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minnuet-archive · 5 years ago

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about me!

hey! i'm vio.

that's not my real name (by real name, i don't mean dead name - i mean chosen name that i use in real life), but it doesn't mean i chose it at random. viola (vio) is my online name for a reason.

i chose the name viola because even though it's a girl's name, it's also the name of one of shakespeare's most sexually ambiguous characters to exist. vio, while also being a nickname for viola, is it's own name that comes from the word vita, meaning life.

in fact, i want vio to be my middle name once i legally change my name.

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i've kind of come to terms with my good traits and my not-so-good traits. i've been described as charismatic, kind, intelligent, patient, caring, thoughtful, good at giving advice, and funny. but the downside to being (supposedly) charismatic is that i can be manipulative. i also lie a little more than i should because of my anxiety.

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sexuality and gender wise, i'm not someone you can put into labels. i'm equally okay with he/him and they/them pronouns, so i'm perfectly comfortable with either the label trans ftm or nonbinary.

although i'm TECHNICALLY pansexual, I enjoy the term queer because it makes me feel less self conscious about if i'm more straight than gay (or vice versa) and things like that.

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i'm: - a pisces - a slytherin (although i don't support j.k. rowling herself and i don't love the harry potter series either, knowing my house will probably help you get a feel for who i am) - an enfj/infj (it changes a surprising amount) - an 8 (then a 3, then a 5) in the enneagram - chaotic neutral - a son of loki - a son of either hermes or hades (it's been a long internal debate)

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i love: - hunter x hunter (ハンター×ハンター / hantā hantā) - attack on titan (進撃の巨人 / shingeki no kyojin) - my hero academia (僕のヒーローアカデミア / boku no hīrō akademia) - death note (デスノート / desu nōto) - haikyu!! (ハイキュー!! / haikyū!!) - violet evergarden (ヴァイオレット・エヴァーガーデン / vaioretto evāgāden) - nura: rise of the yokai clan (ぬらりひょんの孫 / nurarihyon no mago / nurarihyon's grandson) - ouran high school host club (桜蘭高校ホスト部 / ōran Kōkō Hosuto Kurabu) - black clover (ブラッククローバー / burakku kurōbā) - yuri!!! on ice (ユーリ!!! on ICE) - westworld - the politician - the haunting of hill house - the good place - good omens - brooklyn nine-nine - on my block - lost in space - many more

i'm a big shipper and it causes me quite a bit of pain considering i mostly ship gay ships and i also mostly watch animes so they'll never happen.

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i used to play basketball and tennis, but now i mainly just use my dad's peloton bike and go on runs. oh, and i also snowboard and surf! i'm pretty good at surfing although i need someone to push me on a wave and i'm getting a lot better at snowboarding (although i'm not GOOD).

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i enjoy cooking too, but don't have enough time or energy for it. i love horror movies and house plants, but i can't take care of them for shit.

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i really like to listen to music!!! it's very hard to describe my musical taste, but my top grneres are modern rock, indie pop, indie, pop, rock, electropop, and dance pop.

i used to listen to more emo music, but recently i’ve found that it just gets me down, so i try to listen to upbeat/chill music.

my spotify account name is strangecharm if you want to follow me! the playlist currently. has music that rotates as i find my favorite songs, but seventh grade. has all the music i've liked this year! i also really enjoy the playlist chill.

i also like musicals (dear evan hansen, be more chill, heathers, six the musical, and hamilton for the most part), but they're not what i listen to for the most part.

oh! i'm a singer and a pianist! i've always loved singing, but i always hated piano. a while ago, i got significantly better and started playing songs i enjoyed. it gave me this sense of motivation i've never felt when it comes to piano. i've even composed a couple piano pieces at this point!

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another really nerdy thing about me is that i genuinely enjoy philosophy and poetry (particularly from one of my favorites, rumi).

i love: - john green - david levithan - terry pratchett - neil gaiman - tomi adeyemi - rick riordan - jalāl ad-dīn muhammad rūmī (aka rumi; he’s an ancient persian poet, and he’s queer as hell) overall, i don't really read by authors, though. for the most part, when i choose a book, it's because it was recommended to me or is of value to me as an author.

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i'd like to grow up to be an author, but i also want to teach writing so i can share what i know! my (dream) life plan is kind of to go to college in london or, if not, somewhere on the east coast of the united states.

from there, i'd either want to study abroad in japan or get my english abroad permit and teach english in japan.

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i'm re-learning spanish and learning japanese, too! i want to learn them for four main reasons among many: 1) knowing spanish is really helpful in america 2) i can write novels in english, spanish, and japanese! 3) both spanish and japanese are absolutely beautiful languages- way more beautiful than english. 4) i can watch animes and have peace of mind because i won't have to read subtitles that are insanely off from what the voice actors are saying.

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i'm an eclectic witch (although i am particularly drawn to divination and green witchcraft)!

i really love tarot cards! some people think they can tell the future which is okay (i guess), but personally, i just use them to help me recognize themes in my and other people's life/lives from an unbiased perspective and help make things better.

my favorite kind of spells are jar spells and tea spells. if i'm doing spells, they're normally protection spells, self-love spells, or anti-anxiety/depression/bad vibe spells. i don't really believe in trying to use hexes or curses because then you're no better than the person you're cursing.

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i love art, but i'm not very good at it, so for the most part i do abstract art instead of realistic art. abstract art is pretty fun, too!

i'm trying to get better at using proportions and things, though. my favorite method is the loomis method and i love the youtube channel proko.

you can check out my book on wattpad, artistic elixir (i know, cheesy; i thought i was cool and i’m too lazy to rename it), if you want to see some of my art.

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i have a lot of unpopular opinions. some are big and some are small. that's just who i am. my mom's insanely left wing and lgbtq+ herself, but my dad's neither left nor right wing, leaving him hated by both wings. i've become a weird mix where i'm definitely more left wing than right, but i'm also not really either wing.

for example, i think that, if I'm being honest, the amount of labels in LGBTQ+ community has gotten out of hand. i'm not saying that the feelings aren't real. I'm not saying that it's impossible to not want to have sex or feel physical attraction until you get to know someone. but some genders & sexualities sound a lot more like a preference to me. i think that a lot of labels that exist could easily fit into other ones that already did exist. i also feel that you need some kind of dysphoria to be genderqueer and that neopronouns are a bit unnecessary.

basically, the rule of thumb for me is that i don't give a fuck. by saying this, i mean that i both do not give a fuck: 1) in that you can do whatever you want and be whoever you want and don't have to to live by my opinions. i understand and respect that and i’ll love you the same as long as you’re not hurting anyone with your actions. 2) in that i won't tiptoe around you, trying not to hurt you. i will share my opinion, regardless of whether or not it hurts you. i speak my mind; that's how i've always been and always will be.

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i have a pinterest, a wattpad, an archive of our own, a spotify, and, obviously, a tumblr, so just ask me if you want my account on any of them!

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that’s basically all i can think of, but i’ll always answer questions for you guys! just send me an ask or even a pm if you want to ask any other questions, or even just want to talk! i’m always up for making friends!

-vio/viola

#about me #me #bio

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blueeyeswhitegarden · 5 years ago

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Arc V Anniversary Day 14

Day 14: Do you have any AU ideas? Any characters from other YGOs, or even other series, that you think would have made good additions to the story?

I don't really have a lot of AU ideas, but I've seen a lot of interesting ones from other people. The ones that tend to stick out to me the most are the putting the cast in different series or movies. The magical girl AU settings for the Bracelet Girls is a pretty neat one too. The AU setting where the other protagonists or other characters from the various series exist within Arc V is also a pretty interesting idea. I have thought of a few other Yu-Gi-Oh! Characters that I think would have been at least neat to see in Arc V though. Out of the then four completed series, the only one where I don't think characters could have worked was DM. I like DM, but I like that Arc V focused more on the spin-off series. They don't get nearly as much attention as DM from the fans or merchandise..The Dark Side of Dimensions was also in the works during Arc V's run, so I don't think that DM really needed the extra exposure. Besides that, all of the DM characters would be too popular or too tied into the storyline to really work in Arc V. Not to mention Standard was basically the stand in for DM like the other dimensions represented the other spin-off series.

