#it accurately represented me in class earlier

[cursecuelebre]

All About Woden or Oðin

It’s going to be a bit long so I hope I won’t bore y’all.

Attributes:

War

Wisdom

Magic (Seidr or Galdr)

Death

Poetry

Runes

Healing

Divination

The elite which is the high class (historically speaking but he can still be worshipped by any class he doesn’t discriminate)

King of Asgard and Aesir

Father to men and gods

Spirits

Air and Breath

Symbols

Runes (which he gifted to mankind and sacrifice himself for)

Ravens, he has two of his own called Huginn (thought) and Muninn (Memory). Crows can be associated as well but accurately are Ravens.

The rune Ansuz

Wolves

Staffs

His spear Gungnir which will always hit its mark

A winged helmet

Sleipnir the eight legged horse, child of Loki. Horses can also be a good symbol as well.

Valknut a sigil that is representative of Death, Preparation, and Protection.

The Gungnir sigil which is a diamond with an X over in the center

Horn Triskelion which Odin’s gift of knowledge of poetry and mead

Poetry this can be written poems or songs

Wednesday or Woden’s day

His own set of books called Havamal which is basically Norse proverbs but it’s basically means “Words of The One Eyed”

Herbs/Plants/Trees: Ash trees, Elm Trees, Rowan Trees, Horehound, Parsley, Woad, Mugwort

Offerings.

Mead (Beer can be a good substitute) if you can’t get beer water or tea or coffee is fine

Meat (for his wolves it’s said that Odin doesn’t eat but drinks a lot according to mythology, but I don’t think he would be mad if you put some on the side for him)

Poetry or general music

Handmade items

Weapons (doesn’t have to be real)

Bird feed (for his ravens)

Crystals (it’s more neo pagan, but he likes obsidian a lot)

Devoted acts like writing, exercise, crafting, etc.

Any magical things

Anything associated with Horses, horses were very sacred in Norse culture. Pictures of horses, horse hair(if you can find any), drawings of horses, etc.

Ravens like raven feathers or skulls (please clean them well and ask the spirit for permission) but then again no need anything crow or Raven related same with Wolves.

Runes, bind runes, handcrafted runes, rune artwork, etc. any divination tool as well like a tarot deck.

Staffs or Wands

Depictions

There is quite few depictions of Oðin in artwork but here is common scenery, he is an older gentleman with a long bread with one eye (the lore never said which eye was sacrificed).

His wanderer aspect: It’s the one I described earlier about him looking like Gandalf, a older man in a top hat or hooded in old robes carrying a staff. This aspect is of him traveling throughout the nine realms.

Warrior aspect or King aspect: He is in his armor, carrying a spear. Sitting in a throne with his winged helmet by his side are his two wolves Geri and Freki and at his shoulders is Huginn and Muninn who are essentially his messengers but very still apart of them so that they can see everything throughout the nine realms.

His hanged aspect: Which shows him hanging upside down from the world tree by stabbing himself while gaining knowledge about the runes. He died then rose back to life fully understanding the runes we know today which he gifted to us.

Sleipnir: Oðin attain Sleipnir by Loki, Sleipnir has eight legs and was Oðin’s battle horse and accompanied him throughout the nine realms most famously known traveling to Helheim to summon a dead seer for a prophecy.

Titles

There are so many but I’ll shall put the ones that are commonly used and ones I really like and forgive me for any spelling mistakes Germanic or any Scandinavian languages isn’t my first language and I have terrible handwriting.

Aldafödr- Father of men

Alfaðir or Alföðr - Allfather

Báleygr - Feeble eye, one eyed or flamed eye

Draugadróttin - Lord of Ghosts

Foldardróttin- Lord of The Earth

Gapthrosnir - One in a Gaping Frenzy

Gizur - Riddler

Ginnarr- Decevier

Göndlir - Wand Bearer

Gollnir - Yeller

Godjaðarr - God Protector

Grimnir, Grimr - Masked one, hooded one

Hangaguð - Hanged God

Gudan - Master of Fury

Haptabeiðir - Ruler of the gods

Haptasnytirr- Teacher of The Gods

Hárbarðr- Grey Bread

Hárr - One eye

Havi- High one

Jölföðr - Yule Father

Jölnir - Yule

Oðinn- Frenzy one

Óski - Fulfiller of Desires

Runatyr- God of Runes

Sigföðr - Father of Victory

Wōden- Master of Fury

Ódr - “frenzy”, divine inspiration, breath

Wilde Jaegar - Lord of The Wild Hunt

Karl - Old man

War-Father

Long hat

Wise and Wisdom Granter

True Father

Spell caster

Shadowed face

Fool and Wise man

Sleep-maker

General Information

Commonly known as Oðin (frenzy) or Wōden (Fury) to the Anglo Saxons he is probably one of fascinating gods in Germanic/Norse Mythology. From the titles and attributes even the symbols you can tell he isn’t just one set type of God he rules and charges over countless of things.

Oðin was born to Borr along with his two brothers, Vili and Ve, Oðin is the oldest. All three brothers killed the first being in existence Ymir. Which they created the earth, sky, and sea from his corpse literally Ymir’s skull is the sky and his brain the clouds and his blood the rivers and ocean. Then him and his brothers created the first humans Ask and Embla from pieces of trunks of Ash and Oak. I should note that most of what sources we have Norse Mythology is from Christian sources so you might see some influences from Abrahamic faiths. Oðin along with his brothers Vili and Ve gave each of them a trait of life. Oðin gave breath of life, Vili gave understanding and physical movements, and Ve gave their senses.

Oðin is a god of wisdom, he is always eager for the pursue of knowledge. That is why he travels a lot. Once he came upon the Well of Mimir beneath Yggdrasil’s roots a Jotun who guarded the well who was the wisest being of all and his well and grant such wisdom. Oðin asked if he can drink from the waters. Mimir agreed but said he needed to give the well, a sacrifice, so Oðin did that he gave the well his eye that he can drink. From doing so he became very knowledgeable in the ways of magic, curing the sick, calm storms, summoning the dead, etc this lead him on to his pursuit of the Runes. By the way Mimir’s head was beheaded and to preserve his head Oðin put the head in herbs and sang spells so that Mimir can still speak to him.

Then another famous story was how he gain the runes. Oðin hung himself upside down from the Yggdrasil tree by piercing himself with his spear as he called for the runes. For nine days and nine nights he had no help but when the runes finally came to him he let out a cry falling dying. It’s said it was describe the light of the world going dark when Oðin dead but suddenly it light up again and Oðin came back alive with the knowledge of the runes. Which he generously shared with Mankind.

He is a god rules over Valhalla one half goes to him (those who die in battle) and the other goes to Freyja’s hall. He’ll lead dead warriors when Ragnorak begins.

He is the god of kings and rulers but he also is the god of tyrants as well

God of order but he does do some trickery like Loki.

He is a war god there is so many titles that have him in war context that is overwhelming lol. About frenzy, fury, spears, victory, etc. it’s also describe Oðin will bring war upon peaceful communities as well.

God of Death, he is considered to be a psychopomp

He is equivalent to Mercury or Hermes (Psychopomp, knowledge, share the same day Wednesday.) similarities between them are mostly documented by Roman historian Tacitus.

He is a God among the goths, Anglo-Saxons, Germanic Tribes, Norse, Danes, Swedish, Finnish, and Icelandic peoples

He is the God of the Wild hunt which along side him is Holda a Germanic goddess of winter and death, it’s said Santa Claus is partly inspired from him because after he is finished with his hunt will come around people’s homes dropping gifts in shoes. He is also known as the Yule-Father.

Oðin is also the god of magic of Seidr and Galdr, Seidr is like a shamanic form of magic that the Norse used. It involved divination, spirit work, chanting, spinning, meditation. Seidr historically was only socially acceptable for women to practice not men but Oðin is the one that taught men Seidr. Galdr is magic of chanting or singing, created the song to cast spells. He can send a person dreams and messages. He can also make witches go mad apparently.

He is able to summon the dead, make them alive again. 

Oðin is married to Frigga of marriage and justice and they had together Baldr, Hodr, and Hermod. But Oðin had many lovers and many children including Thor, Vali, Vidarr, Heimdallr, and many more. It’s also said that he had a relationship with Freyja even married her at one point before he disappeared however it’s not quite clear nor proven to be Oðin just speculation.

My personal experience

I will say Odin is a different type of God I encounter with. The best way I can describe it and it may sound weird but he’s like a fun grandfather. He has his wisdom and knowledge but also his sense of humor. He has helped me through a lot especially with anxiety and depression and burnout. Out of all the gods I have worked with he is the one that gives me the most dreams, the dreams are so beautiful and powerful I can’t describe them in full detail but involves magic.

Typically he loves any type of votive offering (creating the offering) like he enjoys regular offerings of course. But just using your free time to do craft something for him or do something for him he really appreciates. Writing your own poetry, studying, crafting, using your inspiration for workings, etc. divination or spellwork. He does play some playful tricks time to time.

Tarot:

Tarot cards I resonate with Oðin from my personal practice

Magician

Emperor

Hermit

Hanged Man

Death

Ace of Wands

[yourfavsinbg3]

Your Favs in BG3: Harry Du Bois, From Disco Elysium

That's right, good ol' Tequila Sunset himself! He'll be the first of three Disco Elysium builds, because it's one of my favorite games ever and I have a lot to say about the game, its symbolism, and the characters.

I'll preface this by saying that Mr. Du Bois is the least 'solid' of all the builds. Since Disco Elysium focuses so much on player choice and how those choices impact who Harry is at his core, I wanted to stay as true to that as I could. So this isn't one build, it's as many possibilities as you can think of!

That said, let's welcome the overall base we'll be working from! Say hello to Harry Du Bois, the dwarf warlock!

Reasons and the multitude of possible builds under the cut!

Okay, so first, the elephant in the room. Why is this bitch a dwarf? Harry's canonically and notably Tall. I thought a dwarf was best to represent his sturdy build. Even if you play with negative physical skills in DE, Harry will still be built like a tank. I personally felt dwarf to be the best representation of that.

Second: warlock. This is almost entirely because of the skill systems in DE. Harry is constantly being informed and pushed by his different skills, and bad things might happen if he doesn't listen to them. That felt like a Warlock to me! Warlock is also one of the most versatile in terms of deciding what you want to do with it. Want to be a frontliner? Pact of the Blade. More of a support class? Pact of the Tome. Midliner with good damage? Pact of the Chain.

In terms for subclass, Great Old One feels like the most accurate. What's an older force of the universe than your own reptilian brain whispering what the world is to you? So. Builds. There are three preset builds in DE; Logician (intellect based skills), Sensitive (charisma based skills), and Brute(physical based skills). Some suggested BG3 builds could be a War Wizard (warlock/wizard) for Logician, a Hexadin for Brute, and bardlock for Sensitive. Like I said earlier, warlock is very versatile and pretty much any build can be shoved them. It mostly depends on your opinion of the character and your playstyle.

[luna-rainbow]

I always wonder why the mcu keeps trying to push their peggy carter oc,like I understand characters aren't always going to be comic accurate and can be changed for better or worse. But what the mcu did with peggy is so weird to me

Staring off with the fact that she takes inspiration from a nazi spy , they even said so themselves she just doesn't take inspiration form Cynthia tho most of he likable traits are from other characters as well.

Going back to the Cynthia glass thing it's also uncomfortable that this peggy is also an alternate version of captain america even though they call her captain carter you can't escape the fact that she's supposed to be an alternate version of captain america.

I can understand wanting to make an alternate version of cap but why would you use the character that you've stated has taken inspiration from a nazi spy to represent a Jewish symbol who was made to fight nazis and for the oppressed it just leaves a bad taste in my mouth.

Thanks for the ask and sorry for the late reply!

I think the superhero genre, much like the Japanese equivalent of the shounen genre, is about power fantasies. That doesn't necessarily make them inherently trite or egocentric, though. A sensitive and knowledgeable writer can construct a power fantasy for marginalised folks, even those they are not a part of, and that's what people are asking for when they talk about "representation". People from all walks of life deserve an inspirational story and a power fantasy to project onto, to say that despite the barriers placed by society, it is still possible to fight against the restrictions and carve out a special identity for yourself. In a lot of the better written superhero stories, their powers are presented as something that is both a blessing and a curse/threat, and the story is about them accepting that difference and turning that into something good - as opposed to, often, their villains, who turn that into something used for bad.

And I think that's the key difference. Comics/manga are written for kids/adults who feel like they don't fit in (maybe manga especially, because of how suffocating Japanese society can be about fitting the norm). The fantasy lies in social odd-balls embracing their own uniqueness and doing good in spite of the world shunning them.

Once super-powered concepts hit Hollywood, the meaning changes. The writers are now (in general) people in positions of influence and affluence. They are confident in who they are, and in fact, they yearn to stand above the ilk. The power fantasy completely changes flavour - instead of an outcast learning to be happy with who they are, it is now about how a "normal" person gains something special that elevates them above the boring average folk.

The problem is - the former is usually sensitive to the struggles of marginalised folk ("we are different but we can be amazing"), while the latter is ignorant and self-serving ("I am amazing because I am not like other girls"). And because of the type of fantasy it is, it is not interested in exploring power as a potential flaw or a burden, it is simply about the celebration of strength.

This is all a long-winded way of saying, yes, PC is a power fantasy for a particular group of women - the middle-classed, primarily White, well-educated women, who do not want to be like other girls. She had to be made special at all costs - the private school/college education, the brother in MI6, the Howlies, the boxing champion, the directorship, and now finally the serum and the shield.

The implications didn't matter because the writers didn't care. She's their hero, this is a fantasy, and who cares if she recruited Nazis on her way to the top or that she wears a colonial symbol on her chest. Who knows, they (the writers) may even think of that as representation of her strength.

Remember how I said earlier how the heroes take their powers and make it into something good, while the villains use their strength and use it to do something bad? Welp.

[miyamiwu]

What names mean to Kaiser + How roses represent curses

Thank you @gachagon @hooudie212 and @blrpr for responding to my meta prompt. Your insights helped shaped mine. And now that my classes for the week are over, I felt free to ruminate on this topic while washing the dishes earlier. I’ll now share to you guys the conclusion that I came up with.

But before I start, let me just acknowledge how @gachagon made some great points about what Kaiser’s and Ness’ names could mean and how it ties together to their roles as King and Pawn.

However, all your arguments involving name meanings hinges on the premise that Kaiser knows what everybody’s names even mean in the first place… And surely he can’t be that aware? Still, it’s an interesting take on what the author’s intent was in choosing their names.

But whatever Kaneshiro truly intended is hard to guess. So in this meta, I’m gonna focus solely on Kaiser and how his mind may have worked.

Without further ado, let’s go—

Although it’s unusual in German culture, the original members of Bastard München address each other by surname:

We could just brush this off as the author’s way of appealing to the local Japanese audience, considering how some foreign players in other teams also call each other by surname (e.g. Lorenzo saying “Snuffy” instead of “Marc”). (Though, there are some who do address each other by given name, like Agi saying “Chris” instead of “Prince”, which is more true to reality.)

However, this meta isn’t about those other foreign players, nor is it about Bastard München as a whole.

After chapter 260, I find it impossible to brush off the significance of names to Kaiser, especially when his backstory literally begins with an introduction of his name:

The boy’s name is Michael Kaiser.

The chapter didn’t start with “Michael Kaiser’s childhood was something no child should want or ever endure.” It started with “The boy’s name is,” in one box all to itself, distinguishing it from the rest of the text on the page.

The emphasis of the Name on the very first page tells us straight away that names are an integral aspect of Kaiser’s character.

However, despite this established importance of the Name, throughout the rest of the backstory, Kaiser is mostly referred to as “the boy.”

The one other time Kaiser’s name is brought up is this panel:

With an alcoholic, gambling addict father beating the crap out of him every chance he got, the young Michael Kaiser grew up.

But notice how the Name is included in the sentence. The first part talks about the abuse, or the cause, and the second part with the Name talks about the result.

I don’t know how accurate this would be since I’m merely referring to a fan translation, but the way this sentence is worded, plus the sense of detachment evoked in calling Kaiser as “the boy,” is sending out the message:

Point #1: Michael Kaiser is not the boy who was abused. It was the boy who was abused who became Michael Kaiser.

This point also ties in well with the last words of the chapter:

At that moment, something in the boy snapped. No, not snapped… Born would be more accurate. That something is…identity!

He was a Boy first before he was Michael Kaiser.

With this, the Name now holds even more weight.

Further along chapter 260, context on “Michael” is given:

Paired with the first page of the chapter, this specific panel hammers home the notion that the Name is important.

Let me bring attention to this part:

‘Michael,’ the name that the mother gave the boy shortly before she left

and then this:

was never uttered by the father. Not even once.

Seeing that Kaiser had no friends, peers, or other adults around him growing up, it can be assumed that only the Mother had ever called him Michael.

But she left. She left after giving the name.

And the Father refusing to call him “Michael” precisely because it was given by the woman who left would also constantly remind Kaiser of this fact.

