about to pull your hand away, panda, who was the last out of the room, slammed the door shut behind him thinking you had already moved out of the way.
but you hadn't.
the door flew into your index and middle fingers and you screamed bloody murder. the cursed corpse as well as his classmates whipped their heads around, and to panda's horror, you were knocking your forehead against the wall with tears in your eyes as your fingers trembled in the doorframe.
"(Y/N), HOLY SHIT I'M SO SORRY!"
you hadn't expected panda to actually break one of your fingers, but you give the freak credit for his unnatural strength. you later find out that yuji and choso had gone out to grab food for you when you see a text from your boyfriend pop up asking what flavor ramen you want the second you learn that shoko will not be available until late tonight.
for the time being, you're given a finger splint and pain medicine as though you aren't freaking surrounded by jujutsu sorcery.
and god, did it hurt! like, really, really hurt. your fingers are throbbing, and the one that isn't broken is bruised and stained with some blood. you wish you could be angrier at panda, but his groveling before your feet on his knees eases your frustration a bit. after all, it hadn't been on purpose.
you're sent home and you are given no choice but to wait until choso returns, and you're... nervous. choso never handles the ailment of his loved ones very well. his spiritual and physical connection to his brothers wellbeings' often causes him to lose his mind every time yuji gets accidentally punched in the face during training, and when it comes to you? well, choso is just the same if not somehow worse.
you remember one time you got a papercut and winced when your finger made contact with soap. choso was quick to your side, grasping your wrist and looking over your hand as though it had been severed off.
one thing you have come to know in your relationship with the brunette is that he would (and has) killed someone for the sake of the people closest to him. he does not mess around when it comes to his family, and he certainly doesn't mess around when it comes to you.
and while you think he can be a bit excessive with making sure you're alright when it's hardly necessary, it's first and foremost endearing, and it only makes you realize that he will go ballistic the second he finds out that someone broke your finger.
he doesn't naively think that you can never go unharmed, though he would be incredibly content with the notion if it were plausible. he's familiar with scars, wounds, fights, and battles, and he knows you're in the very center of it just as much as he and his brother are. but still, he hates it when you're hurt. he wants to protect you as best as he can, or to at least prevent you from suffering any more than a sorcerer already has to suffer. he only wants you to be safe.
so to prevent him from having a heart attack, you decide it's better if he doesn't know about the incident. when you answer his texts before heading home, you mention nothing about your poor finger in hopes of him not finding out at least until after you're healed.
that plan of yours, however, fails when choso comes barging through the door three hours earlier than you expected him to return. your eyes go wide from where you sit on the couch, and you have no time to even go to hide your fingers behind your back when choso marches up to you, agitated.
"uh-" you're cut off when he grabs your arm gently and lifts it into the air, your taped crooked finger showcasing itself to him. you press your lips together at how poorly the plan to conceal this from him has failed. "cho-"
"were you gonna tell me about this?" his violet eyes fly to yours in a fury, and you're almost stunned by how aggravated he looks. his voice is calm, low, but his face is wrecked with concern and almost betrayal.
"...i was, but i wanted to wait because i didn't want you to freak out..." you say slowly, watching him softly. "like you are now..?"
"that's not fair, (y/n)," he frowns and you furrow your brows. "that's not fair at all."
"woah, hold on... are you mad at me?"
"i don't know," he answers you honestly, looking between your face and your trembling hand. "i'm... upset."
"who told you about my fingers, love?"
"yuji got a text from yuta," he tells you, moving to sit down on the space beside you with your hand still cradled in his. "he said that panda was begging me not to kill him, and this was after i had talked to you."
"oh..." you sigh. "okay, yeah, i can see how that looks."
"why didn't you tell me you got hurt? and pretty badly too? where's ieiri?"
"she won't be back on campus for another hour," you explain. "i didn't want you to worry, cho, i figured i'd just tell you after it was better, but..."