I would have liked to see Sho from GX appear in Arc V. This is based entirely on my personal preference since having three of my favorite characters in the franchise, the other two being Yuya and Jack, all in one series sounded really amazing. It would have been interesting to see how his more timid nature clashed with the Academia mindset, if he tried to become more aggressive in order to fit in or if he would have quickly tried to escape and join with Yusho's Fusion You Show Duel School. Plus, I would have liked to see him get more of a shoutout in the series than a nameless character using his cards only to be defeat fodder for Yuri. Although, Asuka being the GX character who chose to leave Academia behind once she learned the truth is a more natural fit given her personality and I liked that this gave her a more personal reason to become a Ritual user too. Sho definitely wouldn't have been comfortable with carding other people and I think he could have bonded nicely with Yuya too, but I'm not sure if he would have had a huge role in the series as it is.

A more realistic option would have been Sho's older brother Ryo, or I as prefer to call him Kaiser. I was pretty surprised when he wasn't chosen to appear in Arc V. He seems to be a pretty popular GX character. Kaiser may not be Judai's rival exactly, but I think he fit the mold a bit better than Manjoume did, at least in terms of his design. His Cyber Dragon cards are still pretty popular too and I figured that they'd want to make new support cards for that archetype. He apparently does exist in the Arc V universe given that his name was shown in an Academia classroom after Yugo is teleported there. It could have been just a nod, but since the Synchro arc was fill of cameos from minor/one-shot characters from 5D's, I think that there's a good chance that he does exist in Arc V too. Kaiser would have been in his Hell Kaiser persona and it probably would have felt more natural given that the idea of a respectful duelist wouldn't have entered his mind during his time at Academia. He still would desire only victory, but it would be a bit different since there wouldn't be something like the underground dueling scene to traumatize Kaiser. He could have enjoyed carding people too much, even compared to the other Academia students, and meeting Yuya could have led to a change of heart for him. As neat as that could have been, I was pretty happy that they chose Ed instead. He was a much more unexpected choice, it gave them a chance to make new Destiny Heroes and it was the next best option to Elemental Heroes since Hero monsters were one of the most prominent archetypes in GX. I remember seeing some comments where people would have preferred for Kaiser to take Ed's role in Arc V instead, but I don't know if dueling against Yusho would have resulted in the same kind of emotional breakdown for Kaiser as it did for Ed or have Kaiser hold that anger for a year. If anything, Kaiser would probably lash out even further and potentially be more difficult for Yuya to reach. Not to mention Kaiser would fit more as a high ranked solider rather than a commander like Ed originally was. Kaiser could have been an interesting fit for an Academia soldier, but I really liked Ed's storyline and appreciate how unexpected he was to begin with, so I'm glad that they chose Ed to appear in Arc V.

I was really happy with how both Jack and Crow were handled, so I don't think that they needed to have another 5D's character with a major role in the series. However, I would have absolutely loved a Carly cameo. Similar to my desire to see Sho in Arc V, this is entirely based on my personal preference. Fruitshipping is my favorite pairing in the franchise, but I still love Scoopshipping too and just having a silent Carly cameo would have been enough for me. Knowing that she does exist in this universe and could potentially meet Jack would have made me overjoyed with pure happiness. I'm not surprised that this didn't happen. Given the situation with Carly's original voice actress, they probably didn't want to bring too much attention to her through even a silent cameo. A part of me wonders if they would have fallen in love in this universe too. Jack is in different and arguably better emotional and mental place than he was during 5D's. He still isn't happy as the unopposed King, but he didn't have to betray his friends or hide his identity in order to get that position. It's also hard to tell how different Carly would be if she lived in the City, especially when she was not known for being a particularly good duelist. But my inner hopeless romantic says that they would fall in love again. Characters falling in love regardless of what universe they're in is just such a cute concept. Plus, I would love to see one of my favorite pairings get a happy ending through a new beginning.

As for Zexal characters, I thought that Shark would have been a good choice as another Resistance fighter. Admittedly, I'm not sure what role he could have had that wasn't already filled by Shun and later Kaito, especially when he would have been aggressive towards his enemies and probably trying to avenge/save his sister too, but I always thought he'd help with the Resistance fighters and be another strong duelist from the Xyz dimension. He might have been a bit too connected with Zexal's storyline to fit in a different universe, especially when his most popular cards were Numbers. While the writing behind Kaito's storyline was a bit shaky at points, I really liked it and I grew to like Kaito more than I thought I would. He worked as a mirror to what Shun used to be before meeting the Lancers and he had one of the most popular archetypes from Zexal too. His interactions with Ed and Shun were pretty nice, so I was generally happy with his role in the series.

I don't think that there was a biased against Zexal for only choosing one character to return. At the time, Zexal was the most recent completed series, so more kids would have been aware of those characters compared to the GX and 5D's casts. That being said, I was surprised that they didn't give Haruto a silent cameo after the dimensional war. I can understand why they didn't have Kaito's father appear even as a silent cameo since his voice actor passed away a few years ago, but Haruto would have been the only one out of the two most Zexal fans would have wanted to see anyway. I don't think that Haruto was that tied into the plot for Zexal either given he was really only relevant for the first half of the series. I was more disappointed that Kaito didn't get any lines during the last few episodes, but they already had quite a bit of ground to cover during those last few episodes and his voice actor could have been busy too. Despite some of its issues, I really did like Kaito's role in Arc V, so I didn't mind that he was only Zexal era character they chose.

Ever since Jack and Crow were announced to return in Arc V, fans spent so much time speculating on who else could appear and it was a lot of fun. Just the idea of seeing different fan favorite characters in a new series was such an unexpected treat. For the most part, I think that they did a pretty great job with the legacy characters in Arc V, especially with their roles and characterizations. There was more than enough of their original personalities so that they were recognizable, but there were also clear differences as a result from living in a different universe. Crow was initially much less hopeful in regards to the Commons finding a better future than he was with the Satellite conflict in 5D's, Jack was more calm and mature to become one of Yuya's mentor figures, both Asuka and Ed accepted the Academia mindset to different degrees and Kaito was a bit more cold and tried to distance himself from his remaining friends in the hopes that he wouldn't lose them like he lost his family. It really showed that the writers put in the effort to make these characters recognizable to long time fans, but give them some noticeable differences. They live in a different universe with different histories, so that would have significant impact on their personalities.They put in a lot of effort into writing the legacy characters so that they would fit within Arc V’s world building and storyline. It was especially great that it never got the point where people had to watch the previous series in order to understand the legacy characters. Knowing about the previous series added more enjoyment to seeing them in Arc V, but they fit within Arc V's world building and storyline that people could follow along even without seeing the previous three series. I loved that they didn't take attention away from the Arc V cast either. They played important roles, but they were prominent supporting characters instead of becoming the new main cast. As cool as it would have been to see more characters from the other spin-off series, I think that they chose a good amount of previous main characters to appear in Arc V and fit within its storyline.

#Arc V #Arc V Anniversary #Arcvanniversary

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rwbyconversations · 6 years ago

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A retrospective look on the second half of Volume 6

Just over a month and a half ago, I did a retrospective on the first half of Volume 6- everything from Adam’s short up to The Grimm Reaper. Now in hindsight if I’d known the season was getting cut down an episode I’d have done the analysis a week earlier so it would be perfectly symmetrical, but life comes at you fast. I adored the first half of Volume 6 and still rank it as the best string of episodes quality wise that the show has ever had. It was very clear even early on that the crew over in Austin were going all out to prove that they knew what they were doing and could still create a stellar season of a show. I was confident at the time that the back half would stick the landing, and while it wasn’t as good as the first half, Volume 6′s second half still retains the quality that makes it one of the best volumes of the entire show and a standout piece of animation by any standards.

As such, this will be a review of every episode from Chapters 8 to 13, spoilers obviously will follow if you haven’t watched those.

Dead End- the stumbling block

So you know how I said in the retrospective for the first half of the volume that if chapter 8 was good than we’d get the longest uncut string of good episodes in all of RWBY? I’m pretty sure someone upstairs heard that and chose deliberately to make Chapter 8 the weakest episode of the season. There is good to be found here, but unfortunately every race has someone end up dead last and chapter 8 drew the short straw.

While the opening scene with Caroline and her minions is funny at first, it quickly drags on for too long and desperately needed another few goes with a weed-whacker to condense the scene. Barring setting up Corvodin as an obvious antagonist little is gained from the scene, especially given how much of the episode it consumes.

Jaune’s scene with Oscar remains... sketchy on a moral level, especially the accusation Jaune makes that Ozpin has been pretending to be Oscar the entire time. Jaune’s still not truly processed his grief over Pyrrha’s death and while I’m glad to see his anger at Ozpin return after it went missing in Volume 5, I think Jaune crossed the line when he decided to start manhandling Oscar. It’s also still really weird how outside of Yang and Weiss saying “Jaune!” with the concern you express when someone stubs their toe, no one actually runs over to pull Jaune off. It’s just a weird moment, I still don’t really like this scene or many of the defenses for it. Fuck’s sake, Oscar’s trembling like a leaf in a hurricane afterwards that stuff ain’t right.