This makes two things clear in Kaiser’s mind:

The Mother who called him by his given name abandoned him.

The Father who refused to call him by it never left.

Point #2: To call someone by their given name is to abandon them.

Kaiser calling Isagi by given name is therefore his way of “abandoning” him—or, in other words, eliminating him. Yoichi is someone he must eliminate if he wants to live a successful life, like how the Mother who gave him the name eliminated him from her life to become a popular actress.

Kaiser not going by “Michael” also makes sense with how he wants to become a strong person who doesn’t give up easily (re: his conversation with Ness in c243). Why would he go by something that reminds him of abandonment when he’s trying to keep going?

As for why he goes by his father’s surname instead of just giving himself a new name entirely… it’s a lot more complicated...

From the same page as the previous panel, we have this:

Yet, the father treasured a rose the mother had once given him. The boy didn’t understand why the father kept something from someone who ruined the father’s life.

The Father kept a rose from the Mother who left.

In the same way, Kaiser goes by the surname of the man who had made his childhood a living hell.

Both are keeping something from someone who ruined their lives.

To understand why Kaiser goes by surname, I think we must first understand why the Father kept the rose.

As @aiulbones pointed out in the replies of this post, the unwilted rose in the glass is a Beauty and the Beast reference.

There are lots of variations on the fairytale, but from what I remember of the versions I’ve read as a child, there was no one rose in a glass. Instead, there was a rose bush or rose garden. The rose in the glass—or simply, the Enchanted Rose—is actually the trademark symbol of the Disney 1991 adaptation.

In the Disney movie, the Prince was cursed to be a Beast and must find true love before the last petal of the Rose fell. To protect the Rose and possibly slow down the fall of its petals, it was encased in a glass dome.

When Belle betrayed the order to stay away from the West Wing, she came across the Enchanted Rose, inciting the Beast’s fury:

Most people think the Rose represents Love, but it’s not. If it did, then it’d make no sense for it to make the relationship between Belle and the Beast worse.

In contrast, at the end of the movie, right after Belle says “I love you” to the Beast, the last petal of the Rose falling is shown, and shortly after, the curse is broken:

(skip to 01:13 in the video)

In short, the Rose is a representation of the Beast’s curse. It does not represent love. It does, however, also represent a search for love. And only when that love is found would the curse break.

The Father keeping the Rose represents his inability to let go and move on from the woman who left him. He hates her, but he’s also still obsessed with her. This obsession has become his curse. And like how the Beast was unable to form a deep connection with Belle while he was being overprotective of the Rose, the Father is unable to love Kaiser as his son because he is still obsessed over the Mother.

Now, let’s go back to Kaiser.

I agree with @gachagon’s idea here:

I see Kaiser using his last name as opposed to his first name as a thematic symbol of him rising above the circumstances he was born in. His surname may be shared by a man who cared nothing for him, but he can make it greater than that man ever was and have it be a title befitting just him.

Also love @pinkinsect’s thoughts:

his father never actually called him michael so i wonder if that name feels foreign to him? if kaiser is a reclamation of some sort

Kaiser going by his surname is a way for him to rise above the Father who abused him. This is nice and all, but remember, Kaiser also has a Rose—the blue rose tattoo.

Roses represent curses.

(order of images is top, then left to right. Click on the image to read.)

According to Kaiser, the blue rose symbolizes the achievement of the impossible. A symbol of defiance. But what is he defying?

I was originally a mentally weak person. I constantly gave up when I faced things I believed to be impossible.

Kaiser is defying the idea of being weak, of being helpless, of being trash—an idea instilled in him by his Father.

His curse is his childhood trauma. And the fact that the Rose is blue—representing the impossible—and even tattooed on his skin tells us that this curse is not easy to break.

Point #3: Kaiser may have thought he was reclaiming the surname, but in reality it was just a manifestation of his obsession.

The same way the Father’s obsession over the Mother is manifested in his refusal to call Kaiser by name.

Gathering all the points we have so far:

Point #1: Michael Kaiser is not the boy who was abused. It was the boy who was abused who became Michael Kaiser.

Point #2: To call someone by their given name is to abandon them.

Point #3: Kaiser may have thought he was reclaiming the surname, but in reality it was just a manifestation of his obsession.

Conclusion

Kaiser’s goal is to become impossible to define, but the irony is that his entire name—Michael Kaiser—defines a prison.

Yet, it also concisely sums up his entire life.

And to even live as just the Michael Kaiser was something he had to fight tooth and nail for:

After losing to Yoichi, Kaiser has become even more obsessed over defying the idea that he is trash.

He thinks that the only way to stop being trash is to defeat Yoichi. But this view of winning as the sole affirmation of worth is unhealthy and needs to be stopped.

Kaiser needs to realize that… he never was trash.

He doesn’t have to keep defying anything because there is nothing to defy.

Besides, he has already defeated the “impossible.”

He is no longer the Michael who was abandoned, nor is he the Boy who was abused. But until he realizes that he is not the trash Kaiser like his father, he will never be able to break the curse.

But how does one break the curse, exactly?

Roses represent curses.

But Roses… also represent a search for love.

And Kaiser is already…

...very much loved.

He just needs to realize it.

[penkraft123]

Abacus : Calculation at your fingertips

The term ‘Abacus’ has been derived from the Greek word, ‘ABAX’ which means counting table. It was invented by Tim Cranmer. The discovery of this tool has proven to be a boon for those who struggle with number crunching. Many of us, including me feel quite nervous or lack confidence when doing simple & basic Math calculations like, 8+6 or for that matter, simple multiplications. When you are not able to ace a particular task, doesn’t mean that you are weak at it, you just need to put in more effort.

I remember, on very first day of school & college during the Math lecture, the very first question that our subject teacher used to ask was, “How many of you are SCARED of Math” and almost 60% of the class had their hands raised up. When we are scared of something we find an excuse to run out of the problem, because we are not sure about the outcome. The same theory goes for Math, it seems that the subject conveys a powerful message like, you can love me, you can hate me but you can’t ignore me, true that! In every career choice, at some point you will be asked for application of math, you can’t run away from it, just find a way to deal with it. Make learning fun by using Abacus for it.

Abacus helps you to solve basic and complicated math at your fingertips. The Abacus tool has beads & a rod, it represents the units’, Tens, Hundred’s. It makes a process easier, and once you get the hold of that tool and with thorough practices, you can even do mental calculation, making the calculation process lot faster. The Addition, Subtraction, Multiplication & Division at your fingertips plus fun guaranteed. Be clear with basics and Abacus will definitely help you to overcome the fear of Math as a subject and will boost your self-confidence.

Benefit of using Abacus tool:

1. It helps you to get command on Math:

Math is not a subject, where you can just learn the formula and boom you become a professional, it takes time and rigorous practice because different sums require different application. Abacus teaches you techniques which can be universally applied thereby giving you an upper hand to have command at it.

2. Increases the retention power & improves concentration:

At the very beginning of Abacus class, you are asked to solve some exercises which includes, using both your hands to write number, several images are to memorized. When you constantly work on these things, you generate a photographic memory which helps in improving concentration and memorize images.

3. Boosts Self-Confidence:

Abacus system has a global approval because of which there are various competitions which are conducted at State level, National level & international level. When you enroll for the Abacus class, you are being trained to participate in such competitions. It offers you a platform to showcase your skills, thereby boosting your confidence.

4. It improves speed and accuracy:

When you visually solve a math problem, automatically your speed increases, and with the right amount of practice, you deliver the accurate results. As mentioned earlier, there are various exams which are conducted, the purpose of the exam is to test your speed and accuracy, you are asked to solve a certain set of sums within a stipulated time period and Abacus helps you to optimize your time in solving those questions.

5. Enhances your listening skills:

Mental calculations are the part of Abacus training, students need to pay a closer attention to the numbers & on the mathematical expression which teacher dictates. It further enhances the listening ability.

Penkraft conducts classes, course, online courses, live courses, workshops, teachers’ training & online teachers’ training in Handwriting Improvement, Calligraphy, Abacus Maths, Vedic Maths, Phonics and various Craft & Artforms — Madhubani, Mandala, Warli, Gond, Lippan Art, Kalighat, Kalamkari, Pichwai, Cheriyal, Kerala Mural, Pattachitra, Tanjore Painting, One Stroke Painting, Decoupage, Image Transfer, Resin Art, Fluid Art, Alcohol Ink Art, Pop Art, Knife Painting, Scandinavian Art, Water Colors, Coffee Painting, Pencil Shading, Resin Art Advanced etc. at pan-India locations. With our mission to inspire, educate, empower & uplift people through our endeavours, we have trained & operationally supported (and continue to support) 1500+ home-makers to become Penkraft Certified Teachers? in various disciplines.

[ryukogo]

i ventdoodled a clarissa after finding out i failed physics class

[ouyangzizhensdad]

if you've seen the pronunciation guides in the novel, there's been pics of people who got their copy earlier, but what do you think about it? I've seen mostly light mocking but I was curious about your take

Hi anon,

I'm sort of on the fence on this one. It does look silly because trying to explain pronunciation without using the phonetic alphabet, especially for English speakers, inherently looks silly. I'm also not the best person to make a case about whether how they chose to represent the sound is in the area of being accurate because 我的发音不太好啊 and I'm not a native English speaker so even my reflexes when it comes to interpreting how they wrote things might be off. Though I think they could have included the phonetic alphabet alongside they weird way they wrote it down.

At the same time, through seeing my friend get into mdzs and having no fucking clue how to pronounce the name of characters when she wants to talk about the book because unlike me she does not have the luxury of having had chinese language classes years ago, I can understand them wanting to give people a sense of how the names are pronounced even if it is an approximation that does not include the tones. A more lenghty and general pronunciation guide might have looked less silly and more like something you'd get in a chinese language class, but perhaps they felt it would make it less accessible. I think they could have done a video for the pronunciations and put a QR code in the book, but that does require time and resources.

In short: I am ambivalent but also I can't think of an easy and accessible solution. If people worry about pronunciation they are better off listening to the audio drama and just learning by imitating.

[bbangsoonie]

creker academy

member: eric genre: fluff (ft some angst), fantasy au word count: 6,182 synopsis: after finally triggering your hidden powers, fate lands you at creker academy, a special boarding school meant for shapeshifters. there, you learn how to control your abilities and that opposites do indeed attract.

The day you found out that you were adopted was the day your life fell apart. The secret was hidden from you until your uncle coldly drew the line at your parents’ funeral. He told you that he had no intention of taking responsibility for his brother’s actions and that you were no longer a part of the family.

That was how you ended up living alone in a tiny half-basement studio. You barely managed to afford the deposit and rent with the consolation money you received from the funeral.

Every day, Hyunjoon would come knocking at your door and every day, you would turn him away. It had only been a month since you became independent and the scar of losing your parents was still fresh. You were also too ashamed to face your friends. You didn’t want their pity and so you hid away in isolation.

On the night of your birthday, the pain became too unbearable. Although you aged another year, you were still only a teenager. Granted, you were in your last year of high school but you were still a minor. Having to fend for yourself in this harsh world was too much for you to handle.

As you cried yourself to sleep, you could feel a cold coming. The heat from your headache spread to the rest of your body and you felt yourself burning up.

After you bought some medicine from the pharmacy, you slipped into a deep slumber. Your dreams were wildly vivid. You dreamt of an enchanted forest that enticed you to take refuge in its comfort. There, animals of all species ran free and in harmony. It promised you acceptance and a home.

“It’s time you learn of your identity,�� a soft voice spoke.

As soon as the whisper tickled your ears, the entire forest was up in flames. Strangely, you weren’t struck with fear. Rather, you felt empowered.

“Y/n, you need to learn how to control yourself,” the voice warned.

It was only then that you started to panic. The flames were engulfing everything in sight and all the animals were running for their lives.

“Y/n, you have to wake up. Now,” the voice commanded.

With that, your eyes shot open. To your horror, the scene in your dreams reflected the view in front of you. Your house was on fire and you were slowly getting cornered by the heat. Frightened, you look to the door only to see it consumed by the blaze.

“Trust your instincts, Y/n,” the voice in your head cooed. “Let your body take control.”

Bewildered, you had no idea what that meant. All you knew was that you had to get out of there. You squeezed your eyes shut, hoping to think of a solution. When you reopened them, the room seemed to be a lot bigger than normal. At that moment, you saw the window cracked open. It was your only hope.

Your body felt different when you stood up.

“Why am I so short all of a sudden?” you wondered.

You looked down and almost screamed when you saw paws instead of your feet. Except a meow came out of your throat instead.

You didn’t have time to freak out about it. Feeling something hot graze your tail, you jumped up and landed on the window sill. Your innate desire for survival kicked in and you squeezed through the opening to escape.

Once you felt fresh air in your lungs again, you ran. And ran. And ran. You didn’t know why or where you were going, but something in you told you to run. Your legs kept sprinting until they reached the forest that appeared in your dream. They came to a slow stop when you realized where you were.

“What is this place?” you pondered.

“This is the border between our world and the human world,” a woman in white suddenly emerged from the trees. “You are now about to cross into our territory.”

It was the same voice from your dream. Trying to grasp the situation, you opened your mouth to ask a million questions. But again, a meow replaced your voice.

“It’ll be easier for you to transition back once you're on our grounds,” she assured. She bent down and gestured for you to jump into her arms.

Not seeing any other option, you hesitantly took her offer. With you safely in her embrace, she passed through a translucent wall that revealed what looked like a huge campus. Your jaw dropped as you observed your surroundings. There were students walking around the magical place. You saw a girl tending the garden and gasped when her hands hovered above the flowers to revive them.

The woman brought you to an office you presumed to be hers and placed you in front of a mirror. Your shriek came out as a cute yelp and she chuckled.

“I-I’m a cat!” you thought.

“There’s an outfit you can change into once you return to your human form,” she pointed at the black dress neatly prepared on the table.

The second she finished her sentence, you felt a bare sensation. Looking down, you screeched at your naked body. Embarrassed and horrified, you quickly clothed yourself with the dress.

“W-What’s going on?” you asked, relieved to finally hear your own voice again.

“I’m sure you felt different from others your whole life?” she asked. It sounded more like a statement rather than a question.

She wasn’t wrong. All your life, you never felt like you fitted in anywhere. Maybe your body knew you were adopted before your mind did and ostracized itself. Or maybe you truly were different. You had weird talents that other kids thought were freaky, making you hide them and become introverted. For instance, you were suspiciously good at starting fires from scratch at summer camp and didn’t feel any pain when your shirt accidentally caught on fire.

“I know this must be shocking to you but you’re special, Y/n. We’ve been waiting for you. Waiting for you to trigger your powers to bring you here,” she smiled.

“My what?” you gaped.

“Your powers. What you just did back at your old house and right now. You’re a shapeshifter, Y/n. A shapeshifter with the element of fire,” she explained.

“I’m a what now?” you scoffed in disbelief.

“Creker Academy is a school and home for students just like you. It’s a place meant to train you how to control your powers. Without our guidance, you’ll lead down a path of self-destruction.”

Baffled by her words, you stared in silence. There was no way any of this was true. Surely this had to be a dream.

“This isn’t a prank or a dream, Y/n. You’ve finally found where you belong,” she clarified.

Belong. You had never felt like you really belonged anywhere. But now, someone was telling you that you belonged with them. That they wanted you there. That they had been waiting for you.

“I understand you must feel overwhelmed. But there are procedures to follow so I’m afraid you will have to begin your tour first. A fellow student will be arriving soon to show you around.”

As if on cue, a boy around your age knocked on the door and came in after receiving the woman’s permission to enter.

“Hello, Headmaster,” he bowed.

“Eric, this is Y/n. Y/n, this is Eric. He will be helping you adjust here,” she introduced.

Eric was bright eyed and eager to meet a new friend. You, on the other hand, were quite reserved and uncomfortable in your new environment.

He was excitedly pointing out the purpose of each room you passed by and rambled on about the social norms of the boarding school. You learned that on top of academics, there were classes on virtues and physical training. And of course, classes that taught you how to properly use and contain your powers.

The use of magic was strictly prohibited inside any and all buildings. Students could practice their skills outside but were forbidden from any acts that could potentially put someone or something at risk. That was the one rule that was rigidly enforced and obeyed.

“So what animal and element are you?” he curiously pried. “I’m a dog with the element of water.”

“I’m… apparently a cat,” you felt ridiculous saying it aloud. “And control fire.”

“Ah, you’re a member of the fire element,” he nodded. “What that means is that your element rivals with mine. Some people see fire elements as hotheaded, impulsive, and extreme. Water elements are sometimes emotional, sensitive, and antisocial. But those are all just stereotypes, of course. Not everyone fits into the standard. I, for one, am very outgoing. And your animal obviously plays a role in your personality. I guess the dog in me overpowers the water.”

You had moved on from the indoor portion of the tour to the outside part. He was showing you the garden you had passed by earlier. It was full of flowers that wouldn’t be in bloom this season in the normal world.