"why would you try to hide something from me?" he asks you, suddenly sounding hurt. it's clear on his face that he doesn't understand why you would conceal something as important as your health from him, whether it was small or not. you tell each other everything, and that shouldn't have stopped now of all times because you don't want him to worry.
"i didn't know you'd get so upset, cho, honestly," you tell him. "i-" you stop when a sharp pain shoots through your fingers and you gasp. choso's face drops and he gently sets your hand down to his lap, panicked.
"i'm sorry," he apologizes. "shit, you must be in a lot of pain."
"it's nothing i haven't experienced before," you try to reassure him, giving him a tight smile.
"why does that matter?" choso drags his brows together. "pain is pain. i don't like when you feel any of it."
you melt. "i know. i know you don't, i don't like when you feel any of it either."
"so don't... keep stuff like this from me, (y/n)," he says sternly. "please, i need to know. i don't have the same connection to you that i have with my blood brothers, but i'm still connected to you all the same. when you hurt, i hurt."
"i get it cho, i'm sorry," you nod bashfully. "i wasn't trying to make you mad. i just don't like it when you're stressed out."
"i'm always stressed out," he says flatly, and you raise your brows with a halfhearted smile.
"yeah, i know. so why stress you even more?"
"i'd rather be stressed about you if i'm stressing about anything," he says, looking over your face as the hardness in his gaze washes away. "you know you're everything to me."
"i know, baby," you push out your bottom lip, pressing your free hand to the side of his cheek and leaning in to kiss him. his ears burn when you pull away, and he sighs heavily.
"don't offend me by trying to hide stuff like this. it won't work."
"i'm sorryyyy," you giggle and choso grumbles incoherently under his breath.
his gaze goes back to your fingers and his brows curl. "how the hell do you slam a door on someone's hand?" he hisses.
"it was an accident, cho, he didn't mean it."
"i know, and i shouldn't really be angry at him but i can't help but be irritated because you're hurt..." his fingers graze the tape. "how bad does it hurt?"
"cho, it'll be okay."
"that wasn't my question."
you roll your eyes at his attitude with a soft smile. "it hurts as much as a broken finger would."
"right. sorry," he murmurs.
"you're okay, love, you don't need to apologize."
"i still wish i- nevermind," he refrains himself from discussing how he wanted to be there to protect you from such an unpredictable occurence. "is there anything i can do to help you feel better while we wait? do you need anything?"
"ummm," you try to think. "actually, could you grab a new pack of ice from the freezer? and... the snacks you got me earlier."
the brunette's face brightens slightly with the thought that he can do something to help ease your pain as you wait for shoko to return to the school.
he nods in determination, carefully sliding your hand into your lap and kissing your cheek before hopping up to run to the kitchen. he returns with the items you requested, placing the snacks down beside him and lifting the bag of ice over your hand.
"like this?" he eases the bag down and you wince, nodding.
"mhm. yeah," you strain out. choso watches your face sadly, hating the fact that you're hurting.
"i'm sorry for getting upset," he mumbles. you turn to look at him curiously. "i just love you a lot."
"i love you more, cho," you smile gently, leaning your head against his shoulder. he sighs, resting his chin atop your head as he ices your hand. "and don't worry, i get it. i won't try to hide injuries from you anymore."
"i really hope so."
"now can you pass me those chips please?"
toji fushiguro: (knife cut!)
toji is going to absolutely kill you, and you are dreading the moment he does.
he has always told you not to touch his weapons. even if you see any of them lying around his place because he never bothers to clean up in between jobs. his one rule when you're over is to leave them alone and to let him handle them when he gets back. he doesn't care how much you protest, he doesn't care that you want to help him pick up after himself.
no touching. that is all he asks of you.
and of course... one afternoon when he's out sorting out some finances with shiu and one of his knives is glaring at you from where it lay on the kitchen table, you can't help yourself.