Ruby’s scene with Maria is the real saving grace of the episode, especially since we finally got some solid information on the Silver Eyes, accompanied by some wonderful background music and cinematography. Maria really is one of the best characters in the show and it’s amazing how much audiences grew to love her in just one single year, so kudos to the writers, designers and actors for that. Maria’s Semblance is simple but neat, and you can actually go back and listen to the Maria vs Tock fight for their auditory trigger which is an insane attention to detail touch.

Also something I couldn’t fit in anywhere else; it’s sad but fairly realistic that Qrow falls right back off the wagon after the Corvodin meeting goes south.

Dead End has some quality to it, mostly in the back half with Maria and Ruby bouncing off each other wonderfully to create a great teacher-student dynamic, but the first half drags and is let down by an overly long intro before pouring gasoline on the fires of the anti-Jaune crowd.

Lost- The Refound Footing

Remember what I said in the first half of the volume retrospective, Em and Merc appearing is an instant thumbs up in my book. So an episode where they get half the episode to themselves, and even get to be in the thumbnail for the first time since Volume 3? Hoo boy, that’s a solid contender for episode of the season right there. And it nearly is, in all honesty. In fact, Lost’s only mis-step is how a part of it feels like the third act to a trilogy when we never saw the second part, but we’ll come back to that.

Mercury and Emerald’s scene is nothing short of breathtaking. There’s a lot of great lighting choices in this scene such as Emerald initially sitting in the darkness before rising and coming into the moonlit parts of the room after being confronted with her denial to believe that Cinder’s a monster, that lend the scene a bit of extra weight. Yuri and Katie are their usual amazing selves, especially since this is the first time either of them have been given some really meaty dialogue in a while.

Kerry had already teased content for Mercury was coming in the Reddit AMA, and we already knew the kick boi was sporting one of the darkest backstories of anyone in the show, but the curtain was uncovered here to make it absolutely obvious how much of a bastard Marcus Black was and I don’t think it’s a coincidence that interest in Mercury jumped up after this episode and the average theory on Team Jaded went from “Emerald will defect and Mercury will stay or die giving her a chance” to “Emerald and Mercury will leave as a group.”I also love how the Yang and Mercury foil status only continues to amplify, as now we have both of their fathers giving different advice and training in regards to their Semblances- Tai encouraged Yang to learn to control it and not to use it as a crutch unless she was sure it would finish the fight, while Marcus stole it so Mercury never got reliant in the first place.

Merc’s backstory is also making me salivate for when he finally gets to cut loose in a fight, since his two biggest fights- against Pyrrha and Yang- were him holding back, so Mercury fighting needing to worry about keeping his cover would be an insane fight. And if Cinder and Neo is any sign of the CRWBY’s skills with hand-to-hand fighting... yeah, Merc’s next bout will be something to look forward to. I also love that Merc spends this scene training his punches, showing that he’s covering his bases for the next time he gets to fight Yang or another brawler.

Emerald is still the best girl in this show. I love to hate how the music changes to a soft version of Cinder’s theme when Emerald explains why she’s backing Cinder, as if Emerald is twisting the music itself to make Cinder out to be the hero. Mercury bluntly telling her to stop living in fantasy land was a great moment that I’d been waiting years for, and “I’m sorry you didn’t have a mommy who loved you, but I had a father who hated me,” is just solid gold in writing.

I love how Merc’s smirk as he calls Emerald out on her denial just melts off his face because he cares enough to want Emerald to stop being delusional, but he’s not going to be nice about it.

Also can I just say Mercury, the whole “I think I’m right where I’m supposed to be” crap would work if literally every other one of your scenes this volume didn’t show you scared and clearly rethinking your life choices.

Tyrian’s tail upgrade is fine, but the real treat to his grand return is Tyrian playing psychoanalyist on Mercury and immediately calling bullshit on his above line- Merc’s only here because he’s been in a cycle of violence his whole life and is too afraid to leave it. The way he practically begs them to run because he called dibs on hunting them down is way too gleeful for my liking but given how Merc and Tyrian are two of my favorite villains right now, them finally getting to chat was a delight. I can’t wait until Volume 7 when we get to see Tyrian bounce off Watts without Mama Salem’s watchful eye.

OK I’m done talking about the best scene in the Volume. Now let’s talk about another great scene.

So first off I’d like to give my apprecation to the crew for making new Argus locals every episode we spend in it. It gives the city a lot more weight as a locale to see different streets and environs every week instead of prop recycling like a motherfucker. It gives Argus a lot more weight and makes it feel more lived-in than the few samey environments of Mistral that we got to see, and the streets are beautiful as a consequence. It also lets me play my new favorite spot, Spot The Emerald Clone!!

Jaune’s scene at the statue is a beautifully shot and acted scene, no complaints from me here and Forever Fall has already killed me and claimed my soul. I love how it calls back to the Volume 1 OP as well, and Miles and Jen kill it here. It’s on its own an amazing scene, but the wider problem is what sets it down. This is JN_R’s only scene this volume, and as a consequence it feels like it needs to include most all of their character beats since they won’t get the chance to otherwise- their mutual grief over Pyrrha is brought up, Nora tells Jaune to drop the suicidal tendencies he suddenly gained at Haven and Ren... is there. If JNR had more to do this volume I wouldn’t mind but this scene just gives the vibe of “JNR get one scene to develop and justify them staying to fight Salem and that’s it!” So nothing wrong with the scene itself, more the problem around it.

Finally we have Oscar’s sudden return. I think even if Chapter 8 hadn’t been the episode before the New Years break, fans wouldn’t have liked how this played out. Oscar really needs more character moments, especially after spending much of Volume 5 as just a fleshsack for Ozpin. Him going solo would have been a great way for Oscar to develop on his own and come to terms with his part to play in the war against Salem, maybe even have Ozpin or Ozma manifest and talk to him. Instead, he just goes and buys a new costume.

I still think Oscar lifted Qrow’s wallet for the record. And I still like his new outfit. The bandages give me Bungou Stray Dogs vibes.

So in this retrospective, I’ve been pointing out little moments for Ruby in each episode, moments where the writers pointedly have her take center-stage, even if just for a minute, to remind the audience that she’s the leader. Here, her moment is... fairly weak. Ruby’s inspirational speeches are never her strong suit, but her telling Qrow that they “didn’t need an adult” when he saved her from Tyrian back in V4 and Maria saved her from the Apathy just a few episodes ago is almost darkly comedic. Her quiet exasperation with Qrow when she finds him on the stairs is a much more understated moment that landed for me. Her hero worship for Qrow has been pretty much shattered at this point and now she’s just tired of his crap.

Lost is just an amazing episode. Mercury and Emerald are easily the most interesting characters in the series for me, this episode gives us more sights of Argus, the statue scene is wonderful and now I have the mental image of Oscar lifting Qrow’s wallet to go stress shopping as my favorite headcanon of the volume. Ruby’s speech is a little phoned in but it’s still a decent ending to a fantastic episode, and it’s easily my favorite episode in the entire season as a consequence.

Stealing From The Elderly- Most Apt Name For An Episode 2K19

The Argus Battle episodes all vary in quality- while none of them are outright bad episodes, some flow more smoothly or have more standout moments than the other. There is, however, one constant.

They’re all too fucking short. Half of the episodes are just barely fourteen minutes long, and taking out the Genlock preview and the opening and closing credits, it’s more generous to say they’re ten to twelve minutes on average. While I will take shorter, more concise episodes over something that drags on longer than it needs to (see Dead End and the opening scene again for my thoughts on that), there is a point where I must bemoan the length being too short. Especially when some of these episodes are insanely good.

Jaune’s plan is alright. Not quite as much of a disaster as some make it out to be, it’s a decent plan if lacking in contingencies. I think it’s noteworthy that had Adam not intervened, the plan would have gone off without a hitch.

The first half of the episode is also really funny. Corvodin’s guards are a lot easier to manage in the shorter pace of the episode and Maria is just a goldmine of comedy. Like I said earlier, it’s amazing how fast the fandom fell in love with this salty old grandma. I also love the joke that Maria’s jargon was perfect (which it is in real life btw I checked), but the guards knew something was up because their pilots aren’t old women.

