#it can also be important to recognize when someone is in a place where they are willing to learn vs when they are not

[whencyclopedia]

Diogenes of Sinope

Diogenes of Sinope (l. c. 404-323 BCE) was a Greek Cynic philosopher best known for holding a lantern (or candle) to the faces of the citizens of Athens claiming he was searching for an honest man. He rejected the concept of "manners" as a lie and advocated complete truthfulness at all times and under any circumstance.

He was most likely a student of the philosopher Antisthenes (l. 445-365 BCE, who studied with Socrates) and, in the words of Plato (allegedly), was “A Socrates gone mad.” He was driven into exile from his native city of Sinope for defacing currency (though some sources say it was his father who committed the crime and Diogenes simply followed him into exile). He made a home for himself in Athens in the agora, living in a rain barrel and surviving off gifts from admirers, foraging, and begging.

Diogenes famous "search for an honest man" was his way of exposing the hypocrisy and sham of polite societal conventions. By holding a literal light up to people's faces in broad daylight, he forced them to recognize their participation in practices that prevented them from living truthfully. He inspired others to follow his example, most notably Crates of Thebes (l. c. 360 - 280 BCE) who studied with him. Diogenes is still highly regarded in the present day for his commitment to truth and living according to his beliefs.

Diogenes' Beliefs

Diogenes came to Athens where he met Antisthenes (one of many of Socrates' students who established his own school) who at first refused him as a student but, eventually, was worn down by his persistence and accepted him. Like Antisthenes, Diogenes believed in self-control, the importance of personal excellence in one's behavior (in Greek, arete, usually translated as `virtue'), and the rejection of all which was considered unnecessary in life such as personal possessions and social status.

He was so ardent in his beliefs that he lived them very publicly in the market place of Athens. He took up residence in a large wine cask (some sources claim it was an abandoned bathtub), owned nothing, and seems to have lived off the charity of others. He owned a cup which served also has a bowl for food but threw it away when he saw a boy drinking water from his hands and realized one did not even need a cup to sustain oneself.

This much can be said with more or less assurance but any other details become increasingly uncertain owing to the many fables which grew up around Diogenes and his time in Athens. Even the claim that he was Antisthenes' student has been challenged as a fable. It seems clear, however, that Diogenes believed what people called `manners' were simply lies used to hide the true nature of the individual.

He was known for brutal honesty in conversation, paid no attention to any kind of etiquette regarding social class, and seems to have had no problem urinating or even masturbating in public and, when criticized, pointed out that such activities were normal and that everyone engaged in them but hid in private what he did openly.

According to Diogenes, society was an artificial contrivance set up by human beings which did not accord well with truth or virtue and could not in any way make someone a good and decent human being; and so follows the famous story of Diogenes holding the light up to the faces of passers-by in the market place looking for an honest man or a true human being. Everyone, he claimed, was trapped in this make-believe world which they insisted was reality and, because of this, people were living in a kind of dream state.

He was not the first philosopher to make this claim; Heraclitus, Xenophanes, and, most famously, Socrates all pointed out the need for human beings to wake from their dream state to full awareness of themselves and the world. Plato's famous Allegory of the Cave is devoted to this very theme. Diogenes, however, confronted the citizens of Athens daily with their lifelessness and shallow values, emulating his hero Socrates whom he never met but would have learned of from Antisthenes. Although it seems many people thought he was simply mentally ill, Diogenes would have claimed he was living a completely honest life and others should have the courage to do the same.

Continue reading...

[thespacesay]

ID: tags.

#"punch nazis!! also i use the term global elite despite having it repeatedly explained why that is not okay bc i mean billionaires lol!!"

#"i hate terfs!! also i think all men are evil and that women have special innate connection with nature and emotions!!"

#"body positivity!! all bodies are beautiful!! dont change your natural self your body is a treasure this rhetoric is flawless for everybody"

#"also all fat men are disgusting incels and sexual predators but also loser virgins but thats not hypocritical because men suck lol!"

#like are you not tired? does this not exhaust you? #playing pretend should be about fun and costumes #not spouting lukewarm activist slogans and failing to meet even the most basic criteria of your purported beliefs

End ID

okay you've got "terf destructor" or "nazi puncher" in your bio, but are you actually standing up for your trans/Jewish/POC friends, or do you just like having someone it's morally acceptable to punch?

[keferon]

Guys. Hear me out.

Remember when in Cyberverse everyone got their minds transferred into fake artificial digital simulation of an infinite fucking parade while their bodies were imprisoned? Now. Imagine Shockwave trying to pull that kind of move on First aid.

Under the cut:)

First aid feels wrong.

Which isn't weird, but this kind of wrong is brand new. It's not nausea from drugs or weird withdrawals after neural connection. It also doesn't feel like a concussion.

It feels like he's a lab mouse running through a maze.

There's the cheese. There's the electric shocks. There's no way out and never has been.

He thinks it might be the fault of Pharma's new drug. Or his fucking pilot position is finally eating away at him, or Vortex is finally done playing with him and just broke his brain.

There are people running around him, each of whom definitely knows what their place is and where they need to go. Everyone has a purpose and a position and some important job to do. They hardly even talk to each other, just nod and run on.

Amazing synchronization.

First..Felix feels like a kid lost in the mall.

He has. He has to do something, right? What does he need to do? Fuck. What day is today anyway?

He heads over to the schedule board and stares at it like an idiot for a couple minutes. It's Tuesday. The work day is in full swing. All the shifts are here. But he doesn't recognize the names of the employees. All the pilots are accounted for, but his name isn't on their list.

Must be a mistake?

He turns away from the board and looks around the room once more, this time more carefully. He just needs to find someone to ask. Preferably someone familiar.

He can’t recognise anyone.

The feeling of strangeness doesn't get any less.

The uniforms on the people around him are similar. But not the same.

The badges are all another color.

And he's surprised by this, but at the same time some part of his brain tells him that it's all familiar and he's seen it before.

“.... then I thought, we could do something different, you know?”

Felix flinches as Swindle and Onslaught walk past him. They are clearly in the middle of some sort of discussion and don't notice Felix staring at them.

Swindle is wearing a pilot's suit. Onslaught is wearing one, too.

Screw the weird schedule. THIS is wrong.

Onslaught frowns, but when he opens his mouth there's a strange amused respect in his tone

“You slippery eel.”

Swindle smiles. His smile, Felix notices, is not the same at all. He doesn't look like an actor from a commercial. He looks like a worn-out but proud of himself man.

It's wrong, but he's seen it before, it's strange but it's familiar. He wants to go up to Swindle and ask what's going on. He wants to understand the damn schedule. He wants to...

…

First Aid feels wrong.

Which isn't weird, but this kind of wrong is brand new. It's not the nausea from the drugs or the weird withdrawals after a neural connection. It also doesn't feel like a concussion.

It feels like being a lab mouse running through a maze.

You got the cheese. And here's the electric shocks. No escape. Never has been.

It's all the same.

He's not sure where he's going. Everyone around him seems very busy. Running about their own business, not paying attention to him and--

What is he supposed to do? He can't remember what day of the week it is. Shit. Is it Tuesday? He can't remember.

Does he need to find a schedule?

Everything feels weird.

By the schedule board, he almost crashes into Swindle.

“...You realize, if we can both get out of this shit, we can get others out too.”

Onslaught...still looking strange in his pilot suit instead of his usual uniform. Swindle pokes him in the side with his elbow as they both walk past Felix, completely ignoring him

“You just. Think about it. Even if you can't fire Offy from the pilots, you can at least free him from these disgusting experiments.”

Felix wants to go over and say hello. Politely and unobtrusively. And also kindly ask, “what the hell, boss?”

But you see it every day, his brain tells him. Have you forgotten?

It makes him feel wrong.

Here's the board, here's the schedule, just lift your stupid head up and see what you're supposed to be doing.

He looks at the board. It's Tuesday. It's dumb sheets that don't have his name on them. He wants to go up to Swindle, he should go up to Swindle, right?

…

It's all wrong, but it's a new kind of wrong. It's not from drugs or neural connection. And it's almost certainly not a concussion.

He's feeling.... hell, what day of the week is it? Tuesday right? He looked at the blackboard yesterday.

He stops. And makes a titanic effort to concentrate the jelly his head is now filled with instead of his brain.

Today is Tuesday because?...because yesterday was Tuesday? And the day before that, too? This is some kind of trippy shit, not a broken neural connection….

He's not looking for the schedule. He's seen the schedule a million times and he knows what's gonna be on it.

He's not sure where he's even going. The layout of the base is different. Not much, but enough to confuse him. He's still stubbornly checking out every familiar place he can find.

He doesn't get it, he doesn't get it, he doesn't get it, he doesn't get it, he doesn't.

He still doesn't see a single damn familiar face.

Ambulon's gone, Pharma's disappeared somewhere too. No Tailgate or Wheeljack anywhere to be seen. And the layout is a little different and all the badges are the wrong color and Felix can't even read what's written on them because every time he tries all the letters blend into an indistinguishable blur.

He's trying to talk to someone. Anyone. But everyone either brushes him off or straight up ignores him. It's like he's a ghost or a lunatic or all of the above.

Everything is so familiar, but at the same time it isn't and his brain frantically clings to the last possibly familiar thing.

Vortex. He needs to find Vortex.

Even if it is him who is going insane and not everyone around him. Vortex is insane in his own, unique way, but he won't ignore him. He may get a good laugh, but it's still better than blindly poking around every corner by himself.

First Aid feels wrong.

Which isn't weird, but this kind of wrong is brand new. It's not nausea from drugs or weird withdrawals after neural connection. It also doesn't feel like a concussion....

He snaps at himself. NO. Hell no.

Vortex. He needs to find Vortex.

The hangar looks surprisingly dark. The people look unfamiliar. And another schedule board beckons him to come over and check to see if it really is Tuesday, but he ignores everything and heads straight for his Mech.

Vortex hasn't changed a bit. Even the radius at which people avoid him is exactly the same.

And looking at him doesn't give Felix that fucking sense of wrongness.

He sees Vortex a lot. He just knows it. The thought is natural, in contrast to the others. That's good, that... It may sound strange, but Vortex is the most normal thing he can perceive right now.

He feels like he's grown little wings. His feet carry him up to the open cockpit and he barely notices the steps beneath him.

Vortex is here and he will understand and even if he doesn't, at least he won't ignore him. Vortex gets bored too quickly so he never minds distractions, no matter how absurd and...weird..they…

Huh…

Felix almost climbs into the cockpit, but freezes, right on the way in.

It's empty.

He crashes into that realization like an invisible wall.

The cockpit.... is clean.

It doesn't smell of chemicals or scrubbing agent. There are no thin streaks of old browned blood in the seams and crevices. There are no dents or stains on the edge of the visor.

The cameras are dead still and the screens are off.

There's no smell of stale blood or decay.

There's no one here.

But the back of his neck still tingles with the sensation of someone else's eyes staring at him.

“The fuck do you think you're doing?“

First Aid flinches startled and turns around.

There is a pilot standing a few feet away from him with a cigarette in his hand.

“..I’m..”

“I wouldn't stand there if I were you” smiles the stranger eying him with a suspiciously bloodthirsty smile “those things are glitchy as fuck. Might chop off something important.”

First Aid continues to stand just under the open visor. Maybe it's surprise or maybe he's too used to the idea that Vortex won't cut him in half. The pilot in front of him looks.... geez, where has he seen him???

Has he ever seen him at all? That green suit looks awfully familiar.

And the voice. There should be more mechanical notes in that voice, First Aid thinks. It should have more static and reverb and squeaks and rumbles and clicks and that quiet hum that sounds when the cockpit systems are turned on...

First Aid jumps off the Mech.

“Vortex...?”

The pilot casts him only a slightly surprised look at first, but a moment later recognition flares in his eyes.

“What the fuck....AID??”

First Aid instantly takes a swing and punches him in the face hard enough to send him wiping the dust on the floor.

“You!!!”

“Ha,” says Vortex from the floor. “Hahahahah ooooh Do it again! ”

First Aid kicks him. Vortex laughs like he's been told the world's happiest joke.

He sounds…alive. Alive and human and there’s no metal in his voice and

“What the fuck?”

Vortex stops laughing, but still doesn't get up off the floor

“What's the last thing you remember?”

First Aid still does nothing but stare at Vortex stunned. The human Vortex. Victor? Shit

“Until Tuesday, you mean?”

Vortex hums

”Till Tuesday.”

What was before Tuesday?

Another Tuesday. And another and another and another and another.

Someone from downstairs bangs loudly on the railing and berates Vortex for a safety violation, ordering him to put his cigarette away.

Vortex points his middle finger down somewhere and throws the cigarette over the railing.

Oh god. Oh shit.

First Aid swallows nervously.

“Shockwave...he used something...to control you-Mech...I mean. He did something, I think. I remember I couldn’t move couldn’t do anything. And now I’m in this hhhhplace? I don’t really recognise it.”

Vortex twitches the corner of his mouth and finally rises from the floor.

“Well I do.”

He looks like he is sick, First Aid thinks. He looks sick and he looks human and he has arms and legs and eyes and that stupid curly strand of dark hair sticking out from under his helmet and the dark eye bags.

“The bastard made up some sort of dumpster to transfer your consciousness in while he does shit to your body.”

First Aid clenches his hands together

“But there were two of us in the neural connection. And it took two of us to transfer here too...”

It suddenly dawns on him

“Wait. This base, these, everything. This is what the Mech project looked like in your time?? And Swindle and Onslaught and the staff is different and...”

Vortex raises his eyebrows smugly.

“...Here you are ...you're a human...” finishes First Aid.

Vortex pulls a crumpled pack of cigarettes out of his pocket.

From somewhere below, a loud angry bang is heard again

“Tex, you bastard stop smoking in here.”

“Fuck you, Off,” Vortex yells back.

Then shrugs his shoulders

“I've always been human. No matter how hard Shockwave and his science shithole try to change that.”

He holds out an opened pack to First Aid

“Want some?”

First Aid feels awful. Terrible as if from the drugs, terrible as if from the neural connection. Terrible as if he had a concussion times two.

But Vortex is here and Vortex believes him and even if it turns out they're the ones who are crazy and not the world around them, at least they're crazy together.

First Aid takes a cigarette

“Thanks...”

_______________

Previous

[tarotwithavi]

What is coming into your life?

+ some messages that you need to hear

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

How to choose a pile?

Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.

This is a general reading so take what resonates and leave the rest.

Masterlist

paid services

Thank you so much for your love and support 💕🫶🏻

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

Pile 1

The first thing I’m getting is that many of you have been focusing on personal growth, and it’s paying off. I see a lot of you realizing that you’re truly capable of achieving anything you set your mind to. You’re stepping into a powerful energy of self-confidence and self-love, and this shift is going to attract a lot of good things into your life.

