hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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I need a fic where Steve and Eddie are sorta friends after S1. He isn't talking to Tommy H, so he has to buy his own stash, and since he saw a monster, he's more in need of that stash than before. Steve is still with Nancy, there isn't anything romantic happening between Eddie and him, but they're close enough they have stopped acting like guests at each others place when they're over.
They get way too high the friday before Halloween of 84, and Eddie accidentally outs himself. Doesn't say that he likes Steve, but the pieces are there if Steve wants to connect the dots. Eddie runs for it, and Steve is confused why he ran, but thinks that he should give Eddie some space, since he obviously wants that. Enter S2.
Steve gets a little in his own head about dragging people into the Upside Down crazy. It got Bob killed this time. People die, and the closer people are to the group, the more likely it is that they'll end up in danger or dead. The best case scenario is that they have nightmares and brain damage.
So Steve takes the echoing silence between him and Eddie as a chance to keep him safe. Eddie is terrified that Steve hates him, so he's not going to say anything. Then, Steve shows up to school beaten to shit and single, and Eddie asks if he's okay, what happened, who did this, why.
Steve really wants to loop back to why Eddie ran out so fast after saying that he was 'a friend of dorothy', because he missed it entirely, but asking would encourage Eddie to stay around him, and that isn't safe. He is still a bit concussed, and convinced that if he tells Eddie about any of it, the guy will figure out all of it, and get himself killed. Brushes him off.
Its not until a year later, talking to Robin about queer culture that he understands what Eddie was saying, and why he ran. He also realizes that cutting off contact must have convinced Eddie that Steve was disgusted by him. Steve tries to reach out, tries to catch Eddie after Hellfire, shows up to his trailer a few times. It's late, but Steve wants to apologize and fix that one thing if nothing else.
It doesn't work, Steve takes the hint, and goes back to avoiding Eddie. So, the first time they talk again is in the boathouse.
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Once again, Zedaph finds himself outside the closed gates of the Deep Frost Citadel, tapping his feet with annoyance. Honestly, by now you’d think the stupid thing would understand Zedaph always gets his way, when it comes to Tango, but no, Tango’s stupid base keeps trying to stop him.
“I told you, I’m not here to negotiate, I’m here to pick up my friend,” Zedaph says irritably. The gates of the base don’t respond, and don’t open. “I have a very important nap to be taking, I’ll have you know, and I will not be stopped by… by base chicanery!”
There’s a deep, rolling growl from somewhere in the bowls of the citadel. It sounds like ravagers.
“Oh, don’t you threaten me, you know I’ll run around and die in there all you want as soon as it’s ready. Not even afraid, am I? You’ve had your taste of the good old Zed flesh, but no sir, you aren’t getting me today. The high-voltage wires were a good trick last time I came to bother Tango, I admit, but it won’t work again!”
Another rumbling growl. Zedaph huffs. It would certainly be nice if Decked Out spoke in human to him, so he wouldn’t have to keep guessing. Even sheep would be better—Tango may have an affinity for beasts, but Zedaph only has an affinity if the beasts are also silly.
He makes an educated guess. “Yes, yes, I know you’ve ‘eaten him’ or whatever. Well I’ll have you know that Tangos have more nutritional value after watching me take a very important nap. And also dying. Its enriching. You like enriched Tango—okay, okay, that wasn’t the complaint, geez, you don’t have to shout at me. At this rate I’ll just use my pickaxe to break through the door, and then what will you do, huh? Nothing. You’ll do nothing, because you’re a big stupid building in the ground, and Tango was my friend first.”
A rumble.
“Haha, yeah, take that. We’ve been friends for years. You might be his magnum opus, but you’ve never made him sign a custom body pillow with your beautiful face on it, have you? That is the bond of men! No base can do anything about that.”
A louder rumble. Zedaph feels what he thinks is supposed to be fear and desire to wander into the depths and die or something silly like that. Zedaph isn’t certain, because it’s not as important as Zedvancements. This is one of Zedaph’s special abilities: if it’s not as important as whatever he’s doing right now, he’s very good at ignoring it until it becomes important. So, like, the Citadel is trying to lure him to his death, but that’s less important than taking a very deadly nap while Tango watches with horrified awe, so he’ll just ignore it until later.
Works every time.
“Listen, I’ll bring him back in one piece! Have I ever lied about that? I never do. He always comes right back to work, even when I do distract him, and he’s chipper again, right? I barely even disrupt things. Not that you could do anything if I did, of course, you hunk of stone and ice.”
Zedaph stares at the closed doors for a bit longer. He thinks this is about when anyone else would either die on the spot, or run away screaming, or maybe just come in and feed themselves to a ravager, but the that’s because the other hermits very frequently don’t have anything better to do than to get caught up in other people’s nonsense, in Zed’s experience.
Zedaph simply has so much nonsense of his own that he can out-stubborn even Tango’s base. Like he said: a special talent.
Slowly, as though greatly reluctant, the gates open.
“Thank you, geez! Was that so hard?”
Zedaph stomps through to the hidden access door of the Decked Out maintenance tunnels, grabbing one of the supplemental oxygen masks as he does. He sighs as he realizes that Tango, once again, has forgotten he needs to breathe. Hopefully, the fact Zedaph is currently keenly aware of needing to breathe on account of planning to not do that ten times in a row does not remind Tango.
He finds Tango taking a nap tangled in some high-voltage redstone lines. This time, Zedaph knows better than to touch them. It had been a mite embarrassing the last time. “Tango! Hey, Tango!”
“Wuh?” says Tango, eloquently. “I’m up, I’m up, level three’s almost done I swear—”
“Tango, get up, I have bedroom tricks to show you!” Zedaph says.
“I’m up! Zed? Oh hey! What are you doing all the way out here?”
“I told you. It’s urgent, Tango, urgent. I have bedroom tricks only you can assist me with.”
“Well, that’s a good time I wasn’t expecting,” Tango says.
“No, you idiot! Get your head out of the gutter, and come on! I have things to do!”
“Okay, Zedaph, geez, geez, lemme just—”
“I’ve already asked your stupid base,” Zedaph says. “It’s fine. Now, get out of those wires before I get shocked or something, and we’re going to go have fun.”
Tango slowly uncoils himself. “Right. I’ll get ready and—” Zedaph whips a pair of sunglasses out of his pocket. Tango pauses before smiling brightly. “Oh, you’re the best.”
“I really am,” agrees Zed, and he grabs his best friend’s hand and leads him out of the Deep Frost Citadel to show off his latest contraption. He turns around and sticks his tongue out for good measure at the base as they go. Hah. Take that. The best. There’s no beating it.
And there’s no keeping him away from Tango. Zedaph guarantees it.
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