#it doesn't make sense I know he doesn't know or care

[quicksilversnails]

It's so fun how the Princess and the Dragon acknowledges and plays with game mechanics that are assumed to be non-diegetic, and uses them to add insight to the story/characters.

The title card is a really obvious example, being something that TLQ actually sees and can comment on, and something that the Princess hadn't ever seen. What most would assume is just a framing device for the player is a real element of the world/construct.

I think it emphasizes how the story that the Narrator constructed is only "meant" to be told to TLQ. After all, The Narrator only appears in TLQ's mind, providing elaborate descriptions and attempting to contextualize the events of the game as a heroic task to save the world. Meanwhile the Princess is all alone, with no title cards or exposition, no context for why any of this is happening to her. The story revolves around her, but it doesn't care about her beyond her designated role, as something to be slain and hated. Her perspective is irrelevant to the Narrator's plan, so she doesn't get the fancy presentation or necessary context: she doesn't deserve it.

There's also those long stretches of dialogue where the voices talk to each other in TLQ's mind without progressing the story. They're occasionally acknowledged by the Princess elsewhere (Prisoner, Nightmare) but P&tD makes it very explicit and confirms that time is actively passing during these conversations, with TLQ staring in silence for who knows how long.

(Personally I don't think all of the voice dialogue is necessarily in real time, if only because some Princesses wouldn't have had the patience for it. Like if you had really stood still for that long, the Beast would've definitely eaten you... she's not waiting for you to finish thinking lol)

This one I think is more for humour, but it also draws attention to how much of the inner conversation the Princess is missing in normal chapters, when the voices aren't actively speaking to her through TLQ's body. Where we're having vibrant debates or key information revealed by the Narrator, she just sees a silent, staring figure. Speaking of the Narrator, He's completely absent from the Princess' POV, either because He doesn't want to speak to her or is somehow unable to (He does say in Tower that she's not supposed to be able to interact with Him...) Again, the story was not made to be told to her, so she isn't given His context, and because the player is usually so immersed in TLQ's perspective, they probably wouldn't realize just how much she's missing until they see things from her perspective.

One other example: if you choose to [Say nothing] immediately after you excise yourself, the Princess reacts to it:

I just find this so hilarious tbh, and the fact that she repeats back those exact words implies that she literally senses the text written in brackets. If you do it once you're back in the basement, she says this:

I wonder if it's the same for the Narrator/voices... do they also “feel” your actions while you’re choosing them? Do they hear you say (Lie) before you lie? When Skeptic said "Wink" out loud did he actually choose a dialogue option with [Wink] in brackets?? Ok that last one's a joke but there's lots of potential here

I just think it's cool because the average player wouldn't think twice about any of these things, because they seem like simple stylistic/game design choices. In a game where all player input is through dialogue options, the square brackets are an immediately understandable way to convey action, as opposed to plain text. In a game structured around repeating loops, it makes sense to make those loops distinguishable for players by separating each loop with a title card, and the chapter naming convention works as a nod to the fairytale storybook aesthetics the game draws from.

But by placing you into the Princess's head and acknowledging those design choices as diegetic elements that change depending on your perspective, it forces you to reevaluate your experiences: the things you didn't think were really "part of the game" and the experiences you didn't realize weren't universal. It exposes your hidden privileges, the luxuries and structural supports you have compared to the Princess that you don't even notice because you've never experienced the alternative.

It might make you realize how the way you perceive and conceptualize the world might be very different from how others conceptualize it (Tony's recent ask about the multicoloured glass in HEA could also play into this in a fascinating way, with the mismatch in perception between TLQ and the Narrator's script). It's all just very cool for a game that's based on perception.

It also makes me wonder... what other elements of this game are diegetic that we just haven't paid attention to?

Well, I think that the captions are probably also diegetic. TLQ occasionally refers to the voices by their complete titles despite them not ever referring to each other by those titles, instead opting for descriptors like "jumpy one" or "the worst one" or "rage boy" or "chilly little freak" lol. For a direct comparison, Paranoid exclusively calls Smitten "the lovesick one" or some variant in HEA, but TLQ refers to him by his full name using quotation marks, as if he's quoting something he's read:

The voices don't seem aware that these titles exist, while TLQ does, despite them sharing a mind. Also, when the Princess shares a body/mind with you, she never uses their titles either. In the Spectre/Princess and the Dragon, she calls Hero "the nice one", Cold "the quiet one" or "cold little freak", and the Narrator "the bossy one" or "that murder-happy know-it-all". Spectre describes the voices as shards of broken glass on the floor, so she likely perceives them completely differently to how we/TLQ see them.

Even The Narrator isn't aware of His title. If you call Him that in the mirror conversation, He says "'The Narrator'. I suppose that's my job, isn't it?", reacting to the title as if it's His first time hearing about it. There's also this question from the fourth Shifty encounter:

It seems like the titles are presented specifically for The Long Quiet/decider, and that they somehow reflect how TLQ perceives the voices/Narrator, since TLQ takes credit for "calling him" that. If the captions were specifically shown to TLQ in the same way that the title cards are, it'd explain how he has this information without it ever being verbally told to him, and why the Princess doesn't know their titles even when she's sharing your body.

But besides the captions, I think it could be fun to interpret the game as if most, if not all of its game mechanics exist in-universe. The choice menu, the music, the cursors, the save/load icons, saving/loading in general, the title screen, the Clown Princess living in the walls (game files), you name it. Let’s peel away these game mechanics cell by cell! Let's see what meaning we can find together, let's see what we're made of!

[ventique18]

It's rather interesting to look at the characters' preferred styles because you can infer a little bit of their personalities from them. I noticed that their first favorite, worth the most points, would usually be in-line with their outward personalities. But it's the second that interestingly says a part of them that others don't readily know.

For example, Silver's is basic and elegant. Basic is obvious, because he's a guy who yearns for nothing aside from protecting what he already has. The second one is a bit surprising. Elegant, which is probably the opposite of basic as its furnitures are usually gaudy and over-designed. But it makes sense-- because he's a prince of a fallen peoples.

Sebek and Lilia are also rather obvious. Lilia likes cute things! Sebek likes stylish things, which is usually the theme for more traditional furnitures and is a pattern common among the characters who are rather gentlemanly by nature. Malleus himself has stylish as his most favorite.

But Lilia and Sebek have something in common: unique. While yes they're both a bit weird just like the furniture within this category, it might actually convey something deeper than that. It's that both of them feel ostracized in their own homes. They at times feel like people who just don't belong, what with Lilia being the shamed general of a dead princess and Sebek being a half-blood mutt in a land full of purebloods.

It's their preferred style that isn't worth as much as the first one and maybe try to shake off, but even so is a part of them that stays with them wherever they go.

As for Malleus... What's more surprising is the theme that he doesn't like rather than the two that he likes. It's stated in-game that the Thorn Fairy is the height of elegance. Malleus himself frequently mentions elegance because it's something he strives to maintain every waking moment.

But he doesn't like Elegant things. Because unlike Vil who doesn't stray from his goal of becoming the most beautiful of them all, Malleus personally doesn't actually care to be elegant. It's just something expected of him; something he'd get scolded over for if he was caught lacking.

In a way, elegance is his prison.

So in its stead, he likes simplicity instead. Because in his heart, he just wants to fit in with others and not be constantly reminded that he's just different. He wants to make normal friends. He wants to live a normal life. He finds solace in Ramshackle dorm and its absolute simplicity in the most truest sense.

I'd write about the other boys but this'll become an entire research paper lmao. Try to look at your other faves' styles and come up with reasons why they like it! 👀

[edisacornball]

When I was in middle school, I went to the book fair with just a dollar because I was poor, hoping I could find something there for a dollar. And to my great delight, I actually found a book for 99 cents! It was Once Upon a Marigold. A small, unassuming paperback I didn't expect much from, but it promised fairytale vibes, which was all I needed.

I devoured that book in one sitting. I didn't usually reread many books because the way I saw it, I was already fighting a losing battle with how many books in the world I wanted to read and how many new ones got published every single day. But I ended up rereading Once Upon a Marigold. And I reread it again. And again. I felt guilty, like I had an obligation of some sort to try new things, but that didn't change how much I loved rereading this one particular book. I reread that paperback so many times that the pages eventually fanned and fluffed out. The spine wasn't broken, I took very good care of my beloved book. It had just been read so many times that it was like the pages got stuck in an eternal state of being read, the book looking three times as thick. Like how cream becomes whipped cream.

My mom noticed this book laying out one day and sat down and read it for herself, because she could tell I loved the book just by looking at it. She wasn't angry about the book, but she wasn't in love with it like I was. And something about that combined with her pointing out that she could tell I loved it by the state of the book... it made me even more self conscious about rereading it. So I tried to shock it away and not reread it again. I cracked and reread it a few times anyway, on dark nights when I needed an old friend, but I mostly tried to put it behind me. Focus on the books that everyone else was obsess with, that they understood being obsessed over (like a certain transphobic millennial phenomenon).

As an adult, I brought Once Upon a Marigold up again at one point with my husband, laughing about how kids just get randomly attached to the weirdest things, huh? And he very seriously said that if it had been that important to me, then he wanted to read it too. So, since I'd long ago lost all my belongings when I fled my childhood hone, we went to the library and checked it out. A new, hardcover copy with a different cover than the 99 cent scholastic cover I'd gotten used to. But even so, just having it around made me want to reread it again and see what my preteen self had been on about.

I bawled rereading that book with adult hindsight. It suddenly made complete sense why I loved the story about the lonely princess who no one would touch. The story that shows that when you find your best friend, your bulwark, there's nothing that can keep them away, nothing that can scare them off loving you, that they'll not only understand but love and relate to all your strange little quirks. The story that says you can go make your own happy ending for yourself if the one being pushed on you doesn't actually feel like a happy ending.

Or you are a little kid and there is some kind of vital nutrient absorption going on. I've never heard a better way of describing it. Sometimes, you just need a book to teach you a lesson that you're just not naturally getting from your environment. You might not know what it is from that book that you need so badly right now, but at least part of you knows enough. It's okay. It's okay even if that's the only book you ever read again. That's what books are there for, for us to reach out through time and space to one another, hold each other's hand and whisper,

You're not alone.

People who don't re-read books are so funny to me. "I know what happens"..?? Gurl I know what pizza tastes like, still gonna eat another one. I know what a rainbow looks like, you think that'll stop me running outside, camera in hand, to see the next one?

[thepitlanepress]

NEVER TOO BUSY FOR YOU –

↳ oscar piastri + gf!reader

⌗ :: masterlist

⌗ :: a/n: i like to think im the sweetest person alive so this is written for my girl nadsies while she isnt having the greatest day ever. just a short lil fic bc im working on the smau pt2 and some other ones ;)

you dont like bothering oscar when he's at work. its a weird thing you have, one that oscar's tried getting out of your head on more than one occasion. does it stick? no.

the cramps you had been feeling for the entire day had made it almost impossible to move, so you weren't exactly able to reach your phone to tell oscar either.

that is a fact you use in a later argument. which by the way doesn't work.

so when the door to your apartment swings open and you hear your boyfriend's voice, you nearly flat out start crying. its so nice to hear a comforting sound.

"sweetheart?" oscar calls out for a second time when you don't reply, even talking feels like too much right now. you hear some shuffling around and then the soft footsteps as he walks down the hallway.

"hey, baby," he murmurs when he enters the room, coming to sit next to you on the edge of the bed. his hand comes to rest on your back rubbing slowly through the duvet. "how are you feeling?"

a noncommittal grunt escapes you and you wince in pain as another wave of cramps hit you like a train. fuck periods actually.

oscar sensing your situation quickly, he gets up and places a quick but soft kiss to your forehead before walking back out to the kitchen promising to be back soon. you stay awake for a little while but eventually the sounds of him moving around, and the soft clinking of dishes quickly puts you to sleep.

it was a comfort knowing someone else was home with you.

some time later you feel a dip in the bed beside you, two arms wrap around your waist and pull you into their warmth.

"hey you," you whisper.

"hey you," he whispers back his hand drawing circles on your skin. "are you feeling better after that nap?"

"sort of," you sigh. "mainly im-"

"hungry?" oscar guesses, you can hear the smile in his voice and you slowly sit up, cautiously testing different positions before finding one that doesn't make you feel like you've been shot.

you look over at oscar who has turned away bringing a tray of snacks over from the bedside table. it has all your favourite snacks, chocolates, your phone and a warm cup of tea.

"i called mum, while you were asleep earlier," he said almost nervously. "and asked her what type of tea to use because i was worried and wanted to help and she said to use-"

you shut him up by placing a kiss on the corner of his mouth "its perfect thank you osc," you settle back against the pillows - and him, okay mostly him. his arms are wrapped around you as you soak in the quiet afternoon, the soft sound of the show you had playing on your computer earlier the only noise in the room.

"why didn't you call me?" his voice rumbles through you.

"i didn't want to bother you while you were at work," you look down to the cup of tea in your hands and realise now that you probably won't be winning this conversation. there is no one who cared more about you than the man currently wrapped around you. he would drop anything in a second for you.

hence why you didn't call him. he cant be distracted from work. its so important to you.

but he won't take that as an answer.

"you know i always have time for you, sweetheart, i'm never too busy for you. you're my number one priority. always."

the cramps didn't seem so bad after that.

2025 © thepitlanepress | please do not steal, use, translate or repost any of my works

– comments, likes and reblogs appreciated !

[heavysighing-dreamyeyes]

Being In Love (and how to get you to love him back)

You're a vigilante in this one, but it's only semi-relevant to the plot (I think it classifies as a fluff piece) ~1.1k words 

Jason has never liked things easy. Well, that's a lie, he's never had things easy. What is true is that Jason Todd likes a challenge. And that's something you certainly are. 

He's never meant someone so stubbornly insistent on staying at his side, has never had someone so willing to throw themselves into danger right alongside him. He can tell you to hang back– demand, even, that you wait for his all-clear before storming the drug bust or robbery of the week, but you never listen. You always just follow him, stand by him, have his back. 

You're always there for him, never pressing, but always present. So he really shouldn't be surprised that he falls head over heels for you. 

It was slow, gradual, something that crept up on him before he even had a word for the feeling growing inside his chest. And then it crashed over him like a tidal wave. Flooded his senses and became so undeniable that he forgot how to breathe. 

There was no grand moment, no pivotal event. You just smiled at him, and oh, he knew. He knew he was a goner, and nothing would ever be the same. No excuse could get him out of there fast enough, once he realized exactly how much of his heart you held.

With his face flushed, eyes wide and starry, and chest so tight it hurt, he ran. He's not proud of it, but he did. It took him days to figure himself out. To come to terms with the fact that you were it for him. And when he finally crawled his way back to your side, you were there. Waiting. Ever patient, ever smiling, ever willing to let him mess up again and again. 

He thought it would be simple, once he accepted that love was the only way to describe the depths of his feelings for you. But you, despite how easy you seem to make everything else in his life, stubbornly (or obliviously) don't seem to notice how enamored he is with you. 

Jason does every single thing he can think of to earn your attention, to deserve your affections. He gives you his jacket when it's cold. (You try to turn it down every time, but you always give in. You always smile that soft, gentle smile that makes tingles run from his spine to his toes– his entire world fixating on you)

He makes you food, buys you food, takes you out to eat, recommends recipes, shares his favorite meals with you. (The way to one's heart is through their stomach, right? But you return the favor every time, for every meal he buys, you treat him to one. For every dessert he bakes, you bake one of your own. It's almost frustrating, if your food wasn't so good. He just wants you to let him take care of you for once without needing to do anything in return)

He brings you flowers, trinkets, anything he can think of that would make you smile. (And you do smile, every time. But then you tell him he doesn't have to go out of his way like this for you. He wants to, so badly, if you would just let him)

He picks invisible lint of your shoulder, smoothes out the wrinkles in your shirt. (You just smile, the same sweet smile you always do, and he has to wonder if that's your way of letting him down easy, if you're not so oblivious as you seem)

He tangles his fingers in yours when the need for night vision arises on missions. (He knows your mask has it, knows you can traverse the dark without the need of his help, but he claims that the one in his mask is better every time. It's not, but you never call him out on it)

He shares every little detail of his life you ask for, and listens to everything you say, memorizing every word that falls from your lips for the future. (He tells you things he'd never tell anyone else, but you deserve to know– deserve to know him and all the reasons why you should and shouldn't love him back)

He checks in on you. He texts you on the days you don't see him, holds you back after patrol to check if you're doing all right. He pays attention to your moods, the set of your shoulders, and does everything he can to lift your spirits when you're down. (You do the same for him. He can't tell you how much that means. He wants to, he just doesn't have the words)

But despite everything he tries (everything but outright saying that he loves you) you don't offer him more than what a friend would. (A best friend, sure, a confidant like no other, but that's not what Jason wants)

He resigns himself to just this– to friendship and nothing more– for the rest of his life. (And that would be enough, just to linger in your space would be enough forever) Until a mission gone wrong, until an explosion that leaves his ears ringing and his head spinning and his only thought is the aching fear of not knowing if you made it out.