Keep your eyes open for new ideas, projects, or invitations that come your way. Whether it’s a sudden thought or an offer to attend an event, these opportunities could be really beneficial for you. Trust your instincts.

Some of you might be considering doing something that no one in your family has done before. This could be a bold move or a unique choice. I want to encourage you to take that leap. By doing so, you will break a cycle of family patterns, especially around standing up for yourself and your dreams. It’s a brave step, but it’s one that will bring healing and growth.

I’m also picking up that some of you will soon spend quality time with an important male figure in your life. This could be your father, grandfather, or someone you look up to with strong masculine energy. This time together will feel meaningful and may even strengthen your relationship. Some of you are thinking about having an important conversation with your parents. This could be about expressing gratitude for everything they’ve done for you, or it could be about something else on your mind. Either way, I see this discussion changing perspectives in a positive way, bringing deeper understanding.

I also sense that many of you will receive a new opportunity related to making more money. This might come through a job offer, a project, or a chance to use your talents in a way that allows you to earn from them. This is a great time to explore how your skills can be turned into something valuable.

However, I do feel that some of you are worried or stressed about something, particularly when it comes to the outcome of an exam, test, or project. Let me reassure you—you don’t need to worry. The results will be positive, and you’ll feel satisfied with how things turn out.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

Pile 2

You need to stop giving your time and energy to people who don’t appreciate or value you. If you are in a position where you can protect and care for the people you love, then do so without overthinking the outcome. However, if you’re not in a place to make decisions for them, it’s important not to try and control everything. Remember, before you can protect or help others, you need to protect yourself first. Secure your own place, take care of your own well-being, and then you can support those around you.

It’s also important to understand that you don’t always have to be strong. It’s okay to just be yourself. You don’t need to carry the weight of everyone else’s problems. Be honest about how you feel, and don’t be afraid to show vulnerability.

I see that many of you are incredibly talented, with unique skills and gifts. But what’s holding you back is your own self-doubt. You might feel like your talents won’t be appreciated or recognized, so you keep them hidden. But how will you ever find people who truly appreciate you if you don’t share what makes you special? Take this as a sign to put yourself out there. Show your talents to the world so you can connect with those who truly see your worth and value your skills.

For some of you, there’s a big change coming. You may be pushed in a new direction or forced to change the path you’re currently on because it’s no longer good for you. Don’t see this as a bad thing; instead, view it as an opportunity for growth and self-improvement. This change could lead you to a better version of yourself.

I also sense that some of you are stuck in a confusing or unstable relationship. The person you’re talking to or have feelings for might be giving you mixed signals , one moment they seem totally in love with you, and the next, they act like you don’t matter to them. If this is the case, it’s important to recognize that this is not a healthy situation. When someone’s actions make you doubt yourself, it’s a clear sign that something isn’t right. It’s better to walk away now, before it hurts you more in the long run.

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

Pile 3

I see that in the coming weeks, you’re going to need to work very hard on something important. This could be related to a project, job, or personal goal you’ve been focused on. However, all this hard work might take a toll on your health, so it’s important to be extra careful and take good care of yourself. Don’t push yourself too hard. If you feel stressed or overwhelmed, make sure to take small breaks when needed. Remember, it’s okay to slow down sometimes.

The good news is that what you’re working on ; whether it’s something you’re involved with now or something you’ll start soon , is something you’ve been wanting for a long time. You’ve probably dreamed about this moment, so stay positive and trust the process.

I feel the need to remind you that you are deeply loved by the higher power, whether you believe in God, the universe, or Mother Nature. No matter how many mistakes you make or how unworthy you may feel at times, you are always loved and supported. You are part of something greater, and that love is unconditional.

Now, take a moment to think of a yes-or-no question that’s been on your mind. The answer to that question is “no.” This might be the guidance you need to help you move forward.

Back to the main message, something significant is going to happen within the next few weeks. I would say by the end of this month or the first week of October, you’ll experience an event that will bring up strong emotions. It could be overwhelming happiness or sadness, but either way, the feelings will be intense. Be prepared, and try not to let the situation control how you react. Stay calm and centered, no matter what comes your way.

Also, a little advice: some of you need to wear more yellow or add yellow to your wardrobe. This color might bring positive energy into your life. If you’ve been feeling unwell, like having a fever or headache, I see that it will likely pass within 48 hours. But if you’ve been having constant headaches, don’t ignore them ,it might be time to see a doctor just to be safe.

Lastly, angel wings and a purple or pink dress will be meaningful symbols for you, so keep an eye out for them. They might show up in your life in some special way.

I also feel like adding this

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

[bellestarot]

Pick a Pile

What's Next In Your Love Life? 🩷

♡ Take your time to choose

︵‿︵‿︵ʚĭɞ‿︵‿︵‿

Pile I

This is a journey where you'll become more emotionally independent. It's about loving yourself first and getting to know who you are before being with someone else.

You're a very empathetic person, extremely kind to others, and I can see that your circle of friends is always there for you in both good and bad times. These people will have an even stronger presence in your life during the next chapters of your romantic journey as well.

You might meet someone who initially seems like the right match for you because they understand you and connect with you emotionally. Another person might appear too, someone younger and grounded, but still building their life and figuring out what they truly want. I see that both of these people will be interested in you and will try to reach out. However, I honestly see you thinking that you can find someone you truly connect with, as most of the people who approach you don’t really capture your interest. It’s easier for you to treat them as friends rather than romantic interests.

I see you becoming more financially independent, advancing academically, and taking better care of yourself—not just emotionally, but also focusing on your physical health. You’ll be buying clothes, treating yourself well, and caring for yourself in the way you want to be treated.

This is about how strong you are. I believe you’ll face some obstacles, situations where you’ll feel deep pain that seems impossible to resolve. But the universe is speaking to you, showing you signs and guiding you on the path you should take. Some challenges make us stronger and wiser, and I see great potential in you to become stronger and wiser amidst difficulties and the unknown. You will be led into unfamiliar territory on a new journey, a chapter of your life that you don’t yet know how it will unfold.

This is a reading about self-love, not love with others, because you can only love someone else when you truly love yourself.

Pile II

You're definitely going to be getting out of the house more, going places, meeting new people, and opening your heart to them. You'll discover what happens when you truly embrace who you are, when you're in your essence. Are you allowing yourself to be happy in the moment and enjoying what you're experiencing? Because in the past, some of you were hurt by someone who came into your life.

Maybe it was someone you thought was your ideal type—physically attractive, someone you really believed would be the love of your life, your soulmate, or something like that. But in the end, this person betrayed you, lied to you, said hurtful things. Perhaps this was someone who was closed off from the beginning, and you thought you could win their heart. But in the end, you discovered they were exactly who they seemed to be all along. This experience might have left you nearly depressed, unable to see your own worth, and lacking the motivation to go out and meet other people.

And yes, you might have had help from a friend, a relative, or a female figure who came to you and told you that you are worth it, that you have all the potential and capacity to find someone who will recognize you and not deceive you in the end.

What you heard from these people might have been hard to accept at first, but it’s true. You have the capacity. I see you meeting someone new, perhaps around your age, someone very intelligent and creative. This person will be interested in you, but I see you being a bit tough with them because of what happened to you.

I see you taking your time to reply to their messages when they invite you out, playing a bit hard to get. But every time you meet with this person, it's positive; it’s an important moment.

It's fun!

You’ll find yourself in a stable relationship with this person. I see you two becoming best friends first, and then evolving into something more, into love.

This person will show you a very romantic side, perhaps a part of them that you didn’t expect. At first, they might have presented themselves in a certain way, but as your relationship deepens, things will evolve and become more natural. That’s what you’ll need to pay attention to. You need to let things flow naturally, stop trying to control or idealize too many people, too many conversations, behaviors—just let things happen as they will.

And while this person from your past may still be on your mind, still in your thoughts, the universe wants you to let that go. Move on—it's in the past. You deserve to be with someone who is good for you, not someone who hurt you and crushed your self-esteem.

Pile III

Well, I'm not sure if you're aware, but right now, you’re manifesting a very important soul connection, the kind where you might feel what the other person is feeling, have strange experiences like shared dreams, and connect with this person on incredibly deep levels without knowing why.

I believe you’re a very spiritual person, someone who knows their worth. You seem to be more introverted, perhaps spending a lot of time at home, but recently, you might have considered going out more.

You might meet this person when you’re out, perhaps in a place you don’t usually go to, with people you aren’t particularly close with. You’ll meet this person unexpectedly, and it will feel like a clash of souls between you two.

You’re trying to leave behind what has hurt or bothered you, trying to move forward every day, but you’re also quick to judge the people who come into your life. Sometimes, even if someone just says hi, you might immediately think they’re not your type or that you have nothing in common, not giving them a chance to get to know you.

You could meet this person while traveling, perhaps to a place you’ve always wanted to visit. Suddenly, you meet them, and it takes you by surprise.

I see you feeling unsure whether this person is truly attracted to you, whether they feel the same connection you do. You might have a lot of doubts about this.

It’s possible that you two will be in a long-distance situation, even if you’re in the same city. Maybe you didn’t exchange numbers; you saw each other a few times in different places and then went your separate ways. I see you seeking answers through the Divine or through things that are beyond what we can see, because you’ll sense that this connection is something different.

You and this person are very different—not just physically, but in personality and maturity. You are more mature than they are. This person still feels like a teenager in some ways, even though they’re an adult. Their actions and behaviors are still very youthful, and not in a positive sense. However, I don’t see this as an obstacle to you being together.

This person will miss you a lot, and you’ll miss them too, especially due to the distance between you. You won’t quite understand why you’re apart, but it will feel like there’s something bigger at play.

This person still has a lot of growing up to do, which might be why you’re not together yet—they need to go through certain experiences to mature because the universe is taking care of this connection. Whatever it is, the universe will do everything possible to bring you and this person together.

Besides this person, you might also receive romantic interest from others, such as someone in your workplace who finds you charming. They may try to win you over with gifts, attempting to capture your heart in various ways.

[siggiedraws]

Sonic is fundamentally unrelatable and unrealistic - and that's a good thing

I want to address a common sentiment in the fandom that I've seen countless times over the years - the idea that Sonic should be more humanlike. Specifically, the idea that Sonic should have more human traits, such as anxiety or insecurities, that make him emotionally vulnerable in some way.

I have always felt that this sentiment strips away what I love about Sonic so much—that it goes against his character as someone who is meant to be inspirational rather than relatable. From the bottom of my heart, I truly believe that making Sonic more relatable ruins his appeal and misses the entire point of what role he is meant to fulfill. Sonic being the way he is, an inhuman being that is extremely strong and unyielding mentally and emotionally, makes him an inspirational character that is appealing outside of the realm of relatability.

Please note that I am discussing Game Sonic for this essay, not any versions of Sonic from spinoff media.

(Special thanks to @blurredblu for helping me write this essay!)

Relatability =/= likeability

First, it is important to define "relatability" for the rest of the essay, as what is seen as relatable can vary across countless different cultures and lifestyles.

In this case, we are discussing facets of the human psyche. Traits such as emotional vulnerability, insecurity, or trauma are traits seen as humanlike because they imitate the depth of the human mind. They come across more realistic, and thus relatable to people in real life who have generally gone through emotional hardships.

Relatability is also considered with the implied audience in mind, according to Craft in the Real World by Matthew Salesses.

If relatability were somehow a goal of craft, then the question should be: How can a writer go about trying to make a piece of fiction relatable? If we mean “relatable” as sharing a reader’s experience, the first place to go is audience. We must always ask: Relatable to whom? Which brings us back to the elephant in the room—to call a manuscript “relatable” is really to make a claim about who the audience is or should be.

When writing relatability in fiction, what is important to recognize is who the target audience is. Sonic is a character that was initially created to appeal to a wide target audience, not only meant for young boys but for girls, women, and an older age range in general. When it comes to marketability however, Sonic is almost always advertised towards children, and this demographic is the most pertinent when we look at versions of Sonic written with relatability as a goal. With this idea of the target audience in mind, a character who is portrayed as young and having a childish temperament would be more relatable. The Paramount Sonic movies are a great example of a version of Sonic explicitly written to be relatable to the target demographic on a broad level, heavily influenced by the culture that the movies derive from: specifically a middle-class, suburban, small-town vision of American life. Sonic is portrayed as dependent, inexperienced, and abiding by a nuclear family structure who idolises many elements of American popular culture, such as Keanu Reeves or Marvel/DC superhero comics. Compare this to the games, where Sonic is shown to be self-supporting, wise, and living life as an unfettered vagabond, all without a trace of any pop culture utterances.

In other words, Sonic was created to be the height of unrelatability to his target audience.

It is not lost on me that the prevalent desire for Sonic to behave realistically ties into the idea that the goal of crafting a good character is to emulate realistic human characteristics. A character's relatability is what allows audiences to connect with the character, which is considered unequivocally a good thing.

What is forgotten in this rudimentary line of thinking is that characters in media need to fulfill a role. Characters are not people like you or me, but fictional creations made to serve a particular purpose. There needs to be thought put into what narrative role the character fulfills and why they are portrayed a certain way to the audience. Hence, there must be a reason for the relatability, instead of employing it haphazardly.

To quote Craft in the Real World once more:

"readers’ expectations for fiction are created by their previous experiences with fiction—in other words, by culture."

The desire for Sonic to be relatable can be attributed to people recognizing pervasive tropes present in their previous experiences with fiction, internalizing these commonalities as the correct way to write good stories, and assigning these to Sonic as a result. While I can understand the logic behind this thinking, it is crucial we don't limit our appraisal of media by saying a protagonist ought to abide by a certain limitation, when it's the breaking of rules, however rigid they are, that allow for different methods of storytelling. Sonic breaks the so-called rule that a protagonist must be relatable, and it's this unrelatability that enhances and strengthens the narrative in many Sonic games. In other words, writing Sonic in a relatable way can be a way to write him; that does not mean it is the only or correct way to do so.

We should bear in mind that there are usually financial incentives to cast characters as mentally or emotionally relatable to audiences. To create a protagonist that appeals to all audiences to maximize revenue, the solution is typically to make them broadly relatable. While this can be a successful formula, it is important to not apply it to media indiscriminately. If a myriad of works all prioritise having characters be relatable over what makes them unique, you may end up sacrificing creative integrity for the sake of following a trend. In Sonic's case, you would lose the inimitable appeal that makes him stand out. While relatability can be valuable in certain contexts, it should not dominate all other considerations of writing a character, especially when it is done for the purposes of profitability as opposed to earnestly conveying a character to, ultimately, tell a story.