The one real drag to the episode is Qrow having another angst episode and bemoaning how everything is his fault again, which just seems to be in the episode so Ruby can have another Ruby Moment. This is perhaps the weakest of all of her moments in the season, as it feels the most shoved in for the sake of being able to say “We gave Ruby something to do in every episode!” Which is fine, but repetition is a beast best avoided when possible in writing.

The mech is kinda cool, at least. And for the record, Corvodin is the guilty party in this conflict- yes, Ruby and co stole military equipment, but it was Caroline’s call to escalate to the Walking Gen;Lock Ad. They could easily have just dispatched other airships to catch the protagonists.

Adam’s return was a bit of a wet fart, unfortunately. A CRWBY episode released days prior to this episode releasing accidentally had mocap footage of someone fighting with Adam’s style, and storyboards that could be seen in this episode showed he was fighting Blake during it. Had the CRWBY episode not been so blatant in spoiling the surprise the twist of him suddenly arriving may have had more impact, but alas. I will say on an animation level, the fight in the tower is pretty good, if a bit clunky compared to what comes after. It makes good use of the environment and has Adam and Blake constantly crawling up and down the tower, giving the fight a bit of a unique quality to it. I also like the new visual additions to Adam’s Moonslice such as the bolt of lightning that crawls up his back.

Stealing From The Elderly is a decent, if very short, opening act to the Argus Battle episodes. It sets up the major conflicts of this trilogy of episodes, and has some great wit at the beginning, but doesn’t have much to make it stand out on its own.

The Lady In The Shoe-

Pretty. Fucking. Stellar. This episode is almost all fight scene, and works for the most part.

The mech fight is unfortunately the letdown of this part, and I’d probably rank it as the least exciting fight of Volume 6. While it does have some great moments such as Ruby getting to run on goddamn missiles, Ren actually getting to do something and not job for once, Ruby and Weiss’s great moment on the Lancer, everyone getting a moment to themselves where they get to land a blow on the mech (barring Oscar) and a new song in Big Metal Shoe, it’s overall a very slow battle that never really picks up. It doesn’t help that Caroline as a villain is very one-note, an exaggerated caricature who we know won’t stop the heroes, she’s just a stop gap for them.

Honestly though, the fight in this part of the episode just peaks at Ruby zooming up and firing her sniper rifle one handed at Caroline, and landing a no-scope right on the window. Heck, go and look and it’s at head level with Caroline. Ruby went right for the kill shot! God it’s so cool to see Ruby being a badass again.

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But of course the real highlight of this episode and of the entire Argus Battle sequence was Adam’s brawls against Blake and Yang, the latter of which has already earned a spot in most people’s favorite fights of the entire show list. Every time I thought Volume 6 had peaked fight wise, it got one more burst of energy and make a new “best of the season” fight to top the last. Cinder vs Neo was topped by Maria vs Tock, and now that was beaten out by Adam vs Yang. I can look at this fight and find a new favorite moment each time- Blake putting Adam’s sword into her sheath and disarming him for a few seconds while dual wielding for the first time in years, Adam’s almost instant turns whenever Blake uses her Semblance on him and him breaking Gambol Shroud, Yang smashing Adam with the bike, the list goes on. It’s not only great to see the Adam/Yang test footage getting remade to give the fight an extra edge, but as someone who wrote a lot of words on what the Battle of Haven did to Adam’s reputation, it was great to see the CRWBY remedying that mistake and giving him and Yang a fantastic battle, easily their strongest outings. Yang in particular really has evolved since Beacon, with her style having specifically changed to counter Adam and a whole barrage of new tricks- that rapid-fire machine gun punch is beautiful.

If this is how Yang fights now, her rematch against Mercury is going to be a fucking treat.

Adam’s face reveal was also a big shock. Some people had predicted branding but I don’t think anyone specifically called that he would have the SDC logo plastered on his eye socket. It’s a rather haunting sight, and puts his utter hatred for humanity in a startling light. It doesn’t excuse Adam of his actions, especially the abuse he put Blake through, but it puts a lot of Adam’s older actions- his disregard of the people on the train the Black trailer, his sadistic grins in his short whenever he was dominating humans- in a new context. Kudos to CRWBY for finding a way to take what most people thought they’d called already and putting a new spin on it.

While the mech fight isn’t stellar (though Nora’s moment of “You get back here with MY MAN!” was adorable), Adam vs Yang on its own makes this a high-ranking episode of the season with what cannot be stated enough as a good fucking fight. Melanie, you are a goddamn boss and I can’t wait to see you get that team working on more battles.

Seeing Red- The Assassination of Adam Taurus by the Not-So-Cowardly Blake Belladonna

So uh... last episode had Maria’s ship get hit with a missile, then it’s fine in this one? No smoke trails, not even any damage? OK?

Mech fight isn’t as good as it was last time, unfortunately. Ruby’s speeching is still rather annoying but at least she makes up for it by jumping into the cannon to make sure we all realize Volume 5 Ruby is a thing of the past. A really nice touch was her psyching herself up for a second before taking the second shot. It reminded me of Wonder Woman when Steve dies, he takes a second to breathe before firing. I like that she didn’t succeed with the first plan to shoot the missiles, it added a little tension to the fight. I also loved her moment with Qrow when he tried to stop her, it was a really soft and humanizing moment for both of them.

Adam vs Yang and Blake is still great, but last episode has it beat for sheer choreography. I very much enjoyed seeing them tag-team Adam, but part of me finds it funny that after Lady In The Shoe’s declaration of “We’re protecting each other,” Blake gets knocked out 40 seconds into the fight while Yang has to fight Adam for over a minute.

It was great to see the fire hair finally make a return, and having it serve as part of a climax where we see Yang correct her error when she fought Adam at Beacon- literally, they recreate the move where Adam cut her arm off but this time Yang dodges to the side first- was an amazing touch. And the hair looks pretty great too.

Adam’s death was a bit of a shock. It’s karma, no doubt, and ultimately this fight was only going to end with either him or the protagonists dead. But to be honest, I don’t think anyone expected him to win, especially after Weiss and Cinder took a spear to the narrative stakes last year. After the branding reveal I was personally hoping (but I was 90% sure he’d die) that Adam would get knocked off the cliff (I suppose I wasn’t wrong on that front at least) and get picked up by Cinder and Neo, then he’d become a problem in the Atlas arc. In particular I feel it would have been a great way to tie Adam into Weiss’s plot, as a way for her to see first hand that the SDC under Jacques is directly creating the monsters that go on to kill Weiss’s family. I’m fine with the death here, so long as what Jacques has done to the Faunus still appears in the Atlas seasons. But I feel this was a good place to see him off. On a technical level it would have been difficult for the crew to top the fighting scene in Chapters 11 and 12, while on a thematic level unless Adam went full-in on the Faunus cause he would have felt like dead weight. In effect, he’d have become the villain’s version of ReNora in how useful he really was for the plot. Additionally, even with the choreography here, had he run away again or lost I think that would have been a nail in the coffin for Adam’s threat-factor regardless. So ultimately, this was the best place to get rid of him, and at least he went out with a good death. (i really hope none of this paragraph gets twisted by someone trying to say i’m an abuse apologist, been down that road already thanks)

Also Blake breaking down was harsh. Her and Yang are gonna need to have a long conversation or six about trauma because that’s the closest either of those girls are getting to therapists in this death world. But for real, the finale all but confirmed that Blake and Yang are endgame, and whether your own thoughts on that, their arcs next volume should be about addressing that before romantic tension comes in. We’ve got at least six volumes left, the show can afford to take it slow and have them get some therapy before they get a Tinder profile.

... though I will complain about one thing about the fight. Adam’s sheath is a gun, why didn’t he just try and shoot Blake and Yang after he lost Wilt? He just rushes for the broken fragments of the sword when he has a working gun at his belt. Literally, the one thing I don’t like about the fight itself and it’s the epilogue to it.

Seeing Red’s fighting choreography might not be as impressive as Lady In The Shoe for either fight, but both are augmented by instead focusing on the characters and nailing a lot of the symbolism in its key moments. Ruby gets to shine with a hell of an insane move, and the show parts ways with its first real villain.

RIP goatboi, you were trash but at least it was fun to watch you swing your weeb stick. Thanks for sucking in Volume 5 so much I started writing narrative essays about the show as a consequence.

Our Way- And now, the end is near, and so I face, the final curtain

As an episode, Our Way is pretty cool. As a finale, it’s a bit weak, continuing the meta trend of season finales getting shorter every volume since V3. Nothing here is inherently bad, in fact it’s a lot of good material, but it’s not finale material.