You do– did– you're standing in front of him and even if you're favoring one leg over the other you're alive and he can't hold himself back any more under the wave of relief that nearly sends him to his knees.

Jason rips the mask from his face and kisses you like it's the only chance he'll ever have. (It might be. He fully expects you to punch him in the face once he pulls away)

When he does pull back to catch his breath, his hands lingering over your cheeks like he's scared you'll disappear, he watches something flash over your face. Realization. A quiet 'oh' escapes your throat, and suddenly, you're kissing him with a passion he never dared hope for from you.

Your arms thrown around his neck, his fingers digging into the small of his back, the smell of smoke and ash clinging to your skin. It's nothing like he expected, but so, so perfect and you and everything clicks into place when you suck his bottom lip between your teeth and lean your weight into him, trusting him to hold you steady.

Jason has never had things easy, but this moment– kissing you, loving you– feels like the most natural thing in the world, and he wants that to last forever. Wants you– this– all of it, held in the palms of his hands for eternity. (And you want the same, you always have, because how could you do anything less than love him just as much as he loves you?)

[burr-ell]

re: bh never having faced consequences, what are some moments/things they've done you think there should've been consequences for? i'm asking because i've realized these past couple episodes that i also fear they won't face any consequences for this, but i haven't been able to pinpoint why i feel that way yet

I don't think the answer is that they've done things that demand consequences so much as it is that a lot of elements of this campaign just don't coalesce or feel like they matter. Things feel important and relevant and cool in the moment and then don't get any kind of followup, nor do they have a meaningful impact on the characters. So much of this story falls to the wayside with no followup, if it doesn't have the wind taken out of it altogether.

A lot of plot points wind up mattering more to the fandom than they do to the characters—even good arcs, like the events of the party split arc, don't seem to have left much of an impact. There are fans who still bring up Hearthdell as a point against the gods or Vasselheim, but Bell's Hells have barely mentioned it if at all since episode 65. Laudna derides it as a "pissant town" with "pissant squabbles" and is far less interested in the village and its people than she is in her own trauma and feelings about the Titans. Ashton only brings up what happened there because they're still sore about being judged by an angel. There's still a chance that they call out Vasselheim's leadership for the whole mess, but at no point during Ashton's rant to the Exandrian Accord did they ever reference the blatant encroachment and attempt at a land grab. Molaesmyr fares little better; Chetney is the only character who ever brings it up, and when he does it's in the context of rattling Ludinus personally—a point that only he ever presses, even though Imogen and Fearne were also there. The fandom has been debating off and on about how much the nature of Predathos itself can be linked to Molaesmyr's destruction, but nothing has canonically explained it one way or the other, in part because the rest of the Hells just aren't interested.

It's also that lack of interest that leads to major NPC villains that are almost completely irrelevant to the story. It does not ultimately matter that one of Ludinus's generals is Otohan Thull or that the Malleus Key was defended by Ozo Cruth. The audience doesn't really know who they are, and they don't know because the party had no reason to care and didn't try to get one. Matt has indicated that there's a story to Otohan that will likely be revealed in a campaign wrap-up, and the same is probably true for Ozo, but in the actual story, all they are to the audience is a couple of overtuned stat blocks with swords, and the characters they killed might as well have been gutted by a pit fiend for all it mattered. About the only death that has any narrative resonance is FCG's, and it feels less like they sacrificed themself to kill Otohan and more like the story had to lose an interesting and engaging character to get rid of Otohan.

Even returning antagonists don't escape; both Ludinus Da'leth and Delilah Briarwood, important villains from their original campaigns, have been done a great deal of disservice in this one. Ludinus peaked in episode 51; his gambit with Vax and Keyleth was great, but the longer he got to keep monologuing, in a campaign already full of talking in circles about the same issue, the more insufferable he became. Even his death, karmic as it was, is cheapened by the almost-immediate implication that he's got a way to come back, which might make sense mechanically but is utterly exhausting narratively. Delilah, on the other hand, could have been replaced by an original character and nothing of value would have been lost; there's potential in an undead warlock whose patron is their own murderer, but any of the emotional juice of that story is outweighed both by how tiresome the pacing is and how overreliant it is on maudlin imagery and nostalgia for the original Briarwood arc. We don't learn about why Delilah is here or what her specific goals are until episode 77, 40 episodes after the party confronted her directly and gave her an opportunity to explain herself that she did not take. The corruption arc, again, had potential, but fizzled out as soon as a level 20 wizard dropped the soul anchor solution into their laps, with little actual impact on Laudna herself.

The actual player characters have, for the most part, barely substantively changed. Chetney has solved the mechanical problem of not being able to control his werewolf transformations and he does push big red buttons when no one else will, but he isn't really moving anywhere as a character. Laudna continues to do everything in her power to bounce back to the old kooky fun-scary bit from episode 1 every time anything interesting happens to her. FCG did actually have a great arc with an incredibly heartfelt and moving conclusion, but is no longer a meaningful part of the narrative and the party's grief over their death was not given the space to breathe that it warranted. Fearne has matured a bit over the course of the campaign but is still largely just as aimless and go-with-the-flow as she was in the beginning. Imogen, at the very least, started to take something close to an actual stance on the gods and what to do about Predathos, but every time she has to make a choice, she continues to ask someone else what she should do and then hem and haw when she's told it's her decision. Orym has finally let himself lean on someone else, but has otherwise remained static. Ashton had a very promising arc after failing to absorb the shard, but has since regressed into doing the exact thing they called themself out for doing: looking for someone to blame and wanting to feel like they were robbed. Moments like Shardgate and Swordgate, which in any other campaign would have been major watersheds, have become functionally irrelevant for all the impact they've had on the actual characters.

The elephant in the room here, of course, is Imogen and Laudna's relationship, which has been a millstone around the campaign's neck from the beginning. Shippers have accused critics of being motivated by bigotry, but the arguments deconstructing it are ultimately rooted in this very same issue: nothing that happens to them truly seems to matter. This is intertwined with the issues with Delilah, because every time Imogen and Laudna actually run into any sort of conflict or difficulty, it has something to do with that plot thread: Delilah broke the gnarlrock; Delilah was reawakened when Laudna killed Bor'dor and Laudna was extremely upset and traumatized about it; and Delilah was the one Laudna was listening to when she tried to steal and absorb Otohan's sword. All of those conflicts fizzled out as soon as the immediate surface issue was resolved: Imogen dropped the gnarlrock issue entirely; Imogen kissed Laudna and insisted that she couldn't be a bad person for killing Bor'dor, and Laudna completely dropped the subject; and Imogen, as soon as Delilah was sealed in the soul anchor, immediately took Laudna back after less than a day of mild distance and they went off to have makeup sex. It feels less like their love is so strong it can overcome any conflict and more like they retreat to the same way their relationship was before as soon as they possibly can. Even starting a romance doesn't seem to materially change anything.

There's no interest in unpacking anything that could cause a problem, either. Laudna canonically has no issue with Imogen floating the idea of siding with the Vanguard, even though it was a Vanguard general who killed Laudna in the street to get to Imogen; in fact, she refuses to take a hard stance for or against Imogen joining Predathos because she doesn't want to "hold Imogen back from her destiny". Prior to Laudna attempting to take the sword, Imogen told her explicitly "if you need [Delilah], then that's my answer"—and then instead of addressing that, Imogen blames herself for Laudna giving into Delilah by wondering if she should have given into her own toxic influence so at least Laudna wouldn't be alone. At no point have they ever had a difficult conversation about any of their underlying issues, like the actual material harm Laudna has done to herself or others or the fact that both Imogen and Laudna have repeatedly tossed aside their actual needs in favor of maintaining their status quo of unending support and presence in each other's lives. They both just attribute responsibility to someone or something else and continue to swear that they'll always be there for one another—just like every other conversation they've ever had. There's no challenge and no movement, not from them or from anyone else; nothing has ever upset the idea that this story could be anything less than idyllic, no matter the increasing evidence to the contrary.

A common refrain for a very long time, and perhaps one still around in some circles, was a desire for Character A and Character B to "finally talk", and not without reason. In previous campaigns, A and B probably would have talked. This, however, is a campaign centering on profoundly incurious characters with a narrative that is disinterested in those characters becoming genuinely invested in its setting or each other beyond a bare surface level. Of course they won't face any consequences for releasing Predathos when they didn't need to, nor will they face consequences for not communicating their incredibly risky and contentious plan ahead of time. Why would they? It won't matter. Nothing in this story matters, and that's the entire problem.

[thaethiira]

I played a Cleric of Asmodeus and went hard in on the Lawful part of Lawful Evil and my cleric was out here just asking every monster in the Murderdungeon if they needed legal representation and if they had a contract, were they taken care of here, etc. This went on until Strahd got so furious/horny about it that he pre-emptively ended the whole situation and decided this cleric had proven himself worthy enough to marry Strahd (I had no idea that was the point of the murdermaze until then, which was VERY funny).

This spiralled into a whole retooling of the concept of good and evil (my DM is Jewish and I'm pagan, neither of us really believe in good and evil as absolutes or passive states; but we both do believe in the Lawful/Chaotic dichotomy). We peeled back all the layers in a really fun discussion and decided it really just means Selfish/Selfless, which are both fairly functional values for cultures to have.

And then we went to Menzoberranzan and introduced the matriarchal Drow to the matriarchal Hobbits and made a whole meta statement about how it's not that matriarchy is bad, and it's not that matriarchy can never become abusive.

But that's not baked into the books at all, you have to come at the books from like an English Literature Class type of analysis angle and put them in their context--like these articles do--and then rip apart the things you don't like and put your own things in place, just really take to heart that you're supposed to treat the books more like guidelines than actual rules--which the books actually tell you to do and I took that to heart immediately.

This doesn't erase that gaming is inherently very much just Shoot Em Up Cowboys & Indians with extra layers and palette swaps. However, D&D is also make-believe, and my make-believe has never been Shoot Em Up in any sense of the term. Am I playing D&D "correctly"? Probably not. I don't care. D&D says you can play D&D however you want, and I've tried a bunch of other supposedly more flexible games, like BESM or TFOS or GURPS, and I still prefer D&D.

But yeah it was designed by... well, Boys, for lack of a better term (I'm sure there's a better term but I don't know of one); and Boy!Make-Believe is very Us Vs Them Fight, very Winners And Losers, very Competitive and One-Upmanship. But I didn't grow up with that kind of make-believe, because I was a Montessori kid, and a Girl, and we don't do War/Competition in Montessori like... at all. We do Cooperative/Peace, and Explore, and Exchange Information, and also sometimes Fairy Tale Horror type shit. But it's all talking and scavenger hunting and sometimes making things. So that's what I assume D&D will be too, and luckily my DM is finally on the same page as me about it.

Again, I know "boy/girl" is a very imperfect term, but I did not grow up in a perfectly gender equal trans-inclusive world, and those are terms based on the observations I had as a kid, being around groups of boys vs groups of girls in my community.

Anyway, it's a very good thing to analyse and contextualise where everything you play with came from, now that you are a grown person capable of doing that. It's important to do everything you do on purpose, with knowledge of its implications. And make-believe is basically FOR learning context and ethics and complicated social concepts like that!

But I encourage everyone to really examine the alignment system and use it as a springboard for discussion. What does Good mean? What does Evil mean? What is Law? What is Chaos? What does it mean for a culture to be aligned in a way? How does that look like for individuals of that culture? What is the legacy of the book presenting things like this?

Also, if you play White Wolf, this is even MORE critical, as White Wolf is even WORSE about the bigotry than literally any other game I've ever encountered. I actually have a fucking chart of all the bigotry in Vampire and am having to basically completely rewrite the book so that I can run a game that doesn't harm literally everyone at the table including myself. Stay safe out there, horror media has SO MUCH bigotry compared to straight up fantasy. Not that fantasy has none but like... whoo boy.

Putting all tabletop players into a college level ethics class and forcing them to turn in a paper on moral philosophy before buying a new book

[thejakeformerlyknownasprince]

I really want you to get started on Jurassic Park now after reading your tags.

All right, you asked for it! This post is going to be long because I've been rereading Jurassic Park since I was about 10 years old. But. My thoughts:

Jurassic Park is the oldest story in the world: one about hubris, and the price men pay for their ignorance of nature. From the first moment the protagonists step foot on the island, they can see it. There are poisonous plants next to the pool because they "look pretty." The harbor has no retaining wall because tropical storms aren't considered important. And there's a steep price for that hubris. Wu doesn't bother to learn the dinosaurs' names before breeding them, Nedry ignores them as unprogrammable, Malcolm mansplains them to their own creators, Regis laughs at the idea of them escaping, Hammond relentlessly monetizes them, Arnold insists he can control them... And they all get eaten by dinosaurs. It's the characters with the good sense to be overawed and scared (Muldoon, Gennaro, the paleontologists, the kids) who make it out alive. Almost paradigm.

More specifically, it's a book about the most fundamental principle of engineering: be scared, be confused, and then do something anyway. Then do something else, then something else, until something works. Timmy isn't a master hacker in the book; he's just (unlike Grant) willing to push buttons on the computer until he finds the power grid. Gennaro's still a scaredy cat in the book, but he clenches his teeth and goes into the velociraptor nest anyway. The heroic characters are the ones who conclude someone has to do something, despite not knowing what that something is. The villainous ones are the ones who refuse responsibility.

Speaking of which, can we talk about Ian Malcolm? I'm a sucker for a good Cassandra character, especially one that manages to get even the genre-savvy reader rolling their eyes and going "will you shut up?" And Malcolm is one of the best, every off-putting academic habit rolled into one: He thinks he's better than other people for not liking sports. He brags about not caring about appearances and then comments on Sattler's legs. He assumes Hammond has read his monograph and — when Hammond reveals he hasn't — pulls out a copy that he keeps on his person at all times to have Hammond read on the plane. He smugly explains that other characters should've foreseen they'd be killed by dinosaurs, only to be killed by dinosaurs. He calls his theory the Malcolm Effect. I do love Jeff Goldblum's gentler, more charming take on the character ("See, here, now I'm sitting by myself, talking to myself, that's chaos theory" I say literally every time I ask a question of someone who just left the room). But I prefer the way original Malcolm gets away with being right about everything because we so so badly want him to be wrong.

Speaking of that comment about the legs: by the low low bar of 80s/90s thriller writers, Crichton is surprisingly progressive. Jurassic Park invites us to laugh with (and roll our eyes with) Sattler, every time someone expresses shock the world's top paleobotanist is a woman. The Lost World perfectly captures the "women in STEM have to be twice as competent to get half the respect" dynamic, and it's a story about the male characters over-estimating their own competence as the female ones go about saving the day. Race isn't handled perfectly, but it is discussed in both books. Malcolm's chauvinism is designed to make everything else he says a bitter pill, to poison us against him. Crichton's no feminist. But Sattler's hardiness — later Harding's and Kelly's as well — are shown as hard-won in a world that batters nerdy girls so hard that only the toughest survive.

And Malcolm is just one of the many ways Jurassic Park masterfully lampoons scientific bullshit. After little Tina is bitten by a "strange lizard" and nearly dies from the swelling, Dr. Cruz assures her parents that lizards bite zookeepers all the time, that some people are allergic to lizard venom, and that the lizard Tina drew resembles a basilisk — and then we cut to him talking to his fellow MD. Where we find out that lizards don't attack humans in the wild, no human they know of has ever been hospitalized for a lizard bite, basilisks aren't venomous, and Tina's condition doesn't resemble an allergic reaction. They have no idea what this "lizard" (a Procompsognathus) could be or how it poisoned this kid, but they've been taught to obfuscate rather than admit that. Scientists are arrogant, and ignorant of their ignorance.