“I’m a strong believer in that there are good traits about each element. For example, fire elements are passionate, inspirational, and expressive. They’re arguably the most fun people you’ll ever meet. Water elements are empathetic, imaginative, and loving. But again, all this is relative and doesn’t accurately describe each person,” he reminded. “The only reason there’s still a stupid feud is because some people love sticking to the status quo and labeling others.”

“What are the other elements? Air and earth?”

“Yup! Air elements are independent, talkative, fickle, and nonconformists. Most likely social butterflies. Earth elements are disciplined, loyal, organized, and judgemental. Oftentimes the leader.”

Eric greeted a male student who was passing by with two other boys. He exchanged smiles with the three of them who offered you a kind nod of acknowledgement.

“That was Sangyeon. He’s a bear. On his left is Jacob, a rabbit. The one on the right is Younghoon, who’s also a dog like me. They’re all earth elements,” he disclosed. “Sangyeon is the class representative of our grade. Definitely fits the leader stereotype.”

You couldn’t get over how thrilled he was to be your tour guide. He was filling you in on even the little details of the social life at the academy. He told you about how transfer students were rare and that it was his first time seeing a new student.

His vibrancy contrasted your somber aura. If he noticed, he didn’t comment on it. He was having too much fun getting to know you.

“Oh! That’s Hyunjae and Juyeon,” Eric suddenly pointed at a pair of boys on a morning run. He waved at the two who waved back before speeding up.

“The one with brown hair is Hyunjae, a wolf and fire element. His real name is Jaehyun but he changed it to Hyunjae once he got to Creker Academy. Juyeon’s the one with black hair and is a cat like you. Except he’s a water element like me,” he grinned. “They’re my best friends. Oh, and this guy named Sunwoo who’s a raccoon with the element of fire. As you can see, water and fire elements can get along fine and well. So don’t listen to anyone who says otherwise.”

By the time he was done showing you around, a bell rang and students began to convene inside. Eric explained that the bell was signaling the beginning of classes and brought you to his homeroom.

“Breakfast is buffet style and self served. It’s up to you to wake up and come down to eat. The cafeteria remains open for an hour until that bell rings and we have to get to class,” he said you entered.

Looking around for an empty seat, his face lit up when he spotted one. He sat at his desk and tapped on the one behind him to let you know that it was yours to take.

You still hadn’t processed all that’s happened since dawn. Everything felt like a haze. Nevertheless, you found yourself paying attention when the teacher walked in. He scanned the room to find a new face and smiled when he made eye contact with you.

“Alright, guys. I’m happy to announce that we have a new student that will be joining us starting today,” he beckoned for you to come up to the front of the classroom.

You wanted to shrivel up and crawl into a hole. Feeling your classmates gazes on you, you gulped and began to sweat. You were never a fan of attention. You quickly introduced yourself before rushing back to your seat, eliciting giggles from a few students. Your cheeks heated up and you felt that burning tingle again.

The awkwardness made you transform back into a cat, making your classmates gasp. Their intensified stares made the tips of your fur ignite, alarming the teacher who tried to calm you down.

“Well I guess she’s a fire cat,” a girl snickered.

Eric shot her a glare before leaning in to ask if you wanted him to put the fire out with his water. Not knowing what else to do, you nodded and the next thing you knew, you were drenched.

So much for your first day.

You ran out of the room before you could change back into a human. You fled but didn’t know where to go. You grew anxious, desperately hoping you wouldn’t end up flashing anyone.

“Hey!” someone called out. You turned around to see a male approaching you. Panicking, you dove into a bush.

“You’re the newbie, right?” he asked, taking something out of his bag. He dug out a large t-shirt and a pair of shorts and placed them in front of you. “I usually carry around a spare outfit in case of emergencies. I hope you don’t mind the fit.”

You were still in your animal form so you peaked your head out to look at him.

“My name’s Chanhee. Air element penguin,” he squatted down to meet your eyes. “Everyone’s first day is rough. You’re not the only one who’s had incidents like this so try not to feel so bad about it.”

He stood to go back to class, leaving you to change in privacy once you returned to your normal body. Your hair was still wet as you dragged yourself back to the headmaster’s office.

The headmaster looked at you with pity when you walked in looking worn out. You didn’t have to tell her for her to know what happened.

“How about I show you to your dorm?” she warmly suggested. Anything was better than returning to the classroom.

Due to your late enrollment, you were assigned a single room as opposed to the traditional double rooms. You were glad you didn’t have to go through the process of meeting and getting used to a roommate. It was a small but cozy space and the closet was filled with clothes.

You realized all of your belongings were probably burned down in your old home. Now you really didn’t have anything to go back to.

Before the headmaster left to allow you to settle in, she insisted that you join your classmates for lunch later. You wanted to say that you just wanted to stay in your room but her stern look had you close your mouth.

So you begrudgingly made your way to the cafeteria and gawked at the amount of students packed inside. Feeling them stare at you, you tried to ignore their whispers as you grabbed a tray of food. To your relief, you saw Eric motioning you over and went to go sit down next to him.

His group of friends was fairly large. You saw the boys he had named earlier that day and were surprised to see Chanhee again.

“Hi! I’m Changmin,” one enthusiastically waved. “I’m an air squirrel.”

“Haknyeon, air pig,” another raised his hand.

“My animal is a hamster and my element is water. You can call me Kevin,” the last one smiled.

After shyly exchanging greetings with everyone, you poked at the rice on your plate. The food was undeniably better than the food served at your old school. However, thinking about your old school made your stomach drop as you thought of the friends you left behind. You were sure Hyunjoon was worried sick about you.

“Do you hate water? And have you always hated water? I would assume you don’t like it very much as a cat and fire element,” Changmin looked at you with sparkling eyes that displayed his curiosity.

“Yeah I actually never learned how to swim. I guess that explains why. I never had a reason when my friends asked me about it,” you mused. In hindsight, your unreasonable hatred and fear of water made sense.

“Interesting, interesting,” he nodded.

Like that, the next couple of months flew by. You were put on an intensive program to catch up with your peers and received one-on-one tutoring to help you learn how to shapeshift at will. You could now easily turn into a cat but still had trouble returning to your human form.

To your dismay, you were denied communication with the outside world. The headmaster was very much against risking having the academy and everyone’s identities exposed. Which meant that you weren’t allowed to contact anyone from your previous life.

One good thing was that you were no longer the hot topic of the school. People’s interest in you died down when you didn’t reciprocate theirs.

You grew close to Eric and his group of friends. They were an interesting bunch. Each of them were uniquely chaotic.

Eric was the exact opposite of you. Literally. As a water element dog, his personality contrasted your fiery cat. Everything from your food tastes to fashion style were different. Yet, you felt the most comfortable with him. He brought light into your life and made adjusting to your new school easier.

You were also always at odds with Juyeon. Although you were both cats, he was everything you weren’t. He was sweet but you just didn’t match on so many things. This meant for a very awkward but pleasant friendship.

You got along best with Chanhee. His air side complemented your fire and he quickly became your closest friend. He was both sassy and caring and you appreciated his endless concern and support for you.

Changmin was a wild card. He and Sunwoo wrecked havoc everywhere they went as Younghoon and Haknyeon incited them while Kevin and Jacob were trying their best to prevent them from destroying the campus. Sangyeon and Hyunjae, who were usually busy with student council matters, were the only ones who could calm everyone down but sometimes chose to enjoy the mayhem.

“Did you guys hear the rumors?” Sunwoo bursted through the classroom door panting. “The headmaster is considering an overnight field trip for the seniors!”

Jaws dropped and gasps spread throughout the students. The room was immediately in a buzz as everyone was shocked and excited at the possibility of leaving the sealed territory. It had been 5 years since students were allowed a trip in the outside world.

The homeroom teacher came in and hushed everyone to quiet down. He couldn’t hide the smile that forced its way onto his face after seeing how happy his students looked.

“Is it true we might get a senior trip?” Haknyeon impatiently asked.

“I cannot comment on that. An official announcement will be made later today,” the teacher said.

“That’s not a no!” Younghoon squealed.

True to his words, the headmaster’s voice was heard over the PA system before the dismissal bell. She congratulated the seniors on their hard work and announced that they would be given the opportunity to sign up to spend 3 days and 2 nights on a cruise.

The entire floor of students erupted into cheers and you heard footsteps run across as they barged into classrooms to find their friends and rejoice together. Changmin came into your classroom dragging Kevin and Juyeon behind him.

“Guys, I can’t believe it! It’s been forever since I last saw humans,” Changmin gushed.

“The whole point of us going on a private boat is to ensure that we don’t have any run-ins with humans,” Kevin reminded.

“Yeah but I’m sure we’d pass by them on our way there,” Changmin rolled his eyes.

Sangyeon, Hyunjae, and Jacob strolled in, greeting your group of friends with a nod of acknowledgment. They waited as the rest of you gathered your stuff to leave together.

“Everyone’s going, right? Y/n, you too?” Eric asked.

“Umm,” you hesitated as you looked at their expectant eyes. “I honestly don’t know if it’d be a good idea… I’m still not in complete control over my powers.”

“Aw but Y/n! You can’t miss out on this once in a lifetime trip with all of us!” Sunwoo whined.

“Yeah, it’ll be your last time leaving campus before graduating! Plus, it’ll be your first and last major bonding experience with our class,” Younghoon pouted.

“I know how hard fire can be to control. If you want, I can stay with you and try to help you detect signs of distress before it manifests itself,” Hyunjae offered.

“And I‘ll be next to you to put out any accidents!” Eric beamed.

“You know I always have extra clothes in my bag,” Chanhee added.

You couldn’t say no to the 11 pairs of pleading eyes. They all so desperately wanted you to go with them that it warmed your heart. It hadn’t even been long since you first met them but they always treated you like you were with them from the start.

So you added your name to the list of students and that was how you ended up dragging your suitcase to the giant cruise ship. Haknyeon was bouncing in excitement next to you as the throng of high schoolers slowly made their way inside.

Room assignments were the same as back at the academy, which meant that you were in a single by yourself again. Changmin expressed his envy as Chanhee happily pulled him into their shared room.

Once you were unpacked, you headed to the deck and admired the seascape. The ship was already sailing into the vast ocean and the endless horizon felt so freeing. Leaning on the handrails, you closed your eyes and took a deep breath. The salty smell brought back memories of visiting the beach with your parents.

You felt someone join you but didn’t open your eyes. You could tell by their footsteps that it was Eric.

“Enjoying the change in environment?” he asked.

“Makes me a bit nostalgic,” you said as you opened your eyes.

The wind was strong and the waves were violently crashing into the sides of the boat. With the sun glistening in the water’s reflection, you squinted a bit to appreciate the scenery in front of you.

“Isn’t the view so pretty?” you sighed in content. You didn’t notice that he wasn’t looking at the sea. Instead, he was staring at you.

“Yeah. Extremely pretty,” he found himself saying with a soft smile.

To Eric’s slight annoyance, Sunwoo came and tactlessly interrupted the moment to tell you two to meet everyone else at the pool. He was raving about the jacuzzi next to it and eagerly tugged at Eric’s sleeve to hurry him up.

Younghoon was already shoving Hyunjae’s head underwater when you arrived. Jacob waved at you from the chaise lounge and you sat down next to him. Giggling, you watched Sangyeon climb on top of both of them as Juyeon egged him on. Changmin and Chanhee were relaxing in the jacuzzi while Kevin and Haknyeon were piling food on their plates at the snack bar.

Eric was thrown into the pool thanks to Sunwoo’s push and he emerged to the surface screaming and laughing. Using his powers to add more pressure, he splashed Sunwoo with water, who ran off shrieking.

“Do you not like the water as well?” you turned around to face Jacob.

“I don’t necessarily dislike it but I don’t really like it either,” he shrugged. “I don’t mind jumping in if the guys tell me to join.”

“Do you hate the water or are you afraid of it?” Haknyeon asked as he and Kevin took a seat next to you.

“I guess both?” you answered.

“You know, contrary to popular belief, I’m actually not that fond of large bodies of water either,” Kevin said as he offered Jacob a bite of his pizza. “Pretty weird for a water element, huh?”

“Hey, hey, we don’t stick to stereotypes. We are all individuals with personalities and preferences unique to our own character,” Jacob chided.

“Oh how I love confirmation biases,” Haknyeon joked.

You had to admit it was pretty interesting to see how each person matched and defied their element and animal characteristics. It was like taking a personality test and fervently agreeing with the parts that were true and blatantly ignoring the parts that weren’t.

The rest of the day was spent fooling around and playing games. There was never a dull moment with the boys. They were always in high spirits and full of energy.

Even at dinner, your table was the loudest one. Juyeon had been sneakily stealing a few bites of fish off of Haknyeon’s plate, who took great offense when he finally noticed. Meanwhile, Eric was bargaining with Younghoon for his chicken. At the mention of chicken, Hyunjae joined in on the negotiation of the last piece of meat.

So far, you haven't had a risky moment with either your element or animal. You were in complete control and didn’t need guidance—although Chanhee remained by your side just in case. When you made it back to your room to call it a night, you were relieved and proud that the trip was going smoothly without any hiccups.

Perhaps you spoke too early.

In one of the rooms down the hall, a girls’ night had turned awry. One of the girls, a water element, began crying and started a waterflow that got out of hand. The more she panicked and tried to stop it, the higher the water rose. It quickly seeped into the hallway and into other rooms.

With her friends screaming at her to make it stop, it only escalated with a loud whoosh as the door broke open from the pressure. Now in full panic mode, the girls shrieked and realized that the place was flooding from the inside out.

They trudged through the rising water to flee, banging on doors on their way out. Doors swung open as students woke up from the commotion.

By the time Juyeon finally managed to wake Eric up from his deep sleep, the water was nearly up to the bed. The roommates freaked out, wondering what the heck was going on. Juyeon quickly grabbed his bag and hurried Eric to leave.

On their way out, however, they saw that your door was still closed.

“Shit, Y/n can’t swim,” Eric gasped.

“The water’s not that deep yet. Let’s get her out while it’s still walkable,” Juyeon said as he threw his bag down and started walking towards your room.

Meanwhile, you were still sound asleep. You were startled awake by the pounding. When you registered the situation, the fear made you shift into a cat before you could get up and unlock the door. You anxiously glanced at the closed door as the water began to climb up your body.

Outside, Eric felt a pit form in his stomach. Getting worried, he decided to break your door open. With the help of Juyeon, he barely slammed the heavy wood down by mustering up all the strength he had.

“Y/n!” he yelled when he finally saw you.

You were struggling to keep your head above the water and it was getting harder by the second to not breathe in the liquid. He rushed to pick you up and kept you afloat even when he stumbled. The waves were now reaching his chest.

Juyeon transformed into his cat form to swim as Eric trekked through the hall. You were clinging onto him and Eric was holding onto you tightly as well. You could feel him pant and his heart beat fast. Tucked under his arm, you looked up to see beads of sweat falling from his forehead.

Your own heart skipped a beat at the sight. You could tell how much he cared for you. He made you feel wanted. Needed. Important.

You two were polar opposites but still complemented each other so well. He was the optimism you lacked and you were his rock. You kept him grounded and he made you laugh.

When you finally escaped to the deck, Juyeon stepped away to change back into a human and put on clothes. Your friends crowded around you, Younghoon drying you off with a towel and Chanhee placing a clean outfit next to you.

“Alright, everyone, settle down,” the headmaster called out, turning heads. “I’m glad you’re all safely out but it’ll take some time to drain the water. Please calmly stay in groups until we sort everything out.”

Thanks to your months of training, you were now able to sense when your transformation was about to occur. You grabbed the clothes with your mouth and ran off before you could flash anyone. You sheepishly returned wearing one of Chanhee’s pajama shirts and with water still dripping from your hair.

“Y/n!” Sunwoo dramatically whined, jumping you for a hug. Displeased, Eric peeled him off of you and handed you another towel.

“Thanks, Eric,” you smiled. “For… everything.”

“No problem,” he grinned as he ruffled your head.

“Thank God these two got you out safe and sound,” Sangyeon sighed in relief. You apologized for worrying everyone, to which Hyunjae insisted that you had no reason to feel sorry.

Luckily, the next day was not as eventful. A dinner party was prepared for the last night on the cruise and you got to dress up and have fun. You enjoyed a relaxing time in the ballroom with music playing from the speakers and the boys embarrassing themselves on the dance floor.

You giggled as you watched Changmin ask his crush for a dance after Chanhee quite literally pushed his friend to approach her. It was sweet to see both of them all shy in each other’s arms.

Juyeon nudged Eric and nodded in your direction to ask if he was going to ask you to dance as well. When Eric pretended not to know what he was talking about, Sunwoo joined in to tease him.

“Come on, bro. We all know you like her. Just hurry up and make a move already,” Sunwoo snickered.

“Ooh are we talking about Y/n?” Hyunjae came after eavesdropping.

“I hate you guys,” Eric rolled his eyes as he tried to hide his blush.

Learning from Chanhee, Sunwoo shoved his best friend towards you and fled after he bumped into you. Shooting him a glare, Eric silently swore at him with his eyes. He cringed before turning around to face you.

He felt his breath being stolen away when his eyes met yours. You were absolutely stunning. The glimmer of the chandelier shining on your enhanced your features and he found himself lost in your orbs.