you don't really think anything is going to happen. after all, you're not a baby, nor are you an idiot. you know how to handle a freaking knife and you know where to put it, and yet, somehow, you allow your arrogance with the task to distract you. you're not handling it as carefully as you should be, and the second you hear the keys jingling outside the front door, you panic.
the blade, naturally, fumbles in your grasp, and swipes through the air, over your palm, and to the carpet. you jump, stepping away as quickly as it falls. you feel a sting in your hand and look down to see the fresh gash stretching over your skin. you gape as blood slowly simmers from the wound, befuddled as to how something like this even happened so quickly.
you have no time to clean it when you hear the key inside the lock. you hurriedly pick up the knife with your unwounded hand, place it back on the table where you first saw it, rip a napkin from said table to press to your bleeding palm, and clench it into a fist just as the door opens.
toji immediately greets you with a raised brow, jade eyes eying you oddly as he steps in. "the hell are you gettin' into?" he asks, confused by the way you are standing against the wall when he enters.
you're quick to move into his space to distract him from the vision of his knife and from looking any further downward from your face. you lean up on your tiptoes, normal hand on his forearm as you kiss his scarred lips. "what do you mean?"
"why were you just standing there like that?"
"can't I wait by the door for you to come back?" you bat your eyelashes, and toji grunts, gazing down at you with lidded eyes as his hand comes around the small of your back. "i'm just happy to see you."
"you take a pill or somethin', doll?"
you glare at him. "now why would you ask me that?"
"you're just acting a little too nice, that's all."
you scoff. "i don't know what you're talking about, i'm literally always happy to see you."
"yeah, but i was gone for thirty minutes and you never make a show of it like this."
"why are you making it sound like i don't show you love? you're the one who's mean all the time," you retort sassily.
a smirk captures toji's lips as he ducks down to kiss you again. "that's more like it," he murmurs against you. "still ain't answer my question though."
"i literally did. i told you i was waiting for you."
"sure," he says, unconvinced. his eyes drag down your body and momentarily go to your fist when you swiftly wrap both arms around his neck, pulling him down to crash your lips into him once more.
his brows narrow and as you kiss him, and you can feel the blood on your hand seeping through your napkin. you curse internally, lowering your hand back down behind him as he pulls away.
"not that i'm against this," toji starts, voice dangerously low against your mouth. "but it feels like you're tryin' to distract me from something."
"why would i be doing that?" you ask gently, looking up into his piercing eyes. he hums, dragging himself away from you. he grabs your chin softly and tilts your head left and right, looking over your face. "what are you doing?" you ask.
"lookin' for whatever you're hiding."
"i'm not hiding anything, toji."
"uh huh."
shit. it's never a good sign when toji doesn't even try to pretend to believe anything you're saying, and the way he's looking over your face let's you know that he at least suspects you've done something to yourself that he should know about.
you keep your fist to his back as he looks over the rest of your body with a rather relaxed expression, which only means that he doesn't suspect you touching any of his weapons. yet.
you have to keep his attention away from the knife on the table so that he doesn't figure it out.
"can you stop messing around already? i wanna go take a shower," you try to say, but toji doesn't listen.
"turn around f'me."
"huh?"
"huh?" he mimics you, looking at you unimpressed. "turn."
you suck your teeth. "i hate when you get like this."
"and i hate when you lie, now turn."
you grimance. you can't turn around with him looking down at your hand, and you're sure by now that the napkin you hold is coated red. your eye twitches in that moment when you feel a line of blood drip down your wrist.
god dammit. you're so dead.
nonetheless, you try to keep your palm facing inward as you slip it from his back and turn over your left shoulder, which connects to the uninjured hand. the second your back is to him, you bring your bloody hand in front of you.
"yeah, no," you hear toji gruffly say. your heart hammers in your throat and you know what's coming next. he moves around you to wrap his hand around your wrist and tug at it.
you cringe, allowing yourself to accept your fate when he pulls forward your balled up hand.
"open."