But the book is every bit as positive about empiricism as it is negative about individual scientists. The seamless way Crichton blends science fiction with science fact gets me every time. His preface connects Watson & Crick to Swanson & Boyer to Malcolm & Levine, explaining each step of the research process as he goes. He goes on to explain how Genetech developed its ideas from IBM, and that IBM and Genetech both contributed to InGen, which in turn influenced Biosyn, funded by Hamaguri... and only two of those names are fictional, but don't worry about which. Crichton does his homework, and then he presents his homework in the most compelling way of any writer I've ever encountered.

You need no further proof than the technologies — satellite phones, electric cars, touchscreens, gene editing — that were sci fi in 1990, commonplace today. Crichton did the reading. And he rolls that science out ever-so-slowly: dribbling first the mystery of the worker with a 3-foot gash in his torso who claims a bird of prey did it, then the mystery of the resort that needs the world's most powerful data storage, then the mystery of the billionaire who calls in the middle of the night with "urgent" questions about what baby dinosaurs eat... Until even 10-year-old me could look at that picture of a fractal and go "ohhh, I see how the unstable phase shifts of chaos theory explain the fact that a thunderstorm caused that guy to get eaten by a T. rex." Almost paradigm.

And all Jurassic Park's banging on about chaos theory belies a deep understanding of how interconnected ecosystems are. Animals, like plants, like subatomic particles, must be understood holistically. Pretending that the best way to learn the truth of any system is through breaking it down "is like saying scrambled eggs and bacon for breakfast is human nature. It's nothing of the sort. It's uniquely Western training." Crichton clearly loves biology: "a single fertilized egg has a 100,000 genes, which act in a coordinated way, switching on and off at specific times, to transform that single cell... A house is simple in comparison. But even so, workmen build the stairs wrong, they put the sink in backward, the tile man doesn't show up when he's supposed to. All kinds of things go wrong. And yet the fly that lands on the workman's lunch is perfect." And he clearly hates what capitalism has done to biotechnology.

Hammond the venture capitalist is a perfectly despicable villain: No dinosaurs have escaped, because I said so. If there are problems, no there aren't. Put on a good show for investors, no matter how many contractors die in the process. Talk about all the "good" the park will do by making tons of money. The kids are stranded and the tech expert's dead? No they're not, because I said so, now pass the ice cream. It's truly a delight watching him get eaten by dinosaurs.

For that matter, Jurassic Park is bursting with details of style over substance. There are cutesy Apatosaurus cutouts in the hotel rooms and bars on the widows, a half-finished restaurant covered in Pterosaur poop, and a celebrity-narrated tour track that can't synchronize with the dinosaurs. It's trying to be Disney World, and it's actually a roadside zoo. The signage — "When Dinosaurs Ruled the Earth," the hand-lettered "Welcome to Jurassic Park", the room (and department) called "Control" — isn't subtle in its irony. But it is fun.

Which is yet another great sci fi trick. "Our funding is infinite but our peer review sucks" perfectly sets up the blend of the accurate with the plot-fueling (likely why Crichton reuses it several times). Why are there Pterosaurs in a dinosaur park? Our funding is infinite but our peer review sucks. Why are so many Cretaceous dinosaurs in Jurassic Park? Our funding is infinite but our peer review sucks. You didn't know Dilophosaurus is venomous? Our funding is infinite... It's perfect, because it's the opposite of how the scientific process usually works. Again: Crichton knows his shit, and he knows how to communicate it.

Like, even when I'm reading Sphere or Terminal Man — books where I'm perfectly aware I know more than Crichton on the subject, not in the least because their science inevitably became outdated — I still find myself believing, at least for the length of the story. You don't have to suspend disbelief when reading Crichton's work; he hoists it into the stratosphere for you. Half the time he won't give it back even after you're done. Almost paradigm.

But despite all that nerdery, Jurassic Park is still a rocking adventure story that builds momentum until it smashes to its conclusion at 70 miles an hour, ending the millisecond it can do so with not a word of denouement. You can practically hear that last deep piano note on the final words. It's cinematic as hell. This is Crichton post-Westworld, pre-Twister, the ultimate adventure writer. He reads, clearly, avoiding the errors of sci fi amateurs who watch too many movies (the T. rex has a distinctive smell, the island is relentlessly humid, so on) but he knows how to make a tight fast-moving story that you can consume in under three hours. His imagery is powerful, his pacing is on point, and his plot sucks you in and shoots you out like a water slide.

Jurassic Park is fun. It's informative. It makes you laugh, and gasp, and sigh, and think. It has its flaws (Harding Sr. fades out in the 3rd act, Grant's Maiasaura expertise never pays off) but those are minor in a book that stands up so well to rerereading. Almost paradigm.

[lycheeloving]

Little fic about Bruce Wayne x a socially anxious reader! Bc I have social anxiety and wanted a relatable reader <3 Well. Partially relatable. I had to make them braver than me, to actually talk to Bruce in the first place lol

This is the first chapter of 3.

You're freaking out. Great.

Why did you come to this party again? Just because you happened to be one of the lucky random citizens to get invited? Because you didn't want to seem ungrateful? Because you were hoping that just once, you could manage to actually talk to others and have fun?

Yeah, well, that didn't work out. You're standing outside on a balcony, doing breathing exercises.

Actually, are you even allowed to be out here?

Fuck. You startle yourself out of your calm breathing and start sweating despite the cold.

You saw other people out here before you came here, so it should be fine! Unless only specific people are allowed here, or people are only allowed here at specific times?

You turn around to look at the door, but don't find any "do not enter" signs there.

Don't trust your anxiety thoughts! You're allowed to be here! Unfortunately that doesn't make you feel any better.

You turn to look at the skyline of Gotham again, hoping that that will calm you down.

How long have you been here, would it be weird to leave already? But you'd have to walk through the crowded room to get to an exit... Is there a backdoor maybe?

Just as you start googling the layout of the place you're in, you hear somebody else walk onto the balcony. Dammit. You hope they're just here to smoke and that they'll ignore you.

You stare at your phone. No results, the layout isn't available online. Makes sense, that would probably be a major security risk. Still sucks for you.

Maybe you should try those breathing exercises again. How did they go again? In for 4 seconds, hold for 3, out for 9, right? No, wait, it's in for 6, hold for-

"Are you ok?"

That was probably directed at you, but you're not in the mood for conversation. Especially a conversation about how you're feeling. Yikes. Maybe they'll take the hint if you just ignore them.

You look at your phone again, looking up how you're supposed to breathe when you're anxious.

You should honestly just leave. Do the busses run this late? If you have to call a taxi you might actually pass out.

Or if the stranger doesn't leave. Unfortunately they're allowed to be here. Probably. Unless nobody is allowed to be here and oh fuck, are they here to throw you out? No, probably not, calm down. Either way, nothing you can do. Just breathe.

"Not a big fan of parties, are you? Don't worry, me neither." The guy leans onto the railing right next to you, but you don't look at him.

Can't he just leave you alone? Fuck. Whatever. Your anxiety is already bad, how much worse could it get by talking to some rando?

Besides, you came here to try and fight against your anxiety, you should at least have one conversation.

"Uh, no. I'm not a party person. At all."

That's all he asked you, right? You hope you didn't forget half of his question.

"So why are you here?" Why does this guy have so many questions? What does he care?? Ok, calm down. One conversation, then you'll leave.

"I was one of the lucky random people to get invited. And I thought, well, maybe it wouldn't suck? And that it would be a good opportunity to—" To do something that helps you work on your social anxiety. Maybe don't tell that to a total stranger? You trail off.

"—to... Um. I don't even know. I thought maybe I would have fun? Maybe?" You try to smile, but it ends up being more of a weird grimace, directed at the floor. Off to a good start!

"Not to be rude, but you don't look like you're having fun." Yeah, no shit, Sherlock.

"Maybe you should have brought a plus-one then, huh? Then at least you wouldn't be alone out here. Unless you did bring one and they abandoned you, of course... I hope that's not the case. Would be typical of me, bringing up a sore topic..." He did! But not in the way he thinks.

"Can't bring a plus-one when you don't have any friends!" Your tone sounds a bit more annoyed than you want it to.

"Oh. Well. Um. See? This conversation has been so short and I've already said something stupid. This is why I escaped onto this balcony, actually." He stops talking to take a deep breath. "Well, one of the reasons."

At least he doesn't seem super socially adept either. That makes you feel a bit better.

"It's fine. Whatever." You scratch at some dirt that's stuck to the railing. "Just, um, if you were trying to get away from the conversations, why are you talking to me?"

"Well, you looked like you weren't having a good time, so I tried to distract you, even if I'm not sure that really worked out." He shifts next to you, taking a break from talking as if unsure what to say next.

"And I have to admit, I might have followed you out here. Ok, I did follow you out here. Because I saw you, and thought you looked interesting. And beautiful. So I wanted to get to know you."

What?? He must be joking. You stick out like a sore thumb in your cheap clothing, and you've been acting awkward ever since you got here.

You finally look up at the weirdo who was apparently actively seeking you out, seeing his face for the first time. Your eyes widen.

That's Bruce Wayne. The guy who's throwing this party. Are there hidden cameras anywhere? You really should have left the party as soon as you started panicking more than normal, then this wouldn't have happened.

Why didn't you recognize his voice? You knew you should have watched that stupid puppy interview the internet has been raving about, then you would've known what he sounds like! How come you've never heard him speak before! Stupid elusive billionaire that only appears on video once in a blue moon...

"I'm Bruce, by the way." He smiles at you with his stupid, pretty, charming smile. Ugh.

"Yeah. Uh. I figured." At least you recognize his face. That would have been even more embarrassing...

"So... What's your name?" He's still smiling at you. Fucker. You reluctantly give him your first name.

"Wanna get out of here?" Your eyes widen and you take a step back. Woah. Is he propositioning you? You feel a bit flattered, but also, absolutely not. No way. You can't even really talk to him without panicking, how are you supposed to—

"I didn't mean—" He grimaces. "Not like that! I just meant, let's get some food, talk, something like that. I didn't mean to come onto you like that! Sorry. Too much, too fast. We could also just stay here and I'll get some food from inside? Super casually, no strings attached, just friendly conversation. So we can get to know each other a bit, because like I said, I think you're interesting. The most interesting person at this party by far. What do you say?"

Fuck. Sure. Whatever. You are kind of hungry and didn't want to touch any of the food here with all of these people staring at you, even though it looked very tasty... And Bruce seems nice enough! And, again, anxiety training. Yes, you're scared, but just this once, live a little!! Don't run away! Even if that's what your body is screaming at you to do.

"Um. Uh. S- Sure?"

After asking what kind of food you like, to which you just answered "Oh, um, whatever.", Bruce started squirreling away one of every food that's at the party to your little balcony. You won't touch some of it, because you are a bit of a picky eater, but you're not telling him that. Maybe you should have. Oh well.

Bruce even pulled the curtains indoors shut, so nobody will wander out onto this specific balcony. Cool! One less thing to worry about.

Then you start talking. He asks about what you do for work, your hobbies, what you're interested in... Just anything that he can think of.

At first you're reluctant to open up, but then you realize: You'll never see him again.

You can treat him like a therapist! Except of course that you never really told your therapists about anything, because you had more appointments scheduled with them, meaning you couldn't just avoid them after. No thanks!

But where would you ever see him again besides on TV, or maybe a paparazzi picture of him and a model in a shitty magazine? You never go to rich people places! Except for right now, but it's not like you'll be invited to the next party, and even if you are, you don't have to show up!

And if he tries to ask for your number or anything, you can just say no. Easy. (But also, what are the odds he'd even do that? What reason could he have to want to talk to you again? He's just trying to avoid the party.)

Talking to Bruce Wayne is basically like venting to faceless strangers online.

This is fine. This is good, actually.

Anxiety training with no consequences. Fine. You can do this.

You probably open up a bit too much, in between bites of delicious food, if you're honest. Whatever. That's for future-you to regret.

You tell him about your job at the bookstore, how you would have asked one of your coworkers to come with you tonight even though you're not close to any of them, but didn't know how to bring it up and also remembered that you lied and told them you have friends, and didn't want them to question you about why none of your friends can come with you instead.

About how you don't really have any hobbies besides sitting at home and maybe watching a show or a movie, or scrolling on your phone.

About how you only came today because you knew you had to try to do something against your anxiety disorder or at some point it would get so bad that you'd never leave the house again. And now you're even having a conversation!! A conversation that includes personal information about you!!

He tells you about himself as well, but you're so nervous that you don't really remember anything for longer than a minute. At least you remember long enough to keep up the conversation, even if you're probably acting awkward. Sorry, Bruce!

But you do also talk about other stuff, nothing personal about either of you, your opinions on this and that, and actually get along pretty well.

At some point the bat signal appears in the sky and you say that you're never sure if it's comforting to see, because it means that Batman is out there to protect people, or that it's scary, because it means that there's a reason that Batman is out there, meaning you could get hurt.

Bruce nods absentmindedly, then checks his phone and says that he has some business to take care off, but that he had a wonderful evening with you, really. You wave at him as he rushes away.

You can't say you're sad that the evening ended this way, as you spent more time with him you started worrying that he really was going to ask for your number or to see you again... This way, he didn't even get to ask your last name! No need to worry about having embarrassed yourself in front of someone you'll see again, just about the fact that he could tell the press about you, but he literally has no reason to do that, right? He wouldn't do that, shut up anxiety.

You leave the balcony a bit more confident in yourself than when you entered it.

Maybe next time you'll try this with someone you might even see again! But, baby steps. This was really good for a first step, though.

You mentally pat yourself on the shoulder as you make your way through the now thinned-out crowd towards the exit. This evening was a success!

Now as a reward you'll spend the rest of your night on your couch, scrolling social media while half-heartedly watching TV.

[acmeangel]

♡ Levi being awkward about his feelings for you and not knowing how to act around you.

♡ SFW, pretty fluffy ♡ Levi x Fem!Reader ♡ One shot, soft Levi ♡ Word count: 2431 ♡ Summary: You work at the orphanage that Levi helped facilitate. You think he doesn't like you -- he definitely doesn't act like it. But it turns out, you couldn't be more wrong.

Levi tends to visit the orphanage now and then, when he can. He doesn't like to make a big show of it -- he just wants to check in on things, make sure everything is running smoothly and that the children are being properly cared for. After all, this is a project that he had helped bring to fruition.

He's pragmatic with his approach to his visits -- he wants to know updates, facts, and problems to which he can find solutions by leveraging his position as Captain. He doesn't interact much with the children, it's not exactly his strong suit. Still, he seems to linger longer than he needs to. He usually just leans against the fence along the perimeter of the grounds, taking in the idyllic scene of children, no longer lost and alone, playing in the field together.

There was no need for him to do this, but he did it anyway. And you had noticed.

But, you could never get a read on Levi, really. The two of you hardly interacted outside of meetings, during which, you'd often feel his eyes burning into you, narrowed and tense. While others in the meetings talked about numbers, resources, and operations, you typically told stories about the children -- their personalities, preferences, funny habits, concerns you had for each of their small, little hearts. It didn't help that you frequently bent the rules, too, finding them too constricting and unnecessary.

This often dragged the meetings out longer than necessary, and you could sense the annoyance emanating off of Levi. He wasn't fond of you and your sentimental musings -- this much you were sure of.

You missed today's meeting, somewhat purposefully, trying to avoid subjecting yourself to Levi's gaze and mutterings.

It's one of the first Spring days that feels truly in bloom, the sun kissing your skin, blossoms dotting the trees, the grass lush and vibrant. So, you sit out in the field and read a storybook to the children, who are either sitting at your feet or laying down, one of them tucked up into your lap.

Some of them had been falling behind in learning to read and write -- it wasn't their fault, and you wanted to help. You show all of them each of the words in the book and help them sound out the letters, guiding them through the story.

After the meeting inside draws to a close, Levi makes his way out into the field as he always does, expecting to see the children running around as they usually are. Instead, he sees you. His posture stiffens as he approaches you, his expression unreadable.

"That's not your job," he comments, a flat statement. as he leans against the fence. He looks down at you, his gaze scrutinizing. "They have teachers."

