#it is a story of creation

[winged-cries]

[pen-of-roses]

Do y'all ever think about how cool it is that art inspires other art inspires other art inspires other art in an endless cycle

[magicicephoenix]

i finally finished reading I see you, Sundrop! by @shirajellyfish and IT'S SO GOOD I CAN'T BELIEVE IT TOOK ME THIS LONG TO FINISH IT RAAAAAAA

i will be gushing about it in the tags but here's a lil animation i made based on the below paragraph in chapter 6 that gave me such a strong mental image that i had to make it real :)

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[birdmans]

HOUSE OF THE DRAGON (2022—)

[magnetothemagnificent]

Literally every conversation with a colleague/peer in the academic field I'm in (anthropology, with a focus on human prehistory and human evolution) upon them learning I'm an observant religious Jew goes like this:

Person: "Sorry if this is a personal question, but how do you.... y'know......deal with it?"

Me: "Deal with what?"

Person: "Y'know...... y'know......your religion......"

Me: "Meaning?"

Person: "Well, um, how old do you believe the earth is?"

Me: "I follow the geological consensus, which is approximately 4.5 Billion years"

Person: "But......but.....your Bible says that it's 6,000 years old....."

Me: "Technically 5,783 years, so you're wrong there, haha"

Person: "Okay but how do you....how do you reconcile that with science?"

Me: "I don't need to reconcile it. They're not in opposition."

Person: "??"

Me: "The plain text in the Tanakh states that it has been 5,783 years since the creation of Adam, and consequently the world. Judaism has never been about taking the text in the Tanakh plainly, there's always deeper meanings. Who's to say that the 5,783 years aren't just the years since a couple named Adam and Eve met and copulated, triggering the begining of the lineage of Abraham, Moses, and the entire Jewish lineage, and that the six days of creation aren't six phases which are actually pretty in-line with our understanding of evolution?"

Person: "But.....some people believe that it's literally been 5,783 years since the earth was literally created!"

Me: "Okay..... that's what they believe. I don't see how it should bother me, especially considering we're in the field of anthropology where we try to study other patterns of belief, not cast judgement upon them."

Person: "But other Jews believe that!!!"

Me: "Again.....why should that affect my religious and academic senses of self? Judaism has never been a monolith of belief, anyway."

Person: "But-"

[multiversetravelingjournalist]

This English teacher translated Capcom’s Monster Hunter language, and it only took 2,000 hours (msn.com)

Just thought anyone would be interested in this.

[elena-gilbert]

EMILIA CLARKE as QI'RA SOLO: A STAR WARS STORY (2018) dir. Ron Howard

[winged-cries]

rape cw

[yakshaxiao]

the silly 🥺🐀

[dailybridgerton]

(YOUNG) QUEEN CHARLOTTE and (YOUNG) KING GEORGE QUEEN CHARLOTTE: A BRIDGERTON STORY — 1x06: “Crown Jewels” (2023)

[suugarbabe]

Origin Stories

summary: baby first year matty arrives at hogwarts and the first person he interacts with seems to not know him at all. matty is unsure how to feel when someone treats him like just another person instead of the dark lords son

warnings: fluff, little bit o angst, sad baby matty

an: something my hubby @musingsofahufflepuff and i have been yapping about constantly, there's more where this came from, and yes...it will continue to hurt you

Knees pulled to his chest, he sat at the window watching all the happy and excited parents dropping their children off for their first time at Hogwarts. It was Mattheo’s first time too, but instead of parents dropping him off he had Feindre, his house elf.

Feindre had gotten him there early enough for Mattheo to be one of the first students on the train and stayed long enough for Mattheo to see Feindre give a gentle wave before snapping his fingers and disappearing from the platform.

That’s what he’d been doing for the last half hour; watching family after family give loving hugs and cheek kisses and bidding their children farewell. Even Mr. Nott had come with his wife to see Theo off, giving a firm squeeze to the skinny boy's shoulder and a curt nod. 

The whistle blew overhead and Mattheo leaned his head back, closing his eyes and willing himself to think of at least one positive thing that may come for him this year. He’d be away from his mother; that was a plus. As far as Mattheo was aware even she couldn’t get onto the grounds without the proper permissions; that gave Mattheo at least four months free from torture.