From a few tables away, Kevin and Jacob had joined the other three guys to fanboy over the interaction. Juyeon whispered “he’s totally whipped” to Sunwoo who failed to hold back his laughter. Eric, however, didn’t even notice. He was too busy gaping at you.

“Uhh is there something on my face?” you asked, bringing your palm to your cheek. You were slightly self conscious at his intense staring.

“Beauty,” he blurted. Trying to play it cool, he acted confident and ignored the burst of laughter from his friends. You felt your face heat up at his comment and awkwardly coughed as you looked away.

“Y-You look great too,” you stuttered.

On his way to pour himself some more punch, Chanhee loudly told you to just dance with Eric. He passed by and continued to walk towards the drinks without a care as to how flustered he left you two. Your friends were practically doubling over in laughter at this point.

So Eric boldly held your hand and gently guided you to the dance floor. Feeling your body heat up, he applied his cooling powers on you to prevent you from igniting flames.

“I guess we could say there’s a spark between us,” he joked.

The rest of the night flew by in a blur. You hadn’t felt so carefree in so long. For the first time in a while, you weren’t hung up on the past or worried about the future. You simply appreciated the moment as you were living it.

You never expected things to turn out the way it did. With the death of your parents, you lost a lot of things. But your new friends made you feel complete again. They healed you in ways you couldn’t have imagined.

The revelation of your true identity also brought you peace. You no longer felt like the odd one out. Your own powers didn’t scare you and you felt safe learning about them at the boarding school.

However, you began to doubt all of that the second you docked back on land. You were chatting with Eric about his favorite ramen brand when an all-too-familiar voice made you freeze.

“Y/n..?” he carefully called out. He slowly came up to see if it really was you and gasped when he saw that it was.

Eric didn’t know why he suddenly felt uneasy. Maybe it was because an unknown male had made a reappearance in your life or maybe it was because he recognized the way he was looking at you. It was the same way he looked at you as well.

Chanhee, now protective and defensive, slightly pushed you to the back to ask who he was.

“It’s okay, Chanhee. He’s my friend,” you assured, stepping forward.

Juyeon scowled, not liking that you were interacting with people from the human world. It was borderline going against the rules.

“Hey, Hyunjoon. Long time no see,” you timidly greeted.

“Are you kidding me? You disappeared after a fire burned down your house and that’s all you have to say to me?” Hyunjoon fumed.

You winced at the pain evident in his voice. It had hurt you to ignore your best friend and there hadn’t been a day where you didn’t miss him. Guilt-ridden, you were unable to meet his eyes. He took you by surprise by pulling you in for a hug.

“We thought of the worst, Y/n,” he murmured. “I forgive you for going M.I.A. on me. It’s okay. Everything’s fine as long as you’re here.”

You choked back tears but couldn’t stop one from falling down your cheek. You heard the headmaster gathering the students to get on the bus back home and knew that you didn’t have much time before you had to leave him again. Sangyeon patted you on the shoulder and ran ahead to ask the headmaster for leniency.

“I-I have to go soon,” you stammered as you broke away from his embrace.

“Go where? You’re not coming back home?” Hyunjoon asked.

“I… have a new home now,” you gulped. “I can’t tell you where and I can’t promise that I’ll be able to see you again. But I’ve missed you. I still do.”

“Are you safe?” he whispered after staying silent for a bit. “Are you happy?”

You took a glimpse of your group of friends that was unconvincingly pretending to not listen to the conversation. It almost made you chuckle despite the situation.

“Yeah,” you trailed off. “I’m doing well, Hyunjoon. And I hope the same for you. I’m sorry.”

“Then that’s all that matters,” he forced a smile as he hugged you one last time. “Bye, Y/n.”

“Bye, Hyunjoon.”

It pained you to see him watch you walk away. Your heart broke with each step you took. On the ride back to the forest, you stared out the window. Eric, sitting next to you, softly squeezed your hand to offer you some comfort.

“I made the right choice, right?” you asked, leaning on his shoulder.

“Do you regret it?” he cautiously asked.

You thought about it. You definitely missed Hyunjoon and all of your other old friends. You also definitely felt bad that you left them behind without a word and still couldn’t provide an explanation. But at the same time, you’ve grown to love your new school and new friends. You no longer had to be on edge without even knowing the reason why. Creker Academy made you feel confident. The boys made you feel accepted. Eric made you feel loved.

“No,” you answered with certainty. “Not at all.”

a/n: for the eric to my sunwoo, @sohnhorizon​

[thealexchen]

i’ve actually read both of the articles that you mentioned earlier! I could see where both of them were coming from at varying points, though shannon liao’s struck me as a tad harsh, as someone who felt very seen by Alex, particularly with regard to her asian-american identity, and the cultural details and familial attitudes you see displayed throughout the game (especially in episode 5.) I could see why others would like them to be more overt, but they’re still present & relevant as is, imo.

I'm happy you read and enjoyed them! Well, since we’re on the subject, I might as well give my fuller thoughts about all this. This answer got horrendously long, so I'm putting it under a read more. I really wanted to talk about this more fully, so thank you for sending this ask!

I definitely see Robert's point in his article. Alex didn’t need to be Asian for the story of True Colors to be told, but it’s still meaningful that she is so that Asian fans and fans of color can look up to her and feel represented. The Chens buck a lot of stereotypes too: Mrs. Chen was not a “tiger mom” and her kids and husband remember her fondly. Mr. Chen doesn’t push Alex and Gabe to excel in school, and in fact neither Alex nor Gabe went to college, but they still had happy futures. Alex isn’t the best friend or the Asian schoolgirl or the dragon lady or the Asian nerd. But at the same time, when Robert says "Alex never really talks about her thoughts on Chinese culture,” that’s like— well, what’s wrong with talking about it? Why not talk about it more explicitly? The words “Asian” and “Chinese” and “Vietnamese” aren’t even used in the game when "gay" and "lesbian" were, and that's a little disappointing.

I figured people would figure out Alex was at least Chinese because of her last name, but I saw some streamers unsure of what Alex’s ethnicity even was (“Alex is… Chinese, right?”). That was disappointing because Asians tend to be treated as a monolith when we’re so internally diverse. Also, it’s completely possible to miss that Alex and Gabe are also half-Vietnamese. Their mother’s name is Giang “Wendy” Chen, a Vietnamese name, but that’s only in the credits. There’s far less Vietnamese (and Southeast Asian) rep than Chinese, so I wish that had been made more explicit.

In Life is Strange 2, Sean and Daniel’s struggles (personal and institutional) were centered around their identity as half-Mexican boys. True Colors almost seemed to be going in the opposite direction in that Alex’s Asian heritage never really becomes plot-relevant, but Alex and Gabe’s background comes into focus in the last chapter.

Part of Shannon’s critique was that because Alex’s parents aren’t in the picture, the game can’t explore Asian culture through a familial lens. There is some truth to that: for children of immigrants in particular, their parents are their strongest (and sometimes only) link to their race and culture. I thought a big missed opportunity was exploring Alex’s possible sense of isolation and struggle to reconnect with her Asian heritage after being separated from her family.

After growing up with two Asian parents, eating Asian food, celebrating Asian holidays, likely speaking Asian languages, etc. it would have likely been disorienting and lonely for Alex to suddenly be raised by non-Asian foster parents and lose all those traditions all at once. Possible comments like “I really miss Mom’s pho” or “Do you know how difficult it is to find hoisin sauce in the stores around here?” could have inferred more at that specific kind of loss and isolation in Haven Springs. The game touches upon this very briefly when you look at Gabe’s shrine, and Alex does comment “I don’t even know if I’m doing this right… but I felt like I had to do something.” In this way, I find it especially poignant that she still held onto cultural traditions after so long.

But I still thought Shannon’s critique was overly harsh. The little details really do add up, like in Alex’s childhood home, and meant a lot to me too. And most importantly, there was representation behind the scenes too: Alex was voiced by two(!) Asian American women and the lead writer, Felice Kuan, is Chinese. I think Alex naming her mouse Shu-shu was my favorite detail. Because it’s the one detail you can’t miss. Every streamer remembers Shu-Shu’s name and loves how cute she is and they can probably infer it’s a Chinese term. It just is so visible and empowering in that way and my heart felt warm every time I heard someone say “Aw! Shu-shu!"

But that doesn't mean Alex's Asian heritage didn't matter at all. I really appreciated that Alex's backstory still mattered because she came from a poor, working-class immigrant family. Her life circumstances were used for drama, but none of Alex's suffering was racially motivated and that felt tastefully done. I’m gonna paraphrase a comment I saw on alliebeemac’s playthrough of episode 5: "It's no coincidence that both Alex and Ryan lost their mothers at a young age, but because Ryan's father was a military veteran and had a high-paying job as a Typhon foreman, he got to keep his childhood whereas Alex's entire world was torn apart... And if you want to look at it even more metaphorically, the white patriarch Jed was able to preserve his own image as a hero and 'good old boy' of Haven by literally sacrificing an immigrant family to the mines with the expectation that nobody would come looking for them. Whether you're an immigrant or whether you're a foster child, the system is saying 'we don't care about you.'"

And at the end, Alex tells Jed, "You want to look away and pretend the men you hurt weren't people. But I won't let you.” It's a deliberate stand against Jed (a white man)’s dehumanization of poor laborers, including her Chinese immigrant father. Jed isn't explicitly portrayed as a racist, but his actions come from a privileged, and subsequently racist and classist place. For me, it worked better than LiS2's portrayal of racism because it was subtler and more personal. Alex stands up against Jed out of a personal sense of justice for her brother (and her father).

Do I wish we had more? Yeah, absolutely. I wish Alex got to actually speak Mandarin or Vietnamese in the game because that's so rare in games, even though I knew that would be unrealistic because Erika Mori is Japanese. I wish the character artists had at least made a version of Alex and Gabe’s models without shoes, because it just didn’t look right to see them wear shoes in the house (especially in bed??) and even LiS2 had Sean and Daniel in their socks in some scenes. I wish Alex and Gabe talked more about their family while Gabe was still alive and Alex could have had that comfort of someone who misses the food and customs they used to celebrate. But like I said, one piece of media isn’t gonna please everyone. And Asian representation in particular is so tricky because not only is there not enough of it, but Asian Americans are so diverse and come from so many different backgrounds. Children of immigrants are going to feel more connected to their Asian heritage than third or fourth gen kids or mixed race kids for example. Everyone is going to have a different definition of “Asian culture” and “accurate representation.”

But on a meta-level, it really means so much to simply have an Asian face on the box of a major Western game ❤️ Like even just seeing the way Alex's eyes crinkle when she smiles or how other characters find her attractive (like Steph’s note during the LARP preferring Alex’s natural black hair), it feels so affirming. It’s incredible to see an Asian girl be called the hero of her own story, to see her succeed and fail and cry and laugh and fall in love and kiss another woman and be comfortable in her bisexuality. It acknowledges that the queer community includes Asians, that Asian girls can also be curvy, that Asian girls can and do struggle with mental health. And like Erika Mori said, Alex is a fully-realized character and that’s what makes her so compelling, first and foremost. She also has a strong moral compass and dreams and fears and is such an incredible role model for people of all backgrounds, and that’s what makes her identity as a queer woman of color so much more meaningful.

[whimsicallyreading]

Eight Second Ride

Part Three-

(Part Two)

“So you are telling me-“ Aedion scowls from the other side of her bed, “you ditched me for a sweaty bull rider and didn’t even last an hour into the date?”

Aelin shoves a spoonful of cookies and cream ice cream into her mouth and sniffles. “That’s all you got from my story?”

He slings an arm over Aelin’s shoulders and she lays her head on his chest gratefully. She’d caught an Uber back to her apartment where Aedion was already camped out waiting for her.

One look at her mascara smeared face, and he’d made a pillow fort on her bed. Complete with ice cream and “Little Women” playing on his phone.

“No, I got the whole chauvinistic asshole, bit.” Aedion stabs his spoon into the container and breaks up a particularly large piece of Oreo. “I just decided to focus on the part that doesn’t make me want to leave you hear and go and kill him right now.”

“I thought cowboys were supposed to be classy.” Aelin watched Jo play with her sisters in their attic on Aedion’s tiny screen. “Take city girls into the country to ride a horse and show them a bigger purpose in life, kind of shit.”

“Hallmark is such a liar.” Aedion huffs and squeezes her shoulder a little tighter. “I’m sorry, Lin. I know going out tonight was a big step for you. It’s a shame he acted the way he did.”

It was rare Aelin acted on a whim these days. Not like she used to do when she was in high school. She felt a pull to go with Rowan, but her gut had led her into a situation that could have gone south very quickly.

It’s a hard thing when you can’t trust yourself.

“No. I shouldn’t have gone. Especially not alone.” Aelin’s feels her thoughts drifting. Creeping towards that iron box of memories she keeps locked tight. “It’s my mistake.”

“No.”

The fervor in Aedion’s voice draws her attention up to his face, and Aelin is jarred by the intensity of his expression. “Aedion-“

“It’s not your fault.” His voice is gravely, and his blue eyes flicker like the heart of a flame. “I don’t give a shit what that bastard thought you accepting his invitation meant. You don’t owe him sex because he buys you a drink.”

“Aedion-“ Aelin tries to interrupt again. A new wave of tears burns her eyes, but Aedion is on a roll and he isn’t going to quite down until he gets out what’s on his mind.

“You don’t deserve to be treated like an object that can be bought.” Aelin can’t look him in the eyes any longer, but a calloused hand guides her face to the crook of his neck.

“His friends are shitty. He should have made them shut up. Ogling you, and making you feel unsafe and uncomfortable aren’t funny jokes.” Aedion goes on as Aelin sniffles into his shirt.

“You deserve respect. It doesn’t matter what you are wearing, what he buys you, or what his expectations are. His behavior isn’t your fault.” Aedion whispers against the top of her head.

Aelin wraps the arm that isn’t squished under her, around his waist. “I love you, Brother Wolf.”

“I love you too, Fireheart.” Aedion kisses her forehead and tugs her closer, the old terms of endearment are exchanged between them with ease.

“I know you are still dealing with everything that happened a couple years ago. I’m happy to remind you how worth it you are whenever you need.”

Aedion was an island of safety in the turbulent ocean of her life. Even when Aelin was small, she’d often go to him before her own parents with her problems. He was steady, and calm. The exact opposite of her own personality.

After the incident, he hadn’t rested until she was safely at his side again. Aedion stood by her faithfully as she picked up the broken pieces of her life and held her hand as she tried to make something new from them.

“How come you already had this movie downloaded onto your phone?” Aelin teased lightly, trying to lighten the mood. “Did you suddenly develop a sense of taste?”

Aedion purses his lips. “Lysandra said this movie is, and I quote, the most accurate depiction of the female experience.” He shakes his head. “I’ve tried to watch it three times, and I still can’t figure out what it’s even about.”

“You are a simple minded creature, cousin.” Aelin grabs her spoon and scoops a melty bite of ice cream into her mouth. “Thank you for coming over.”