You tilt your head up to look at him, a soft smile on your face. "I know, but," you look at the children, "they don't mind that, do they?"

The children collectively shake their heads, tiny giggles rising from the group.

Tch. He's officially annoyed.

"Suppose it doesn't matter then, huh?" His voice drips with dry sarcasm. "Just do whatever you want."

The child who is curled into your lap gently tugs on your sleeve, lifting themselves up to whisper into your ear, not very discreetly, "Miss Y/N, why is Captain Levi always so grumpy?"

You catch Levi's frown, subtle as it may be, and the low rumble that comes from the back of his throat.

You laugh, an effortless, melodious sound, your lips curving into a wider smile that reveals your teeth. "I don't know," you whisper to the child with just as much indiscretion, "why don't you ask him?"

The child's face flushes bright pink, nuzzling their head into the fabric of your shirt, too sheepish to talk to Levi themselves. Your hand lifts up to stroke the child's hair.

For a moment so fleeting you can't be sure it actually happened at all, his eyes follow the tender, gentle motion of your fingers stroking the child's hair, before he looks away. Your gaze lingers on his profile, tracing the outline of it, the way his hair blows in the breeze, revealing a clearer look at his eyes than usual.

He shifts his weight as he stands there, just barely, a signal that he's waiting both for this scene to end, and to speak to you, likely about logistics. You get the hint.

"Alright, my sweethearts, why don't you all head inside?" You look at the group of children, nodding your head toward the large farmhouse. "Go on and get cleaned up for dinner, I'm expecting no dirty little hands at the table, hm?"

The children scramble to their feet and begin running off, giggling and mumbling to each other as they do. You rise up, closing the book and tucking it under your arm and brushing off the blades of grass that have stuck to your clothes.

"Come inside for some tea?" You ask, your eyes drifting back to Levi after you watch the children run off, the bubbly sounds of their laughter popping in the air.

He pauses for a beat. The faintest twitch of his lower lip. "Sure, 'ppreciate it."

You grin. "Okay, great." You begin walking. "You usually decline that offer."

You look at him from the corner of your eye. His movements as he walks are precise, economical, his eyes cemented forward.

"So?" The word is terse, even a tinge defensive. "Doesn't mean I hate tea."

You accept his answer; with him, you tend to take what you get. The rest of the walk is silent, apart from the gentle hum of springtime bursting to life around you.

Inside, the kitchen is washed in golden sunlight, specks of dust hovering in the air as if the moment is completely suspended in time. Without a word, Levi takes a seat at the small table by the window, his head turned to look outside as you set the kettle on the stove. You can't help but catch glances at the back of his head, the tilt of his shoulders.

You make two cups of black tea -- both with milk and a drop of honey. This is how everyone you know drinks it, and you can't imagine anyone would have a preference for it plain, bitter.

You settle into the chair next to his, and you hand him the teacup, which he takes from you by the top, your fingers briefly brushing against his in the exchange. His skin is dry, rough. He peers into the cup, his teeth grinding together imperceptibly as he notes the light, creamy color of the tea; he takes a sip and his eyelid flutters, faintly.

Normally, with anyone else, he'd have pushed the cup to the side, his mouth set in a curt line of disapproval at the unnecessary sweetness. But for some reason that he's not quite sure of, with you, he can't. He sips the tea anyway, forces himself to.

"One of the other workers ratted on you." He breaks the silence. He leans back in his chair, slinging one leg over the other, his ankle resting on his knee. "Told me you let those brats sneak into the kitchen at night and take extra food."

"Oh," your teeth clench together, your nose scrunches, embarrassed to be caught. "Well, the thing with that- it's-"

"Why?" He cuts you off, a single word urging you to get to the point. God, you think, he must think I'm a complete idiot.

You inhale deeply. "I think they're just hungry, you know? Their meals aren't always that big, and they're still growing, so..."

"That's not what I'm asking," his gaze bores into yours with an intensity you're not sure he's completely aware of. "I'm asking why you let them do it."

"Oh," you sigh softly, your eyes tracing over the patterns in the wooden table, collecting your thoughts. "It wouldn't feel right to scold them, to dissuade them from wanting something as simple as food. They've never been allowed to want... anything before. I don't want them to feel like they're not supposed to want even the most basic things. I think it would make them feel like... like they don't deserve anything."

"You're not wrong about that." His voice is low, hardly above a whisper, and he turns his head to look out the window. "I'm not going to stop you from letting them do it. I just... wanted to know why."

You see the clouds swirling in his irises for a moment, his jawline tense with thought, with memory, with contemplation.

You look away, feeling as if you're intruding on something private just by looking at him. You lift your teacup and take a long sip, then set it back down.

At the sound of your cup fitting back into its saucer, he's brought back to reality. His gaze narrows, helplessly fixated on the rim of your teacup, on the faded pink lipstick stain you left on it, that somehow blends perfectly into the intricate floral pattern painted onto the cup. A short, barely perceptible puff of air escapes his nose.

He looks at you, again, his eyes catching the sunlight in a way that makes them look silver, but not icy or cold -- like delicate dew drops that form in the gray early morning mist after a rainy night. Rare, and oddly comforting.

He's too busy looking at you to notice you looking at him. His eyes trace over you, as if he's searching for something. Something that he's not sure if he wants to find, but has to -- in the way the light catches your hair and brings secret tones and shades out of it, the softness of your breathing, the lingering redness from the sun that glows on your cheeks, nose, and shoulders.

He doesn't understand it -- you -- how you've remained good, compassionate, free, warm, even hopeful, despite the cruelty and ugliness of the world you both live in. But he wants to understand it, just by looking at you.

"You look..." he begins, the words tumbling out of his mouth tightly, awkwardly, as if by accident.

Your eyes snap to his, widened slightly like an animal caught in the woods, and your hand flies up to your mouth. "What? Is there something on my face?"

Your fingers wipe across your lips preemptively, the apples of your cheeks and the bridge of your nose turn rosy. He watches this motion, and his brows press together, his jaw clamps down. You think he's become actually repelled by you.

"No. Shit. You look," his voice is flat, dry. His hand gestures vaguely, the movement stilted and rigid, as if he's trying to find the word he's looking for in the air, "nice. Now. In the sunlight." He grumbles the last part.

You couldn't help but smile. It was endearing in a way, seeing Levi, who is typically calm and collected, stumble his way through a simple sentence.

"Thank you, Levi." You mean it, genuinely.

"Yeah." He clears his throat. The grip of his fingers flex slightly, tightening their grip around the rim of his tea cup.

"I always thought I bothered you." Your head tilts to the side, your hair flowing with the movement. A glint of amusement, teasing shines in your eyes.

"You do bother me," he breathes out, firmly, his eyes darting to the side. "Just not in the way you think."

Oh.

"I see..." The words come out of your mouth in a single breath, your heart catching in your throat, preventing you from saying anything more.

He looks at you. The tension in his jaw releases, his lips relax, parting ever so slightly.

"Is that alri-"

"Yes." You cut him off before he can even finish the thought, before he can question this fragile moment and retreat back inside himself.

He nods, strands of his hair swaying in front of his eyes. Your hand, drawn to him by an invisible force, reaches up to his forehead. You hover, hesitantly, before pushing the hair away from his eyes, slowly, your touch feather-light.

Instantly, instinctively, he turns his head away, pulling away from your touch partially. His top lip tugs upward, a movement of subdued discomfort, uncertainty. Your hand slides down to his chin, gently coaxing him back toward you, and he allows it.

"Sorry." He mutters. "I don't..." The rest of the sentence evades him. But you know where it was going. He doesn't do this. He doesn't know how.

You nod, your expression melting into one of understanding. Your eyes glide around his face, your fingers returning to his hair, pushing away the curtain that his eyes often hide behind.

"What are you doing?" He's not defensive -- he's genuinely curious.

"I want to see your eyes better." You tilt your head as you look at him, your eyes meeting his, looking into them for what feels like the first time, with a clarity and honesty that feels palpable. He lets you.

Your lips curl up into a perfect curve, and his eyes shift down to them immediately. His expression doesn't waver, but his dilating pupils reveal his hand.

You begin to lean in, little by little, as if testing how far he'll let this go, what he truly wants. His eyes meet yours again with a softness, a vulnerable longing that grants you permission. Finally, you close the space between the two of you, your lips lightly brushing against his. You feel a small breath escape from his lips, melting against yours.

His head tilts and he leans in further, his lips molding against yours with a whispered intensity. A soft sound rises in the back of his throat, as his hand finds its way to the back of your head, his fingers tangling into your hair. His tongue presses against your lips, realizing he's enjoying the taste of something sweet for the first time.

He tugs your hair, not forcefully, just enough to pull you back so he can look into your eyes; you can see the thoughts reeling through his head as his eyes shift between the two of yours.

"Y/N," his voice dips into a rare tenderness, "you bother me. A lot."

You're not sure if you're imagining it, but you think you even see the smallest upturn to his lips.

"Then I suppose I'll have to keep bothering you," you match his tone, your words wrapping around him with a warmth he's never felt before.

He makes a hm sound of approval. He nods. He smiles -- you're sure of it this time.

Masterlist

Requests are OPEN!

[yeloenk]

with all due respect, papyrus is a grown man. i thought the fandom had moved on from babying him. he would find it rude if it were directed at a specific person, but otherwise i don't think he'd care if it were in an image like this because it isn't directed at anyone specific.

and the weapons... that doesn't make sense?? papyrus wants to be in the royal guard. we see many guards use weapons—especially undyne, who is "training" him to be in the royal guard. papyrus knows what weapons are and he's fine with them... so is sans. again papyrus is a GROWN MAN. sans would not treat him like some innocent baby who must be sheilded from every single "inappropriate" thing. hell, the UT fandom has a whole day dedicated to letting papyrus cuss 😭🙏

sorry if this comes across as rude, im just lowkey tired of the whole "innocent baby papyrus and overbearing protective sans" trope. this falls into that a bit.

papyrus would definitely fw this genre of images

[munsonsmixtapes]

Such a Good Boy, Knows How to Please

Billy Hargrove x Hopper!fem!reader

You convince yourself that you hate Billy, but after having nothing but dirty thoughts about him, you give him a proposition.

cw: MDNI (18+) smut (p in v) unprotected sex (wrap it before you tap it) mention of vomit/throwing up

The summer sun beats down on the pool that's filled with people swimming, splashing, and just generally just trying to soak up the last few days of summer before school starts again. It's so hot that you can feel your flesh burning underneath your many layers of sunscreen. You're there because you know you're really going to miss the pool when you go back to college next week.

Most of the other women, though, they're just there for him. Every day, you watch them fix themselves, touching up their hair and pulling down the tops of their swimsuits to show off their cleavage. And he eats out of the palm of their hands, always making conversation, pulling down his sunglasses as he not so subtly flirts with them.

You seem to be the only one who's not on the receiving end of the flirting and you're starting to think that maybe it's because he knows who your dad is. It would make sense that he wouldn't want to involved with the daughter of the chief of police. And it's not like you care, anyway. You've always hated Billy.

You honestly just don't get the hype, why pretty much every woman in Hawkins is throwing themselves at him. Why wives and mothers are willing to ruin their marriages for that pig. Sure, you can admit that he's hot, but any admiration you might have always goes out the window anytime he opens his mouth.

He just says those dirty things for shock value and you have no idea why anyone ever believes him. You're sure that he just has a notebook filled with lines that he uses instead of speaking from his heart. That's not his thing because all he cares about is getting women into bed and as soon as he's done with them, he kicks them to the curb. It's nothing you haven't seen before.

Billy exits the back room to start his shift and you roll your eyes, adjusting your sunglasses on your face as you collect your things to leave. You can't take another minute of watching everyone fawn all over him. And besides, you really think you need to be in some AC.

You're leaving just as Billy is passing your lounge chair and just when you think he's going to head to his chair, he stops right in front of you, preventing you from leaving. His arms are crossed over his chest and he's got that shit-eating grin on his face, the one that always means that he's up to no good.

"Where ya goin', Hopper?" He asks and you pull your sunglasses down to show him just how unimpressed you are with him.

"Home, not that it isn't any of your business." Billy knows that you don't like him, but he just loves pisses you off. You're so hot when you're angry and the fact that it's aimed towards him makes it even more so.

"Aww, you can't play with me for a little longer?" He pouts and you just scoff. How do people actually fall for this shit? "I just got here."

"Afraid not," you shrug. Usually being short with people is a deterrent, but not with Billy. It only eggs him on. But you can't be bothered with making conversation with him.

"Our sisters are friends, why can't we be?" If Billy were a nice guy, you probably would have been friends with him, but he's not and the kind of friends he wants to be doesn't interest you.

"Because you don't have friends, Billy. And I really don't want to be whatever you do have so if you'll excuse me." You push past him and he watches you hurry towards the gate where you exit before disappearing from his view.

Once you're gone, he turns to head to his chair, but the sun reflects off something out of the corner of his eye. He heads over to the lounge chair where you had been lying and notices a book there. Billy picks it up and pulls down his sunglasses to get a better look at it. There's a man and woman on the cover. They're embracing and he's got his lips on her neck as she arches her back. He never would have expected you to read this kind of thing, but he supposes he doesn't know you very well.

He sticks the small book into the pocket of his swim trunks then makes the rounds of flirting with all of the MILFs before heading to his chair, pulling the book out once he's settled.

He flips to the first page and his eyes widen at how graphic it all is. It's not something he normally reads (he doesn't actually read at all) but he has to admit that he's intrigued. So much so that he does nothing but read until it's time for his break.

He's already halfway through when his shift is over and he makes sure to hide it in his bag so nobody can see it. Can't have people thinking he reads and especially not something like that. That would be too fucking embarrassing to actually admit it.

He hurries to his car to make sure no one will talk to him and is quick to peel out of the parking lot, driving faster than he definitely should have, but everyone is used to it by now. Well, they should be.

You arrive home just in time to make dinner. you head to El's room to tell her that you're back from the pool only to find her and Max on the floor, giggling while reading magazines. You're surprised to find someone who's not Mike, but you love that she actually has friend who's a girl. She definitely needs more female presences in her life and having one who's actually her age makes you nothing but happy for her.

"Oh, hello," you greet, still caught off guard by your guests.

"Hi," El responds, then gestures to the re4d head to the right of her. "This is Max. She's sleeping over."

"Did dad say this was okay?" You ask, suddenly taking on your older sister role as you put your hands on your hips.

"Yep," she nods, and you glare at her, staring into her eyes because you know how terrible of liar she is and she always cracks if you lean into her just a bit. Once you decide she's telling the truth, you ease up and go back to being her friend again.

You had met Max briefly over the years with giving El rides different places and such, but you've never actually been able to have a full-on conversation with her. Now you think you might have a chance. She actually seems normal compared to her gross step-brother.

"Hi," Max gives you a little wave.

"I'm y/n," you introduce yourself with a smile. "Well, dinner's ready if you guys are ready to eat." You leave the door open then head back towards the table.

The girls follow you and the three of you sit at the table, chewing on your waffles between conversation and your heart warms at hearing your sisters laughs. Just from what you've seen, you really like Max and the influence she has on El. That she's letting her be her own person which you've been so hard to do ever since she became your sister.

You really hope this friendship lasts, really hoping that doesn't mean that you have to talk to Billy. But anything for El. If her having a friend that actually cares about her interests means you have to actually speak to Billy Hargrove, then so be it.

After dinner, the three of you gather around the tv and watch some cartoons. The girls are giggling about something while whispering to each other and you hate that you're suddenly feeling left out, jealous. El would often call you her best friend and now you're just her older sister.

There's a knock on the door and you're grateful for something to distract you from your silly feelings. You excuse yourself and hurry to answer the door, not even thinking about who could be on the other side. You step back as Billy Hargrove comes into view. You're sure that this is all just a very vivid nightmare and hate that this man keeps taking over your thoughts. It isn't fair. It's your mind so you should have a say in what goes on in it, right?

You can't help but let your eyes rake over his body, taking in his very cropped tank top and very very short cut offs that have you feeling dizzy. How fucking dare he look so good when you're trying so hard to hate him?

"Hopper," he says with a smile and you feel gross that you actually like the way his last name sounds coming out of his mouth.

