#it didnt really occur to me that people would feel the same way about my drawings tho 😭

[wife]

reading about peoples experiences with childhood loneliness on reddit is like wrow... i'm a special girl i see

[taeyungie]

😺

[fruitsyrups]

its that person who co-wrote one of those spidermax snippets, and did u delete this one? :(

Ahhh yes sorry I deleted the ST posts that I was still occasionally getting notifs on. I screenshot all of my deleted posts / still have the drawings saved, if you want me to send them to you ? Bc I know how annoyingly hard it can be to find a reblog of a deleted post sometimes

[crushedsweets]

What about some lulu headcannons since you seem to like her? :)

oh anon u are spoiling me.... heres a little sketch of her college life. let me begin . . tw for general creepypasta things, abuse, bullying, death, etc

ok. so a lot lulus og stuff is gross obviously (although a majority of the og creepypastas have gross origins/creators). as a kid, i was pretty attached to her, but looking back , its just. ugghhghgh. which is why i want to try giving her her own horror type story while still following some of the core things that made her her. BEGONE WITH MIDDLE/HIGH SCHOOL KILLERS...

lulu is 24 but described as 'physically 14' which bugs me esp bc theres so much emphasis on her body being like an adult. and frankly i am not crazy about yet another 'little kid bullied/abused then goes crazy/demonic' story so i scrapped the bullshit ‘is 24 but looks 14 but is drawn like she’s 24!’. So I decided to just to make make her whole zalgo poisoning occur later in life. since its now set in university, a handful of things changed. mayhaps she knows jack ?

she grew up as a rich girl being put through several private schools growing up. she wasnt the smartest, she wasnt the most social, and while i think that the og story did this really fucking poorly, she did deal with harassment cuz she developed early. ranged from people calling her a slut for the same clothes as a thinner girl, to getting dress coded for no good reason, to rumors, etc. so, she's being bullied by her peers, though its moreso a ton of gossip rather than stuff in her og. overall school sucked for her

finally she goes to university. shes away from all those people, away from her helicopter parents, away from dress codes and loneliness. she tries SO hard to keep up the perfect daughter persona in public bc she knows shes walking on thin ice(having been punished for things out of her control all her life), with a wardrobe full of pencil skirts and button ups, but then she finally meets this guy named josh. but that shit gets seriously exhausting. and as many kids in her position do, she wants to Rebel .. she starts going to parties and whatnot w her edgy ass roommate. random garage shows, raves, generally reckless behavior etc. its not her fully her thing but she's there and having fun.

idk his name in the og story but there was that guy that led her on just to further abuse her. i changed him up and made him some guy in a frat that she met at a rando party. he was so sweet to her the first time they met, they talked for a long time at the party, he was cool overall and she never ever craved attention like this before - she never even GOT attention like this before, coming from an all girls school, so she clung. but he wasnt actually gonna date her, so he said some bullshit excuse about 'you know how greek life is, my frat wont let me date u unless u join this specific sorority!! soz' and he chose the worst, most clique-y sorority that has the most insane hazing ritual for girls that arent sought after. he thought there was no way she'd give it a shot and he could get her off his back. a dick move, but he didnt think she'd do it.

but, she does - and the hazing is fucking shit. the girls in the sorority are worse than the girls in highschool (and maybe in cliché fashion, one of her highschool bullies ended up in the sorority before her?). it starts off as things like 'oh you gotta buy your sorority sisters coffee for a week' to 'oh you have to be drunk/high throughout all your classes for a week' to completely deranged shit like branding yourself or slashing a professors tires. things nobody in their right mind would do, typically.

i havent decided exactly how exactly lulu hits the point where they think she's dead, but a group of sorority girls think she is. they panic, and in their panic cannot feel her pulse or hear breathing. she's completely unconscious, cold, and frankly on the way to death - so they take her to slenders forest and get to work

they bury her in a shallow grave, unaware of all the different demons residing in the forest watching one of the most gruesome displays of humanity. if youve watched girl from nowhere, theres a scene where nano gets buried alive by a group of her classmates then she wakes up . . imagine that.

im thinking, similar to the operator, zalgo can infect people as well . . maybe people on their death beds ? anyway, lulu's infected. long after the girls run off, lulu manages to dig herself out of the grave. shes wheezing, coughing, sobbing, its dark and cold and foggy, and she now has to come face to face with zalgo making some weird 'i saved you, i want something in return.' and there goes her eyes !!! rip lulu. maybe zalgo did it cuz hes a dick, maybe he actually needs human parts to seal the deal.

theres some more interaction but overall lulu doesnt have a ton of demon powers or anything. new wounds heal quickly, but her past ones will never will. she can be eerily quiet, popping in and out with fog, doesn't need food/water/sleep. . she does have kinda crazy strength(no agility or speed), but she's so mentally weak it does nothing for her

for a while she does just wander the forest in complete and utter mourning, until one of the proxies finds her and is like Oh Fuck that's not human. toby describes her as a zombie. so she's another job for them to handle

eventually they settle her in the hospital with ann.. the hospital is likely an area that experiences more fog, being closer to the lake perhaps, so it just makes sense to put her in an area she can see. it took a while for lulu to calm down bc she now has a pretty big fear around women , and the proxies have to CONSTANTLY come around and check in for a while, cuz she feels safer with them. maybe they tried putting her with jack but jack said absolutely the fuck not. bc lulus legitmately scary. she's constantly croaking, crying, wheezing, dripping blood everywhere she goes, etc.

she eventually gets along with ann, who thinks lulus cute and fun to chat with. i made a joke about them doing tiktok dances together but like. i could see it. maybe ann reminds lulu of her roommate, the only girl whos been completely nice to her ? dunno. (despite the roomie being the reason lulu got into the partying and stuff)

mmmmmm yeah. that is basically the entire rewrite .

i likely wont include her too much in the story just because the rewrite is so drastic+shes not all too popular but i used to feel very fondly towards her when i was 10 and i do think her character cconcept is super cool (the fog, the eye stuff, zalgo poisoning etc). theres just hella weird stuff but its a creepypasta from 2013 idk what we expect

[restlesschilled]

TMagP 013

Note: As Always, I am a backer so this was written 23 April, 2024 and scheduled to be posted on 25 April, 2024

oh god its another episodes written by Alex

awww thanks odin <3

Im dreading this

PRE STATEMENT/ CASE

OHHH DATE TIME

THE FLIRTING

This is so cute but i cant trust it because alex wrote it

"that you dont know how cute you are" adshfjagdhflakshdf

WERE STARTING WITH THE BIG STUFF

"hi im from an alternate universe"

CELIA IS A MOM

JACK IS HER BABY

"i had a while few years when I first moved here"

IF ANYTHING HAPPENS TO CELIA OR JACK I WILL RIOT

HOW DARE

SHES A SINGLE MOM

"that depends on your baggage. DISH"

"they were the first ones that didnt want me" oooooooo\

Alice's Parents are dead good to know

"most pathetic vague post shes ever scene"

"more wine" "please"

LENA OFFICE

GWEN MY POOR BABY

"is it my fault?"