As the train started to pull from the station he heard the train car door slide open, an entirely too excited voice suddenly speaking to him, “D’you mind? Every other car has four or so kids in it.” Mattheo shrugged his shoulders, not even opening his eyes to look.

He knew he didn’t recognize the voice. His cousin Draco’s was a little higher pitched, whiney. Theo’s was slower, like he had to think about each word before he said it. This voice was more neutral, but seemed to be speaking quickly, like they had so many thoughts and feelings they couldn’t get them out quick enough. 

“S’kinda weird we had to walk through a wall to get on the platform, right? Magic is so cool.” Mattheo peered an eye open, chancing a glance at the person across from him. It seemed as if you were vibrating, sitting cross legged on the seat across from him, hands braced on either side as your knees held a steady bounce.

Your smile was nearly splitting your face; Mattheo couldn’t decide if your question was indicative of a muggle upbringing or just the first born for your family. “So what house do you want to get into? I was doing some light reading in one of our textbooks, Hogwarts: A History, and I think any of them will be good.” 

Definitely muggle, Mattheo thought to himself as you kept talking, “I know that Hufflepuffs are very loyal, Ravenclaws are super smart I guess, Slytherins apparently are really clever and I read that Gryffindors are supposed to be just the bravest.” The scoff leaves Mattheos throat quicker than he could control.

“Well do you think differently? I know I can talk a lot but I’m also a good listener.” Mattheo lifted his head up at this, now choosing to stare at you with a quirked brow. You continued to press regardless, “What house do you think you’ll be in?” Mattheo stared out the window once more, watching the highland mountains pass by, “I already know my house.” This statement piqued your interest, “What do you think it is?”

Mattheo used all his mental energy not to roll his eyes, “I’ll be a Slytherin, my family has only ever been Slytherins.” You seemed to sit up straighter then, your tone getting more excited, if that was even possible, “So you’re from a family of wizards then? That’s so cool, what’s it like?”

He stared at you incredulously, “You being serious?” You simply tilted your head, smile never leaving your face, “Both of my parents are normal, erm, non-wizards? I don’t know what you guys call them but that’s what they are.” 

Mattheo wore an unimpressed look, “Shocker…never would have guessed by your raging enthusiasm.” You laughed softly, “I know, right. Mum cried for like an hour when I got my letter.” Mattheo sat up straighter then, eyes widening. He could feel his heart rate pick up slightly, a tinge of sweat beading on the back of his neck, “Why, because she was disappointed, was she mad? Where did you hide after she stopped crying?”

You looked at him with confusion, shaking your head and a small bit of concern in your tone, “What? No, because she was just so happy for me…” Mattheo shrank into himself, pulling his knees back up to his chest, “Right, yeah, a’course.” 

You fiddled with the hem of your sleeve, “So, ehm, do you know people who are coming to Hogwarts then? I don’t know anyone…well, except you now. What, erm, what was your name again?” Mattheo visibly stiffened. You could just be being polite, asking for his name like he was just any other student. Or his reputation precedes him even with muggle-born first years and you’re just too scared to tell him that you already know about him, his father, what he’s done. “Mattheo…erm, Riddle.” You nodded, “Cool name! I’m y/n y/l/n.”

Mattheo can’t help the quizzical look that takes over him at how breezily you move on and introduce yourself. How can you not be afraid of him, of his name. Not that he wants you to be, but if you’ve been reading as much as you say, surely you’ve heard of what his father has done. 

But all of it seems nonexistent as you start talking again, “Do you think we’ll have to wear those little cone hats I’ve seen in the textbook? They’re not very fashionable are they? And I’m sure you wouldn’t want to wear one either.” Mattheo took the bait, “Why would you think I wouldn’t want to wear one?”

You shrugged, smiling a little shyer than before, “Well because of your hair. If I had curls as pretty as yours I wouldn’t want to have to cover them up all the time.” The heat on Mattheo’s cheeks was nearly instantaneous, then he started to feel a bit of rage, “Are you making fun of me?”