"Hargrove," you mutter, wanting him to get on with whatever he's going to say so he'll leave your property. You keep blinking and he's not going away. You even go as far pinching yourself just to be sure that this is real life.

"It's not a dream," he winks. "I'm actually here. I'm sure you've imagined this a lot, haven't you?"

"Not even once," you grimace at the thought. "Now what do you want? I'm kind of busy."

"Yeah, doing what? Getting off to the thought of me?" He's got on his signature smug smirk and you just so desperately want to smack him, but decide against it because you're sure that he would like it.

"Not even close. Now tell me what you're doing here before I grab my dad's shotgun." You're getting even more angry and Billy's feeling himself getting hard. He almost wants to say something even worse so you'll yell at him. That always makes him so fucking hard.

The girls are now off the couch, making their way to stand on either side of you, feeling the need to protect you from whoever you're threatening to shoot.

"What are you doing here?" Max asks, crossing her arms over her chest.

"Well, Maxine," he smiles, reaching into the back pocket of his shorts, pulling out the book that you left at the pool, so close to asking if you have another one he can borrow because now he's obsessed.

You snatch the book out of his hands and quickly flipping through the pages because there's no telling what he's done to it. Billy just stands there, amused by whatever you're doing with his arms crossed over his chest.

"What are you doing there, Hopper?" He asks, trying his best to bite back a laugh.

"Making sure none of the pages are stuck together," you glare and hand the book to El once you've flipping through every page. Max giggles at your joke but El just stares at you in confusion. You then step out on the porch and give Billy a shove, which catches him off guard.

"Now get lost, Hargrove," you glare and he knows he's got to get out of there before you see his hard on. He turns on his heel and descends the stairs and you definitely do not check out his ass as he heads to his car.

Once he's speeding away, you slam the door and swipe the book from El's hands, storming off to your room, letting your anger the best of you. The girls invite themselves inside and the three of you sit on your bed, the two of them waiting for you to tell the story of why you hate Billy so much. Too bad there isn't one.

"I fucking hate your brother," you tell Max and she just laughs because it's very obvious just by the way you speak to him.

"Join the club," she sighs. "Did he-did he do something to you?" She asks, suddenly concerned about your wellbeing.

"No," you shake your head. "He's just a pig but what else is new?"

"So you haven't-" she doesn't even need to finish her sentence and you don't want her to because you're grimacing now, images of Billy on top of your naked body pounding into you flash across your mind and you're concerned that your waffles aren't climbing up your throat. That you maybe, kind of actually like what you're seeing?

"No," you reply quickly, shaking your head. "I mean, c'mon, Max. And no offense, but I don't want to be discussing my sex life with a couple of thirteen year olds."

"Fair enough," Max nods.

"Do you like him?" El asks and you turn to her, confused by her question. Did she not see how you were talking to him? That's not how you treat people you like.

"Yeah, do you?" Max asks, genuinely curious. "It's okay if you do. A lot of girls do."

"Absolutely not."

"But you were checking out his ass," Max points out and you hadn't realized you were that obvious about it.

"He has a nice ass, sue me. Alright, let's put it this way since you guys don't seem to understand. If Billy were on fire and I had a glass of water, I'd drink it."

"Noted. So who do you like?"

"Nobody," you reply, which is true. "I mean, I used to have a huge crush on Steve Harrington in high school, but there hasn't been anyone since."

"Steve's your best friend," El tells you, almost as if she's confused.

"Right," you nod. "But I don't have feelings for him anymore." and you don't. The two of you kissed once at a party and it was too weird so you just went back to being friends.

"Well, he's a lot better than Billy," Max points out. He's actually a guy that Hopper would approve of. Steve's the kind of guy you can take to meet your parents and Billy's the kind of guy who you sneak in through your window."

You really wish you were with Steve because maybe then you wouldn't still be thinking about Billy and his slutty outfit. Well, maybe you'd be thinking about it, but then you could just go and to Steve's where he'd fuck you until you forgot Billy's name.

"No offense, but I don't need my little sister and her friend setting me up. I can get a date by myself, thank you very much." It's not that El doesn't believe you, but she hasn't seen you go on a single date since she's known you. You've always been independent, but she can see that you're lonely, that you crave companionship like she has with Mike.

She doesn't know what you do when you're away at school, but she hopes that if you did have a boyfriend that you'd tell her about it. The two of you are close, you share everything with each other, so she really hopes that there's nothing that you're keeping from her.

"I just want you to be happy," she says, grabbing hold of your hand.

"I am happy," you reply, giving her hand a squeeze. "I've got you and dad and that's all I need. I don't need some stupid boy getting in my way."

Max watches the two of you with admiration. She loves that Eleven has you in her life, that she has you to guide her through life. It really makes her wish that she had a sister of her own and not her stupid brother who doesn't even seem to care about her in any way, shape, or form. Sure, she has her mom who she wouldn't trade for anything, but it's not the same.

You notice her looking at you and you hold out her hand for her to take. She's hesitant, but she eventually takes your hand and you give hers a squeeze with a warm smile.

"You're one of us now," you tell her and she decides that's exactly what she wants to be, finally feeling she's apart of a family.

You can't sleep. You're tossing and turning, constantly seeing the minutes pass by on the clock on your nightstand. You look over on the floor where the girls are sleeping in their sleeping bags because they insisted on staying the night in your room.

You can't seem to get the image of those damn shorts Billy was wearing out of your head and you really wished you had pulled him inside and had your way with him when you had the chance. You're convinced that he did it on purpose, offering up his best asset up on a platter and you almost took the bait.

If you had the option do it over, you would have pegged him the way that you were convinced that he was silently begging for. Why else would he have worn such short shorts for?

Or maybe you're just overthinking it. You have to be delusional because why the fuck would he have worn those for you? He should know that you wouldn't fuck him if he were the last man on earth, but do you kind of want to now?

Why do you suddenly want to see what the hype is about? You want to know if his dick is really as big as they say, to know if he's as good in bed as you've heard he is. You're just curious, you try to convince yourself. You're actually just wanting to see if they're right. If you'd like it. You're not attracted to him, no fucking way. This would purely be for research purposes.

You spend the rest of the night thinking about nothing but stupid Billy and his stupid great ass. You think about the two of you in all sorts of positions as you beg and plead for him to do more, to go harder, faster, and he listens, nothing but dirty words falling from his pretty lips as he pins you down to the counter in your kitchen. He's pressing your face into the countertop, thrusting in and out of your ass as one of his hands kneads your tit, making you moan so loud, but he's got your underwear stuffed into your mouth because he doesn't want you waking anyone up.

You wake up in disappointment, your dream so vivid that it almost felt real. You can't believe that you had sex dream about Billy of all people. and you liked it. How the fuck is it that just seeing him in those stupid shorts somehow rewired your brain and made you actually interested in him? You're pretty sure that you've actually gone mad.

You sit up in your bed and notice that the once occupied sleeping bags in the floor are now empty. You then look and see that it's already eleven in the morning. Even during the summer this is the latest you've slept in. You try to shake your thought from the night before and head out of your room to see your dad, El, and Max at the table, eating what looks like breakfast from McDonald's.

"Hey, sleepy head," Your dad greets you with a smile, pulling out the chair next to him that he's saved for you. You plop down and he shoves the bag over to you and upon opening it, you realize that it's your usual order.

"Sleep well?" He asks, reaching over to ruffle your hair and you slap his hand away. "Somebody's grumpy," he laughs then goes back to his biscuit.

"No, I didn't sleep well because somebody was snoring," you glare at El. It's not a total lie since she was snoring loudly, but you can't exactly tell your father of all people that you were thinking about Billy Hargrove in an inappropriate manner. In fact, you can't tell anyone at this table so you're just going to take it to the grave.

You're surprisingly quiet during the rest of breakfast and as soon as Jim and El leave to take Max home, you race to your room and grab your phone, feverishly dialing the number you know by heart as your heart beats rapidly in your chest.

You feel like your going to throw up as it rings for what feels like forever. You never call Steve about boy problems, but now you feel like you have to, to get confirmation that you're not actually going crazy. Steve is the person you feel like you can go to for anything, so why are you so nervous to tell him that you might be interested in Billy?

Maybe it's because you know he'll be grossed out or maybe it's because you're afraid he'll be jealous even though it's very clear that he's not even remotely interested in you romantically.

"Hello?" The familiar voice rings through the phone.

"Steve, hey," you greet. "Do you have time to talk?"

"Yeah, of course. What's up?" So you tell him everything and he listens like the great friend he is, only offering his opinion when he's asked for it. And that's why you always like talking to him. Because he genuinely listens and offers good advice and never judges you for what you have to say.

"You know how I said you can tell me anything?" He asks as soon as you finish speaking.

"Yeah."

"Yeah, I changed my mind." Well, so much for him not judging you.

"I spared you the details."

"And thank god for that. So what exactly is the reason you're telling me all of this?"

"Because I want to know if I'm totally crazy for wanting to go for it."

"Why should my opinion matter? If you want to fuck Billy, y/n, then fuck Billy. What do I care?" He genuinely doesn't care about your sex life and just wants to do what you want to do. He doesn't know why you're asking his permission to fuck Billy Hargrove.

"So I'm not crazy?" You're feeling even more nervous even though calling Steve was supposed to calm you down.

"Look, I'm not blind. The guy's hot, alright? And I think if you want go for it, you should."

"Thanks Steve."

"Anytime. And if you do go for it, please, please spare me the details."

"Will do," you nod even though he can't see you then hang up. You then hurry out of the room and head out to your car, preparing to head to the pool where you know Billy will be. If you're going to make this proposition, you want to do it face to face.

Billy hasn't been able to stop thinking about you since he showed up at your house yesterday. Seeing you in that large t-shirt made his brain short circuit, immediately wondering what you've got going on under it.

He wants you so bad and the fact that you don’t want anything to do with him makes his want even stronger. He sees it as a challenge. He thinks needs to flirt with you just a little more to get you to crack. He saw the way you were checking him out and now he’s thinking of cutting the shorts even shorter to give you a little taste of what you seem to want so badly.

He ended up buying another “bodice ripper” as he found out the novels are called at the book store and he just can’t fucking put it down. He’s even more interested in the story now since he’s cast you and him as the leads.

Sebastian has got his hand up Juliette’s dress and Billy’s just imagining what it would be like to get his fingers inside you. He’d tease you about how wet you are then got to town, fucking you with his fingers, making you come over and over, until you’re begging for his massive cock.

He’s thinking about you so much that he swears that he sees you out of the corner of his eye, making your way over to him in a hurry. God, he’s really got to stop thinking with his dick.

But you’re calling his name, so it must be real, right? He looks down and from this angle, he’s got the perfect view of your cleavage. He’s so distracted by it that he’s not even paying attention to what you’re saying. He sees your lips moving-god, your lips. He doesn’t usually kiss during sex, but he suddenly wants to kiss you stupid. He wants to kiss you while he grinds against you, making you beg for his-

“Billy?” You ask and he finally snaps out of his dirty fantasy, his eyes snapping up to your face.

“Hm?”

“Can we talk for a second?” Is that code for you wanting to hook up? Whatever you want, he’s in. He climbs down the ladder then comes to meet you face to face.

“What is it, doll?” He asks, his voice so smug because he’s finally able to read you like a book. You’re nervous, guard completely down and he’s loving that he’s finally gotten through to you.

“Can we talk…in private?” You’re picking at the skin around your thumb nail and he’s wondering why you just won’t just come right out and ask him. Yeah, you definitely want his cock.

He blows his whistle and you cover your ears as checks his watch. It’s time for his break anyway so he calls for an adult swim before grabbing you by the hand and taking you into the locker room. This isn’t the first hookup he’s had during his break and it definitely won’t be the last.

He’s not going to give in right away, though. He wants you to beg. He wants you to be whining for him before he even lays a hand on you. He’s certain that he’s so powerful that he could make you come just with his words. And that’s exactly what he intends to do.

“So you finally want me to fuck you, huh, doll?” He asks as he pulls a pack of cigarettes out of his pocket, removing one from the pack, then lighting up.

Normally, you find smoking to be disgusting, but when Billy does it, he’s so fucking hot that it’s unfair. The way he puts it between his lips-god, his pretty pink lips-and blows the smoke out like he doesn’t have a care in the world.

You don’t admit it like you were intending, you just take his hand and a pen from your purse before scribbling down an address then fleeing the locker room. He looks down at your pretty, neat handwriting and realizes that he recognizes the address. It’s the Motel 6 on Cornwallis where he was supposed to meet Karen Wheeler before she bailed.

He smiles to himself as he’s finally gotten another one then spends the rest of his break thinking about all the ways he’s going to make an absolute mess of you.

Billy is already at the motel when you get there. He’s leaning against the fence of the pool, with his back facing you, smoking yet another cigarette. He’s wearing the same outfit from when he showed up at your house, but this time, the shorts are even shorter. So short, in fact, that his ass is hanging out. God, what you would give to give it a squeeze. To use it as your personal stress ball as he fucks you. What you would give to give it a much needed spanking.

You approach him and pluck the cigarette from his lips, putting it between your own and taking a drag, only to cough immediately.

“Jesus, take it easy, Hopper,” he says as he takes the cigarette back from you.

You’re still coughing and Billy doesn’t know why he’s so worried, lightly patting your back to help you out, suddenly wishing he had some sort of beverage to make it all go away. He doesn't know when his hands started rubbing smooth circles along your back, but you’re stepping closer to him, feeling much more brave than he is. 

“I’m good, I’m good,” you tell him. “Sorry.” 

“Why are you apologizing?” You actually don’t know why, but feel like you should.

“I don’t know. Now c’mon,” you lift the latch of the gate that leads to the pool and open it slowly before taking Billy by the hand, leading him through the gate. His fingers are rough but somehow soft and you can’t wait to have them roaming all over your body. 

The lights that are lining the inside of the pool somehow make the dingy coloring even more so, but the heat of the night is making it look inviting despite how gross it looks. You just want to dive right in and take a swim. You don’t care if it looks like it hasn’t been cleaned in years, you just need to feel the cool water against your skin. 

So, you begin to strip. It’s not by any means sexy like you wanted it to be as you’re just desperate to just get out of your clothes. And Billy doesn’t even seem to be phased by this, just checking you out as you pull off your shirt and shorts so you’re just left in your bra and panties. He barely even gets the chance to look at your body before diving into the water, just staring at you, confused as your head pops up from the water. 

Apparently Billy didn’t get the swimming memo since he’s still standing there, fully clothed. So, he’s quick to get down to his underwear and follow you, diving into the water, probably (definitely) not looking nearly as graceful as you. 

“Never pegged you for a bad girl Hopper,” he says as he surfaces, pushing his hair out of his face. You’re over by the shallow end, sitting on one of the steps, running your fingers through your hair, trying to get the knots out. 

“That just goes to show how little you know about me, Hargrove,” you reply as he sits next to you. The lights in the pool usually make people look not so great, but you look absolutely beautiful in the blue-green hue. He really wishes he had a camera so he could capture this moment, you looking at him with that sweet smile. 

You scoot closer to him, so that your bare thighs are touching. You wrap your arms around his neck, twirling a piece of his hair around your pointer finger. Your face is inching your face towards his. His hands wrap around his waist as his lips find yours in a gentle kiss. Billy doesn’t think he’s ever been this gentle with a woman, and just as he’s starting to enjoy it, you kick it up a notch, tilting your head to the side as your tongue slides into his mouth. He hasn’t kissed anyone in so long and it feels so good. 

Your lips are soft and you taste sweet, but he can’t quite make out what it is. He could do just this for hours and be satisfied. He doesn’t why he always denies this part of sex, but he thinks he’s just enjoying it because it’s you. He lets out a moan as you tug on his hair, now straddling his lap. 

“Fuck,” he whines into your mouth as your fingers wind into his hair, giving it a tug at his scalp as you bite down on his bottom lip. You’re now grinding against him and his nails dig into your hips, his head falling backwards, giving you the perfect opportunity to kiss his neck. 

They start out soft and gentle, but then you’re using your tongue, licking and sucking on his skin, driving him absolutely crazy. He’s hard beyond belief and he swears he’s going to come right there just because of what you’re doing with your mouth, your wonderful talented mouth. 