MY POOR PRECIOUS GIRL

"were managing the bad guys" FUCK

CASE

this hold music is a BOP

i had to stop and have my friend explain public school in England to me because that is not the same thing as American public schools

oh lovely a "fiance guy"

a hedge fund guy what i mean is a hedge fund guy

Why in gods name, would you use experimental setting on a hedge fund/ investing app… when you have no idea what it does and it has a shit tone of disclaimers??? i get being desperate but that's just stupid

also the irony of this guy saying hes a good person when hes betting on people failing with hedge funds

do people even steal phones anymore?

i feel like they are not worth all that much and just have to many ways to tack them for it to be worth anything unless you are targeting someone specifically

yeah i figured they might have targeted him

im pretty sure this would qualify as inside trading somehow

betting against your own company and than tanking the company is very illegal

pretty sure betting you'll have a shit time and then making sure you have a shit time would be the same thing

basically this man is committing insurance fraud... but through a hedge fund

it just occurred to me hes calling from the hospital that's what the beeping is

also vertigo mentioned

he was attack by computer bugs lol

shitty "finance guy" gets whats coming to him asmr

post statement

okay i know sam probably mean "be professional" like stop with the flirting

BUT WHEN YOU SAY IT LIKE THAT I SOUND LIKE YALL HAVE BEEN HOOKING UP AFTER WORK SOMETIMES.

HAVE YALL BEEN HOOKING UP?

this is how i choose to interpret this this is my new head canon( it was already kinda my head canon)

But if you ever ask me to be professional again, I'm going to have to take a shit on your desk." ALICE

"you signed the official secrets act in your onboarding. And I know all your school friends say treason's 'bussin'' and 'fire', but it won't look good on your CV." i love her so much

"its fine when I say it"

this episode really said fuck capitalism didn't it

also do week need to talk about the fact that celia's son is named Jack Ripley like jack the ripper

WAIT A SECOND JACK IS A NICKNAME FOR JOHN/JON

DID SHE NAME HER SON AFTER JON?

[zapsoda]

it didnt even occur to me that ninah is another one of those "spot the doppelganger/human imitation" type games that have been trending lately until i saw someone else point it out. because i like it i think its a good game and its really unique. especially with the portrayal. ideologically i think the concept of this sort of game is.... interesting.

Obviously it is not the same but i cant help but be reminded of those scary accounts run by paranoid transphobes trying to 'spot' or 'clock' trans people. because they think trans people are dangerous and scary and evil. thats just a thought i have i dont think the games are inherently morally bad. anyways back to my point ninah puts a really interesting spin on it.

i adoreeeee the art and the coloring especially i just find it beautiful. but something i noticed. and a few other games do this too but i think it works particularly well here. is that the doppelgangers look Just like everyone else. and the way you spot them is by looking for really minor details like having "perfect" teeth (this can be genetic but it is often cosmetic). or temporary traits like having dirty fingernails or bloodshot eyes or showing up blurry in photos. this stands in opposition to games which make the doppelgangers Inherently physically different from real humans. which would imply that Otherness is something they are born with (potentially questionable implications, of course these sort of ethical issues are common in the horror genre)

anyways i like that and i like that you are kind of forced to empathize with the doppelgangers (theyre called visitors im gonna use that word from now on because its fewer letters). because you are supposed to help people and largely you have no way of knowing which people are visitors and which ones arent until you let them in. and every single character has a story they had family and friends and reasons they want to live and they tell you this to convince you to let them in. sometimes they dont even know theyre visitors.

one character in particular doesnt know shes a visitor and she finds out at the same time as the protagonist. and she feels bad about it but she doesnt know what to do because she still doesnt want to die. but visitors are "dangerous." and she has no memories of ever killing anyone. she doesnt know when she became a visitor. i think her story is really fucked yknow i love her.

another character is a human. but because of the apocalyptic situation going on he is kind of aggressive and paranoid and according to the wiki he might kill the other people in the home as a result. he isnt a visitor but it was dangerous to let him in.

because of their portrayal some people theorize that visitors dont even exist. thats fucking fascinating. i think its a strong theory too.

this is a level of emotional depth i havent yet seen in other games of this type (Albeit most of them dont interest me so its not like im seeking them out aldjshd)

[anzynai]

April Fools with the Octatrio

hello so i wanted to write something for the octatrio (as the title states) but a fic wasn’t working out so…. here’s some hcs((aka what my fic idea was GOING to be)) under the cut instead !!!

first of all, april fools was a completely new thing for the twins and azul. in tbe coral sea, its literally just.. april 1st and even the areas that DID know abt the day didn’t bother celebrating it

so imagine floyd and jade having the time of their life when they find that there is quite literally a day centered around messing with your friends

azul is less than amused when his own voice interrupts his speaking because of jade and floyd constantly poking his sides and tickling him when he least expects it

jade tends to be more subtle about it yet so teasy all the same “oh, what’s the matter, azul?” knowing damn well whats what

on the other hand, floyd is like “aww, u ticklish??” when he does with absolute no regard for who might be listening

azul doesn’t know which one is worse

but of course, azul won’t stand for it! he has allowed the twins to get the last laugh for way too long (or.. the twins.. get his (??))) last laugh… uh anyway)

so he starts off with jade because even though jade would definitely hint at it to floyd, he is a much easier person to find. jade.. if jade doesn’t want to be found, he will not be found. so he starts with jade since he’s not expecting it

and well, he really wont. not with tickling at least because azul wasn’t one to get them back all the time. but this time, he knew be needed to stand his ground (he just wants the twins to get a taste of their own medicine.. and maybe… hear their laughter..)

so azul calls jade over into his office to discuss about the monstro lounge and ambushes him. he is actually shocked at first that he manages to do it, but he does.. and of course, tickles him. it works out so much better than he thought. when hes done, he prepares himself for retaliation, but for some reason… jade doesnt?

later, after floyd’s basketball practice, azul does the same thing. corners him, and it seems as though he was expecting it. in fact, he wws encouraging it! “ur gonna tickle me, huh? well go ahead, im waiting!” it makes azul a little nervous but he still exacts his revenge and. floyd doesn’t retaliate either???

he finds out why later. jade had planned it from the moment azul had ambushed him. he was going to have azul let down his guard and ended up hinting at it to floyd. so basically, at the end of the night, they have both gone to azul and completely obliterated him (much to his embarrassment)

he did have a suspicion, but with the random pokings throughout the day still occurring, he thought that was all they may do. he shouldve known better (or maybe, he just kinda.. hoped it would happen again so didnt work to stop it hehehe)

anyways, unrelated to tickling, i feel like floyd wohld have more obvious pranks. like, silly string (he would have bought out the entire stock at sam’s mystery shop had he had enough money), jumpscares, the like. him wnd lilia have this sort of alliance on april fools and kinda terrorize the student body together

on the other hand, jade has more subtle pranks, but enjoys them nonetheless. they tend to be those ones that make u feel like u MAY be losing ur mind. like those mind games kindw pranks.. i cant think of any rn but uhh… use ur imagination.

azul simply does not participate. at least, not on his own accord. like he never starts it, but it has become a habit to try to prank jade and floyd back if they ever prank him. he wont admit, but its pretty fun thinking of ways to get one over on the twins. he really likes seeing the look on their faces when they arent expecting something.

still, that means he has to work extra hard since it IS the day to prank people, yk?? but he doesnt have a certain way of pranking someone, but is always proud when it works out.

once he got both of the twins at the same time by calling them to his office and leaving the door slightly cracked, but left a bucket of water on top. when it was opened, it would fall on them. he still remembers their expressions and thinks about it from time to time.