"can't we just-"
"open."
you sigh heavily, slowly peeling open your palm to reveal the red-stained napkin balled in it, the line of blood rushing down your inner arm, and the slice that stretches across your hand.
toji's eyes blow wide, and before he asks you anything, he throws his head over his shoulder to locate the knife that sits on the table. "are you fucking kidding me, (y/n)?" he growls, turning back to face you angrily.
"okay, let's not act like this is so crazy!" you immediately defend, throwing your other arm up. "you leave your shit lying around all the time!"
"and every single time, i tell you that i'll take care of it. what the fuck, do i have to go child-proofing the house now because of you?"
"if you would just be more mindful of how you leave your space, you wouldn't even have to worry about shit like this! you shouldn't even have knives lying around in the first place."
"i'm a grown man, (y/n), i know how to avoid cutting myself with the weapons i use daily."
"you're being a prick."
"oh baby, you must not know me because i'm about to be worse," he grunts, eyes heated with fury, and you frown.
"toji, come onnn, it was an accident."
"what do i always say about my weapons, (y/n)?"
"i just wanted to help you put it away, is that so crazy?"
"what. do i say. about my weapons."
you deflate slightly, uneased by the rate at which toji is growing angry with you. "...not to touch them."
"so why the fuck did you touch them?" he growls, picking up the napkin in your palm and tossing it over his shoulder. he looks over your wound and clenches his jaw. "fucking hell, (y/n)."
"look, i'm sorry."
"shut the hell up and come on."
despite his rage, he leads you to the bathoom with surprising care.
when you arrive, he flicks on the light with his free hand and swipes up a cloth from under the sink. he turns to you, pressing it down to your wound to stop the bleeding. once it seems like it's done, he puts the cloth down and turns on the faucet. "put your hand under," he orders, guiding it to the cool water nonetheless.
the water hits your open wound bitterly and you jump, watching the blood run through the drain as toji washes your arm as well.
"sit," he nods over to the bathtub, shutting off the faucet.
you oblige mutely, shuffling over and holding out your hand. you sit slowly on the ledge of the tub and watch as toji shuffles through his cupboards for a bottle of peroxide, some bandages, and ointment. you dread what is coming, for you know your hand is gonna sting like a bitch.
toji thuds over to sit hunched on the closed toilet lid, leaning over to grab your hand again. you stretch your fingers out and he sighs, shaking his head. "so fucking hard-headed," he murmurs.
you watch him screw open the bottle of liquid.
"go slowly," you plead.
"it's gonna hurt all the same, doll," he tells you, and you pout. "you should listen next time, then maybe you wouldn't have to go through this."
"shut the fuck up."
toji clicks his tongue, glancing at you momentarily before leaning down and holding the bottle over you, grasping your wrist loosely with your hand above his knee. "keep still."
the peroxide comes flooding out of the bottle and onto your hand, bubbling instantly over your gash. you whimper, tensing your body and scrunching your eyes at the sting.
"i know," toji mumbles, smoothing his thumb gently over your wrist. "you're alright."
your fingers dig into your thigh as it continues to burn. toji leans over to put down the bottle and continues to caress your arm, lowering your hand to his lap. he blows over your palm slightly as the peroxide dries, and you eventually open your eyes.
"not so bad," he tells you. he leans himself back to reach for a new cloth then pats it around the gash, drying your hand and your arm. he reaches back again for the tube of almost empty ointment he found and twists it open, squeezing it over your wound. "shit, hold on," he stops. he lets you lift your hand as he rushes to wash his own before coming to sit back down at hold yours on his leg again, now with bandages in hand.
you watch him gently as he works the bandage over you with such attentiveness, a dip in his brow proving his focus. you suddenly feel guilty for making him worry.
"i'm sorry," you finally say again, this time with more meaning.
toji's green eyes snap up at you amidst his wrapping. "yeah?"