“Anytime, Lin.” He leans his cheek on her head as the scene on his phone shifts from the cooler grey tones of the present, back to the warm colors that represented better days. “Anytime.”

~~~

The day started off better than she expected.

Aedion was gone when she woke up- he had to rise at an ungodly hour to make it to the fire station on time.

Yet, he set her alarm clock for her so Aelin woke up in time to get ready for work. He’d also set a glass of water and an Advil tablet on her bedside table to curb the headache she was sure to have from crying.

Aelin made it out the door with enough time to stop and get coffee on the way. She even splurged and got a chocolate hazelnut Frappuccino with enough sugar to smooth her wounded feelings.

It was going so well, Aelin should have known it was the universe winding up to screw her.

It was only a couple hours before she closed shop when Lorcan Salvaterre stepped through her front door.

“Holy shit, it’s you.” Were the first words from his mouth. His dark eyebrows lifted in surprise. “Rowan is going to flip when I tell him I actually found you.”

“What are you doing here?” Aelin’s slammed a stack of books on the counter.

Lorcan looked pensive. “Rowan said you mentioned owning a book store-“ he drags a hand through his dark hair. “I felt like I ruined his chance with you, so I thought I maybe if I apologized-“

“Let me stop you there,” Aelin didn’t bother looking at him as she labeled books and organized them into stacks. “You didn’t ruin anything, you didn’t help, but he screwed up all by himself.”’

“He realizes that,” Lorcan quickly defends, his voice gruff with irritation. “If I can give him your number I’m sure he will grovel for himself.”

Aelin rolls her eyes and slides another stack to the end of the counter. “You don’t get it.”

“Get what?” She can tell he’s losing his patience with her. Lorcan’s remorse only went so far, apparently.

Aedion’s words from earlier rang in her ears as she repeated them back to the man. “He was overbearing the entire time. Had double standard opinions about my life, and disrespected my boundaries.”

Aelin watched as Lorcan shifted on his feet, itching to say something but obviously refraining. Measuring his words carefully he looked her dead in the eye. “Look. He was just trying to impress you. Rowan doesn’t go out often. Don’t you think you are blowing this a little out of proportion?”

Red. Aelin saw red. Tasted it. Like iron in her mouth. Or maybe that was just the blood from biting her tongue so hard. “I’m working right now. You don’t strike me as extremely literate, but I have to ask for you to either buy something or leave.”

Lorcan glowered at her. “Fine.” He turns to walk out, but Aelin hears him call her a bitch under his breath.

Just then, Elide walks inside the shop doors. A backpack slung over her shoulder, finished with her classes at Rifthold U and prepared to work the evening shift with her.

Aelin is relieved for the interruption and about to take full advantage of it, when the small, brown-haired girl catches sight of Lorcan and beams like a rutting lighthouse.

“Lorcan! I didn’t know you were coming into my work, what a surprise.”

Elide. One of her best friends, runs up to the six-two tower of misogynistic cow boys and flings her arms around him. Hugs him.

Ellie she recalls the name being thrown out last night. She hadn’t put two and two together. Ellie was a common name. Of all the people in this city it had to be Elide, Aelin mentally bemoans.

She wonders if Elide knew how her cowboy behaved when she wasn’t around.

It doesn’t matter. Lorcan is all too aware of Aelin’s eyes boring into his skin, and knows he needs to make a quick get away.

“Ellie,” Lorcan pulls away from her. “I just had to see this book shop you are always talking about.”

He kisses her head, and looks at her with feigned remorsefulness. “I must have gotten your shifts mixed up in my head, though. I’m afraid I have to go. We booked a training time for six and I need to brush down Nettie before we start.”

“Oh,” Elide says, a look of genuine disappointment on her face. “That’s fine. Are we still on for a movie tomorrow?”

“Wouldn’t miss it,” he promises. He pecks her one more time on the lips and tips his chin towards Aelin. Anger still bubbling in his eyes. “Good day, ma’am.”

Aelin releases a breath when the doors close behind him.

“I’m so sad I missed him.” Elide frowns, tossing her back pack behind the counter. “At least you got to meet him. What did you think? He’s absolutely dreamy, right?”

Aelin chokes back a gag. “Yeah. He was really charming.”

“And get this,” Elide smiles. “He’s a cowboy. Like an actual, real life cowboy. He rides pulls and does team roping. It’s sexy.”

Aelin can’t hide the grimace this time. “You are like my baby sister. I never want to hear the words sexy from your mouth again.”

At least, never in the context of Lorcan. They’d had plenty of boy talk before.

“He even carries a rope.” Elide wags an eyebrow. “Better to tie me up when we-“

Aelin holds a book over her face. “I’m not listening to this! I will file a report with HR.”

Elide laughs. “You are the boss, Lin. You know we don’t have an HR.”

“I need to get one now,” Aelin grumbles. “I don’t need an image of yours and Lorcan’s naked asses in my head.”

She wanted Lorcan out of her head entirely. Along with Rowan and the rest of their cadre.

“Fine,” Elide sighs wistfully. “One day you will be in love and I won’t hold it against you when you want to talk about whatever babe you wind up with.”

Her eyes get a mischievous glint. “Actually- Lorcan has some really cute friends. I could set you up with?”

Aelin’s brain banks. “No. No thank you. I like being alone. I’m more than enough company for myself.”

“Come on, a double date would be fun!” Elide whines and tugs on her arm. “You never go out any more. We could have a great night out.”

An image of the twins cutting lines on the bar flash across her mind and make her shudder.

“I said no, Elide.” Aelin says a bit more harshly then she intends, but Elide gets the point and backs off.

“Sorry. I won’t mention it again.” Instead of anger she looks at Aelin worriedly.

She kind of hates that more.

“Thanks.” She shakes her head and tries to clear the residual stress from her head. “I have to set up a new shelf display. Want to help?”

Elide lights back up at the prospect. She loved designing and organizing. They have a great time setting displays up together and Aelin knew it would take her mind away from the tension she’d created.

She just really hoped that Elide dating Lorcan wouldn’t drag any drama into her own life. Aelin didn’t care what half asses excuses Lorcan made, she wasn’t interested in seeing Rowan again.

Hello! I’m so glad I got this posted today. 😂 I’m hoping to get the next chapter of DRNS out tomorrow. After that, my birthday is next Tuesday and I reaaallly want to do a mass update of all my fics then as a hooray to 21. (Yes. That is what I’m doing for my 21st 🤣) Hope you enjoyed it!

Tag List- (Let me know if you would like to be removed or added!)

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[thegentlecriticfilmreview]

Late Night, a feminist review

This is another old essay, on my favourite movie Late Night, from the coolest class I ever took, Women in Pop Culture. Writing this essay actually made me realize I want to more closely study competitive femininity one day! I also remember this was an essay where I wished the word count was higher, because I love this movie and had a lot to say!! lol, maybe one day I will write more. 

if you read, I hope you enjoy!

Mindy Kaling's first feature film, Late Night, is a dramatic comedy starring Emma Thompson as Katherine Newbury, the only female late night talk show host in America. Kaling co-stars as Molly Patel, an Indian woman selected as a diversity hire for Katherine’s writing staff. The film is a pointed remark on the lack of diversity in Hollywood writing rooms, as well as the cultural shifts that are bringing about change in the industry. Molly Patel’s intersectional feminisim not only builds her relationship with Katherine but also attests that a truly feminist character has less limitations than most depictions of empowered women. 

Five minutes into the film, we see Katherine Newbury fire one of her writers after he asks for a raise because he has just had a second child with his wife. Katherine is more than pleased to inform him of why this is a sexist request. “You’re asking for a raise, not because of any work-related contribution,” she says, “but simply because you have a family. And that’s why in the 1950’s, family men were promoted over the women they worked with.” It is understood from this scene that Katherine approaches the world from a place of education and with feminist intent. However, the writer she is firing quickly retorts, “There are no women on this staff. And the reason there aren’t any women is because you hate women.” This is a shock for both Katherine and the audience because, how can a self-proclaimed feminist be accused of hating women? 

An internalized competitive feminity is revealed in Katherine. Angela McRobbie explains competitive femininity as, “an amplification of control of women... so as to ensure the maintenance of power structures...Feminism, at the same time, is made compatible with an individualising project and is also made to fit with the idea of competition” (McRobbie, 2015, pg. 3). Katherine is the only female late night host in television, yet she is an upper class, white woman. Her economic background alone allows her to occupy a place of privilege in a system that relies on the oppression of the lower classes. While it is a triumph that Katherine is a successful female host, she fails to reflect on possible extensions of this triumph, such as hiring other women for her staff. Therefore, Katherine’s feminism is a self-serving feminism. “It seems then there is a battle to ensure that the new popular feminism which emerges or which holds sway is one which discards the older, welfarist and collectivist feminism of the past, in favour of individualistic striving” (McRobbie, 2015, pg. 4). Competitive feminity is a sly instrument in our society. It allows for the success of certain women over others, while leaving “the existing patriarchal regime relatively untouched” (McRobbie, 2015, pg.17). 

As the media we see often reflects certain aspects of the society we live in, Mindy Kaling is making a purposeful statement that writing rooms in the entertainment industry are disproportionately white, male and upper class. As Douglas Kellner details in, “Cultural Studies, Multiculturalism and Media Culture,”  the entertainment industry plays a massive role in our society’s culture. “Media images help shape our view of the world and our deepest values...Media stories provide the symbols, myths and resources through which we constitute a common culture and through the appropriation of which we insert ourselves into this culture” (Kellner, 2015, pg. 7). It is important to view Late Night with a cultural studies perspective. Kaling’s character Molly Patel is very clearly both a fan and critic of popular culture, and Katherine Newbury is considered an international icon. Furthermore, Andi Zeisler, in “Pop and Circumstance: Why Pop Culture Matters,” demonstrates the significance of examining phenomena such as cultural icons “in the context of its social value, influence and ideology” (Zeisler, 2008, pg. 5). We see examples of strong cultural reactions in Late Night when Katherine receives negative backlash from both journalistic and social media for attempting to embarrass one of her guests, as well as having an affair with one of her writers. This is because Katherine’s status as an icon places her in a space of perpetual examination.

The introduction of Kaling’s character, Molly Patel, is the biggest shift in the plot. Molly is the opposite of Katherine in that she is exceedingly earnest, prone to hesitation, attended a community college and is not white. Bell hooks identifies from her experience teaching cultural studies that, “everyday folks from all walks of life were eager to share thoughts and talk critically about pop culture” (hooks, 1994, pg. 4). If we understand popular culture and its various productions paired with its widespread influence, what can possibly justify the fact that it is dominantly created by white, upper class men, and not a more accurately diverse portion of the population? Molly raises this issue in the film, urging Katherine to use her perspective as a woman in her comedy. Soon, the entire staff is branching out their writing in order to be more embracing of their audiences. Although it is a comedy, not a superhero film, a connection can be drawn to feminist heroes and how they achieve their goals through collective effort (Curtis and Cardo, 2018). It is in this way that Molly represents a more inclusive feminism. Her question of, “how can I help make this show better?” comes from a headspace of feminist unity. Not like Katherine’s earlier self-serving feminism, Molly asks, “How can I help further the cause of feminism?”

Ultimately, Late Night is an incredibly funny film that successfully tackles feminist and cultural issues. There is room for more than just one empowered woman in the film, and they experience their empowerment in unique ways. Initially, Katherine Newbury’s competitive femininity limits her, and this contrast in her feminism is a reminder of our society’s culture. As bell hooks states, “we must be willing to courageously surrender participation in whatever sphere of coercive hierarchical domination we enjoy” (1994, pg. 6). The introduction of Molly Patel and her desire for a more inclusive and diverse work environment proves that the best way to act as an empowered woman, is to lift up and empower those around you.

[birds-and-boys]

Adolescent Identity in Aristotle and Dante Discover the Secrets of the Universe

         The Young Adult genre of literature has witnessed quite the popularity boom since the turn of the 21st century. As more teenagers find themselves fascinated with reading about characters that share similarities to them, more authors are finding ways to create accurate representation of diverse communities (Warrior Cats is a whole different story). Aristotle and Dante Discover the Secrets of the Universe is a novel centered around two queer Mexican American teenagers navigating the world around them while simultaneously trying to understand who they are. The story highlights the significance of identity in the psychological development of adolescents, illustrated through nationality, sexual orientation, and gender roles.

           The top row of photos follows the idea of adolescent development. The photo in the top left shows a starry night in the desert, a picturesque scene that Ari enjoyed viewing quite often. Anytime he wanted to clear his mind, the stars would provide an escape. This represents Ari’s psychological development of his independence. He goes out of his way to ensure his autonomy, often jokingly referring to his mother as a fascist. Driving out to the desert and staring at the sky was method of self-reliance he could always depend on. As Laurence Steinberg and Susan B. Silverberg found in their study, The Vicissitudes of Autonomy in Early Adolescence, “Studies in the development of self-reliance… indicate that this aspect of autonomy increases steadily as youngsters move from the preadolescent to the late adolescent years” (p. 843). Saenz wrote Ari as a young boy fascinated with having a life that was his own to live, which is a very common pattern of thinking and behaving for teenagers. The picture in the top right is indicative of this development too, representing Ari’s use of silence as a coping mechanism. In one of his first conversations with Dante after the surgery, Ari says “Rule number one: We won’t talk about the accident. Not Ever” (p. 128). Ari chose to let the traumatic car accident live and fester inside him, reverting to silence in order to get by. Later in the story, we see a continuation of his development as he begins to open up more, eventually coming to terms with his identity and love for Dante. The center photo in the first row illustrates Ari’s constant questioning of masculinity and what ‘makes’ a man. This is evident in one of the earlier scenes in the story, when Ari overhears boys at the public pool make misogynistic comments about a woman lifeguard on duty. Gee, Allen, and Clinton found in their study, Language, Class, and Identity: Teenager Fashioning Themselves Through Language, that not only is language incredibly significant for adolescent development, but the language certain teens use is associated with the ‘type’ of person they are, much like how Ari feels as though the boys at the pool are a different ‘type’ of masculine.

           The second row of photos revolves around Ari’s identity-forming through the people around him. The first photo in particular represents Ari and Dante’s Mexican American nationality. Ari seems to rarely question ‘how Mexican he is’, while Dante, on the other hand, actively tries to distance himself from his heritage. His fluency in Spanish and his understanding of Mexican culture is limited compared to Ari’s. Adolescent development does not only consist of forming an identity we like, but it also includes pushing out the parts of us we are unfamiliar or uncomfortable with. This conclusion is also reached in the third photo. This represents Ari’s imprisoned older brother who he knows little about for most his adolescence. While Ari wishes that he had been a more present figure in his life, he also knows that he does not want to go down the same path. His own identity conflicts for a moment: his love for Dante versus his brother’s crime against a transgender woman. The center photo depicts the activities that Ari and Dante’s parents – or more specifically, fathers – partake in together. It symbolizes the differences between the two. Ari’s father is reserved and stoic, while Dante’s is talkative and doting. Ari constantly compares the two as he tries to navigate the choppy waters of masculinity. Saenz writes, “I wondered what that would be like, to walk into a room and kiss my father” (p. 26). Ari is confronted with two contrasting versions of fatherly love and affection, and throughout the story we see him figure out his tolerated level of affection and silence from father figures.

           The third row of photos highlights the part of Ari’s identity that focuses on sexual orientation and softness. The first photo represents his mother, who kept in constant communication with her sister, even after the rest of the family shunned her for being lesbian. The audience can tell that finding out about this has a significant impact on Ari. It simultaneously encourages and discourages him to come out. While he can be comforted with the notion that his parents would accept him, he was reminded of the way queer people were treated, not just by strangers, but also by family. The second photo represents one of the largest plot points of the story: Ari and Dante falling in love, or rather, falling in love and coming to terms with it. While Ari’s affection is obvious for the audience, it isn’t until the final pages when he himself understands that he likes Dante. Dante himself isn’t without his own struggles, he admits to Ari that he’s worried his parents won’t be happy about his identity because he wouldn’t be able to give them biological grandchildren. Angel Daniel Matos describes this phenomenon is his article, “A Narrative of a Future Past”, pointing out that “Because of this blame placed on queer people and communities, the engagement in practices that pressure reproductive logics is framed as non-normative…” (p. 35). Dante is not alone in his feelings of guilt, as Saenz likely understood from being gay himself. The last photo represents Ari’s initial uneasiness with crying and emotion. While he chalks it up to feeling emasculating, it seems to stem deeper than that. He likely associates a lack of masculinity with being queer and is in denial of both things. Dante, on the other hand, cries often and a lot. He is unashamed about showing emotion and it sometimes proved to be unnerving for Ari.

           This novel contains healthy representation for queer and Latinx teenagers, while also accurately following the psychological development of identities amongst adolescents. This book was released around the time that most of my peers were coming to terms with their sexualities. I’ve had multiple conversations with Latinx queer friends, with some telling me that this story helped them accept their identity. This narrative is important, it provides young teenagers the reminder that growing up isn’t easy and self-discovery won’t be as magical as people say it will be, but when you allow yourself to love wholeheartedly, you become free. Aristotle and Dante Discover the Secrets of the Universe shows that there’s a lot more to the identity-forming of teenagers that can conflict and tangle together but gives hope that it can all come together in the end.

________________________________________________________________

References