[gothe]

you once talked about lesbian culture in arabic countries. im curious, what does it look like? i mean, do they have the butch femme thing going on too and is it more visible at schools? have the mullahs caught up on it? i mentioned that because thanks to tv and now facebook, the mullahs have made the people in my country way more retarted and regressive than they were 20+ years ago. theyve scared the stupid normies so much that it has fried their critical thinking parts of their brains. the normies dont stop and think for once that "hey if we didnt believe in any of this made up shit all the mullahs would have 0 money & worth and would be in mental asylums. maybe thats why theyre so hellbent on us believing & fearing the made up nonsense they spout on tv & live conferences?"

i’d like to specify that i meant arabic countries in the gulf and not all of them. from what I’ve heard the gay female scene in my country is 99% butch/femme, i say 99% cause what i heard is that there’s not any fem4fem relationships and i assume the same goes for mascs. it is visible in schools because there were a lot of masculine presenting girls in my high school, though i don’t know if they’re all gay (i was never really involved in the scene) - i think women here might choose to present masculine if they feel their facial features don’t fit a feminine presentation - and one time in middle school one of my classmates who i was friends with said she loved me, i was so sheltered i had no idea it was even romantic at the time but nevertheless i rejected her cause i didn’t feel even platonic love for her. lesbian relationships very much occur in schools, keep in mind most of our schools are sex segregated because of islam so it’s all girls’ schools i’m talking about. i had to look up what a mullah is honestly, so far nothing systemic has happened from what i know in objection to the amount of gay women here, of course some parents are homophobic and will still abuse their gay daughters but like i said nothing systemic

yeah unfortunately religious people are pretty malleable and will believe the craziest shit if it is said to be according to their religion, you have to consider that they’re all worshipping a whole fucking pedophile (mohammad) so i wouldn’t have put any faith in them to begin with lmao. pedophile apologists’ values are malleable, so of course they will believe anything some islamic so-called scholar tells them. i say this because they defend pedophilia in that one circumstance but not ‘modern’ times. their values are pitifully prone to change depending on the circumstance. if somebody is open to believing that pedophilia is okay in ANY circumstance then they’ll believe any ridiculous bullshit

[polyamorouspunk]

hii taking you up on your advice offer 😭 ur poly so maybe u have more experience with this than me, how would i break up with my longterm partner?

we’ve been dating for 2 years, it really has seemed perfect but lately idk its just felt wrong. we’ve kinda planned our lives around eachother and moving in together once we graduate, but i cant make myself want to kiss them or be romantic anymore, i dont want to respond to their texts, i get annoyed at them for no reason. they havent done anything wrong theyre wonderful its a “its not you its me” situation to a T.

all of our friends are mutual friends, but most of them were technically my friends first (all the people they used to hang out with sucked) so im scared if we break up they wont have anyone to talk to about it. i really dont want to hurt them.

i honestly might realize this is just me being dumb and all of this will pass and ill want to be with them still once it does, but since i have no clue how id break it off i feel so trapped. i want to know i have a way out if things dont get better, i want to stay with them because i truly changed my mind not because i didnt have a choice.

Not in a poly sense but just a “have had a few relationships” sense I guess I can offer advice.

So I’ve never actually broken up with anyone before, except for the last guy I was messing around with (Catboy) just because as much as I had sooo much feelings for him it was like the most unhealthy “relationship” for me. Like I finally realized like “oh I’m actually NOT better off seeing him, my mental health is ACTUALLY worse” because of his shenanigans.

However, I did have a long term partner who I dated for 6 years who we had plans to move in together and get married etc. same kind of deal, all their friends were my friends. And they dumped me, and yeah, it was really fucking hard even though I knew everyone was going to take my side. And the one person who didn’t I ended up not speaking to anymore because I was like if you’re not going to realize that I’m the only one whose going to keep talking to you because my ex doesn’t give a shit about keeping in contact with people, then that’s on you.

I was devestated. This was like 3 years ago at this point and pretty much right up until about this year I felt like I was somehow “living in the wrong timeline” and like my entire life’s trajectory had been pulled out from underneath me. Not from the breakup so much as them just deciding they never wanted to speak to me again, that I was bad for their mental health, etc. which I always told them if I’m ever bad for your mental health then break up with me, and I meant it and stand by that and their decision, but it still fucking hurt.

Like if that’s what they had to do that’s what they had to do. If that’s what you have to do then that’s what you have to do. While I am of course resentful to my ex, and I hope they get hit by a car or something sometimes, I do stand by their decision that if I wasn’t good for them then I’m happy they left me behind. I don’t know if other people are going to have that same view upon being dumped. I mean like I said I still hate them. But to say that they should have stayed with me for my sake is hypocritical.

Not only that, but an issue of intimacy was occurring between us during the lead-up to the breakup. And as soon as I wasn’t with them anymore and I was able to be with Catboy instead I got a taste of what I had been missing and GOD it felt so good. For the first time ever I felt like someone actually wanted to be intimate with me. It was an amazing feeling. My ex dumping me opened up the door for me to have things I was missing in that relationship. So it wasn’t all bad, for sure.

You have to do what you have to do for yourself. You come first. If you need to break up with your partner, or take space, or whatever, you just have to go for it if you really think it’s what’s best for you.

[heirtotheempire]

The Bad Batch S2 has honestly left much to be desired. I do not understand the people who claim filler does not exist, to me it does. There are absolutely episodes where a character arc (positive or negative) does not progress, where addition to a plot is absent. This may make sense in shows where each episode is a contained story such as in classic Saturday Morning Cartoons, but in a show that claims to be serialized such as TBB, it ends up looking lazy.

Episode 4 for example, titled Faster, is what I would call a good character arc episode. It does not include any overarching plot about the Empire or the Batch as a whole, but shines light onto Tech's attitude and pushes his character to do something he most likely wouldn't do otherwise. And, it even brings up possible issues with Cid, such as her rocky past and potential to hurt the team. The events aren't mentioned again, but it actually explores a handful of characters in a believable and fun way. The mini-arc Tech goes through will (hopefully) be retained. It matches the tone of the series without being too angsty or too wholesome.

Episode 3, The Solitary Clone, is a good story based episode. It dives into how the Empire is treating clones, and its shaky morals. The events that occur do impact future episodes and are mentioned again, because the plot adds to the overarching story about a post-Clone War world with Imperial rule crawling in.

Both these episodes are very very different, but actually contribute to the show and it's characters. While Faster could be labelled a filler episode since it doesn't include the same story themes The Solitary Clone does, I would argue that because of its character exploration, it is not filler.

What IS filler in my eyes, are episodes like number 6, Tribe. The Gungi appearance acts as a cameo, but does not do much other then give The Clone Wars (2008) fans a chance to point at him and go "LOOK ITS HIM" and be happy. A lot of Star Wars has become this, but is a lot more noticable in the live action series (did R5 really have to be the droid Mando picked up...). Cameos are not inherently bad, this is a story that spans many years after all. It only makes sense for characters from other shows to make an appearance. But what matters is how the cameo functions.