What makes Sonic stand out

What, then, makes Sonic stand out as a character? His inhuman mental fortitude. In a wide and varied cast of characters such as the Sonic cast, each with their own unique emotional struggles, Sonic stands out as the sole character with no struggle. He has no weak point, no Achilles' heel. Though he is weak to water, that is only a physical weakness. Mentally, he is too strong for anything to affect him long-term.

As stated before, characters are designed to serve specific creative purposes. In Sonic's case, his striking mental resilience is to highlight other messages and characters in the story. This is because Sonic usually plays the guiding or support role in his stories. He is not the sole focus. There is always at least a second character that the story focuses on to highlight that character's problems and struggles, and how that character ends up overcoming that conflict, often with Sonic's help.

With all this in mind, would Sonic stories be improved if Sonic was, instead, a human-like character with human flaws and insecurities? Or would this muddy his core concept and require all Sonic stories to be changed unrecognizably to fit this new, different character?

Sonic has no backstory - and that's a good thing

Understand that this section is not an attack on backstories in general. For the most part, backstories provide insight into a character's motivations and personality. They are effective in accomplishing what they were meant to do - creating characters that are meant to be realistic.

Sonic is not meant to be realistic.

Yuji Naka once stated the reason behind Sonic's lack of a backstory in an interview: if you uncover all the mysteries, then the character will become uninteresting.

Very little information of Sonic's backstory has been revealed. We know that he is from Christmas Island (same interview link as above) and it is implied in the Sonic 1 manual that he and Eggman already know each other and have been regularly tussling before the events of the first game. These are vague and unspecific details that are not brought up in Sonic games at all, and for good reason.

Distance is required to portray a character who you are meant to be separate from rather than analogous to. Maintaining a certain level of mystery around Sonic creates intrigue, as a question is begged but never answered or even brought up in Sonic stories. This is because Sonic's backstory has no relevance on the narrative and delving into it is not necessary.

Sonic's motivations are simple and straightforward. He likes to run and go on adventures because it's fun. He likes to help people not out of some heroic obligation but because he wants to do what he feels is right. There is no need for a backstory to explain Sonic's motivations when they are plainly presented to you in such an uncomplicated manner, and what's on the face of it is just wholly what it is.

Sonic is also a character that remains static rather than having a major character arc. While he can grow when it comes to things that don't affect his overall character, such as Sonic learning and overcoming Shadow's Chaos Control technique in Sonic Adventure 2, he has no emotional conflict to overcome. He has been a fully realized character since the beginning of the franchise.

Compare this to a character like Tails, whose character arc is about him being bullied for his two tails in the past and being inspired by Sonic to be more confident in himself, as communicated in the Sonic 2 manual and his Sonic Adventure campaign. Divulging Tails' backstory is necessary for the improvement of Tails' circumstances and confidence levels to be effectively communicated in the story.

Fictional characters are narrative devices created to tell a story. They are not real. Again, there must be narrative reasons for them to be the way they are.

Providing Sonic's backstory would serve no narrative purpose—none that would serve the themes his stories and character are meant to serve, at any rate.

Sonic has no trauma - and that's a good thing

Upon analyzing Sonic's character in the games for so long, it has become astoundingly clear to me that Sonic does not have an ounce of mental trauma from everything he has been through. This should not be seen as a bad thing, but rather a well-thought-out and deliberate decision that serves to reinforce the role his character serves.

In the face of situations that would be considered stressful or traumatic to the average person, Sonic remains unfazed and even excited. There are countless examples of this: Sonic jumping from a plane with nothing but shrapnel to use as a surfboard in Sonic Adventure 2; Sonic expressing excitement that he's near an active volcano spewing lava in '06; Sonic exuberantly grinding over pits of lava in Black Knight; Sonic burning up with excitement at the prospect of dangerous stakes in Team Sonic Racing while everyone else seems to be concerned.

For Sonic, danger and near-death experiences are not a source of emotional struggle, but rather a source of fulfilment and joy. He lives life on the edge; the excitement of diving off of a plane or nearly falling into lava only fuels his love for life.

Additionally, Sonic also enjoys the simpler pleasures of life. Exploring the world. Reading books. Going on relaxing vacations. Racing through open fields. Life is one big adventure and Sonic is having a blast living it.

The idea of Sonic having some kind of secret, hidden trauma that he hides under the guise of a fake smile can be a fun fanon trope, but, for the purposes of canon and official Sonic stories, there are clear reasons why they should stay as fanon. If Sonic had trauma, it would undermine his unrelatability and make no sense given his role in his stories. Tropes such as Hurt/Comfort and Angst are ubiquitous when it comes to fandom culture, and this could be a case of those tropes appearing in the Sonic fandom simply due to the nature of fandom itself. Enjoying fanon in and of itself is all well and good, but advocating for it in canon will homogenize it by stripping away what is unique about the media we love.

In the end, there is no reason to believe that Sonic pretends or does not behave genuinely when it comes to expressing his true emotions. Sonic simply has nothing dark inside of his heart to hide. This is confirmed in Unleashed, where Sonic's heart is strong enough to resist the negative emotional forces of Dark Gaia without him even realizing. The subconscious nature of the action combined with his humility even leads him to initially think it to be Chip's doing. His heart is so strong and so pure that it is incorruptible by negative forces. This shows how Sonic's resolve is effortless and practically baked into who he is.

Sonic's internal strength is completely unconscious on Sonic's part. He doesn't actively try to be the way he is. He just is.

Sonic doesn't cry - you get the idea

It has become a hot topic in the fanbase in recent years that Sega once provided a revision note for Sonic to not express excessive emotion such as outwardly crying or sobbing.

This idea has generally been met with hostility and aversion from fans. However, this negative reaction has always confused me, and I hope to offer a different perspective to the issue.

Why does Sonic need to cry?

Let's expand on this argument for fairness' sake. A common rebuttal grants that Sonic doesn't usually cry. But in extremely emotionally difficult situations, such as loss or mourning, Sonic should cry because it is only natural to cry in such a situation.

Again, I want to challenge this notion. We could approach it from the angle of human psychology and behaviour—it is far from the case that everyone cries in response to severe adversity, belatedly or otherwise—but instead I want to explore this with respect to the narrative angle we have covered so far. Specifically, with respect to the idea that characters, unlike you or me, are designed and portrayed with certain purposes in mind.

Why would it be natural for Sonic to cry?

To help understand Sonic's handling of loss, let's analyze four examples from the series of Sonic losing someone.

In Sonic Adventure 2, Sonic stays strong and composed right after Shadow's presumed death, paying respect to his fallen ally.

In Sonic Unleashed, after Chip leaves him, Sonic takes a deep breath before moving forward with a smile on his face.

In Sonic Battle, Sonic is desperate for Emerl to live and expresses this openly.

In Sonic '06, Sonic expresses a great amount of despair when Elise dies in an explosion aboard the Egg Carrier.

It is clear from the outset that Sonic is not an uncaring individual - he wouldn't do all the selfless things he does if not because he didn't care about people. He also still feels strong emotion at losing those close to him, but he handles those emotions with a great deal of fortitude. In Adventure 2 and Unleashed, his reaction is more subdued, while in Battle and '06, it's clear that Sonic is upset and isn't afraid to show it. The difference could be due to that in the prior examples, Sonic watched them die in front of his eyes, while in the latter examples, they were already gone by the time we see Sonic's reaction.

Nevertheless, Sonic feels emotion. It is only because he does not express himself in an adequately typical way that this idea is met with so much outrage and pushback. Because Sonic does not cry, and because an expected response in certain scenarios would be to cry, it is perceived as a writing mistake that must be fixed. Sonic is perceived as a bad character because he does not fit into a rigid box of socially acceptable expressiveness.

But why is Sonic acting outside the norm necessarily a bad thing? The fact that Sonic can go through such hard situations and remain positive is a testament to his strength. The fact he doesn't cry makes him come across as superhuman when it comes to mental fortitude. That is not a mistake of his character that needs "fixing." That is the entire point.

The animosity towards the idea of Sonic not crying, that he must express himself a specific way, a distinctly normal and humanlike way, is stirred from the irrational, yet sadly common, leap in logic that Sonic must behave and experience life like you or me.

There is an irony, too, to how localised this demand of realism is of Sonic. I've seen no outrage demanding that he spill blood or break bones like us. But, apparently, he must shed tears to be a good character. Sonic is superhumanly resilient while running, or fighting, or taking on the miraculous powers of the Chaos Emeralds. Chaos is power and power is enriched by the heart. Sonic's is shown to be one of the strongest and purest out there, one that moves ever on from and through the pain of loss, grief, and tragedy. Isn't it bizarre, then, that this is considered a defect to him?

The messaging of Sonic

Sonic's core concept as an inspirational character must be maintained because it is key to the emotional messaging of nearly every single Sonic game.

Right from the very first game, you play as a plucky little hedgehog, fighting against the tyranny of Eggman's industrialization threatening to destroy all life on the planet.

Sonic is small and unassuming. But he fights anyways, determined to stop Eggman. And he does.

This concept remains throughout the franchise. Sonic always remains steadfast in the face of great adversity. From Sonic CD's "You Can Do Anything" vocal theme telling the player to believe in themselves to simple yet motivational phrases—ones that Sonic himself has given to the likes of more normal characters such as Elise: "If you have time to worry, then run!"

There is even a quote on the Japanese box art of Sonic & Knuckles comparing Sonic to the Sun, the far and unreachable star in space that our entire galaxy revolves around.

We look up at the Sun like how we look up to Sonic.

As brought up earlier, Sonic is the antithesis of relatability to his target audience, children.

This is because he is meant to inspire children.

The fact that Sonic remains so popular and successful to this day is undeniable proof that relatability is far from a necessary ingredient for likeable characters. Given the fact that Sonic is such a strong-willed character, that he fights endlessly against adversity with a smile on his face, that he always gives positive words of encouragement, is it any wonder why he is so popular with children? Sonic is a wonderful role model that promotes living life to the fullest. Sonic is deceptively wise, seeming to know simple yet effective solutions to every problem. Sonic encourages you to chase your dreams, to stay strong through hard times, to enjoy life.

Sonic is a friend who is always there for you.

Not only does Sonic provide guidance to characters, he provides guidance in the real world as we navigate our lives and the trials and tribulations that come with them. Each character that presents a problem is the character we are meant to connect with, and Sonic is who we strive to be.

CONCLUSION

I do not hold any grudge against relatable characters. I love them, just as I love all kinds of different characters in all kinds of media.

I believe that coexistence is possible. I believe that you can praise a character for their relatability and realism, just as you can praise a character for being the antithesis of both of those things, and these do not have to be contradicting principles for one to have. It all depends on a character's narrative function and how their character traits – both relatable and unrelatable – serve the story that is being told.

Sonic the Hedgehog is a character whose role in the narrative is to inspire and guide other characters. From a Doylist perspective, he represents the prominent, all-embracing messaging about staying strong and positive despite all odds, inspiring and guiding his target audience.

Every decision put into Sonic's character traits serve his role perfectly. Of course this extraordinary character does not behave like you or I do. Why would he? That's simply not his nature; a gust of wind in the breeze, moving endlessly all throughout the world. A pure and positive heart who has achieved the innate desire of all humankind in a way that we will never truly understand, free from the burdens of human nature. Freedom.

Sonic is unrelatable and unrealistic. And he is an amazing character.

[queen-anarchy-666]

Okay so apparently kids these days don't know how to be safe online because their parents are fucking stupid and don't know anything about the internet!!!

So I'm gonna tell you teenagers how to be safe and not get abused because there is no shortage of predators on the internet. I'm gonna go from super basic things you can do to keep yourself safe to more specific instances where a predator may be trying to groom you that you can recognize. Remember though; if you are abused or have been abused it is not your fault. You deserve protection and you deserve respect as a minor, regardless of how you spend your time on the internet. Victim blaming helps nobody but predators, but there are ways you can protect yourself, even though you shouldn't always have to.

Basic tips:

DO NOT SHARE YOUR REAL NAME

DO NOT SHARE YOUR AGE

DO NOT SHARE WHERE YOU LIVE

DO NOT SHARE PHOTOS OR VIDEOS OF YOURSELF

DO NOT SHARE PHOTOS OF YOUR HOUSE

IT IS OKAY TO BLOCK WHOEVER YOU WANT, WHENEVER YOU WANT, REGARDLESS OF THE REASON.

Don't sacrifice your safety, comfort, or peace of mind just for someone else's feelings! Especially a stranger! Also, if you think something is off, it probably is. You need to trust your gut. SPEAK UP! Tell a trusted friend, sibling, or adult! I'm sure you've heard the phrase "silence is violence" -- this phrase goes for abuse as well! Unsafe people want you to stay quiet so they can continue to harm you or others. It is not inherently problematic to have friends who are adults, in fact it is healthy and helpful to have friends who are older than you, however we live in a world where you cannot trust many adults, so you need to be cautious of adults you encounter at all times, including ones you know well or are well known by others. It is also not inherently problematic to be asked many of the questions above, but it is important to ask yourself whether or not you want to give that information to the person asking. If not, simply tell them that you do not give out that information and redirect the conversation, or block if you feel uncomfortable.

MOST IMPORTANTLY, DO NOT INSERT YOURSELF INTO ADULT SPACES.

I know it is tempting, especially with the way hormones effect judgement and your emotions, and we all want to be included, but inserting yourself into spaces you know you should not be by lying about your age is incredibly unsafe and leads to horrible situations that aren't always easy to get out of. This includes adult fandom spaces, websites, searching adult topics, NSFW blogs or accounts, and even group chats. Even if your friends invite you to these spaces, it does not mean you should neglect your safety to be accepted. It's okay and encouraged to say no. You will thank yourself when you get older!

More Specific Tips:

YOU SHOULDN'T PUT YOUR MENTAL ILLNESSES OR DEVELOPMENTAL DISABILITIES IN YOUR BIOS ON YOUR ACCOUNTS.

Awareness and solidarity for mental illness and disabilities is very important, however predators are more likely to go after people who may have a more difficult time discerning what is normal and what is not in social situations, especially when speaking to an authority figure like an adult. Do not make yourself a target by listing the ways you struggle with social cues, understanding rules and safety, or communication. It is okay to seek solidarity, but there are predators seeking out disabled and mentally ill youths to abuse.

DO NOT OFFER INFORMATION ABOUT YOUR SCHOOL ON THE INTERNET.

It is dangerous to release information about your whereabouts in any capacity on the internet, especially your school where you are doubly putting your peers and classmates in danger as well. If you come into contact or into the orbit of a predator that is bent on finding you or meeting you, your school is a public place where one may feel brazen enough to pretend they know you. Even if other kids are doing it by posting fight videos or even innocent videos, doesn't mean you should.

JUST BECAUSE SOMEONE INSISTS THEY'RE A SAFE PERSON DOES NOT MEAN THAT THEY ARE.