You shook your head fiercely, “Oh no, no way! I figured you got complimented on your hair all the time.” Compliment? You were complimenting him. Why would you do that? What were you playing at? Mattheo was fighting an internal battle, not understanding why you were being so nice to him and trying desperately to understand the new feeling fluttering in his chest at your compliment. 

Thankfully the door to the train car opens and a jolly looking woman displays a trolly full of sweets and snacks in the doorway; the perfect distraction.

“Anything from the trolly, dears?” You’re excited once more, leaving your seat to get a closer look at the sweets. You turn towards Mattheo, “What’s your favorite candy? I’ve never heard of any of these before…chocolate frogs, cauldron cakes, fizzing whizzbees-” 

“The last one’s good I- erm, I think you’d like those,” Mattheo watched as you asked the trolly witch for one pack of cauldron cakes and two fizzing whizzbees. “That’ll be two galleons and a sickle, dear,” the trolly witch smiled kindly at you.

You pulled a handful of wizard coins from your pocket looking slightly confused. Mattheo cleared his throat, “Two gold ones and a silver one.” You nodded, taking the coins he described and exchanging them for your sweets. Sitting back down across from him you began opening your cauldron cakes.

You placed one on top of one of the fizzing whizzbees pack and then held it in front of you towards Mattheo. “What’re you doing?” he asked, finding your behavior rather odd, even for a muggle. You only smiled in return, “This is your half silly.” 

Mattheo hesitantly took the sweets, “Why would you share with me?” You sat back, taking a bite of the cauldron cake and humming in satisfaction, “Why wouldn’t I share with you?” you spoke around a cheek full of cake, “These are really good by the way.”

Mattheo felt a weird pang in his chest, something he didn’t recognize. It was almost like an adrenaline rush but he wasn’t in danger this time; his skin felt hot all of a sudden, his blood rushing to his ears. He pulled subtly on his curls on the side of his head, not sure exactly what he was trying to cover up. You didn’t take notice regardless, too engrossed in the foreign treat of your new world. 

The next few hours are filled with you making conversation, mostly one sided but you don’t even seem to notice. You’re the most at ease person Mattheo has ever met, finding interest in the smallest of things.

You talk about your family, and you do so with so much admiration and what Mattheo can only assume is love that he finds himself starting to get jealous. He does his best to shove that feeling down, like he does with most feelings. You’re the first person in his life that doesn’t seem to know him, his family, what that entails and he’d be damned if he let something like jealousy mess that up.

You try to ask him about his life, but he’s keeping it brief, somewhat deflective. He tells you that his father is not around, not dead but…working. He doesn’t know a good way to explain that his father has bits of his soul everywhere and your lack of knowledge on magical existence seems like that bit of information would cause your already highly wired brain to short circuit.

When you ask about his mum he stiffens involuntarily, “She’s, erm, passionate about me following in my father’s footsteps. Bit of an anger problem sometimes if I disagree about it.” You nod, a small frown on your face but seemingly understanding to not push the subject of his mothers anger further, “What’s your dad do?”

Mattheo’s eyes go wide, panic starting to spread through his body. He can feel himself starting to sweat as he looks out the window, trying to come up with an answer that’s not the truth when he sees his saving grace, “Look, Hogwarts.” 

If you’d had turned your head any faster Mattheo was sure it would have rolled off your shoulders and onto the car floor. Whatever he had anticipated Hogwarts to look like, his imagination could never have done it justice; and Mattheo hid in his imagination often at home.

Your nose was nearly pressed to the window, “Wicked.” Mattheo felt the corners of his mouth pull into a smile, half wishing the two of you never had to leave the train and could just stay here, in this bubble where you don’t know the horrible truths that come with being associated with him. 

As the train slowed to a stop, a whistle blew and the two of you noticed a flurry of students starting to clog the aisle between cars. “Guess that’s our cue,” you stood up, looking towards Mattheo and waiting for him to do the same. “You coming?” you opened the car door, looking back at him. “Erm, yeah. Yeah okay,” Mattheo pulled the hood of his cloak up and you gave him a curious look.

“Heard it’s supposed to be a bit chilly on the ride up to the castle,” he shoved his hands in his pockets, now staring down at the floor. You shrugged it off, only turning to join the plethora of students once you knew Mattheo was following behind. 