Ruby’s arc (well it’s not really an arc but that’s a subject for another post) has been building up to the moment where she finally become a proper leader, and her facing down the Leviathan was that moment. The shots of this thing looming over Ruby are cinematic gold. I love that Ruby uses Jinn’s time stop feature to cheat out a few more seconds to prepare her Silver Eyes, and that Jinn, albeit begrudgingly, admits that she made a good play. When a near omnipotent lamp admits you’ve got some moves, you really have come a long way as a fighter.

The 2D stills of the Beacon season moments were a delight to behold, especially thanks to the added detail they gave moments like Weiss giving Ruby coffee and Penny’s death. The Summer appearance was amazing and made the finale for me, and it fading right as the lyrics to Indomitable kick in is a fantastic rush of emotions. Four lines and that song’s already my most anticipated track on the volume. I’m kind of bitter it wasn’t the credits song if I’m being honest.

Corvodin getting the final blow on the Leviathan was mixed. I appreciated how fucking anime it was that she used her DRILL THAT COULD PIERCE THE HEAVENS to kill Bubbles, but that the Leviathan was just so casually one-shotted made for a bit of an anticlimax to the battle. I’m not exactly also fond of the racist old hag being given a “soft” redemption but whatever.

Really that’s my one big problem with this. I get that there was no real way to have another big Grimm fight, but it makes the Battle of Argus feel like a bit of a cheap fight as a consequence. I’m overall fine with the result, but it does weaken the finale as a direct consequence. If the Ruby Silver Eyes moment didn’t land for you I can imagine this finale being rather weaksauce. Still, at least most of it was onscreen this time, so progress over Haven. It’s overall an OK episode but it needed a bit more time in the oven to make it a great finale. I didn’t hate it, but I can’t deny that outside of the character moments it wasn’t as climactic as I hoped it would be, especially once they cut episode 14 as I assumed that meant a longer than normal finale to compensate for the runtime. If you like Ruby, this is a great conclusion to a season that’s been great for her overall. If you don’t? Well, twelve out of thirteen good episodes.

Really though, Our Way made clear one important fact. Blake will never be allowed to solo her own songs, she will always have to share it with someone else. Honestly after From Shadows, Wings, Like Morning Follows Night, This Time and now Nevermore, it has to be deliberate that Blake only gets duets.

Also you remember how I pointed out that each even-numbered season up to V6 opened with Em and Merc? Well the tradition was kinda kept alive because they closed out Volume 6. Fitting that they be the ones we close out the Mistral seasons with, alongside literal flying monkeys. At least Mercury has his eyebrows back to normal now so... character arc?

... oh yeah and Neo and Cinder were in this I guess

Conclusion

Volume 6 is stellar, superb, at times outright spectacular. As a fan who felt Volume 5 was at best mediocre and at worst just bad, Volume 6 is an immediately counteraction and a redemption arc for RWBY as a show. Almost all of the major criticisms that had been levied at the Maya Era since Volume 4 started- janky animation, poor pacing, underused characters, weak fights, poorly explained backstories and weak villains among countless others- were all addressed and fixed to a certain extent. Ruby finally feels like the protagonist of her own story, Salem and Ozpin’s backstories have been explored, Adam was given a shred of sympathy before his death, the songs were great, the fights were stellar and it managed to, for the most part, stick the landing.

Granted, the first half is far better paced and written, the pacing does take a hit once RWBY reach Argus, but a conscious step was taken to avoid the Mistral House Round 2, we only spend three episodes in the Cotta-Arc house and a large portion of time outside it to boot. Miles said in a post-RTX interview that the plan was for each episode to have at least one new location per episode to avoid repetition and for the most part, they succeeded. As a consequence, the world feels more alive than it ever has before, Argus feels much more intimately known and we see the characters reacting to new environments and stimuli. But regardless, things slow down and hit a roadblock at Argus and while the pacing smooths out, it does break the stellar flow the earlier episodes had managed to keep going.

The Argus Battle episodes, while as a whole better shot and choreographed than last year’s battle at Haven, have far smaller stakes. The mech fight has some entertaining moments but fails to entertain, but the slack is thankfully picked up by Adam vs B&Y which will top a lot of “best fight of the show” lists for a while to come. But still, the episodes feel less wide-reaching than the Beacon or Haven versions, and perhaps because of this, the final episode fails to excite as much as it does due to the Battle for Argus having no real stakes or danger. It leads to a great moment, but it’s not as exciting as it could have been.

While overall the pacing was very good, one plot did drag- Cinder and Neo. This did not need to be in Volume 6 and while I liked their fight, Cinder’s plot is rather blatantly just there to set up Volume 7 and their threat there. While it did give the crew a chance to finally explore Mistral’s criminal underworld that had been teased in the World of Remnant, Mistral still feels woefully underused compared to Vale thanks to a shoddy start. As well, plain and simply, I just don’t like Cinder and Neo as much as I do the other villains, and I’d have rather their screentime be used on the other villains- a segment of Adam stalking Blake in Argus, more of Emerald and Mercury processing Cinder not being around anymore, Hazel and the duality of his want for pacifism and his utter hatred of Ozpin, Tyrian and Watts and the inevitably buddy cop drama that will ensue from them. This is a personal gripe, I’m aware, but Cinder has still failed to grab me as a villain six volumes in- hopefully now that there’s one less villain to juggle, she can finally get something to hook us in next volume. Also I just don’t like Cinder’s new outfit, give Em and Merc new outfits already for Christ’s sake.

Another plot that didn’t so much drag as was just removed was Oscar going missing. I was sure this would lead to an Oscar solo scene where he’d get to confront Ozma and Ozpin and figure out his place in life. As it is, it feels like he just went missing so Jaune, Ren and Nora could have the statue scene. At least his new costume is nice.

But overall, the second half was good, no, great a lot of the time after the awkward stop in Dead End. Volume 6′s second half may not have been as grandiose as it could/should have been, but it still maintained a steady pace, gave us a lot of fantastic standout scenes, great combat and character beats while finally leaving the ghost of Volume 5 behind on Mistral. I am thoroughly onboard for Volume 7, and I am now eager to see where Miles, Connor, Kerry and Melanie steer the ship.

Thank you for reading.

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recentanimenews · 7 years ago

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Bookshelf Briefs 11/28/17

It’s a cornucopia of briefs!

Ace of the Diamond, Vol. 6 | By Yuji Terjima | Kodansha Comics (digital only) – Training camp continues, and the coach has arranged for some practice games right afterwards, the better to gauge how well the first years play when exhausted. For Furuya, the answer is initially “not well,” but he never loses his determination, and once he swallows his pride and asks Miyuki for advice, finally internalizes the truth that, at Seido, he’s got teammates who are going to back him up, even if the batter does manage to get a hit. Eijun’s fun and everything, but Furuya is not your typical shounen protagonist, and I’m pleased that he’s getting his share of attention. I also liked that the boys hang out some with varsity teammates we’ve barely glimpsed, and we learn how awesome the captain is. I am already relishing the thought of future marathon rereads of this series. It’s a keeper for sure. – Michelle Smith

Cells at Work!, Vol. 5 | By Akane Shimizu | Kodansha Comics – Once again, Red Blood Cell is absent from this volume except a brief cameo. This allows us to focus our attention on the ‘normal cell’ from prior volumes, who still has a tendency to do dumb things on impulse. Fortunately, the cute adorable bacteria he’s harboring in his room are the GOOD kind of bacteria. Unfortunately, his attempt to get them to where they can do good is thwarted by a host of crises from which White Blood Cell and company must rescue him, most notably the return of Cancer Cell, who brings back the ethical ambiguity to the series as he asks essentially “are the needs of the many less important than the needs of the one?” The one being the body. This was a lot of fun. – Sean Gaffney

Delicious in Dungeon, Vol. 3 | By Ryoko Kui| Yen Press – The cast expands a bit in this third volume. We see one of our team’s old comrades, who left them due to actually wanting to get paid, and the complicated relationship she has with them, particularly Marcille, and it’s made clear she’s not a bad guy—everyone has their own needs and drives. As for Marcille, we also get a flashback to her school days, which shows how she met Laios’ sister (still being digested by a dragon, if you recall), which is rather cute. And of course more ridiculously gross yet amusing monster recipes. And plenty of humor, as it turns out tentacles can be peeled sort of like bananas. Still good, though I’d like to get the sister rescued or declare her dead. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 6 | By Tsunami Umino | Kodansha Comics (digital only) – It was inevitable that Mikuri and Hiramasa would discover that they are in love with each other, but I am still kind of surprised that it actually happened. It’s lovely to see him grinning like a doofus at the office after an evening of fooling around, but I appreciate that the transition into a real marriage isn’t exactly going to be smooth. Mikuri is worried, for example, that she’ll be expected to do the same amount of work for free, while Hiramasa worries about his waning sex drive. Somehow I doubt we’ll ever see the latter issue addressed Everyone’s Getting Married! I also really enjoyed the scenes where Mikuri’s aunt and Kazami get to know each other better—I wholeheartedly approve of them hooking up! – Michelle Smith