"i really was just trying to help you. didn't mean to stress you out."
toji sighs, pausing his movements to look you in the eye. "you need to be more careful. i tell you not to touch my stuff because it's not your responsibility. obviously i know you can yourself, but some of my shit's really dangerous and i don't want you gettin' hurt," he gestures to your hand. "it could've been a lot worse, but still."
"if you don't want me touching your weapons, toji, you should probably clean them up more," you quirk a brow and he exhales loudly.
"i'm seeing that now, yeah," he says. "i'll be more careful if you are. don't need my doll getting a bunch of scars 'cause of me, now."
you smile softly. "yeah. i won't touch your stuff anymore, i promise."
"...how about instead i just... teach you how to handle 'em the right way?"
you perk up. "really?"
"i don't see why not. i'd rather you know how to use some of it than see you scrape yourself up because you don't know how to hold a knife."
"don't be a smartass."
toji smirks, continuing with his wrapping of your hand. "i mean it. i'll sit down with you sometime to show you."
"...how about after we're done here?"
"don't fucking push it."
ryomen sukuna: (fever!)
you wake up in a cold sweat, shivering.
you groan in displeasure, rolling over, slightly discombobulated. it can't be any later than 7 am, but you are boiling hot. you press your hand to your forehead and curse. you're sweating profusely and you feel incredibly lightheaded.
you don't even have the energy to get up, but you know that you need to take your temperature. you shudder, carefully shuffling out of bed and wincing as every brush against your skin feels like the stab of a thousand pins and needles.
you lethargically make your way to your bathroom, the cool air hitting your neck and sending you into a fit of shivers. you cling to yourself, teeth chattering, and reach into your cabinet for a thermometer. with half-open eyes, you pop it under your tongue and make your way back to your bed, bundling up in your blankets and curling into a ball.
it feels like hours before the beep resounds, and you slowly lift it from your mouth to read the little digital numbers.
102.4. perfect.
you shudder in pain, tossing the thermometer to the side and nestling your face in your pillows. you feel like absolute shit, but you can't bring yourself to do much else. you need medicine, water, a cool compress, but none of those things you have access to currently.
you close your eyes as your mind swarms, body throbbing and shuddering with chills though the last thing you need is to be cuddled under the covers. you think maybe it will go away if you get some rest. maybe you just need to relax, to take some time in bed. you'll let sukuna know when-
shit! sukuna.
there's no way in hell or on earth that sukuna will allow you to go untreated if you tell him, but god, you don't feel like letting him know. despite his likely haste to make sure you have everything you need, you can only imagine the snarky comments about your fragility, your strange body, your vulnerability that he''ll spout.
you don't want to hear it. you don't want to hear any of it, because you're sure that if you do, you'll start crying. you're already worn down, clearly, and the last thing you need on top of a fever is your boyfriend joking about your weak state.
you elect to stay in bed and tell sukuna you'll see him another time if he pesters you today.
which of course, he does.
a whirlwind of alarming dreams that you almost thought were hallucinations are disrupted by the persistent buzzing of your phone on your dress. you groan, reaching out a shaky hand to blindly grab the device and answer the call, pressing it to your ear with no knowledge of who you're speaking to.
"yes?" you croak.
"can't answer a telephone call the first time it rings?" sukuna's voice thunders through the mic, and you lift your brows.
"kuna?" you try to say his name normally, despite the constant chatter of your teeth.
"who the hell else would it be?"
"sorry... i was asleep."
"at this hour?"
"...what'dy'mean?"
"jesus, woman, it's 2 in the afternoon. why the hell are you still in bed?"
you reel momentarily at his words. 2 pm? it was just 7 in the morning! have you really been sleeping all this time?
"oh..." is all you can manage to say before a chill wracks your body again. you cringe, curling into yourself and holding the phone away from you.
"oh?" the king of curses repeats. "what is the matter with you?"
"n-nothing," you respond quickly. "i guess i was up late last night. i was c-completely knocked out..." you tremble.