You couldn’t help but marvel at the giant man that led the pack of first years to what looked like ancient wooden boats. You looked everywhere you could, trying to drink in the whole experience; whereas Mattheo kept his head down, hood up and eyes on the bottom of the boat. If he did this long enough, maybe no one but you would know who he was until he was being sorted.

Once docked by the castle the pack of you were led through the castle by an older, stern looking witch. She had introduced herself as Professor McGonagall. As she led you through the castle you kept tugging on Mattheo’s sleeve. Every so often he would peek from the side of his hood and give you a half smile. 

Once in front of what you learned to be the Great Hall, McGonagall stopped all of you, giving a quick speech. “Once inside you will all be sorted into your houses. Once your house has been announced please make your way to your house table. Banners above will lead you to the correct one. During each breakfast and lunch you will be able to mingle with other houses. However, dinners are strictly restricted to your own house tables.” You turned to Mattheo, whispering, “This is so exciting!” Mattheo gives an undignified hum with a small nod as the doors to the great all open, he can feel his heart rate quicken as all the older students turn to watch the group of first years file in. Will people notice him? Can he hear them whispering his name? 

His automatic negative thoughts are interrupted by you gripping his arm lightly. Immediately he flinches away and you begin apologizing, “Oh, I’m sorry Matty, I didn’t mean to scare you.” Mattheo shook his head, hoping his cheeks weren't flushing at the nickname you decided to don on him, “N-no, sorry. S’just I- erm, have this thing about people grabbing me…sorry.”

You shake your head as if to dismiss his apology as unnecessary, “S’my fault, I just get so excited. Look up there, it’s the sorting hat, I read about it in the same textbook as the houses; that’s what’s gonna tell us where we go.” 

Mattheo could feel his stomach knotting. He knew he would be sorted into Slytherin; the blood in his veins guaranteed it. But, Merlin, did he hope you were sorted there too. It would be nice to have an actual friend there with him, not just his irritating cousin and the sons of his father’s loyal followers.

He was pretty sure they were only nice to him out of fear. Did you want to get sorted with him too? Did you consider him a friend? You were already far too nice to him; far too nice for your own good he thought. There’s no way you actually got sorted into Slytherin; it‘d be a bloody miracle. 

Too lost in his worries spinning over and over in his head he seemed to have missed everyone before him getting sorted, being pulled from his thoughts for the second time that evening by Professor McGonagalls booming voice speaking his name, “Mattheo Riddle.”

A hushed whisper seemed to fall over all of the students and even some of the professors at the head table. Mattheo gave you a worried glance, but you only smiled encouragingly back at him. Either you didn’t notice the whispers, or you didn’t care; Mattheo wasn’t sure which option had him feeling that same weird pang in his chest that he felt on the train. 

He needn’t push his way through the crowd of first years as they seemed to part willingly for him. He slowly climbed his way up the steps and pulled himself up onto the stool, legs dangling in front of him. The professor placed the sorting hat atop his head.

It felt two sizes too big, falling down and covering his eyes, now encasing him in darkness. It was actually much better this way, Mattheo would rather pass than watch the judgment in everyone’s eyes, especially if they came from yours. “Hmm, Riddle, eh?” the hat spoke loudly, much to Mattheo’s dismay, “Well there’s simply no question then is there. Why of course it's…SLYTHERIN!” 

The slytherin table broke out into cheers, but they seemed to be the only students to do so apart from your clapping in the first year crowd. The hat was pulled from Mattheo’s head and he searched for your face. He found you beaming, giving him a double thumbs up as he made his way down the steps and toward his house table.

He clocked his cousin Draco immediately, platinum hair sticking out like a traffic cone. His cousin tried to greet him, along with the others at the table. But Mattheo ignored them all, turning instead to face the stool you would soon be sitting at and be told your fate. 

When your name was finally called Mattheo sat up straighter, nearly leaning forward as if that would help him hear more clearly. As you made your way onto the stool you looked over at the Slytherin table. Making eye contact with Mattheo you gave a quick wave. Warmth spread throughout his body and he found himself giving a small wave back.