He’s seeing stars, whining and moaning as you work on his neck, giving him a hickey. As nice as this is, as much as he’s enjoying it, he needs to get inside you because he’s about to bust. You bite down on the skin and he moans again, your name slipping from his lips. You’ve got him right where you want him and you’re sure that he’s ready now. 

Your lips find his again, desperate and hungry, still grinding against him and he’s getting harder by the second. His hip buck against yours and you move so he can get his underwear off and you remove your own before settling yourself onto his cock. 

“You’re so big,” you tell him and his eyes light up at your observation. He’s very well aware of this, but hearing it from you is a huge compliment. He loves seeing you like this, on top of him in nothing but your bra. This is something he could only dream about, something he has dreamed about even though he’d never admit it. 

You watch him come undone as you begin to ride him, eating up how quickly you were able to dominate him. It’s clear that you have the control here and he’s loving it. He’s always on top, but letting you take the lead is much more fun. He wants you to boss him around, to make him your bitch. 

“Yeah? You like that?” You ask and he nods, feeling fucked out already and you’ve barely even done anything. Maybe it’s because he never engages in foreplay so he has more energy for the main event. “Look at you. Already tired, baby?” God, he really wants you to call him that again. 

“No,” he replies through a deep breath, bucking his hips against yours. “Keep going.”

You continue, moving faster as his hands move up to remove your bra as he continues to buck his hips against yours, trying his best to keep up with you. As soon as your chest is bare, he can’t help but stare, watching your tits bounce up and down. And just when he thought you couldn’t get any hotter. 

“Fuck, you feel so good, baby,” you moan as you pick up your pace, and Billy’s pretty sure that it’s the hottest thing he’s ever heard. You moan again and again as his hips buck against yours, wanting to make you feel as good as you’ve made him feel.

There’s no way he can fuck anyone else after this. It’s like someone mediocre going on stage to perform right after Prince. This is easily the best sex he’s ever had and it’s not even over. He’s got to have you every night for the rest of his life now. And if this night is all you’re wanting from him, then maybe he’ll just refrain from ever sleeping with anyone ever again. 

Although, he’d never admit any of this to you. His ego won’t allow it. He likes being complimented, but he’s never one to do so unless it directly benefits him. Well, except for him telling you how pretty you looked. That was just because he wanted to. 

“Fuck, fuck, fuck, doll,” he moans as he comes and you don’t even care if he pulls out. You just help him ride his high and you’re close, your eyes shut tight as his name rolls off your lips. And fuck does it feel good to hear you scream it. 

“Billy, oh my god. His name tumbles out of your mouth as you reach your peak reached and fuck does it feel good for him to hear you scream it. 

Once you’ve come down, you climb off him and hurry to retrieve your underwear, Billy quickly following behind even though he’s not as in a rush as you are. He wants to stay here for a little longer, just to hold you in his arms and shower you with compliments. He might even actually tell you that you’re the best he’s ever had. 

“If I’m not home by ten, I’m going to be dead,” you tell him and now he understands, because of course Jim Hopper would still have his daughter under curfew even though she’s an adult now. 

He doesn’t know what time it is, but doesn’t want to be the reason why you’re late so he lets you go, not getting dressed nearly as quickly as you, but he’s still trying to keep up. He’s wondering how you don’t completely hate the wet clothes against your skin and how you’re going to explain that to your dad, but he supposes that isn’t any of his business. 

So he watches you slip on your flip flops as he gets out of the pool with his underwear on. He’s pulling on his shorts which is proving to be a struggle, but he eventually gets them on and throws on his shirt as he’s hurrying to catch up with you, following you to your car. 

“Well, this was fun,” you tell him with a bright smile. “We should do it again sometime. You can get the house number from Max, right? I’m sure he has it.”

“Yeah, sure.”

“Great. Don’t be a stranger, alright?” You ask, leaning forward to press a kiss to his cheek before you get into your car. You start it up and Billy watches you back out of the parking lot, knowing that he’s going to be giving you a call very soon.

[amywritesthings]

silver underground. | chapter 24

( Read on AO3 )

Pairing: levi ackerman x f!reader (attack on titan / shingeki no kyojin) Word Count: 6.3k Summary: day 163 - continued.

Warnings: 18+ MINORS DNI - explicit smut, resolved sexual tension, oral (f!receiving), nipple play, body worship, fingering, dirty talk, multiple orgasms, protected piv sex, angst, mentions of death, sensuality Credits: dividers by @saradika-graphics

Previous Chapter. / Next Chapter. | Masterlist.

I feel... you.

The answer to your question you’ve been asking the moment you opened your eyes.

The clarity you’ve sought ever since you locked eyes with the captain of the Scouts.

I remember you.

Levi kisses you like he knows you, and the rest of the world ceases to exist.

His sturdy hands flutter in a flurry, touching every part of you like he wishes he could have it all.

Chilled palms cup your face, cradling your head as if it's the most precious thing they've ever touched, before sliding down your neck; to the slope of your shoulder, dipping down your sides — pulling you closer, closer, until you’re airborne.

You’re not afraid of falling.

Not with him.

Instinctually you jump, knowing he’ll catch you. 

Your thighs clench around his waist as one strong arm supports your weight, unwilling to compromise the position of his other hand. It remains on your cheek, cupping your face to hold your kisses steady.

As the man stumbles forward, you hear the abrupt slam of the wooden chair go flying across the room, skidding to its side on the floor. 

It’s loud.

(Surely someone downstairs will hear.)

Hange, Moblit, Erwin — in a best-case scenario, those who stayed behind will be the only privy to the commotion.

However, if the entire squad has returned from the forest...

Well, there's no mistaking the shuffles and slams coming from Captain Levi's room.

Fighting or fucking; the odds are fifty-fifty.

He doesn't seem to care.

Honestly?

Neither do you.

(Too much time wasted on open secrets.)

With immense control and strength, he slowly lowers you both to the bed. The bed frame creaks in its age under the weight, but the mattress feels soft compared to the forest floor you crashed into mere hours ago.

Your back touches the ivory sheets, engulfing you in the scent of him. Something uniquely Levi; crisp and impossibly clean with a musk that’s making your mouth water. 

You’ve smelled it in passing the few times he’s passed you at headquarters — always at arm’s length, no matter how close you try to get — but now it’s bound to stick to your body, your clothes —

The way it used to in the Underground. 

The way it used to in this very bed.

His kisses are messy yet precise, focused on the feel of your mouth against his. When you let out a shaken breath and whimper, overwhelmed by his reinvigorated passion, Levi outright groans. 

The same arm once holding you up snakes around from under your back to meet its twin cradling your face, keeping you in place.

(As if you’d ever wish to leave.)

“I’m sorry,” you whisper between kisses.

“Don’t,” he replies just as softly, tugging at your lower lip with his teeth. “Not now.”

“But—”

“I don’t want your damn apologies,” he sighs, traveling south to pepper your jawline with short, chaste kisses. “There’s nothing to be sorry for.”

When he senses your hesitance, he pumps the brakes on his kisses and raises his chin to look you in the eye. The storm in his eyes has darkened to a damn near black.

His button-down hangs off of his bony frame, giving you a view of the expanse of skin beneath.

“Nothing,” he repeats.

Like he knows you want to fight.

(The two of you know the language of violence so well, but you know one another better.)

The protests, the pleas, the endless stream of begging dies on your tongue the second his thumb grazes your lower lip with reverence.

Emotion flickers across his face, gone as fast as it came, before he dives back in for another kiss — slower this time, the push and pull deliberate with reassurance.

This.

This is what your lips should be doing, not apologizing.

The message is received loud and clear: you tilt your chin to meet him in every kiss, hands blindly raising to run through the soft strands of his black hair. He exhales through his nose, the hot breath tickling your skin.

For the longest time, it’s all you do.

Kiss.

One for every day spent apart.

One for every fight you’ve ever had.

One for every memory you’ve yet to recall.

The puzzle has a frame, yet there are still missing pieces, destroyed edges, that may never return. Maybe he’ll never make peace with it, but knowing you were a stone’s throw away from death surrenders that grief into confetti.

There will be new memories to make.

(As the keeper of your heart, you trust his recollection of the details you can no longer recount.)

This life won’t be perfect, it never has been from the beginning, but so long as you have this — have Levi — then nothing else matters.

“I can hear you thinking.”

The first part of that statement is muffled by a kiss, but he pulls away to check in during this languid, yearning make out session.

Levi squints down at you, lips pink from exertion.

“I’m not,” you lie.

His eyes narrow further. 

“Fine. I am.”

“About?”

“About how badly I want you.”

The blatant honesty dissolves that narrowness in seconds.

“About... how you—”

With the strength harnessed by adrenaline, you push on Levi’s chest, hard, until he’s flat on his back.

The bed creaks again when you crawl on top of him, straddling his hips while your hands plant themselves on the soft flesh of his wrists.

Down; you push down, pinning him underneath.

Levi doesn’t tense. He simply stares above, allowing you to do this.

“Want you,” you clarify, “yes.”

His throat bobs, but his expression stays cool. 

“Are you sure?”

“Do I look like I’m hesitating, Captain Levi?” you challenge, leaning down to hover over his face.

His hands leisurely flex under your hold, as if to relax them from their clenched state. 

For a moment, doubt creeps in.

Even if he’s confessed, there is still so much time unspoken for; so much to talk about, so much that you have missed.

Maybe it’s too much.

The grip on his wrists falters. “Unless if you don’t want—”

With inhuman strength, he uses the light hold you have on his wrists to push up, setting you off balance.

As you waver he quickly finds the upper hand, switching your positions once more so he can pin your wrists to the mattress beneath.

“Don’t even try to finish that sentence.”

To make his point, he drops his head to your neck and plants open-mouthed kisses against the column of your throat. You can’t help but make a strained noise of desire, eyes fluttering shut from ecstasy.

From this vantage point, you feel it — the sheer tension in his hold on your wrists, how desperately he resists clenching down, how gentle he aims to be when he glides both of your wrists from the sides of your face to over the crown of your head.

Levi doesn’t tremble, not like you. He remains as calculated as ever.

His lazy, methodical kisses trail up your neck to your jaw to your mouth. Both of his hands work to carefully connect your wrist in an x-formation. Once satisfied by your compliance, he slides one of his hands over both to latch on, pushing them down — yet still giving you plenty of room to escape if something doesn’t feel right.

(For the first time in over six months, everything feels perfectly in place.)

Panting against his mouth to catch your breath, a floating thought comes to mind once again.

So you speak. “Do you think the others—”

“I don’t care,” he interrupts, capturing your lips in a searing kiss. You follow his lead, tilting your chin up to meet him. “I do not fucking care right now, James.”

His candidness earns him a gentle giggle, and you feel the slightest shift against your lips:

A smile of his own.

You tap his hip cascaded by the disheveled fabric of his white button-down with your knee.

“Then take this off.”

The kisses cease at your request — no, demand — and Levi pulls away enough to stare down into yours.

"Yeah?"

"Yeah."

Those beautiful gray eyes, stormy with droplets of blue — you realize the deep hurt in your belly is a pang of loss.

You say it before you can regret holding it back.

"I missed you."

His expression smooths with how earnest you sound beneath him, before clearing his throat.

“Which part?” he asks, voice slightly strained from the efforts of holding back.

You blink twice. "Which part?"

"Of me, yeah."

Searching his face, you decide to play along.

“Are you going to get mad if I say all of you?”

His eyes narrow. “Lazy.”

The flatness of his joke earns a genuine belly laugh from you. 

Levi lets go of your wrists to sit up, nudging your legs apart so he can wriggle out of the way. You easily comply, careful to leave your boots hanging off of the bed when you widen your thighs.

Stepping away from the bed, he bends over first to remove both of your boots, then his own.

Any other time he’d have a conniption over the dirt, the grime, that you’ve brought into this bed.

(If there was one thing to remember about your past, it was that people from the Underground City could still be just as clean as anyone else. So much time spent cleaning the endless grit from under your nails; an impossible feat.)

Even if dirt was a sin, apparently you were not.

He doesn’t even blink at the specs that may very well still be in your hair.

Instead he’s focused on watching your face as he unfastens the harness at his sternum, shrugging out of his own leather straps. Tossed carelessly to the floor, he rips off his dirtied cravat and ODM gear skirt next.

Pressing a knee into the mattress, he rejoins you on the bed to reach for your chest.

He hesitates, throat bobbing with fleeting uncertainty before he begins to slip the leather through its loop.

“Sit up for me.”

You acquiesce, sore muscles protesting the movement as you prop yourself up on your elbows.

He’s softer with his movements when it comes to your uniform, pulling it apart piece by piece, as if afraid one false move will ruin this dream.

It’s not a dream, you want to tell him. I’m right here. I’ve always been right here. I won’t be going anywhere ever again.

You don’t.

Can’t, not when you’re so mesmerized by the way he pauses at the first button of your shirt.

For a short moment he meets your gaze, studying it, before nodding once.

One by one, deft fingers unbutton your shirt until it’s hanging from your frame, revealing a chest band. All of the air rushes from his lungs in one swift woosh, until you realize—

The scars.

Shit.

The dreamy spell is broken, and soon you find yourself scrambling for something that will quell any negative emotion bubbling in his belly at the sheer sight of your body.

A part of you wants to cover up, act coy and switch roles —

But clever Levi, forever two steps ahead, dives right in to kiss the one of the many healing scars littering your body after the fall — the jagged line just above your left breast — with such fierce devotion that the gesture nearly knocks the damn wind of your lungs.

“Beautiful.”

The murmur is tattooed into your skin, invisible to the wandering eye.

“So—”

He unsnaps the bind.

“—fucking—”

Like a feral animal, his hand tugs once, twice, until it gives and unravels.

“—beautiful.”

Levi forgets himself when his eyes meet your breasts, and you see the way his pupils damn near dilate at the sight.

His lips part, slick from the way he licks between them, before he exhales one single curse like it's a prayer.

“Fuck.”

You stay perfectly still on your elbows, perched on an incline in his bed.

At a loss for words as he stares at your torso like it’s a work of art, your heart hammers in your chest as you telepathically plead with him to simply do whatever he wishes.

Anything he desires, so long as he moves.

Your voice dissolves to a whimper.

“Levi—”

“Can I?”

“Please.”

His own voice crackles like a spark readying a flame. You want to feel him, separated by the absence of muscle memory; to have his hands, his lips, scorched on your skin forevermore.

Levi gives into temptation and kisses south, his nose tracing in a straight line until both hands hold your breasts.

Hot sighs heavily flutter across your skin before those very lips kiss the rising bud they’d been seeking, causing your back to arch clear off of the bed. You whine, trying desperately to stay quiet.

Levi’s too busy worshipping the nipple in his mouth to chastise you for the sound.

His tongue swirls to harden it faster while his other hand massages the other breast, his calloused thumb rolling in the same direction.

Your nails dig into the sheets, anchoring your hands from clawing up his back.

“Levi.”

He hums around your nipple as his answer, its tone dismissive.

When you’re brave enough to open your eyes, you see that his eyes are completely closed — softened in an otherworldly ecstasy at the sheer feel of your body against his.

The sight shoots a dizzying amount of arousal to your belly.

When he switches it up and sucks, those eyes lazily open to stare up at you: a challenge to let him stay like this, to never leave.

He wouldn’t have to ask twice.

If this was your entire night, with Levi’s mouth on your chest while he lives in the memories of you old and new, then you’re inclined to say that there are worse ways to spend your time.

(No, you’re happy to say like this forever.)

Except a chill passes over your pampered breast as Levi kisses across it, abandoning your nipple to trail to the other side — 

Fuck.

“You’re going to kill me,” you rasp, too worked up to care if you sound wrecked.

“Won’t,” is all he replies as he dives back in, worshipping your body.

“Will,” you grit, trying your damnedest not to cry out from just how good it feels.

With one final kiss to your nipple, Levi detaches with mercy to shrug the pesky white button-down off of his shoulders.

The fabric joins the mounting pile of clothes on the floor, but his hands hesitate when they touch his belt.

His eyes notably flicker to your belt — a pause.

Deciding.

If it’s too soon—

If it’s too much —

No, you want to cry out. It’s not enough.

The words die on your tongue, possessed by the ghost that’s plagued your mind for months.

Instead you take action: sitting up on the bed, overly eager fingers tremble as they begin to unbuckle his belt, working at the leather straps crisscrossing his thighs and calves. 

“James.”