Gee, James Paul, et al. “Language, Class, and Identity: Teenagers Fashioning Themselves Through Language.” Linguistics and Education, vol. 12, no. 2, 2001, pp. 175–194., doi:10.1016/s0898-5898(00)00045-0.

Matos, Angel Daniel. “A Narrative of a Future Past: Historical Authenticity, Ethics, and Queer Latinx Futurity in Aristotle and Dante Discover the Secrets of the Universe.” Children's Literature, vol. 47, no. 1, 2019, pp. 30–56., doi:10.1353/chl.2019.0003.

Sáenz Benjamin Alire. Aristotle and Dante Discover the Secrets of the Universe. Simon & Schuster BFYR, 2012.

Steinberg, Laurence, and Susan B. Silverberg. “The Vicissitudes of Autonomy in Early Adolescence.” Child Development, vol. 57, no. 4, 1986, p. 841., doi:10.2307/1130361.

[scripttorture]

I have no idea if you can help me, but I am working on a short story that starts after a Sami girl is recovering from being tortured by Christian police after her father is put on trial for witchcraft. This is during the witch trials in Norway. I wanted to focus on recovery in the community and her animistic religion. However, I don’t know what kind of torture she could realistically be recovering from and if, aside from punishment, it should religiously motivated. Do you have any English links?

I put this one off for a long time hoping that the virus situation would improve enough for me to a) have less stress at work and b) be able to access the university library in my town. It doesn’t look like that’s going to happen.

 Norwegian history in the 1600s isn’t my strong suit. So my focus here is going to be advice on how to research this. I’ll also include the bits I found and some tortures so common that you can throw them in to virtually any setting without it standing out or being inaccurate.

 Before I get any further I don’t know anything about Sami culture. I’d strongly recommend trying to find Sami sensitivity readers if you haven’t already. Because it can be bloody hard to get accurate information on some of Europe’s oppressed minorities and I’d say the Sami fall squarely into that category.

 Historical research is fraught with pitfalls and when you’re starting out it can be really difficult to figure out which sources to trust. This only becomes worse when you’re working across a language barrier. And when the focus is torture it gets even more difficult.

 Torture has always been a hot button issue.

 The fact that virtually every culture has a history of torture doesn’t change that. Cultural ideas about what was ‘more painful’ or ‘more brutal’ or ‘shaming’ have all played a role in what was deemed ‘acceptable’ cruelty. So has the idea of who is an ‘acceptable’ or ‘deserving’ victim.

 And that means that misrepresenting the typical tortures of different countries, cultures, religious groups or past regimes has been part of political practice for literally hundreds of years. It is a very easy way to direct people’s hate and elicit an emotional response.

 I can’t stress enough how important it is to consider an author’s motivations, biases and abilities when you read historical sources.

 Think about whether an author was actually there for the events they describe. Think about their political and religious positions and what they may have to gain by pushing a particular message.

 Apologies if some of this comes across as teaching you how to suck eggs, but I know a lot of people don’t get this lesson in their history classes. So sources-

 Historical sources can be broadly categorised into primary and secondary sources. A primary source is something produced at the time. A secondary source is something produced later.

 Both can be untrustworthy/biased but a primary source gives you information about how events/practices were interpreted at the time, while a secondary sources tells you how they were remembered later.

 Primary sources can be things like diaries, court records of witch trials and objects produced in areas like Finnmark (northern Norway where most of the witch trials took place) at the time. Secondary sources might be things like how the witch trials are discussed in Norwegian history books and local history or stories about the witch trials that are told today.

 By reading about this in English you’re mostly being limited to secondary sources. The danger here is that secondary sources can misrepresent the time period they’re describing, deliberately or not. Authors make assumptions about how historical people lived, thought, what their actions meant and how their beliefs influenced their actions.

 Primary sources can also misrepresent what happened (deliberately or not) but with primary sources they are at least displaying the biases and concerns of the time.

 Generally historical research is about the collation and interpretation of primary sources. Which is a lot of work, requires a degree of expertise and often demands fluency in several languages.

 That level of work and knowledge appeals to some authors of historical fiction. But it isn’t for everyone. There’s nothing wrong with choosing to rely on history textbooks and the like instead of digging through transcriptions of things written back in the 1600s.

 Here’s the problem when you’re doing that for another country: English language sources are often very very biased in favour of other English language sources.

 This means if some bored academic in the 1930s made up a bunch of fan theories based on very little evidence it will probably still be used as a source today.

 And without having another language (with access to other sources it provides) it can be really difficult to spot that kind of fuckery.

 I am not saying that you need to learn Norwegian and believe me as someone with only one spoken language I understand how tackling a new one can be crazy intimidating.

 But I think you do need to know Norwegians. Particularly Norwegians with an interest in history.

 That’s all general stuff about researching historical periods in different countries.

 For torture in particular… I’m not gonna lie it’s a sack of angry snakes.

 Both primary and secondary often have considerable motivation for lying about torture. Historical accounts routinely downplay or outright lie about the damage different tortures cause. They are heavily judgemental about victims.

 And they run in to exactly the same issues we have trying to study use of different tortures today with the added difficulty that accounts from torturers are preserved far more frequently then accounts from survivors.

 It’s only once you start getting to the 1900s that you really start to see multiple survivor accounts of events. For the 1600s as a general period I can think of witness accounts and multiple accounts from torturers or their bosses in various countries. But the testimony of survivors is very very rare.

 This is an issue because we know from modern research that torturers routinely lie about what they do.

 There were laws in most European countries in this period that cover torture. They tend to define a sort of ‘accepted practice’: what torturers were supposed to do and for how long. And don’t get me wrong these are useful historical sources.

 But we know from comparing similar torture manuals used in the 1930s (and indeed more recently) to multiple accounts from torture survivors that torturers do not follow their own rules. I see no reason why torturers today would be less likely to follow ‘the rules’ then their historical predecessors.

 Looking up the laws of the land at the historical time period you’re interested in is a good place to start. But it won’t actually tell you everything that torturers did and it may not represent the most common tortures.

 It will give you a list of things that were definitely used at the time in that place though. Which isn’t a bad place to start.

 Look for history books that cover crime and punishment. If you can’t find one broad enough to do that (or give you a helpful summary of laws at the time) then I’ve found that accounts of specific historical figures in the relevant area/time often contain some of that information.

 The next major pitfall when researching historical torture is the bane of my existence: euphemisms.

 A lot of historical sources use vague or euphemistic terms for different tortures and then leave it up to the reader to figure out what they mean. This was probably perfectly clear at the time but now… less so.

 To use an example from something I’ve been trying to research for a while now I can tell you that the Ancient Egyptians definitely used torture. They say as much in surviving accounts of their justice system. They used it to punish, force confessions and attempt to gain information.

 They definitely beat people with sticks. They say they did, in multiple accounts. There are also wall carvings and paintings that show prisoners of war and enslaved people being menaced with sticks.

 However, I can’t find any definite suggestion that they used falaka, ie beating the soles of the feet with those sticks.

 Did they just hit people at random? This seems unlikely from a practical viewpoint as that’s a very easy way to kill someone. Did they ignore the feet and concentrate on other areas of the body? Did they use falaka and also beat other areas? Do I bring too much bias into this question because I’d love to find a historical point of origin for a torture that’s common throughout the Middle East today?

 Historical sources often just don’t contain the details we need to be certain about what torture they’re describing. Terminology is often vague. Descriptions can be contradictory. Often the only way to be certain is to come across an illustration or surviving device and even then this does not necessarily represent common practice and either piece of evidence could be contemporary propaganda rather then something that was actually used.

 When you’re talking about historical torture it is essential to find multiple sources and make sure they agree.

 Vague terminology like ‘water torture’ can cover a host of different sins. Finding a vague term or euphemism multiple times doesn’t even tell you if this was the same practice carried out in different areas or different practices with superficial similarities.

 If a source doesn’t give you enough information to be sure don’t use it. If a source suggests the meaning of a euphemism based on no clear evidence from the time period don’t use it.

 What I’ve found in my own small collection of books on witchcraft is very sparse on details.

 One of the older books I have suggests that there were almost no witch hunts or witch trials in Scandinavia which is complete bollocks. The book was published in 1959, so I’d suggest being wary of English language sources from that date and earlier.

 A much more recent (2017) Oxford University Press book on the subject gives an estimated 400-500 executions for witchcraft in Norway during the period of 1601-1670.

 This might seem like a small number compared to the thousands that were executed throughout the Holy Roman Empire but it seems a significant number given that the Norwegian trials were so concentrated in a small, sparsely populated region.

 Unfortunately this book is a very general overview of the perception of witchcraft and magic throughout Europe from the ancient world to the present. So it doesn’t really give any details of the kinds of tortures a Norwegian accused of witchcraft might endure.

 The author of the chapter on the witch trials was Rita Voltmer, University of Trier in case that’s helpful. She has published several papers on witch trials and the use of torture and at least one on witch trials in Norway. However a lot of her work is in German.

 These two papers/chapters in particular may be of interest: the english language document on torture and emotion in witch trials and the German paper on Norwegian and Danish witch trials.

 Several of the books I’ve got access to confirmed that Norway burnt witches and provided stories focused on shapeshifting and causing storms at sea. They also confirmed the use of torture in witch trials but nothing so helpful as the kind of tortures employed.

 I found multiple references to ‘water torture’. One of these implied that the particular torture was waterboarding alla the historical Dutch method. But the same source said this caused vomiting or possibly diarrhoea which seems to imply pumping.

 At a guess I’d say pumping is less likely because waterboarding can cause vomiting and so far as I know pumping wasn’t common anywhere in Europe during this period. However absence of evidence is not evidence of absence.

 ‘Water torture’ could also potentially refer to: a temperature torture, near drowning, a method of sleep deprivation or even dehydration. Without more detail it’s really hard to say which of these is being referenced.

 I found one mention of ‘burning torture’ a reference that I think referred to tearing the flesh with hot pincers based on the description of a torn wound. However given I only found this referenced once and I’m unsure of the source I found it in, I would not say this is a good one to pick.

 Which leaves me with common tortures.

 Whatever the time period, whatever the place, beatings the most common torture. Easily.

 If your character gets repeatedly hit, whether it’s clean or not, you are not being historically inaccurate. And I’ve got a lot of posts on beatings generally and clean beatings that can help you write that.

 Starvation and dehydration are also both really common regardless of culture and time period. So are temperature tortures or exposure though I think different countries have favoured different methods at different times.

 Torturous cell conditions were incredibly common across Europe historically. Lack of sanitation, wet cells, inadequate bedding, over crowding and conditions amounting to a temperature torture were all really common. They were also often happening alongside starvation.

 I have a masterpost on starvation and tags covering temperature tortures, exposure and prisons. I think the ‘prisons’ tag should give you most of the posts covering poor cell conditions, ‘historical torture’ and ‘historical fiction’ may also be helpful to you.

 I’m sorry I couldn’t come up with anything more specific.

Available on Wordpress.

Disclaimer

Edit: So this should be my week off the blog but I’ve seen a lot of the responses to this. Most of them are extremely helpful, thank you to everyone who knows Norwegian that is offering to help.

However: if your instinct is to say that any torturer, historical or recent, is ‘honourable’ and follows a code of conduct then this blog is not the place for you. I don’t tolerate that kind of apologia or people using my work to spread it. 

[hobidreams]

Moonlit Throne historical clarifications/references

i want to accurately represent the history from the joseon era, but sometimes for the sake of story/ease of accessibility, things had to be minorly changed. the following is a list of creative choices/changes i make in the writing of Moonlit Throne, as well as further information about the history/culture that i’ve found through my own research 💓 i hope this can also provide some more context for those interested. this list is to be updated as the series progresses so i always recommend you read the latest drabble before checking for more info here for risk of spoilers. please correct me if i get any info wrong!!

for even more information about the world, check out the tag #moonlit history!

last updated: after drabble 43!

new information for the latest drabble will be under the moon.

king gwanghae - as mentioned in the line “gwanghae flow” & in the rest of the MV, Daechwita was inspired by this historical king & the movie about him. Moonlit Throne is not inspired by any king. any event that is similar is purely coincidental!

topknot - various sources state that only married men were allowed to wear their hair up, though this is often not the case in popular korean media. even though Yoongi is unmarried, i chose to pay homage to the daechwita MV & give him a topknot throughout the series. *** same goes for the blonde hair color!

months - traditionally, they followed the lunar calendar in the Joseon era. but i thought that that would be a bit difficult to explain for modern audiences so i am choosing to use the months/modern equivalents of dates.

yoongi’s scar - i am aware that Scarlet Heart Ryeo depicts the facial scar as a reason that someone could not become king. i haven’t found much on this in the way of historical sources, so it’s not a factor in my series!

uinyeo - aka. reader’s mom, and eventually reader herself. at the time, it was believed that women could not be treated by male doctors due to the shame of showing a man their body, even in a medical context. this position was generally occupied by a woman that was ranked below middle-class & commoner (think merchants/fishermen/etc.) as it was not a very desireable role. reader’s mom, Eun-a, is the head uinyeo, which is why she is called “su-uinyeo-nim” by others.

***i haven’t found any information that says men couldn’t be treated by women due to the Confucius beliefs, so at least in this story, reader helps out the male physicians from time to time.

eunuch - eunuchs were impotent or castrated men (had all or part of their genitals removed) who worked within the palace walls, serving and attending the royal family. they had their own hierarchy, like head eunuch, etc. it was possible for eunuchs to marry & have families of their own.

***Eunuch Kim has a 🍆! it’s just his testicles that were removed.

yoongi’s name - technically kings use temple names that end in jo or jong instead of their given names, but i’m keeping it as Yoongi!!

age - it’s revealed in the march 1858 drabble that Yoongi is officially turning 10 years old that year, but this is in Korean age. his birth year is 1849, which would make him 9 years old in age as we know it internationally. Korean tradition dictates that people age up at the start of the new year (Jan 1), not on their actual birthday. traditionally, they also add an extra year as they consider the baby 1 year old at birth, not 0 years old. to do the math, reader is two years older than him, which would make her born in 1847 & turning 12 that year!

*** the average life expectancy around that time was ~35-40, so their understanding of a teenager would be very different than ours, at least in terms of maturity. thus, even though the main characters are relatively young by today’s standards, i’ve written them to come off as older. UPDATED INFO: it seems court ladies could live up to rather elderly ages, even up to 70, so i’m not sure if the earlier statistic was just mainly for men.

birthdays - i couldn’t find any information about whether they celebrated the actual day of birth as well back then, only about 100 day milestones, etc. but it is part of Korean culture to celebrate the birthday in modern times, so i kept it in.

jeonha - similar to mama, this is how you refer to the king as an equivalent to “Your Majesty”. wangseja-jeonha is the full title for the crown prince. usually people just call him seja-jeonha.

women’s rights - how much freedom you have kind of depends on what rank you are. most of the upper court/noble ladies (yangban) are born & raised within the palace. they were very, very rarely allowed to leave (& if they were married off, then they would have to leave with like guards/people with them). it’s unfortunate but they were treated like property, passed off from father -> husband. from what i can gather, the lower ranked women (like the uinyeo) had a bit more liberty about going into town (or at least ive seen in media), mostly bc no one cared about them.... sad truth but truth nonetheless.

king’s authority - even though the king is the ruler of the entire land, he doesn’t have absolute authority over everything. generally kings in the joseon era had to listen to the advice of the court officials if they thought he was making the wrong choice.

Minister Choi’s execution - so actually there were several types of executions for people of different ranks. someone of Minister Choi’s status likely would have been given a less gruesome death via. poison (sasa or 사사). but i’m keeping it as a beheading to pay homage to the daechwita MV!

***i also came across an article that said only royal blood could be spilled on the palace grounds so i’m not 100% sure where the public execution square was located, only that there was one & it was separate from the palace. also a lot of dramas seem to ignore this rule, so i’m not sure.

perfume - this existed back then! along with cosmetics. they were a luxury item for mostly the upper class, but they definitely existed.

Queen Jeonghui’s birthday - fun fact! i borrowed this real life queen’s name first, for drabble 3. then i found out, it just so happens that her real birthday falls in November as well. it was a total coincidence haha. 

OC’s outfit/hairstyle - this is what she would have worn!

palace - the layout of the series setting is loosely based off Gyeongbokgung Palace! if you look at the map, i’ve set the private gardens at #24 (though the position of the island is different than how it looks in the map. it’s instead from the right side going towards the left), Yoongi’s private residence is #25. reader is moved into #23. #26-28 are libraries, which includes the crown prince’s private library.