Haikyu!!, Vol. 17 | By Haruichi Furudate | Viz Media – And so our heroes pull it off, and get to advance, while Aoba Johsai has to suffer an ignominious defeat. This is done in the best possible shonen way, with lots of noble tears and resolve to get even stronger. The cliches don’t FEEL like cliches—the author is adept at making this feel fresh even when you know where every plot beat is going to be. And so it’s on to the finals, and I suspect this game may drag on a while, as it’s a best 3-sets-of-5 game. Their opponent is Shiratorizawa, who I’m sure we’ll find out more about as we move on, but who clearly have one player who’s REALLY good, and the volume ends with our heroes down by quite a bit. I think they’ll come back, though. Just a hunch. – Sean Gaffney

Hana & Hina After School, Vol. 3 | By Milk Morinaga | Seven Seas – This turns out to be the final volume, and honestly you get the sense it was cut a bit short—the last half feels rushed. Of course, considering all we were getting before that was a slow-burning pile of angst, it might be best that it got the push. Morinaga Milk has always been better at fluffy than angsty, so it comes as something of a relief when our two heroines finally get over the whole “is it just me? Did she mean it when she said she’s not that way?” drama and get together (in all respects—as with previous MM titles, there’s a brief, not-that-explicit sex scene here). In the end, this was a cute read, but I’ve seen better yuri from this author. – Sean Gaffney

Horimiya, Vol. 9 | By Hero and Daisuke Hagiwara | Yen Press – Horimiya has always tried to be at least slightly more realistic than a lot of romance manga, and thus watching Yuki’s ongoing angst regarding her lies and deceit and how it’s impacting other people is particularly painful. I’m not really all that sure I want her to win here, even though the alternative will also suck. On the bright side, Hori and Morimiya are doing better than ever, and as Hori is forced to think about her future—something which she seemed to have given not a single thought to—but she realizes here that no matter what she does, she wants to be with Miyamura. This leads to a sort of adorable reverse proposal, which fits the general characterization. Still good, but I hope it’s wrapping up soon. – Sean Gaffney

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 5 | By Hirohiko Araki | Viz Media And so, finally, JoJo’s has run up against my ability to get 500+ words out of each volume. Yes, this is the first volume to get a Brief rather than a full review, and I put the blame entirely on the rambling Road To Cairo plot that Araki has chosen to use this time around. Individual moments are as striking as ever—I felt the killer baby was more interesting as a killer within dreams than in the real world, and the surprise non-death of a character feels a bit cheap. But JoJo’s still has its bizarre visuals and grotesque violence, and as long as it keeps that up it should stay interesting, even if Jotaru continues to be the dullest Jo we’ve had to date. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 4 | By Canno | Yen Press – Most sports manga fail to show the heroes moving on to a professional career, with a few exceptions like Captain Tsubasa. In reality, a lot of sports careers end just the way we see Mizuki’s end here—she comes close to the Nationals, but doesn’t make it, and realizes that this is it, she has to stop doing track and decide on an actual career. There’s also her relationship with Moe, which may actually be hindering her for a spell—it’s gotten to the point where she forgets running was fun—but eventually proves stronger than both thought, and we get a proposal (of sorts) and a kiss. This is a bit stronger than Hana & Hina, even if it’s just as fluffy, and I’m pleased to see it continue. – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 7 | By Koyuki and Mamare Touno | Yen Press – The comedy is kept to a minimum here, as we get the more dramatic parts of the third and fourth novel, intermixed with how it’s affecting the West Wind Brigade. Kawara’s on the cover, and we get a bit more insight into her character—basically, she’s an instinctual fighter but a bit of an idiot who got into the game because she wanted to be a shonen hero, and the West Wind Brigade was the only one that would take her in. It does also show off her strengths as well, though. That said, easily the most interesting part is the ending, where we get a surprise appearance by a seemingly insane Nureha, who’s met by a battle-crazy Soujiro. I want to see how this battle turns out. – Sean Gaffney

My Hero Academia, Vol. 10 | By Kohei Horikoshi | Viz Media – I appreciate that Horikoshi is willing to let Bakugo be a completely unlikable jerk, driven by rage and jealousy and every single negative emotion, and yet still show that he realizes the difference between good and evil—that he’s decided that he wants to be a HERO rather than a villain, even if that means going against what comes more naturally. It’s a terrific scene that really made me like him. On the flip side, the disguises used to infiltrate Evil HQ are hilarious, particularly Deku and Momo. The humor is needed, as this is something of a grim arc, especially with the arrival of a Bigger Bad towards the end. This volume shows off everything that has made this the hot new Jump title. – Sean Gaffney

Nisekoi: False Love, Vol. 24 | By Naoshi Komi | Viz Media – Even though it’s obvious Onodera’s going to lose, give credit to the author for not making it easy. She and Raku have really developed a close relationship, and even if it’s not romantic I hope they can stay friends. More to the point, the fact that Onodera is willing to help Raku track down Chitoge by FLYING TO AMERICA with him (because Chitoge has, like many tsundere heroines in denial, literally run halfway across the Earth to escape her love issues) shows off her truly ridiculous kindness. There’s the last popularity poll in this book, and Chitoge and Onodera are separated by barely 100 votes. That’s impressive for a harem title. In any case, it wraps up next time, so keep reading. – Sean Gaffney

One Piece, Vol. 84 | By Eiichiro Oda | VIZ Media – It’s been a while since we had a volume that focused on further sad backstory for one of the Straw Hat crew, but that’s what we get here, with many hard-to-read scenes about Sanji’s abuse at the hands of his family, intercut with a silly fight in which Luffy defeats a bunch of cracker soldiers by eating them. Because Big Mom is threatening to kill Chef Zeff if he doesn’t comply, Sanji is forced to both insult and attack Luffy in an attempt to get him to abort the rescue, but of course this doesn’t work. In addition to this riveting drama, there’s also the question of whether Pudding (Sanji’s seemingly sympathetic bride-to-be) can actually be trusted, more information about the ponegliffs (yay!), and a glimpse at the unintended consequences of toppling Doflamingo. Plus, Brook actually gets something important to do! This series is still excellent. – Michelle Smith

By: Michelle Smith

#Anime #News #Manga Bookshelf

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booksong · 7 years ago

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Fanfic Writers Appreciation Day Wrap-Up 2017

This is consistently one of my favorite ‘fandom holidays,’ and a chance for me to remember and share all the incredible work that people have put into giving us the stories that make fandom such a joy to be a part of. As always, there are too many fics I wish I could share than can fit on this list, so if you see this post, pass on the sentiment by giving your own favorite authors and stories some love and recognition and sharing them with your friends and followers, not just today but all year long. As an author myself, I promise you will absolutely be making their day with a comment or reblog, even if you’ve already given one (or lots)!

Here are just a handful of the most memorable fanfics I’ve read this year:

Polyglot Variations by spoken (Yuri!! on Ice, gen, M) - Quite possibly the best Victor character exploration fic I’ve read thus far, this traces his life in terms of languages learned. There were moments of this fic that absolutely brought me to tears, and it hits that right note between realistic struggle and sorrow and moments of brightness to form something wonderfully human. And as with many fics I love, it’s the little details, bits of dialogue, and missing moments that make it.

the certain things we lack by deanpendragon (Haikyuu!!, Tsukkiyama, M, ongoing) - This fic has been breaking my heart into pieces and restitching them back together in the most incredible way since its first chapter. I don’t usually follow fics with too much angst and heartbreak, but this story of Tsukishima and Yamaguchi’s (painfully and realistically) complicated home lives and the refuges, mirrors, and lifelines they find in one another is an exception I’m happy to make. And the prose itself is just gorgeous—super evocative and filled with stunning turns of phrase.

hood & glove by Fayhe, with (utterly gorgeous) illustrations by hawberries (Yuri!! on Ice, Otayuri, T) - I was absolutely floored by this fic—it’s basically everything a fae/fairy tale retelling could aspire to be. Everything about the tone, characterization, worldbuilding, and the emotions it evoked reminded me of my all-time favorite fantasy books and fables, and the accompanying illustrations are just the icing on top. Total must-read for YoI fans.