The whining pitch of Draco’s voice appeared on Mattheo’s right, “Who is that, cousin?” Mattheo watched as you took a deep breath in as the hat was placed on your head, full of pride he made the statement, “That’s my friend.” Draco was obviously confused, “I didn’t know you had any friends besides us.”

Mattheo turned his sights away from you briefly to stare Draco in the eyes, “You’re not my friend. You’re my cousin, I’m forced to be around you. And if you keep talking I’ll hex out your tongue so I never have to hear your annoying voice again.” Draco held his hands up in defense, scooting over slightly on the bench. 

Turning back to you Mattheo watched as your legs bounced excitedly, just as they did on the train and Mattheo found himself smiling. This smile slowly dropped as the hat began to narrate the internal battle you seemed to be having with it.

“You want to be Slytherin, is that so? Mmm…curious, curious indeed. I do sense a bit of cunning, but your loyalty is much stronger. Better be…HUFFLEPUFF!” The tables throughout the hall cheered for you as they did every other student being sorted. Your smile never faded but Mattheo felt like his whole world was collapsing. 

There was a pain in his side that felt like someone was hexing him with a stinging jinx and his breaths were becoming more shallow. Usually he only felt like this when being punished by his mother, but in that case she was likely actually cursing him.

It seemed like the massive walls of the great hall were closing in on him as he saw you being greeted by the students at your house table. Everything from the last few hours was going to be thrown away in an instant. They would all tell you who he was, what he was, why you should hate him. And surely you’ll believe them, won’t you? Then he’ll be alone once more.

As if to twist the knife that was already being pushed between his ribs, Draco’s irritating voice was coming from next to him again, “Well cousin, guess they’re not your friend any longer.”

[queenlucythevaliant]

clean your sword

i. Peter had thought many times about dying for his brother, killing for his sisters, as all oldest children do.

ii. He'd imagined it a hundred times: how if his mother and father were ever killed, he'd get some low-skill job and make sure Lucy's clothes still fit her as she grew. How he'd make fists and fight dirty if Susan was ever threatened. What he'd do if Edmund ever had to flee the country on a dark, windswept night.

iii. Yet when he heard Susan's horn that day, he still froze. Only for an instant, he thought, "this can't be my job, right?"

iv. The blood on his sword shone red when it was all over. When he wiped it on the grass, the stain it left was almost black.

v. They'd put Susan in his arms when he was two years old. Peter didn't remember it, but he knew he'd been waiting for her till then. He wasn't a real person until he was a brother.

vi. And when they walked back to the pavilion, Rhindon bumping Peter's hip, all he could say to his sisters was, "I'm sorry I didn't come faster."

vii. The High King was almost obsessive in the way he cared for Rhindon. When he grew older and required weapons larger than those made for a child, he obsessed over them too.

viii. He told the others, in no uncertain terms, that if it ever came to it in battle, they were to leave him and live. As their brother and high king, he commanded it.

ix. The first time Edmund risked himself for Peter's sake, Peter didn't speak to him for a week.

x. He was oiling his sword when Edmund found him. "See, the thing is, Peter, being brothers goes both ways. If you can love me enough to die for me, than I get to love you just the same."

xi. Peter agreed with him then, to avoid the argument. He was sick of not talking to his brother. Yet privately, he knew that Edmund was wrong. That sacrifice was Peter's special prerogative, as the first-born.

xii. Back in England, his mother noticed that Peter had become more fastidious. She didn't notice that his protective streak has grown - and maybe it hadn't, really.

xiii. It was uncanny, how Peter would always show up just when his siblings needed him. He'd round a corner, and there was Lucy stamping her feet and scowling at a bully. There was Susan, crying, and now his knuckles were bloody.

xiv. He cleaned the blood off in the sink so carefully. The water ran red for a second, and it almost seemed black.

xv. When Caspian asked for the High King's advice, looking so very young, Peter jerked his chin towards the sword a Caspian's hip. "Be ready to use that," he said. "Keep it clean, and close."

xvi. Susan forgot Narnia and she forgot Aslan. Yet selfishly, Peter still hoped that she would never forget how quickly he came when she called.