"last night you told me you were going to sleep early because you were tired, you brat."
fuckkkk.
how could you have forgotten about that? you hadn't been feeling well last night, which is likely the reason why you feel so much worse today, so you turned in early. "i- couldn't fall asleep until later, though," you mumble.
"you are attempting to deceive me," sukuna grunts. "care to explain why?"
"m'not, kuna," you sigh halfheartedly.
"what exactly do you take me for?"
you're really not in the mood for this. you're aching at this point, and you can tell your body temperature has only risen. you're so weak. you can barely even process the fact that you're on the phone, and you can't handle sukuna's attitude. not if he's not going to help, which you automatically assume that he won't.
"i'm going back to bed," you say softly.
"what do you mean back to bed?!" sukuna fumes. "seriously, what the hell is the matter with you. you sound ill."
"i'm not i-ill."
"then why do you keep stumbling over your words, woman?" he questions, his voice mellowing out into a steady intensity. "what is it now? your monthly plague? whatever you people call allergies?"
this is exactly why you don't want him to know. he handles these things too crudely, as if it's a burden upon his existence. "y-you ask too many damn questions."
"i wouldn't have to if you answered them. now talk."
"i'm fine, sukuna. i'm just gonna go back to sleep."
"you hang up this phone, i'm at your door in two seconds."
"that's impossible."
"try me."
you know he's serious, but you don't have the energy. you can't stay on the phone with him any longer, trying to speak like nothing's wrong. it's cold. so cold, but you're so hot. you're probably drenched in a pool of your own sweat, but you can't feel it. you want to sleep. you just want him to let you sleep.
your vision grows dizzy as you stare ahead, brows arching in discomfort. you think you press the end call button, but you can still hear his voice picking up in urgency... is he shouting? are you even on the phone anymore? you aren't sure.
your vision suddenly drifts into inky blackness as the phone rests beside you on your pillow. the last thing you are aware of before you slip into unconsciousness again is banging at your front door.
sukuna bursts into your apartment mere minutes after you stopped answering him on the phone. he looks about ready to kill, crimson eyes wide and pupils shrunken as he breathes heavily, looking all over your apartment.
he's stomping to your room and throwing the door open when he sees you laying in the bed. "(y/n)!" he barks, searching for some response from you, but all he recieves or nonsensical murmurs.
he moves quickly to the side of your bed and grabs at your shoulder, turning you over to find your sheets drenched and your face tight with discomfort. he falters, heart jerking at the sight. "...the fuck?"
he presses a hand to your sweat-drenched face and furrows his brows in concern. you're hot. too hot for the temperature of a human being, and you're sweating like crazy, mumbling things under your breath in your sleep he can't even hear.
"the fuck did you do?" he grumbles, starting to internally panic. he scrambles to remember what this could be. he knows of plague, of pestilence, so maybe you're suffering some form of that?
hell, he can't tell. not from a glance. he's not even sure if he knows how to help you. you're entirely too hot for him to brush this off like it's nothing, and you passed out in the middle of speaking to him.
he looks over and sees the thermometer on your sheets and leans over to pick it up. the screen reads a high number, which he assumes is the temperature of your body. curious himself, he prods open your jaw and tucks it into your mouth, pressing the button the way you had shown him when you had the flu to reset the time.
"come the fuck on," he growls as seconds tick by before it beeps, and he pulls it from your lips to read 104.7.
he doesn't know how far it is from your usual temp, but he knows it's high. too high.
he's quick to dial uraume for some more information, and the second he hears that you need immediate medical help, he's picking you up and making a run for it without even thinking that uraume can likely help you.
when you wake, you're blinded by nauseating lights blaring down overhead. "ugh," you groan, feeling light and disoriented. you turn your head to the side and blink, to find sukuna's face staring directly at you rather harshly.
you jump slightly, startled. "what-?" you start, scrunching your eyes to adjust to the sight before you. "sukuna? what are you..." you trail off when you realize that you aren't in your house, nor are you at sukuna's estate. instead, you're in a hospital bed hooked up to a series of fluids.
your eyes go wide as you sit up suddenly, only to be hit with a sudden dizzy spell that sends you leaning back into the bed.