Star Wars Rebels has fantastic inclusions of The Clone Wars (2008) and Original Trilogy characters. They have Ahsoka present for a good chunk of the series, but not simply as a draw to get people to watch the show. It expands on her character, she has a duel with Vader, she functions as a teacher to Ezra, and most importantly we see her fight for the Rebellion, something that makes her appearance in Rebels make SENSE and add to her story in a thoughtful way. Similarly, Rex joins the cast as a disillusioned old man who needs to be convinced to join the Rebellion. But even after he does, he acts as a source of conflict for Kanan, which helps both characters with their own long-lasting emotions about Order 66. In short: their long-term roles within Rebels help progress the story and the character arcs the show wishes to portray without feeling invasive or like a gimmick.

Pivoting back to The Bad Batch, Gungi's cameo does none of this. We learn he's in trouble for being a Wookie, the team saves him, and then they fight some Imperial shenanigans on Kashyyyk. Gungi could have been any Wookie, hell he didnt even need to be a Jedi for the story to work. None of the characters other than Omega really 'connect' to the culture on Kashyyyk, theres no thoughtful arcs or progression in the overarching plot, the episode simply exists. Omega and Gungi's friendship is surface level and does not challenge or change anything about Omega, its purely there for the cute factor. And again, it did not even have to be Gungi for this to occur.

Ahsoka being the one to duel Anakin, the one to commit to the rebellion, thats something specific that actually means something for Ahsoka to be doing it. Gungi's story in Tribe is so generic it can be applied to any of the other Padawan children he was with in The Clone Wars if the writers felt like showcasing them instead. It does not mean much for Gungi to be the specific Padawan returning to his home. Perhaps, if the writers actually went into the effects it had on Gungi to return to a place that is theoretically his home, but is not where he grew up nor a place he has memories of... Then maybe it would actually matter that it was his story. He would not be interchangable anymore.

I don't think that enjoying the episode is a bad thing persay, but it is important to understand why some of us may be more critical about this season, or just about any Star Wars media in general. If I wanted to watch a show with no conflict, and everyone was happy and safe, then I would turn on some Cartoon Network show or whatever. Star Wars can be silly and goofy, and it absolutely fails when it takes itself too seriously, but there is a difference between that and just poor writing.

I really do love this show, but more for the potential it has to be great. Episodes such as The Clone Conspiracy, Truth and Consequences, and my personal favorite so far, The Outpost, showcase how fantastic the premise is, how interesting the material present can be. It's kind of a bummer watching thay go down the drain.

[nerves-nebula]

I’ve never really recognized it as “religious trauma”, but I’m nodding along to ur list. It’s just kinda stuff that happened. Except for the few things that grown me was kinda at like ‘that seems a little bad actually-‘

I remember being 7 and first thinking what if God isn’t real as I was trying to sleep. So it’s like midnight and I’ve just had this world breaking thought that immediately had me spiraling down two trains of thought: Im going to hell for thinking that, and, what if he isn’t what the fuck. So of course I’m freaked out and I’m pretty sure child me needed a fucking hug or some assurance or something, so I went to my parents room, which woke up my mom. At which point I realize, I can’t tell them my actual problem because it was a thought I was ashamed of having, and I didn’t want to run the risk of getting in trouble for some nebulous comfort that was frankly unfathomable cus my parents suck. So I just said felt sick, and took “sorry” my mam gave me as comfort enough (which in hindsight is not a great response to that), and just had to go back to bed with all that. That shit stuck with me. I remember at Sunday school, maybe months or a year later, when one of the teachers said doubt was put in our minds by the devil, I was so fucking relieved.

And there’s the fact that I didn’t know other religions were a thing. I didn’t know there were other blends of Christianity. I lived in a small town and I just had never been touched by that concept until I moved at 11, and one of our religious education modules was on Judaism. Everyone else was just learning customs and calendar stuff, and I was having a whole epiphany. I was so confused until halfway into the lesson, and I realized they were talking about not being catholic. I literally searched the library for a book that would explain this arcane concept. And it was just such a mind blowing experience. I was couldn’t comprehend why no one had ever mentioned other religions if there were so many. And how did it make any sense that there were so many. The differences aren’t subtle. Point is, it was a whole thing.

If I hadn’t moved I would have been made to do my confirmation that school year. And that’s not okay! The whole point of that sacrament is that you’re choosing Christianity, like your old enough and conscious enough to make that choice. Adult in the eyes of the church and all that. Baptism but leveled up. But they make children do it. Unrelated, but when I first learnt about it I was 8, and there was a girl in my class that never had to religion with us. Which was the weirdest thing to me at the time, because sure there were people that didn’t have to do Irish or English, because they had different first languages. But religion? I always found that so weird. But she literally just. Wasn’t catholic. And I just couldn’t conceptualize that. It didn’t occur to me that could be an option.

Jesus, raising kids with a religion is brainwashing of the highest order and no one can change my mind on that. Sorry for rambling at u, that post just made me think.

If I hadn’t moved I would have been made to do my confirmation that school year. And that’s not okay! The whole point of that sacrament is that you’re choosing Christianity, like your old enough and conscious enough to make that choice. Adult in the eyes of the church and all that.

my girlfriend said this exact same thing when i was forced to be confirmed. said it didnt count but tbh that feels like a cop out. like its something ive been forced to do, like a spiritual violation or something, it still happened. but, eh, whatever

Jesus, raising kids with a religion is brainwashing of the highest order and no one can change my mind on that.

not sure i agree with you here, but i can agree that a lot of the ways kids are raised within Christianity is cult-ish and brainwash-y and bad.

[red-dyed-sarumane]

hello i am also a hiiragi magnetite enjoyer but a casual one (the songs just bang. they're really good. i loop them) and i had no idea until we became mutuals and i looked at your posts that their songs are part of a series. i had never looked into it. i am genuinely interested and if you ever wanted to rattle off to me what it's about i will eat that shit up fr. it's been so long since i was last majorly into a vocaloid song series

hi hi! i hope you dont mind a public answer bc you're far from the only one who didn't know. once u know what to look for tho it starts making a bit more sense.

in short: its a sci-fi, time loop-type story about a group of people trying to stop the world from ending

but i'll get into the songs a bit for u. (this is long)

in long:

yes its absolutely a series with the exception of fabric flower, perfection, nadenna, uni, and rasshaina. everything else so far is part of the same series. (in their personally uploaded songs obviously their commission songs arent part of it)

idk where to throw this in so im sticking it at the beginning all of the characters have names. i asked & they answered me directly. but they're keeping them a secret until they feel like the time is right so i would LOVE to tell u their names but uh. no one knows but hiiragi magnetite.

aru sekai series is actually a fan given name. hiiragi magnetite has never addressed the series out side of the songs themselves unless asked about it. if you called it aru sekai series to them, they dont correct you, so until they want to give it a name themself, i'll be calling it aru sekai series. the name coming from the first song aru sekai shoushitsu of course.

im going to put my proof its a series here first bc i see a lot of eng fans say they didnt know, and even jpn fans that realize theres a series will get it wrong & say theres 2 different series going on. its the same story its one series.

the easiest way & the way that made me realize it is aru sekai shoushitsu opens with "nami no ne no yume wo miyou ame hodo no uruoi wo/ umareyou mou ichido nakuse domo nai keredo" etc which is important in a lot of ways but for right now we're just going to focus on the melody of it.