His voice is dying on his tongue; a singular syllable of surprise.

“Let me.”

You notice the way his abdomen tenses at your words as you tug the first belt from its loops.

“Are you s—”

“I said,” you slowly repeat, moving closer to kiss the trail of dark hair peppering just under his belly button. Levi exhales like he’s been punched. “Let. Me.”

Punctuating each word to show your seriousness, your eyes meet as he stares below.

Inch by inch, you press slow, meaningful kisses in his skin — first to the left, curving towards his hip. 

Your hands push down the trousers of his uniform pants, using the strength to drag the leather straps wrapping around his legs to fall with them.

Levi stands before you in merely white briefs, and there’s no hiding the immense arousal straining against the thin fabric.

The sight causes your breath to simply evaporate from your lungs, unable to stop staring.

From your peripheral you see the hand at his side flex then snatch into a fist to combat the desire to touch you.

He must feel guilt.

He must be so terrified that this moment will simply evaporate like the rest of your memories.

That you may have woken up, yes, but you can still fall back asleep.

You refuse.

“You can touch me,” you murmur into his skin, and Levi’s throat bobs. 

When he doesn’t move, you take the first at his side and systematically uncurl every finger.

He lets you.

Slowly, calculated, you raise his hand until it’s running over the crown of your head. His nostrils flare as he takes control, abandoning the guide of your hand to cup the side of your face.

A gentle thumb smears across your lower lip in reverence.

“I won’t break,” you tell him, knowing he’ll protest. Your voice drops to a hush. “I won’t.”

“I know,” is all he can reply — then your back hits the bed again, and he drops to his knees at the edge of the bed.

Levi disappears from your immediate line of sight, but you feel pressure on your hips: inch by inch, he’s undone the belt and buttons and yanked your uniform down your thighs, your knees, until they’re hanging at your ankles.

Oh.

One by one, he slips your feet from the pants and uses your ankles to widen your knees, bearing you to him at eye-level in just your white cotton underwear.

“Shit.” 

A feeble gasp escapes when his lips start at your left foot. 

You can’t see him, only feel him — he presses a tender kiss to your ankle then another just above it, creating a careful line up to your calf. His fingers gingerly curl around it to keep you steady as he ascends with his lips touching every single inch he can.

When he reaches your knee, you see it: the darkness in his gaze, how stormy his eyes have become, while making direct contact with you.

“Levi,” you moan, refusing to look away as he makes a point to stare at you while he nudges your left thigh further out to keep kissing it.

Stay awake.

Don’t forget this.

Don’t ever forget this again.

“Can I?” he asks, and you nearly miss the question in your intoxicated, aroused state.

You know.

You know exactly what he’s asking to do.

There’s no chance in hell you’d ever say no.

Wordlessly you nod, but Levi’s tongue darts out to taste the skin of your inner thigh. “Say it.”

(Fuck, when did he get so demanding?)

“Yes,” you exhale. “Yes, I want this. Want you.”

He doesn’t answer with words — a mere wanting growl takes their place.

Raven-black hair tickles your bare skin as he shifts, and strong arms drop to your rope under your knees.

With one swift tug, he drags you directly against his face, and the world becomes a myriad of brilliant colors.

Even if it’s a mere kiss to the cloth of your dampened underwear, you whine from the sheer desire flooding through your veins.

Maybe in another life, you would have teased him for his eagerness.

Maybe before the fall, you would have made him work for it, asked him to crawl to you, to beg.

Not this time.

You don’t have time to be coy, not when it’s been so long.

The tip of his tongue sensually drags up the center of your under, the slowness obscene. Your head slams back into the mattress with a soundless cry. 

The hot puffs of his breath tickle your inner thighs as he continues to swirl his tongue against the final barrier between you and his mouth.

“Please,” you beg, throwing all dignity to the wind.

He doesn’t seem to hear you.

Levi’s hands grip your hips firmly, keeping you in place as he continues to gather the taste of your on your panties.

When you have the courage to watch him again, you see that his eyes are closed.

Like he’s found some kind of paradise right here.

With you.

“Levi,” you whimper louder, voice terribly shattered, “Levi, Levi, please—”

His moans against your clothed clit damn near scrambles your brain.

Finally ending your torture, he pulls away to tug your soaked underwear down your thighs, your knees, until they drop to the floor of their own volition.

“Been dreaming of this,” he finally states, his voice several octaves lower and cracked. “The goddamn taste of you—”

He cuts himself off when he runs his thumbs down your folds, parting them with his thumbs.

If you weren’t so eager, then maybe you’d be embarrassed by how wet you were.

Dripping, really, from the way he worshipped your chest only minutes ago.

You almost scream when he dives in and kisses your clit, before his tongue languidly glides against it. By some miracle, you don’t.

His thumbs leave you in favor of holding open your legs for him as he feasts, refusing to allow them to close from the shock of the forgotten sensation.

With one hand grabbing the pillow above your head while the other threads through his hair, you’re unable to take your eyes away from how thoroughly he eats you out.

“Oh fuck,” you whisper, and the vibrations of his groans of agreeance damn near take you out.

The captain’s tongue explores every atom of you as if it has navigated this journey more times than he can count; as if he knows you better than you know yourself.

Because a part of you can remember —

The things you like.

The things you don’t like.

The hazy desires that plague heated dreams at night.

Yet Levi reaffirms them, teaches your body language right back to you, as his eyes lift from his task to yours to watch you watching him devour you whole.

Mesmerized, you stare back.

His lips close around your clit and suck as if to challenge you to look away, but all you can do is tense your abdomen and moan, louder this time, while your eyes flutter.

Stay open.

Don’t ever forget.

Lips parted with shaken breath, you witness this man mercilessly pleasures you.

Stares, so he knows that you’re still taken by him.

Worships, so he can remember what it’s like to finally have you in his bed after so many months apart.

It won’t take long to fall clear over the edge.

Not at this rate.

But you don’t want it to be over.

“Wait,” you whisper, “wait, I’m almost — I want you in—”

The second syllable of that word is lost in a sharp cry to the ceiling when he abandons solely sucking on your clit to focus instead on flickering side to side, rapidly, ensuring you’ll come no matter how badly you want to fall into bliss alongside him.

There’s no chance you can stave it off.

Your climax, a damn near year in the making, approaches like a bursting star.

“Levi—” you breathe, higher pitched than usual. “Levi, Levi, Le—”

You can’t finish the next syllable before you're surging off of the mattress, and he shoves you down against it by the hips so you don’t hurt yourself.

The world morphs and shapes into brilliant bright colors in the back of your skull as you come, and you do your damnedest not to shout.

As soon as your moan reaches its peak, your hand manages to smack against your mouth, muffling the strained screech.

His tongue slows down, instead focused on leisurely catching your essence with his mouth.

Greedily collecting every last drop.

So he doesn’t have to dream anymore, you realize.

So he never goes without again.

Panting heavily, your chest rises and falls rapidly as you try to remember which way is up.

“Holy shit.”

That doesn’t even begin to describe how otherworldly you feel at this moment.

“Levi…”

When you finally open your eyes, you see him resting his cheek against the inside of your thigh, nose and mouth glistening with the essence of you.

You’re not sure who is more satisfied.

“You okay?” he asks, softly this time.

Hardly a whisper.

You nod wordlessly, but hold your hand out for him. “Please?”

“Please what?”

“Let me have you.”

A storm flashes across his expression as he stands from the floor, his knee coming to rest on the edge of the mattress.

You can tell he isn’t putting his whole weight on it, avoiding the creaking of the bed frame as he contemplates.

“Not yet,” he murmurs, his fingertips running up and down your thigh absently.

“Why?”

“Because it’s been a while.”

The wandering fingers travel up, toying with the mess between your legs. Your hips jerk from oversensitivity, and a ghost of a smug smile passes across his lips.

“And I’m not rushing this.”

“Why?” you repeat, this time in a whine.

“Like I said—”

He begins, testing the give of your entrance as his middle finger pushes its tip into you.

You sharply gasp, forcing him to instantly stop. Those gray eyes flicker to your face.

“—it’s been a while.”

“I don’t care,” you state. “I can take it.”

“Well I do, so deal with it.”

There.

That commanding tone reserved for his position as captain pokes through, and it shoots straight to your lower belly.

Rocking your hips to try and force more of his finger into you, you shake your head wildly.

“You do realize that the more —”

His fingertip eases out, causing you to cry out in frustration. “Shh.”

There’s only so much sanity left in your body to plead your case.

“It — ah — the more time we spend away from the others downstairs—”

“As much as I like hearing you talk,” he reassures, voice dropping to a husk of its former self, “I really don’t want to discuss the whereabouts of anyone else when I could have my fingers inside you instead.”

Then that same finger suddenly pushes.

One knuckle.

Two.

Your head drops back when he buries his middle finger into you, unapologetic.

His free palm drops to the side of your head as he hovers over you, easing you to relax as he pushes one finger in and out.

The fringe of his black hair falls over his eyes, his face flushed with inexplicable lust.

“Do you remember our rule?”

Do you really expect me to think straight now? is what you want to say.

Instead you keep your eyes on him as he fucks you on one finger, too tight yet not nearly enough. You maintain eye contact, scrambling for an answer.

“With what?”

When his finger curls, you have to bite your tongue not to shriek.

“C’mon, James,” he purrs, the heel of his palm rubbing against your clit, “what’s my rule for you?”

Rules.

Rules, rules, rules—

Then it clicks, the puzzle piece unearthed deep from your psyche.

“Three,” you weakly whimper, realizing just what’s about to happen.

When we had our own place—

He nudges his index finger beside his middle finger, opening you up more.

You widen your legs with little shame, sinking into the sheets as this man thoroughly takes you apart in his captain’s bed.

—I always said I’d give you three.

“Think you can give me it?” he asks with feigned confidence.

You know what he’s really asking:

Is this too much?

Am I moving too fast?

Would this be taking advantage too soon?

The opposite; what he’s doing isn’t enough, because you know what you want.

You need to give him what he wants first before you reach your goal.

Belatedly, you nod emphatically.

“Good,” is all he replies in that baritone voice of his, before dropping down to kiss you when he curls his fingers again, relentlessly fucking you.

The kiss is maddening. Searing. Your eyes roll into the back of your head as you try to keep up with the messy press of lips, all too eager to indulge in what it means to feel alive.

This.

This is what home feels like.

You never had to build it with nails and wood and insulation.

It was always in the person hovering above you, working you open with a sneaky third finger that causes a pathetic strangled moan to die on your lips the second his tongue dips into your mouth.

Relentless.

You’re so far gone that you don’t even realize you’ve already come a second time.

It’s Levi who pulls back, looking down at his hand as he keeps curling his fingers into you.

“Shit, already? Can feel you getting tighter– Fuck, James.”

Shaking from the less intense but no less amazing orgasm, you come silently on his hand as you melt into the sheets.

Stars blur your vision like the first snow of a winter.

Weightless.

Watching Levi pull his fingers out of you to immediately put them into his mouth, licking each digit clean, is an out of body experience.

Nothing to waste, nothing to lose — he relishes in the taste lingering on his tongue before you leisurely nudge him with your knee.

He’s still wearing his underwear, but his cock is practically ready to burst through the fabric. His hardness looks painful, the flush of his skin prominent against the ivory cotton.

“...do we still have condoms?”

Your voice is faint, an exhale at best.

His eyes widen briefly before his jaw clenches, and his hair flutters as he nods.

“Yeah. They… should be expiring in about two months.”

“But not right now.”

Levi considers your inquiry, searching your face. “Not right now, no.”

A moment of content silence passes, his eyes glued to yours.

You want to reassure him that you’re more than ready, that it’s been too fucking long since you’ve had him, that you need this more than anything you’ve ever needed in your life.

You can’t.

All you can do is beg, as you have this whole day.

“Please?”

His head drops in defeat, shoulders slumping.

All of the air leaves his lungs as he leaves your side to rummage in the nightstand by his bed, and you can see it clear as day on the hand that is still pressed to the mattress:

He’s trembling.

Sitting up on your elbow, you reach to gently place your palm over it. His attention whips back to you, first staring at your joined hands before looking back at you.

“Are you sure?” the captain asks, looking for complete and utter consent.

You open your mouth to respond, but Levi curls his fist over the condom foil and sits up taller.

His hand lifts the two of your hands together, switching their positions so your palm ends up on his cheek.

In a tender moment, his lips press a chaste kiss to its center.

“We can wait if it’s too much.”

You shake your head wildly. “It’s not too much.”

“You only just—”

“Levi.”

Exasperated, you crawl around him to slowly hike your bare leg over his hip.

Hovering over his lap, his eyes round when you snap the waistband of his briefs between pinched fingers. Instinctively his hand reaches to steady your bare hip.

“I know you have every good reason to worry that I could change my mind. That I could forget.”

He flinches, if only for a fraction of a second.

“But I never left you. I never stopped wanting to be near you. I never…”

Trailing off, you realize.

The words are right there on your tongue.

The image flashes through your mind: two kids just barely making sense of this cruel world, tangled together, when his whispered words tickled the shell of your ear.

Words that would change your life forever.

“I never stopped loving you.”

With a single blink, the lines on Levi’s weary face soften.

The captain’s throat bobs, swallowing the emotions that come with your confession. 

He speaks with a conviction unlike anything you’ve ever heard.

“...I never stopped loving you, too.”

Joy blossoms in the center of your chest as you lean in, capturing his lips in a kiss that seals the promise of forever. He kisses back just as eagerly, his hands leaving your body to push his underwear hastily down his hips. 

You hear the tear of a wrapper foil, feel the shuffling of his hands between your bodies, before lining up the tip of himself against your entrance.

You both stop.

Testing the give with a gentle nudge, you both let out a gut-punch exhale.

“Want you to set the pace,” he states against your lips, trying his damnedest to keep his voice from shaking. “Take whatever you want from me. It’s always been yours.”

Yours.

Nose to nose, you allow him to hold his hard and eager cock steady as you wrap your hand around the back of his neck for an anchor.

Levi lets out a shaken breath when you begin to sink, face flushed with sweat and arousal.

No going back.

(You never want to leave again.)

Inch by inch, you ease yourself onto Levi’s cock. Your eyelids flutter from the sheer ecstasy of finally, finally, having him inside you again.

The captain seated beneath you is oh, so focused, nostrils flared as he bites back a heavy groan.

Although it takes baby steps to get there — you rock your hips and fuck the tip of him, your body slowly relaxing enough to take up more of him — you eventually end up seated with your legs wrapped around his waist.

Levi instinctively curls a strong arm around your waist to keep you in place, looking utterly wrecked as he fully submits to your will. His brows are screwed tightly together, eyes struggling to stay open — to watch.

So you watch him, too.

When you lift yourself off of his cock and drag back down to the hilt, you both groan in harmony.

You can’t help it.

A smile bursts on your lips, stretched wide.

This.

This is where you’ve longed to be.

You roll your hips and ride your captain with reverence.

The room reverberates with the sound of skin against skin, your moans and his grunts, the squeak of a well-worn mattress on an ancient wooden frame.

To hell with subtly.

You don’t care who hears downstairs.

Once he has his own emotions under control, Levi memorizes your pace and begins to buck up in a thrust from below.

You gasp, and you see it: he smirks, his own confidence gaining on him.

“That’s my girl,” he groans, his words as finite as ash. “Fuck, there she is.”

The praise has your blood singing, burning, as you bounce on his cock with an urgency to bring him to his long-awaited climax — and your third. 

“I love you,” you tell him, earning a bitten-off grunt for him.

“Fuck, don’t,” he begs as he matches your pace, bringing himself deeper. “I’ll cum so fast.”

“Maybe I want that,” you tease.

“James,” he warns, pinching your nipple as punishment.

You can’t help but cry out, head dropping back. Levi takes the golden opportunity to lean in, kissing the column of your neck to mask his own needy moans.

The fingers once rolling your nipple as you ride him glide down your belly until they catch your clit, causing you to collapse into his chest. You whimper, and you can hear the utter filth against your ear as Levi picks up the pace.

“Love you.” You clench around him, causing him to hiss. “Shit, I love you so goddamn much. Feel so fucking good.”

“Levi—”

“I got you,” he promises, holding you up as he pounds into you from below. “Won’t let you fall. Gonna make me cum so hard, s’like you were made for me — fuck…”

He loses his train of thought as his fingers rub your clit in furious circles, desperate to get you to the same edge where he hovers.