*** also the palace is much bigger than you might imagine so to get anywhere takes some time & a bit of walking!

jipgyeongdang (집경당) - #22 on the map. along with #23 (below), were traditionally houses for concubines & palace maids before Yoongi moved them.

hamhwadang (함화당) - #23 on the map. where reader lives post December 1868.

sanggung - the highest rank available for women who served the palace/royal family. a woman could become a “favored sanggung” if she slept with the king, but not a proper concubine. normally from the “commoner” class.

sangmin - “commoner” class. made up about 80% of joseon’s people. were the farmers, fishermen, laborers, etc. these were the people that paid taxes and were ruled over by the nobles!

cheonmin - the rank below commoner, described in English as “vulgar commoner.” the upper classes considered these people “unclean.” among their numbers were butchers, sex workers, performers, shoemakers, and yes, uinyeo. they were normally given little to no respect at all within society.

concubine - women that had the honor of sleeping with the king. concubines had their own ranks within them as the king usually had many (think around a dozen). more info.

town - from what i can gather, directly outside of the palace is a small town. if you think of the Daechwita MV, it’s like the town that Yoongi walks through when he has black hair. this is where mostly people of the middle/lower class, like sangmin & those below that, live.

chuseok - Korean harvest festival! it means “autumn evening with the brightest moon”. it’s usually celebrated on the 15th day of the eighth month in the lunar calendar. that would put it anywhere around sept 9-oct 2 in our modern calendar depending on the year!

yangban - these are the “ruling class” or gentry of the joseon era. generally means their families own land, are somewhat (or very) wealthy, and they are well-educated. (think Mr. Darcy, for a British equivalent)

why does no one recognize the prince in town? - with a lack of access to pictures & internet, it was common for the normal citizens of the country to not know what their monarchs looked like. generally to identify people & rank, they had to rely on appearance. gold was a color only reserved for royalty, so only the king & his sons could wear the royal robes with gold embroidery. once Yoongi takes off those robes, it’d be hard to identify him from among regular yangban!

jeon - these are bits of shrimp/vegetables/fish/other small things that are deep fried in egg batter!

nokdujeon - this is like a small, savory pancake made with, you guessed it, mung beans!

Chun-ja calling Eunuch Kim “Kim-nim” - look. i’ll be straight with you i have no idea how a commoner would refer to a eunuch. i’m flip-flopping between his title (which i also cannot figure out bc idk which of the 18 political ranks he would be, but not for lack of trying y’all T_T) & his name with the respectful -nim. so just to be safe, i’m going with it.

***i also am not 100% on this, but i believe Eunuchs rank higher than commoners because they work in the palace? which is why Eunuch Kim uses “-ssi” for her.

hangul & hanja - so the Korean alphabet as we know it is called hangul, and it was invented in 1443. in the past, they used to use hanja, Chinese characters, to write documents.

female literacy rate - as related to above, it was rare for women to be able to read/write even up until the late 19th century. they weren’t allowed to learn hanja at all & only around 4% could learn hangul. of those 4%, it was mostly noble women, who received good education to be better wives.

***books were then thus read aloud by those literate to crowds, so people could still enjoy stories.

face - the concept of “face” is very much rooted in Asian culture. in Korea, it’s called chemyon, & is basically related to your reputation + how others see you. you can lose, build, or gain face through your actions or what rumors of you spread. for example, if parents have children with bad grades, they + the child lose face. people should strive to do things to build their family’s honor & face up. i’ve experienced firsthand how people go to sometimes extreme lengths to “save face” as the term goes. basically, if you’re going to do something shameful, it’s better to do it where no one can see. (this concept isn’t going to have a huge influence in the series, at least not so far & i use it rather lightheartedly in October 1865 but i just thought that it’s really interesting + important to know about Asian culture!)

French expedition to Korea (Byeong-in yangyo) - in October 1866, the second French empire tried to invade Korea (or Joseon as it was called at the time) because the king at the time executed seven French missionaries. after several months of fighting, Korea won with only four soldiers killed & 3 wounded (compared to France: 3 killed, 35 wounded). Joseon was able to stay relatively isolated from all the other countries, continuing the practice of isolationism.

gossip - i couldn’t find any laws prohibiting people from talking about court going-ons/battles, though i would assume that it’s punishable if you’re doing it to talk badly about the king. but even if there were laws in place, word gets around, as word tends to do. therefore, i’ve given Eunuch Kim a bit more freedom in his letters.

royal funerals - it could actually take up to 5 months for the coffin to begin its journey to the resting tomb, but i’ve expedited the timeline for plot purposes!

coronations - these actually weren’t super common in Korea or Asia in general, but it did happen once in the 1700s for King Yeongjo. i’m using that as inspiration for Yoongi’s crowning.

*** also i couldn’t find info on the exact wording that King Yeongjo used when he announced his succession to his deceased brother’s body so... i took some creative license there.

gama - how yangban & up women travelled, carried by their servants. here’s a visual!

the royal engagement - actually, Beom-su would not have lived within the palace walls. she would have lived in a detached palace that was further away from the main palace, and there would be a whole procession where the king goes to her during their wedding rites. however, i’ve seen several dramas have the bride-to-be hang around a lot, which seems to be true because she would have had to learn the customs of the palace, so i’m not sure how much she would have been around realistically. i’ve just chosen not to address it, like the dramas do.

Beom-su’s name - i chose this name for her because of one of the possible hanja for beom: “犯”, which i would pair with the hanja “秀” for su. her name would basically mean excellent invasion, which i thought was a bit cruel, slightly humorous, & overall fitting. it is normally a masculine name though! 

why are Beom-su’s father’s actions such a scandal? - so all the unmarried women living/working in the palace were considered the king’s property. he could sleep with them if he wanted to, but essentially they belonged to him. by laying hands on the maid, the minister committed a double sin because he not only was he assaulting someone, but he was infringing upon the king’s territory. 

civil service exam (gwageo) - this is an exam issued every 3 years that any man, commoner rank & above, could take in order to enter into civil service. it’s what Jimin takes to enter into the court! i’m not sure what month these were held or if it was just at the king’s discretion (could not find much info)

more on eunuch kim & the re-marriage process

royal tombs - these were often quite far away from the actual palace but looking on maps, i found that there were a few tombs rather close to the palace that people could have conceivably travelled to within a day, over several long hours on horseback!

on natural disasters - yes, in history, natural disasters like floods/earthquakes/eclipses were said to be the king’s fault because he wasn’t a good enough ruler! things like this could seriously derail the people’s trust in the king and was a big cause of concern.

on Queen Jeonghui being in court meetings - i couldn’t find actual evidence that said the queen couldn’t be at these daily meetings between officials. in fact, the real life Empress Myeongseong in the ~1870s was pretty involved in politics and was quite interested in matters of law, etc. so, i’ve decided to allow Jeonghui to be present and address the ministers alongside Yoongi!

Chunaengjeon - i kind of explain more about this already in the drabble itself but if you’re curious, it’s the only solo court dance in the Joseon era and the highlight of the dance is a moment where the dancer mimics a bird perched on a flower and smiles :’) i thought it was fitting for these two. here’s a video of a performance that i used as reference!

janae - there were quite a few different terms for couples to call each other during this time. “janae” was meant to represent wife and is kind of their equivalent to our... “honey”? it was mostly used among the commoners/lower classes to convey affection and closeness. (aka eunuch kim continues to be the cutest)

on adopting a child as a eunuch - the readings i found say that eunuch kim’s children must be eunuchs themselves if he adopts them directly, but they don’t mention anything about this particular case of a eunuch marrying a widow, aka the child is not directly adopted by Eunuch Kim himself. so Han-jae will not be a eunuch when he grows up!

american invasion of korea (shinmiyangyo) - this is a true historical event, as i’ve mentioned in my author’s note for “June 1871.” Americans repeatedly violated Korean soveriegnty and invaded their land, resulting in many, many deaths for the Korean side. they were hoping this destruction would force Korea to accept the trade treaty. Korea did not, and eventually were able to chase the Americans out of their land a month later. the wikipedia page goes into greater detail if you’re interested, and is a quick overview of the situation.

seong-min’s living situation - as i’ve mentioned earlier with the whole Beom-su situation, i’ve chosen to not use the detached palace again for this engagement as dramas tend to do.

the wedding ceremony - similar to my reasoning about the detached palace, i’ve chosen to focus on only a few parts of the marriage rites while only briefly mentioning the rest. why? well, while i would LOVE to explain all the details and intricacies of such an incredible process, i feel like that would take a lot away from the heart of the story and be distracting, especially at such a critical stage. so i’ve explained what i can, and given brief overviews where i am able. ofc i adjusted the parading ceremony because of the change of the detached palace custom. if you’d like an easy-to-read source on the whole process, please check out this link! basically the MLT chapter depicts a tweaked vers of steps 5 and 6. 1-3 happened behind the scenes, and i mentioned #4 in the “summer 1871″ drabble.

chungin - our equivalent of “white collar” workers, or the upper-middle class. this rank was made up of low-level bureaucrats, accountants, physicians, etc. some royal servants would also be part of this rank because they’re allowed to enter the palace. there is an exam (chapkwa) to become this rank!

conception dreams (taemong) - as uinyeo-nim explains in the drabble, these dreams were often seen as omens of impending pregnancy. depending on what you see in your dream, there are different interpretations. possible symbols are animals, fruits, elements of nature, children, and jewels. eg. if you dreamed of fruits, it was often considered to be a sign of having a baby girl.

other conception myths - i know from my own experience that Asians often have a lot of superstitions regarding conception and pregnancy and medical things in general. however, i couldn’t find any specific conception myths for the time period in question (most of my research only uncovered superstitions for after you’re already pregnant), so i’ve taken some creative license here, using the conception dreams and current beliefs as inspiration!

on Queen Jeonghui calling oc “dear” - since I prefer not to use Y/N, ___, etc. for reader’s name and just generally avoid mentioning it, it’s nearly impossible for me to convey the tone with which Queen Jeonghui would’ve been calling OC in this chapter. in Korean, she would be saying “[name]-yah/ah” depending on the ending syllable of the name. adding that suffix to the end of a name conveys closeness and intimacy between people. I’ve chosen to substitute it for “dear” to make things sound more natural in English. it’s not an exact match, but it’ll have to do!

[midnightactual]

Critical Analysis & Tactics I (CAT-1): The Hollowfication Incident

How strong is Yoruichi? That’s actually a very involved question. I’ve decided to create a series of articles detailing my thoughts on the matter by looking at military incidents and confrontations involving her. This is the first, and you may consult the others at your leisure:

CAT-2: The Central 46 Trial Breakout

CAT-3: Yoruichi vs. Byakuya

CAT-4A & B: Yoruichi vs. Soifon

CAT-5: Yoruichi & Soifon vs. Aizen

CAT-6: Yoruichi vs. Yammy

CAT-7: Yoruichi, Kisuke, & Isshin vs. Aizen

CAT-8: Yoruichi & Co. vs. Yhwach

CAT-9: Yoruichi vs. Askin

I’ve talked about this topic before (here) but I’d like to investigate it again from a different angle while also discussing what really happened on the night of the Hollowfication Incident. I think the five pages above tell you something very important about her strength, particularly the bottom-left one. These are from chapter -103 and are Yamamoto’s orders after Kensei, Mashiro, and the upper officer corps of the 9th Division (the Muguruma Commando Unit) go “missing”. (I’ve omitted Kisuke’s interruption as it doesn’t reveal much that’s pertinent to this discussion.) We learn an awful lot from these orders and it’s worth going through it all in some detail in order to get to my point.

Since the is is a long post, let me put the conclusion here up front: Yoruichi is much stronger than the average Taichō of the Gotei 13.

01. I would, quite aside from these pages, first like to remind the reader that nominally the Gotei 13, Onmitsukidō, and the Kidō Corps are equal in their status of reporting to Central 46. The Onmitsukidō and the Kidō Corps do not report to the Gotei 13. This means that accordingly, the Captain-Commander (Yamamoto), the Supreme Commander (Yoruichi), and the Corps Commander (Tessai) are technically co-equal in official stature; you might regard them as roughly equivalently ranked, being like the Joint Chiefs of Staff of their respective branches. (Jūshirō’s shock and Shunsui’s comment that Tessai’s presence indicates, “This is turning into a big deal,” is proof of that.)

Yamamoto, by virtue of seniority over the other two (and Yoruichi’s dual-hatted command within the Gotei 13) still commands their respect (as evidenced by Tessai addressing him formally and Yoruichi heeding his orders without question) and might be thought of as being like a Chairman of the Joint Chiefs of Staff as a result. I’m not arguing at all that Yoruichi and Tessai are equal in strength to Yamamoto, as they plainly are not. However, you would expect by virtue of these positions that they would be more powerful than run of the mill Taichō, and I believe this sequence of events proves that.

02. Notice in the second page that Yamamoto says that 5 Taichō will be dispatched to deal with the situation. This does seem to be an accurate translation by Viz as the red characters, 隊長 (taichō) and 五 (go), do indeed mean “Captain” and “five”.

He will then proceed to name (on page 3) Rose, Shinji, and Love, and then to indicate Tessai and Hachigen (on page 5). Thus: even though he is the Lieutenant of the Kidō Corps, Hachigen’s equivalent rank in the Gotei 13 would be Captain! He is a Taichō-level combatant, which fits in well with his performance alongside Soifon against Barragan. That he is actually lower ranked than Tessai despite this tells you that Tessai is likely notably stronger (which is subsequently borne out). Shunsui is the one to suggest that Tessai be substituted with Lisa, to which Yamamoto agrees.

03. Agreeing to this fits into Yamamoto’s other behavior. Let’s talk about him first. The important thing to understand about Yamamoto is that we perceive him very differently as a character (because of our point of view) than how the characters themselves perceive him in-universe. To your average reader, he probably seems staid, close-minded, overly conservative, dispassionate, and stubborn, precisely because he supports (and substantially built!) the status quo. However, he is supposed to be the most experienced, wise, and powerful Shinigami there is. And, in fact, he is.

Consider things from Yamamoto’s perspective. Things in the Gotei 13, the Seireitei, and Soul Society as a whole have worked for over 2,011 years as of TBTP. (The graduating class of about 1956, which Renji, Momo, Kira, and originally Rukia were part of, is definitively established as the Academy’s 2066th graduating year, meaning the Academy was founded circa 110 BC.) That compares quite favorably to the longest continuously extant human state, the Pandyan Empire, which lasted for about 1,850 years. The runner up is the Eastern Roman (or Byzantine) Empire which lasted 1,123 years by itself (add 499 more if you want to count the whole Roman Empire too, as the Byzantines themselves would’ve). That’s pretty good. It tells you something: Yamamoto’s system works (largely because he guarantees its continuation through his own personal power).

And Yamamoto generally conducts himself rather cautiously and methodically. He doesn’t like change, spontaneity, or impulsivity, regardless of how justifiable it may or may not be. (These are all things Ichigo initially represents.) And actually, as a soldier, that is probably exactly the kind of commanding officer you would really want to serve under: one who doesn’t take wild risks which might get your ass killed. People respect Yamamoto not just for his strength, but because he’s actually good at what he does.

04. Before we talk about what his orders actually are, I want to make a brief digression here to make a point: only Taichō-level combatants actually matter in the Gotei 13 in terms of military calculations. This is firmly established by the Soul Society arc. Byakuya says this in chapter 162 about bankai:

The key takeaways:

Members of the Great Noble Clans are stronger than everyone else (making people like Yamamoto, Retsu, Aizen, and Kenpachi extreme anomalies)

Even members of the Great Noble Clans only rarely achieve bankai (which, given a Shinigami generation is much longer than a human one, is saying something)

People who achieve bankai are uniformly important to Soul Society

You know who has bankai? Renji, a Fukutaichō who just achieved it and had used it in open combat against Byakuya, a feat which everyone with spiritual sense should’ve detected at the time given it, as Yoruichi notes elsewhere, makes one 5 to 10 times stronger. (Recall how on the Senzaikyu Bridge, everyone felt Ichigo’s approach even though he didn’t have bankai yet.) So Renji’s feat should be very impressive and important, right? Not to Yamamoto. In chapter 153, he already told us:

Renji is expendable. He could be killed and replaced without issue. Yamamoto then goes on to even further establish that Fukutaichō are comparatively useless by effortlessly crushing Nanao with his reiatsu alone in chapter 155. In short, Yamamoto does not rate bankai by itself. (The sole exception to this attitude by Yamamoto is perhaps toward his own Fukutaichō, Sasakibe.) It should also be extremely self-evident that Taichō-level combatants can have an extremely wide separation in power from one another, and I’m not going to substantiate that assertion here because we’d be here all day. So, when we talk about what happens during the Hollowfication Incident, let’s do so with a sense of clarity that only Taichō really matter in Yamamoto’s calculations.

05. Having established that, let’s return to the pages and talk about Yamamoto’s orders and how he’s positioning his forces on this particular night. A summary:

1st: Yamamoto - defense

2nd: Yoruichi - standby

3rd: Rose - deployed

4th: Retsu - defense

5th: Shinji - deployed

6th: Ginrei - defense

7th: Love - deployed

8th: Shunsui - defense

9th: Kensei - MIA

10th: n/a - office unfilled

11th: Kiganjō - no orders

12th: Kisuke - no orders

13th: Jūshirō - defense

The Gotei 13 had 12 Taichō at the time, as the 10th Division’s had died and not been replaced yet. Kensei was at this point MIA, thus putting them at 11. Including Tessai and Hachigen (as noted earlier) bumps them back up to 13. This tells us why the Kidō Corps was brought in: to bring the Gotei 13 back up to full strength during this crisis.

Yamamoto directly assigns his oldest and most experienced subordinates (Shunsui, Jūshirō, and Ginrei) to the defense of the Seireitei. His orders to Retsu to stay and his own continuing presence mean that indeed all the oldest and seemingly strongest Taichō are allocated to defense and garrison duty.