this same melody occurs in all aru sekai series songs except for kugutsu ashura & laboratory. kyuuyaku hankagai has it in the last chorus at 4:48 as well as the more obvious 5:16. shuuen touhikou has it in the choruses as well at 1:20, 2:34, and 2:46. oumen mokushiroku is the only song so far that has it in lyrics as well instead if mixed into the instrumental, its the last lyrics starting at 2:30 "ah mata aete yokatta ne to itte hoshikatta no ni/ tasogare ga tokete yuku kiete yuku nanimo mienakunaru". unplanned apoptosis its a bit harder to hear & much shorter but its at 0:57, 1:06, 2:16, and 2:26. i dont know why i see people insisting marshall maximizer is a separate series bc its one of the obvious ones with the motif at 2:23 (or at least more obvious than some others). canon has it at 2:20.

theres also the theme most people realize that (kyuu)yaku, (shuu)en, and (ou)men have the same kanji as what starts lines in aru sekai shoushitsu.

a lot of songs also have text in the bg thats basically lore & helps connect & clear up somethings. a lot of these repeat lines from previous songs.

& then we get to kugutsu ashura & laboratory which dont have any of those but they are part of the series your key is in the lyrics using similar themes & concept & wording to other songs.

so what are the songs about

aru sekai shoushitsu

this is a headache of a song that, im so grateful they give us so many songs to expand on bc trying to make sense of it with no context was actually the worst. the absolute most important thing u want to know here is the lines they made into the motif for the series which establishes this tragedy is repeating. the theme of rain/blue is the symbol the current world is coming to an end and they'll later be "reborn" and try again.

no one has any idea what the repeating greek(?) means. i can figure out the words toroid & function & thats it & ive never seen anyone else get any farther with it. if anyone knows please i am begging u to tell me. anyway, from the word toroid alone though i know it has something to do with the world repeating itself.

thats the next main theme i'll get into. the story is a loop of sorts but i hesitate to say its a true time loop bc there is very clear emphasis on the concept of fractals, so repeating but not exactly the same, and toroid shapes, so not a perfect loop like say a sphere or circle would be. instead of a time loop sending them back to the beginning of the day its more like waking up in an alternate timeline altogether. its not a 1:1 learn what the day brings and get out that way. each time's different in its own way. the fractal theme drifts off a bit after a few songs but its still there overall.

the other big one is the concept of things seeming the same when theyre different, and this is easier to miss bc it's actually in the bg text rather than the lyrics. there's a whole paragraph about if a man dies in a swamp from lightning and then miraculously another bolt of lightning in the same area creates a man that's exactly the same in structure, memory, everything, is it still the same man as the one who died. this not only applies to the concept of the world itself, that not only is the world itself not quite the same when everything restarts, but is also a big thing with the characters themselves. there is something that people have that make them "people", something that can be lost, and without that, even though they seem to be the same, they're more of a "thing" than a "person." very big detail that was only a theory until laboratory was posted and confirmed it. aru sekai shoushitsu also says, in lyrics, "however, as long as you exist as people, the old world's legacy will continue on in the toroidal direction." so as long as they still have what makes them a "person" they can still be reborn in the next iteration of the world.

i think those are the most important things. the lyrics are a bit objective overviews of the next songs based on the starting kanji and also a bit more technical detail of whats going on, and the rest of the text is a more subjective view of the events than the lyrics.

kyuuyaku hankagai

this one's the start of our subjective character songs. all the text in it is at the beginning. i won't get too into it bc i dont think there's anything specifically u need to know from it, put it definitely helps put the level of desperation into perspective. theres a bit of play in it with the concept of "people" again, but its more about the lengths everyone will go to to do something about the situation iirc.

quite obviously this is the "past" song and establishes this has been going on for a while. i dont have an exact timeline for you, and im not telling you that because its the "past" that this is the beginning of everything. however. we do get told once again the concept of a "self" is important to the continuation of this. we also get a bit of world description, saying about how the world gets torn up and destroyed at the end.

short overview of it is they've been at this a very long time, everyone is well aware of the stakes, they're desperate & tired, but in the end they know even if they die at the end of the world because they cant save it, they're going to wake up and need to face it all over again. thats why theres so many long notes in this. this song is this characters cry for help. they cant let go bc if they do, if they lose their "self" its all over for them, they know that (although its not blatantly said at this point), so they have to keep going through all the "fractals" hoping that something they do sometime is going to work.

song has a lot of specific terms but its not as impersonal as shoushitsu u can feel the character in this song, especially with all the specific "byebye" written with various forms of regret and pain of separation etc. in an effort to keep this short im going to stop there for now.

shuuen touhikou

song that fits with the "end" (shuu) lines of aru sekai shoushitsu. quite literally an answer to the question of what would happen if they tried to escape instead of facing it.

the first part of text sets up the characters frame of mind, that they've been through this so many times trying to save everything, what if they didn't have to?

also in the text are the "shuu" lines from aru sekai shoushitsu, as well as part of the text from the beginning of kyuuyaku hankagai. and the last text deals with the concept of "ego" a bit instead of a "self".

the lyrics are such that this character is still part of whatever everyone's doing to fix this, but doesn't really agree with how its being handled, constantly being frustrated by how nothing's changing and no one wants to try anything too different. they entertain the idea of just running for it, that theres some town out there that they'll be safe if they can reach, that maybe running is enough to do something that they arent just standing around hoping anymore.

so effectively, no, even if they were to drop everything and run for it, it won't do them any good. (by extension they might also not be able to come back from it, but i cant say that for sure)

oumen mokushiroku

the concave "ou" song. also the only one i can accept the ""official"" english title for since mokushiroku is read as apocalypse in aru sekai shoushitsu.

theres no text in this one! unless u want to count the ou kanji.

this one's interesting bc instead of a part of the human team we have an angel who can't do anything to help them. shes watching over them, she wants to help, but for various reasons she just cant. she cant tell them it's not her fault, she cant affect anything in a way that matters. part of the reason she has the broken umbrella i think is just to really get across shes supposed to be the safeguard but she cant. for reasons beyond her control she cant.

some of the lyrics kind of mirror other songs, "inoru you ni" "omotai kaze furiharau you ni" for example relating to similar phrases in shuuen touhikou, "ima sakenda" like the main lines of kyuuyaku hankagai, starting of with rain similar to aru sekai shoushitsu among other things.

and of course like i said this is the only song that uses the motif in the lyrics & this is a theory but im putting it out there i feel like that implies the others are a part of this but this character in particular can actually do something about it. i dont know if shes actually the one who makes the whole world be reborn or not but i will put that out there.

theres also the line like "we lost something without a shape or feeling" & i think thats another tie into the theme of needing to keep their "self" for any of this to be possible.

unplanned apoptosis

theres a lot going on here. this chara is hilarious to me bc all the others are pretty collected about the whole thing all things considered and shes just acting out the whole time.

she hates it. shes fed up & i think should be considered an unreliable narrator to an extent. she tries to act like fine whatever i dont care but she does. she does. she also doesnt want to take blame for anything.

now, theres the line in here like jibun wo koroshite and this isnt in the way u might immediately think. i also hesitate to say its the same "self" the other songs are talking about considering its jibun rather than jiga. its more like suppressing & denying her true feelings to deal with everything. not that that wouldnt tie in to that big theme if she took it too far but for now shes safe.