Over and over you moan out his name, unable to even think straight as pleasure succumbs and fills every vein in your body.

From the way his rhythm is faltering, you know:

He’s close.

You’re not very far behind.

“I love you,” you tell him one more time under your breath, unable to say anything else beyond that and broken variations of his name.

His thrusts become more urgent as he answers between clenched teeth.

“I love you, too.”

“Let go.” 

You wrap your arms around his body to hold him close. 

“I’ll catch you, just let go.”

For what it’s worth, he holds on for a few seconds more. 

He gives you the performance of a lifetime as he thrusts up into you, running after his orgasm with a desperation reserved for you and you alone.

Then you feel it.

Levi grabs the back of your head and slams his lips to yours in one final, devastating kiss before you abruptly come around him.

Your muscles spasm and clamp down around him, milking him for all he’s worth before he’s moaning loudly against your mouth. 

He’s forced to fall off the deep end with you, coming inside you. 

You leisurely ride him through your joined orgasms until his hand comes to your hip, stilling your movements.

Eventually the fingers at your clit still, pressing against it to feel its erratic heart beat.

Forehead to forehead, the two of you stay here, catching your breath—

Refusing to part.

.

Author's Note:

taylor swift vc: it's been a long time coming...

If you've been around my blog for the last several months, then you know I got hit with the author curse (seasonal depression kicked my ass, my day job issued an RTO mandate, I was sick a few times, I have a surgery in late February) so the creative juices were not there. Apologies (and the biggest thanks!) to all who have been waiting so very patiently. To readers old and new, I am so grateful for your reblogs, comments, and inbox messages.

So I ask, after five long months away from you: how are we doing, Jevi Nation?

[heidilylovely]

𝐒𝐞𝐞 𝐘𝐨𝐮 𝐢𝐧 𝐭𝐡𝐞 𝐍𝐞𝐱𝐭 𝐖𝐨𝐫𝐥𝐝 , 𝐏𝐡𝐚𝐢𝐧𝐨𝐧 Introduction to the cast!

𝐒𝐞𝐞 𝐘𝐨𝐮 𝐢𝐧 𝐭𝐡𝐞 𝐍𝐞𝐱𝐭 𝐖𝐨𝐫𝐥𝐝

"Plus, I'm just a "me" . Live free, Live happily. That's how I would live my life. Doesn't mean I wouldn't stop appearing to talk to you Y/N."

𝐏𝐡𝐚𝐢𝐧𝐨𝐧 𝐱 𝐃𝐫 𝐌𝐄𝐈 𝐑𝐞𝐚𝐝𝐞𝐫

ALL THE CHARACTERS BELONG TO HOYOVERSE!

"Isn't this time we introduce to the newly lover-? actors? May they be together in this universe ALIVE.!"

DR Y/N LN!

Dr. Y/N is a scientist 

 An iceberg person with a steady and calm personality who doesn't have any communication with people except for research. The genius woman who is called the last savior by the world, but no one actually knows her inner thoughts.

A mad genius who could have joined, THE genius society level, THE Intelligentsia Guild!, But she chose the express. Even she doesn't know.. Maybe, she just wants to meet the man in her dreams...?

HATES HUMANITY, BUT STILL CHOSE TO DROWN IN IT. THAN ACCEPT IT.

"Ah, I sense that you're a originally such a romantic person. Firm and Brave, but unable to let go of that innocence. Am I right? Phainon? Or. You have another name?"

Phainon

The Chrysos Heir of Aedes Elysiae, a warrior of Okhema.

A gentle and cheerful young man with a detail-oriented mind and a pursuit of perfection in everything he does.

However his smile became very bright and wants her to to notice him soon.

HE DOESN'T KNOW WHY HIS HEART...FELT FULL....WHEN SHE PASSED BY.

"Are you saying the stars in the sky are enemies. In your understanding- Those shining lights, beautiful and cruel, will swallow us all if we are not careful....In my own way I used to believe that too, But now those lights bring not only threats but also. Open up hope for the future."

There's no need to introduction this man, He is inside her dreams. He's HER dream. A nightmare..? Isn't a word for him.

DAN HENG

The cold and reserved train guard and archivist of the . Wielding a spear.

He definitely HATES you.

   "You will do anything necessary just to satisfy your curiosity. Just don't be careless with your stuff. Y/n. No one wants to get hurt."

STELLE

Very funny, Too much she thinks Stelle's annoying. 

She's def not close with her.

But Stelle thinks She do be a baddie not gonna lie 🥵.

"Man, You're so cool, EVEN if you're slightly insane with your work...Y/n."

WELT YANG

An animator by trade, Welt is a seasoned member of the ASTRAL EXPRESS  and the former sovereign of ANTI ENTROPY who has saved from annihilation time and time again. He inherited the name of the world, 

Welt's trust in her was a delicate balance—he relied on her contributions but couldn't shake his unease. Her methods, while undeniably helpful, often veered far from his ideal, leaving him torn between appreciation and suspicion. He watches her closely, not out of malice, but out of a need to ensure she didn't cross a line he couldn't overlook.

You have a knack for walking the fine line between brilliance and recklessness, "I trust your intent, but I'm watching your methods closely—don't make me regret this."

HIMEKO

She's a person who will welcome with open arms. She will understand her.

But her guard might be up.

"I TRUST you Y/N. I hope you can find something to help march.."

MARCH 7TH

March, ever the bright and bubbly optimist, made every effort to include her, always choosing to see the best in people, she believed everyone deserved a chance.

All Y/N wants is to help...Her friend. Who's now a ice. Just like how she saw her first.

March cares about her, When everyone SAW her. She held her hand and held her coat and offered her change of clothes.

"..Hey Y/N! I'll be fine. You said you're. .gonna look into it. Right? I'll be cured in no time. Good Luck. I told Dan Heng not to be...angry at you."

DR VERTIAS RATIO

If Ratio is over done with someone than Ruan Mei, It's you. Her IDEAS is too MUCH. Insanity, Ratio would perhaps check her brain. he wouldn't be super close but close enough to be considered just colleges. Dr Ratio doesn't think too highly of ppl and tends to disagree a bit

After all,

She ended universes because she COULD. 

She started a project of path striders BECAUSE she could. 

"I would think that DR Ruan Mei IS a SAINT compared to her, She does everything she can to "save" humanity. Trust me, If she had some other mindset. Maybe we all won't exist right now."

CASTORICE

Castorice is reserved and soft-spoken, more like a drenched, shivering cat than a sunny presence. She keeps to herself, but her willingness to help others knows no bounds. Her unique ability to temporarily bring back the souls of the dead comes at a steep cost—

it drains her to the point of collapse. Even during the most grueling moments of a quest, when she looked ready to pass out or worse, she never faltered. Despite her struggles, there's a quiet charm to her: she loves feeding animals and captures the world around her through black-and-white photos, a preference that mirrors her understated, delicate nature.

 All they really want to do is help their planet and stop the attacks/war. Though they could see them becoming semi friends

"You're...really double sided. You do it because you HAVE to. Not because you WANT to, Why do you HATE Humanity so MUCH?"

AGLAEA

Beneath her seemingly calm demeanor lies a cold and calculating heart. She'll stop at nothing to save Amphoruses, even if it means crossing moral boundaries. Her ruthless determination once brought her to the brink of killing Stelle and Dan Heng—an alternate path where their lives were sacrificed for her cause. Brilliant and pragmatic,

she carefully weighs every choice, always prioritizing her planet's survival. She's unafraid to manipulate others, even using Castorice's painful abilities as a weapon to ensure her people's future, no matter the cost.

"Ah, so they're trying to play the villain? How quaint. Destroying the multiverse for HELPING? I suppose it's admirable in its simplicity, though it lacks... finesse. Experimenting on humanity is a delightful pastime, but if they're so focused on hate, they're missing the real joy of it all—the artistry, the chaos, the creation of despair. Insanity? Please. They're just another monster playing dress-up. Let's see if they can keep up when the stakes truly rise."

MYDEI

Mydei has a short fuse and isn't afraid to let it show, even if it means lashing out at Phainon when he disagrees with her. On the outside, he's all tough and gruff, but underneath, there's a surprisingly soft side to him.

As long as her methods don't threaten to tear everything apart, he's willing to look the other way. His focus is clear: saving Amphoruses is his priority, and he'll do whatever it takes to protect them, even if it means tolerating things he doesn't entirely agree with.

"She's got her ways, and I don't always agree with 'em. Hell, half the time, I can't even stand it. But if she's not gonna burn everything to the ground... I'll stick around. At least she's got a damn point—saving Amphoruses... that's the only thing that matters right now."

SUNDAY

Unlike with others, he grew close to you faster than anyone else. He sticks by your side, always ensuring you have everything you need.

Sunday knows deep down that what they're doing is wrong, but his own past—scarred by trauma and manipulation—pushes him to understand, even empathize. Having once seen the world through a similarly skewed and morally gray lens, he feels compelled to help her, perhaps hoping to guide her away from the darkness he once knew too well.

"Miss Y/n, Can we hang out more together, I wouldn't mind working under your projects too. As Long It's close to you. I don't know....Maybe I'll be fine. And I want to help you too..."

DO YOU WANT TO SAID, SHE'S JUST AS INSANE AS RUAN MEI BUT RUAN MEI DOES HAVE A HEART.

BLACK SWAN

Black Swan remains an enigma, her true intentions still largely shrouded in mystery. She would undoubtedly find her intriguing, much like Acheron. Her approach would be calculated—earn her trust, get close, and then use that connection to uncover her secrets. The thrill of unraveling someone so complex would be too tempting for her to resist, always pushing for more, always looking for leverage.

"....I would rather watch you from afar. I once danced with someone like you and..Their mind.. Let's just leave it."

Let's be real—she destroyed entire universes just because she could. DR Y/N did it for her own twisted sense of power, and she? She did it purely for the thrill, with no deeper motive than the chaos itself.

She doesn't have the tragic backstories that make most villains feel human; she's just pure, unapologetic evil. Her hatred for humanity runs so deep, her Project AEONS was designed with one goal: to wipe out every last trace of it. Even the ACTUAL AEONS called her insane, and they weren't wrong. She's not just evil—she's a force of destruction.

Competing against the NANOOK on who can obliterate the multiverse faster? That's her game. Humanity? She wants to destroy it, simply because she thinks it'll be fun. She's done inhumane experiments, and in the ultimate show of her depravity.

MAYBE, ATLEAST...

HER VIEW CAN DIFFER IF SOMEONE FIXES IT.

EXTRA CHARACTERS (WILL BE ADDED LATER)

HERTA

STERALLON HUNTERS 

NANOOK!

Let me know if I should publish this As a fic here!...

[erinwantstowrite]

Hi! Purely out of curiosity because I am always interested in people’s thoughts on the subject, how do you feel about “batcest” in au’s where the children were never adopted/didn’t meet until adulthood/etc? Any pairing with Bruce makes me genuinely nauseous, but I feel like I’m more lenient with situational stuff with the kids since they’re closer in age/didn’t grow up together in my very loose understanding of canon/not actually related/etc. (ie: I think Steph and Cass are cute together even though they’re both “batfam” members, etc etc)

please feel free to ignore this if it makes you uncomfortable! I just really love your writing and this seems to be a subject you’re passionate about, so I just wanted to know more of your thoughts. Hope you’re having a wonderful day!

anon in the nicest way possible, it's disgusting even then.

because it doesn't matter if they didn't know each other as little little kids, they are family in every sense of the word. it would be the same as two characters who are siblings having being raised in two different households as children getting into a relationship even though they knew each other later. it spits in the face of adopted families by claiming that they aren't actually family, and the people who defend batcest are hurting people who are victims of the exact dynamic that they're shipping. it's gross, like genuinely vile. knowing their canon relationship and "changing" it to fit what they want is nasty because they *had* to change it. they know it's wrong if they had to "fix" it in order to ship it. it implies that this person thinks they should be in a romantic pairing in canon, too, but they're trying to justify it to themselves.

and with Steph and Cass, Steph is a friend of theirs. she dated Tim previously and they are not related. she didn't want Bruce to adopt her, she doesn't consider them siblings. yes there is a found family dynamic but it's not the same as the others, who are not only legally family in most cases, but have considered each other family for years and years and years. they call each other their siblings. yes, even jason and tim. tim and jason are only a couple years apart, but jason is still family even if he died? tim considered himself dick's brother and his relationship with bruce was rocky sometimes but he also considered bruce like a father figure, and later on he was adopted so that was always there. they are siblings.

and in some of their dynamics, it's pedophilic dick and damian, dick and tim, jason and damian, tim and damian, even dick and jason because dick was an adult when he met jason. automatically that puts you in a spot where you deserve the deepest pit of hell. truly. i'm not religious but i hope they get their karma. i don't care if it's fictional, this reflects who they are as people in the real world and that's why i know these people are gross monsters. not to mention these people don't understand boundaries (shocker) and have and probably will again, ask me to include a batcest ship in LoF or to draw batcest for them. they have asked for peter and damian. one person claimed that peter and jason would be "cute" because of peter thinks he's cool and has "an innocence" about jason's life and what he's done. another asked for peter and dick. the blood related father and son. so it truly doesn't matter to them, i can guarantee it to you. the way i look at it, no matter which way they are shipped, you are automatically associated with the rest of them. nothing justifies it and it's wrong

and because i know someone is going to try to start an argument with me: i can't stop them from writing it. i know that. and you can scream at me until you're blue about your opinion on the matter, but i do not care and you will be wasting your breath. i am not pro cecsorship because it is a slippery slope and people will dig their claws into that. however. i can let them know that they aren't welcome on my page, i can talk about my opinion on the matter, i have every right to block them and say whatever i want. if you don't like this post, i'm telling you to block me so i don't have to take the time to do it myself 🫶

[kurooangel]

₊˚⊹  babysitting .ᐟ

featuring       ᰔ  kuroo tetsuro, miya atsumu, sakusa kiyoomi.

warnings       ᰔ  fluff. a baby piss on atsumu. characters on their early 20s. masterlist.

★ kuroo tetsuro ; his sister was busy and, well, he didn't mind spending time of his nephew. the only problem was that he doesn't has the slightest idea of how taking care of a year old baby. he runs a hand through his hair while he sees you feeding the baby, and he knows you're holding back a smug smile because of how stained of apple puree he is.

"how can you do it so good?" he groans, taking off his stained shirt. "because you have to do it with love, tetsu" you chuckle, making the airplane with the spoon for the baby. "I was doing it with love, but then that little devil throw me the spoon. the full spoon" he throws his shirt in the wash machine and stays beside you, watching how you seem so natural with his nephew. "wanna try again?" you say softly, a sweet smile on your face that he can't resist. kuroo takes the spoon from your hand and gently approaches it to his nephew, who starts crying and throws him the full spoon again, cheek and abs stained with puree. "okay, I get it, he hates me"

★ miya atsumu ; he was extremely happy about having a nephew. osamu didn't trust him at all to take care of his baby without messing anything up, but he needed to open the restaurant again and his wife needed to rest, so he trusted that you put some sense in his brother's head this while you've been dating.

"who is the cutest miya ever? that's right, me! but you're the second, don't worry" he says holding the baby. you were changing his nappy and while you were throwing it in the trash, he grabbed the baby and raised him in his arms. you snorted at his words and shook your head amused, but you raised an eyebrow when you saw his shocked face and his wet shirt. "did he...?" you hold back a laugh. "pissed on me? yeah, and he has great accuracy" he mumbles, paled face.

★ sakusa kiyoomi ; omi thinks babies are weird. tiny, silly, little humans who depend to everything and cry a lot. he didn't mind having your sister's baby at your place, tho. he looks from away, watching you play with him, and he makes eyes contact with the small girl. she giggles and crawls towards him, hugging his leg.

"hi" he says, an eyebrow arched and he glances you quickly, a silent ask for help. "omi omi!" your niece says, giggling at your boyfriend's name. he holds her, eyes squinted while she forms an 'o' with her mouth because of the sudden height. "do you like uncle kiyoomi?" you say playfully, leaning against his side. "tall! very high!" she laughs again. "she likes you" you kiss his cheek, and you tease with a soft smile. "so stop looking at her like she's an alien, this little thing is called a baby"