Rose, Shinji, and Love are deployed (along with, initially, Tessai and Hachigen) to investigate.

Kiganjō and Kisuke aren’t issued orders, presumably because both are considered unreliable. Kisuke is there, if late, but is effectively dismissed after his outburst regarding Hiyori.

Yoruichi is designated as the only flexible element in this plan. Before I return to this final point, I want to address some lingering matters and then explain to you what this deployment actually means.

First, It’s notable that Yamamoto’s assertion that Retsu is “too important” is a reflection of her healing abilities and their importance to a potential wartime situation. (Note that Kisuke, in chapter 227, dismissed Orihime from the war effort against Aizen by saying that 4th Division, particularly Retsu, more than equaled her abilities.)

Second, the substitution of Lisa for Tessai (at Shunsui’s suggestion) is not a reflection on Lisa’s power (remember: Fukutaichō don’t matter, and Lisa didn’t have bankai at this time anyway). It’s suggested because of the risk of sending Tessai and Hachigen together. It’s presumably approved because of the seeming overabundance of force in the deployed unit.

What do I mean by that? Think about it this way: a Taichō and his subordinates go missing. While that is (very) concerning, consider the ways in which it is likely to happen. Is it likely to be a Hollow? Almost certainly not. It suggests an ambush. Which in turn suggests a coordinated military strategy. By whom? Unknown. So, how do you respond? You respond in force, but there is probably such a thing as too much force. After all, what is likely to take out 4 Taichō, let alone 5? Not a lot. So the difference between 4 and 5 doesn’t much matter, and substituting Lisa for Tessai is fine. The deployed force should still be overkill either way.

It also retains Tessai for defense, and Yamamoto’s real concern here is revealed by his allocation of a preponderance of forces to the Seireitei: he seems to believe this is a diversion in preparation for an attack on the Seireitei itself. Thus, through action and inaction alike, he commits 4 Taichō to deployment and retains 9 for defense. He is overwhelmingly interested in defense against possible follow-ups and believes he has likely still committed excessive force to deal with whatever Kensei’s situation is.

06. Thus, finally, we come to Yoruichi’s role in this plan as the the only mobile auxiliary force. Let me state my premise first, then I’ll substantiate it: Yoruichi is the only possible backup the deployed force has, meaning she and she alone is their lifeline in the event something goes wrong—this fact alone tells you she is more powerful than the deployed force as a whole. In other words, Yoruichi is stronger than Kensei, Rose, Love, Shinji, Tessai, and Hachigen put together.

Bold claim, I’m sure! What evidence do I have to support this assertion? I tell you it’s simply obvious using conservative tactical logic, studying their military disposition, and understanding the political situation.

Tactical logic first: suppose for a second that there was an unknown criminal incident in a local big box store like Walmart, Home Depot, or whatever you like. A squad car’s worth of cops (2) went in. They then stopped responding to central. So, backup is ordered and now four times as many cops go in (8). What if they stop responding? Would you send in another 2 cops? Or 8? Or even 10? No. You would likely send in at least 20–30, if not just the local SWAT team. It doesn’t make sense, after having lost so many elements already, not to escalate radically, just as sending 8 guys is a radical escalation from sending 2. You don’t send 2, then 8, then somewhere between 2 and 10 yet again. You’re throwing away limited forces for no gain at that point.

Yoruichi is the SWAT team. The fact Yoruichi alone was the potential reinforcements for the deployed group tells you that one of two things is true:

Yoruichi is stronger, unto herself, than the deployed group, or...

Yamamoto was prepared to simply sacrifice the deployed group if the situation went bad, and their backup, for no gain

Military disposition second: given Yamamoto is already working with a diminished and very finite force, with possibly 2 out of 13 Taichō down, (2) does not make a lot of sense given his character. (Again: note how he reserved Retsu and Tessai out of strategic concern.) What is the benefit? It is worth noting here that after the defection of Aizen, Gin, and Kaname a century later, the Seireitei also adopted a conservative and defensive posture (but more on this later).

Political situation third: doing this also wouldn’t make a lot of sense given the state that the Gotei 13 was in as a whole at the time, which Shunsui and Jūshirō helpfully expounded upon in chapter -108:

Long story made short, the Gotei 13 was in a period of upheaval and turmoil at the time—a period of weakness. Sacrificing your military assets when you are weak is not particularly intelligent.

We can thus recast our two earlier possibilities as follows:

Yoruichi is in fact incredibly strong, or...

Yamamoto is a military idiot who wasted forces for no good reason, despite the fact he is supposed to be extremely militarily competent

I know which of those two my money is on. But I’m also not done yet in proving it.

07. Let’s be very clear here that the events of the Hollowfication Incident were the most extreme losses we know of that the Gotei 13 ever suffered in terms of assets that actually mattered. The Gotei 13 lost a grand total of 8 Taichō-class combatants that night (Yoruichi, Kisuke, Tessai, Hachigen, Shinji, Rose, Love, and Kensei). Their strength was reduced from 14 acting with the Kidō Corps to 6. That’s 57.12% losses. From this perspective, it was a much worse disaster than Aizen’s defection or the Wandenreich War in terms of outcome. The loss of both the Supreme Commander of the Onmitsukidō and the Corps Commander of the Kidō Corps was especially grievous.

It’s also worth pointing out that as far as Central 46 was concerned the Hollowfication Incident was a conspiracy orchestrated by Kisuke, Tessai, and by proxy Yoruichi. Given the losses, it can only be read as an attempted coup, and other than Aizen’s murder of Central 46, was a much more serious event than even Aizen’s defection.

This raises a simple question: Why didn’t Central 46 demand Yoruichi, Tessai, and Kisuke be hunted down?

The first and most obvious answer is that numerically the forces to do so while maintaining the defense of the Seireitei simply did not exist. Only Yamamoto, Retsu, Ginrei, Shunsui, Kiganjō, and Jūshirō were left. Kiganjō was plainly unsuited for such a mission. Retsu would be even more critical after such losses and would never be sent. Ginrei, Shunsui, and Jūshirō were exactly the ones tasked with securing the Seireitei and could be thought of as the ‘minimum’ needed to do that. And finally, it’s unlikely that Yamamoto himself would go, even though he later states to both Shunsui and Jūshirō in chapter 154 that:

Put simply: Yamamoto didn’t have the manpower to chase them. (And Yamamoto would make a very similar decision after Aizen’s defection, choosing not to pursue him, Gin, and Kaname to Hueco Mundo, which he likely regarded as being a giant trap he could ill afford to take loses from; he learned from the Hollowfication Incident!)

But that isn’t the only answer, because even when he later did after the Gotei 13 was reconstituted, he wasn’t interested in tracking them down. This is surely not because they were just written off as dead (as Byakuya implies on the Senzaikyu Bridge) given the enormity of the accusations against them. The Gotei 13 didn’t give up on tracking down Ginjō and Xcution for far less; it isn’t in the business of forgiving or forgetting.

Maybe Yoruichi choosing to spare Central 46′s lives factored into that decision (see here) but if it did, doesn’t, “She might come back and kill us all and there’s nothing we could do to stop it,” tell you she’s very strong?

And if that didn’t affect the decision-making process, what did? I’ll tell you plainly: Yamamoto did not have confidence that any team he could afford to send out was likely to beat Yoruichi, Tessai, and Kisuke—and he didn’t think much of Kisuke. That should also tell you that Yoruichi is very strong.

The Urahara Shōten crew was allowed not only to escape but to live in peace not just because of whatever actions that might have taken to protect themselves, but because a military confrontation with them was simply too risky. And a major component of that risk must, logically, be that Yoruichi is extremely strong.

The anime-only Reigai Uprising filler arc is exactly that—filler—but it is known that Kubo was at least consulted for the filler arcs. And during that filler arc, in episode 319, Yoruichi’s Wiki entry notes the following:

She fought three Shinigami captains and four lieutenant-level and above opponents at the same time with Hakuda without receiving any notable damage.

All of the above is in my opinion convincing evidence that although this feat is non-canon, it would be very plausible for it to happen in canon. That’s how strong Yoruichi is. That is why she is the designated threat barometer (see here) for the latter half of the series. Yoruichi is not arrogant. This whole sequence is designed to tell you as much.

P.S. Since I'm also vaguely talking about this: yeah, Yoruichi didn't beat Askin. But you know what? Mayuri didn't beat Pernida, Shunsui didn't beat Lille, and Byakuya, Tōshirō, Kenpachi, and the rest didn't beat Gerard. None of the Sternritter were beaten by their primary opponents. And, for the record, Yoruichi did better against Askin than Ōetsu did, without a ridiculously overpowered zanpakutō and with a much stronger Askin, as Yhwach hadn't yet absorbed the Soul King and powered up the Sternritter when Ōetsu confronted them. Just sayin'...

[lady-plantagenet]

What hasn’t already been said: The Spanish Princess 2

Episode 1: CamelNOT

[Lively Music Plays]

I shit you not... that’s what it said in the CCs.

Tower of London (?)

*Catherine looks at the array of crowns like a museum curator and the proceeds to strut down the halls*

Wolsey: *gives her this strange look which is a mixture between damn girl and the eagle is my spirit animal.

Then Catherine gets fake detained and taken to Henry in what must be a strange variation of the whole Robin Hood/Maid Marian roleplay they historically engaged in.

... did she just call his erhm manhood his kingship? Well that’s original, I’ll give them that. Also funny how Bessie Blount initially looks on in fright... don’t worry girl that will be you soon.

———————————————————————

*the four ladies have a brunch friendship moment together*

I see Blount is among them... I see they are setting her up as Catherine’s friend in order to play up the whole betrayal.

Alright. Jokes aside, I realised how much I’ve played myself. I was inspired by @melusineloriginale ‘s sporks (which if all this TSP episode posts got you in the mood for PG show mockery I urge you to check out here - you’ll thank me later). In truth, Henry VIII’s early reign is a bit too late from my main area of focus for me to make intelligent jokes.

I’ll content myself with just bullet-pointing random thoughts that came into my head, and if some intelligent thought gets through, well that would be the pinnacle. In any case I’ll aim to not parrot some of the stuff that’s already been said, repetition can get annoying.

This image embodies this post, but maybe not the show. I’ve noticed those Starz productions get better by the end.

First Scenes:

- The recap just reminded me how much I will miss Margaret Beaufort in the coming episodes. I know her portrayal was innacurate but Harriet Walter just made everything better.

- They are making such a big deal out of this whole ‘we were crowned together, we rule together’ thing in this episode - it makes no sense. Catherine was an influential Queen but she was definitely no more than a consort and never saw herself as more.

- Ruairi’s new haircut is pleasing to my eyes.

- When she says ‘Abuelo’ it’s super adorable awww

The Ferdinand and Charles V scene:

- Bessie Blount looks so much like Ursula Pole lmao. Also they totally got the Pole children’s birth order wrong and UGH WHERE IS GEOFFREY POLE???

- I like Mary Tudor’s actress and her facial expressions. However, this whole polyglot image they are representing is innacurate. I am fairly certain she knew no spanish and I recall reading a contemporary account which said that she was not very learned.

- I’m pretty sure it would be considered bad luck to prematurely crown your son ‘Henry IX’ while you’re still alive.

- I actually like the whole Grape motif in this episode. It’s probably the smartest thing they’ve come up with so far for this episode. I know a lot of you will be all like ‘there’s no record of Ferdinand being abusive’ but this choice sort of makes sense when you recall Joanna’s treatment. Also I appreciate them for not being tacky and showing flashbacks of more overt abuse eg physical. The sugared grape is also fairly symbolic (the sugar is like a gilding, the grape easily crushable)

- OMG the guy from Garrow’s law is playing Thomas More!

- AND PLEASE PLEASE TELL ME IM NOT SEEING THINGS? Margaret Pole x Thomas More is happening?? Please god that is a historical crackship I am getting behind. Yes. This is what I’m most invested about.

Margaret Tudor and Scotland Scene:

- The whole ironic cutaway to Margaret being all depressed after Charles Brandon’s statement about her charming Scottish king is such a cliché movie technique.

- If this were a more artsy film I would think the whole setup resembling a stereotypical middle-class family breakfast was done on purpose for humorous effects or to create a link with the past. But here I don’t have as much trust in the producers. I think they just failed to capture the time period accurately.

- The modernisms continue: ‘Negassi please stop playing’ idk, there just something so modern about this for some reason ahaha

- Also again, I’m getting tired of all this ‘Catherine is basically queen herself’, ‘Catherine is a political genius’, ‘Catherine Catherine Catherine’ ugh. I don’t think the producers understand that Henry VIII was a very autocratic and traditional ruler. He didn’t make any show of joint-rulership (correct me if I’m wrong).

- The teeth thing is funny, smart and I liked it.

Back to Westminster:

- I like Ferdinand’s actor!

- Also Catherine’s response to ‘who are you loyal to?’ was not that smart. I feel like the producers wanted us to be impressed. What if Spain and England’s interests conflict, ey??

The Joust:

- I care too much for the whole Margaret Pole plotline. I’m so invested.

- I could watch a series of More and Pole just exchanging lines. I love the actors too and this is my hope for this series. The whole frustrated parents is SO CUTE.

- I didn’t know More tutored Reggie, I would be curious to know more.

- The way compton says groom to queen’s stool is freaking hilarious. He looks like a pervert.

- Henry Pole is a darling and must be protected at all costs.

- Oh Christ oh Christ that eyeball shot was just... good job on the special effects guys. Don’t know what the point of that choice was.

- I found the whole armour mentions after interesting, it looked so set up as a PR campaign because Stafford speaking about the armour just sounded like a statement agreed on beforehand ‘should have worn the same’ and the Catherine with ‘steel in the bones’ and Ferdinand’s impressed face (it was him playing them?)

- Am I giving this show too much credit?

- Also whats up with “God save the Queen?”

War Counsel:

- Henry VIII’s actor is quite charismatic in this scene. It’s almost as if Catherine is the hothead and Henry the wise one that speaks less but more significantly. It almost feels like they gender-swapped them.

The Bedchamber:

- Did Catherine breastfeed the baby? I thought it was Anne Boleyn. Doubtful... I’m tired of the trope of ‘you’re a good woman if you insist on breastfeeding the child yourself despite social conventions’. For a feminist show, the writers seem very attached to some 1950s perceptions of motherhood.

- I feel like the age difference between Catherine and Henry is well conveyed.

Scotland Again:

- ‘All the sheep were pregnant’ 👀 oh touché Margaret. oh my. Did she just?

- I know they are playing out this disenfranchised Margaret arc to reinforce how great Catherine and Henry are (cheap technique) and to build up to her involvement in Flodden (innacurate historically but I know what the show will do). But I will say this: the humour is pretty good in the Scottish scenes! But I know it’s unintentionally so... (I highly doubt they wanted us to laugh at Margaret hitting James or calling Alexander a pig).

Westminster and the baby chamber:

- What’s are those red splotches on the babies face??

- Oh that shot of Margaret and silent Reginald :((( it makes me sad.

- And now the Poles are at church! I just love the look of them.

- That scene of Maggie and Catherine was needed, as we didn’t get the best friends vibe much in this episode. The whole thing looked a bit pagan though, but it was nice :)

The whole Ferdinand’s betrayal segment:

- The grape motif again was fitting, him snapping the fruit right before she gets to it even despite her knowing what he’s like and what he’ll do, was a good parrallel.

- I’m tired of hearing of this ‘Camelot’. Even in the novel, Camelot was Catherine and Arthur’s dream and... can we just live it up with Arthur?

- Ursula Pole’s, Bessie Blount’s and Mary Boleyn’s actresses look way too similar.

- I fail to see why Catherine thinks she’s turning into her father... she doesn’t strike me as much of a game-player or subtle two-facer.

- I’m intrigued what will happen with Oviedo and Lina... I feel like they won’t stay in England long.

- He was made knight bannaret... nice... but why does he thank Catherine publicly for this? It was in Henry’s gift that he was made a commoner Knight.. if this transpired irl Henry would have been gravely insulter.

Catherine’s Dead Baby and thereafter:

- Guys. In all seriousness, I don’t think the TV series is trying to imply that Catherine killed the baby with her negligence. I mean, they are so bent on us liking her they wouldn’t do that. It would be a bit too ballsy anyway. Remember the red splotches I mentioned earlier? Could those have been a sign that he was already ill but no one noticed/was in denial?

- The pebbles in hands would have had more emotional payoff if it had been established earlier if you know what I mean. Basically, this episode is too fast and entire arcs begin and end within it which extinguished any build-up.

- Oh man Henry is so sweet in this, how will they build him up as the tyrant he was historically if they keep this up?

Scotland Again:

- I must admit, I don’t like all those nicknames they keep using. But somehow James calling Margaret ‘Meg’ is nice and seems fitting.

- What’s a hermana sister?

England Last Mourning Scenes:

- YOU DID NOT BUILD CAMELOT ughhh

- Why is Catherine giving the speech and not Henry?? It turns out Catherine was more emotional historically then the whole perception of ‘perfect queen of stone’ to which some people hold her. However, I doubt it would have been proper of her to give a speech in such a emotional manner.

Conclusion:

6.5/10

Some of the dialogue was stilted, the costumes are confused as to which era they’re supposed to be (aesthetically distracting) and many other characterisation issues.

I don’t have high hopes for this series in terms of cinematography or art but I sure as hell expect it will be entertaining. So far, everything is just getting set up and I find some aspects promising. As you can tell I am truly excited over how the Margaret Pole plotline. I am also interested in how Henry will be portrayed, with Catherine being so OTT and pushy this episode Im starting to Stan him more. In this show he appears sensitive and serene and kinda... adorable. Kind of like a little brother hanging onto his sister’s skirts.

But in a way that is a disservice to the real historical figure which would not tolerate such a representation. I am very irritated by this whole ‘joint-rulers’ thing which is just sooo innacurate. These STARZ shows have an obsession with showing women turn into men for the purposes of feminism - I see.

Catherine overpowers Henry too often and it sometimes feels like he’s HER consort. Of course, the feminism in this show is schizophrenic as we get the overemphasis of Catherine as a 1950s motherly ideal with the whole breastfeeding angle (“you’re better than other noble woman who would find this beneath them”, “they’re not as motherly as you”).

So the relationship dynamic between Henry and Catherine is a bit off at the moment, but oh well.

Mary Tudor is a bit distracting with her dark hair but I find the actress extremely endearing and promising. I know there will be emphasis on her storyline too and I hope they’ll not be clichéd with it.