theres text in this song this time tying it directly to oumen mokushiroku in case the art wasnt enough for u to know that. its a bit about fate being predetermined for them, a bit about things continuing in the same direction they've been, but shes brought back again

the songs really a lamentation of losing her past and future to this as well as showing how badly shes handling it.

and theres a bit of foreshadowing here in the what with the window(s) behind her being dark and broken while also being the exact same in composition to the one in oumen mokushiroku. which u think initially is because the angel cant help her, but the lines in canon about something causing the glass to break i really think is in reference to this and is saying she's at least part of the reason the angel cant help anyone. whether shes aware of this i cant say bc shes a liar who doesnt take blame for anything & since this is her viewpoint thats a bit unclear.

marshall maximizer

i think its that it's asa's art instead of sena yuta's that people think this is unrelated but honestly arent u people so confused. u look at these lyrics and think its a stand alone song? are u not so confused?

anyway, this is actually another big one in terms of plot

welcome to sunk cost fallacy the song. like literally. thats what it is, admitting they've put everything into what they're doing that it's probably not worth it, but they've been at it this long they can't just stop either. its gotta pay out eventually right-

but if u take anything away from this, its that "people" or at least this character can tell when someone isnt one of them anymore. theres the lines like "observing you acting like a person gone mad" "to you who's pretending to be a person gone mad" where both "person" and "you" are written in katakana much like when the concept of being a "person" is discussed in aru sekai shoushitsu. "you" (kimi) being similar to "thing" (mono) in this case (shout out to hayato in the hiiragima tag on twitter for figuring this out btw)

theres also the iconic lines up to hito de nashi? as though to say, but if you act as a person does, then arent you a person as well?

and then the text. its. heavy. discussing what it means to be a person, if there's something special about it, if it matters to be alive for yourself or because of something else (in a series context. so. being forced to live without the "self" they need for example) it even starts to get into the "mono" versus "hito" concept until both characters talking get too overwhelmed by it. the character they were talking to then "disappears" after admitting they might nit be a "person" which seems to say those that lose their "self" dont get to continue.

for now though, the character narrating the song is still a "person" they still get to try again, and they continue to

canon

another one i see people say isnt part of aru sekai series. it says aru sekai de in the first lyric. whats not clicking.

this ones more on why things arent quite working out.

theres a sense of balance they need to keep in place, presumably, so they can make it out of this, but each time something happens that upsets the balance. again, theres the mention of cracking the glass that i think is a reference to that window in both oumen mokushiroku and unplanned apoptosis. this seems to be their sign if things are working out or not, the chorus of this song seems to being saying if the glass breaks theyve messed up, nothings going to change and they need to try again.

this chara's like the others in that shes also tired of everything, but she still has her "self" so she has to keep trying. only she'll do anything that might work so they dont have to do this again, so they "don't say goodbye" again. which includes lying a bit so people will try her ideas.

theres also the part admitting they didn't want any sacrifices for this, but, clearly, that didn't work out in their favor. this is probably a pretty broad definition of sacrifice, can be everything from time, energy, etc to sacrificing their "selves" for their cause.

theres also text in this song!! its coded in the video but shunnanna in the hiiragima tag decoded it so we know the text! it talks a bit about coming to and realizing the worlds okay, theres pretty flowers, and it smells like it just rained. it also then repeats the nami no ne no lines from aru sekai shoushitsu. the last part talks about a risky experiment that got out of control and ended up destroying everything. which that last part, to me, seems to imply this whole thing was their fault in the first place.

in the end tho, this songs the same they don't accomplish much and have to try again.

kugutsu ashura

tongue twister mantra the song.

this ones interesting bc the character isnt human to begin with (being ashura) so i think thats why the motif isnt here. they get to repeat in their own way tho.

shes just that. a puppet really. she cant do anything to help out, rather she can only do what she's supposed to so to speak.

if u can get through the wording though theres a lot to this!

its a bit more of an outsider's perspective at how needlessly desperate this how thing is. things are awful, everyone's having a bad time, hell, people are actually dying, but no one listens to reason and things keep continuing on in the same way. it places a lot of blame on the place that started the whole thing, the place mentioned in the canon text i believe, honestly for a good reason, and kind of criticizes whats going on.

and then u have the ending that really cements its part of the series for me, the whole thing changes into what feels like almost hope which is a nice change for this series. it talks of moving forward, of getting new starts, it works in the theme of rain especially with urufu as the same base as uruoi wo from aru sekai shoushitsu, and then of course the "mata ibukuyou ni" being thematically similar to the "umareyou mou ichido" also from aru sekai shoushitsu

theres a lot of specifics in the whole thing & a lot of very specific word choice but i think that gets the point across for now

theres no extra text either but honestly the lyrics are quite enough context if u can decipher them

laboratory

this song is so heavy. like. up until now things have been left rather vague and theres room to doubt how dire everything is especially with how subjective the songs are but this.

this girl is losing her "self". thats the whole song. her just terrified and being completely unable to stop it even though she would do anything to change things. all that talk from the other songs about whos a "person" and whos a "thing" this is a "person" whos becoming a "thing" and doesnt have a choice in it. i dont know what she did. but this is her punishment for it. she ignored things she shouldn't've and now she cant be her "self" anymore.

this is telling us directly its not just the world theyre fighting for, theyre fighting for everything that makes them who they are too. it's traumatizing in its own way that they live through the end of the world repeatedly. but now shes living through the end of herself and she wont get another chance. and thats why theres no motif in this one. she is no longer a "person" she can no longer continue. theres also no extra text in this song.

thank u if u read the whole thing thats where we're up to right now!! i hope thats enough to at least get started. theres a lot of deep diving u can do in this series & its a lot of fun to keep up with as it happens bc sometimes a new song just clicks so many things into place.

[single-malt-scotch]

i kno theres a lot of comparison for Good Season between s9 and s7 and i love them both bc they really have entirely different vibes. they cant be the same. i dont think its fair to say why one was better than the other but rather recognize what is different about them and think about the numerous things done and why they worked well, potentially thinking about what would be nice to see going forward.

s7 was interesting bc it isnt unlike s9 in having some kind of central location and then hermits spreading out from there, as well of the numerous 'events' that occurred.

i think a central area is key... not just spawning in the same place together, but spawning there and establishing something there. s9's spawn blossoming in that spot with everyone's small starter homes was lovely because it basically made a small neighborhood. it seemed natural to make a little starter base to prepare and live in before going off to build a potentially bigger base imo. my favorite thing about s9 (kind of s8 simply because of proxy voice) is the excitement and chaos of starting and everyone bumping into each other and poking fun etc and i think spawn is a key part of that! its what i look forward to most for the start of a season.

in terms of events, its something the hermits were very good at in s7 and naturally did in s9 again. events are good. they allow collabs between bigger numbers! i cant even count all the events on each season but i realize i feel there is like... a 'roleplay-ish' event and some kinda game event lol. and strangely we had two events that had to do with controlling a district/server etc (s7 mayor and s9 king). which is just coincidence. but, this kinda back and forth of funny 'lets play pretend" to some degree can be amusing to watch and i dont mind it, but its the way that its played out that matters. s7 mayor was pretty simple and didnt effect other people too hard (it was on a much smaller scale tbh), whilst ren's king arc was incredibly involved!! and that is NOT an insult (i think it was done decently in a way where ppl not involved did not have weird video situations of being confused or left out-- they could ignore it easily).