People lie on the internet all the time, including in some really bizarre and meaningless ways, but there will always be people who lie to get closer to someone to make them a victim. Just because someone tells you they are against abuse or even if they advocate against it does not mean that they themselves are a safe person. Predators will do anything they can to get you to trust them, and while predators are usually very pushy and want things to go quickly, some will take their time to groom you.

!!!!BIG RED FLAGS!!!!

IF YOU SEE ANY OF THIS BEHAVIOR, RUN! BLOCK AND REPORT PEOPLE WHO DO THESE THINGS FOR YOUR SAFETY! IT'S NEVER WORTH STICKING AROUND THESE KINDS OF PEOPLE!

THEY CONTINUALLY SEND YOU SEXUALLY EXPLICIT MATERIAL, INCLUDING FANART, FANFIC, AND VIDEOS.

THEY TELL YOU AGE IS JUST A NUMBER, OR LOVE HAS NO AGE.

THEY EXPRESS THE OPINION THAT MINORS CAN CONSENT TO SEXUAL ACTIVITY.

THEY CONSTANTLY MAKE "JOKES" ABOUT MINORS IN A SEXUAL WAY OR ABOUT BEING ATTRACTED TO MINORS.

THEY EMPHASIZE THE IMPORTANCE OF BEING "LEGAL" AT THE AGE OF 18 OR FIXATE ON AGE OF CONSENT LAWS.

THEY GET ANGRY AT YOU FOR SETTING A BOUNDARY OR IF YOU MENTION TELLING YOUR PARENTS.

THEY ENJOY "LOLI" OR "SHOTA" MATERIAL OR ENTHUSE ABOUT THOSE TYPES OF CHARACTERS.

THEY CALL YOU PET NAMES THAT YOU AREN'T COMFORTABLE WITH, EVEN WHEN YOU TELL THEM NOT TO.

THEY ASK YOU HIGHLY PERSONAL QUESTIONS ABOUT SEXUAL ACTIVITY, YOUR PERIODS, OR MASTURBATION.

THEY TELL YOU THAT YOU'RE MATURE FOR YOUR AGE, OR THAT YOU'RE NOT LIKE OTHER KIDS BECAUSE YOU'RE MORE ADULT THAN THEY ARE.

THEY ASK YOU TO SEND PHOTOS OR VIDEOS OF YOURSELF DOING SEXUALLY CHARGED THINGS, WHICH INCLUDES DANCING OR STRIPPING, OR SPECIFIC PARTS OF YOUR BODY.

THEY KEEP STEERING THE CONVERSATION IN A SEXUAL DIRECTION. THIS INCLUDES ROLEPLAY!

NONE OF THIS BEHAVIOR IS NORMAL. IT IS NOT NORMAL FOR AN ADULT TO ASK HIGHLY PERVASIVE QUESTIONS OR TO BECOME PUSHY OR ANGRY IF YOU EXPRESS DISCOMFORT. BLOCK AND REPORT THESE TYPE OF PEOPLE, THEY EXHIBIT BEHAVIOR CONSISTENT WITH SEXUAL ABUSE PATTERNS.

Adults and Minors alike please feel free to reblog. It is imperative that young people who don't know these things learn them, because the only thing a predator hates more than a jail cell is a minor who cannot be abused.

[raven-at-the-writing-desk]

/ book 7 spoilers

*politely grabs you by your shoulders* UEUEUEUJQKXNkxnsnnanzndnsmsmfmdmsmdm

hello... sorry... Leona rant... the guys theorizing that Kifaji stops Leona in his dream bc deeply he'd wish for someone to stop him... i think im going to cry. i wonder if him being such a bad king in his dream has to do with his own feelings- meaning he doesn't believe he'd be a good king? Idia explained that maybe Leona purposefully chose his dream to play out in a more realistic way, which would mean having consequences and such... even if it would be painful, he still went with it...

I think you had a post about this iirc, but this rlly pushes me to further believe that what Leona craves is valid recognition— people recognizing him for who he is and what he does, not idolizing him, just valuing him genuinely. I think there in reality he craves more that than the "king" title specifically— that's why the scene where Jack says that "he's not your (the shadows) king, he's our DORM LEADER" felt so special to me, bc Jack is doing exactly that. he's valuing him for being his dorm leader, a title Leona earned for himself. I think that ultimately that'd be more valuable for him than the king title itself, since one "is born" to fulfill that goal (and the whole reason he isn't king is because he was born second, again, things out of his control—) I think that's why this dream Leona isn't satisfied w having become king, bc at the end of the day he only got there bc Falena/Cheka died here. Some people theorize he pulled Scar tactics in the dream, but regardless of that, I don't think the "nature" of the position itself would satisfy his need to be seen, to be genuinely valued. BC WHAT HE CRAVES IS NOT *JUST* TO BE KING, IT'S TO BE RESPECTED FOR THE THINGS HE ACCOMPLISHED... also more proof that if he wants to help out in his country he needs to do it alongside Falena's ideals, bc apparently the only good thing his reign brought in his dream was... no more inflation 😭😭😭 which is good (guy who lives somewhere with too much inflation), but I mean... I think I'd prefer still having nature 😭😭😭

ALSO... and the way he SACRIFICES HIMSELF for Ruggie... AND THROWS HIMSELF TO THE DARKNESS... also his confrontation w his overblot feels much more... depressing? than the others'? ☹️ And and and... The line about him deciding the place he'll live in... ☹️☹️☹️☹️☹️☹️ I'm in tears. Pls help.

and at the end he DID know he was dreaming, and he also suspected it before being 100% sure. so I guess our prediction was kind of right 😭

also UHM. THE OUTFIT??? AHHH URNWKDNFKSNSKSKKDKjfjwnnzdn sorry it's. the least important thing of what I wanted to say but he lOOKS SO PERFECT AHHH

[My full thoughts on the book 7 part 11 Leona update here!]

*is grabbed out of nowhere* 🧍‍♂️

NO BECAUSE I WAS THINKING THE EXACT SAME THING... dream!Kifaji is the only NPC/darkness in the dreams that didn't aggro and attack us 😭 In fact, he actively protects us and begs Leona to "wake up", continuously acting as the voice of reason the entire time... AND THEN SMILING AT THE END AND PRAISING "HIS KING" WHEN LEONA FINALLY FULLY WAKES UP... I feel like that definitely is not a happy coincidence. Deep down... some part of Leona's subconscious might have realized something was wrong, and maybe that manifested as Kifaji, the one person in his memories that could stand up to him. Not just because Kifaji is a stubborn old guy (although he is), not because he seems to be a competent mage, but because he must have been Leona's one and only friend and guardian growing up in the palace where the servants always shit talked him and compared him to his older brother. He raised Leona. He played with Leona. He encouraged Leona when his prince didn't believe in himself. He tried so hard to keep Leona from straying. He sees the goodness in Leona. He knows how intelligent Leona can be and how this can save their country. It makes total sense that Kifaji would be the form Leona's conscience assumes.

I feel like dream!Kifaji could also represent... that last shred of hope that Leona has for himself 💀 As late as book 6 of the main story, Leona states that Jamil isn't like him, hinting that while he believes Jamil has the capacity to change and be a better person, he doesn't have that same faith for himself. AND MAN, THAT SHIT WAS HEARTBREAKING OTL Then, entering his dream in book 7, we see just how deep that despair truly runs. Malleus promised everyone happy dreams, didn't he? And Leona has theoretically been given everything he has supposedly ever wanted. The crown, his kingdom, the power to enact all of the policies and laws he believes would benefit his people, wealth for his country, etc. But that has bled the country of its resources, made the people resent him--and he's still left bitter and unfulfilled, alone in the palace. This isn't what happiness truly looks like, but it sadly might be what Leona believes Sunset Savanna is destined for if he's left in charge of it. (Idia likens the dream to a sandbox game, and Leona, being the owner of it, decided to play it "realistically".) He can only become king if the rest of his family dies or goes missing. (This is even more morbid if you believe the headcanon that Leona committed fratricide and murdered/convinced Cheka to run away.) He'll achieve his goals, but at the cost of isolating himself and making himself a pariah. He and his people will starve to death. Everything he touches will crumble into sand. That's all he and his unique magic are good for, anyway. Destroying things, never creating or building them. AND HE STILL CONTINUES TO EXIST IN THIS WASTELAND, ACTING LIKE HE'S IN THE RIGHT AND LIVING IN DENIAL THAT ANY OF THIS IS HIS FAULT... while Kifaji, his conscience, his hope, is right there trying to get him to see reason.

Leona's dream was such a shock to see right after Jack and Ruggie's. The contrast between how he views himself and his rule vs how his dorm members see him and his rule is like NIGHT AND DAY. You got Jack here thinking of Leona as an upstanding and honorable dorm leader and team captain and Ruggie who dreams of a Leona who graduates and betters the lives of the entire country and the less fortunate by building schools and establishing magift/spelldrive clubs (which enhance Sunset Savanna's soft power). Then you have... whatever hellscape Leona has conjured up 😭 It's so sad that Leona pictured RUGGIE as being one of his most devoted haters too. Yeah, Ruggie sometimes complains about Leona running him ragged and how rich people have it easy compared to him, but Ruggie has never expressed this level of vitriol towards Leona before... yet in his own darn dream, Leona believes Ruggie would HATE him and try to overthrow him when that couldn’t be further from the truth. In Ruggie’s dream, he hasn’t even MET Leona before but still looks up to him for what he has accomplished and done to help the poor and the downtrodded 😭

I have mentioned before that I don't believe Leona needs to become an actual king in order to be happy (that post here!), and I think this most recent update proved my point. Jack points it out to us (in case we didn't already put together) that Leona is still miserable in spite of being gifted the crown and kingdom. Leona is still not satisfied. Even if he becomes king, he won't be satisfied. Even if he obtains everything he wants, he won't feel fulfilled. Never, ever, ever. AND THAT MAKES SENSE, because what Leona REALLY wanted all along wasn't the crown but the acknowledgement of his skills and talents... "proof" of his worth as an individual. I feel like the word "king" is thrown around a lot in regards to Leona, both in fandom and within his own dorm (Ruggie, Jack, etc. refer to him as their "king" quite often). However, it's not "king" that holds weight to Leona... it's everything that comes associated with the title. Respect, validation, love. These are all the things Leona got so little of as a child, which is why he fixates on them now. He has even expressed that he doesn't value the title of king if you didn't earn that title to begin with, which just goes to show that he wants to be able to prove himself and be seen for it. AND THE SAVANACLAW STUDENTS DO, AAAAAAAHHHAAHAHHHHHHHHHHHHhHhhhHhhhhh OTL JUST LIKE JACK SAID, HE'S THEIR DORM LEADER...

As dark as Leona's dream was, I appreciate it a lot for its realistic depiction of... Leona's worse tendencies... along with a potential future under his command. I often see people claiming that Leona would be a far better ruler for Sunset Savanna than Falena is. And to that, well... I'd say look at Leona's dream and some of the points brought up in it. I don't think his rule would be as terrible as what we see in the dream, HOWEVER. The dream mentions many shortcomings of Leona as a ruler, such as disregarding traditions and refusing to listen to advisors and input from the people. This would naturally make him unpopular with the country he serves, and it certainly doesn't help that he is not amicable either. These are only a few points I brought up in my extensive post comparing Leona and Falena's ruling styles, which I would highly recommend reading. I want to stress that I am in no way saying Leona would be a bad ruler. I believe that he and Falena compensate for each other's weaknesses. This is why I feel that the best solution isn't a blanket "X brother would be better than Y brother!", but rather that they should work as a team and make the best use of each other's strengths.

adfaiifvifiaef efoubfia LEONA SACRIFICING HIMSELF FOR RUGGIE I PRETTY MUCH SAW COMING 😭 Bro had to do something to make up for almost sanding him in book 2...

I really glossed over Leona's big confrontation with his Phantom in my initial reaction post, so I'd like to take the time to comment more on it here. A lot of what Leona tells his Phantom I felt was also the kind of advice he gave Jamil in book 6 (which only further reinforces the idea that he had hope for Jamil but not for himself). He dislikes people who complain about their situation but do nothing to change the circumstances... ALL TRUE OF BOTH HIM AND JAMIL. I think what makes Leona’s confrontation so different from the others we’ve seen so far is that while the others are more triumphant/telling the Phantoms how they’ve grown… Leona’s is sort of resigned? Like he still sees his negative traits (his pride, his underhandedness, etc.) and talks about how he has changed as a person but he also admits that this is his fault, that this bitterness and desire to be king will always remain will him. That’s fine—because Leona tells that darkness within himself that he’ll accept it too. (Jack does the same; his senpai are pretty awful but he chooses to accept them as they are.) I really loved that Leona swore to himself he’ll find his own throne and country… “Someday, for sure…!” It feels so hopeful after all that depressing stuff 😢 Reclaiming bis autonomy… Weh…………

asdbihabidbasdsa I still wish they had done a little more with Leona “knowing” it was a dream... Maybe making that "Kifaji is that part of Leona" more obvious or clearly stated because I feel like it could sail over people's heads? It might have also been interesting to see the blot try to suppress him like he's a feral beast that has to be kept under control 😔

DB SDABILASFIADFIAF tHAT DFUCKIBG SJHFBLADAD KING!L*ONa OUTFIT OTL TRHIS SI WHAT A MAN IN A SUIT IWiTH A HLAF CAPE THING AND SLICKED BACK HAIR DOES TO MEDFSKNLABIDBFIABIPEAFFQEIPYIBEUOF8TQEVOpfSBPsnjg 26871t9mg9qepgpeqomp9qvda bipivpada iegi THE EyE LOOK TOO ASDBLABSDSFIAFDI IT'S SCO CUn T Y AKJFHLBADGLBIHAGEIHGABIADGILBHWHICH IS REALLY WEIR FOR ME TO SAY ECUASE I USUALYL THINK THESE KINDS O EYE LOOKS ARE WAY TOO MUCH... . . ..... . . ........ . . .. . AnD TGE ExPOSED fOREHEADvv???!?!!!!!? HELLO ???!!!!!’mmcnNCCCVvV,cvvv???!!!!’nxhVahahshjwhzttTyqhwiau iTm anBEHGinG TO BE k!ssrd TOYcHEDF 🤢🤢🤢🤢🤢🤢🤢🤢

THIS RICH BITCH IS OVER HERE IN A FANCY SU i TS 4 GOLD NECKLACES AND 3 RINGS WHILE HIS PEOPLE STARVE??????? DAMN NO WONDER WHY THEY WANNA EAT TH E RICH.