"don't move," he orders, and you turn to him in confusion. never would you have expected to see the day that sukuna sits in a chair beside you in a hospital.
"why are we... what happened?"
"apparently you had a high fever," he answers harshly, fist-propping his chin up over his leg. "too high for you to be seen in my care, and too high for you to be lying in bed as though nothing was wrong."
your heart sinks. "how high?"
"when we got here, tipping past 105."
"...are you serious?"
"i had to come bust down your door to make sure you were alive. i put you on an empty roller downstairs because these fucking dumbass doctors can't see me and i had to get their attention so they could notice you. yes, i am serious."
he sounds pissed. and you hardly want to think of what he means by ‘getting their attention.’
"what do you have to say for yourself? for daring to lie to me? for pretending like you weren't on the brink of a much worse fate?"
"...i..."
"you're so lucky you're unwell, girl, because you don't even want to imagine the things i would do to you as punishment for putting yourself in such a ridiculous situation," he growls. "all you had to do was tell me and i would have taken care of it before it got worse."
you blink, almost dumbfounded. you still aren't all there, but you can tell that your fever has gone down significantly. you're no longer sweating and fewer chills wrack your body. "...huh?"
"did that fucking fever scramble your brain or what?" he fumes, eyeing you sharply. "you should have told me."
you part your lips slightly as you look at him. "honestly, sukuna, i didn't think you'd really... i don't know-"
"care?"
"no, not care. i just didn't think you'd handle it well. i didn't even handle it well myself."
"you believe me to be incapable of tending to sickness?"
"no, i just thought you'd like... not take it seriously."
sukuna's eyes darken, and you realize that you may have said the wrong thing. "in what reality would i fail to take any threat to your health seriously, whether you are frail or not?"
"see, that's what i mean. you always have to slip in something about me being frail."
"because you are. as a member of your species. look at where you lay currently," sukuna grimaces. "that is not an insult to you, it's an observation. it's an insult, however, to everyone else who isn't you."
you relax slightly. "then you were actually worried?"
sukuna scoffs. "why the hell do you think i'm sitting in a human hospital with your sick ass right now? i thought we were past you believing i do not concern myself over you."
you suddenly feel foolish, having forced yourself to suffer in your isolation and simultaneously made sukuna, of all people, worry over you.
"hm. feeling foolish, are you?" he says, reading your mind.
"shut up,," you whine, only to clutch your stomach suddenly with a groan. sukuna sighs as he gently eases your head back onto the pillow.
"i told you not to exert yourself. you give me a headache."
"kuna," you mumble.
"what?"
"can you... take me home?"
sukuna raises a brow. "home?"
"to your place," you clarify. "i don't wanna be here. i just want to be with you. want you to hold me."
"you're such a needy thing," he exhales, toying with a strand of your hair as he leans over and gazes gently at you. "you have medications you need to take."
"then bring them with."
"and if you get sick again? you've only been here ten hours."
"ten?!" you exclaim.
"you were very ill, (y/n)."
you groan. "ten is long enough. i hate hospitals. take me home. i feel better anyway, and if i get worse, i’ll just go to uraume."
sukuna sighs, standing slowly. "after i get these tubes out of you without further damaging you, i will take you home," he says, looking over the IVs that you're hooked up to.
you close your eyes tiredly and nod in acceptance. "okay," you murmur.
he grunts. "let me find some damn instructions.”
"kuna," your hand weakly reaches out to catch his wrist and he stops, turning to look down at you.
"what is it?"
you open your eyes to look up at him fondly, exhaustion welling in your gaze. "thank you."
the king of curses clenches his jaw. he smoothes ahead over your now warm forehead and leans over you. "don't do some shit like this again."
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