it is just wild to see the progression of work done between these events these ppl created. honestly no matter the ups and downs of the king arc i cannot applaud ren enough for everything he did, it was insane. this is to say-- i wouldnt doubt a pattern potentially coming through-- playing pretend in a way thats a bit more than just a prank war, and obviously making silly games. games are really The staple of the server and the way people get together to have fun. my only wish would be to not have another mayor/king/etc arc lol. i dont think thatll be an issue.

i think what stands out for both season are the things some hermits make that arent mini games or just a little play pretend, but the long going events that get people involved for a longer period-- s7's button, tag, head games, decked out or the base trade. s9's decked out, tcg, mumbo's new button, ren's quests, etc... and i imagine they will all come up with new things again. s9 at least to me felt like it lacked some of that but its probably more because the ones that did come up lasted a long time inbetween giving hermits more time to work on their builds. but they all came in waves that felt fitting. let a thing happen for a while, it slows down, people spend time more specifically working on their base. rinse repeat. i guess in some ways it felt 'organized' but i can see how it maybe didnt work for some people-- some didnt like watching tcg and when it was the main focus, some people didnt watch. same goes with decked out.

and of course, across both seasons, its always a toss up on how "complete" is feels. and my prespective is less of who completes what, but instead how the season potentially affected their ability to work on their stuff. of course there are all kinds of irl things that affect them too so i cant judge this as if i know everything. s9 felt kind of linear? again, in the sense of how larger scale events were spaced out. and i feel like ppl were given good spans of time to work on their stuff. really, it just seemed like irl things is what slowed some people down towards the end, especially when the pauses between things like tcg and decked out were spent dealing with irl, and then returning because of those events. at least from my perspective, s7 felt a bit more chaotic in terms of this pacing due to the randomness of events and the fact they would often take them away from their bases. i dont actually feel like anyone worked less on their bases in s7 than s9, but the big things that happened were not at all paced the same way as they were in s9 (it sometimes made me feel like they werent making much progress at all even though they were lol).

it is interesting taking a look at these two seasons because i think they had a lot of the same stuff, but both went about it differently. i think these two seasons define the hermits very well-- the kinds of stuff they do, the stuff they enjoy, and what they tend to keep doing. assuming s10 doesnt get some kind s8 treatment i can only see this one going forward just as well as the previous. and i hope as well to see some very interesting new ideas from after the insane massive works like tcg and decked out 2.

[darkstarbureau]

i get LIVID over something again: the post (you know that i never put titles. im fucking MAD)

post tw: more than one suicide mention

hey man. hey. i dont like bitching about very importamt things to me very much but its one of those times. this may seem incoherent in some parts but im gonna roll with it anyways.

i swear to fucking god. some of you people will say youre an "irl" (absolutely ATROCIOUS term btw. literally do not say this.) and then proceed to go like "im a kinnie and i simp and im fictionkin and im a synpat"

i can confirm that nobody calls themselves an "irl" ever. when you are in a really bad psychotic episode and happen to be indulging in media that your brain hyperfocuses on and start deluding or hallucinating things that are coherent with said media, you didnt "gain an irl". you are in a psychotic episode. you cant collect delusions (UNSHAKEABLE beliefs by the way, grounding yourself is a different thing. but if you bawl like a baby because somebody doesnt think youre twilight sparkle, maybe youre the problem) like blind bag toys?!?

and no, it is not ableist to acknowledge when youre out of that state that you are delusional. it is not a horrific word. it is one thing to use mental illness as an adjective for something you dont like, in that case, that makes you a dick. but i am afraid you cannot suppress your troubles by calling yourself an "irl".

dont even get me started on the people who think that kin and fucking psychosis are one in the same. i dont know if its just me, but it irks me to an unimaginable degree even more to see blogs that group kin, fictionkin, FICTIVES, and PSYCHOSIS, as one whole. on one side, you have a strong liking or relatability to a character. on another, you have a belief that you are an incarnation of a character without delusion involved. on yet another, you have a fragment of underdeveloped personality from a dissociative disorder that has shaped its identity around a character from a media. on yet another fucking side of things, you have a mental state that occurs in people under the influence of some drugs, an injury, extreme pain, schizophrenia, and/or bipolar disorder.

you are not mentally ill if you like a character, want to convince yourself that youre them, and bitch and moan when people dont affirm it: the section

i (do not) regret to inform you that if you are a big fan of a character, you are not psychotic. psychosis is a very serious and distressing state that people often commit suicide from just so they dont have to experience it anymore. if you think that you want psychosis, you dont. i myself consider taking my life every fucking day because of how often ill be in either a psychotic or dissociative state. this is in no way an exaggeration. i know that you people in my screen think that i have a coherent sense of self and reality even if it's false, and you're wrong. it changes all the fucking time. its not cute. not fun. not in any way enjoyable at all. back when i was younger, it would often present in a way that would convince me it wants to help me. now when i try to fight back against it and know its tricks, it turns very ugly very fast. when i run, it slows me down. when i struggle, it sucks me in. when i cry for help, water fills the space my voice was. when i try to swim, sand pushes against the push. but when i succumb, everything stops. even then, i cant win. everything is a question, and i dont think ill ever have the answer; when will it stop? when will it settle?

its not a game of house and your own mental state is not a mannequin to adorn with the worst things the human mind can feel.

say it louder. you cant choose this. you cant. there is no state of disarray where you are conveniently attached to pixels on a screen. "irl disorder" is a thing people actually search on the fucking internet because of you sick fucks. shut the fuck up. did you know that your head doesnt limit what you can be absolutely fucking confused and terrified about to just your favorite video game? i regularly hear things that i ask other people if they did, and they usually say no. i have seen, tasted, smelled, and touched things that disappear when i look away and look back. i have no feeling of connection to your reality. at the same time, everything feels surreal in the worst possible way in the very rare occasion that i can ground myself. i usually don't dissociate when i'm on the computer, because i have always been in that reality. when i step off, it tries its hardest to pull me back to anything that feels like the digital world. i have no goddamn connection to my body.

i want to disappear.

to those people im talking about: i hope this finds you well. you make me want to die even more than i already do. sincerely, gallerian. or nemesis. or seth. i dont know anymore.