Side note: a friend pointed out that Leona's coat is basically a reused Octavinelle dorm uniform asset and, after checking... yeah, it basically is 😭 NOT THAT THERE'S ANYHTING WRONG WIH THAT, I just find it ironic because (in my own pseudo-lore) it reads like him trying so hard to be like J word and get my attention 💀💀💀 I AM AFRAID HE ATE AND LEFT NOC RUBMSN....

[juicedaloe]

Mithrun and brain damage

I'm not sure if anyone is interested in this, but I wanted to make a post talking about why I think that Mithrun has brain damage from a traumatic brain injury instead of him being a representation of other neurological disorders or mental illness. I'm not that involved in the dunmesh fandom so I don't know how common this headcanon is, though I've seen a few people mention it here and there.

This is just my own opinion so if you disagree then that's fine. Some of this is just speculation and I can't say what Kui's intentions were. This post isn't meant to be that serious. I just wanted to talk about it and hopefully inform about how brain damage can affect some people in a way that I hope is interesting and relevant.

This will be kind of long because I like to talk so it will be under the cut. Apologies for the length and how much I ramble. Feel free to give input especially if I got anything wrong or if this is too confusing.

Okay let's go

Traumatic brain injury (TBI) is incredibly complex. The long-term effects of a TBI include a wide array of symptoms. Each injury is different, and some people can completely recover rather quickly while others can become permanently disabled, even for seemingly "minor" injuries. What I'll cover here isn't a definitive representation of the experiences of all those who have long-term effects from TBI, nor do I speak for everyone with brain damage.

Here are some long term symptoms relevant to this post:

Alexithymia (inability to process and name emotions)

Inability to process and name physical perceptions

Mood swings and emotional regulation difficulties

Communication difficulties

Social impairment

Apathy about caring for oneself

Lack of motivation

Alexithymia and inability to process physical perceptions

This one is rather obvious. While Mithrun is shown to feel emotions and have physical sensations (for instance, describing his location when he gets lost in the dungeon as "a cold place"), he is also apathetic to how this affects him. This means that his physical and emotional perceptions are reduced in some way. He says that becoming lord of the dungeon will leave someone "empty", showing he is aware of his dulled emotional state.

A good example of this is can be seen here in a bonus comic where he doesn't give much of a reaction to burning his mouth on hot food.

(I love these two a lot, by the way. Pattadol is really under appreciated.)

He is also not able to recognize bodily signals, such as hunger or when he is tired. Despite collapsing from exhaustion and not eating for long periods of time, he still insists he is not tired or hungry.

Mood swings

Mood swings in combination with alexithymia can be an especially disorientating experience. Those who struggle to perceive their own emotions can still feel them even if they don't know how to recognize it.

Individuals with brain injuries often experience drastic mood swings, particularly anger. To those around them, they can appear to go from 0 to 100 in an instant.

This is more speculation/headcanon on my part, as the strongest emotion Mithrun has for most of his appearances is anger. However one could interpret this as being unrelated as he is seeking revenge for a traumatic experience.

Communication difficulties and social impairment

Not only can naming personal experiences be incredibly difficult with a brain injury, but other areas of communication are often affected as well.

Mithrun is not able to set boundaries for himself even if someone is doing something he would not actually want them to do, which can leave him in a vulnerable position.

People with brain injuries can sometimes have a paradoxical experience when it comes to communicating with others. They can go from being very quiet to speaking at length about one topic, seemingly without regard for the importance of each bit of information. (I see it like Newton's first law of motion. It is hard to start speaking and it can be just as hard to stop.)

I really like this aspect of Mithrun's characterization. Usually, he is very quiet because he has no reason to speak. However, once he starts talking he is shown to be overly specific and goes on for long periods of time. Kabru has to spend multiple days figuring out his story.

In a side comic, Kabru tells Mithrun he should condense some of the personal details that Kabru finds irrelevant to the topic of the dungeon.

Mithrun shares many details about himself because his desire not to do so is gone. This mirrors the experience of many people who have brain damage to overshare and not understand how their words will come across to others. Sometimes they say or do things that are insensitive or inappropriate for the situation.

Caring for oneself and motivation

In the dungeon, Mithrun becomes reliant on others for self care. He also seems especially incapable of motivating himself to take care of his body when he is particularly focused on his goals.

In these panels, thus far he had been fairly receptive of Kabru trying to take care of him. However, he could sense that the demon was close and was too focused on that to care to eat.

Refusal of care and treatment is often an effect of traumatic brain injury. This can be for seemingly no reason, even if the person knows that this will help them. Sometimes people will lie about receiving treatment or doing things to take care of themselves, either so they can avoid it or avoid having someone take care of them.

He knows that eating regularly and not pushing himself too much will help him - he's been told multiple times on-screen - but he still has to be continuously told by others to give him that motivation to take care of himself. He's very apathetic to his physical state, even if it seems his only desire is for revenge and he should be doing anything he can to achieve that.

Other things of note

I wasn't sure where to put this, but while Mithrun's sense of direction is speculated by Kabru to be left over from his time as lord of an ever-changing, confusing dungeon, having poor sense of direction in the way he does could also be indicative of brain injury as well.

While the dungeon is confusing and illogical, he is known to have a poor sense of direction and to get frequently lost by those around him, even trying to exit an entrance he just came through. He is shown to be very intelligent, but memory is greatly impacted by brain injuries which affects a person's sense of direction and location.

Something that really stands out to me about Mithrun is how much the things that help him are particularly helpful to those with brain damage. He is physically capable of performing tasks, but he needs an outside source to remind him and get him started. He relies entirely on routine, and when that regularity is taken away he shows extreme difficulty taking care of himself.

Sometimes, the care that some people need is simply someone else to encourage them or to tell them when to do things. The care that he needs is pretty consistent with a person with a brain injury who does not need a full time caretaker and would prefer to have some independence.

Also, healing magic is specified to not work with brain injury unless the person is killed and revived. Mithrun had not been revived after his injuries, so it is entirely possible for him to have sustained a TBI. I don't think this matters that much because one is still allowed to have headcanons even if there is a magical explanation or isn't really possible in canon, but I thought it was an interesting detail.

In conclusion

Because of all this I don't believe that his lack of self care is due solely to mental illness. While mental illnesses like depression or PTSD can cause a decline in self care, the reasons why the affected individual is avoidant of these tasks differs. These disorders can also cause cognitive difficulties and emotional regulation issues, but not to the same extent or in the same way that brain damage would. I think that he does have both depression and PTSD (both are common after a TBI) but those are not his only disabilities.

And on a personal note, I just think that having a character with brain damage is really cool. Most of the time I've seen it the characters are not given very much respect and they are treated as comic relief and a joke. Regardless of whether you agree with this post or not, it is still nice to see a character with a disability like this.

Thank you if you read all of this. I hope it was easy to understand and I did not ramble too much. I don't have anything else to say but I've been wanting to write this out for a while.

Okay bye

[babyhatesreality]

Could you write something where there’s an emergency and stucky have to go help and reader is being so brave in the safe room? Or something else.. I trust you💗💗

Over a year later....I'm sorry for the delay. Please believe me it eats at me. Hope you're still around for this, and I love you <3

Take One Down

Pairing: Daddy!Stucky x Little!F!Reader, featuring big Peter

Warnings: DDLG (SSC), f! reader, reader is named but name scarcely used, language, pet names, attack on the Tower during the night, Bucky is armed, slight alcohol reference, angsty/scared baby, a few tears, safe room. Happy Ending- always :)

A/N- also Happy Birthday to me :D

YOU ARE RESPONSIBLE FOR YOUR OWN MEDIA CONSUMPTION. THIS STORY IS SFW- THE REST OF MY BLOG IS NOT NECESSARILY SO. MINORS DNI. I DO NOT CONSENT FOR MY WORK TO BE STOLEN, COPIED, OR TRANSLATED ONTO ANY OTHER SITE BUT MY OWN. Likes, comments and reblogs are deeply appreciated.

The first thing you became aware of was that Papa was breathing hard. And you were in his arms.

Then you realized you weren't in bed, and you were moving. Fast.

"Papa?" you whimpered sleepily, not being awake enough to understand what was happening.

"Shh, shh, it's okay baby, you're okay," Papa said instantly, pressing a quick kiss in your hair. Despite his soothing words, he didn't slow his pace at all.

You forced your heavy eyelids to open, and then almost immediately shut them again as the flashing red lights in the hallway were too bright. You were still in your pajamas, but you definitely weren't at home. Steve could feel that you were waking up and becoming more alert, but he couldn't stop. He had to get you to safety.

"Where's Daddy?" you asked, your voice trembling as you started to realize something was wrong. "Daddy okay?"

"Right here, Trouble," came Daddy's voice from farther away. You tried to twist in Papa's arms to see where Daddy was, but Papa's iron grip on you didn't leave much purchase.

"It's okay, princess, you're safe, but I need you to be a good girl and be quiet for us right now, okay?" Steve said, deliberately keeping his voice calm and low even through the exertion of running.

"'Kay," you said as quietly as you could, holding on to Papa tightly, shutting your eyes tightly, and trying to be brave. Steve kissed your hair again and kept running.

Within 30 seconds, you felt Steve stop. You opened your eyes and looked around. It took you a second, but you recognized this place. You'd been here before, back when you very first came to live with Steve and Bucky. You were in the panic room.

The reinforced steel walls were made slightly less intimidating by the giant sofa that could convert into a bed, the soft rug that nearly covered every inch of floor, and the overwhelming amount of toys and stuffed animals in baskets and boxes all around the edge of one wall. You hadn't been here in a while, but you could never forget this place.

Your eyes darted all around, trying to get some answers or understanding as to what happened, but before it came to you, Steve set you down carefully on your feet and took you gently by the shoulders. You heard Bucky shut and lock the door, but before you could turn to look Steve gently guided your face back towards his.

"Katie-Cat, I need you to listen to me, okay?" Steve said, looking you very seriously and directly in the eye. "Someone is in the Tower. Someone who's not supposed to be here. We don't know how they got in, but right now, we need to keep you safe so we can go get them out. Do you understand?"

"I- yes, Papa," you said shakily. You swallowed your nerves down and tried to be brave.

"Good girl," Steve said, as a fierce wave of protectiveness rushed through him. "Peter is on his way, and he's going to stay in here with you and keep you safe while Daddy and I go get the person out. Okay?"

"Petey coming?"

"Yes."

"He don't need to fight?"

"Right now, he needs to keep you safe, that's his most important job."

"But...who gonna keep him safe?"

"He's Big Peter right now, munchkin- he's going to be okay. Can you be a good girl and listen to what Peter says and do what he tells you to?"

"Um- yeah. Papa-" "Good girl. You remember the rules of the safe room?"

"Papa..."

"The rules, Katie-Cat."

"Don't leave the room unless you, Daddy, or Aunt Nat comes to get me, don't open the door for nobody, and....and be good."

"That's my girl," Steve said, his heart both proud and shattered that you had to know these things.

"Papa?" you tried again.

"Yes?"

"You gonna come back, right? You and Daddy?" you asked in a small voice. Steve pulled you into his chest immediately in the biggest bear hug.

"Yes, baby," he said, his voice thick with emotion. "Daddy and I will always come back for you. Always."

Just then, you felt another pair of arms wrap around you two. "Try and keep us away, Trouble," Daddy added in a light, joking tone, but even you could feel the tension underneath it. "Here, I brought you someone who can help you too." Bucky reached behind him and pulled Jellybean out of his back pocket, where he had unceremoniously stuffed her as he and Steve were racing to get you out of the apartment.

You gasped sharply, and pulled your beloved bunny in so tightly to your face that her little button nose left a slight imprint on your cheek. "Tank you Daddy," you said, trying hard not to cry. "AND tank you Papa for carryin' me," you added quickly, not wanting him to feel left out. Both men responded by hugging you tighter.

Just then, the panic room door clicked, announcing that someone else was coming in. Bucky immediately dropped his arms and spun so you and Steve were behind him, his gun appearing in his hand as if by magic. However, once he saw that it was Tony and Peter, he instantly lowered the gun and ran to bolt the door back behind them.

"Pete, you sure you're good?" Tony asked immediately the second the door was shut.

"I'm good Dad, I swear," Peter said. You looked at him wide-eyed- it had been a while since you had heard his big voice.

"Okay. Only if you're sure," Tony pressed.

"I'm sure. I wouldn't take a chance if I wasn't."

"Atta boy."

Tony turned towards the three of you to find Steve smiling at him. "That's good enough for me," Steve said kindly to Peter. "But if there's any trouble at all, and I mean anything, you radio us. Copy?"

"Copy," Peter nodded quickly. "I'll link with your comms now," he said, before pulling out the large, black case from underneath the sleeper bed sofa. He quickly opened the case and got to work on a radio comm.

You watched him carefully. He was so...different and serious when he was Big- not the silly, carefree bestie you immediately recognized- so it was always surprising to you when you saw it. Of course, YOUR definition of 'serious' was much, much different than Tony's or Steve's or Bucky's, but that didn't matter now, as you watched Peter's fingers fly over the machinery.

"Okay, we should be linked," he said into the comm. All three men immediately nodded, confirming that they could hear him in their earpieces. Steve and Bucky spun back to you.

"Do what Peter says. We'll be back as soon as we can," Daddy said gruffly, taking your face in his hands and pressing a long kiss to your forehead. "We love you so much. Be good, got it?"

"Got it," you said, trying to match his gruff tone to show him you could be serious too. That made the ghost of a smile cross his lips, and as Steve kissed you too, it stayed. Tony even came over, quickly, giving you what he hoped was a carefree grin.

"Alright, have fun, stay safe. Don't tap the keg unless you really need to," he said, tapping your nose and grinning when you looked confused and Steve tutted loudly. Bucky was the last one out the door, and before he left, he turned to Peter.

"You remember the code word?" he asked the young man brusquely. Peter nodded, but due to the door being opened, didn't say it. "Good job," Bucky said with that faint grin again, closing and locking the door behind him.

It was deathly silent in the room. You swallowed hard, gripping Jellybean tightly, almost afraid to move, even though you knew you were in the safest spot imaginable (outside of your daddies' arms). Peter immediately noticed your distress.

"Hey Katie, hey Little One," he said softly, holding out his arms to you. "You wanna come here?"

You nodded, then slowly walked towards him. You cautiously stepped into his arms. Once he folded them around you, you inhaled. His scent never changed, no matter if he was big or small, and you knew this was your Petey, no matter how he was feeling right now. You threw your arms around him and hugged him back tightly, and felt him give a soft chuckle. "It's okay, you're okay. I'm gonna keep you safe- you know that, right?"

You pulled back a bit, nodding. "Tank you, Petey. I mean...Peter."

Peter smiled. "Ah, that's okay. You can call me Petey right now if you want to."

"I can?"

"Sure you can."

"Otay Petey," you said, suddenly feeling a little better upon hearing that. "What's happenin' in da Tower?"