Up the Wall by surveycorpsjean (Boku no Hero Academia, Tododeku, M) - Todoroki can be a really tough character to write, and so can Midoriya, and I think this fic nails them both, as well as their dynamic together. It’s sweet and funny but there’s also some really great, understated emotional moments in it.

everything stays by KnightOfRage (Tales of Zestiria, Sormik, T) - While it does encompass endgame spoilers for the anime and game, I have yet to read a more perfect and satisfying version of this story’s epilogue. I think it’s the attention to worldbuilding details, on top of the excellent characterization, that really got to me—this isn’t just a single scene, its an extended journey of return and reunion.

Warm and Close by Ellessey (Haikyuu!!, Daisuga, G-E) - I still can’t find a better description for Ellessey’s Daisuga Week 2017 collection than ‘this is what I would show people to convince them to ship Daisuga’. It’s a perfect encapsulation that touches on all kinds of aspects of one of my all-time favorite OTPs, both as individuals and together, and it was a joy to follow each day during that week.

Each Sip Like Starlight by cloverfield (Yuri!! on Ice, Victuuri, E) - I’m just going to say it—this is my smut pick of the year. I know that’s a subjective thing, but basically every inch of this fic, from the warm, sensory, intimate prose to the focus on comfort, enjoyment and foreplay are just exactly my jam. It was fantastic enough that I ended up reading the author’s other fics in fandoms I know nothing about (psst, if you like Tsubasa Reservoir Chronicle and other CLAMP works take a look!).

hear my soul speak by spaceburgers (Kuroko no Basket, Kikasa, G, ongoing) - There are some romcom tropes that never get old, and if you’re in the mood to go back to the roots of one of the absolute classics, this fake dating AU is one of the best in my recent reading. It’s extremely IC, and there’s something ridiculously comforting and charming about the familiar story beats and misunderstandings that leaves you all fuzzy and smiling.

this isn’t exactly how i thought i’d be spending my adult years by jadedpearl (Haikyuu!!, Matsuhana, Not Rated) - I adore this pairing in any form, but there’s a special kind of lazy, caustic chemistry between them in this fic that just feels spot-on and catapulted my enjoyment of it even higher than normal.

Writers, thank you all for inspiring us, entertaining us, sharing your imaginations with us, and making us all love (and understand) our favorite characters and relationships that much more. And general reminder that if you ever have or want fic recs, or just want to talk about reading, writing, shipping, or fanfiction in general, my inbox and messenger are open! Now go leave a comment or reblog a fic post and make an author’s day!

#fanfic writers appreciation day #i really do love doing this every year in case you couldn't tell #fic rec #long post #booksong tag

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100wordanime · 8 years ago

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Overview:

The Black King has stolen half of the chain chronicle (which apparently documents everything that happens in the world) and now he’s using it to engulf the world in darkness. The heroes have already tried to defeat him and failed, but have they given up hope? I reviewed Chain Chronicle week to week so if you want thoughts on the individual episodes click here.

Review:

Before getting into this there’s a couple of things I’m going to make clear. I am a major old-school fantasy fan. I have read pretty much every sword and sorcery style fantasy book I could get my hands on growing up and read out entire fantasy sections of school and public libraries. My appetite for these kinds of stories is voracious and I’m not too picky about quality as long as it isn’t boring. Therefore, when I say that this story is lacking in originality but still really fun, you should probably understand that it really only applies if you are equally fixated on good vs evil, hack and slash with swords, with some magical explosions and the occasional dragon thrown in.

When this came out in Winter I was really happy because it has been a long time since we’ve gotten an anime that is so unapologetically classic fantasy. It wasn’t trying to give us a subversive hero, add in unnecessary self-aware comedy, give the villains complex backgrounds and having people make morally grey decisions. There is nothing wrong with any of those things, but they aren’t classic fantasy and while they can make for stories that feel a bit different, I still just like my fantasy pretty straight forward. There’s something comforting about the familiarity of light vs darkness and the good guys will be down but not out for three quarters of the story before they rally for the final conflict. So I’m not going to spend much time discussing the plot but rather the characters and the execution.

The issues that emerge from these sorts of stories though usually concern lazy writing. Because the story is so familiar and the characters are such well-worn archetypes, writers end up taking short cuts and you kind of feel like you are reading a plot synopsis or a description of a movie rather than being immersed in a story. The other issue that comes along is that the writers themselves are aware that everything they are writing is derivative and so they don’t give anything the extra attention or oomph it needs to make it stand out.

So does Chain Chronicle have these issues?

Yes and no.

The villains do suffer incredibly from poor writing and limited screen time. They are either mindless summoned puppets who can get cut down in droves and just respawn (so zero care factor from the audience) or they are so beyond cliché in their dialogue it is impossible to take them even vaguely seriously as a threat. Plus, there’s the lingering question of even if they succeed in dying the world black, what then? Is there some sort of grand plan beyond make everything black?

Realistically this is my biggest complaint of this series as a whole is the lack of real motive or care put into these villains (that and what is with that female villain’s armour). Also, we see not one but two of the ‘heroes’ of the story get turned into demons through their own inner doubts and losing to their inner darkness.

Yuri, as the main hero, has a whole group of friends continuously rallying behind him and trying to bring him back. His character and back story get quite a lot of exploration to understand why he gave in to the darkness and to really hammer the point that anyone can fall. Also giving the whole love, bonds, and friendship theme a boost in the final episode.

Burkhardt on the other hand turns evil and mostly people spend the rest of the series shouting at him and then the Princess cuts him down declaring that she would take on responsibility for him. Um, Princess, wouldn’t it be better to believe in him and try to get him back like Yuri’s group are doing for him? Aren’t you kind of writing off your own subordinate fairly cheaply? And why is Yuri so much better? Then again, Burkhardt’s character is portrayed as a proud narcissist before he turns, we get no back story, and no development. And it turns out he has no friends so clearly he doesn’t fit with the theme of bonds and friendship and so must get unceremoniously crushed.

It’s fairly contradictory the way these two characters are treated and while I get that we probably don’t have time to explore the back story of every character, why introduce Burkhardt at all and why have him go evil if you aren’t doing anything with that. Or even if they tried to turn him back and his inner self resisted and continued to give in to darkness forcing them to kill him it would have made more sense because it would have shown the moral choice of being evil despite having someone reach out for you.

So yeah, the villains were not great.

In terms of all of the other characters, the biggest issue is the sheer number of them. This story wants to be an epic. It really does with the scale of the threat and the number of alliances and people caught up in the battle. But with 12 episodes instead of grandiose and epic what we end up with is a shallow view of a much deeper world and we don’t really have time to deal with the ins and outs of most the characters.

That said, some of them were really fun. By the half-way point I kind of loved Aram. He was such a cliché character getting picked up by the heroes in a random village and then apparently being excellent at fighting before he learns about hope and bonds and ends up all but being the main hero of the story. Plus, he picked up Furball who was adorable, and then transformed into a dragon (needed a new name, seriously who calls a dragon Furball). Aram was awesome and yes he gave in to the shout your ideals loudly at anyone who disagrees philosophy that so many young, male anime protagonists fall into but due to the sheer number of other characters the effect of this was somewhat diluted making that aspect of his personality tolerable.

The other character I really enjoyed and wished we’d learnt more about was Shuza. He was such an antagonistic character throughout most of the series and I really wish the show had spent a bit more time on him so that we could really appreciate the moral ambiguity he really represented. Everything else in the story was incredibly divided into darkness and light but he managed to be technically on the side of light but had some pretty dark views and really the ending gives us no clue about what now. In my own head I’m seeing him take his army and sweeping across the continent taking advantage of the fact that all the other armies have been significantly weakened. But we don’t actually know what he is doing other than still leading the army because pretty much no time is devoted to him after the battle.

There were other characters that I either liked or didn’t but essentially if you can think of a character who usually appears in these kinds of stories, they are likely to show up somewhere along the way, even if only for a little bit and even if their actions seem pretty inconsequential.

There also some really cool settings and locations, though at times you’ll get sick of them being on yet another road. Also, don’t pay too much attention to travel time. Apparently armies can fast travel (not really but realistically they must have for all of those armies from all of those different locations to be able to arrive in that location at that time). Time and distance mean very little in this story and you kind of just have to go with it.