[letmeoutofthebasementt]

whats also funny for me is with these younger groups i genuinely dont care what they get up too its more so that theres nothing else i like about music these days. the music i like aint been around for decades and if it is mentioned its usually mainly on tiktok and i hate tiktok so much.

if i could id take a time machine and go to any pre internet era just bc i think it was more lively and music back then was more in person not something you had to travel to see bc there was stuff occuring all over places now its usually in select places at select times and so u have to either physicslly take urself to the groups rather than the otherway around.

literally i wouldve suited even the 50s, there just more natural characters back then imho not that there arent now its mainly that a lot of idol groups esp the mainstream ones seem to have certain attributes they need to debut in the group itself whereas music back then was for anyone of any age of any musical talent could do it they didnt always have to be young. kpop overall seems quite restrictive it seems that even 20 years old is now too old for someone to debut which is quite shameful really. theyre still very imagery or conceptual based i think. i also dont like how on a lot of shows theyre very very scripted, skz are hilarious to watch bc they often break their characters or say something completely out of pocket

it just seems the younger they make these groups the more these groups are very moulded into something that isnt how they might want to be or act

it also makes me wonder if rn i had to show them something musically that it would never suit what they were looking for either, they seem to like soft cutesy girly things or members with particular features which is the opposite of ateez and skz. thats what draw me to some of these groups cause it wasnt typical yknow? but idk its still not quite the same vibe i get from listening to older music either cause thats more what im used too and theres just nothing else interesting me they couldnt even pay me to go see taylor swift either cause even she isnt my style. sorry for my ramble. it does make me laugh when they use foundation that is obvi not the right foundation shade so like their neck is darker than their overall face colour or they add those blue eye contacts bc thats my eye colour. i tend to prefer if they arent always perfect skin and perfectly dressed like if they just casual or natural in their non stage looks then i tend to find it more attractive. like the way san dresses in his vlives for example thats very simple but its attractive at the same time.

I’m already confused. What do you mean “You don’t have to travel to see them.” Do you think people just had Elvis come to THEM with no prior planning? I’m confused here. And if that was the case no kpop groups would be known in the west because they wouldn’t be performing in the west. They’d just have pop ups all over Korea that may or may not do well because there’s no planning and they’re just “coming to you.” No hate or anything, but that doesn’t really make much sense.

I agree that the KPOP industry is rather controlled, but there are some genuine and funny groups out there. And you seem to forget that it’s their job. Like any job you need to have rules and guidelines to follow to keep yourself from negatively impacting your company, coworkers, etc. like if Jay Park was in a group saying the stuff he said the company AND the group would suffer. They’re also probably not comfortable being 100% how they are behind closed doors in public for every stranger and their mother to see.

I do agree that they should debut older idols, which they do do occasionally, but I also understand why they don’t. They have more time to grow and mold the idols before they move on with their life. Before they marry and start families. The groups can grow together and become closer and not risk breaking up. The idols can become endearing to the public and the public can feel like they’re growing WITH the idols, which makes them stick around. The idols can become used to the industry as you learn better when you’re younger.

But I do agree there’s also a lot of issues with that.

I agree that, again, they should definitely not try and make them paler but that’s also the beauty standard? I’m not saying it’s okay, but it’s like how here in the west a lot of artists try and get tans and other things because that’s the standard over here.

I definitely know a lot of groups that aren’t really all…Bubblegum vibes. But at the same time, again, over there that’s what’s more popular and more socially acceptable. And it is K pop. Korean pop. So things are going to be different. But I do prefer groups that aren’t so bubblegum like you do.

And again, you’re forgetting they’re working. Most people don’t wear casual clothes and look…Imperfect to work. Especially when you’re under close scrutiny and any and everything you do could go viral and affect your career. And most idols DO dress down in lives, albeit they still try to look decent because, again, they ARE working. It’s their job. Their livelihood.

[audible--silence]

Words

When people say to me “what about your future?” I tell them thats exactly who im doing all this for

“All of the best things in my life have occurred when things in my life didn’t go to plan”

“Only thing that changed in eight years is haircuts and excuses”

I want everyone to ask and care but i dont want to talk about it either

Failed with flying colors

Home feels like lame familiarity

“You’ve gotta be my stability!”

“I cant cos im on a BAR STOOL”

The years are passing me by faster than I care to admit.

Turns out making good use of your 20s doesn’t do an awful lot to slow them down.

I’m living a life I thought I wanted and still I feel a divide between what I thought I wanted and how I thought I would feel. Maybe this isn’t all that I hoped it would be. Maybe im not alive enough to make it feel good enough. Maybe just prioritizing fun isnt gonna cut it. But definitely prioritizing stability wont.

Maybe we just don’t have enough years on this earth and space in our brains to feel like we can really live anything to completion.

All I know right now is that on this warm, still summers evening, with a beautiful light in the sky, on a night I should be thoroughly captivated by, i feel unamused and alone.

I’ve seen this before.

I’m stuck with myself in a place i know all too well and not a great many people left to meet

“I have one foot in the door and the other going in a direction i dont quite know yet”

“If you can read this, i hope you have health insurance”

Never have i ever been in a rush to go to sñeep before

19 year old w 5 years practice

I dont believe in being nice i believe in being kind

“Well, money where your mouth is? I liked you.”

“Yeah but I’ve changed since i said that”

Well where too from here

Still tiptoeing around and dancing away

Trying to see where we stand in each other’s lives

Am i all wrong?

Did i read too far into all the songs in the playlist?

Or all the stories we told each other?

All the memories we shared?

And all the fun we made.

How about all the time we spent on each other or all the thoughts spent?

All the dreams made and all the hopes held.

All that you said that i read into, cannot be a mistake. You’re too clever for that. Did you want me to say it? Were you waiting for it? Did you want it? You sure werent surprised by it.

God i hope i didnt ruin it.

Maybe youre right

Maybe finding your person is long term task

Maybe all those journal entries, nights drinking together and nights thinking of you were to hit a realization.

Maybe the realization is that i need therapy

Maybe its that we’re not compatible

Maybe we need more time.

Either way, i know im here for it

Way too much love for the woman who raosed me and her never ending kindness and innocence despite the shit she’s had to deal with. Somehow coupled with a complete lack pf jealousy.

Im quite sick of the world

Im not very fond of myself in it either

I think every minute of every day what am i doing here? Why am i here?

I dont feel comfortable in myself

I dont feel confident in myself

I dont like the state of the world when i observe it

I feel powerless to change it

I feel like a fool for never having tried

I tell myself all the things my dear sweet friends would tell me in this situation

I know that im giving myself too much grace

Im not a dipshit

But i made myself into one

And ill die that way. Whenever I get too sick of it

What a damn shame it is to know a good moments passed you.

To have only the half remembered memories because you didn’t realize at the time that this would be a moment you’d want to think about forever.

I’ve left little pieces of my heart across the globe. From Oaxaca to West Aus to New York to Ningaloo, traces of my soul can be found sprinkled in pockets around taco stands, strangers vans and gorgeous country under shining stars.

I can never get them back.

Nor do I want them.

But I fear ill never approach life in one place with the same zest and enthusiasm as I used to.

A wise man once said it’s important to know when you’re living in a moment you’ll want to remember. I think it’s important to know when you’re shaving a piece of your heart and leaving it somewhere with someone as well

I don’t tend to think of it as “learning about myself” anymore. I think after a few seasons worth of reinventing myself, it feels a little bit more like reinventing the next iteration of myself. A both tiring and exciting endeavor indeed.

“Do you miss NY”

“Mmmmm sometimes “

What a fkn lie. Every day, most hours, in truth

I dont feel like myself

The aussie accent

The blokey chat

The blending in

None of its me, really.

I need stress to stay awake despite wht its doing to me

Do i want to look at the city on my drive in and think “hell yeah” or”ahhhhhh fuck”

Either is an investment of time n energy and i have to pick

You can observe in many colonized countries today what i see in myself.

When you take away peoples connection to identity, language, customs and place, they will frequently stumble around somewhat aimlessly with a penchant for extra curriculars

“Its only racist if im not funny”

“Theres something to be said about a life well fucked around “