"What did Uncle Steve and Uncle Bucky tell you?" Peter asked carefully.

"Um, dat someone got in dat wasn't a'sposed to be in?"

"That's right. And they'll get 'em out, so you don't have to worry about them anymore, okay?"

"Um....okay," you said, wanting to trust Peter with your whole heart, but still uncertain due to the nature of the circumstance. Peter saw pretty quickly that he would need to distract you.

"Hey, you wanna sit on the couch and read some stories while we wait?" He trotted over to the box containing tons of books and started pawing through them. "You can pick out whichever stories you want. Okay?"

Curiosity peaked, you trotted over to look. You recognized The Gruffalo and Frozen, pointing at them. "I like those!" you said excitedly, and Peter snatched them up.

"Let's get to reading!" he said. "Race you to the couch!"

Since it was only a couple feet away, it wasn't much of a race, but it was still fun. It was always fun when you got to run. You both jumped onto the couch enthusiastically, and Peter opened up the first book and began to read. You inched closer and closer to him as he continued, eventually snuggling into his side, your thumb in your mouth and Jellybean in the crook of your arm.

He finished off Frozen in about ten minutes, then turned to you. "Alright, Katie, you ready for...THE GRUFFALO??" he said in a mock scary voice that made you laugh. But once you stopped laughing at his silliness, you had another question in mind.

"Petey, what's a keg?" you asked innocently.

Poor Peter nearly broke his neck doing a double take. "Wh-what?" he asked, not sure of what he heard. When he was in little space with you, your random questions and changes of subject made perfect sense to him, but when he was bigger it was hard to keep up sometimes.

"Unca Tony said don't tap da keg unless we needed to. What's a keg?"

"It's nothing....he was just being silly. Let's read."

"Is a weapon?"

"No...it's....hey, look, books. Let's read."

"But what IS it?"

"Ahhhh...it's....you know....it's...hey, you wanna sing a song?" Peter said, loudly and excitedly, hoping the non-sequitur would distract you.

It worked. "What kind of song?" you asked, intrigued.

"Umm..." Peter thought quickly, trying to get your mind off of what a keg was. He felt a flicker of compassion for Uncle Steve whenever his Dad did this to you, but mostly he was trying to come up with a song. "Hey, do you know Ninety Nine Bottles of...." he said suddenly, his brain both working and failing him miserably all at the same time.

"Bottles of what?" you asked, now completely invested. Peter broke out in a cold sweat. He couldn't teach you a song about beer, for goodness' sake.

"Did I say bottles? That was silly. I meant...boxes. Yeah, boxes!...of... juice! That was it! Ninety Nine boxes of juice on the wall! Do you know that song?" he improvised wildly. You tilted your head, trying to think, but then shook it.

"How's it go?"

Peter cleared his throat awkwardly. He wasn't much of a singer, but he knew he was going to have to give it a go if he had any hope of distracting you from asking about kegs. Uncle Steve and Uncle Bucky would rip his head off if he told you, and he knew that you were stubborn enough to keep asking. But man...he REALLY didn't want to sing and embarrass himself in front of you....

Just then, you both heard a loud crash coming from somewhere below. It was loud enough that it made you both jump, even though the room didn't even shudder. Peter watched as your face turned pale and you gripped your bunny tighter. You pinched your lips together and breathed slowly. He knew exactly what you were doing. You were trying to calm down and being as brave as you could be. His heart melted for you.

And he found his courage in that.

"So...the song," he said, rubbing his hands up and down your arms to regain your attention and hopefully calm you a bit. "It goes..." he coughed again, took a deep breath, and went for it. "Ninety nine boxes of juice on the wall....ninety nine boxes of juice....you take one down and pass it around...ninety eight boxes of juice on the wall!"

You blinked at him, wide-eyed, and waited for the rest. He looked back at you hopefully to see how this was going down.

"Short song," you said, tilting your head, confused. Peter rolled his eyes and chuckled.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A short time later, Steve and Bucky were finishing sweeping their own floor and apartment. "Clear," Steve said definitively into the comm. "Natasha, Tony, Thor, what's your status?"

When everyone came through confirming the all-clear, Fury came through the line. "Rogers, Barnes, Stark- go get 'em." It was all the permission they needed.

Steve got their first, but instead of punching the code in immediately, he stopped and stared at the door. "Steve?" Bucky asked in a tense voice, instantly on alert. To his immense surprise, Steve turned to him, a look of astonished humor on his face.

"Buck, listen," he whispered. Bucky strained his ears...and then couldn't believe what he was hearing. The room was sound proofed, but hey- they were super soldiers.

"Twenty-three boxes of juice on the wall, twenty-three boxes of juuuuuicceeeee...."

Bucky punched in the code. The second before he touched the keypad though, he heard Peter's voice cut off suddenly, and then within .5 seconds, your voice cut off too. The button panel lit up green and the door unbolted. Bucky threw the door open, Steve right behind him.

Peter was standing in the middle of the room, his suit in the last phase of forming around him, in his classic Spiderman pose. Bucky raised his hands immediately.

"Password?" Peter asked firmly.

"Trouble," Bucky replied immediately. Peter instantly relaxed and stood up straight, his suit disappearing, knowing for sure this was Bucky. "Good job Peter," Bucky said gratefully, even as he and Steve were rushing to the secret panel they knew you were hiding in. The second they slid the door back, you threw yourself into their waiting arms.

Bucky held you so tight you could feel his every breath, and Steve kept kissing your hair and murmuring what a good girl you were. Eventually, you looked over and saw Tony and Peter in an embrace as well, Tony clapping his young charge on the back proudly.

"Are you okay, angel?" Steve asked you, his eyes lovingly scanning your face. You nodded happily.

"Yeah, Papa! We good! Did you get the bad guys?"

"We sure did."

"YAY!! Who was dey? How did dey get in? What did-"

"Okay, angel, that's too many questions for a little girl right now," Steve said gently, nuzzling your nose with his. "We're safe and it's time to go home. Can we go say goodbye and thank you to Peter?"

You nodded again, suddenly very sleepy from all the receding adrenaline. Bucky carried you over to Tony and Peter.

"She was so good and brave, Dad," Peter was saying enthusiastically to Tony. "She picked out books and sang and we jumped on the couch and everything!"

"You did so good, buddy, I couldn't be more proud of you," Tony said, his seams bursting. He grinned at you as you approached. "Hey, thanks for taking it easy on the kid, little one."

"Petey was da best!! He taught me a new song. Papa, you're gonna love it!"

Steve smirked. "I'm sure I will, baby. Can you say thank you please?"

You wiggled a bit, wanting Bucky to let you down, but you gave up pretty quickly. After being separated from you during a stressful situation, Bucky didn't like to put you down for anything. You leaned forward towards Peter, however, and he accommodated you. You gave your big bestie the biggest hug you possibly could.

"Tank you for taking care of me, Petey," you said lovingly. He squeezed you back.

"Thank you for being so good, Katie!" he responded. Tony clapped a hand on his shoulder. He could hear it in Peter's voice- he was getting close to becoming small again, and he wanted to get his brave boy home. You all said your goodbyes and headed home.

You were cuddled between your daddies and asleep again before you knew it, secure in the knowledge that you were safe and loved by the best people in the galaxy.

[howtofightwrite]

I'm writing a scene where character A gets ambushed by an assassin. A gets injured and starts bleeding out. B swoops in to save them in the nick of time, but A starts fading in and out of consciousness. B transports A using a horse-drawn carriage (setting is 1890's London, so no cars) to a safe place for medical attention. Would the carriage be safe enough for transportation or make things worse? Also, any ideas where the wound could plausibly be located on A? (Stab/cut, no guns.)

Okay, so this is a good news/bad news situation.

The good news is that blood loss is really easy to understand. If someone pokes a hole in you, and you start leaking, you'll generally keep leaking at a pretty consistent rate until you manage to stop the leak, or until you start getting additional holes poked in you.

Now, joking aside, moving around, and staying active can accelerate bleed out. Especially if you're engaging in activity that keeps your heart rate up. For example: Running, or fighting. But, normally, you're going to keep losing blood at a fairly consistent rate. (Now, it's worth noting, as you lose blood, your body will actually increase your heart rate to keep oxygen going to your brain. This means that the rate of loss isn't completely consistent. You'll also start hyperventilating.)

The fun part about blood loss is it can actually turn into a math problem. If you know the volume lost per interval, you can calculate roughly how long it will take to die. Just take 2,000, then divide that by the blood lost in milliliters per interval (so, for example, minutes), and then you will know how many minutes your character has before they bleed to death. (Technically you can go over that two liters lost a little bit. (In sloppy napkin math, this means that you'll slightly overestimate how long the character will last.)

Here's the problem.

Hypovolemic shock has four recognized stages. These stages are bracketed by how much blood you've lost. Stage one is up to 15%, Stage two is 15-30%, Stage 3 is 30-40%, and Stage 4 is 40% or more. You might know that the human body has roughly five liters of blood in it, and if you were paying attention you'll notice that two liters is 40% of five liters.

As a quick aside, Stage 1's only symptom is that you'll be a little paler than usual. Otherwise you're basically fine (even if you don't feel particularly great.) To put this in context, you can (almost) lose a liquor bottle's worth of blood without serious side effects.

Once you hit stage 2 and 3, you'll see some mental issues. Anxiety and restlessness at Stage 2, confusion and impaired reasoning at stage 3.

Loss of consciousness (and comas) are symptoms of stage 4 blood loss.

This is the bad news. If you are losing consciousness from loss of blood, you have already lost so much blood that your body (and possibly your brain) are already dying. Humans can lose a frightening amount of blood before it incapacitates them. And, that fun little math problem earlier, the time to death that you're calculating, is also the time to loss of consciousness, because there's a tiny margin between, you bled to the point that you're drifting in and out of consciousness, and, you have bled to death.

There's still some hope here, but it's not great. First aid for hypovolemic shock is to stop the bleeding. It kinda makes sense, because if you don't, they'll bleed to death and after that, it won't really matter. That means, if you're swooping in to the rescue, the first thing you need to do is stop the bleeding, as best you can. When you're already looking at someone in stage 3 or 4, you're not going to stop it in the field, and the best you can do is buy time. But that is a critical step.

This leads to a really important question. How long did it take your character to lose two liters of blood?

Because, if they lost that much blood duringthe fight (which is, actually possible with some arterial hits), there is no medical science that would keep them alive long enough to get them to a surgeon. Not in 1890, and even in 2024 it'd be touch and go with modern emergency trauma packs.

This is a mortal wound.

Now, if you slow it down, and they're bleeding out over the course of the ride, that's entirely feasible. You'll probably want to read up on the exact stages of hypovolemic shock, keep in mind that the stages do transition from one into the next. And, keep in mind that, “slipping in and out of consciousness,” is basically the end. At that point they're about to die. Immediate surgical attention could still save their life, but they need a hospital. This is beyond the scope of what a back alley clinic could reasonably deal with.

I know I didn't address it earlier, but, “where,” could be pretty much wherever. So long as it didn't sever an artery, because at that point they would be dead. Arterial nicks could result in serious bleeding over time. Really, any serious, persistent blood loss that refuses to clot could create a situation like this. Deep tissue penetration, particularly when it damages internal organs, can be pretty nasty, and surprisingly hard to stop a bleed. If someone is hemorrhaging internally, that's going to require surgical attention to keep them alive, and any effort to stop the bleed will really be wasted effort (because they'll continue bleeding into the chest cavity), though, unless your characters have a pretty solid grasp of anatomy, they're unlikely to know that.

The real issue here, from a practical application, is just the, “swooping in at the last minute.” If you're really coming in at the last minute, you've got a minute to make peace with their death, and move on. If you get there sooner, you have more of a scene. You have more options to spool out the drama, and subvert expectations.

Consider, alternately: Your character comes in to disrupt the assassin, and the pair make their escape. While escaping, the character who's been injured discovers they're bleeding. Leading their rescuer to realize that the situation is much worse than they initially thought, and having to change route to a hospital, while the injured character starts to become less coherent.

In this alternative, you can carefully track how quickly the character is bleeding out, so that they're getting into the hospital right around the time it's starting to become touch and go. With a real possibility that they'll die, either before or during surgery. (Also, with added stress that now your character needs to keep them safe in a public space, while that assassin is still on the loose, and they can't move the injured character to someplace more secure.)

So, you've got options, and now you've got a math problem you can play with to figure out how quickly your characters will expire after you poke new holes in them.

-Starke

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[bandtrees]

this has always been one of my favorite lines in this scene it’s so striking to me. i think debating over callum’s level of lucidity and what can or cannot “fix” him is deeply antithecal to what the story is trying to express with him - but the idea that callum is still there and still a person who does have the capacity to love mingus, just not in a way she can ever comprehend or accept, because she can't comprehend or accept anything outside her narrow worldview, is sooooo good.

there is no way of actually knowing if callum is proud of mingus, much less recognizes her at all - but it's added to by the fact there's only so much of that she would accept even if he could. ultimately, she wants validation and power, his prestige, from him, she wants a supportive parental figure she never had - there's only so much of that callum is able to provide even in a world where her stint to fix his memory actually worked. he's like a hundred. he never even MET her. to say nothing of all he's missed in the past fifty-odd years. to say nothing of how his age may have messed with his mind deteriorating even without the pre-existing brain damage.

and mingus' phrasing here implies he doesn't even look at her when she visits - which brings me to the visit that radicalized her: the one after her surgery, where he was watching gingi out the window.

obviously, callum watching gingi is mostly for the thematics of it all, how similar the two of them are in ways mingus refuses to recognize, but theres also the thought of... callum's been sitting alone in that room for over half his life, barely lucid if at all. of course he's going to be drawn to a brightly-colored thing making noises and knocking stuff over outside. if he can't respond to stimuli of the people around him he's at the very least going to latch onto something more visually interesting than Brown Wall and Brown Figure.

but it's not like mingus can think of it like that, because she's internalized so much about her grandfather and built up such a specific, personalized vision of him - she doesn't see him as an elderly man with (a fictional equivalent to) dementia, she sees him as President Callum Crown™, the man she personally has to please and live up to the legacy of and make proud, disregarding the fact that's not something he has the mental capacity to even do - because she's so obsessed with validation and complete control that the only way she can get it is by either subjugating others and forcing it out of them (what she does with her townsfolk), or just completely projecting on someone who, for her purposes, is basically a blank slate.

which is maddening to her in its own way, see how crazy she drives herself trying to restore callum's memory in the first place - but also, would she be happy even if callum could see her for who she is? post-game, when she's working on herself, that's an irrelevant question as she's pushed past that need, but as we know her? absolutely not.

i love the ch3 standoff between norm and mingus as a show of "Okay guys let’s see who can dehumanize this disabled guy harder (via pedestal-putting) and justify themselves for it better" and why i think it is so important that it’s gingi who reads the postcard and ultimately speaks for callum instead of either of them, or even the narrator. they can’t read, and they struggle to, but they manage to get it right even when people are telling them to stop. and the fact they’re able to do it at all, are given the chance to do so, and are ultimately the one to wind down this conflict shows that the world of dialtown, while not perfect, really is how callum would have wanted it.

both gingi and callum are some of the most altruistic and human characters ever, and the crux of their parallels is that they are denied this by close-minded people because they happen to Behave Strangely. it's why seeing mingus act the way she does hits so hard - she loves her paw-paw, yes, but if she were to see him in a vacuum, a one-limbed man who can hardly think, much less speak for himself: or even his younger self, who was struggling to make ends meet with his odd inventions...