All and all, as I said at the start I had a lot of fun watching this. There’s definitely issues and at times common sense has to be dismissed just to get through a certain plot point, and I really wish that they’d either trimmed down the scale of the conflict or given this another 12 episodes to actually flesh out the world in a way that made it feel a bit more real, but entertaining nonetheless. I’d really only recommend this to major fantasy fans who are wanting something just to casually watch where they don’t have to think too much and they aren’t wanting anything unexpected. Otherwise, there’s probably better stories out there to spend your time on.

Still, fun.

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Chain Chronicle – The Light of Haecceitas Series Review Overview: The Black King has stolen half of the chain chronicle (which apparently documents everything that happens in the world) and now he's using it to engulf the world in darkness.

#anime #Chain Chronicle #dragon #fantasy #fight #review #series #sorcery #sword

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recentanimenews · 6 years ago

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Bookshelf Briefs 12/5/18

ACCA 13-Territory Inspection Department, Vol. 5 | By Natsume Ono | Yen Press – Jean’s identity is, if not in the open explicitly, at least well known among the cast. This is a big problem, of course, especially for his sister, who is the very definition of hostage bait. Fortunately, Jean also has friends that can help him out there—his sister is pretty much the one ray of sunshine in the series, so I don’t want to see her sacrificed. That doesn’t mean that it’s depressing tragedy, mind you—it just means that, as with most Ono titles, the majority consists of discussions among middle-aged men (and one woman). This being ACCA, they’re political discussions, though there’s a bit of food thrown in. As always, a good read if you’re an Ono fan. – Sean Gaffney

Accomplishments of the Duke’s Daughter, Vol. 2 | By Reai and Suki Umemiya | Seven Seas – Since the first volume came out, we’ve seen the appearance of the My Life as a Villainess series, which has essentially the exact same premise. That series is more focused on Katarina changing her fate and bonding with the cast of the VN, though. Accomplishments of the Duke’s Daughter is more like Realist Hero, wanting to change the world and advance it towards modern times. So we’re not only inventing chocolate, but also coffee, and concentrating on good roads and educating the youth. There’s not really much in terms of antagonists so far—Iris explains what she wants to do precisely and effectively, and everyone agrees with her. This makes it a tad dull, sadly. – Sean Gaffney

Beasts of Abigaile, Vol. 4 | By Spica Aoki | Seven Seas – I didn’t know when I started this volume that it’s the final volume of the series. It was only when one of the central hunky boys got definitively crossed off the list romantically that I was spurred to look it up and, yep, this is it. In her notes afterwards, Aoki-sensei says there was much she wanted and needed to draw that she couldn’t include, which makes me wonder if the series got canceled. Still, it hangs together reasonably well. Nina’s origins are explained, the king makes an appearance, there’s a big escape, noble sacrifice, and one person who seems to entirely lose touch with reality. What we don’t see is how any of the luga fare once they are out in the world but we’re encouraged to imagine a happy ending. Overall, this series was far from deep but still pretty fun. – Michelle Smith

Cardcaptor Sakura: Clear Card, Vol. 5 | By CLAMP | Kodansha Comics – There are interesting things going on in this volume of Clear Card. We meet Sakura’s great-grandfather, who apparently fell out with Nadeshiko when she got married (possibly as she married her teacher), but now regrets it because she’s dead. Speaking of that, Nadeshiko explicitly tells Sakura she should stop summoning her spirit for visions as it’s unhealthy. And Eriol finally coughs up a bit of info, revealing that Sakura is making her own cards using her magic and imagination—and that’s super dangerous if she knows about it. So let’s keep everything from her some more. I’d be more invested in this sequel if it weren’t so dull—the interesting plot points are conveyed tediously. – Sean Gaffney

Frau Faust, Vol. 5 | By Kore Yamazaki | Kodansha Comics – The way that Frau Faust ends is surprising to no one, but it’s done with a lot of style and feeling. Even the villains in this story get a chance to show off how they got that way, and for Marion, it’s an attempt to show off how much he’s grown. Despite that, this wasn’t going to be his story in the end—Johanna is who the reader is invested in. (Sarah is also pretty invested in Johanna, and the way her story resolves is touching but also very sad.) I actually wish that the series had gone on a bit longer—the action sequences here are even better than in The Ancient Magus’ Bride—but I’m also fine with this ending, which is final and yet the teensiest bit ambiguous. Let’s license more Yamazaki. – Sean Gaffney

Frau Faust, Vol. 5 | By Kore Yamazaki | Kodansha Comics – As the volume begins, Johanna has let herself be captured by the church in order to gain access to the holy city, where Mephisto’s final parts are. A lot of the stuff that follows isn’t exactly clear, but the gist of it is that all of Johanna’s friends are there to help her get to Mephisto’s head and there is a lot of action that culminates with her telling him, “I win.” Quite a few aspects of the ending are open to interpretation, which I’m not exactly fond of, but which fits the spirit of the series pretty well. Chief among them—did Johanna actually intend for that to happen all along? I do love how inspired by her everyone else was, and am especially fond the quiet love story between two characters. In the end, I enjoyed this series very much, though I do wish it had been longer. – Michelle Smith

Gabriel Dropout, Vol. 5 | By Ukami |Yen Press – We get another new character this time around, in the form of Kurona. She’s a demon who wants to make friends, but is rather awful at it, and it doesn’t help that she’s trying to befriend Taplis, who is an airhead even by the standards of Gabriel Dropout, a series dripping with airheads. Speaking of which, Satanya’s new attempt to defeat Gabriel works quite well, but not in the way she intended. (Yuri fans may like it, though.) We also get more backstory showing how Gabriel became what she is now, which was… exactly what you’d expect, to be honest. There weren’t quite as many laughs in this volume of Gabriel Dropout, but it’s still a cute, fun series. – Sean Gaffney

Hatsu*Haru, Vol. 3 | By Shizuki Fujisawa | Yen Press – I guess we do need to pair at least some of the spares already, as Miki and Kiyo, the pure cute boy-girl team from last time, end up becoming a couple in this volume in an utterly pure, cute and adorable way. Unfortunately, Kai is the hero, so he’s not going to have nearly as easy a time of it. On the bright side, Riko’s crush on Satoshi pretty much gets kicked to the curb this volume, as we confirm that he’s getting married. Which she knew was coming, but it still hurts. This allows Kai to man up and confess to Riko, though given this series is thirteen volumes and this is volume three, I suspect it may go badly. Still, while this breaks no new ground, it’s a good shoujo story, well told. – Sean Gaffney

Murcielago, Vol. 8 | By Yoshimurakana | Yen Press – There’s pretty much a volume full of action here. Some of it is Kuroko and Hinako, who pair up again to try to take out the big bad (and we actually get some backstory for Hinako! It’s as blood-filled as you’d expect.) and some of it is Urara, Kuroko’s hugely muscled and somewhat dim bartender friend, who’s on the cover but is mostly there to be comedy relief. It’s also nice to see Reiko, the cool assassin from previous books, who is still very good at her job but gets very angry if you think she’s a boy. (She also gets the sex scene at the end of the volume, meaning it’s pretty tasteful.) But let’s face it—we read Murcielago for the ridiculous violence. There’s a lot of it here. – Sean Gaffney

One Piece, Vol. 88 | By Eiichiro Oda | VIZ Media – Having successfully rescued Sanji, the Straw Hat crew is now attempting to escape the clutches of Big Mom, who is rampaging because she didn’t get to eat any wedding cake. I really appreciated the spotlight on female characters in this volume. Nami has actually been extremely smart and capable this whole arc, but now we see super tsundere Pudding stepping up to make a new cake to satisfy Big Mom’s hunger as well as Carrot the mink briefly becoming a badass as she transforms under the full moon. I also like that Pudding seems really into Sanji; I kind of hope they end up an official couple! Luffy’s fight with Katakuri is entertaining, as well, since their powers are so similar. All in all, this is a very well-paced and exciting installment. – Michelle Smith

Requiem of the Rose King, Vol. 9 | By Aya Kanno | Viz Media – We continue to stagger onwards towards the events of Richard III, though honestly neither Kanno or the reader are all that interested in matching up with Shakespeare precisely. We also lose Richard’s older brother George, who is done in by a lot of political machinations and Richard essentially being a triple agent. That said, Richard may be in trouble soon, as Buckinghan, the classic “bespectacled bastard,” has learned his body has a secret to it. Fortunately, he also has a mysterious bodyguard, who readers will immediately recognize but Richard doesn’t quite—yet. This is basically Kanno’s best series. Buy it. – Sean Gaffney

By: Sean Gaffney

#Anime #News #Manga Bookshelf

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