...well, the feeling norm's imagining here would probably be mutual. mingus' relationship with bigotry is a very fascinating one, she's very close-minded but views certain oddities (ie her flesh-head) as having earned their place and thus being fine - she's a freak too, by her own admission, but she's doing it for a just and wider purpose, so it's fine. which is, ironically, the ideology callum forced upon himself.

callum was obsessed with helping people, pushing himself to do more and more, because it was the only way he ever found respect. if he didn't help people and have grand visions for the world and make himself "useful" to society at large, then what would he be, if not a freak?

mingus and her paw-paw are very similar people, from their well-intentioned extremism, to their stubbornness and paranoia, to their inability to view themselves as anything more than a vessel for that grand cause they believe in (callum in the dialup, mingus in restoring her paw-paw's memory) - which is funny, because if mingus was able to view callum, and herself, as a flawed human person, she would come to understand how similar they really are.

:(

[bairdthereader]

Nick gets a lot of (well-deserved) credit for being an amazing boyfriend to Charlie, and we know by now that he's a great friend, too. But what's almost more interesting to me is the underlying core personality trait that enables him to be both of those things--his emotional intuition and intelligence.

You see this in the comics mostly through Nick's facial expressions (no one can look worried like Nick Nelson can), but the show takes it a bit further. He's incredibly in tune with Charlie almost from the get-go. Nick watches him for small emotional cues and recognizes what they could mean, most notably before the confrontation with Ben after rugby practice. He reads between the lines of Charlie's deflections and falsely cheerful texts and pushes (with trademark Nick Nelson sensitivity) for the truth. He notices when Charlie is beset with intrusive thoughts, even if he doesn't know (at least early on) what they're about, and proceeds to interrupt those thoughts. He can read Charlie so well not only because he pays attention, real attention, but because he already has the emotional intuition required to interpret Charlie's inner complexities.

There are many moments throughout the show where we see Nick display this keen insight with everyone in his life, not just Charlie. When Elle, who he barely knows at this point, is upset about being set up with Tao, he immediately seeks to alleviate her distress by offering a true explanation of why she and Tao were invited in the first place--to be part of a triple date. He wants Elle to know that it was important to him (and Charlie, Tara, and Darcy) that she and Tao be there not just to try to set them up, but because they wanted to include them in an important step for both couples (Nick and Charlie just beginning to share their relationship, and Tara and Darcy trying to find acceptance after coming out as a couple). Nick knows that Elle values truth and honesty, and he gives her that so she can feel comfortable with her friends again.

Nick is also incredibly understanding of Tao, who, it has to be said, barely even understands himself for much of the show. There are a lot of scenes where Nick is trying to connect with Tao but maybe oversteps just a tad because he sees more of Tao than Tao is ready to have seen. The moment outside Charlie's house when Tao tells Nick about Elle's art college ambitions, Nick cuts through to the heart of the matter--Tao's concern about missing Elle if she's far away. Nick is the first person in the friend group to connect the dots about what Elle's college acceptance might mean for Tao, and immediately tries to help Tao process those feelings. He's met with anger, but only because he managed to hit a lightning bolt of a nerve in Tao's emotional storm.

And of course there's Imogen, who Nick has known for a long time but begins to understand and appreciate on a deeper level as their relationship moves from superficial connection to true friendship. He sees how sensitive she is, how lonely in some ways, and is always looking out for her, keeping a concerned eye on her. He gives her the space she requests, but also comfort when she lets her walls down enough to ask for it. His innate understanding of what people need--especially when what they need is just someone to be there--is impeccable.

It almost goes without saying, but Nick's emotional wavelength with his mom is similarly strong and nuanced. When Nick comes out to Sarah, he makes sure she understands how important it is to him that she knows--not only that she knows that he's bi, or that Charlie is his boyfriend, but that she knows him. That their relationship is so important to him that he can overcome his fears to share this most vital part of himself. Nick's value of Sarah extends to caring for her when she's dealing with the stress of having his dad and David around. Of course, Nick is still a teenager and there are a lot of scenes that show Sarah's deft handling of Nick's emotions, but it's a two-way street. Nick takes care of her in his own way too.

Nick starts his relationship with Tara and Darcy leaning on them for advice and guidance, but by the end of the show they're leaning on him. Nick sees their struggles, especially Tara's, possibly more clearly than anyone else does because he recognizes some similarities between their situation and his with Charlie. When they're in trouble, he knows Tara needs care and honest advice, even if it's not the most comforting advice. He knows that what they both need is strength and security and tries, in his careful way, to give them those things.

Nick Nelson, always looking out for everyone he loves, keeping them safe as much as he can, hugging them when he can't.

[sairenharia]

Why Chloe Deserved A Miraculous

Its a thought that's been stewing in my head and the more I thought about it, the more I realized it was true. Chloe was entitled to a Miraculous.

From a Doylist Perspective.

When there is conversations of if Chloe was entitled to a Miraculous is always presented from a Watsonian perspective. For those who don't know, Watsonian means the perspective of someone inside the story. A character. Doylist is the perspective of those in the real world. The author and audience.

The problem I see from fandom discourse is how often people don't actually consider the tools in a story. Often they take a Watsonian perspective, talk about what is right and sensible and should be how things work if this was a real situation. But the thing about stories is they have messages. They have tools and metaphors and themes to help display these messages. Sure, shows are about entertainment, but a story always has some kind of point. It may not be a moral lesson, it may not be some grand philosophy, but any story worth telling says SOMETHING. It takes a stance. The Fast and the Furious is all about doing cool stunts with cars, but it also has a message of doing things for family because if you just want to see cool car stunts, just go watch cool car stunts, but no, people want at least a little humanity in the car stunts, so there is a message of family. Sharing is caring, do your best, the heat death of the universe comes for us all, the messages can be vast, but there's some point of emotional reality to invest us in this specific media.

If we talk about Chloe and the Miraculous from a Watsonian perspective, no, she is not entitled to a Miraculous. No one is entitled to an object of power. Not even Marinette nor Adrien are entitled to their Miraculous.

But superpowers aren't real. Superpowers have always been a tool to emphasize a point. The stories of superman only focused on his powers are boring, but when you tell stories of how he tries to fit into a world that is not made for him, stories of how much he loves this world despite how easy it could be to be cruel, it gets interesting. The reason superhero comics started is there was a want to show that there can be incredibly powerful people who choose to be good. To choose to make the world a better place.

Superpowers made just to be cool and show off are boring. There is only so much you can watch a fight with a cool power before it gets dull and repetitive. But you relate the powers, the struggles of using the powers, to the person wielding them, the story has a lot more staying power. The powers say something about the person, and is part of their development.

And honestly, Miraculous is a good case for why this is important.

Because good god, most of the superhero team is boring.

And I don't just mean because they're good people, so there's no spice, though that's also true, but because the powers aren't really used to emphasize anything about the character. Max has portals. Why? His mom wants to be an astronaut, but we never really hear about Max wanting to travel. Doorman is a better example of a portal hero because he loves going to other places and learning about them.

Now portals are good for a tactician....except Max is never the tactician despite the fact we know he's brilliant and is good at video games. He just does as he's told by Ladybug for where he should put his portals. Its so close, but its not utilized.

And that is the case for most of the superheroes. Like the bones are there, but nothing is properly utilized. Sabrina is definitely a dog, good at getting things, and is in fact well practiced in recognizing what things may or may not be important. But we've never actually gotten to focus on her BEING a superhero, she only had a small cameo with the power, basically. Same with Ivan, really. They're pretty perfect for their powers and it suits their personalities, but none of it is EXPLORED. And that's the case with most of the heroes.

Juleka and Rose were pretty good at using the Miraculous to develop more of someone's character and emphasize a strength about another in turn. These are good hero episodes because we learned more about them and their journey.

Kagami's first episode with the dragon showed off more of her, such as she could be reckless, which is new information, but we learn a lot about her without it, and nothing new beyond that.

Luka could have actually been incredibly good because the snake both emphasizes a big part of him, and something he needs to work on. Luka is someone who steps back and watches. He observes. However, he has a problem where he often is too willing to step back. But with the snake needs someone who can observe AND act. So its a Miraculous that uses an important part of his personality, but could have also helped him grow.

And the rest are just...nothing.

There is a little for Nino and Alya. Nino is definitely more bold about defending his friends than he was at first, and Alya learns to be better about secrets, but these are the primary secondary heroes. We should have seen a ton of impact and development due to them having the Miraculous.

Here is the stance Miraculous should be taking in their story.

The desperation of those trapped and the power of being given good options.

Most of the Akumas are people who are trapped. They feel powerless. They are desperate to escape their problem and feel like they have no proper recourse with things are they are. How accurate this is varies, but this is how they feel in the moment, and that is what Gabriel preys on. These people agree to the deal because they don't feel like they will be helped any other way.

Ladybug and Chat Noir are meant to bring hope to those who felt hopeless and chose a terrible way to try and escape. They are support. They are a hand people desperately need.

So by that same token, the Miraculous should be a good way for people who feel trapped to be given an option, OR give those people the ability to extend their own hands to help others.

While it doesn't have to every time, it should often be the case those who are given a Miraculous; A, dealing with a huge problem and the Miraculous helps them solve that problem, regardless to the Akuma being related. Like if Juleka was working on trying to speak up even if the Akuma wasn't her parents and the Tiger still helped her do that. B, they are related to the Akuma and why they feel trapped, so they are working through their own issues with the important person. Like Rose when Juleka felt guilty. Or C, the person wants to find a way to help in general and kind of go how it went with Nino becoming Carapace. Where they were trying to be that hand a person needed, and earn the Miraculous, and that helps them on their journey to provide more support and help.

But its often it is someone they know, but them being the hero doesn't REALLY matter. Penalteam, the people were just there, these specific people didn't matter. Why did Zoe need to be Vesperia? Anyone could have taunted Chloe and she got turned into a banana real fast, her being the Bee didn't really bring a lot, to the bee, to her, or even to Chloe, and then she proceeded to just not bring much as the Bee, to the story, or herself.

Now part of this problem is that Marinette is not allowed to not learn a lesson, and has to be the one to save the day. These heroes do have skills. They have things they could be good at. But often....the plan is just what Marinette says. These heroes are not allowed to have agency.

They can't make decisions on their own.

Often times, they're just bodies being told to do the power without the ability to make the decision how and when. Sometimes they let the heroes do things and make decisions, but nine times out of ten, its Marinette who says who does what and when and her mental health is degrading because of it.

The Akumas are stories that always at least tell us something about the person because we see what problems hit them hard. There is something to learn, a bit of conflict to develop from.

The Miraculous should be following that trend, but in a positive way, but...doesn't.

All that being said.

Chloe was entitled to the Miraculous.

Because here is the stance Miraculous takes.

Someone is trapped in a situation and chooses to lash out violently and while that violence can not be permitted to continue, the heroes offer their support so the victim can feel like they have another option.

This is the story of Miraculous crystalized. People who feel alone and helpless are easily convinced to hurt others until someone is willing to help them despite this harm.

Chloe is the story of Miraculous.

Akumas are a metaphor.

And Chloe is the reality.

A child who is alone. Who feels trapped in her situation. Who doesn't know what else to do. So she does the only thing she knows how. She lashes out. She hurts people. She keeps them distant because then it doesn't hurt as much when they leave, or when they treat her like dirt.

Chloe is an Akuma personified, but her problems are brief moments. They're not a bad day that someone took advantage of. They are ever present and continuous and more over, reinforced to continue.

Chloe knows being a brat gets her what she wants from her father and was never taught to not be like that. Because he didn't discipline her, because her mother acted like that, because all adults around her was staff. Making demands is what she was TAUGHT and learned, through observation and guidance.

A behavior she continued to do with kids, and she found out teachers responded to the same threats and was never properly stopped. Other kids, reasonably, didn't want to deal with her, or submitted to her like Sabrina.

Chloe was not never taught how to be good. She was, in fact, very much taught to NOT be good. Her parents both set a terrible example. Her father is a corrupt politician. He may spoil her, but he we know he bribes and blackmails people, plus, you know, abandoned his daughter and technically kidnapped Zoe. This is not a paragon of a man. Then there was her mother. But she had a choice, listen to the man who had to weasel and cheat and play back handed games to get what he wanted, or the woman who got anything and everything she wanted...of course she would try to be the woman who seemed to get everything her way.

Because if her mother got everything she wanted, if Chloe was like her, maybe she could get everything SHE wanted.

Except it wasn't working.

But Chloe wasn't taught it was because she was cruel. She just started to believe she wasn't GOOD ENOUGH.

Maybe if she was as great as her mother, it would work.

By the time she would be old enough to recognize that wasn't how the world worked...well, by then, most of her peers hated her.

And here is something I think goes under the radar about Zoe.

Zoe knows how to act like Chloe. Audrey didn't blink at it. Zoe defaulted to the same behavior as Chloe. Zoe said she put on an act and she was tired of it.

Zoe WAS CHLOE.

And we know what happened with Zoe. Zoe stopped acting like Chloe. And then she got bullied. People were mean and cruel and put cockroaches in her locker and she only had one friend.

I'm sure that's why Zoe moved to Paris. Zoe went to her mom because she wanted a clean slate. She wanted the bullying to stop.

Even then, she struggled to stop. She defaulted to her habit, and we see that she CONTINUED the act around the hotel for some weeks after, because it was a hard habit to break.

But then...

Zoe got support. A hand was held out to her. Marinette gave her a chance, and so did everyone else, and Zoe took it because she wanted to be herself and she wanted to stop being cruel. Of course she's nice. She was given the space to be so.

Chloe is never given that support.

Chloe doesn't know how to be kind. She doesn't know how to be nice.

But the greatest tragedy is Chloe does know how to be GOOD.

Out of all the heroes, besides Chat, to a lesser degree Alya, and Alix and Luka by nature of their Miraculous, Chloe shows the most agency as a superhero. All the other heroes have their hands held by Ladybug. She tells them what to do, to an overly specific degree, and they are just bodies to use a tool. Chloe? Chloe acts on her own. To good and bad effect. Discounting the whole Queen Wasp break down, just when Chloe is actually acting as a superhero, she doesn't wait for Ladybug to tell her everything all the time. She calls out to her father, which was a mistake, but then there is every other time she's Queen Bee...

And she's fantastic at it.

Miraculer, she almost had Mayura's Miraculous.

Star Train, she gets people away from the Akuma.

In Bakerix, she's the last the to leave the train car.

In Ladybug, she's defending Sabrina.

In Style Queen, played Style Queen in an effort to find a way to save Adrien.

In Heroes Day, she is a great teammate. Keep in mind, everyone on the team knows who Chloe is. Ladybug was desperate and doesn't fully trust Chloe as a general rule. Rena Rouge and Carapace definitely don't trust her at all. Chat Noir is the only one who believes in Chloe as a person.

And yet, throughout the entire fight, Chloe is keeping up and picking up the slack with everyone else. She fights, she keeps civilians from being hurt, her synergy is on fire despite the lack of trust. When Rena Rouge and Carapace go down, she is quick to try and protect them and even after two EXTREMELY dangerous Akuma show up by way of her parents, who are both gunning for her real hard, she holds her own for a while and even then, she had to be mind controlled to stop and to feel negative emotions. It took FOUR AKUMAS gunning for her specifically to corrupt her, akums who are made to mess her up mentally to boot. When they confront Gabriel at the end, she prepares venom without being asked, to have a back up for taking him down. She makes decisions and when she was trusted to act as a hero, they are largely good ones.

And she never once complained about the mental hardship of what she went through. Because that's the thing, all her times as Queen Bee are super intense. They are her loved ones she's fighting, they are incredibly powerful Akumas. She fought a frickin' army.

And everyone...

Just insults her.

She risked her life for people and no one cared.

She fought her family and no one cared.

Chloe doesn't know how to be nice. Nor kind. But she was so good. And while the next day, people appreciated her, it was only a day.

And the tragedy is Chloe didn't immediately go back to being a bully. After Despair Bear, Chloe's bullying habits took an extreme nose dive. We only see her being unreasonably cruel a few times. After Maledikator, the only time is when she bullies Aurore and when she teamed up with Marinette, but also Marinette was with her and they were both doing it for fear of losing Adrien reasons. Not reasonable, but also not just to be cruel and honestly, her plan was fairly benign. She wanted Kagami to leave, not even humiliate her. And even Aurore is because Chloe was reaching the point she did in Miraculer where she was doubting Ladybug's trust in her and as she is want to do, she lashed out.

Most of the time when we see Chloe, what we see is her bragging about being Queen Bee. Which, sure, isn't a great thing...

But better a braggart than a bully. And when things go wrong, she tries to use her status to help reassure and guide people, which is actually a pretty good idea. Akumas are attracted to negative emotions. If she can reassure them, then less likely of them getting akumatized. It may be bragging, but it could help.

Chloe may not have been picture perfect nice, but we literally have an entire classroom full of perfectly nice people. She may not be humble, but bragging is not a damnable offense. But Chloe was legitimately trying to be a better person. She put herself in between others and danger. She had faith and belief that there were solutions. Even without the Miraculous, she tried to help people.

She may have wanted appreciate and gratitude for it, but what's even sadder is she didn't require it.

Chloe believed in Ladybug for a long time. She believed Ladybug would trust her again. She believed she could be given a Miraculous again, and all on her own, ALL ON HER OWN, she was trying to be a better person.

Its actually amazing how good Chloe was being despite the fact no one was helping her.

Because that is the thing.

Zoe got support and help.

Chloe didn't.

Every. Single. Time. Chloe tried to do something different, something not cruel, she is rejected. She tries to join the art club and she's mocked out of it. She tries to be class representative, a job no one else wanted for years, and she loses it as soon as someone did challenge her. She auditions, legitimately, for a music video, with eight years of practice, and she loses it because she isn't nice enough.

She stops bullying, tries to be a reassuring presence, and she is treated with suspicion and derision.

And still.

And STILL.

That isn't what breaks her.

What breaks her is the realization the only time where her efforts were appreciated was taken away. And even then, she holds onto the pieces. Holds onto hope that maybe she would be given a new chance.

Her parents are in danger. The reason she was given she couldn't be a hero is because she and her loved ones would be in danger.

Except her loved ones were in danger.

She was in danger.

Not having a Miraculous didn't change anything. It didn't keep them safe, it didn't keep her safe.

And its only then, after months of no one believing in her for more than two days, of no one holding out their hand, helping her, supporting her, believing her, with the one person she thought DID believe in her proved that she didn't believe in her, and couldn't even give her the safety that not having a Miraculous was supposed to bring.

For months, Chloe only thought Ladybug believed she could be good.

Adrien wanted her to be less cruel, but Chloe knew her being good wasn't necessary for him.

Nor was it for Sabrina.

But Ladybug?

Ladybug needed her to be good to believe in her, and she thought Ladybug did.

Chloe was able to largely bite back her desires to lash out at people based purely on the fact one person, ONE SINGULAR PERSON, needed her to be good, and believed in her ability to be so. It got her derision. It got her suspicion. It got people comparing her to villains. It got her dismissal. But she still tried. She still believed.

A person who didn't really believe in Chloe very much.

And there is also the Watsonian argument that Marinette doesn't owe it to Chloe to help her improve AND THIS IS INCREDIBLY VALID and honestly, in a perfect world, it would be great if it was Adrien who helped Chloe improve.

Or you know, Zoe. Someone who has a clean slate with Chloe and understands where she's coming from and could help her.

But no, this is the Marinette Has To Solve Everything Show.

So from a Doylist view, it IS Marinette who has to help Chloe, but also the Watsonian problem could be helped if it was CLEARLY ESTABLISHED that Marinette knows she doesn't HAVE to help Chloe, and people aren't pressuring her to do so (coughBustiercough) because that is a bad message...

But Marinette can CHOOSE to help her and make that clear.

Because Marinette has seen a lot of Chloe and could understand that she really does just need a little more help. That Chloe needed just a bit more support and help. And, you know, didn't actively encourage Chloe to please her abuser.

But we're going from the Doylist view and we can solve the Marinette being the one to help Chloe problem by not having it be Marinette, but LADYBUG.

And this?

This is why I say Chloe was entitled to a Miraculous.

Because Chloe is the reality of the stance of the show, and so helping her problem with the metaphors would go a long way.

You see, Chloe doesn't know Ladybug is Marinette. And Marinette knows being Ladybug means being the bigger person. Ladybug believes in people. Ladybug helps everyone she can. Its not about the victim helping their bully, its the superhero choosing to help someone who NEEDS HELP.

Chloe is stuck in her situation. Her mother will always be emotionally abusive. Her father will always be an enabler. She can try to change, but no one will BELIEVE in her change. She will be derided and mocked and treated poorly because no one is willing to give her the chance to grow, and they certainly won't help.

Frankly, its a miracle that Chloe's Akumas are so merciful.

Because Banana Queen is the most destructive of Chloe's Akuma forms. Most of Chloe's Akuma forms don't care about HURTING people. They care about WINNING. She either wants to win or for people to just listen to her.

But give Chloe the Bee Miraculous, and suddenly things change.

Chloe feels like she has OPTIONS as Queen Bee. She doesn't feel she has to meet her mother's expectations as much if she's Queen Bee. She has people who trust and depend on her. At least right after she saves people, she gets a little praise, a little belief.

And people may say being a hero for glory and attention is a bad thing, but the thing is, Chloe's need for glory and attention is about being ACKNOWLEDGED. As feeling like people value and care about her. This is a BASIC HUMAN NEED and she doesn't know another way to get it. Its not like she's demanding physical things for her heroics.

She just wants to be appreciated.

By giving Chloe a Miraculous, she is given the tools to try and be good. She is given an escape from her situation. She is given SUPPORT in her efforts because the other heroes have to support her.

And over time...

That trust will grow.

Because what Chloe doesn't know, all her classmates are the other heroes.

And suddenly, all her classmates will see her as a different person. They will see what she's like when the chips are down. How much effort she's willing to put in. How seriously she takes the job.

Is she still a braggart? Sure. Is she still rude as hell? Absolutely.

But she will risk it all to help people, without asking for anything in return except a little faith.

Chloe is entitled to a Miraculous.

Because her story without a Miraculous is a story of a little girl who no one wanted to help, who were unwilling to offer her help because she lashed out while trying to survive a situation she couldn't escape, and because it wasn't super charged by a terrorist, she was deemed unworthy of it and instead deserving of isolation and constant emotional abuse.

But with a Miraculous?

Chloe is a girl who, when given a little faith, a little trust, a little help, returned it tenfold. Who puts her all in trying to be the best hero she could be. Is she imperfect? Sure. But she's giving it her all. (And frankly, she's spicy and it makes for entertaining character dynamics. You can have a character be a jerk and good, tsunderes are popular for a reason.) And as she gets more trust, as she gets more help, as she is offered that hand of help over and over again, she would continue to improve.

And as she's given power, she uses that same faith to figure out how to offer her hand to others. To help them. To spare them the same pain she suffered.

Because that is what given to the Akuma victims. They are given a little help, and a little power to break free of their magically abusive mindsets.

To have someone go from the continuing the cycle of abuse to someone who would save other people from that?

That is a real superhero story.

Chloe is undeserving from a Watsonian perspective.

But she's so very deserving from a Doylist perspective.

[shorthaltsjester]

seeing people use the various pinterest “pain that just made this person kind” quotes about laudna over the past few months truly grind my gears. like. textually no actually all that pain has irrevocably changed laudna in ways that are not kind, has changed her ways that means she dehumanizes herself, views herself as a dead end unworthy/incapable of having a life let alone a happy ending, and she can be calculated and cruel like. it is true that she is playful, but (and this is a theme across all fandoms about women in fiction honestly but especially in cr fandom) the reason her kindness is resonant is because we see that it’s not the only option that she’s resorted to out of her own pain, in fact it’s probably the hardest option faced with the trauma that she has. like the reason the moment in whitestone when she apologizes to percy because she recognizes they are both in pain from the same source, to me that’s as resonant as it is because up until the moment she made that choice to be kind, it seemed equally possible that she would lash out because of the different places they currently are in and that her pain still takes up such a huge role in her life.

this is probably a bigger issue i have with the notion of pain making people kind as if it the people in question have no choice but especially in cases like laudna where currently we’re seeing exactly how unkind her pain can make her — not in a Shes Evil way but just in a. it isn’t actually kind at all to hate yourself even if it makes you docile or willing to bend yourself to the plans of (even well intentioned) others. like, it wasn’t actually the years of solitude and delilah manipulation that made laudna kind, and in fact i’d argue that textually we’ve only seen proof that those years have made it harder for laudna to be kind in a way she might’ve been when she was still matilda; i think particularly of her attitude with children that would be taken more kindly from someone more alive and someone less literally haunting. that also shines in the whitestone exchange with percy, because it’s the recognition that underneath the cold and calculating city leader and the haunting witch come back from the dead again, they’re just two kids who had the unfortunate fate of having been targets for delilah briarwood, as different as the reasons for that were, they still both have to live with the pain, and they both likely would’ve been much kinder people if they didn’t have to.

kindness is a social skill that requires both practice/maintenance and awareness of those who you direct it at, neither of which are particular strengths of someone who has spent 30 years alone with her own voice mediated through a rat puppet or her patron’s in her head. and i do think it’s important for recognize that laudna tries to be kind, but i think the tragedy of her story and the complexity of her character is harshly undersold if you look at her and just ascribe her to the “all that pain and it just made her kind.” it makes the most interesting parts of laudna flat and static and worst of all, agencyless.

[lycheeloving]

another continuation of this AU, this time; yandere!Superman!

-I think he takes you out of the Watchtower sometimes to go on picnics (in super secluded areas). He's fast and strong enough for you to have absolutely no chance of escaping and he thinks it's important for you to spend some time in nature! Yes the Watchtower is built in a way so you get the perfect amount of sunlight in there and there are a lot of plants in the darlings common room, but going outside on planet earth is important to him! To get some fresh air! Walk around a bit! It's a wonderful reprieve from being in the same place all the time, but has the unfortunate side effect that every time the word "picnic" is mentioned you perk up like a dog who heard someone say "treat".

-Will fly you there. If you enjoy it he's happy that you two have that in common and that you're having fun with him, but if you're afraid of heights he's also happy, because you're holding him so tightly. It's a bit like a little trust exercise to him! Look, he won't drop you! See? You know you can trust him, right? :)

-You're so cute and weak to him, he needs to protect you!! In comparison to him, everyone is weak, but with you his protector instinct goes completely haywire. You'll have to deal with him hovering next to you and telling you to be careful all the time, even if you're not doing anything dangerous. Like using a fork. (It could easily pierce your skin!!)

-Absolutely loves cuddling with you when you're sleeping. Like to fall asleep he has to has his arms around you, or better yet you lying on top of him. I also headcanon that when he feels safe and content he starts flying/hovering a bit in his sleep, so sometimes you'll wake up to find you're not on the bed anymore. But don't worry he won't let you fall, even in his sleep he's holding on to you.

(Sometimes you worry he'll lose control in his sleep and hug you too tightly and accidentally kill you, but luckily he's spent all his life learning how to control his strength + his subconscious recognizes that it's you he's holding, so that won't happen. Phew! But you still worry sometimes, like after watching him rip open a car on the news as if it was made of paper. What if one day he gets tired of you and... No. That won't happen... right?)

-Probably the softest with his darling out of all of them. Tries very hard not to overwhelm you.

-That said, he tries his best to control his powers around you as to not be intimidating! He wants you to see him as just some guy. If your universe doesn't have a Superman you don't even realize how powerful he is until you see him fight against a villain on TV. What do you mean Clark can do all that stuff?? You knew he could fly, sure, but laser eyes and super strength? You had no idea! (Clark doesn't like it when you watch the news, but Flash turned them on in the common room to show his darling "how heroic he was today", so for once you were able to watch them).

-Hopes you never find out about his superhearing. Or at least about the fact that he's literally listening to you all the time. Doesn't matter where he is, part of him is always focusing on your heartbeat to make sure you're ok and exactly where he left you. He thinks that would probably freak you out a lot and he'd rather not make you upset. (Won't stop though.)

-Teaches you a lot about Kryptonian culture. It's important to him, so you should know about it as well! Especially as his partner! Might make you wear some kryptonian fashion, probably something that signifies that you're in a relationship with him. Maybe even something that implies you're married to him. Might not even outright tell you what it means before giving you the clothes and you have to piece it together yourself after a bunch of kryptonian lessons.